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9781963183771_TheDailyPlay_ISSU

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This art journal belongs to:

Copyright © 2026 by Brittany DeSantis

Published by Paige Tate & Co., an imprint of Blue Star Press PO Box 8835, Bend, OR 97708 contact@paigetate.com www.paigetate.com

The authorized representative in the EU for product safety and compliance is Authorised Rep Compliance Ltd., Ground Floor, 71 Lower Baggot Street, Dublin, D02 P593, Ireland. www.arccompliance.com.

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Written and illustrated by Brittany DeSantis

Stock asset: ©berkahjayamaterial@stock.adobe.com (pgs 51, 62, 115, 181, 188, 304)

Written and illustrated by Brittany DeSantis

Design by Bryce de Flamand

Printed in China

10 9 8 7 6 5 4 3 2 1

ISBN: 9781963183771

For Frankie Jean and Lucy Mae My sweetest and greatest teachers

Introduction . . . VI

Art Supplies . . . XVI

Art Terminology . . . XX

PROMPTS

Start Here: 30 Prompts for Skill Building . . . 1

Spring . . . 36

Summer . . . 112

Fall . . . 178

Winter . . . 252

Sample Art Journaling Layouts . . . 325

Recommended Resources . . . 326 Acknowledgments . . . 327 About the Author . . . 328

InTroDucTion

Welcome, creative friend. (Yes, you!) Maybe you haven’t picked up a paintbrush in years. Maybe it’s your first time ever. Or, if you’re like me, your once beloved art supplies got packed away for too long and are taunting you to begin again. In any of these scenarios, you’re here for inspiration, and you’re here because you (yes, you!) are creative.

And your creativity matters.

Play was the first language we learned as kids. And yet, as the grown-ups we are now, play can often feel frivolous.

I teach watercolor, calligraphy, and journaling all over the world, from online classes to retreats, so I’ve heard a thing or two from creatively curious people just like you:

“I don’t have the right art supplies.”

“I don’t have a creative bone in my body.”

“I have more important things to do.”

“I don’t want to ruin my journal!”

“I don’t have enough time, so what’s the point?”

“What if it sucks?”

Be honest: Did any of these resonate with you?

Anything you want to become good at takes practice. You already know this. But making art—making marks on a page, using your words, thinking deeply and differently about the world, slowing down in this furiously fast-paced life—is always accessible. And, as you’ll read throughout these pages, it’s actually very important for our well-being.

You’re not here to become a professional artist. You’re here for ideas. You’re here to tap back into your creativity—consistently.

To practice.

To be mindful.

To be present.

To try.

To play.

And in doing so, the world and your view of it will open up. I hope these pages feel both inspiring and comforting—a gentle nudge and a playful one.

You deserve this. @peakpaperco

Engaging in an activity purely for the enjoyment of it and not for an intended outcome.

Creative play is: curiosity, exploration, surprise, joy, and imagination

Creative play is not: pressure, perfection, or performance

I USED TO BE AFRAID OF MY ART SUPPLIES

The purpose of this book is simple: to help you rediscover the meaning and magic of putting pen to paper. It’s what guides my life and art practice, and it’s how I coped with the grief of losing a parent at a very young age. In my debut publication, a guided grief and keepsake journal called Forget You Not, I wrote about how people often say “there are no words” when we’re going through hard times, but your own words can actually help you heal.

It’s your own creations, not mine or the work of others, that will boost your well-being, lower your stress levels, and help ground the rest of your life.

Art and writing are irrefutably good for us—whether you write in chicken scratch or unconventionally beautiful prose. Even if you tear these pages to shreds after you fill them. We’re made to make. And yet we all experience the same, often crippling, fear of the blank page.

Along with running my company, Peak Paper Co., I’m a mom to two beautiful daughters, enjoying our riverside home and tiny studio off the shores of Georgian Bay in Ontario. The fact that I’m writing this as a full-time artist, a published author, and a teacher of art and writing around the world is beyond any dream I could have imagined for myself.

Because when I was in university pursuing my marketing degree, I quite literally hid my art supplies under my bed.

Always an “artsy kid,” I’ve had boxes of pastels, paint, paper, and journals bound to me for decades. But I couldn’t even look at them––the

daily three-page journaling exercise called “morning pages,” which I highly recommend.

Journaling, painting, drawing, and poetry—all things that inadvertently helped me cope with the pain of losing my dad (and still do). But I didn’t realize the science-backed benefits behind them until much later in life, when I started teaching art professionally.

It’s not just what you write about that helps. The actual act of putting pen to paper itself has been proven to alleviate anxiety and reduce stress. That’s why we’ll be combining art and writing so often in this journal. The combination is uniquely powerful—and uniquely yours

OVERCOMING INERTIA

The more we do something, the more we teach our brains that we’re safe and that there’s nothing to be afraid of. The less we do something, the more power it has over us and the scarier it gets.

This basic concept reminds me of an interesting word a fellow artist once used to describe feeling creatively blocked:

Inertia: Objects in motion stay in motion, and objects at rest stay at rest.

The more you do, the more you do. The less you do, the less you do.

After university, I moved across the country, and it fundamentally changed what I believed was possible and what I was capable of. Relocating does that. Travel does, too.

I was one person in a huge new city, taking art classes again and falling in love with the learning of it all. I had nothing to prove and no one

to impress. I was simply . . . curious. I was already in a state of massive change from the move, and it caused a cascade of even more motion.

Feelings of frustration turned into pride and courage along the way—not just for learning new skills, but for trying new things, for pushing myself outside of the fear mentality, and for beginning again. Making. Playing. Doing. Consistently.

When you commit to staying in motion and not to the super strict page count and outcome-based goals we usually inundate ourselves with—that’s when play begins.

It’s why you have a year’s worth of art prompts here. Prompts eliminate the blank page paralysis so you can feel the joy of the process without having to think about where to start.

You’ll start here. On these pages. As Wordsworth wrote, “To begin, begin.”

The voices telling you not to—or that art journaling is unimportant or unserious, or that someone else could do it better, or that you don’t have the time—be damned.

To begin, begin.

WHERE CONSISTENCY COMES FROM: HABITS, ROUTINES, AND RITUALS

Consistency is an essential part of staying in motion. Sure, you could read the odd art prompt and feel the fleeting fun of inspiration when it strikes. But playing every day? That’s transformative!

I’ve hosted many writing challenges over the years and participated in more than I can count. I’ve also only partially finished a good percentage of those, and I know you’re probably worried that you’ll do the same here.

Let’s get this out of the way real quick: It’s okay to miss a few days, or even weeks, and then pick your journal back up again. It’s also okay to double (or triple!) up on prompts when you’re luxuriating in a bit of extra time or feeling a bigger spark of creative energy.

I know the feeling of wanting to give up when you don’t do something perfectly. But that’s not what we’re doing here.

We’d all love to believe that, starting today, we could easily make art journaling a daily habit. But as it turns out, our brains—and our lives—are a bit more complicated than that. A habit is something you do so often that it becomes automatic, like brushing your teeth or pouring your morning coffee. A routine is much more intentional and might involve blocking off a specific time each day, laying out your art supplies, or setting a timer for ten minutes. A routine requires a little effort at first, but repeating it over time helps turn actions into lasting habits.

To go from saying “I want to make art” to “this is just what I do,” you need a steady routine. According to one of my favorite books, Atomic Habits by James Clear, an easy way to begin a new routine is by tacking it onto an existing habit. If you already have coffee every morning, introduce your new art journaling routine right before or after that.

There’s one more layer that adds depth and meaning to the experience: ritual

If a habit is something you do without thinking, and a routine is a series of steps you follow, then a ritual is how you make those steps feel personal and meaningful

Rituals are often associated with religious or spiritual contexts, but they’re really just ways of bringing a bit of magic to the commitments you make. Maybe it’s lighting a candle with a specific scent, taking a deep breath before you begin, or playing the same song each time you sit down to journal. These seemingly small but consistent actions send a signal to your brain that this is special. When you make something into a ritual, it means it matters to you.

While habits and routines help you show up, rituals help you mindfully connect to what you’re doing.

Another fun brain fact? We’re more likely to continue doing something if it feels rewarding. The simple act of checking off a box every day you show up here makes it more likely that you’ll come back and do it again. That’s why there are habit trackers at the start of each section for you to check off prompts as you complete them!

Consider this question for a moment: What stops you from getting creative? It’s often the perceived lack of time in a day, feeling overwhelmed by the idea of having to finish something, worrying we won’t like the result, or some old story we tell ourselves about what creativity even means. What kinds of routines and rituals can you create to make it easier and more inspiring for you to begin again?

Create:

• an intentional routine

• a meaningful-to-you ritual

• a record of your daily progress

Habits: repeated unconscious or automatic actions

Routines: an intentional sequence of actions for a specific purpose

Rituals: actions performed with mindfulness and to create meaning

H a BITS rou TI n ES r IT ual S

morning coffee set out art supplies create art journaling playlist

Want to dive more into how to create better habits and replace ones that no longer serve you? Check out Atomic Habits and more recommended resources on page 326.

arT SuPPliES

If you’ve ever felt overwhelmed walking into an art store, you’re in good company. Take a picture of these pages to bring into your local spot or check out your favorite art retailers online. I promise, it doesn’t take much to create an exceptionally personal art journal.

TIP: Make sure you leave your journal and new art supplies somewhere you can see them. I promise, if they’re visible, you’ll create more often!

THE Daily Play KiT

Brush pen (Tombow Fudenosuke)

Waterproof ink pen (Sakura Pigma Micron)

Your favorite writing pen

Watercolor palette (Winsor & Newton Cotman Pocket Set or Sakura Koi Pocket Field Sketch Kit)

A round paintbrush (size 2–6)

Extra watercolor paper

Accessories like bulldog clips

Scan this QR code with your phone or tablet for easy links to these curated supplies

PENS

You’re going to be doing a combination of writing and drawing in this journal, so I recommend having at least two different options.

For Drawing and Calligraphy: a Brush Pen and a Waterproof Ink Pen Brush pens have a flexible tip, which allows you to create thin and thick lines simply by adjusting how much pressure you use. My personal recommendation is the Tombow Fudenosuke Brush Pen with a hard tip.

You’ll also need a pen with waterproof ink because we’ll be adding watercolor, and you don’t want ink to spread across the page or bleed through to the next one. My favorite waterproof fineliner is the Sakura Pigma Micron Pen in black ink.

For Writing: a Ballpoint, Rollerball, or Fountain Pen

If you have a favorite rollerball or ballpoint pen, keep it on hand as you work through this journal. You can also use a brush pen or a fineliner for writing, but I prefer to have a dedicated “writing pen.” My go-to is either a ballpoint pen or a fine nib fountain pen. Fountain pens really enhance the sensory experience of writing because the nib glides so smoothly across the page.

NOTE: Avoid using alcohol inks, as they’ll bleed through the page.

Fineliner
Ballpoint or Rollerball
Fountain Pen

WATERCOLOR PAINTS

Watercolor paints come in tubes, pans, or palettes. For beginners, I recommend opting for a palette with lots of colors to choose from. Color mixing is a skill that you’ll develop with time, so to eliminate that barrier to getting started, I suggest getting a palette with at least twenty colors. I recommend the Sakura Koi Pocket Field Sketch Kit, but other good options include the Winsor & Newton Cotman Travel or Pocket Set or the Kuretake Gansai Tambi Watercolor Set.

NOTE: A spray bottle makes it easy to activate the dried paints in your palette.

PAINTBRUSHES

Square, flat, dagger, mop. There are many different shapes of watercolor brushes available, but the most widely appli cable—and the one that’s perfect for this art journal—is the round shape. In terms of paint brush sizes, I recommend size 2, 4, or 6 from brands such as Winsor & Newton or Princeton. However, the water brushes from Tombow are a great option too.

PAPER

The paper in your art journal is 140 gsm and can withstand light watercolor washes (see pages 23–24), but I recommend getting a pack of cold press watercolor paper for continued practice. When you’re combining watercolor with ink and writing, hot press or mixed media paper is the way to go.

Cold press watercolor paper is textured and thick to withstand lots of water and layering. The 140 lb Canson XL watercolor paper is a good option for all skill levels.

Hot press watercolor paper is less textured than standard cold press paper, meaning you can also use pens and mixed media on it. My favorite option for combined watercolor and ink practice is a hot press journal from Etchr.

If you’re looking for more calligraphy practice, I recommend using vellum or tracing paper that’s 65 lb or heavier.

OPTIONAL ACCESSORIES

• Bulldog clips to hold your journal pages open

• Pencil

• Kneaded eraser

• Water cup

• Mixing surface or ceramic plate

• Paper towels

arT TErminology

We have 365 days of pure fun ahead. Since you’ll be practicing these techniques a lot, it’s best to familiarize yourself with them now before we officially dive in.

WATERCOLOR WASH

With watercolor, you don’t usually paint straight from the tube or palette onto your paper. Instead, you’ll mix the color with water first, either on your palette or in a small dish. This helps create those light, see-through layers called washes that watercolor is known for. A good rule of thumb is that your paint mixture should resemble the consistency of a soft drink. In the next section, we’ll practice making smooth, blended washes so you can get a feel for how much water to use. Don’t worry if it takes a few tries to get it right! When in doubt, add more water than paint—your wash should look transparent, like tea, when it hits the paper.

WATERCOLOR SWATCHES

A swatch is simply a watered-down version of your watercolor paint that shows what the color will actually look like on paper. Many artists like to swatch every color when they first open a new paint palette. It’s a fun way of getting to know your paints better! In this journal, we’ll create lots of swatches to practice techniques such as washes and experiment with color combinations.

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