PALM Expo Magazine January-February 2026

PERFECTLY SUITED

The VTX A8 & A12 Line Arrays and VTX B28 Subwoofer

Designed for seamless sound and uncompromising performance, the VTX A8, A12, and B28 feature innovative 2-point rigging, next-generation waveguide technology, and proprietary Differential Drive ™ woofers delivering exceptional power and clarity for the most demanding shows worldwide.

Yamaha Unveils MGX, URX CC1 to Streamline Professional Audio Workflows Creativity

URX Series

URX Series delivers compact, powerful audio interfaces with pristine sound, pro grade preamps, flexible I/O, and intuitive controls. Designed for seamless workflow, they enhance creativity across a connected ecosystem powered by Yamaha, Steinberg, and partners like Elgato and OBS. Now with Simple/Assist Mode for effortless setup and streamlined operation.

Yamaha Music India Pvt. Ltd.

MGX Series brings modern digital precision to Yamaha’s classic MG mixers, delivering high fidelity sound and flexible connectivity for live, studio, streaming, and video. MGX V models add HDMI USB video integration for hybrid workflows. With the new Simple/Assist Mode, users get instant, great sounding mixes with effortless operation. A powerful, connected ecosystem for today’s creators.

An intuitive all-in-one controller for music, streaming, and hybrid workflows, featuring a 100 mm touch-sensitive fader, versatile knobs, and 12 assignable LCD keys. Fully customizable, with Cubase and Nuendo support, broad app control, seamless Elgato and OBS integration, and a compact, portable design.

Unit No. 601-608, 6th Floor, Tower - D, Global Business Park, Sector – 26, Mehrauli - Gurgaon Road, Gurugram - 122002, Haryana, India

Ph: +91 124 485 3300

Ahuja Radios at the Helm of India’s Pro Audio Landscape

Sandeep Ahuja, Owner of Ahuja Radios, reflects on the company’s enduring journey and the technologies driving its future in a rapidly evolving pro audio industry

Cover Story:

Top 50 Audio and Top 10 Entertainment Lighting Products

PALM Expo Magazine brings you its curated listing of the crème-dela-crème of the professional audio Entertainment Lighting landscape for the year 2025

Interview: Pro Audio Manufacturing

In an exclusive tête-à-tête with PALM Expo Magazine, Akshay Shah of Shah Audio reveals the origins of CKS Acoustics and the vision behind its Make in India philosophy

Live Sound Reinforcement: Music Festival

Mega Sound India, MSIPL completes a landmark audio deployment for Sunburn 2025, powering the music festival for the second time in a row

IRAA Winner Listing

Indian Recording Arts Academy Awards 2025 Winners Announced

PALM Expo Conference Series: System Engineering

Warren D’Souza, Neil Lean, Dr. Rajesh Khade, Joyjeet Panday and Cijith Olikal discuss the realities of systems engineering for touring, across India and executed with international production standards

DNASERIES Sound and Future

Stage Sound:

JBL Professional Expands SRX900 Series; Decibels Servizio Builds a New Martin Audio TORUS System; Ansata Delivers AVID S6L-32D Flagship Consoles Across India; N LABS Introduces P-Series High Performance Loudspeaker Range; POPE Professional Introduces TA Series Line Array Systems for Touring and Installed Sound; Yamaha Unveils MGX Digital Mixer Series, URX Audio Interface Series, CC1 USB Controller; Studiomaster Professional Unveils the Clio 64 and DH 72 Combining Precision and Performance; VMT Delivers Concert-Grade Sound for Ash King Live at KIIT MUN Bhubaneswar; Hi-Tech Audio & Image and Phoenix Networks Bring India’s Third DiGiCo Quantum 852 to Bhopal; Nx Audio Launches the DM16: A Full Feature 16 Channel Digital Mixer; GS Pro Audio & Faital Pro Deliver at a High Profile Political Event; Audio Design Delhi First in Delhi to Adopt SSL L650 Flagship Console; Stage Gear India Adopts Yamaha RIVAGE for Advanced Touring-Grade Mixing; AlphaTheta Introduces DJM V5 Compact 3 Channel Mixer

Lighting:

Avolites Celebrates Five Decades of Excellence; ETC Welcomes Pharos Strengthening Architectural Portfolio

Audio Music Production:

AKG Introduces New C-Series Professional Condenser Microphones; Apogee Unveils New Symphony Nova Desktop Interface; SSL Introduces ORIGIN EVO

Appointments:

L-Acoustics Appoints Olivier Maynard, Executive Director Of Strategic Market Development

Audio Install:

Eminent AV Transforms Romeo Lane Raipur With A High Impact Audio Upgrade; Palmyra Bay Cocktail Deck And Restaurant Chooses Nx Audio As Sound Partner; Bose Professional Expands Popular Designmax Lineup; Zac and Phils Designs Modern Audio Blueprint For Worship

CKS Acoustics’ Akshay Shah discusses the com‑ pany’s factory, ethos and market presence in an exclu sive discussion with PALM Expo Magazine

Publisher’s Perspective:

Anil Chopra, PALM & AV-ICN Expo Magazines decodes the forces driving India’s surge in pro audio and entertainment lighting innovation

Guest Column:

Pallav Jerath of Yamaha Music speaks on the evolution of consumer habits in tandem with audio technology growing leaps and bounds

Brightspark:

Viraf Pocha cautions against excessive dependence on AI, and the ways it can be integrated into the pro audio landscape

Industry:

N-LABS Marks a Successful Global Chapter at NAMM Show 2026; DPA Microphones, Wisycom & Austrian Audio, Join Audiotonix

Pro DJ Sound:

AlphaTheta Announces Next Generation

Ignite Effector For Professional DJ Applications

U B L I S H E R’ S P E R S P E C T I V E W

Pro audio presently is either priced above “real” value on the pretext of quality or brand or priced “affordable” on the subterfuge of quality. So, the mantra is Indian high-quality product and brand with real pricing

India’s Pro Audio Resurgence: Mega Investment Opportunity

elcome to publishers’ perspective. The raison d’être of this magazine is to provide a critical catalyst to pro audio industry. We do this first by way of news on technology and business dynamics. Then by defining excellence in the pro audio industry. Thirdly by shining the path to opportunity and growth. Our ethos is to play a leadership role. There is a pull motivation in our die-hard persistence in publishing the industry voice since 2001. Ever since the inception of PALM Expo. This motivation is born out of a desire to be a prime contributor in developing pro audio industry in India. From India being a dependent market to being an independent market and a sourcing country for pro audio technology. We have been on this path consciously. Recognising and awarding companies who’ve invested in developing Indian pro audio. By virtue of these endeavours, we created PALM Sound and Light Awards desired today by international brands. I write today to point out the mega opportunity and inflection point of the pro audio market in India. This column is to carry my voice and vision I see from a vantage point. I see an explosion of pro audio in home and AV and in install and stage live sound in quantum terms in the near future. One disclaimer here: - in Indian products which will result in “real” pricing. Real pricing means actual value in product materials, and an amortized value for technology. Not exorbitant brand value on the pretext of supra technology or some expired or extant patent.

Pro audio presently is either priced above “real” value on the pretext of quality or brand or priced “affordable” on the subterfuge of quality. So, the mantra is Indian high-quality product and brand with real pricing. So, is this a pie in the sky? No.

This mega opportunity and inflection point is approaching us in time and space for the reasons I point out below.

First is the tremendous push by the government in its realisation that without electronics, India’s survival is precarious. Therefore, this push motivation on electronics component production and thousands of crores are 100 percent being invested. Then the crazy obsession with chips, LSI semiconductors. Thus, billions of dollars invested so that chips in design and small quantity for almost all products are available. To everyone’s surprise the government 249 application under the Electronics Component Manufacturing Scheme (ECMS) has resulted in an outlay of INR 40,000 crores. Then the AI factor has arrived which ensures highest quality design solutions and solving sourcing of production materials. So then, what gives? Manufacturing? Entrepreneurship? Investment? Retail? All of this is guaranteed. The IPO scenarios assure investment. Automation ensures manufacturing. There are many companies whose growth curve makes it compulsory to enter the pro audio space. And with regards to retail and distribution PALM has already worked with a vision and a plan these last 25 years and delivered semi-developed pro audio distribution across the length and breadth of India. Retail is expanding on a daily basis with dedicated branded retail for electronics soon to reach a strength of 10,000 outlets and growing.

Finally, it’s the market size in consumption and actual users. That is actually becoming a reality. Large scale consumption overcoming the hurdles of reaching product to buyer- the online ecosystem combined with the delivery infrastructure.

All these factors have come together in time and space and in the immediate future this mega opportunity is going to explode. PALM Expo Magazine has provided critical catalyst. It depends which reader moves first with determination and intent. Because India cannot depend on imports, imported technology or brand perception. If the world wants Indian market, they need to manufacture here in India and all are welcome. It’s a free market and PALM supports global brands and products and a free market.

Cheers until we meet next time.

Sound & Stage News

JBL PROFESSIONAL EXPANDS SRX900 SERIES

HARMAN Professional Solutions, one of the global leaders in audio, video, control, and lighting systems, has announced the expansion of its JBL Professional SRX900 Series of powered scalable loudspeaker systems. The expansion includes 12-inch, 15-inch, and dual 12-inch point-source loudspeakers and a full range of supporting accessories. These models offer enhanced versatility, expanded deployment choices, and unprecedented integration across touring, rental, installation, and production environments. Designed for a wide range of applications, the new SRX912M is an exceptionally compact, multi-purpose, two-way 12-inch powered loudspeaker that delivers remarkably high output for its size. It is ideal as a low-profile stage monitor, main PA, or front fill. Optimally suited for use as a main PA or as a high-per-

formance stage monitor, the new SRX915M is a high-output, multi-purpose, two-way 15-inch powered loudspeaker designed for applications that require greater low-frequency extension and increased headroom.

To ensure a completely modular platform that scales seamlessly, the new SRX900 models share consistent voicing, amplification, and DSP, and use common rigging and accessory options. A unified software platform ties the system together, creating a seamless, integrated ecosystem. Also introduced is a new range of rigging, mounting, and transport accessories that support flexible deployment across fixed and portable applications. Offerings include horizontal and vertical U-brackets, array frames, truss clamps, transportation carts, and covers. From live performers to production companies to installed sound environments, SRX900 delivers the ideal balance of value, performance, and professional-grade capability.

“The SRX900 platform is continually evolving to meet the realities of today’s productions and users. With this expansion, we’re extending that commitment even further—offering greater flexibility to achieve more, while maintaining the signature sound and trusted performance the SRX900 platform is known for. We couldn’t be prouder to support our users with new possibilities for expanded applications and growth," said George Georgallis, Senior Director of Product Management, Tour Sound at HARMAN Professional Solutions.

The JBL SRX900 Series includes self powered line arrays, point source models and flyable/stackable subs, all sharing consistent voicing, DSP, amplification and rigging. Using touring grade transducers with Differential Drive woofers, the series offers controlled coverage and clean

DECIBELS SERVIZIO BUILDS A NEW MARTIN AUDIO TORUS SYSTEM

Decibels Servizio, Pune, has strengthened its sound inventory with a Martin Audio solution built for consistent results, clean coverage, and reliable low-end impact. The core of the system is TORUS T1215 constant-curvature arrays—chosen for their controlled projection, smooth mid-high clarity, and the ability to maintain an even tonal balance across different audience layouts. For low frequencies, Blackline X218 dual 18" subwoofers add depth and punch that feels powerful yet stays tight and musical, helping the overall mix sound fuller without becoming boomy or uncontrolled.

Driving and system management is handled by Linea Research 44M10 DSP amplifiers, giving the team a more repeatable workflow and stronger control over consistency. With DSP-based tuning, protection, and recallable settings, Decibels Servizio can standardise output,

output. Each model features advanced DSP with 24 band EQ, 2,000 ms delay, ASC filtering and LevelMax protection. Systems connect via HControl Ethernet and integrate with Venue Synthesis, JBL Performance and ArrayLink. Rigging includes a three point array system and QuickLink™ M10 points, with composite line array enclosures and plywood cabinets backed by a 5 year warranty.

Read the full news on PALM Expo Magazine’s website!

reduce setup variation, and achieve a predictable sound signature across changing requirements. The combination of TORUS, X218, and Linea Research amplification creates a robust platform that supports clearer delivery, stronger impact, and dependable performance—helping the team build confidence, strengthen client trust, and scale requirements without compromising quality.

Operational reliability is a key strength of Decibels Servizio. The company is recognised for efficient coordination, responsive communication, and smooth logistics—ensuring the right inventory, crew readiness, and technical preparation are in place when needed. By combining strong technical capability with a process-driven approach, Decibels

Servizio supports clients with a professional, end-to-end delivery that builds trust, repeat collaborations, and long-term relationships in the touring ecosystem.

“TORUS T1215 brings clean projec-

tion and even spread, while Blackline X218 adds serious low-end authority. The 44M10 DSP amplifiers make the whole rig easier to manage and standardise across different setups. For Decibels Servizio, it strengthens their offer and helps them take on higher-demand briefs with confidence.”Kekul Sheth, Head of Sales, VMT Distribution

“Martin Audio is globally trusted for controlled, musical performance that translates reliably. With Decibels Servizio, VMT’s focus is long-term value— right system matching, configuration guidance, and sustained support.

TORUS, X218, and Linea Research DSP amplification give them a scalable platform to grow with confidence in Pune.” - Jeff Mandot, Director, VMT.

ENGINEERED IN LONDON

THE WPL SYSTEM ENHANCES OUR OVERALL SOUND PERFORMANCE WITH CONTROLLED DISPERSION, PRECISE CLARITY, AND CONSISTENT VENUE-WIDE COVERAGE. COMBINED WITH THE HIGH-OUTPUT SXH218 SUBWOOFERS, THE LOW FREQUENCIES DELIVER DEPTH AND AUTHORITY WITH EASE.

MR. RAJU KHAN, A KHAN & COMPANY - KOLKATA.

TRUSTED WORLDWIDE

Sound & Stage News

ANSATA DELIVERS AVID S6L-32D FLAGSHIP CONSOLES ACROSS INDIA

Ansata has delivered multiple AVID VENUE S6L-32D flagship live sound consoles, powered by the E6LX-256 engine, to leading rental and production companies across India. The scale and spread of these deployments underline a clear shift in how live sound is being approached in the country, one that places greater emphasis on quality, scale, and longterm reliability.

The systems have been delivered to well-established names in India’s live sound and event production space, including: K.G. Movie, Modern Stage Services (MSS), Namdhari Audio Visual Equipments, Phoenix Networks Global Pvt Ltd., Picture Productions India Pvt Ltd., Reynolds Sound & Lighting Services Pvt Ltd., Sugandar Light House, Ganpati Sound, Systematic Inc.

Powered by the E6LX 256 engine, the system offers 256 inputs, 192 buses, 64×64 matrices, and 96 kHz recording/playback of 192 DAW channels (expandable to 216 via Milan), with automatic delay compensation, high quality preamps, VENUE show file compatibility, extensive plugin support, and flexible Dante/ Milan/MADI/Waves connectivity— allowing engineers to mix without technical limitations.

The newly deployed S6L systems have already been used, or are scheduled to be used, on productions featuring artists and events such as Sid Sriram, One World One Family –

World Cultural Festival, Glass Beams, When Chai Met Toast, Prateek

Kuhad, Indian Ocean, Benny Dayal, Shankar Ehsaan Loy, Talwinder, Avial,

Papon, Javed Ali, Mithoon, Anirudh Ravichander and many more artists.

Ansata paired each delivery with structured training and hands on

With over 10 AVID S6L 32D surfaces deployed in one of India’s largest VENUE rollouts to date, this adoption signals a major shift toward high capacity, scalable workflows built for international touring and broadcast grade productions

support, ensuring rental teams could confidently deploy and operate the consoles from day one.

“Upgrading to the AVID S6L has moved us from managing constraints to designing workflows. On large-format events, the real challenge isn’t channel count—it’s handling rapid transitions, guest engineers, and complex routing with zero margin for error.

The S6L allows us

to build shows around event-driven automation and snapshots, where scene changes, mutes, FX states, and routing are triggered by events rather than manual intervention. This reduces cognitive load during high-pressure moments and makes changeovers faster, cleaner, and repeatable. At festival scale, the console becomes less a mixing surface and more a control system for live production.”Manoj Singh, K.G Movies.

“Investing in the AVID S6L is a strategic step forward for Reynolds. It allows us to deliver world-class audio quality while giving our engineers the flexibility and confidence needed for demanding productions. With AVID & ANSATA support, this system strengthens our ability to serve clients at the highest level,” - Moses Abhishek, Reynold’s Sound and Light.

“The increasing demand for consoles like the Avid S6L really shows how much the live entertainment industry in India has grown. Shows today are bigger, more complex, and far more demanding than they used to be. There is also a noticeable change in mindset. Engineers, artists, and production teams know what global shows sound like, and they want that same level of quality here. Compromise is no longer an option, and that’s pushing the industry toward equipment that’s genuinely proven and built to handle pressure.” – Leslie Lean , Director, Ansata.

N-LABS INTRODUCES P-SERIES HIGH PERFORMANCE LOUDSPEAKER RANGE

N-LABS has announced the launch of its new P-Series loudspeakers, a high performance range developed for touring applications and large scale professional sound reinforcement.

The P-Series enclosures are constructed using Russian birch plywood and feature neodium transducers to deliver high output while maintaining a lightweight form factor. The range is supported by Class D amplification for improved efficiency and thermal performance.

For system integration, the P-Series incorporates Dante and AES67 audio networking, alongside

onboard DSP with selectable presets, enabling consistent system configuration and control across a variety

N‑LABS’

of venue sizes and deployment scenarios. The design emphasis focuses on clarity, power handling, and operational consistency in demanding touring and live sound environments.

The P-Series has been engineered to meet the requirements of touring professionals and high level production applications, with deployment flexibility and system optimisation forming key aspects of the design brief.

The P-Series loudspeakers are scheduled to begin shipping in India and international markets in the coming months.

POPE PROFESSIONAL INTRODUCES TA SERIES LINE ARRAY SYSTEMS FOR TOURING AND INSTALLED SOUND

POPE Professional introduced the TA Series line array systems, expanding its offerings for touring, fixed installation, and small to medium scale sound reinforcement applications. The series includes both bi amplified and passive solutions, designed with an emphasis on controlled directivity, deployment efficiency, and operational safety.

At the core of the TA Series is a focus on acoustic consistency and intelligibility. The TA 10 bi amp line array element combines a 10 inch low frequency transducer with a high frequency compression driver, integrated with POPE Professional’s Directivity Correction Horn (DCH) technology. This design maintains controlled high frequency dispersion across the coverage area. Supporting this is the company’s Waveguide Physical Driver (WPD) technology, which enhances low frequency directivity and sensitivity, resulting in tighter and more focused bass response within array configurations.

The TA Series employs high efficiency neodymium magnet drivers across low and high frequency sections. This reduces cabinet weight while maintaining high power handling and output capability, supporting faster deployment and easier transport for touring and rental applications.

Thermal stability is addressed through a redesigned bass reflex enclosure featuring internal symmetrical heat dispersion tubes. This approach improves airflow and heat management during sustained high output operation, helping ensure consistent performance in demanding touring and outdoor environ-

POPE Professional's TA Series line array system featuring neodymium transducers, controlled directivity horn design, and integrated rigging for touring and installed sound applications.

ments.

For passive system applications, the TA 10P offers a two way line array solution with an integrated passive crossover and dual 4 pin Speakon connectors for input and parallel connections.

Rated at 710 W continuous power handling, the TA 10P delivers up to 125 dB continuous and 133 dB peak SPL, with a 100° horizontal coverage pattern, making it suitable for corporate AV, houses of worship, live theatres, and regional touring use.

The TA 12P is designed for higher output and extended low frequency performance. It features a 12 inch neodymium woofer and a 36 mm exit throat neodymium compression driver, utilising POPE Professional’s

patented Line Source Former Horn Technology to produce a coherent wavefront for improved projection. The system offers 1110 W continuous power handling, peak SPL up to 135 dB, and a frequency response of 80 Hz to 20 kHz (±3 dB), with 90°horizontal pattern control across mid and high frequencies.

Rigging hardware across the TA Series meets a 9:1 safety standard, supporting flown and ground stacked configurations with variable splay angles from 0°to 10°in 1°increments. The system supports up to 16 bi amp cabinets flown, or eight cabinets when combined with subwoofers.

Low frequency extension is provided by the TA 18BFP flyable passive subwoofer, featuring an 18 inch transducer and compatible rigging hardware for integrated system deployment.

The TA Series is intended for applications including touring sound, live theatres, concert venues, corporate AV, houses of worship, sports facilities, and outdoor delay systems.

YAMAHA UNVEILS MGX DIGITAL MIXER SERIES, URX AUDIO INTERFACE SERIES, CC1 USB CONTROLLER

Yamaha Corporation announced the new MGX Series digital mixing consoles, the URX Series audio interfaces, and the CC1 USB controller. Designed for corporate users looking to build sound systems for meetings and small-scale events, as well as creators engaged in a wide range of activities from music production to live streaming, this new product lineup delivers high-quality audio performance and a refined, efficient workflow.

By integrating with software products from group company Steinberg, as well as the widely used Stream Deck by Elgato and the live streaming software OBS Studio, Yamaha enables an unprecedented level of convenience and flexibility for creators

around the world.

The MGX Series is a newly designed digital mixer line that modernises the MG Series by digitising its mixing and control sections while maintaining its sound quality and ease of use. It features a built-in 32-bit/96 kHz multi-channel audio interface, with the MGX16V and MGX12V also offering an HDMI USB video/ audio interface. Available in black and white, the lineup includes MGX16, MGX12, MGX16V and MGX12V. Yamaha also introduces the URX Series of 32-bit/192 kHz USB audio interfaces with internal mixing and routing, plus HDMI USB support on the URX44V. Models include URX44, URX22 and URX44V. The new CC1 USB Controller adds a 100 mm motorised fader, 12 LCD keys and broad DAW compatibil-

ity for studio and livestream workflows, with future MGX/URX support planned.

Takatsuna Maeda, Senior General Manager of the Creator & Consumer Audio Division, said: “The products being released in this launch build upon the long-standing legacy of the MG Series and Steinberg’s trusted hardware products. By empowering

creators worldwide who engage in content creation across a wide range of fields, we seek to support their creativity and contribute to their success. Together with our partners, we will continue to evolve integrated solutions that seamlessly connect hardware, software, and services.”

STUDIOMASTER PROFESSIONAL UNVEILS THE CLIO 64 AND DH 72 COMBINING PRECISION

AND PERFORMANCE

Studiomaster Professional announced two significant additions to its product portfolio— each targeted at different segments of the pro audio market, yet both aligned with the brand’s long-standing focus on reliability, performance efficiency, and application versatility. The new Clio 64 active loudspeaker and DH 72 digital hybrid power amplifier together underscore the company’s momentum in engineering solutions tailored for India’s evolving commercial, touring, and installation sectors.

The Clio 64 is a compact 2 way bi amplified 150W (RMS) active loudspeaker designed to offer high clarity and impactful performance within a small footprint. At its core is a custom-designed 6-inch mid bass driver paired with a

1-inch compression driver, supported by a specially engineered HF flare to deliver detailed high frequencies with smooth, wide dispersion. The system’s Class D digital amplifier maximises efficiency while enabling integrated DSP control. Users can switch between multiple preset EQ modes—including Flat, Speech, Music, Live, and Club— making the loudspeaker adaptable to diverse environments and programme material.

In addition to its acoustic advantages, the Clio 64 scores high on operational convenience. The enclosure is crafted from durable, injection moulded plastic for enhanced scratch resistance and longterm use in commercial settings. Connectivity options include Bluetooth streaming, stereo RCA inputs, XLR Jack (line), and a switchable XLR Jack (mic/line) input with independent level control. An XLR output enables easy system

expansion. Measuring just 14 inches and weighing only 5 kg, the Clio 64 is positioned as an unobtrusive yet powerful solution for cafés, restaurants, retail spaces, educational institutions, houses of worship, and similar venues. Complementing this compact loudspeaker is the launch of the DH 72, Studiomaster Professional’s new premium digital hybrid stereo power amplifier. Built on the brand’s legacy of high-performance amplification, the DH 72 features an advanced “Tracking Class D” topology—combining the sonic character of Class AB with the efficiency of Class D. This hybrid architecture allows the amplifier to deliver substantial power ratings of 2 x 2850W @ 4Ω and 2 x 1800W @ 8Ω, optimised for live, touring, DJ, PA, and installed sound applications. The DH 72 offers flexible configuration, with selectable stereo, parallel,

VMT DELIVERS CONCERT-GRADE SOUND FOR ASH KING LIVE AT KIIT MUN BHUBANESWAR

KIIT Model United Nations 2025 (KIIT MUN) set a vibrant tone for the cultural celebrations with a soulful live performance by Ash King at KIIT University’s renowned auditorium in Bhubaneswar. The performance demanded a sound system capable of capturing vocal emotion with precision while also delivering the energy required for pop and Bollywood arrangements. The enclosed auditorium environment required careful acoustic management to avoid reflections and ensure that every listener enjoyed the same audio quality, regardless of their seating position.

FSL deployed the Martin Audio

WPL line array along with SXH218 Hybrid® Horn/Reflex subwoofers to create a concert-style sonic experience indoors. The WPL ensured absolute vocal intelligibility while the SXH218 delivered punchy, well-defined low frequencies. With precise tuning, the mix provided immersive sound without overwhelming the space. The success of the event showcased the quality of Martin Audio technology and the expertise of Foress Sound and Light Professionals , supported by VMT , in bringing large-format sound reinforcement seamlessly into auditorium settings.

“KIIT MUN 2025 was a proud

moment for FSL Pro. The Martin Audio system delivered exceptional clarity and power, perfectly supporting Ash King’s performance. With VMT’s strong technical backing, we continue delivering premium sound at major events and strengthening our position as a leading production partner.”

- Abinash Dash, Director, FSL Pro.

and bridge modes. A dip switch array allows users to set sensitivity between 26dB and 47dB in +3dB increments, accommodating a wide range of input sources and loudspeaker systems. Protection circuitry includes temperature, VHF, DC, short circuit, soft-start, and overload safeguards, complemented by audio grade components for low distortion and superior tonality. The amplifier also supports a wide mains range of 150–240V AC—crucial for varied Indian power conditions.

With these two launches, Studiomaster Professional continues strengthening its position as a homegrown brand delivering dependable, application driven solutions for India’s expanding audio market.

HI-TECH AUDIO & IMAGE AND PHOENIX NETWORKS BRING INDIA’S THIRD DIGICO QUANTUM

852 TO BHOPAL

Phoenix Networks Global commissioned Central India’s first and India’s third DiGiCo Quantum 852 console. The installation was executed in partnership with Hi-Tech Audio & Image LLP, DiGiCo’s exclusive distributor in India. The deployment reflects growing demand for high-end live sound infrastructure in Central India.

For Animesh Mishra, Founder & Managing Director of Phoenix Networks Global, seizing this moment meant making a statement. “The old narrative was that for a truly global-scale production, you had to look to Mumbai or Delhi. We’ve spent years building the expertise here; what we needed was the unequivocal tool that matches our ambition,” states Mishra.

“The DiGiCo Quantum 852 is that tool. It’s the great equaliser. It tells an international tour manager that the show in Bhopal will be engineered with the same fail-safe precision as the show in Barcelona. This acquisition shatters the glass ceiling for Central India, proving our engineers, our venues, and our audiences deserve nothing less than the benchmark.”

This strategic move is under-

pinned by the ecosystem vision of Hi-Tech Audio & Image LLP. For CEO & Founder Rajan Gupta, empowering regional leaders like Phoenix Networks is the core of a larger national mission: “Our role as DiGiCo’s India Partner is to be architects of capability, not just distributors of hardware. Phoenix Networks Globe’s foresight in deploying the Quantum 852 is a watershed moment. It validates that India’s next wave of production excellence will be built by regional champions who understand their markets intimately. We are here to ensure that with this flagship technology comes the training, support, and community that transforms a console into a cornerstone for regional growth.”

The DiGiCo Quantum 852 is designed to address the operational demands of large-scale events in India. Its dual, fully redundant Quantum Engines provide reliability for broadcast productions and high-profile public events, while Mustard Processing supports detailed tonal control suited to classical and folk performances. The Spice Rack FX and Nodal Processing architecture enable complex system design, accommodating immersive electronic formats alongside the independent monitor requirements of large ensembles and multi-act stages.

From an operational perspec-

Phoenix Networks Global’s newly acquired DiGiCo Quantum 852 FOH sys‑ tem, featuring dual Quantum Engines, high‑density channel architecture, Mustard Processing, Spice Rack FX, and Nodal Processing for touring, broadcast, and multi‑act event workflows

tive, Nirdosh Aggarwal, Managing Partner of Hi-Tech Audio & Image LLP, underscores the strategic value of this investment. "The Indian rental market is becoming exponentially more complex. One week you're supporting a 100,000-person spiritual gathering, the next it's a rider-driven international concert," notes Aggarwal. "Our mandate is to provide partners with platforms that deliver not just capability, but confidence. We ensure proper deployment and full utilization of every system. At Hi-Tech Audio & Image, every Quantum installation includes tailored, application-specific training designed

around the client's actual production needs."

The system deployment was supported by hands-on, production-focused training led by Hi-Tech Audio & Image Senior Application Engineer Satyam Rajvanshi

The installation underscores a wider industry shift, demonstrating that regional operators can now deliver flagship-level, large-scale productions beyond metropolitan centres.

Read the full news on PALM Expo Magazine’s official website!

NX AUDIO LAUNCHES THE DM16: A FULL FEATURE 16 CHANNEL DIGITAL MIXER

The DM16 is a new full-feature Digital Mixer from Nx Audio, combining innovative design, powerful DSP function and effectively integrating the digital tuning system to bring users the best possible professional mixing experience.

Featuring 16 analog inputs, 12 with digital gain amplifier channels, smooth 0.1dB step gain regulation, signal through high performance low delay 24 bit analog to digital converter and minimal distortion and ultra-low background noise. The multi- function parameters can

be adjusted, upgrading the user from analog mixers as the digital gain brings better consistency and prevents mis-operation.

The 1024x600 capacitive touch screen and easily understandable software allow for convenient and quick adjustments, with a clear navigation design, dedicated keys and on-screen buttons to quickly guide you to various functional modules, such as level meter, PEQ, Limiter, USB recording and playback, scene storage, system settings, etc.

Equipped with 9 100mm motor-

ized faders to control all channels and main output in a compact space in real time. The DM16 has 1 LR main channel fader, 8 channel faders and 3 layers of faders, which is convenient for quick switch and quick check of volume status. Also featuring a built-in effects processor and storage for 100 complete scenes, which can be called up as needed, to further enhance the user experience in comparison to an analog mixer.

Sound & Stage News

GS PRO AUDIO & FAITAL PRO DELIVER AT A HIGH PROFILE POLITICAL EVENT

Delivering flawless audio for high profile political events requires precision, reliability and proven equipment. During a major public address by Hon. Eknath Shinde, a professional sound system powered by GS Pro Audio and equipped with Faital Pro components ensured exceptional clarity and coverage. The event was managed by X Plode Events under the leadership of Rushikesh

The system was built around the GS Pro 2701 power amplifier, selected for its stable high output performance and advanced thermal management. This ensured uninterrupted power delivery throughout the event, including extended operational hours.

Low frequency reinforcement was handled by the GS Pro Audio 21 inch 251 subwoofer, delivering deep, controlled bass that enhanced speech presence and background audio elements. Its high RMS handling and strong damping characteristics supported a tight, distortion

free low end.

For mid and high frequencies, Faital Pro line array drivers were installed in custom engineered GS Pro cabinets. These components are noted for high sensitivity, low distortion and excellent vocal reproduction, making them suitable for large outdoor gatherings.

The combination of GS Pro amplification and Faital Pro drivers ensured clear, intelligible speech across all audience zones, supported by balanced mid and high frequencies that

maintained detail without harshness. Low-end energy remained powerful yet controlled, with subwoofers delivering tight bass reinforcement free from distortion. Throughout the venue, the system achieved consistent sound pressure levels, providing uniform coverage without listener fatigue. The open air venue presented typical challenges, including ambient noise, a wide audience spread and long throw requirements. X Plode Events designed a carefully aligned system layout using main arrays

and subwoofer clusters to achieve uniform sound distribution.

Even attendees at distant locations experienced clarity comparable to those near the stage. The system operated continuously during rehearsals and the live programme without technical interruptions. No overheating, signal drops or power instability were reported. Sound engineers and organisers praised the system’s stability and ease of control, supporting smooth transitions between speeches, announcements and music segments.

The successful execution strengthened the reputation of GS Pro Audio and X Plode Events within professional sound and event management. By integrating Faital Pro components with GS Pro power systems, the deployment met demanding production requirements. The event stands as an example of how the right combination of technology, engineering and management can deliver clarity, power and reliability at scale.

AUDIO DESIGN DELHI FIRST IN DELHI TO ADOPT SSL L650 FLAGSHIP CONSOLE

Audio Design Delhi, a premier audio rental company serving North India’s live events and production industry, made a landmark investment by adding the Solid State Logic (SSL) L650 to its inventory. This move not only marks a major upgrade for the company but also sets a new benchmark for the professional audio rental landscape in the capital. Audio Design is now the first in Delhi to own and operate this flagship live sound console.

The SSL L650 is one of the most advanced live mixing consoles in the world, featuring a massive 312 bus paths and a fully optical transmission system. Renowned for its unmatched audio quality, ultra-low latency, and scalable design, the L650 is built to handle the most demanding live, broadcast, and touring environments. Its

powerful architecture and intuitive workflow offer sound engineers unprecedented control and flexibility.

This strategic investment was led by Navneet Wadhwa, founder of Audio Design Delhi, along with his son Sahaj Wadhwa, who represents the next generation of leadership in the company. “Bringing the SSL L650 into

our inventory is more than a business decision—it’s about keeping our promise to deliver nothing but the best to our clients,” said Navneet. Sahaj added, “We’re excited to take this step together as a family business, driving innovation and excellence in India’s pro audio rental space.”

Audio Design Delhi has long been

recognised for its dedication to quality, professionalism, and technical expertise. With this new console, the company is now positioned to support larger and more complex productions than ever before. Read the full news on PALM Expo Magazine’s website!

Sound & Stage News

STAGE GEAR INDIA ADOPTS YAMAHA RIVAGE FOR ADVANCED TOURING - GRADE MIXING

Udaipur-based Stage Gear India provides end-to-end production solutions across Rajasthan, offering professional audio, lighting, backline, trussing and LED systems for weddings, corporate events and large-format shows. As its event portfolio grew, so did the scale and complexity of its audio needs. Large weddings and live concerts required a mixing solution capable of managing complex inputs, dynamic performances and long hours without compromising quality. The team needed premium clarity, strong headroom and reliable performance across varied venues, along with easy operation and fast adaptability for frequent setups and tight timelines.

To address these evolving demands, Arshad Khan from Stage Gear India engaged in detailed discussions with Rahul Rana and the Yamaha team to

identify a future-ready digital mixing solution. The focus was on finding a console that could meet the highest standards of live sound while offering durability, scalability, and operational efficiency. Yamaha’s deep expertise in live sound technology and its proven performance across global touring and large-scale productions made it a

natural partner for Stage Gear India’s next phase of growth.

After careful evaluation, Khan selected Yamaha’s RIVAGE digital mixing ecosystem. The system configuration includes the Yamaha CSD-R7 control surface, RPIO622 I/O rack, RY16-ML-SILK interface cards, RY16-DA output cards, HY256-TL in-

ALPHATHETA INTRODUCES DJM V5 COMPACT 3 CHANNEL MIXER

AlphaTheta announced the DJM V5, a next generation 3 channel DJ mixer designed to offer refined sound control and flexible monitoring options within a compact form factor. Drawing on the design philosophy of the DJM V10 – a 6 channel professional mixer widely used in festival and club environments – the DJM V5 condenses the core functionality of its larger counterpart into a smaller footprint while retaining an extensive range of creative tools. The unit incorporates a 4 band EQ, compressor, filter, Send FX and long throw faders, all arranged in a streamlined layout suited to booths where space is limited. A notable addition is the built in SonicLink transmitter, enabling low latency wireless headphone monitoring when paired with compatible models, such as the HDJ F10. This feature allows users to operate without reliance on a wired signal, offering greater freedom of movement during performance.

Send FX architecture seen on its predecessor. It also incorporates the 60 mm long throw channel faders from the DJM V10 LF. A newly implemented Soft Mix Curve mode introduces subtle high frequency attenuation when a fader is lowered, enabling smoother, more natural transitions for detailed, expressive blending.

Inheriting the sonic approach of the DJM

terface cards, and the HY144-DSRC SRC card. Built on Yamaha’s advanced RIVAGE architecture, the system delivers exceptional sonic transparency, powerful processing, and precise control. SILK processing allows engineers to shape tonal character with musical warmth or clarity, while Dante-based connectivity ensures seamless signal flow, low latency, and reliable performance across complex live setups.

With Yamaha’s RIVAGE system now integrated into its inventory, Stage Gear India has significantly elated its live sound capabilities. The solution has enhanced workflow efficiency, ensured consistent high-quality audio across diverse event formats, and delivered the reliability required for mission-critical live performances.

Read the full news on PALM Expo Magazine’s website!

The DJM V5 adopts the workflow and tactile characteristics of the DJM V10 but in a footprint approximately 30% smaller. The mixer includes the 4 band EQ, compressor, filter, and

V10, the DJM V5 uses 96 kHz / 64 bit mixing DSP, alongside 32 bit ESS Technology A/D and D/A converters in both the input and master output sections. All audio components

have been tuned through repeated listening tests conducted in real world environments, including club systems. The result is a balanced output designed to maintain clarity, spatial detail, and dynamic nuance, even when multiple sources are layered. Each channel features a send knob for applying one of six effects: Short Delay, Reverb, Shimmer, Tape Echo, PingPong, Echo Verb

When connected to compatible players such as the CDJ 3000X or CDJ 3000, as well as rekordbox, PRO DJ LINK enables FX timing synchronised with BPM data.

Link Cue allows previewing tracks without loading them, and a dedicated volume knob adjusts cue preview levels.

Users may also load personal mixer settings from a USB device or via rekordbox.

Read the full news on PALM Expo Magazine’s official website!

THE DIGITAL SHIFT: HOW STREAMING IS TRANSFORMING INDIAN MEDIA HABITS

By Pallav Jerath, Manager (Product Marketing) Audio Division, Yamaha Music

Just a few years ago, my travel routine included tuning into FM radio stations, and upon returning home, my entertainment revolved around watching news, movies, and sports via the DTH television platform. Today, my habits have evolved: instead of traditional broadcast media, I now listen to curated playlists on audio streaming apps and watch films or series on OTT platforms. This shift prompts a fundamental question—is this transformation simply a result of new options, or are there underlying forces at work?

Reflecting on the past, the year 1999 marked a pivotal moment for FM radio in India, as the Ministry of Information and Broadcasting permitted private frequency allocation. This step spurred significant growth for investors and created new avenues for creative and technical professionals. Currently, India boasts over 900 FM stations and more than 900 authorised TV channels, reaching audiences across the nation.

Nevertheless, both traditional TV and private FM radio are now grappling with existential threats posed by the surge in OTT and audio streaming services. The OTT sector has experienced exponential growth, amassing over 99.6 million paid subscribers and 547 million video streamers by 2024. This reflects a pronounced consumer trend toward on-demand and tailored content, driven by

EXCITING NEWS!

convenience, lower costs, mobile accessibility, and an array of regional choices. In contrast, pay-TV subscriptions have dramatically declined— from 151 million in 2018 to 111 million in 2025—with future projections estimating figures between 71 and 81 million by 2030, as integrated local and OTT offerings become predominant.

FM radio remains popular, particularly in rural areas and among commuters, but digital platforms are steadily gaining traction, especially with younger and tech-savvy

There is a pronounced consumer trend toward on-demand and tailored content, driven by convenience, lower costs, mobile accessibility, and an array of regional choices

audiences. While FM revenues are growing at approximately 10% CAGR, they are increasingly outpaced by both ad-supported and subscription-based streaming apps, which provide broader content varieties and greater customisation.

Several factors are fueling this digital transition, including the ease of access, compatibility with smart devices, tailored recommendations, immense content diversity, and support for multiple languages. Audio platforms have swiftly expanded beyond India’s major cities, penetrat-

ing tier-2 and tier-3 markets, and are poised to surpass FM radio growth over the coming decade.

This shift underscores a larger trend: OTT and audio streaming platforms are overtaking traditional television and radio channels, reshaping user preferences and industry revenue streams as India’s entertainment sector becomes increasingly digital. FM radio, in particular, has seen more than two and a half decades of private commercial expansion, and the government continues to broaden access under Phase-3 initiatives, which aim to add 730 new channels in 234 towns nationwide.

In considering the future of traditional TV and private FM, several key parameters are driving long-term survival challenges:

Advertisers now prioritise digital and programmatic ads found on OTT and streaming services due to superior targeting and measurable returns, impacting revenue for TV and FM broadcasters.

• Regulatory Hurdles: Regulatory restrictions, licensing costs, and ownership caps limit flexibility and growth for FM and TV providers.

• Changing Consumer Behaviour: The move towards personalised, on-demand content accessible on multiple devices undermines the appeal of scheduled programming and linear views.

• Infrastructure and Distribution Challenges: Conventional platforms depend on terrestrial, cable, or satellite networks, which face cost and regional limitations, while OTT services leverage internet connectivity for global outreach.

• Technological Innovations: Streaming services make use of sophisticated algorithms, cloud capabilities, and analytics to deliver seamless, high-quality entertainment, which traditional formats struggle to replicate.

• Shift in Advertising Spend:

We’re thrilled to unveil our enhanced digital platform for India’s premier Pro Audio, Lighting & Pro AV exhibition and PALM Expo Magazine! Our new website offers a sleek, intuitive experience that mirrors the innovation and excellence of our world-class event and editorial coverage. Join a readership of over 100,000 industry professionals who rely on PALM Expo Magazine for the latest trends, product launches, and insights shaping India’s professional audio and lighting technology landscape.

• Rising Consumer Expectations: Modern audiences seek immersive and interactive experiences—such as social features, live engagement, and adaptive streaming quality—often missing from traditional platforms.

• Global Competition: Major international OTT platforms, supported by substantial resources and continual innovation, are intensifying competition for local media companies. Taken together, these dynamics present a multifaceted challenge for traditional TV and FM radio. Success in this rapidly changing media landscape will require broadcasters to innovate, expand revenue sources, and strengthen digital integration to achieve sustainable growth in India’s evolving entertainment ecosystem.

https://www.palmtechnology.in/ https://palmexpo.in/

AHUJA RADIOS AT THE HELM OF INDIA’S

PRO AUDIO LANDSCAPE FOR 80 YEARS

In conversation with Sandeep Ahuja, Owner of Ahuja Radios

1. Tell us about Ahuja Radios’ journey and legacy in the Indian PA & PRO audio industry.

Ahuja Radios was established in 1940 by Amar Nath Ahuja with a vision to provide robust, reliable and value-driven sound reinforcement solutions for the Indian market. Over eight decades, the brand has pioneered public address technology, becoming a household name across diverse sectorspublic gatherings, houses of worship, educational campuses, government sector, corporate sector, sound contractors & hirers. Our commitment to innovation and reliability has helped us forge trust with generations of Indian customers.

2. What are the key strengths that set Ahuja Radios apart from competitors? How do you balance cost-effectiveness with quality in your product offerings?

We focus on designing and developing products closely tailored to customer needs- whether for auditoriums, mass gatherings, houses of worship, educational campuses, or events. Our core strengths include strict quality control at every manufacturing stage, continuous in-house R&D and an extensive dealer and service network that ensures quick availability and reliable support across India and around 50 international markets. We are widely recognised for delivering true value for money, interna-

For over eight decades, Ahuja Radios has shaped India’s public address and professional audio landscape with its legacy of reliability, innovation and value-driven engineering. Founded in 1940, the brand has become synonymous with robust sound solutions trusted across public institutions, houses of worship, education, government and large-scale events. In this exclusive interview with PALM Expo Magazine, Sandeep Ahuja, Owner of Ahuja Radios, reflects on the company’s enduring journey, its commitment to “Make in India,” and the technologies driving its future in a rapidly evolving pro audio industry.

tional-standard performance, reliability and durability at accessible price points. We balance cost-effectiveness with quality through in-house design, using rigorously tested components, optimising for Indian conditions and long-term supplier relationships. Combined with our prompt after-sales support and a wide dealer network, Ahuja products deliver a high level of satisfaction to customer thus fostering steadfast loyalty to brand AHUJA.

3. How has Ahuja adapted to changes in audio technology and customer needs over the years?

Our in-house R&D facility closely monitors global trends, analysing customer and user feedback regularly to introduce innovations in our range of products, with the ultimate objective of delivering reliable PA systems and robust PA and pro-audio solutions. We design products with modern features that are extremely user-friendly.

4. What does "Make in India" mean for Ahuja Radios?

"Make in India" has always been one of the motivating factors at Ahuja Radios since inception, as we have always believed in manufacturing our own products right here in India, using local talent and resources. Even before the government launched the "Make in India" campaign, we were

Ahuja Radios' vision for the next 5–10 years is to solidify our position as India's undisputed leader in professional audio while expanding globally as a trusted "Made in India" brand, delivering innovative, reliable PA solutions that power public spaces, events and institutions worldwide. And the core pillar of our vision is technological leadership, market expansion and manufacturing excellence.

producing professional sound equipment tailored for Indian customers in our state-of-the-art factories in Okhla (New Delhi), Noida (UP) and sold and serviced through a country wide dealer network.

Our manufacturing setup includes fully integrated production lines with modern automated processes together with rigorous quality testing labs that meet international standards. We employ skilled workers and engineers, equipped with advanced machines, assembly lines and R&D centres focused on PA systems and audio innovation.

We are constantly improving our processes with new technology. Right now, our main goal is delivering reliable, high-quality products at competitive prices for both the domestic market and international customers.

5. How does Ahuja Radios support after-sales and customer service?

Prompt and cost effective after-sales support is one of the key pillars for success of Ahuja brand, through our country wide network of 600+ dealers’ sales & service network, where customers can access spare parts, rapid servicing and technical guidance. Our team trains dealers to maintain high quality service standards, thus ensuring reliability years after purchase.

6. What are some landmark installations or achievements Ahuja takes pride in?

Our products are installed at prestigious venues such as the Delhi Metro, Formula 1 Race Track at Greater Noida, Mahakumbh at Prayagraj, IITs, AIIMS, Police, Defence and other reputed government and private establishments nationwide. We have also received the National Quality Award and "Most Admired Indian Manufactured Electronics Brand" award presented by ELCINA. Recently, our founder Sh. A.N. Ahuja was posthumously conferred with the "Icon of the Industry" award for his unparalleled contribution to the electronics industry in India.

7. What emerging technologies do you see shaping the future of pro audio?

At Ahuja Radios, we see several transformative technologies shaping the future of professional audio, integrated DSP in pro-audio equipment is becoming the standard, ensuring high intelligibility even in challenging environments. Furthermore, thanks to the liberalised policies of the Govt. Of India, Ahuja will be bringing out new products based on latest technologies including products in the wireless segment.

Internet Protocol (IP) based audio broadcasting products are already reinventing the way sound is reinforced in real time across big campuses which include hospitals, universities, factories, places of mass transit etc. In critical applications like city surveillance and smart city projects IP based solutions are playing a pivotal role.

Additionally, hybrid conference systems that integrate DSP with digital recording, priority switching, and multi-mic management are becoming essential for boardrooms and large halls, as demonstrated by advancements in our various products.

Ahuja is actively investing in R&D to incorporate these innovations while maintaining our value-for-money ethos. Our goal remains to provide reliable and trouble-free products tailored to both Indian conditions and global standards.

8. What’s in the pipeline for Ahuja Radios’ future product development?

A lot of new products are currently under various stages of development, which are in line with the core Ahuja philosophy of Ahuja Radios being a one stop shop for all PA and pro audio needs.

9. What sets Ahuja products apart from international competitors as well as other make in India products in the Indian market?

Ahuja Radios stands out through a unique combination of global-quality engineering tailored for Indian operating condition, setting us apart from both premium international brands and domestic competitors, quality and durability at significantly reasonable prices which are “value for money”

Key advantages include rugged designs for long usage, value-engineered components that maintain performance and a proven track record of longevity.

10. How would you describe the current state of India's pro audio and PA industry?

India's pro audio and PA industry is experiencing robust growth, driven by expanding infrastructure, live events, and rising demand for cost effective and reliable public address solutions in education, worship, transportation, and commercial spaces.

The growth in public address segment is fuelled by private and government projects, where reliable PA systems remain essential. Wireless audio and networked systems are now increasingly, finding favour with users.

Overall, Ahuja Radios is well-positioned to serve both mass and professional segments amid India's urbanistion wave.

11. What are the key growth drivers for the pro audio market in India?

The growth drivers of audio market in India are -

Infrastructure Expansion: Government initiatives like Smart Cities, PM Gati Shakti, Railway Stations/Govt. Facilities modernisations and airport upgrades demand reliable PA systems for announcements, security and public space.

Education & Worship Boom: Rapid growth in schools, colleges and religious institutions requires classroom audio, assembly hall systems, announcements and events.

Live Events & Entertainment: Festivals, corporate events and sports venues drives portable PA and rental demand boosted by Tier 2/3 urbanisation.

12. How important is the export market for Ahuja Radios?

The export market is strategically important for Ahuja Radios and contribute significantly in our total business. We are presently serving over 50+ countries across Africa, Middle East, SAARC, Southeast Asia and Latin America.

13. What is Ahuja Radios' vision for the next 5-10 years?

Ahuja Radios' vision for the next 5–10 years is to solidify our position as India's undisputed leader in professional audio while expanding globally as a trusted "Made in India" brand, delivering innovative, reliable PA solutions that power public spaces, events and institutions worldwide. And the core pillar of our vision is technological leadership, market expansion and manufacturing excellence.

We aim to maintain our "value for money" ethos, international quality at reasonable prices, while enhancing after-sales support through a 600+ dealer network.

14. What is your perspective on government policies affecting the electronics industry?

Government policies have transformed India's PA and Pro Audio industry through supportive regulations and localization mandates. Indian manufacturers stand to benefit significantly from key government initiatives like Make in India and Atmanirbhar Bharat. Continued focus on developing the component ecosystem and easing export procedures will unlock the next growth phase for the electronics sector including PA and professional audio systems.

Top Global Pro Audio and Entertainment Lighting Technology of 2025

From revolutionary loudspeaker designs and high-performance amplifiers to advanced microphone technologies and sophisticated mixing consoles, alongside cutting-edge LED fixtures and intelligent lighting systems, both the Pro Audio and Entertainment Lighting industries witnessed notable technological advancements in 2025.

PALM Expo Magazine’s top 50 Pro Audio and top 10 Lighting Entertainment listing showcases exceptional products and technologies, and the selection considers critical factors like availability, pricing, and market popularity. Each product is selected keeping in perspective a comprehensive global portfolio of solutions and represents varying application requirements. Notably, several of the products are proudly labelled as "Made in India" and have garnered widespread adoption from the Indian Pro Audio & Lighting industry in India.

The products and technologies featured in this compilation of top 50 Pro Audio products and top 10 Entertainment Lighting solutions are neither ranked in any specific sequence or hierarchical order. Each solution represents excellence within its respective category and application area. Selections are based on manufacturer specifications, industry feedback and reported user experiences. The magazine does not endorse any of the products and the curated selection aims to provide audio professionals, lighting designers, sound engineers, system integrators, and technology decision-makers with valuable insights into significant innovations shaping our industries' future, helping informed decisions for future projects and technology investments.

Sennheiser Spectra Wideband

Spectera by Sennheiser is the world’s first wideband, bidirectional wireless solution for microphones, in-ear monitoring, and control signals, all transmitted via a single wideband RF carrier (6/8 MHz), providing audio professionals with unparalleled capability and flexibility. Featuring up to 64 channels (32 in/32 out) in a single unit, its compact and simple setup, as well as automatic frequency are designed to streamline the most demanding live productions. Spectera’s 11 Audio Link modes give you unprecedented control of latency, audio quality, and more for each link, while its bidirectional bodypacks manage both in-ear monitor and mic/line signals simultaneously.

Yamaha YCM705 Condenser Microphone

Yamaha’s YCM705 brings the brand’s true sound philosophy to creators seeking studio-grade clarity for music production, livestreaming, and video content. Its dual custom-designed 1-inch diaphragms capture expressive detail—from breath nuances to dynamic instrument tone— while a three-stage pad switch and low-cut filter offer precise control when recording loud or low-frequency-heavy sources. The microphone’s robust, matte-finished metal body and included pop filter complete a creator-ready package engineered through extensive prototyping and listening tests to deliver authentic, emotionally resonant audio.

Solid State Logic Oracle Console

Solid State Logic’s new Oracle Future Analogue Console brings next-generation workflow to modern studios through its innovative ActiveAnalogue technology, delivering SSL signature analogue sound with instant and complete recall across the desk. Designed as a compact in-line console with up to 112 inputs, Oracle features PureDrive mic preamps, classic SSL E/G-curve EQs, integrated THE BUS+ processing, flexible routing, and advanced SSL 360°DAW control. It combines the sonic DNA of SSL’s iconic consoles with unprecedented speed, precision, and session flexibility for today’s hybrid production environments.

Genelec 8380A Monitor

Genelec’s 8380A advances main monitoring with a precise coaxial design, high output capability and intelligent room adaptation for professional studios. Featuring a highly linear 380 mm (15-inch) woofer and Genelec’s globally patented MDC (Minimum Diffraction Coaxial) midrange-tweeter technology, the 8380A offers exceptional dynamics, huge headroom, high SPL performance and extremely low self-noise—delivering transparent, dependable monitoring across medium and large spaces.

N-Labs DNA Series

The DNA Series by N-Labs represents a new benchmark in Digital Network Amplification, engineered to meet the evolving demands of professional audio. Designed for both touring and installation environments, DNA combines high-efficiency amplification with advanced DSP, comprehensive input-output matrixing, and seamless Dante, AES67, and Milan AVB integration. Featuring universal power supplies, real-time system analysis, precision FIR and IIR processing, and full remote monitoring, DNA delivers absolute control and reliability at every scale. Built on robust Class H+ architecture and backed by a 5-year worldwide warranty, DNA embodies N-Labs’ commitment to intelligent design, long-term performance, and globally competitive Made-in-India engineering.

EAW NT206L Line Array

EAW NT206L stands out as a powerful, self-powered compact line array loudspeaker that simplifies deployment without compromising performance. Equipped with EAW’s patented AHD (Adjustable Horizontal Directivity) and Focusing technologies, it delivers flexible coverage, exceptional clarity, and 139 dB output from a lightweight, premium Baltic birch, steel, and aluminium enclosure. With 1500 W onboard power and intuitive analog control, it’s ideal for production events, venues, and integrators seeking high performance with fast setup and reliable operation.

DPA 4099 CORE+ Instrument Microphone

The DPA 4099 CORE+ Instrument Microphone redefines professional instrument miking with CORE+ technology, which pushes distortion to an absolute minimum and expands dynamic range up to 10 dB higher than its predecessor for ultra-transparent, linear sound from quiet to loud passages. It captures pristine, natural detail with exceptional off-axis rejection and isolation in both live and studio settings. The mic includes an upgraded MicroLock connector and enhanced mounting system for superior stability and flexibility across a wide range of instruments, setting a new standard for clarity and performance.

d&b audiotechnik CL-series

The d&b CL-Series stands out by bringing true broadband cardioid performance to a compact, passive line-array format. Offering consistent pattern control from low frequencies through high frequencies, it significantly reduces unwanted sound spill behind the array without the need for external cardioid processing. Available in 80°and 120°dispersion, the CCL delivers predictable coverage and scalable deployment of up to 24 tops per array. Its advanced driver arrangement ensures coherent summation, while rugged, weather-resistant construction and wide d&b amplifier compatibility make it equally suited for touring, theatre, corporate, and outdoor applications.

Avid E6LX-256 Engine

The E6LX256 is built for productions that simply outgrow ordinary live sound engines. With support for up to 256 input channels and 192 buses, it gives engineers the freedom to manage large, complex shows without compromises. Its HDX DSP processing delivers stable, low-latency performance with plug-ins running confidently across every channel. Fully compatible with existing S6L systems, it fits seamlessly into current workflows while offering the power needed for theatre, broadcast, and large-format touring. Designed to handle real-world demands, the E6LX-256 is about confidence, control, and consistency at scale.

JBL Control 400 Series

The JBL Control 400 Enhanced Coverage Series is a next-generation range of ceiling loudspeakers designed to deliver consistent, high-quality sound across wide listening areas. Featuring Coplanar RBI (CRBI) technology, the series provides smooth, uniform frequency response throughout the coverage zone. Models include full-face magnetic grilles, support for 70V/100V and

low-impedance operation, and installation-friendly features such as captive dogears and redesigned terminal covers. Built on the legacy of the JBL Control Series, it offers reliable performance with a clean, contemporary aesthetic.

L-Acoustics LA1.16i

L-Acoustics’ award-winning LA1.16i is a 1U, 16-channel amplified controller engineered for high-density install applications, offering flexible power delivery via L-SMART technology for efficient and reliable performance. With Milan-AVB and AES67 connectivity, seamless redundancy, and integration

with Q-SYS, Crestron, and WebUI control, it provides a compact, future-ready solution for immersive audio, distributed systems, and premium installation environments.

Ahuja Radios ALIVE Series

Ahuja Radios’ ALIVE 515 (15”) and ALIVE 512 (12”) active loudspeakers pack a punch by bringing a solid combination of output, control and connectivity for mid-sized venues. Their Class-D bi-amplification delivers 500 W RMS / 1000 W programme power, achieving SPL levels above 130 dB in durable plastic enclosures. Built-in DSP, tone controls and a limiter support consistent performance, while versatile I/O—XLR combos, dual RCA, MP3/BT, TWS and XLR out—make the series well-suited to banquets, auditoriums and places of worship.

POPE Professional TT Series

POPE Professional’s ambitious TT Series Line Array Systems deliver scalable, high-performance solutions for live sound, from intimate venues to large-scale events. The powered TT Series combines advanced acoustic engineering, high-output neodymium transducers and precision horn technologies to ensure consistent coverage, clarity and power, with SPL levels reaching up to 138 dB. Integrated Class-D amplification with FIR/IIR processing supports demanding touring and installation applications. Rugged birch-ply enclosures and secure rigging ensure reliability in any configuration. Connectivity includes SoundNet®, AES, AESOP and optional Dante® networking via the DE-44 module from DFM, Germany, making the TT Series a future-ready solution for professional audio systems.

QSC KC12 Loudspeaker

QSC’s KC12 is a multi-faceted powered 3-way, 3000-watt column-style loudspeaker designed for applications ranging from live performance to fixed installations. The system pairs a ported subwoofer with a 12-inch driver extending to 40 Hz with a mid/high module featuring a 1-inch compression driver, LEAF waveguide and two 4-inch midrange units. This 3-way configuration delivers 145°horizontal and 35°vertical coverage, providing clear, natural output in a portable format for varied professional use.

Powersoft Unica T Touring Amplifier Platform

Built for demanding live applications Powersoft’s Unica T is a touring-focused amplifier platform, offering high power density in an ultra-compact 1RU form factor. Its third-generation architecture ensures consistent, future-proof performance, while HyperCMRR galvanically insulated inputs provide strong noise immunity and eliminate ground loops. Ruggedised Euroblock connectors and a dedicated front-panel UI support reliable operation in fast-paced environments. Available in 4- and 8-channel models, Unica T delivers substantial Power Sharing capability for flexible system configurations.

Nx Audio UHF-58 Series Microphones

The Nx Audio UHF-58 Series Microphones are an upgrade to the UHF-200 Series of wireless mics, adding variable frequency while maintaining the sound quality and operating range the series is known for. The UHF-58 is equipped with a fully Integrated Solution using a Single Chip Integrated Microphone Amplifier, DSP-based audio processor and more features, giving you a crisp professional sound as noise absorption components within the mic barrel eliminate switch shock and handling noise – while being friendly to your pocket.

DiGiCo Quantum112 Digital Mixing Console

DiGiCo’s Quantum112 earns its place in the year’s standout technologies as a compact, flypack-ready digital mixing console designed for flexible deployment while retaining full Quantum-series processing capabilities. Built around seventh-generation FPGAs, it offers 80 input channels, 24 aux/ subgroup busses and a 12×8 matrix, supported by a high-brightness 17-inch touchscreen, 18 TFT displays and 12 touch-sensitive faders. The desk includes Mustard Processing, Spice Rack options and extensive I/O, with Dante, AES/EBU, MADI, dual DMI slots and Stadius 32-bit preamps for high-quality local audio performance.

Dynatech ZETA 15A Active Loudspeaker

The Dynatech ZETA 15A 2-way professional active loudspeaker features 1000 W Class-D bi-amplification and a 15-inch woofer with a 1.75-inch driver. Delivering a 45–20,000 Hz linear frequency response and up to 131 dB SPL, it offers wide 100°× 60°coverage for versatile deployment. The onboard FIR linear-phase DSP ensures precise response and consistent tonal accuracy, while its FRFR tuning makes it suitable for full-range PA, stage monitoring, and modelling-based performance setups.

FLUX:: MiRA

Waves Audio Sync Vx

Waves Sync Vx earns a highlight for bringing faster, cleaner vocal alignment to modern workflows. It locks time and pitch across multiple vocal tracks, including doubles, stacks and ADR, within a single, ARA-enabled interface, reducing hours of manual edits to seconds and keeping productions tightly focused. Engineers can reference up to four guide tracks, then fine-tune with transposition, formant control, Ignore/Bypass regions and Sync Markers for precision.

The FLUX:: MiRA family marks a significant leap forward in audio analysis, offering a standalone suite built on the long-established FLUX:: Analyzer platform. Launched by HARMAN Professional Solutions, MiRA introduces Sample Push technology for seamless DAW and hardware integration, advanced real-time tools for transfer-function measurement, and the innovative Nebula Spatial Spectrogram for immersive monitoring. With customisable workspaces, ART-based precision, and support for up to 23 microphones, MiRA delivers a flexible, modern solution for live, studio and calibration workflows.

LEA Professional CONNECT 3000 Series

The LEA Connect Series 3004/3004D brings high-capacity performance to large-scale installations with four channels of 3000 watts each. Available in Network Connect and Dante/AES67 versions, it offers flexible system design with Lo-Z or 70/100V operation selectable per channel. As part of LEA’s IoT-enabled CONNECTSERIES, it provides remote monitoring and control via the Cloud, while three connection methods—built-in Wi-Fi access point, venue Wi-Fi or FAST Ethernet—ensure seamless integration into modern networked audio environments.

Shure Nexadyne Instrument Microphones

Shure’s cutting-edge Nexadyne Instrument Microphones expand the line with three dynamic models—the Nexadyne 2 (kick), Nexadyne 5 (guitar amp) and Nexadyne 6 (tom/ snare)—each using patented Revonic Dual-Engine Transducer technology for natural clarity and reduced noise. Supercardioid designs combine precise acoustic processing with linear polar response to minimise EQ needs and spill. Compact, low-profile builds suit touring: the 2 adds rumble protection and secure swivel/XLR geometry; the 5 offers side-address placement; the 6 features a fixed-angle form factor with a smaller, vibration-resistant drum mount.

Studiomaster Professional ADI 16.6 Digital Mixing Console

Designed for speed, the Studiomaster Professional ADI 16.6 is a compact 16-channel digital mixing console engineered for fast, precise control in real-world live environments. It features a 10-inch touchscreen, nine motorised faders, smart DCAs, extensive DSP and EFX processing, and versatile I/O. A full-duplex USB interface enables simultaneous multitrack

recording and playback, while the optional Dante module ensur networked-audio integration for larger venues, installs, studios and broadcast setups. Backed by Studiomaster Professional’s long-standing engineering legacy, the ADI 16.6 delivers a powerful, integrated solution for live, touring, install and studio applications.

Nx Audio DM16 Digital Mixer:

The DM16 is a new full-feature Digital Mixer from Nx Audio, combining innovative design, powerful DSP function and effectively integrating the digital tuning system to bring users the best possible professional mixing experience. Featuring 16 analog inputs, 12 with digital gain amplifier channels, smooth 0.1dB step gain regulation, 24-bit analog to digital converter, minimal distortion and ultra-low background noise, as well as a convenient and fast operating speed for easy adjustments.

Universal Audio Apollo e1x

Powersoft Nota 142

The award-winning Universal Audio Apollo e1x brings Unison preamp quality to Dante workflows, placing the tones of API, Avalon, Manley, Neve, SSL and more directly on stage or in the studio with full remote control via PoE. Its elegant, network-ready design allows multiple units to be linked using the supplied coupling bracket and mic-stand mount, while seamless pairing with the Apollo x16D and Apollo e2m creates a refined, fully integrated I/O solution for modern professional setups.

Allen & Heath Qu Series Mixers

Allen & Heath’s latest Qu-5, Qu-6 and Qu-7 digital mixers stand out by bringing 96kHz FPGA processing, DEEP Processing readiness and integrated Dante options to one of the industry’s most trusted platforms. preamps, high-performance converters, a new touchscreen, expanded custom layers and advanced assistants for gain, routing and feedback control, the new Qu generation elevates the series’ famed “walk-up-and-mix” workflow. The result is a modern, responsive and installation friendly console range built for today’s demanding pro-audio environments.

Neumann RIME

Neumann RIME changes the game by delivering reference-grade immersive monitoring to headphones, bringing Dolby Atmos and 7.1.4 workflows to engineers without the need for multichannel loudspeaker setups. Powered by Neumann’s precision capture chain and AMBEO spatial algorithms, RIME offers exceptional localisation, depth and loudspeaker-like externalisation— crucial for reliable immersive mixing on the go. Designed exclusively for NDH-series headphones, it provides a controlled, studio-accurate monitoring environment that translates consistently across systems, making it a standout advancement in modern professional production workflows.

Powersoft’s NOTA 142 – The Ultra-Compact PoE Amplifier brings exceptional networked-audio efficiency to modern pro-audio environments. Engineered for space-critical installs and AoIP workflows, it combines PoE/ PoE+ power, AES67-compliant signal transport and USB-C connectivity that doubles as a USB-to-AES67 converter. Its compact, thermally efficient design allows discreet deployment in racks, lecterns or behind displays, making

NOTA 142 an elegant, future-ready tool for integrators building scalable, high-performance networked audio systems.

K-Array Dragon Point Source Loudspeaker Series

K-Array’s new Dragon Series elevates point-source loudspeaker design with precision-focused dispersion and remarkable versatility. The KX12 I and KXT12P offer rotatable waveguides and adjustable horns, supporting both vertical and horizontal array configurations for tailored coverage. When integrated with EBS beam steering, each element contributes to exceptionally controlled distribution. Combined with extensive mounting hardware and elegant industrial design, the Dragon family delivers high-intensity perfor-

mance for clubs, theatres, live events and premium DJ monitoring—making it a standout contender in today’s pro-audio landscape.

Adamson System Engineering MG10 Stage Monitors

Adamson’s award-winning MG10 is a high-performance dual-10-inch stage monitor built for modern professional audio environments. Delivering exceptional clarity across 60 Hz–20 kHz with a precise 50°× 100°dispersion pattern, it offers consistent coverage in demanding stage conditions. Its compact footprint, integrated pole mount and 45°tilt kickstand enhance deployment flexibility, while its robust engineering ensures reliability for touring, installations and studio setups. The MG10’s blend of power, precision and versatility makes it a standout contender in today’s pro-audio landscape.

JBL PRX925 & PRX935 Portable PA’s

The JBL PRX925 and PRX935 redefine portable PA performance with unmatched power, clarity, and intelligent control. Whether you need deep, room-filling low end or crystal-clear mids and vocal precision, both deliver professional-grade sound with advanced DSP, rugged build, and full BLE control via the JBL Pro Connect app. With 12-band EQ, feedback suppression, and app-based management for up to 10 systems, the PRX900 Series is engineered for total control and lasting performance, anywhere you play.

Ableton Live 12.2

Ableton Live 12.2 expands the creative workflow with powerful new tools for producers and performers. The update introduces Bounce to New Track, an overhauled Auto Filter, and the Expressive Chords device, alongside enhancements to Roar, Meld, Resonators and Spectral Resonator. With improved browser navigation and major feature updates for Push and Move, Live 12.2 delivers a refined, highly flexible environment for modern music production.

Focal Utopia MAIN Studio Monitors

Focal’s Utopia Main 212 brings a new level of precision to modern studios, combining dual 5-inch midrange drivers, a redesigned Beryllium tweeter and patented remote amplification for remarkable accuracy across the spectrum. Its advanced driver architecture and premium cabinet design deliver the power, detail and depth required for today’s high-end recording, mixing and mastering environments, positioning it as a standout choice for elite monitoring setups.

Studiomaster DH 64 4 Channel Class TD Power

Amplifier

The Studiomaster Professional DH 64 raises the bar with a high-performance 4-channel digital hybrid power amplifier built on the advanced Tracking Class D topology combining the efficiency of Class D with the characteristic punch of transformer-driven Class AB. Delivering a True RMS output of 4 × 1200W at 4Ω and 4 × 900W at 8Ω, the DH 64 ensures clean, consistent power for demanding environments. Its robust design and versatile performance make it a reliable solution for live sound, touring, DJ, PA and installation applications.

Alphatheta CDJ-3000X All-In-One Flagship Player

AlphaTheta’s CDJ-3000X advances the flagship lineage with a refined interface, robust build and expanded connectivity for modern performance workflows. Its 10.1-inch touchscreen, redesigned jog wheel and reinforced Play/ Cue buttons offer precision and reliability, while USB-C, Wi-Fi and NFC enable seamless access to cloud libraries and streaming services. With a high-resolution 96kHz/32-bit DAC and upgraded power circuit, the CDJ-3000X delivers exceptional sound and future-ready flexibility for today’s professional DJ environments.

d&b audiotechnik CCL System

d&b audiotechnik’s CCL System introduces compact cardioid performance to a wider range of applications, delivering broadband directivity control and low-frequency management in a passive, single-channel design. Its innovative driver configuration provides impressive headroom, reduced distortion and consistent coverage, while the lightweight form factor simplifies logistics for mobile and installed setups alike. With flexible 80°and 120°variants and seamless amplifier integration, the CCL System offers a powerful new option for precise, controlled sound in modern venues.

Roland WT-10 Wireless Trigger Adapter

Roland’s WT-10 Wireless Trigger Adapter streamlines modern e-drumming setups by bringing low-latency, cable-free triggering to V-Drums and compatible Roland pads. Working seamlessly with the DH-10 DrumLink Hub, it supports dual-input configurations for pads, cymbals and RT-30 acoustic triggers, enabling flexible expansion within hybrid kits. With secure mounting options and reliable wireless performance, the WT-10 delivers a cleaner, faster and more adaptable workflow for today’s electronic drummers and live performance environments.

Audio-Technica ATH-R70xa Open Back Headphones

Audio-Technica’s ATH-R70xa elevates reference-grade monitoring with a fully open-back design that delivers exceptional accuracy, imaging and natural depth. Its 45 mm drivers, unrestricted airflow architecture and meticulous hand-assembly in Japan ensure uncompromising transparency for critical mixing and mastering. Weighing just 199 g, the ATH-R70xa combines remarkable comfort with refined sonic precision, offering a dependable tool for professionals who demand clarity and consistency in extended studio sessions.

Nx Audio HT1600 Amplifiers

Amate Audio Xcellence XA209 Line Array

Inspired by India’s Favourite Power Amplifier, the popular MT1601, Proton by Nx Audio presents the HT Series Professional Class H Amplifiers. The HT1600 offers outstanding value for money while providing 3000 + 3000W RMS @ 2 Ohms with damping > 1000, and maintaining the Proton legacy of tight bass and woofer control and superb 97% reliability, making it an excellent choice for a stable and high-quality amplifier.

Focusrite RedNet TNX Interface

Focusrite’s

RedNet TNX brings high-channel-count Dante audio to Thunderbolt workflows with 128×128 channels at 24-bit/192 kHz, expandable to 256×256 via Dante

Ready. Its dual Thunderbolt ports, AES67/ ST 2110 compliance and integrated network management make it ideal for immersive, broadcast and post-production environments. With ultra-low latency, robust mounting options and seamless RedNet Control integration, TNX offers a compact yet powerful bridge between modern AoIP systems and high-performance production setups.

Amate Audio’s XA209 advances compact line-array engineering with dual 8-inch neodymium woofers and twin HT polymer compression drivers on a 95º × 10º waveguide, powered by 3,000 watts of third-generation Class-D amplification. Its 64-bit DSP, FIR filtering, delay alignment and touchscreen control deliver precise system tuning, while Dante connectivity and robust birch-ply construction ensure reliability for touring, installation and event environments. A high-performance solution offering clarity, control and modern workflow integration.

dBTechnologies’ Ingenia IG5TR Amplifier

dBTechnologies’ Ingenia IG5TR brings advanced directivity control to modern live and install environments, combining beam steering, beamforming and an asymmetric waveguide for remarkable clarity and coverage. Its 2-way quad-amplified design delivers high dynamic performance, while the adjustable vertical dispersion and rotatable horn provide exceptional flexibility in both standalone and headstack configurations. Compact yet powerful, the IG5TR offers precise, controlled sound shaping ideal for today’s demanding professional applications.

Audio-Technica ATM355VF Cardioid Condenser Microphone

Audio-Technica’s innovative ATM355VF is a compact, clip-on cardioid condenser microphone engineered for professional live and studio use. Designed for strings, woodwinds and other instruments, it captures clear, balanced sound with high sensitivity and maintains detail across both low and high SPL sources, up to 148.5 dB. Lightweight and precise, the ATM355VF delivers the nuance and dynamics essential for musical performance, making it a dependable tool for refined instrumental pickup.

Audient iD48 Interface

Audient’s iD48 brings flagship performance to the desktop, combining eight ultra-low-noise Audient Console Mic Preamps with advanced 32-bit ESS conversion and all-new Switchable Analogue Insert technology for seamless outboard integration. With 24-in/32-out USB-C connectivity, expandable I/O via ADAT, S/PDIF or SMUX, and professional monitor-controller functionality, iD48 offers the headroom, routing flexibility and studio-grade precision required for modern production and demanding multi-mic sessions.

Dynacord V Series Audio Platform

Dynacord’s V Series evolves into a complete zone audio solution with the introduction of the VZX 8 processor, VCS 8 call station and VWP wall panel, creating a flexible platform for commercial installations. Offering 20 processed inputs, 8 zone outputs and advanced DSP—including AMM, ANC, AGC, FIR EQ and a Virtual Mixer—the system supports fast configuration via the VZX Web App. With V Series amplifiers completing the ecosystem, it delivers a streamlined approach to background music, paging and messaging across multi zone environments.

Martin Audio BlacklineQ Series

Martin Audio’s BlacklineQ Series reimagines the long-established Blackline range with improved passive point-source loudspeakers, new column designs and a suite of subwoofers. Featuring Differential Dispersion horns for wider, more consistent coverage, the nine-model series is engineered for portable and installed applications alike, from live sound and theatre to clubs and hospitality venues. Robust construction, versatile mounting options and meticulous driver design ensure clarity, control and seamless integration across varied professional environments.

Audac ARCHI Series Subwoofers

The AUDAC ARCHI Series sets a new benchmark in architectural low frequency design, offering compact subwoofers engineered for immersive, high fidelity bass. With the ARCHI10, ARCHI210 and ultra compact ARCHI10X delivering extended response down to 26 Hz, each model combines high excursion drivers, AeroVent low noise technology and rugged, installation

ready construction. Waterproof components, flexible rigging options and AcoustiMesh acoustic neutral fabric make the series a powerful, beautifully integrated solution for modern performance and hospitality environments.

EVE Audio Exo Series Studio Monitors

The EXO Series brings precision monitoring to modern studios with a blend of wide GDC Waveguide dispersion, an AirMotion Tweeter for detailed high end response, and a newly developed coated aluminium woofer delivering controlled low frequencies and articulate mids. A low diffraction cabinet enhances imaging, supported by an intuitive rear OLED display with SMART Control. With analogue and digital connectivity, Atmos ready mounting and thoughtful ergonomic design, the series offers a refined, installation friendly monitoring solution.

Neutrik NAUSBC 5G

Neutrik’s NAUSBC 5G brings professional connectivity to modern AV and data driven installations, pairing a rugged D shape chassis design with an integrated fly lead for reliable USB C feedthrough. Supporting 5 Gbps transmission and 100 W power delivery, it offers dependable performance

for both data and charging applications. When combined with Neutrik’s high performance USB C data cables, the NAUSBC 5G provides a robust, installation friendly solution tailored to demanding pro audio and AV environments.

Electro-Voice EVOLVE 70 Column Loudspeaker

The Electro Voice EVOLVE 70 column loudspeaker stands out with impactful, crystal clear performance for high energy events, delivering a maximum SPL of 133 dB through eight 4.7 inch neodymium drivers and a 15 inch subwoofer extending to 35 Hz. Its lightweight construction, rapid 3 2 1 assembly system and extensive connectivity, including XLR/TRS, RCA, AES/EBU and Bluetooth stereo, make it a versatile, portable column loudspeaker solution for DJs, bands and production teams seeking powerful, reliable coverage.

To see your product featured in our next Top 50 Products list, submit your latest pro audio and entertainment lighting innovations launched in 2025 for consideration. Reach out to Shanaya Sequeira (shanaya.sequeira@informa.com) to get your products in the spotlight!

Andreas Sennheiser CEO, Sennheiser

Global Pro Sound, Audiovisual & Lighting Technology

PRODUCTS PRODUCTS

ATI Pro Red Dragon SP 650 Sharpy Light

ATI Pro’s Red Dragon 650 stands out as a formidable new entrant, delivering a 650W output powered by the Ushio 300 light source with a crisp 7800K colour tem‑ perature for high‑impact illumination. Its 13+1 colour wheel, 13 fixed gobos and multiple prisms offer extensive creative range, supported by a precise 1.8°beam. Compact at 13.5 kg with DMX512, RDM and automatic mode, it blends portability, power and striking visual performance for professional event environments.

Ayrton Stradale Profile Moving Head Light

Ayrton’s Stradale Profile redefines compact power in the Ultimate series, delivering 20,000 lm from a newly devel‑ oped 330 W LED module cali‑ brated at 6500 K. Weighing just 23.5 kg with a 15% reduced footprint, it offers infinite pan and tilt rotation and a pro‑ prietary 13‑lens system with a 4°–52°zoom. Engineered for indoor and outdoor use, its precision, scalability, and distinctive visual signature set a new benchmark for modern lighting design.

Elation Lighting Rebel WASH 4 and WASH 12

Elation’s REBEL WASH 12 and REBEL WASH 4 bring striking colour and punchy performance to the REBEL Series, each powered by 60W RGBL emitters for vivid saturates and balanced whites. The REBEL WASH 12 outputs 14,000 lumens from its 12‑LED array, while the compact REBEL WASH 4 delivers 4,000 lumens with the same optical quality. A 5°–40°zoom, pixel control, continuous pan/tilt, and IP65 protection make both fixtures versatile, durable options for imaginative wash and beam looks.

Claypaky AROLLA AQUA Series Moving Head Light

Claypaky’s Arolla Aqua delivers a refined blend of power, precision, and weather ready reliability in a compact moving head profile. Its custom 900W white LED engine outputs 40,000 lumens through a 5.5°–50°zoom, supported by 16‑bit CMY mixing, linear CTO, and a six‑colour wheel. Designers gain ample creative scope with rotating and static gobos, an animation wheel, framing system, frost filters, prism, motorised iris, and a 24‑bit digital dimmer for smooth control.

Laserworld’s Purelight Series steps into a new league with its upgraded IP54‑rated waterproof design, making each model—from 5W to 50W—ready for outdoor stages straight out of the box. Fast scanning and refined beam performance support both beam shows and graphics, while the integrated ShowNET mainboard offers versatile stand‑alone, ILDA, DMX and ArtNet control. With projection zones configurable directly from the lighting desk, the series delivers flexibility and professional reliability for modern laser applications.

Robe’s T3 Profile earns its place among the year’s standout technologies with its powerful 1,400W MSL multispectral LED engine, delivering over 31,250 lumens and exceptional colour quality for long‑throw theatre and broadcast applications. With user‑selectable CMY, RGB or RGBAL control, a wide 2,700K–8,000K CCT range, factory‑calibrated whites and superb 80–95+ CRI performance, it offers remarkable precision. Fea‑ tures like DataSwatch, ProFrost and UpLift handles further cement it as a must‑have for professional produc‑ tion environments.

Chauvet Professional’s Mav‑ erick Storm 1 Flex brings stadium‑grade power to a compact, IP65‑rated frame, delivering perfectly even out‑ put from tight beams to wide, defined spots. Its strong colour rendering and versatile effects engine—complete with gobo, prism and animation options—give designers ample creative scope, whether crafting textured mid‑air looks or solid, high‑impact beams. With no lamp and no hot spot, the Storm 1 Flex stands out as a refined multifunctional workhorse for modern production environ‑ ments.

ETC’s next‑generation Hog consoles make a compelling leap forward, blending portability, customisable control and a refined workflow across the Tour Hog, Stage Hog, Flex Hog and Gig Hog. With upgraded hardware, motorised RGB‑back‑ lit keys, modular design options and seamless integration via Hog version 5.0 software, the series delivers exceptional adaptability for productions of any scale. This powerful ecosystem reinforces Hog’s legacy while setting a strong foundation for future‑ready lighting

Avolites’ D3‑010 brings Titan power to one of the most compact consoles the brand has ever built, delivering an 8‑universe standalone control solution without the need for a laptop. Designed for live environments, this tough, travel‑ready 8U desk offers 10 playback faders, three encoder wheels, 12 macro buttons and Avolites’ Compact key layout, and pairs seamless‑ ly with a USB‑C touchscreen for streamlined, portable light‑ ing control.

The Martin MAC Encore Two is a high performance LED moving head designed for stage, studio, and broadcast applications. It delivers 21,000 lumens from a proprietary white LED engine with a native 5,600 K colour temperature, providing high colour quality with CRI, TM 30, and TLCI values above 90, and up to 95 with the Spectrum Enhancement Filter. A 5°–54°zoom range, preci‑ sion optics, CMY colour mixing, dual gobo wheels, and select‑ able quiet performance modes offer versatility and control for a wide range of professional lighting requirements.

AVOLITES CELEBRATES FIVE DECADES OF EXCELLENCE

Avolites, one of the pioneers in lighting and media controls recently celebrated five decades of empowering creativity that has helped style the look and feel of live entertainment light-

ing and visuals worldwide. They've kicked off a series of initiatives that will run throughout the year, including the opportunity to win a one-ofa-kind 24-carat gold plated Avolites console.

At ISE Barcelona, Avolites unveiled the Golden Console Competition, a high-profile campaign created to energise and connect the global Avolites community throughout the year. Alongside this, Avolites is introducing its Avo50 Ambassadors: fifty influential designers, programmers, and operators who will be revealed over the next ten months. Their stories, experiences, and achievements will be shared through interviews, video content, and social media, putting the spotlight on the people who are truly defining the Avolites brand.

These initiatives will be joined by a wide range of anniversary activity,

including a time capsule project, archive features, and special content reflecting the people, products, and moments that have shaped Avolites over five decades. Much has changed in the industry over 50 years, but as Avolites looks ahead to its next chapter, the mission remains clear: to collaborate with creative professionals and provide them with the tools they need to push boundaries, tell stories, and create memorable experiences.

“50 years is an extraordinary milestone, and what truly matters is the community behind it” - Nikki Scott, CEO, Avolites.

Read full news on PALM Expo Magazine’s official website!

ETC WELCOMES PHAROS STRENGTHENING ARCHITECTURAL PORTFOLIO

ETC announced their next step toward defining architectural lighting control with the acquisition of longtime collaborator, Pharos Architectural Controls (Pharos), UKbased developer and manufacturer of dynamic lighting control systems used in architectural, themed entertainment, and large-scale visual installations. This investment builds on more than two decades of partnership between ETC and Pharos whose 21-year history of innovation, reliability, and customer-first service has played a central role in the evolution of ETC’s architectural product line. As the designer and manufacturer behind ETC’s Mosaic product family, Pharos has long shared

ETC’s culture of agile development, exceptional support, and dedication to product excellence.

ETC’s CEO Dick Titus said, “We look forward to growing our long-standing partnership with Pharos. Their in-house development team continues to push the boundaries of dynamic lighting control,

and their work will further strengthen ETC’s offerings in the global architectural lighting market.”

Pharos’ extensive market presence and robust sales network across EMEA and APAC positions ETC for enhanced growth worldwide. Pharos' brand gives ETC a powerful complementary platform

to accelerate growth and broaden market reach, whilst continuing to operate as a stand-alone company. All existing sales and service relationships with Pharos will continue as normal and they will maintain their strong supply and licensing partnerships.

Simon Hicks , Pharos CEO, said, “This is an exciting new chapter for Pharos and a fantastic opportunity for the team and our product. ETC provides a long-term home for the company, ensuring continuity of service for our customers, and we can now tap into a wealth of resources to help us accelerate our ambitious product development roadmap."

R RIGHT SP

What is real?

Is it what you see with your eyes, hear with your ears, feel with your touch? These simple tests no longer apply in the world of Artificial Intelligence where the line between fake and fair is blurred to the point of non-existence. But wait a minute. Isn’t that exactly what the centuries old art of storytelling is? Plato said ‘Reality exists beyond our senses. Ideas come first. The world exists in their shadow.’

Learning and understanding have always been easier if there is an element of emotion and humanity in the method of sharing wisdom. Dry information on dry texts have always been difficult to plough through unless you are a dedicated scholar.

From that perspective this whole AI revolution can then be seen as just the next step in the progression of storytelling.

Theatre, film, drama over centuries enact human stories in an artificial environment where the audience is invited to suspend disbelief and become one with the story. With the use of colour, costumes and ceremony, actors bring alive ancient fables and make them real for audiences of their time.

So, from that perspective, social media posts are not fake. They represent a reality that “the faker” believes to be real or would like his listeners/readers to believe is real.

Professionals in the creative business look upon the advent of AI with great trepidation. They fear that real actors, real technicians, real production designers will all become redundant as a clever fellow who is good at manipulating pixels will soon create digital entertainment. Games or filmed entertainment or even live

What Is Real?

performances will now be created by bits and bytes without the need of real people.

That may be true but does that make the end product any less real?

That opens the doors to wonder so vast that no single individual or even groups of the most imaginative forecasters can fill in a clear picture. Engineers, coders and digital artists will perhaps be the stars in the years ahead. No more Shah Rukh Khan or Tom Cruise with their human foibles.

Enter digital composites that look, feel and inspire us. The canvas of the future is blank. That is either an opportunity or an abyss for our future selves to master or lay our careers low.

So while all the inputs into shows, events, concert etc. maybe fake, one thing is for sure – the stories that they tell must be real. Their stories must touch our human hearts in whatever shape or form the world will fashion us in the coming decades.

What is real? What is truth? Can it exist in the imperfect world we inhabit? It is said that we remember truth. We don’t invent It. Which Means that truth emerges generations after historical events only with the benefit of hindsight. A fact that Leaders of today who try and manipulate truth ought to recognise.

I would place a strong bet that real love stories, real drama, action that thrills its audience and begs us to want to know what happens next, will rule. That is the reality we must focus on. Not the tools.

Think of it like the sampler in the recording studio of a few years ago. Some smart engineers figured out a way of recreating a range of sounds from one violin to the lush soundscape of a hundred violins simply by the clever manipulation of black and white keys on an innocent looking keyboard that could trigger a range of sound that was unimaginably vast.

I sense the same kind of boom will

by Viraf Pocha

overtake all aspects of the creative arts. The skill level of the very best in today’s world, will soon become standard as machines aid in the creative process. Everybody is talking about now machines writing code and the human hand is only used to tweak a few loose ends.

Creativity will become king. Ideas will rule as the tools of production become standard. I think that is tremendously exciting. I wish I was a hungry sixteen year old on the cusp of forging a career in this new landscape.

to shape the collective consciousness of the world.

Sorry baba. If this thought terrifies you here’s an early exit that you should take to avoid despair and disillusionment going ahead.

So now that I’m on a roll, let’s imagine a future.

I strongly believe that the most critical aspect of creating reality in an unreal world will be incredibly rewarding if it is based on the foundation of two widely different approaches that can somehow be brought together to serve one another.

First, wild and untethered imagination to forge ahead in a world that has never existed in the past. Think about it. Our human body is about as perfect a creation as there ever was. No amount of manipulation or interpretation has created a form that has been universally accepted as a viable replacement. From Frankenstein’s monster to the latest robot, that creation will always be measured against the human body in its finest, most beautiful state.

Second, will come some kind of data analyst who will figure out how to capture the desires of huge populations and somehow synthesize them into a simple form that is both relatable and desirable by large sections of the human population that will become its audience. Yes, there will always be room for a fringe or cult hero as we call them today but that may remain irrelevant if we are

Ideas vs Data. Vision Vs Execution. Principals Vs Practicality. Life and art live within that argument. When you make decisions do you choose ideals or adapt to our reality? What do you embrace? What do you avoid?

Somehow I believe both these truisms and talents must co-exist to produce successful, experiential entertainment. aim high. with feet planted firmly onto the ground. Seek truth. Avoid choosing sides. Idealist? Maybe. But if you look at history – those are the only stories that survived.

Let’s face it. Only in our fantasies can there exist a creature more beautiful, desirable or impressive than a real person. Future success rests with those who can meet those fantasies with reality and fashion stories that inspire us to greater heights in the real world.

Plato again - Truth is eternal. Beauty is perfect. Justice exists even if no one practices it.

So, in a roundabout way, we have arrived at the same conclusion that Einstein made when he declared that there is no reality in the world. No time. No shape. No form that is absolute. It is all relative and that is our reality. So it can be argued that artificial intelligence and all the fake images it fuels, has made us more real than we have ever been in the past.

Some journeys are driven by opportunity. Some by ambition. And some are born from legacy, responsibility, and a promise to give back. PALM Expo Magazine sits down with Akshay Shah, Chairman and Managing Director of CKS Acoustics Pvt. Ltd. for an exclusive look at the work behind one of Make in India's newest successes. Detailing the foundation, challenges and the way forward.

BUILDING INNOVATION ROOTED IN BHARAT WITH CKS ACOUSTICS

Where the CKS Story Began

Akshay Shah built the factory to realise his father’s dream. "In 2019, after the unfortunate passing of my father, late Chandrakant Shah, life presented me with a defining moment. My father was fondly known as “CKS” among friends and business circles, a name associated with integrity, trust, and values. To honour his legacy and keep his principles alive, I decided to create a brand that would carry his name forward," Shah recalls. Chandrakant Shah had long envisioned transitioning the family business from pro audio trading to manufacturing. Shah Audio, the company he founded, became well known as a distributor for several international brands, including Yamaha, Sun Infonet and Sonotone, a legacy that continues to remain an important part of the business today. CKS Acoustics, however, was born out of a firm resolve to put Indian manufacturing on the map.

Building the Manufacturing Backbone

In 2019, the first manufacturing facility was established in Gandhinagar, near Shah’s home city of Ahmedabad, within a government-recognised GIDC Electronics Zone. Reflecting on the early days, Shah notes that setting up a factory was far from straightforward. “Manufacturing brings challenges that trading never reveals—processes, quality control, people management, compliance and constant innovation. But challenges also bring clarity.” For its loudspeaker production, CKS Acoustics primarily sources components locally, working with suppliers across Mumbai, Delhi and Gujarat in line with its Make in India commitment. Electronic components, including transistors, are procured through Indian suppliers such as Shiv Electronics and KK Electronics, with sourcing from globally recognised manufacturers like Toshiba. Speaker baskets and chassis are supplied by specialist manufacturers in Delhi, while MS baskets and several structural components are produced in-house for tighter quality control. Further strengthening this integrated approach, Shah holds a 20% stake in Bright Laser, a subsidiary focused on speaker chassis manufacturing. Printed circuit boards (PCBs) are produced by Quick Circuit, another CKS Acoustics subsidiary.

Manufacturing Realities in India

Aside from the challenges CKS Acoustics faced during its inception, Shah also highlighted the broader obstacles confronting companies committed

to manufacturing entirely in India. One of the biggest milestones the country must cross to compete on a global scale in professional audio manufacturing is the independent production of semiconductors. Shah believes that within the next two to three years, this gap could begin to close, driven by increasing investments and initiatives already underway across the country. Another major hurdle, according to Shah, is quality. While Indian manufacturing is being taken seriously and production volumes are rising, finesse remains an area of concern. “China doesn’t choose between quality and quantity, they dominate both. In India, we’re focusing on quantity, but quality still tends to evade us. This is something we need to tackle collectively as an industry.” He adds that although India is steadily upgrading its manufacturing machinery and processes, the ecosystem is still catching up. “The intent is there, the investments are happening, but it will take time before we truly match global benchmarks.”

India's "Make in India" initiative has gained momentum in recent years, propelled by government-led initiatives aimed at turning the country into a globally competitive production hub. Examples include Production Linked Incentive (PLI) Scheme, RAMP (Raising and Accelerating MSME Performance), India Semiconductor Mission (ISM) and many more. Shah points out that

With a production capacity of 400 loudspeakers per day and a sourcing cycle of just 21 days, CKS Acoustics has streamlined their entire workflow

while government manufacturing initiatives are well intentioned, they are effective only if manufacturers are aware of them and know how to access them, a gap that remains evident among young entrepreneurs. “The lack of a single, transparent system for information and licensing often forces firsttime manufacturers to rely on costly consultants, complicating self-sustained manufacturing,” Shah offers a note of caution to younger entrepreneurs considering a similar path.

“We currently manufacture speaker components, HF, PA Amplifiers, PA boosters, PA from the AB Class, H Class, TD Class and D Class. We make speaker cabinets of dual 15-inch, bass and line array,” Shah states confidently.

In an industry where many manufacturers adhere to similar design language and product philosophies, Shah chose a different approach. “My dream was never limited to products alone. My dream was to create employment, empower Indian talent, and help people fulfil their dreams — just as I was fulfilling mine,” he adds.

Rather than following industry leaders, Shah Audio prioritised user-friendly features, improved ergonomics and enhanced aesthetic value. At a time when the PA industry largely operated in a black-and-white visual landscape, the company introduced blue and grey dials. Unconventional, yes, but the move helped establish a distinct brand identity.

“Over the last six years, we have learned immensely, especially in product design, process optimisation, and plant management. By implementing strict SOPs, investing in R&D, and engaging skilled research engineers, CKS Acoustics is steadily evolving into a strong and reliable manufacturing organisation,” Shah explains, reflecting on what it truly takes to scale an idea.

Scaling Systems, Processes and Reach

Outlining the journey behind establishing the company, Shah explains that the process began with GST registration, followed by company incorporation, MSME registration, start-up certification, local body and municipal approvals, Provident Fund registration and, finally, ESIC certification. “We’ve taken a while to build this piece by piece as well, but with the right team and access to resources provided by the Government, we are now a full-fledged Indian manufacturer for almost a decade. We’ve received every legal certification and we’ve ensured that we are hand-to-hand in parity with major companies globally.” He adds that the process is far from uniform. “It’s a long journey, we were in 3 years in R&D. Some of these certifications can take up to 2 months. It’s not a one-size-fits-all either, for example, the Gujarat government took 1½ years to give us a certificate; the same might not be true if you are starting a business in another part of India.”

Shah’s emphasis on practical, user centric solutions has helped the brand gain traction across the country, particularly within small to mid scale projects. Beyond this, Shah Audio has focused on enabling sustained growth rather than stagnation, taking measured steps to enter international markets. The company has begun exporting its products to the Middle East and South Africa, further reinforcing its philosophy of Make in India, Build for the world.

Within CKS Acoustics, operations are supported by a custom built ERP system that enables real time tracking of inventory and production workflows. This system plays a key role in maintaining efficiency and consistency as manufacturing volumes continue to scale.

Quality has remained a central focus since day one. Instead of adopting the table based assembly approach commonly used by many factories in India— where products are built individually and at a slower pace,. CKS Acoustics im-

plemented a conveyor belt production system from the outset, aligning itself with global manufacturing standards. “This decision gives us the upper hand in both precision and speed. This enables consistent quality of the products for all our customers.”

Looking ahead, Shah sees expansion beyond professional audio as a natural next step. “Our long term goal is to grow not only in professional audio, but also in stage lighting and the energy sector, building a diversified, technology driven Indian enterprise.”

This growth is underpinned by a realistic expansion plan. Currently, CKS Acoustics operates two service centres in Gandhinagar and Ahmedabad, with ambitions to scale this network to 20 locations. “We will share the manuals and designs to all the service centres, creating a network for our customers to rely on. We’re on track to accomplish this within the year!”

As with any factory, the number of units you churn out is a needle mover for your factory’s success, and here, CKS Acoustics, shines. “In a single day, we can manufacture up to 400 speakers. Raw material procurement takes around 21 days, while assembly and deployment are completed within a day. Through multiple conveyor-belt iterations and a well-trained workforce, we’ve been able to perfect this process and achieve these efficiencies.”

Market Share, Strategy and Emerging Trends

“As we have just begun, we are currently standing at 0.5% of the market. In three years, we aim to reach a 2% share of India’s professional audio market,” Shah states.

Addressing evolving trends, Shah highlights the growing importance of social media marketing in today’s digital landscape. “We are employing youth who are more social media savvy, as this is an untapped resource which can be instrumental in growing your business.” While product quality remains paramount, Shah adds, “the product’s quality surely speaks for itself, but sometimes you also have to speak for it.” He notes that while legacy brands often rely on traditional marketing methods, such approaches may deliver limited results in a rapidly changing market.

In a post pandemic India, live sound and concert experiences are seeing renewed momentum, but Shah points to other growing segments as well. Engineered and integrated conferencing solutions and home audio systems are witnessing increased demand. “With rising sound pollution levels and government regulation on the same, there is a demand for indoor arena equipment, and home theatre and huddle systems for offices. Real success lies in understanding people before products,” he observes. Driven by remote working trends and the need for quieter, controlled environments, Shah anticipates strong growth in the indoor audio segment, including closed auditoriums, in the years ahead.

Legacy That Endures

CKS Acoustics is being shaped as an organisation built to stand the test of time—an institution guided by innovation, ethics and purpose. Its tagline, Innovation for a Better Tomorrow, reflects this long term vision and commitment to meaningful progress.

Akshay closes with a quote that captures both the company’s ethos and his personal connection to the Make in India narrative: “Kal hum rahe na rahe, hamare kaam yaad zaroor aayenge. That, to me, is the true meaning of legacy.”

LIVE SOUND REINFORCEMENT: MUSIC FESTIVAL

MEGA SOUND INDIA (MSIPL) Powered Sunburn 2025’s Main Stage For The Second Year In A Row

Great festivals are built long before the first note hits the air. India has been displaying an ever growing appetite for high quality, large scale live concerts. At such a juncture, it is sound rental companies like Mega Sound that continue to define the industry’s benchmark productions, and a recent and compelling example of their work is the main stage audio deployment at Sunburn 2025. PALM Expo Magazine’s team takes a closer look at how the festival was translated from a design into reality. Let’s dive in!

Hosting global artists including David Guetta, Axwell, Above & Beyond, Sara Landry, Vini Vici, and Indowarehouse, Sunburn 2025 was no small feat. Orchestrating the festival’s main stage, its sonic and technical nerve centre, was a responsibility entrusted only to a team with a proven legacy of landmark productions. For Mega Sound, this was familiar territory. Backed by a formidable inventory and years of large‑for‑ mat festival expertise, the team approached Sunburn 2025 with a meticu‑ lously engineered show, one that left no variable unaccounted for and set the tone for a flawless translation from design to live reality.

Modelling the site with efficient Pre-Production:

Pre production played a central role in shaping the final system design. Using L-Acoustics’ Soundvision, MSIPL modelled coverage, SPL distribution, and off axis behaviour across the entire festival site. All active stages were plotted into the simulation environment, allowing the team to visualise how energy from the main stage could interact with neighbouring systems. These simulations directly influenced key design decisions, including array splay

altogether. Instead, MSIPL opted for a multi tower main array configuration within a compact horizontal footprint, ensuring even coverage while tightly controlling spill beyond defined audience boundaries.

A Four Tower Main System Built Around K1

The main PA system was built entirely around the L-Acoustics flagship K1 system and K Series, selected for predictable behaviour at high SPL, long throw performance, and tonal consistency. Four main PA towers were deployed, evenly spaced across the 60 metre span to ensure consistent hori‑ zontal coverage without excessive centre energy.

Two main arrays were optimised to cover the central audience field. Across both sides, these arrays comprised 8 L Acoustics K1 SB, 24 L Acoustics K1, and 4 L Acoustics K2. The K1 elements provided the necessary long throw cover‑ age, while the K1 SB units delivered dedicated low frequency extension. This was particularly critical for EDM content, ensuring that low frequency tonality remained consistent throughout the far field audience. The K2 elements were deployed as downfills beneath the K1 arrays, ensuring smooth vertical transition and coherent near field coverage.

The primary audience zone measured approximately 100 metres in width and 100 metres in depth. Within this footprint, the entire PA deployment was deliberately constrained to a 60 metre horizontal span. This limitation shaped the system philosophy from the outset, pushing MSIPL towards a distributed energy approach that prioritised coverage consistency and SPL discipline over sheer output.

Flanking the main arrays were two outer arrays designed specifically to address extreme side audience zones and elevated VIP lounges. These outer arrays comprised 8 L Acoustics K1 SB and 20 L Acoustics K1 across both sides. By allowing these areas to be served independently, MSIPL was able to man‑ age SPL precisely in lateral and VIP zones without increasing overall system output.

Near field and front fill coverage was handled using a combination of L Acoustics KARA, ARCS, and K2, ensuring clarity and intelligibility for audi‑ ences closest to the stage.

Managing Low Frequencies at Scale

Low frequency deployment followed a hybrid strategy combining flown and ground based subwoofers to balance depth projection with near field

Acoustics KS28 subwoofers were flown behind the main arrays and fed directly from the main left right drive, effectively creating a full range flown system capable of carrying low frequency energy deep into the audi‑

On the ground, 24 KS28 subwoof‑ ers were deployed in a Straight in line distributed ARC configuration and fed independently via auxiliary sends. This approach ensured even low frequency distribution while minimising excessive coupling and uncontrolled spill. The result was the physical impact expected from an EDM festival, delivered with controlled SPL behaviour across all audience zones.

Rigging, Trim Heights and Structural Coordination

The PA towers were purpose built structures standing 20 metres high, providing ample flexibility for optimal deployment. The arrays were trimmed at approximately 16 metres, offering ideal vertical coverage while maintaining safe clearances and

While trim height itself was not a limiting factor, all rigging decisions were governed by strict roof load limits and structural norms. Counterweight measures were implemented based on recommendations from the structural engineering team. All load calculations were shared in advance, verified, and approved prior to deployment. Once validated, a coordinated rigging team executed the plan, ensuring precise placement, safe handling, and full com‑ pliance with engineering parameters.

Audio Networking, Redundancy and Clock Management

The audio network architecture was built around Luminex Gigacore AVB switches at the core, with L Acoustics LS10 switches deployed at endpoint locations. MSIPL implemented a three layer audio fallback architecture com‑ prising primary AVB, secondary AVB redundancy, and analogue fallback paths integrated through Dante.

All AVB listeners were configured to receive redundant streams, and all critical components, including switches, uplinks, and signal paths, were duplicated to eliminate single points of failure. Clocking and latency man‑ agement were treated as mission critical, given the reliance on AVB and PTP synchronisation.

The L Acoustics P1 processor was designated as the primary AVB talker and clock leader, providing a stable and centralised timing reference for all down‑ stream devices. The entire AVB topology was designed, documented, and validated during pre production, including IP addressing, subnet allocation, stream assignments, and device role definitions. As a result, on site commis‑ sioning was effectively a structured plug and play process.

Milan Manager was used extensively to map, monitor, and manage AVB routing and stream allocation, providing continuous visibility into clock stability, stream integrity, and overall network health. By adhering strictly to Milan compliant workflows, MSIPL maintained deterministic latency and tight synchronisation across the entire system.

Mixing Platforms and Artist Workflows

At Front of House, MSIPL deployed a Yamaha Rivage PM7 console, select‑ ed for its reliability, consistent tonality, and stability under sustained high SPL operation. The console’s processing options were extensively utilised to en‑ hance harmonic richness, transient articulation, and overall musical character

units positioned across the site. Surgex power conditioners and UPS systems protected all critical signal processing, control, and network infrastructure. Each power panel was equipped with ELR and VPR protec‑ tion for continuous monitoring and automatic fault isolation.

Image credit: Sunburn Festival, 2025, Front of House at Sunburn 2025, where Mega Sound’s Yamaha Rivage PM7 drives the main stage’s L‑Acoustics K1‑based system

without compromising headroom or clarity.

Monitor duties were handled by DiGiCo Quantum 338 consoles drawn from MSIPL’s inventory. This FOH and monitor pairing delivered both sonic performance and operational reliability across long festival days with frequent artist changeovers.

Early co ordination with international headliners and pre headliner teams allowed MSIPL to implement tailored FOH workflows aligned with individual touring preferences. Snapshot based workflows were used extensively, with each artist’s gain staging, monitoring levels, and operational preferences cap‑ tured during soundchecks and rehearsals. During live performances, snap‑ shots were recalled instantly, reducing changeover times and eliminating the need for on the fly adjustments.

Multiple sets of DJ decks were shared across artists to streamline stage turnover while maintaining workflow continuity. All deck signal paths were implemented with redundant cabling to provide immediate fail safe continui‑ ty. MSIPL also supplied a comprehensive backline package, including Pioneer CDJ 3000 and CDJ 3000X players, DJM V10, DJM A9, and DJM 900 mixers, along with spare players and a dedicated technical support team

High Performance DJ Monitoring

Stage monitoring was designed to meet the high SPL, clarity, and low frequency impact requirements of international DJ performances. MSIPL deployed a hybrid monitoring system comprising L Acoustics KARA, ARCS II, and SB18, allowing flexible configuration based on artist preference and booth layout.

The deployed monitoring inventory included 6 L Acoustics KARA, 4 L Acoustics ARCS II, and 8 L Acoustics SB18, all powered by L Acoustics LA12X amplification. This configuration delivered accurate tonal reference, strong transient response, and controlled low frequency energy without excessive stage spill.

Measurement, Monitoring and Power Integrity

Real time system monitoring was supported by redundant Mac worksta‑ tions running system control software, providing continuous visibility into system status, SPL levels, and frequency response across multiple audience zones. Dedicated network monitoring tools verified link integrity and data flow stability across the AVB network.

A dedicated measurement workstation running Rational L-Acoustics Smaart was used for SPL and frequency analysis, supported by calibrated Mipro wireless measurement microphones deployed across key audience zones. This setup enabled continuous multi point measurement and real time comparison between console output and acoustic response.

Power distribution was handled via a robust backbone comprising 400 A PowerSafe main distribution panels and 125 A PowerSafe sub distribution

Seamless Execution and a Benchmark Outcome

Due to Mega Sound’s extensive preplanning, seamless execution, backed years of rigourous expertise, no significant operational challeng‑ es were encountered during load in, soundcheck, or show days. All technical documentation, including plots, load calculations, trim heights, and Soundvision reports, had been exchanged well in advance. The audio system was fully integrated into SketchUp stage models, enabling early validation of placement, sightlines, and aesthetic align‑ ment with the Monolith stage concept.

For MSIPL, the event demonstrated how engineering discipline, detailed pre production, and team expertise converge to deliver a technically refined, globally benchmarked festival experience.

MSIPL Crew

Audio Director: Siddhartha Chauhan

Systems and Front of House: Sanjay K

Front of House A1: Swapnil Elpass

Stage Head: Rajesh Kumawat

Stage Technicians: Paras Patmase, Jeeson Thomas

System at a Glance

• Main arrays (both sides combined): 8 × K1 SB, 24 × K1, 4 × K2

• Outer arrays (both sides combined): 8 × K1 SB, 20 × K1

• Front/near field: KARA, ARCS, K2

• Subwoofers: 16 × KS28 flown (from main L/R), 24 × KS28 ground (Straight in line distributed ARC, aux fed)

• Total PA inventory: K1 – 44, KS28 – 40, K1 SB – 16, K2 – 8, KARA – 16

• FOH: Yamaha Rivage PM7 with Rupert Neve Designs processing options

• Monitors: DiGiCo Quantum 338

• DJ monitoring: 6 × KARA, 4 × ARCS II, 8 × SB18, powered by LA12X

• Network: Luminex Gigacore AVB core, L Acoustics LS10 endpoints; primary AVB + secondary AVB redundancy + analogue fallback via Dante; P1 as AVB talker/clock leader; Milan Manager for routing/mon‑ itoring

• Measurement: Rational Acoustics Smaart; Mipro wireless measure‑ ment mics; redundant Mac workstations; dedicated network moni‑ toring tools

• Power: 400 A PowerSafe main distribution; 125 A PowerSafe sub distribution; Surgex power conditioning; UPS backup; ELR and VPR protection

Contact Us:

Headquarters: F 26, MIA, Opposite Payorite, Madri Industrial Area, Udaipur, Rajasthan 313003

Kavish Nagori – (General Manager)

Phone: 072299 37333 Website: https://themsipl.com

Audio & Music Production

AKG INTRODUCES NEW C-SERIES PROFESSIONAL CONDENSER MICROPHONES

HARMAN Professional Solutions, announced the launch of its new AKG C-Series professional condenser microphones - crafted to elevate professional sound for today’s modern content creators. Backed by decades of acoustic innovation, these microphones deliver pristine clarity and capture every nuance.

Designed with musicians, podcasters, YouTubers, and streamers in mind, the new C104, C114, and C151 models deliver AKG’s signature detail and clarity helping transform performances and interviews into compelling productions. Their broad frequency response ensures the full richness of every sonic element is faithfully preserved. With a refreshed, contemporary aesthetic that pays homage to AKG’s iconic design legacy, these microphones look as striking

on camera as they sound during playback. And thanks to its intuitive design, the new AKG C-Series microphones integrate effortlessly into any modern workflow.

Sustainability is at the core of modern AKG C-Series industrial design as all of the mic bodies have been crafted from

100% recycled PIR metal and every aspect, from packaging to accessories, has been thoughtfully engineered for minimal environmental impact.

“When we set out to create the new AKG C-Series microphones, our goal was simple: let’s design a mic that creators would reach for every day - not just because it sounds incredible, but because it makes the process easier, smoother, and more inspiring,” said Philip Feinman, Product Manager, Recording and Broadcast, HARMAN Professional Solutions.

“AKG has a rich tradition in design innovation for microphones, headphones, and audio products. Our passion to lead helps drive our efforts to deliver world-class products and solutions for our customers, partners, and the global community of creative artists and individuals.” said

APOGEE UNVEILS NEW SYMPHONY NOVA DESKTOP INTERFACE

Apogee Electronics announced Symphony Nova, a desktop audio interface featuring four analogue microphone inputs, each equipped with its own real time DSP path to support latency free processing during tracking. The interface was presented at the Apogee / Manley booth at NAMM 2026. Symphony Nova provides simultaneous ARM powered DSP processing across all four inputs,

enabling consistent real time processing for multi source recording scenarios. Each input incorporated Apogee’s updated ECS Channel Strip, including a four band EQ, high and low pass filters, compression, and saturation, alongside onboard real time reverb and delay effects. All processing was handled entirely in hardware to maintain zero latency monitoring.

Chris Hansen, Director, Recording and Broadcast, HARMAN Professional Solutions.

The new AKG C Series microphones provide wide dynamic range and ultra low noise performance for clear and defined audio capture, reflecting AKG’s established design heritage. They are designed for straightforward operation, requiring only a simple plug in setup, making them suitable for users who need immediate and uncomplicated recording while maintaining professional grade sound. With both cardioid and multi pattern options, the microphones adapt easily to varied recording environments and support detailed capture of vocals, speech, instruments, and other sources.

Read the full news on PALM Expo Magazine's official website!

Apogee Symphony Nova with four real‑time DSP mic paths, hardware‑based zero‑latency monitoring, and onboard speaker and head‑ phone correction

The interface also applied real time speaker correction across all analogue outputs and supported the import of SoundID profiles for headphone monitoring. Additional features included Apogee AD/DA conversion and microphone preamp design, ADAT expansion for system growth, integrated MIDI I/O, and support for guitar, voice, and re amping workflows.

SSL INTRODUCES ORIGIN EVO, NEXT EVOLUTION OF THE 4000 SERIES CONSOLE

Solid State Logic (SSL) introduces ORIGIN EVO, an all-analogue, in-line mixing console positioned as the next step in the company’s 4000 Series lineage. Building on the original ORIGIN platform, ORIGIN EVO has expanded the classic SSL workflow by integrating a complete recreation of E Series dynamics processing on every channel.

Designed to combine traditional analogue signal paths with modern hybrid studio workflows. And sup-

porting up to 88 inputs at mixdown, the console has placed authentic 4000 Series tools at

the centre of contemporary production environments. Each channel has featured PureDrive microphone preamps, the E Series ‘Black Knob’ 242 EQ, and integrated E Series dynamics, alongside SSL high-pass and low-pass filters.

The E Series dynamics section has employed origispec circuitry, including a true RMS sidechain detector and discrete reduction stage, delivering compression and gating characteristics

associated with classic SSL consoles. ORIGIN EVO has also incorporated an enhanced SSL Bus Compressor, built to original specifications while adding modern features such as additional ratios, a sidechain filter, and an external insert return. A modular, rack-based centre section has supported hybrid workflows, DAW controller integration, and flexible monitoring layouts.

Read the full news on PALM Expo Magazine’s official website!

L-ACOUSTICS APPOINTS OLIVIER MAYNARD AS EXECUTIVE

DIRECTOR OF STRATEGIC MARKET DEVELOPMENT

L-Acoustics, one of the global leaders in premium professional audio, appointed Olivier Maynard as Executive Director of Strategic Market Development and significantly expanded the recently established division’s capabilities to accelerate growth across key vertical markets worldwide. The new strategic market development division regroups three core disciplines – Business Development, Creative Engagement, and Market Intelligence – working in close coordination with regional sales teams to drive demand and strengthen L-Acoustics’ position in both established and emerging markets. Olivier Maynard will also be spearheading commercial innovation, developing new business models from concept

to implementation throughout the organisation. Joining the company’s Executive Committee, he will work alongside the leadership team to integrate market development and new business models into the company’s long-term vision to connect humans through the best shared sound experiences. Olivier reports directly to L-Acoustics co-CEO Laurent Vaissié

The strategic market development division is charged with understanding L-Acoustics markets at the deepest level, building relationships with end users and influencers, and creating demand for the company’s innovative technologies across diverse vertical applications. From touring and festivals to houses of worship, sports venues, themed attractions, corporate events, and architectural installations, the team

develops targeted strategies that connect L-Acoustics technical excellence with the specific needs and aspirations of each market segment. “In an industry where detailed

market data is scarce, our ability to truly understand our customers, their challenges, and their ambitions gives us a decisive advantage. “Our mission is to support our clients’ business by engaging end users in ways that are inspirational and experiential rather than purely technical – speaking to artists, architects, venue owners, and creative professionals about the creative potential when exceptional sound becomes part of their vision. By working hand-in-hand with our sales teams in every territory, we’re creating sustainable demand that benefits our entire partner ecosystem,” says Maynard.

Read the full news on PALM Expo Magazine’s webite!

Indian Recording Arts Academy Awards 2025 Winners Announced

CATEGORIES

ADVERTISEMENT MIXING

DEVOTIONAL / SPIRITUAL MUSIC - RECORDING / MIXING / MASTERING

SONG RECORDING/MIXING/MASTERING – HINDI FILM

SONG RECORDING/MIXING/MASTERING – REGIONAL FILM

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –ACOUSTIC

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –ELECTRONIC

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –IMMERSIVE MUSIC MIXING

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –POP

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –PROGRESSIVE/ALTERNATIVE

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –RAP AND HIP-HOP

WINNER(S)

Quaker Bowl of Growth - arun Crasto

killai azhaGe: anand daBre (reCordinG enGineer); Chinmay mestry (mix & masterinG enGineer)

kasturi - amar Prem ki Prem kahani: harshul khadse (reCordinG enGineer); shadaB rayeen (mix & masterinG enGineer)

naa manase - ramnaGar Bunny Vishnu shankar (reCordinG enGineer); ks maniratnam (reCordinG enGineer)

aBishek dharshan (mix enGineer); Gethin John (masterinG enGineer)

haQeeQat - Putla (eP) - Jonty indra (reCordinG enGineer); aman arakh (mix & masterinG enGineer)

ek saPna - saahas saritha Bala (reCordinG, mix & masterinG enGineer)

marulu konnadira - saJi r nair

oh my - nirmal rathod (reCordinG enGineer); derriC d'souza (reCordinG enGineer); Protyay ChakraBorty (mix & masterinG enGineer); raaG sethi (reCordinG & masterinG enGineer)

hiGher - hersh desai (reCordinG enGineer); tushar Pandit ( reCordinG enGineer); aJasra (mix & masterinG enGineer)

sazayein - PranaV GuPta (reCordinG, mix & masterinG enGineer)

CATEGORIES WINNER(S)

INDEPENDENT MUSIC – RECORDING / MIXING / MASTERING –ROCK / BLUES / METAL

INDIAN CLASSICAL MUSIC –VOCAL RECORDING / MIXING / MASTERING

INSTRUMENTAL MUSIC (NON-CLASSICAL) - RECORDING/ MIXING/MASTERING

TRADITIONAL FOLK MUSIC - RECORDING/MIXING/MASTERING

SONG RECORDING & MIXINGWEB SERIES - HINDI

SONG RECORDING & MIXING WEB SERIES - REGIONAL

DEVOTIONAL / SPIRITUAL MUSIC - MUSIC PRODUCTION

SONG MUSIC PRODUCER – HINDI FILM

whateVer - aman arakh (reCordinG, mix & masterinG enGineer)

karuna CheyVan - t.s. ayyaPPan ( reCordinG enGineer); hariharan (reCordinG enGineer); nishanth (reCordinG enGineer); saJi. r (mix & masterinG enGineer)

ratna mahal (derek & the Cats)PeoPle to meet, PlaCes to see - leslie Charles (reCordinG enGineer); mrinal anand (reCordinG enGineer); ViVek thomas (mix & masterinG enGineer)

hind ke sitara - ruPJit das (reCordinG enGineer); Vineet khorwal (reCordinG enGineer); ashish raitani (mix & masterinG enGineer)

ek kahani PanChayat s3 - PranJal Borah (reCordinG enGineer); hanish taneJa (mix enGineer)

Pisumathalli – Colors - naChiketa sharma miGanakallu (reCordinG enGineer); raJiV Cn (mix enGineer)

JamBudweeP - akrutrim Chaityalayasya Vandanam - deVal desai

dheeme dheeme - laaPata ladiesram samPath; araBinda neoG

SONG MUSIC PRODUCER – REGIONAL FILM Poo Pookudhu - rail - s J Jananiy

INDEPENDENT MUSIC - MUSIC PRODUCER - ACOUSTIC loVe Come and Goes - raaG sethi

INDEPENDENT MUSIC - MUSIC PRODUCER - ELECTRONIC Veendum - niVed nP

INDEPENDENT MUSIC - MUSIC PRODUCER - POP

INDEPENDENT MUSIC - MUSIC PRODUCER - PROGRESSIVE/ALTERNATE

mere ho tum - sParsh aGrawal & shaayad - a adithya sreeraam

tiPtoes - a Very meera ChristmasraaG sethi

INDEPENDENT MUSIC - MUSIC PRODUCER – RAP AND HIP-HOP PaCha Parishkari - Jay stellar

INDEPENDENT MUSIC - MUSIC PRODUCER – ROCK/BLUES/ METAL

aB Jo Jalaa hoon - mohit sinGh dhundele; JaiVardhan Verma

INDEPENDENT MUSIC - MUSIC PRODUCER - WORLD/FUSION MUSIC kanha maane na - shuBham sauraBh

INSTRUMENTAL MUSIC (NON-CLASSICAL) - MUSIC PRODUCTION

TRADITIONAL FOLK MUSIC - MUSIC PRODUCTION

MUSIC PRODUCER - WEB SERIES - HINDI

sookshmadarshini theme - Christo xaVier

tanhya roPaasathi - radhika Bhide

dur huue - triBhuVan mishra Ca toPPer - ram samPath; araBinda neoG

MUSIC PRODUCER - WEB SERIES - REGIONAL nerathai neril ketkiren - thalaiVettiyaan Paalayam - ms krsna

DIALOGUE EDITOR / ADR ENGINEER FOR DOCUMENTARIES anGry younG men - yash desai

FOLEY ARTIST / FOLEY ENGINEER FOR DOCUMENTARIES

anGry younG men - mohammad shoaiB (foley enGineer); rishi kumar (foley enGineer); mohammad iQBal [Paratwada] (foley artist)

SOUND DESIGNER FOR DOCUMENTARIES the midwife's Confession - deBanGshu roy

SYNC SOUND RECORDING DOCUMENTARIES the midwife's Confession - deBanGshu roy

DOCUMENTARY MIXING yo yo honey sinGh: famous - sarath mohan

SOUND EDITOR EFFECTS & AMBIENCE FOR DOCUMENTARIES yo yo honey sinGh: famousGokul k r

DIALOGUE EDITOR / ADR ENGINEER FOR SHORT FILMS liVe a little Part 2 - swarnadeeP karan

SHORT FILMS MIXING miraGe - aParaJita sen

SOUND DESIGNER FOR SHORT FILMS suPerhero - Jai Ganesh

SOUND EDITOR EFFECTS & AMBIENCE FOR SHORT FILMS suPerhero - Jai Ganesh

SYNC SOUND RECORDING FOR SHORT FILMS at war with the world - romlin maliCherry

FOLEY ARTIST / FOLEY ENGINEER FOR SHORT FILMS

DIALOGUE EDITOR / ADR ENGINEER (FILM OR WEB RELEASE) - REGIONAL thanGalaan - akhil hari

FOLEY ARTIST / FOLEY ENGINEER - HINDI FILM

kill - ram kishan nath (foley enGineer); Girish sinGh (foley artist)

SOUND DESIGNER - HINDI FILM kill - suBash sahoo

SOUND DESIGNER – REGIONAL FILM manJummel Boys - shiJin melVin hutton; aBhishek nair

SOUND DESIGNER - FOREIGN FILM irani - krishnaChandran C

SOUND EDITOR EFFECTS & AMBIENCE - HINDI FILM kill - amandeeP sinGh; Vinit Gala

SOUND EDITOR EFFECTS & AMBIENCE - REGIONAL FILM

FOLEY ARTIST / FOLEY ENGINEER - REGIONAL FILM

MIXING - FOREIGN FILM

manJummel Boys - shiJin melVin hutton; aBhishek nair; manJith Paul; keerthan Berny; Vinayak meda

manJummel Boys - nikhil katkar (foley enGineer) aBhiJeet saPre (foley enGineer & artist); ViCky arolkar (foley artist)

lail nahar (day & niGht) - oussema ayaChi; sarath mohan

MIXING - HINDI FILM aGni - BiBin deV

MIXING - REGIONAL FILM

SYNC SOUND RECORDINGHINDI FILM

miraGe - Jitendra VaJPayee (foley enGineer); mohammad aaQuiB (foley artist)

DIALOGUE EDITOR / ADR ENGINEER – HINDI FILM amar sinGh Chamkila - aParaJita sen

manJummel Boys - shiJin melVin hutton; fazal a BaCker

amar sinGh Chamkila - dhiman karmakar & Bhakshak - shishir Chousalkar

SYNC SOUND RECORDING - REGIONAL FILM leVel Cross - alen C kuriakose

DIALOGUE EDITOR / ADR ENGINEER - WEB SERIES - HINDI

DIALOGUE EDITOR / ADR ENGINEER - WEB SERIES - REGIONAL

FOLEY ARTIST / FOLEY ENGINEER WEB SERIES - HINDI

FOLEY ARTIST / FOLEY ENGINEER - WEB SERIES – REGIONAL

SOUND DESIGNER - WEB SERIES - HINDI

kota faCtory s3 - ankita Purkaysatha

nayanthara: Beyond fairy talekrishnan suBramanian

heeramandi the diamond Bazaarkarnail sinGh (foley enGineer & artist); saJJan Chowdhry (foley artist); raJendra GuPta (foley artist)

1000+ BaBies -sankar settu ( foley enGineer); ViJaykumar. Vn (foley artist)

kota faCtory s3 - ankita Purkaysatha; sudeePta sadhukhan

SOUND DESIGNER - WEB SERIESREGIONAL thalaiVettiyaan Paalayam - kishore kamaraJ

MIXING WEB SERIES - HINDI PanChayat s3 - sudeePta sadhukhan

MIXING WEB SERIES - REGIONAL thalaiVettiyaan Paalayam - tony J

SOUND EDITOR EFFECTS & AMBIENCE WEB SERIES - HINDI

triBhuVan mishra Ca toPPerGauraV shakya

SOUND EDITOR EFFECTS & AMBIENCE WEB SERIES - REGIONAL nikosh Chhaya - suGoto Basu

SYNC SOUND RECORDING – WEB SERIES PoaCher - alen C kuriakose

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Audio Install News

EMINENT AV TRANSFORMS ROMEO LANE WITH A HIGH IMPACT AUDIO UPGRADE

Eminent AV successfully executed a comprehensive audio installation for Romeo Lane in Raipur, Chhattisgarh, delivering a fully designed, installed, and commissioned system tailored to the venue’s diverse indoor and outdoor entertainment needs. The project encompassed complete system design, wiring, installation, tuning, and final optimisation—all handled directly by the Eminent AV team without external consultants.

The client’s brief centred on deploying the best audio tech-

nology available, with an expectation of end to end execution despite the geographical distance. Eminent AV recommended Amate Audio (Spain) as the primary solution, citing its long-standing reputation in the hospitality and premium commercial sectors, known for robust engineering, reliability, and superior acoustic performance. For the outdoor areas, the team selected Louis Martin’s Red Series from Italy—chosen for its stylish aesthetics and impressive sound reproduction suited to open environments.

To ensure seamless execution,

Eminent AV worked closely with the project architect and undertook two major site visits: the first for critical wiring and infrastructure coordination, and the second for installation, system alignment, and final tuning once the venue was ready. Their involvement spanned the entire technical workflow, ensuring precision at each stage.

Romeo Lane’s venue layout features 250 seats, with approximately 4,000 sq ft of indoor space and 3,000 sq ft outdoors, demanding a sound system capable of supporting live bands, DJs, and varied hospitality ambience requirements. Eminent AV designed a configuration that ensured even coverage, high fidelity, and reliable performance for both high energy and ambient use cases.

Indoor System Installed:

• Main FOH: Amate Audio Nitid S15P (2)

• Fill Speakers: Amate Audio Nitid S26P (6)

Subwoofers: Amate Audio S218WP (2)

• Amplification: HD3200 (1), HD1200 (2), HD4000 (2)

• DSP: LMS206 (1)

Outdoor System Installed:

• Main FOH: Louis Martin Red 12 (2)

• Outdoor Speakers: Louis Martin Red 5 (4), Amate Audio G7 (4)

• Subwoofer: Amate Audio S18WP (1)

Amplification: Amate Audio TPD3K (1), HD12000 (1)

Post installation, the client expressed strong satisfaction with the system’s performance, particularly impressed by the clarity, power, and versatility the installation offered. The solution now enables Romeo Lane to host live band performances and DJ nights without hiring external sound reinforcement, significantly enhancing operational efficiency.

The success of this project has also led to Eminent AV securing an additional upcoming project from the same client—a testament to the trust, quality, and consistency demonstrated throughout the installation process. The team considers this achievement an important milestone, underscoring its continued commitment to delivering high impact audio solutions across India’s hospitality landscape.

PALMYRA BAY COCKTAIL DECK AND RESTAURANT CHOOSES NX AUDIO AS SOUND PARTNER

Recently opened in Vagator, Goa, Palmyra Bay is a new Konkan-inspired cocktail deck and restaurant located on the banks of the Siolim River, known for their ‘cozy sundowners’. Soundtracking this sunset aesthetic outdoors is the Nx Audio HAWK-8DSP, an 8-inch active speaker that provides 400W Program, with the Nx Audio FALCON-12DSP taking charge of the indoor dining area, which is a 12-inch active speaker that provides 500W Program.

The HAWK and FALCON Series Active Speakers have sturdy and rugged cabinets to handle weather, and

are equipped with easy user control backlit DSP to allow the venue to take

total control of their sound, making them a great choice for smaller

venues aiming to create an excellent atmosphere for customers.

GSPROAUDIO

THE STORY OF GS PRO AUDIO BEGINS WITH DEDICATION, HARDWORK, AND AN UNWAVERING PASSION FOR SOUND. IN THE EARLY 2000, MR. RAMESH JHA STARTED HIS JOURNEY IN THE AUDIO INDUSTRY AS A SPEAKER REPAIRING TECHNICIAN. AT A TIME WHEN PROFESSIONAL AUDIO EQUIPMENT WAS LIMITED AND EXPENSIVE, HE SPENT COUNTLESS HOURS UNDERSTANDING THE INTERNAL STRUCTURE OF SPEAKERS, AMPLIFIERS, VOICECOILS, CROSSOVERS, AND CABINET ACOUSTICS. WORKING HANDS-ON WITH DAMAGED SYSTEMS GAVE HIM DEEP TECHNICAL KNOWLEDGE ABOUT SOUND PERFORMANCE, COMMON FAILURES, AND THE IMPORTANCE OF QUALITY COMPONENTS. DAY BY DAY, REPAIR BY REPAIR, HE MASTERED THE SCIENCE BEHIND LOW-FREQUENCY POWER, HIGH-FREQUENCY CLARITY, IMPEDANCE MATCHING, AND AMPLIFIER EFFICIENCY. WHAT STARTED AS A SMALL TECHNICAL JOB SOON BE CAME A STRONG FOUNDATION OF EXPERTISE. WHILE REPAIRING SPEAKERS, MR. JHA NOTICED A GAP IN THE MARKET—MANY SOUND SYSTEMS LACKED.

@gsproaudio

The GS Pro Panther Series TD Class Amplifier (4500 × 2RMS/2450 × 2RMS) is engineered under a strict100+ point quality inspection process to guarantee unmatched power, reliability, and performance. Every unit is built using pure copper GS components, ensuring superior conductivity, stable current flow, and long-term durability even under high-load conditions. From transformer winding verification and PCB copper thickness inspection to MOSFET authentication and capacitor tolerance testing, each internal component is carefully examined before assembly. The amplifier under goes rigorous RMS output validation, load stability checks at multiple impedance levels, THD analysis, signal-to-noise testing, and continuous power endurance trials to confirm consistent real-world performance. Advanced thermal monitoring systems, high-efficiency cooling fans, and intelligent protection circuits are tested for overheating, short circuit, over-voltage, and DC protection to ensure safe operation during long concert sandheavy-duty applications. Each channel is calibrated for balance, clarity, and dynamic headroom, delivering powerful bass response and crystal-clear output. Mechanical strength, chassis durability, connector stability, and vibration resistance are also verified to meet professional touring standards. The Panther Series stands as a symbol of power, precision engineering, and dependable performance for professional sound reinforcement.

100

BOSE PROFESSIONAL EXPANDS POPULAR DESIGNMAX LINEUP

Bose Professional showcased its comprehensive ecosystem of loudspeakers, electronics, and software at Integrated Systems Europe (ISE) 2026

Leading the product showcase was an exclusive preview of the DesignMax DM12SE 12-inch coaxial surface-mount loudspeaker. Combining high output, clear intelligibil ity, and the sleek aesthetic the DesignMax family is known for, DM12SE delivers full-range performance with deep bass and consistent 100°conical coverage. A refined architectural form factor supports elegant visual integration, while robust output and environmental protection en-

sure dependable performance across indoor and outdoor applications.

The exhibit also marked the ISE debut of the award-winning DesignMax Luna pendant loudspeaker. With a proprietary Ring Array configuration featuring eight 2″drivers and an integrated 8″woofer, DesignMax Luna delivers consistent

balanced sound down to 40 Hz, minimising speaker count while maximising clarity, aesthetics, and sound quality.

Combining high out put and clear intelligibility, the DM12SE is designed for peak performance both indoors and outdoors

Bose Professional experts also presented new ControlSpace Designer features, highlighting upcoming FIR filter support and expanded ControlSpace Cloud integration with deeper telemetry, remote diagnostics, and secure proxy-based connectivity—enabling faster troubleshooting and remote system support without a VPN. In addition, the company’s full lineup of portable systems will be on display, includ-

ing S1 Pro, L1 Pro, and F1 solutions, which deliver the perfect balance of premium performance and practical portability.

“Our 50-year history of innovation is driven by conversations with our customers, and the DM12SE is a perfect example of that partnership in action,” said Hans Vereecken, vice president of International Sales at Bose Professional. “Events like ISE give us the opportunity to show how we’re expanding our most popular lines to meet the real-world needs of designers. The new DesignMax loudspeakers combine high-output performance with clean aesthetics, making it easier for our partners to deliver audio experiences that truly resonate.”

ZAC AND PHILS DESIGNS MODERN AUDIO BLUEPRINT FOR WORSHIP

St. Paul’s Mar Thoma Church in Kozhikode has undergone a complete rebuild after more than six decades, accommodating a congregation of approximately 250 members. As part of the new development, the church committee, led by Convenor Dr. Alexander K.G., Secretary Simon Mathews, and Rev. Sunil Joy, appointed Zacs and Phils to design and integrate the new audio system.

The sanctuary’s architecture introduced several constraints. HVAC and structural elements prevented loudspeaker placement at ideal heights, increasing the risk of uneven sound pressure levels and strong reflections. Additionally, the design required uniform coverage across the main nave, sanctuary, under-balcony seating, and upper-balcony seating, without excessive SPL. The acoustic character needed to support speech clarity for sermons and liturgy, while maintaining a warm, balanced response for choir and hymns. To manage reverberation and articulation, Zacs and Phils implemented acoustic treatment across ceilings and floor surfaces.

This controlled reverberation time and enhanced vocal clarity while retaining the natural ambience necessary for congregational singing.

The system was engineered around controlled directivity, distributed coverage, and precise time alignment. The design avoided high-output point sources in favour of loudspeakers capable of projecting evenly over distance from elevated mounting positions.

Given the high-mounting constraints, Zacs and Phils selected the Tannoy VLS 30 Asymmetrical Vertical Line Source as the main system. Its vertical dispersion pattern enabled

more even front-to-back coverage, reduced floor and ceiling reflections, and improved intelligibility. The VLS 30 units are powered by a Lab.gruppen PDX 3000 amplifier, providing adequate headroom and stable operation for continuous church use.

To achieve uniform coverage in extended seating areas, the integrators deployed Turbosound NUQ62 loudspeakers as delay fills for the under-balcony and upper-balcony zones, powered by Lab.gruppen IPX1200 amplifiers. The first-floor overflow area uses Turbosound NUQ122 to replicate the main sanctuary’s acoustic image. All zones were time-aligned

and phase-coherent with the main system.

Low-frequency reinforcement for hymns, organ, and choral content is handled by two Turbosound NUQ118B-AN subwoofers, tuned for controlled extension without overpowering the vocal range.

System tuning, EQ, crossover management, phase alignment, and loudspeaker protection are managed through a DBX Venue 360 processor. Mixing and control are facilitated by a Behringer X32 digital console paired with a Behringer S32 stage box.

Microphones include Audio-Technica U857QLU units at the lectern and pulpit, MB3k microphones for choir and lay leaders, and wireless systems comprising ATW-13HH2, ATW-11HH2, and ATM75cW headworn microphones for clergy.

Stage and sanctuary monitoring is provided by Behringer DR110 DSP loudspeakers. All signal lines and speaker wiring use Belden cabling to ensure durability, low loss, and shielding against interference.

Read the full news on PALM Expo Magazine’s official website!

Ferrite Magnet Die-Cast Chassis Driver

PANEL DISCUSSION: Systems Engineering for Touring In India & Abroad

Bridging Cultures and Designing Consistency on Tour

Warren D’Souza opened the discussion with Neil Lean, who has worked on several marquee tours in 2025, including an international touring production, inviting him to reflect on the renaissance of live sound events in India and the evolving role of systems engineering in that context.

“For me, international touring acts coming to India is actually very straightforward—if you know exactly what you’re doing,” Lean explained. He emphasised that the real challenge lies not in equipment or scale, but in aligning people and expectations. “When we work with international productions, we are essentially bridging two cultures. We’re not just aligning systems, we’re aligning expectations between the international production world and the Indian production ecosystem. At that moment, we’re creating a culture map. And the single most important element in that process is communication.”

Reflecting on his first experience of a full city-to-city tour, Lean acknowledged the physical and mental demands that come with sustained touring schedules. “It was definitely tough on our backs,” he said, “but the bigger picture made it worthwhile.” He pointed to the satisfaction of delivering consistency across every stop on the tour, noting, “We created history by executing every show flawlessly, adhering strictly to international production standards while integrating seamlessly with local crews. Our goal was to make everyone look good, while still standing firm on our design principles and delivering exactly what we came to do. That was the most rewarding part.”

D’Souza then steered the conversation towards the technical backbone of that consistency, system design. Lean described the relationship between prediction software and on-site execution as a continuous feedback loop. “It’s a constant loop, what’s on the Array file becomes a virtual plan, which then translates into the venue. Once we’re on-site, we validate the venue and feed that information back into the software. It’s a continual back-and-forth process, all aiming for precision.”

ThePALMExpoMagazineteam presentsacuratedexcerptfromadynamic sessionatthePALMExpoConference Series2025.ModeratedbyWarrenD’Souza (FounderSOUND.COM),thepanelfeatured NeilLean(EducationandApplicationSupport Engineer,India&Africad&baudiotechnik), Dr.RajeshKhade(SystemEngineer),Joyjeet Panday(AudioEngineer),andCijithOlikal (LiveSoundEngineer),whounpackedthe realitiesofsystemsengineeringfortouring, acrossIndia’svastgeographyandwithin internationalproductionstandards.

That precision, he explained, directly impacts efficiency on the ground. With accurate designs and modern software tools in place, deployment becomes faster, tuning more straightforward, and crucially, time is freed up for communication and collaboration. “That gives us more time to communicate with people and understand what’s required,” Lean noted. “That’s where the real learning and enjoyment of touring comes from.”

Learnings in Design and Venue Specific Tuning

Reflecting on a season that began with a major show at IG Stadium and closed with Guns N’ Roses, Dr. Rajesh Khade said the learning curve of touring proved smoother than expected. “I initially thought touring would be extremely difficult, but surprisingly, each city became easier. We worked with a similar PA configuration across venues, but each location demanded a different tuning approach.” Emphasising the rhythm of a true tour cycle, he added, “This was my first time doing proper back-to-back tours, actually two tours, and I genuinely had an amazing three months. Every day brought new learning.”

Contrasting production conditions across India, Khade noted that smaller towns posed more logistical strain than the metros: “Production-wise, smaller towns were definitely more challenging. They weren’t always prepared for concerts of that scale, so timelines, like power readiness or rigging schedules, often weren’t met. That was the main challenge. Once everything was operational, though, the shows ran well.”

From a systems perspective, the through line is technically consistent: hold the PA design stable where possible, and adapt tuning to the room and conditions. On the production side, metro cities typically offer more predictable infrastructure and delivery windows, whereas smaller markets may require contingency in schedule and crew planning to absorb delays in power-up, rigging readiness, and other critical path tasks.

Weathering Extreme Conditions for Consistent Delivery

Drawing on back-to-back shows in the Northeast, Joyjeet Panday described Bhutan and Shillong as “incredible but extremely challenging,” outlining how environment dictates workflow from the very first call time. “Daytime temperatures were around six degrees Celsius with strong winds, and at night everything—grass, flight cases, cable ramps—froze over. Every morning, we had to wait for the sun to melt the ice before we could begin work.” In those conditions, he underscored the importance of stepping up for the team: “As system engineers, we should never stop being hands-on. We should always be prepared to step in when crew members aren’t available— whether due to logistical or health issues.”

Expanding the lens to India’s climatic diversity and its impact on system behaviour, Panday noted: “India’s geographic and climatic diversity directly impacts design and deployment. December 31st in Chennai is completely different from December 31st in Delhi or Shillong. Coastal winds, humidity, temperature—all these factors shape how systems behave.” He framed the systems brief with a clear mandate: “Our responsibility is consistency. As someone once said, we are a waveform delivery service. Like a courier company, regardless of terrain or weather, we ensure the consignment reaches every audience member with the least possible distortion.”

Offering broader geographic context, Lean added perspective on variability across runs: “India is quite diverse geographically. We experience nearly every climate zone. One week we’re dealing with frozen the next week extreme heat and humidity. Consistency is what defines good systems engineering.”

Large-Scale Productions, Design First Discipline, and the Redundancy Roadmap

Touring at stadium scale demands both collaboration and controlled ex-

perimentation. Reflecting on work with one of India’s biggest live acts, Cijith Olikal noted the growing ambition and scale of recent productions, as well as the importance of team execution over individual heroics. “Our productions have grown larger and more demanding every year. We are dealing with stadiums and crowds of 20,000 to 30,000 people. Delivering sound at that scale is never a one-person job. Support from talented engineers and production teams makes it possible.” He added that iterative trials remain essential to achieving uniform audience experience: “We continuously experiment—like flying subs on delay towers—to achieve better consistency and audience experience.”

Underscoring a design first philosophy, Lean stressed that modern systems deliver their best when geometry and prediction are right at the outset, reducing the need for heavy corrective work later. “Modern systems are extremely capable. If the design is right, tuning becomes minimal. I often rely more on a laser than a microphone.” He framed a core part of the systems engineer’s role as enabling visiting FOH engineers to focus on mixing rather than firefighting: “A strong design makes life easier for visiting engineers. Most of my work is psychological rather than technical understanding the engineer’s mindset, giving them a system that works right out of the box, and building trust.” The payoff, he said, is operational efficiency: “Striving for design accuracy ensures efficiency, faster deployment, and more time to collaborate.”

Offering guidance to younger engineers coming up through today’s better equipped ecosystem, Olikal emphasised fundamentals and continuity of learning over shortcuts. “There are no shortcuts. Passion and dedication matter. When I started, we had limited tools and very little guidance. Today, young engineers have access to better equipment and knowledge, allowing them to grow faster. Learn the fundamentals, stay curious, and constantly upgrade your skills.”

Turning to signal transport and redundancy, Lean positioned audio over Ethernet as the practical direction of travel for touring workflows, with Milan’s deterministic networking and dual path approach providing robust primary protection. “Audio-over-Ethernet is the future. Milan, in particular, offers builtin redundancy with primary and secondary networks. My ideal setup is Milan as primary, with analogue or digital fallback as a tertiary option, with carefully matched levels, of course.” Building on that, Khade described taking redundancy a stage further with mirrored processing across protocols to protect the entire signal chain and show control: “We’ve taken redundancy further by using mirrored processors, one running digital networking and the other fully analogue. Any change made on the primary is mirrored on the backup. For large-scale productions, if the option exists, there’s no reason not to do it.”

As the conversation drew to a close, D’Souza distilled the panel’s through line into a clear directive for touring practice: “What stands out from this discussion is that systems engineering is driven by passion, precision, and prepaes, or redundancy o every audience

N-LABS MARKS A SUCCESSFUL GLOBAL CHAPTER AT NAMM SHOW 2026

N-LABS concluded its participation at the NAMM Show 2026, marking a defining moment in the brand’s international journey. The event represented more than an exhibition — it was a statement of intent, showcasing N-LABS’ evolution as a globally focused professional audio manufacturer.

Throughout the show, the N-LABS booth was a meeting point for sound professionals, system integrators, consultants, rental companies, and audio enthusiasts from across continents.

Conversations ranged from system design philosophies to real-world deployment chal-

lenges, offering valuable insight into how professional audio expectations continue to evolve worldwide. Live product demonstrations allowed visitors to experience the clarity, consistency, and control that define N-LABS engineering. Attendees explored the brand’s approach to processing, amplification, and loudspeaker integration, with particular interest in performance stability, scalability, and ease of system optimisation across

different applications. NAMM 2026 also provided the brand an opportunity to strengthen global relationships and initiate new partnerships, reinforcing their commitment to long-term collaboration and international support. The positive feedback received during the show further validated the brand’s focus on delivering practical innovation backed by reliable engineering. As N-LABS continues its global expansion, the insights and connections formed at NAMM 2026 will play a vital role in shaping the next chapter of innovation and performance, where innovation meets the future of audio.

DPA MICROPHONES, WISYCOM & AUSTRIAN AUDIO JOIN AUDIOTONIX

With more than six decades of world-class Danish microphone design experience, DPA Microphones creates mics with exceptional sound, consistency and durability for a range of professional markets including live sound, theatre, film, and installation. As one of the global leaders in designing and manufacturing advanced wireless audio solutions, Italian company Wisycom provides industry-leading solutions to demanding customers’ RF challenges across broadcast, live events, corporate and location sound, among other applications. Vienna-based Austrian Audio delivers reliable and innovative microphones, headphones and audio tools while maintaining a strong connection to the brand’s acoustical heritage.

their strong and visionary product offering, used by many high-end customers who are familiar with all the Audiotonix brands.

All three brands now join the growing Audiotonix brand portfolio of leading audio technology and solutions companies that includes Allen & Heath, Calrec, DiGiCo, DiGiGrid, Fourier Audio, Group One Limited, Harrison, JH Audio, KLANG:technologies, Slate Digital, Solid State Logic, sonible, and Sound Devices

Kalle Hvidt Nielsen, CEO at DPA Microphones, comments, “DPA Microphones, Wisycom, and Austrian Audio are premium brands known for

We share many location sound professionals with Sound Devices who rely on best-in-class audio quality and top-notch reliability and so by joining Audiotonix, DPA Microphones, Wisycom, and Austrian Audio get the opportunity to offer more premium solutions to discerning, quality focused customers”. Kalle concludes, “The synergy across the brands enhances the group’s capacity to deliver substantial advantages to all professional customers who demand the best. I look forward to more collaboration and moving the state-of-the-art forward in new verticals”.

showcasing top of the line products & technologies in Pro Audio, Lighting & Pro AV - Display & Projection markets.

Key Attendees include:

•Architect

•AV Consultant

•Developer

•Distributors / Dealers

•Event Managers

•Government Bodies

•Production Managers

•System Integrators

▪

From:

•Airports

•Entertainment Venues

•Event Companies

•Hospitality

•House of Worships

•Museums

•Rentals

•Retail

ALPHATHETA ANNOUNCES NEXT GENERATION RMX IGNITE EFFECTOR FOR PROFESSIONAL DJ APPLICATIONS

AlphaTheta has introduced the RMX IGNITE, a next gen eration effector developed as the successor to the RMX 1000 More than a decade after the 2012 release of the RMX 1000 – a unit still widely respected by professional DJs – the RMX IGNITE marks a complete rede sign of the platform, combining advanced effects processing with expanded tactile control intended for contemporary performance environments.

Designed for integration into club systems, livestream rigs, and video led performance set ups, the RMX IGNITE enables DJs to manipulate audio through levers, large format knobs, and enhanced sampling workflows. The upgraded audio architec ture incorporates modern DSP and high grade converters to support high resolution output suitable for professional stages.

The RMX IGNITE features a versatile 3‑Band FX section with two inde pendent effect types: Lever FX, operated via three large performance levers for instant, dramatic effects such as Echo, Reverb, Juggle, Reverse, Solo and Stretch; and Isolate FX, controlled through three ded icated frequency‑based knobs offering Tape Echo, Reverb, Drive, Filter, Ducker and Rhythm for more refined tonal shaping.

Users may apply these effects independently to high, mid, and low frequency bands, combining up to six simultaneous effect types. Sub parameter knobs provide tonal shaping and progression control. The hardware interface prioritises visibility and physical feedback, ensuring that actions such as lever pushes and knob sweeps remain clear during live performance.

The RMX IGNITE’s integrated sam pler features 20 Loopcloud‑sourced

sounds, with user samples loadable via USB or PRO DJ LINK through the Sample Manager software. Four LED‑lit trigger pads support intuitive playback, with Overdub for looping 1‑bar phrases, while ten roll pat terns—including the new Groove Roll—add expressive variation. A dedicated Sampler Colour FX section offers six one‑knob effects, operating

independently from the main FX. Release Echo provides clean transitions, and a multi colour display shows sample status, BPM, levels and FX parameters, with direct browsing available. PRO DJ LINK ensures BPM and grid sync for accurate rolls and overdubs, alongside sample ac cess from linked USB/SD media. Digital send/return via a single USB cable supports the DJM A9 and DJM V10, complementing analogue TS connectivity and optional AlphaTheta Care. The unit’s 96 kHz/64‑bit DSP, paired with 32‑bit ESS A/D and D/A converters, is tuned for clarity, delivering detailed effects without altering the natural character of the source audio.

Read the full news on PALM Expo Magazine’s official web site!