Photographs by Thomas Strand
DeANNA
CREATIVE DEVELOPMENT:
CUMMINGS
A major innovator in Minnesotaâs creative economy, 2007 Bush Fellow DeAnna Cummings has spent nearly 20 years building Juxtaposition Arts and the North Minneapolis community that surrounds it.
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even years ago, DeAnna Cummings took a hard look at the high-traffic, under-resourced intersection in North Minneapolis where she and her husband Roger had planted their business, Juxtaposition Arts (JXTA), and realized the view still needed some improvement. âWhen we looked out the window at West Broadway and Emerson, we asked ourselves âis the community getting better?â In some ways the answer was yes, but in lots of ways, it was no,â says Cummings. Securing a permanent home for the once nomadic arts group had been a longtime dream the couple started in 1995 with their partner Peyton Russell (2012 Bush Fellow). But now the expanded programs theyâd once imagined in their new threebuilding complex didnât seem to be generating enough impact for people within their immediate communityâor showing the big â I WANT PEOPLE TO SAY results that mattered to ABOUT ME THAT EVERYONE investors and partners. While the pair could point WHOâS WORKED FOR ME to plenty of success stories among the thousands of AND WORKED WITH ME IS teens whoâd taken part BETTER FOR IT.â in their afterschool arts âDeAnna Cummings programs, they couldnât
ignore the growing joblessness, widening achievement gap and dwindling opportunities they saw for the youth of color outside their doors. âI knew what I needed was to step away from the work and to see it from another angle,â says Cummings, who has served as JXTAâs executive director since its start, while Roger Cummings is the organizationâs artistic director. But with two children in school and two incomes now tied to the organizationâs survival, âThe time was just never going to be there.â Thatâs when Leah Lorraine Nelson, a 2006 Bush Fellow and friend, challenged her to think about applying for a Bush Leadership Fellowship, a program Cummings wasnât sure she was qualified for, having discontinued her undergraduate studies to start Juxtaposition. She made a nervous call to Martha Lee, Bush Fellowship Program manager, and asked if the Foundation ever paid for Fellows to go back to college. Lee admitted it was a long shot, but then asked Cummings if sheâd consider setting her sights a little higher. âMartha said, âI suppose you could go back and finish that degree, but with the work youâve done already, I bet you have bigger dreams for yourself,ââ Cummings says. Lee suggested she learn more about
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