Western Nostalgia with an Idaho Edge


The Gemstones That
Shape Our Collections

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Western Nostalgia with an Idaho Edge


The Gemstones That
Shape Our Collections

Parlé means “to speak”, and this one powerful act of communication and expression describes how we strive to make a positive impact on the jewelry industry and the world.
We source gemstones that speak to us in terms of beauty, rarity, and value. We speak for artisanal gem mining communities who need and deserve a voice. In turn, we share these stories with our partners and ultimately our collectors.
JJewelry, at its most meaningful, is never just about adornment; it’s about story.
With this issue, we set out to bring those stories to the forefront. Not only the journey of each gemstone, but the people behind them; our team. The team members who have shaped Parlé for decades, alongside the new voices bringing fresh perspective and energy to what comes next. This year, we are especially proud to celebrate one of our own as Parlé’s Artist of the Year. It is a fullcircle moment that reflects the heart of what we do. It is a reminder that every piece carries more than beauty. It carries a connection.

This book is an exploration of perspective. Through a series of distinct visual chapters— CharmedbyNature,Sundance,andThe Gemstone Gambit—we invite you to experience jewelry in different contexts. Each one reveals a new expression of style: organic and instinctive, nostalgic and enduring, playful and unexpected. Together, they reflect the many ways jewelry can be worn and more importantly, felt.
Education remains one of our guiding principles. As our collections evolve, so too does our commitment to sharing the significance of the gemstones we carry. Within these pages, we introduce and revisit our signature stones. Each is selected for its rarity, character, and the narrative it contributes to our ever-growing story.
As we reflect on the relationships that have shaped Parlé over the past fifty years, we’re reminded that our connection to the JCK Jewelers Choice Awards is rooted in that same
shared belief–celebrating design, community, and the people behind it all. Over the years, it has been an honor to be recognized across multiple categories. Each accolade reinforces our commitment to craftsmanship, innovation, and creating pieces that celebrate life’s most meaningful moments. In this edition, we’re especially excited to unveil our award-winning designs from the 2026 JCK Jewelers’ Choice Awards. These pieces not only represent artistry at the highest level, but also the collective passion and dedication of the incredible team behind Parlé.
Our hope is that as you turn each page, you find not only inspiration, but connection. To the stones, to the stories, and to the people who bring them to life.

STEPHANIE MAJOR Marketing Director, Parlé Gems












From the sturdy roots of our production team to the vibrant leaves of marketing and sales reaching for the light, every member of Parlé plays a vital role in our continued growth. But before the branches stretched skyward, there was a seed—planted by Frank and Sue, whose passion for gemstones grew from a hobby into a thriving jewelry design house. Their vision laid the foundation for all that Parlé is today.
Woven into the branches is “The Hub”—a dedicated team of women who keep everything flowing, from inventory and custom orders to imports, exports, and acquisitions. Supporting it all are our accounting and IT teams—quiet forces behind the scenes who track our growth, ensure stability, and keep our systems running smoothly.

Now, Jonathan and Brecken carry that legacy forward, bringing fresh vision and momentum to guide Parlé into the next generation. Together, these roots, branches, and lifelines form the remarkable canopy we’ve grown over fifty years—and we’re still reaching for the forest of possibilities ahead.

Alan Metals Engineer 2 Year



Barbara Account Support Specialist 4 Years


Jace IT Specialist 7 Years


Emerson Goldsmith 5 Years

Jenn
Lifestyle Photographer 6 Years



Inventory & Logistics Manager 45 Years

Years

Years
Me the




One Item I Always Have At My Desk



Years
















By Victoria Gomelsky
Published in JCK January 29, 2025

In late August, I lived out a prospecting fantasy I didn’t even know I had when I joined a group of retailers from around the country on a three-day visit to the Rock Creek sapphire mine located about 23 miles southwest of the tiny town of Philipsburg, Mont. (population: 910).
As guests of Parlé—the Pocatello, Idaho–based jewelry manufacturer, whose husband-and-wife co-owners, Jonathan and Brecken Farnsworth, have worked with Potentate Mining, the Canadian rm that owns the sapphire mine, since 2018—we had a once-in-a-lifetime opportunity to go straight to the source.
The Farnsworths had organized retailer gem buying trips to Thailand in the past and knew that taking their best clients to the origin was a sure way to stoke their enthusiasm for colored stones.
“We’ve found that when we can tell the story of a gemstone or the journey of the gemstone from where it comes from, through all the hands it touches, that it gives our retailers another tool to use,” Brecken told me during a break in the itinerary last August, when we regrouped at our temporary digs, the Broadway Hotel in Philipsburg.
The group of 16 (all women!) that Parlé invited included a range of retailers: Danielle Miele, aka Gem Gossip, an in uencer and online retailer in Nashville; Nikki Swift, a personal jeweler in San Antonio, Texas; and Josephs, a Rolex authorized dealer in Des Moines, Iowa, to name a few.
Jonathan said he hoped the group would take away from the experience an appreciation for sapphires’ rarity “and how hard you have to work to get what you get,” he added. “It’s not an easy process, even with big equipment and mechanization, and people do it because they love the stone.”
“I also think that one of the beautiful things about Montana sapphire is the mining process,” Brecken chimed in. “For me, it’s the best mine I’ve ever been to.”
Set on 3,400 acres in an area known by locals as Gem Mountain (also the name of a tourist sapphire mining operation adjacent to the mine), Rock Creek is the largest

sapphire deposit in North America. It has been mined, on and off, since 1892, when prospectors in search of gold found some pretty pebbles that had washed down into what’s now called Sapphire Ranch. Since then, the deposit has produced more than 65 tons of sapphires.
“According to the old timers, the sapphires were so thick they would load them with coal shovels,” Warren Boyd, Potentate’s Toronto-based marketing director, told me as we admired a set of log cabins built by prospectors about 100 years ago. It was a sunny but brisk August morning with temperatures hovering in the 50s. “You can imagine a shovel full of sapphire would be pretty heavy.”
That’s because sapphires have a density of 3.98 grams per centimeter cubed, making them one of the densest gems around. Remember that detail—it’ll come in handy as I recount, below, some of the other fascinating things I learned about Montana sapphires on this trip of a lifetime!
When it comes to ethical sourcing, American-made gems are the gold standard.
While America lacks the depth and history of other countries’ gem deposits, it makes up for it with an incredibly broad and diverse selection of gems that are easy to trace and come with responsibility assurances that are all but impossible to nd in many gem-rich nations. Of the gems that America produces, Montana sapphires are by far the most sought-after and most available.
To drill down even further, Montana is home to four sapphire deposits. The oldest and most storied is called Yogo Gulch in central Montana. The others are Dry Cottonwood Creek, best known for its orange and yellow sapphires; the Missouri River deposit located near the state capital, Helena; and Rock Creek, the only one of the four that produces enough volume to guarantee manufacturers a steady supply of goods, including calibrated stones (thanks to Potentate, which acquired the mine in 2014).
The Rock Creek Mine is a paragon of environmental responsibility.
Boyd, a rough gem and diamond valuation expert, has traveled to his fair share of mines. When he rst visited Rock Creek in the 1990s, it made a deep impression on him.
“In my globe-trotting, I hadn’t seen anything like it,” Boyd said. “If this was in Madagascar, there’d be 50,000 people all over the hilltops, swarming
and digging up all the dirt and washing it. And there’d be shantytowns to the side somewhere and it would look like a war zone. It’s so different the way America manages its resources.”
Potentate, the largest producer of sapphires in the Western hemisphere, must comply with strict environmental regulations set by the Montana Department of Environmental Quality. “A lot of our delays this season have been about permitting issues,” Boyd said. “The DEQ comes in and says, ‘Well, you’ve got to do this and you’ve got to do that before you go into production.’ The environmental responsibility we have here is mandated—we have to pay huge cash bonds. Once we rehabilitate a certain area, the bond for that area is returned.”
The mine itself is alluvial, which means Potentate doesn’t have to dig underground. Instead, the company effectively mines the surface, where debris ows, or high-energy mud ows that have pancaked on top of one another over millennia, have deposited sapphires.
The land surrounding the mine is pristine Montana wilderness, home to elk, deer, bears. “It’s about as green, so to speak, as you can get when it comes to gem mining,” said Jonathan.
Rock Creek’s fancy-colored sapphires weren’t always in favor.
For most of the mine’s history, its riches went largely unrecognized. Old timers talked about how “local kids used to come up here on wagons, and when they found the big sapphires, they’d use them as ammunition in their slingshots,” Boyd said. “They hit the squirrels and rabbits. So in theory, there are big giant sapphires just kind of salted around.”
Now why would they do that? In the raw, Rock Creek sapphires are primarily greenish. “Because they didn’t have heat-treating technology, they didn’t put much value to the sapphires that were not blue or pink or red,” Boyd said.
The mine’s production was mostly funneled to Switzerland, where watchmakers used the sapphires as jewels inside watch movements “because they weren’t quality enough for jewelry, but they were ideal for bearings,” Boyd said.
By the 1980s and ’90s, the “advent of electronically controlled ovens that permitted the use of various oxidizing and reducing atmospheres” made Rock Creek sapphires much more marketable, Boyd said.
Today, after the sapphires have been acid cleaned and heat-treated, they come in a broad palette of pastel hues that are popular with cutters and manufacturers—especially those in Rock Creek’s signature shade of blue-green. About ve years ago, the market went nuts for the color. “There was a big







push for that teal color,” Brecken said. “It came on strong right about the same time that Montana came to market.”
“And through the pandemic, it really gained in popularity,” Jonathan added.
Tourists can have their very own sapphire mining experience, which mimics the real thing on a much smaller scale.
On the eve of our mine visit, we got a lesson in sapphire mining at a “sip and sift” event on Philipsburg’s Main Street, where we dumped bags of gravel from the mine into screened trays, washed them in a sluice, and sifted through the muck in search of sparkly pebbles.
They key, we learned, was to shake the trays aggressively from side to side in the sluice, like a vigorous seesaw, so that its densest contents settled on the bottom. Then, once we took the trays back to our tables, the trick was to ip them over in one fell swoop so that any sapphires in the dirt would be easy to nd atop the debris pile.
With tweezers in one hand and a glass of red wine in the other, I picked through mounds of dirt, marveling each time I discovered a sapphire. Unlike the brownish dirt, the gems stood out for being translucent and colorful.
The following day, as we watched a giant mechanized jig shake the heck out of a bunch of pay dirt at the mine, I realized the same principles were at work. “The higher-density stuff settles to the bottom of the jigs,” Boyd explained. “So when we clean out the jigs, it’s full of all the high-density minerals, including sapphires and gold.”
At least some of the gems we saw being mined will be on display at the Parlé booth at the AGTA GemFair in Tucson. Brace for higher prices.
While it would be impossible to pinpoint which of Parlé’s sapphires were mined during our visit, it’s safe to say that at least some of them came through the mine the week we were there. “We have Montana trickling in all the time,” Brecken said recently.
At the brand’s booth at the upcoming AGTA GemFair in Tucson, expect to nd a wide selection of Rock Creek’s signature teal sapphires, loose and set in nished jewels. “We’ve been working on building up our calibrated inventory so it’s easier for production,” Brecken said. “We do have a nice assortment of 2 carat-plus single stones in all the fancy colors. And some nished jewelry that will be at Centurion and make its way to Tucson.”
She noted that hexagon-cut stones are popular “because the shape ts so nicely with the crystal structure of Montana sapphires.”
As you prepare your shopping list for the gem shows, keep in mind that Montana sapphires in sizes over 1 ct. are less available at the moment and prices are up about 20% across the board. But don’t let that discourage you. For Parlé and its numerous fans (me included!), Rock Creek sapphires—colorful, plentiful, and ethically and environmentally spot-on—are worth it.


























The shimmer of a beetle’s back, the quiet drama of unfurling leaves, the elegant mischief of a snake mid-curve. Not the obvious, sweeping landscapes, but the intimate details that reward those who look a little closer. Here, nature, in all her intricate brilliance, becomes both muse and co-designer, offering up textures, colors, and forms that feel at once ancient and entirely new.

Left to Right
Frog Brooch 18k yellow gold brooch showcasing a 2.80 ct Australian opal doublet accented with tsavorite and diamonds
ANBOV0769280EI
Bee Brooch/Pendant 18k yellow gold bee brooch showcasing a 2.86 ct Mexican fire opal accented with diamonds AFOCB900286EI
Butterfly Earrings 14k yellow gold earrings showcasing 0.70 tcw of Australian light opal
ECO314N1XCI
Bee Brooch/Pendant 18k yellow gold bee brooch showcasing a 2.38 ct Australian light opal accented with diamonds
ANLFF785238EI

Beetle Charm 14k yellow gold beetle charm showcasing a 0.40 ct Arizona turquoise accented with diamonds PCO328AQACI
Butterfly Charm 14k yellow gold butterfly charm showcasing 0.35 tcw Australian light opal
PCO327N1XCI
Light Opal Ring 18k yellow gold ring set with a 9.92 ct Australian light opal accented with diamonds RNLOV713992E
Snake Ring 18k yellow gold ring set with 0.87 tcw Australian light opal accented with tsavorite and diamonds RCO325N1AEI


Here, gemstones don’t just sparkle, they echo. Opals mimic the iridescence of living things, turquoise beads feel like fragments of sky caught midbreath, and warm gold blooms into petals that never wilt. Each piece captures a moment you might otherwise miss, then dares you to wear it.
There’s a playful tension throughout: refined yet untamed, delicate yet a little dangerous. A necklace cascades like a garden in full bloom, while jeweled creatures perch with just enough personality to feel alive. It’s less about imitation and more about interpretation—nature, seen through a jeweler’s lens, with a wink.

It reminds us that beauty isn’t always grand or obvious— sometimes it scurries, flutters, or quietly grows. Because once you start noticing them… you’re never quite the same again.





“I LOVE SEEING THE BEAUTIFUL PRODUCT THAT WE PRODUCE AS A TEAM.”
JUDI INVENTORY & LOGISTICS MANAGER






arlé’s journey began in the hills of Spencer, Idaho in 1973, with Frank Farnsworth embarking on a summer job that was far from ordinary--mining Idaho opals and crafting jewelry. Frank laid the foundation for a company that would come to celebrate the distinctive narrative of each gemstone it embraced. This pivotal juncture was the rst step in a journey that would see Parlé evolve into a revered name within the jewelry industry.






Frank's drive and determination weren't just about providing for his family; he aimed to create quality jobs for others and build a culture of skilled craftsmanship. In 1976, a visit to the Gem Show in Tucson changed everything for his business, Idaho Opal & Gem. Discovering high-quality Australian opals there, he quickly added them to his product line. This decision, fueled by Frank's keen sense of opportunity and passion, marked a turning point for the company. It expanded to include not just opals but also a range of precious stones like tanzanite, ruby, emerald, and sapphire, broadening the brand's appeal and diversity of products.
In 1991, a signi cant shift happened when Idaho Opal & Gem rebranded to Parlé. This change was more than just a new name; it represented the company's growth and new philosophy. Brecken Farnsworth recently shared that the old name didn't re ect the company's essence anymore. Choosing Parlé, which means "to speak" in French, aligned with their core belief that every gemstone and piece of jewelry tells a unique story. This shift to Parlé highlighted the brand's commitment to recognizing the value and stories of gemstones, emphasizing the deep connections that jewelry can create between itself and its wearers.


“WE HAVE A HIGHLY PASSIONATE AND SKILLED PRODUCTION TEAM THAT HAS NEVER WAVERED.”
PAUL PRODUCTION MANAGER


Today, Parlé Jewelry has transformed dramatically from those early days of simple assembly. This journey has been propelled further by Parlé's transformation into a fully integrated manufacturing powerhouse, a narrative of unwavering dedication, craftsmanship, and innovation. With a comprehensive manufacturing capacity that includes initial design conceptualization using CAD technology, meticulous casting, and the delicate artistry of skilled goldsmiths, Parlé has curated a space where gemstones can narrate their tales. Central to this approach


is the expertise of in-house gemologists, ensuring that each gemstone meets quality standards, thereby enhancing its natural beauty and character.
Parlé’s in-depth manufacturing commitment transcends mere quality control. It represents a dialogue with each gemstone, a deep dive into its unique attributes and stories, culminating in creations that resonate with those tales. This approach ensures that every piece of Parlé jewelry is not just an item of adornment but a harmonious symphony of design and gemology, where gemstones genuinely "speak" to their beholders, promising connections that are both profound and personal.

In the heart of Parlé’s ethos lies a deep appreciation for the relationships we’ve nurtured over the past fifty years. Our jewelry, distinct in its design and craftsmanship, mirrors these cherished bonds. It is a privilege to know that our creations play a role in commemorating the most joyous occasions in people’s lives. This understanding fuels our commitment to excellence, inspiring us to surpass our previous accomplishments daily.
This philosophy resonates profoundly with the spirit of the JCK Jewelers’ Choice Awards. These awards, much like our own journey, celebrate innovation, excellence, and the enduring beauty of relationships within the jewelry community. Since the inception of the JCK Jewelers’ Choice Awards, Parlé has been a consistent presence, winning in multiple categories. A particularly proud moment was in 2020, when we were honored
with the coveted ‘Best of Show’ category. This accolade is a testament to our commitment to crafting exceptional jewelry and our dedication to the art of jewelry making.
Tracing back to JCK’s origins in 1869 as the American Horological Journal, and its evolution through various mergers, including the pivotal one with The Jewelers’ Circular in 1873, JCK has been at the forefront of chronicling and shaping the jewelry industry. The introduction of the Jewelers’ Choice Awards by JCK in 2008 was a significant move, aimed at recognizing and honoring the best in jewelry design and innovation. These awards are a platform for acknowledging the creativity and technical skill within the jewelry community, fostering a spirit of excellence and camaraderie.










As members of the American Gem Society and the American Gem Trade Association, we adhere to the highest and most stringent ethical standards in the industry - and we are held accountable for doing so. We back our promise with superior customer service.
We believe that selling gemstones and jewelry also means supporting the individuals who work behind the scenes, especially in artisanal gem mining communities, where resources can be scarce. To that end, we are a proud partner of Gem Legacy, a 501(c)3 nonprofit that supports vocational training, entrepreneurship, and community development in East African artisanal gem mining communities.
We are also proud partners of Jewelers for Children, an organization that supports children in need through charitable programs and initiatives. Our Vice President, Brecken Farnsworth, serves on the board of this organization, reinforcing our commitment to giving back and making a meaningful impact.
Our unique jewelry is a reflection of the friendships we have fostered over the last five decades. We are lucky to be able to say our work is used to celebrate life’s best moments. With this realization, we push ourselves to do better each day.

Gem Legacy is a 501(c)(3) nonprofit dedicated to supporting education, vocational training, and economic development in East African colored gemstone mining communities. Their mission is to empower individuals and strengthen communities through sustainable, long-term initiatives.


Their newest project, the Gem Legacy Campus, will provide housing, meals, and support to students from mining regions—offering greater access to education in areas where only 0.47% of Tanzanians aged 15–24 attend college. The new campus will increase the capacity and scholarship availability to students—but continued support is needed to bring the full vision to life.
Parlé is proud to contribute to this mission, funding the kitchen facility at the Gem Legacy Campus, alongside past support for teacher housing, scholarships, and school resources.
Gem Legacy’s initiatives include gemology and gem cutting training, mining tool kits, entrepreneurship programs, healthcare assistance, and school support through scholarships, meals, and supplies. At Kitarini Primary School, enrollment has grown from under 100 to over 800 students—90% are children of local Maasai ruby miners. Their Breakfast and Lunch Program has boosted attendance and raised exam pass rates from 9% to 93%. Each effort creates opportunity and lasting impact in East African mining communities.






There’s a certain kind of light that only exists out in the mountains. It stretches long across open fields, catches on tooled leather and turquoise, and settles softly against mountain horizons. It’s confident. Quiet. Unapologetically bold. That is the spirit behind this story. Western nostalgia softened by mountain air.
Jewelry becomes the narrative thread.
Turquoise, with its unmistakable blue, evokes alpine lakes and high desert skies. Opal offers contrast, shifting with light like a distant fire at dusk. Set in warm gold, these stones carry a sense of permanence, yet feel entirely contemporary in their layering. Necklaces are worn in quiet stacks, rings hold presence without excess, and earrings move subtly with the wearer, catching light in passing rather than demanding attention.


Top to Bottom
Pendant 18k yellow gold
pendant showcasing a Australian opal doublet accented with a 3.12 ct spassartite garnet and diamonds PDBFF2201740E
Ring 18k yellow gold ring
showcasing a 10.60 ct Australian opal doublet accented with diamonds
RDBFF2201060E
Earrings 18k yellow gold
earrings showcasing a 13.79 tcw of Australian opal doublet accented with diamonds
EDBFF2201379E
Necklace Australian black opal beads
Beads 14k yellow gold
pendant showcasing a 1.12
tcw Australian light opal accented with diamonds
PCO333N1ACI
Pendant 14k yellow gold
pendant showcasing a 1.12
tcw Australian light opal accented with diamonds
PCO333N1ACI

NCMTR9973462C


Sundance is a nod to independence. To women who walk confidently into any room, whether it is a ranch at golden hour or a gallery opening downtown. It honors roots while embracing evolution. Western vibes, polished and intentional, elevated with that subtle mountain flair. Because out here, under open skies and wide horizons, individuality shines brightest.
Star Ring 14k yellow gold ring showcasing 0.61 ct Montana sapphire accented with diamonds RCC407MS1C
Bottom Star Ring 14k yellow gold ring showcasing a 1.08 ct Montana sapphire accented with diamonds RCC407MS1C
Sunflower Ring 14k yellow gold pendant showcasing a 4.42 ct Kazakhstan turquoise accented with diamonds NCO220N1XEI
Hex Ring 18k yellow gold ring showcasing hexagon Montana sapphire accented with diamonds RMSHX266139E
Earrings 14k yellow gold earrings showcasing a 0.62 tcw of Montana sapphire accented with diamonds ECC344MS1CI
Top Earrings 14k yellow gold earrings showcasing a 0.60 tcw of Montana sapphire accented with diamonds ECC347MSACI





A Conversation with Parlé’s CAD Designer & 2026 Artist of the Year
For more than two decades, Cody has been part of the creative engine behind Parlé, shaping the designs that bring gemstones to life. As Parlé’s lead CAD designer, he transforms ideas into intricate digital models that become finished pieces worn and collected around the world.
His path into jewelry design didn’t begin behind a screen. Early in his career, Cody worked hands-on as an opal cutter and stone setter, developing a deep understanding of
how gemstones behave and how jewelry is truly built. That foundation continues to inform his work today, guiding designs that balance artistry with the realities of casting, setting, and finishing.
Over the years, Cody has helped bring some of Parlé’s most imaginative creations to life, including the award-winning Fire Opal Scorpion Brooch, an intricate design centered around the vivid energy of Mexican fire opal. Beyond jewelry, Cody is also a painter, with roots tracing back to childhood sketchbooks filled with cartoons. His work blends imagination with technical precision, a perspective that carries seamlessly into his design process.
In this conversation, Cody shares how those two worlds; fine art and jewelry continue to shape the way he creates.



What first drew you to fine art, and how has that shaped who you are as an artist today?
I’ve always made art. My first aspiration was to be a cartoonist. I would draw constantly, filling sketchbook after sketchbook with my own characters and stories. That early habit of creating every day still shapes how I approach art now.
What artists or movements have influenced your style the most?
I’ve always been drawn to Salvador Dalí and surrealism in general. I also admire Edward Hopper, Henri Matisse, René Magritte, and many others.
How does your process as a painter compare to your process as a jewelry designer?
I approach both in a similar way. I don’t get caught up in mistakes or perfect proportions right away. With painting, you can always cover or rework areas. CAD design is even more forgiving, since you can save, adjust, and reload at any stage.
How do you know when a piece feels “finished”?
That’s always a tricky question. With paintings, there are usually small details I could continue refining. With CAD design, there are more defined timelines and steps between concept and final piece, so there’s less room to endlessly tweak.

How would you describe your artistic style or philosophy?
A lot of people describe my work as surrealist, but I also incorporate elements of realism and impressionism. I tend to think of myself as a postmodern painter.
What themes or ideas do you find yourself returning to in your work?
My artwork often explores humanity’s relationship with technology, and how deeply it’s becoming ingrained in our everyday lives.
The painting was inspired by a fire opal brooch we created at Parlé this year. The piece felt both beautiful and fierce, and I wanted to challenge myself to capture the



You’ve been part of Parlé for nearly 20 years, how has your creative process evolved?
I spent years as an opal cutter and stone setter, and that experience still informs how I design today.
I’m always thinking about how a piece will be cast, set, and polished from the very beginning.



What’s your favorite part of the design process?
Seeing a piece come to life. Our master goldsmiths bring everything together and set the stones, and it’s always rewarding to see how their craftsmanship elevates the final piece.




Do you have a favorite gemstone to design around?
Opal, without a doubt. It offers incredible variety. Freeform or calibrated, boulder or doublet, and the range of color makes it easy to pair with almost any other gemstone.
Is there a Parlé piece or collection that stands out as especially meaningful?
Our brooch collection has always been a favorite. From spiders and ants to scorpions, and even dinosaurs like T-rexes and pterodactyls, it’s been a really fun and creative space to explore.
“To me, creativity is the ability to see potential in a challenge, not just a roadblock.”
After more than two decades at Parlé, Cody continues to approach each design with the same curiosity that first filled his sketchbooks; blending creativity, craftsmanship, and a deep respect for the process behind every finished piece.





















At the core of the jewelry industry, Parlé shines as a symbol of tradition, innovation, and deep-rooted family commitment, blending a multi-generational legacy into its very fabric. As it advances within the industry, Parlé embodies the enduring legacy of a family united by passion and dedication, continually forging a path that re ects its rich heritage and innovative spirit.
Parlé's enduring legacy as a family-driven enterprise is deeply rooted in its history, with Frank at the helm of its multifaceted growth while his wife, Sue Farnsworth, played a pivotal role behind the scenes. From assisting during trade shows to managing merchandising tasks, Sue became the backbone of Parlé's day-to-day operations.
As Parle's presence expanded nationwide, the need for sales representation grew, prompting Frank's youngest sister, Kate Farnsworth, to join the team in 1982. Since then, Kate has been instrumental in shaping Parlé's brand in the Paci c Northwest Territory, covering Oregon, Washington, Idaho, Utah, Wyoming, and Montana, carrying forward the family legacy with unwavering dedication and passion.


Jonathan, Frank's son, and Brecken, his wife, embody the essence of leadership at Parlé, their paths merging towards a shared vision for the company's future. Jonathan's deep-rooted connection with Parlé began in his childhood, a time lled with moments spent sorting opals and learning the family trade from his father. Throughout high school, he delved into his passion for technology with an IT internship with Parlé, paving the way for his pursuit of a computer engineering degree in college. However, it was his interest in business that drew him towards earning his degree in marketing and later becoming a part of the family business. To improve his skills, Jonathan worked hands-on at a national rental car agency, laying the groundwork for his future contributions to Parlé.
"My earliest memories are of weekend adventures in the of ce with my sister, crawling beneath the setter's desks in search of treasures. We'd look for what we could nd, you know, little diamonds or scraps of gold. Often it was colored gemstones."
Jonathan Farnsworth
Upon joining Parlé in 2007, Jonathan injected the company with renewed energy, catalyzing its evolution into a multi-generational entity. When presented with the opportunity to expand into underserved regions of the United States, Jonathan embraced the challenge wholeheartedly. Starting from the grassroots as a sales representative, he traversed the Midwest terrain, cultivating relationships and spearheading growth initiatives. His exceptional performance propelled him to the role of Sales Director, where he furthered Parlé's expansion through strategic partnerships and unwavering dedication.


Brecken’s introduction to Parlé began with her passion for designing jewelry that she would personally wear. This led her to create unique and inventive designs that quickly gained popularity. Her considerate approach launched her into a new career but also boosted Parlé's reputation for thoughtful approach to design. As a woman designing for women, Brecken brought a fresh perspective to the table, adding to the brand's already impressive portfolio of stunning and wearable jewelry pieces.
“I've always cherished jewelry, a passion inherited from my mother, making it a signi cant aspect of my upbringing. Re ecting on it, all paths in my life seemed to be leading me towards this direction.”
Their combined efforts have transformed Parlé into a multi-generational enterprise renowned for its sophisticated and artful approach to design. Jonathan's strategic initiatives and Brecken's innovative designs have earned Parlé numerous accolades, including a remarkable streak of JCK Jeweler's Choice Awards spanning fteen consecutive years. Together, they have seamlessly blended elegance, grace, and sophistication, solidifying Parlé's standing as an industry leader.




Amidst the uncertainties of 2020 and the global pandemic, Frank and Sue discovered an opportune moment to step away, allowing Jonathan and Brecken to usher Parlé into a new era. With 50 years of history behind them, Parlé was ready for its next chapter, as Jonathan expresses, "We are focused on becoming stronger and more con dent in our voice in the industry." Parlé remains steadfast in its dedication to the craft of jewelry-making, evident in every piece created, re ecting the brand's unwavering commitment to quality and innovation.
As Parlé celebrates this milestone in the jewelry industry, each piece bears witness to the brand's journey over the last ve decades. Every individual involved in Parlé's creation, from their sources to retailers and team members, is intricately woven into the fabric of the company's identity, akin to a close-knit family. Every piece of Parlé jewelry stands as a clear testament to the stories and dedication of the brand's extended family. These creations showcase Parlé's commitment to excellence and the deep, meaningful connections they foster through their jewelry.



Not the kind with rules printed on the back of a box—but the kind where chance meets choice, strategy meets sparkle, and every move is a little more beautiful than the last. In this collection, Come to the table, where jewelry becomes the wild card, the winning hand, the unexpected twist.

Top to Bottom
Aqua Ring Platinum ring featuring a 3.62 ct aquamarine accented with diamonds RQ0CU850362PI
Opal Doublet Ring 18k yellow gold ring showcasing a 11.85 ct Australian opal doublet accented with diamonds RDBFF2201185E
Light Opal Enamel Ring 14k yellow gold ring showcasing 0.49 tcw Australian light opal accented with diamonds RCO324N11CI
Peridot Ring 14k yellow gold ring set with 1.60 ct octagon peridot accented with diamonds RPF526T21CI
Peacock Tanzanite Ring Platinum ring featuring a 2.89 ct peacock tanzanite accented with diamonds RFTOC750289PI
Three Stone Ring 14k white gold ring showcasing 1.67 tcw of Montana sapphire accented with diamonds RCC339MS1WI

Black Opal Ring 18k yellow gold ring showcasing a 2.93 ct Australian black opal accented with diamonds RNBOV146293E
Vertical Three Stone Ring 14k yellow gold ring featuring three opal doublets (2.14 tcw), accented with diamonds RMDBT4A214CI
Opal Doublet Ring 14k yellow gold ring showcasing an Australian opal doublet ROD402-6I
Light Opal Ring 14k yellow gold ring showcasing an Australian light opal accented with diamonds RCO202N12CI

Earrings 14k yellow gold earrings
featuring 18.58 tcw of Australian opal doublet EMDBTPR211178C
Necklace 14k yellow gold necklace
showcasing 81.49 tcw of Australian opal doublet NMDBT3A8149CI
Ring 18k yellow gold ring
showcasing a 3.61 ct Australian black opal accented with cadillac cut diamonds RNBOV100361E


Black Opal Ring 18k yellow gold ring
showcasing a 5.38 ct Australian black opal accented with marquise diamonds
RNBRD540538E
Light Opal Necklace 18k yellow gold
necklace featuring 39.22 tcw Australian light opal accented with diamonds
NCO218N1AEI
Light Opal Ring 18k yellow gold ring
showcasing a 15.54 ct Australian light opal accented with diamonds RNLOV7861554E
Tourmaline Ring platinum ring
showcasing a 5.40 ct mint green
tourmaline accented with diamonds
RMHCU770540P
Totem Opal Ring 18k yellow gold ring
showcasing 2.10 tcw Australian light opal accented with diamonds R80N0106E

At Parlé, we never lose sight of what makes our work so meaningful. Each piece of jewelry represents more than a beautiful gemstone; it becomes part of someone’s story. A celebration, a milestone, a moment worth remembering.
When we stepped into leading the next chapter of Parlé, we took time to thoughtfully define what the future of this brand should look like, holding onto the heart of what has always made Parlé special, while continuing to evolve with intention. That balance continues to guide everything we create.
Thank you for the role you play in bringing Parlé to life. Whether you are sharing our pieces, choosing them, or wearing them, you are part of the story. It is truly a privilege to be included in life’s most meaningful moments, and we are grateful for the trust you place in us.
As we continue building on the legacy of Parlé, we do so with deep appreciation for the relationships that have shaped us and excitement for what lies ahead. We look forward to the stories still to come and to being part of many more moments worth celebrating.
Sincerely,
JONATHAN & BRECKEN FARNSWORTH President and Vice President, Parlé Gems

