PUBLISHER/EDITOR-IN-CHIEF
Reign Congrejo
Arya Braveheart
Cara Paine
Coco St. George
Compe Lockwood
Gin Blade
Ivoceno Rossini
Jamee Sandalwood
Jay Anson
Némesis
Stevie Basevi
LAYOUT
Viktor Serrao
COVER PHOTO
Jamee Sandalwood
COVER MODEL S
Adonis Hansome
Arya Braveheart
Forget the status quo! If you’re tired of the same old virtual hangouts, it’s time to go off-grid. Second Life is home to a wonderfully quirky world of niche clubs set in environments you won’t find anywhere else. We scoured the map for the best hidden music spots and uncovered seven standout destinations that guarantee a fresh experience and a variety of musical genres.
is a massive fantasy and nature estate that hosts multiple music venues within its lush, romantic landscape. Venues like The Garden Terrace are nestled in beautiful gardens and are dedicated to featuring some of the best Live Musician performers on the grid. While the overall music stream is often serene, their stages frequently feature varied styles, including Gypsy Jazz, Country, Folk, and more during themed events.
is a brilliantly designed destination that offers two worlds in one: an urban rooftop hangout for those who prefer the vibrant city lights, and a peaceful countryside setting below for a quieter retreat. The club is a popular spot for casual gatherings and is known for hosting Live Music Events with a focus on blending music, art and creativity with events that offer a mix of crowd-pleasing genres, making it a versatile hub for socialisers and photographers alike.
A haven for romance, Love Garden is a classic, intimate destination characterised by its beautiful, serene gardens and welcoming atmosphere designed for couples. It serves as a perfect place to cuddle and dance under the virtual stars. The club often features a mix of Live DJs and Singers who specialise in providing Romantic, Relaxing, and Chilled-Out Music to enhance the intimate, low-key ambiance.
Welcome to the scenic Japanese village of Oyasumi, complete with an onsen (hot spring), a market dock, and capybaras. This tranquil environment is home to the two dedicated music venues. Despite the peaceful setting, Oyasumi exclusively features Live DJ Spots that spin the best Electronic Dance music on the grid. Grab a snack and a friend while you chill out in this idyllic spot.
offers a completely unique, magical setting, tucked into mossy ruins, rocky cliffs, and waterfalls within a naturally beautiful region. The environment is described as intimate and is solely focused on supporting the talent of the grid. This club is specifically a Live Singer Venue, where music truly comes alive beneath the ivy, focusing on Acoustic Performances and a variety of singer-songwriter styles.
is the go-to destination for fans of American roots music. This dedicated Country Club and saloon welcomes everyone into its friendly, fun environment. It regularly features both DJs and Live Hosts who spin Country and Folk music in all its genres, making it the perfect spot for line dancing and Southern Rock enthusiasts.
is a fantastical locale set in a meadow near the ancient ruins of an abandoned elven city, centered around a “magic circle that still holds the light against darkness.” As part of the larger Calas Galadhon estate, this mystical venue is geared toward hosting Live Music Events. While genres can vary by event, the themes often lean toward the magical, seasonal, and celebratory, with a strong focus on live performers.
So, whether your perfect night involves dancing to Pop music on an urban rooftop at Chaos and Calm, soaking in a Japanese hot spring to Electronic Dance beats at Oyusami, or experiencing a magical live performance among the Elven ruins of Shadowfell’s Circle of Light, the truth is that Second Life’s club scene has never been richer. These niche spots prove that the best experiences in the metaverse are found off the main road, built by dedicated communities. I highly recommend diving in, finding your perfect virtual community, and exploring the amazing creativity that makes these destinations truly shine.
Coco St. George
“Things were a different kind of crazy back then,” Grandma Buttons says with a tinge of nostalgia. “Very different. I can’t tell if they are better or worse now, but they are definitely different.”
Missy’s mother had guilted her into visiting her grandma, and I’d tagged along for “emotional support” at her request. Grandma Buttons didn’t look as sick as Missy’s mother made her out to be.
There was a pinkish hue, a rosy glow about her that would have attested to perfect health before the most demanding of the physicians. Besides, her mood was definitely cheerful; though that might have had something to do with the fact that she had taken out one of her finest bottles of Boone’s Farm wine and poured generously into our cups.
“Of course, I tend to think things were better back then, but that’s only because I was young and beautiful,” she added. “At least pretty enough to make your grandpa overcome his natural shyness and ask me for a dance at our usual hangout, The Cat’s Meow…”
“Was it a furry club?” asked Missy, intrigued.
“Oh, no, God forbid!” Grandma Buttons reacted vehemently, but after a brief pause, she added, “Not that there’s anything wrong with that, of course!”
“Of course,” echoed Missy.
“The Cat’s Meow was the place to be if you wanted to be someone in the grid,” continued Grandma Buttons. “Back then there were fewer places, so while there wasn’t a big variety to choose from, you kept running into the same crowd over and over. That was a great opportunity to become friends and, you know, yadda yadda yadda.”
A naughty grin spread across Missy’s face.
“Oh, you mean, there were ‘toys’ to play with?” she inquired.
“Of course not!” she replied indignant. “We were masters of our domains… we’d never do THAT in public! I mean we danced, we chatted, we planned other activities, like outings to the beach and stuff like that.”
An idea flashed on Grandma Button’s eyes; she stood up and headed to the bookcase in the corner, from where she grabbed a thick photo album.
“Look, here are some pictures from that time, see?”
It felt weird looking at the same face, only years younger—several years younger, mind you. In one of the pictures, she appeared with a cigarette in her hand.
“Did you smoke, Grandma?” asked Missy with a mix of alarm and repugnance.
“Of course,” she answered matter-of-factly. “We all did back then. It was not only allowed, but even encouraged. Nowadays it is not only frowned upon, but outright illegal to smoke in some places. You can’t even smoke on the terrace anymore, for crying
out loud! Such utter nonsense! In my day, people had manners, not rules.”
“And let me tell you,” she added, “Monderas ran a tight ship… he was the owner and manager of The Cat’s Meow and would never allow anything that could harm or even annoy his customers, or otherwise demerit his establishment’s reputation. The excessive use of gestures was banned, talking bellies were banned, and, for that matter, anything that could be considered as spam was banned. Any violation of this policy was cause for ejection and permanent banning in case of recidivism.”
I braced myself for the “Those-Were-the-Days” rant Grandma Buttons seemed to be heading to. Next she would extol the virtues of system layers, fulminate against mesh clothes, proclaim the “indecency” of jiggly boobs, and go on and on about the evils of animesh and its sinful ways of swaying. But she said none of that. Instead, she went to the kitchen and came back with a tray full of freshly-baked cookies. Fig cookies, my favorites, go figure.
“Did you ever manage a club, Grandma?” Missy asked.
“In Second Life, I’ve done everything and then some,” she replied proudly. “One week after I joined SL, I was enslaved by some ‘mistress’—who happened to be a truck driver from Idaho in real life, but that’s another story. When she disappeared, I was recruited by a vampire clan. That didn’t last either; it was a racket where I was supposed to sell some ‘magic potion’ that acted as a vaccine and prevented vampirism.”
“Did the potion work?” Missy asked intrigued.
“I never had the chance to see it in action,” she replied. “Shortly after I started as a seller, there was a campaign launched by a rival vampire clan, claiming that our vaccine caused the avatar to go AFK. Of course, that was nonsense, but by the time we found out what was happening, our business was as good as dead. I sold squat, naturally, and the head of the clan kicked me out. Well, good riddance!”
Grandma Buttons took a large sip of wine, an even larger puff at her cigar, and continued.
“That had a silver lining, though,” she revealed with an amused smile on her face. “I met Tobias at the clan, and he taught me how to make clothes…”
“You were a fashion designer?” Missy interrupted in awe.
“No, not at all,” said a bashful Grandma Buttons I’ve never seen before. “I merely copied the models I found in magazines, uploaded the textures, and that was it. This was before mesh clothes, of course, when you created clothes with a template that was easy to understand. I had a thriving business going on before mesh came along.”
“Why did you stop?” Missy wanted to know.
“Well, I simply couldn’t keep up with the new technology,” was her honest reply. “You need an MIT degree just to successfully open Blender, let alone create something remotely appealing. Besides, my friend Sammy was planning to open a new club, and asked me for help; so I got busy scouting for locations, and had no time to learn the new mesh techniques.”
“What club was that?”
“That club never saw the light,” Grandma Buttons replied laughing. “When we finally found a suitable plot, Sammy paid six months of tier in advance, asked me to build the venue, and disappeared, never to be seen again.”
“What happened to him?”
“Nobody knows. Your Grandpa supposed Sammy was a teenager using his father’s credit card, which would explain his prodigality. And, if his father found out what was going on, that would also explain why he never came back. I really didn’t worry something bad had happened to him—like Thelma, his girlfriend, feared. Here, people come and go; and when they go, they go for good without an explanation. I guess, in most cases, real life gets on the way. That’s all. And speaking of real life, I think it’s time for me to leave too. Bye, bye, girls, take care and have a great time. Kiss, kiss!”
And saying that, she logged out.
Compe Lockwood
Who among us has not dreamed of constructing SL virtual buildings, cyber towers, or pixeled castles of grandeur? Most have, but never did. Not so with Devon Moonchaser.
He built a SL theme park that rivals Six Flags Over Anything.
The sprawling center of good times is Moose Mountain. With cobblestone paths, a haunted house, and a midway, with rides ranging from rated G to oh gee.
“It is adult rated but we are not overt about it,” says the park’s creator, Devon. “Our theme park is casual. It is intended to be a fun place to come on a date or with a group of friends.”
To him it is not about the money, therefore, everything here is free. “It is definitely a labor of love. This is not a business,” he smiles. “It is an expensive hobby.”
Devon continues, “but when I come here it sort of becomes an echo of my childhood. The place represents things I remember from my childhood portrayed in a perfect setting.”
For Devon, the quest of scripting and building has been a 16 year process. “SL was confusing when I first joined,” he recalls. “As a tech person, I felt like I should understand it, especially the social aspect of it.
That was confusing – how do I meet people? I guess we were all noobs by today’s standards. There wasn’t as much help for noobs back then.”
During the early years Devon studied what he calls, ‘tinkering with stuff.’ “I am a software engineer and software architect in RL so I wanted to learn the Linden Scripting Language.
I also had a friend convince me that making gadgets for the whole SL maternity and baby RP scene was a good money maker - so I made a few items with her technical guidance (she was an RL Registered Nurse). The few items sold like crazy so I started making more and more.”
Later, he tested his newly learned skills by building a Ferris wheel. “I used that as a learning tool.” Today a Ferris wheel is a focal point of Moose Mountain.
The park began at his RL home property back in 2012. “But then I got evicted and bought a region of my own,” Devon notes. “I transferred the parts I had and started adding to the new place. So the park grew kind of organically and it grew and grew.”
Years later it is still growing, ever changing, and opened to the public.
Asking to describe the creative process of building a theme park, results in amusement. “How long have you got?” laughs Devon’s partner, Tally Moonchaser. “Is that even possible to answer?” Devon chuckles.
He adds about the art of SL building, “Usually I have an idea. For example I remembered the balloon ride from the Land of Oz Park, and dug up old pictures of it. Then I figured out how to make that in mesh or prim, or textures.
That can take quite a while. Then I work on the scripting.”
After putting all his cyber tools in action, look up in the sky, the balloon ride floats on high.
Now on to the next ride and before you know it, behold Moose Mountain.
The park is a team effort. “Devon does the building and I do decorating and landscaping,” notes Tally.
Regardless of who does what, visitors’ main concern is a happy question – Where do we start? The park is perfect for walking, wandering, and wondering what is just around the curve. Premium attractions include the Haunted Manor Roller-Coaster Ride, complete with clinging zombies in need of a ghoul friend.
He adds, “All of the work is worth it when you see the finished product.”
Continuing, he notes, “I always refer to my build as a theme park. It is not really like any other amusement park or carnival in SL.” Others agree.
Moose Mountain’s advertisements are word of mouth and social media postings by guests, all favorable.
From social media and back to SL, Moose Mountain Theme Park is a good place to be. The park is open 24 hours, 7 days a week, just like your computer.
Don’t pass up Inventor’s Landing Station with its monorail, twister ride, sky wheel, and carousel. Just ahead, connected by sidewalks and fresh flowers, is Play Land Park with bumper cars, the Spinning Spector ride, water slides and more which beckon entry.
In addition, one of the most meticulous merry-gorounds in SL is ready for riding with painted horses rendered in great detail. Devon notes, “The carousel without a doubt was one of the most difficult items I made here. The geometry calculations involved with it are insane.”
Jay Anson
Cesar Lighthouse moves through the world like a quiet current — steady, luminous, and entirely his own. Inside his Center for the Arts at Waterstone, light filters through virtual air, glinting across textured walls and digital canvases. It’s more than a gallery; it’s a portal — a bridge between the tangible and the imagined, between the real and the beautifully possible.
Then, in 2014, life shifted. A relocation in the physical world forced him offline for several months, the gallery dismantled, the screens gone dark. But creation never really stopped for him — it merely waited.
When he returned in early 2020, the timing felt fated. Focus Magazine invited him to collaborate, first through the Art on Tour program, and later in a leadership role overseeing events, galleries, and promotional storytelling. By the year’s end, Cesar had produced Second Life’s very first Photography Fair — a groundbreaking event that welcomed thirty-seven exhibitors and more than 2,500 visitors.
Cesar isn’t interested in fame or spectacle. His pursuit is quieter and far more profound: to awaken the human spirit through creativity, and to remind us that art — even in the metaverse — can be a catalyst for connection and healing.
Cesar first entered Second Life at the end of 2009, a curious observer of its limitless landscapes. It wasn’t until 2011, however, that he began to build, sculpt, and truly see what was possible. His early experiments grew into immersive structures, and by 2013, he had opened his first art gallery — a digital extension of his real-world studies in photography. Through it, he began to share what he had learned about light, composition, and emotion.
Each fair that followed grew in scale and spirit: sixty-four booths and 4,000 visitors in 2021, then seventy-eight booths by October of that same year. But as his success soared, real-world responsibilities once again called him away.
When he returned to SL in late 2024, it was with a clearer sense of purpose. He wanted to create more than an event — he wanted to build a legacy. The Center for the Arts was born from that vision: a multi-dimensional space uniting real-world artists and digital creators, designed to dissolve the boundaries between where art lives and where it is felt.
The first wing, The Astrolab, opened in November 2024 — a celestial name for a grounded idea: a gallery that orbits discovery. Inside, emerging photographers found a home for their first exhibits. In January 2025, a performing arts theater followed, giving movement a stage. By February, monthly photo contests began, each one themed to spark new interpretations of light, story, and emotion.
June brought the launch of the Center for the Arts Flickr group — a digital gathering of eyes and visions — and by August, the Snapshot Gallery
opened, showcasing twelve photos each month from twelve distinct voices. Through every initiative, Cesar’s mission remained constant: to nurture artists at every stage of their creative evolution.
The Collective Flame Cesar is far from alone in this endeavor. Surrounding him is a constellation of collaborators — choreographers, photographers, curators, and dreamers — each adding their own spark to the vision. Early partners like Divalin Magic, Kiran Kiyori, and Janjii Rugani helped shape the performing arts branch. They were later joined by talents such as Kylie Lacombe, Lina Nightfire (melina.aurotharius), and Sparrow Tuqiri, each bringing rhythm and motion to the stage.
Bridging Worlds
Walk through The Art Fair — the center’s signature event — and you’ll sense the magnitude of his vision. It’s not simply a showcase; it’s an ecosystem. There are SL and RL artists, creators of photo studios and backdrops, pose makers, 3D designers, videographers, book publishers, and even photography educators. Classes, workshops, live music, dance performances, and visual experiences pulse through the space for an entire month, from late October through November.
Yet, at its heart, the Fair is not about production — it’s about possibility. Cesar believes that art, when shared across both digital and physical realms, has the power to transform lives. Second Life, to him, isn’t just an escape; it’s a mirror, a rehearsal space for courage. “People who struggle with social anxiety in real life,” he often says, “can use SL as a safe space to begin feeling more at ease with others — and then bring that confidence into their daily world.”
Angelika Courtois manages the photo contests, which have grown from thirty entries to nearly forty in the most recent cycle. Behind the scenes, WooMaloo handles the rhythm of operations — event coordination, notices, calendars, follow-ups. Sydney Couerblanc, who debuted her first exhibit under Cesar’s guidance, now serves as lead curator. And the talented Raven Arcana oversees the Flickr group and the Snapshot Gallery — weaving together the community’s shared eye.
Together, they are not merely managing events. They are building culture — one that celebrates collaboration, generosity, and art as a form of human expansion.
He’s living proof of that bridge — guiding others to cross it.
Today, Cesar is working on creating a physical Center for the Arts in his real-life community, one that will connect to its virtual twin in Second Life. His dream is a global network of creative hubs, each node linked by the same purpose: to inspire, educate, and empower people to share their stories through art.
At its core, his work reminds us that technology isn’t cold or distant when used with intention. It can be an instrument of empathy — a light that travels between worlds.
Cesar Lighthouse is, in every sense, what his name suggests: a beacon for those beginning to see.
Jay Anson
Pinky is a woman on a mission.
Not long after her entrance to Second Life Pinky decided she might be interested in modeling. So, in answer to a summer fun contest, she conferred with two friends, Mark Steiner and Kadon Doge. Using them as photographers, she submitted several nudes.
magazine. That is when I started asking about doing pictures. and I started experimenting.”
Pinky (pinky0502.ethaniel) started a Flicker page: https://www.flickr.com/photos/158063940@N02/.
She can also be found at https://linktr.ee/pinkyethaniel?utm_source=linktree_ admin_share.
She didn’t win the contest, but did more modeling. “I was having fun. In RL I had always wanted to learn photography, but it’s an expensive hobby.”
As happens with so many of us, we find that emotions in RL and SL emotions tend to intersect. The anonymity of the pixels allows us to open ourselves in ways we can’t with RL partners. She had her heart broken, and so took a break from SL.
In 2016, six years later, she found she didn’t know anyone anymore. “I have lost quite a few people over the 17 yeas I have been in the crazy, every changing, meshed out PBR place.” she told me.
She didn’t go straight back to modeling. “I joined a beach club and was asked to model for a surfing
There is a subculture of art aficionados in Second Life, and galleries of all types. A classically beautiful woman, she was asked was asked to do an exhibit for Holst & Holst gallery In January 2021. It was her first formal gallery showing. After that exhibit she ran with it.
“Now,” I asked “How did you make the jump from exhibit to curating?”
“In the beginning of 2025 I was approached by the former curator at the Forbidden Fruit Gallery, which had been around for about about eight years. She thought I might be a good match for taking over for her. I thought about it, talked to the owner and decided to try it. If i wasn’t happy I would resign, no harm done.”
“So? How long, and how did it go?”
She smiled. “I officially started in February of 2025. We had positive results. It was fun. I was meeting people and learning a lot about all kind of things. The gallery was booked months in advance.”
Then the summer came and the owner had RL issues. “With the help from the FFI staff we got through it, and I was able to keep the gallery moving forward until the owner, Riska Demina, was back.”
Sadly, Forbidden Fruit Gallery, recently closed. Pinky knew it coming, and decided to open her own place: Embers Gallery.
She took former FFI staff member, Esme Featherbottom, as her business partner.
“So,” I asked, “are you still modeling? Or are we strictly doing the owner/curator thing?”
“I do not model for others nearly as much anymore, mostly just me and my closest friends. I do model for Hush Magazine occasionally. The last time was in the Summer issue July 2025.”
“What prompted you to go solo with Ember?”
She looked proud. “I was able to pull a team together and keep FFI going while the owner was away. The people I was working with have been super supportive. When I broached the subject of going solo, instead of telling me I was crazy, they jumped on board.”
Much like her former gig, Forbidden Fruit, “The Embers focus will be to continue bringing new erotic artists to the forefront. Everyone needs their first break. I tend to not ask established photogs. I look for new blood. We are going to focus more on sensuality, emotion, connection.” She emphasizes that this gallery is adult and not PG.
While Mochallata did the actual build, her business partner Esme has done a wonderful job with the venue.
“We have future plans to keep people coming.” She told me. “Really?” I asked. “How?”
She smiled with the smile of someone building a dream. “Monthly and/or quarterly challenges, classes, and eventually, platforms available for rezzing backdrops.”
A Renaissance Woman.
In my first article for this magazine I talked about the human element behind the pixels. Pinky embodies that.
The Embers Gallery opens on Saturday, November 1st, at 5:00pm SLT. You can find it at Laconia (55,144,33). Do yourself a favor and check it out.
AmandaT Tamatzui (Amanda Tomasoa) is a multidisciplinary artist whose vibrant, whimsical works transcend cultural and economic boundaries. Through her art, she tells powerful stories that foster empathy and connection across real and virtual worlds.
Her celebrated piece Sistas Helping Sistas—a tribute to unity among women of diverse backgrounds—earned her international recognition on the Global Businesswoman forum on Xing.com. Amanda's creative reach is truly global with exhibitions across four continents and collectors in Europe, the USA, New Zealand, and Asia.
In 2022, Amanda was awarded a grant from the Second Life Endowment for the Arts (SLEA), where she transformed her 2D paintings into an immersive 3D wonderland. Her sci-fi world Planet Tambalya was featured at SLEA in 2023, captivating visitors with its imaginative narrative and visual storytelling.
In 2024, Amanda took a break from SLEA to focus on building her full region—Land of Sleeping Giants—a magical space inspired by New Zealand folklore and her vivid imagination.
Amanda continues to blur the lines between art and storytelling, seamlessly weaving her real-world creations into the virtual realm and vice versa. She is currently working on a book and merchandise based on the Tambalyan universe, with a vision to inspire others to dream boldly and reconnect with their inner child.
Explore Amanda's real life creations at: https://www.saatchiart.com/amandatomasoa
Art Prints: https://imagevault.co.nz/artists/amanda-tomasoa
ALEJANDRA
Boots│ Utopia Designs - Jalya Boots
Coat │ Saudade - Duda Shoulder Coat
Earrings │ Phedora - Arden Earrings
Glasses │ Zoom - Sophie Pike Glasses
Hair │ Wasabi - Oakley
Leggings │ Amataria - Leggings Avril
Sweater │ Error - Vicki Sweatshirt
NEMESIS
Hat | MVDxDernier - Thierry
Hair | Studio Exposure - Mirage
Lipstick | Aimi - Addon 06
Eyeshadow | Zibska - Savina Deux
Tights | Caelum Fero - Fall Colors
Dress | Frida - Slaine Slipdress Popart
Bag | Black Swann - Croc Waist
Rings | Kunglers - Celia
Earring | Voz - Ironic
Nails | Moccino - Crystallize
Pumps | Uniwai - ALMR
AVAJEAN WESTLAND
Top | Tyra Carling - Amary Blouse
Pants | Jeune by Rowne - Ren Python
Hat | My Bags by Mila Blauvelt - My Scandal
Shoes | Nardcotix - Claudia Bootie
Bag | Le Primitif - Koi Handbag
Glasses | My Bags by Mila Blauvelt - My Scandal Earrings | Yorke - Frida Earrings
Choker | Coco - Choker (part of One Shoulder Top)
ELEANORJEAN
Top | Vinyl - Taco Undershirt green moss
Pant | Wild Fashion - Marielle Pants Green
Pants | Wild Fashion - Marielle add on fuzz lavender
Jacket | Coco - Cropped Puffer Jacket Lavender
Collar | Zibska - Breunor
Shoes | Baby Monkey - Maxine Boot Lavender
Belt | Flecha - Sakiyama Hat Tinted
Hand bag | Meli Amako - Leather Knot Tied Front Waist
Band Belt Accessory
Jewelry | Maxi Gossamer - Honey Diva Bo Bo
Ring | Maxi Gossamer - Fortune Lotus Flower Ring Green
LUA VENDETTA
Top | Sorumin - College Chic
Coat| Saudade - Duda
Skirt | Le'La - Xiomara
Beret | cheezu - daily
Collant | Dead Dollz - Mila
Shoes | Salvadori - Imogen
Bag | My Bags - My Bangladesh Orange
Necklace | Yummy - Jolie
Nails | LUNA - Shades of Fall
Hair | Wasabi - Butterscotch
ADONIS HANSOME
Jacket I Fakeicon - Shoulder Fur
Top I Ersch - Mellow
Trousers I FashionNatic - Enrique
Shoes I Cult - Silas
Hat I Unknown -
Glasses I Zoom - Furious Tech
Phone I taikou & memento - Neon
GIN BLADE
Earrings | Foxy - Harvest Earrings
Hair Clips | Villena - Aura Cloud Smile
Jacket | Freda - Filo multicolor
Shoes | Rebel Gal - Aevitas Platform
Skirt | Rapture - Nika Skirt
Smiley Accessory | SMN - Smiley Pillow
Sunglasses | Imbue - Butterfly Shades
Tights | Rouly - Lagnos
Top | Dead Doll - Heartshaped Sweater
ISSY FLATLEY
Top | Kiu - Striped Crop Top Sweater
Jacket | Rosary - Mya Coat
Pant | Dernier - Gloria Pants
Shoes | Gos - Erica Knit Ankle Boot
Hair | Stealthic - Risk
Makeup | Izzie's - Lipgloss & Birthday Eye Makeup
Bag | Tim Yung - Telephone Bag
Jewelry | Maxi Gossamer - Ayla Moon goddess Necklace
Earrings | Moondance boutique - Sandy Earrings
LOLITA PARAGORN
Trouser | Dernier - Adult
Cardigan | Sorumin- Mushroom
Scarf | Tetra - Cozy Scarf
Boots | Gos - Belinda
Bag | LaGyo - Countryside
Necklace | Kunglers - Reba
Earrings | Yummy - Luxury
Ring | Orsini Jewel Care - Agathe
Hair | S-Club - Lalisa
NEMESIS
Hat | MVDxDernier - Thierry
Hair | Studio Exposure - Mirage
Lipstick | Aimi - Addon 06
Eyeshadow | Zibska - Savina Deux
Tights | Caelum Fero - Fall Colors
Dress | Frida - Slaine Slipdress Popart
Bag | Black Swann - Croc Waist
Rings | Kunglers - Celia
Earring | Voz - Ironic
Nails | Moccino - Crystallize
Pumps | Uniwai - ALMR
WYATT FROST
Pants| HotDog - Viny Capris
Shirt | Ersch - Sawyer Necklace
Coat | Jeys - Acolasia Coat
Boots | Equal - Sloan Boots
Glasses | Deep Static - Noveau Shades
Earrings | Hipster Style - Andrea Male Earrings
