
CLOVERWOOD IFC


ANDREAS DELFS, MUSIC DIRECTOR
JEFF TYZIK, PRINCIPAL POPS CONDUCTOR
CHRISTOPHER SEAMAN, CONDUCTOR LAUREATE
The Christopher Seaman Chair, Supported by Barbara and Patrick Fulford and The Conductor Laureate Society
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ANDREAS DELFS, MUSIC DIRECTOR
JEFF TYZIK, PRINCIPAL POPS CONDUCTOR
CHRISTOPHER SEAMAN, CONDUCTOR LAUREATE
The Christopher Seaman Chair, Supported by Barbara and Patrick Fulford and The Conductor Laureate Society

The

Juliana Athayde+, Concertmaster
The Caroline W. Gannett & Clayla Ward Chair, funded in perpetuity
Angelina Phillips, Associate Concertmaster
The Fred M. And Lurita D. Wechsler Chair, funded in perpetuity
Shannon Nance, Assistant Concertmaster
Jeongwon An
Tigran Vardanyan
James Zabawa-Martinez
Thomas Rodgers
Anna Leunis
Molly McDonald
Kurt Munstedt
Chihiro Kakishima
Perrin Yang
Jeremy Hill
An-Chi Lin
Jeanelle Thompson, Principal
The Dr. Ralph F. Jozefowicz Chair
Daryl Perlo, Assistant Principal
The James E. Dumm Chair, funded in perpetuity
Patricia Sunwoo
Lara Sipols
Sooyeon Kim
Petros Karapetyan
Liana Koteva Kirvan
Margaret Leenhouts
Heidi Brodwin
Elin Schlichting
Ellen Stokoe
Joshua Newburger+, Principal
The William L. Gamble Chair, funded in perpetuity
Marc Anderson, Assistant Principal
Rebecca Christainsen
James Marshall
Olita Povero
Neil Miller
Melissa Matson
Ye In Son
David Hult
Grant Rieke
Ahrim Kim, Principal
The Clara and Edwin Strasenburgh Chair, funded in perpetuity
Lars Kirvan, Assistant Principal
Samuel Pierce-Ruhland
Christopher Haritatos
Garri Hovsepyan
Benjamin Krug
Jennifer Carpenter^
Ingrid Bock
BASS
Cory Palmer, Principal
The Anne Hayden McQuay Chair, funded in perpetuity
Michael Griffin, Assistant Principal
Daniel Morehead
Edward Castilano
Fred Dole
Jeff Campbell+
Eric Polenik
FLUTE
Rebecca Gilbert, Principal
The Charlotte Whitney Allen Chair, funded in perpetuity
Sean Marron
Elise Kim
PICCOLO
Sean Marron
Elise Kim
OBOE
Erik Behr, Principal
The Dr. Jacques M. Lipson Chair, funded in perpetuity
Anna Steltenpohl
Megan Kyle
ENGLISH
Anna Steltenpohl
CLARINET
Hector Noriega*, Principal
The Robert J. Strasenburgh Chair, funded in perpetuity
Kamalia Freyling^
Andrew Brown
E-FLAT CLARINET
Kamalia Freyling^
BASS CLARINET
Andrew Brown
BASSOON
Matthew McDonald, Principal
The Ron and Donna Fielding Chair, funded in perpetuity
Karl Vilcins
Martha Sholl
CONTRA-BASSOON
Karl Vilcins
HORN
YiCheng Gong, Associate
Maura McCune Corvington+
Nathan Ukens
Stephen Laifer+
Wesley Nance+
Herbert Smith
Paul Shewan
TROMBONE
David Bruestle, Principal
The Austin E. Hildebrandt Chair, funded in perpetuity
Lisa Albrecht
Jeffrey Gray+
BASS TROMBONE
Jeffrey Gray+
TUBA
W. Craig Sutherland, Principal
The Rob W. Goodling Chair, funded in perpetuity
TIMPANI
Charles Ross+, Principal
The Harold and Joan Feinbloom Chair, funded in perpetuity
Caleb Breidenbaugh, Principal
The Marie-Merrill and George M. Ewing Chair, funded in perpetuity
Brian Stotz
The Barbara and Patrick Fulford Chair, funded in perpetuity
HARP
Grace Browning, Principal
The Eileen Malone Chair. A Tribute to Mr. and Mrs. Harcourt M. Sylvester
Rosanna Moore
Chiao-Wen Cheng+, Principal
The Lois P. Lines Chair, funded in perpetuity
PERSONNEL MANAGER
Fred Dole
PRINCIPAL LIBRARIAN
Kimberly Hartquist
Kathalee & Ian Hodge Library
Operation Endowment
STAGE MANAGERS
Danielle Suhr
Cederick Martinez
+ Eastman faculty
^ Year leave of absence
* 1-year appointment
Andreas Delfs has built a reputation over his 35-year career as one of the most dynamic and respected conductors on the international stage. Celebrated for his visionary leadership and deep musical insight, he is equally renowned as a masterful orchestra builder and an inspiring music director. Known for his emotionally charged and dramatically nuanced interpretations—particularly of the late Romantic repertoire—Delfs has earned critical acclaim across North America and Europe. His performances are marked by an ever-deepening artistic maturity, bringing a rare combination of passion, precision, and authenticity to every podium he graces.
Educated at leading conservatories on both sides of the Atlantic and shaped by mentorships with legendary conductors, Delfs has cultivated a style forged through decades of experience. At the same time, his unwavering curiosity and enthusiasm for contemporary music have made him a champion of living composers. He has established lasting collaborations with many of today’s most compelling musical voices, conducting numerous world premieres and commissioning new works. Among his many artistic inspirations are Hans Werner Henze, György Ligeti, Philip Glass, and Roberto Sierra—composers whose diverse idioms have helped shape his unique interpretive voice. His artistry has also drawn world-class soloists to the stage, including André Watts, Emanuel Ax, Joshua Bell, Hilary Hahn, Yo-Yo Ma, Lang Lang, and Renée Fleming.
Delfs has held prominent leadership roles with orchestras on both continents. As Music Director of the Milwaukee Symphony Orchestra from 1996 to 2009—and later as its Conductor Laureate—he played a pivotal role in elevating the ensemble to national acclaim. He also led the Saint Paul Chamber Orchestra as Music Director (2001–2004) and Artistic Consultant (2004–2006). In Europe, he served as General Music Director of Hanover, Germany (1995–2000), overseeing both the city’s symphony orchestra and its distinguished opera company. Earlier appointments include Music Director of the Bern Opera, Resident Conductor of the Pittsburgh Symphony during Lorin Maazel’s tenure, and Music Director—at an impressively young age—of the Orchestre Suisse des Jeunes.
Throughout his career, Delfs has conducted many of the world’s premier orchestras. His international credits include the London Philharmonic, Royal Philharmonic, Frankfurt Radio Symphony, Leipzig Gewandhaus Orchestra, Tonhalle Orchestra Zurich, Danish National Symphony, Netherlands Philharmonic, NHK Symphony Orchestra Tokyo, Philadelphia Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Sydney Symphony, Beijing Symphony, Seoul Philharmonic, and the National Symphony Orchestra of Taiwan.
Born in Flensburg, Germany, Delfs began studying piano and music theory at the age of five. He studied under Christoph von Dohnányi and Aldo Ceccato at the Hamburg Conservatory, where, at just 20 years old, he became the youngest Music Director of the Hamburg University Orchestra and served as Musical Assistant at the Hamburg State Opera. He later continued his training at The Juilliard School, studying with Jorge Mester, Sixten Ehrling, and Leonard Bernstein, and was honored with the prestigious Bruno Walter Memorial Scholarship.


25/26 marks Jeff Tyzik’s 32nd season as RPO Pops Conductor. But his musical journey began long before his permanent residency in Kodak Hall.
Born in Hyde Park, New York, he started playing cornet at age nine—inspired by the buglers during an Independence Day parade in nearby Poughkeepsie. He switched to trumpet at age 11, and eventually went on to attend Rochester’s Eastman School of Music, ultimately earning Bachelor of Music and Master of Music degrees.
Even before Tyzik’s schooling was completed, his star was on the rise. While at Eastman, Tyzik met Chuck Mangione, with whom he worked between 1973 and 1980 —both as lead trumpeter in Mangione’s band and as co-producer of four albums. During that time, Tyzik befriended Tonight Show band leader Doc Severinsen, who eventually invited Tyzik to London to record two albums. That relationship proved fruitful, with Tyzik producing the Grammy-winning The Tonight Show Band with Doc Severinsen, Vol. 1. Severinsen’s albums with Tyzik would go on to earn three additional Grammy nominations.
Tyzik also recorded his own albums as a solo trumpeter between 1981 and 1990, when he and his big band frequently performed in Rochester.
In 1993, Tyzik proposed a four-concert series featuring RPO members dubbed “All in the Family.” The first debuted Oct. 22 and highlighted Kenneth Grant (clarinet), Joseph Werner (piano), and percussionists William Cahn and Dave Mancini. Less than a month later, Tyzik was asked to become Principal Pops Conductor.
Jeff quickly made his mark on the orchestra, in his second season performing the first in his endearing, enduring Gala Holiday Pops series. He also made RPO history conducting an all-Gershwin album featuring pianist Jon Nakamatsu. The recording topped the Billboard Classical chart and remained in the top 10 for three months.
Over five decades, Tyzik has guest-conducted more than 100 orchestras, including the Boston Pops, Cincinnati Pops, and Milwaukee Symphony. In September 2023, he made his debut with the New York Philharmonic and returned later that season to conduct the Philadelphia Orchestra’s 2023–24 finale.
He’s also shared the stage with a remarkable range of artists across genres—from Tony Bennett and Leslie Odom Jr. to Wynonna Judd, Art Garfunkel, Marilyn Horne, Arturo Sandoval, The Chieftains, Megan Hilty, Dawn Upshaw, and John Pizzarelli.
In 2012, Tyzik and his daughter Jami co-founded the management and production company Greenberg Artists. Since 2016, in partnership with Schirmer Theatrical, they’ve developed dozens of orchestral Pops programs now performed by nearly 200 orchestras.
In 2023, Tyzik launched TyzikMusic.com, a digital publishing platform featuring more than 150 of his arrangements, orchestrations, and compositions for symphony orchestra, chamber ensembles, and wind ensemble.
The Christopher Seaman Chair, supported by Barbara and Patrick Fulford and The Conductor Laureate Society
Christopher Seaman was music director of the RPO from 1998-2011, and was subsequently named conductor laureate. During his 13-year tenure, the longest in RPO history, he raised the Orchestra’s artistic level, broadened its audience base, and created a new concert series. This contribution was recognized with an award from the American Society of Composers, Authors, and Publishers. In May 2009, the University of Rochester made him an honorary doctor of music.
Previous positions include music director of the Naples Philharmonic Orchestra (Florida) for 10 years, conductor-in-residence with the Baltimore Symphony Orchestra, and artistic advisor of the San Antonio Symphony.
He is recognized for his wealth of repertoire, which ranges from baroque to contemporary, and in particular the works of Bruckner, Brahms, and Sibelius Seaman also is highly regarded for his work with younger musicians, and he served as course director for the Symphony Services International Conductor Development Program (Australia) for many years.
Recent conducting engagements include the Aspen Music Festival, Detroit, Houston, St. Louis, Cincinnati, Milwaukee, and Seattle symphony orchestras; the Warsaw Philharmonic Orchestra, Kristians Symphony Orchestra, Orchestra of Opera North, and Orquestra Filarmônica de Minas Gerais in Brazil. He frequently visits Australia and Asia where he has conducted the Hong Kong Philharmonic Orchestra and the National Taiwan, Sydney, Melbourne, Adelaide, and Singapore symphony orchestras, among others.


Maintaining and operating the Rochester Philharmonic Orchestra (Founded in 1923 —Incorporated in 1930)
Diana Clarkson, Esq., Chair of the Board
Katherine Lindahl, Chair-Elect of the Board
Cindy Yancey, Vice Chair of the Board
Karen Kessler, Secretary
Richard Stein, Treasurer
Ross P. Lanzafame, Esq., Immediate Past Chair
TERM EXPIRES
JUNE 2026
Daisy R. Algarin
Diana Clarkson, Esq.
George Daddis
Catherine Frangenberg
Allyson Hiranandani
Dr. Diane Lu
Sujatha Ramanujan
Elizabeth F. Rice
Ronald E. Salluzzo
Dr. Eva P. Sauer
George J. Schwartz, M.D.
Richard Stein
Dr. James Watters
TERM EXPIRES
JUNE 2027
Brian Bennett
Emerson Fullwood
Kimberly Gangi
Paulette Gissendanner
Catherine Gueli
Zuzanna Kwon
Katherine Lindahl
Jack McGowan
Sidney Sobel, M.D.
Cindy Yancey DIANA
CLARKSON, CHAIR OF THE BOARD
JUNE 2028
Ron Dougherty
Sreeram Dhurjaty
James Fulmer
Laurie A. Haelen
Ralph F. Jozefowicz. M.D.
Karen Kessler
Deborah Onslow
Sara Poe
Joseph B. Rizzo, Esq.
Curtis S. Long President & CEO
Ross P. Lanzafame, Esq., Immediate Past Chair
Kate Sheeran
Dean, Eastman School of Music
Nathan Ukens
Orchestra Representative
Wesley Nance
Orchestra Representative
James Englert
Chairperson, Honorary Board
James Englert, Chairperson, Honorary Board
Stephen B. Ashley
Nancy Beilfuss*
James M. Boucher
Paul W. Briggs*
William L. Cahn
Louise Epstein
Joan Feinbloom
Ilene Flaum
Betsy Friedman
Patrick Fulford
Ronald A. Furman*
Mary M. Gooley*
Suzanne Gouvernet*
David C. Heiligman
A. Thomas Hildebrandt
Harold A. Kurland, Esq.
Dr. Dawn F. Lipson
Jacques M. Lipson, MD*
Cricket and Frank Luellen*
Michael Millard
Elizabeth F. Rice
Nathan J. Robfogel, Esq.
Jon L. Schumacher, Esq.
Katherine T. Schumacher
Ingrid Stanlis
Betty Strasenburgh*
Josephine S. Trubek
Suzanne D. Welch
Patricia Wilder*
Deborah Wilson
Robert Woodhouse
The RPO expresses its gratitude to all those who have served as Honorary Board members in the past.
1930–32: Edward G. Miner*
1932–34: Simon N. Stein*
1934–38: George E. Norton*
1938–41: Leroy E. Snyder*
1941–42: Frank W. Lovejoy*
1942–43: Bernard E. Finucane*
1943–46: L. Dudley Field*
1946–48: Edward S. Farrow, Jr. *
1948–51: Joseph J. Myler*
1951–52: Joseph F. Taylor*
1952–55: Raymond W. Albright*
1955–57: Arthur I. Stern*
1957–59: Thomas H. Hawks*
1959–61: Walter C. Strakosh*
1962–63: Ernest J. Howe*
1963–65: O. Cedric Rowntree*
1965–67: Frank E. Holley *
1967–69: Thomas C. Taylor*
1969–71: Thomas H. Miller*
1971–72: Mrs. Frederick J. Wilkens*
1972–73: Edward C. McIrvine
1973–74: Robert J. Strasenburgh*
1974–75: John A. Santuccio
1975–76: Robert J. Strasenburgh*
1976–78: Dr. Louis Lasagna*
1978–80: Edward C. McIrvine
1980–82: Peter L. Faber
1982–84: Paul F. Pagerey*
1984–85: Peter L. Waasdorp*
1986–89: Robert H. Hurlbut*
1989–91: Paul W. Briggs
1991–93: Karen Noble Hanson*
1993–95: Ronald E. Salluzzo
1995–98: A. Thomas Hildebrandt
1998–00: Harold A. Kurland, Esq.
2000–04: David C. Heiligman
2004–06: Ingrid A. Stanlis
2006–09: James M. Boucher
2009–11: Suzanne D. Welch
2011–13: Elizabeth F. Rice
2013–15: Dr. Dawn F. Lipson
2015-17: Jules L. Smith, Esq.
2017-19: Ingrid A. Stanlis
2019-2024: Ross P. Lanzafame, Esq.
* Deceased
SEASON & SERIES SPONSORS:
SEASON SPONSOR
POPS SERIES SPONSORS

ORKIDSTRA SERIES SPONSOR LENORE P. LESSER IN LOVING MEMORY OF SUNDAY MATS AT NAZ SERIES SPONSOR
RPYO SPONSOR
HOLIDAY SPONSOR
RPO FOR ALL SPONSOR
SEASON MEDIA SPONSORS

CONCERT SPONSORS:
BRAHMS


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EPISCOPAL SENIOR LIFE
FP
SAT APR 18
7:30 PM
SUN APR 19
2 PM
KODAK HALL AT EASTMAN THEATRE
Andreas Delfs, conductor
For Andreas Delfs’ biography, please see page 3. Julian Schwarz, cello
SAMY MOUSSA Elysium 12:00
JENNIFER HIGDON Cello Concerto (A Voices of Today Commission – World Premiere) 25:00
I. Poet
II. Dances
III. Fervent
IV. Lines
INTERMISSION
JOHANNES BRAHMS Symphony No. 3 33:00
I. Allegro con brio
II. Andante
III. Poco allegretto
IV. Allegro – Un poco sostenuto
SEASON
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CONCERT
SPONSORS:
OFFICIAL COFFEE OF THE RPO
We kindly ask you to please silence all cellphones and electronic devices. Also, please note that photography and video recordings are prohibited during the performance.
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Julian Schwarz has been heralded from a young age as a cellist destined to rank among the greatest of the 21st century. Julian’s powerful tone, effortless virtuosity, and extraordinarily large color palette are hallmarks of his style.

After making his concerto debut at the age of 11 with the Seattle Symphony, he made his US touring debut with the Moscow Radio Symphony Orchestra in 2010. Since being awarded first prize at the inaugural Schoenfeld International String Competition in Hong Kong, he has led an active career as soloist, performing with the symphony orchestras of Annapolis, Arizona, Boise, Buffalo, Charlotte, Columbus, Delaware, Des Moines, Hartford, Jacksonville, Louisville, Memphis, Modesto, Omaha, Puerto Rico, Richmond, Rochester, San Antonio, San Jose, Sarasota, Syracuse, Toledo, Tucson, Virginia, West Virginia, Wichita, and Winston-Salem, among many others. Internationally, he made his Australian debut with the Queensland Symphony and his Mexican debuts with the Boca del Rio Philharmonic in Veracruz and the Mexico City Philharmonic with frequent collaborator Jorge Mester.
As a chamber musician, Mr. Schwarz performs extensively in recital with pianist Marika Bournaki. In 2016 Schwarz & Bournaki were awarded first prize at the inaugural Boulder International Chamber Music Competition’s “The Art of Duo”, and subsequently embarked on an extensive 10-recital tour of China in March 2017. Mr. Schwarz is a founding member of the New York based touring ensemble “Frisson” and was recently appointed the newest core member of the Olmos Ensemble in San Antonio, TX. He is a member of the Palladium Chamber Players (St. Petersburg FL), the Alaria Ensemble (New York NY), and has given over 100 performances at Brooklyn’s Bargemusic. He has appeared at the Cape Cod Chamber Music Festival, Orcas Island Chamber Music Festival, Seattle Chamber Music Festival, Josef Gingold Chamber Music Festival, Verbier Festival, and the Salzburg Mozarteum. In addition, he runs programming for the Tuesday evening chamber music series at the Eastern Music Festival in Greensboro, NC. Mr. Schwarz is deeply committed to the future of American music, and will present the world premiere of Jennifer Higdon’s first Cello Concerto with a large consortium of orchestras in spring 2026, including the Rochester Philharmonic Orchestra. His championing of the cello music of Arthur Foote will result in the first commercial recording of Foote’s Cello Concerto (1894) with the Buffalo Philharmonic, to be released on the Delos label. Past commissioning projects include concertos by Lowell Liebermann (recorded with the Annapolis Symphony for release in 2025), Richard Danielpour, and Samuel Jones (recorded with the All-Star Orchestra for public television in 2012, subsequently released as a DVD on Naxos). Of special note is Mr. Schwarz’s ongoing commitment to the music of Jewish experience, including projects with the YIVO Institute for Jewish Research (music of Joachim Stutschewsky and his circle), the Defiant Requiem Foundation (music of Holocaust composers and their influence) Central Synagogue (yearly feature on Jewish Broadcasting), the Milken Archive of American Jewish Music—for which he has recorded the complete cello/piano works of Ernest Bloch, and a new association with South Florida Public Broadcasting to raise awareness of the history of Jewish music.
A devoted teacher, Mr. Schwarz serves as Associate Professor of Cello and String Area Coordinator at Shenandoah Conservatory of Shenandoah University (Winchester, VA), and on the artist faculty of NYU’s Steinhardt School of Music. In the summer, he teaches and performs at the Eastern Music Festival and the Josef Gingold Festiva. As a writer, he has contributed frequently to Strings Magazine’s Artist Blog, has written learner’s guides for The Violin Channel, and has edited a series of Ernest Bloch editions with written prefaces for Carl Fischer Publishing. Past faculty appointments include artist-in-residence at the Lunenburg Academy of Music Performance (Nova Scotia, Canada) and faculty teaching assistant to Joel Krosnick at The Juilliard School.
Born in Seattle, WA in 1991 to a multigenerational musical family, Mr. Schwarz studied at the Academy of Music Northwest and the Lakeside School. He continued to the Colburn School in Los Angeles under Ronald Leonard, and then moved to New York City to study with mentor Joel Krosnick at The Juilliard School (BM 14, MM 16).
Julian plays a Neapolitan cello made by Gennaro Gagliano in 1743 and American bows by Paul Martin Siefried.
JENNIFER HIGDON, composer
Jennifer Higdon is a Pulitzer Prize and three-time GRAMMY winner and is a major figure in Classical music averaging 300 performances a year of her works in many genres: from opera to chamber, symphonic to band, and solo works to concerti. She has even written works in forms not tackled before: a bluegrass/classical hybrid concerto, a concerto for the entire low brass section of the Chicago Symphony (at the request of Maestro Ricardo Muti), and one that features 6 soloists (for the new music ensemble, Eighth Blackbird).

Additionally, in 2018 she was awarded The Nemmers Prize in Music from Northwestern University. She has also received a Guggenheim Fellowship, two awards from the American Academy of Arts & Letters, the Koussevitzky Fellowship, the Pew Fellowship in the Arts, and funding from the NEA. A winner of the Van Cliburn Piano Competition’s American Composers Invitational, her Secret & Glass Gardens was performed by the semi-finalists in 2005. Her first opera, Cold Mountain, sold out its premiere run in Santa Fe, as well as in North Carolina, and Philadelphia (becoming the third highest selling opera in Opera Philadelphia’s history). Cold Mountain won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award’s history. Her second opera, Woman With Eyes Closed, recently premiered in Pittsburgh, and sold out its tickets so fast that an extra performance was added, and then, because that performance sold out so quickly, tickets were then sold to the dress rehearsal.
Her music has been hailed by Fanfare Magazine as having “the distinction of being at once complex, sophisticated but readily accessible emotionally”, with the Times of London citing it as “…traditionally rooted yet imbued with integrity and freshness.” The Chicago Sun Times recently cited her music as “both modern and timeless, complex and sophisticated, and immensely engaging in a way that both charms and galvanizes an audience craving something new and full of urgency, yet not distancing.” John von Rhein of the Chicago Tribune called her writing, “beautiful, accessible, inventive, and impeccably crafted.”
Higdon’s list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Cleveland Orchestra, The Atlanta Symphony, the Munich Philharmonic and the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Neave Trio, the new music ensemble, Eighth Blackbird, and the President’s Own United States Marine Band. She has also written works for such renowned artists as baritone Thomas Hampson and mezzo Sasha Cooke; mandolinist Avi Avital, pianists Yuja Wang and Gary Graffman; and violinists Joshua Bell, Nadja Salerno-Sonnenberg, Jennifer Koh, and Hilary Hahn.
Her orchestral work, blue cathedral, is one of the most performed contemporary works in the orchestral repertoire and is widely considered the first work in the 21st century to have become part of the standard repertoire. Since its premiere in 2000, it has received over 1200 performances. Higdon’s works have been recorded on more than 100 CDs. She has won GRAMMYs for her Percussion Concerto, Viola Concerto, and her Harp Concerto. Her work, All Things Majestic, written for the Grand Teton Music Festival, is part of that national park’s visitor center experience. The Library of Congress has added the recording of her Percussion Concerto to the National Recording Registry.
She has held residencies with orchestras and universities throughout the United States, and has worked with NPR and BBC Radio 3 on shows that featured her works. She assists in curating a series of new music for radio, with Brad Cresswell, through WGTE.
B. MONTREAL, CANADA
June 1, 1984
Canadian composer Samy Moussa wants his music to speak to every listener, from lovers of Beethoven and Mahler to those who rarely attend concerts. “That’s why I try to at least write music that has a potential of communication,” he explained in an interview, “music that has the potential to talk if someone decides, ‘ok I’m sitting and listening, am I going to get something?’” His answer? “Yes, you will get something.” His works hold electrical charge, producing sizzling effects with musical materials that are sometimes minimal yet treated expansively, with Brucknerian influence. That sizzling charge provides developmental force in Moussa’s Elysium, which has no outright melody but instead relies on waves of sound and shifts of color, with ever-present brass and an array of percussion. The title alludes to the Elysian Fields, a utopian destination from Greek mythology. But unlike Greek mythology, where only the gods’ chosen heroes get to visit, Moussa’s Elysium is more inclusive. It’s a democratic paradise conceived by the fifth-century philosopher Empedocles as “the ultimate reward for an ethical life,” or as Moussa interprets, “a metaphor for a beautiful life, for a life well-lived on this planet.” Encompassing slides, oscillations, and scampers, the work ultimately luxuriates in heroic soundscapes, a sonic paradise for audiences. The work premiered in 2021 with the Vienna Philharmonic and has since made the rounds on orchestral programs around the globe.
Cello Concerto
B. BROOKLYN, NEW YORK
December 31, 1962
It is one thing to write for instruments that don’t have a lot of concerto repertoire (as I did with my concerto for mandolin, or my bluegrass trio, or for orchestral low brass players); but when writing for an instrument like the cello, which has a vast amount of spectacular repertoire, it is good to recognize that a composer stands on the shoulders of an esteemed tradition of works. It is also important to highlight the talents of the featured soloist, Julian Schwarz. When getting to know Julian’s playing, I was struck by the lyrical gift that he brings to the cello; I knew immediately that melody would be at the heart of this work. The first movement (“Poet”) is based on a poem that I once set to music that includes the line, “…if I told you how I read your dream with a cello”. From the moment I read that line, the image of a cellist creating a poem with their instrument has stayed with me; it was the perfect inspirational spark to begin this work. To provide contrast, the second movement is a dance between the soloist and the orchestra. Instead of just accompanying the cellist, orchestra members play primary musical themes in a back-and-forth dialog between themselves and the soloist (thus the movement title: “Dances”). The third movement, “Fervent”, is the heart of this work, unfolding through slow music that allows Julian and his cello to “sing”.
The final movement, “Lines”, is a combination of footrace and joyous celebration, honoring the virtuosic skill that our soloist brings to his playing. In the early stages of composing, the first movement’s title of “Poet” inspired the idea that all the movement titles should be related in a way that if those titles were lined up sequentially, I’d have a little poem: Poet Dances Fervent Lines. It’s an apt description of this piece, and of the magnificent history of this noble instrument, as well as a tribute to the gifted cellist, Julian Schwarz.
The “Cello Concerto” was graciously commissioned by Robert and Vicki Lieberman.

B. HAMBURG, GERMANY May 7, 1833
D. VIENNA, AUSTRIA April 3, 1897
At the premiere of Brahms’ Third Symphony, a contingent in the audience hissed disapprovingly instead of clapping. The offenders? Wagnerians. Their reason had everything to do with the musical politics of the time, a contentious battle between old and new that Brahms was unwittingly pulled into early in his career. As a young up-and-comer, Brahms was touted publicly by his mentor, Robert Schumann, as the composer who would write the next great symphony after Beethoven. But before Brahms could get over his impostor syndrome to write one, a new wave of composition took hold in Germany, spearheaded by composers such as Berlioz, Liszt, and Wagner. These composers wrote ‘tone poems’ and other programmatic works that followed vivid narratives, using chromatic harmonies to boldly shift tone with the ebbs and flows of epic plots. Not only was it considered the music of the future, but its composers coalesced around a new name, “The New German School,” which placed them as the rightful heirs of Beethoven’s legacy. Brahms lent his name to a petition in response, incensed more by the rhetoric than the music, but it was published prematurely with only four signatures, mocking the old guard that Brahms was now associated with. It only bolstered Brahms’s hesitation to produce a symphony, which he did not ultimately do until he was forty-three years old.
By the time Brahms got to his third symphony in 1883, now aged fifty, he had established himself as a symphonic master, proving that old forms could be both expressive and progressive. In the third symphony, he lets go of his prior self-consciousness, embracing a newfound freedom with a lighter, breezier touch than in his first two symphonies. But Wagner—one of the New German School’s ring leaders—died only months before the premiere, and his supporters came out to refute Brahms’ work in memorial by hissing, which was a common gesture of dissatisfaction in nineteenth-century concerts. But their protestations didn’t work. Brahms’ third symphony was a complete success, with ovations overpowering any dissent. The irony is that Brahms admired Wagner’s works, and there’s even a reference to Wagner in the symphony.
The third symphony opens, however, with references to old friends. The opening motif is a nod to his friend, violinist Joseph Joachim, whose personal motto was “Frei aber einsam,” meaning ‘Free but lonely,’ which he expressed with the pitches F-A-E. As a counter to his friend’s pessimistic outlook, Brahms’ opening three-note motive in the third symphony stands for “Frei aber froh,” meaning ‘Free but happy.’ Those notes—F-Ab-F—are the first notes heard.
That middle A-flat is most unusual in the key of F major, adding in a tint of minor-mode relationships and a tonal ambiguity that permeates the symphony. The strings finish the motto’s final F and then lead the way with an agitated melody taken right from Brahms’ mentor Robert Schumann’s Third Symphony, the Rhenish Symphony. At the close of the first theme, Brahms throws in a momentary homage to Wagner, with yearning chords that are adapted from Wagner’s “Siren’s Chorus” from his opera Tannhäuser, which also has Rhenish connections. The movement settles into an airy pastorale clarinet solo in an odd, nine-beat meter, the movement’s second theme. Brahms is inventive in the development section, setting his motives in unexpected modal shadings and variations, quietly sneaking up on the recapitulation of the main themes.
Robert Schumann’s widow, Clara, was also a close friend of Brahms (and perhaps more) and called the second movement of the third symphony “a pure idyll.” It opens on a tranquil, sunny day, the clarinet and lower strings in complementary conversation. The third movement is a woeful, lamenting scherzo of sighing patterns and chromatic pulls, possibly inspired by Romani (gypsy) music. The fourth movement opens with a sinewy line in the lower strings, repeated by the winds, before bursting out in a tempestuous F minor, the F-Ab-F motto woven in. The second theme is more resolute and processional. In a tension-filled development, the brass spring out with a momentary major chorale, but it’s just a ruse. With nearly zero preparation, the movement’s recapitulation arrives sounding the second, processional theme first. The storm winds down as memories of the first movement’s ‘free but happy’ motto appear in the coda, the symphony ending with the theme from Schumann’s Rhenish Symphony quietly floating down like pillowy clouds in F major.
WED APR 22
7:30 PM
KODAK CENTER
(200 RIDGE ROAD)
Brent Havens, conductor
Justin Sargent, lead vocals
George Cintron, lead guitar
Dan Clemens, bass guitar
Powell Randolph, drums
Selections will be announced from the stage and will include:
All My Love
Black Dog
Dancing Days
Going to California
Good Times, Bad Times
Heartbreaker
Immigrant Song
Kashmir
Moby Dick
The Ocean
Rain Song
Ramble On
Since I’ve Been Loving You
Song Remains the Same
Stairway to Heaven
Whole Lotta Love
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Bridging the gulf between rock n’ roll and classical music, conductor/arranger Brent Havens takes the podium to present The Music of Led Zeppelin, a program he scored to extend the listening experience of Led Zeppelin’s timeless tunes. Performed by an orchestra and amplified with a full rock band and screaming vocals, Havens and his ensemble capture Led Zeppelin’s “sheer blast and power” riff for riff while cranking out new musical colors,
“Our concept for The Music of Led Zeppelin was to take the music as close to the originals as we could and then add some colors to enhance what Zep had done,” says Havens. “The wonderful thing with an orchestra is that you have an entire palette of sounds to call upon. The band is reproducing what Led Zeppelin did on the albums, verbatim, and then having an orchestra behind the band gives the music richness, a whole different feel, a whole different sense of power.”
Heightened by rock concert lighting, the symphonic rock hybrid has met with riotous approval at both ends of the hall, explains Havens; “When we first came on stage, the audience gave us polite, almost classical applause. Then we hit the first note, and they realized it was a rock show.”
When the music was first discussed in 1994 Havens understood that Led Zeppelin fans would want to hear the original, familiar elements of the music. He therefore followed exact line arrangements and used the orchestra for enhancement. With a 50-piece orchestra hanging on his every cue, Havens had a large landscape to work with. Just among the double-reed instruments—the oboe, English Horn, bassoon—there are so many colors. Add violins, violas, cellos, basses, and woodwinds or more pure sounds from instruments like a flute or a clarinet and the selection grows. Then consider the entire brass section, like the trumpet, trombones, French horns, and the lower brass like the bass trombone and tuba and you realize the variety of choices available to accompany a distorted electric guitar, bass and drums. Bridge that with the addition of the electric violin as yet one more color and the palette becomes even larger.
Havens is Arranger/Guest Conductor for four symphonic rock programs – the Music of Led Zeppelin, the Music of the Doors, the Music of Pink Floyd, and the Music of the Eagles. Producer Robert W. Cross is Artistic Director of the Virginia Arts Festival, where he presents 130 performances for audiences of all ages throughout southeastern Virginia each spring. He is also principal percussionist of the Virginia Symphony, and has recorded for Northeastern Records, NPR Classics, Albany, and New Albion.
Additional Musicians: Bass – Daniel Clemens; Drums – Powell Randolph; Guitar – George Cintron; Electric Violin – Allegra


Justin Matthew Sargent is a singer and actor who has starred in the Broadway smash hit Hamilton as King George, as “Drew” in the mega hit rock musical Rock of Ages, as “Peter Parker” in Spiderman: Turn Off The Dark (Music by Bono and The Edge) and was in the Original Broadway Cast of Bonnie and Clyde. Justin has performed along side music legends like John Legend, Alice Cooper, Sara Bareilles, Dee Snider, Kip Winger, Graham Russell, and has been a guest singer with the band Air Supply. Justin has toured the country singing everything from Queen to Andrew Lloyd Webber. His TV/FILM appearances include “Jesus Christ Superstar: Live” on NBC, “Law & Order: SVU”, “Mr. Robot”, “Delocated”, “Royal Pains”, and more! Born in Murphysboro, Illinois, and raised in Florida, Justin is incredibly honored to join the Windborne Music roster, and humbled to perform some of the best music ever written with some of the world’s best musicians.
Berklee-trained arranger/conductor Brent Havens has written music for orchestras, feature films, and virtually every kind of television. His TV work includes movies for networks such as ABC, CBS, and ABC Family Channel Network, commercials, sports music for networks such as ESPN and even cartoons. Havens has also worked with the Doobie Brothers and the Milwaukee Symphony, arranging and conducting the combined group for Harley Davidson’s 100th Anniversary Birthday Party Finale attended by over 150,000 fans. He has worked with some of the world’s greatest orchestras including the Royal Philharmonic and the BBC Concert Orchestra in London, the CBSO in Birmingham, England, the Malaysian Philharmonic, the Cincinnati Symphony Orchestra, the Minnesota Orchestra, the Pittsburgh Symphony, the Indianapolis Symphony Orchestra, the Houston Symphony, the Atlanta Symphony, the Baltimore Symphony, the Dallas Symphony, the Fort Worth Symphony, the Nashville Symphony, Orchestra of Opera North in Leeds, England and countless others.

7:30 PM
7:30 PM
KODAK HALL AT EASTMAN THEATRE
Jeff Tyzik, conductor
For Jeff Tyzik’s biography, please see page 4. Troupe Vertigo Madrigalia
Cary Ratcliff
Artistic Director to the artist
RICHARD STRAUSS Zarathustra 2:00
COURAGE/MCCARTHY CHATTAWAY, GOLDSMITH (ARR. CUSTER) Star Trek Through The Years 9:00
JOHN WILLIAMS Close Encounters of the 3rd Kind 10:00
JAMES
CLAUDE DEBUSSY Clair de Lune 5:00 (ARR. TYZIK)
JOHN WILLIAMS Star Wars Suite 9:30 Main Title The Imperial March (Darth Vader's Theme) 6:55
Music from the Star Wars Saga
Cantina Band
Luke and Leia
Star Wars: Episode I Phantom Menace
Suite for Orchestra
Duel of the Fates
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CONCERT
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7 PM
EDGERTON REC CENTER
Paul Shewan, conductor
Jeffery McGhee, narrator & baritone
Roberts Wesleyan University Chorale Manor Singers Children’s Choir
WOLFGANG Overture to Le nozze di Figaro, K. 492 4:00
AMADEUS MOZART
GIUSEPPE VERDI Overture to La forza del destino 8:00
FLORENCE Symphony No. 1 in E minor: Juba Dance 5:00
BEATRICE PRICE
ARAM Suite from Masquerade KHACHATURIAN I. Waltz V. Galop 7:15
JOSHUA FUGATE Graham’s Grand Adventure 9:00
Jeffery McGhee, baritone
Roberts Wesleyan University Chorale Manor Singers Children’s Choir
SOON HEE NEWBOLD Voyager 2:00
WILLIAM HOFELDT Lullaby 2:30
PETER WARLOCK Capriol Suite Basse Danse 2:00
JOHANNES BRAHMS Hungarian Dance No. 5 in G minor 3:00
BAPTISTE & SYLVESTER Brandenburg 2:30 (ARR. LARRY MOORE)

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PAUL SHEWAN, conductor
Paul Shewan, Professor of Instrumental Studies at Roberts Wesleyan University, teaches conducting and trumpet, and directs the wind ensemble, orchestra, and brass ensemble. Dr. Shewan earned his Bachelor of Science degree (Music Education) from Roberts Wesleyan College, and his Masters (Trumpet Performance and Literature) and Doctorate (Conducting) from the Eastman School of Music.

At the Eastman School, Dr. Shewan studied conducting with Mendi Rodan, Neil Varon, Donald Hunsberger, and Mark Scatterday. He appeared in several concerts conducting the Eastman Wind Orchestra, the Eastman Conducting Orchestra, and the Eastman Wind Ensemble. In the summer of 2004, he conducted the Eastman Wind Ensemble on a four-week tour of Japan, Taiwan, and Macau. He has also served semesters as Visiting Professor of Conducting.
Dr. Shewan is a member of the Rochester Philharmonic Orchestra trumpet section and has been a guest conductor with the RPO on numerous occasions. He has also conducted the Varna Philharmonic Orchestra (Bulgaria). He has performed as principal trumpet at the Skaneateles Festival, NY, and from 1987-2002, he performed frequently with the Buffalo Philharmonic Orchestra. He has conducted performances for live public radio broadcasts (WXXI) and as soloist and conductor on the Live from Hochstein concert series.
Dr. Shewan has been a guest conductor with the Air Force Band of Liberty (Boston), the Air Force Heritage of America Band (Virginia), Concordia Santa Fe (New Mexico), and is an active conductor for high school district and regional music festivals. He has conducted the Syracuse Symphony Youth Orchestra and the Rochester Philharmonic Youth Orchestra (RPYO). In 2019 he received the Special Music Educator Award from the RPO for his musical and educational contributions to the community. Each summer, he conducts the high school orchestra at the Csehy Summer School of Music. Prior to coming to Roberts Wesleyan, Dr. Shewan taught instrumental music for five years in the Holland, NY Central School district. He and his wife Joy have four grown children and six grandchildren.
In Alphabetical Order by Instrument
VIOLIN
Allycia McClendon
Alyse Lawhorn
Aurora Medina
Cherish Lovett
Cleo Bearden
Emery Butterfield
Island Miles
Ivan Xaysongkham
Journee Robinson
Joy Cashner
Justice-Aleese Simmons
Layla Owens
Le’La Hale
Liza Osuch
Louis Zhu
Mia Calucho
Nina Muhammad
Sergio Navedo
Solana Dennis
Taegan Butterfield
Zara Dennis
Zoey Jackson
Alex Eckert
Ella Eckert
Mariah Campbell
Micah Crawford
Raúl Zambrana
Xiamar Rosario
Abrehet Doris-Eaton
Alice Mackenzie
Elson Di Fiore
Isaac Weaver
Jeremias Jackson
Leo Weaver
Marlie Wilson
Matthew Bain
Alex Prescod
Delmus Holton
Neteiri Gilbert
Anna Denfeld viola
Ciara McGuire
violin
David Ying cello
Emma Goldberg bass
Jherrard Hardeman
conductor
Rachel Mills cello
Sophia Klin
violin
Dan Morehead
RPO Bass Mentor
James Marshall
RPO Viola Mentor
James Zabawa-Martinez
RPO Violin Mentor
Dr. Jeffery McGhee, baritone, is Professor of Voice at Roberts Wesleyan College. He received the Doctor of Musical Arts degree from the University of Wisconsin-Madison, where his final DMA research project was entitled, IN PURSUIT OF CONNECTEDNESS: A Learning Guide for Young Singers and Those Who Teach Them. While at the University of WisconsinMadison, Dr. McGhee performed the roles of Alidoro in Rossini’s La Cenerentola; the poet in Salieri’s First the Music, Then the Words; the Baron in Verdi’s La Traviata; the Leader in Kurt Weill’s Lost in the Stars; and El Gallo in The Fantasticks

He received the Bachelor of Music degree in Vocal Performance from the University of Southern Mississippi and his Master of Music degree in Vocal Performance from the University of Akron. At Akron, Dr. McGhee performed as Sid in Albert Herring by Benjamin Britten, Matt in The Fantasticks, and the poet in Kismet. He was also soloist with the Akron Symphony Chorus in performances of the Fauré Requiem.
In a season with Opera for the Young, Dr. McGhee portrayed the role of Belcore in Donizetti’s The Elixir of Love. With the Ohio Light Opera company, he has also performed the roles of the Pirate King in The Pirates of Penzance and the Counsel in Trial by Jury, both by Gilbert and Sullivan. In 2009, Dr. McGhee was the featured soloist with the Rochester Oratorio Society in their concert, Partners in Freedom: Lincoln and Douglass, which also featured The Morgan State University Choir and the Bach Children’s Chorus.
He has appeared as a soloist with the Rochester Philharmonic Orchestra in A Holiday Concert (2010), as narrator for their Liberty for All: A Salute to Veterans program (2011), as narrator/soloist in their educational performances of The Composer is Dead (2012), and as narrator/soloist in their Around the Town concert: America’s Musical Roots (2015). Dr. McGhee has also performed art songs and spirituals on the Live from Hochstein (WXXI) radio broadcast (2012, 2015) with Dr. Michael Landrum.
During the summer of 2016, Dr. McGhee was awarded a summer scholarship grant to develop a lecture recital centering on the Life and Spirituals of H.T. Burleigh and those composers who have followed in his footsteps. In collaboration with Dr. Landrum, they have performed this recital at the University of Southern Mississippi and the University of Wisconsin-Madison, at churches, and most recently at the NYSSMA Winter Conference (2017), with an upcoming performance in Jacksonville, Florida.
Dr. McGhee is currently in the final stages of completing a CD of hymns, spirituals, and spiritual songs, accompanied by retired Roberts faculty member Dr. Michael Landrum.
ROBERTS WESLEYAN
Kendra Breton
Cara Williams
Miriam Labarr
Esther Knappenberger
Solki Martin-Lacayo
Lydia Roselund
Hannah Cousins
Katherine Buisch
Emmaline Verratti
Braden Hoyt
David Douglass
Cooper Wasson
Louis de Boncort
Roman Smith
Joshua Kratz
Jason Anstey
Jonathan Douglass
Connor Weyant
Zach Richard
Caleb Williams
Victoria Heffner
Anna Brewer
Juila Tones
Logan Smith
Claire Algarin
Hannah Milbrandt
Magdalene Ramich
Rachel Kim-Kubiak
Sophia Walter
Joanna Anderson
Naomi Nov
Naomi Raphael
Lauryn Beyer
Quasim Huzair
Miles Anderson
Lukas Heuttner
John "Jack" Mitchell
Robert Bowen
Jackson Doran
Xavier Rivera
Jackson Oliver
Alexa Zamaira
Andez Hamilton
Arianna Kesserling
Aubrey Filiatrault
Ava Leigh Lynah
Ezra Hoffman
Fiona McManus
Gemma Campbell
Hattie Ayuer
Jace Evans
JoJo Kelly
Lillian Rehler
Lilliana Creager
Lily Fiandach
Margaret Nikoderm
Michael Fillinger
Michael Telesca
Nathan Alexander
Noah Brandon
Nora Metzger
Piper Gurell
Theodore Gabrielsen
Thomas Thering
Vivienne Brown





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SYMPHONY
The Rochester Philharmonic Orchestra gratefully acknowledges the following corporate, foundation, and community organizations for their generous support. Please contact the Development Office at development@rpo.org with questions or corrections. Listings are in recognition of our current donors during the 2025-26 Season from July 1 through March 15, 2026.
($50,000 AND ABOVE)
Anonymous
The Gertrude Chanler RPO Fund at the RACF City of Rochester
G.W. Lisk Company, Inc.& Kimbo il Caffe di Napoli Konar Foundation
Lisk Morris Foundation, Inc. & M&T Bank
Monroe County
CONCERTO
($25,000–$49,999)
Canandaigua National Bank & Trust
The Community Foundation MusicPower.org
NYS Council on the Arts
The Kilian J. and Caroline F. Schmitt Foundation
TwoPoint Capital Management
Waldron Rise Foundation in honor of Anne G. Whitman& Wegmans Food Markets
SONATA
($10,000–$24,999)
The Arbor Loft Community Bank, N.A. Farmhouse Table Food
B. Thomas Golisano Foundation
Guido and Ellen Palma Foundation Pittsford Federal Credit Union^ Riedman Foundation
St. Ann’s Community
Fred and Floy Willmott Foundation
SUITE
($5,000–$9,999)
Akerman LLP
Anonymous
Broadstone Net Lease
Melvin and Mildred Eggers Family
Charitable Foundation
Grace & Disgrace
Heathwood Assisted Living & Memory Care
Hoselton Auto Mall
Joseph and Anna Gartner Foundation
KeyBank
L3Harris Technologies
The Marilyn Lichtman Foundation
LSI Solutions, Inc.
Mengel Metzger Barr & Co.
Mary S. Mulligan Charitable Trust
Novem Group
Rochester Gas & Electric
Rochester Institute of Technology
Spindler Family Fund
OVERTURE
($3,000–$4,999)
Darn Good Marketing Ltd.^
Spall Management
St. John’s
Matthew Geherin, Matthew Hettinga, Bruce Marche, and Kristen Storey - Vision Financial Group
PARTNER
($1,000–$2,999)
Alliance Advisory Group, Inc.
AmaWaterways
Bank of Castile, a Tompkins Community
Bristol Mountain
Brown and Brown of New York
BRX Research
Andrew J. Burke, RE/MAX Realty Group
Davie Kaplan, CPA, P.C.
DGA Builders LLC
EFPR
Flaum Management Company, Inc.
Greater Rochester Signaling Foundation
PJ Green, Inc.
Harter Secrest and Emery, LLP
High Falls Advisors
Insero & Co.
The Johnson Browning Family Fund
The Judson Foundation
KPMG LLP
La Bella Associates P.C.
Music Performance Trust Fund
Nazareth University
Paris-Kirwan Associates, Inc.
Rochester Education Foundation
Schreiner Family Fund
T.M. and M.W. Crandall Foundation
Vision Financial Group
Wells Fargo Advisors
The Westport Fund
FRIENDS ($1-$999)
Fairport Musicale
Fox Pest Control
Victor and Helen Geisel Foundation, Inc.^
General Code
Morning Musicale
Princeton Club of Rochester
Fred M. and Lurita D. Wechsler
Memorial Fund
West Rush Media, LLC
MATCHING GIFT COMPANIES
Corning Glass Works
GE Matching Gift Foundation
The Gerber Foundation
Johnson and Johnson Matching
Gift Foundation
PayPal Giving Fund
Flanigan
Miers
Vitello
EXECUTIVE
MANAGING EDITOR Donna Hoke
CREATIVE DIRECTOR Jean-Pierre Thimot

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Donors to the RPO& Comprehensive Capital Campaign are true believers in the future of the Rochester Philharmonic Orchestra. The RPO& Centennial Circle honors those individuals who have committed to a leadership level gift of $100,000 or more to the Rochester Philharmonic Orchestra.
Listings are in recognition of our campaign donors from July 1, 2022 through January 31, 2026. The RPO’s team of development professionals are available to work with you and your advisors to create a plan that will help you meet your financial and philanthropic goals. For more information, please contact the Development Office at 585.454.7311 or development@rpo.org.
Anonymous
Stephen and Janice* Ashley&
Walter J.* and Jeanne M. Beecher
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Joyce Boucher
Mary Ellen Burris
William L. and Ruth P. Cahn
Harlan Calkins
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Christine Colucci
Alison and John Currie
Joseph and Judith Darweesh Davenport-Hatch Foundation

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Frangenberg, M.D.
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Barbara and Patrick Fulford
James and Marjorie Fulmer
Marilyn and Ronald Furman**
Nancy and Peter Gaess
Sue Habbersett*
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Laura Hameister
Joyce and Warren* Heilbronner
Daniel W. Hinz*
Kathalee* and Ian Hodge
Dorothy C. and H. Larry Humm
Nick and Kitty Jospe
Ralph F. Jozefowicz
Ross P. Lanzafame, Esq.
Kathy Lindahl
G.W. Lisk Company, Inc.
Lisk Morris Foundation
Jack McGowan and Kathy Muscato
Paul and Pamela Ness
Pace Family Fund
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Larry and Elizabeth Rice
Nathan and Susan Robfogel
Nellie J. Rosenberg
Ron and Sharon Salluzzo
Drs. Eva and Jude Sauer
Jon L. and Katherine T. Schumacher
Dr. Sid and Barbara Sobel
Ingrid Stanlis
Richard and Sandy Stein
Waldron Rise Foundation
Patricia Ward-Baker
Joyce Wiedrich
Robert A. Woodhouse
Cindy and Geff Yancey
* Denotes donor(s) is/are deceased.
The Rochester Philharmonic Orchestra gratefully acknowledges the generous individuals listed here who help us continue to enrich and inspire the community through the art of music. While space only permits us to list pledged gifts made at the Benefactor level and above in the printed program book, we value the generosity and vital support of all donors and have moved all donors from Contributor amount and above to be listed in our digital edition donor roll on www.rpo.org/donor-recognition. Please contact us at development@ rpo.org questions or corrections. Listings are in recognition of our current donors during the 2025-26 Season from July 1 through March 15, 2026.
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PRESTISSIMO ($25,000-$49,999)
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Terence Chrzan and Susann Brown*
Bruce Jacobs
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P. Robert and Mary Anne Fox
The Robert and Jean Freligh
Memorial Fund&
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James and Joyce Porrey
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Brock and Sandra* Powell
Bill Prest
Alice and Andrew Publow
Robert and Anne QuiveyS
David Rakov
Dick and Cathy Rasmussen&S
Nancy and Vincent Reale&
David and Betsy Riedman
Jacqueline Davis
Katie and Rob Dermody&S
Mr. and Mrs. Steven DeSmitt
Gary Domenico and Barbara Buscaglia
Roy Czernikowski* and Karin Dunnigan
Janice and James* Durfee
Rose Duver
Michael C. Dwyer
Ed and Rosemary Eichenlaub
Neal and Kathleen Elli
Mr. Craig Epperson and Dr. Beth Jelsma
Trevor and Elizabeth Ewell
James Farrar
David and Anne Ferris
Thomas and Janet Fink
Rebecca Firmani
Gail R. Flugel
Timothy and Marie Forget
Family Fund
Jonathan Foster
Davis Frame
Sandra and Neil Frankel
Evelyn Frazee and Thomas Klonick
Betsy and Jay* Friedman&
Kevin FrischS
Jerry J. Gambino, Jr.
Paul Gardella
Jill and Kent Gardner
Michael and Jane* Garrett
Jacquie and Andrew Germanow
Mary Anne Gillespie
Warren and June Glaser
John and Leslie Glynn
John and Roslyn Goldman
Patricia Goodwin
Debbie and Michael Gordon
Crofts* and Jane Gorsline
Jeanne and Bob Grace
Helen and George Greer**
Susan and James Haefner
Laurie Haelen and Mary McCrank
Robert and Deborah HallS
Nancy and Henry Hamlin
Martin and Sherrie Handelman
Marilyn* and Dick Hare&
Bob and Kathy Heinig
Matthew Hettinga
Walter B.D. Hickey, Jr.
David C. and Patricia M. Hinkle
Drs. Ryan and Makiko Hoefen^
Dr. Marvin and Nancy* Yanes
Hoffman
Mr. and Mrs.* Howard E. Holcomb, Jr.
Joseph Rizzo
Nancy Robbins
Marion Swett Robinson&
Dick* and Bea Rosenbloom
Mr. Fritz Ruebeck and Dr. Cecilia MeagherS
Dr. Charlotte Ryan
Mr. and Mrs. James Ryan, Jr.
Drs. Carl and O.J. Sahler&
Gary B. Schaefer
David and Antonia Schantz
Joan M. Schumaker&
George J. Schwartz, M.D., and Paula Maier
Richard and Vicki* Schwartz
Mr. and Mrs. Eugene P. Seymour
Kate Hickey Spencer&
Jeffrey and Lyn Springut
Ingrid Stanlis&
Georgine and James Stenger
Dr. David and Abby Stern
Richard Sterns and Suzanna Rubright
Nancy Stevens and David Williams
Bob and Gayle Stiles
David B. Stong and Marlane Juran
David and Grace* Strong
Aaron and Rachel Stuckey&S
Robert and Nancy Swain
Margaret and Charles Symington
Anthony and Christine Testa
Margaret Tonkinson
Sally Turner
Gary and Marie VanGraafeiland
James Viscardi, Lisa Brubaker, and Marja Wilson
Patricia Ward-Baker&
Skip and Karen Warren
Stephen R. Webb
David and Julie Weinstein
Carol Whitbeck&
Mr. John Williams and Mr. Chuck Lundeen*
Kitty J. Wise&L
John Yancey
John and Barbara Holder
Henry* and Ellen Thiede
Dr. Robert Horn and Dr. Patricia Nachman
Bob and Sarah Hurlbut
La Marr J. Jackson, Esq.
Ronald and Martha Jodoin
Douglas and Maryanne Jones
Nancy Jones
Steve and Gretchen Judge
Dr. and Mrs. Harold Kanthor
Judy and Norm Karsten
Heidi Katz and Carl Chiarenza
Robert J. Kennedy
Tom and Kate Kidera
James H. Kirkwood
Francine Koskinas
Barbara E. Kozel
Ronald and Nancy Kraus
John and Lisa Lacci
Alan and Deborah Lattime
Jennifer Leonard and David Cay Johnston
Katherine Lewis and Richard Chasman*
Margaret Lindsey, M.D.
Sue and Michael LococoS
Eric and Martha Logigian
Johnny and Shirley Lynn
Patrick Macey and Jeremiah Casey
Russell and Mary Lou Madsen
Scott Manspeaker
Saul and Susan Marsh
Richard and Kate Massie
Edward G. McClive
H. Winn McCray
Richard W. McGrath
John W. McNeill
Andrew and Kay Melnyk
Alice Messinger
Robert J. and Marcia
Wishengrad Metzger
Ralph and Martha Meyer
Dr. Michael T. Miller
Fritz and Maura Minges
Mary E. Miskell and Terrance Clar
James* and Geraldine Moore
Laura V. Morrissey
Pastor and Mrs. Donald Muller
Dr. and Mrs. Stephen Munson
Kevin Nasman
BENEFACTOR ($500-$999)
Karen Abbas
Barbara Agor
Anonymous
Edwin Austin
Karen Bancroft
Jim and Linda Baroody
Markus and Myriam Bauer
Richard J. Beard
Kate M. Bennett
Teresa and Tim Biehler
James and Lynette Blake
Jay and Beth BlaufussS
Richard A. Bloom, M.D.
Mitchell J. Boucher
Jeff and Kathy Bowen
Henra S. Briskin
Hugh and Anne Brodie
Eileen Buholtz
Gretchen and Paul Burke
Lori Busch
Drs. David Bushinsky and Nancy Krieger
Dan and Amanda Butler
Steven Cannell
Riley and Karen Carhart
Brendan and Suzanne Casey
Victor Ciaraldi and Kathy
Marchaesi
Jim Cook
Caroline Costanza
Elison and Donald Cramer
Mr. and Mrs. Gabriel Delvecchio
Kathleen DillS
Michael DiSalle
Donald and Stephanie Doe
Terrence R. Doherty
Daniel DwyerS
Linda S. Eastman
Dr. Steven and Susan Eisinger
Mohsen Emami, M.D.
Sherman and Anne Farnham
Sarah Fitts-Romig
Susan and Leslie Foor
Ruth Freeman
Carolyn and Roger Friedlander
David and Linda FriedmanS
Nita Genova
Mr. and Mrs. Julian Goldstein
Dr. John W. and Mrs. Heather
Goodbody
Dr. and Mrs. William Grace
Dr. and Mrs. Curtis N. Nelson
Helene Newman
Mr. and Mrs. John Norris
Peter J. Obourn
Mr. Donald W. and Mrs. Jo-Ann
R. O’Brien
John and Tobie Olsan&
Elizabeth Osta and George
VanArsdale
Graham Ottoson
Thomas Parker
Tom Parker
Douglas and Rose Peet
David and Marjorie Perlman
Jerry Peters
Susan and Donald Pritchard
Marcia Rausch
Richard and Susan ReedS
Rene Reixach
Mr. and Mrs. Thomas S. Richards
Linda and Michael Riordan
Family Fund at the RACF
Nancy and Art Roberts
Gay Greene and Robert Goeckel
Ed and Terry* Grissing
Mr. and Mrs. Robert J. Guerin
Stephen Gullace
Linda and John Haight
William and Cathy Haller
Barbara and A. Michael Hanna
John and Diane Hanna
William and Patricia Hayles
Merrill and Dianne Herrick
Carol Herring
K.L. Hersam and Paul Sawicki
Michael R. Herzog
Dr. Florence M. Higgins and Mr. John Lebens
Sanjay and Ally Hiranandani
Art and Barb Hirst
Sheila Hollander
Wayne and Anne Hulbert
William and Nancy Hunt
Agrp Ispentchian & Fulltec LLC
Dr. Dewey Jackson
Robert and Mary* Jackson
Lyle Jenks
Marilyn and James Jordan
Connie KaminskiS
Lori and Frank Karbel
Dr. and Mrs. Lester Katzel
Mr. and Mrs. James E. Keenan
Mary Kerr
Mr. Edward Klehr
Susan and James Knauer
Ann Knigge and Al Buckner
Ken Knight and Ann Curtin-Knight*
Mark and Mona Friedman Kolko
Mrs. Ellen Konar
Kraig and Susan Kummer
Mr. Thomas G. Lathrop
L. Janet Lawrence-Morse
Janet and James Leone
Ellen C. Lewis
Sarah F. Liebschutz, PhD
Rose and Roger Linscott
Jane S. Littwitz
John and Jane Littwitz
Quentin Llop
Janet and Haines Lockhart
Edwin Lopez-Soto and Patricia Braus
Susan and Chris Luedde
John and Judy Lynd
Dr. Gerald and Maxine Rosen
Hannah and Arnold Rosenblatt
Jamal and Pam Rossi
Carolyn and Charles RuffingS&
Tom and Ellen Rusling
Joan and James* Ryan, Sr.
Dr. Alvani D. and Carol M. Santos
Justin Schiess
Paul and Barbara Schmied
Peter Schott and Mary Jane Tasciotti
Mr. and Mrs. William Schultz
Heidi B. Schwarz, M.D.&
Catherine and Richard Seeger
David Segal
Libba and Wolf Seka
John and Jenny Servo
Leonard and Elaine Simon
Bruce and Laura Smoller
Phillip and Karen Sparkes
Mr. Richard R. Spellicy
Jim and Dora Stauffer
Ann H. Stevens and William J. Shattuck&
Chen and John MageeS
James and Rosa Mance
Russell J. Mandrino
Janice D. Manning
Sheron and Bruce Marche
Phillip Marcille
Dick and Sandra McGavern
Maureen McGlynn
Marilyn Merrigan
Jonathan Mink and Janet Cranshaw
Charles Morgan
David and Monika M. MullenS
Thomas C. Munger
Michael P.* and Wendy R. Murphy
Dr. Michael Nabozny
Michael D. Nazar
Maureen and Steve Neumaier
Joan R. Nusbaum
Peggy and David Oakes
Jason Oaks
W. Smith* and Jean O’Brien
Debra and George Orosz
David Patt
Marian Payson and Helen Wiley
Glen Pearson
Christian and Sarah Peyre
Douglas and Diana Phillips
Everett Porter
Beth and Lyle Prairie
Harry J. and Margaret H. Price
Dr. and Mrs. Edwin Przybylowicz
Stan and Anne Refermat
Ray and Judy Ricker
Richard and Margery Rosen
Warren and Pamela Rosenbaum
Dr. and Mrs. G. Theodore Ruckert
Hon. Franklin T. and Cynthia Russell
Jean Ryon
Ed and Gabriel Saphar
David and Naomi Schrier
Mrs. Arthur W. Schuster, Jr.
Theresa A. Seil and Debra Celestino
Rich Sensenbach
Joseph and Mary Kathryn Shanahan
Robert E. and Susan H. Shapiro
Glen and Lynne Suckling
Adam and Catherine Towsley
David Evans and Sheree
Usiatynski
Wayne and Anne Vander Byl
Timothy and Debbie Veazey
Stephen H. and Jody Waite
Harry and Ruth* Walker
James and Barb* Walker
James Watters
Jean and Sterling L.* Weaver
Pierce and Elizabeth Webb
Philip and Marilyn Wehrheim Fund
Mr. and Mrs. Fred Weingarten&^
Joyce and William Weir
Jeff Wright and Betty Wells
Eileen M. Wurzer
Dr. Charles Yates
Marsha Young
Bill and Wende Young
Albert and Irene Zaccor
Helen A. Zamboni
Gary and Cathleen Zdyb
Lily Shaw and Robert Hallstrom*
Mrs. Caroline Shipley
Eloise Shrag
Donna Broberg Shum
Harvey Simmons
Daniel and Sarah Singal
Heidi Smith
Janet H. Sorensen
Larry Sorrell
Ms. Maureen A. Stables
David Stacey
Eleanor Stauffer
Berl Stein
Jeffrey and Kristen Storey
Steve and Cheryl Swartout
Yoshiko Tamura and Bruce M. Lee
David and Carol Teegarden
Darbbie J. Thomas
J. Russell and Kathleen Thomas
Jeffrey J. Thompson
John* and Janet Tyler
Eugene and Gloria Ulterino
Lorraine Van Meter-Cline and Doug Cline
Jared and Beverly Voos
Robert Vosteen
Brian and Jean Waldmiller
John and Anne Walker
Mr. and Mrs. Robert Wallace
Marsha Walton
Kathleen Weber
Warren Welch
Kathleen Whelehan
Charles and Carolyn Whitfield
Bob* and Mary Ann Whitmore
Jeff and Sarah Wight
Susan and Paul Wilkens
Nancy J. Williams
Les and Wanda Wood
Patty and Rich Yarmel
Susan Yee
Lawrence and Susan Yovanoff
Susan and Maurice Zauderer
Eric Zeise and Ellen Henry
Robert and Carol Zimmerman
& Denotes donor(s) has/have contributed to the RPO& Comprehensive Capital Campaign. S Denotes donor(s) has/have a recurring Sustaining Circle contribution to the RPO.
* Denotes donor(s) is/are deceased.
L Denotes donor(s) has/have contributed to the Rochester Philharmonic League (RPL).
^ Denotes donor(s) has/have contributed to the Rochester Philharmonic Youth Orchestra (RPYO).

Scan to view the full listing from July 1, 2025 through March 15, 2026
Betsy and Stuart Bobry
Michael and Linda Raff
R. Carlos Carballada
Sam and Mimi Tilton
Ann Christiansen
Leslie C. Rowe
Douglas Cline
Patte Bishop
The Rochester Philharmonic Orchestra gratefully acknowledges the following individuals and organizations for their generous support by honoring or remembering in memory of the individuals listed below. Listings are in recognition of tribute gifts received from July 1, 2025 through January 31, 2026.
Tribute gifts are a special way to remember loved ones or commemorate special occasions such as birthdays, anniversaries, weddings, births or graduations. If you would like to make a memorial or honorarium gift, please visit www.rpo.org/donate or contact the Development office at 585/454-7311 ext. 249 or email development@rpo.org.
Frances R. Howell, Jr.
Jennifer McRae Fitzsimmons
Nancy Howell
Lew D. Jones
Itai Bronshtein
Elaine L. Kraus
James Kraus
Barbara Law
Stanley and Anne Refermat
Dr. and Mrs. Harry C. Law
Timothy and Marilyn Downs
Ellen Fenger
Charles Fujita and Dulcy Lecour
Mary Anne Gillespie
Faye Shea
Josephine Trubek
Margaret Vanas
Sheila Dermody
Catherine and Elmar Frangenberg, M.D.
Ellen Englert
Renee Brownstein
Robert and Frances Clawson
Judith Cruppe
Richard DeMallie
Catherine and Elmar Frangenberg, M.D.
Robert and Christine Guistina
Gregory and Judith Graham
Antony Gugino and Earlene Siebold
High Falls Advisors
Bruce and Ann Leonard
John W. Littwitz
Ray and Patrizia Macera
Russell J. Mandrino
Mary Ann Mrva
Tracy A. Romano
Bonnie B. Sale
Joann Smith
David Strasenburgh
Anthony and Raechel Taddei
Timothy M. Verna
Suzanne Verstraten
Cynthia Whitehouse
Jane L. Garrett
Michael Garrett
Dr. Warren Glaser
June Glaser
Terry B. Grissing
Edward Grissing
Maura McCune and Patrick Corvington
John and Lisa Lacci
Joseph Darweesh
Debbie Brand
Fred Dole
Carol M. Wolff
James Englert
Joann Smith
Edward H. Law
Paul Littrell
Laura Joy
Jane Oberwager
David and Lois Zebelman
Gregory Lombardo
Steven and Betsy Lombardo
Vera McCune
William and Erin McCune
Mildred Ness
Lana Rottenberg
Betty Schlemitz
Carl and Pamela Angeloff
Stifel Dublin Branch Office
Sam Vogel
Albert Serenati
Nancy Snyder and Family
Leonard Simon
Elaine Simon
Anne W. Sullivan
Philip and Eleanor Hopke
R. Alan and Deborah Lattime
Robert W. Sweeney
Gerald Estes
Ann Weintraub
Joseph and Rosemary Mitchell
Leon Williams
Jerry Maus
Sheri Unglaub Williams
Heather Fuller
Douglas and Sarah Hughes
Andrew and Elizabeth Swanson
Linda Iacelli
Stephen House
Dr. Harold Kanthor’s Birthday
Joseph Rapoport & Family
Neil Miller
Dr. Etta Eskridge
Deborah Onslow
Dr. Miriam R. Iker
Margaret Perticone
Deborah Dollinger
Grant Rieke
Marc Rieke
Nathan and Susan Robfogel’s 60th Wedding Anniversary
Charles and Kathleen Salitan
Valerie Salitan
Hannah and Arnold Rosenblatt
Alice Messinger
Robert and Harriet Seigel
Katherine Smith
James and Georgine Stenger
P. Robert and Mary Anne Fox
Jeff Tyzik
G. Theodore and Sherry Ruckert
Catharine “Kitty” Wise
J. Michael and Alice Smith
Don and Anna Womack
Daniel and Edith Rice

Scan to view the full listing from July 1, 2025 through March 15, 2026
Anonymous
Marie Aklin*
Betty Jane Altier*
Alva Angle*
Catherine N. Asmuth*
Jean Boynton Baker*
John B. and Margaret Barnell*
Members of the RPO George Eastman Legacy Society are true believers in the power of music. The RPO George Eastman Legacy Society honors those individuals who remember the Rochester Philharmonic Orchestra through a planned gift. The RPO’s team of development professionals are available to work with you and your advisors to create a plan that will help you meet your financial and philanthropic goals. For more information, please contact the Development Office at 585.454.7311.
Barbara Jean Gray-Gottorff*
George Greer*
Jean Groff*
Sue C. Habbersett*
William B. Hale*
Martha and Fred Hamaker
Mrs. Laura J. Hameister
Walter J.* and Jeanne M. Beecher
Walter S. Beecher
Nancy and Harry Beilfuss**
Carol and John Bennett
Jack and Carolyn Bent
Donald Berens*
Ellen S. Bevan*
Michael Bobry
Stuart* and Betsy Bobry
James R. Boehler*
Marilyn Bondy
Beverly T. Bowen*
John W.* and Margaret Z.* Branch
William and Ruth Cahn
Mary Allison Callaway and Paul R. Callaway*
Catherine B. Carlson*
Norris F. Carlson*
Margaret J. Carnall*
Joan and Paul Casterline**
Susann* and Terence Chrzan
Nancy A. Clemens*
Barbara Colucci
Christine Colucci
Mary Consler*
Judy and Joe Darweesh
Alfred L. Davis*
Barbara Dechario*
Paul Donnelly*
Marilyn A. Drumm*
Amelia N. Dunbar*
Frederick Dushay
Richard and Harriet Eisenberg**
James T. and Ellen Englert
John R. Ertle*
Julia B. Everitt*
Glenn and Rebecca Fadner
Ruth H. Fairbank*
Joan and Harold* Feinbloom
Albert Fenyvessy*
Donald C.* and Elizabeth Fisher
Catherine and Elmar Frangenberg
Carolyn and Roger Friedlander
Betsy Friedman
Karyl P. Friedman
Linda and David Friedman
Patrick and Barbara Fulford
William L. Gamble*
Sharon Garelick
Rob W. Goodling
Mary M. Gooley*
Marilyn* and Dick Hare
Karen G. Hart*
Monica R. Hayden*
Warren* and Joyce Heilbronner
David W. Hinz*
Jean Hitchcock
Norman L. Horton*
Mrs. Samter Horwitz*
H. Larry and Dorothy C. Humm
Mr. and Mrs. Robert D. Hursh*
Robert and Merilyn* Israel
Carol A. Jones
Nick and Kitty Jospe
Dr. Ralph F. Jozefowicz
Nancie R. Kennedy*
Robert T. Kimbrough*
Marcella Klein and Richard Schaeffer
Glenn and Nancy Koch
Ross P. Lanzafame, Esq.
Jeanne Lareau*
Marshall and Lenore* Lesser
Drs. Jacques* and Dawn Lipson
Sue and Michael Lococo
William C.* and Elfriede K. Lotz
Mr. and Mrs. Daniel Mahar
Linda Malinich*
Joseph J. Mancini*
Dr. James and Janice* Maxwell
Gerard Mayer*
John T. McAdam*
Pete* and Sally Merrill
Donald R. Messina*
Robert J. and Marcia Wishengrad Metzger
Dan Meyers
Mrs. Elizabeth O. Miller*
Jane E. Miller*
Mary L. Mitchell*
Deanne Molinari*
Eleanor Morris*
Mrs. Marjorie Morris*
Patricia McCurdy Morse*
John S. Muenter
Diane F. Nelson*
Paul Marc and Pamela Miller Ness
Carolyn Noble*
Deborah Onslow
Margaret Paaschen*
Mary Anne Palermo
Ms. Lydia Susan Palmer
Eleanor T. Patterson*
Suzanne F. Powell
Robert and Ann Quivey
Ernest Rashiatore*
Eileen D. Ramos*
Marjorie Cohen Relin*
Doris Repenter*
Dr. Ramon L. and Judith S. Ricker
Gerard and Donna Roberts
Dr. Suzanne H. Rodgers*
Nellie J. Rosenberg
Dick* and Bea Rosenbloom
Elise and Stephen* Rosenfeld
Pearl W. Rubin*
Wallace R. Rust
Ron and Sharon Salluzzo
Wesley Saucke
Peggy W. Savlov*
James G. Scanzaroli*
David G. and Antonia T. Schantz
William and Susan Schoff
Peter Schott and Mary Jane Tasciotti
Jon L. and Katherine T. Schumacher
Vicki* and Richard Schwartz
Laura M. Seifferd*
Libba and Wolf Seka
Gretchen Shafer*
Virginia Durand Shelden*
Elbis A. Shoales, M.D.
Carol Shulman
Anna Rita Staffieri*
Ingrid Stanlis
Abby and David Stern
Patricia E. Stott
Betty Strasenburgh*
Martha Ann* and Daniel Tack
Amanda Tierson
Ivan Town*
Carol Van Hoesen*
Elizabeth Van Horn*
Harry and Ruth Walker
Patricia Ward-Baker
Margaret Webster*
Robin and Michael* Weintraub
Jean B. Wetzel*
Joyce Wiedrich
Mildred Wischmeyer*
Kitty J. Wise
John and Laurie Witmeyer
Helen W. Witt*
Mary Alice and Robert Wolf*
Susan and Lawrence Yovanoff
Nancy and Mark Zawacki
Alan Ziegler and Emily Neece
Mr. and Mrs. Ted Zornow
* Denotes donor(s) is/are deceased. ^Denotes donor(s) has/have contributed to the Rochester Philharmonic Youth Orchestra (RPYO).



April is Volunteer Appreciation Month, and we are so grateful for our volunteers who donate their time, talent, and treasure to the RPO! Thank you, volunteers!
ADMINISTRATION
Curt Long President and CEO
Kristen Zimmer Human Resource Director
Cass Lo Executive Assistant/Office Manager
Rob Dermody Vice President of Development
Bryce Davis Senior Director of Strategic Initiatives
Amy Gallaher Director of Development, Annual Giving & Special Events
Elizabeth Garijo-Garde Institutional Partnerships Officer
Dorian Delfs Development Officer
George DeMott Development Officer
Herb Griffith Vice President of Marketing & Communications
Lauren MacDonough Director of Marketing
Meg Spoto Creative Director
Kylie Beam Content/Digital Marketing Manager
Mike Cidoni Public Relations & Communications Manager
RPO.ORG/RPL
RPO.ORG/VOLUNTEER
585-454-7311 x254 rpl@rpo.org
Sal Uttaro Group and Corporate Sales Manager
Charlene Beckwith Director of Ticketing
Daniel Long Director of Patron Experience, Data & Analytics
Daniel Traina House Manager
Connor Straight Patron Services Assistant Manager
Abby Chapman-Duprey
William Eby
Stephen House
Nathan Howton
Lauren Irschick
Jaewon Jun
Alyssa Koh
Jacob Kundu
Hannah Moreno
Grant Simon Patron Services Representatives
Katherine Rogala Vice President of Finance
Jennifer Clark Staff Accountant
James Barry Vice President of Artistic Planning & Operations
Fred Dole Orchestra Personnel Manager
Lily Wintringham Orchestra Operations Manager
Morgan Marama-Stout Artistic Coordinator
Danielle Suhr Stage Manager
Cedrick Martinez Assistant Stage Manager
Kim Hartquist Principal Librarian
Karl Vilcins Auditions Coordinator
Chisato Eda Marling Director of Education & Community Partnerships
Interim VP of Education
Lisk Morris Foundation Chair
Ashlee Allaire
Youth Orchestra & Education Projects Manager
Rachel Solomon Volunteer Administrator

Since its founding by George Eastman in 1922, the Rochester Philharmonic Orchestra has been committed to enriching and inspiring our community through the art of music. Currently celebrating our 102nd Season, the RPO is dedicated to maintaining its deep commitment to artistic excellence, educational opportunity, and community engagement. Today, the RPO presents up to 120 concerts per year, serving nearly 170,000 people through ticketed events, education and community engagement activities, and concerts in schools and community centers throughout the region. Nearly one-third of all RPO performances are educational or community-related. In addition, WXXI 91.5 FM rebroadcasts approximately 30 RPO concerts each year. For more information, visit rpo.org.
TICKETS: The RPO Patron Services Center is located at 255 East Avenue in the back of the Farash Place building in downtown Rochester. Free parking is available in a small lot between the parking garage and building. Open Monday through Friday 10 AM–5PM.
GROUP SALES: Groups of 10 or more are eligible for discounts starting at 20%! Contact Group and Corporate Sales Manager: Sal Uttaro at suttaro@ rpo.org | Office: (585) 454-7311 ext. 267 | Mobile: (585) 530-0865
NIGHT-OF-CONCERT PURCHASES: RPO will-call tickets and concert tickets are available at the RPO tables in the Eastman Theatre Box Office lobby starting 90 minutes prior to concert time.
PARKING: Paid parking for Kodak Hall at Eastman Theatre is available at the East End Garage, located next to the theatre. Open entrances/exits change frequently while the garage is under construction. Visit rpo.org/parking for the most recent updates. Paid parking for the Performance Hall at Hochstein is available at the Sister Cities Garage, located behind the school at Church and Fitzhugh Streets.
PRE-CONCERT TALKS: All ticketholders are welcome to attend free pre-concert talks held one hour before all Philharmonics concerts and all Jeff Tyzik-conducted Pops concerts. Ticketholders are asked to sit anywhere they would like in the orchestra level of the theatre, then head to their reserved seat for the concert.
SERVICES FOR PATRONS WITH DISABILITIES: Wheelchair locations and seating for those with disabilities are available at all venues; please see the house manager or an usher for assistance. Elevators are located in the Eastman Theatre Box Office lobby. A wheelchair-accessible restroom is available on the first floor.
SERVICES FOR HARD-OF-HEARING PATRONS: Audio systems are available at Kodak Hall at Eastman Theatre; headsets may be obtained from an usher prior to the performance.
CHANGING SEATS: If you find it necessary to be reseated for any reason, please contact an usher who will bring your request to the House Manager.
LOST AND FOUND: Items found in Kodak Hall will be held at the Eastman Theatre Box Office, 433 E. Main Street. For more info, call 585-274-3000.
ELECTRONIC DEVICES: The use of cameras or audio recording equipment is strictly prohibited. Patrons are asked to silence all personal electronic devices prior to the performance.
REFRESHMENTS: Food and drink are not permitted in the concert hall, except for bottled water. Refreshments are available for purchase in Betty’s Café located on the orchestra level of Kodak Hall at Eastman Theatre.
TICKET DONATION: If you are unable to attend a concert, please consider donating your tickets to us as a tax-deductible contribution. Return your tickets to the RPO no later than 2 PM the day of the performance to make them available for resale.
Bravo is published cooperatively by the Rochester Philharmonic Orchestra and Buffalo Spree
Kylie Beam | Editor, Rochester Philharmonic Orchestra
Meg Spoto | Creative Director, m dash studio
Anna Reguero, PhD | Program Annotator
Editorial Offices: Rochester Philharmonic Orchestra
255 East Avenue, Suite LL02
Rochester NY 14604
585-454-7311 • Fax: 585-423-2256
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