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History of European Art Review Questions - 846 Verified Questions

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History of European Art Review Questions

Course Introduction

This course provides a comprehensive overview of European art from antiquity to the 21st century, exploring major artistic movements, styles, and key figures that have shaped Europes cultural landscape. Students will examine the evolution of visual arts, including painting, sculpture, and architecture, in relation to the historical, religious, and social contexts in which they were produced. The course analyzes works from the Classical period, through Medieval, Renaissance, Baroque, Enlightenment, Romantic, Modern, and Contemporary eras, highlighting how European art reflects broader shifts in society, politics, and philosophy.

Recommended Textbook

Jansons Basic History of Western Art 9th Edition by Penelope J.E. Davies

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30 Chapters

846 Verified Questions

846 Flashcards

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Chapter 1: Prehistoric Art

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27 Verified Questions

27 Flashcards

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Sample Questions

Q1) The images in the Chauvet caves:

A) show animals of the hunt

B) are painted in natural pigments

C) show the movement of animals

D) all of the above

Answer: D

Q2) What is a megalith?

A) a hall of state in an ancient palace

B) a prehistoric monument found only in the British Isles

C) a marker of the summer solstice

D) a large stone

Answer: D

Q3) Pottery making is known from the Paleolithic period.

A)True

B)False

Answer: False

Q4) Neolithic people are known to have built substantial structures.

A)True

B)False

Answer: True

Page 3

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Chapter 2: Ancient Near Eastern Art

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27 Flashcards

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Sample Questions

Q1) What is the main room of a Sumerian temple called?

A) atrium

B) hypostyle hall

C) audience hall

D) cella

Answer: D

Q2) The stele depicting the Law Code of Hammurabi comes from which culture?

A) Sumerian

B) Assyrian

C) Babylonian

D) Egyptian

Answer: C

Q3) Alexander the Great was allied with the Persians.

A)True

B)False

Answer: False

Q4) Naram-Sin was among the first Mesopotamian kings to deify himself.

A)True

B)False

Answer: True

Page 4

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Chapter 3: Egyptian Art

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Sample Questions

Q1) The Palette of Narmer:

A) expresses visually the concept of the king as unifier.

B) commemorates the separation of Upper and Lower Egypt.

C) was used by Narmer's queen to grind paint for her eye paint.

D) is sculpted in high relief.

Answer: A

Q2) Why is Tutankhamun so well known?

A) His is the only tomb found largely unplundered.

B) He was famous for his powerful and lengthy reign.

C) He was famous for the architecture he commissioned.

D) He was famous because of his conquests in battle.

Answer: A

Q3) Tutankhamun carried on the religious devotions of his predecessor Akhenaten.

A)True

B)False

Answer: False

Q4) The Nile, Tigris, and Euphrates Rivers define and divide the Egyptian landscape.

A)True

B)False

Answer: False

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Chapter 4: Aegean Art

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Sample Questions

Q1) Where was the culture located that was named for King Minos?

A) On the Greek mainland

B) On the Cycladic Islands

C) On the island of Crete

D) In Mesopotamia

Q2) What refers to where and how objects were found and their subsequent histories?

A) provenance

B) principality

C) procreation

D) provincialism

Q3) Aegean civilization has been known from epic poems by:

A) Odysseus

B) Sir Arthur Evans

C) King Minos

D) Homer

Q4) Beehive tombs are typical of the architecture of:

A) Egypt

B) Persia

C) Crete

D) Mycenae

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Chapter 5: Greek Art

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Sample Questions

Q1) What influences caused Greek art to evolve more rapidly than Egyptian art?

Q2) Which was a testament to Alexandria's cosmopolitan nature and the vitality of shipping and commerce throughout the Hellenistic Empire?

A) Pharos

B) Kore

C) Naos

D) Tholos

Q3) What is the name of the central room of a Greek temple where the statue of the deity was placed?

A) Megaron

B) Apadana

C) Pronaos

D) Cella

Q4) The lost wax process enabled Greek sculptors to create spatially freer forms than was possible in stone.

A)True

B)False

Q5) What are the characteristic differences between the three primary classical orders? Be sure to include friezes and capitals in your discussion.

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Chapter 6: Etruscan Art

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Sample Questions

Q1) Which culture eventually conquers and absorbs Etruscan civilization?

A) Roman

B) Greek

C) Mycenaean

D) Islamic

Q2) The Etruscans were sailors and merchants who traveled throughout the Mediterranean.

A)True

B)False

Q3) Where is the wall painting that shows hunting and fishing located?

A) In a temple

B) In a palace

C) In a tomb

D) In a fortress

Q4) When were the Etruscans at the peak of their power?

A) 8th-7th centuries BCE

B) 7th-6th centuries BCE

C) 6th-5th centuries BCE

D) 5th-4th centuries BCE

Q5) Compare and contrast Roman and Etruscan architecture.

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Chapter 7: Roman Art

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Sample Questions

Q1) Which emperor wrote the Meditations, a work imbued with ideas and ideals of Stoic philosophy?

A) Marcus Aurelius

B) Julius Caesar

C) Octavian Augustus

D) Constantine

Q2) In what ways was the Theater of Pompey similar to its Greek forebears?

A) It had sloping banks of seats in a semicircle

B) It was nestled into a preexisting hillside

C) It was made of concrete

D) It was a true half circle

Q3) Compare the representation of the individual in Egyptian, Greek, and Roman art. What and who is (and is not) valued in each culture?

Q4) The eruption of Mt. Vesuvius caused considerable damage to the architecture in the Roman forum.

A)True

B)False

Q5) Discuss different forms of illusion found in Roman murals.

Q6) How do you a see lasting impact of ancient Rome in contemporary culture?

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Chapter 8: Jewish, Early Christian, and Byzantine Art

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Sample Questions

Q1) What type of church was most commonly constructed in the Byzantine Empire?

A) The Basilica-plan

B) One with a dome and a vertical focus

C) One with a long rectangular nave and side aisles

D) One based on the plan of Old St. Peter's

Q2) Most typically, how were the exterior of Early Christian churches designed?

A) Covered with mosaic decoration

B) Covered with three-dimensional sculpture

C) Had frescoes

D) They were left plain

Q3) Other than Constantinople, where can Byzantine art be seen?

A) Rome

B) Ravenna

C) Athens

D) Paris

Q4) Who conquered the Byzantine Empire in the 15th century?

A) Octavius

B) Theodoric

C) The Turks

D) Constantine

Page 10

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Chapter 9: Islamic Art

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Sample Questions

Q1) The adjective referring to the architectural use of many columns is:

A) hypostyle

B) pilaster

C) entasis

D) columnar

Q2) Islamic art first appears as a series of appropriations from which cultures?

A) Early Medieval Europe and early Viking

B) Etruscan and Egyptian

C) Macedonian and Greek

D) Graeco-Roman, Byzantine Christian, and Sasanian

Q3) Which mosque style has a unified and clearly delineated interior space, rather than a fragmented or ambiguous space?

A) Ottoman

B) Spanish

C) Persian

D) Arab

Q4) The term infidel is another word for believers in early Christian and Muslim traditions.

A)True

B)False

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Chapter 10: Early Medieval Art

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Sample Questions

Q1) Compare the St. Matthew, from the Gospel Book of Charlemagne with St. Mark, from the Gospel Book of Archbishop Ebbo of Reims. How and why are they different?

Q2) The Chi Rho Iota page from the Book of Kells shows:

A) the relationship between manuscript illumination and precious metalwork

B) the influence of Islam on Celtic manuscript illumination

C) the clarity and simplicity of design in Hiberno-Saxon art

D) an attention by the artist to spatial illusionism

Q3) Unlike their Carolingian predecessors, the Ottonians did not aspire to restore the building and institutional programs of Christian Rome.

A)True

B)False

Q4) What was produced in a Carolingian scriptorium?

A) illuminated manuscripts

B) small-scale works of sculpture

C) decorative arts

D) architecture

Q5) Compare the figure on the cover of the Lindau Gospels with that of the Gero Crucifix. How and why are they different?

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Chapter 11: Romanesque Art

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Sample Questions

Q1) Hildegard of Bingen was:

A) a Benedictine Abbess

B) a correspondent with leaders throughout Europe

C) an author of books on theology, medicine, and science

D) all of the above

Q2) Islamic visual motifs greatly influenced which country's approach to Romanesque art?

A) Spain

B) France

C) Germany

D) Italy

Q3) How did the Romanesque church evolve from the Early Christian basilica? What features were added or changed?

Q4) Santiago de Compostela was a major pilgrimage site.

A)True

B)False

Q5) Monasticism began in the west and spread to the east.

A)True

B)False

Q6) What is a pilgrimage church? How and why did they develop?

Page 13

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Chapter 12: Gothic Art

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Sample Questions

Q1) Compare and contrast the presentation of the Virgin Mary and Christ in the Virgin of Paris and the Roettgen Pieta. What different perspectives on these figures and on the Christian story are presented in these works?

Q2) A private prayer book is called

A) Book of Hours

B) Contemplation Image

C) Memento mori

D) Matins and Vespers

Q3) The impetus for the construction of Sainte-Chapelle was the acquisition of holy relics such as the Crown of Thorns and other items associated with Christ's passion.

A)True

B)False

Q4) What features are characteristic of Gothic architecture? How did aspects of medieval structural engineering contribute to the form and visual qualities of Gothic cathedrals?

Q5) High Gothic buildings are typified by horizontality and dark interiors.

A)True

B)False

Q6) Why are so many Gothic churches dedicated to the Virgin Mary?

Page 14

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Chapter 13: Art in Thirteenth- and Fourteenth-Century Italy

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Sample Questions

Q1) What kind of church is Santa Croce in Florence?

A) Dominican

B) civic

C) Augustian

D) Franciscan

Q2) Municipal patrons, like the city of Siena, commissioned works of art to proclaim and further their accomplishments.

A)True

B)False

Q3) The Franciscans and Dominicans were religious orders located mostly in the countryside in remote monasteries.

A)True

B)False

Q4) Petrarch, Dante, and Boccaccio were:

A) political figures

B) exclusively religious authors

C) members of mendicant orders

D) writers

Q5) What is significant about Giotto's style of painting in terms of style and narrative emphases?

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Chapter 14: Artistic Innovations in Fifteenth-Century

Northern Europe

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Sample Questions

Q1) Hieronymus Bosch's The Garden of Delights:

A) is optimistic and playful

B) honors mankind's essential dignity and worth

C) is a celebration of nature

D) shows mankind doomed by its carnal appetites

Q2) There is no evidence of the use of oil paints before Jan van Eyck.

A)True

B)False

Q3) How were the Virgin Mary, Joseph and the Angel Gabriel depicted in the Mérode Triptych?

A) in the Holy Lands in Biblical times

B) in ancient Rome

C) in ancient Greece

D) in a fifteenth-century Flemish household

Q4) The Arnolfini Portrait by Jan van Eyck shows all of the following EXCEPT:

A) much symbolism

B) much detail

C) oil glazes

D) landscape featured prominently

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Q5) What are the artistic and social implications of printmaking?

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Chapter 15: The Early Renaissance in Fifteenth-Century Italy

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Sample Questions

Q1) Who wrote Treatise on Architecture?

A) Brunelleschi

B) Sangallo

C) Palladio

D) Alberti

Q2) What were the social conditions that encouraged the development of the Renaissance in fifteenth century Florence?

Q3) Who was an important patron of the Florentine Renaissance?

A) Julius II

B) Abbot Suger

C) Botticelli

D) Cosimo de' Medici

Q4) How does Ghiberti create the illusion of spatial depth in his panels? Where are the panels located? What material was used to make the doors?

Q5) Which of the following is true of one-point perspective?

A) Orthogonals converge toward the vanishing point.

B) Orthogonals run from right to left on the picture plane.

C) Orthogonals are at right angles to the floor of the painted space.

D) Orthogonals meet at two different points on the picture plane.

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Chapter 16: The High Renaissance in Italy, 1495-1520

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Sample Questions

Q1) The nine main scenes of Michelangelo's Sistine Chapel ceiling represent scenes from which Biblical book?

A) Genesis

B) Revelations

C) Exodus

D) Deuteronomy

Q2) Who wrote The Lives of the most Excellent Italian Architects, Painters, and Sculptors, known as The Lives?

A) Giorgio Vasari

B) Girolamo Savonarola

C) Lodovico Sforza

D) Tiziano Vecello

Q3) Who was one of the foremost patrons of art during the High Renaissance?

A) Cosimo de' Medici

B) Lorenzo the Magnificent

C) Julius II

D) Martin Luther

Q4) Discuss the Sistine Chapel ceiling in terms of technique, subject matter, and composition. How does it differ in mood from the scene of Last Judgment behind the altar?

Page 18

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Chapter 17: The Late Renaissance and Mannerism in

Sixteenth-Century Italy

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Sample Questions

Q1) Veronese, under pressure from the Inquisition, changed the title of one of his paintings to The Feast in the House of Levi from what?

A) The Last Supper

B) Sacra Conversazione

C) The Dinner Party

D) The Marriage Banquet

Q2) The forces of Holy Roman Emperor Charles V sacked which city in 1527?

A) Rome

B) Florence

C) Venice

D) Bologna

Q3) Sofonisba Anguissola, a female painter, most likely learned to paint from her artist father.

A)True

B)False

Q4) The Academy of Design was established in Florence in 1563 to promote the arts in Tuscany by improving the training of artists.

A)True

B)False

Page 19

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Chapter 18: Renaissance and Reformation Throughout

Sixteenth-Century Europe

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Sample Questions

Q1) Discuss the combination of Italian figural forms and northern symbolism in Dürer's Adam and Eve. Given what we know of Dürer's biography, how do we account for this combination of southern and northern characteristics in this work?

Q2) Who was the portrait painter for King Henry VIII of England?

A) Cranach

B) Holbein the Younger

C) Dürer

D) Bruegel the Elder

Q3) Some of the still-life paintings of Pieter Aertsen carry moralizing messages.

A)True

B)False

Q4) What impact did the development of graphic arts have on the arts and the ownership and viewing of works of art in the North?

Q5) What word refers to the destruction of images?

A) iconoclasm

B) iconography

C) iconicism

D) iconophilia

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Chapter 19: The Baroque in Italy and Spain

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Sample Questions

Q1) In comparing Bernini's David to Donatello's David, Bernini's is significantly:

A) more colorful

B) more serene

C) showing more influence of the Classical Greek contrapposto stance

D) more dynamic, full of implied movement

Q2) Zurbarán and Murillo were very active as painters of religious subjects in seventeenth-century Spain.

A)True

B)False

Q3) Juan de Pareja, whom Velázquez painted, was

A) An assistant and servant

B) A Spanish aristocrat

C) A wealthy patron of the artist

D) The Duke of Urbino

Q4) Which city is a major center for Baroque patronage during the Catholic Counter-Reformation?

A) Paris

B) Florence

C) Rome

D) Ravenna

Page 21

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Chapter 20: The Baroque in the Netherlands

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Sample Questions

Q1) Which would be concerned with a theme of Vanitas?

A) genre

B) landscape

C) portraiture

D) still life

Q2) Marie de' Medici was an important patron of which artist?

A) Rubens

B) Vermeer

C) Hals

D) Leyster

Q3) Van Dyck was court painter to:

A) Charles I of England

B) Charles I of Spain

C) Charles II of Spain

D) Charles V of Germany

Q4) Compare and contrast Judith Leyster's Self-Portrait and Frans Hals's Malle Babbe. What characteristics suggest that these are contemporary works by artists with similar interests? How do the subjects of these works differ?

Q5) Describe Rubens' patrons, his range of subject matter, and his manner of working.

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Chapter 21: The Baroque in France and England

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Sample Questions

Q1) Much of the French Academy's doctrine was derived from which French painter during the reign of Louis XIV?

A) Fragonard

B) Poussin

C) La Tour

D) Vouet

Q2) Bernini was invited to France to propose a design for what building?

A) St. Paul's

B) Versailles

C) Louvre

D) St. Peter's

Q3) The Grand Manner was a concept introduced into French painting by Poussin.

A)True

B)False

Q4) A reaction against Bernini's style of architecture is seen in the work of French artist Claude Perrault.

A)True

B)False

Q5) What was the function of the Royal Academy and how did it exert an impact on French artists?

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Chapter 22: The Rococo

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Sample Questions

Q1) The Swing by Fragonard suggests:

A) an alliance between aristocracy and clergy in secrets and erotic fantasy

B) mythological escapism

C) a morality play espousing middle-class virtues

D) history painting

Q2) What artist was a social critic and made morality paintings that teach middle-class virtues?

A) Poussin

B) Hogarth

C) Watteau

D) Boucher

Q3) Discuss the principal characteristics of Rococo art and architecture and reference a work of painting, sculpture, and architecture where those characteristics are in evidence.

Q4) What social functions did Pineau's Varengeville Room and Neumann's Kaisersaal serve and how were those functions furthered in expression by the architectural and ornamental styles that these designers/architects chose?

Q5) Compare and contrast Fragonard's The Swing and Chardin's Saying Grace. How do subject matter and style differ in these two works?

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Chapter 23: Art in the Age of the Enlightenment, 1750-1789

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Sample Questions

Q1) Which French sculptor best exemplifies Enlightenment empiricism?

A) Houdon

B) Rodin

C) Greuze

D) Clodion

Q2) The climax of the Grand Tour of the eighteenth century was often a trip and extended visit to which city?

A) Rome

B) Paris

C) London

D) Berlin

Q3) Claude-Nicolas Ledoux designed 50 or more tax gates or customs houses for Rome using an inventive neoclassical vocabulary of architectural forms.

A)True

B)False

Q4) What is traditionally classical and what is distinctly new, and Neoclassical, about Claude-Nicolas Ledoux's Barrière de l'Etoile that once stood in Paris?

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Chapter 24: Art in the Age of the Romanticism, 1789-1848

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Q1) In which painter's work are the sick and dying human cargo thrown into the sea during a typhoon?

A) Gros

B) Turner

C) Corot

D) Millet

Q2) The Houses of Parliament by Sir Charles Barry and Gothic

A)W.N. Pugin is an example of which revival in architecture?

B) Classical

C) Eclectic

D) Oriental

Q3) Eugène Delacroix's Scenes from the Massacre at Chios expresses support for Greek independence as well as the Romantic passion for democracy and individual freedom.

A)True

B)False

Q4) Compare the Romantic and Neoclassic styles. How are they similar and how do they differ in terms of both subject matter and style?

Q5) How did Napoleon use Neoclassicism to promote his imperial aims?

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Chapter 25: The Age of Positivism

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Q1) Some might suggest that Impressionist artists were simply interested in capturing a pretty scene. Dispute this view by discussing the various motivations of the Impressionist artists.

Q2) Mary Cassatt, an artist from England, exhibited with Monet and the other Impressionists.

A)True

B)False

Q3) The name of the economic and social doctrine that advocates state ownership and control of the basic means of production together with the egalitarian distribution of wealth is:

A) Socialism

B) Capitalism

C) Competition

D) Laissez-faire

Q4) Which photojournalist documented the Civil War with grim realism?

A) Nadar

B) Walpole

C) Millet

D) O'Sullivan

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Chapter 26: Progress and Its Discontents:

Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905

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Q1) Describe the different approaches Post-Impressionist painters took both to build upon aspects of Impression and go take painting in new directions.

Q2) Who developed Pointillism?

A) Monet

B) Manet

C) Degas

D) Seurat

Q3) What is distinctive about Gaudí's work?

A) Walls of glass derived from the Crystal Palace

B) An internal steel skeleton

C) Vaulted arches on a colossal scale

D) Avoidance of all flat surfaces, straight lines, or symmetry of any kind

Q4) The neurologist who formulated theories of the unconscious, publishing his Interpretation of Dreams in 1900 was

A) Sigmund Freud

B) Karl Jung

C) André Breton

D) Jean Piaget

Q5) Discuss the influence of Japanese prints on late nineteenth century Western art. Page 28

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Chapter 27: Toward Abstraction: the Modernist Revolution,

1905-1914

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Q1) Who was a forerunner to Surrealism, often painting foreboding images as though from a nightmare?

A) Malevich

B) De Chirico

C) Chagall

D) Duchamp

Q2) What does the term Fauve mean?

A) artificial

B) flower

C) wild beast

D) brilliant color

Q3) Discuss how Picasso's Les Demoiselles d'Avignon both reflects and shatters artistic tradition. Be sure to include references to specific works of art in your answer.

Q4) Pablo Picasso worked only in as a painter of two-dimensional works of art.

A)True

B)False

Q5) Describe the influence of the Post-Impressionist painters on early twentieth century painting. Cite at least two examples of Post-Impressionist art and two examples of early twentieth century art in your answer.

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Chapter 28: Art Between the Wars

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Sample Questions

Q1) How did Pablo Picasso approach the subject of war in his Guernica? Compare Picasso's approach to war in this work with other representations of war in the history of art.

Q2) Who was the founder of Constructivism?

A) Arp

B) Tatlin

C) Mondrian

D) Beckmann

Q3) How did the New Deal have an impact on documentary photography?

Q4) Marcel Duchamp's Fountain is a work in which style?

A) Dada

B) Surrealism

C) Nabi

D) New Deal

Q5) Who owned and ran "291"?

A) Man Ray

B) Adams

C) Weston

D) Stieglitz

Q6) What does the art of Lange have in common with that of Goya and Courbet?

Page 31

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Chapter 29: Postwar to Postmodern, 1945-1980

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29 Verified Questions

29 Flashcards

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Sample Questions

Q1) Describe the similarities and differences between the two variants of Abstract Expressionism: Action Painting and Color-Field Painting.

Q2) What was innovative about Rauschenberg's assemblages? How do they relate to the painting of the same period?

Q3) Joseph Beuys's propagated a myth that nomadic Tartars saved him from freezing to death by covering him in animal fat and layers of felt, materials that became a foundation for much of his work.

A)True

B)False

Q4) Which Abstract Expressionist painting worked in the color field manner?

A) Mark Rothko

B) Jackson Pollock

C) Robert Rauschenberg

D) Allan Kaprow

Q5) Which color-field painter is known for his huge hazy rectangles?

A) Judd

B) Warhol

C) Smithson

D) Rothko

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Chapter 30: The Postmodern Era: Art Since 1980

Available Study Resources on Quizplus for this Chatper

29 Verified Questions

29 Flashcards

Source URL: https://quizplus.com/quiz/21921

Sample Questions

Q1) Frank Gehry designed what kind of building for Bilbao, Spain?

A) Museum

B) corporate headquarters

C) public services building

D) war memorial

Q2) Maya Lin was a student in the architecture program at Yale University before receiving the commission for the:

A) Vietnam Veterans Memorial

B) Pompidou Centre

C) Guggenheim museum

D) Public Services Building

Q3) Anselm Kiefer evokes aspects of the history Germany in his paintings.

A)True

B)False

Q4) Who often incorporates body fluids or deteriorating bodies?

A) Cai

B) Murray

C) Smith

D) Puryear

Q5) What are the influences in Gehry's Guggenheim Museum in Bilbao?

Page 33

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