Summer 2021 Newsletter Royal Photographic Society
SOUTHERN REGION NEWSLETTER SUMMER 2021
© Mike Rowe FRPS
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Summer 2021 Newsletter
© Bhupinder Ghatahora ARPS ARPS
Contents Page
Welcome …………………………...……..…….. 02
Members Gallery ……………………………… 05
Project Frontiers …………………..…………. 15
Southern Region Society Representatives ……………………..……….. 23 © Antony Topham
Why Volunteer Paul Cox ARPS Bio …………………….…… 24 David Ashcroft LRPS Bio ..………….…… 25
Southern Region Special Interest Groups Representatives ……… 27
My Path to Infrared Photography David Ashcroft LRPS ……….…….…………. 28
Useful Links ……………………………..………. 51
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Summer 2021 Newsletter
Welcome By Bhupinder Ghatahora ARPS (Regional Organiser)
We have had lots of online events over the past few months, which have all been successful. I would like to thank Dave Peckham ARPS for his inspiring talk on how he achieved his ARPS, titled ‘An Eye for an Eye’, Antony Topham on his talk about ‘HDR using Snapseed’ and a big thank you David Ashcroft LRPS for his interesting and creative talk on ‘Infrared Photography’. With lockdown restriction easing we may be able to organise face to face meetings and photo walks soon. I would like to thank you all for your continued support during the Pandemic and supporting the Southern Region with its online events. I would like to take this opportunity to briefly talk about Project “Frontiers”. The project is called “Frontiers” because it should serve to explore often overlooked subjects, to look at geographical boundaries and help overcome personal boundaries. The project is open for all RPS UK Regions and Special Interest Groups. Please see page 15 for the project description and brief. This is an exciting and a new opportunity for everyone to participate. The event is on our website https://rps.org/regions/southern/ I will be holding Zoom meetings, where I will be discussing the project and ideas with all the participants and provide support if needed. This is a free event, however it has to be booked via the website. Please see the website for full details. We are currently in the process of organising more events and workshops, please do keep an eye on the Southern Region website.
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Welcome By Bhupinder Ghatahora ARPS (Regional Organiser)
Newsletter Contributions: As you are aware, a few changes were made to the newsletter, where we added ‘Members Gallery’ page. I would encourage everyone to contribute to this section as it is a great way of getting your work showcased and talk about your photography. We have had a good response from members to add their work in the ‘Members Gallery’ section of this newsletter and thank you for your support. •
Members Gallery: In this section we are looking for members to share their photographs and photography stories with the Region. Please email your work to southern@rps.org by 30th October 2021, for your work to be considered for the next newsletter. Images should be sized at 1200 pixels at 100 dpi and maximum 2 images per member with 100 to 150 words accompanying the images. Please send images as attachments not embedded with the email. Please note, photographs sent to be included in the next Newsletter may be published in the future Newsletters.
If you would like to contribute in any of the below topics, please do get in touch with me on southern@rps.org We would like to hear from our members and their stories. Please note: please send any contributions in by 30th October 2021. • • • • • • •
Photography articles Articles on any workshops Quick Tips either on Photoshop, Lightroom, Snapseed Photography ideas: what to photograph, photography projects Our committee members talk about their volunteering experience Your questions and answers regarding photography (send questions before hand) Your photography journey with the RPS and what inspired you: to add your story in the Newsletter please email southern@rps.org your ‘RPS Photography Journey’ by 30th October 2021 (maximum 500 words)
Please do visit our website and Facebook, Meetup and other social media platforms. I look forward to meeting you all in person soon. I wish you all the best with your RPS Assessments, and Photography adventures. Take care and be safe.
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WELCOME
© Bhupinder Ghatahora ARPS
Bhupinder Ghatahora would like to invite the Southern Region members to talk about their photography or their photography projects. If you would like to share your work with members across the Region and have your work published in our next Newsletter, please send your Image (100 dpi with 1200 pixels at the longest side) along with a description (100 – 150 words approx.) to southen@rps.org by 30th October 2021 Please send images and word documents as attachments, do not embed text and images in the email. Please note, photographs for Newsletter submissions will be reviewed and it is not guaranteed all will be published. The selected photographs will either be published in the next or future Newsletters.
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Members Gallery The photograph below has been taken by Mike Rowe FRPS
© Mike Rowe FRPS
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Summer 2021 Newsletter
Members Gallery The photograph below has been taken by Mike Rowe FRPS
© Mike Rowe FRPS Over the last couple of years, I’ve been experimenting with taking focus stacked images of insects in the field. I use an Olympus micro four thirds camera which offers in-camera stacking, though I prefer to stack the frames back at home on my PC using Zerene Stacker. The technique is rather hit and miss, but when it works the detail obtained is impressive. You need really calm conditions, good light though ideally not full-on sun, and cooler early morning temperatures. Oh, and plenty of practice and patience. Finally, I found the Royal Entomological Society really helpful in subject identification.
Mike Rowe FRPS
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Members Gallery The photograph below has been taken by David Ashcroft in Puzzle Wood in the Forest of Dean.
© David Ashcroft LRPS The wood covers 14 acres (5.7 ha) and shows evidence of open-cast iron ore mining dating from the Roman period, and possibly earlier. Over a mile of pathways were laid down in the early 19th century to provide access to the woods and provide picturesque walks. The area contains strange rock formations, secret caves, and ancient trees, with a confusing maze of paths.
In this image I wanted to contrast the tree roots and the organic growth with the rocks and how they have adapted to living together. I largely work in B&W and this image was converted from the RAW Sony file in Capture 1 Pro. The equipment used was a tripod mounted Sony A7Rii with a 50mm manual Canon FD lens and a Mirex tilt and shift adapter.
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Members Gallery The photograph below has been taken by Barry De Morgan
© Barry De Morgan The above image was taken in 2010 in Morocco. I have titled it "sharing a joke”. The photograph was taken in Essaouira a small town in Morocco on the Atlantic coast. The image was taken along with many others of local characters in this fascinating part of the country.
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Members Gallery The photograph below has been taken by Paul Rigg
© Paul Rigg "Horologist - this is one of 15 images I submitted to the RPS for consideration of an ARPS award. I felt the subject (horologist's) hands perfectly fitted the task. The hands appear delicate yet firmly in control, technical yet artistic. I processed the image in monochrome, hoping the tonal range would accentuate the hands and draw away from the background. I was content that the image satisfied the statement of intent of the whole panel but would also stand on its own as visually interesting."
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Members Gallery The photograph below has been taken by Glyn Fonteneau ARPS
© Glyn Fonteneau ARPS My main interest in photography is nature. However, when entering nature competitions, you are not allowed to alter the photos except basic exposure and cropping adjustments. Therefore, getting it right in the camera is required, no easy task. This photo was taken in 2019 in Costa Rica, light is not surprisingly in short supply in the rain forest so high ISO's and slow shutter speeds were required, I used f8 to give enough depth of field to the subject whilst still give a pleasing background.
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Members Gallery The photograph below has been taken by Antony Topham
© Antony Tomham
This image was taken on a 6 1/2 mile walk with my best friend, around Ashbury. The walk took us in a circle, along an ordinance survey route, and through many fields. The fields were somewhat overgrown, so the patches were a little difficult to see at the time. I had my DSLR with me, and while I took a great many photos, this one stood out more due to the poppies in the field. It was a lovely sight to see, especially with all the crops growing as we had the perfect conditions after April's continued frosty mornings. It was a much-needed walk after all that's been going on with the pandemic.
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Members Gallery The photograph below has been taken by Sue Phillips
© Sue Phillips The image was taken on 8th January 2020…. Looking down at the wall of the lock at Aldermaston Wharf. I used my Olympus E-M5MarkII, creating a double exposure in the camera. The final image has been cropped to a square format. Shoot details: Aperture: f16, Shutter: 1/320, Exposure -3, Focal length 23mm, Aperture Priority
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Members Gallery The photograph below has been taken by Paul Cox ARPS
© Paul Cox ARPS
Recognisable as Burnham on Sea, this image is from the last shoot I shared with my good friend Stuart who passed away in April this year. Allegorically, Stuart stood tall and straight, had an uncomplicated wisdom, shone in company and always fun to be around. This will always be a favoured place.
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Members Gallery The photograph below has been taken by Eric Ferbrache ARPS
© Eric Ferbrache ARPS
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PROJECT FRONTIERS Planned 2021 Events (All events must be booked via the Southern Region Website)
Event: Project Frontiers Cost: Free Registration & Statement of Intent: 30th August 2021 Date: To be completed by October 2021 Follow-up Zoom meeting: A link will be provided to all those who have booked on the event to discuss the progress of the project. Organiser: Bhupinder Ghatahora ARPS – southern@rps.org Location: Personal independent project to complete following the brief provided below Details: All participants need to book the event on https://rps.org/regions/southern/ Please note that this is an independent project to complete following the brief provided on the next page.
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Project Frontiers Brief (All events must booked via the Southern Region Website)
BRIEF Project “Frontiers” - project description and brief We’re launching a collaborative project involving several RPS UK Regions and Special Interest Groups. We want to support photographers of all levels to work on a photography project, and to engage with the RPS and fellow photographers. The project is called “Frontiers” because it should serve to explore often overlooked subjects, to look at geographical boundaries and also help overcome personal boundaries.
WHAT: The topic is the photographic exploration of peri-urban areas, often also called “edge lands” or “fringe lands”. These are the transition zones between urban areas and the natural environment. For further information on the theme, please see below. Contributions to the project can employ a variety of photography genres and approaches. Each participant’s contribution consists of a statement of intent and either three or five images (as specified by your region or special interest group), edited and arranged as a sequence. Your region or group might allow or ask for additional information on the chosen subject and your approach.
WHY: Edge lands are vital to settlements and their communities, but often overlooked or not appreciated. We want to explore the use, function, and aesthetics of edge lands, and to further the photographic skills of the participants.
WHERE: In each photographer’s geographical vicinity. This allows repeat visits to the chosen location, it should encourage the photographers to look at their immediate environment in new ways, and to cut the need to travel to the bare minimum.
WHEN: Now till October 2021
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Project Frontiers (All events must be booked via the Southern Region Website) WHO: All Southern Region members can participate, no matter on what photographic skill level you are. But an absolute requirement is intrinsic motivation, the commitment and dedication to put the required work and thought into the project, and participation in online meetings.
HOW: While the participants generally work on their own, we encourage the formation of (online) peer group(s) to discuss the work and to inspire each other. The participants receive advice and support throughout the project.
OUTPUTS: At the end of the project, we will self-publish curated photo books, put an exhibition together (print and/or digital), and further disseminate the work through appropriate outlets (print and ejournals, website, e-newsletters, online talks etc).
HOW TO PARTICIPATE: 1) Please carefully read this brief and the accompanying ‘Questions and Answers’ document. 2) Then send your statement of intent of max. 300 words to Bhupinder Ghatahora via email on: southern@rps.org by no later than 30th August 2021. This statement should give information on your chosen subject and why you chose it. 3) Register here https://rps.org/regions/southern/region booking system before the 30th August 2021.
COSTS: Participation is free of charge. At the end of the project, the photobook(s) can be purchased. The price per copy depends on the pagination and the number of copies printed. Once available for sale, the price will be advertised.
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Project Frontiers (All events must be booked via the Southern Region Website)
Project “Frontiers” - Questions and Answers Why ‘edge lands’? Many edge lands can be reached without extensive travelling, and in this way, we can photograph even during times of restricted movements, keeping the carbon footprint low, and visit the location repeatedly until we are satisfied with our pictures. Looking at and visually exploring something we would usually overlook, and exploring our immediate surroundings, could even be considered a mindful approach. Edge lands might not always be pretty, but they are the location of vital infrastructure. Exploring edge lands poses a challenge on how we approach a subject and how we visualize it. To quote Andreas Feininger from his book on composition in photography: “…what counts is not what you look at, but how you look at it.” What is the definition of ‘edge lands? There are definitions of edge lands in the literature, but for the purpose of this project we want to keep it simple, and so as a loose definition we consider the transition zones between the built and the natural environment as ‘edge lands. We do not want to be too specific, to give the participants, the most freedom and leeway for their creativity. Can I go out and take pictures during times of government-imposed restrictions on movement? Under no circumstances do we ask or encourage participants to contravene government-imposed restrictions and breaking the law. What do I do if the edge land I want to photograph is privately owned? You would need to obtain permission from the landowner to photograph on private land, and to receive permission for the intended use of the images. It might help if you point out that you are working on a photographic project, and that you are a member of the RPS. Please note that permission for the usage of the images can be very specific, for example the landowner might allow you to use them for a photobook but forbid to have them published on social media and other digital platforms. In this case the project will be a no-go, as the photobook will also be published electronically incl. RPS websites. Please be non-confrontational and do not argue with landowners, they have got the law on their side. It is the photographer’s responsibility to abide by the current privacy laws. If in doubt, it is better to pursue a different project.
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Project Frontiers (All events must be booked via the Southern Region Website)
Project “Frontiers” - Questions and Answers Is aerial photography eligible? Yes Why do I need to send in an artist’s statement and/or additional text? The artist’s statement supports your vision and the message you want to convey with your images. A concise statement helps you focus on the key points of your project. Additional text might further enhance this message and give the viewer additional information on your chosen topic. The requirement for accompanying text may vary by region or group, please check the requirements published by your region or group. Do I need to post-process the images? If you want to, but it is not a requirement. Straight out of camera is fine if that suits you. However, please keep in mind, that images often benefit from post-processing and adding the final touch. If you process your images, you are in charge of what the picture looks like, and not the engineers and programmers working for the camera manufacturers. Please note due to the file size, raw images will not be accepted for publication. For technical image specifications, please see below. What are the image specifications? Jpeg format, file size below 10MB, longest edge 4000 pixels, resolution 300 dpi, colour profile sRGB (please note: colour space and colour profile are two different things, please make sure that you apply the sRGB colour profile). How do I need to name the files? Please use the following file naming convention: Your full name (first name followed by surname) followed by a number in ascending order to reflect the sequence of the photographs. Example: John Smith - 1.jpeg. This will be the first image in John Smith’s sequence. Who does the image sequencing? You define the sequence of the images. They will be printed in the order you specify (see file naming convention).
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Project Frontiers (All events must be booked via the Southern Region Website)
What happens to the copyright of my images? The copyright stays with the creator of the images. All photographers are credited. Where will the images be published? All images will be published in a photo book or several books, depending on the number of participants. All participants will be sent a pdf copy of the book(s). We will publish the work on RPS websites and in RPS communications like newsletters of the regions and special interest groups, as well as on RPS social media accounts. What happens to my electronic images after the book has been printed? The images will be kept on the Microsoft OneDrive’s of the participating regions and groups until the end of 2022, to have the images available for the creation of further outputs. After that, they will be deleted, and no copies will be retained. Do the images need to be in digital form? Yes. We cannot accept film negatives, prints, or slides. All images need to be in digital form. Please see image specification.
Who do I contact if I want to participate? The coordinator of your region or special interest group. The contact email address is given in the project brief published and disseminated by your region or SIG.
How do I get the pictures to the coordinator? Via the free browser-based file transfer services WeTransfer.com or Dropbox. Can I apply image processing techniques like HDR? Yes, but please keep in mind that the processing technique should suit the subject matter. It might be a suitable technique for urbex or gritty scenes, but probably less so for a documentary approach or fine art approach.
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Project Frontiers (All events must be booked via the Southern Region Website)
Can I apply creative techniques like multiple exposures? Yes, but please keep in mind that the processing technique should suit the subject matter. Multiple exposures, intentional camera movement (ICM), Orton effect and the like might suit some subject matter better than others. Can I use a creative approach, or does it need to be ‘straight’ photography? Every photographic approach, straight or artistic, is fine. It all depends on the subject matter and how you want to visualise it. The finished picture counts - it needs to convey your intention and what you want to express. Is work eligible which is part of a project I already started working on? Yes, you can use images of a project you have started in 2020, but it’s important that you add new work created during the time window (May to August) of project “Frontiers”. I have a finished project I really like. Can I use these pictures? No. It is a requirement that new work is being made during the time from August 2021 to October 2021. However, you can use a project you started in 2020 as a starting point as long as you add new work, or you can revisit a previously finished project and add new work. Do I have to purchase the book made with the images of project “Frontiers”? No. There is no requirement to purchase the book, but of course it is nice to have a tangible product of the collated work, which can adorn your bookshelf and which you can show to relatives and friends. It could also make a nice gift. Also: the more people choose to purchase the book, the lower the price per copy.
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Project Frontiers (All events must be booked via the Southern Region Website)
I don’t feel comfortable shooting in edge lands or engaging with the landowners to seek access to their land, e.g., an industrial or business park. What do you suggest? Edge lands come in many different forms. It doesn’t need to be deserted edge lands, dodgy areas, or privately owned land. Look for easily accessible, public areas. As an example, I work on a project highlighting the importance and the use of a local cycle track which was created by the conversion of a disused railway line.
If I am a member of a participating region and group, can I submit two entries? Yes, one as a region member and one as a SIG member.
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Southern Region Society Representatives Southern Region Officers Regional Organiser: Bhupinder Ghatahora ABIPP, ARPS, ASWPP – southern@rps.org Southern Secretary: David Ashcroft LRPS – southersecretary@rps.org Southern Treasurer: Trevor Judd – southerntreasurer@rps.org
Area Coordinators •
Basingstoke & Southern Region – North Area
•
David Ashcroft & Bhupinder Ghatahora – (emails as above)
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Bournemouth & Southern Region West Area
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David Peckham ARPS – davepeckham@mac.com
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Channel Islands
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Eric Ferbrache ARPS – rpsciorganiser@gmx.com
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Salisbury & South Wilts Area
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Paul Rigg ARPS – paulrigg@outlook.com
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Southampton & South and East Region Area
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Paul Cox ARPS – southernevents@rps.org
Specialist Volunteers • • •
Web Editor: Chris Tank – southernweb@rps.org Publishing Editor – Position vacant Social Media Editor – Position vacant
Volunteers •
Salisbury & South Wilts Area
•
Anthony Topham – atopham9@gmail.com
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Southern Region West Area
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Glyn Fonteneau ARPS – info@sabreswitch.co.uk
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Why Volunteer
Why I joined the RPS I first encountered The RPS whilst meandering around The Photography Show at the NEC in the early 2000’s. I chatted to the representative on the stand at that time and was intrigued. However, I did not have time in my life for membership at that time, so I put on the back burner. I have been a volunteer in the Southern Region Committee volunteer group for 5 years. As an Event Coordinator my responsibility is twofold; (i) to act as the lead for any events being organised (by the Southern Region committee), and to organise events, in my area of the Region, and (ii) to help with the running of the Southern Region as directed by the three officers. I also have a responsibility to the RPS in representing the RPS at events, meetings (including Camera Club meetings) and Volunteering in the region gets you involved with the RPS at a different level. You have a voice in the region, you get to help with events and the organisation of the region, you get to represent the region/RPS at events and your camera club (if you belong to one), and you get to see how the RPS works, nuts and bolts. It’s really interesting and rewarding and challenging. And it does not take up a lot of your time, unless you want it too. As the saying goes – the more you put in, the more you get out. My interest in photography was piqued by the photographer we engaged to shoot my marriage to my first wife in 1980. I have distinct memories of how she organised people (and kids) and managed to obtain some beautiful images. From that experience I invested in an Olympus 35mm and set about destroying many reels of film. I didn’t get seriously involved with photography until the late 90’s when I finally decided I really needed to understand this phenomenon wrapped up in an enigma; so, enrolled on a couple of short courses and ended up taking a degree in photography. I like the processes involved with the documentary genre, which takes me into many aspects of image making. I particularly like taking documentary series based on people and/or architecture, but I also have a penchant for long exposure waterscapes and abstracts that can be derived from those types of images. Paul Cox ARPS
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Why Volunteer
I am currently Southern Region Secretary and event organiser for the northern area of the Southern Region. This includes the areas of North Hampshire, Wiltshire and Berkshire that fall within the Southern Region. He also fulfils the secretarial role. I started photography in my early teens, and I am still enjoying it and trying to improve some 50 years later! I have been a member of the Society for some time. I enjoy mixing with fellow photographers and leaning from them. Camera clubs are not my scene with their emphasis on equipment and competitions etc. I joined the committee to try and help other people with their development as photographic artists. I achieved my LRPS a few years ago and I am now working on my ARPS panel (which proving is a lot harder than I imagined!) My interests lie in Landscape, architecture, and fine art nude genres. Some of my favourite and influential photographers are Ansel Adams, Edward Weston, Helmut Newton, David Bailey, Man Ray, Andre Kertesz, Duane Michals, Cecil Beaton, Norman Parkinson, Horst P. Horst and Bob Carlos Clarke. David Ashcroft LRPS Email: southernsecretary@rps.org Mobile: 07710302684
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Call for Volunteers Would you consider volunteering with the RPS and being part of the Southern Region? We are currently looking to boost our volunteer group with members who would like to take an active part in the organisation of Southern Region events / Advisory Days and workshops. If you think you would like to give some time to the RPS as a volunteer, then please get in touch. We do not expect volunteers to give up lots of time or effort, just help with events, generate ideas, and to get a little more involved with the RPS organisation in the region.
Specialist Roles Volunteers Needed We are actively seeking volunteers to take up the specialist roles of Publishing Editor / Communications Editor and Social Media Editor. If you think you would be suitable for the role and would like to find out more, please contact the Regional Organiser, Bhupinder Ghatahora, either by email (southern@rps.org) or phone 07798 913218.
Role of Publishing Editor / Communications Editor: To publish / distribute newsletters frequently, gathering information for the newsletter, researching and developing articles.
Role of Social Media Editor: To manage Southern Region Social Media platforms by updating these with events, updates and Region’s news.
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Southern Region Special Interest Groups Representatives The Southern Region has three Special Interest Groups with a presence in the region. Below are the contacts for those groups should you wish to join or need further information on the group and what is happening in the area. You can also visit the main SIG page on the RPS website, here: https://rps.org/groups/ where you will find more information on these and all other Special Interest Groups in the RPS.
Documentary Group (Main) •
Christopher Morris – christopher.wmorris@btopenworld.com
Documentary Sub-group (Chichester) •
Jeff Owen – mrjeffowen@gmail.com
Digital Imaging Group •
Barry Senior Hon FRPS – digsouthern@rps.org
Landscape Group •
Andy Mclaughlin – landscapesecretary@rps.org
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My Path To Infrared Photography By David Ashcroft LRPS
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Useful Links Southern Region Events https://rps.org/regions/southern/southern-region-events-page/
Distinctions Qualifications https://rps.org/qualifications/
Licentiate Assessment • • • •
Dates: https://rps.org/qualifications/lrps/licentiate-assessment-dates/ How to apply: https://rps.org/media/murnekmk/dg001-a-guide-on-how-to-applyjanuary-2021.pdf Requirements: https://rps.org/media/andlqgih/dg002-lrps-requirements-january2021_v3.pdf Panel Members: https://rps.org/qualifications/lrps/licentiate-panel-member-list/
Associate Assessment •
Dates: https://rps.org/qualifications/arps/arps-assessment-days/
Fellowship Assessment •
Dates: https://rps.org/qualifications/frps/frps-assessment-days/
1:1 Portfolio Reviews: https://rps.org/advice
Lockdown & photography guidance https://rps.org/news/bristol/2021/january/lockdown-and-photography-guidance/
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