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SEX AND THE ARABIC ALPHABET

DILIP RAJEEV

DEDICATED TO MYSELF

SEX AND THE ARABIC ALPHABET

‫ا‬ alif The transmutando draught. Thought analogous to the Vulture of the Egyptians

, the consumptory of decaying flesh, that takes flight.

The internal sexual-draught. In another sense, this is the beam from the source, that impulses IN THE PRIMORDIAL WATERS, GENERATING THE UNIVERSE. In the RENEWING ONE, THE BEAM EMERGES FROM THE ONE SOURCE, through the CRANIO-SACRAL AXIS enters the PRIMAL VIRGINAL waters of creation. IN THE IMPULSING OF THE BEAM, THE BODY IS REDUCED TO THE WATER-NATURE, AND GENERATED ANEW. THE ESTABLISHEMENT OF THE ALIF BEAM IN THE BODY, DISSOLUTION F OT THE WORLD AND THE BODY THERETO, IS THE PRIMODIAL ART. The Sound of Alif /Aː/ IS THAT OF THE PRIMORDIAL EMANATION. THE SOUND THE FEMININE MAKES AS THE PHALLIC MOVES IN HER.

DILIP RAJEEV

‫ب‬ bā’ The seed matter dualizing. It forms the foundation of things, the boundary between the real and the unreal. An initial transformatory on the seed. The PRIMODIAL BONDING.

The

form shows the SEED, THE SOURCE, THE ONE, dualizing into two above, a dual natured draught, and bonding below.

The Sound suggests the bonding of the two aspects of reality. The lips, as symbolic of the higher and the lower, bond in the expression of the sound bā’ THE beam from THE ONE SOURCE OUGHT BE BONDED TO THE PELVIC-SACRAL SPACES, AND TO ONE’S SEXUAL ANATOMY. The movement between THE DUAL AND THE ONE, reduces REALITY INTO A STATE OF PRIMORDIAL PERFECTION. vi

SEX AND THE ARABIC ALPHABET

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DILIP RAJEEV

‫ت‬ tā’ The seed being sublimate from the vase. The bharani or the dualized vase holds the sublime. THE VASE, THE PELVIC, AS WHERE THE ENERGIES DUALIZE. THE AXIAL BEAM, THE SPINAL ENERGES, ACT ALONG THE SPINAL, IN THE PATTERNS OF THE DUALIZED SEED, SETTING UP THE AXIS. The phallic enters the vaginal, AND THE MOVEMENT analogous to the PRIMODIAL IMPULSING, GENERATES A DUAL FOUNT. THE FORM OF THE FOUNTAIN IS THE PERFECTED ANTHROPOS. The Sound T is structuring, THE SETTING UP OF THE TAU axis.

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SEX AND THE ARABIC ALPHABET

‫ث‬ thā’ The fire-like transformation of the seed materia IN MANIFEST REALITY it by virtue of the ANIMATING breath, TRAVELLING AXIALLY. The SEED DANCES IN THE FIRE. THE ANIMATING BREATH, AS IT DISSOLVES THE BODY IS THE INFUSING OF BREATH INTO THE SOUND, THE ADDITION of H, INTO TA.

DILIP RAJEEV

SEX AND THE ARABIC ALPHABET

‫ج‬ JĪM THE SEED BEING CARRIED UPWARDS, IN THROUGH THE AXIS CHAMBERS. THE ANIMATORY IS THE HIGHER WHOLE, THE ONE. THE SEED BLOB, IN ONE NATURE, THE SOURCE NATURE, FILLS UP THE AXIS OF THE TRANSFORMING ANTHROPOS. J IS THE SOUND OF AXIAL FIRE-WATER MOVEMENT. DISSOLUTION INTO THE SEED. I IS THE AXIS, AND M THE MERGING INTO SOURCE NATURE. xi

DILIP RAJEEV

‫ح‬ ḤĀ’ THE ENLIVENING BREATH, AS THE SYSTEM IS BONDED TO THE SOURCE.

THE LINE ABOVE IS THE ONE, THE ONE SOURCE. THE PATH ALONG WHICH IT EVOLVES. , SAID TO BE A COURTYARD, IS THOUGHT TO HAVE BEEN AN ANCIENT GLYPH FOR THE SOUND. THE ORIGIN OF THE NAME MAY BE RELATED TO A RECONSTRUCTED NAME FOR THE EGYPTIAN HIEROGLYPH . xii

SEX AND THE ARABIC ALPHABET

. SHOWS SPINAL MOVEMENTS. A CORRESPONDING SOUTH ARABIAN LETTER IS , WHICH HAS AN ANALOGOUS COUNTERPART IN GE’EZ SCRIPT ሐ. ONE IS THE BREATH MOVING ALONG THE AXIS TO HEAVEN, THE OTHER VICE VERSA. THE AXIS IS ROOTED ON A MOUND.

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DILIP RAJEEV

THE SOURCE-BEAM IMPULSES IN THE PRIMORDIAL WATERS. THE SOURCE-BEAM IMPULSES IN THE SEED WATERS IN THE PELVIC SPACES, GENETRATING THE SEMINAL IN ONE NATURE. THE SEMINAL IN ONE NATURE PRESERVED, NEVER EMITTED, FILLS THE AXIAL, AND THE AXIAL GENERATES, PROJECTING INTO THE BODY POOL, THE NEW BODY.

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SEX AND THE ARABIC ALPHABET

‫خ‬ KHĀ’ THE ENLIVENING MOVEMENT, ESTABLISHED IN THE PRIMORDIAL SEED PATTERNS. K ROOTS THE WORLD TO THE SOURCE, AND HA BREATHES. THE KILLING-REDUCING, IN A METAPHYSICAL SENSE, OF THE WORLD TO THE SOURCE.

DILIP RAJEEV

‫د‬ DĀL THE UP-DRAWING FORCE. WATER THROUGH THE DOORS. THE D IS THE RHTHMING IMPUSE FROM THE SOURCE. IN ANTHROPOS EVOLVING OUT AS THE NEURAL MOVEMENT, THE SUTRCTURING OF WATER. Ā IS THE PRIMORDIAL MOVEMENT. L IS THE FOUNTAINING WATER.

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SEX AND THE ARABIC ALPHABET

THE PROJECTION FROM THE SOURCE IS ACTION, AND PERCEPTION OF THE WORLD IS SENSATION.

BOTH ACTION AND PERCEPTION OUGHT BE BONDED TO THE

ONE SOURCE.

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DILIP RAJEEV

‫ذ‬ DHAL ADMIXTURED WITH THE BREATHMOVEMENT, IS THE WARMED WORLD. H IS HERE IS THE WORLD IN WHICH THE SEED MOVEMENT IS INFUSED. THE PRIMORDIAL SEED, THE ONE, IMPULSES,

D, DISSOLVES IT IN THE EMANATED BREATH,

H, AND FOUNTAINS THE WORLD, L, IN PRIMORDIAL MOVEMENT,A.

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SEX AND THE ARABIC ALPHABET

‫ر‬ RĀ’ THE PRIMAL FLAMES. THE RESULT OF SULPHUR ON MERCURY. TOO MUCH FIRE INITIALLY DISRUPTS THE SYSTEM. DISSOLVE THE WORLD IN THE FLAMES TO THE PRIMORDIAL NATURE, THE NATURE OF THE AXIAL BEAM, WHICH IS BEYONG ALL MANIFEST. THE NEW BODY THUS IS BEYOND ALL MANIFEST ELEMENTS, AND THE FIRE-WATERS THEN MAY BE INTENSIFIED WHEN NEEDED. THERE IS BEAUTY GENERATED IN WARMTH, IN COLD MOVEMENT, THE FLAMES MAY BE FLAMES OF ICE. R IS THE SOUND OF TRANSORMATORY MOVEMENTS IN THE REAL. xix

DILIP RAJEEV

SEX AND THE ARABIC ALPHABET

‫ز‬ ZAYN BY THE ONE, THE SEED, THE SOURCE.

THE FLAME, DRIVEN

Z IS LAYERED MOVEMENT. Y IS FOUNTAINING. N IS DISSOLUTION IN THE VIRGINAL WATERS. Z IS BONDED MOVEMENT BETWEEN THE ONE AND HIS BODY IN THE WORLD, THE DISSOLUTIONARY MOVEMENT BETWEEN THE DUALIZED ASPECTS OF THE WORLD, ETC.

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DILIP RAJEEV

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SEX AND THE ARABIC ALPHABET

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DILIP RAJEEV

ABIDING IN THE PERCEPTION OF THE SOURCE BEAM, THE ONE NATURED BEAM, THE BEAM OF NATURE BEYOND ALL NATURE, THE WAY THE BEAM CONSTRUCTS THE BODY, ITS PERCEIVING AND ACTIONING, THE WAY THE PHYSICAL UNIVERSE AND ITS PHYSICAL LAWS EMERGE IN THE BEAM IMPULSING, THE BODY MADE THE BEAM, IN ACTIONING, AND PERCEPTIONING, EVERY MOVEMENT, EVERY PRCEPTION, BONDED TO THE BEAM NATURE, AND BEAM NATURE EXPANDED IN EVERY ACTION, THE WORLD BONDED TO THE SOURCE, THE BEAM STRENGTHENED IN EVERY PERCEPTION, ABIDING IN THIS STATE, IS

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THE WAY

SEX AND THE ARABIC ALPHABET

THE ONE BEAM, THE WORLD AND THE BODY AS WATERS, DEEP PERCEPTIONING THUS, DISSOLVING ALL OTHER PERCEPTION, DEEPLY, PROFOUNDLY,

IS THE WAY

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DILIP RAJEEV

AVOID ALL THAT, AND ALL ENDEAVOURS THAT, DISRUPT THE ESTABLISHMENT OF THE AXIAL BEAM IN ONE NATURE, PATIENTLY, PEACEFULLY, ESTABLISH THE AXIS, IN THE SACRAL-PELVIC, IN THE BOD-AXIS, AND DISSOLVE THE BODY, RENEWING IT,

AVOID DISRUPTING ONE’S NEURANATMOY, AVOID LOSING THE SEMINAL, WHICH NOW TAKES THE FORM OF THE PRIMORRDIAL SEED, TRANSFORM THE SEXUAL ANATOMY INTO ONENATURE.

ABIDE IN THE PROCESS .

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SEX AND THE ARABIC ALPHABET

JUST AS THE ORIGINAL CREATION WERE DONE BY THE

ONE ALONE, SO MAY RENEWAL BE DONE,

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DILIP RAJEEV

VIRGINAL WATERS

THE ARE THE PRIMORDIAL SUBSTANCE OF CREATION, AND AS THE BEAM ENTERS FROM THE SOURCE, ALONG THE AXIS OF THE BODY, IT TRAVELS INTO THE VIRGINAL WATER REALMS, ALL THAT IS NEEDED IS IN THE BEAM’S IMPULSING, INTERNALLY,

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SEX AND THE ARABIC ALPHABET

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DILIP RAJEEV

‫س‬ SĪN THE MOUNTAIN-FIRE IN THE WATER VASE. THE SERPENTINE UP-DRAWING.

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