EASTSIDE SCENE
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FRIDAY, MARCH 30, 28, 2018 WEDNESDAY, MARCH 2018
THEEASTSIDESCENE.COM www.mi-reporter.com
Kaki King performs her latest show âThe Neck Is A Bridge To The Body,â which fuses a mesmerizing light show with Kingâs melodic guitar compositions. Photos courtesy of Simone Cecchetti
KAKI KING BRINGS COLORFUL PERFORMANCE TO KIRKLAND BY KAILAN MANANDIC kmanandic@soundpublishing.com
A lone figure sits on stage with a stark, white guitar and begins to play. The stage goes black before the guitar explodes with light and flashes images of ocean waves, buzzing wildlife and electricity. This is solo guitarist, Kaki Kingâs unique project that fuses guitar melodies and visual storytelling into an innovative performance that sheâs bringing to the Kirkland Performance Center (KPC). The unique performance, âThe Neck Is A Bridge To The Body,â utilizes projection mapping to
cast colorful textures, shapes and âvisions of genesis and deathâ onto Kingâs guitar, which was customized specifically for the project. âNo one else is doing projection mapped guitar work, playing and composing the way I do,â King said. âExpanding the visual aspect of the guitar was a natural way to keep pushing the boundaries of the instrument.â King has released eight albums, performed with numerous bands, including Foo Fighters, Timbaland, and The Mountain Goats and contributed to a variety of film and TV soundtracks including Golden
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âNo one else is doing projection mapped guitar work, playing and composing the way I do.â Kaki King, Solo guitarist
Globe-nominated work on Sean Pennâs âInto The Wildâ. Currently, King is on a world tour and will visit the KPC on April 5. Her first album,
âEverybody Loves youâ, was released in 2003 and she hasnât stopped developing her art since then. âI never had a grand scheme,â she said. âI just kept taking the next right step. Kept working and trying and experimenting. Same thing still works for me today.â âThe Neck Is A Bridge To The Body,â is her latest project, which King created in 2014. The entire show revolves around Kingâs signature Ovation Adamas guitar. King created a visual experience that is projected onto her guitar, throughout the hour-long performance, as she plays. âIâm a guitarist and I try to
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push the boundaries of the instrument as far as I can,â King said. King added that sheâs grown a lot over her 15-year-old career. Originally, she said she didnât even want to perform for a living. âThe idea terrified me,â she said. âI just ended up having to quit all my other jobs because eventually touring and performing was taking up all of my time.â The music hasnât been Kingâs only change over her career. She started out as a self-described âlonely depressed gay teenagerâ and is now a married woman See KING, Page 12
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