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LOOK INSIDE: Glideology

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contents

foreword

Orion Ussner Kidder 06

comic between panes of glass 09

contributors 147

notes and acknowledgements 147

afterword Mark Kingwell 149

space... weneedtoramble. butthestreets,they’reinhowdoweshareapath-aroad? shambles. somewhere,avehicleracesinthecountryside..

justbeyond,abullfrogisreflectingpeacefully..

OCREATuRE

OFMORTALhabit

YOURpitiFul,tinyHOPANDStEP ALiGHTiNTOYOURCaROCHE.

AllBEDECKeDinMANYPoLYS AritualOFMAGNETOS sixSACREdCHArGES, DOCOMBUStANDbANish AllTrACESOF SKELETALStRESSES sink!

sinkDEEPLYintODAVENPORt.

FROGHeArStHe veHiclespEEdily apprOacHing.it disrupTsitsreveriEin tHisCOMFYPuDDLE..

andinthismemory, you’restillonlyabout twelve,theothersare alloutsidenow-walking, lookingandtalking andplayingoutinthesnow.. o-kay-ummmnn. youknow, you’restillin thebackseatofthecar? whydon’tyougoout andexplore?! ok,ok,fine.. so-whatgame willyoustartup? it’sgettingnear twilight-youwon’tbe abletoseethe screenmuchlongeronthat liquidcrystaldisplay..

™ and © after gameboy, nintendo (1989).

isitagameabouta greatflattening?

electronicscreenspacebleepingawayolderthings. thescratched,wrinkledworld ofbuttons,paper, levers,creakingknees. loadingscreensdisplay sizzlingcolors.

somewhere,a paperboy’srolledupnewspaperhits someone’sfrontdoor intheearlymorning withaveryloud-

™ and © gameboy, nintendo (1989).
‘iridemybike, irollerskate. don’tdrive nocar don’tgo toofast, butigo prettyfar..’
-melanie

downtown

2:25p.m.

summertime

..youhaveto gobacktothebasics andask-what’sa streetmadeforand whatisa carcapableof? layersonlayers.

finding common groundwithall ofususingthestreet isachallenge.we needtoquestionusing speedforeverytripsosometimes,inorder tomoveforward..

aroundtheheightofa 6-year-old,barrel-shaped,steel R2d2wasaninstantglobalhit. theshinyobserverofmostof themainstory,withslow-rolling treads/wheels,herepresents howchildrenwithfoot-propelled scootersglide.

c-3po,withhisawkward,stiff walk,mimicshumanitywith itsfrailtiesexaggerated.his locomotionisstepbystep,firmly fixedtotheearth.together,they coverglidingandwalkingfortrue comiceffect,reflectingourown slightlycomedicbipedalism

the1970swaskeytomajordevelopments.bothstarwarsand homepcsaswellasconsolevideogamessharea70s-eraoriginstorywhere theseentertainmentpillarsalludetoafulldigitalera.wehad nocluewhatwasjustaroundthecorner.
after ™ and © star wars (1977), george lucas, lucasfilm, the walt disney studios.

theconstants ofmechanical communication fadeinthe2d pixelatedlandscapetraditional slowspeedskills tumbleandfall underdigitalmedia.

westepinto adot-matrix,8-bitera anddon’tnoticea globalnetforming aboveourheads, utterlytransforming howweconstruct reality. itbecomesdifficult tobelostinyour thoughts.

after scene-designed by aldo van eyck (1954), amsterdam city archive.

thecloserone looksatcherished momentsfrom childhood,the moredifficultit becomestonotkeep returningtothat eraofslownessand quaintconstraints.

™ and © after gameboy, gameboy camera, nintendo (1989, 1998).

lookatyour state/province’s definitionofavehicle. insomeareas,akid’s bicycleisconsidered thesamethingasatruck orcar,andallare expectedtobehavethesame. um,thisdoesn’tmake anysense.it’saremnantofolder highwaytrafficacts.weneed updateddefinitionsthat reflectalltypesofjourneys acrossthecity.

localtripsto long-haul journeys-allneed differentapproachesin streetdesign.

communities needtosketch outwhattypesof journeysaren’t accommodated intheir’hoods.

after jan wandelaar and bernhard siegfried albinus from their 1747 anatomical plates.

Thismagnificent balletofOurlimbs, movingthrough Space-effortlessly Glidingacrosstheearth..

Ourbuilt-in,self-propelled intuitionguidingour Movementsforallto seeandto respondtoinkind.. Suchashametosee suchliquidMotionbeing hiddenFromthepublicrealm, trapped,immobile,behindthe carapaceoftintedglass, reclininginapowder-coated, power-steeringmini-world.

so,we

roll

There’sno Denyingit.

independent privatemobility isafoundation Ofourmodern Automotive civilization.

entrenchedin Ouryoungest selves,inplay. Of personal Freedom.

aswemimic theAdultwho Movesabout.

with Velocityand purpose.

it’scodified intosomany thingsandit’s asymbol.

..verywell. Buthelphim crossthe streetwith it. ofcourse, ohyes,Iwillthankyou ’tish!

yescreeping vinesare beautiful.

’tishthis twistedbranch wouldmake aperfect chewtreat forulot!

canyou freeitand growit?

sigh

Puleeeease?

Nonsense! Recallthat Trucktirehe foundback in’06?

™ and © the addams family, television sitcom, filmways television and MGM television (1964-66).

Grrrr!

ulottheglorious goldendoodleGripshis Mttsuperbike.watchhim crankthatthrottle andfeelhis speed-Varoom!

it’s Getting Late.

Nyeeeah! Maybea WhilemorewemightGo chasing cars.

i’mgoing backHome. AreYou staying?

Suityourself. Besuretogive ulotawalk beforeyou getback. O-kay? goodbye, uncle.

hearthat, ulot?We’re goingfor awalk! Bye ’tish! awalk?

™ and © the addams family, television sitcom, filmways television and MGM television (1964-66). much to my surprise, halfway through the making of this comic, the series wednesday addams premiered on netflix. glad to see these characters getting new stories-crossing my fingers they have an episode focus on active transportation or a scooter..
™ and © the addams family, television sitcom, filmways television and MGM television (1964-66), ™ and © after gameboy, nintendo (1989).
™ and © the addams family, television sitcom, filmways television and MGM television (1964-66), ™ and © after gameboy, nintendo (1989).

surroundedbysystems andControls thatidon’t understand.

glass. . thecomputer interface;andour originalvertical Barrierseparating theinsidefromthe outdoorswelivemore thaninanyother era betweenpanes ofglass holdingourphones, andinoursealed buildings Andvehicles.. theonce-clear Separationbetween Publicandprivate spaceisreplaced withsomething else.

Webeginto Collectively ‘..hearaTune thatis different.’*

isourabilityto focusonwhat weseethrough thewindowpane, windshieldandour devicesstartingto blur? constantroaming ofourgazethrough virtualwindows isafarcryfrom usingallour sensesoutside.

if multitasking isagiven whenseatedwhatif you’resitting andalso moving?!

* ™ and © after an excerpt from the song thrills (2007), by cake. ™ and © after gameboy, gameboy pocket, nintendo (1989, 1996).

okfroggie! thoseareour optionstotravel asgliderswhatdoyou think?

iknowofa waytotake backtheland forus! takethis exit-ithink there’sa gasstation nearby!

thewallsthemselvesmurmur alow,constant road-canyou hearit??...

too..>

<ihearit,

<yess..it’sbecoming clear-allhumans,they wantourintervention.. naturewillresetthelandand makeitright.animalkind’space willbecomedominantonceagain!.. everycitywillbecometrappedin agiantanimalcrossing! icanseeitinmywakingdream. i’llmakeitsothat..

..alltheintersections’ lightswilltime-outas redtogether,to createthecrossing mykindyearnsfor..>

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