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TBA ON THE STAGE John Jasperse Company Diamanda Galรกs Dr. Jayanthi Raman Helen Herbertson and Ben Cobham Andrew Dickson Monster Squad/Marty Schnapf Heather Woodbury ChameckiLerner Ethel Joey Baron/Robyn Schulkowsky Deborah Hay 33 Fainting Spells Headlong Dance Theater Sekou Sundiata Khaela Maricich aka The Blow Akira Kasai In Memory of Homer Avila Northwest New Works NWNW: PDX Program 1 NWNW: PDX Program 2

TBA ON THE SCREEN Zoe Beloff Joanie 4 Jackie Guy Maddin Janie Geiser Lewis Klahr COVER: MONSTER SQUAD / MARTY SCHNAPF PHOTO: ADAM LEVEY

TBA ON THE ROAD MK Guth Amos Latteier David Eckard lone twin

TBA INSTITUTE Noontime Chats Getting Technical: Workshops Lectures Ammar Eloueini lone twin ร douard Lock Cosmin Manolescu Kimi Takesue John C. Jay Rhodessa Jones

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CHAMECKILERNER PHOTO: ANJA HITZENBERGER

MACHINEWORKS MACHINEWORKS CafĂŠ TBA Late Night 10 Tiny Dances Family Supper First Night Martha@MACHINEWORKS The Blow Sarah Rudinoff Pulseprogramming DJs Ethel and Clogs States Rights Records Night Meow Meow TBA Variety Show TBA Closing Night Party Burnt Sugar Breakfast of Champions Transplant: France

INFORMATION

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FAQs PICA Staff TBA Timekeepers Win a Berlin Art Adventure! Venues Map Schedule Passes Order Form

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RED SHOE DELIVERY SERVICE PHOTO: MK GUTH

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COWARDS BEND THE KNEE: GUY MADDIN

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Kristy E Artistic dmunds D Curato irector, PIC A r, TBA Festiv al

Fes

ABOUT THIS GUIDE In this guide, you will find information on artists, projects, venues, and special events. Each project is listed roughly in order of where it falls during the ten-day festival, with date, time, location, running time, and seating capacity. In the back of the guide you will find FAQs, a comprehensive schedule of performances and events and a map of TBA venues, followed by ticket and membership information.

Presenting Sponsors:

Major Sponsors:

Major In-Kind Sponsors: 010

Many of the festival programs are open to all ages. We have noted the appropriate audience age for each performance to help parents decide which programs are suitable for their children.

Media Sponsors:

ALL AGES: Appropriate for all ages, bring young children.

MATURE AUDIENCES: Appropriate for mature students, bring older children and be prepared for discussion.

21+: Adults only.

Airline Sponsors:

FELIX RUCKERT (TBA 03) PHOTO: RYAN STEVENS

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TBA INS TIT UTE

MAC HIN EWO RKS

TBA ON THE STAGE

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JOHN JASPERSE COMPANY CALIFORNIA

“A choreographer who combines formal purity and pungent social commentary, John Jasperse [is] one of the best of the truly experimental artists.” – The New York Times

What should one do when things haven’t worked out as one might have hoped? In an abstract and often spiritual reflection, CALIFORNIA attempts to make sense of those situations that, in reality, fail to conform to the projection of fantasy.

Throughout history, the state of California has been accorded a special role within the American imagination as a symbol of freedom and promise, i.e. the gold rush, the emergence of San Francisco as a sort of gay Mecca and the dot.com revolution. These phenomena come with complex, unanticipated problems which provide the fodder for John Jasperse’s most recent work, CALIFORNIA, performed by five dancers with a commissioned score by Jonathan Bepler and set design by Ammar Eloueini.*

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John Jasperse has been living and working in New York City since graduating from Sarah Lawrence College in 1985. His numerous recognitions include an award from The Foundation for Contemporary Performance Arts, a Bessie Award, the Doris Duke Award and three prizes in the 1996 Rencontres Internationales Chorégraphiques de Bagnolet.

Portland State University, Lincoln Hall Fri . Sept 10 . 7 pm Sat . Sept 11 . 7 pm Sun . Sept 12 . 7 pm

Sponsor:

TBA INS TIT UTE

Running time: 60 min Seating Capacity: 470 $15 members / $20 general All Ages

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CALIFORNIA is a co-production of The Brooklyn Academy of Music, Le Festival International de Danse à Cannes, and Le Centre National de la Danse. The U.S. tour is funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from National Endowment for the Arts and Doris Duke Charitable Foundation. Additional funding provided by The Andrew W. Mellon Foundation and the Ford Foundation.

www.johnjasperse.org INF O

PHOTO: MARIA ANJUERA DE SOJO

*pre-show lecture, Sun, Sept 12, 5 pm. See page 088.

DIAMANDA GALÁS DEFIXIONES: Will & Testament

“No other presence in new music is so dramatic, so frightening, so controversial as Diamanda Galás. Her voice is the most phenomenal in new music.” – American Music In the 20th Century

Artist, activist and virtuoso, Galás treats profound and horrific subject matter to a sonic transformation that is beautiful, cathartic and universal. Her multi-octave voice is an instrument whose sound defies description, penetrating like wind to the bone, resurrecting the dead in the living.

Due to high demand, advance reservations are required for pass holders. Please call PICA 503.242.1419.

www.diamandagalas.com

Newmark Theatre, PCPA

TBA INS TIT UTE

Fri . Sept 10 . 9 pm Running time: 110 min Seating Capacity: 880 $15 members / $20 general Mature Audiences

MAC HIN EWO RKS

PHOTO: AUSTIN YOUNG

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Her latest work, DEFIXIONES: Will & Testament, a piece written for solo voice, piano and tape, is an angry meditation on the mass genocide of Armenians, Assyrians, Anatolians, Thracians and Pontic Greeks between 1914 and 1923, and the subsequent cooperative political movement, led in large part by Turkey and the U.S., to deny these horrific events. “Defixiones” refers to the warnings engraved in lead that were placed by relatives of the deceased on the graves of the dead in Greece and Asia Minor. These warnings cautioned against moving or desecrating the corpses under the threat of extreme harm. “Will & Testament” refers to the last wishes of the dead who have been taken to their graves under unnatural circumstances. Concerned with the poet /author living in exile, whether from outside their homeland or within, DEFIXIONES: Will & Testament speaks for individuals forced to live as outlaws, and for those who have to create houses out of rock.

DIAMANDA GALÁS La Serpenta Canta

La Serpenta Canta is a song recital recruiting the eclectic sounds of blues, R&B, Motown, southern soul, Country & Western and Galás’ own compositions in her ongoing campaign against forgetting. With songs like James Carr’s deep soul classic Dark End Of The Street, Hank Williams’ I’m So Lonesome I Could Cry and Screaming Jay Hawkins’ I Put A Spell On You bookended with John Lee Hooker’s Burning Hell, La Serpenta Canta is a vocal method of interrogating popular memory. Galás examines each word and note from every angle, reinvesting them with the full weight of meaning and emotion that might have been eroded by familiarity.

Due to high demand, advance reservations are required for pass holders. Please call PICA 503.242.1419.

www.diamandagalas.com

Newmark Theatre, PCPA

TBA INS TIT UTE

Releasing her first recorded work in 1982, Galás’ numerous musical and theatrical works include Plague Mass (1990), Vena Cava (1992), Schrei 27 (1996), and the concerts /recordings of Judgement Day, Concert for the Damned, The Masque of the Red Death (198 -1988), and Malediction and Prayer (1998). Galás is currently working on the composition and commissioning of the opera Nekropolis.

Sun . Sept 12 . 9 pm Running time: 80 min Seating Capacity: 880 $15 members / $20 general Mature Audiences

MAC HIN EWO RKS

PHOTO: AUSTIN YOUNG

Raised in San Diego, CA, Galás was born to Greek Orthodox parents, who always encouraged her gift for piano. Galás studied a wide range of musical forms, as well as avant-garde theatre, and then moved to Europe where she made her performance debut at the Festival d’Avignon in France in 1979, performing the lead in the opera, Un Jour Comme un Autre, by composer Vinko Globokar.

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RASIKA Presents:

DR. JAYANTHI RAMAN

Gajamukha 12

“Jayanthi Raman is an artist of sparkling presence and crystalline technique. The minute her jingling ankle bells and stamping feet ring out, the audience knows it’s going to see a world-class dancer.” – Martha Ullmann West, The Oregonian

A dream team of musicians and dancers from India perform in this stunning classical Indian dancetheater production, which revolves around the elephant-faced Hindu deity, Gajamukha (Lord Ganesha). Created by Raman, Gajamukha showcases folk, contemporary and the three classical dance styles from India: Mohini Attam, Kuchipudi and Bharatha Natyam, complete with live instrumental and vocal accompaniment. The live score features original works by India’s leading musicians. Performed in Sanskrit, Tamil and Telugu, with an English explanation provided, this multilingual ballet is a dazzling experience designed for a global audience.

PHOTO: G. RAJA BIRD

Jayanthi Raman’s Gajamukha is funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from National Endowment for the Arts and Doris Duke Charitable Foundation. Additional funding provided by The Andrew W. Mellon Foundation and the Ford Foundation.

www.gajamukha.com www.rasika.org

Arlene Schnitzer Concert Hall, PCPA Fri . Sept 10 . 8 pm Running time: 120 min Seating Capacity: 2200 $15 –$28 for members and TBA Flex pass holders All Ages Sponsor:

TBA INS TIT UTE

Through a co-promotional partnership with Rasika, PICA members and TBA Flex Pass holders can purchase individual tickets for $15-$28 (20% off the general price.) A limited number of seats are available to Patron and Immersion pass holders.

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Dr. Jayanthi Raman is an acclaimed choreographer and performer whose career spans twenty-five years. She studied Bharatha Natyam dance from the age of four under renowned Gurus; the late Sri J. Venkatachalapathy and Padmasri Guru Adyar Lakshman. She is the founder and Artistic Director of the NATYA Dance Academy in Portland.

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HELEN HERBERTSON AND BEN COBHAM Morphia Series

“…a beautifully conceived piece, uncompromisingly abstract, yet accessible.” – New Territories Festival, Glasgow 14

Designed for an audience of only twelve at a time, choreographer Helen Herbertson and designer Ben Cobham’s collaborative work is an intimate examination of the self in the surrounding world. Inspired by Morpheus, the Greek god of dreams, this stunning visual performance event transports the audience through a series of sensory experiences. PICA

Audiences will meet at PICA and be driven to a private location. Due to very limited seating, admission to this special performance is NOT included in festival passes. Advance ticket purchase required. Please call PCPA 503.248.4335.

All days 6, 6:45, 7:30 pm Running time: 45 min Seating Capacity: 12 $15 members / $20 general Mature Audiences Sponsors:

TBA INS TIT UTE

This project has been assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body.

Fri . Sept 10 Sat . Sept 11 Sun . Sept 12 Mon . Sept 13 Tue . Sept 14 Wed . Sept 15

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PHOTO: RACHELLE ROBERTS

For over three decades, Helen Herbertson has created dance performances for many Australian dance companies while working as an independent performer and choreographer. Her work with Jenny Kemp, Trevor Patrick and Ben Cobham yielded the outstanding and award winning Descansos . . . resting places, and Delirium, which was the hit of New Moves Australia 2000. Herbertson and Cobham’s work together encompasses a range of projects and performance events in theatres, outdoor sites, nontheatre venues and festivals. Morphia has been presented at the 2002 Melbourne International Arts Festival, as well as New Territories Festival, Glasgow, Dublin Fringe, Adelaide Fringe and Singapore Festival of the Arts.

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ANDREW DICKSON AC Dickson: eBay Powerseller

“...mockumentary-style character studies that would make Christopher Guest proud.” – The Portland Mercury

Portland artist Andrew Dickson has amassed a body of work that blends critical social observation with sophisticated comedy. An odyssey through the culture of eBay, get-rich-quick schemes and our brave new part-time /work-from-home economy, Dickson’s newest work is a PowerPoint tutorial designed to unlock the secrets of Internet auction salesmanship as well as investigate how the online economy is changing our socio-political landscape.

Dickson’s alter-ego, AC, empowers rather than defrauds his audience by offering a step-by-step explanation of how to legitimately sell on one’s own. He demystifies the rich history of the auction dating back to the Roman empire, articulates eBay’s corporate success in the face of a general dot.com bust, and documents the paradigm shift from the salary-based economy of yesterday to the self-employed work from home landscape of tomorrow. Audience members are encouraged to bring along an item they’d like to sell.

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Running time: 60 min Seating Capacity: 250 $10 members / $15 general All Ages Venue Sponsor:

TBA INS TIT UTE

Fri . Sept 10 . 5:30 pm Sat . Sept 11 . 2 pm Sun . Sept 12 . 5:30 pm

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This project was made possible through a Caldera residency.

Wieden+Kennedy Atrium

www.andrewdickson.com INF O

PHOTO: SUSAN BEAL

Dickson’s films include Autographhss.com, Good Grief, Hunter Dawson, My Name is Bradlee, and Nate Preston. His performances, including An Evening with Bradlee, There’s a Humungous Fungus Among Us, and Our Next Guest Is have been included in the 2003 TBA Festival, Core Sample, the Arizona International Film Festival and the Reed Arts Weekend. His films have shown at the NY, DC, and Chicago Underground Film Festivals, the SF Independent Film Festival and on OPB.

MONSTER SQUAD/ MARTY SCHNAPF Under an Hour

“Holt’s style is momentum-driven and deeply physical…her dancers hit the floor, the walls, and each other in surges. Stillness exists as a tease.” – The Oregonian

MACHINEWORKS Black Box Part 1 Sat . Sept 11 Part 2 Sun . Sept 12 Part 3 Mon . Sept 13

PHOTO: ADAM LEVEY

Due to limited seating, advance reservations are required for pass holders. Please call PICA 503.242.1419.

www.monstersquad.org www.martyschnapf.com

Each day at 3, 4:30, 6 pm

Running time: 20 min /part Seating Capacity: 200 $10 members / $15 general All Ages

Sponsors: Stumptown Coffee

Under an Hour is funded in part by the Regional Arts and Culture Council and Stumptown Coffee.

TBA INS TIT UTE

Marty Schnapf is a painter and installation artist based in Portland, Oregon who has exhibited his work throughout the U.S., Mexico and Italy. Marty was an artist-in-residence at the Sitka Center for Art and Ecology in 2000 and was the first recipient of the Jack D. Osbun Residency in San Miguel, Mexico in 2001.

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Monster Squad is a Portland-based company of friends and activists founded in 2001. Under the choreographic and artistic direction of Tahni Holt, the company has performed most recently as part of Northwest New Works at On the Boards and Bumbershoot (Seattle.) A graduate of NYU’s Tisch School for the Arts, Holt co-founded The Water St. Project, a dance site in SE Portland in 2002.

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Choreographer Tahni Holt and painter/ installation artist Marty Schnapf have teamed up with the musicians of Menomena to produce a trilogy that is one part water, one part flour and one part light. Crashing moments of intricate conflicts are buttressed by pure, unmitigated communication in a complex interplay of weight change, and the all-too-prevalent realization that time is running out. Under an Hour consists of three 20-minute parts. One ticket provides admission to all parts.

HEATHER WOODBURY Tale of 2 Cities: An American Joyride on Multiple Tracks “Parlaying an ace reporter’s eye for telling detail and a mimic’s ear for nuances of dialect, Woodbury’s ability to weave a rich tapestry of Americana is impressively evident.” – Los Angeles Times

In 1957, the relocation of the Brooklyn Dodgers Baseball Club to L.A. meant that one community lost its home team and another lost their homes. Using a microphone and a newly commissioned musical soundscape, Woodbury explores the continuing reverberations of this upheaval, bringing to life scores of characters, their two cities, and interwoven histories.

For Tale of 2 Cities, Woodbury spent two years researching the shared history of irreparable loss and buried experience in Brooklyn and L.A., staging community “re-collection events” and generating material for her new epic “living novel.” This workin-progress is in six tracks. One ticket provides admission to any or all tracks.

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Northwest Neighborhood Cultural Center Tracks 1–3 Mon . Sept 13 Wed . Sept 15 Fri . Sept 17

All days 7, 8 and 9 pm.

Sponsors:

TBA INS TIT UTE

Running time: 60 min/track Seating Capacity: 400 $10 members / $15 general Mature Audiences

MAC HIN EWO RKS

PICA is a member of the National Performance Network comprised of arts organizations located throughout the United States. The NPN and this presentation of Heather Woodbury have been made possible with major funding from The Doris Duke Charitable Foundation and the National Endowment for the Arts (a federal agency).

Tracks 4–6 Tue . Sept 14 Thur . Sept 16 Sat . Sept 18

www.heatherwoodbury.com INF O

PHOTO: NICK AMATO

Woodbury has forged a unique kind of fiction that combines the immediacy of performance art with the narrative structure of a novel. Her first “living novel,” WHAT EVER: An American Odyssey, started out as an experiment in an East Village bar and later became an eight-part solo performance, featured on PRI’s This American Life and now published as a novel by Faber/Farrar, Straus & Giroux. Woodbury has received numerous awards as a performer, is a Kennedy Center Award-winning playwright and a 2001 NEA Playwright Fellow.

CHAMECKILERNER Visible Content / Hidden Form

“...the mysterious, evocative world of ChameckiLerner… captures a plethora of emotions, with vulnerability, humor and even despair on view. Ultimately, the theatrical picture is just as beautiful as it is bizarre.” – Gia Kourlas, Time Out New York

Brazilian choreographers Rosane Chamecki and Andrea Lerner create scenic landscapes and expose hidden phantoms and vulnerabilities in a stunning exploration of the transformative and empowering nature of fear. Originally created as two separate works, Visible Content / Hidden Form has become a powerful fusion of ideas and insights. With an eruptive, kinetic style of movement, the work explores an inner world where a single moment becomes so overwhelming that all internal and external information funnels down into a single, articulated action.

Lincoln Hall, Portland State University Tue . Sept 14 . 7:30 pm Wed . Sept 15 . 7:30 pm Running time: 60 min Seating Capacity: 470 $15 members / $20 general All Ages Sponsor:

TBA INS TIT UTE

Visible Content was made possible through the support of The Greenwall Foundation, the Jerome Foundation, Philip Morris Companies Inc. and The Doris Duke Fund of the National Dance Project administered by the New England Foundation for the Arts. Partial support for the performances is also provided by the Live Music for Dance Program of the Mary Flagler Cary Charitable Trust. Visible Content was originally commissioned by DTW’s Bessie Schonberg/First Light Commission Program. Hidden Form was co-commissioned by the American Dance Festival and Central Park Summerstage.

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Originally from Curitiba, Brazil, Rosane Chamecki and Andrea Lerner moved to New York City in the early 1990’s and founded their dance company in 1993. ChameckiLerner’s work has been presented throughout the U.S., Brazil, Germany, Finland, Denmark, Venezuela, Colombia, Costa Rica, El Salvador, Portugal, The Netherlands, Austria and Canada. In 2003, they became the curators/ artistic directors of Casa Hoffmann, a center for movement studies in Curitiba, Brazil, where artists, critics, scholars and curators exchange ideas with the local community.

www.chameckilerner.org INF O

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ETHEL Ethel’s Greatest Hits

“Take the potency of an amplified edgy rock band…crank up the intensity, and throw in some improvisation and you’ll get New York’s most daring string quartet sensation, Ethel.” – Strings Magazine

This all-star foursome, Ralph Farris (viola), Dorothy Lawson (cello), Todd Reynolds (violin) and Mary Rowell (violin), has stretched itself past the limits of convention, genre and style to embrace a music that arises from the context of our time. Since 1998, Ethel has developed a rare combination of tastes and talents drawn from each member’s unique experiences in the music world. Members have performed and /or recorded with Bang On A Can, the Orpheus Chamber Orchestra, the Steve Reich Ensemble and with Sheryl Crow, Reba McEntire and Yo-Yo Ma. With Ethel’s irreverence and flair, listeners are enveloped by the sounds of amplified strings as they are taken on an intense muscular ride of arena-rock proportions.

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Tue . Sept 14 . 9 pm

Sponsor:

TBA INS TIT UTE

Running time: 75 min Seating Capacity: 880 $15 members / $20 general All Ages

MAC HIN EWO RKS

Also see Ethel at MACHINEWORKS on Wed, Sept 15. See page 118.

Newmark Theatre, PCPA

www.ethelcentral.com INF O

PHOTO: STEVE J. SHERMAN

Ethel has performed and collaborated with some of today’s most prominent and exciting artists including Joe Jackson, Rickie Lee Jones, Dick Connette and Blue Gene Tyranny, and on film scores by Don Byron and Benny Wallace. The group has graced the stages of New York institutions including Lincoln Center, the Whitney Museum of American Art at Altria, Joe’s Pub, The Kitchen, The Cutting Room, the Flea Theater, Galapagos Art Space and the Brooklyn Academy of Music. International stops have included Haus der Kulture der Welt (Berlin), La Biennale di Venezia (Venice) and Paradiso (Amsterdam). In October 2003, Ethel released their first album on Cantaloupe Records.

JOEY BARON / ROBYN SCHULKOWSKY Dinosaur Dances

“Is there anything Joey Baron can’t do? Put a tricky chart in front of him, and he’ll clarify complicated passages…turn him loose on simpler forms, and his witty phrasing and impossibly deep groove will make you smile almost as widely as he does whenever he’s seated at the kit.” – Modern Drummer

Virtuosic classical percussionist Schulkowsky and downtown drummer Baron have been on the cutting edge of their respective music scenes for the past twenty years. Featuring Schulkowsky’s unique sub-bass-marimbon creation, this duo joins forces for a concert of pure percussion-based music, blending jazz, classical and improvisational forms to explore multi-faceted sound and rhythm on their one-of-a-kind wooden instruments

Wieden+Kennedy Atrium Tue . Sept 14 . 6 pm Wed . Sept 15 . 6 pm Running time: 65 min Seating Capacity: 250 $10 members / $15 general All Ages Venue Sponsor:

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Based in Europe since 1980, Schulkowsky is well known as an interpreter, composer and improviser, and has commissioned, premiered and collaborated with with John Cage, Karlheinz Stockhausen, Iannis Xenakis, Kevin Volans and Christian Wolff. Schulkowsky’s expertise in contemporary classical solo and chamber work is sought after by leadng universities and cultural institutions throughout the world.

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PHOTO: FRANK DIETCHE

Baron is a sought after soloist known for his use of tradition to open doors to new musical possibilities. He has performed and recorded with an impressive list of musicians including John Zorn, David Bowie and Philip Glass. He has led several groups, most notably the Down Home Band with Ron Carter, Bill Frisell and Arthur Blythe. He was recently the featured soloist at the Coutances Jazz Festival in France.

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DEBORAH HAY The Match /Adaptations on Tour

“...a fascinating, vibrant battle of wits that unfolds through a silent score of movement.” – Time Out New York

The Match is a quartet choreographed by the legendary Deborah Hay, which premiered at New York’s Danspace in February 2004. Each dancer then used sensations, memories, fragments and details from the group piece in a solo adaptation, creating new collaborations rather than mere reenactments of already existing material. The Match contains meditation-like exercises that are impossible to achieve, invisibly binding the dancers to the moment and the dance. For TBA, renowned choreographers/ performers Ros Warby, Wally Cardona and Deborah Hay will perform their solos.

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Wed . Sept 15 . 6 pm Thurs . Sept 16 . 6 pm

Running time: 90 min Seating Capacity: 200 $10 members / $15 general All Ages

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Due to limited seating, advance reservations are required for pass holders. Please call PICA 503.242.1419.

MACHINEWORKS Black Box

Sponsor:

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PHOTO: LIBBY LEWIS

The Match/Adaptations on Tour is funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from National Endowment for the Arts and Doris Duke Charitable Foundation. Additional funding provided by The Andrew W. Mellon Foundation and the Ford Foundation.

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In 1960, Deborah Hay became part of the Judson Dance Theater. Since the mid-nineties she has focused almost exclusively on the choreography of solo dances. Hay was commissioned to choreograph a duet for herself and Mikhail Baryshnikov through his White Oak Dance Project; has received a Guggenheim Fellowship in choreography, numerous NEA Choreography Fellowships and the Rockefeller Foundation Bellagio Fellowship. In 2002, she was inducted into the first Hall of Fame for the Arts in Austin, Texas. Her books include Moving Through the Universe in Bare Feet, Lamb at the Altar: The Story of a Dance, and My Body, the Buddhist.

33 FAINTING SPELLS Our Little Sunbeam

“Give them an hour; they’ll remake your vision of the American dance landscape.” – Elizabeth Zimmer, The Village Voice

Our Little Sunbeam is a dance theater collision between Anton Chekhov and the U.S. space program. With original rap and pop music and a wildly varied dance vocabulary, the company draws parallels between the plight of Chekhov’s Ivanov and an astronaut’s orbits around the earth. 33 Fainting Spells co-founders Dayna Hanson and Gaelen Hanson are joined by guest collaborator, NY-based experimental theatre artist Linas Phillips.

Based in Seattle, 33 Fainting Spells was founded in 1994, and has been commissioned and presented nationally and internationally by venues such as Dance Theatre Workshop (NY), The Wexner Center for the Arts (OH), Künstlerhaus Mousonturm (Frankfurt), and Jacob’s Pillow (MA).

Thurs . Sept 16 . 9 pm Fri . Sept 17 . 9 pm Sat . Sept 18 . 9 pm

Running time: 70 min Seating Capacity: 275 $10 members / $15 general Mature Audiences

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Our Little Sunbeam is a co-commission of Dance Theatre Workshop, The Walker Art Center and On the Boards, and is sponsored in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from National Endowment for the Arts and Doris Duke Charitable Foundation. Additional funding provided by The Andrew W. Mellon Foundation and the Ford Foundation.

Winningstad Theatre, PCPA

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PHOTO: PETER MUMFORD

Dayna Hanson studied literature, translation and fiction writing at the University of Washington and was a founding member of the performance group Run/Remain. Gaelen Hanson majored in Dance and Theatre at Oberlin College, and completed her Advanced Diploma in Dance/Performance at the European Dance Development Center in the Netherlands. A graduate of New York University’s Experimental Theater Wing, Linas Phillips has performed his work at LaMama, Dance Theater Workshop, P.S. 122 and other New York venues.

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HEADLONG DANCE THEATER Hotel Pool

“Does experimental dance have to be intimidating? Not according to Headlong Dance Theater, which likes to lace its cerebral offerings with sly humor...Headlong is clearly not your typical dance company, with dances in keeping with the troupe’s motto that intelligent experimentation can be compelling and, in some cases, hilarious.” – The New York Times

The Bessie-Award winning Headlong Dance Theater dives into its newest site-specific performance, which takes place in and around the warm, chlorinated ripples of the Portland Hilton swimming pool. In the minds of co-directors David Brick, Andrew Simonet and Amy Smith, a hotel swimming pool is a dangerous site of interaction and exposure, a place where people mix rituals of bathing, exercise and play; and a setting for dreams, longing and disasters.

Portland Hilton Hotel Thurs . Sept 16 . 9, 11 pm Fri . Sept 17 . 9, 11 pm Sat . Sept 18 . 9, 11 pm Sun . Sept 19 . 9, 11 pm

19 Running time: 60 min Seating Capacity: 100 $15 members / $20 general All Ages Sponsors: Hilton Hotel

Due to limited seating, advance reservations are required for pass holders. Please call PICA 503.242.1419.

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Funded in part by the Pennsylvania Council on the Arts and the National Dance Project (NDP) of the New England Foundation for the Arts. Lead funding for the NDP is provided by the National Endowment for the Arts and Doris Duke Charitable Foundation. Additional funding provided by The Andrew W. Mellon Foundation and The Ford Foundation. Special thanks to the Portland Hilton for the generous donation of their venue.

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PHOTO: STEVE BELKOWITZ

David Brick, Andrew Simonet and Amy Smith founded Headlong Dance Theater in 1993 in Philadelphia, after studying together at Wesleyan University. The company works collaboratively on all projects, and since its founding Headlong Dance Theater has created 35 dances, including the Bessie-Award winning St*r W*rs in 1998, The Story of a Panic (2001), Britney’s Inferno (2002), and You Are So Beautiful (2004), a collaborative work with the Japanese dance company Arrow Dance Communication, which premiered in Kyoto in January 2004. Hotel Pool will premiere at the Philadelphia Live Arts Festival in September 2004.

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SEKOU SUNDIATA blessing the boats

“Sekou is one of the most distinctive and original DJALI (Poet, Historian, Musician, Signifier) doing it. Sekou is… serious as light overhead in darkness.” – Amiri Baraka

One of today’s most electrifying poets looks at illness, treatment, recovery, personal relationships, art, life and death in an effort to make some order out of the chaos of a life fundamentally altered by disease. blessing the boats chronicles five tumultuous years of Sekou Sundiata’s life: a threatening bout with kidney failure, a life-saving transplant and the slow recuperation that followed.

Directed by Rhodessa Jones*, blessing the boats draws on the literary traditions in which Sundiata is rooted as a poet, playwright, lyricist and performance artist. Just as Sundiata is fueled and kept alive by the kidney transplant of a generous friend, his performance manifests his inward journey and search for the meaning of grace.

*pre-show Lecture, Sat, Sept 18. See page 100. blessing the boats is a production of MultiArts Projects & Productions (MAPP) in New York City.

Lincoln Hall, Portland State University Fri . Sept 17 . 9 pm Sat . Sept 18 . 9 pm Running time: 75 min Seating Capacity: 470 $15 members / $20 general Mature Audiences

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Sundiata is a poet who writes for print, performance, music and theater. In collaboration with composer Craig Harris, he wrote and performed in several acclaimed theater works: The Circle Unbroken is a Hard Bop, The Mystery of Love, and Udu. He has recorded and performed his poetry with a range of musicians, including Craig Harris, David Murray, Nona Hendryx and Vernon Reid. His recordings, The Blue Oneness of Dreams (Mouth Almight / Mercury), and longstoryshort (Righteous Babe Records), are both rich with the sounds of blues, funk, jazz and African and Afro-Cuban percussion.

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PHOTO: MONIQUE DELATOUR

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KHAELA MARICICH AKA THE BLOW The Touch Me Feeling

“(Maricich has a) deft ability to fully integrate her media — song, context, delivery, narrative, confusion, etc, — into a tone that supports the work’s most profound calculation: a leashed intimacy that is the Blow’s ultimate faculty.” – Zac Pennington, The Seattle Stranger

Khaela Maricich leads a multi-media presentation about the innovative and new mental health care techniques offered by Swiss company Remôsch. Using personalized prescriptions of identity-based daily karaoke and dance routines, the Remôsch system is highly successful at helping individuals “stay in the game” and avoid the murky areas of mental illness /difficulty. Using video and live web conferences with the employees of the Bay area based company, Maricich illustrates the uses of this new technology, and shows the greater possibilities for living which Remôsch can offer.

Wieden+Kennedy Atrium 18

Running time: 75 min Seating Capacity: 250 $10 members / $15 general All Ages

PHOTO: DANA DART-MCLEAN

Sponsors: See Maricich perform her pop opera Blue Sky vs. Night Sky at MACHINEWORKS on Mon, Sept 13. See page 114. The Touch Me Feeling was created in part through a residency with PICA and Wieden+Kennedy.

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Fri . Sept 17 . 7 pm Sat . Sept 18 . 7 pm Sun . Sept 19 . 7 pm

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Olympia-based musician, visual artist and one-woman band Khaela Maricich constructs brave new worlds in the cracks between performance art, pop electronica and music theatre. Also known as The Blow, Maricich has recorded several albums with labels KNW-YR-OWN and K Records in collaboration with other artists, as well as her own solo works, The Bonus Album, and Concussive Caress, or Casey Caught Her Mom Singing Along with the Vacuum. Her new album, Poor Aim: Love Songs, a part of the Pregnancy EP Series, will be released this fall as a joint effort between States Rights Records, Slender Means Society, and K Records.

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AKIRA KASAI Pollen Revolution

“Nobody dances like him, and nobody can dance like him. The revolution of life takes place in his body.” – The Ashai, Japan

Heralded as the “Nijinsky of Butoh,” Kasai transcends temporal distinctions in a journey through cultures, epochs and states of being. Kasai begins the performance in a woman’s kabuki costume, and appears to perform a traditional Japanese dance although it is completely improvised. Gradually, Kasai is transformed into a street dancer, a solitary actor and a contemporary traveler. Here, on the outer boundaries of “un-self consciousness,” change is the only constant as butoh morphs into hip-hop.

The North American tour of Pollen Revolution is a production of MultiArts Projects & Productions (MAPP) in New York City.

Newmark Theatre, PCPA

Fri . Sept 17 . 9 pm Sat . Sept 18 . 9 pm Sun . Sept 19 . 9 pm

Running time: 60 min Seating Capacity: 880 $15 members / $20 general All Ages

Sponsors: TBA INS TIT UTE

Pollen Revolution is funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from National Endowment for the Arts and Doris Duke Charitable Foundation.Additional funding provided by The Andrew W. Mellon Foundation and the Ford Foundation. This performance is also supported by The Japan Foundation through its Performing Arts JAPAN program.

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Akira Kasai studied modern dance and classical ballet until meeting Kazuo Ohno in 1963. Kasai then spent the next two decades studying and dancing with Ohno and Tatsumi Hijikata, the founders of butoh. In 1971, he founded Tenshi-Kan, an institute for butoh and esoteric studies in Tokyo. In 1979, Kasai stopped dancing, disbanded his company and school and left for Stuttgart, Germany to study the principles of eurythmy. After graduating from the Eurythmeum in 1983, Kasai returned to Japan in and began to create a highly individual style, which he debuted in 1994 with the work, Seraphita. Since 1999, he has been choreographing Blue Sky Series, an all-female company. His work has toured internationally, including Germany, Korea, Italy, San Francisco and Chicago.

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PHOTO: HIDEYO TANAKA & TAKAHIRO HACHIKUBO

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IN MEMORY OF HOMER AVILA 1955 –2004

Homer Avila, a world-renowned dancer and choreographer, continued to perform after losing his leg and hip to chondro sarcoma, a rare form of cancer, in 2001. Avila created and commissioned dances specific to his altered physicality, illuminating implicit contradictions in the way bodies are traditionally viewed as abled or disabled, normal or abnormal. He was scheduled to be a part of the 2004 TBA Festival, and was dancing and performing up until two days before his death on April 25, 2004. Avila was a valued colleague, performer and friend, and his presence will be missed.

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Please contact PICA (503.242.1419) for information on how to donate to the scholarship funds.

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PHOTO: IRENE FERTIK

Gifts in Avila’s honor may be made to the scholarships he established for dancers to train with choreographers Alonzo King (Lines Ballet Dance Intensive) and Zvi Gotheiner. Homer’s desire was to ensure that other dancers have the opportunity to expand and grow by working with these two teachers and choreographers whom he held in high esteem.

Thanks to NWNW curators Michele Scoleri of One Reel, Michael Seiwrath of Northwest Film Forum, Lori Goldston of Black Cat Orchestra and Michele Steinwald, Lane Czaplinski and Diane Ragsdale of On the Boards.

www.ontheboards.org Sponsor:

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Curated in association with On the Boards in Seattle, Northwest New Works: PDX features new projects — contemporary theatre, dance, music and new genre works — by a sampling of emerging and established artists working in the Pacific Northwest today.

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NORTHWEST NEW WORKS: PDX

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NWNW: PDX PROGRAM 1 Spugmotion /Sinead Kimbrell, Allen Johnson, Obo Addy, James Moore and Emily Stone

Kimbrell combines traditional Irish dance with contemporary technique and sensibility to create a unique fusion of step and street dance, celebrating rhythm, individuality and the human spirit. www.spugmotion.com

Allen Johnson (Seattle) Another You A look at the recklessness and vulnerability necessary for an intimate encounter with God, a lover or oneself. Songs about staring at the floor, without the singing.

Obo Addy (Portland) ADRU Ghanaian musician and choreographer Obo Addy breaks from tradition with a new dance piece exploring power, competition and grace through contemporary movement and original live music. www.oboaddy.com

Ready, Go on Three An investigation into competition, endurance, failure, and the illusion of greatness. Stone and Moore take the Olympic motto of “Swifter, Higher, Stronger” to the nth degree in hopes of answering the question “When does one decide to give up?” Due to limited seating, advance reservations are required for pass holders. Please call PICA 503.242.1419.

MACHINEWORKS Black Box Sat . Sept 18 . 5 pm Sun . Sept 19 . 3 pm Running Time: 80 min Seating Capacity: 200 $10 members / $15 general Mature Audiences

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Salvage Yard /James Moore and Emily Stone (Portland)

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SALVAGE YARD / JAMES MOORE AND EMILY STONE PHOTO: SIMON CRANE

ALLEN JOHNSON PHOTO: TIM SUMMERS

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SpugMotion / Sinead Kimbrell (Portland)

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OBO ADDY PHOTO: GEOFFREY HILLER

SPUGMOTION PHOTO: JEF BARRY

NWNW: PDX PROGRAM 2 Amelia Reeber, Coriograph Theatre /Cori Caulfield, Mary Sheldon Scott /Jarrad Powell Performance

Amelia Reeber (Seattle) Frank Hayes A piece for solo dancer and bear, accompanied by the ambient music of Stasis (David Brogan, Paul Moore with Dave Carter). Soloist Amelia Reeber navigates a vast arctic landscape, where time is formless and one is isolated and dwarfed by their surroundings.

Coriograph Theatre /Cori Caulfield (Vancouver, B.C.)

Portrait Solos: Excerpt Cori Caulfield performs her “portraitist” solos, creating characters who are wildly eccentric, choreographically uninhibited and larger than life. www.coricaulfield.com

Mary Sheldon Scott/Jarrad Powell Performance (Seattle)

Due to limited seating, advance reservations are required for pass holders. Please call PICA 503.242.1419.

Winningstad Theatre, PCPA Sat . Sept 18 . 3 pm Sun . Sept 19 . 5 pm Running Time: 60 min Seating Capacity: 275 $10 members / $15 general Mature Audiences

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Vessel Choreographer Mary Sheldon Scott and composer Jarrad Powell share excerpts from a new dance work that will premiere at On the Boards in October, 2004. Vessel explores a physically demanding and evocative movement vocabulary in vibrant dialog with an original and compelling sound score. www.gamelanpacifica.org/dance/

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PERFORMER PHOTO: CREDIT

MARY SHELDON SCOTT / JARRAD POWELL PERFORMANCE PHOTO: TIM SUMMERS

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CORI CAULFIELD PHOTO: DANIEL COLLINS

AMELIA REEBER PHOTO: BRIAN MEADE

TBA ON THE SCREEN In partnership with the Northwest Film Center and Cinema Project, PICA presents this series of five time-based media projects informed by visual art and performance practices.

Special thanks to Pablo de Ocampo, Cinema Project, and Bill Foster, NW Film Center.

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Sponsors:

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www.cinemaproject.org www.nwfilm.org

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ZOE BELOFF Psychic Projections —3D Film Performances

New York based film and media artist Zoe Beloff uses both digital and archaic film trickery to conjure up phantasmagorical worlds where mediums conjure up spirits, calling shadowy beings into reality. Drawing from cinema history, psychoanalytical studies and 19th century accounts of séances and mediums, Beloff’s multi-media works create a dialog between technology, history and the unconscious.

For her first Portland appearance, Beloff will present two different programs of work. The first show features Shadow Land or Light from the Other Side and Lost. Shadow Land is stereoscopic, 16mm film that is drawn from the 1897 autobiography of Elizabeth d’Espérance, a materializing medium who could produce full body apparitions. Lost is a piece for stereo 35mm slides, hand-cranked 16mm projection and phonograph that recreates forgotten spaces from New York’s Lower East Side.

www.zoebeloff.com

Program 1 Shadow Land or Light From the Other Side and Lost (60 min)

Program 2

Program 1 Sat . Sept 11 . 4 pm Program 2 Sun . Sept 12 . 4 pm Running Time: 90 min Seating Capacity: 380 $6 members / $7 general All Ages Venue Sponsor:

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Discussion with artist to follow screenings.

Guild Theatre

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For the second program, Beloff will present Claire and Don in Slumberland, a combination of 3D slides and 16mm projection. Set against the empty, quiet background of Pleasure Beach, Connecticut, the characters act as conduits for the voices of the past and the fears and anxieties of the surrounding culture.

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JOANIE 4 JACKIE 11

Joanie 4 Jackie is an independent distribution network and archive for women who make movies. It was started in Portland in 1995 by performing artist and moviemaker Miranda July. In 2004 July handed Joanie 4 Jackie over to the Bard College Film Department where a rotating group of students and faculty are dedicated to keeping it alive and kicking.

Guild Theatre

Thurs . Sept 16 . 7 pm Running Time: 90 min Seating Capacity: 380 $6 members / $7 general Mature Audiences Venue Sponsor:

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Joanie 4 Jackie is currently screening and distributing over 100 movies and receiving more every day. This program is a “best-of” sampler, a taste-test, a few shining stars for hungry eyes and starved minds. Come and see what a fifteen year-old girl from Louisiana or a 34 year-old mom from Wisconsin has to say. We think it’s more interesting than whatever next big thing is playing in the Multiplexes or on TV. Joanie 4 Jackie is forever.

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THE AMATEURIST

This is how it works: every woman who sends her movie to Joanie 4 Jackie receives a Chainletter tape with her movie on it. Each Chainletter is a random compilation of 10 movies by 10 women from all over the world, who sent their movies in to Joanie 4 Jackie. These Chainletters are available for purchase online in limited editions.

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GUY MADDIN Cowards Bend the Knee (Canada 2003)

Guild Theatre 19

Fri . Sept 17 . 7, 9:15 pm Sat . Sept 18 . 8 pm Running Time: 60 min Seating Capacity: 380 $6 members / $7 general Mature Audiences Venue Sponsor:

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Set in their hair salon/brothel/abortion clinic accessorized with two-way mirrors, Maddin’s naughty, titillating visions disturbingly roam in a world somewhere between, and perhaps beyond Dr. Mabuse and Blue Velvet, providing, according to Maddin, “a lovingly self-loathing peek at myself, but only as I would have enough courage to look through a cracked glass made foggy by hairspray.” Yes, this is one to miss, or not to miss.

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Guy Maddin’s signature homages to silent cinema (The Saddest Music in the World, Careful, Dracula, Pages from a Virgin’s Diary) take a twisted, fauxautobiographical turn in this roiling, sexually perverse melodrama about entrapment, obsession, love and revenge. First presented as a 10-part peep show installation at the Rotterdam Film Festival, Maddin has fashioned his lurid vignettes into a delirious, voyueristic mini-feature, in which he, casting himself (played by Darcy Fehr) as a lascivious hockey player, falls under the spell of irrational mother and daughter femmes fatales.

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JANIE GEISER The Emotional Lives of Inanimate Objects

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Guild Theatre

Sat . Sept 18 . 4 pm Running Time: 90 min Seating Capacity: 380 $6 members / $7 general Mature Audiences Venue Sponsor:

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While these worlds that she creates are often blatantly artificial, her images are exquisitely composed, with perfectly layered superimpositions, subtle lighting and dense spaces. Geiser will introduce the program and present a selection of her work from the past several years including Spiral Vessel, Lost Motion, The Fourth Watch, Ultima Thule, as well as her brand new film Terrace 49.

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Set in the intimate spaces of dollhouses with antique figurines and paper cutouts, Janie Geiser’s films create mysterious “noir-ish” worlds of cryptic narratives, nostalgia and half-remembered dreams. Drawing upon personal narratives and histories, their loose stories rarely provide us the details of what is happening; rather, Geiser uses these miniature worlds to evoke emotional currents played out through archetypal “characters.”

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Discussion with artist to follow screening.

LEWIS KLAHR Engram Sepals (Melodramas 1994 –2000) A Film in Seven Parts

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Dubbed “the reigning proponent of cut and paste animation” by J. Hoberman in The Village Voice, Lewis Klahr is often placed into the lineage of collage filmmakers such as Harry Smith, Larry Jordan and Stan Vanderbeek. But Klahr’s films are much more closely influenced by his affinity for classic Hollywood, specifically the melodramas of Douglas Sirk and Vincente Minnelli.

Guild Theatre

Venue Sponsor:

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Running Time: 80 min Seating Capacity: 380 $6 members / $7 general Mature Audiences

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Sun . Sept 19 . 4 pm

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For TBA, Klahr will present his feature length series Engram Sepals, which “traces a trajectory of American intoxication—both sexually and substance wise—from World War II into the 70s.” Primarily composed of cutouts from old magazines and comics, his films occupy a flat space enlivened through Klahr’s mysterious and seductive stories. With this extensive vocabulary of appropriated imagery and characters, Klahr’s films lead the viewer through a rich and dense cloud of pop culture dreams.

TBA ON THE ROAD PICA presents four unique mobile and outdoor projects. These site-specific works will be developed for and located in the streets, parks and public spaces around Portland. Check www.pica.org in September to get updated information on where and when to see TBA On the Road.

Sponsor:

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MK GUTH

RSDS has screened at New Exhibition Space (Copenhagen), Bantofa (Paris), and exhibited with the Swiss Institute of Contemporary Art (NY). Reviewer Barbara Pollock described Guth’s video I Want To Hold Your Hand as “brilliant” in Art News (Feb 2003). Her work has also been touted in Flash Art, New Art Examiner and Art in America. She has received a Betty Bowen Special recognition award from the Seattle Art Museum, an Award of Merit from the Bellevue Art Museum and a project commission from PICA. Guth has exhibited with Elizabeth Leach Gallery (Portland), Betty Moody Gallery (Houston), White Box Annex (NY), White Columns (NY), Side Street projects (LA), Catherine Clark (SF) and Consolidated Works (Seattle).

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This project is the brainchild of artist MK Guth (Portland) and her co-conspirators, painter and designer Molly Dilworth (New York) and multimedia artist and curator of the Donut Shop Series Chris Moss (Portland). RSDS will be cruising Portland’s streets throughout TBA looking to make you their next Dorothy.

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MK Guth’s Red Shoe Delivery Service reconfigures the idea of Dorothy’s ruby slippers in order to create an interactive art experience while providing people with practical service. Dubbed “art that moves you,” RSDS is made up of a mini van, a driver, a videographer, a photographer and an arsenal of glittering red shoes. Passengers are asked to don a pair of the shoes, click their heels and state: “there is no place like…” at which point they are transported to their desired destinations. Multimedia documentation of this magic ride results in a work that reflects the collaboration between artist and every participant.

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Red Shoe Delivery Service

AMOS LATTEIER Call of the Wild: Cell phone audio tours of urban wildlife

Call of the Wild is funded in part by the Regional Arts and Culture Council, BeVocal and TriMet.

Audio Tour Phone # Toll Free 877.368.2205 Sponsors:

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Amos Latteier is an interdisciplinary artist who performs PowerPoint lectures and creates interactive public art using technology. He delivers slide lectures on scientific and cultural topics including ant societies, models, statistics and pigeon aerial photography. He has performed lectures across the United States and in Europe. His recent public art projects include a cell phone-controlled slide show, a chainsaw-powered walking machine, a 500lb potato battery and several hovercrafts.

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Starlings, pigeons and moss show us how to adapt, survive, and flourish in changing and artificial surroundings. Call of the Wild examines the urban ecosystem with an eye to the lessons it can teach us about our technologically mediated lives.

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Known as “Portland’s Best Fake Professor,” Amos Latteier blends biology, sociology and technology to design a series of audio tours of Portland wildlife. Cell phones provide a unique venue for conducting audio tours, transforming a device that normally removes people from the environment into one that help focus attention on the flora and fauna of the city, in contrast with their human cohabitants. Equal parts natural history, philosophy, and humor, the tours reveal urban bio-systems that we see every day but seldom notice.

DAVID ECKARD Podium

David Eckard is an artist, performer and educator based in Portland, Oregon. His work has been exhibited internationally and has been written about and reviewed in The New York Times, Flash Art, Art in America, Artnews and Sculpture. He continues his exploration into how the dormant function inherent in his sculpture can be activated through performative events that explore issues of personal identity, public persona and spectacle.

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PHOTO: BRUCE CONKLE

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David Eckard’s Podium transforms the artist into a transient town crier, as he pushes his elaborately designed roving podium to deliver poetic monologues. Navigating public spaces in the city with the goal of maintaining the performance for a “forty hour work week,” Eckard explores physicality and monotonous feats of endurance and futility. The audience becomes witness to both the proclamation and the labored action of transporting, assembling and disassembling the sculptural podium. Utilizing the traditions of rally proclamation and stump speech, the spoken words will be a collage of personal revelations, facts, poetry and aural non-sequiturs. The monologue will remain the same, but will shift in meaning and impact as it engages and interrupts the city by creating incidental audiences.

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“To his fellow workers in the non-metaphorical world — painting roads, mowing grass and cleaning streets — Eckard claimed a ritual empathy. But as his perfect circles offered a more transcendent beauty, recalling walks by Richard Long and the hoaxes and mysteries of crop circles, they also wryly suggested the boundaries of artists’ influence.” – Randy Gragg, Core Sample

LONE TWIN The Days of the Sledge Hammer Have Gone

“Leading artists in the new generation of British performers.” – Turku Academy for The Arts

Gregg Whelan and Gary Winters of public art collaborative lone twin create a series of sitespecific works which attempt a meeting between the liquidity that constitutes 80% of our body’s physicality and the network of waterways that give shape to Portland’s human geography. This performance attempts to “become the weather” by inserting itself into the hydrological cycle and literally producing clouds. Built from work songs, square dances and old jokes, the piece laughs at cold winds and smiles in the face of driving rain.

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Active since 1997, lone twin is based in the U.K. and regularly contributes to the European and International performance scene. lone twin’s collaborative works have taken place in the public spaces of the U.K., Canada, Portugal, Finland, Estonia, Sweden, Norway, Australia and now in Portland, Oregon. Sponsor: The U.S. tour of lone twin is supported by the British Council.

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PHOTO: GRACE SURMAN

Ambitious, adventurous and humorous, lone twin’s work explores the urban landscape and transforms pedestrian movements into an artful commentary on place, travel and orientation.

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Go behind the scenes to find out how and why artists do what they do. Through a daily program of noontime chats, workshops and lectures, the TBA Institute provides a platform for connection and exchange between festival artists and audiences. Admission to noontime chats, workshops and lectures is included in all levels of festival passes. Individual tickets may be purchased at the door if space is available. TBA Institute Individual Ticket Prices: Noontime Chats: $5 general Workshops & Lectures: $10 members / $15 general

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Sponsor: Standard Insurance Company

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NOONTIME CHATS A series of casual discussions with artists, creative thinkers and TBA audiences. Noontime Chats are FREE to all levels of TBA Pass holders, $5 general.

Corporate Culture vs. Individual Identity Wednesday, Sept 15 12–1 pm, PICA TBA Assistant Curator Erin Boberg with artists Andrew Dickson and Khaela Maricich.

Media Rituals: Performative Film

Friday Sept 10 12–1 pm, PICA Kristy Edmunds, PICA’s Founder and Artistic Director, talks about the history and future of TBA.

Art and Activism Saturday, Sept 11 12–1 pm, PICA TBA Artistic Director Kristy Edmunds with artist John Jasperse.

Thursday, Sept 16 12–1 pm, PICA Artists Rosane Chamecki, Andrea Lerner, Helen Herbertson and Wouter Bouchez.

Sunday, Sept 12 12–1 pm, PICA TBA Artistic Director Kristy Edmunds with Australian artists Ros Warby and Helen Herbertson.

Management: A Creative Partnership

The Art of Words

Monday, Sept 13 12–1 pm, PICA Artist Manager Barbara Bryan.

Friday, Sept 17 12–1 pm, PICA Portland Arts and Lectures Program Director Howard Aaron with artists Heather Woodbury and Sekou Sundiata.

On the Record: Performance Journalism Tuesday, Sept 14 12–1 pm, PICA Joseph Gallivan, Portland Tribune, Steffen Silvis, Willamette Week, and Catherine Thomas, The Oregonian.

On the Road: Outdoor and Mobile Works Thursday, Sept 16 12:30 –1:30 pm, PNCA (Pacific Northwest College of Art) Friday, Sept 17 12–1 pm, Umpqua Bank, Pearl District Reed College Cooley Gallery Director Stephanie Snyder with artists David Eckard, MK Guth, lone twin and Amos Latteier.

Downside Up

1-5 North: Developing Work in the Pacific NW Saturday, Sept 18 12–1 pm, PICA On the Boards Artistic Director Lane Czaplinski with artists Dayna Hanson and Gaelen Hanson.

Tuesday, Sept 14 12:30 –1:30 pm, PNCA (Pacific Northwest College of Art) PNCA Professor Daniel Duford with artists John Jasperse, Tahni Holt and Marty Schnapf.

New Traditions: Contemporary African Dance and Music Sunday, Sept 19 12–1 pm, PICA Obo Addy, Susan Addy and Sinead Kimbrell of Homowo.

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Homeland Security: Art in America

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From a Distance: International Cultural Centers

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Wednesday, Sept 15 12:30 –1:30 pm, PNCA (Pacific Northwest College of Art) Pablo de Ocampo of Cinema Project and Andrew Blubaugh of the NW Film Center.

GETTING TECHNICAL: WORKSHOPS Advance registration is required for all workshops, please call PICA 503.242.1419. Workshops are free to all levels of TBA Pass holders, $10 PICA members, $15 General.

Workshop spaces generously provided by Conduit, Ecotrust, The Water St. Project and Wieden+Kennedy.

ChameckiLerner: Dance Improvisation and Composition DBR WORKSHOP, TBA 2003 PHOTO: MICHELLE MAJESKI

33 Fainting Spells: Performance Lab Friday, Sept 17, 9:30 am Use text, character, and music as sources for creating new work. Intermediate The Water St. Project

Headlong Dance Theater: Performance Lab

Saturday, Sept 18, 9:30 am All Levels The Water St. Project 16

John Jasperse: Contemporary Composition Monday, Sept 13, 9:30 am Intermediate /Advanced Conduit Deborah Hay: The Body in Question: Techniques for Performing Tuesday, Sept 14, 9:30 am Intermediate Conduit

Joey Baron and Robyn Schulkowsky: Lecture/Demonstration Wednesday, Sept 15, 12 pm Learn about Baron and Schulkowskyâ€™s one-of-a-kind instruments. All levels Wieden + Kennedy Atrium

National Performance Network Access Meeting Wednesday, Sept 15, 4 pm Ecotrust NPN provides support for established and emerging contemporary performing artists, connecting them with progressive presenters, arts organizations and communities across the country. It serves as the developmental rung on the ladder for emerging artists, providing rare or first-time touring opportunities, and also plays a critical role for mid-career and established artists, offering a wealth of opportunities at a time when support is diminishing. Meet the staff of NPN at this informative meeting for performing artists who have toured regionally or who are ready and have the capacity to tour. www.npnweb.org

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Sunday, Sept 12, 9:30 am All Levels Conduit

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Ros Warby: Dance Improvisation Lab

Akira Kasai: Butoh Sunday, Sept 19, 10:30 am All Levels Conduit

This event is FREE, but advance reservations are required. Please call PICA 503.242.1419 INF O

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Thursday, Sept 16, 9:30 am Intermediate The Water St. Project

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LECTURES

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AMMAR ELOUEINI 11

Architect Ammar Eloueini discusses his collaborative project with choreographer John Jasperse. Eloueini’s innovative and efficient set design for the touring company’s work, CALIFORNIA, collapses into easily transportable cases for travel. Created from translucent polycarbonate panels connected by zip ties, this complex structure morphs with the dancers’ interactive movement and reflects the shifting space and time of weather and politics.

www.digit-all.net

Lincoln Hall, Portland State University

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Running time: 60 min Seating Capacity: 470 $10 members / $15 general All Ages

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Sun . Sept 12 . 5 pm

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PHOTO: MARIA ANGUERA DE SOJO

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Ammar Eloueini (born in Lebanon) is a registered architect who established Digit-all Studio in 1997, based in Chicago and Paris, as an architectural laboratory. Digit-all Studio’s projects challenge traditional design processes and answer new architectural and urban complexities. In 2001, Eloueini was awarded the prestigious Nouveaux Albums des Jeunes Architectes, the French Institute of Architects’ highest recognition for architects under thirty-five. Eloueini designed the exhibition Skin Tight at the Museum of Contemporary Art in Chicago that opened in June 2004. His designs have been featured in solo and group exhibits and published worldwide. In Chicago, Ammar Eloueini chairs the Digital Media Program and teaches design studio at the University of Illinois at Chicago, as well as collaborating with Archeworks design laboratory. He received, with honors, the degree of Diplômé par le Gouvernement from Paris-Villemin in 1994, and graduated with a Master of Science in Advanced Architectural Design from Columbia University in 1996. Eloueini has participated in several symposia, including “Mixing It Up With Mies” at the Canadian Center for Architecture and the International Symposium in Electronic Art.

LONE TWIN WALK WITH ME WALK WITH ME WILL SOMEBODY PLEASE WALK WITH ME

British duo lone twin present a performative presentation and lecture drawing on the recurring theme of walking as a central activity in their practice. Multi-media documents, stories and activities will cover much of their works made over the last six years. lone twin hopes to suggest that walking acts as both a physical trajectory and an inhabitance of localized cultural space. The presentation responds to ideas of performance and travel, pedestrian knowledge, subjective geographies and what happens when it rains on ones map.

Winningstad Theatre, PCPA

Running time: 60 min Seating Capacity: 275 $10 members / $15 general All Ages Sponsor:

The U.S. tour of lone twin is supported by the British Council.

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Mon . Sept 13 . 6 pm Tues . Sept 14 . 6 pm

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Active since 1997, lone twin have shown performance works across Europe, North America and Australia. Comprised of artists Gregg Whelan and Gary Winters the collaborative project deals specifically with ideas of textuality, physicality, place and orientation. Working between contemporary theatrical, performance, live art and dance, lone twin are committed to making publicly accessible works. In 2003 lone twin was awarded an Arts Council of England International Fellowship at K端nstlerhaus Mousonturm, Frankfurt.

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PHOTO: TONY CLARK

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ÉDOUARD LOCK Amelia

“Lock surpasses all limits. His revolutionary physical language has influenced an entire generation of dancers, indelibly marking his age.” – Die Welt, Berlin

Montreal choreographer Édouard Lock is famed for his explosive style and has earned an international reputation with his company La La La Human Steps. Faced with the increasing challenges of touring in the U.S., Lock reinvented his masterwork, Amelia, as a film combining choreographic, musical and cinematic strands. The original score, written by David Lang for violin, cello, piano and voice, brings evocative minimalism to lyrics from five of Lou Reed’s works for the Velvet Underground. The result is formal, street-wise and haunting.

On September 13, Lock will discuss his exploration of the human gesture through a powerful interplay of speed and extremes in addition to the screening.

Amelia was co-produced by Amérimage Spectra and Média Principia (Ex-Centris Group) and premiered in October 2003 at the Montréal International Festival of New Cinema before being broadcast in Canada and around the world.

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Lecture + Screening Mon . Sept 13 . 7:30 pm $10 member/ $15 general 19

$6 member/ $7 general Running time: 60 min Seating Capacity: 380 All Ages Venue Sponsor:

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Screening Only Tues . Sept 14 . 6 pm

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Born in March 1954 in Casablanca, Lock emigrated to Montréal at the age of three. In 1971, he joined Groupe de la Place Royale. At the age of 21, he created his first works for Groupe Nouvelle Aire. He founded Lock-Danseurs in 1980, which later became La La La Human Steps. His works have been presented at the American Theatre Lab, London’s Institute of Contemporary Arts, the Paris Opera, The Kitchen, Dance Theatre Workshop and the Brooklyn Academy of Music. Lock has received the Jean A. Chalmers prize for choreography, The Bessie Award and the DenisePelletier Prize, has choreographed for David Bowie and Louise Lecavalier and has collaborated with video artist Nam June Paik, Frank Zappa and Einstürzende Neubauten.

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PHOTO: ÉDOUARD LOCK

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COSMIN MANOLESCU Dance.Ro

Offering a rare view of Romanian contemporary dance, Manolescu presents Dance.Ro, a video compilation of excerpts from several choreographers and dance companies. The video presentation is accompanied by a live performance including short works by Adrian Stoian, Marie-Gabrielle Rotie and Cosmin Manolescu. An open discussion with the audience will follow.

Dance.Ro was produced in 2002 by Project DCM Foundation and Cosmin Manolescu and is the first survey of Romanian dance to be presented at festivals in Berlin, Düsseldorf, Philadelphia and Bucharest.

Winningstad Theatre, PCPA

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Tues . Sept 14 . 7:30 pm Running time: 60 min Seating Capacity: 275 $10 members / $15 general All Ages

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PHOTO: MATEI BRANEA

Cosmin Manolescu is a choreographer, performer and dance manager living and working in Bucharest, Romania. Since 1997 he has been involved in the development of contemporary dance in Romania and in the Balkans through workshops, co-productions, residencies, dance platforms and international exchange projects. Manolescu is the founder and artistic director of “BucharEast.West,” an international dance festival in Bucharest. His artistic work has toured internationally in Italy, Austria, France, Lebanon, Portugal and the United States.

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KIMI TAKESUE 11

“…Kimi Takesue’s Summer of the Serpent is lulling, hypnotic and gorgeous. Exploring and subverting the appeal of Asiatic mystery, it beautifully evokes the steaming daydreams of summer.” – Philadelphia City Paper

Filmmaker Kimi Takesue’s short films utilize minimalist form and visual rhythm to highlight points of cultural synthesis and collision. Takesue tells the stories of characters living on the margins. They navigate through the world using sight and imagination as tools of defense, resistance and illumination.

On September 14, Takesue discusses the process of looking across cultures in a post-film talk.

PHOTO: RICHARD BEENEN

Kimi Takesue is a Rockefeller Fellow in Film and Video. Her films have been screened at over 150 film festivals and museums internationally, including the Rotterdam International Film Festival, Locarno International Film Festival, London’s Institute of Contemporary Art and the Walker Art Center.

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Lecture + Screening Tues . Sept 14 . 7:30 pm $10 members / $15 general 19

Screening Only Wed . Sept 15 . 5 pm $6 members / $7 general Running time: 60 min Seating Capacity: 380 All Ages Venue Sponsor:

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Heaven’s Crossroad (2002) traces an impressionistic journey through Vietnam. Structured in a series of observational yet stylized vignettes, this visually driven experimental documentary investigates shifting relationships of voyeurism and intimacy, which link the observer with the observed. (35 min)

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Summer of the Serpent (2004) is an experimental narrative film. Grounded in the realism of the social life around a Philadelphia swimming pool, it expands into the dreams of its child protagonist. A lonely girl transforms an ordinary day at the pool into a sublime and imaginary adventure. Tender and provocative, this visually-driven story raises questions about difference and desire. (27 min)

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JOHN C. JAY 11

www.wktokyolab.com www.wk.com

Running time: 60 min Seating Capacity: 380 $10 members / $15 general All Ages Venue Sponsor:

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Jay will speak on the relationship between creativity, commodity, design and the avant-garde in Japan.

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PHOTO: STANLEY BACH

John C. Jay is a partner of Wieden+Kennedy as well as Co-Executive Creative Director of the agency’s Tokyo office office and its independent record label W+KTokyoLab. Jay’s creative works have appeared in various museum exhibitions around the world and his book, Soul of the Game received the Gold Medal at the 1997 Leipzig Book Fair and was named one of the “14 Most Beautiful Books in the World” by the Copenhagen Museum. Jay has worked as a personal consultant for Lucas Films — for the international marketing of Star Wars Episodes 1 and 2— as well as for director Oliver Stone. He has Guild Theatre created the Jay Scholarship Fund at the College of Arts at Ohio State University, and was a founding Sat . Sept 18 . 5:30 pm board member of PICA.

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RHODESSA JONES 11

Regarded as a major social scientist of our time, Rhodessa Jones will discuss the development of blessing the boats in a lecture that offers insight into this work about creative, cultural and personal survival. Rhodessa Jones has lectured at the Getty Research Institute, Yale University, the Haas Center for Public Service at Stanford University and the San Francisco Academy of Art.

www.culturalodyssey.org

Lincoln Hall, Portland State University

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Sat . Sept 18 . 6 pm Running time: 60 Seating Capacity: 470 $10 members / $15 general All Ages

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Rhodessa Jones is Co-Artistic Director of the acclaimed San Francisco performance company Cultural Odyssey. She is an actress, teacher, singer and writer. Jones is also the Founder and Director of the award winning “Medea Project: Theater for Incarcerated Women,” which is a performance workshop that is designed to achieve personal and social transformation with incarcerated women. In the spring of 2004, Jones was honored with an Honorary Doctorate from California College of the Arts. In February 2004, Jones was Visiting Artist in Residence at Stanford University/ Institute for Diversity in the Arts. Also in February 2004, Jones played the role of “Ruby” in August Wilson’s King Hedley II at the Lorraine Hansberry Theater. In November 2003, she was presented with a “GOLDIE Lifetime Achievement Award” presented by the San Francisco Bay Guardian. In May 2003, Ms. Jones was awarded a Non-Profit Arts Excellence Award by the San Francisco Business Arts Council. In June, Jones received an Otto Rene Castillo Award for Political Theater.

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PHOTO: BILL GODIELL

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MACHINEWORKS

1115 NW 14th

Special Thanks to Eric David Johnson for assistance with MACHINEWORKS programming.

Sponsors:

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$5 member/ $10 general / FREE to all pass holders.

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Where to go after the show? Whether youâ€™re up for drinks, dinner, dancing, or just not ready to call it a night, weâ€™ve transformed this industrial warehouse into our TBA hangout for the week. Nightly acts on the Cabaret Stage, dancing to live music and great DJs, full service bars, a lounge for quiet conversations, a beer garden and a menu of late night bites will all be available every night of the festival.

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MACHINEWORKS CAFÉ 11

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Located inside MACHINEWORKS, our Café is organized by Michael and Naomi Hebberoy, owners of ripe and clarklewis, two of Portland’s most popular and innovative restaurants.

From Sept 12–17 at 7 pm, MACHINEWORKS Café will host Family Supper, a prix fixe dinner served family style, prepared by chef Tommy Habetz of ripe. This ”sophisticated peasant food” is made from the freshest local ingredients and served straight from the kitchen in deep bowls passed from table to table.

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PHOTO: SUSAN E. SEUBERT

Following each evening’s Family Supper, a team of chefs from some of Portland’s best restaurants, recruited by The Hebberoys, will provide a rotating menu of à la carte fare to satisfy your late-night appetites from 10 pm to 1 am.

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Seating is limited to 40 guests per night and can be reserved on the ticket order form on page 152. We will also host Family Supper First Night on September 11 for 75 people. Cost: $30/person. See page 110 for details.

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Sept 10 Sept 11 Sept 12 Sept 13 Sept 14 Sept 15 Sept 16 Sept 17 Sept 18 Sept 19 Sept 19

10 Tiny Dances Family Supper First Night Martha@Machineworks The Blow Sarah Rudinoff, Pulseprogramming DJs Ethel and Clogs States Rights Record Night Meow Meow, TBA Variety Show TBA Closing Night Party with Burnt Sugar Breakfast of Champions Transplant: France

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PHOTO: JĂ–RG JAKOBY

10 TINY DANCES — 10 PM Friday, September 10

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Watch for other Tiny Dances appearing throughout the Festival as the 4x4 foot stage makes the rounds of lobbies, street corners and public spaces around Portland.

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MACHINEWORKS celebrates its opening night with 10 Tiny Dances, the 7th in Portland choreographer Mike Barber’s performance party series. Barber has invited an exciting group of choreographic cohorts for a night of frivolity and performance, all confined to a 4x4 foot stage, with a different dance every 15 minutes.

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PHOTO: CAYLEY BELL

“Barber’s formula for a rafter-raising cabaret: a combination of choreographic know-how and real estate savvy.” – The Oregonian

FAMILY SUPPER FIRST NIGHT—7 PM Saturday, September 11

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Family Supper First Night will begin at 7 pm with a special gathering for 75 diners; a celebration of food, friends, and community. Family Supper will repeat September 12–17 for 40 people each night. Seating is limited, and can be reserved on the ticket order form on page 152. Cost: $30/person.

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Family Supper is a unique community dining experience created by Michael and Naomi Hebberoy, owners of ripe and clarklewis, two of Portland’s most popular and innovative restaurants. Their “sophisticated peasant food” is made from the freshest local ingredients and served straight from the kitchen in deep bowls passed from table to table. www.ripepdx.com

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PHOTO: SUSAN E. SEUBERT

At 10 pm, join us for an à la carte menu of late night bites, dessert, music and conversation. Admission to MACHINEWORKS is FREE on this night only.

MARTHA@MACHINEWORKS — 10 PM Sunday, September 12

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Choreographer, director, dancer and actor, Richard Move is the creator of the Bessie award-winning Martha@ in which he outrageously and lovingly impersonates 20th-century dance icon Martha Graham. This cabaret homage to Graham’s grand parade is precise and hilarious. Mimicking her signature red lips, impossibly lacquered bun and frantic choreography, Move embodies a creative obsession with genuine spark.

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Richard Move recently created the theatrical dance work The Show (Achilles Heels) for the Baryshnikov Dance Foundation. He has toured and performed with several distinguished artists and companies such as Merce Cunningham and DANCENOISE at various venues around the world and in the U.S.

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“Vocally immaculate, (Move) is Graham, a perfect repository of all her glamour and camp genius.” – The Stage, London

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PHOTO: JOSEF ASTOR

THE BLOW — 10 PM Blue Sky vs. Night Sky Monday, September 13

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The opera features songs from her acclaimed album The Concussive Caress, or Casey Caught her Mom Singing Along with the Vacuum released by K Records. Maricich completed a tour of the opera that took her from the Anthology Film Archive in New York to clubs and house shows across the U.S. She was also recently included in Miranda July’s Top Ten list in the May 2004 Artforum magazine.

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PHOTO: JONA BECHTOLT

Khaela Maricich, also known as The Blow, performs her narrative pop opera about a young girl’s inside voice and how she finds a strange calm by singing along to a noise from the sky. Harrowing and seductive, these melodies about her better-than-a-rainbow boyfriend, apathetic mother and confidant Pauline, evolve into a conversation which eventually exposes the emotive sounds only heard in her head.

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“(Maricich’s) compositions veer from whimsical electro chamber music to a skewed take on hip-hop. All of which are rendered weirdly and uniquely Blow-style.” – L.A. Alternative Press

SARAH RUDINOFF— 10 PM PULSEPROGRAMMING DJs — 11 PM

Tuesday, September 14

SARAH RUDINOFF PHOTO: ADAM WEINTRAUB

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Sarah Rudinoff Go There 14

“Sarah Rudinoff has a stadium-sized singing voice and the sharpest comic timing in the tri-state.” – The Seattle Stranger

Sarah Rudinoff’s one-woman show Go There brings all the vitality and gusto of her career in writing, singing and acting as she uses humor, blunt honesty and riveting vocal talent to tell her story while simultaneously satirizing the search for fame and status. Rudinoff’s arresting stage presence testifies to her impressive training and experience. Rudinoff has lived and worked in several major U.S. cities, performed at Chicago’s world-famous Second City, Seattle’s Annex Theatre, Mark Taper Forum’s Second Stage in Los Angeles, Circle X, Improv Olympic and helped found The Broken Theater in Seattle. Her first solo show, Broad Perspective, toured Australia and the U.S.

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“Eliciting a pit of your stomach nostalgia that hints at movie music for an 80’s teen flick, there’s a tasteful element of new wave which isn’t forced or kitsch but genuine and resonant.” – Dusted Magazine

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PULSEPROGRAMMING

The fellas from the Chicago / Portland electronica collaborative, Pulseprogramming strip themselves of their usual roles and break out their DJ alter-egos to spin us some of their favorite cuts. Pulseprogramming is comprised of musicians Joel Kriske and Marc Hellner, film/video artist Eric David Johnson, art directors Hans Seeger and John Shachter, and poet Joel Craig. The Pulseprogramming DJ set will be an all-star line-up curated by Eric David Johnson which will include Valet, Riddenpaa, 01 (Popmusic), Ovian, Nudge + DJ Kenneth James.

ETHEL AND CLOGS — 10 PM Wednesday, September 15

Ethel 13

“Ethel is one of those rare groups that can infuse a challenging piece of modern music with the nuances of every day culture.” – Scott Johnson, Composer 14

Avant-garde string quartet Ethel takes over Machineworks for a special sitespecific performance designed for the late-night stage. Also see Ethel in concert Tuesday, September 14. See page 034. 15

www.ethelcentral.com 16

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Clogs “At once familiar and alien, comical and disquieting, soothing and overwrought, the Clogs’ music walks a fine line between radiance and darkness that is rarely achieved outside Hindu culture — and even more rarely in a nightclub setting.” – SF Weekly

*Funds for this commission have been provided by Chamber Music America’s Commissioning Program, supported by The National Endowment for the Arts, and the Chamber Music America Endowment Fund. Clogs is the recipient of the 2003 NEA/CMA Special Commissioning Award, made possible by a generous gift from an anonymous donor with matching funds from the National Endowment for the Arts.

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Program includes In Deserto by Ingram Marshall.*

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CLOGS PHOTO: ALEC HANLEY BERNIS

Clogs, a unique Aussie-American quartet, manages to elude categorization and score diverse audiences by creating a complex, rich blend of classical, folk, rock and world music. With their seemingly odd, but dynamic combination of strings, wind and percussion, the foursome have produced albums entitled Thom’s Night Out and Lullaby for Sue, and intend to release another in Summer 2004.

STATES RIGHTS RECORDS NIGHT— 10 PM Thursday, September 16

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Featuring: Bobby Birdman Lucky Dragons YACHT DJ Hot Air Balloon

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This young, local and sometimes magical indie record label presents four treasures from its stable. Dubbed “No Genre” music, the sounds echoing through MACHINEWORKS will range from computer-generated orchestras to hypnotic laid-back melodies. Obliterating the traditional concepts of bands, many of the performers are armed with a single laptop marrying technology with pure ingenuity. This is the night when complex compositions meet layered vocals and relentless backbeats forming a new sound and a new love. www.statesrightsrecords.com

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BOBBY BIRDMAN

MEOW MEOW — 10 PM TBA VARIETY SHOW — 11 PM

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“...a twist of tango, a burst of bossa nova, and a splash of the avant garde.” – Glamour Room

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Following the Meow Meow show expect a full line-up of cabaret acts by TBA visiting artists and local luminaries.

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PHOTO: RICHARD DE CHAZAL

Meow Meow is a cyber ‘60s cabaret girl who’s broken down and come back together again in a new musical framework. The explosive and acrobatic performer exploits her virtuosic background in classical and Chinese Opera, dance and avant-garde performance for this vamped-up cabaret kitsch. Meow Meow has earned her reputation as an International singing sensation in such diverse venues as the Kulturhaus and Hafen in Berlin, the Melborne Festival and the Glamour Room in Shanghai.

TBA CLOSING NIGHT PARTY— 10 PM WITH BURNT SUGAR

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Here’s where the energy that’s built throughout the festival explodes! TBA’s closing party is a celebration of all that’s happened over the past nine days. Come out and join your friends along with everyone you’ve met throughout the week. The bars will be running full-steam, and the party will kick off with a concert by Burnt Sugar, followed by dance music from some of Portland’s hottest DJs.

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We’ll draw the lucky winner of our Berlin Art Adventure raffle at 11 pm, then continue the party until 2 am. (We said that last year and the dancing went on until 4 am!) Founded by guitarist Greg Tate, Burnt Sugar (The Arkestra Chamber) consists of twenty multi-ethnic master musicians who weave an electric, funky sound and, in the process, evoke a sense of both irresistible chaos and sustained order. Seen as the big band of the new millennium, Tate’s improvisational, New York-based troupe draw inspiration from their heritage and transport the listener on a journey from traditional to modern black music. $10 members/ $25 general

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“Burnt Sugar come on like a birthing machine for possibility. Never quite sure what they’ll produce next, you’d be crazy to ignore them. Impossible to disregard anyway, they come on irresistibly loud, hectic, wild...” – The BBC

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Sponsor:

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PHOTO: GINNY SUSS

www.burntsugarindex.com

BREAKFAST OF CHAMPIONS — 11 AM TRANSPLANT: FRANCE— 10 PM

Sunday, September 19 BREAKFAST OF CHAMPIONS PHOTO: CHRYSTAEI BRANCHAW

Breakfast of Champions — 11 am

“Think of it as The Breakfast Club, only without all the high-school detention stuff” – Willamette Week 14

Wake up with TBA. Recover from last night’s party by eating cereal and pop-tarts while Johnny Bigshot hosts a cartoon show interspliced with live comedy skits based on the theme “Art and Performance.” Then, just as the hilarity and your sugar buzz reach critical mass, explode onto the dance floor at Portland’s best Sunday afternoon dance party. This “dance church” is being transplanted from it’s monthly gig at Holocene to MACHINEWORKS for one morning only.

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Transplant: France — 10 pm

Transplant: France is supported by the Cultural Services of the French Embassy, with additional support from CalArts and the Center for New Music and Audio Technologies (Berkeley). Co-produced with ELSA productions.

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The program includes visual artist Alain Escalle and composer Cécile Le Prado’s short animated film The Tale of the Floating World, composer Gilbert Nuono’s electronic and contrabass piece Birds We Meet Keep Quiet and Crash Test, a piece for piano, clarinet, sax and percussion by Pierre-Yves Macé. These artists are joined by Joëlle Léandre, William Winant, David Rosenboom, and the CalArts Transplant Ensemble.

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TRANSPLANT: FRANCE

Transplant and its handful of innovative multimedia French artists and their American collaborators comes to Portland on its whirlwind tour of the West Coast. In connection with ELSA productions (ELectron SAlon) based in Santa Cruz, California, Transplant introduces stunning contemporary and experimental music and visuals to the public. Transplant’s French artists perform in four variegated acts meant to showcase the audio and visual capabilities of cutting-edge technology.

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INFORMATION

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FAQs 11

How do I purchase Festival Passes? Passes and tickets to special events during TBA can be purchased through PICA directly by calling 503.242.1419 or using the order form on page 152.

Can I purchase individual tickets? Yes, please refer to the order form on page 151.

Why is there a service charge on individual tickets?

This fee covers the services of Artistix, the local ticketing company which operates out of the Portland Center for Performing Arts (PCPA), and is handling individual ticket sales for TBA.

Can I share my Festival Pass?

Passes are non-transferable. Your name will be written on your pass and you will be required to show ID with your pass upon entering each venue.

Can I become a PICA member when purchasing individual tickets? Absolutely. Remember, if you are paying by check, make it out to PICA to ensure tax deductibility.

What if I am late to the show? All shows will start promptly as listed. You must check in no later than 15 minutes before curtain to ensure seating, even if you have a pass or a pre-purchased individual ticket. At 15 minutes prior to curtain, any seats reserved for pass holders will be opened up for individual ticket sales.

Does my Festival Pass allow me entrance to festival parties? Special events, such as the closing night party, are festival fundraisers and require an additional ticket, except for Patron Pass holders. Nightly Cabaret events are free to Festival Pass holders.

What if I forget my pass? You will have to purchase a single ticket at the door.

What if I lose my pass?

Contact PICA immediately and we will assist you in re-issuing your pass.

How do I find each venue? All venues are listed on page 140.

Is there a lost and found? Lost and found items from all venues will be collected and brought to the PICA box office. Please call PICA at 503.242.1419 to inquire about your item.

Are venues accessible? All venues are wheelchair accessible except Conduit. Please contact us to arrange use of elevator/ramp at this venue. Morphia Series and Red Shoe Delivery Service use non-accessible vehicles.

TBA INS TIT UTE

Many performances are open to all ages. Please refer to the audience guide listed with each performance description.

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Can I bring my family?

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132

Paul Arensmeyer Events Manager Victoria Frey Managing Director Melissa Hyp Development Associate Jennifer Jacobs Director of Development Jรถrg Jakoby Preparator/Technical Support Kristan Kennedy PR/Marketing Manager Shonna Spadt Marketing Coordinator Cynthia Williams Accounting

National Advisory Board Edward Albee Chris Bruce Ann Carlson Philip Glass Linda Greenberg Carol Hepper Robert Lyons Mark Murphy Melissa Schiff Soros Peter Sellars Robert Soros Rebecca Stewart Sally Stillman Elizabeth Streb John S. Weber Dan Wieden Paul Zumwalt

Leadership Council Howard Shapiro, Founding Chair Leslie B. Durst Pat Harrington Peter Koehler, Jr. Joan Shipley

TBA INS TIT UTE

Erin Boberg Assistant Curator of Performing Arts Co-curator, TBA Festival

Peter Koehler, Jr., Board Chair Linda McGeady, Vice Chair Dorie Vollum, Secretary Ethan Seltzer, Treasurer Annie Bellman Amery Calvelli Brad Cloepfil Leslie B. Durst Kristy Edmunds Francesca Gambetti Diana Gerding Pam Greene Bill Hart Stephen E. Heady Suze Riley Jim Sampson Tiffany Sweitzer Jack Walsh Bill Will

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Kristy Edmunds Artistic Director, PICA Curator, TBA Festival

PICA Board of Trustees

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PICA STAFF

A group of cultural entrepreneurs, the TimeKeepers are funders, advocates and hosts committed to the success of PICAâ€™s TBA Festival and to building a legacy for Portland for years to come (Listing as of May 31, 2004). Presenting Sponsors Allen Foundation for the Arts Doris Duke Charitable Foundation Major Sponsors Hoyt Street Properties Nike Major In-Kind Sponsors TriMet Wieden+Kennedy Media Sponsors Comcast Willamette Week Airline Sponsors Lufthansa German Airlines United Airlines

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134

Art Work Fine Art Services Arts Victoria Australia Council Bluehour BeVocal BOORA Architects The British Council Conduit Dennis Uniform Ecotrust Fleischman Hillard Full Sail Brewing The Heathman Hotel Henryâ€™s Tavern Hilton Hotel The Japan Foundation Lane Powell Spears Lubersky LLP Machineworks, LLC The Mark Spencer Hotel Manzana Restaurant MKG Financial Group, Inc. National Performance Network The New England Foundation for the Arts / National Dance Project NW Film Center OregonLive.com Pacific Northwest College of Art Pennsylvania Council on the Arts Portland Center for the Performing Arts The Portland Monthly Portland Oregon Visitors Association Portland Streetcar, Inc. Pop Art Sandstrom Design The Standard Tonkon Torp LLP Union Bank of California Umpqua Bank The Water St. Project Winkler Development Corporation

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Dan Wieden, Honorary Chair Howard Shapiro, Honorary Co-Chair

Annie Bellman & Michael Woods Bob & Diana Gerding Leslie B. Durst The Mancini Family Foundation Jane Schiffhauer & Frank Foti Howard & Manya Shapiro Al Solheim Bob Sweeney & Cate Millar Dan & Bonnie Wieden Homer G. Williams

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TBA TIMEKEEPERS

PICA’s 2004 TBA Festival is also supported in part by grants from: 15

136

TBA Public Partners 18

Become a TBA Timekeeper!

PICA also thanks our members, volunteers and interns for their invaluable donations of money, time and energy. Special thanks to Wouter “da promotah” Bouchez, European Correspondent, Margaret Heald, and to the Wieden+Kennedy team.

TBA INS TIT UTE

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TimeKeepers receive special benefits designed to enhance the TBA experience, including VIP access, invitations to previews, tickets to Festival performances and events, and sponsorship recognition at certain levels. For information on becoming a TimeKeeper, contact PICA’s Development Office at 503.242.1419 or email pica@pica.org.

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Mayor Vera Katz, City of Portland Phyllis Oster, Office of International Relations, City of Portland Office of Commissioner Jim Francesconi Office of Commissioner Eric Sten Chris D’Arcy, Oregon Arts Commission Marty Brantley, Oregon Economic & Community Development Department Todd Davidson, Oregon Tourism Commission Susan Bladholm, Port of Portland Don Mazziotti, Portland Development Commission John Carroll, Portland Streetcar, Inc. Joe D’Alessandro, Portland Oregon Visitors Association David Hudson and Eloise Damrosch, Regional Arts & Culture Council Fred Hansen, TriMet

WIN A BERLIN ART ADVENTURE! 11

$100

Support art and culture at home by purchasing a chance to win an international art adventure! This exciting trip for two includes round-trip airfare and six nights lodging in Berlin, plus assistance in travel planning and a $200 event allowance to customize the trip to your personal interests - museums and galleries, dance, theater and music performances, or merely the sights of Berlin! Only 2,500 tickets will be sold â€” buy your ticket before they sell out! See the order form on page 152 to add raffle tickets to your TBA Pass purchase, or call PICA at 503.242.1419 to order by phone. The winning ticket will be drawn on Saturday, September 18 at 11 pm, during TBA's Closing Night Party at MACHINEWORKS.

TBA INS TIT UTE

$25

Tickets each or for All proceeds to benefit PICA

138

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Sponsor:

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PHOTO: CORBIS

Need not be present to win. Total retail value of the package is $5,680. Taxes may apply.

VENUES 11

Arlene Schnitzer Concert Hall: Portland Center for the Performing Arts

1001 SW Broadway (at Main)

2 Conduit 918 SW Yamhill, Suite 401 13

Conference Center 3 Ecotrust 721 NW 9th Ave. (between Irving and Johnson) Theatre 4 Guild 829 SW 9th Ave. (between Taylor and Yamhill)

Hotel 5 Hilton 921 SW Sixth Ave. (at Salmon) Square 6 Jamison NW 11th and Johnson

7 MACHINEWORKS 1115 NW 14th (between Marshall and Northrup)

10 PICA 224 NW 13th Ave. (between Davis and Everett) (Pacific Northwest College of Art) 11 PNCA 1241 NW Johnson

SHOW YOUR STUBS / SHOW YOUR SUPPORT Look for special deals and discounts when you show your TBA ticket stub or pass at TBA Preferred Businesses. For details, look in the August /September issue of Portland Monthly, or for displays at PICA and MACHINEWORKS during TBA! Sponsor:

State University: Lincoln Hall 12 Portland 1620 SW Park (between Clay and Market) Bank 13 Umpqua 1139 NW Lovejoy (at 12th Ave.) Water St. Project 14 The 1010 SE Water St. (at Yamhill)

15 Wieden+Kennedy 224 NW 13th Ave. (between Davis and Everett) Theatre: Portland Center for the Performing Arts 8 Winningstad 1111 SW Broadway (at Main)

TRAVEL PORTLAND For visitor information and hotel reservations go to www.travelportland.com or call toll-free 1.87.PORTLAND (1.877.678.5263)

TBA INS TIT UTE

Neighborhood Cultural Center 9 Northwest 1819 NW Everett

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Theatre: Portland Center for the Performing Arts 8 Newmark 1111 SW Broadway (at Main)

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140

TO OCEAN BEACHES

SW 14

405

NW 16th

NW THURMAN

NW QUIMBY

NW OVERTON

NW LOVEJOY

NW KEARNEY

NW IRVING

NW JOHNSON

NW HOYT

NW EVERETT

NW 17th SW 15

NW GLISAN

NW 18th th

NW PETTYGROVE

NW NORTHRUP

SW 18

NW FLANDERS

SW 16

NW MARSHALL

SW 17

NW SAVIER

NORTHWEST / NOB HILL NW 19th

NW RALEIGH

NW 20th

NW 15th

SW 13

SW 11

re e t

HIL

NW DAVIS

NW COUCH

RIS OR

NW PARK

North Park Blocks

HIN

K SW STA R

Ri ve r

5 84 TO COLUMBIA RIVER GORGE

TBA INS TIT UTE MAC HIN EWO RKS

ADE

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ESPLAN

NORTH

W BURNSIDE

Burnside Bridge

rris Mo

NW 1st

T PA

SE YAMHILL

NW 2nd

E BURNSIDE

RO N

WAT ERF

EASTBANK

Streetcar stop

NW 3rd

rid

Portland Streetcar

OLD TOWN / CHINATOWN

el B

Light Rail stop

SW ANKENY

INE SW OA K

SW WA S

NW 4th

SE WATER

Max Light Rail

AMTRAK

L e

c CA L

UNION STATION

TO SEATTLE

GTO N

DLE

SW A

MAX

Ligh

SW TAY LO

t Ra

AIN SW M

Wi lla me tte

idg

ESPLANAD

GREYHOUND BUS TERMINAL

SW P

IA MB

SW M

RIV

OR T OM M

NW 6th

NW 5th

KW AY

ERN

405

GOV

Mal

Ste

The light grey area indicates Fareless Square, a 330-blockNK area EASTBA in which all rides on TriMet buses, Max Light Rail trains and Portland5 Streetcars are always free.

ITO PAR

NW BROADWAY

N ISO AD SW M

EFF

SW 1s

Tran si

DR.

SW 2

RW AY

SW 3

SW SAL M

SW 4

NW 8th

SW A

ON ERS

LAY SW C

TGO

DRIV

SW H

SW CO LU

OD Y

ARB

SW J

SW M

KET

SW 5

ay dw

NW 10th

NW 9th

OA DW AY

oa Br

PKW

Portland Streetcar K

SW YAM

SW BR

FARELESS SQUARE ER

NW 11th th

SW M

tlan Po r

SW M

ILL

ON SW M

SW 9

SW PAR

SW 6

SW H

RIV

NW 12th

Brid

405

NW 13th

CULTURAL DISTRICT

d St

TGO

RIS

ALL

SW LINCOLN

SW H

EGE

SW CO LL

Bloc

SW 10

PEARL DISTRICT

ont

TO SALEM / EUGENE

th P ark

13 NW 14th

m Fre

142

So u

car

SW JAC KS

SW 12

SCHEDULE ON THE STAGE

11 VENUE PSU Lincoln Hall Newmark Newmark Schnitzer PICA PICA PICA Wieden+Kennedy Machineworks Machineworks Machineworks Machineworks NWNCS NWNCS NWNCS NWNCS PSU Lincoln Hall Newmark Wieden+Kennedy Machineworks Winningstad Hilton Hotel Hilton Hotel PSU Lincoln Hall Wieden+Kennedy Newmark Machineworks Winningstad

FRI 10 7:00 pm 9:00 pm

SAT 11 7:00 PM

SUN 12 7:00 pm

MON 13

TUE 14

WED 15

6:00 pm 6:45 pm 7:30 pm

THUR 16

FRI 17

SAT 18

SUN 19

9:00 pm 8:00 pm 6:00 pm 6:45 pm 7:30 pm 5:30 pm

6:00 pm 6:45 pm 7:30 pm 2:00 pm PART 1 3:00 pm 4:30 pm 6:00 pm

6:00 pm 6:45 pm 7:30 pm 5:30 pm PART 2 3:00 pm 4:30 pm 6:00 pm

PART 3 3:00 pm 4:30 pm 6:00 pm TRACKS 1–3 TRACKS 4–6 7:00 pm 7:00 pm 8:00 pm 8:00 pm 9:00 pm 9:00 pm 7:30 pm 9:00 pm 6:00 pm

14 TRACKS 1–3 TRACKS 4–6 7:00 pm 7:00 pm 8:00 pm 8:00 pm 9:00 pm 9:00 pm 7:30 pm 6:00 pm 6:00 pm

6:00 pm 9:00 pm 9:00 pm 11:00 pm

TRACKS 1–3 7:00 pm 8:00 pm 9:00 PM

TRACKS 4–6 7:00 pm 8:00 pm 9:00 pm

9:00 pm 9:00 pm 11:00 pm 9:00 pm 7:00 pm 9:00 pm

9:00 pm 9:00 pm 11:00 pm 9:00 pm 7:00 pm 9:00 pm 5:00 pm 3:00 pm

Fri 17

Sat 18

16 9:00 pm 11:00 pm 7:00 pm 9:00 pm 3:00 pm 5:00 pm

ON THE SCREEN

18 VENUE Guild Theatre Guild Theatre Guild Theatre Guild Theatre Guild Theatre Guild Theatre

Fri 10

VENUE PICA PICA PICA PICA PICA PNCA

Fri 10 12:00 pm

Sat 11 4:00 pm

Sun 12

Mon 13

Tue 14

Wed 15

Thur 16

Sun 19

4:00 pm 7:00 pm

4:00 pm

NOONTIME CHATS PAGE EVENT 082 TBA 101 082 Art and Activism 082 Downside Up 082 Management 082 On the Record 082 Homeland Security

Sat 11

Sun 12

Mon 13

Tue 14

12:00 pm 12:00 pm 12:00 pm 12:00 pm 12:30 pm

Wed 15

Thur 16

Fri 17

Sat 18

Sun 19

TBA INS TIT UTE

7 and 9:15 8:00 pm 4:00 pm

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PAGE EVENT 060 Zoe Beloff: Shadow Land 060 Zoe Beloff: Claire and Don 062 Joanie 4 Jackie 064 Guy Maddin 066 Janie Geiser 068 Lewis Klahr

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PAGE EVENT 016 John Jasperse Company 018 Diamanda Galás: Defixiones 020 Diamanda Galás: La Serpenta 022 Jayanthi Raman 024 Helen Herbertson 024 Helen Herbertson 024 Helen Herbertson 026 Andrew Dickson 028 Monstersquad / Marty Schnapf 028 Monstersquad / Marty Schnapf 028 Monstersquad / Marty Schnapf 028 Monstersquad / Marty Schnapf 030 Heather Woodbury 030 Heather Woodbury 030 Heather Woodbury 030 Heather Woodbury 032 ChameckiLerner 034 Ethel 036 Joey Baron / Robyn Schulkowsky 038 Deborah Hay 040 33 Fainting Spells 042 Headlong Dance Theater 042 Headlong Dance Theater 044 Sekou Sundiata 046 Khaela Maricich 048 Akira Kasai 054 NWNW: PDX Program 1 056 NWNW: PDX Program 2

NOONTIME CHATS

(CONTINUED) PAGE EVENT 083 Corporate Culture 083 Media Rituals 083 From a Distance 083 On The Road 083 On The Road 083 The Art of Words 083 I-5 N 083 New Traditions

VENUE PICA PNCA PICA PNCA Umpqua Bank PICA PICA PICA

Fri 10

VENUE Conduit Conduit Conduit Wieden+Kennedy Water St. Project Water St. Project Water St. Project Conduit Ecotrust

Fri 10

VENUE PSU Lincoln Hall Winningstad Guild Theatre Guild Theatre Winningstad Guild Theatre Guild Theatre Guild Theatre PSU Lincoln Hall

Fri 10

VENUE Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks Machineworks

Fri 10 10:00 pm

Sat 11

Sun 12

Mon 13

Tue 14

Wed 15 12:00 pm 12:30 pm

Thur 16

Fri 17

Sat 18

Sun 19 11

12:00 pm 12:30 pm 12:00 pm 12:00 pm

12 12:00 pm 12:00 pm

WORKSHOPS PAGE EVENT 084 Ros Warby 084 John Jasperse 084 Deborah Hay 084 Baron/Schulkowsky 085 ChameckiLerner 085 33 Fainting Spells 085 Headlong Dance Theater 085 Akira Kasai 085 NPN Access Meeting

Sat 11

Sun 12 9:30 am

Mon 13

Tue 14

Wed 15

Thur 16

Fri 17

Sat 18

Sun 19

9:30 am 9:30 am 14

12:00 pm 9:30 am 9:30 am 9:30 am 10:30 am 4:00 pm

LECTURES Sat 11

Sun 12 5:00 pm

Mon 13

Tue 14

6:00 pm 7:30 pm

6:00 pm

Wed 15

Thur 16

Fri 17

Sat 18

Sun 19 16

6:00 pm 7:30 pm 7:30 pm

17 5:00 pm 5:30 pm 6:00 pm 18

MACHINEWORKS Sat 11

Sun 12

Mon 13

Tue 14

Wed 15

Thur 16

Fri 17

7:00 pm 10:00 pm

7:00 pm

Sat 18

Sun 19

7:00 pm

10:00 pm TBA INS TIT UTE

PAGE EVENT 108 10 Tiny Dances 110 Family Supper First Night 110 Family Supper 112 Martha@MACHINEWORKS 114 The Blow 116 Sarah Rudinoff 116 Pulseprogramming DJs 118 Ethel and Clogs 120 States Rights Records Night 122 Meow Meow 122 TBA Variety Show 124 TBA Closing Party with Burnt Sugar 126 Breakfast of Champions 126 Transplant: France

10:00 pm 11:00 pm 10:00 pm 10:00 pm 10:00 pm 11:00 pm 10:00 pm 11:00 am 10:00 pm

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PAGE EVENT 088 Ammar Eloueini 090 lone twin 092 Édouard Lock (lecture + screening) 092 Édouard Lock (screening only) 094 Cosmin Manolescu 096 Kimi Takesue (lecture + screening) 096 Kimi Takesue (screening only) 098 John C. Jay 100 Rhodessa Jones

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PASSES 11

Flex Pass $100 PICA Members / $125 General Attend eight performances, screenings or special lectures of your choosing, plus unlimited access to all Institute chats and workshops, and nightly admission to MACHINEWORKS.

Immersion Pass

$500 ($300 tax-deductible) VIP treatment, unlimited access to all performances, screenings, Institute programming, and MACHINEWORKS, including the closing night party, invitations to special VIP-only events, guaranteed seating and priority concierge service.

TBA INS TIT UTE

Patron Pass

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$175 PICA Members / $200 General Unlimited access to TBA main-stage performances, screenings, Institute programming, nightly admission to MACHINEWORKS, guaranteed seating, and priority concierge service.

Note: Festival Passes are only available through PICA, and are non-transferable. INF O

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Passes are the way to get the most out of TBA by giving you the freedom to enjoy as many of the festival programs as you can, while offering considerable savings off of the individual ticket price. Buy a Festival Pass and experience the most courageous artists working in contemporary performance today. Advance pass purchase is recommended, and PICA Members receive a generous discount.

ORDER FORM

ON THE STAGE John Jasperse Company Diamanda Galas: Defixiones Diamanda Galas: La Serpenta Helen Herbertson (see pg. 24) (Request date & time) Andrew Dickson Monster Squad: Part 1, 2, 3 Heather Woodbury ChameckiLerner Ethel Baron/Schulkowsky Deborah Hay 33 Fainting Spells Headlong Dance Theater Headlong Dance Theater Headlong Dance Theater Sekou Sundiata Khaela Maricich Akira Kasai NWNW: PDX Program 1 NWNW: PDX Program 2

How to Order TBA Festival Passes and Individual Tickets

Fri 10: 7 pm Fri 10: 9 pm

MEM/GEN SUB

Sat 11: 7 pm

Sun 12: 7 pm Sun 12: 9 pm

$15/ $20 $15/ $20 $15/ $20 $15/ $20

Fri 10: 5:30 pm Sat 11: 2 pm

Sun 12: 5:30pm $10/ $15 $10/ $15 $10/ $15 Tue 14: 7:30 pm Wed 15: 7:30pm $15/ $20 Tue 14: 9 pm $15/ $20 Tue 14: 6 pm Wed 15: 6 pm $10/ $15 Wed 15: 6 pm Thu 16: 6 pm $10/ $15 Thu 16: 9 pm Fri 17: 9 pm Sat 18: 9 pm $10/ $15 Thu 16: 9 pm Thu 16: 11 pm Fri 17: 9 pm $15/ $20 Fri 17: 11 pm Sat 18: 9 pm Sat 18: 11 pm $15/ $20 Sun 19: 9 pm Sun 19: 11 pm $15/ $20 Fri 17: 9 pm Sat 18: 9 pm $10/ $15 Fri 17: 7 pm Sat 18: 7 pm Sun 19: 7 pm $10/ $15 Fri 17: 9 pm Sat 18: 9 pm Sun 19: 9 pm $15/ $20 Sat 18: 5 pm Sun 19: 3 pm $10/ $15 Sat 18: 3 pm Sun 19: 5 pm $10/ $15

ON THE SCREEN

By Mail: Please send completed order form to PICA by September 1. 224 NW 13th Ave., Suite 305, Portland, OR 97209

# TIX ARTISTS

Zoe Beloff: Shadow Land Zoe Beloff: Claire and Don Joanie 4 Jackie Guy Maddin Janie Geiser Lewis Klahr

By Phone: Call PCPA Box Office 503.248.4335 In Person: Visit the PCPA Box Office, 10 am – 5 pm, Monday – Saturday 1111 SW Broadway, Portland.

DATE (PLEASE CIRCLE)

MEM/GEN SUB

Sat 11: 4 pm Sun 12: 4 pm Thu 16: 7 pm Fri 17: 7 pm

$6/ $7 $6/ $7 $6/ $7 $6/ $7 $6/ $7 $6/ $7

Fri 17: 9:15 pm Sat 18: 8 pm Sat 18: 4 pm Sun 19: 4 pm

LECTURES # TIX ARTISTS

Ammar Eloueini lone twin Édouard Lock (lecture+screening) Édouard Lock (screening only) Cosmin Manolescu Kimi Takasue (lecture+screening) Kimi Takasue (screening only) John C. Jay Rhodessa Jones

Methods of Payment: Credit Card: Visa / Mastercard Check: Please make checks payable to PICA when ordering by mail.

# of tix:

Cash: In person at the PCPA Box Office.

150

DATE (PLEASE CIRCLE)

# TIX ARTISTS

DATE (PLEASE CIRCLE)

MEM/GEN SUB

Sun 12: 5 pm Mon 13: 6 pm Tue 14: 6 pm Mon 13: 7:30pm Tue 14: 6 pm Tue 14: 7:30pm Tue 14: 7:30pm Wed 15: 5 pm Sat 18: 5:30pm Sat 18: 6pm

$10/ $15 $10/ $15 $10/ $15 $6/ $7 $10/ $15 $10/ $15 $6/ $7 $10/ $15 $10/ $15

x $1.50 per ticket service charge:

+ Individual tix subtotal: = TOTAL:

TBA PASSES #

PASS

COST

Patron Pass

$500 ($300 tax deductible) includes admission to the closing night party $175 member/ $200 general $100 member/ $125 general

Immersion Pass Flex Pass

SUB

OTHER #

DATE (PLEASE CIRCLE)

EVENT

MACHINEWORKS Café Family Supper Sat 11: 7pm (reservations only, please pay at supper) Mon 13: 7pm Wed 15: 7pm TBA Closing Night Party Berlin Art Adventure Raffle Tickets

COST

Sun 12: 7pm Tue 14: 7pm Thu 16: 7pm Fri 17: 7pm

Sat 18: 10pm

SUB

na na na na $10/ $25 $25 ea/5 for $100

PICA MEMBERSHIP

152

LEVEL — Become a PICA member NOW and save on TBA passes, tickets, events and more! Artist / Student Individual Dual Contributor Other

Passes, events and membership total:

COST $25 $35 $50 $100

SUB

+ Individual tix total: = GRAND

TOTAL:

Name: Address: City:

State:

Phone:

Email:

Payment Method:

check enclosed

Zip:

Visa/Mastercard

Account #: Expiration Date:

Signature: Please make check payable to PICA and send completed order form to PICA by September 1. 224 NW 13th Ave., Suite 305, Portland, OR 97209