Issuu

NOV. 13 & 15 / NOV. 27 & 29, 2015

HEINZ HALL

MANFRED HONECK, MUSIC DIRECTOR

Performance is all about hitting the right notes.

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It is the mission of the Pittsburgh Symphony Orchestra to provide musical experiences at the highest level of expression to enrich the community and satisfy the needs and preferences of our audiences. We will achieve this mission by working together to support an internationally recognized orchestra and by ensuring a viable long-term financial future; a fulfilling environment for our orchestra, staff, volunteers; and the unsurpassed satisfaction of our customers.

PROGRAM November 13 & 15 program...............................................................9 November 13 & 15 program notes...................................................10 Jiří Bělohlávek biography.................................................................14 November 27 & 29 program.............................................................17 November 27 & 29 program notes ..................................................18 Manfred Honeck biography..............................................................26 Michael Rusinek biography..............................................................28 Pittsburgh Ballet Theatre School ......................................................30 Pittsburgh Symphony Orchestra biography......................................32 EVERY GIFT IS INSTRUMENTAL Individuals........................................................................................38 Foundations & Public Agencies........................................................45 Corporations .....................................................................................46 Legacy of Excellence..........................................................................48 Commitment to Excellence Special Named Gifts.............................50

Pittsburgh Symphony Orchestra performances are brought to the community in part by generous support from the Allegheny Regional Asset District and corporations, foundations and individuals throughout our community. The Pittsburgh Symphony Orchestra receives additional funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and an award from the National Endowment for the Arts. Art Works.

INDIVIDUALS & HEINZ HALL INFORMATION Pittsburgh Symphony Orchestra Musicians........................................2 Board of Trustees ................................................................................3 Chairman’s Council & Jack Heinz Society...........................................5 New Leadership Board........................................................................5 Pittsburgh Symphony Association......................................................5 Administrative Staff.............................................................................7 Heinz Hall Information.....................................................................52

The Pittsburgh Symphony Orchestra is committed to providing an environment that is inclusive and welcoming to all patrons. For information about our accessible services, please contact the box office at 412.392.4900 or visit pittsburghsymphony.org.

Radio station WQED-FM 89.3 and WQEJ-FM 89.7 is the official voice of the Pittsburgh Symphony Orchestra. Tune in Wednesdays and Sundays at 7 p.m. for “Pittsburgh Symphony Radio” concert broadcasts hosted by Jim Cunningham. Listen to archival concerts anywhere in the world 24 hours a day with your smartphone or computer on the WQED-FM Pittsburgh Concert Channel at wqed.org/fm or with HD radio WQED 89.3 HD2.

TO ADVERTISE IN THE PROGRAM: Contact: Elaine Nucci at

412.471.6087, or email: nucci@culturaldistrict.org

ONLINE PROGRAM: Many Pittsburgh Symphony program

books are also available for viewing online at: pittsburghsymphony.org/programs

PROGRAM REUSE: If you do not wish to keep your program, return

to the ushers for reuse at a later performance.

PITTSBURGHSYMPHONY.ORG 2015-2016 SEASON

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BNY MELLON GRAND CLASSICS | HEINZ HALL FRIDAY, NOVEMBER 13 2015 AT 8:00 PM SUNDAY, NOVEMBER 15, 2015 AT 2:30 PM

Jiří Bělohlávek, conductor Pre-concert

Concert Prelude with Gene Chang, assistant conductor of

the Cincinnati Symphony Orchestra

Bedřich Smetana

Má Vlast (My Country) Vyšehrad (The High Castle) Vltava (The Moldau) THE PARIS FESTIVAL IS Šárka MADE POSSIBLE, IN PART, BY THE FINE FOUNDATION Zčeských luhuv a hájuv (From Bohemia’s Woods and Meadows) Tábor Blaník THE PARIS FESTIVAL IS MADE POSSIBLE, IN PART, BY THE FINE FOUNDATION.

Performed without intermission

Ellen dePasquale, guest concertmaster

TITLE SPONSOR

MEDIA SPONSORS

PHOTOGRAPHY, AUDIO AND VIDEO RECORDING OF THIS PERFORMANCE ARE STRICTLY PROHIBITED. PROGRAM 2015-2016 SEASON

BEDŘICH SMETANA

Má Vlast (“My Country”) (1874-1879)

ABOUT THE COMPOSER

Born 2 March 1824 in Leitomischl, Bohemia died 12 May 1884 in Prague PREMIERE OF VYŠEHRAD (THE HIGH CASTLE):

Prague, 14 March 1875 PREMIERE OF VLTAVA (THE MOLDAU):

Prague, 4 April 1875 PREMIERE OF ŠÁRKA AND ZČESKÝCH LUHUV A HÁJUV (FROM BOHEMIA’S WOODS AND MEADOWS):

Prague, 10 December 1876 PREMIERE OF TÁBOR AND BLANÍK:

Prague, 4 January 1880 PREMIERE OF COMPLETE MÁ VLAST:

Prague, 5 November 1882 Prague Philharmonic Orchestra Adolf Čech, conductor PSO PREMIERE OF COMPLETE MÁ VLAST

21 October 1976 Heinz Hall Rafael Kubelik, conductor INSTRUMENTATION

woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, two harps and strings DURATION

72 minutes

PROGRAM NOTES BY DR. RICHARD E. RODDA

Early in 1874, Smetana began to suffer from severe headaches. This symptom came and went, and he noted no other physical problems until October. “One night I listened with great pleasure to Leo Delibes’ Le Roi l’a dit,” he reported. “When I returned home after the last act, I sat at the piano and improvised for an hour on whatever came into my head. The following morning I was stone deaf.” Smetana was terrified. He wrote to his friend J. Finch Thorne that a ceaseless rushing filled his head: “It is stronger when my brain is active and less noticeable when I am quiet. When I compose it is always in evidence.” He tried many unguents, ointments and treatments during the ensuing months but they brought no relief — Smetana did not hear a sound for the last decade of his life. He continued to compose but withdrew more and more from the world as he realized he could not be cured, eventually losing his reason (in the margin of score of the 1882 D minor Quartet he scrawled, “Composed in a state of disordered nerves — the outcome of my deafness”) and ending his days in a mental ward. It is one of the great ironies in 19th-century music that Smetana conceived the first melody for Má Vlast (“My Country”), the splendid cycle of six tone poems inspired by the land and lore of his native Bohemia, at the same time that he lost his hearing. Had he not been able to look to the example of the deaf Beethoven, he might well have abandoned this work, but he pressed on and completed Vyšehrad (The High Castle) by November 1874 and immediately began Vltava (The Moldau), which was finished in less than three weeks, on December 8. Šárka and Zčeských luhuv a hájuv (From Bohemia’s Woods and Meadows) date from the following year; Tábor was finished in 1878 and Blaník in 1879. In a letter to the publisher Frantisek Urbánek in May 1879, Smetana described the movements of Má Vlast. He wrote of the opening tone poem, “The harps of the bards begin; a bard sings of the events that have taken place on Vyšehrad, of the glory, splendor, tournaments and battles, and finally its downfall and ruin. The composition ends on a elegiac note.” Vyšehrad is the name of a sheer rock precipice that stands above the River Moldau as it flows toward Prague, and of the ancient fortress that surmounts its pinnacle. According to Czech legend, Vyšehrad was built even before the castle that guarded the city of Prague, and was said to be the seat of the earliest Bohemian princes. Smetana chose it as the setting for his patriotic opera Libuše, the story of the ninth-century Queen of Bohemia of that name, daughter of the country’s founding family, the Přemysl, who is revered in national history as a wise and strong sovereign. (One of her descendents was St. Wenceslaus — “Good King Wenceslaus.”) The fortress was more impressive as a ruin than as an architectural

structure in Smetana’s time, being hemmed in by fortifications erected during the reign of Maria Theresa and then serving only as an arsenal, but the romance of its past still evoked unquenchable patriotic fervor among the composer’s countrymen. The tone poem takes as its subject a richly harmonized theme in chorale style first played by the harps as an evocation of Bohemia’s legendary bard, Lumír. A complementary motive, in flowing arpeggiated figures, was borrowed from Libuše. The movement is in three broad chapters: the first is noble and mythic, evoking the glory of Bohemia’s early history; the second, a greatly agitated section that incorporates an ingenious permutation of the opening motive and a heroic marching strain, suggests the violence and victory of ancient combat; the third, which serves as a formal recapitulation of the opening section, reflects on bygone days. The Moldau (“Vltava” in Czech) is the principal river of Czechoslovakia, rising in the hills in the south and flowing north through Prague to join with the Elbe. Smetana’s tone poem seems to trace its inspiration to a country trip he took along the river in 1870, a junket that included an exhilarating boat ride through the churning waters of the St. John Rapids. The Moldau is disposed in several sections intended to convey both the sense of a journey down the river and some of the sights seen along the way, as Smetana noted in his preface to the score: “Two springs pour forth in the shade of the Bohemian Forest, one warm and gushing, the other cold and peaceful. The forest brook, hastening on, becomes the river Moldau. Through thick woods it flows, as the gay sounds of the hunt and the notes of the hunter’s horn are heard ever nearer. It flows through grass-grown pastures and lowlands where a wedding feast is being celebrated with song and dance. At night, wood and water nymphs revel in its sparkling waves. Reflected on its surface are fortresses and castles — witnesses of bygone days of knightly splendor and the vanished glory of fighting times. At the St. John Rapids, the stream races ahead, winding through the cataracts, hewing out a path with its foaming waves through the rocky chasm into the broad river bed — finally, flowing on in majestic peace toward Prague and welcomed by the time-honored castle Vyšehrad. [At this point, Smetana recalled the theme from the preceding tone poem.] Then it vanishes far beyond the poet’s gaze.” Of the third movement of Má Vlast, the composer noted, “This poem depicts the story of Šárka. It begins with the enraged Šárka [one of the girls at the court of the Přemysl, the founding family of Bohemia, who rebelled at being ruled by men after the death of Queen Libuše] swearing vengeance on the whole male race for the infidelity of her lover. From afar is heard the arrival of armed men led by Ctirad, who has come to punish Šárka and her rebellious maidens. In the distance, Ctirad hears the feigned cries of a girl (Šárka) bound to a tree. On seeing her, he is overcome by her beauty and so inflamed with love that he frees her. By means of a previously prepared potion, she intoxicates Ctirad and his men, who fall asleep. As she sounds her horn (a pre-arranged signal), the rebel maidens, hidden in nearby rocks, rush to commit the bloody dead. The horror of general slaughter and the passion and fury of Šárka’s fulfilled revenge form the end of the composition.” Šárka, the most graphically detailed movement of Má Vlast, is divided into five continuous, almost cinematic, sequences. The first section (marked “with fire” in the score) portrays the fury of the avowed man-hater. Next comes a swaggering march to accompany the entry of Ctirad and his knights. A solo clarinet intones the duplicitous cry of Šárka, to which Ctirad (solo cello) gives an impassioned response as he loosens her bonds. An episode of warmly lyrical music suggests Ctirad’s wooing of the cunning maid before a soft, trilled string chord introduces the scherzo-like fourth section, which depicts the drunken revels of the warriors. Šárka’s philter has its effect, and the festive music dies away as the men fall asleep (the low C’s on the bassoon suggest their snoring). Šárka sounds her horn and exhorts her followers (another clarinet solo) to undertake the slaughter that fills the last chapter of this PROGRAM NOTES 2015-2016 SEASON

dramatic tone poem. Smetana wrote of From Bohemia’s Woods and Meadows, “This is a general impression of the feelings aroused on seeing the Czech countryside. Here, from all directions, fervently sung songs, some cheerful and others melancholy, resound from the groves and meadows. The woodlands (in solos for the horns), the gay, fertile Elbe lowlands and various other parts besides, are all celebrating.” The composer himself provided some of the music’s poetic details in a conversation with his friend V.V. Zeleny: “The opening resembles the strong impression experienced on going into the countryside; hence the powerful beginning with the emphatic chord of G minor. Then comes G major, as if a naïve country girl were going out. [The following music depicts] the beauty of being in the woods in summer during the middle of the day when the sun is directly overhead. Twilight prevails in the woods, and the sun’s bright beams seldom penetrate between the tops of the trees. An ever-present phrase indicates the twittering of birds. [The closing section represents] the harvest, or at least a festival of some kind.” The last two tone poems of Má Vlast — Tábor and Blaník — are related in both subject and musical matter. The city of Tábor, some 50 miles south of Prague, was the center of the Hussite Rebellion, the 15th-century political, social and religious movement led by Jan Hus that sought sectarian freedom and Bohemian independence. Smetana based his paired tone poems on the chorale Ye Who Are God’s Warriors, the principal anthem of the Hussites. Of Tábor, he wrote, “The whole composition is based on this majestic chorale. It was undoubtedly in the town of Tábor, the seat of the Hussites, that this stirring hymn resounded most powerfully and most frequently. The words of the old chorale inflamed the combatants, but spread terror in the ranks of the enemy. The piece depicts the strong will to win battles, and the dogged perseverance of the Táborites. It expresses the glory and renown of the Hussite struggle and the indestructible character of the Hussite warriors. It was the period of Bohemia’s power and greatness.” Tábor is in two broad sections. The first, stern and rugged, is a musical analogue to the words with which Smetana headed the score: “Their character cannot be broken: firm, constant, determined, persevering, unyielding and stubborn.” The second section, more vigorous in style, depicts the Hussites at war. “Blaník begins where the preceding composition ends,” Smetana continued. “Following their eventual defeat, the Hussite heroes took refuge in Blaník Mountain [near Tábor], where, in heavy slumber, they wait for the moment they will be called to the aid of their country. Hence, the chorale that was used as the basic motive in Tábor is also used as the foundation of this piece. It is on the basis of this melody, the Hussite chorale, that the resurrection of the Czech nation, its future happiness and glory, will develop. With this victorious hymn, written in the form of a march, the composition ends, and with it the whole cycle of Má Vlast. As a brief intermezzo, we hear a short idyll, a description of the Blaník region where a little shepherd boy plays a pipe while the echo gently floats back to him.” The warriors sleeping in Blaník Mountain are conjured up by the bold reappearance of the Hussite chorale, from which an ingenious and slightly eerie contrapuntal exercise is woven. The peaceful scene of the shepherd is depicted by oboe and clarinet in echo. A turbulent section hints of wars, past and future, before a grand processional march promises the renewed glory of the Czech nation. Blaník and Má Vlast close with a final reference to the Vyšehrad theme and a brilliant coda of hope and optimism.

WED DEC 9 2015

Supported in part by:

8:00 pm Carnegie Music Hall Oakland Poulenc

Gloria

Debussy

Prelude to the Afternoon of a Faun

Ravel

Pavane for a Dead Princess

Gershwin

Carnegie Mellon University

An American in Paris

Philharmonic & Chorus Andrés Cárdenes MUSIC DIRECTOR OF ORCHESTRAL STUDIES Thomas W. Douglas DIRECTOR OF CHORAL STUDIES

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CarnegieMellonMusic

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Noah Bendix-Balgley, violin with Orion Weiss, piano Monday, November 30, 2015 • 7:30 PM 2015-2016

Subscription Series Concert Season

Carnegie Music Hall, Oakland

Tickets

412-624-4129 www.chambermusicpittsburgh.org

PROGRAM NOTES 2015-2016 SEASON

JIŘÍ BĚLOHLÁVEK In 1994, Bělohlávek founded the Prague Philharmonia, which he directed until 2005, when he became its conductor laureate; then in 1995, he became the BBC Symphony Orchestra’s guest conductor, later becoming its chief conductor in 2006. Today, Bělohlávek is conductor laureate of the BBC Symphony Orchestra, and continues to appear with the orchestra in London each season following their awardwinning recordings of Czech works. From 2012, Bělohlávek has also been principal guest conductor of the Rotterdam In 1968, the legendary Romanian conductor Philharmonic Orchestra. Sergiu Celibidache invited Bělohlávek to become his assistant, a collaboration Bělohlávek continues his outstanding which culminated in Bělohlávek winning work in the world of opera, with acclaimed the Czech Young Conductor’s Competition productions at Berlin, Royal Opera Covent in 1970, as well as reaching the final of Garden, Glyndebourne, the Metropolitan the prestigious Herbert von Karajan Opera in New York and many more. Recent Conducting Competition in 1971. It was highlights include new productions of in 1973 that Bělohlávek began conducting Tchaikovsky’s The Queen of Spades at the Zürich Opera House during April and the Czech Philharmonic to great acclaim. May 2014, and of Dvořák’s Rusalka at the Bělohlávek was appointed conductor of the Vienna State Opera in January 2013. He Brno State Philharmonic Orchestra in 1972, a will conduct Janáček’s Jenůfa at the San position he held until 1978. He then became Francisco Opera in 2016. chief conductor of the Prague Symphony Orchestra, a partnership which lasted until Bělohlávek was appointed professor at the 1989. During these years, he worked closely Academy of Performing Arts in Prague in with Václav Neumann (chief conductor of 1997, and was director of the Department the Czech Philharmonic between 1968 and of Conducting there until 2009. 1990), who brought him to Berlin’s Komische Oper in 1979, where Bělohlávek debuted As chairman of the Prague Spring International Music Festival, Bělohlávek with Smetana’s The Secret. has consistently championed the music A decade later, Bělohlávek succeeded Václav of Czech composers. His special affinity Neumann as chief conductor of the Czech with the music of Bohuslav Martinů has Philharmonic, and returned to the post in been instrumental in bringing that master 2012, to worldwide acclaim. In addition to the world’s attention, and Bělohlávek to his work with the Czech Philharmonic, has also taken the more rarely-performed Bělohlávek has regularly conducted, among works of Dvořák, Janáček, Smetana and others, the Berlin Philharmonic, Boston Suk to new audiences. Symphony Orchestra, Cleveland Orchestra, Gewandhausorchester Leipzig, New York In May 2012, Bělohlávek was awarded the Philharmonic, Sächsische Staatskapelle title commander of the Most Excellent Dresden and the San Francisco Symphony Order of the British Empire (CBE) “for Orchestra, appearing at festivals including services to music” by the Queen Elizabeth those in Berlin, Edinburgh, Lucerne, II. In the Czech Republic, he was awarded the First Grade Medal of Merit for service Montreaux, Salzburg and Tanglewood. to the Republic. Jiří Bělohlávek was born in Prague in 1946. At the age of four, Bělohlávek joined a children’s choir, and was soon taking piano lessons. He went on to learn the cello with Czech cellist Karel Pravoslav Sádlo before continuing his studies at the Prague Conservatory and at the Academy of Performing Arts in Prague. It was during these years that Bělohlávek began conducting in earnest, receiving instruction from Robert Brock, Alois Klíma, Bohumír Liška and Josef Veselka.

photo credit: Vaclav Jirasek

Bělohlávek has an extensive discography, and is the first conductor since Herbert von Karajan to receive the Gramophone Award for Orchestral Recording two years running. Furthermore, as the Naxos label noted: “His most outstanding recordings are those in which he leads the Czech Philharmonic Orchestra, where the high caliber of orchestral execution and Bělohlávek’s deep

musicianship result in performances of exceptional quality.” The Czech Philharmonic and Bělohlávek recently released a much-praised new recording on Decca of the complete symphonies and concertos of Dvořák. These performances mark Bělohlávek’s debut with the Pittsburgh Symphony. BIOGRAPHY 2015-2016 SEASON

BEETHOVEN’S EMPEROR CONCERTO

Friday, December 4 at 8:00 P.M. Sunday, December 6 at 2:30 P.M. Manfred Honeck, conductor Yulianna Avdeeva, piano Christina Landshamer, soprano Corrie Stallings, mezzo-soprano Paul Appleby, tenor Paul Armin Edelmann, baritone The Mendelssohn Choir of Pittsburgh

MOZART: Mass in C, “Coronation” SCHUBERT: Symphony No. 8, “Unfinished” BEETHOVEN: Piano Concerto No. 5, “Emperor”

GET YOUR TICKETS NOW! Heinz Hall Box Office • 412.392.4900 pittsburghsymphony.org/emperor 16

BNY MELLON GRAND CLASSICS | HEINZ HALL FRIDAY, NOVEMBER 27, 2015 AT 8:00 PM SUNDAY, NOVEMBER 29, 2015 AT 2:30 PM

Manfred Honeck, conductor

Michael Rusinek, clarinet Dancers of Pittsburgh Ballet Theatre School Pre-concert

Concert Prelude with Assistant Conductor Francesco Lecce-Chong

Franz Von Suppé

A Morning, Noon and Night in Vienna

Carl Michael Ziehrer

Viennese Maiden Waltz, Opus 388

Carl Maria Von Weber

Concerto No. 1 for Clarinet and Orchestra in F minor, Opus 73 I. Allegro II. Adagio ma non troppo III. Rondo: Allegretto Mr. Rusinek

Intermission

Carl Michael Ziehrer

Step Right In! Waltz, Opus 518

Richard Strauss

Suite from the Ballet Whipped Cream, Opus 70 I. Coffee Dance — Dreams II. Finale: Common Dance

Gioacchino Rossini

Introduction, Theme and Variations for Clarinet and Orchestra in B-flat major Mr. Rusinek

THE PARIS FESTIVAL IS MADE POSSIBLE, IN PART, BY THE FINE FOUNDATION

Johann Strauss, Jr. New Pizzicato Polka, Opus 449 Dancers of Pittsburgh Ballet Theatre School Max Schönherr

Drive in the Prater Park, Galop

THE PARIS FESTIVAL IS MADE POSSIBLE, IN PART, BY THE FINE FOUNDATION.

Jonathan Crow, guest concertmaster (concertmaster, Toronto Symphony Orchestra) TITLE SPONSOR

MEDIA SPONSORS

This weekend’s performances by principal clarinet and soloist Michael Rusinek are made possible, in part, through the generous Annual Fund support of Randi Dauler in memory of L. Van V. Dauler, Jr. This weekend’s performances by Music Director Manfred Honeck are made possible, in part, through the generous Annual Fund support of the R.P. Simmons Family.

PHOTOGRAPHY, AUDIO AND VIDEO RECORDING OF THIS PERFORMANCE ARE STRICTLY PROHIBITED.

PROGRAM 2015-2016 SEASON

FRANZ VON SUPPÉ

A Morning, Noon and Night in Vienna (1844)

ABOUT THE COMPOSER

Born 18 April 1819 in Spalato, Dalmatia (now Split, Croatia) died 21 May 1895 in Vienna PREMIERE OF WORK

Vienna, 26 February 1844 Josefstadt Theater Franz von Suppé, conductor PSO PREMIERE

26 January 1960 Syria Mosque Sir Thomas Beecham, conductor INSTRUMENTATION

piccolo, two flutes, two oboes, two clarinets,

Just as Jacques Offenbach, the great innovator of French comic opera, was an immigrant from Germany, so one of the seminal figures in the development of Viennese operetta came from what is now Croatia. Francesco Suppé Demelli was born in 1819 on a ship off the Adriatic coast city of Spalato, Dalmatia (now Split, Croatia) to Austrian parents, sent to Italy to study law, and moved with his mother after his father’s death in 1835 to Vienna, where he became Franz von Suppé and took up music in earnest as a student of Ignaz Seyfried and Simon Sechter (also remembered as the counterpoint teacher of both Schubert and Bruckner). Seyfried helped him get a job — initially unpaid — as Third Kapellmeister at the Josefstadt Theater, where his first stage work appeared in 1841. More than 20 theater scores followed in the next five years. He moved on to other, more lucrative, positions in Vienna’s light-opera theaters, and continued to conduct until 1883, all the while turning out a steady stream of well-received musical farces. Das Pensionat of 1860, the first successful Viennese response to the growing local popularity of Offenbach’s operettas, established the form with which Johann Strauss, Franz Lehár and others were to charm the world in later decades. In addition to nearly 200 operettas and other stage pieces, Suppé also wrote two grand operas, a symphony, several still-popular concert overtures, songs, three Masses, a Requiem and some sacred music. He died in Vienna in 1895.

two bassoons, four horns, two trumpets, three trombones, timpani, percussion and strings DURATION

8 minutes

PROGRAM NOTES BY DR. RICHARD E. RODDA

A Morning, Noon and Night in Vienna, Suppé’s tribute to his adopted home, grew from a “play with songs” that he composed for the Josefstadt Theater in 1844.

CARL MICHAEL ZIEHRER

Weaner Madl’n, Walzer (Viennese Maiden Waltz), Opus 388 (1888)

ABOUT THE COMPOSER

Born 2 May 1843 in Vienna died 14 November 1922 in Vienna PREMIERE OF WORK

Vienna, 23 January 1888 Dreher’s Etablissement Carl Michael Ziehrer, conductor THESE PERFORMANCES MARK THE PSO PREMIERE INSTRUMENTATION

woodwinds in pairs, four horns, two trumpets, three trombones, timpani, percussion, harp and strings DURATION

9 minutes

Dancing was big business in Imperial Vienna — at the height of the waltz craze in the late 19th century the city’s ballrooms could accommodate a full one-quarter of Vienna’s 200,000 residents in a single evening — and it was indisputably dominated by the Strauss family and its musical enterprises. There was still plenty of work for other ambitious musicians, however, and among the Strausses’ fiercest competitors was Carl Michael Ziehrer. Ziehrer was born in Vienna in 1843 into the family of a prosperous hatmaker, who was shrewd enough to approach Carl Haslinger when that music publisher had an angry falling out with Johann Strauss over the receipts from his orchestra’s popular summer season at Pavlovsk, near St. Petersburg, and propose that his musically gifted son might provide a suitable replacement if he only had proper training at the Vienna Conservatory. Haslinger took the chance, paid young Ziehrer’s tuition, and set him up with his own orchestra at the Dianasaal in 1863. Competition from the Strauss organization proved daunting, however, and in 1870 Ziehrer was forced to take a job as bandmaster of the 55th Infantry Regiment. He returned to civilian life in 1873 to form an orchestra for the Vienna World Exhibition and found the Deutsche Musik-Zeitung (“German Music Journal”) the following year. Ziehrer joined the military again in 1875 as bandmaster of the 76th Infantry Regiment, but left that post two years later to form another orchestra, this one from musicians working for Eduard Strauss who had refused to leave Vienna for an extended overseas tour. Ziehrer billed the ensemble as the “Former Eduard Strauss Orchestra,” got predictably sued, and toured outside Austria for several years with a reconstituted group. He returned to Vienna in 1885 to lead the highly respected band of the Hoch-und Deutschmeister Regiment, which was chosen to represent Austria at the 1893 Chicago World’s Fair (where John Philip Sousa was also performing with his recently formed Sousa Band). Ziehrer extended his American tour without authorization, however, and he was dismissed from his Regimental post when he returned to Vienna and again lived as a freelance conductor and composer. One of Ziehrer’s most important contributions to the Viennese tradition was the unprecedented care and precision he brought to the performance of the city’s beloved light music, and in 1909 Emperor Franz Joseph appointed him director of the Imperial Court Ball; he directed the last-ever Court Ball in 1914. That appointment marked the climax of Ziehrer’s career. His livelihood, health and spirits were undermined by World War I, and he lived the remaining years until his death in 1922 embittered and impoverished. Ziehrer’s 23 operettas and more than 600 waltzes, dances and marches retained an important place

PROGRAM NOTES 2015-2016 SEASON

in the Viennese repertory, however, and in 1959 the city erected a statue in his honor in the Prater, the amusement park where he had performed on many occasions. The Weaner Madl’n, Walzer (“Viennese Maiden Waltz”) was composed for Ziehrer’s engagement at Dreher’s Etablissement on January 23, 1888, a popular Viennese beer hall where Franz Anton Dreher provided musical entertainment to accompany the enjoyment of the products of his family’s brewery. With its countrified introduction and postlude, sentimental whistling chorus and infectious waltz strains, Weaner Madl’n is a good example of Ziehrer’s often homespun creative idiom. So characteristic of Ziehrer is the piece that a film biography of him released in 1949 was titled Wiener Mädeln.

PREMIERE OF WORK

Vienna, 11 December 1904 St. Annahof Concert-Restaurant Carl Michael Ziehrer,

CARL MICHAEL ZIEHRER

Herrreinspaziert! Walzer (“Step Right In!” Waltz), Opus 518 (1904)

conductor THESE PERFORMANCES MARK THE PSO PREMIERE INSTRUMENTATION

woodwinds in pairs, four horns, two trumpets, three trombones, timpani, percussion, harp and strings DURATION

7 minutes

The Herrreinspaziert! Walzer (“Step Right In! Waltz”) takes its themes and title from Ziehrer’s operetta Der Schätzmeister (“The Pawnbroker”), premiered at the Carltheater on December 10, 1904, in which an operatic soprano pawns her voice to pay off the gambling debt of a lover. The multiplicity of “r’s” in the waltz’s title reflects the rolled “r’s” of the pawnbroker’s invitation to “Her-r-r-rr-einspaziert!” — “Step Right In!” — to his shop. (The term was a familiar cry of carnival barkers.) Ziehrer introduced Herrreinspaziert! at the St. Annahof Concert-Restaurant on December 11, the day after the operetta’s premiere, and it became a hit.

CARL MARIA VON WEBER

Concerto No. 1 for Clarinet and Orchestra in F minor, Opus 73 (1811)

ABOUT THE COMPOSER

Born 18 December 1786, Eutin died 5 June 1826, London PREMIERE OF WORK

Munich, 13 June 1811 Munich Court Orchestra Carl Maria von Weber, conductor Heinrich Bärmann, soloist PSO PREMIERE

8 June 1997 Beaver Falls Edward Cumming, conductor Thomas Thompson, soloist INSTRUMENTATION

flutes, oboes and bassoons in pairs, three horns, two trumpets, timpani and strings DURATION

21 minutes

On March 14, 1811, Carl Maria von Weber — who spent so much of his life on the road that Lucy and Richard Stebbins titled their book about him Enchanted Wanderer — stopped in Munich on a tour through southern Germany during which he gave numerous concerts and hoped to find a permanent post. Munich, capital of the new Bavarian state just established by Napoleon, boasted an active musical life, with two concert societies, a fine opera company, and an audience willing to support additional musical ventures. As soon as he arrived, Weber made the acquaintance of the music-loving Court Minister, Josef von Monteglas, through whose influence with King Maximilian I a concert of works by the visiting composer was arranged. At the same time, Weber renewed his friendship with Heinrich Bärmann, an excellent clarinetist whom he had met several months earlier in Mannheim, the city of one of Europe’s greatest orchestras, which may have been the first to include clarinet players among its regular personnel. Bärmann’s personal charm and artistry (Weber called him a “dear friend ... a truly great artist and wonderful person”) and Weber’s love for the dark-hued expression of the clarinet, his confessed favorite among the wind instruments, inspired the composer to write a solo piece for the royal concert, a sell-out as soon as its April 5th date was announced. The one-movement Concertino (Op. 26), which utilized the expanded technical possibilities offered by the ten-key instrument Bärmann had recently acquired, was finished in a fortnight. It created such delight at the performance that not only did the King order two full-scale clarinet concertos, but also “the whole orchestra has been the very devil demanding concertos from me,” Weber wrote to a friend on April 30, “Two Clarinet Concertos (of which the one in F minor is almost ready), two large arias, a Cello Concerto for Legrand [never written], and a Bassoon Concerto.” Weber finished the F minor Clarinet Concerto in May (first played, by Bärmann, on June 13th) and the one in E-flat major in July 1811 (premiered — “to frantic applause,” boasted Weber — on November 25). The opening movement of the First Concerto begins its sonata form with a mysterious presentiment of the main theme in the basses. A sudden loud chord from the full orchestra bridges to the theme itself, a rather portentous, dotted-rhythm motif that promises more high drama than the movement actually delivers. A contrasting lyrical melody is offered by the soloist, and the balance of the movement is played out upon the repetitions and elaborations of the two principal thematic units. Weber’s greatest fame is for his operas, and the slow movements of the clarinet concertos are held strongly under the sway of his stage music. The Adagio of the First Concerto is a wordless aria, a full scene actually, for the clarinet, the mezzo-soprano among the woodwinds. The finale, a brilliant rondo based on a sparkling theme of wide compass, has enough soloistic fireworks, according to John Warrack, “to dazzle any audience and burn the fingers of most clarinetists.” PROGRAM NOTES 2015-2016 SEASON

RICHARD STRAUSS

Suite from the Ballet Schlagobers (“Whipped Cream”), Opus 70 (1921-1922)

ABOUT THE COMPOSER

Born 11 June 1864 in Munich died 8 September 1949 in Garmisch-Partenkirchen PREMIERE OF WORK

Vienna, 9 May 1924 Vienna State Opera Richard Strauss, conductor THESE PERFORMANCES MARK THE PSO PREMIERE INSTRUMENTATION

piccolo, four flutes, three oboes, English horn, four clarinets, bass clarinet, four bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani, percussion, two harps, celesta, harmonium and strings DURATION

15 minutes

After Strauss became co-director of the Vienna State Opera with Franz Schalk in 1919, one of his top priorities was to rebuild the resident ballet company as it struggled in the aftermath of World War I and the collapse of the Austro-Hungarian monarchy. In 1922 for the troupe, he revived his ballet Josephslegende (“Legend of Joseph”), based on the Biblical story of Potiphar’s wife and premiered in Paris by Diaghilev’s Ballet Russe in 1914, and over the next two years arranged music by Schumann, Couperin, Beethoven and Gluck for four additional ballets. The most ambitious of his dance projects for the State Opera during those years was the evening-length Schlagobers — “Whipped Cream” — named after the dairy delight that has long been indispensible in countless Viennese confections and coffees. He devised the scenario himself in late 1921 and immediately set to work on the music. The score was completed the following year but the ballet’s premiere was delayed for budgetary reasons until May 1924, when it became part of the official celebrations of Strauss’ 60th birthday. Schlagobers is a child’s fantasy of sweets. The story is set on Confirmation Sunday, which is traditionally celebrated in Vienna with a carriage ride in the Prater, the city’s amusement park, followed by a visit to a local Konditorei for a feast of drinks, cream cakes, tortes, candy and other gooey treats, various of which are portrayed in a series of colorful dances in Act I. In Act II, one of the boys has eaten himself into an upset so serious that he hallucinates about Princess Pralinée, Mademoiselle Marianne (representing the liqueur Chartreuse), dancing Knallbonbons (a decorated cardboard party cracker filled with candy) and an entire troupe of marzipan, stollens, pretzels and Lebkuchen. All is finally put back in order when giant tankards of good German beer are passed around and gratefully imbibed. (Strauss married into the Pschorr family, one of Germany’s oldest and most prosperous brewers, which is still the principal supplier of Munich’s famed Oktoberfest.) Coffee Dance comprises a languorous opening section introducing the Coffee Prince (Strauss said he felt that the castanets gave the music a Brazilian flavor), who dances an extended Dream sequence set in an exotic pavilion. The Finale (Common Dance) is a rousing tarantella upon which the broad theme of the Dream is draped. Schlagobers closes, probably inevitably for Vienna, with a grand waltz based on the Dream melody.

GIOACCHINO ROSSINI

Introduction, Theme and Variations for Clarinet and Orchestra in B-flat major (1809)

ABOUT THE COMPOSER

Born 29 February 1792 in Pesaro, Italy died 13 November 1868 in Paris PREMIERE OF WORK

Bologna, 1809 Liceo Filarmonico PSO PREMIERE

25 November 1994 Heinz Hall Bruce Hangen, conductor Richard Stolzman, soloist INSTRUMENTATION

flute, two oboes, bassoon, two horns and strings DURATION

14 minutes

Rossini’s musical talents were plainly evident by the time he entered Bologna’s Liceo Filarmonico as a 14-year-old student in April 1806. He had learned to play the horn from his father, who possessed a fine ability on that instrument, and to sing from his mother, a practitioner of comprimario roles in the opera houses of the region. He had also studied piano and written the infectious String Sonatas in 1804, two years before he began his formal schooling in composition. He matriculated at the Liceo as a singer, a field in which he had gained enough notice to be admitted by acclamation to the Accademia Filarmonico on June 24, 1806, when he had attained the well-ripened age of 14 years and four months. (Thirty-six years before, the visiting Wolfgang Mozart, also then age 14, had been inducted into the same august society.) In 1808, while still a student, Rossini composed a Mass, a prize-winning cantata for the Liceo’s awards ceremony, a symphony and his first opera, Demetrio e Polibio; from the following year date a set of variations for solo instruments and orchestra, a second symphony (which was revised as the overture to the opera La cambiale di matrimonio in 1810), a song for tenor and orchestra, and the Introduction, Theme and Variations for Clarinet and Orchestra, which was apparently intended to be played by Rossini’s fellow students as part of their annual examinations and competitions. In 1819, Rossini reworked the theme of the B-flat major Variations as the aria Oh quante lacrime for his opera La donna del lago (“The Lady of the Lake”). The Introduction, Theme and Variations, indebted for its inspiration to the elegant Classicism of Haydn and Mozart, is a charming work that lay forgotten for a century and a half after its composition before the European clarinetist Jost Michaels discovered the score in the Deutsche Staatsbibliothek in Berlin in the 1950s and prepared an edition for performance. The piece opens with a slow introduction whose mood resembles some of the more solemn passages in Mozart’s The Magic Flute. A long, sweet cantilena for the clarinet bespeaks Rossini’s gift as a melodist. The principal theme, in quicker tempo, is announced by the soloist. Five variations, separated by orchestral interludes, explore the virtuosic range and the expressive potential of the clarinet in challenging writing that stands as lasting testimony to the fine abilities of Rossini’s young conservatory friends.

PROGRAM NOTES 2015-2016 SEASON

JOHANN STRAUSS, JR.

Neue [New] Pizzicato Polka, Opus 449 (1892)

ABOUT THE COMPOSER

Born 25 October 1825 in Vienna died there 3 June 1899 PREMIERE OF WORK

Hamburg, April 1892 Hansa Saall Eduard Strauss, conductor THESE PERFORMANCES MARK THE PSO PREMIERE INSTRUMENTATION

strings and percussion DURATION

4 minutes

In 1869, Johann Strauss collaborated with his brother Josef on the Pizzicato Polka for their summer concert season in Pavlovsk, Russia. That delightful musical bon-bon was encored three times at its premiere on June 24 in Pavlovsk, and quickly became one of the most popular items in the Strauss repertoire. When brother Eduard was preparing to take a contingent of the Strauss orchestra for a twomonth engagement to Hamburg in 1892, Johann wrote him, “I have sketched a new pizzicato-polka for your concerts in Hamburg. This time it is made slightly more interesting, in accordance with current taste.... Its success can only lie in what I would describe as a coquettish performance, since neither piano nor forte offer sufficient variety in such an unusual piece.” The New Pizzicato Polka was a success, and the following year Strauss incorporated it into his operetta Fürstin [Princess] Ninetta to accompany a children’s ballet.

MAX SCHÖNHERR

Prater-Fahrt Anno 80 (“Drive in the Prater Park”), Galop (1958)

ABOUT THE COMPOSER

Born 23 November 1903 in Marburg an der Drau, Austria (now Maribor, Slovenia) died 12 December 1984 in Baden bei Wien, Austria PREMIERE OF WORK

Vienna, 1958 Orchestra of Radio Vienna THESE PERFORMANCES MARK THE PSO PREMIERE INSTRUMENTATION

piccolo, flute, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, percussion and strings DURATION

The Golden Age of the Viennese waltz ended abruptly with the collapse of the Habsburg Empire at the close of World War I, but the music and its traditions were carried on by such skilled and dedicated musicians as Max Schönherr. Schönherr was born in 1903 into a musical family in the southern Austrian town of Marburg an der Drau (now Maribor, Slovenia), studied composition, double bass, musicology and conducting at the Graz Conservatory and Vienna University, and began his career in 1924 as a double bass player, coach and conductor at the Stadttheater in Graz. He toured with another opera company in 1928-1929 before settling in Vienna to conduct at the Theater an der Wien and Vienna Stadttheater. In 1931, Schönherr joined the conducting staff of Vienna Radio, and quickly established a reputation for his broadcasts and concerts of both the classic orchestral literature and Viennese light music. He was appointed conductor of the Vienna Volksoper in 1933, but his tenure there was cut short by the Nazi Anschluss in March 1938. He continued to work at Radio Vienna during and after World War II, recording many selections from the city’s Golden Age as well as light music by Offenbach, Delibes, Rimsky-Korsakov and even Jerome Kern and Rodgers & Hammerstein, winning the Joseph Marx Prize for Composition in 1954, writing the authoritative study of the Viennese composer and conductor Carl Michael Ziehrer, and composing a ballet, a piano concertino and many pieces reminiscent of the Strausses. Max Schönherr died in 1984 in Baden bei Wien, the spa town twenty miles south of Vienna.

3 minutes

Schönherr composed the galop Prater-Fahrt Anno 80 (“Drive in the Prater Park”) in honor of the 80th anniversary of the racetrack in Vienna’s beloved Prater amusement park.

PROGRAM NOTES 2015-2016 SEASON

MANFRED HONECK Manfred Honeck has served as music director of the Pittsburgh Symphony Orchestra since the 2008-2009 season. Together with the Pittsburgh Symphony Orchestra, Honeck’s widely celebrated performances and distinctive interpretations continue to receive international recognition. To great acclaim, Honeck and the Pittsburgh Symphony Orchestra regularly perform in major music capitals and festivals, among them the BBC Proms, Musikfest Berlin, Lucerne Festival, Rheingau Musik Festival, Beethovenfest Bonn, Grafenegg Festival, Carnegie Hall and Lincoln Center. Honeck and the Pittsburgh Symphony Orchestra also have built a close relationship with the Musikverein in Vienna. Following a weeklong residency in 2012, they will return once again for three performances in the course of an extensive tour of Europe in spring 2016. Honeck’s successful work with the Pittsburgh Symphony Orchestra has been extensively documented on recordings with the Reference and Exton labels. The first SACD released by Reference Records of Strauss tone poems, drew rave reviews. The second recording, of Dvořák’s Symphony No. 8 and the Symphonic Suite from Janáček’s opera Jenůfa, conceptualized by Honeck himself, was nominated for a Grammy Award. Bruckner’s Symphony No. 4 was released in February 2015 to critical acclaim. The next recording, Beethoven 5 & 7, was released in November 2015. Several recordings, among them Mahler’s Symphony No. 4, which won a 2012 International Classical Music Award, are also available on the Japanese label Exton. As a guest conductor, Honeck has worked with the world’s leading orchestras including the Berlin Philharmonic, Vienna Philharmonic, Royal Concertgebouw Orchestra, Bavarian Radio Symphony Orchestra, Gewandhausorchester Leipzig, Staatskapelle Dresden, London Symphony Orchestra, Orchestre de Paris and Accademia di Santa Cecilia Rome. In the 26

United States, Honeck has conducted the New York Philharmonic, The Cleveland Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and Boston Symphony Orchestra. He is also a regular guest at the Verbier Festival. In 2013, Honeck gave his successful debut with the Berlin Philharmonic Orchestra, resulting in a CD recording of Dvořák together with Anne-Sophie Mutter for Deutsche Grammophon which received an Echo Klassik award in 2014. The 20152016 season sees him return to Bamberg, Stuttgart, Rome, Stockholm and New York, as well as the Munich Philharmonic, London Symphony Orchestra and Royal Concertgebouw Orchestra, among others. Born in Austria, Honeck received his musical training at the Academy of Music in Vienna. Many years of experience as a member of the Vienna Philharmonic and the Vienna State Opera Orchestra and at the helm of the Vienna Jeunesse Orchestra have given his conducting a distinctive stamp. Honeck began his career as assistant to Claudio Abbado in Vienna. Subsequently, he was engaged by the Zurich Opera House, where he was bestowed the prestigious European Conductor’s Award in 1993. Honeck was one of three main conductors of the MDR Symphony Orchestra in Leipzig and in Oslo, he assumed the post of music director at the Norwegian National Opera and was engaged as principal guest conductor of the Oslo Philharmonic Orchestra. From 2000 to 2006, he was music director of the Swedish Radio Symphony Orchestra in Stockholm and, from 2008 to 2011, principal guest conductor of the Czech Philharmonic Orchestra, a position he resumed for another three years at the beginning of the 2013-2014 season. From 2007 to 2011, Honeck was music director of the Staatsoper Stuttgart where he conducted premieres including Berlioz’s Les Troyens, Mozart’s Idomeneo, Verdi’s Aida, Richard Strauss’s Rosenkavalier, Poulenc’s Dialogues des Carmélites and Wagner’s Lohengrin and Parsifal, as well as

photo credit: Felix Broede

numerous symphonic concerts. His operatic guest appearances include Semperoper Dresden, Komische Oper Berlin, Théâtre de la Monnaie in Brussels, Royal Opera of Copenhagen, the White Nights Festival in St. Petersburg and the Salzburg Festival.

Honeck has received honorary doctorates from St. Vincent College in Latrobe, Pennsylvania and, most recently, from Carnegie Mellon University in Pittsburgh. Moreover, he has been artistic director of the “International Concerts Wolfegg” in Germany for more than 20 years. BIOGRAPHY 2015-2016 SEASON

MICHAEL RUSINEK and was a prize winner in the Belgrade International clarinet competition. He has participated in numerous music festivals, including the Salt Bay and Portland Chamber Music Festivals, and Music In the Vineyards in Napa Valley. He returns regularly to the Grand Teton, Santa Fe Chamber and Marlboro music festivals. He has toured with the acclaimed “Musicians from Marlboro,” and was featured on the Sony label celebrating Marlboro’s 50th anniversary. In summer 2000, he performed as principal clarinet in the Super World Orchestra, an ensemble comprised of musicians from orchestras around the world. Dedicated to teaching, he has led master classes at some of the leading institutions around the world, including the Royal Conservatory of Music of Toronto, the Colburn Music School, the Manhattan School of Music and the New World Symphony. He served on the faculty of the Canton International Summer Music Rusinek has performed as a soloist with Academy in Canton, China for its inaugural many orchestras and as a recitalist across season, and returns often to play and teach Canada, on CBC Radio and throughout in Tianjin and Beijing. He also returns the United States and Israel, including frequently to conduct master classes and appearances with the Czech Philharmonic, perform recitals in Mexico City. He served Concerto Classic Wien, Toronto Symphony, on the jury for the inaugural Jacques Belgrade Philharmonic, Grand Teton Lancelot International Clarinet Competition Music Festival Orchestra, Aspen Chamber in Rouen, France. Symphony and the Symphony Orchestra of the Curtis Institute of Music. He has Rusinek is proud of his association with been heard as a soloist with the Pittsburgh Selmer Clarinets and Rico Reeds. When he Symphony many times and, in May 2008, is not performing or teaching, you may often he premiered a new concerto by composer find him riding his bike, on the golf course or Alan Fletcher, a concerto commissioned playing hockey in a non-contact league. for him by the Pittsburgh Symphony. That performance was recorded and is available Rusinek last soloed with the Pittsburgh Symphony in December 2012. on the Exton label. Michael Rusinek is currently the principal clarinetist of the Pittsburgh Symphony Orchestra, teaches clarinet and chamber music at the Curtis Institute of Music in Philadelphia, and teaches clarinet at Carnegie Mellon University in Pittsburgh. Starting in summer 2016, he joins the faculty of the Aspen Music Festival and School. Born in Toronto, Canada, his early studies were with Avrahm Galper at the Royal Conservatory of Music. He later attended the Curtis Institute of Music, studying with Donald Montanaro. Upon graduation, he served as assistant principal clarinet with the National Symphony Orchestra in Washington, D.C. In addition to his position in the Pittsburgh Symphony, he has performed as principal clarinet with the orchestras of Philadelphia, St. Louis, The Royal Concertgebouw in Amsterdam and National Arts Center in Ottawa, Canada.

Rusinek was awarded the grand prize in the International Clarinet Society competition,

BIOGRAPHY 2015-2016 SEASON

PITTSBURGH BALLET THEATRE SCHOOL As the official training institution of roster. Students hail from places across Pittsburgh Ballet Theatre, Pittsburgh Ballet the Americas, Canada, Europe and Asia. Theatre School is recognized as one of the Admission to this program is by audition nation’s finest schools for dance education and invitation only. and training. Under the leadership of Artistic Director Terrence S. Orr and School Co- The Adult Division’s Open Ballet classes Directors Marjorie Grundvig and Dennis are offered for adults in beginning through Marshall, PBT School offers classical ballet advanced level ballet, contemporary dance training and a diverse dance curriculum to and Pilates Mat. PBT’s Pilates Program more than 1000 students of all ages, levels combines classical Pilates training with and degrees of interest taught by faculty professional dance experience resulting in a and guest teachers of international acclaim. unique cross-training method preferred by Strengthened by daily exposure to PBT’s many PBT Company Dancers and is open to professional company of dancers, PBT the public. School students experience training that extends from the studio to the main stage. Each year, PBT School embarks on an audition tour, traveling across the United PBT School provides classical ballet training States auditioning students for its summer through four divisions: Children’s, Student, programs. Approximately 275 students Pre-Professional (High School & Graduate) attend the summer programs. From this and Adult. The Children’s Division introduces group, select students are invited to attend very young children to dance through Pre- the school-year Pre-Professional program Ballet, Ballet Foundations and Preparatory each year. Ballet classes. As students move into the Student Division, they begin studying The School’s modern and air-conditioned classical technique. Many students in this facility is conveniently located in Pittsburgh’s division have the opportunity to audition for famed Strip District, just 1.5 miles from the and perform in Pittsburgh Ballet Theatre’s heart of downtown Pittsburgh. It features annual presentation of The Nutcracker and five spacious studios with sprung Harlequin floors. Free parking is available. Live music other repertoire productions. accompanies most classes. The Pre-Professional Division is the keystone of the School, training the next generation For more information: 412-281-6727, of professional dancers, including more PBTSchool@pittsburghballet.org or than 50 percent of PBT’s current company pbt.org/school.

Choreography: Kaila Lewis, PBT School Faculty Marysia Brown, Katya Chernyshev, Gianna Christensen, Victoria Fast, Adrienne Klimchak, Ava Kresak, Zoe Lakkis, Gabriella Romack Students of Pittsburgh Ballet Theatre School

BIOGRAPHY 2015-2016 SEASON

THE PITTSBURGH SYMPHONY ORCHESTRA For 120 years, the Pittsburgh Symphony Orchestra has been an essential part of Pittsburgh’s cultural landscape. The Pittsburgh Symphony, known for its artistic excellence, is credited with a rich history of the world’s finest conductors and musicians, and a strong commitment to the Pittsburgh region and its citizens. This tradition was furthered in fall 2008, when Austrian conductor Manfred Honeck became music director of the Pittsburgh Symphony Orchestra.

Symphony was the first American orchestra to perform at the Vatican in January 2004 for the late Pope John Paul II, as part of the Pontiff’s Silver Jubilee celebration.

The Pittsburgh Symphony has a long and illustrious history in the areas of recordings and radio concerts. As early as 1936, the Pittsburgh Symphony has broadcast coastto-coast, receiving increased national attention in 1982 through network radio broadcasts on Public Radio International. The PRI series is produced by Classical With a long and distinguished history of WQED-FM 89.3 in Pittsburgh and is made touring both domestically and overseas possible by the musicians of the Pittsburgh since 1900, the Pittsburgh Symphony Symphony Orchestra. continues to be critically acclaimed as one of the world’s greatest orchestras with more The 2015-2016 season marks the Pittsburgh than 36 international tours, including 20 Symphony Orchestra’s 120th anniversary. European tours, eight trips to the Far East, and two to South America. The Pittsburgh

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H A N D E L’ S BNY MELLON GRAND CLASSICS SPECIAL

Messiah

Saturday Dec. 5, 8 P.M. • Heinz Hall Manfred Honeck, conductor FEATURING

THE MENDELSSOHN CHOIR OF PITTSBURGH

THE Messiah of the season!

The greatest story ever told. The most majestic music ever conceived. Handel’s inspiring “Messiah,” with Manfred Honeck, the Pittsburgh Symphony, and Mendelssohn Choir. Experience music’s most affecting message of faith.

GET YOUR TICKETS TODAY! Heinz Hall Box Office • 412.392.4900 pittsburghsymphony.org/messiah BRIN G YOUR GROUP AND S AVEPROGRAM ! 4 1 2 . 3NOTES 9 2 . 42015-2016 8 1 9 SEASON

DEC.11/12/13/19/20 Heinz Hall

DANIEL MEYER, CONDUCTOR

CHRIS JAMISON

Featuring The Voice’s Chris Jamison, the Mendelssohn Choir of Pittsburgh, Three Rivers Ringers, Attack Theatre and more!

Tickets start at just $24! Heinz Hall Box Office 412.392.4900 pittsburghsymphony.org/pops

HOLIDAY SPONSOR

WE’VE MADE SOME CHANGES! Renovations on the Grand Tier level are nearing completion. These renovations include some new, exciting features: · The renovated and new bathrooms on the Grand Tier level all include wheelchair-accessible facilities, increasing the number of handicap accessible bathrooms in the building to five. · The Encore Lounge, the dedicated lounge for Pittsburgh Symphony donors at intermission, has moved from the Overlook Room. The Overlook Room, which includes a ladies’ restroom, is now open to all patrons, including during intermission. · The Encore Lounge is now in the half of the former Grand Tier Lounge closest to the windows. This area, and its dedicated men’s and ladies’ restrooms, is reserved for Encore Club and above donors during intermission. For more information about becoming a member of our donor family, please contact the PSO’s Development Department at 412.392.4880 · The other half of the Grand Tier Lounge is open to all patrons throughout performances, including its bar. (A glass wall will be installed in January to more clearly delineate the two areas.)

ELEVATOR

MEN

BAR

GRAND TIER FOYER 17 X 52’

LOBBY

MEN

GRAND TIER LOUNGE

ENCORE LOUNGE

(RESERVED FOR DONORS ENCORE CLUB AND ABOVE DURING INTERMISSION) ELEVATOR

WOMEN

BAR

We hope that you enjoy the improvements made to the Grand Tier level! PROGRAM 2015-2016 SEASON

2015-2016

FRIENDS OF THE PSO EVENT SCHEDULE

COCKTAIL RECEPTIONS Cocktails & Hors d’oeuvres at 5 PM; Speaker at 6 PM These receptions feature guest artists and musical personalities from the season and are free-of-charge to Friends members. All receptions will take place in the Dorothy Porter Simmons Regency Rooms of Heinz Hall from 5 to 7 p.m.

THURSDAY, JANUARY 14, 2016

Violinist Tim Fain

THURSDAY, MARCH 10, 2016

Guest Conductor Osmo Vänskä THURSDAY, MAY 12, 2016

Percussionist Martin Grubinger

PRE-CONCERT DINNERS & BRUNCHES The Friends of the PSO farewell pre-concert dinners will be held the weekend of June 17 & 18, 2016. Brunch will be announced at a later date. When an event is scheduled, members receive an announcement in the mail to return for a reservation.

Please contact Kathy Maskalick at 724-935-0507 with any questions or for more information. 36

ON SALE NOW! The latest release from Music Director Manfred Honeck, the Pittsburgh Symphony Orchestra and Reference Recordings — BEETHOVEN 5 & 7 — is available now! Copies are available in the lobby pre- and post-concert and during intermission for only $20!

A limited number of CDs signed by Maestro Honeck are available for $25.

M A N F R E D H O N E C K , M U SPROGRAM I C D NOTES IREC T O RSEASON 2015-2016

EVERY GIFT IS INSTRUMENTAL The Pittsburgh Symphony Orchestra and Heinz Hall for the Performing Arts are pleased to acknowledge the following members of our donor family who have made generous gifts of $500 or more to the Annual Fund during the past year. Those who have made a new gift or increased their previous gift are listed in italics. Every effort has been made to ensure accuracy; however, if you are not listed correctly, please call 412.392.4880. Thank you! MAESTRO’S CIRCLE $100,000 + Anonymous Pittsburgh Symphony Association & Affiliates Dick & Ginny Simmons

Mrs. Nancy K. Hansen Tom & Dona Hotopp Bob & Joan Peirce Mr. Matthew V. T. Ray Mr. & Mrs. Thomas J. Usher

Craig Jordan & Elaine Koziar-Jordan Mr. & Mrs. R. Drew Kistler Betty & Granger Morgan Janet & Donald Moritz Mr. & Mrs. John R. & Svetlana S. Price Mary Alice Price Abby & Reid Ruttenberg Pauline Santelli The David S. & Karen A. Shapira Foundation Jill & Craig Tillotson Jan & Anthony Tomasello Melia & Mike Tourangeau Dr. Michael J. White & Mr. Richard LeBeau Barbara & Bruce Wiegand Dr. & Mrs. Merrill F. Wymer

DIRECTOR’S CIRCLE $5,000 - $7,499

Anonymous (3) Alan L. & Barbara B. Ackerman John Ahern Andrea & David Aloe CHAIRMAN’S CIRCLE Sudhir Bajaj BENEFACTOR’S CIRCLE $15,000 - $19,999 $50,000 - $99,999 Dr. & Mrs. John C. Barber Michele & Pat Atkins Vivian & Bill Benter Philip & Melinda Beard Nadine E. Bognar/E.J. Randi & *L. Van V. Dauler, Jr. Bognar, Inc. Edwin H. Beachler Mr. & Mrs. J. Christopher Kathryn & Michael Bryson Noah Bendix-Balgley Donahue James K. & Sara C. Donnell Michael & Sherle Berger Rick & Laurie Johnson Mr. & Mrs. Thomas C. Eva Tansky Blum Perry* & BeeJee Morrison Graham Dr. Alan & Marsha Juergen F. Mross Margaret & Todd Izzo Bramowitz Mr.* & Mrs. Christopher Mr. & Mrs. John T. Ryan III Nancy & Jeff Leininger Brent Steve & Brenda Mr. & Mrs. John W. Lynch Suzy & Jim Broadhurst Schlotterbeck Sheldon Marstine Larry & Tracy Brockway Jon & Carol Walton Devin & Shannon Barbara & David Burstin DIRECTOR’S CIRCLE Arthur & Barbara* Weldon McGranahan $7,500 $9,999 Jane & Rae R. Burton Pittsburgh Symphony North Sidney & Sylvia Busis FOUNDER’S CIRCLE Cheryl & James Redmond Ted & Kathie Bobby James & Margaret Byrne Mr. & Mrs. Joseph L. $25,000 - $49,999 Joanne B. Rogers Calihan Jerry & Mimi Davis Anonymous Robert P. Zinn & Darlene R. James C. Chaplin Dr. & Mrs. Martin Earle Berkovitz James & Electra Agras Basil & Jayne Adair Cox Henry & Ann Fenner Tony & Linda Bucci Mary Ann Craig, D.M.E. Mr. & Mrs. Thomas Dr. & Mrs. William Canady GUARANTOR’S CIRCLE McConomy Ruby A. Cunningham $10,000 - $14,999 Mr. & Mrs. Armand C. George & Bonnie Meanor Alison H. & Patrick D. Deem Anonymous Dellovade Mr. & Mrs. Sam Michaels Philip J. & Sherry S. Steven & Beverlynn Elliott Andrew & Michelle Aloe Dieringer James & Joan Moore Allen Baum & Elizabeth Marcia M. Gumberg June & Barry Dietrich Witzke-Baum Mildred S. Myers & William Rich & Scheryl Harshman C. Frederick Carol & Brian Duggan Mr. & Mrs. Benno A. Bernt Drue Heinz H. Ward & Shirley Olander Mr. William J. Fetter Mr.* & Mrs. Edward S. Elsie* & Henry Hillman Churchill Elliott S. Oshry Terri H. Fitzpatrick Audrey R. Hughes Mr. & Mrs. E. V. Clarke Dr. & Mrs. William R. Poller Mary Louise & Henry J. David & Carol McCormish in honor of our four Gailliot Mr. and Mrs. Ross F. Dacal grandsons Tom & Jamee Todd Robert & Jeanne Gleason Roy & Susan Dorrance Richard E. Rauh Ellen & Jim Walton Caryl & Irving Halpern Dr. James H. & Mary E. Mr. & Mrs. Frank Brooks Helge & Erika Wehmeier Duggan in Memory of Gail & Greg Harbaugh Robinson Mary A. Duggan James & Susanne In Honor of Helge & Erika Millie & Gary Ryan Wilkinson Michelle Ann Duralia Wehmeier Alece & David Schreiber Barbara & Bob Egan Dr. & Mrs. Allen Hogge Carol Hefren Tillotson CHAIRMAN’S CIRCLE Hans & Leslie Fleischner Gerald & Diane Holder $20,000 - $24,999 Frank & Angela Grebowski Mr. David Holmberg Anonymous Manfred & Christiane Mrs. Milton G. Hulme Honeck Ron & Dorothy Chutz Elizabeth S. Hurtt Joseph & Dorothy Jackovic Jean & Sigo Falk Barbara Jeremiah 38

Robert W. & Elizabeth C. Lorraine E. Balun, in Dorothy A. Howat Leonard* & Joan Kampmeinert memory of Phyllis E. Scheinholtz Dr. & Mrs. John W. Hoyt Zimmerman Judith & Lester* Lave Hyman Family Foundation Dr. & Mrs. Harry E. Serene Barbara L. Barry D. H. Lee Jr. Dr. Stanley Shostak & Dr. Alice Jane Jenkins Adam & Megan Bauman Marcia Landy Arthur S. Levine, M.D. & Leo & Marge Kane Linda S. Melada Dr. & Mrs. David Beaudreau Manny H. & Ileane Smith Arthur J. Kerr Jr. Mary Lou & Ted N. Magee Nick & Dotty Beckwith Marisa & Walter C. Smith Sydelle Kessler Robert & Dana McCutcheon Martha L. Berg Mr. Frederick Steinberg Charles & Kathleen Kovac Gerald McGinnis Gerald & Carolyn Eberly Lowell & Jan Steinbrenner Susan Oberg Lane Blaney Mr. & Mrs. Martin G. Jeff & Linda Stengel Dr. Joseph & AnnaMae McGuinn Marian & Bruce Block Edward & Rebecca Stephan Lenkey Robert D. Mierley Family Don & Judy Borneman Theodore & Elizabeth Stern Barry Lhormer & Janet Foundation II Dana & Margaret Bovbjerg Markel Fred & Maryann Steward Mary Ellen Miller Bozzone Family Foundation Doris L. Litman Dick & Thea Stover Morby Family Charitable Mr. & Mrs.* Kenneth Brand Mark & Joan Lombardi Neil & Bronya Strosnider Foundation Hugh & Jean Brannan Patrick & Alice Loughney Margaret Tarpey & Bruce James Parrish & Chris Gary & Judy Bruce Freeman Siewers Mrs. John Marous Richard & Sandra Teodori Steven C. & Tami Pederson Charles* & Patricia Burke James & Jennifer Martin Jan Burton Douglas E. Thomas Catherine & Bill Perez Dr. Richard Martin in Dr. & Mrs. Ronald L. Thomas Dr. Tor Richter in memory of Mr. & Mrs. Frank V. Cahouet memory of Mrs. Lori Martin Elizabeth W. Richter Gail & Rob Canizares Mr. & Mrs. Harry A. Dave & Kathy Maskalick Thompson II James W. & Erin M. Rimmel Debra Caplan & David Levenson MD Victoria & Alicia McGinnis John & Nancy Traina Dr.* & Mrs. William E. Rinehart Judy Clough Margaret J. McGowan Mr. & Mrs. Walter W. Turner Mr. & Mrs. William F. Charles C. Cohen & Michele Marilyn & Allan Meltzer C. Robert Walker Roemer M. McKenney Montgomery IP Associates Jim Walker & Jonnie Mr. & Mrs. Daniel M. Bill & Cynthia Cooley Gerald Lee Morosco & Paul Viakley Rooney Alan & Hazel Cope Ford Jr. Dr. Ronald J. & Patricia J. Karen Scansaroli Wasilak Rose & Vincent A. Crisanti Jim & Susan Morris in Mrs. Virginia W. Schatz Memory of L. Van V. Dr. Konrad & Mrs. Konrad George & Ada Davidson Dauler, Jr. M. Weis Nancy Schepis Jamini Vincent Davies Abby L. Morrison Jodi & Andrew Weisfield Michael Shefler Ada Davis Lesa B. Morrison, Ph. D Carolyn & Richard Robert & Janet Squires Robert & Renee Denove Westerhoff Barbara & Eugene Myers Edward W. Stack & Donna Mr. Frank R. Dziama Drs. Barry & Iris Wu Ann Burnett Constance Nelson Edith H. Fisher Subra & Mary Suresh Maurice & Nancy Nernberg Miriam L. Young Curt & Kim Tillotson Harvey* & Florence Zeve John P. & Elizabeth L. Dr. & Mrs. Michael L. Fleming Surma Nieland Dorothea K. Zikos Mr. William R. Forsythe Marcia & Dick Swanson Fritz Okie Chauncey & Magdaline Symphony East Paul & Nancy O’Neill ENCORE CLUB Frazier Charitable Trust Dr. Sharon Taylor & Dr. $1,500 - $2,499 Janet M. Frissora Philip Rabinowitz Ellen Ormond Anonymous (8) Dina & Jerry* Fulmer Scott & Kaye Wahlstrom Dr. Thaddeus A. Osial Jr. & Mrs. E. L. Abernathy Bruce & Ann Gabler Linda Shooer Osial Seldon Whitaker In Mary Beth Adams Gary & Joanne Garvin Memory of Susan Robert & Lillian Panagulias Ronald Anderson Whitaker Nancy Goeres & Michael Mr. & Mrs. William A. Mr. Francis A. Balog & Dr. Rusinek Rachel W. Wymard Partain Paula Bonino Dr. & Mrs. Sanford A. Richard E. & Alice S. Patton Barbara C. & Ralph J. Gordon AMBASSADOR’S CIRCLE Ned & Sally Randall Bean Jr. Franklyn & Dale Gorell $2,500 - $4,999 Mr. & Mrs. Robert W. Fred & Sue* Bennitt Mr. James Gorton & Mrs. Riordan Anonymous (5) Jeanne B. & Richard F. Gretchen Van Hoesen Mr. & Mrs. James E. Rohr The Barbara and Marcus Berdik George & Jane Greer Aaron Fund of The Judy & Stanley Ruskin Dr. Lawson Bernstein Jim & Marnie Haines Pittsburgh Foundation Dr. Alan Russell Dr. Michael & Barbara Carolyn Heil Jane Callomon Arkus Bianco Donald D. Saxton Jr. in Dan & Gwen Hepler Joseph E. Bailey, Sr. memory of Barbara Morey Mr. Michael E. Bielski Saxton Mr. & Mrs. C. T. Hiteshew Paul E. Block EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON

Philip & Bernice Bollman Alice V. Gelormino Mary C. McCormick Barbara & Lou Steiner Dr. Carole B. Boyd Mr. & Mrs. David C. Genter Jean H. McCullough Dr. & Mrs. Leonard Stept Gary & Connie Revs. Gaylord & Catherine Dr. & Mrs. James B. McGee Mr. Douglas Stirling Brandenberger Gillis Declan McGovern Dr. & Mrs. Ron Stoller Mr. & Mrs. James H. Dr. Robert J. & Susan J. Alan & Marilyn McIvor Judith & Steve Thomas Bregenser Gluckman Jean S. McLaughlin Bob & Bette Thomson Lawrence R. Breletic & Kenneth* & Lillian Bridget & Scott Michael Mr.* & Mrs. Arthur W. Donald C. Wobb Goldsmith Ticknor Dr. & Mrs. Donald B. Jill & Chuck Brodbeck Laurie Graham Middleton Rosalyn & Albert Treger Roger & Lea Brown Rick* & Stephanie Green Nessa Green Mines Jane F. Treherne-Thomas Nancy & John* Brownell Ernest Grindle Aaron & Donielle Albert & Megan Trezza Mr. & Mrs. David A. William & Victoria Guy Morgenstern Cathy & Robert Trombetta Brownlee Dr. Alberto M. Guzman Constance T. Morrison Drs. Ben Van Houten & Howard & Marilyn Bruschi Mrs. Ellen Hagerty Dr. & Mrs. Etsuro K. Victoria Woshner Timothy & Linda Burke Rev. Diana D. Harbison Motoyama Bob & Denise Ventura Mr. & Mrs. William S. Mr. & Mrs. Edward J. Harris Maureen S. O’Brien Mr. & Mrs. Jerry Vest Burkland Bob & Georgia Hernandez Mr. & Mrs. Patrick M. Gene & Sue Burns Mr. & Mrs. Timothy Vismor O’Donnell Dr. Bernadette G. Callery* & Douglas & Antionette Hill Mr. & Mrs. Burt Wald Paul M. Palevsky, MD & Dr. Joseph M. Newcomer Kelvin Hill & Cheryl Mr. & Mrs. Keith Sharon R. Roseman, MD Chotiner Susan & Bill Cercone Wannamaker Seth & Pamela Pearlman Dr. Joseph & Marie Janet E. Chadwick Frank & Heide Wenzel Hinchcliffe Connie & Mike Phillips Kenneth & Celia Christman Mr. & Mrs. Raymond B. Dr. & Mrs. William Hoffman Mr. & Mrs. E. Kears Pollock White Sarah Clendenning & Un Philo & Erika Holcomb Mrs. Mildred M. Posvar Kim Ellie & Joe Wymard Micki Huff Sandy Pysh & Rich Mrs. Arthur L. Coburn III Mr. & Mrs. Charles Zellefrow Somplatsky Joan M. Hurrell Judge Maurice Cohill Jr. Simone Ziegler Stephen G. Robinson Sheila Corrall & Ray Lester Mary Lee & Joe Irwin Dr. & Mrs. Wilfred T. Rouleau Barbara Johnstone Ms. Eileen Cox SYMPHONY CLUB Rich & Linda Ruffalo Mr. & Mrs. Jayant Kapadia Randall L. Crawford $500 - $1,499 Dr. James R. Sahovey David* & Marian Crossman David & Fran Kaplan Anonymous (24) Rolf & Florence M. Kayser Drs. Guy & Mary Beth Mr. & Mrs. Cyrus Daboo Janese Abbott & David Clark Salama William & Lucille Kenworthy Marion S. Damick Barbara & Otto Abraham Tamiko Sampson Gloria Kleiman Bruce & Rita Decker Frederic & Deborah Acevedo Perri & Tom Schelat James & Jane Knox Dan & Dee Delaney Deborah L. Acklin Joseph Schewe Jr. Angela & Mike DeVanney Lewis & Alice Kuller Dr. & Mrs. Siamak Adibi Esther Schreiber Frank D. & Mary K. Devono George & Alexandra Kusic Jolie Schroeder Dr. Lawrence Adler & Judy Brody Mr. & Mrs. James R. Drake Dr. & Mrs. Howard N. Lang Robert J. & Sharon E. Jacob Allebach Robert Lauver & Marina Kevin & Sarah Eddy Sclabassi Nielsen Erin & Kevin Allen Linda & Robert Ellison Sean Shannon Father Ronald P. Lengwin Marlene & Louis Epstein Preston & Annette Shimer Joyce & John Allen Claire & Larry Levine Joe & Chris Aloe Kelly G. Estes & Hank Snell Dr. Ralph T. Shuey & Ms. Harriet, Barbara, Marc, Scott Rebecca L. Carlin Richard C. Alter & Eric D. Donald & Judith Feigert and Kim Lewis in memory Johnson Constance Silipigni John H. Feist, M.D. of Elliott (Bud) Lewis Anne B. Angerman Paul & Linda Silver Dr. & Mrs. Lawrence Ferlan Dr. Michael Lewis & Dr. Katia Sycara Juliet Lea Hillman Simonds The Rev. Drs. A. Gary & Judy Mrs. Orlie S. Ferretti Angleberger Elsa Limbach Mr. Frank Simpkins Albert L. Filoni Stanley W. Angrist Ken & Hope Linge Dennis & Susan Slevin Dr. Edward L. Foley Dr. Nicole Ansani-Jankowski Roslyn M. Litman Bill & Patty Snodgrass J. Tomlinson Fort Joan Apt In Memory of Norval W. Lyle Mrs. Alice R. Snyder Normandie Fulson Yoshio Arai Francis & Debbie Lynch Marcie Solomon & Nathan Mrs. J. William Futrell James & Susanne Armour Goldblatt Dr. Kent Galey & Dr. Karen Daphne & John Lynn Mr.* & Mrs. David J. The Honorable* & Mrs. Roche Neil & Ruth MacKay Armstrong William L. Standish Gamma Investment George & Jane Mallory Dr. Donald & Joann Lewis M. Steele & Ann Corporation Atkinson John & Cathy Mary Labounsky Steele Keith & Susan Garver Mr. & Dr. Avetta Donna & Stephen Maxwell Mark Steele Beth & Phil Gasiewicz 40

Dr. & Mrs. Alan A. Axelson Anna Brophy Patricia J. Cover Ruth Bachman in Memory Suzanne Broughton & Barton & Teri Cowan of James Bachman Richard Margerum Susan & George Craig Donna L. Balewick MD Mr. & Mrs.* Earle O. Brown Jr. Susan O. Cramer Bob & Martha Ball Mr. & Mrs. Fitzhugh Lee Ross D. Cranston & Ian M. Brown Mr. & Mrs. Barry Balliet McGowan Timothy R. Brown & Heidi Mr. & Mrs. Daniel G. Crozier Diane Banks K. Bartholomew Dr. Esther L. Barazzone John D. & Laurie B. Nancy & John* Brownell Culbertson Wendy & David Barensfeld Dr. & Mrs. John A. Kent & Merle Culley Joe & Sandra Barnes Burkholder Mr. S. A. Cunningham Richard C. Barney Nicholas Butera & Grace Cynthia Custer Wagner Robert & Loretta Barone Dr. & Mrs. Richard H. Robert Bastress & Barbara Michael F. Butler Daffner Fleischauer Christopher & Nancy Mr. Enrico & Mrs. Federica Caldwell Martin & Bridgett Bates Dallavecchia James & Judith Callomon Robert & Janet Baum Mrs. Heidi Daley John & Kelly Camp John & Betsy Baun Joan & Jim Darby Susan Campbell & Patrick Barbara N. Baur Norina H. Daubner Curry Vitasta Bazaz & Sheen Constance P. Davis Sehgal Fund in Memory of Dr. Albert A. Caretto Dr. Kuldeep Sehgal Richard & Jeanne* Carter Joan Clark Davis Dr. Diana Beattie Morningside Dental Rebecca J. Caserio M.D. Dr. Dorothy J. Becker Charles & Donna Cashdollar Jim* & Peggy Degnan Michael Beer Charles S. Degrosky* James P. Cassaro Barbara Nickel Beisel Mrs. Cynthia Del Bianco Dr. & Mrs. Richard G. Cassoff Vange & Nick Beldecos Dr. & Mrs. Gregory G. Sue Challinor & Matt Teplitz Dell’Omo Judith Bell Lynn & David DeLorenzo Mr. Flavio & Tatjana M. Ron & Nancy Bergey Chamis Dr. Richard S. DeLuca Dr. Peter & Judy Berkowitz Stu & Lori Chandler David & Diane Denis Helen & Don Berman Robert S. Bernstein & Ellie Deborah & David Chapman Edward U. DePersis Peggy & Joe Charny K. Bernstein Fund Patrick C. Derrico Ms. Robin Joan Bernstein Dr. & Mrs. Albert E. Chung Dr. & Mrs. Frederick R. DeRubertis Ms. Jensina A. Chutz Don Berry* Diane Dewalt Ralph & Phyllis Cioffi Marilyn & Guy Berry Mr. & Mrs. Victor DiCarlo Henry & Charlotte Beukema Edward Cipriano Mrs. Tika Dickos William R. Clarkson & Dr. Drs. Barbara & Al Biglan Andrea Velletri Peter Ditsch Harry S. Binakonsky, M.D. Robert & Elizabeth Clemens Docimo Family Rob & Hongwei Bittner William & Elizabeth Holland & Susan Franklin & Bonnie Clendenning Donaldson Blackstone Brian Clista Lisa Donnermeyer Michael & Carol Bleier Michel & Christine Douglas Mr. & Mrs. Donald G. Block Stuart & Cathryn Coblin Christine & Howard Cohen Anthony V. Dralle Clifford Bob & Joan Miles Steve & Jeanne Boehmer Dr. Richard & Sally B. Cohen Dristas, Thomas & Teresa Jared L. & Maureen B. Mr. David Duffee & Ms. Marianne Bokan-Blair Cohon Rebecca Catelinet Betsy Bossong Alan & Lynne Colker John & Elizabeth Eckenrod Barbara H. Bott & Robert In Loving Memory of Mr. & Mrs. David H. Jennings Johnathan Heath College Ehrenwerth William & Elizabeth Bowers Estelle Comay & Bruce Christopher* & Gretchen Myles & Joan Bradley Rabin Elkus Mr. & Mrs. Robert N. Brand Connell Leonard Family Mrs. Doris B. Ely Sue & Mark Breedlove The David Conover Family Eugene & Katrin Engles Jr. Gerda & Abe Bretton Lin & Anne Cook Mindy & Richard Epstein Mary & Russell Brignano R. Bruce Cooper Francis E. Fairman III Daniel & Lise Brodkey

Dan & Nancy Fales Tibey & Julian Falk Mr. Carmine Fantini Joan Feldman Dana H. Ferry Janet Fesq Dr. Joseph Fine Dr. A.M. & Jeanne Blend Finton Nancy A. Fitch Paul & Joanna Fitting Charles & Anna Fitz Mr. & Mrs. Joseph R. Fitzgerald Ms. Ann P. Flaherty Mr. Mark F. Flaherty Mr. & Mrs. James Flanigan Jan Fleisher Iris R. Flinn Suzanne Flood Mr. & Mrs. Anthony Fonseca Gene S. Forsythe Mr. & Mrs. Edward Fortwangler Mr. & Mrs. K. H. Fraelich Jr. Christina Friday Eleanor Friedman Friends of the PSO John & Elaine Frombach Dr. & Mrs. James L. Frost Mrs. Fran Frye Dr. & Mrs. Freddie H. Fu Mr. Gabriel C. Fusco Michael & Nina Gaffney Dr. & Mrs. Marc E. Garfinkel Hans & Gudrun Garkisch Joan & Stuart Gaul Pete Geissler Mr. & Mrs. William P. Getty Mr. & Mrs. Charles E. Getze Barbara & Fred Gilman Mr. David Givens & Mr. Stephen Mellett Mike & Cordy Glenn Daniel & Marcia Glosser Fund Mr. & Mrs. Ted Goldberg Walter L. Goldburg Bernard Goldstein, M.D. & Russellyn Carruth Thomas W. Golightly* & Rev. Dr. Carolyn J Jones Dr. & Mrs. C. B. Good Richard E. Gordon & June F. Swanson Ms. Rita J. Gould

EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON

Dr. Lora D. Graves & Dr. Tom & Mary Hooten Diana K. Lemley MD & Paul Mr.* & Mrs. Jon W. Bryan D. Dye L. Shay MD McCarter Mr. & Mrs. Michael E. David & Nancy Green Hooton Mr. David W. Lendt Patrick & Michelle McCarthy Dr. & Mrs. M. Joseph Rachel & Micah Howard Dr. Herbert & Barbara Levit McCarthy Rail Insurance Grennan Mr. & Mrs. Alan R. Huffman Mrs. William E. Lewellen III Managers, Inc. Mr. & Mrs. Steven Gridley Mark Huggins & Bonnie Dr. & Mrs. Charles E. Anne Lewis McChesney Margaret L. Groninger Siefers Mr. & Mrs. Phillip K. Jonathan & Kathryn D.T. Gruelle Specialty Mr. & Mrs. Elwood T. Liebscher McClure Logistics Hughes Robert & Janet Liljestrand Paula & Bob McCracken Ormond & Jay Guenard Robert W. & M. Elise Hyland Dr. Claudio A. Lima & Mrs. Mr. Bernard J. McCrory Andrew Gurcak & Elaine Ironmaster, LLC Kenia Ashby Lees Robert & Rose Marie Izzo Mr. & Mrs. Kurt L. Limbach Mrs. Samuel K. McCune Kristine Haig & John Nancy McDonald Mr. & Mrs. Vincent J. Jacob Walter F. Limbach Sonnenday Mary McDonough Dr. & Mrs. Samuel A. Jacobs Jim & Sandi Linaberger John* & Judith Hall Keith McDuffie Lynne & Blair Jacobson William Lindgren Mr. & Mrs. Van Beck Hall Kent & Martha McElhattan Paul & Barbara Jacoby Tom & Gail Litwiler Robin & Scot Hamilton Barbara McKenna & Family Mr. & Mrs. Robert S. Jackie & Larry Lobl Wilfred & Susan Hansen Jamison Jr. Alexis & Andrew McKinley Margery J. Loevner Jeanie & Ben Hardesty Stacey L. Jarrell Mr. & Mrs. William J. Don & Hanne Lorch Susan & David Hardesty Mehaffey Dr. & Mrs. Edward W. Jew Jr. Mrs. Howard M. Love Mr. & Mrs. James H. Hardie Dawn M. Johnson Mr. & Mrs. Richard P. Eddie Lowy & Ricardo Mellon Mary O. Harrison Janis & Jonas Johnson Cortés Suzanne Mellon Christopher & Lorien Hart Tom & Wendy Jones in Mr. Anthony G. Lucas & Mr. Peter & Memi Melotti Mr. Robert Hartman Honor of Chris Wu Andrew Leo Mark & Amy Mendicino Ms. Christine A. Hartung John & Maureen Joyce Annette Lutz Barbara Sachnoff Cal & Donna Hastings Mr. & Mrs. J. Paul Kadlic Mr. David A. Lynch & Ms. Mendlowitz Dorothy A. Davis Greg Haughey Mr. & Mrs. Richard Kahlson In Memory of William C. Edward J. Lynch Dr. Bobbie Lee Hawranko Alice & Richard Kalla Menges DMD In Memory of James Lyne Daniel G. & Carole L. Kamin Mr. & Mrs. Thomas E. Barbara A. Hays Dr. & Mrs. Peter D. Kaplan William & Helen Lyons Merriman Cathy & John Heggestad Mrs. Guinevere R. Mabunay Robert & Elizabeth Mertz Michael & Dolores Kara Dr. & Mrs. Fred P. Fund of The Pittsburgh Jim Keller & Mary Ellen Hoy Mr. & Mrs. William L. Heidenreich Foundation MacDonald Flo & Bob Kenny In Memory of John G. Mr. & Mrs. Sean Mahoney Mrs. William Metcalf III Rhian Kenny Heidish Mr. & Mrs. Roger Meyer John K. Maitland Ms. Martha S. Helmreich in The Kessler Family Mr. & Mrs. Robert P. Malnati Dr. & Mrs. Milton M. Honor of my mother, Anne Mrs. Greta Keverline Michaels Mrs. Doris Malter & Mr. J. Schaff Norman L. Kimes Anne M. Miller Jeffrey Malter Eric & Lizz Helmsen Mr. & Mrs*. James Kirsch Ms. Laurie Miller Carl & Alexis Mancuso Paul & Colleen Hennigan Rich & Jan Kleiser Robert & Miriam Miller Drs. Ellen Mandel & Marianne & Marshall Hess Peggy C. Knott Lawrence Weber Mr. & Mrs. Stuart M. Miller Mr. Ralf E. Hess Mr. & Mrs. Jay R. Mangold Jr. Dr. & Mrs. Vincent P. Miller Jr. Ms. Marilyn Koch Professor Benjamin E. Hicks Bob & Susie Kopf Mr. & Mrs. Donald Marinelli Jack Millstein Dr. & Mrs. John B. Hill Mr. & Mrs. Robert Y. Kopf III Bud & Barbara Mars Milana & Larry Milosh Mr. & Mrs. David Hilty Mr. & Mrs. Rodger Marticke Frank C. & Judy L. Drs. Fotios & Linda Jean A. Hinrichsen Koumpouras Mindicino Dr. & Mrs. George J. Pete & Rebecca Hoch Maruschock Eugene John Kritko Jeffrey Mishler Mr. Richard Hodos Mr. & Mrs. John Krolikowski Thomas & Elizabeth Signe Mitchell Massella Ms. Donna Hoffman & Mr. Mr. Nicholas Kyriazi Ann & Mark Mizer Richard Dum Dr. William Matlack & Leslie Mr. & Mrs. Scott Lammie Paul & Connie Crawford Matlack Karen & Thomas Hoffman Dr. & Mrs. Stephen Landay Mockenhaupt Karen Matthews Greg & Amy Hogue Ruth M. Montgomery Ronald & Lida Larsen Carolyn Maue & Bryan Hunt Clare & Jim Hoke Amy & Ira* M. Morgan Earl & Marilyn Latterman Ken & Dr. Carol Maurer Katherine Holter Bill & Jane Morgan Kathy & Hank Lawrence Sidney McBride Mr. William B. Holtzman Dr. Harvey M. Morris Marvin & Gerry Lebby Dale & Dr. Marlene* McCall Dr. & Mrs. Elmer Holzinger Drs. Grace & Joon Lee Dr. & Mrs.* William S. Ms. Madeleine Hombosky Joe Leja Morrison 42

Mr. & Mrs. W.M. Morrissey Mr. & Mrs. Jon R. Piersol Brenda & Frank Moses Bob & Ellen Piper Ms. Ann Marie DeGeorge & Ed & Mary Ellen Pisula Mr. Richard Mueller Drs. Mary & Raymond Michael & Cynthia Mullins Pontzer Hilde Munck & Eckard Dr. & Mrs. Frederick Munck Porkolab Richard & Martha Munsch David & Marilyn Posner Mary & Jim Murdy Mr. Mark Potter Arthur J. Murphy Jr. Ann & Mal Powell Suzanne Murphy Richard O. Price Mr. & Mrs. Albert C. Muse Sarah A. Prichard James & Marlee Myers Bob & Mary Jo Purvis Dr. & Mrs. Donald D. Mrs. Jean Purvis Naragon Andrew & Liberty Pyros Dr. & Mrs. Dennis W. Nebel Mr. & Mrs. C. J. Queenan Jr. Ellen & Ade Neidermeyer Fran Quinlan Dr. Nancy Z. Nelson Janet K. Quint Rev. Robert & Suzanne John & Gail Rackley Newpher The Rackoff Family, ASKO Patricia K. Nichols Philanthropic Fund of Renee K. Nicholson the Jewish Federation of Greater Pittsburgh Mr. & Mrs. David Nimick Betty Radvak-Shovlin Karen Kelley Noble Susan M. Rakfal, MD Hide & Julia Miller Nobumori Barbara M. Rankin Dr. Sean Nolan Mr. Leonard E. Rausch Mark & Nikki Nordenberg Mr. Joseph J. Regna Jr. James & Lindsey Nova Paul & Dorothy Reiber Dr. & Mrs. Harry M. Null Frances Reichl Lee* & John Oehrle Marnie Repasky Dr. Everett F. Oesterling & Mr. & Mrs. Ralph K. Reubi Mrs. Joyce Oesterling John C.* & Mary A. Mr. & Mrs. Hale Oliver Reynolds Mr. & Mrs. James O’Neill Mr. & Mrs.* James H. Rich John Orndorff Jr. Mr. & Mrs. James Roberts Dee Jay Oshry & Bart Rack James W. & Susan Moore Rodgers John A. Osuch Mr. & Mrs. Philip R. Roberts Sandy & Gene O’Sullivan Russell G. & Karen Overfield Bette & Howard M. Rom Janice G. Rosenberg David R. Owsley Dr. & Mrs. A. H. Panahandeh Paul & Shereen Rosenberg Dr. Pinchas Rosenberg Dr. Armand J. Panson Shoshana & Jerry Sang C. Park Rosenberg Pauline R. Parker Mr. & Mrs. Byron W. John & Joan Pasteris Rosener III Carol & Richard Patterson Carol & Scott Rotruck Mr. & Mrs. James Patton Harvey & Lynn Rubin Camilla Brent Pearce Mr. & Mrs. Edmund S. Ruffin III Dale & Michele Perelman Dr. Richard & Heidi Irina & Daniel Peris Russman Bill & Stella Perrine Shirley & Murray Rust Drs. Gail Pesyna & John Mrs. John M. Sadler Hooper Sally & Keith Saylor Judy Petty

Albert & Kathleen Schartner Mr. & Mrs. Thomas M. Paul & Cathy Schaughency St. Clair Janet H. Staab Ann & Bill Scherlis Dr. & Mrs. Melvin M. Schiff Mr. & Mrs. James C. Stalder Gary & Charlene Stanich Berndt Schmit Ms. Carrie M. Stanny Joe & Nancy Schmitt Dr. James Staples Mrs. Shirley Schneirov Shirley* & Sidney Stark Jr. Christian Schörnich Jim & Barbara Steffy Mrs. Carol Schuler Charles & Rachel Stegeman Bernie & Cookie Soldo Schultz Mrs. Edith Stein Mr. & Mrs. Larry Schultz MaryJean & John Stephen Mary Ann Scialabba, PhD Jerry Stephens Louise & Franco Jayne & Tom Sterling Sciannameo James M. Stevenson Mr. & Ms. Samuel D. Scott Dr. Mervin S. & Marcia M. Mr.* & Mrs. Jobst W. Stewart Seehausen Steve Stockton George & Marcia Seeley In Memory of Miss Jean Mr. & Mrs. David P. Segel Alexander Moore Mr. & Mrs. John M. Seifarth Mona & E.J. Strassburger Aleen Mathews Shallberg & C. Dean Streator Richard Shallberg Mr. Su & Ms. Van Dusen George & Carol Shannon Judy & Joe Sufrin Mrs. Sue Shapera Peter Sullivan Mr. Daniel H. Shapira Richard A. Sundra, in Loving Mr. & Mrs. Raymond V. Memory of Patricia Sundra Shepherd Jr. Joel & Maria Swanson Dr. Karen Shulman & Mr. Robert Swendsen & Jay I. Shulman Roberta Klatzky Dr. Charles H. Shultz Stu & Liz Symonds in Marilyn G. Shure Memory of Roger Mr. & Mrs. Robert S. Shure Sherman Tom & Karen Tabor Rhoda & Seymour* Sikov Mr. & Mrs. Frank Talenfeld Lee & Myrna Silverman Dr. Jocelyn Tan & Dr. Alaa Mr. & Mrs. Lee Silverman Shalaby Marjorie K. Silverman Dr. & Mrs. Stephen Mr. & Mrs.* William J. Tannenbaum Simpson Carol L. Tasillo Marilyn & Norman A. Mr. & Mrs. William H. Sindler Taylor Jr. Carol Slomski, MD Gordon & Catherine Telfer Kathleen Opat Smith Dorothea Thompson Rep. Sam & Donna Smith Mayor John A. Thompson Mr.* & Mrs. Christian M. Mary Lloyd & George* Snavely Thompson Mrs. Barney Snyder Jill Thomson J. Soffietti Mrs. Sonya Thorbecke David Solosko & Sandra Jim & Gail Titus Kniess Fund Dr. & Mrs. Edward M. Sorr Father James Torquato in support of music & Melissa Trax & Adam Kupec wellness Mr. & Mrs. Clifton C. Trees Mr. James Spencer In Memory of Audrey Treloar Mr. & Mrs. Alexander C. and Florence & Norman Speyer III Golomb Henry Spinelli Lex & Peggy Tsaggaris EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON

Jeffrey Turner & Tonya Stefko Eric & Barbara Udren Mary & Gerald Unger Diane & Dennis Unkovic Judy Vaglia Theo & Pia Van De Venne Suzan M. Vandertie Mary Vasilakis Dr. & Mrs. James E. Vaux R. Veatch Cate & Jerry Vockley Mr. & Mrs. Charles E. Vogel Edward L. & Margaret Vogel Drs. Joan Vondra & Thomas Chang John & Linda Vuono Jan Wagner Judy Wagner & Mike LaRue

Wagner Family Charitable Trust Suzanne & Richard Wagner Kevin & Jennifer Walker John & Irene Wall Waller Family Mr. W.L. & Dr. B.H. Ward Tony & Pat Waterman Ms. Sally Webster & Ms. Susan Bassett Marvin & Dot* Wedeen Phillips Wedemeyer & Jeanne Hanchett Drs. John & Carla Weidman Michael & Cynthia Weisfield Mr. & Mrs. James P. Welch Jim & Jinny Welker Mr. & Mrs. Fred C. Wellinger Bernard & Sheila Werner Nancy Werner

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Mr. & Mrs. Arthur Westerberg Rebecca M. Wharton Mr. & Mrs. Thomas White Robert Wickesberg & Susan Noffke Mr. Norm Wien Dr. Philip M. Wildenhain & Dr. Sarah L. Wildenhain Dr. Bruce L. Wilder Ken & Trudie Wilkins Robert & Carole Williams Robert E. Williams Mr. & Mrs. Miles C. Wilson James & Ramona Wingate Mary Jo Winokur Mr. & Mrs. Thomas H. Witmer Sheryl & Bruce Wolf Michael J. Woodring Mr. Christopher Wu & Mrs. Annette Wu

9/6/2012

11:57 AM

Dr. & Mrs. John A. Yauch Mark & Judy Yogman Marlene & John Yokim Alice L. Young Hugh D*. & Alice C. Young Maureen Young Frank A. Zabrosky Mr. & Mrs. Richard Zahren Dr. & Mrs. P. Alvin Zamba Dr. Audrey Zelkovic Mr. & Mrs. Walter Ziatek Michael & Naomi Zigmond David & Patricia Zimba

Current as of November 3, 2015 *deceased

Page 3

Pictured: William Steinberg & Family

Laughter. Family. Music.

Keep the legacy alive. Remember the Pittsburgh Symphony Orchestra in your estate plans. CONTACT THE STEINBERG SOCIETY: 412.392.4880

FOUNDATIONS & PUBLIC AGENCIES Allegheny County Economic Development Allegheny Regional Asset District The Almira Foundation Bessie F. Anathan Fund of The Pittsburgh Foundation Benjamin and Fannie Applestein Charitable Trust Claude Worthington Benedum Foundation The Benter Foundation The Sherle and Michael Berger Charitable Foundation of the Jewish Federation of Greater Pittsburgh Allen H. Berkman and Selma W. Berkman Charitable Trust Maxine and William Block Fund of The Pittsburgh Foundation Paul and Dina Block Foundation Henry C. Frick Educational Fund of The Buhl Foundation Jack Buncher Foundation Anne L. and George H. Clapp Charitable and Educational Trust Compton Family Foundation The Rose Y. and J. Samuel Cox Charitable Fund Jean Hartley Davis and Nancy Lane Davis Fund of The Pittsburgh Foundation Dietrich Charitable Trust Peter C. Dozzi Family Foundation Eden Hall Foundation Eichleay Foundation Jane M. Epstine Charitable Fund of The Pittsburgh Foundation Fair Oaks Foundation, Inc. Falk Foundation The Fine Foundation The Audrey Hillman Fisher Foundation, Inc. Dorothy M. Froelich Charitable Trust Goldberg Family Fund of The Pittsburgh Foundation The Grable Foundation Grune Family Foundation Hansen Foundation The Heinz Endowments Elsie H. Hillman Foundation The Emma Clyde Hodge Memorial Fund May Emma Hoyt Foundation Milton G. Hulme Charitable Foundation Roy A. Hunt Foundation Eugene F. and Margaret Moltrup Jannuzi Foundation

Howard G. and Frances Y. Jones Fund of The Pittsburgh Foundation Lawrence County Martha Mack Lewis Foundation Edward D. and Opal C. Loughney Foundation Thomas Marshall Foundation Massey Charitable Trust Ruth Rankin McCullough Fund of The Pittsburgh Foundation McKinney Charitable Foundation The Andrew W. Mellon Foundation Richard King Mellon Foundation Howard and Nell E. Miller Foundation Phyllis and Victor Mizel Charitable Fund of The Pittsburgh Foundation Montague Family Foundation National Endowment for the Arts Parker Foundation W. I. Patterson Charitable Foundation Pennsylvania Council on the Arts, a state agency Pennsylvania Department of Community & Economic Development Anna L. & Benjamin Perlow Fund of The Pittsburgh Foundation Pauline Pickens Fund of The Pittsburgh Foundation Pittsburgh Symphony Association Norman C. Ray Trust RMK Fund of The Pittsburgh Foundation The Donald & Sylvia Robinson Family Foundation The William Christopher & Mary Laughlin Robinson Fund of The Pittsburgh Foundation Ryan Memorial Foundation Salvitti Family Foundation James M. & Lucy K. Schoonmaker Foundation Scott Fund of The Pittsburgh Foundation The Mrs. William R. Scott Fund of The Pittsburgh Foundation W.P. Snyder III Charitable Fund Alexander C. and Tillie S. Speyer Foundation Tippins Foundation The Edith L. Trees Charitable Trust Rachel Mellon Walton Fund of The Pittsburgh Foundation Current as of November 3, 2015

EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON

CORPORATIONS (Includes corporate annual fund contributions and sponsorships) SIGNATURE CIRCLE

SILVER CIRCLE

$75,000 AND ABOVE

$5,000 - $9,999

BNY Mellon EQT Foundation Highmark Blue Cross Blue Shield PNC

United Bank Wampum Hardware Inc. WPXI-TV

A.C. Dellovade, Inc. American Eagle Outfitters Bayer Healthcare R&I CORPORATE The Brown Hurray Plantz COUNCIL CIRCLE Group, Merrill Lynch $1,000 - $2,499 Management 4moms c3controls DIAMOND CIRCLE AlphaGraphics in the The Common Plea Catering Cultural District $40,000 - $74,999 Inc. Lincoln Learning Solutions, Coury Financial Group ELG Haniel Metals Corp. Inc. CWA Asset Management Farmers & Merchants Bank Group LLC MSA of Western PA Dickie, McCamey & Levin Furniture Chilcote, P.C. PLATINUM CIRCLE Mascaro Construction ESB Bank $20,000 - $39,999 Company Flaherty & O’Hara, P.C. Allegheny Technologies Mylan Pharmaceuticals Incorporated (ATI) Gordon Terminal Service Oliver Wyman Co. Cohen & Grigsby, P.C. Peoples Natural Gas Jendoco Construction Delta Air Lines, Inc. Corporation Pirates Charities Federal Home Loan Bank of P.J. Dick, Trumbull & Lindy K&L Gates LLP Pittsburgh Paving Kerr Engineered Sales First National Bank of Company PwC Pennsylvania Lawrence County Tourist Schreiber Industrial Giant Eagle Promotion Agency Development Co. The Kraft Heinz Company LB Foster Company Uber Technologies, Inc. Macy’s MacLachlan, Cornelius & Triangle Tech Group Filoni, Inc. BRONZE CIRCLE Trib Total Media McKamish, Inc. $2,500 - $4,999 UPMC & UPMC Health Plan Nocito Enterprises, Inc. Angelo, Gordon & Co. Rothman Gordon PC BB&T Sarris Candies, Inc. Bender Consulting GOLD CIRCLE Services, Inc. Six Penn Kitchen $10,000 - $19,999 Berner International Corp. Steptoe & Johnson PLLC Citigroup big Burrito Restaurant Stringert, Inc. Group Clearview Federal Credit Trebuchet Consulting LLC Union Buchanan Ingersoll & TriState Capital Bank Rooney PC Dollar Bank Foundation United Safety Services, Inc. Cipriani & Werner PC Ernst & Young LLP Vallozzi’s Pittsburgh Dominion Resources Fairmont Pittsburgh & Habitat Restaurant Eat’n Park Restaurants PARTNER LEVEL Federated Investors, Inc. Elite Coach Transportation $500 - $999 FedEx Ground Huntington Bank Anonymous (1) Hefren-Tillotson, Inc. Koppers Allegheny Valley Bank Pittsburgh Steelers Sports, Lighthouse Electric Armada Inc. Company, Inc. PPG Industries Foundation Morton’s The Steakhouse Austrian American Cultural Society, Inc. The Frank E. Rath-Spang & Mozart Management The Buncher Company Company Charitable Trust Pittsburgh Corning BYS Yoga Students Reed Smith LLP Pittsburgh Valve & Fitting Clark Precision Machined United States Steel Company Components Corporation Silhol Builders Supply

Consolidated Communications CrawfordEllenbogen LLC General Wire Spring Co. Goehring, Rutter & Boehm Hamill Mfg. Co. Hertz Gateway Center, LP Jennmar Corporation John B. Conomos, Inc. K & I Sheet Metal, Inc. Lucas Systems, Inc. Marketing Support Network Master Remodelers Metso Meyer, Unkovic & Scott LLP Attorneys at Law Mitsubishi Electric Power Products, Inc. Modany-Falcone, Inc. PGT Trucking Pzena Investment Management, LLC Rebecca L. Pounds DDS LLC Saint Vincent Archabbey & College We would like to thank all corporations who contribute to the Pittsburgh Symphony Orchestra & Heinz Hall. Please see our website at pittsburghsymphony.org for a complete listing. Current as of November 3, 2015

SPOTLIGHT ADVERTISE IN PITTSBURGH CULTURAL DISTRICT PROGRAM BOOKLETS

• Only one Advertising Contact needed to place your message in program booklets

for world class Pittsburgh Cultural District performances including: Pittsburgh Symphony Pittsburgh Ballet BalletTheatre Theatre PNC PNC Broadway Broadwayin Pittsburgh Pittsburgh Pittsburgh Orchestra Symphony Orchestra Pittsburgh CLO Pittsburgh Dance Council Pittsburgh CLO Pittsburgh Dance Council BNYMellon MellonGrand Grand Classics BNY Classics Pittsburgh Pittsburgh Pittsburgh CLO-Cabaret CLO-Cabaret Pittsburgh International International PNCPOPS POPS Fiddlesticks PNC Cohen Children’s Theater Cohen &&Grigsby Grigsby Children’s Theater Fiddlesticks Heinz Hall Specials Trust Series Pittsburgh Heinz Hall Specials TrustPresents Presents Series Pittsburgh Opera Opera Trust Pittsburgh TrustCabaret Cabaret Pittsburgh Public PublicTheater Theater

• Graphic Artist Assistance

Furnish your ad print-ready or if you need to create a new ad, we’ll connect you with graphic professionals who create attractive and effective print advertisements.

• Multiple Ad Discounting • Customized Campaigns

Contact Elaine A. Nucci to co-create a campaign that meets your organization’s marketing needs and honors your advertising budget.

CALL NOW TO SECURE YOUR PLACE IN THE SPOTLIGHT! Elaine A. Nucci 412-471-6087 or email Nucci@CulturalDistrict.org

EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON

LEGACY OF EXCELLENCE

In addition to income from the Annual Fund, the Pittsburgh Symphony Orchestra is dependent on a robust endowment to assure its long-term financial stability. Gifts from Legacy of Excellence programs are directed to the endowment to provide for the Pittsburgh Symphony Orchestra’s future. The Steinberg Society honors donors who have advised the Pittsburgh Symphony in writing that they have made a provision for the orchestra in their will. Members of the Sid Kaplan Tribute program have made a gift to the endowment of $10,000.00 or more to commemorate a particular person or event. Endowed naming opportunities for guest artists, musicians’ chairs, concert series, educational programs or designated spaces allow donors to specify a name or tribute for 10 years, 20 years or in perpetuity. For additional information, please call 412.392.4842. STEINBERG SOCIETY James A. Gorton Donn & Peggy* Neal Anonymous (20) Estate of Anna R. Greenberg Dr. Nancy Z. Nelson Siamak & Joan Adibi Estate of Lorraine M. Gross Rhonda & Dennis Norman Rev. Drs. A. Gary & Judy Maureen Guroff Thaddeus A. Osial Jr. M.D. Angleberger Elizabeth Anne Hardie Estate of Irene G. Otte The Joan & Jerome* Apt Charles & Angela Hardwick Judy Petty Families Carolyn Heil Estate of Dorothy R. Rairigh Estate of Dorothy Avins Eric & Lizz Helmsen Barbara M. Rankin Francis A. Balog Ms. Judith Hess Richard E. Rauh Robert & Loretta Barone Estate of Mr. John H. Hill Cheryl & James Redmond Scott J. Bell Estate of Mr. & Mrs. William Dr.* & Mrs. William E. Dr. Elaine H. Berkowitz C. Hurtt Rinehart Benno & Constance Bernt Philo & Erika Holcomb Donald & Sylvia Robinson Michael Bielski Mr. & Mrs. Blair Jacobson Mr. & Mrs. David M. Drs. Barbara & Albert Biglan Esther G. Jacovitz Roderick Thomas G. Black Charlotta Klein Ross Patricia Prattis Jennings Barbara M. Brock Mr. & Mrs. Robert S. Kahn* Harvey & Lynn Rubin Lois R. Brozenick* Mr. & Mrs. Gary L. Ryan Leo & Marge Kane Tom & Jackie Cain Virginia Schatz Lois S. Kaufman Estate of Cynthia Calhoun Stephen & Kimberly Keen Nancy Schepis Judy & Michael Cheteyan Mr. Arthur J. Kerr Jr. Ron & Debra Schneider Educational/Charitable Dr. & Mrs. Harry E. Serene Ms. Bernadette Kersting Foundation Dr. Charles H. Shultz Dr. Laibe A.* & Sydelle Mr. & Mrs. David W. Kessler Michael Shefler Christopher Stanley & Margaret Leonard Dr. Stanley Shostak & Dr. Mr.* & Mrs. Edward S. Marcia Landy Churchill Frances F. Levin Mr. & Mrs. Richard P. Estate of Mr. & Mrs. Eugene Doris L. Litman Simmons S. Cohen Penny Locke Dr. & Mrs. Leonard A. Stept Basil & Jayne Adair Cox Estate of Edward D. Estate of Dr. Raymond & In Memory of Stuart Loughney Karla Stept William Discount Lauren & Hampton Mallory Mrs. Margaret Stouffer in Mr.* & Mrs. Thomas J. Dr. Richard Martin in Memory of Miss Jean Donnelly Memory of Mrs. Lori Alexander Moore Mary A. Duggan* Martin* Tom & Jamee Todd Frank R. Dziama Dale & Dr. Marlene* McCall Mrs. Jane Treherne-Thomas Steven G. & Beverlynn George E. Meanor Gerald and Mary Unger Elliott Mary Ellen Miller Eva & Walter J. Vogel Emil & Ruth Feldman* Ms. Jean L. Misner* Mr. & Mrs. George L. Joan Feldman & William Catherine Missenda* Vosburgh Adams Dr. Mercedes C. Monjian Estate of John & Betty Mrs. Loti Gaffney* Weiland Mr. & Mrs. Paul J. Mooney Keith & Susan Garver Perry* & BeeJee Morrison In memory of Isaac Serrins Ken* & Lillian Goldsmith Mildred S. Myers & William from Mr. & Mrs. Ira Weiss Mr.* & Mrs. Ira H. Gordon Brian Weller C. Frederick 48

Seldon Whitaker Jr. Mr. & Mrs. Raymond B. White Charles L. & Katherine A. Wiley James & Susanne Wilkinson Mr. & Mrs. Thomas Witmer Patricia L. Wurster Estate of Rufus J. Wysor Naomi Yoran Miriam L. Young Estate of Ruth Yount SID KAPLAN TRIBUTE PROGRAM The Sid Kaplan Memorial Hallway given by David Kaplan in appreciation of generous gifts commemorating family and friends In Honor of Dr. Raymond Stept from his loving family In Honor of Mariss & Irina Jansons and friendship from Dr. Laibe* & Sydelle Kessler Honoring my dear friend, Marvin Hamlisch, from Mina Kulber In Loving Memory of Martin Smith, PSO Horn, 1980-2005, from his siblings Todd Smith, Judy Dupont, & Susan Noble

ENDOWED CHAIRS Principal Horn Chair, given by an Anonymous Donor

Susan S. Greer Memorial Trumpet Chair, given by Peter Greer

First Violin Chair, given by Allen H. Berkman in memory of his beloved wife, Selma Wiener Berkman

William Randolph Hearst Endowed Fund for Education

Michael & Carol Bleier Viola Chair given in memory of our parents, Tina & Charles Bleier and Ruth & Shelley Stein

Vira I. Heinz Music Director Chair

Dr. William Larimer Mellon, Jr. Rachel Mellon Walton Principal Oboe Chair, given Concertmaster Chair, given by Rachel Mellon Walton by Mr. & Mrs. Richard Mellon Scaife Messiah Concerts Endowed by the Howard and Nell E. Jacquelin Wechsler Miller Chair Horn Chair given in memory of Irving (Buddy) Wechsler Donald I. & Janet Moritz and Equitable Resources, Inc. Associate Principal Cello Barbara Weldon Chair Principal Timpani Chair

Principal Pops Conductor Chair Endowed by Henry & Elsie* Hillman The Perry & BeeJee Hilda M. Willis Foundation Morrison String Flute Chair Instrument Loan Fund Tom & Dona Hotopp Lois R. Brozenick Memorial Principal Bass Chair Thomas H. & Frances First Violin Chair The Morrison Family Witmer Associate Principal Second Assistant Principal Horn Milton G. Hulme, Jr. Violin Chair Chair Jane & Rae Burton Guest Conductor Chair Cello Chair given by Mine Safety Appliances Company Jackman Pfouts Current as of November 6, 2015 Principal Flute Chair, given *deceased Cynthia S. Calhoun in memory of Mr. & Mrs. Principal Viola Chair Mr. & Mrs. Benjamin F. Arthur Jackman by Barbara Jones III Jackman Pfouts Guest Keyboard Chair Virginia Campbell Principal Harp Chair Pittsburgh Symphony Virginia Kaufman Association Resident Conductor Chair Principal Cello Chair Ron & Dorothy Chutz First Violin Chair Stephen & Kimberly Keen Reed Smith Chair honoring Bass Chair Tom Todd George & Eileen Dorman Horn Chair Assistant Principal Cello Chair G. Christian Lantzsch & Duquesne Light Company Dr.* & Mrs. William E. Principal Second Violin Rinehart Albert H. Eckert Chair Oboe Chair Associate Principal Percussion Chair Mr. & Mrs. William Genge Donald & Sylvia Robinson and Mr. & Mrs. James Family Foundation Beverlynn & Steven Elliott E. Lee Guest Conductor Chair Associate Concertmaster Principal Bassoon Chair Chair Martha Brooks Robinson Nancy & Jeffery Leininger Principal Trumpet Chair Jean & Sigo Falk First Violin Chair Principal Librarian Chair Mr. & Mrs. Aaron Silberman Edward D. Loughney Principal Clarinet Chair Endowed Principal Piccolo Co-Principal Trumpet Chair, given to honor Frank and Loti Gaffney Mr. and Mrs. Willard J. Fiddlesticks Family Concert Tillotson, Jr. Series Endowed by Gerald Viola Chair William & Sarah Galbraith & Audrey McGinnis Second Violin Chair Honoring The Center for Young Musicians Tom & Jamee Todd Principal Trombone Chair The Estate of Olga T. Gazalie First Violin Chair Mr. & Mrs. Martin G. McGuinn United States Steel Viola Chair Corporation Ira & Nanette Gordon Assistant Principal Bass The Gracky Fund for Chair Education & Community Engagement EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON

COMMITMENT TO EXCELLENCE SPECIAL NAMED GIFTS BNY Mellon .................................................................... Recordings & Electronic Media and Artistic Excellence Programs Benno & Constance Bernt..........................................................................................................................Stage Right Door Rae & Jane Burton.......................................................................................................................................... Garden Bench Basil & Jayne Adair Cox.................................................................................................................................. Garden Bench Randi & *L. Van V. Dauler Jr. ...................................................................................Mozart Room Elevator & Garden Bench William S. Dietrich II*....................................................................................... Endowment for PSO Educational Programs Dollar Bank Foundation................................................................................................ Community Engagement Concerts Mr. & Mrs. J. Christopher Donahue.........................................................................................................Music for the Spirit Roy & Susan Dorrance ..........................................................................................................................Music for the Spirit EQT Foundation............................................................... Community Engagement & EQT Student Side-By -Side Program Mr. & Mrs. Henry J. Gailliot.........................................................................................................Grand Piano, Paris Festival Goldman Sachs Gives ................................................................................................ Community Engagement Concerts Highmark Blue Cross Blue Shield ......................................................................................... Music and Wellness Program Elsie* & Henry Hillman.................................................The Henry L. Hillman Endowment for International Performances Ms. Seima Horvitz*........................................................................................................................................ Garden Bench David & Melissa Iwinski................................................................................................................................Stage Left Door Robert & Louise Kahn*......................................................................................................................... Schooltime Concerts Lillian Edwards Foundation.................................................................................................................Heartstrings Program Mr. & Mrs.* J. Robert Maxwell .................................................................................................President and CEO’s Office Pittsburgh Post-Gazette.........................................................................................................Grand Tier Door - Right Center PNC.............................................................................................................. PNC Walkway at Heinz Hall and PNC Tiny Tots Dr.* & Mrs. William E. Rinehart ...................................................................................................................... Grand Piano Mr. & Mrs. William F. Roemer......................................................................................................................... Garden Bench Catharine M. Ryan & John T. Ryan III ...................................................................................................Music for the Spirit Alece & David Schreiber................................................................................................................................. Garden Bench Harvey* & Florence Zeve ............................................................................................................................. Garden Bench *deceased

W ELCO ME S T HE F O L LOW ING GRO U PS TO T HE SE PERFO R M A NCE S

Austrian American Cultural Society Honorary Consulate of the Czech Republic Pitt Arts Russell Family & Friends Group Trinity High School University of Pittsburgh – Greensburg

BENEFITING THE PITTSBURGH SYMPHONY ORCHESTRA A FANFARE TOUR OF FOUR SHADYSIDE GILDED AGE MANSIONS EXQUISITELY DECORATED FOR THE HOLIDAYS, FEATURING CONTINUOUS LIVE MUSIC

HOME FOR THE HOLIDAYS BY NAT YOUNGBLOOD

SUNDAY, NOVEMBER 22, 2015 • 11AM – 5 PM

TICKETS

$50 in advance $60 at the door (if available) 1.888.718.4253 www.showclix.com/event/ ShadysideSplendor

BRUNCH

(OPTIONAL) Mansions on Fifth 412.381.5105 The Twentieth Century Club 412.621.2353

EVERY GIFT IS INSTRUMENTAL 2015-2016 SEASON 51 FOR MORE INFORMATION: www.PSA75.org • 412.392.3303

HEINZ HALL INFORMATION

service and free reception space. BOX OFFICE HOURS are Monday through Friday, from 9 a.m. For more information, call 412.392.4819 or visit our website at to 8 p.m; Saturday from noon to 4 p.m. Weekend hours vary based on pittsburghsymphony.org/groups for performance times. Tickets may be information. purchased by calling 412.392.4900 LATECOMER’S GALLERY and are also available at the Theater is located behind the Main Floor Square Box Office. to enjoy the performance until you can be seated. Latecomers will be CHILDREN are encouraged seated at suitable intervals during to attend our youth concerts and the program, at the discretion of Fiddlesticks Family Concerts. the conductor. The gallery is also Children age six and over, are welcome at all performances with a available for parents with restless children. purchased ticket. The Latecomer’s Gallery and lobby video monitors are LOCKERS are located on the always options for restless children. Lower and Gallery levels. COAT CHECK is available in the LOST AND FOUND items Grand Lobby or in the Dorothy Porter can be retrieved by calling Simmons Family Regency Room on 412.392.4844 on weekdays from the lower level. 10 a.m. to 5 p.m. CONCIERGE SERVICE is available in the Entrance Lobby to assist with your questions and to help with dining, hotel, entertainment and transportation concerns. [Penny Vennare, Event Supervisor; Ron Ogrodowski, Barbara Smorul, Concierges.]

DRESS CODE for all concerts is at your personal discretion and ranges from dress and business attire to casual wear. ELEVATOR is located next to the Grand Staircase. EMERGENCY CALLS can be referred to the concierge desk at 412.392.2880. FIRE EXITS are to be used ONLY in case of an emergency. If the fire alarm is activated, follow the direction of Heinz Hall ushers and staff to safely evacuate the theater. GROUPS can receive discounted tickets, priority seats, personalized

MOBILE DEVICES should be turned off and put away upon entering the theater. THE MOZART ROOM is available for a grand dining experience catered by The Common Plea, just seconds away from your seats. For reservations: 412.392.4879 or pittsburghsymphony.org/ mozartroom. PHOTOGRAPHY, video, or audio recording of the performance is strictly prohibited at all times.

PRE-PAID PARKING is available to all ticketholders in the Sixth & Penn garage across from Heinz Hall. Ask about prepaid parking when you order your tickets. REFRESHMENT BARS are located in the Garden and Overlook rooms and in the Grand Tier Lounge. Intermission beverages may be ordered prior to performances. Water cups are available in the restrooms. MEN’S AND WOMEN’S RESTROOMS are located on the Lower, Grand Tier and Gallery levels. Additional women’s restrooms are located off the Garden and Overlook rooms. Accessible restrooms are located on the Grand Tier level and a family/accessible restroom is available on the Main Floor. SMOKING is not permitted in Heinz Hall. The garden is accessible during performances for this purpose. SUPPORTING THE PSO AND HEINZ HALL is critical to the financial future of the Pittsburgh Symphony. Ticket sales only cover a portion of our operating costs. To make a tax-deductible gift, please contact our Development department at 412.392.4880 or visit us online at pittsburghsymphony.org

THE FOLLOWING ACCOMMODATIONS ARE AVAILABLE FOR PATRONS WITH DISABILITIES:

• Level entrance and route to main floor of auditorium • Accessible seat locations with companion seats* • Portable assistive listening devices: Please see ushers for assistance. • Braille programs are available at the concierge desk for all BNY Mellon Grand Classics and PNC Pops performances. • Large print programs are available at the concierge desk for all BNY Mellon Grand Classics, PNC Pops, and Fiddlesticks Family Series performances. *Please contact the box office for the location of these seats.

ONE PNC PLAZA 249 5TH AVE DOWNTOWN PITTSBURGH 412.471.5727 SHOP ONLINE AT LARRIMORS.COM • PARKING VALIDATED AT 3 PNC HOLIDAY HOURS INCLUDE SUNDAYS NOON - 5PM, NOV 29 - DEC 20 PITTSBURGHSYMPHONY.ORG 2015-2016 SEASON