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Guillermo Galindo: full Tortoise Catalogue

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GUILLERMO GALINDO

On view January 14 – February 28, 2026

ABOUT TORTOISE GUILLERMO GALINDO

Qualia Contemporary Art is pleased to present Tortoise, a solo exhibition of new work by MexicanAmerican composer, visual artist, and experimental musician Guillermo Galindo. The exhibition continues Galindo’s exploration of borders – metaphysical, geographic, political, philosophical, ecological, and beyond. His broad conceptual focus employs an expansive interpretation of what constitutes a border, whether it be a liminal realm between dreams and consciousness or the differentiation of sound and vision. Tortoise will feature a series of paintings of tortoise shells collected by the artist during his yearlong residency at Roswell, New Mexico, and a selection of double exposure photographic prints with graphic interventions.

Tortoise is anchored by Galindo’s investigation of tortoises as symbols of migration, intuition, longevity, and wisdom, contextualized by his longstanding interest in border constructs. Fascinated by the tortoise’s unique capacity to navigate between land and water and to reorient to its birthplace, Galindo views the tortoise as a type of universal clock through which events are eternally synchronized. Tortoises exemplify Carl Jung’s theory of transcendent function, in which the psyche is able to reconcile forces of opposition between the unconscious and conscious realms. The confluence of physical memory, as in the tortoise’s ability to use the Earth’s magnetic field as a geolocator, and temporal memory, as in the natural grooved patterns of the tortoise’s lower shell (the “plastron”), can be felt in Galindo’s paintings of tortoise shells. Both Galindo’s paintings and the double-exposure photographs refer to the two tortoise shells that he found in the desert of New Mexico as a Roswell-artist-in-residence.

Galindo’s work references the tortoise’s many meanings as a recurring archetype across cultures and time periods. For example, Galindo was inspired by the Shang Dynasty-era practice of “plastromancy,” a form of divination using turtle shells that was practiced in ancient China. In the “scutes” – the individual growth plates on the plastron that can be used to calculate the tortoise’s age, similar to a tree ring – Galindo has interpreted and decoded a portrait of the sentient entity within the shell, giving it visibility in his paintings. The natural seams and patterns of the shell are akin to the symbols of music notation in Galindo’s practice: signifiers of meaning within systems of visual iconography.

Constellation Vessel, 2025
Acrylic on canvas
45 x 120 in
My Secret Garden, 2025
Acrylic on canvas
45 x 120 in
Pinball Enigma, 2025
Acrylic on canvas
86 x 36 in
Rabbit Hole, 2025
Acrylic on canvas
88 x 36 in

Radiant Helpers, 2025

Print: graphic intervention over double exposure photography (Edition 1/1) 24 x 32 in

5200 USD

Listening through Veils, 2025

Print: graphic intervention over double exposure photography (Edition 1/1)

24 x 32 in

5200 USD

Prescient Vision Keeper, 2025

Print (Edition 1/1)

24 x 32 in

5200 USD

Print: graphic intervention over double exposure photography (Edition 1/1) 24 x 32 in

5200 USC

Echoes of Elysium, 2025
Threshold Light, 2025
Acrylic on canvas
12 x 12 in Price

Between Worlds Glow, 2025

8 x 8 in

Price on request

Acrylic on canvas
Pensive Shapeshifter, 2025
Acrylic on canvas
12 x 12 in

Price on request

Mirror Realms (diptych), 2025
Acrylic on canvas
12 x 12 in (each piece)

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 1: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 2: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 3: Phases of Diaphanous Eons in Temporal Suspension, 2025

4: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula

Nebula 5: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 6: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 7: Phases of Diaphanous Eons in Temporal Suspension, 2025

Nebula 8: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 9: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 10: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 11: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 12: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 13: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 14: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 15: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 16: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 17: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 18: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 19: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

Nebula 20: Phases of Diaphanous Eons in Temporal Suspension, 2025

UV cured acrylic on brushed aluminum board

8 x 10 in

900 USD

GUILLERMO GALINDO

Guillermo Galindo is an experimental composer, sonic architect, and performance and visual artist whose work redefines the conventional limits between music and art. His multidisciplinary approach explores politics, heritage, humanitarian issues, spirituality, and social awareness. Galindo’s acoustic work covers everything from commissioned orchestral compositions for the OFUNAM (Mexico University Orchestra) and Oakland Symphony Orchestra and Choir to computer interactive works, audible sculptures, visual scores, and more.

Galindo has exhibited widely nationally and internationally, including at major biennales and art fairs XIV FEMSA Biennial, Mexico; Art Basel, Miami, FL; FIAC, Paris, France; and Documenta 14, both at Athens, Greece and Kassel, Germany. He has held exhibitions at The Getty, Los Angeles, CA; Yerba Buena Center for the Arts, San Francisco, CA; Cantor Center for Visual Arts, Stanford, CA; Huntington Library, Pasadena, CA; Santa Cruz Museum of Art and History, Santa Cruz, CA; The John and Geraldine Lilley Museum of Art, Reno, NV; Institute of Contemporary Art, Boston, MA; Minneapolis Institute of Art, Minneapolis, MN; MOCA, Miami, FL; The Ford Foundation Center for Social Justice, NY; and more.

Galindo’s work is in the permanent collections of the National Gallery, Washington D.C.; LACMA, Los Angeles, CA; de Young Museum, San Francisco, CA; Crystal Bridges Museum of American Art, Bentonville, AR; Thomas Foundation Art Museum, Santa Fe, NM; and Rollins Museum of Art, Winter Park, FL.

Galindo is a recipient of the Fleishhacker Foundation Eureka Grant, a 2022 SFMOMA SECA Award Finalist, 2024 Guggenheim Fellow, and 2025 Roswell Artist-in-residence.

Most recently, Galindo exhibited a three-part installation responding to Picasso’s Guernica (1937) at SITE Santa Fe, and had a solo exhibition at the Anderson Museum of Contemporary Art in Roswell, New Mexico.

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