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In d ep en d en t

Streak Su m m er 2026

M i ami Fi l m Fest 2026

A ctor/ Di rector Joe M i gnone & " A l l ey Boy" OUTSh i ne Fi l m Fest Bui l di ng a Legacy: A cti ng Coach / A ctress Sara Rogers

Pal m Beach Student Sh ow case of Fi l ms

Th e Not So Normal Journey of Bob Odenk i rk

Di ni ng Di v as Ex pand Th ei r Empi re

M i ami Fi l m Fest 2026 By Rachel Gal vin Every Miami Film Festival brings in celebrities and filmmakers from around the world and this year was no different. From April 9-19, Miami was filled with plenty of activity for the 43rd year. As usual, there were fantastic parties, poignant films and celebrities and filmmakers coming in from around the world. Included in the mix were Bob Odenkirk , who received a Precious Gem Award (see story, pg. 15); Adam Scott, who Received the Vanguard Award; Matt Bomer, who received the Vanguard Award; Danielle Brooks, who received the Art of Light Award; Lili Reinhart,who received the Art of Light Award; and Sonia Manzano a.k.a. Maria From Sesame Street, who received the Impact Award. Open in g Nigh t ; Execu t ive Dir ect or Jam es Woolley look s on as t h e M iam i Dade Cou n t y M ayor Dan iella Levin e Cava says a f ew w or ds an d gives a pr oclam at ion .

Opening Night

The film festival kicked off at the Olympia Theater with the film "Tuner," starring Dustin Hoffman and Leo Woodall. James Woolley, executive director, and Lauren Cohen, director of programming, spoke first, along with other dignitaries. Miami-Dade County Mayor Daniella Levine Cava gave a proclamation. Then, it was across the street to the Alfred I. DuPont building for the party! There was a dance floor with great disco and other music. There was a caricature artist and photo ops. Letterbox partnered with the festival to allow everyone to film a quick video talking about their four favorite films. There was paella, crepes, charcuterie and more, plus different drinks. There was Lanza La chancla where people could throw a flip flop at a mannequin of a child and win a prize. Ha-ha! Only in Miami! So many surprises. Such a great vibe, amazing energy. They even had chess boards set up!

Cl osing Night Closing Night was also at the Olympia Theater. The film "Power Ballad" was screened. (See the next page for a review). Then, the closing night party was at the newly-reopened renovated Freedom Tower. There, some of the fun elements from the opening night party were back -- more throwing of flip flops, food and drink selections, even dipping dots! One liquor purveyor was giving out fedoras. There was much dancing all over the space as people blew off steam and celebrated another fantastic festival. Bel ow: Cl osing Night awards

Bel ow: Opening Night Part y

Bel ow: Cl osing Night Part y

M or e pics com in g soon on t h e In depen den t St r eak M agazin e Facebook page.

Fi l m Rev i ew : " Pow er Bal l ad" By Rachel Gal vin Rick Power (played by Paul Rudd) is unfulfilled. He drudges through life as a wedding singer with his mates in a band called ?Bride and Groove.? He gave up his passion 15 years ago when he abandoned his music career in earnest and moved to Ireland with his wife and daughter to accommodate his wife?s career. He lives day to day attempting to make it through, trying not to reveal his hidden truth. When he meets Danny Wilson (played by Nick Jonas), his life begins to change. Wilson is still considered a star, but has lost much of his sparkle. Once part of a boy band, he hasn?t come up with anything new in his career for quite some time and people are starting to talk. A spontaneous and sauced up jam session with his new buddy Power puts the pep back in his step. But his inspiration comes to him a little too literally, as he steals Power?s song to make it his own. When Power discovers the betrayal, he takes action and all of the feelings he had bottled up come pouring out, as he battles to fight for his song and get his life back. The film starts slowly, and the more it rolls along, the better it gets, becoming more multi-layered, as we discover that Power is not the only one conflicted in the situation. As actors, Rudd and Jones really chew up this material and make it their own, and there is a lot in the characters and their relationship to work with. They come across as genuine and emotions run deep. The film elicits laughs and some tears, and leaves the audience singing the catchy song in question for days to come. Director John Carney, known for such movies as ?Sing Street? and others, has created some memorable moments and given these actors something a little different to add to their repertoire. The movie was shown at the Olympia Theater for the Miami Film Festival on April 18 and it opened theatrically on June 5.

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Ever feel like life is impossible, that you can't move forward, or that you don't know Get an ad as l ow as $ 35! what to do anymore? You have exhausted all your ideas of how Contact us at to get ahead and don't know how to move w ri terrach el @yah oo.com forward. Perhaps, you don't feel you even know who to be anymore. All of these feelings might indicate burnout, maybe even depression. There is no just "getting over it." Action must be taken. So, now is a good time to take a break. Stop doing things the way you have always done them. Maybe now is a time to take stock, reflect and reinvent yourself. This can be scary, but it can also be exciting. Embrace the uncertainty. You don't know where you will end up next. Just take things one step at a time and step boldly into your next chapter in life. Break a leg! Rachel Galvin Publisher

On Cover: Bob Odenkirk at the Miami Film Festival. Photo by Rachel Galvin 4

Th e Di ni ng Di v as Ex pand Th ei r Empi re By Rachel Gal vin When the Dining Divas create an event, people take action. Some fly thousands of miles just to be a part of it. More than 500 people attended their latest media event April 13-15, which included the premier of the next season of "The Dining Divas" and "Destination Divas," plus an introduction to the plethora of other TV shows under the Dining Diva Empire's umbrella. The events kicked off with the Golden Goddess Glam Opening Gala held at Jay's Steakhouse in Ft. Lauderdale. Everyone dressed to impress to fit the theme. Emcee Evan Golden was a perfect fit with his golden sunglasses on. The place was packed with high-end business professionals from around the world, celebrities, artists, fashion designers, actors, singers, dancers and more. FUBU was in the house and presented a hip fashion show and several singers and rappers also performed. This was just the first night. The party continued for the next two days at Savor Cinema showing previews and teasers for the wide range of TV shows on the roster, with many speakers talking about their shows, including FUBU co-founder J. Alexander Martin himself, co-founder of

What's On TV? Dining Empire is the parent company that develops and produces original television programming. Their current series include:

Pict ured: Founder & CEO of t he Dining Empire, Christ ine Curran

- Dining Divas ? A food, lifestyle and celebrity series where inspiring women explore exceptional restaurants, chefs, cocktails and local culture. - Dest inat ion Divas ? A travel and adventure series showcasing luxury destinations, hidden gems, entrepreneurship, wellness and unforgettable experiences around the world. - Real Est at e Divas ? An upcoming reality series following successful female real estate professionals as they build businesses, close luxury deals and balance life behind the scenes. - The 19t h Hol e ? A golf and luxury lifestyle series featuring PGA professionals, celebrities, exclusive golf clubs and business leaders. - Kit chen Raiders ? starring celebrity sisters Melky Jean, a Grammy-nominated singer and songwriter, and Rose Jean, a celebrity chef. Together, they "raid" the kitchens of their famous friends, creating delicious, gourmet meals using whatever leftovers they find in the refrigerator. The series blends celebrity lifestyle, culinary creativity, humor and entertaining conversations, proving that incredible dishes can come from the most unexpected ingredients. - Raw Pol it ics ? A new series bringing together people with different political viewpoints for respectful, entertaining conversations over food and drinks.

FUBU and others. Sponsors such as Victor Arocho from Solvo Global spoke as well. He talked about how his staffing and outsourcing company could help businesses become more efficient. Food and drinks were available and people networked. There also was a VIP cigar party and mansion party. "The weekend focused on celebrating entrepreneurship, collaboration and the future of creator-driven television," said Christine Curran, founder & CEO of the Dining Empire. Curran explained how the collaboration with FUBU began: "I've been connected to them for years which is why I put them on my New York Episode. While filming, we highlighted the leadership team behind FUBU, and what started as a conversation, evolved into a strategic partnership. It was a natural fit because both organizations believe in creating opportunities for entrepreneurs, storytellers and diverse voices. That relationship has continued to grow and has opened exciting new doors for

distribution, production and future collaborations." "Through our strategic partnership with FUBU Studios and the For Us By Us Network, we are expanding distribution opportunities and collaborating on future programming while continuing to produce and own our original

J. Al exander Mart in, Christ ine Curran and John Askew, president of FUBU St udios/ Net work wit h Sal go

Dining Empire content," said Curran. Wondering how t o wat ch t heir shows? Their newest episodes are premiering f irst on t he Dining Empire Net work, which is avail abl e on Roku, Amazon Fire TV & Fire St ick, Appl e TV, Googl e TV, Android TV, iPhone and Android devices. You can downl oad t he Dining Empire right t o your smart TV. "As our distribution windows expand, additional episodes will continue rolling out across our broader distribution partners," Curran said. Asked what is next, she said. "We're currently preparing for several exciting productions, including our fifth annual international Mastermind in Roatán, Honduras, while also filming the first season of 'Real Estate Divas.' Additional travel destinations and new seasons are already in development as we continue expanding the network with fresh food, travel, business, and lifestyle programming." Curran is always up to something, not just the Dining Empire, but other collaborations. "One of the things that makes Dining Empire unique is that we're

much more than a television network. We regularly partner with entrepreneurs, conferences, sporting events, film projects, charity galas and business masterminds to help amplify inspiring stories through television and digital media," she said, adding, "I've also been actively involved with the Celebrity Boxing organization for more than 15 years, supporting many of its productions and live events, including Celebrity Boxing, X Rumble and Smack Fighting Championships. We're currently developing a new television series together that will give viewers a behind-the-scenes look at the personalities and excitement surrounding the organization." She continued, "After more than two decades in the entertainment industry, I've been fortunate to build strategic partnerships with incredible entrepreneurs, creators and industry leaders. Whether I'm producing, hosting, emceeing or speaking, my mission has always been to connect great people with great opportunities and help their stories reach a larger audience." Curran was just featured on the cover of "Stroll Magazine ? Las Olas Isles Edition," highlighting her journey as the Founder & CEO

of Dining Empire and her work as an entrepreneur and television producer. She also has been a judge, panelist or host for countless pageants, talent competitions, business events and more. She is sought out for her advice on business acumen, leadership and more. Want to find out what else is happening in the Dining Empire world? Visit Dining Empire.com where you can al so downl oad t heir app.

Winners Announced f or Pal m Beach St udent Showcase of Fil ms The Palm Beach County Film & Television Commission has announced the winners of the 31st Annual Palm Beaches Student Showcase of Films (SSOF), Florida?s largest student film competition and award show. This year?s program celebrated 20 standout winners selected from a record-breaking 636 submissions representing 95 schools statewide, highlighting the exceptional talent of Florida?s next generation of filmmakers. Held at the Maltz Jupiter Theatre, the event welcomed nearly 600 attendees for a red-carpet pre-show and live awards ceremony. More than $30,000 in scholarships, cash prizes, and awards were presented to students across a wide range of categories. This year?s event fully embraced the theme of ?Set-Jetting,? the growing trend of traveling to destinations seen on screen. The Maltz Jupiter Theatre was transformed into a cinematic escape inspired by the golden age of travel and classic Palm Beach style, with elements reminiscent of vintage air travel, luxury resort arrivals, and iconic film locations. From red carpet arrivals to the stage design, the experience immersed guests in a world where storytelling and destination intersect, reinforcing how film can inspire audiences to explore new places. Three-time Emmy-nominated entertainer Frank Licari hosted the high-energy ceremony, opening the show with a dynamic performance. The event featured appearances by Rob Van Winkle ?Vanilla Ice?, longtime SSOF supporter and Music Video category judge & presenter, along with rising actress Melodie Rose Romano from ABC?s ?R.J. Decker?, actor Hank Greenspan from ?The Neighborhood? & ?Ethan Bloom?, and conservationist and television host Jeff Corwin from ?Wildlife Nation with Jeff Corwin: Expedition Florida? reinforcing the power of storytelling across entertainment and environmental platforms. ?This year?s winners represent the future of our industry,? said Michelle Hillery, film commissioner of the Palm Beach County Film & Television Commission. ?SSOF continues to elevate emerging voices while supporting workforce development and creative opportunities across Florida.? A highlight of the ceremony was the presentation of the $5,000 Burt Reynolds Scholarship, awarded

to Lyla Claggett of G-Star School of the Arts, honoring exceptional promise in filmmaking. The scholarship continues the legacy of Burt Reynolds, whose commitment to mentoring young talent remains at the heart of the program. Judged by a panel of 46 industry professionals, this year?s competition marked one of the most competitive in the program?s 31-year history. The finalists, along with their families, teachers, and peers, were celebrated before a standing-room-only audience, showcasing the depth of talent emerging from Florida?s high schools and colleges. Event presenters included Michael Chasin (Screenwriting); Laurence Gartel (Poster Design sponsor and SSOF judge); Tanya Rogers of WPTV/ WFLX (Commercial PSA); Linda Moreno (Environmental PSA, Keep Palm Beach County Beautiful) and Jevon White (Teacher of the Year). Additional presenters included Matt Lincoln of WPEC (Scholarships); Sandy Lighterman (Film Florida Sara Fuller Scholarship); Rochelle Walters (Mel Maron & Gray Family Scholarships) and Glen Gray (Gray Family Scholarship). Nancy Lee Hess, niece of Burt Reynolds, presented the Burt Reynolds Scholarships, with Frank Eberling, Aaron Wells; and Suzanne Niedland (also presented for Documentary) continuing the legacy of one of the program?s most meaningful honors. Welcoming remarks were delivered by Palm Beach County?s Film Commissioner, Michelle Hillery and Mayor Sara Baxter, with Erika Constantine, senior vice president of marketing at Discover The Palm Beaches, presenting the Tourism PSA Award. The winners of the 31st Annual Palm Beaches Student Showcase of Films are: Burt Reynol ds Schol arships · Burt Reynolds Scholarship ($5,000) ? Lyla Claggett, G-Star High School of the Arts (West Palm Beach) · Dr. B. Carleton Bryant Scholarship ($1,000) ? Lilian Amiryan, Seminole Ridge Community High School (Loxahatchee) · Film Florida Sara Fuller Scholarship ($1,000) ? Izzy Huntley, G-Star High School of the Arts (West Palm Beach) · Mel Maron Scholarship ($1,000) ? Tamsin Lee, Seminole Ridge Community High School (Loxahatchee) · Gray Family Scholarship ($1,000) ? Taylor Simms, Seminole Ridge Community High School (Loxahatchee)

Col l ege Feat ure/ Short Awards · 1st Place ($2,000) ? Nico Wilcox Cano, Florida State University (Tallahassee), Little Dark Rooms · 2nd Place ($1,500) ? Rodrigo Perez, Ringling College of Arts & Design (Sarasota), Contigo · 3rd Place ($1,000) ? Caleb Cook, Florida State University (Tallahassee), Lovesick, Fallout. High School Feat ure/ Short Awards · 1st Place ($2,000) ? Zachary Newman, NSU University School (Davie), What?s Really Inside · 2nd Place ($1,500) ? Ethan Malka, Alexander W. Dreyfoos School of the Arts (West Palm Beach), The Experiment · 3rd Place ($1,000) ? Sophie Drost, Lakeland Christian School (Lakeland), Water?s Memory Suzanne Niedl and Document ary Award ($2,000) · Sam Perez Laurenza, Florida State University (Tallahassee), The Golden Touch Vanil l a Ice Music Video Award ($1,000) · William Markgraf, Gabriel Gray, Jonny McCarty, Kolton Smith, Seminole Ridge Community High School (Loxahatchee), Buy Me A Boat Animat ion Award ($3,000) Sponsored by: Five Peaks Animation · Eliana Anselmo, Ringling College of Art and Design (Sarasota), Loud & Proud

Commercial PSA Award ($1,000) · Emily Rice, University of Miami (Miami), Not Just a Ballerina Nel l ie & Fred Chasin Screenwrit ing Award ($1,000) · Indi Rivers, Hillsborough College (Hillsborough), The Lost Bird Post er Design Award ($1,000) Sponsored by: Laurence Gartel · Daniela Buenrostro, SouthTech Academy (Boynton Beach), Sound & Vison Theme for 2027 Pal m Beach Count y Tourism PSA Award ($1,000) Sponsored by: Discover The Palm Beaches · Ivan Krsak, Palm Beach Gardens High School (Palm Beach Gardens), Palm Beach County Tourism PSA Teacher of t he Year Award ($1,000) · Shaun Olavarria, DeLand High School (DeLand) Congratulations to all of this year?s winners! The submission window for the 32nd Annual Palm Beaches Student Showcase of Films opens in October 2026. St ay t uned f or updat es and read more det ail s at : pbf il m.com/ SSOF.

Keep Palm Beach County Beautiful Environmental PSA Award ($1,000) · Landon D?Alessandro, Ethan Malka, Alexander W. Dreyfoos School of the Arts (West Palm Beach), A Cleaner Future

Building a Legacy -Act ing Coach & Act r ess Sar a Roger s By Rachel Gal vin Sara Rogers is revered as a South Florida based acting coach, a position she has held for more than 40 years, but she also is an actor who has worked in such memorable projects as "Miami Vice" and "21 Jump Street," and many others. Today, she is teaching students how to improve their auditions, get the right angles on camera, do improv, speak in public with ease and so many other skills in front of the camera. Her vast expertise and compassionate touch gained her a Legacy Award, presented to her at a special event held at Art Serve on April 17. In t he Beginning Rogers started out as a young child in the industry. "I first became involved in the entertainment industry when I was about 8 years old," she said. "My journey wasn't continuous, however, as a family divorce interrupted things for awhile. During high school, I returned to performing and discovered how much I loved being on stage. A few years later, I went back to school and studied theatre in college. The moment I stepped into those classes, I knew I had found where I belonged."

Starting later in life than others was not a detriment. "At the time, I didn't realize I was supposedly 'too old' to begin. Fortunately, I never let that stop me," said Rogers. "After college, I began researching what I needed to do to build a career in the entertainment industry. At the time, there was no clear roadmap, no internet and very few resources to guide aspiring actors. You had to seek out information, ask questions and learn by doing." She continued, "One of my first steps was getting professional headshots from the legendary photographer Bunny Yeager. Bunny introduced me to Dee Miller, a highly respected casting director, and through her, I began doing extra and background work. That experience gave me valuable insight into how productions operated and allowed me to observe professional actors at work." From there, Rogers found her first agents in Miami -- Brad Davis and Sharon Martin -- and began auditioning and working as much as possible. "Since I did not have a financial supporter backing my career, I learned very quickly that I had to be resourceful. Whenever possible, I worked within the industry for agents, casting directors and in other entertainment-related positions. When those opportunities were unavailable, I took whatever work I could find ? including singing telegrams and office jobs ? to pay the bills while continuing to pursue my craft," she said. Throughout her career, she has understood the importance of continued education. And much of her learning again came from just being on set. "Throughout the process, I never stopped learning. Every audition, job and industry contact became part of my education. My first film job was 'The Dogs of War,' where many of the actors spent three days filming in Homestead wearing the same dirty wardrobe for continuity. Experiences like that taught me early on that this business isn't always glamorous, but it is filled with opportunities to learn, grow,and build a career if you're willing to do the work," she said. Of course, working on "Miami Vice" was really a big boost to her career. Asked how she got her start there, she said, "My involvement with 'Miami Vice' began through Cheryl Loudin-Kubin, who is now a well-known casting director in Atlanta. At the time, Cheryl was working with Dee Miller, the original casting director for 'Miami Vice.' Because the casting office already knew me and was familiar with my commitment and dedication to the

industry, Cheryl selected me to children's project called 'Leaf work on the very first episode." Meets." Her first role on the show was "Voice-over work challenged as a Miami-Dade Sheriff's deputy, me to tell a story and create dressed in the beige and brown character solely through my uniform worn by deputies at that voice, which was both rewarding time. When the pilot was picked and educational," she said. up as a series, she became actress Saundra Santiago's Front Row t o Fil m Hist ory stand-in. Over the years, she also In her vast experience through worked as a utility stand-in and the years, she has had a front appeared as part of the row seat to not only the changes Organized Crime Bureau (OCB) in South Florida, but also in the office staff. film industry. "One memorable opportunity came when John Nicolle needed an actress to play a file clerk. It would have qualified me for my SAG card, but we ran out of time before it could happen. Fortunately, a few years later, in 1989, I earned my SAG card through a speaking line opposite Edward James Olmos in the OCB office," said Rogers, who added. "I worked on Miami Vice from 1984 Sara Rogers' f irst st and-in job, 1983 through 1989, giving me the unique "When I started, everything was opportunity to watch one of shot on film. Today, we live in a television's most groundbreaking digital world. The opportunities series from the inside." available to actors and Beyond the work itself, one of filmmakers have expanded the greatest gifts from her time tremendously through streaming on 'Miami Vice' she said was the platforms, self-taping, virtual friendships she formed. More auditions, social media, vertical than 40 years later, she still filming and independent content maintains close friendships with creation. people she met during those "Technology has transformed years, making that chapter of her nearly every aspect of the life especially meaningful. business. Cameras have become Rogers also worked in other smaller and more affordable, television programs, films, many productions can be shot on commercials and even did some phones, editing systems are modeling work, including as a portable, and actors can audition hand model for Bacardi Rum. for projects across the country ? She also was a voice-over or around the world ? without actress, including working on a ever leaving their homes. Virtual

casting sessions and online classes have become common, creating opportunities that simply did not exist when I started," she said. Despite the changes, many things still have stayed the same. Building relationships is still key. "What has not changed is that this remains a people business. Technology may change, but people still make the difference. From producers and directors to casting directors, agents, crew members and actors, relationships continue to be at the heart of a successful career," she said. Rogers had so many different types of experiences in her formative years as an actress and now she can teach what she has learned to her students. These days, many people are addicted to Zoom calls mostly for convenience, something Rogers understands, but she still finds value in meeting her students face to face. "I prefer working with students in a classroom where I can truly see them, interact with them and respond to everything they bring into the room. There is no screen separating us. I get the full picture, and that kind of connection is priceless," she said, adding, "In-person auditions may be fewer and farther between than they once were, but they still happen." Every generation adapts to the tools and opportunities available to them, she said. "One phrase I particularly like comes from Actors Access: 'Audition Locally, Work Globally.' That idea perfectly captures the evolution of our industry. Actors today can pursue opportunities from

almost anywhere, and to me, that is genuine progress," she said.

something they didn't think was possible. Decades later, she still finds that just as rewarding as I did on day one. She offers a wide range of classes, including Becoming a Coach on-camera, scene study, Improv, public speaking. Asked why she decided to become an acting She teaches not only acting skills but the basics of coach, Rogers said, "To be honest, I didn't really how to get into the industry and tips on things like decide to become an acting coach ? coaching how to pick a monologue, how to memorize, how to found me. Looking back, teaching had always been auditon on camera, etc. a part of my life. I naturally found myself helping "Improvisation is an important part of what I teach others, whether it was assisting friends, working on because it helps actors become more present, scenes and scripts with fellow actors or sharing spontaneous, confident and connected. It is also a what I had learned through my own experiences. I valuable tool for non-actors continued studying and who want to improve growing as an artist, communication and think more including spending comfortably on their feet," she three and a half years said. studying improvisation. Throughout that time, I She also offers four free was constantly learning, student showcases each year observing and helping for some of her classes. my peers whenever I Sometimes, she brings in could. I discovered that I outside industry professionals, enjoyed not only such as casting directors from performing, but also Los Angeles, for special helping others develop Saturday workshops. In their skills and addition, she invites guest confidence." agents, photographers and other professionals to speak at The turning point came her Step One Business when her friend Rex Workshop, so students can Benson, who has since better understand the practical passed away, was side of building a career. teaching at the Hollywood Playhouse. In her day, she has certainly "One day, he called me seen plenty of actors make in a panic," she said. "He mistakes. Here are three she had approximately 30 has seen the most: students in his class and Sara Rogers wit h Miami Vice l eading act or Top Mist akes Act ors Make knew he couldn't Don Johnson 1) Sel f Doubt -- "Too many effectively handle that talented actors talk themselves many on his own. He asked his boss if he could out of opportunities before they even begin. bring me in to help." Self-doubt, fear and negative thinking can be far She continued, "I interviewed with Dolores Miller more damaging than a lack of talent. I have seen ? who, despite the similar last name, was not actors who were absolutely right for a role convince related to casting director Dee Miller ? and she themselves they weren't good enough before they hired me. Rex and I divided the class, and what ever walked into the room or turned on the began as helping out quickly became something camera," she said. much more meaningful. I remained at the 2) Not Being Prof essional -- "The second biggest Hollywood Playhouse for over five years, and it was mistake is not understanding professionalism and there that my teaching career truly began in punctuality. In this business, being on time means earnest." arriving early. If your call time is 10:00 a.m., you What started as a favor for a friend evolved into a should plan to be there 20 to 30 minutes lifelong passion. She discovered that there was beforehand. Being early allows you to settle in, nothing quite like helping someone break through a prepare and demonstrate respect for everyone barrier, gain confidence, find their voice or achieve else's time. Reliability is a quality that casting

directors, agents, producers,and directors remember," she said. 3) Lack of Preparat ion -- "Actors should know their lines [whether auditioning or performing] well enough that they can focus on the scene rather than the words. However, even when you are fully prepared, there may be moments when your mind goes blank. When that happens, don't stop, apologize, or announce that you made a mistake. Stay in the scene. Continue pursuing your intention and telling the story. Most of the time, the viewer is far more interested in your connection and authenticity than in whether every single word was delivered perfectly, she said. Acting is not about perfection. It is about communication, connection and commitment. The actors who learn to quiet their self-doubt, show up prepared, and stay present in the moment are often the ones who find the greatest success.

One: The Business End of the Entertainment Industry. Also, she said, "Be patient with yourself. Stay curious. Ask questions. Continue training. Build relationships. And remember that your journey does not have to look like anyone else's," she said. Would she have done anything differently in hindsight? "I don't spend much time looking backward with regrets. I believe that each of us is on our own path, and every experience ? whether successful, challenging or unexpected ? teaches us something valuable. If I had done things differently, I might not have learned the lessons that helped shape who I am today as an actor, teacher and coach. The obstacles, detours, successes and disappointments were all part of the journey," she said. Act ing Cl asses Rogers has most of her cl asses at Art Serve (l ocat ed at 1350 E

Sunrise Bl vd, Ft . Lauderdal e) where she's been teaching for

the past nine years. She also provides corporate Advice f or Act ors public speaking training Some advice for at a client's place of At Legacy Awards -- Wil l iam Riddl e, Cul t ural actors? "Learn the business, allowing Ambassador of Impact ; Jody Leshinsky, Communit y business you are organizations to bring entering, not just the Leader of Impact ; Sara Rogers, Legacy of Impact ; and Joy professional St rempack, Art ist of Impact . Phot o by St ephen R. Lang craft. Acting classes, communication and books and presentation skills conversations with other actors are valuable, but directly to their teams. they are only part of the equation. Every actor's In addition, she occasionally works with theatre journey is unique. Each person develops their own groups, performing arts organizations and other process, their own way of creating a character, creative communities that hire her to teach interpreting a script and navigating their career. specialized workshops or coaching sessions at their There is no single path to success, and no two own facilities. She recently worked with a group actors will have exactly the same experience. What dedicated to the works of Edgar Allan Poe. She also works for one actor may not work for another. What has worked as an intimacy coordinator. does remain consistent is the business itself. Learning how to maneuver through the industry when you are new can be challenging. Understanding headshots, resumes, agents, casting directors, auditions, self-tapes, networking and professional etiquette can feel overwhelming when no one has shown you the way," said Rogers, who has created a workshop on the subject called Step

Get t ing The Legacy Award Asked about her feelings on winning the Legacy Award, she said, " I still don't know exactly how it came about. I received a notice informing me that I had been selected, and when I read the letter, I cried. I was overwhelmed.

fortunate I have been to spend my life doing what I love ? teaching, coaching and helping others discover their own creative potential."

Sara Rogers wit h f el l ow Miami Vice act or Edward James Ol mos "I have spent my life doing the work because I love it, not because I expected recognition. To know that ArtServe and the Broward County community had noticed my contributions was incredibly meaningful to me. It was one of those rare moments when you stop and realize that the work you've devoted your life to has made a difference. "What made the evening even more special was that members of my family traveled from different parts of the country to be there with me. Friends, actors, students and colleagues also attended to celebrate. Being surrounded by so many people who had been part of my journey was something I will never forget. "I was especially touched when Ed Zeltner introduced me. I had no rehearsal, no advance notice and no idea who would be introducing me. Hearing his words and standing before that audience was truly overwhelming in the best possible way," she said, adding, "Adding to the excitement, just one month earlier, in March 2026, I was nominated by a friend for the 'Sun Sentinel' Favorites competition and was honored to receive the Gold Award for in my category. Receiving both honors within such a short period of time was unexpected and deeply gratifying. Prior to these recognitions, my most recent awards had been in 2015 and 2016 through Women in Television. To receive these honors a decade later was both humbling and inspiring. More than anything, they reminded me how

Ot her Pursuit s Besides being part of the acting world, she also has worked in journalism. "For more than five years, I wrote for 'Stage and Screen Newspaper,' a publication founded by the legendary photographer Bunny Yeager. During that time, I interviewed industry professionals and covered topics related to entertainment and the arts. I also had an article published in 'Marquee Magazine.' In addition, I had the unique honor of appearing on the cover of 'Marquee Magazine' while performing as the iconic entertainer Carmen Miranda," she said. Rogers also worked as a writer for documentaries and other creative

projects. "If there is one thing I hope people take away from my journey, it is that I have never limited myself to a single role. Whether as an actor, coach, writer, journalist, public speaker, mentor or creative collaborator, I have always been passionate about storytelling and helping others find their voice. The entertainment industry has given me the opportunity to wear many hats over the years, and I am grateful for every one of them. For more inf o. on Rogers and her cl asses, visit adul t act ingcoach.com or visit her Meet up group at meet up.com/ Sout h-Fl orida-Act ors.

Sara and her act ing cl ass, l ast year.

Th e Not So Normal Journey of Bob Odenk i rk By Rachel Gal vin Bob Odenkirk never imagined he would become an action star. But he has found himself doing just that, in such films as "Nobody" and "Nobody 2," as well as "Normal." His journey to this point has certainly had its twists and turns. The very down-to-earth Odenkirk may best be known as an actor and for playing parts like the unscrupulous Saul Goodman from ?Breaking Bad? or ?Better Call Saul.? But Odenkirk actually got his start as a comedy writer, for such shows as ?Saturday Night Live,? ?Late Night with Conan O?Brien,? ?The Larry Sanders Show,? ?Mr. Show with Bob and David? and many others. In addition, he did some directing. His work has been acknowledged with multiple awards, including an Emmy, Tony and Golden Globe, among others. During the Miami Film Festival this year, Odenkirk received the Precious Gem Award following a screening of "Normal," Accepting

the honor, he reflected on his career, saying, "It's been a long road ... It's been one step at a time for me. And when you get into works like this and you get an appreciation from a film festival like you guys, it does make you feel like ... you made it somewhere, you're accepted and you're ... good enough.? He sat down to do a Q&A with entertainment journalist Megan McLachlan, who asked him about his feeling about becoming an action star. He said, "I've come to it pretty late. I've been trained by the best in the business, Daniel Bernhardt, stunt actor. He trained me for years." Unlike many memorable action heroes in movies, he feels he has his own unique take on the genre. "My characters are always very vulnerable ... tend to get hurt when they get hit. And as they fight in the course of a story, they get a little beat up. They get weaker, which means they have more of a push back, whereas a lot of action heroes that you see sort of never really get hurt," he said. This new stage of his career came as a surprise to him. He never saw himself as an action star. "No, in fact, I made fun of action films for the first 20 years of my career as a comedy guy," he said. "I was very good as a comedy writer. But, as a performer ... I don't know if it's my earnestness or ... a vulnerable quality that I carried with me, but I belong more in drama." Odenkirk's training has certainly paid off. In fact, he has become so good that the stunt choreographer told him he needed to slow his moves down so the camera could capture them effectively. "All the moves that I do are sort of taken from real fighting ... from boxing, from karate. They lift a couple moves, but then they exaggerate them. So, you don't do them like a real boxer or a real karate master. You do them in a bigger, wider way and slower so that the camera can see them," he said. Being a comedy writer when he began did not include workouts, so getting ready for action has been a real change of pace. "For 42 years, I didn't exercise. I ate chicken and told jokes. So, I'm a little behind," he laughed. "My brother Steve was a year older than me ... He played soccer his whole life until he was 51,

and then he couldn't play anymore. His knees want to tell this outsider. And I helped with were shot, his back. My body hasn't been used. that ... I loved this movie." I didn't do anything with it so I am fine," he Switching gears, McLachlan asked him if he joked. would want to be in the TV show "Pluribus" "Normal" he said is a mix of action, suspense, directed by Vince Gilligan, who also directed comedy and horror, a bit of everything. It has "Breaking Bad." similarities to many other films, such as "Bad "Oh, yeah. In a flash, I would," he said. "He Day at Black Rock," "High Plains Drifter" and would find a way to do it that wasn't what you "Fargo." He also said it was like "Final would think. I certainly wouldn't play a shifty Destination" in the way certain people ended lawyer. It would be something like, 'Is that you, up dying. Bob?' I would do it in a heartbeat. I love He also mentioned that this is not a studio everyone involved. I know that crew." movie. "This movie is She said, "So, I did want to ask made independent. you about -- You have a show or a Independent film is a film, I think, 'The Making of Jesus rough road, you know?" Diabetes.' Can you share anything he said, adding that this about that?" kind of film is great to "It's a comedy. It's about two guys see with a group in a who want to make a movie about theater. diabetes to tell people about in Asked his the time of Jesus, because they involvement with the wrote the book ... They're good, script, he said, "I did really sweet characters. So yeah, I the first half -- the hope you see them. And my wife quiet, slow, comic half, produced it. And these wonderful which is why I did it. actors -- they're still cutting the Most action films, they movie." want you to just fight Asked about whether he would beginning to end. But, go back to doing TV, he said, there's lots of guys who "There's such great work being are doing that already. done on television. I mean, I had a So, you don't need me. show, called 'Lucky Hank' on AMC. I Bob Oden k ir k & But, if you can actually really loved that show. And it had M egan M cLach lan act in it, then I want to a comedy in it and drama ... I don't do it." think you can go forward in the He continued, "So the first third of this film is business and say I will only do film or TV. Go a guy in a town ... who doesn't know what's where the good roles are, what interests you. wrong, but he knows something's wrong. But One of the reasons I've had the crazy career he doesn't want to know because of who he is, that I've had is that I don't make a big 20-year because of his past. He's kind of turning a blind plan. I just say, you know, what is the next eye, and then he's forced to engage with the thing? What is a challenge? What is something world as it is. And so that's the part that I that's outside my wheelhouse? I'm always worked on." looking for something that's a little bit The setting of a small town was familiar to opposite than what I just did." him, as he grew up in one -- in Naperville, IL. It What is Odenkirk's next challenge? had 20,000 people when he was there and "Well, I have a TV show that my son wrote," farm land, but it is much larger now. he said. "He's a comedy writer that is really "I wanted to tell the story of a small town that smart and good that I want to direct if we get a has taken this deal. And as a result ... everyone, chance to make it. And my friend David Cross the whole town, has a secret that they don't

Bob Oden k ir k get s in t er view ed by M egan M cLach lan . and I were working on a play. I have an idea that I believe can be a really good live performance. So we're writing for that." "Also," he added, "a lot of people know I had a heart attack four years ago. And I made a commitment to work less and to spend more time with my wife and my family. And only now am I able to finally finish up on things I promised I'd do. And so I had all these projects that I had begun. And so now that I've come to the end of this run, I'm going to work a little less, because I just think one of the things I got from that experience was, you know, just to be more with the people that I love." Asked about what advice he would have to new filmmakers, he said, "Ben Wheatley, who made this, did not go to college. Your mom and dad are probably going to say, 'Please go to college.' But, he did not. He just started making movies when he was 13, and he made five-minute films, eight-minute films, two-minute films. He made hundreds of them. And that?s one way to go. A lot of what we do, you have to do to learn. Now, a lot of film schools have you making films ? that?s what you?re doing in college ? so that?s really good. If you?re going to look at film schools, look at a place that?s going to have you make films, because really, you learn by doing in this industry." He continued, "The other thing I would say is try to have good peripheral vision. So, what

that means is you may want to be a comedy writer ? and I did succeed at that ? but then, if you?re paying attention, you may notice that you?re better acting in drama, and you have to open your mind up to that. So, many people in this industry started wanting to be actors or wanting to be directors, and then they found out they were very good at art direction. They were very good at storyboarding. They were very good at editing. They were very good at writing. So, keep your eyes open. There?s what you think you want to do, what you think you?ll be best at, but you may find as you make your way that you?re really good over here." He continued, "So, you contribute to storytelling everywhere, and you certainly contribute as a producer. Producers almost, you know, are the most important people in the business. You want to be a director, you want to be an actor, but if you're the person who puts that movie together, chooses the setting, chooses the costume and chooses the actors or helps choose them, that's so important." Where will you see Bob Odenkirk next? He is

Bob sh ow s of f Pr eciou s Gem aw ar d on r ed car pet .

Di rector/ A ctor Joe M i gnone on " A l l ey Boy" By Rachel Gal vin Actor Joe Mignone has taken control of his own destiny by stepping behind the camera to create his own TV series and putting himself as the leading actor. The show is called "Alley Boy," and it was inspired by people he grew up around. Mignone was born and raised in Brooklyn, NY. This crime thriller explores the underworld behind the sanitation industry and organized crime, while eventually colliding with present day Florida politics. At the center of the story is Alfonso ?Alley Boy?Silvestri, a man shaped by childhood trauma after witnessing the murder of his mother during a botched mafia-style hit meant for his father. After later losing his father as a teenager, he?s basically raised inside that underworld. It was never really by choice, it was survival. That?s what makes him such a conflicted character. He knows right from wrong, he wants a way out, but he?s trapped between loyalty, survival, and the life he was molded into. There?s also a strong emotional side to the story through Catalina, his girlfriend, who sees the real man underneath everything and constantly pushes him to leave that world

behind. Meanwhile, the FBI is closing in, alliances within organized crime begin falling apart, and Alley Boy?s actions eventually work their way all the way up to the Governor?s office in Florida. Once those two worlds collide, Alley Boy and Governor Clayton Whitaker realize they may actually need each other to survive something much bigger than either of them expected. "The series takes place in present day Florida, but through flashbacks we also revisit 1990s to understand the events and trauma that shaped Alley Boy into the man he has become," said Mignone, who added, "Especially during that era, there were a lot of connected people around me, both family and friends. While I can?t get into specifics about real individuals, those memories and experiences definitely played a heavy role in how I built the characters and the world of Alley Boy." He continued, "My dad owned and operated a sanitation business in New York for nearly 30 years, servicing all five boroughs, so growing up around that business, I heard some unbelievable stories -- some funny, some inspiring, some intense. A lot of those experiences will eventually find their way into the full series in different ways. The sanitation industry has always kind of been touched on in crime stories, but nobody?s ever really dug deep into that world. In 'Alley Boy,' that business and environment play a major role, and I think audiences are going to get a better understanding of how things operated both back then and even into present day." He added, "Not everything was crime and violence. There was loyalty, family, pressure, humor and a whole culture behind it. I wanted the series to show all sides of that life, not just the version people usually see on the surface. " Pre-Product ion Any film or TV project requires an incredible amount of pre-production and planning, including storyboarding. "I like going into production with a strong vision already in my head, but at the same time I also leave room for creativity to happen naturally on set.

Sometimes, the best moments come unexpectedly once the cameras are rolling," he said. He chose to work with Mike Sauers as his director of photography because they had worked together on the mini series, "That Night," which received much praise, directed by Shanks Larsen. "I really respected Mike's eye and work ethic. He's an extremely talented guy who takes his craft seriously and always wants to push for the best possible result. We share a lot of the same values when it comes to filmmaking. We both want things done professionally, and we both care about the details," said Mignone. He added, "Working with him as a director rather than just an actor was honestly a great experience because there was never any ego involved. I trusted his opinion on set because he sees everything through the lens in a different way, and there were definitely moments where his suggestions actually elevated my original ideas and made scenes even stronger. I think that?s what made the collaboration work so well. We both understood this wasn?t about us individually, it was about making 'Alley Boy' the best version it could possibly be. Our personalities never clashed, communication was smooth, and there was a real team mentality throughout production. We definitely plan on working together a lot more in the future, but I?ll leave that part as a surprise for now." Becoming Al l ey Boy How much is Mignone like the main character in real life? He said, "Me and Alley Boy are actually very different people. Yeah, I have the accent, and I can turn on full Brooklyn mode whenever I need to, but I was never involved in the life that Alley Boy is involved in. He?s a made guy in an organized crime family who commits some pretty ruthless acts out of survival. Thankfully, I never had to live that

kind of life in reality. I always joke that I work an office job, the biggest crime I commit is probably leaving the lights on before I leave for the day. "But, what I do relate to is the emotional side of the character. Alley Boy isn?t just a tough gangster type. Deep down, he actually has a heart and tries to help people when he can, but he has to hide that side of himself because in that world compassion can be viewed as weakness, and weakness can get you killed. I think that inner conflict is what makes him interesting. He?s constantly trapped between survival, loyalty, guilt and wanting something better for himself. On a personal level, I can relate to dealing with loss, pressure, feeling stuck at times and trying to fight your way through difficult situations life throws at you. I think that?s where audiences will emotionally connect with him. Even if people can?t relate to the crime world itself, they can relate to pain, trauma, love, fear and wanting a second chance." Going t o t he Next Level Asked why he decided to do this project now, he said, "I?ve been acting since 2003 and became SAG eligible in 2011, but I was never fully a full-time actor. When you?re balancing a professional career outside the entertainment industry, especially outside of places like Los Angeles or New York, it can be difficult to fully chase filmmaking at the level you want to. Since COVID, self-tape auditions became much more common, which definitely made things more convenient, but it?s still an extremely competitive industry. And being in Florida, where there really aren?t major film incentives compared to other states, it can be tough breaking into larger union productions consistently. But, at the same time, there?s a really talented and passionate independent film community down here that deserves

attention too. At a certain point, I stopped waiting around for opportunities and realized maybe I should create my own -- not just for myself, but also to give opportunities to others around me who are all grinding toward the same goal. That was a huge motivation behind 'Alley Boy.'" He continued, "As far as a ?big break,?I think that?s something most artists hope for in one way or another. We love what we do, we want to challenge ourselves and we want to see how far we can really take it. But, at the same time, I?ve learned to focus on controlling what?s directly in front of me -- put the work in, stay consistent, keep creating and enjoy the process. Whether it leads to an Academy Award or a Razzie, I?m honestly grateful to even be in the game doing something I love.? Mignone has been not only working on local projects all these years up to this moment, but he also was working hard to hone his craft. He was trained by Tom Sizemore, Brian Cox and Ellen Jacoby. "I learned a lot from each of them that I still use to this day as an actor and storyteller. Working on projects like 'That Night,' also taught me a great deal from a director?s perspective. Being on different kinds of sets over the years helped me understand not only what works creatively, but also how important professionalism and communication are behind the scenes. And honestly, sometimes you also learn from projects that don?t run smoothly. I?ve been on sets with poor direction or disorganization, and those experiences taught me what not to do. That actually pushed me even harder to make sure 'Alley Boy' was run professionally and respectfully for everybody involved." He continued, "Of course, working with you, Rachel, on 'Lost Treasure' during the 48 Hour Film Project was a lot of fun too. Those fast-paced productions really force everybody to think creatively under pressure, and I always enjoy that environment." He added, "I?ve also done podcasting and interviews over the years, especially around entertainment, combat sports and filmmaking, which helped me get more comfortable communicating and telling stories outside of just acting. At the end of the day, I try to take

something positive from every project and every person I work with. Whether it?s acting, directing, writing, or producing, I?m always trying to sharpen my sword and keep getting better." Working t he Day Job When not working in the acting world, Mignone is working a day job as the Head of Information Technology for a company that manufactures laboratory measurement instruments. "Our headquarters are based in Austria, and I oversee operations at one of the satellite offices here in the United States," he said, adding, "I?ve had the opportunity to travel and work overseas with the company as well, which has been a really valuable experience in a cross-cultural environment. The work has, honestly, been very fulfilling, especially because technology is always evolving and forcing you to keep learning." He added, "I also earned my Master?s degree in Cybersecurity, which is another area I?m really passionate about and hope to continue growing in moving forward. In a weird way, IT and filmmaking actually have similarities. Both require problem-solving under pressure, leadership, creativity and staying calm when things suddenly catch fire? sometimes literally on a film set." The Good, t he Bad & t he Ugl y Every director faces challenges, especially people who are brand new to the process. Mignone certainly had a few. One of the challenges he faced was the unpredictible Florida weather. "We actually got hit with a literal hail storm while filming a yacht scene at a marina in Miami. At one point, I started restructuring the scene in my head to move everything inside the yacht because it looked like we were completely cooked for the day. Then somehow, classic Florida, the skies cleared up almost as fast as they came in, and we were able to shoot the scene the way it was originally planned. So, that was definitely one of those stressful but memorable filmmaking moments," he said.

"The second challenge, surprisingly, was finding reliable gaffers. And I want to be clear, the gaffers we did work with on set were incredibly talented and did amazing work. But, there were situations where people would commit to dates and then cancel last minute because they found a higher paying gig somewhere else. To me, that?s just not how I do business. In this industry your word matters. Once you commit to a project, especially an independent production where everybody is counting on each other, reliability means everything. Reputation travels fast in film, both good and bad. Thankfully, I know some really talented professionals who stepped up for us when needed, and because of that we were able to keep production moving pretty seamlessly overall. Honestly, I?m proud of how the team handled pressure throughout the entire shoot," he added. Asked what his favorite part of being on set was, he said, "My favorite memory from filming the series was honestly getting the opportunity to film with my dad, who the series is actually named after. That was a really special moment for me personally. He had an absolute blast being on set and working alongside Lou Silver [an actor who he is friend's with and worked with in the past] during a scene we filmed at Tin Fish. Watching him enjoy the experience and seeing everything come full circle like that meant a lot to me. I think it was one of those moments where both of us felt proud in different ways. For me, it was realizing this idea that started in my head had become something real. And for him, I think it was seeing pieces of our world and history brought to life on screen. That?s definitely a memory I?ll carry with me forever." Would he do anything differently if he were to do it again? "If I were to do it again ? honestly, I?d probably blow up a garbage truck,

which, funny enough, still might happen at some point in the series, so I probably shouldn?t say too much yet," he laughed. The series was filmed throughout South Florida, mainly across Palm Beach, Broward and Miami-Dade counties. "I really wanted the series to capture the full South Florida atmosphere and identity, so we tried to utilize as many unique locations as possible throughout the region," he said. Next St eps "Once we get the greenlight to continue the series, the plan is for future episodes to run anywhere between 40 to 60 minutes depending on the storyline and pacing. I really want the episodes to feel cinematic and immersive rather than rushed," he said. After a film project of any kind is shot, the next step, of course, is editing, which can make or break a movie or TV show. Mignone leaned heavily on his chief editor, but he was also very involved in the process. "I?m there piecing the story together, reviewing scenes, choosing the strongest takes, discussing pacing, emotion, music placement, transitions, all those little details that really shape the final product. A scene can completely change based on editing alone, so I take that process very seriously. I?m also extremely detail-oriented. I?m not interested in rushing projects out just to say they?re finished. If my name is attached to something, I want it to be as close to the best possible version as we can make it. And yes, there?s definitely material that ends up on the cutting room floor. That?s just part of filmmaking. Sometimes, a scene is great on its own, but once you see the bigger picture, you realize it slows pacing or takes away from the emotional flow of the episode. You have to be willing to make tough creative decisions for the good of the story. But honestly, from what we?ve put together so far with 'Alley Boy,' I

think audiences are going to be really pleased. I genuinely believe once people enter this world, they?re going to want more," he said. Mignone is currently working on getting distribution. "Right now ,we?re having some very positive conversations behind the scenes, and thankfully, I have a great team around me helping navigate that side of the business. At this stage, the main focus has been making sure the product itself is strong first, because, at the end of the day, content speaks louder than hype. I never wanted to rush that process. There?s definitely interest building, there are discussions happening, and I?m optimistic about where things are heading, but I also believe in moving quietly until things are finalized. I?d rather underpromise and overdeliver. What I can say is that we didn?t build 'Alley Boy' to keep it sitting on a hard drive somewhere. The goal is absolutely to get it in front of a large audience, and I think people are going to be hearing a lot more about the project very soon." Because of certain rules in some of the big festivals about premiers, he is really being careful about having a premier. He is submitting it to big festivals instead for now. Any Advice? Asked his advice for someone wanting to jump in the directorial game or as an actor, he said, "If your heart is telling you to do it, then go for it, but make sure you?re properly prepared. Passion is important, but preparation and professionalism are what separate people once the cameras start rolling. Set expectations properly, communicate openly with your team, don?t mislead people and leave the ego at the door. Film sets work best when everybody feels respected and heard. Nobody accomplishes something like this alone. "As far as directing and acting at the same time, I honestly didn?t think it was hard in the sense of overwhelming, but it was definitely a massive amount of work and preparation. A lot of my life outside the project temporarily took a backseat because I knew how much time and

focus this was going to require. I spent a lot of time preparing both mentally and creatively before stepping onto set, and I think when you put that level of work in beforehand, it allows you to perform with much more confidence once it?s game time. Time management and strict dedication played a huge role in making this project successful. "But more importantly, none of this happens without a strong team around you. We had an incredible cast and crew who believed in the project and gave everything they had to it. People may see my name attached to 'Alley Boy,' but the reality is this series was built by everybody involved, and I could never in a million years do any of this without my team," he said, adding, "To everybody out there chasing a dream, whether it?s film, music, business, or anything else, just stay consistent. Keep sharpening your sword and keep showing up.? Lastly, he said, "I just want to thank everybody who?s supported Alley Boy so far. Independent filmmaking is not easy, and seeing people rally behind the project, share posts, send messages and genuinely believe in what we?re building has meant a lot to me and the entire team." He added, "I also want people to understand this isn?t just another crime story trying to copy what?s already been done. 'Alley Boy' has heart behind it. There?s real emotion, trauma, loyalty, love, pressure, family dynamics and a very authentic world attached to it. We?re trying to tell a story that feels grounded while still being cinematic and entertaining. And honestly, this is only the beginning. There?s a much bigger world planned for this series and some really exciting things currently developing behind the scenes." For more inf ormat ion on Joe Mignone and "Al l ey Boy," visit @al l eyboyseries or @joemigzz on Inst agram.

OUTSh i ne Fi l m Festi v al By Rachel Gal vin The OUTShine Film Festival was held April 23 through May 3 with plenty of special events in Miami and also Broward County. They also had an online component. The Opening Night Under the Stars party featured the comedu "The Dinner" ("La Cena"). The Spanish movie was held on April 23 at the Miami Beach Botanical Gardens. In the historical film, which follows the Spanish Civil War, General Franco insists that the staff create a great dinner party, much to the chagrin of most of the staff. Following the film, which was held outdoors on the lawn, there was a party with paella, drinks, a drag performance and music. The Centerpiece film was also Spanish and called "Maspalomas" and held at the Kubek Center in Miami on April 30. It was an an intimate story that delved into the subject of homosexuality in elder age through the journey of a 76-year-old man confronting fears and dilemmas that cross generations. The closing night film was held on May 3 at Savor Cinema in Fort Lauderdale. It was a Canadian film called "We?ll Find Happiness," an award-winning drama about how far one will go for love, followed by a Closing Night Community Block Party featuring food vendors, filmmakers, live performers, entertainment and more. These were just a few of the many events at the

film festival this year and they have so much more happening all year long. Make sure to stay in the loop. Get al l t he det ail s at out shinef il m.