“Panoramic sound-quilting” is the term internationally renowned composer, saxophonist, sound experimentalist, and mixed-media practitioner Matana Roberts uses to describe her combination of instrumental music, singing, text, and visual imagery. Exploring themes of American history, memory, and ancestry, her very personal and improvisatory body of sound work is startling in its originality and gripping in its historic, political, and social power. She brings her creative practice as a musician merged with social consciousness to the Veterans Room for a site specific performance in her ongoing anthropological examination of music, storytelling, and the long, diverse history of her birth country.
