

or tfolio
by PHOEBE NGUYEN
hello.
hi!

“I gravitate strongly toward projects that celebrate empathy and consider the emotional—not just physical— impact of design on our lives.
My background in both industrial design and interior design has helped me build a strong foundation in critical thinking and push creative boundaries when problem-solving, developing innovative, empathetic solutions that enrich our future built environment.”
EXPERIENCE HONORS + AWARDS
Research Assistant
Illinois State University, Normal IL
August 2025 - Present
Assist with research as part of a multidisciplinary team exploring the use of virtual reality in speech-language pathology rehabilitation and aging-inplace initiatives.
Design and produce 3D home environment. Lead workshops to introduce professionals from other disciplines to interior design concepts and processes. Developing foundational skills in Unreal Engine to develop interactive virtual environments.
Graduate Teaching Assistant
Illinois State University, Normal IL
August 2025 - Present
Assist with teaching and provide Revit support in Interior Design: Studio II
Interior Design Intern
CannonDesign, Chicago IL
June 2025 - August 2025
Assist with concept design and 3D modeling. Produce perspective renders for client presentations. Present design concept during team meetings.
Undergraduate Teaching Assistant
Illinois State University, Normal IL
Assist with teaching in Interior Design: Studio I.
Phoebe
Nguyen
Top 3 finalists
2025 Kimball International Prelude Student Design Competition
2025 PAVE Global Inspired by Design: Student Visionary Awards Nominee
EDUCATION
Illinois State University
January 2024-May 2026
GPA: 4.0
University of Illinois at Chicago Masters in Interior Design
August 2011- May 2015
Bachelors in Industrial Design
SOFTWARES
January 2025 - May 2025
Provide feedback on students’ work and design development. Conduct SketchUp and Enscape workshops. Support students with software troubleshooting both inside and outside of the classroom.
Assist with grading students’ weekly assignment and final projects.




01 HOUSE OF TALIA
TIME: Fall 2025
LOCATION: AlUla, Saudi Arabia
SOFTWARE: Revit, Enscape, Twinmotion, Photoshop






CONCEPT STATEMENT
Adapting core principles from Saudi Arabia’s Vision 2030, House of Talia celebrates AlUla’s heritage by emphasizing education and facilitating opportunities for cultural exchange within the guest experience. Talia’s brand identity lies in the celebration of life by incorporating various symbolic images significant to AlUla’s history: water and date palm trees.
Reflecting the strength and femininity embedded in its name, the hotel emphasizes the female experience—particularly for women of faith— creating a space that feels intentional and inclusive.
The visual aesthetic offers a notable contrast to the intense warm palette of the desert landscape by incorporating tones of blue, white, and gold, which hold significant meaning in the Islamic faith.



GROUND FLOOR PLAN





Dessert rock formation
Dessert farm pattern Layered trees
LOGO DEVELOPMENT
Desert farming practice
Water Oasis in the Desert Date palm Tree of Life
Women’s pool shower
Janitor
Staff Laundry
Linen storage
Workshop



Kaaba, Mecca Holy site
15. Giftshop 16. Men’s pool shower 17. Public pool 18. Women-only pool 19. Cafe storage 20. Parking restroom shower

RECEPTION LOBBY
The tree represents the date palm, locally known as the Tree of Life. Life and agriculture are possible because of its expansive shade. The symbolic tree connects all three levels of Talia, emphasizing the connectedness between its services and the celebration of life within Talia’s brand identity.




concept sketches

CROSS SECTION (NOT TO SCALE)
AMENITIES FLOOR
GROUND FLOOR RCP
GUEST FLOOR
GROUND FLOOR





CULTURAL WORKSHOP
Aiming to create an educational experience, the workshop is intentionally placed within the line of sight behind the reception, setting the tone for the stay. Local arts and crafts are displayed and open for inquiry. The space allows guests to learn about local customs and practices, engage in handson local arts and crafts such as Sadu weaving, palm frond weaving, tile painting, and more. The adjacent gift shop features products from local traders for sale and recommends nearby shops that guests can explore during their day excursions.


Giftshop

Outdoor restaurant Workshop

Local arts and craft products
Woven Sadu fabric
Equipment storage, curtain closer
A CULTURE OF STORYTELLING
AlUla’s culture is deeply rooted in its storytelling practice. The city’s history and traditions have been kept alive through both conventional and unconventional methods: verbal campfire stories, passed down by local Alrawi (i.e., the “storyteller”) for hundreds of years; imagery depictions in ancient rock carvings; written records; and Sadu weaving. The finished product is a representation of family lineage, linking the past to the present.
TALIA’S ADAPTATION
House of Talia incorporates rock carving and tile painting practices into its cultural workshop. Guests can participate in these activities during their stay and choose to keep their work or leave it to be embedded in the hotel’s outdoor walkway. In this way, Talia celebrates her guests as the physical bricks and tiles that build the hotel, while permanently weaving their experiences into the fabric of her history.
RESTAURANT
The restaurant is intentionally designed to maximize flexibility in both seating and privacy. The custom privacy curtain provides privacy for women of faith who observe face covering, allowing them to uncover and dine comfortably while still enjoying the lively ambience. The platform seating enables wheelchair users to equally participate in the cultural experience of traditional Saudi floor seating alongside other guests.



The window design is flexible, supporting both private pair seating and group dining arrangements. The patterned motif helps filter strong southern exposure, reducing glare while maintaining natural light.






Back rest functions as grab bar
camel hair yarn
sheer linen
woven palm frond

GUEST ROOM
Talia proudly offers a complete ADA guest floor with 16 accessible guest rooms: 2 double-queen rooms, 9 singlequeen rooms, 3 king suites, and 2 double-twin rooms.
The mini lounge encourages guests to spend time outside of their private rooms, facilitating opportunities for new connections.


GUEST FLOOR PLAN

05. Guest lounge
06. Staff-access laundry
07. Linen storage
08. Guest-access laundry

for accessibility
01. Double queen
02. Single queen 03. King suite 04. Double twin
Sadu woven canopy
Luggage storage, curtain closer Pull-down solution


AMENITIES
The amenities floor features a signature lounge designed to support guests after a Turkish spa visit or outdoor activities on the terrace. Gender-assigned ADA-compliant wudu washing stations are provided to accommodate ritual cleansing before prayer, ensuring accessibility and comfort for religious guests.
TERRACE
The terrace houses multiple activities for guest to participate during the day such as desert farming learning, yoga, prayer space for religious guests, etc., and night time activities such as story time with a local Alrawi (storyteller), and stargazing.
SECOND FLOOR + TERRACE PLAN
01. Signature lounge
02. Turkish bath - Men
03. Changing room - Men
04. Turkish bath - Women
05. Changing room - Women
06. Gym
07. Laundry
08. Wudu washing room - Men
09. Wudu washing room - Women
10. Women’s bathroom
11. Men’s bathroom
12. Janitor
13. Cafe storage
14. Multifuntional terrace
Desert vegetation shelf, farming teaching
Breakout lounge, floor seating
Flexible space for praying, yoga, stargazing
Motorized shades

Thassos marble (used at Holy site, Mecca) for natural underfoot cooling

Washing sink
Prayer mats and shoes storage
Yoga mat, gardening supplies, cushions storage
Firepit gathering, night time storytelling activity


DESERT VEGETATION WALL ELEVATION (NOT TO SCALE)
Exit stairs
02 OSPREY MEDICAL
TIME: Fall 2025
LOCATION: Sarasota, Florida
SOFTWARE: Revit, Enscape
CONSTRAINT: non-modifiable exterior walls and windows





CONCEPT STATEMENT
The concept is inspired by the dragonfly’s life cycle— the transformation from a water nymph to a winged adult. The dragonfly represents the speed and agility of Osprey Clinic’s care and internal workflow, while at the same time maintain patients’ physical and psychological well-being throughout their visit. Features such as soft, layered natural light, natureinspired patterns, and calming colors create a strong sense of peace and balance.


MATERIALS PALETTE

WAITING ROOM
The artificial skylight compensates for the limited natural light, creating a hopeful environment during times of uncertainty. Seating is arranged in smaller, intimate groups to foster a more residential and welcoming atmosphere that feels less clinical. Nature-inspired art and paintings introduce biophilic elements, working together with sounds of nature from ceiling speakers to effectively calm the mind.



Inspired by the Crown Fountain in Chicago, the animated screen brings occasional movement to the static environment, providing a point of engagement that keeps patients interested and helps prevent boredom.




The furniture is selected from trusted healthcare brands and intentionally varied in style to accommodate different body shapes and sizes. Each piece meets healthcare standards while providing comfort, and ergonomic support for all users.



OFS - Offshore
OFS Rule of Three
OFS - Prolouge

NURSES STATION SIGNAGE DESIGN
Transitioning to the dragonfly’s adult life cycle on land, the nurse station signifies a grounding and supportive point of care, where clinical support strengthens patients’ future independent well-being. The aesthetic incorporates strong green, vegetation-inspired color palette.


Aquatic element, mimics waterfall
360 view of exam rooms

Wayfinding cue back to the waiting area
Aiming to lessen anxiety in wayfinding for older adults, patient room signage is designed to be distinctly different from typical signage, offering stronger contrast so it can be seen clearly from a distance.
Sliding function accomodates future changes




EXAM ROOM
The design is functional and provides peace of mind, incorporating residential elements such as shelf décor and warm wood tones that cohesively tie to the waiting room and calming blue accents. Nature-inspired wall art adds a stable biophilic element to the space.
The exam chair offers great flexibility to accommodate all patients’ needs, considering body types, mobility, and comfort. Large storage capacity minimizes restocking time, maximizes time spent with patients, and supports efficient care delivery.






Award-winning Brewer Company HL3 exam chair
OFS Rule of Three
Kimball InternationInterwoven physician stool
Kimball International - Alterna casework
03 MILNER LIBRARY
TIME: Spring 2025
LOCATION: Normal, Illinois
SOFTWARE: Revit, Enscape, Photoshop
CONCEPT STATEMENT
The design concept for Milner Library is to foster a positive attachment to the library in students. The goal is to create a space that minimizes anxiety and encourages the continuous use of library services and resources.
This will be achieved by increasing visibility for academic services, and slowing down the traffic flow around the reference desk to convey a frequently used space.
The atmosphere should feel whimsical, uplifting, and fun. This will entail the use of abstract geometric forms and dominant primary color scheme of blue, yellow, and red. Material selections will focus on offering high contrast both visually and tactilely through soft, textured fabric, clear acrylic, wood, and metal.




CONCEPT DIAGRAM BLOCK DIAGRAM

Reading lounge
Sensory suite
Not in contract

Tectum wood fiber 1
Tectum wood fiber 2
Tectum wood fiber 3
Acoustibuilt drywall
Concrete coffers
Perforated metal

Metal storage cabinets
Acrylic book cart can be rolled away once full


REFERENCE DESK
The desk’s whimsical design demands attention and serves as a conversional piece that can facilitate interaction between students and librarians.
MATERIALS PALETTE

Open slots for temporary placement of returned books when cart is rolled away
ADA compliant surface
Doors replace traditional book slot, slowing students down and increasing opportunities for interaction with librarians
Clear acrylic integrates the books into the visual décor


ACADEMIC SUPPORT HUBS
Each hub functions as an informational kiosk, where students can receive information about campus services located outside of the library, conveniently in one place.
The adjacent interactive map then allows students to locate their destination after a brief meeting at the kiosk.
DONOR WALL
Donors’ names are printed on the books’ spine, and the book thickness and colors indicate donation level. The design allows spaces for future addition without it feeling unfinished.


MATERIALS PALETTE


DONOR WALL ELEVATION
EVENT SPACE + GALLERY
This corner of the library is multifunctional, designed to host a range of events, from school functions to art galleries. Flexibility is the main focus of the space. The furniture is intentionally selected to support different types of events and works in tandem with movable partitions to expand or divide the area as needed.
The addition of whiteboards makes this corner an ideal spot for collaborative group work when it is not being used for events.




GROUP STUDY AND GALLERY SETTING PERSPECTIVE






Howe - AS400 concave table 1. Guest speakers event 2. Students government election
3. Students’ game night
Knoll - Asari chair
Knoll - Unscripted upholstered seat
Gotessons - iQseat




Addresses active touch, sound, and visual sensory affordances
Textured slides of different materials to produce sounds
SENSORY SUITE
The inclusion of a sensory suite within the library is a very new concept, but a fascinating and necessary one to accommodate neurodiverse learners. Touch and sound are the two main sensory affordances the room aims to provide through its interventions, while the fidget wall alone can achieve all three: active touch, sound, and visual.

Lamhults - Bau modular seating

Schiavello - Hedge seat

Rest pods

“Buffer” zone

Backpack and foot rest storage
Tactile wall, active touch

Passive touch affordance

or tfolio
by PHOEBE NGUYEN
thank you.