CITY September 2025 'Fall Arts'

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THEATER ROCHESTER’S THEATER SEASON TURNS THE SPOTLIGHT ON ART WITH A MESSAGE.

BY KATHERINE VARGA

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DANCE PREVIEWING FALL DANCE OFFERINGS IN THE REGION. BY

SYDNEY BURROWS

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Rochester Area Media Partners LLC, Chris Hastings, chairman

FOUNDERS

Bill and Mary Anna Towler

EDITORIAL

Editor: Leah Stacy

Arts reporter: Patrick Hosken

Multimedia reporter: Roberto Felipe Lagares

Contributors: Grant Ashley, Jordyn Britton, Sydney Burrows, Kelsey Delmotte, Rudy Fabre, Amyna Luedetmoonsone, Zora Ma, Roisin Meyer, Jeremy Moule, Justin Murphy, Rebecca Rafferty, Cristina Reid, Brenda Tremblay, Katherine Varga, Veronica Volk, Cypris Wilkinson

CREATIVE

Director, Strategy: Ryan Williamson

Art director: Jacob Walsh

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Project manager: David White

OPERATIONS/CIRCULATION

Operations manager: Ryan Williamson

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CITY (ISSN 1551-3262) is published monthly 12 times per year by Rochester Area Media Partners, a subsidiary of WXXI Public Broadcasting. Periodical postage paid at Rochester, NY (USPS 022-138). Address changes: CITY, 280 State Street, Rochester, NY 14614. Member of the Association of Alternative Newsmedia and the New York Press Association. Copyright by Rochester Area Media Partners LLC, 2025 - all rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, photocopying, recording or by any information storage retrieval system without permission of the copyright owner.

Curtain up

EDITOR'S LETTER

BY LEAH STACY LEAH@ROCHESTER-CITYNEWS.COM

Long before the days of YouTube, several friends and I rigged a curtain between two poles in my parents’ basement, started a weekly-ish drama club and presented amateur theatricals that our all-toopatient friends and family suffered through.

Fast forward a few decades. I’m sitting center, about five rows up, in a sold out Fielding Stage at Geva Theatre during the third annual Rochester Fringe Festival. The curtain is about to go up on a play I wrote and directed, “Intrepid,” featuring five local female writers playing five historical female journalists. (Shout out to local starlet Sammi Cohen for her leading role as Nellie Bly!)

It was just the beginning of my Fringe journey, which would go on to include two more original shows, many years of media coverage and a turn as the Fringe’s publicist and social media manager. In 13 years (the fest turns 14 this year), I haven’t missed attending or participating in some way. It’s a truly special local gem, and there’s a reason we have one of the largest Fringes in the country now (read more in Patrick’s excellent piece about Fringe on page 20, with stellar portraits by Roberto).

For a mid-sized city, Rochester stands out when it comes to the arts. We know this.

CITY’s September issue is an ode to that — our annual fall arts & culture preview, from upcoming performance seasons and festivals to ESL Rochester Fringe Festival picks and even a handy Fringe guide tucked right into our pages.

Once again this summer, we partnered with the Goldring Arts Journalism graduate program, part of the Newhouse School at Syracuse University, to create some of the Fringe preview coverage. Many thanks to students Cypris, Jordyn, Zora and Cristina along with my co-professor,

Join us on Wednesday, September 17 for TriviaCITY, our annual quiz collab with Fringe.

Sarah, and our graduate assistant, Colette, for the great work these last few weeks. We even had a field trip in Rochester on the last day of class and visited George’s house, The Little (with special host Scott Pukos) and The Strong (with special host and fellow Newhouse alum Shane Rhinewald). Patrick and I are both grads of the AJ program, so it has a special place in CITY hearts.

The beginning of the cultural season is an exciting time of year for arts patrons, and we hope you save the dates, buy the tickets and make time to support the city we call home.

The arts need us now more than ever.

Gather your friends (maximum six per team) or make new ones at the event and join us at 7:30 p.m. in Dawn’s Spiegelgarden for a funfilled few hours hosted by art director Jacob Walsh. The prizes promise to be unforgettable (Fringe lost & found items? Tickets to The Little? CITY totes!?); the event is free and open to all ages.

CITY Social

History has its eyes on the stage

THEATER

BY KATHERINE VARGA

It’s been a tough year for artists. The termination of previously awarded National Endowment for the Arts grants feels like an attempt of the current administration to regress the country to a time before the NEA’s establishment in 1965, or maybe even earlier (the era of kings?). Local theaters are also looking back, presenting seasons full of historical dramas and revisited classics. While such fare is a reliable staple in theater, this season feels more pointed, fueled by a hunger for stories about people falling in love and making art amidst plagues, patriarchy and racism.

On the bright side, local theater is upstaging New York City in one respect. Several NYC theaters received backlash for announcing seasons with no women playwrights; Rochester stages are presenting works by some of the finest in the industry.

Among them is Sarah Ruhl, whose “In the Next Room (or the Vibrator Play)” – yes, that kind of vibrator – will run at Blackfriars Theatre under the direction of Patricia Lewis Browne from Oct. 24 – Nov. 9. Inspired by the early innovations of electricity, the play follows

Rochester’s

the patients and family of a doctor who treats “hysteria” in women. (Parents should be aware this provocative comedy reaches “Bridgerton” season one levels of sexually explicit content.)

Travel a little further back in history, to a time when interesting women were called witches, not hysterical. Penfield Players presents “Witch” by Jen Silverman and directed by Jesika Barnes, a reworking of a 1621 drama about a devil bargaining for souls in an English village. The supernatural vibes are right for spooky season, though the play asks broader questions that

haunt year round, such as: how much is a soul worth? How do you find hope when the whole world needs a do-over? Mull it over at the Penfield Community Center from Oct. 24 – Nov. 11.

The Rochester Community Players supplement their usual Shakespeare offerings with a play about staging the Bard, “The African Company Presents Richard III” by Carlyle Brown. This 1988 drama is based on the true story of the first Black American theater troupe to put on a production of the historical tragedy. Art isn’t easy, especially when bumping up

against white supremacy in 1821 America. In collaboration with {theater}+{náfsi} and helmed by seasoned Sankofa director Reuben J. Tapp, you can catch it at MuCCC from Oct. 3 – 11.

It’s no coincidence that multiple troupes are drawn to plays about making art in troubled times. For more theater about theater, check out Out of Pocket, Inc.’s production of “The Amateurs” by Jordan Harrison, a dark comedy playing at MuCCC from Oct. 31 – Nov. 8 under the direction of John Jaeger. A medieval acting troupe put on a pageant play about the biblical tale of Noah’s ark, though a meta-theatrical twist connects their Black Plague to the AIDS crisis.

If you’ve had enough of the self-referential and want a more straightforward drama, “Sancocho” at Geva Theatre Center might be your taste. This new play about Puerto Rican sisters mixes appetizing ingredients: family tension, secrets revealed and homemade stew. Penned by former Geva dramaturg

Christin Eve Cato and fresh from a critically acclaimed Off-Broadway run, it plays Oct. 14 – Nov. 23.

It’s hard to find a “Romeo & Juliet” take that hasn’t already been done to death. Or maybe it’s not that hard. Maybe you just need Juliet to, instead of dying, greet Romeo’s corpse with a rendition of the Britney Spears bop “…Baby One More Time” and take it from there. The exuberant, queer Shakespeare-remixed jukebox musical “& Juliet” is part of RBTL’s 202526 season at West Herr Auditorium Theatre Dec. 9 – 14. Penned by “Schitt’s Creek” writer David West Read with songs by 1990s pop hits songwriter Max Martin (think Britney and boy bands), it’s sure to be a wild ride.

For feel-good escapism, The Company Theatre presents a new devised adaptation of “Persuasion,” Jane Austen’s final book and the second chance romance trope at its finest. Can two former flames be persuaded to find their way back to each other? It’s directed by Carl Del Buono, who’s known for adding an offbeat flair to familiar works, with a holiday run Dec. 5 – 21.

Pointe punchlinesshoes, and premieres

BY SYDNEY BURROWS

From clowns to classical ballet, the first half of the 2025-26 cultural season offers something for every movement enthusiast in Rochester. Families with young children and audiences looking for lighter fare can mark their calendars for RocHaha and The Nutcracker. For those craving innovative modern dance, Garth Fagan Dance and Nazareth University alumni take the stage. With a splash of whimsy and plenty of local talent, Rochester dance brings its A-game this fall.

Nazareth University’s dance program has expanded significantly in the past decade, from launching a dance major to hosting guest artists from across the country. Nazareth now offers the Rochester community a wide range of opportunities for dancers and audiences alike. This fall, the department will present a “Naz Alumni Dance Showcase” during Naz Weekend 2025, highlighting the program’s influence on local choreographers. The evening features works by alumni as well as faculty members Mariko Yamada, Heather Roffe and Cat Olson of CAT + THE COYOTE.

The show takes place at 7:30 p.m. on September 19 in Beston Hall, Nazareth University; free and open to all. naz.edu/events

Laughs are guaranteed as RocHaha Clown Festival returns for its second year with shows at both the Multi-Use Community Cultural Center (MuCCC) and newly opened Auguste Roost studios. The multiday festival features workshops, performances and other opportunities to explore clowning. Like last year, it opens with “Itchy Clowns Night Cabaret,” a showcase of new and experimental works by local artists. Other shows throughout the week

will feature Canadian artists Candy Roberts and Gordon Neill (recently seen on “Canada’s Got Talent” — while wearing a plastic dog e-collar) and Gaulier-trained clown Madeleine Rowe from Minneapolis. From puppetry to physical comedy, RocHaha offers audiences numerous chances to escape into a world of risk-taking humor. Various times from Sept. 23-28 at MuCCC & Auguste Roost. Tickets start at $15. rochaha.com

Rochester City Ballet has announced a busy autumn: first, they’ll traverse the Thruway to present something more contemporary with “Synergy,”

in partnership with Central New York Ballet and Syracuse University on October 18 at the Everson Museum. Then, the Christmas spirit will once again sparkle with pointe shoes and tiaras during “The Nutcracker,” performed in tandem with the Rochester Philharmonic Orchestra in late November.

Tchaikovsky’s music paired with RCB’s elegance has long marked the start of Rochester’s holiday season, and the company will also offer a free, sensory-friendly performance at the Fort Hill Performing Arts Center in Canandaigua. Various times from Nov. 26-30 at Kodak Hall at Eastman Theatre, tickets start at $21. rpo.org

Garth Fagan Dance reunites with the Rochester Philharmonic Orchestra in “American Masters,” led by Aram Demirjian. The evening includes Leonard Bernstein’s “On the Town: Three Dance Episodes,” Philip Glass’s “Days and Nights in Rocinha,” and Aaron Copland’s “Symphony No. 3,” with the iconic “Fanfare for the Common Man.” Garth Fagan Dance will premiere new choreography featuring both veteran and newly joined company members. Known for their mastery of Fagan technique — a fusion of Afro-Caribbean, ballet and modern dance — the company’s athletic style will both contrast and enhance the RPO’s celebration of American composition. Various times on January 24 and 25 at Kodak Hall, Eastman Theatre. Tickets start at $18. rpo.org

OFFICE/EVENT SPACE AVAILABLE TO RENT

The space is comprised of 3 offices and a storage space. The offices and storage space share a common hallway and are co-located.

• All utilities and trash removal is included in the lease.

• Free parking is available to tenants in 2 adjacent lots.

• Right across from City Hall in downtown Rochester.

• Stunning city views

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A 7-concert sampler to enjoy in the coming months.

Live audio for autumn

MUSIC

BY PATRICK HOSKEN PATRICK@ROCHESTER-CITYNEWS.COM

If summer is jazz season, what does that make fall? The multicolored trees suggest a musical spell as diverse as a leaf pile — and the concert listings for the rest of 2025 bear this out. From West African blues and Americana to indie rock and hot-rod surf, there’s something for everyone. CITY picked seven choice live shows, but there’s plenty more where that came

Coral Moons

The Bug Jar

September 19-20 at 9 p.m.

Canandaigua-via-Boston band Coral Moons celebrates its summer tour with a two-night stand in downtown Rochester. A year after releasing the great and melodic collection “Summer of U,” the band recently dropped

the banger “Made Up My Mind” and embraced its destiny as a poprock supernova. For the first show, Cheap Kids joins as local support; Home Videos opens on night two. bugjar.com

School of Music

September 26 at 7:30 p.m.

Malian guitarist Vieux Farka Touré is African-guitar royalty. His father, the late Ali Farka Touré, helped pioneer desert blues; Vieux has followed suit, crafting folk melodies and electric-guitar soundtracks in his own work. He even joined with popular world band Khruangbin for a tribute to Vieux’s father in 2022. He plays Rochester as part of Eastman’s Barbara B. Smith World Music Series. boxoffice.esm.rochester.edu

Dave East

Water Street Music Hall

September 27 at 7 p.m.

XXL magazine selected Harlem’s Dave East as one its influential 2016 Freshman Class rappers; his fellow picks included Anderson .Paak, 21 Savage and Lil Dicky. East has stayed true to his initial appeal: East Coast rap infused with raw storytelling and a dynamic flow. East’s latest collaborations include songs with Mary J. Blige, British MC Giggs and former Griselda rapper Conway the Machine. waterstreetmusichall.live

Modest Mouse and Built to Spill

Kodak Center

October 12 at 8 p.m.

This double bill of Pacific Northwest indie rock features two generations of heavy hitters.

Built to Spill is not the headliner, but without Doug Martsch’s wails and guitar heroics in the ‘90s, an entire generation of bands may not have picked up their guitars. Modest Mouse is one of them, a formidable force beyond just “Float On” (though that’s a banger, too). Bring earplugs and wear a flannel. kodakcenter.com

Keigo Hirakawa Quartet featuring Stacy Dillard

Bop Shop Records

November 1 at 8 p.m.

New York City jazz club vibes come to Rochester with the arrival of pianist Keigo Hirakawa. In addition to his celebrated 2023 album “Pixel,” the versatile performer brings with him an allstar crew of musicians, including saxophone player Stacy Dillard, about whom Wynton Marsalis apparently once said, “This MF can play.” Rounding out the cohort are bassist Diallo House and drummer Hamir Atwal. bopshop.com

Eddie Barbash from The Late Show Band

Beston Hall at Nazareth University November 23 at 3 p.m.

Stephen Colbert’s “Late Show” is on borrowed time from CBS, which is a shame for many reasons, including the sheer talent of his house band. Part of that comes from saxophonist Eddie Barbash, who joins as part of this Society for Chamber

in Rochester program that also features Kyle Athayde on drums. This afternoon matinee includes work from David Temperley, Darius Milhaud and jazz standards. chambermusicrochester.org

Béla Fleck & The Flecktones State Theatre of Ithaca

December 5 at 8 p.m.

It’s never been right to call what banjo player Béla Fleck does “bluegrass.” But it’s a nice place to start. From there, his Flecktones — bass virtuoso Victor Wooten, keyboardist Howard Levy and Roy Wooten, who plays the “drumitar” — can and do go to multiple places on the musical map. This show, “Jingle All the Way,” promises a holiday program, but what’s more notable is the very act of having those four Flecktones onstage together for the first time in 15 years.

stateofithaca.org

MUSIC REVIEWS

“ACROSS THE HORIZON”

BY NICHOLAS GOLUSES

Those who arrived late to Nicholas Goluses’ 70th birthday concert at the Eastman School of Music last April were disappointed — it was standing room only. Many chose to hover in the back of Hatch Recital Hall so as not to miss hearing the guitarist (and Eastman professor) live in concert; a recording of that performance will be broadcast on public media stations around the country via WXXI Classical next spring.

In the meantime, Goluses has released a new album, “Across the Horizon.” In it, he showcases his greatest strength as a player — balancing technical mastery with warmth and charisma.

From the first notes of “Cinco Piezas Para Guitarra” by Astor Piazzolla, Goluses draws the listener in with fingers on strings. One can almost hear the beating of his heart. In the first pieces, the only ones for solo guitar by Piazzolla, he asks a series of gentle, persistent questions.

Two things sound clear — first, the sheer intimacy of Goluses’ sound (expertly captured by recording engineer John Truebger) and second, the total assurance of his technique.

In “Fantasia” by Eastman professor emeritus Bill Dobbins, Goluses ripples up and down the strings with a jazzy lilt. In “A Concerto of Colours” by Stephen Goss with the Eastman Wind Ensemble led by Mark Davis Scatterday, the guitarist shines as a soloist, evoking the blue, wide-open skies of the American West.

Whether he’s playing preludes by Brazilian legend Heitor Villa-Lobos or finishing the album with Andrew York’s 2016 simple solo “Home,” Goluses turns his guitar into a color machine. He swipes the fretboard, smacks the body and infuses love into each musical phrase.

This is a guy who found his thing, and spent a lifetime getting better and better.

— BRENDA TREMBLAY

“GARDENS” BY NEW MATH

Forty years in the making, Rochester’s own New Math is finally getting its due. A casualty of New York City’s Brain Eater Records that folded just as the pressing arrived in the mail, “Gardens” was ready to release in 1984. Nashville-based label Propeller Sound Recordings (helmed by Pittsford native Jay Coyle) has unearthed and is finally releasing the remastered album on September 3 with a show at Record Archive and a follow up at Abilene on September 5. It’s a homecoming in every sense of the word, and an album that truly deserves its flowers.

Ethereal and powerful, “The Flesh Element” opens the album. ‘Hire all the strongest arms and mouths to do your lying' cuts even deeper in 2025. “Pipes of Pan” bounces along with storytelling from frontman Kevin Patrick and an earnest crescendo to punctuate the talk track.

“Ominous Presence” is reminiscent of Modern Lovers’ “Roadrunner” and is the one you want to chant along with in a live room. Powerful in headphones, certainly better in a dark club. If you need an album to have a ballad no matter the genre, “Borrowed Time” is there for you.

Is this a driving New Wave album? Is it punk? Is it moody synth-pop? Yes to all, plus a live showcase recorded at Scorgie’s in 1983 that crackles with sounds of a band who was (and is) down to take their fans on a ride and invites your ownership, at one point saying, “What should we do? You paid to get in, tell us what to play.”

Fans will mourn the years it spent locked away because of the “business” side of music. This is the sound that fans of musing, ethereal, lightly pissedoff New Wave seek to soothe them and all at once energize them, no matter the preoccupation.

— KELSEY DELMOTTE

“UN-BELONGING”

BY JACOBO VEGA-ALBELA

Legendary composer Jule Styne penned “I Fall in Love Too Easily” with lyricist Sammy Cahn one evening in Palm Springs. By 1945, it became a vessel for Frank Sinatra’s heartbreaking croon in the film “Anchors Aweigh,” and 80 years later, the standard has been covered by everyone from Miles Davis and Chet Baker to mxmtoon and Andrew Bird.

Add Jacobo Vega-Albela’s name to that list.

The Rochester-based drummer and composer takes on the tune with splashes of invention in the middle of “Un-Belonging,” his debut album released earlier this year on Brooklyn’s 577 Records. With pianist Leon Hsu and bassist Zach Walgren, Vega-Albela preserves the sweetness at its heart while traveling in slightly avant-garde directions.

It’s a good test case for the rest of “Un-Belonging,” a collection otherwise populated by his own compositions. The first one, “Moonbeams,” begins with a brief, atmospheric drum solo that doubles as scene setting. Later, on “390s,” the trio treads more experimental and slightly darker terrain.

“Un-Belonging” was recorded in 2024 at GCR Audio in Buffalo and mastered in New York City. Yet Vega-Albela has roots in the Southwest; he left New Mexico for New York State in 2018. This translates to the opensky approach of the players, also including Adam Aronesty on tenor sax and Jordan Lerner on tenor and alto sax.

The magic of the cohort comes to the fore on “High Priest,” a cool and mysterious adventure given rich texture by the interplay between the two saxophones. It fits neatly into the contemporary jazz landscape while maintaining an exploratory edge.

This is where “Un-Belonging” (and its titular evocation of placelessness) shines. Technical but not academic and improvisational but still playful, these eight tunes serve up an aesthetic as rich as the colorful brush strokes on the album cover.

— PATRICK HOSKEN

“MUSCLE MEMORY”

BY

MOSTLY GHOSTS

Mostly Ghosts materialized in 2024, fittingly unveiling its existence as a band on Halloween. The post-hardcore quartet makes soul-baring, scratchy guitar-based music that was the purview of Myspace profiles in 2005. The stakes feel real, and the amplifiers are cranked up loud.

But unlike Gen Z takes on this sound, neither nostalgia nor ironic inversion plague Mostly Ghost’s debut EP, “Muscle Memory.” Instead, the band plays it straight, informed by Paramore and Saosin as much as their forebears Thursday and At the Drive-In. This results in a charming, expertly executed genre exercise with plenty of energy.

The band’s key strength is the juxtaposition of light and dark at play between the wall of noise and the voice of singer Laura Wolanin, known for her visual art with Praise the Sun Shop. With Matt Mallet on guitar, the melodies spider out in multiple directions, gathering power from the dense rhythm section of bassist Jeff Ciotti and drummer Steve Stoner.

A reckoning with nostalgia, or its presence as an unwelcome guest, arrives via Wolanin’s crisp delivery on opener “Close Call.” Here we are again like we’re 17 / Never take me back, she sings. Patient screamo fans get their moment when the skramz hit at the top of closer “Disposable Things.”

Elsewhere, the songs follow a timehonored, successful formula: the tension builds during the verses, breaking during a triumphant or hopeful chorus. Let the next time hurt a little less, goes Wolanin on “Timeline,” and then: I did not sign up for this.

The sense of loss that permeates the five songs is made extra potent by the news that they are, in fact, the only music Mostly Ghosts will make. The band announced its split, due to differences in creative vision, in July when the EP arrived.

That makes “Muscle Memory” something of a ghost, too.

— PATRICK HOSKEN

Beauty is truth, truth beauty

BY REBECCA RAFFERTY

Life has many of us bouncing between sleepless concern over relentless waves of serious issues and the desire to walk into the woods and never look back. Maybe it’s always been that way. But, good news: this season, the roster of offerings at local aregional art houses has something for both needs (and we do need both). Keep eyes on the important things; yes, that includes the flowers, the trees and the sky.

There’s still time to see the Rochester-Finger Lakes Exhibition before it wraps at the Memorial Art Gallery on Oct. 5 — and with the work of 90 regional artists featured this year, it’s worth scooting in there during the final month. This show is always a great way to gain a wider sense of what a multitude of area artists are currently thinking about and creating. And through January 25, 2026, the MAG is presenting “William Gropper: Truth, Beauty, Justice, Humor,” in its Lockhart Gallery (a smaller space reserved for showing off objects from the museum’s permanent collection; always worth popping into whenever you’re in the building). Gropper was a painter, printmaker, muralist and political cartoonist whose work appeared in "Vanity Fair," "New-York Tribune," and other pubs during the 1930s and ’40s, including radical journals "New Masses," "The Liberator" and "The Worker." Proto-memes that they are, political cartoons have

A handful of visual exhibitions offer a headful of humanity this fall.

always taken the piss while speaking truth to power, at times satirizing the foibles of society’s overlords and at other moments, providing daring insight and calls to action. Sadly, many of the themes immortalized by Gropper’s critical hand are as relevant today as they were in his day. The show includes paintings, drawings, and prints from his fourdecade career.

mag.rochester.edu

The word ‘visibility’ is often repeated when we speak of groups and communities whose rights are threatened by the whimsy of legislation and whose lives are under attack by hateful masses further empowered by bad leaders. Through October 26, George Eastman Museum’s Gallery Obscura has launched “Seeing & Being Seen: LGBTQ+ Visions of Rochester,” an exhibition that acknowledges the city’s deep history of activism and liberation movements and the enduring existential struggles that queer and trans people face, while it spotlights queer and trans Rochesterians themselves, each of whom are crucial threads in the fabric of our community. You’ll likely see some familiar faces in the photos, but even if you don’t, here’s your chance to get to know more of the neighbors who make Rochester such a vibrant home. Curated by ImageOutArt.

Revisit for “Peggy Ahwesh: The Night Sky” (through November 2), a pair of experimental videos that layer time-lapse cinematography with long exposures of trees and other terrestrial objects against the vastness of space, reminding small beings to slow down, look up, and breathe.

“American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy” (Sept. 26–March 1, 2026) A look at pioneering artistry that emerged from backdrops of persecution and perseverance. eastman.org

The field of fiber arts has long received an undeserved dismissal as mere ‘women’s work’ — as though that alone should make the craft less-than. But as much as any other

medium, the work is rife with meticulously honed talent, and has often served to communicate hidden messages: perhaps the most famous example is the Underground Railroad coded quilts, many of which are now displayed as important historical objects in institutional collections. Continuing this tradition of weaving and sewing hard truths into soft, innocuous materials are the artists of the New Jersey and New York region of Studio Art Quilt Associates, who present “byCONTRAST: Apparent Contradictions” at Rochester Contemporary Art Center through September 20. The exhibition features dozens of fiber artists who have created visual and tactile works with linguistic tension, tackling politics, climate, banned books and beauty for its own sake — which is also important.

rochestercontemporary.org

Earth’s cap is an icy sea, but its crown is sylvan, with primeval trees soaring toward shifting rainbow pathways in the night sky. The boreal forest rings the planet in the far north, and was a source of shared inspiration for a group of early 20th-century modernist painters across Scandinavia. The essence of the place — its sights and spirit — is captured in “Northern Lights,”

featuring 62 landscape paintings on view at Buffalo AKG Art Museum’s Jeffrey E. Gundlach building through January 12, 2026. Norwegian artist Edvard Munch may be the only ‘household name’ included in the show, depending on whether or not you’ve heard of Hilma Af Klint — the masterful, mystical painter is a personal favorite — so this is a wonderful opportunity to take a niche-y look at one corner of the world and the artists that celebrated its bewildering glory. buffaloakg.org

Take a day trip east to the Everson Museum of Art, where through October 19 you can immerse in the darkly dreamy works of Colombian American artist Nancy FriedemannSánchez. Her solo show, “Dream Map and Cornucopia,” is an homage to her roots, history, and the natural world, and is filled with monumental black Tyvek ‘canvases’ that she’s inked with visions of bright flora and fauna overflowing traditional ceramic vessels. There are subtle hints of tension between Indigenous and colonial cultures — look for tiny helicopters dwarfed by a forest spilling from a patterned pot — but the paintings are also pure pleasure to behold. everson.org

From the fringes to front and center

BY PATRICK HOSKEN PATRICK@ROCHESTER-CITYNEWS.COM

Every circus needs a tent.

The centerpiece of the ESL Rochester Fringe Festival is the Spiegeltent, a type of gorgeously mirrored entertainment venue handmade by only a handful of families in Belgium. Set up at East Main and Gibbs streets (aka One Fringe Place), it houses some of the fest’s most popular events, including the annual favorites “Cirque du Fringe” and “Shotspeare.”

But sourcing a Spiegeltent has historically proven to be complicated.

“It’s not like you can go to Spiegeltents ‘R’ Us and just order one off the rack,” said Erica Fee, Fringe’s CEO and festival producer. “It’s very rare to be able to get your hands on a Spiegeltent.”

That’s partly why, ahead of the fest’s 14th annual return from September 9-20, its staff recently launched the Fringe Comprehensive Campaign to raise $1.575 million in funding. With that kind of money, Fee said, the fest can sustain its diverse international and domestic programming of more than 250 shows — and secure its own Spiegeltent.

“We went through all the stages of, ‘Perhaps we will build one ourselves,’ Fee said, “and we had plans to build one, but that was proving to be extremely challenging.”

Renting can be tough, too. Transporting all that glass

Rochester Fringe Festival returns for its 14th year, with plans for the future.

across ocean or mountains is tricky, and Fee has weathered plenty of logistical challenges since Fringe’s debut in 2012. One year, the rented Spiegeltent arrived at the Port of New York and New Jersey, more than 330 miles from downtown Rochester, and delays necessitated some unorthodox advice from maritime lawyers.

“They said, ‘The only way that we can assure you that you can get it out of the Port of New York is to turn up with a cash bribe,’” Fee said. “We thought, well, we’re a nonprofit organization. I’m not sure how that’s going to look on our audit.”

Instead, having a tent of the fest’s own allows Fee and the staff to rent it to organizations outside of the Rochester area for special events. No bribes necessary.

Such a whimsical heist plotline feels borrowed directly from a Fringe show. Indeed, perhaps one of the 1,600 performers booked for the 2025 fest could write it and star in it at one of the nearly 40 hosting venues around town.

In the Fringe tradition, it could live alongside the more dazzling spectacles, like several taking place next to the big tent in the Spiegelgarden. One of them, “Submergence,” is an immersive light installation; another, “TRACES,” utilizes 25 Rochesterians who are not actors, all wrangled by the noted ice puppeteer Elise Vigneron. One of this year’s most daring feats is “SPHERE,” an aerial acrobatics showcase taking place at Parcel 5.

“SPHERE” arrives courtesy of Italian theater company eVenti Verticali and features the large titular object as a sort of floating stage suspended in the sky. Fee said the presentation requires a flat surface

in order to lift up the sphere, which made Parcel 5 a great location, along with its terrific sight lines.

It’s a good way of expanding the footprint of the festival further into downtown. At a press conference announcing this year’s Fringe lineup in July, Mayor Malik Evans acknowledged both the financial and entertainment benefits of the fest.

“The arts is economic development,” Evans said. “And if you cannot find one thing you like at Rochester Fringe Fest, you are absolutely miserable.”

One thing Fringe patrons seem to love? The aforementioned “Cirque du Fringe,” put together once again by Las Vegas entertainers Matt and Heidi Morgan. They unveiled their first show in 2015; this year’s is titled “Claws Out” and follows a beloved opera singer named Madam Kitty Ross.

The Morgans developed the show, along with this year’s “Shotspeare” (based on the Bard’s “Titus Andronicus”), between running their own actual Shakespeare festival in Nevada and working at the Atomic Saloon Show at the Venetian Resort Las Vegas — and being parents of two young children.

Of course, the program they initially conceived may not be what audiences end up seeing at Fringe. The Morgans rewrite it in the three days between landing in Rochester and premiering the show.

“You just sort of slash and burn your way through the script a little bit to get a show built in the first day that, then, over the next two days, you can fine tune to the best of your ability,” Matt said.

Sometimes they retool the entire show after a dress rehearsal — or even opening night.

They know the Rochester audience trusts them. In a strange way, the pair said it almost feels like coming home to a family dinner.

“When we’re working on the Strip, it’s kind of like, you adjust to us,” Heidi said. “But for us, we are guests of Rochester. We expect more of the Rochester audience because they’re probably more intelligent than your average Las Vegas audience.”

The “Claws Out” cast bears this out. Comedian and Buffalo native Peter Vogt will host, with appearances by an aerial performer and a sword swallower, as well as a

globally competitive baton-twirling prodigy and the Kenya Golden Lion Acrobats, whose set Matt called “wild and dangerous and reckless.”

That might describe the entirety of Fringe, though Fee opts for a more community-centric tagline: “It takes a city to raise a Fringe.”

It’s also taken her to a new role at the state level. In June, Fee was named to the New York State Council on the Arts. She’ll help decide which cultural organizations will receive state grants, along with the 20 other members appointed by the governor.

Fee said that her position running Fringe has made it clear that it is a difficult time for the arts, especially given the threats to funding at the federal level.

“Everyone is really hurting,” she said. “Luckily, there are some philanthropists who are stepping up to try to fill the void. Another thing that you’re seeing is a lot of groups trying to collaborate with each other in ways that they haven’t before.”

Fee herself is collaborating on another project: a production company called Your Attention Please that she recently reopened after some years of dormancy. One of the shows on the roster is David Kwong’s “The Enigmatist,” which played at last year’s Fringe. Fee also mentioned a historical film project and several TV productions as well.

More work on top of Fringe may seem utterly mental. Fee understands this and even pointed to HBO’s “Ren Faire,” a docuseries that’s essentially “Succession” but at a Renaissance festival in Texas, as a possible look into her own time ahead.

“It was like watching the Ghost of Christmas Future, because the man who produces the ren faire is like 95 years old, and he’s finally retiring,” Fee said. “And I just thought, ‘Oh my god, is that me?’” rochesterfringe.com

Stuff we’re jazzed

to see, in case you want some recs.

CITY’s Fringe picks

“2 Strange 2 Be True”

9 P.M. FRI., SEPT. 12 | 7 P.M. FRI., SEPT. 19

THE FOCUS THEATER, $15

A documentary is often described as being made in reverse; the pieces are not planned, but rather an idea is birthed and parts are gathered. This returning performance from Austin Scott and Eno Okung of Ants to Gods takes the improvised nature of documentary to new heights. Audience suggestions create characters, plot twists and reenactments that build a whimsical world that unravels itself on the spot.

— ROBERTO FELIPE LAGARES

“AYUK”

6 P.M. SAT., SEPT. 13 | 4 P.M. SAT., SEPT. 20 SCHOOL OF THE ARTS: ALLEN MAIN STAGE THEATRE; $15

Where do we turn when we want to escape? To the woods? To our phones? For many, social media was once an outlet for experimenting with unreality. But when Instagram evolved from artsy photos to influencers, the virtual space became partially volatile. As society works to escape the perfectionism of the online world, how does earth shift in its relationship to humanity?

CAT + THE COYOTE, a company of seven Nazareth University alumni and standout choreographer Cat Olson, will investigate questions of escapism, with a sprinkle of space dust and a dash of groove in “AYUK.”

— SYDNEY BURROWS

“The BFF Notebook”

4 P.M. AND 7 P.M. SAT., SEPT. 20

THE HARLEY SCHOOL: CENTRUM; $12

Before the Notes app and Substack, there were diaries and journals. Good old-fashioned pen and paper used to record memories, from first crushes to five-year goals. For best friends Bridget and Amy, it was a shared experience as they journaled thoughts, plans, and dreams to each other in their "BFF Notebook."

This wholesome show appropriately takes place at a school — one of Fringe’s new venues this year — focusing on “girls destined to ‘make something’ together, unaware that they were ‘making’ just that all along.”

— LEAH STACY

“A Body in Places”

6 P.M. FRI., SEPT. 19

UNIVERSITY OF ROCHESTER: SPURRIER

DANCE THEATER, $15

Movement is at the heart of what Eiko Otake does. The New Yorkbased artist places her body in different locations — Fukushima and Tokyo, to name two — and

responds to the world around her through motion, responding to a number of crises that blend both setting and self. This is a screening of some of her powerful works, including those that she has directed, with Otake herself Zooming in for live commentary.

— PATRICK HOSKEN

Calon Arang

11 A.M. AND 2:30 P.M. SUN., SEPT. 14

MEMORIAL ART GALLERY: SCULPTURE

PARK OUTDOOR TENT, $20

In ancient Balinese folklore, the Calon Arang is a witch-type figure, often presented in stories through dance drama and gamelan, or Indonesian traditional music and rhythms. This telling of the tale fuses these elements with a special guest performance by Balinese composer and teacher Gusti Komin. The show is presented by Nusantara Arts, a group dedicated to preserving and celebrating gamelan.

— PATRICK HOSKEN

THE FOCUS THEATER, $15

A documentary is often described as being made in reverse; the pieces are not planned, but rather an idea is birthed and pieces are gathered. This returning performance from Austin Scott and Eno Okung of Ants to Gods takes the improvised nature of documentary to new heights. Audience suggestions create characters, plot twists and reenactments that build a whimsical world that unravels itself on the spot.

— ROBERTO FELIPE LAGARES

“AYUK”

6 P.M. SAT., SEPT. 13 | 4 P.M. SAT., SEPT. 20

SCHOOL OF THE ARTS: ALLEN MAIN STAGE

THEATRE; $15

Where do we turn when we want to escape? To the woods? To our phones? For many, social media was once an outlet for experimenting with unreality. But when Instagram evolved from artsy photos to influencers, the virtual space became partially volatile. As society works to escape the perfectionism of the online world, how does earth shift in its relationship to humanity? CAT + THE COYOTE, a company of seven Nazareth University alumni and standout choreographer Cat Olson, will investigate questions of escapism, with a sprinkle of space dust and a dash of groove in “AYUK.”

— SYDNEY BURROWS

“The BFF Notebook”

4 P.M. AND 7 P.M. SAT., SEPT. 20

THE HARLEY SCHOOL: CENTRUM; $12

Before the Notes app and Substack, there were diaries and journals. Good old-fashioned pen and paper used to record memories, from first crushes to five-year goals. For best friends Bridget and Amy, it was a shared experience as they journaled thoughts, plans, and dreams to each other in their "BFF Notebook." This wholesome show appropriately takes place at a school — one of Fringe’s new venues this year — focusing on “girls destined to ‘make something’ together, unaware that they were ‘making’ just that all along.”

— LEAH STACY

“A Body in Places”

6 P.M. FRI., SEPT. 19

UNIVERSITY OF ROCHESTER: SPURRIER DANCE

THEATER, $15

Movement is at the heart of what Eiko Otake does. The New Yorkbased artist places her body in different locations — Fukushima and Tokyo, to name two — and responds to the world around her through motion, responding to a number of crises that blend both setting and self. This is a screening of some of her powerful works, including those that she has directed, with Otake herself Zooming in for live commentary.

—

PATRICK

HOSKEN

Calon Arang

11 A.M. AND 2:30 P.M. SUN., SEPT. 14

MEMORIAL ART GALLERY: SCULPTURE PARK

OUTDOOR TENT, $20

In ancient Balinese folklore, the Calon Arang is a witch-type figure, often presented in stories through dance drama and gamelan, or Indonesian traditional music and rhythms. This telling of the tale fuses these elements with a special guest performance by Balinese composer and teacher Gusti Komin. The show is presented by Nusantara Arts, a group dedicated to preserving and celebrating gamelan.

— PATRICK HOSKEN

“Catch & Collide”

11:30 A.M. SEPT. 14 | 1:30 P.M. SEPT. 20

SCHOOL OF THE ARTS: ALLEN MAIN STAGE THEATRE; $15

Seven Rochester-based choreographers will premiere new works, many of which were developed collaboratively, with improvisation and spontaneity

serving as key elements of the creation processes. These well-established artists consistently push boundaries with the topics they tackle and their exploration of interdisciplinary art. For those interested in a glimpse into the variety of creative choreography that’s ever-present in Rochester, BIODANCE’S "Catch & Collide" offers a great overview.

— SYDNEY BURROWS

“Cirque du Fringe: Claws Out”

VARIOUS TIMES DAILY SEPT. 9-20

SPIEGELTENT; $34-$147 (VIP BOOTHS)

When the official Fringe press conference happened back in July, performers Matthew and Heidi Morgan had no idea just how topical their newest Cirque show would be: it was right on the heels of the viral Mountain Lion™ sighting. While that alleged AI kerfuffle likely won’t be part of the 12-day Spiegeltent headliner, things will get catty as beloved socialite and renowned opera singer Kitty Ross invites audience members to be her guests of honor for an unforgettable evening of breathtaking talent and outlandish comedy featuring aerialists, acrobats, a swordsman and, of course, Rochester Fringe favorites Matt and Heidi Morgan.

— LEAH STACY

“It Will Be Okay”

6:30 P.M. WED., SEPT. 17 | 8:30 P.M. SAT., SEPT. 20

CENTERSTAGE THEATRE AT THE JCC: JCC HART

THEATER; $5

Fringe wouldn’t be Fringe without art by and for Rochester’s thriving Deaf community. This original coming-of-age play follows college freshmen navigating mental health, trans identity, and Deafness. Local playwright Ace Gray, a Kennedy Center American College Theatre Festival award-winning performer and recent RIT graduate, writes about identity with insight and humor (which, full disclosure, I know as their former RIT professor). All performances include ASL, spoken English, and captions, with a sensory friendly performance on Sept. 17

— KATHERINE VARGA

“Red Apple Peeling”

6 P.M. FRI., SEPT. 19 | 6 P.M. SAT., SEPT. 20

PARCEL 5; FREE

It’s a bad day to be an apple. Or, is it? The questions will pile like the peeled skin of myriad varieties of the

forbidden fruit. The edible spectacle is exactly as it is, and yet not at all. This pop-up performance by Feliza Bascara-Zohar leaves a blank canvas for interpretation. Bitten and smitten with crisp curiosity certain to slice into the core of art, plucked and peeled from the orchard.

— ROBERTO FELIPE LAGARES

“Tarot Cabaret”

8:30 P.M. THURS. SEPT. 11, FRI., SEPT. 12, THURS., SEPT. 18 | 7 P.M. FRI., SEPT. 19

SCHOOL OF THE ARTS: BLACK BOX THEATRE; $15

Sunday Stages Theatre Company (a moniker nod to “Sunday in the Park with George”) returns for their third Fringe, where they’re specializing in evenings of earnest, entertaining short form theater. In this original cabaret, audiences pull tarot cards that determine each performance’s musical set, enigmatically described as theatrical songs and classic hits.

— KATHERINE VARGA

“The Returns Department”

12:30 P.M. SAT., SEPT. 13 | 3:30 P.M. SUN., SEPT. 14

SPIEGELTENT; $19-$159 (VIP) Montreal’s Kif-Kif Sisters have an almost supernatural gift for physical comedy. The identical twins label their humor as “tender and intelligent,” drawing strength from clowning and magic shows. Thematically, “The Returns Department” examines the concept of work, but it’s filtered through a lens familiar to Rochesterians both young and old: play. The light tension between the two yields great comedic results in this all-ages show in the round.

— PATRICK HOSKEN

“ROCitecture”

6 P.M. FRI., SEPT 12 AND 19 | 6 P.M. SAT., SEPT. 13 AND 20

ROCHESTER CONTEMPORARY ART CENTER: SIDE LAWN; FREE

The site-specific shows that take place during Fringe are always some of the most fascinating, and this theatrical experience presented by MCC's On The Edge Theatre Troupe in collaboration with RoCo will highlight the interplay between architecture and capitalism through an interactive game board influenced by Rochester’s architecture.

— LEAH STACY

“SPHERE” by eVenti Verticali

7 AND 9 P.M. FRI., SEPT. 19 | 7 AND 9 P.M. SAT., SEPT. 20

PARCEL 5; FREE Aerial arts meets sculpture meets technology in Italy’s vertical theater company, eVenti Verticali. Athletic performers will tackle the challenge of the vertical stage, utilizing the night sky as their backdrop and a large spherical structure as their partner. Based on the island of Sardinia, the company has mastered a unique form of storytelling that uses aerial choreography, architecture, and a bit of adrenaline. Audiences may need to crane their necks to fully experience the show, as SPHERE demonstrates the possibilities of dance beyond the limits of gravity.

— SYDNEY BURROWS

The Sights and Sounds District

5 P.M. FRI., SEPT. 12 | 5 P.M. SAT., SEPT. 13 | 5 P.M. FRI., SEPT. 19 | 5 P.M. SAT., SEPT. 20 AUSTIN STEWARD PLAZA; $20

Within five minutes of his guest spot on WXXI’s “Connections” in August, Matt Rogers of The Lost Borough had the studio (and audience) hooked. Rogers' depth of knowledge and passion for Rochester history is palpable. During this show, the stories that unfold span generations and flow directly into each set of wireless headphones (provided for attendees). The stage? Exactly where the audience stands — or better yet, sits, as bringing a blanket or chair is recommended. Prepare for an immersive experience akin to time travel, sans DeLorean.

— ROBERTO FELIPE LAGARES

“Thirteen Ways”

7 P.M. THURS., SEPT. 11 | 2 P.M. SAT., SEPT. 20 MUCCC; $15

Empty nesters Jo and Tony banter in their backyard about a hypothetical kidnapping. As the scene gets reimagined 13 times, their innocuous squabble expands in unexpectedly moving ways. Developed as a staged reading with Rochester Community Player’s Playwrights Showcase (alongside “Churchbells” by Doug Waterman, also getting the 2025 Fringe treatment), this engaging one act displays the playwriting talent of MCC English professor Maria Brandt.

— KATHERINE VARGA

What she’s having

BY CYPRIS WILKINSON

Armed with sharp wit, unapologetic humor and new Netflix special, stand-up comedian Chelsea Handler will land in Rochester this month to headline Rochester Fringe Festival’s opening weekend with a onenight-only performance on Saturday, September 13.

“I think my new hour is perfectly suited for a festival like this,” Handler said in a recent phone interview.

As a television host, producer and seven-time New York Times best-selling author in addition to her extensive standup career, Handler feels it’s her responsibility to create an atmosphere to bring people together.

“The backdrop that we’re living in is depressing,” she said.” I mean, every day is a new nightmare ... And I think people in times like these really need a reprieve more than ever.”

Handler’s goal for this and every show she performs is to give audiences a brief escape from the world’s troubles — whether the stress is global or personal — so they leave feeling better than when they arrived.

Festival producer and CEO of the ESL Rochester Fringe Festival Erica Fee said the nonprofit organization’s mission is not only to bring new arts experiences to the community, but also bring in big-time comedians like Handler.

“Every year we try to book

Comedian Chelsea Handler makes her Fringe debut on September 13.

people of Rochester.

“My favorite part is the reaction we get from the audience, when I’m able to look out and see an audience experiencing joy or being moved or just really connecting with a show,” Fee said. “When I see the looks on people’s faces I think, ‘Gosh, this was all worth it,’ because it takes an entire year, of course, to put on the festival.”

Handler, in particular, is someone Fringe has wanted to book for a while. She recently released a special on Netflix, published her seventh book — “I’ll Have What She’s Having” — and has a residency at The Cosmopolitan Las Vegas through the end of November. Given these factors and Handler’s recent media appearances, Fee thought she would be a great fit for this year’s festival.

While the more superstar artists may draw crowds, Fee said the festival really encourages

attendees to try something different. As most Fringe shows are about an hour in length, it allows people to sample more than one show in a night.

Handler, who last performed locally at Kodak Center in November 2021, is an honest storyteller, and doesn’t shy away from “the good, the bad and the ugly.” Her comedy, like most stand-up, is very personal.

“My whole show is me roasting myself. That is where I begin and where I end … It’s very self-effacing and it’s all about me living a life,” Handler said. “I’m a rich idiot, basically. I talk about that a lot. It’s less about making fun of other people and more about making fun of myself.”

Handler took a break from stand-up for a few years, which she said helped her focus and

recalibrate, but knew she was ready to start doing stand-up again when experiences in life started to be funny.

It was on tour for her 2019 book “Life Will Be the Death of Me ...and You Too!” that Handler reignited her love for standup. On the tour, she realized conversations about her therapy and self-truths were an inherently good place to start creating “Evolution,” which debuted on HBO Max in 2020. She’ll draw from her latest Netflix special, “Chelsea Handler: The Feeling,” for her Fringe debut.

Handler will perform for one night only at 8 p.m. on September 13 in Kodak Hall. Tickets start at $41. rochesterfringe.com

Ike Avelli brings “50 Shades of Gay” to Fringe.

A decade of soldout spectacle

BY JORDYN BRITTON

In an unironically rainbowsequined shirt, Ike Avelli beams on a Zoom call while discussing his upcoming ESL Rochester Fringe Festival performance, “50 Shades of Gay.” For the past decade, Avelli has spearheaded the sketch-comedy variety show that blends stand-up, drag, music and spectacle into a dazzling celebration of LGBTQ+ talent.

“Here, you get the best of both worlds,” he said. “You have a variety show, and it’s the best of the LGBTQ+ community, all involved.”

After being asked to perform at a Pride show in 2015, Avelli began to conceptualize a show that would be engaging and uplifting for any audience — and the rest is history.

“The night before the Pride show, the Supreme Court ruled marriage equality … and the next day, there was a line down the street to get into the show,” he said. “It was fabulous. We have been selling out for 10 years (as of) this year.”

The show’s eclectic nature has remained since its debut, with each performance different from the last but always following a path of humor, wit and music while showcasing the LGBTQ+ community in the same light Avelli views it.

Despite its layers, the origin of the show’s name was simple.

“A ’Fifty Shades of Grey’ trailer came on the television,” he said, “and I thought, ‘Oh, well, this is too easy — take out the ‘r’ and I got a show, right? Right.’ So ’50 Shades of Gay’ was born.”

When reflecting on the show’s true inspiration, Avelli recalls watching a medley of comedians and Broadway divas such as Barbra Streisand, Joan Rivers and Whoopi Goldberg — and knowing he wanted to entertain

and delight others the way those performers inspired him as a child.

“Mario Cantone, Whoopi Goldberg, Sandra Bernhard, anybody who thought outside the box. But Joan Rivers was really my favorite,” Avelli said. “I remember being 13 years old watching her on TV and thinking, should she be saying that? And I’m like, ‘Well, if she can do it, I can do it.’”

Since its debut, “50 Shades of

Gay” has built a loyal following — not only because of Avelli’s talent, but also thanks to the creativity of the entire “50 Shades” cast and crew, including longtime costume designer Suze Velv Genereux.

“Ike gives me artistic freedom with many of my creations, and he is always fearless on stage with his performances,” Genereux said. “When we first collaborated, Ike came to me with an idea for a skit and a concept for a show-stopping outfit.”

Together, they have produced unforgettable stage moments, from a Santa suit that transforms into a light-up Christmas tree and a sequined cruise ship captain’s outfit to a gown made from recycled pool noodles

“[Ike] knew what he wanted and let me be creative with the execution, which might be why we work so well together,” said Genereux. “Over time, I have brought costume ideas to Ike, and he has built terrific skits involving the outfit.”

For Avelli, it is the eccentricities and fantastical nature of the performances, along with the nuances tying them together (costumes, performers, inspiration), that are the heartbeat of every show.

Every skit, joke and costume is created with the same goal: to give audiences an hour where they can laugh, marvel and forget the outside world.

“If somebody comes to my show and they have some kind of problem,” Avelli said, “they can walk away not thinking about it for that hourand-a-half.” ikeavelli.net

PREMIERING ON WXXI SEPTEMBER 9 AT 10 PM

This new documentary, executive produced by Stanley Nelson and Travis Mitchell and directed by Alexis Aggrey, explores the life and legacy of Thurgood Marshall, the nation’s first African American Supreme Court Justice. Rpts. 9/13 at 3 p.m. on WXXI-TV.

The film serves as the centerpiece of HBCU Week, a public media partnership that offers content about the history, legacy, cultural heritage, and degree programs offered by America’s HBCUs. Turn the page to learn more about WXXI programming that celebrates HBCU week.

Morehouse College Glee Club

Wednesday, September 10 at 3 p.m. on WXXI Classical (FM 91.5) and the WXXI app

The Morehouse College Glee Club came to Asbury First Church in Rochester to present a concert as part of their 2024 Tour, and WXXI Classical was there to record them.

Xavier Riddle and the Secret Museum “I Am Thurgood Marshall”

Wednesday, September 10 at 1:30 p.m. on WXXI-TV and the WXXI app

Xavier faces a dilemma: three pie slices, but one is much bigger. To solve this tough problem fairly, the gang visits the Secret Museum and meets Thurgood Marshall, who teaches them the value of fairness. Rpts. 9/16 at 1:30 p.m. on WXXITV, and 9/12 at 2:30 p.m. and 9/13 at 10:30 p.m. on WXXIKIDS 24/7. Photo provided by PBS KIDS

George H. White: Searching for Freedom

Wednesday, September 10 at 3 p.m. on WXXI-TV and the WXXI app

Explores the enduring legacy of one of the most significant African American leaders of the Reconstruction Era.

Opportunity, Access & Uplift: The Evolving Legacy of HBCUs

Thursday, September 11 at 10 p.m. on WXXI-TV and the WXXI app

Takes a closer look at the changes, misconceptions, and current state of Historically Black Colleges and Universities (HBCUs) through the personal stories of students and insights from experts. Rpts. 9/14 at 10:30 a.m. on WXXI-WORLD.

SEPTEMBER 8-14

WXXI CELEBRATES HBCU WEEK

Dr. Eddie Henderson: Uncommon Genius

Thursday, September 11 at 9:30 p.m. on WXXI-WORLD and the WXXI app

Shares the remarkable life story of renowned African American jazz trumpeter and flugelhorn player Eddie Henderson. Rpts. 9/12 at 10:30 a.m. on WXXI-WORLD.

The Historic HBCU Photograph

Thursday, September 11 at 10:30 p.m. on WXXI-TV and the WXXI app

Inspired by the 1958 "A Great Day in Harlem" photo, HBCU alumni reunited in Harlem to celebrate unity, resilience, and the enduring spirit of a community shaped by the historic fight for African American education. Rpts. 9/12 at 4:30 p.m. on WXXI-WORLD and 9/14 at 3:30 p.m. on WXXI-TV.

Photo provided by APT

The Golden Year: Howard Women’s Basketball

Saturday, September 13 at 5 p.m. on WXXI-TV and the WXXI app

In 1974, Howard University formed its first Women’s Basketball team that pioneered opportunities. Fifty years later, players and coaches reflect on their legacy, sports growth, and ongoing struggles for equity in athletics.

IN HONOR OF HBCU WEEK,

which celebrates a group of academic institutions that are classified by the U.S. Government as Historically Black Colleges and Universities and pays tribute to their legacy of promoting equal opportunities for high-quality education, WXXI presents a week of special programming that features the under-told stories of sacrifice, courage, innovation, and hope found in the archives of these HBCUs.

The Dream Whisperer

Saturday, September 13 at 4 p.m. on WXXI-TV and the WXXI app

In the midst of segregation, the all-Black Tennessee A&I Tigers were the first collegiate basketball team to win three consecutive national championships. Yet they were never duly recognized for this singular achievement.

Photo provided by APT

Alpha Kappa Alpha: A Legacy of Service

Sunday, September 14 at 7 p.m. on WXXI-TV and the WXXI app

Narrated by Phylicia Rashad, this film documents the 115year history of one of the nation’s oldest African American women’s organizations.

Photo provided by NETA

Journeys of Black Mathematicians, Pts. 1 & 2

Friday, September 12 at 4 p.m. on WXXI-TV and the WXXI app

Traces the cultural evolution of Black mathematicians, highlighting pioneers’ challenges and triumphs, and connecting their legacy to the experiences of today’s mid-career Black scholars, scientists, and educators in mathematics.

“Road to Joy with Maureen Rich” and Dave Kane’s “Breakfast with the Beatles” have their last run at the end of the summer as their hosts retire. Maureen took listeners on a musical journey of happiness, comfort, and joy every Tuesday from 6 to 8 p.m. for the past 11 years and Dave shared his vast knowledge of Beatles with fans Sunday mornings from 10 a.m. to 12 p.m. for the last three years.

Maureen has worked in radio production and operations in various capacities since 1996. But it was in 2014 when she was asked to fill in for a host on The Route who was taking a leave of absence that planted the seed for “Road to Joy”. She enjoyed filling in, and her listeners loved her curation of songs and stories about the music so much that she was invited to host her own show, where she has shared her love of music — songs that have made up the soundtrack of her life for the past 11 years.

“I am really humbled and grateful for the opportunity to share the ‘Road to Joy’ that has taken me through these last years of my time on radio,” said Maureen. “I am retiring from radio, but not music. I’ll never leave the music behind.” She is the lead singer and plays the ukulele in the Tug Hill Band and the Tasty Parker Band, performing at many local venues, including The Little Café, Irondequoit Brewing Company, Abilene, and Genesee Brew House. Maureen’s last show will air Tuesday, September 9.

Dave Kane first hung up his mic in 2021 after 40 years at 96.5 WCMF, but came out of retirement in September 2022 to bring his beloved “Breakfast with the Beatles” show to The Route. The weekly, two-hour program celebrates the art, the influence, and the legacy of The Beatles with Dave taking a deep dive into The Beatles’ expansive catalog, as well as their solo work. Cranking out more than 100 shows in just three years, Dave gave a historical perspective and discussion on the everlasting impact of the Fab Four every Sunday.

The Route’s Maureen Rich and Dave Kane Sign Off from their shows for the last time close gap

FOR

Responding To a $1.9M Federal Funding Gap with Purpose, PlannIng and Public Support!

“It's been an extremely fulfilling three years for me, both personally and professionally," said Dave. "Being able to do this show on The Route and share my and the audience's mutual love of the timeless music of The Beatles has been nothing less than what I consider my 'Retirement Reward!' I am so very grateful.”

In 2019, the Rochester Music Hall of Fame presented Dave with a “Special Merit Award” during the induction of WCMF. He was also nominated for a prestigious “Radio Personality of the Year” Marconi Award and is a six-time nominee for Billboard Magazine’s “Music Director of the Year.” Dave’s last show aired August 31.

THE FUTURE IS STILL OURS TO SHAPE!

With Congress ending federal support for public media, WXXI now faces a $1.9 million budget gap that directly impacts the programs you and our entire community count on.

Thanks to local generosity, just $700,000 remains to be raised by October — the month those federal dollars would have arrived.

Your donation today keeps trusted news, inspiring television, uplifting music, and PBS KIDS free for all. Together, we can Close the Gap and sustain the essential public media service our community depends on!

Give now at WXXI.org/close-the-gap or scan the QR code

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Santa Fe Chamber Music Festival

Tuesdays at 8 p.m. beginning September 10 on WXXI Classical (FM 91.5)

Known for its enduring commitment to tradition, artistic excellence, innovation, and vision, this radio series draws performances from the most recent summer festival in Santa Fe, New Mexico.

The Putumayo World Music Hour

Saturdays at 2 p.m. on The Route (FM 88.5)

This radio show will take you on a journey through the music of many different cultures and features interviews with worldclass music makers such as Los Lobos, Jackson Browne, Bonnie Raitt, and Taj Mahal.

The Hidden Brain

Saturdays at 4 p.m. on WXXI News (FM 105.9)

Hosted by Shankar Vedantam, who has been reporting on human behavior and social science research for more than 25 years, this series explores the unconscious patterns that drive human behavior and questions that lie at the heart of our complex and changing world.

One Take: Remaining Native

From Rochester-based filmmaker Paige Bethmann

Wednesday, Sept. 10 at 7pm

(with a post-screening Q&A featuring Bethmann)

Saturday, Sept. 13 at 3pm

Tickets available online at thelittle.org & at the box office

Acoming-of-age documentary told from the perspective of Ku Stevens, a 17-year-old Native American runner, struggling to navigate his dream of becoming a collegiate athlete as the memory of his great grandfather’s escape from an Indian boarding school begins to connect past, present, and future.

Downton Abbey:

The Grand Finale

Opens Thursday, Sept. 11

When Mary finds herself at the center of a public scandal and the family faces financial trouble, the entire household grapples with the threat of social disgrace. The Crawleys must embrace change as the staff prepares for a new chapter with the next generation leading Downton Abbey into the future.

Love, Brooklyn

Opens Friday, Sept. 19

Black Cinema Series screening and discussion Sunday, Sept. 21 at 2pm

A writer (André Holland, Moonlight) navigates complicated relationships with his ex, an art gallery owner (Nicole Beharie, The Morning Show), and his current lover, a newly-single mother (DeWanda Wise, She’s Gotta Have It), with the support of his best friend (Roy Wood Jr., The Daily Show). A modern romance set against the rapidly changing landscape of Brooklyn, New York.

In 1988, Deaf students at Gallaudet University protested until the school appointed its first Deaf president, Dr. I. King Jordan, marking a pivotal moment for Deaf rights and representation.

Don Hertzfeldt presents: Animation Mixtape

Sunday, September 28 at 7:30pm

Tickets at thelittle.org

Flying cows, mysterious gods and lyrical pandemonium: Don Hertzfeldt has made Animation Mixtape just for you. The dazzling 85-minute program features exciting, animated shorts from up-andcoming filmmakers, Academy Award nominees and classic pieces that originally inspired Don to start making his own iconic work. Including a new animated introduction from Don and never before seen work from famed underground animator Bruce Bickford.

Interactive show “The Estate Sale” melds thrifting and theater.

Secondhand comedy

BY CRISTINA REID

Part comedy show, part thrifting adventure, interactive play “The Estate Sale” will be performed twice as part of the ESL Rochester Fringe Festival on Sunday, September 14 at School of the Arts: Black Box Theatre. Performed and cowritten by comedian Kelly Dee, the one-woman show encourages audience participation, allowing crowd members to name their price for secondhand items and even purchase them during the show.

The play, which Dee co-wrote with playwright Stew Jamesson, has been staged at Fringe festivals throughout the country, but this will be the first time in Rochester. And while it may seem strange for a play to combine comedy with an estate sale, Jamesson said the amalgamation is “the secret sauce to a great show.”

The project began when Dee submitted for the Orlando Fringe lottery, but didn’t actually have a show prepared.

“When I got picked, I called Stew crying, completely stressed about what to do,” she said.

“Then Stew had the genius idea that it should be an estate sale, since that’s where I spend the most of my time.”

Dee owns an estate sale company in Melbourne, Florida called “Estate Ninjas.” It’s the primary way she sourced items for “The Estate Sale.”

“Estate Ninjas works closely with local community thrift stores to make sure items stay out of

the dump or big box thrift stores like Goodwill,” she said. “Once a sale is over and items are being boxed up for donation, I will let the homeowner know that some items are being used for the play.”

Dee also accumulates items throughout the year she believes might be desired by audiences.

“This year that includes several creepy dolls, vintage books, clothes, tchotchkes, and decorative tins,” she said.

Jamesson was mostly unfamiliar with estate sales until meeting Dee and is always impressed with the items she finds for the play.

“She is a treasure hunter and I’m routinely left gobsmacked,” he said, recalling some of the unique items sold at previous shows. “Our guests took

home a John Wayne tapestry, a fabulous vintage jacket, a camera, t-shirts from the '90s and an alligator ashtray that just so happened to match the buyer’s phone cover, which he gleefully showed us after purchase.”

Audience members are not only able to purchase items during the show, but before and after, too. The show essentially immerses audience members in an environment similar to a garage sale.

“There are two foldable tables with treasures displayed from one end to the other,” said Jamesson. “You come into the theater and go directly on to the stage to rummage about ‘til you find that perfect take-home item.”

Dee also finds it rewarding to watch the audience connect with the specific items being sold.

“I love when there is a kismet element to it, like a toy or cassette tape they used to have, and now they are crossing paths with it again,” she said.

“I also love when I imagine the kind of person who will pick out an item and that person shows up and gets it.”

But at the heart of the show are the comedic, relatable stories told — and Jamesson believes this is what makes the show resonate with audiences.

“We want them to not only get some great deals on stuff to take home,” he said, “we want them to walk away from our show inspired to have their own cathartic clear-out when they get home.” estate-sale.co

A dancer’s creative rebirth through krump.

The afterbeginning an end

BY ZORA MA

Ashley Alondra Green ran around her Syracuse home at midnight on April 9, yelling and clapping. She couldn’t believe she’d been chosen to debut her full-length choreography at the ESL Rochester Fringe Festival — it was time to tell her story of rebirth, from what was nearly the end of her dance career.

Green has been a dancer even before birth; her mother said she was the most active of all her pregnancies. Green started formally training at age eight in various dance styles.

“First was modern and jazz, and then a year later, I just started to take everything,” she said. “So, ballet, African, hip-hop — you name it, I'm pretty sure I've done it.”

A knee injury in college, caused by a demanding schedule of training and classes, put Green on crutches, leaving her unable to dance for two years.

“The whole time, I just kept thinking, ‘God, please help me through this,’ because I really can't imagine not having any involvement in dance or being able to dance again,” she said.

During that time, Green was guarded, unwilling to let people know what she experienced. She remained deeply involved in the dance world, observing classes and mentally noting areas she could improve if she were able to dance again. Luckily, she made a

full recovery with the treatments and support from her loved ones.

When Green tried to dance for the first time after her injury, it was a mix of happiness and the struggle to relearn how to use her muscles.

“I remember I cried because I didn't dance the same,” she said. “I didn't feel like I was my old self.”

Green began retraining herself and exploring safer ways to dance. The following year, as she regained her strength, it was a new beginning. In 22 years of dance, choreography was always a passion, but Green had never created a full-length show.

She decided to challenge herself by creating a show that reflects the transition of her feelings from the injury, almost the “end,” to her current

state, the “rebirth.”

Krump plays a crucial role not only in the show, but also in Green’s life — a dance style she never imagined herself doing until she met Rochester-based Elton Ward, an adjunct professor in the University of Rochester’s dance program who founded TruKrump Collective in 2023. Krump is a street dance characterized by its energetic and expressive movements, as well as aggressive presentation.

“Something that separates krump is the hype,” Ward said. “In the clips, you see people yelling and jumping up and down and pushing (others).”

Ward believes krump allows people to learn about themselves through reacting to said ‘hype.’ The “Tru” in TruKrump means "the real you." Ward saw it as a space beyond training, where people

could express themselves, while he also respects each dancer’s original style.

“(They) do contemporary, I do krump. There's a performance. Let's see how we can do something together,” he said.

With her performative training background, Green used to focus more on how she looked than how she felt. Krump pushed Green beyond her comfort zone by tapping into her emotions and helped her discover new ways of expression. It allowed her to release negative feelings and brought her to a new state of being.

That, she said, is how krump healed her — which makes sense to Ward.

“After you get all of that energy out, the only thing left to do is talk, and then you can be yourself in it,” Ward said. “A lot of people use it as therapy.”

Ward and TruKrump Collective fully supported Green when she shared her idea of creating a show based on her story. This also marks the collective’s debut in choreographing and performing a full-length show.

“As I created this show, I just killed myself all over again creating it,” Green said.

The more she opened up about vulnerability, the more she began to see it as a superpower. Now, she is presenting that vulnerable self onstage with “The Beginning After An End: The Rebirth” during Rochester Fringe Festival.

“But you can't stay in what you're feeling,” Green said. “You’ve got to move through it, keep pushing forward and think the best.”

“The Beginning After An End: The Rebirth” | Photo City Music Hall | September 13 | 18+ | $10

Timothy Peterson is MAG’s inaugural Ann and Irving Norry Curator of Contemporary Art.

Telling the story of now

BY JUSTIN MUPRHY

For more than a decade, until recently, the Memorial Art Gallery’s main contemporary art space was segmented off by a series of internal walls. These walls divided the exhibits into small groups and dissociated the room from the outside. Visitors sometimes didn’t know whether they were on ground level or below it.

One of the first things Timothy Peterson did when he was appointed contemporary art curator last September was to remove those dividing walls, restoring the gallery to its original, more spacious design.

With the additional space, he seeks to establish subtle connections between pieces. In one corner are paintings and sculptures with graceful curvilinear arcs. A shadow box containing thin, juxtaposed slices of sculpture stands between two intact sculptures.

The relationships are not explicit; instead, Peterson hopes they’ll spark insight and emotion within viewers. He lays out the space with patrons in mind, but also children marching through in day camps and employees entering the building from the parking lot.

“The goal is to tell multiple stories at once and put things in conversation with one another,” he said. “One of the things I’ve learned is that everything is a dialogue.”

now

In nearly four decades as a museum curator, director and contemporary art observer, Peterson said he has increasingly tuned his ear to that dialogue. His talent in doing so was what led the Memorial Art Gallery to hire him last year as its inaugural Ann and Irving Norry Curator of Contemporary Art.

Part of his responsibility is expanding MAG’s contemporary collection. About 1,000 of its 12,000 or so pieces of art are from the contemporary period, which includes work dating back to 1970, he said; about three quarters are from the last 25 years. His goal is to increase the depth and scope of the collection, with an emphasis on artists from underrepresented groups.

“It’s exciting to have a hand in saying what a well rounded collection looks like,” he said. “Over time, as visitors walk through the doors, they hopefully will see themselves represented more and more.”

One of Peterson’s first acquisitions for the museum, and the centerpiece of one of the five exhibits he’s produced in his first year on the job, was a piece by Bethany Collins, a Black Alabama-born artist now living in Chicago. She reproduced four translations of the classic Greek play “Antigone” on heavy paper, then laboriously rubbed out all the text except for variations on a single line: “I spoke my honest mind at least.”

Collins’ other pieces in the exhibit use the same idea of translating, obscuring and recasting historical texts to project their meaning across

time. One is the coiled score of a Confederate battle hymn overlaid by charcoal drawings of billowing tear gas from the protests after the killing of George Floyd in 2020 (the exhibition is on display through Nov. 30).

Peterson was born in Minnesota, but his career has taken him to institutions across the country. They include a private foundation in Los Angeles, a startup gallery in a reclaimed urban space in Minneapolis, the SCAD Museum of Art in Savannah, Georgia and the Center for Maine Contemporary Art. He crossed paths at the latter with Sarah Bouchard, who runs her own gallery in Maine. She said Peterson distinguished himself by looking beyond the typical “handful of artists with gobs of money and vast tendrils of social capital” to find new currents in the state’s art scene.

“As an outsider, Tim made, either consciously or unconsciously, the decision to seek outside of [traditional circles],” Bouchard said, “and as a result opened himself up to a whole array of Maine artists who hadn’t received the attention they deserved.”

Peterson not only made an effort to attend events at Bouchard’s gallery,

but scheduled visits with her artists about their work and the arts in Maine and what direction they were taking.

“The fact that someone within that elevated position at an institution would have the openness to ask questions was wildly refreshing,” said Bouchard.

Peterson is now undergoing the same sort of initiation period in Rochester, including selecting pieces for the annual Rochester-Finger Lakes Exhibition (on display through Oct. 5).

“I’m working to develop a sense of what’s missing here and what needs to be seen by this community,” he said. “What I’m seeing is a great deal of love for this institution.”

As he plans his first major solo exhibition at MAG, Peterson is also making time to browse the gallery’s own holdings and plan smaller installations. It is a synaptic fusillade of a workflow that sets his toes into a perpetual jangle.

“I could drink culture out of a firehose,” he said. “I love learning more, and that’s what’s beautiful about contemporary art — it’s forever growing.” mag.rochester.edu

A century of magic

Rochester Community Players celebrates the long, winding road to 100 years of local theater.

BY PATRICK HOSKEN PATRICK@ROCHESTER-CITYNEWS.COM

Eight hundred words couldn’t possibly do justice to 100 years of history. That’s why the full tale of the Rochester Community Players — the oldest community theater group in the city (and the second-oldest in New York State) — rests partly in the hands of Karen Olson.

Olson, a past RCP board president who now handles public relations, also recently became the group’s archivist, whittling hundreds of photos down to 87, presenting them in a gallery exhibition, scanning news clippings and helping plan a reunion picnic. A “Centennial Soirée” gala for RCP — first organized in 1923, incorporated in 1924 and on stage the following year — is also set for November 9 at the Century Club on East Avenue.

The images from the group’s past reveal that the idea of everyday people carrying shows — central to local groups like Blackfriars Theatre, JCC CenterStage and The Company Theatre that began subsequently — was completely novel in the 1920s.

It also yielded some gems.

Rochester native Mimi Kennedy got her start on stage with RCP in 1960 as a 12-yearold in Agatha Christie’s “Spider’s Web.” Kennedy, who has since found great sitcom success (on CBS’s “Mom”) and film work (“Midnight in Paris”), said RCP provided her first two big acting tips.

“The first lesson was, you're acting in the pauses. It's not just about the lines,” Kennedy said. “The other was, it's about the emotions. The lines might sound angry, but they might be coming from another emotion.”

In November, she will return to Rochester to be honorary chairperson of the soirée.

As such, Olson holds plenty of history in her hands. She said what makes RCP special harkens back to who first took the stage.

“They weren't professional actors. They were your next door neighbor,” Olson said. “They were housewives. There was a teacher. There was a lawyer. The idea that everyday people could come together and put on a show that people wanted to see and do a really good job at it? That's the community part that has always been important to this group.”

RCP’s final show of the 2025 season, “The African Company Presents Richard III,” opens at MuCCC on October 3.

Robert Forster, the late Hollywood actor known for his roles in “Jackie Brown” and on the series “Breaking Bad,” also began his stage career with RCP, in a 1963 production of Neil Simon’s “Come Blow Your Horn.” Then, his surname was still Foster; he eventually added the extra letter to separate himself from another actor with the same name in the Screen Actors Guild.

Kennedy said Forster stopped by a rehearsal of RCP’s “Take Her, She's Mine” in the early ‘60s and offered her some helpful notes after watching a scene.

“He beckoned me to the apron of the stage,” Kennedy recalled, “and I crouched down, and he went, ‘You're hurt by your parents. You want them to love you and pay attention to you and they're only paying attention to your sister. Try it that way.’”

Despite his fame, Forster stayed connected to the spirit of community theater.

“I can’t think of anything better for community than for neighbors to gather, place trust in one another and face the rigor of performance,” Forster wrote in the Theatre Association of New York State’s newsletter in 2007. “The more the merrier.”

Michael Krickmire agrees. He joined RCP as producing artistic director in 1987 and currently serves as board president; last season, he directed the musical “Baby.” Krickmire knows the power of community theater and said that’s why he’s remained loyal for decades.

“We try not to be insular. We try to welcome everybody in,” he said. “It's a great place for those who say, well, I think I want to go on stage. I was on stage in high school. OK, come in. Audition. Who knows?”

There were times when it seemed like RCP wouldn’t make it. The group first performed at what is now the Historic German House before purchasing a former church and World War II-era machine shop at South Clinton Avenue and Meigs Street as its own theater (now The Playhouse/Swillburger).

RCP also found temporary residences at the Holiday Inn downtown, the former Botsford School of Dance in Pittsford and churches on Monroe Avenue and Rutgers Street. It settled at its current home, MuCCC, in 2010. Krickmire calls RCP a “nomadic” theater group and said it had to be, in order to survive.

As the centennial neared, the backdrop darkened. Arts funding has dried up. RCP does pay for certain jobs, like the stage manager, costume designer, scenic designer and lighting designer. But everyone else, including each board member, is a volunteer.

Along with Olson and the rest of the board, Krickmire has pledged to keep fighting.

“We were approaching 100 years old,” he said, “and I thought, along with Karen, ‘Damn it, we’re going to get it to this 100th year, at least — if not beyond.” rochestercommunityplayers.org

todo DAILY

Full calendar of events online at roccitymag.com

MONDAY, SEPTEMBER 1

FESTIVAL

Labor Day Parade

Downtown, cityofrochester.gov

Got the day off? That’s what parades are for. Labor Day celebrates the accomplishments of trade unions and labor movements in the U.S. all the way back to the 19th century. This means actually working on Labor Day is downright disrespectful. Instead, catch the parade as it starts at the intersection of East Avenue and Alexander Street at 11 a.m. and heads west down Main Street to St. Paul Street. PATRICK HOSKEN

TUESDAY, SEPTEMBER 2

MUSIC

Lake Street Dive

Kodak Center, kodakcenter.com

The title track of “Good Together,” the latest album from Lake Street Dive, showcases everything that makes the band beloved. Soulful vocals, a breezy rhythm and a touch of smooth-jazz sensibility seal the deal — no small feat for a group 20 years into a career. The crew returns to town for this 7:30 p.m. theater show. Tickets start at $63. PH

MUSIC

D.R.I.

The Bug Jar, bugjar.com

Not many bands get to say they helped usher in a new subgenre of music, but D.R.I. does. Dirty Rotten Imbeciles formed in 1982 in Houston, Texas, later relocating to the thrash hotbed of San Francisco. And they went on to become one of the pioneers of crossover thrash, which slammed together breakneck hardcore punk with heavier, more intricate thrash metal — think Slayer. Bands like Municipal Waste, Power Trip (RIP), Enforced, and countless others likely wouldn’t have come into being were it not for the innovation and evolution of DRI, Suicidal Tendencies, Cro-Mags, Nuclear Assault and a handful of others. Doors open at 7 p.m. Tickets are $16 for the over 21 crowd and $20 for 18-20 year olds.

JEREMY MOULE

WEDNESDAY, SEPTEMBER 3

MUSIC

Phantogram

Anthology, anthologylive.com

The career trajectory of New York synth-pop band Phantogram mirrors that of indie rock in the 2010s. From charming and scrappy beginnings to mainstream success to eventual niche fandom, the darkgaze duo never lost their ability to write a captivating melody and an immersive musical environment. The group performs with Open Mike Eagle, one of the most exhilarating creative forces in contemporary hip-hop. Show’s at 8 p.m. $44 and up. PH

New Math

Record Archive, recordarchive.com

In the mid-1980s, Rochester’s New Math had a practice space downtown in the Cox Building. It’s where much of what became its album “Gardens” sprang to life. The punchy New Wave elements are there, tinged with a pastel psychedelia and the right amount of jangle. Nearly 40 years later, the group celebrates that album’s (re)release on Propeller Sound Recordings with this 5-8 p.m. gig. PH

THURSDAY, SEPTEMBER 4

THEATER

“Souvenir: A Fantasia on the Life of Florence Foster Jenkins

”

Blackfriars Theatre, blackfriars.org Infamously, Florence Foster Jenkins was a wealthy socialite who wanted to be an opera star. Because of her status, she became one — or at least achieved the status of “camp icon.” This Stephen Temperley-penned “fantasia” tackles Jenkins’ story for eight performances through September 14. PH

FILM

“Chocolat”

Dryden Theatre, eastman.org/dryden-theatre

At heart, Lasse Hallström’s “Chocolat” is about repression. It is a heavily Catholic film, after all. But what gives it life are wonderfully sweet performances from Juliette Binoche and Johnny Depp (back when he could still pull off “sweet” onscreen).

“Chocolat” joins “40 Days and 40 Nights” in the subgenre of “romantic films that take place during Lent.”

Unlike the latter, the former is actually worth the calories. 7:30 p.m. screening. PH

FRIDAY, SEPTEMBER 5

ART

Under the Influence: Artists Explore Addiction and Loss

Rochester Contemporary Art Center, rochestercontemporary.org

The work of artists Laura Quattrocchi and Rivkah Simcha has tackled dependence and grief. Quattrocchi uses discarded lottery tickets to create sculptures, while Simcha has probed into her own recovery journey for her upcoming “Unmaking My Chain.” Both creatives will offer their thoughts during this 7 p.m. discussion led by fellow artist and trained therapist Lauren Jimerson. With on-site resources from Monroe County’s Community Action Coalition Committed to Uprooting Stigma. PH

ART

“Design x Glass”

RIT City Art Space, rit.edu/cityartspace RIT’s urban art gallery debuts its new location in the Neighborhood of Play with this exhibition, which spotlights the work of contemporary designers in collaboration with master glass blowers at the Corning Museum of Glass. The past three years of that partnership has yielded new work from RIT Design faculty, staff and students — all on display through September 21. The reception runs 6-9 p.m. PH

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An upscale galler y in a small town

Exhibitions • Workshops • Youth classes • Art resource library • Gift shop

Upcoming September Events:

• 5th Annual Plein Air in Clifton Springs, September 13th, an all-day event with opening reception 3-6pm.

• Plein Air Exhibition runs September 13 - October 8, 2025.

• New Youth & Adult programs - Check our website!

Hours: Tues & Wed 11-3, Thurs-Sat 11-6

20 W. Main Street, Clifton Springs, NY 14432 • (315) 462-0210 www.MainStreetArtsCS.org

FESTIVAL

Barry’s Irish Festival

Webster Fireman’s Field, thebarrybrand.com

The sixth annual Barry’s Irish Festival celebrating all things Celtic will place for the second year at Webster Fireman’s Field. The two-day fest is hosted and organized by Jess and Danny Barry, former owners of Barry’s Old School Irish Pub in Webster and current producers of Barry’s Irish Cream Liqueur. From 4 to 9 p.m. Friday and 10 a.m. to 9 p.m. Saturday, the fest will have live Irish music, crafts and games for the family, food trucks, Irish brews and spirits, a Rochester Cocktail Revival bartender competition, raffles, arts vendors, a kilt-wearing contest, Irish dancers, bagpipers and more. $17 general admission includes both days, all ages welcome. Rain or shine. LEAH STACY

SATURDAY, SEPTEMBER 6

COMEDY

John Mulaney

CMAC, cmacevents.com

John Mulaney is back to deliver his special brand of sometimes anxious, sometimes smug and always selfdeprecating humor before an audience of potentially thousands at CMAC as part of his Mister Whatever tour. The former SNL writer is best known for creating the character Stefon, the Netflix variety show “Everybody’s Live with John Mulaney,” and standup specials like “New in Town” and “Baby J” – which show two very different sides of the comic (but we don’t have time to unpack aaaaall that).

VERONICA VOLK

FESTIVAL

Pan Afrikan Festival

Highland Bowl, panaffestival.org

Formerly called the Afrikan American Festival, Rochester A.B.O.V.E.’s one-day fest at the Highland Bowl celebrates the various cultures of the African diaspora with plenty of live music throughout the day, plus food and other vendors. This year’s musical headliner is the Buffalo-born R&B singer D’Mott. The fest runs 12-7 p.m. $10 standard tickets, $15 day of event. Children 12 and under get in free. PH

FESTIVAL

Drumstock Music & Arts Festival

Geneva, drumstockfestival.com

A free, one-day celebration for the whole family to enjoy, offering a lively mix of performances (live music from more than 12 artists will take place across two stages), creative activities, workshops, food, beer, art, crafts and other local delights. There’s also an all-ages benefit bicycle ride starting at Lake Drum Brewing through Seneca Lake State Park; the free add-on event is hosted by Geneva Sports Garage with donations going to Drumstock.

SUNDAY, SEPTEMBER 7

FESTIVAL M&T Bank Clothesline Art Festival

Memorial Art Gallery, mag.rochester. edu/events

For more than 60 years, Clothesline has been a showcase for work by fine artists and craftspeople and an opportunity for those artists to connect directly with community members on the lawn of the Memorial Art Gallery. In addition to more than 400 artists from around the

country, there will be music and dance performances, food, art-making activities and more. New this year is the $5,000 Luvon Sheppard Award for Creative Excellence, celebrating artists across different media types from the Finger Lakes region. Open from 10 a.m. to 5 p.m. Sept. 6 and 7; shopping for MAG members starts at 9:30 a.m. both days. PH

CULTURE

The Great Batavia Train Show

Genesee Community College, gsme.org “Thomas & Friends,” this is not. The largest train and model railroad show in Western New York celebrates the serious fans and primarily caters to vendors. There are only a few displays, which means not many opportunities for play. But for the collectors looking to pad out their at-home setups, this is rail heaven. 9:30 a.m. to 3:30 p.m. $7, but those under 18 get in for $3 (and kids under 13 are free). PH

MONDAY, SEPTEMBER 8

CULTURE

Star Trek Day

ROC Cinema, roccinema.com

Trekkies unite! Star Trek Day is celebrated on the anniversary of the broadcast premiere of the classic series, and this year the folks at ROC Cinema have a full day of phasers, tricorders and dramatic monologues planned. The free, eight-hour event will feature a marathon of classic episodes boldly going where they’ve never gone before — the big screen. VV

TUESDAY, SEPTEMBER 9

FESTIVAL

ESL Rochester

Fringe Festival

Various locations, rochesterfringe.com

Named “one of the country’s more prominent multidisciplinary events” by “The New York Times,” Rochester Fringe Festival returns this fall with more than 500 ticketed and free performances at arts venues and public spaces around the city. The 12day event brings in local, national and international acts ranging from theater and comedy to dance and visual art for audiences of all ages and is among 250 Fringe Festivals in the world and approximately 50 across the U.S.; find a daily schedule online and in the new Fringe app available for download. LS

THEATER

“The Play That Goes Wrong”

Geva Theatre, gevatheatre.org

Physical comedians like Buster Keaton and Charlie Chaplin perfected the tension that comes from expectation versus reality. Audiences anticipate that things will work out neatly, and performers can exploit that assumption for maximum laughs. That’s the whole bit with “The Play That Goes Wrong,” a big hit on both Broadway and London’s West End. In the words of the show’s log line: “It’s nothing you want in a show — and everything you want in a comedy!” Shows through October 12. PH

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WEDNESDAY, SEPTEMBER 10

MUSIC

Spring Chickens

The Little Cafe, thelittle.org/music What happens when three longtime Rochester songwriters combine their powers? The result is Spring Chickens, boasting the talents of Connie Deming, Scott Regan and Steve Piper. Originals mingle with covers, and years of experience runs right alongside the boundless energy of youthful spirit. 7-9 p.m. PH

FILM

“Remaining Native”

The Little Theatre, thelittle.org/ remainingnative Paige Bethmann — a Haudenosaunee woman and first-time feature filmmaker based in Reno, Nevada, and originally from Rochester, NY — will screen her documentary, “Remaining Native,” a coming-of-age story told from the perspective of Kutoven (Ku) Stevens, a 17-year-old Native American runner who struggles to navigate his dream of becoming a collegiate athlete as the memory of his great-grandfather’s escape from an Indian boarding school begins to connect past, present, and future. Bethmann’s directorial debut premiered at SXSW, winning a special Jury Award and Audience Award.

In 2024, Paige was named by DOC NYC’s 40 under 40 list of filmmakers to watch. Bethmann will be present for a post-screening Q&A; the film plays again on Sept. 13. LS

THURSDAY, SEPTEMBER 11

MUSIC

Blink-182

Darien Lake Amphitheater, darienlakeamp.com

(Tom DeLonge voice) WHERE ARE YOU? If you’re not at Darien Lake seeing the canonical lineup of Blink-182, then I’m so sorry. I cannot sleep, I cannot dream of missing the reunited Mark, Tom and Travis show, which, given its fraught history, is perhaps even less stable than the currently reformed Oasis. Missing one of the two shoo-ins for the title of Greatest Pop-Punk Band of All Time? That’s a sick, strange darkness bound to come creeping in so haunting every time. 7 p.m. $67. PH

FRIDAY, SEPTEMBER 12

FESTIVAL

Flower City Comic Con

Total Sports Experience, fc3roc.com Get ready for three days of geeky panels, epic costumes, and all the fun displays of fandom you can handle. Whether you’re a master of cosplay or just a casual fan, the Flower City Comic Con promises an inclusive and family-friendly experience. So grab your autograph book and your props (in compliance with New York State law) and come fuel your inner nerd. FC3 runs daily through Sunday. VV

SATURDAY, SEPTEMBER 13

SHOPPING Flea Market

Upstate Vintage Market, upstatevintagemarket.com

Twice a year, the Upstate Vintage Market in Clarkson becomes a flea-for-all. With 6,000 square feet of antiques, collectibles, vintage goods, bookshelves and plenty of books to put in them, this event is likely for more than just serious thrifters. Browsers are welcome (and encouraged) — likewise for sellers. 9 a.m. to 4 p.m. PH

HISTORY “Brotherhood & Betrayal” after-hours tour

Genesee Country Village & Museum, gcv.org

This brand-new Brotherhood & Betrayal after-hours tour delves into the riveting tale of a scandal that forever altered the course of history: the shocking abduction of William Morgan by rogue Freemasons, sparked by his bold intention to defy their stringent rules of secrecy and unveil the Brotherhood’s hidden truths. Known as “The Morgan Affair,” this dramatic event became the catalyst for the birth of America’s very first third political party: the Anti-Masons. 5-7 p.m. on Sept. 12 and 13; tickets start at $18. LS

SUNDAY, SEPTEMBER

14

MUSIC

Lil Darkie

Anthology, anthologylive.com

Lil Darkie’s thing is that he’s a clown. He named his tour the “Greatest Show in Human History” and frequently poses in jester makeup and big red shoes. Like Oliver Tree, he’s a particularly online kind of modern clown, which means he’s an edgelord. (Sample song titles: “GENOCIDE” and “THAT’S THE AMERICAN WAY!”) The beats do knock, though. 7 p.m. show. $40 and up. PH

MONDAY, SEPTEMBER 15

FESTIVAL

Hispanic Heritage Month celebration

The Strong Museum of Play, museumofplay.org

Celebrate Hispanic Heritage Month through food, music and play at The Strong’s celebration to highlight Hispanic heritage and influence in Rochester. The event is sponsored by the American Dairy Association Northeast, which will provide cooking demonstrations by Chef Ronaldo in the Play Lab. An interactive musical storytime in the Paychex Theater will be presented by the Rochester Latino Theatre Company, where one can explore Hispanic Heritage through song. RIT’s Latin American Student Association will also host a game of Loteria, a traditional Mexican game of chance. The festivities will take place between 11 a.m. - 3 p.m.; tickets are included with musuem admission.

ROISIN MEYER

FOOD

+ BEV

Foodlink Festival of Food 2025

Rochester Public Market, foodlinkny.org

Dozens of dishes and beverages to try and the satisfaction of making the world a little bit better? Yes, please. Billed as the “largest independent tasting event in the Finger Lakes region,” Foodlink Festival of Food brings dozens of restauranteurs, beverage-makers, farmers, bakers and caterers for a flavor-filled festival that helps find hunger in Rochester. Local cover band BB Gang will perform. Tickets start at $85; admission includes a tote bag, a tasting plate, a wine glass and the ability to sample the wares of all participating food and beverage vendors. Proceeds benefit Foodlink. GRANT ASHLEY

TUESDAY, SEPTEMBER 16

FITNESS

No-Drop Road Ride

Trek Geneva, facebook.com/ trekbikesgeneva

Every Tuesday, Trek Geneva becomes the starting point for this 30-35 mile co-ed ride in which no cyclists are left behind. Helmets on, tires inflated and water bottles ready — the crew rolls out at 6 p.m. traveling at about 16-18 miles per hour. Flashing front and rear lights are recommended. PH

WEDNESDAY, SEPTEMBER 17

MUSIC

Mary DeFranco

The Little Cafe, thelittle.org/music Jazz standards, a little R&B and blues and a dash of swing: that’s what Mary DeFranco brings to the Little Cafe, a perfect destination for such a blend. The music runs from 7-9 p.m., and DeFranco frequently performs with Wayne Naylor on bass and Misha Studenkov on keyboard. PH

THURSDAY, SEPTEMBER 18

MUSIC

River Lynch

The Little Cafe, thelittle.org/music River Lynch’s “When Summer’s Over” might just be the perfect song to hear on September 18, depending on the weather. The Americana-infused singer-songwriter, frequently seen with his band The Spiritmakers, has an arsenal of originals to rely on should the heat make his Little Cafe gig feel more like the dog days of July. (Listen to his Ray Lamontagne rasp on “Hang Me High.) Music begins at 7 p.m. PH

CONTINUED ON PAGE 52

GALA

Dine & Rhyme

Jackrabbit Club, boaeditions.org

For its 27th annual fundraiser, literary publisher BOA Editions welcomes acclaimed poet Joseph Fasano ("The Last Song of the World") as the featured guest, joining a program of music, poetry and silent auction emceed by Rochester Area Community Foundation President and CEO Simeon Banister. The event runs 7-9 p.m. and also features a silent auction and paddle call; individual tickets are $50. LS

FRIDAY, SEPTEMBER 19

MUSIC

Dean Wareham

Radio Social, radio-social.com

The Boston band Galaxie 500 were only together for four years, but their influence on subsequent strains of rock music is immeasurable. That’s thanks in large part to singer

and guitarist Dean Wareham, who subsequent found success with his band Luna. Now he’s exploring a solo path with the new album “That’s the Price of Loving Me.” As ever, his songs are warm and slightly off kilter, grounded in his dreamy vocals and wry observations. With local support from Maybird. 8 p.m. show. $30 advance, $35 at the door. PH

SATURDAY, SEPTEMBER 20

FESTIVAL

North Winton Village Festival

North Winton Neighborhood, northwinton.org

The annual neighborhood shindig returns to Linear Garden between East Main St. and Mayfield St. from 10 a.m. to 5 p.m. Families can stroll through food and arts vendor booths, enjoy live music and spend time in the dedicated kids’ area. Free to attend; visit the website for artist and vendor announcements. LS

COMEDY

Blue Cross Arena, bluecrossarena.com It’s hard to remember a time when Gabriel Iglesias wasn’t famous. The larger-than-life comic and his trademark Hawaiian shirts were mainstays of Comedy Central’s standup shows in the 2000s, and he eventually parlayed that visibility into much larger success with Netflix and as a globe-touring performer. His new tour takes him to the downtown arena for this 7 p.m. show. Tickets $65 and up. PH

SUNDAY, SEPTEMBER 21

Day Out with Thomas & Friends

Medina Railroad Museum, medinarailroadmuseum.org

For a more kid-friendly train day, Thomas the Tank Engine will be on hand in Medina to offer real rides, photo opps, live entertainment and the chance to bring home some fun mementos. Coach seating on the trains, which run every 45 minutes from 8 a.m. to 5 p.m. Tickets $19$23. PH

MONDAY, SEPTEMBER 22

FAMILY

Elephant

Awareness Day

Seneca Park Zoo, senecaparkzoo.org

What do elephants and humans have in common? Well, a lot actually — but especially the enjoyment of watermelon on a hot, summer day. Suit up in your best grey outfit and learn about all things elephant at Seneca Park Zoo’s Elephant Awareness Day! The morning will feature special enrichment from Elephant keepers, starting at 11 a.m.; a watermeloneating contest between some lucky guests and elephants will be held at 12 p.m. Learn fun facts and, intriguing insights and join discussions about preserving elephant populations. End a fun day of learning with ‘Elephant Ear’ fried dough at the Trailside Cafe.

RM

TUESDAY, SEPTEMBER 23

MUSIC

Wardruna with Chelsea Wolfe

Kodak Center, kodakcenter.com

With a name like Wardruna, an origin of Norway and a 15-minute composition called “Dvaledraumar,” this group of musicians understand the assignment. And the assignment is “darkness.” Yet what makes Wardruna truly rip is its gentle touch. This isn’t Scandi doom; rather, it plays more like a festival band in Tolkien’s Middle-earth. Support act Chelsea Wolfe will be there to bring the gothic energy. 7:30 p.m. Tickets begin at $44. PH

MUSIC

Willi Carlisle

Flour City Station, flourcitystation.com

Willi Carlisle’s songs are stories with searing details (the meth pipe in a skeletally thin hand, a self-immolating magician) that burrow into the brain. The instrumentation suggests troubadours like John Prine but with a flair for the modern — in other words, about as far away from Jelly Roll as can be. Doors at 7 p.m., music at 8. $20 plus fees. PH

WEDNESDAY, SEPTEMBER 24

MUSIC

Djo

RIT Gordon Field House, rittickets.com Joe Keery might be best known for playing Steve on “Stranger Things.” But his profile as a musician keeps rising, thanks in part to his breakout as Djo, an indie rock outfit with a vibey viral single. “End of Beginning” is a pure ‘80s power ballad, helping establish his aesthetic as a lo-fi tinkerer. How does this translate to a college gym? Well, it worked pretty well at Lollapalooza in August. PH CONTINUED ON PAGE 54

FOOD + BEV

Food Truck Rodeo

Rochester Public Market, cityofrochester.gov/events

Put on your cowboy boots and lace up your lasso, because it’s the Rochester Public Market’s last food truck rodeo of the year. The chuckwagons on hand will be serving up everything from tacos and souvlaki to ice cream and pizza. Those looking for a little entertainment while they chow down on their cheeseburger can enjoy a performance by Rochester-based blues guitarist Steve Grills and his band, the Roadmasters.

GRA

THURSDAY, SEPTEMBER 25

FILM

“Inland Empire”

The Little Theatre, thelittle.org On paper, it’s a mess. A three-hour movie, filming for which began without a completed screenplay, shot on 2005-quality digital video. But the vision came from David Lynch, so at least it’s an inspired

mess. The last film completed in his lifetime is this starring vehicle for his eternal muse Laura Dern; the director famously campaigned for her awards nominations using a live cow. Screening begins at 7:30 p.m. Doors open a half-hour earlier. PH

ART

“Diasporas Are the Landscape”

Visual Studies Workshop, vsw.org

What does it take to keep a culture alive? That question is central to the new exhibition from Visual Studies Workshop: “Diasporas are the Landscape.” Curated by Hernease

Davis, the show uses real or artificial – or imagined – flora and fauna as metaphors to explore identity, memory, and survival. The exhibition features photography, film, and installations from contemporary artists Samantha Box, Claudia Claremi, and Alida Rodrigues. It runs from late September to mid-December 2025, and will include talks and events. VV

FRIDAY, SEPTEMBER 26

MUSIC

Lucero with Jessica Lea Mayfield

Anthology, anthologylive.com

Nearly two decades before Tom Hardy and Austin Butler became “The Bikeriders” on screen, Memphis altcountry band Lucero chronicled the notable biker gang in their music. It was one of the many literate, gritty, slice-of-life songs on “Nobody’s Darlings,” the group’s fifth album; Lucero celebrates 20 years of the LP with this show, featuring support from neo-Americana songwriter Jessica Lea Mayfield. PH

The Bug Jar, bugjar.com Is it emo revival? Shoegaze? Posthardcore? However this Connecticut band (and its latest sound upgrade on new single “Dissolving”) can be slotted is second to the sheer feeling of being overwhelmed that can come from listening. And, of course, to being confronted with their divisive band name. For the record, it’s awesome. With support from Philadelphia’s ASkySoBlack and Chicago’s Sleepwalk. 8 p.m. doors, 9 p.m. music. $20. PH

Gentles Farm Market

9am-5pm

SATURDAY, SEPTEMBER 27

FESTIVAL

Barktober Fest Walk for the Animals

Innovative Field, lollypop.org

Fido deserves to have a good time too, so leash him up and bring him to the field formerly known as Frontier for Barktoberfest. The festivities will start with the Walk for the Animals fundraiser. Afterward, Lollypop will throw what’s billed as the biggest petfriendly festival in Rochester, with a band, vendors and contests. There’s even a bounce house (for the kids,

not the dogs). Admission is $5. All proceeds benefit Lollypop Farm. GRA

HISTORY

$5 Days at GCV&M

Genesee Country Village & Museum, gcv.org

On September 27 and 28, visit one of the nation’s largest living historic villages — right here in Western New York — for an exciting new offering. Visit the Nature Center, explore exhibits in the John L. Wehle Gallery, enjoy lunch at the Depot Restaurant and step into the 19th century — all for just $5 per person. (Museum members are guaranteed free admission.) There will be vintage baseball games at 11 a.m. and 1 p.m. on Sept. 28 at Silver Base Ball Park, the first replica 19th-century ballpark in the country. LS

SUNDAY, SEPTEMBER 28

THEATER

“Finding Neverland”

OFC Creations, ofccreations.com

The latest star to grace the OFC Creations stage? Ross “Rosé” McCorkell, perhaps best known as a finalist on “RuPaul’s Drag Race,” who steps into the role of “Peter Pan” creator J.M. Barrie. In fact, OFC is one of the first regional theaters in the country to present “Finding Neverland,” which runs through October 19. PH

MONDAY, SEPTEMBER 29

LITERATURE

In This Moment Book Lauch

Eastman Museum, eastman.org/event/ talks/itm-september-2025

The latest launch for this ongoing project spotlights two local community leaders: Pastor Reverend Julius D. Jackson, Jr. with an essay by Rob Bell and portraits by Narada Riley, and founding dean of Multicultural Affairs and Diversity Programs at St. John Fisher University Dr. Arlette Miller Smith, with an essay by Dr. Tokeya C. Graham and photos by Cocoa Rae. Free, but registration is required. 6 p.m. PH

TUESDAY, SEPTEMBER 30

MUSIC

The Beatles Unplugged

Abilene Bar & Lounge, abilenebarandlounge.com

They say a good song works well no matter the arrangement. A Beatles song, for example, would sound just as great on a pair of acoustic guitars as it would with a nine-piece band. (Except, like, “Tomorrow Never Knows” or something equally experimental.) Musicians Don Christiano and Walt O’Brien will put this notion to the test at 7 p.m. PH

WEDNESDAY, OCTOBER 1

MUSIC

Chaka Khan

Kodak Center, kodakcenter.com

Few artists owned the disco, funk and soul takeover of pop music in the 1970s as completely as Chaka Khan. From her beginnings in Rufus to her eventual solo domination with songs like “I’m Every Woman” and “I Feel for You,” Khan remains a seminal figure in American R&B music — and an active one. Her 2025 tour brings her to Kodak Center two years after being inducted into the Rock & Roll Hall of Fame. PH

COMEDY ROC Cinema

Open Mic

ROC Cinema, innerloopblog.com/ open-mic

Got a tight five? How about a tight four? Every Wednesday night is open mic night at ROC Cinema, courtesy of the Innerloop Blog. In-person sign-up begins at 8:30 p.m., with sets kicking off at 8:45 p.m. The host draws names from a bucket, and each comic has four minutes at the microphone. Go get ‘em, champ. PH

THURSDAY, OCTOBER 2

COMEDY

Nate Bargatze

Blue Cross Arena, bluecrossarena.com

As far as physical-appearance trademarks go, “big dumb eyes” are actually kind of great. They make you endearing and non-threatening, and usually, immediately likeable. This perhaps helps explain some of comedian Nate Bargatze’s ascent to the upper reaches of fame. The rest can be chalked up to being simply hilarious. He brings his “Big Dumb Eyes” world tour downtown to prove it for this 7 p.m. show. Tickets $57+. PH

MUSIC

The Mountain Goats

Water Street Music Hall, waterstreetmusichall.live

Though bassist (and notable Rochesterian) Peter Hughes left the band in 2024, The Mountain Goats charge on as a trio, more popular than the group’s ever been. It’s for good reason: John Darnielle’s songs are timeless (“I am gonna make it through this year if it kills me!” seems more appropriate by the day) and the cathartic experience of the live shows remains second to none. 7 p.m. show. PH

FRIDAY, OCTOBER 3

THEATER

“The African Company Presents Richard III”

MuCCC, rochestercommunityplayers.org

In New York City, a Black entrepreneur begins performing Shakespeare at the African Grove Theatre. But it’s 1821, and slavery is still yet to be outlawed — especially when the white theater nearby is running the same play on its stage. The story of “Richard III” as presented by this group comprises this bit

of under-told American history. Performances through October 11. PH

SATURDAY, OCTOBER 4

MUSIC

Fall Metal Mayhem

Montage Music Hall, rocentevents.com

Genuine question: how do metal fans recognize each other in the wild when the band logos on t-shirts are all inscrutable? This is simply not for me to know. But those who do will likely be at this loud, noisy bash featuring Order of the Dead, Lacerate, Paro,

Mental Anguish and Prophyria. Doors open at 7 p.m. Ages 16+. PH

GALA

Refocus: Celebrating Visual Studies Workshop @ King Street

Visual Studies Workshop, vsw.org/refocus

An evening at the new home of Visual Studies Workshop, 36 King Street, to celebrate an exciting chapter in the organization’s history. This open-

house style gala will include delicious light bites, music, an open bar from Cheshire and the opportunity to explore a current exhibition and the dynamic new space. In a nod to a beloved VSW tradition, the evening will feature a reimagined silent auction experience. Attire is creative casual; tickets start at $100. LS

ARTS, MUSIC & CULTURE

If food and beverage had a fall fashion week.

Edible trendspotting

FOOD & BEV

BY LEAH STACY LEAH@ROCHESTER-CITYNEWS.COM

Meat’s back on the menu at Eleven Madison Park, global alcohol sales are down in the last few years and “The New York Times” dining critics are making videos about their reviews (phone eats second this time around). The world of dining out continues to ebb and flow, a fact emphasized by the Eater. com 20-year anniversary features, which included a look back at food trends from the past two decades. Remember cupcake vending machines? Donut shops on every corner? Gourmet popsicles? Putting an egg on it (actually, can we keep that one)? The throwback list was enough to remind the trend-happy millennial generation (mine) it’s time to put on wrinkle cream.

Some of the list — food-focused travel shows, communal tables, neon signage and “small plates” — may never leave us, but what if there was a “fall fashion week” of sorts for food and beverage? What would we want to see trending on an edible runway this year and beyond?

Here’s some food (and bev) for thought:

TINY 'TINIS

Milady’s in New York City is well-known for their "snaquiri,” a tiny daiquiri that can be sipped slowly or even taken as a shot. It’s the perfect start or end to any night out; the cocktail equivalent to a half glass of wine or half pint of beer. And as alcohol sales (and interest?) plummet with Gen Z, a little gimmick can’t hurt. Here in Rochester, you can find “fun-size” cocktails at Martine, 647 South Ave., but we’d like to see ‘em on many more menus around town.

EXPERIENTIAL POP-UPS

The pandemic left us all craving more in-person interactions, and pop-ups are the perfect way to have a hands-on experience that goes far beyond ordering drinks, dinner and dessert at a corner table. The Miscela Project’s fall and winter popups combine a pasta-making element; while their summer events included DIY crafting and vendors. Roc Cake Fest, happening 12-3 p.m. Sept. 20 at Highland Park, offers a discounted ticket for attendees who will make a sweet dessert or cake to share, picnic-style.

FOOD AS ART

In a city where the arts and culture scene is so vibrant, it feels natural to pair the culinary with the visual. After all, is food not theater? Are we not a museum town? The Memorial Art Gallery’s hoMAGe Culinary Series last spring treated diners to a multi-course food and wine experience inspired by a current exhibit. No upcoming events are scheduled right now, but — more of this, please!

JAZZ CLUBS

Not to be confused with speakeasies. (Jay Gatsby, we love you, but how long are we gonna do the hidden door and flapper dress thing?) Let’s be honest, the home of the Eastman School of Music — ranked in the top five music schools nationally — should have a thriving jazz club scene year-round, not just an annual festival. We have high hopes for the recently opened Vanni’s Jazz Lounge in the Inn on Broadway, sans bookcase.

LITTLE-TO-ZERO FOOD WASTE

The anti-food waste app Too Good To Go has launched in Rochester; participating spots include Neno’s, Get Caked, The Beef and Butter Company and more. The app’s premise is simple: users can browse, reserve and purchase discount “surprise bags” filled with surplus food from local restaurants, cafes and stores. Pickup happens daily, while supplies last.

The Dish

WHET YOUR PALATE

Carmella’s Wine Bar has opened on Schoen Place in Pittsford, reimagining the former home of Via Girasole. The bar is serving $13 classic cocktails and the kitchen is open ‘til 11 p.m. Monday through Saturday. Juice Time , which has smoothies, ice cream and other desserts like Dubai chocolate, has opened in College Town. And coming to Candandaigua this month is smü cafe & market , a drinks and wellness-focused community hub.

A new Bill Gray’s Tap Room — their seventh in the area — has opened in Webster, complete with indoor golf simulator rentals, CAP dart leagues and a large patio. And finally, Chef Cruz will open the long-awaited Shell Restaurant on Pleasant Street, his brick and mortar answer to the roving pop-up series he’s been running since he left Rella

FOOD AND BEV NEWS, GOSSIP, AND GATHERINGS CURATED BY LEAH STACY

Kettle Ridge Farm — a popular wedding and event venue in Victor — is expanding its reach to Perinton with Backwoods , a wooded community space with several miles of trails, sand dune and wood-themed play areas for families and a shipping container bar serving housemade mead and live-fire cooking onsite. The venue also has a historic house on premise and plans to host live music and a farm market.

In sadder news, The Spirit Room on State Street announced it will close on Sept. 27 after eight years.

FOR THE LOCAVORES

LiDestri Foods announced a $30 million investment is being made to advance production at their 1.5 million-square foot campus in Greece. The family owned Rochester company is the leading U.S. manufacturer of pasta sauce, dips and salsa, producing signature products for most of the top 10

food companies in the country. LiDestri was founded in 1974 and employs more than 900 people locally.

Karma Sauce’s Thai-inspired Lift Off sauce has a brief cameo in “Happy Gilmore 2” with Adam Sandler; the scene is part of a “Hot Ones” spoof, and the Rochesterbased product has been featured on the YouTube show regularly since 2018.

FOOD FÊTES

Sunday funday, anyone? On Sept. 28, Living Roots Wine & Co. will host a “Char-Cuties Drag Show,” featuring local queens Anna CrewSis, Kyla Minx and Starling Silver. Tickets are $15; for $25 more per person, add on a glass of wine and personal marinated cheeseboard.

Carnegie Cellars will host a Ravines Wine Cellars Library Wine Tasting on Sept. 29, showcasing three past vintages of a 2006 Riesling, 2005 chardonnay and 2015 Bordeaux blend (Le Petit Caporal) — that are not normally available to the public — alongside the current releases of the same grapes. $88 per ticket includes six wine pours, a locally sourced charcuterie board, tax and hospitality.

Avvino has launched series of cooking classes at The Mercantile on Main this fall; the first is with Chef Nick Agostinelli on Sept. 11 — starting at $43 per ticket, attendees will observe a chef-led demo, taste dishes, receive printed recipe cards to take home and have a Q&A session with the chef.

Cake in the breakroom

BY S.J. AUSTIN & J. REYNOLDS

29. Chef’s prized tool

30. African nation whose flag depicts a grey crowned crane

31. “Do you want to be helped, _____, or hugged?” (Good question to ask a friend in distress)

33. SoCal law enforcement squad

35. Longstanding rivalries

37. “As seen _____” 40. Licentious sort 42. CBS crime drama franchise

43. Dove or Dial

47. ** 1990s NBA superstar who was often eclipsed by his larger than life teammate

52. ** Mononymous Brazilian superstar widely regarded as one of the best soccer players ever

54. What an agreeable person might drink to

55. Indefinite degrees

56. Tickled pink

58. Basic skateboard trick

59. Formal ceremony

60. Alpine songs

63. Nowhere to be found, for short 64. Intended 65. Lacking variety

67. How many movies were watched in the early 2000s

69. Frodo’s sidekick

70. Golfer’s target

71. Appropriate celebration in September for all the answers to the starred clues (and one of this puzzle’s co-authors)

75. Insurance option, for short

78. Sleeve filler

79. Old Oldsmobile model

80. Gradual reduction of a shoreline, or one’s trust

82. Pioneering home video game maker

85. 1972 treaty subj.

86. Complete

89. Suffix with bachelor

90. Traffic movement that is ideally done in a “zipper” formation

91. French city on the Rhône

93. Greek portico

94. Sweden joined it in 2024

95. ** Mononymous American superstar widely regarded as one of the best R&B singers ever

97. Actor who portrayed Batman in multiple comic book movie adaptations

101. “_____ absolute mess”

102. CVS pickups

104. Hammer-wielding god of mythology

105. Future J.D.’s exam

106. Deli offerings

108. Additionally

110. Taste, e.g.

114. Upset with 118. Cognizant

120. Fall garden tool

123. Rowboat implement

124. ** Author of 1974 horror bestseller with a titular female character who has telekinetic powers

126. ** Actor who portrayed Heimdall in multiple comic book movie adaptations

128. Like some checking accounts

129. “Fiddler on the Roof” matchmaker

130. Super Bowl-winning coach Andy

131. Corn units

132. Less outgoing

133. Exhorted

134. Periods of history

135. Commonly injured joint for an athlete

1. Place to hang a wind chime

2. Hwy. that runs from Maine to the Florida Keys

3. West African nation that gained its independence from the United Kingdom in 1957

4. Spanish seasoning

5. Reddit rule enforcers

6. Kazakhstan’s disappearing ___ Sea

7. Taj _____

8. What one size might fit

9. Performance genre for Tig Notaro

10. BMW competitor

11. Wizard’s weapon

12. Shop class alternative, for short

13. _____ gratia artis (MGM’s 76-Down)

14. Hairstyle you might think you could give yourself (you’re probably wrong, though)

15. “M*A*S*H” star Alan

16. Potter’s oven

17. Squeezed (out)

18. Lab fluids

24. Failed to

26. The “A” of “A/V Club”

29. Genre for BTS

32. Way past ripe

34. Get out of bed

36. Old F.D.A. guideline

38. Dickensian tot who sought blessings for all

39. Bill killer

41. Hosp. readout of brain activity

43. Site of infamous witch trials

44. Earthen cooking pot

45. Tennis score equivalent to 40-30

46. Keats or Yeats

47. Barber’s razor sharpener

48. Tableware stored away for special occasions

49. Old western, slangily

50. Terminal deg. for an academic

51. Barry Bonds, seven times between 1990 and 2004

53. Sandwich order specification

57. Verdi opera set in Egypt

61. Vein of ore

62. Drum often hit on beats 2 and 4

66. Late-night host who wrote for “SNL” and “The Simpsons”

68. Actress Cannon (but not Lane)

69. Comparison points for competitive Wordle solvers

72. Frozen dessert chain

73. Words on a stadium sign

74. Try to improve a Yahtzee turn

75. Try to punch

76. Guiding phrase

77. What is required for a two-run homer

78. Noble gas whose name derives from the Greek word for “lazy”-because it undergoes almost no chemical reactions

81. Upper house of Congress

82. Prefix with -dextrous

83. Abound

84. Younger Stark daughter on “Game of Thrones”

85. Personified Amazon assistant

87. Old Russian rulers

88. Mineral suffix

92. Petty complaint that one might “pick”

96. Largest and most populous of the Greek islands

98. “Fueled” up, as an EV

99. One of 18 at the US Open

100. Simplifies

103. Bettor

106. HBO political commentator Bill

107. A tire hung from a tree

109. What to do before and after a wait at a restaurant

111. “Oppenheimer” director Christopher

112. Buffalo hockey pro

113. Clean a blackboard (or a whiteboard)

114. Govt. IDs

115. “Then again,” in texts

116. Mortgage adjustment, familiarly

117. Vowel-heavy fencing blade

119. Table stakes

121. Diva’s time to shine

122. Baby goats

125. Sch. in lower Manhattan

126. Seething anger

127. Cartoonish cry of fear