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Humanities II Mock Exam - 1555 Verified Questions

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Humanities II Mock Exam

Course Introduction

Humanities II explores the cultural, historical, and intellectual developments that have shaped societies from the Renaissance to the modern era. Through the study of literature, philosophy, art, music, and history, students will examine key movements, works, and figures that contributed to evolving understandings of human experience and values. The course emphasizes critical thinking, interdisciplinary analysis, and the impact of cultural exchange, encouraging students to draw connections between the past and present and to appreciate diverse perspectives in global contexts.

Recommended Textbook

Gardner s Art Through the Ages A Global History Vol 2 14th Edition by Fred S. Kleiner

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24 Chapters

1555 Verified Questions

1555 Flashcards

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Page 2

Chapter 14: Late Medieval Italy

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66 Verified Questions

66 Flashcards

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Sample Questions

Q1) Giovanni Pisano's works show which of the following?

A) Classical antiquity influences

B) dark emotionalism

C) burgeoning naturalism

D) radiant color

Answer: C

Q2) Briefly describe humanism.

Answer: A code of civil conduct, a theory of education, the chief concerns of which revolve around human values and interests.

Q3) How does Giotto's Lamentation reveal the essentials of his style?

Answer: It creates in a single event a unique intense emotional response. The formal design of the event and the placement of the figures in the constructed space present a combination of compositional complexity and emotional resonance that was rarely attempted and never realized.

Q4) In what way does this work reflect liturgical theater?

Answer: Duccio, Betrayal of Jesus (Maestà) . Duccio has differentiated between the emotions of the participants in the same way such emotions would be presented in a liturgical drama. He is presenting them as actors giving them thoroughly human actions and reactions.

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Chapter 15: South and Southeast Asia Before 1200

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80 Verified Questions

80 Flashcards

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Sample Questions

Q1) How does the Hindu temple relate to the belief system?

Answer: The temple is considered the home of the god or gods and it is here that the deity or deities make themselves visible to the worshiper. The core of the temple is the womb chamber, which houses the statues or symbols of the god/gods, only the Brahmin priests can enter into this chamber. The worshiper must stand at the threshold and see the deity as it is manifested in the image.

Q2) How do these two images represent the divine nature of the god?

Answer: Boar Avatar of Vishnu and Vishnu Lying on the Cosmic Ocean . The composite representation of Vishnu, boar head atop a human body, signifies the divine nature of this being and his supernatural powers are understood. The figure representing Vishnu lying on the cosmic ocean has the appropriate icons associated with that story. In the myth Vishnu has a lotus stem coming form his navel, in the Khmer version the figure has a waterspout emerging form his navel. This indicates he can protect the earth and create Brahma; as well as creating the very essence of life, water. In fact, originally this work was placed in an island temple in the reservoir of Angkor.

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Chapter 16: China and Korea to 1279

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63 Verified Questions

63 Flashcards

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Sample Questions

Q1) The Great Wall of China was constructed as a defense against the nomadic peoples of the north, in particular the ____.

A) Goths

B) Han

C) Mongols

D) Huns

Answer: D

Q2) Bronze ritual vessels were most characteristic of the artistic expression of which period?

A) Shang

B) Song

C) Tang

D) Six Dynasties

Answer: A

Q3) Who was Wu Zeitan?

Answer: She was a Tang empress who underwrote a substantial portion of the Longmen complex. When her consort, the emperor Gaozong died, she declared herself emperor and ruled for twenty-two years. At the age of 82, she was forced to abdicate.

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Chapter 17: Japan Before 1333

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Sample Questions

Q1) How does the Phoenix Hall, Byodoin reflect Pure Land Buddhism?

Q2) Jomon culture was the first distinctly Japanese culture. Which of the following did it develop first?

A) bronze-casting

B) Yamato-e painting

C) agriculture

D) ceramic technology

Q3) According to the traditional interpretation, the Korean ruler of Paekche sent to the ruler of Japan a gilded bronze statue of Buddha and Buddhist scriptures, sutras. What period marks this event?

A) Early Nara

B) Late Heian

C) Asuka

D) Kamakura

Q4) What is the Kei School?

Q5) How do these two images reflect Buddhism as practiced in Japanese society during the Heian period?

Q6) How did the rebuilding of Nara represent an opportunity for experimentation in Japanese art?

Page 6

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Chapter 18: Native Arts of the Americas Before 1300

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Sample Questions

Q1) The modern-day region occupied by the Classic Maya was which of the following?

A) Caribbean coast of South America

B) Belize, southern Mexico, Honduras, and Guatemala

C) Southwestern Mexico

D) Valley of Mexico

Q2) Most extant objects from the Adena and Mississippian cultures were found in which of the following?

A) village ceremonial sites

B) kivas

C) burial and temple mounds

D) tall stone pyramids

Q3) What culture created this image? Where is it located? What is it thought to represent?

Q4) How is a Mimbres bowl "killed" and why is it significant?

Q5) What culture created this image? Why is this scene important?

Q6) How does Mimbres pottery design compliment the shape of the bowl?

Q7) What group created this object? What material was used and what was its purpose?

Q8) Who are thought to have been the potters of Mimbres and why?

Q10) Why was sacrifice so important to the Maya? Page 7

Q9) Explain the ideas of sacrifice that lay behind this image.

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Page 8

Chapter 19: Africa Before 1800

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Sample Questions

Q1) Which of the following is a unique hybrid of African and European cultures?

A) Benin whisks

B) Sapi ivories

C) Jenne figures

D) Ife jewelry

Q2) What is a possible interpretation for this work?

Q3) How does this figure represent Ife kingship?

Q4) What is the speculation regarding the seated bird on top of the crocodile from the soapstone monolith at Great Zimbabwe?

Q5) Compare the Igbo-Ukwu Fly-Whisk and the Ife King statue. How does each work personify status within its society? Examine the purpose and function of each work as well.

Q6) How do the alternating heads and mudfish represent the Oba?

Q7) What are the European components of the Sapi saltcellar?

Q8) Which of the following is the system the Benin use to record their history?

A) complex oral recitations

B) bronze relief tablets

C) mounted wall plaques on the palace façade

D) written documents

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Q9) What is the significance of Jenne-Jeno?

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Page 10

Chapter 20: Late Medieval and Early Renaissance Northern

Europe

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63 Verified Questions

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Sample Questions

Q1) Describe the portraits of Jan van Eyck. What impact did he have on portraiture? Use examples to support your essay.

Q2) What techniques did the artist employed to increase the naturalism of the scene?

Q3) What are the two main themes seen here that are found in most of Memling's work throughout his career?

Q4) How did Memling contribute to portraiture?

Q5) Who painted this work, and how did it impact Italy?

Q6) What is the Carthusian order?

Q7) Compare two works from the fifteenth century. What differences do you see between the ones you have selected? How do you think these differences reveal the diversity of this period?

Q8) Which of the following would support the argument that the Well of Moses created by Claus Sluter did not actually spout water?

A) There was no water source in the Carthusian monastery.

B) Carthusian commitment to silence would preclude any sound making device.

C) The Well of Moses was never finished, so it never worked.

D) The Well of Moses was not the actual device used to spout water.

Q9) Who painted this work, and what is its significance? Page 11

Q10) What art form does this resemble and what effect did this borrowing have?

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Chapter 21: the Renaissance in Quattrocento Italy

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72 Verified Questions

72 Flashcards

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Sample Questions

Q1) Ghiberti's competitive panel for the Baptistery doors of the Florence Cathedral shows classical references that reflect influences of humanism. Which of the following is a classical reference seen on Ghiberti's panel?

A) the drapery flowing from the body of Isaac

B) the elongated S curve of Isaac's body

C) the profusion of cloth puddled around Abraham

D) the naked figure of Isaac

Q2) Which of the following artists departed from the rule of frontality that dominated sculpture since the Middle Ages?

A) Piero della Francesca

B) Paolo Uccello

C) Pollaiuolo

D) Andrea del Castagno

Q3) How did Masaccio create a sense of bulk for his figures in the Tribute Money?

A) through modeling with a specific light source outside the picture

B) through modeling with a flat neutral light

C) through modeling with an identifiable light source within the picture

D) through modeling

Q4) How did the artist deviate from his model in this sculpture?

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Chapter 22: Renaissance and Mannerism in Cinquecento

Italy

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67 Verified Questions

67 Flashcards

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Sample Questions

Q1) How did Palladio impact architecture?

Q2) What made this painting a proclaimed "marvel" by Pope Clement VII?

Q3) How does the Stanza della Segnatura reflect Western leaning?

Q4) In Leonardo's Last Supper, the numerous preparatory sketches and studies he made for the work indicate how carefully he thought about this work as a complete entity representing the entire story and its theme. Based on this which of the following would describe Leonardo's conceptualization of the figures from his Last Supper?

A) Each figure was individualized.

B) He grouped the figures in threes and they all expressed the same emotion.

C) He used the emotions of rage and sorrow for each figure appearing at each end of the table.

D) All the figures expressed only rage.

Q5) How does the work of Tintoretto reflect the Counter-Reformation?

Q6) Describe the development of Mannerist sculpture. Use examples to support your essay.

Q7) How did the tomb design Michelangelo created for Pope Julius II change?

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Q8) What features of this painting make it relatable with the work of Michelangelo?

Q9) What does the Tempietto mark?

Q10) How did the Medici popes' commissions create a conflict for Michelangelo?

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Page 15

Chapter 23: High Renaissance and Mannerism in Northern

Europe and Spain

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65 Verified Questions

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Sample Questions

Q1) In El Greco's Burial of Count Orgaz, the artist has successfully merged his early and late styles. He combined elongated figures and rich color in this one work. Which of the following describes his early and late styles?

A) Middle Byzantine and Flemish 15<sup>th</sup> Century

B) Italian 16th Century and Venetian 16<sup>th</sup> Century

C) Late Byzantine and Venetian 16<sup>th</sup> Century

D) Flemish 15<sup>th</sup> Century and Venetian 16<sup>th</sup> Century

Q2) What is the Roman source and story that surrounds this painting?

Q3) How did Dürer represent himself in his Self-Portrait and what does this work say about the artist's craft?

Q4) How does Dürer's The Fall of Man (Adam and Eve) represent Classical and Northern traditions?

Q5) The personal tastes of the court of Francis I ran to the elegant, erotic, and unorthodox. Which of the following styles would most appeal to this king and his court?

A) classicism of 16th century Italy

B) mannerism

C) expressiveness of Grunewald

D) intellectualism of Leonardo

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Chapter 24: the Baroque in Italy and Spain

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35 Verified Questions

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Sample Questions

Q1) How did the worldwide mercantile system change the face of Europe?

Q2) Which city has been generally credited with the birth of the Baroque style?

A) Madrid

B) Seville

C) Rome

D) Florence

Q3) In designing the piazza of Saint Peter's, which objects was Bernini obligated to incorporate into the design and how to did he arrive at a solution?

Q4) Which of the following works by Bernini illustrates his mastery of perspective in architecture?

A) Spanish Steps

B) Scala Regia

C) Papal Steps

D) Scala Romana

Q5) How does this painting evoke the Barberini family for whom it was commissioned?

Q6) What is the Baldacchino?

Q7) Describe the representation of Bernini's David. How has it evolved from the earlier works of Donatello, Verrocchio, and Michelangelo?

Q8) How does the Martyrdom of Saint Philip reflect Spanish taste?

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Chapter 25: the Baroque in Northern Europe

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40 Flashcards

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Sample Questions

Q1) Hardouin-Mansart's Church of the Invalides in Paris is reminiscent of which of the following styles?

A) Versailles

B) English Baroque

C) Banqueting Hall, London

D) Italian Baroque

Q2) How does the phrase "controlling nature" reflect the gardens of Versailles?

Q3) In Jan Steen's The Feast of St. Nicolas the artist has captured the joy and chaos of Christmas holidays. He has also added a subtle satirical jab at adult society by using children and their behaviors to mirror adult behaviors. Which of the following behaviors did Steen allude to in this painting?

A) calm

B) generosity

C) selfishness

D) greed

Q4) How did Vermeer celebrate his profession?

Q5) What was the impact of Versailles on architecture?

Q6) Briefly describe the Dutch school of painting.

Q7) How does this interior reflect French society?

Q8) How did the worldwide mercantile system change the face of Europe?

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Chapter 26: Rococo to Neoclassicism: the 18th Century in Europe and America

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31 Verified Questions

31 Flashcards

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Sample Questions

Q1) How does this depict a successful "history" painting?

Q2) How did historical fact replace the fanciful notions of Rome and its ancient society?

A) the monumental work of Edward Gibbon, Decline and Fall of the Roman Empire

B) the work of Johann Winckelmann, History of Ancient Art

C) the paintings of David

D) the discovery and excavations of Herculaneum and Pompeii

Q3) Vigée-Lebrun portrayed herself as a self-confident painter looking directly at the viewer (and pausing to return their gaze) this has been copied from an earlier artist. Which of the following is that artist?

A) Artemisia Gentileschi

B) Caravaggio

C) Judith Leyster

D) Vermeer

Q4) Which of the following architects were the most influential in Thomas Jefferson's re-design of Monticello?

A) Palladio and Robert Adam

B) Soufflot and Vignon

C) Palladio and Soufflot

D) Vignon and Robert Adam

Page 19

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Chapter 27:

Romanticism, Realism, Photography: Europe and America, 1800 to 1870

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60 Verified Questions

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Sample Questions

Q1) How did Daumier impact French society in the 19 century?

Q2) What is the interpretation of Goya's Saturn Devouring his Children?

Q3) What question does the artist raise in this painting?

Q4) In Rosa Bonheur's most famous work, The Horse Fair, the dramatic lighting, loose brushwork, and rolling sky reveal her admiration for which of the following artists?

A) Géricault

B) Manet

C) Courbet

D) Millet

Q5) Briefly describe Realism in the United States.

Q6) Which of the following artists was most concerned with painting realistic scenes of poor and oppressed peoples?

A) Courbet

B) Eakins

C) Bouguereau

D) Bonheur

Q7) Who created this work, and what did it lead to?

Q8) How did Henry Fuseli evoke horror and possibly the dark terrain of the human subconscious in his artwork? Page 20

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Chapter 28: Impressionism, Post-impressionism,

Symbolism: Europe and America, 1870 to 1900

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45 Verified Questions

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Sample Questions

Q1) Compare and contrast the architecture of the Arts and Crafts and Art Nouveau movements? To what degree do they reflect the overarching aims of each movement.

Q2) Briefly describe the avant-garde and its impact on the art of the late 19 century.

Q3) Contrast the work of Renoir and Laurtrec. How do the subjects styles of the artists reflect nineteenth century French society and the innovations of nineteenth century art? Use examples to support your essay.

Q4) Which of the following ideas did Vincent van Gogh attempt to communicate in his Starry Night?

A) Stygian darkness of night

B) birth of a galaxy

C) vastness of the universe

D) myopia of humanity

Q5) How did social Darwinism assist in the colonization of peoples and countries deemed less advanced?

Q6) What aims did the architect synthesize in this building and what role did ornament play?

Q7) How did cast iron and steel affect architecture in the late 19 century?

Page 22

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Chapter

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Sample Questions

Q1) Contrast these two pieces of sculpture, noting when and where each was done. What do they have in common?

Q2) Who is the artist who created a work of art that can be described as "a wickedly funny gift"?

A) Edward Weston

B) Alfred Stieglitz

C) Man Ray

D) Marsden Hartley

Q3) A nonobjective work refers to work that ____.

A) has been abstracted from a natural object

B) has no reference to the external appearance of the physical world

C) is not considered objectionable by anyone

D) has no material form but is merely conceived in the mind

Q4) Compare the work of Hannah Höch, Duchamp, and Kurt Schwitters as it relates to Dada. How did each artist respond to the sociopolitical context of the period?

Q5) Describe the Armory Show. How did it impact the American art scene of the early 20 century?

Q6) Briefly describe Futurism.

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Q7) How did Charles Demuth react to Cubism?

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Chapter 30: Modernism and Postmodernism in Europe and America,

1945 to 1980

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Sample Questions

Q1) What was the main focus of the work of the postwar New York School?

A) life on the streets

B) optical phenomena

C) the act of painting itself

D) Postmodern appropriation of early material

Q2) The terms gestural abstraction and Action Painting are most appropriately applied to the work of ____.

A) Jackson Pollock

B) Robert Motherwell

C) Ellsworth Kelly

D) Barnett Newman

Q3) Explain the relationship between modern movements and consumer culture. How have the issues of culture and society shaped the art? Use examples to support your essay.

Q4) How did Carolee Schneeman transform Performance Art?

A) She introduced a political dimension.

B) She introduced a social dimension.

C) She introduced a racist dimension.

D) She introduced a feminist dimension.

Q5) How is this work "modern"?

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Chapter 31: Contemporary Art Worldwide

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Sample Questions

Q1) Describe the influence and use of modern technologies in the arts of the late twentieth century. How have artists transformed these "tools" into viable art-making processes? Use examples to support your essay.

Q2) How did the public react to Richard Serra's Tilted Arc as public art?

Q3) Which of the following movements had a great distrust of the Western ideas of progress and objective truth and viewed all cultures as equally valid?

A) Constructivism

B) Postmodernism

C) Social Realism

D) the International style

Q4) How does the work of Wojnarowicz confront the viewer?

Q5) How does the architecture of Günter Behnisch express Deconstructivist architecture?

A) It is arranged to form a square.

B) It avoids the suggestion of a clear, stable mass.

C) It uses non-traditional materials.

D) It always has one door and one window obviously broken and non-functional.

Q6) How does Jenny Holzer respond to Post Modernism?

Q7) In what way is this work a departure from typical examples of video art?

Page 25

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Chapter 32: South and Southeast Asia, 1200 to 1980

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Sample Questions

Q1) Compare and contrast Mughal painting and Hindu painting. Use examples to support your essay.

Q2) The Mughals of 17 century India presided over a cosmopolitan court. Which of the following supports this statement?

A) establishing a strong mural tradition echoing to the Ajanta cave style

B) importing European painters to the court

C) the blending of European and Persian painting styles

D) importing Chinese painters from the Ming Dynasty

Q3) How do these works represent the British presence in India?

Q4) Why is the Shwedagon Pagoda significant?

Q5) When did the British first arrive in India?

A) 16th century

B) 17th century

C) 18th century

D) 19th century

Q6) How did the twentieth century impact Southeast Asian artists? Use examples to support your essay

Q7) Describe the style and iconography of Hindu painting. Use examples to support your essay.

Q8) Why are these unique?

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Chapter 33: China and Korea, 1279 to 1980

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Sample Questions

Q1) Chinese gardens encourage the viewer to wander and ponder. The viewer was to look with a meditative eye at the arrangements of natural and artificial elements. Which of the following elements would appear in Chinese garden design?

A) fantastic rockwork

B) geometric designs

C) controlled trimming

D) terraced arrangements

Q2) The work of the contemporary Korean artist, Song Su-Nam has been likened to which of the following American painters?

A) Jackson Pollock

B) Morris Louis

C) Mark Rothko

D) Barnett Newman

Q3) How does this garden reflect Ming landscape?

Q4) Briefly describe China and the imperial administration during the Yuan period.

Q5) How does the Hall of Supreme Harmony in the Forbidden City represent the emperor?

Q6) Contrast Yuan painting with Qing painting. Consider the political climate of both periods. Use examples to support your essay.

Page 27

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Chapter 34: Japan, 1336 to 1980

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Sample Questions

Q1) How did the Taian teahouse encourage intimacy among the guests and tea host?

A) The guests were required to come with only selected "good friends."

B) The tea host visited with each and every guest.

C) The seating arrangement encouraged the feeling of intimacy.

D) The room's dimness and tiny size encouraged the feeling of intimacy.

Q2) Which painting style is characterized by bold outlines and presentation of objects along the vertical plane of the painting surface?

A) Broken-ink style

B) Chan style

C) Kano style

D) Hideyoshi style

Q3) How is the label the "Age of Wars" significant?

Q4) The Katsura Imperial Villa in Kyoto was constructed during the height of the popularity of the tea ceremony. Which of the following describes the Katsura Imperial Villa?

A) rich and complex with elements from the Tang Dynasty

B) lush and opulent with elements from the Unified Silla Kingdom of Korea

C) tastefully subtle with elements of courtly gracefulness

D) poor and meager with elements of Zen

Q5) What is wabi?

Page 28

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Chapter 35: Native Arts of the Americas, 1300 to 1980

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83 Verified Questions

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Sample Questions

Q1) How does this figure represent savagery and tenderness?

Q2) Evaluate the impact of European contact on the Native arts of the United States. Consider the social implications and the changes that occurred as a result of the contact. Use specific examples to support your essay.

Q3) Who wore this mask and why?

Q4) Explain the role of agricultural deities in Southwest culture. How did these deities impact artistic production and society in general? Use examples to support your essay.

Q5) The Navajo learned how to weave in the 17 century. They transformed their blankets into rugs to meet the tourist demands that the railroads brought to the Southwest in the late 1800s. They mastered a wide variety of designs and used their own sand painting designs as well. Which of the following would allow the incorporation of sand painting design into the weaving design?

A) The difference in materials allowed sand painting designs to be used.

B) The poor weaving techniques allowed sand painting designs to be used.

C) The sand painting designs were altered which allowed their use.

D) The vegetal dyes caused rapid fading which allowed their use.

Q6) How did this artist energize the tradition of Southwest pottery making?

Q7) How did the Inka control their empire?

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Chapter 36: Oceania Before 1980

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Sample Questions

Q1) How does the yam of the Abelam people reflect Abelam identity?

Q2) How did these images represent their respective communities and cultures?

Q3) Women in Oceanic societies were active in creating which of the following?

A) masks

B) pottery

C) relief carvings

D) canoe prows

Q4) The Asmat have a rich visual vocabulary for symbols. They consider the female praying mantis to represent which the following meanings in their art?

A) fertility

B) female power

C) family

D) head-hunting/cannibalism

Q5) Tatanua masks are part of the Malanggan mortuary ceremonies. Which of the following describes the function of Tatanua masks?

A) They represent spirits of the Great Ancestors.

B) They represent spirits of Malanggan.

C) They represent spirits of specific deceased people.

D) They represent spirits of clan elders.

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Chapter 37: Africa, 1800 to 1980

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Sample Questions

Q1) Describe the impact of European and American contact on 20th century African art. Include the contemporary influences as well. How have European and American contact changed African art and perceptions? Use examples to support your essay.

Q2) How are the Mende and their masking tradition unique?

Q3) How does the Akan linguist staff represent the king and the proverb, "Food is for its rightful owner, not for the one who happens to be hungry"?

Q4) What characterizes African art?

Q5) What is being expressed in this representation?

Q6) How has the role of masks and masquerades changed since African nations gained their independence?

Q7) Describe the roles of men and women in African societies. How do these roles affect the art forms? How are the roles changing, and what impact do these changes have on the art forms? Use examples to support your essay.

Q8) In Mende culture a broad, high forehead signifies which of the following?

A) fertility

B) wisdom and success

C) motherhood

D) kinship

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