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Mrs. Krishnan's Party Program

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THE REPERTORY THEATRE OF ST. LOUIS

SEASON SPONSOR

DIRECTED BY JUSTIN LEWIS

JANUARY 14 – FEBRUARY 8 LORETTO-HILTON

2025 – 2026 SEASON

JANUARY 14 – FEBRUARY 8

THE REPERTORY THEATRE OF ST. LOUIS

130 Edgar Road, St. Louis, MO 63119

ADMINISTRATION

314-968-7340

BOX OFFICE

314-968-4925

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The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres (LORT), the Non-Profit Theatre Collation, Greater St. Louis Inc., and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. It operates independently of, but under a mutually beneficial agreement with, Webster University. The Rep operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The Rep hires directors and choreographers who are members of the Society of Stage Directors and Choreographers and stagehands who are members of the International Alliance of Theatrical Stage Employees. Scenic artists employed by The Repertory Theatre of St. Louis are members of United Scenic Artists, Local 829, AFL-CIO. The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE. Financial assistance for this theatre has been provided in part by the St. Louis Regional Arts Commission; and the Missouri Arts Council, a state agency. This project is supported in part by an award from the National Endowment for the Arts, a federal agency, which believes that a great nation deserves great art.

Mrs. Krishnan’s Party reminds me how much metaphorical freedom lives inside a simple recipe. There’s a plan, a meal to make—but within that structure, anything can happen. Through improvisation, surprise, and a whole lot of heart, each meal - and each show - becomes entirely its own.

At The Repertory Theatre of St. Louis, we believe theatre is about bringing people together better, and it doesn’t get more joyful than sharing a story, a meal, and a room full of new friends. Thank you for joining us for this immersive Steve Woolf Studio celebration - and thank you to Indian Ink Theatre Company for bringing world class talent all the way from New Zealand to our St. Louis stage!

I want to specially thank former Rep Associate Artistic Director Amelia Acosta Powell for introducing me to this show. This isn’t just a play about a party—it is a party. The audience dancing, eating, and being together is essential to the story. Your presence matters. Your energy matters. With you, the audience, this experience becomes truly unique every single night. We hope you bond with a neighbor over a warm bowl of dahl and come back for seconds.

THE REPERTORY THEATRE OF ST. LOUIS

Kate Bergstrom

Augustin Family Artistic Director

Danny Williams Managing Director

presents

Produced and created by Indian Ink Theatre Company

CO-WRITTEN BY JUSTIN LEWIS AND JACOB RAJAN DIRECTED BY JUSTIN LEWIS

scenic Designer John Verryt

lighting designer Jane Hakaraia

sound designer Lia Kelly

Costume Designer Fiona Nichols

Dramaturg Brian Coats

Tour & Production Manager Andrew Potvin

General Manager Jude Froude

Producer Pene Lister

Administration & Naomi Campion

Development Manager

Next Gen Programme Leader Te Huamanuka Luiten-Apirana

STUDIO SERIES SEASON SPONSOR

GWEN & PAUL MIDDEKE

VEN & CYNTHIA HOUTS

PRODUCTION SPONSOR

CAST & COMPANY

james Justin Rogers

The cast and company of Mrs. Krishnan’s Party is proudly supported by the Gwen & Paul Middeke Artist Fund.

Indian Ink is represented by David Lieberman Artists’ Representatives

mrs. Krishan Kalyani Nagarajan

Theatre as Ritual

FESTIVITY, COMMUNITY, AND CULTURE

What kind of experience are we curating?

Often, this is the question, whether answered directly or subliminally, that leads an artistic process. It sets expectations around design, direction, performance, marketing, and pre- and post-show engagement. It’s a question that the audience asks as well, though maybe in another way: what type of experience can I expect to have? These two conversations intersect around the enduring truth about makes theatre so singular as an art form. Theatre is about community, in which both the audience and the performers are asked to participate—to varying degrees—to make the show an engaging and, hopefully, successful experience.

Modern Western theatre practices encourage the production and the audience to exist on opposing sides of an invisible fourth wall. The audience is invited into the experience as an observer, to consider the world and the characters that are being presented to them from a distance. In this format, audiences are given the opportunity to connect with the show in their own way, to find their own entry point, and to consider the show through their own personal perspective.

The experience of Mrs. Krishnan’s Party, as presented by Indian Ink Theatre Company, however, removes all the walls, and throws a lively party instead. Audiences are guided into an experience centered on festivity and culture, wherein they come—as themselves—to enter the world and be a part of the story. Guided through a narrative centered on the festival of Onam, with its dance, music, food, mythology and spirtualism, audiences are offered the opportunity to learn, engage, and connect, rather than just observe and process. Their personal perspective is not just a conversation topic to share in a post-show dinner review about the performance, but a perspective that exists in the room, during the show, and impacts the sequence of events, in ways both big and small.

What kind of experience are we curating?, we may ask. What type of experience can we expect to have?

A communal one.

Learn more about our production season by visiting our behind-the-scenes Substack, The Aside.

BENEFITING THE REPERTORY THEATRE OF ST. LOUIS

FRIDAY, FEBRUARY 6TH 7PM–10PM SATURDAY, FEBRUARY 7TH 12PM–5PM

St. Louis Food and Wine is back at Union Station in Downtown St. Louis! Featuring hundreds of wines, a selection of craft beers and culinary delights around every corner, this is a can'tmiss event! And NEW this year, you can purchase wine as you taste it with our online ordering site! You’ll get exclusive, event-only discounted prices that are even lower than our Wine Club offers.

This event is presented by Schnucks to benefit The Repertory Theatre of St. Louis and Operation Food Search. You must be 21 or older to attend.

CAST

Kalyani Nagarajan (Mrs. Krishnan) is a graduate of the New Zealand Drama School. This is Kalyani’s second role with Indian Ink following 2017’s The Pickle King. She has worked extensively on stage with Auckland Theatre Company and Auckland Live. Kalyani is a player for New Zealand’s top improv companies, Snort, Heartthrobs and Live Reel. Her screen credits include Raised by Refugees, Brokenwood Mysteries, Give Me Babies and more. Nagarajan is currently in development writing her first television show, The Drama Department, and a feature film, Revenge.

Justin Rogers (James) features in both Mrs Krishnan’s Party and Dirty Work. Other stage credits include The Cherry Orchard and Beauty and the Beast. His screen work includes Meet Me at the Baptistery as well as voicing for Disney in Te Reo for the Lion King, Frozen, Coco and Encanto. Justin is a graduate of Toi Whakaari: New Zealand Drama School.

CREATIVES

INDIAN INK THEATRE COMPANY

We’re guided by the ‘Serious Laugh,’ a love of mask and of story. We aim to make theatre that is beautiful, funny, sad and true–to leave an indelible imprint on your heart.

Indian Ink began 28 years ago as a partnership between Jacob Rajan and Justin Lewis. Since then we’ve gathered a team of long-term collaborators, made 12 shows together and had the great pleasure of performing around the world.

Our home is Aotearoa New Zealand and it’s a long way from our islands to India. We’ve always had to use our imaginations and be led by our curiosity with the theatre we make so please forgive the artistic licenses we take. We hope to capture something of the essence of what makes us all human while celebrating the flavours that make each of us unique.

Justin Lewis (Director) is a founding partner of Indian Ink. He has co-written and directed all of Indian Ink’s plays. He is a graduate of the John Bolton Theatre School and the University of Auckland.

Justin was one of the founders of Auckland’s Q Theatre and received a Kaupapa Oranga Award for his services to theatre.

Jacob Rajan ( Co-Writer) is a founding partner of Indian Ink and co-wrote all of Indian Ink’s plays as well as performing in many of them. He is a graduate of Toi Whakaari: NZ Drama school, Otago University (B.Sc Microbiology) and Wellington Teacher’s College. Jacob is an Arts Foundation Laureate and a Member of the New Zealand Order of Merit (MNZM) for services to theatre.

John Verryt (Set Designer) has designed all of Indian Ink’s productions bar one. With over 40 years’ experience, John is a leading New Zealand stage designer with an extensive portfolio of work including productions with NZ Opera, Auckland Theatre Company, Silo Theatre, The Large Group and many others.

Murray Edmond (Dramaturg) is the Dramaturge for all of Indian Ink’s productions. Poet, critic and fiction writer, Murray has published many books. Worked for Living Theatre Troupe, Theatre Action, Half Moon Theatre (London), Town and Country Players (founder), and Mercury Theatre. Associate Professor (now retired) of Drama Programmes at Auckland University (1990–2014).

Andrew Potvin (Tour & Production Manager) has been a resident production manager with Indian Ink productions since 2017.

Andrew is also the Director of Andrew Potvin Designs Ltd, specializing in producing and tour/production management for live events. With two decades of experience in the entertainment industry his portfolio of work spans across the globe including contracts in New Zealand, Australia, Canada, Singapore and the USA.

Andrew holds an MFA (AUT 14’) in International Tourism Management and a BFA (CALARTS 09’) in Theatre Design and Management.

Kate Bergstrom (Augustin Family Artistic Director) is a seasoned director, culture shaper, and creator, bringing to this position her extensive experience in theatre, opera, and film. Dedicated to enhancing community connectivity, she infuses her dynamic energy and fosters engagement through exceptional storytelling that is both entertaining and impactful.

Kate’s most recent productions at The Rep wowed audiences with the critically acclaimed Ken Ludwig’s Sherwood: The Adventures of Robin Hood, It’s A Wonderful Life: A Live Radio Play in December 2023 and The 39 Steps in 2022.

In addition to her time at The Rep, Kate has over ten years of experience directing everything from reimagined classics to new works across the country at Alabama Shakespeare Festival, Trinity Repertory Company, Marin Theatre Company, Ars Nova, Rattlestick Theater, Playwrights Center, Cleveland Play House, Curious Theatre Company, Los Angeles Theatre Center, Opera San Diego, Music Academy of the West, Redcat, LACMA, and more. Her recent world premieres include You Can’t Hide From Yourself (Playwrights Horizons Soundstage), Oh To Be Pure Again (Actor’s Express), and Letters That You Will Not Get (American Opera Projects).

As Festival Director, Kate led, produced, and programmed the Big Eddy Film Festival, a cinematic celebration of counter-current narratives that crosses the intersection of art, film, and rural imagination in upstate New York. This production grew from her tenure as Founder and Producing Artistic Director of On The Verge, a company staging and producing world premieres and workshops that sparked conversation, community, and celebration at the crossroads of Santa Barbara and beyond.

Most recently Kate has worked with dozens of large corporate clients such as Google, Genetech, and Cisco co-leading multi-day programs and long-term adviserships in executive communication and leadership as a performance coach at Stand & Deliver. Kate holds an MFA in directing from Brown University and a BA in Directing and Acting from UCLA. She lives in Lafayette Square with her husband, Mike, her newly St. Louis-born son, Otto, and the family pup, Crispy.

Danny Williams (Managing Director) An experienced arts administrator, Danny Williams was named The Rep’s Managing Director in January 2022. Danny brings to this position expertise in nonprofit accounting, senior management, and organizational development.

Prior to joining The Rep, Danny worked at The Public Theater in New York, where he served in various roles from 2006 to 2021. In his final role at The Public as Senior Director, Finance and Administration, he managed the daily and strategic financial operations of the $50 million nonprofit organization, successfully launched an organization-wide intranet, partnered with the development team to achieve fundraising goals, and collaborated on long-term financial planning and analysis, including cash investment strategies, budget analysis, and project management. Noteworthy and favorite productions Danny worked on at The Public include Broadway: Fun Home, Eclipsed, Hamilton, and Hair; Off-Broadway: Here Lies Love, Into the Woods, Twelfth Night, As You Like It, White Noise, and Rock Bottom.

Danny serves on the National Planning Committee for The Professional Non-Profit Theatre Coalition, working to promote lasting governmental partnership to support arts education, and workforce development and infrastructure needs in theatres across the country. He has also participated in panels at national conferences for Theatre Communications Group (TCG), the Association of Fundraising Professionals (AFP), and Tessitura Network. He also is on the board of INTAR Theatre, committed to the development and continuation of the Latine voice in American theatre and beyond.

Before working in arts administration, Danny had a career as a performer and was notably featured in the 2002 Westport Country Playhouse preBroadway production of Our Town starring Academy Award winner, Paul Newman. He also performed extensively as an improvisor at various venues in New York. Williams directed several NY Fringe Festival productions including Gated and Yellow Brick Wall, both written by Marisa Marquez. From 2017–2019, Danny was an Executive Producer with the Warren Miller Performing Arts Center (WMPAC) in Big Sky, Montana. At WMPAC he produced productions of Shakespeare’s The Winter’s Tale, directed by Laura Savia; the world premiere production of Levity by Stephanie DiMaggio, directed by Stella Powell-Jones; The Last Five Years directed by Jason McDowell-Green; and [title of show] directed by Danny Sharron.

Williams also held roles with Musical Theatre International and Manhattan Theatre Club and served as an adjunct professor in the performing arts management Master of Fine Arts program at Brooklyn College. He holds degrees in marketing and theater from Fairfield University and spent a semester studying at Regents University in the United Kingdom.

The Repertory Theatre of St. Louis is the region’s premier theatre for compelling,award-winningtheatricalexperiencesthat entertain,engage,and illuminate audiences’ shared humanity.As adedicatedpartnerwithartsorganizationsinSt.Louisandacross the country, The Rep aims to expand audiences’ appreciation and understanding of the world through theatre.

MAINSTAGE

The work presented in the Mainstage series is eclectic, ranging from modern to classics to musicals, and benefits from the large space afforded by the Browning Theatre. Performances are given at the Virginia Jackson Browning Theatre at the Loretto-Hilton Center.

STEVE WOOLF STUDIO SERIES

The Steve Woolf Studio Series offers a selection of contemporary plays and new works that challenge audiences and provoke meaningful dialogue. These productions are staged in an intimate, flexible space, allowing for a closer connection between the performers and the audience. The series features diverse voices and stories that explore a wide range of themes and perspectives, providing a platform for emerging playwrights and innovative theatre makers.

IMAGINARY THEATRE COMPANY

Founded in 1975, it has produced over 130 touring productions, including a number of world premieres. The Imaginary Theatre Company (ITC) focuses on theatre for young people and their families. Through the use of literature, folk tales, fairy tales, and new adaptations of classic works, ITC is committed to bringing the very finest in theatre to youth where they live and learn.

LOVE IS A BURNING THING!

REPSTL.ORG/SUPPORT/LEADING-LADIES

Help us ignite our Ring of Fire this spring.

Each season, The Rep’s Leading Ladies come together to sponsor a production that celebrates the artistry and vision of women in theatre. This year, we invite you to join us in underwriting Ring of Fire, directed by Augustin Family Artistic Director Kate Bergstrom.

Join a community where our love for theatre is a burning thing.

REP READS

Want to dive deeper into the dramatic arts and make new friends in our Rep community? Join our monthly play-reading book club, Rep Reads!

1. Sign up at the QR CODE below.

2. Read this month's play.

3. Join us for conversation and connection!

January: aubergine by julia cho

Jan. 20–21, 2 PM | The Novel Neighbor

up next:

Harvey by Mary Chase | Feb 10–11

Arcadia by Tom Stoppard | Mar 17–18

The Glass Menagerie by Tennessee Williams | Apr 7–8

25/26 SUBSCRIBER DISCOUNTS

Subscribers can save two ways on additional ticket purchases. Mainstage subscription purchases receive a 30% discount for additional tickets to Mainstage productions, and Studio subscribers receive a 10% discount on additional tickets to Studio productions. Last-minute phone or walk-up purchases (beginning 48 hours prior to a show) are discounted at 50%!

ADDITIONAL BENEFITS

• 100% Flexibility

• Exclusive Communications

• Early access to upcoming promotions and events

• Waived fees on single ticket purchases (not available online)

THE REP’S CODE OF CONDUCT

Everyone deserves respect and dignity. Everyone deserves safe environments. Everyone benefits from collective learning. To learn more visit repstl.org/audiencecodeofconduct

Assistive Listening: Free assistive listening devices using an FM system are available at Audience Services prior to all performances.

Open Captioning: We offer open captioning, an electronic text display that shows what the actors are saying or singing, at the third Sunday show for all Mainstage performances.

Mobility Accommodations: The Rep offers services for patrons who utilize mobility aids in all of our theatre spaces. Please discuss seating requirements with the Box Office when purchasing tickets or visit Audience Services when you arrive at the theatre.

SHOW CALENDAR

| Photography by Jerry Naunheim, Jr.

The Rep strives to make the arts an integral part of our daily lives by providing learning and engagement programs designed to give patrons of all ages a ticket to the wonder, the fun, and the vital human spirit that composes the world of the arts. Patrons and educators are encouraged to contact the Learning and Community Engagement Department at 314968-7344 or visit our website at repstl.org/lace for more information about these and other programs.

CAMP REP

Camp Rep began as a manifestation of The Rep’s unwavering commitment to lifelong learning and the goal to foster a theatre-loving space for youth year-round. Starting in 2020 as a half-day venture, it swiftly evolved into a full-day camp by its second year. Camp Rep has grown not only in increased attendance, but has also offered a wider array of workshops encompassing acting, dance, music, stage combat, filmmaking, costume and prop design, stage management, and directing. Campers create their own performances and learn about the magic of theatre and technology behind the scenes, culminating in a final showcase for friends and family.

LIFELONG LEARNER MATINEES

More than 3,000 intergenerational learners attend Lifelong Learner Matinees at The Rep each season. These matinees are typically designed for sixth grade students and older, but we welcome learners of all ages, encouraging a diverse audience that includes all those who value continuing education through the arts.

PAGE 2 STAGE

Page 2 Stage sends Rep volunteers and staff members into community spaces to facilitate discussions about the creation and curation of a season, from play selection to the moment it comes to life on stage. Community members learn about all the different aspects of theatre and interact with props, set models, lighting fixtures, and more. All participants are encouraged to see a production in The Rep’s current season.

WORKSHOPS

Activate The Rep as a resource! We offer storytelling, devised theatre, team building, viewpoints, and movement workshops for corporate, non-profit, and educational groups of all sizes. We tailor our workshops to the needs of our community groups and offer them as one-day experiences or a multi-day workshop series.

REPRESENT STL

This free conversation series takes a creative approach to building community through dialogue and helps us discover the subtle truths that unite our human experience. Throughout the year, The Rep hosts thought-provoking public forums intended to provide a safe space for the free exchange of ideas. This series explores the intersectionality of art and civic life with experts and thought leaders and skillfully discusses the issues that matter most to our community.

community partners

We partner with nonprofits and civic leaders to increase the authenticity of our productions, expand access to world-class storytelling, and provide action steps for inspired audiences to positively affect their communities.

SHUTTLE TO THE REP

In partnership with the St. Louis County Library, we offer discounted tickets to select performances at The Rep and provide shuttle transportation to and from the theatre, with Rep staff on board to talk about the organization and the production. Visit repstl.org/shuttle for more information.

SLAM TOURS

For select shows of our season, guides at the Saint Louis Art Museum develop a curated tour of the museum of pieces with some connection to themes and ideas presented in our mainstage season. The tours are free to attend and do not require an RSVP, but space is limited.

AUGUSTIN FAMILY ARTISTIC DIRECTOR

Kate Bergstrom

ARTISTIC

Associate Artistic Director

Delaney Piggins

Artistic and Community

Impact Associate

Matthew Cox

Executive Artistic Assistant

Gregory Almanza

PRODUCTION

Director of Production

Jayson M. Lawshee

Production Associate

Taijha Silas

SCENIC

Technical Director

Emilie Weilbacher-McMullan

Assistant Technical Director

Victoria Esquivel

Charge Scenic Artist

Scott Loebl

Scenic Artists

Stephen Pollihan

James Van Well

Scenic Shop Foreman

Dave McCarthy

Scenic Carpenters

Daniel Roach, Jr.

Danny McCarthy

Scott DeBroux

PROPS

Properties Manager

Eric William Barnes

Assistant Properties Manager

Abigail Stuckey

Props Assistant

Rachel Seabaugh

COSTUMES

Costume Director

Michele Siler

Assistant Costume

Shop Manager

Elena Jaquez

Head Draper

Elizabeth Eisloeffel

Draper

Paula Buchert

First Hands

Carrisa Sexton

Wardrobe Supervisor

Kelsi Washington

MANAGING DIRECTOR

Danny Williams

LIGHTING & SOUND

Lighting & Sound Supervisor

Jonathan Scully

Mainstage Head Electrician

Connor Meers

Studio Electrician

Casey Morris III

Lighting Programmer

Lou Ritter

Mainstage Sound Engineer

Joshua Riggs

Studio Sound Engineer

Sean Wilhite

STAGE MANAGEMENT

Stage Manager

Shannon B. Sturgis

ADMINISTRATION & GENERAL MANAGEMENT

General Manager

Dan Schultz

Senior Manager, Administration

Laura Wandersee

Company and Facilities Manager

Michael Ward

Director of Board Relations and Institutional Events

Bailey Pashia

Attorney

Sara Robertson, Polsinelli PC

AUDIENCE SERVICES

Box Office Manager

Kristy Kannapell

Assistant Box Office Managers

Michael Dorn

Christian Hoffman

Box Office Representatives

Carl Wickman

Julie George

Michelle Dougherty

Associate House Managers

Kati Frazier

Carl Wickman

Front of House Staff

MacKenzie Bernard

Piper Billingsley

Caroline Buckley

Caroline Bush

Shannon England

Beth Greco

Ben Hammock

Avery Kelley

Concessions Staff

Alex Godefroid

Lisa Lackey

Mariah Rogers

Allison Sexton

DEVELOPMENT

Director of Development

Kimberly Ann Larson

Development Manager

Rob Kapeller

Institutional Giving Manager

Laurel Considine

Development Assistant

Molly Rowland

FINANCE

Finance Lead

Mike Parentin

Business Manager

Suzanne Bodenstein

Accounting Assistant

Marsha Whitler

Auditor Rubin Brown

MARKETING AND COMMUNICATIONS

Public Relations

Frances White

Digital Marketing Associate

Ash Moon Thompson

Marketing Associate

Camryn Moore

Graphic Designer

Delores Eddington

LEARNING AND COMMUNITY

ENGAGEMENT

Director of Lifelong Learning

Brian Coats

BOARD OF DIRECTORS

SUSAN

PAT

JUDI SCISSORS SECRETARY

MEMBERS

Charmian Aaron gReaTeR ST lOUIS, INC

Trish Alexandre COmmUNITy vOlUNTeeR

Wendi Alper-Pressman* aRmSTRONg TeaSDale llP

David Alpers COmmUNITy vOlUNTeeR

Margaret Augustin* COmmUNITy vOlUNTeeR

Patrick Aydt meRRIll wealTh

Amy Bantle waShINgTON UNIveRSITy SChOOl Of meDICINe

Michelle Brady eRNST & yOUNg

Jana Broadie COmmUNITy vOlUNTeeR

Brian Clevinger* PROlOg veNTUReS

Abby Devereux ThRIveNT

Erica J. Driver The lITTle bIT fOUNDaTION

Scott Fehr eveRNORTh healTh SeRvICeS

David Frey* CaleReS

Frank Hamsher* SkylINe PUblIC STRaTegIeS llC

Laurie Hiler* Cbg eNTeRPRISe, INC

Ven Houts COmmUNITy vOlUNTeeR

WENDI ALPER-PRESSMAN TREASURER

TRISH ALEXANDRE VICE PRESIDENT, VOLUNTEERS

GWEN M. MIDDEKE IMMEDIATE PAST PRESIDENT

Toni Jackson COmmUNITy vOlUNTeeR

Dan Jay* COmmUNITy vOlUNTeeR

C. Brendan Johnson POlSINellI

John S. Kingston ThOmPSON CObURN llP

Jill Magruder The CIgNa gROUP

Gwen Middeke* COmmUNITy vOlUNTeeR

Michael James Reed aCTOR aND eDUCaTOR

Jane Robert* COmmUNITy vOlUNTeeR

Pat Schutte* COmmUNITy vOlUNTeeR

Judi Scissors* COmmUNITy vOlUNTeeR

Ann Cady Scott* CIvIC leaDeR

Mike Serverian eDwaRD jONeS

Steven Sherman ChaRTeR COmmUNICaTIONS, INC

Susan Stith* CONCORDaNCe

Jeanine Suchecki PaST ChIef Of OPhThalmOlOgy, UCONN healTh

Susan D. Tuteur* COmmUNITy vOlUNTeeR

*executive committee

Among our most vital resources, The Rep’s Volunteer Board provides amazing support each season with donations of time, talent, and skill throughout all facets of the organization. We are so grateful to the Volunteer Board for their continued dedication as integral members of The Rep family. If you are interested in serving on The Rep Volunteer Board, please call the Development Department at (314) 687-4030.

TRISH ALEXANDRE PRESIDENT

LYNN YEARWOOD VICE PRESIDENT

MEMBERS

Trish Alexandre

Susan Barley

Ann Bronsing

Elizabeth Cobin

Michaeleen Cradock

Dorothy Diehl

Denise Eschenbrenner

Karen Fairbank

Glenda Hares

VICKI HELLING TREASURER

ELIZABETH COBIN SECRETARY

Vicki Helling

Laurie Hiler

Lisa Jones

Marcia King

Margie Knapp

Linda Lowry

Barbara Mennell

Karen Miller

Shirley Raitzsch

Marilyn Raphael

ANN STRAW

IMMEDIATE PAST PRESIDENT

Rocky Rosen

Helen Sandifer

Cindy Schnabel

Carol Schreiner

Ann Straw

Linda Vandivort

Brian Welch

Lynn Yearwood

Volunteering at The Rep is your chance to be part of the magic both onstage and behind the scenes. Whether ushering performances, supporting special events, or lending a hand in the office, the gift of your time helps us create exceptional theatre experiences for our community and beyond.

To learn more and sign up, please visit repstl.org/volunteer or scan the QR code.

CORPORATE

& FOUNDATION PARTNERS

As a nonprofit organization, The Repertory Theatre of St. Louis relies upon the support of corporate and foundation partners. The Rep gratefully acknowledges the following corporations and foundations whose generous support helps us to create the highest caliber of professional theatre for St. Louis, engage the next generation of theatregoers, and provide opportunities for diverse artists. For information about how your business or organization can support The Rep, contact the Development Department at (314) 687-4030.

$100,000 +

The Berges Family Foundation

The Shubert Foundation Inc.

Whitaker Foundation

$25,000 - $99,999

Pershing Charitable Trust

William T. Kemper Foundation

$10,000 - $24,999

Louis D. Beaumont Fund No. 1 of the St. Louis Community Foundation

Employees Community Fund of Boeing

Gardner Capital

Mary Ranken Jordan and Ettie A.

Jordan Charitable Foundation

New Growth Horizon Foundation

John and Carolyn Peterson

Charitable Foundation

Tito’s Handmade Vodka

The Trio Foundation

US Bank

$5,000 - $9,999

Enterprise Mobility Foundation

Collaborative Strategies, Inc.

Polsinelli

$2,500 - $4,999

Colton’s Cause

Excel Business Concepts

Edward Chase Garvey Memorial Foundation

Graybar Foundation

Washington University in St. Louis Center for the Humanities

Webster University

$1,000 - $2,499

Commerce Bancshares Foundation

Joy Waltke Fisher Fund of the St. Louis Community Foundation

Moneta Charitable Foundation

Gadellnet

Silver Fox Stables

Gifts received 11/20/2024–11/20/2025

INDIVIDUAL DONORS

The Repertory Theatre of St. Louis is grateful to the following donors who have made contributions of $2,000 or more in the last year.

Our Producers of Imagination are donors who have offered an additional gift to help bring our 59th Season to life. These households are marked with an ( ).

Artistic Director’s Circle

$20,000+

Anonymous (3)

James Berges & Elizabeth Mannen Berges 

Patty & Kent Chapin 

Vicki & Brian Clevinger ✠

John & Anna Beth Goodman ✠

Ven & Cynthia Houts 

Sally Lemkemeier 

Gwen & Paul Middeke 

Jane & Bruce Robert 

Pat & Ken Schutte 

Ann Cady Scott 

Mary Strauss ✠

Steve & Christine Tillery ✠

Susan & Peter Tuteur 

Spotlight Angel

$10,000 - $19,999

Wendi Alper-Pressman & Norman Pressman ✠

David & Melanie Alpers ✠

Ted & Robbie Beaty 

Kathy Berg 

Mark A. Brenner 

Elizabeth & Don Cobin 

Dr. Connie Gibstine 

Bill & Linda Hentchel 

Laurie Hiler ✠

Juanita H. Hinshaw 

Lee & Gina Hoagland ✠

Mark & Peggy Holly 

Antonnette M. Jackson 

Dr. Stuart Kornfeld* 

Kent A. Lewis ✠

C & L 

Jeanine Suchecki 

Stephen Trampe & Jenny Gupta 

Mei Chen Welland ✠

Spotlight Benefactor

$5,000 - $9,999

Joseph & Trish Alexandre 

Joseph & Lauren Allen 

Patrick Aydt 

Darla & Brad Baker

Susan Barley 

Christy Beckmann 

P.E. Belloli & Dave Shimek 

Sean & Michelle Brady

C.R. Davis 

Pamela Wing Dern ✠

Doug & Betsy Domoto 

Mary Alice Dwyer-Dobbin 

Scott & Andrea Fehr

Marti & Bob Fowler ✠

David Frey 

Mr. & Mrs. Ronald Fromm 

Dr. Anne Carol Goldberg & Ronald Levin ✠

Laura & Ted Greenberg 

Jan & Ronald Greenberg 

Mike Isaacson & Joe Ortmeyer 

Brendan Johnson

Sally Johnston 

Nancy & Kenneth Kranzberg ✠

Dr. Katherine Kreusser & Dr. Robert Young 

Laura & David Margolis 

David & Ginny McDonald 

Chris & Jill Magruder

John & Christy Nickel

Jerry & Judy Potthoff 

John Roberts

Terry & Sally Schnuck ✠

Bevis & Patience Schock 

Judi Scissors 

Christine Secorsky & Greg Sacho 

Janice & Steve Seele ✠

Janet Shatz

Steve Sherman & Patsy King 

David P. Weiss 

Lynn & Darrell Yearwood 

Spotlight Patron

$2,000 - $4,999

Anonymous (3)

Trish & Michael Abbene ✠

Penni Alper, Miracle Makers Foundation

Robert & Alfrieda Anderson

Margaret Augustin 

Costas & Assimo Azariadis 

Carolyn Becker

Sandy Belfi & Linda Keeney

Ms. Sandra Bellon

Nancy Berg 

The Bergstrom Family

Joan Berkman

Holly & Marc Bernstein 

Mark D. Bernstein ✠

Sam C. Bertolet & Helen D. Ziercher 

Marion Black ✠

Catherine S. Bollinger 

Christopher & Joan Bowe

Michael & Arlue Briggs ✠

Ann Bronsing 

Suzan Kelsey Brooks 

Barbara M. Bryant 

Linda & Jack Bryant

Sara Burke

Elaine Coe ✠

Dr. Kevin & Lisa Coleman 

Robert & Rebecca Courtney 

Myra & Gene Crandall ✠

The Preeti Dalawari & John Vandover Charitable Fund 

Mike & Sue Darcy 

Dr. Debbie A. Depew 

Michael Dern ✠

Jim Donnelly & Tracey Temanson 

Joan & John Dougherty

Mr. and Mrs. Henry Dubinsky 

Peter Dunn

Richard Engelsmann & Diane Buhr Engelsmann 

Barbara Enneking & Henry Puch

Kirk & Alice Fritsch 

Ed & Julie Glotzbach 

E.L. Green ✠

Mike & Jen Greer

Diane & Rick Guevara

Tim & Elizabeth Hampton ✠

Frank Hamsher 

Glenda Hares 

Derek Hartley, Plancorp Wealth Management

Kathleen Locklar Heimann 

Margaret & Michael Heinz 

Marian & Maurice Hirsch 

Joanne & Joel Iskiwitch 

Daniel G. Jay & Mary Ann Lazarus 

Dr. Theresa & Zulfikar Jeevanjee 

Jeanne & Aron Katzman 

Mr. & Mrs. Ronald Kessler 

John & Becky Kingston

Scott & Mary-Kay Kirchner

Nancy Koplar 

Gerry Kowarsky 

Paul & Martha LaFata

Norma Loesche

Linda Lowry

Mike Maskus & Cathy Augustin 

C. Arden Mennell 

Charlotte & Jim Mielziner

Karen Miller 

Liz & Brian Mischel

James & Susan Morrell 

Thad Simons, Kenneth Simons, & Ellen Nahlik, Simons Family Charitable Trust

Kim & Rick Nast 

Mike Ness & Jenny Voelker

Andrew & Lori O’Brien 

Mike & Barb Quinn 

John & Lauren Rice 

Freda & Harry Rich ✠

Mary & Peter Rohr ✠

John H. Russell 

Tom & Kathy Ryan

Cathy & Tom Sakiyama 

Mrs. Peter E. Sargent 

Christine Schmiz

Paul & Cindy Schnabel 

Mary Schoolman 

Carol Schreiner 

Susie & Bob Schulte

Steve & Marlene Schumm 

Cady & Kevin Seabaugh

Julian & Helen Seeherman, The Seeherman Charitable Fund ✠

Carol & Jake Shepley

Diane Sher 

Lisa & Allan Silverberg ✠

Ray Simon & Mel Pashea

Donna & Howard Smith

Dr. John Sopuch 

Susan & Drexel Stith 

Mr. & Mrs. R. Stover 

Ann & Jack Straw ✠

Mary Susman & Thomas Herm

Terry Thornton

Joan Tiemann 

Selden Y. Trimble, in memory of Joyce Price Trimble 

Lynne & Jim Turley 

Paul & Linda Vandivort 

James & Mary Walters

Richard & Mary Weinstock

Drs. Craig & Terri Weldon 

Mike & Barbara Willock 

Richard & Shirley Wilt

David & Debbie Windus

Susan & Stuart Zimmerman 

Gifts received 12/19/2024 – 12/19/2025

We do our best to recognize every donor accurately. If you notice an error in your listing, please don’t hesitate to reach out to the Development Office at (314) 687-4030.

LIFETIME GIVING LEVELS

$250,000+

$100,000 ‒ $249,999

$50,000 ‒ $99,999

$25,000 ‒ $49,999

$10,000 ‒ $24,999

* In memoriam

SUSAN

SUPPORT THE ARTS

Thank you so much for seeing the show! Whether you are a loyal subscriber or joining us for the first time, we are grateful that you’ve dedicated time to support live theatre in St. Louis.

Each season, The Rep depends on the generosity of our community to produce

Here are some ways you can give to The Rep!

Make a one-time gift or join our monthly giving program.

Online: Visit us at repstl.org/support or scan the QR code below.

By Phone: Call the Development Department at (314) 687-4030.

By Mail: Send a check to:

The Repertory Theatre of St. Louis, Attention: Development Department, 130 Edgar Road, Saint Louis, MO 63119

Donor Advised Funds and Retirement Funds

The Rep accepts tax-free distributions from Donor Advised Funds and Qualified Charitable Distributions from retirement savings accounts.

Our EIN is 43-0970273. For any questions, please contact the Development team at development@repstl.org or 314-687-4030

world-class theatre on our stages. Ticket and subscription sales cover less than half of our operating expenses.

Please consider supporting The Rep. Your gift, no matter the size, plays a crucial role in sustaining our work this season.

Gifts of Stock

For more information on making a donation of stock to The Rep, please contact the Development team at development@repstl.org or 314-687-4030.

Matching Gifts

Enhance your gift to The Rep through your employer’s matching gift program. Learn more at repstl.org/matching-gifts.

Encore Circle

Become an active player in carrying on the tradition of fine theatre with a planned gift to The Rep. Learn more at repstl.org/support/encore-circle

To learn more about ways to begin or expand your giving story with The Rep, call the Development Department at (314) 687-4030.

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