GREAT GATSBY THE
SPONSORED BY &
ISRAEL ZAVALETA ESCOBEDO PHOTOGRAPHY HITOMI NAKAMURA • JAYSAN STINNETT
THE GREAT GATSBY
SPONSORED BY TRUIST & ORLANDO HEALTH
COMPOSER
CARL DAVIS
USED BY ARRANGEMENT WITH B&H MUSIC PUBLISHING INC.,
U.S., CANADA, MEXICO, CENTRAL AND SOUTH AMERICA AGENT FOR FABER MUSIC, PUBLISHER AND COPYRIGHT OWNER.
LIBRETTO
JORDEN MORRIS
CHOREOGRAPHY
JORDEN MORRIS
RÉPÉTITEUR
LISA THORN MORRIS
REHEARSAL DIRECTORS
LISA THORN MORRIS
HEATH GILL
PRODUCTION
SCENIC DESIGN
PETER FARMER
ANDREW CAVANAUGH HOLLAND
COSTUME DESIGN
PETER FARMER
JANET GROOM CAMPBELL
LIGHTING DESIGN
ORIGINAL LIGHTING DESIGN BY BLAINE RITTINGER
ADAPTED BY MATT TAYLOR
ORLANDO PHILHARMONIC ORCHESTRA
JULIAN PELLICANO, GUEST CONDUCTOR
PIANO FURNISHED BY STEINWAY PIANO GALLERY ORLANDO
SCENERY & COSTUMES COURTESY OF PITTSBURGH BALLET THEATRE
LIVE MUSIC MADE POSSIBLE BY ELIZABETH MORSE GENIUS FOUNDATION
LETTERS FROM EXECUTIVE LEADERSHIP
We’re so pleased to welcome you back to The Great Gatsby. This ballet has quickly become a favorite—for us, and clearly for you, too.
This work captures all the shimmer and shadow of the Jazz Age. It’s not just the Charleston and flapper dresses—it’s the longing, the illusion, and the heartbreak beneath the glitter. And our dancers don’t just dance—they act, they inhabit, and they tell this story with remarkable depth and nuance.
With the Orlando Philharmonic Orchestra, conducted by Julian Pellicano, accompanying us, the performance becomes even more immersive. The music, the movement, the staging—all come together to transport us to a time that still feels eerily familiar.
As we close a season filled with beauty, passion, and bold storytelling, it feels fitting to end with a story about hope, illusion, and the ache of reaching for something just out of reach.
Thank you for sharing this journey with us. We’re honored to bring this story—and this season—to life.
With gratitude,
JORDEN MORRIS Artistic Director
It is a pleasure to welcome you to The Great Gatsby, a production that brings the glamour, intrigue, and emotional depth of F. Scott Fitzgerald’s iconic story vividly to life on our stage.
This performance is a shining example of what happens when extraordinary artistic forces come together. We are especially grateful to the Orlando Philharmonic Orchestra, whose live accompaniment adds remarkable richness and sweep to this experience here at the stunning Dr. Phillips Center.
We also wish to express our sincere gratitude to Truist, Orlando Health, and the Elizabeth Morse Genius Foundation for their generous support of this program. Their investments play a vital role in making productions like The Great Gatsby possible and in ensuring that ambitious, world-class work continues to reach our stage and our community.
As we bring this season to a close, we do so with deep gratitude and immense pride. This has been a year defined by bold storytelling, breathtaking performances, and unforgettable milestones. Ending the season with The Great Gatsby, a work bursting with energy, elegance, and flair, feels like the perfect celebration.
Your belief in our work allows us to dream bigger, reach further, and create art that resonates long after the curtain falls. Thank you for joining us on this unforgettable journey through music, movement, and story, and for being such an essential part of everything we do.
With deepest thanks,
BRADLEY RENNER Executive Director
CAST
Thursday, Friday, Saturday – 7:30 p.m.
JAY GATSBY
Jaysan Stinnett
DAISY BUCHANAN
Hitomi Nakamura
NICK CARRAWAY
Israel Zavaleta Escobedo
TOM BUCHANAN
Thomas Gerhardt
JORDAN BAKER
Maya Fazzari
MYRTLE WILSON
Kenna Gold
GEORGE WILSON
Nathan Rowell
CATHERINE
Dominique Guerra
MR. MCKEE
Bernardo Betancor
MRS. MCKEE
Remy Loren
WOLFSHEIM
Joshua Fickling
WOMEN OF LOUISVILLE
Aylin Contreras • Kate Gardinier
Dominique Guerra • Chen-Yu Liao
Ruri Nonami • Ellarie Price
MEN OF LOUISVILLE
Bernardo Betancor • Ruei Lin Cheng
Sebastian Marriott-Smith
Charlie Mellor • Alberto Peñalver
Jack Ragland
CATERERS
Sebastian Marriott-Smith
Alberto Peñalver • Caleb Wire
GATSBY BULTER
Jamie Monroy
BUCHANNAN MAID
Eliana Smith
POLICEMAN
Alberto Peñalver
BUSINESS MAN
Joel Ruybalid
SAILOR
Charlie Mellor
TWINS
Cielo Ibarrola • Hazuki Kishida
CAST
Thursday, Friday, Saturday – 7:30 p.m.
HOTEL MANAGER
Renee Shubov
NEWSTAND MAN
Tolly Stewart
MAFIA MEN
Cameron Bailey • Troy Santulli
LADIES OF THE ASHES
Charlotte Anub • Aylin Contreras
Dominique Guerra • Chen-Yu Liao
Remy Loren
MEN OF THE ASHES
Bernardo Betancor • Ruei Lin Cheng
Sebastian Marriott-Smith
Alberto Peñalver • Caleb Wire
SWIMMER GIRL
Aria Smith
GREEN GIRL
Renee Shubov
OWL EYES
Charlie Mellor
PARTY LADIES
Savannah Campbell • Sabrina Sierens
PARTY MAN
Jack Ragland
PALLBEARERS
Bernardo Betancor • Ruei Lin Cheng
Sebastian Marriot-Smith
Alberto Peñalver • Tolly Stewart
MAIDS
Emma Longin • Noe Lynds
Eliana Smith
BUTLERS
Garreth Chapple • Bradyn Harris
SPECIAL THANKS TO
Koda The Fluff
CAST
Saturday, Sunday – 2:00 p.m.
JAY GATSBY
Joshua Fickling
DAISY BUCHANAN
Ellie Iannotti
NICK CARRAWAY
John Abenanty
TOM BUCHANAN
Jack Ragland
JORDAN BAKER
Kate Gardinier
MYRTLE WILSON
Renee Shubov
GEORGE WILSON
Cameron Bailey
CATHERINE
Noe Lynds
MR. MCKEE
Charlie Mellor
MRS. MCKEE
Charlotte Anub
WOLFSHEIM
Jaysan Stinnett
WOMEN OF LOUISVILLE
Aylin Contreras • Cielo Ibarrola
Anna Neudorf • Ruri Nonami
Ellarie Price • Aria Smith
MEN OF LOUISVILLE
Bernardo Betancor • Ruei Lin Cheng
Sebastian Marriott-Smith
Alberto Peñalver • Troy Santulli
Caleb Wire
CATERERS
Sebastian Marriott-Smith
Alberto Peñalver • Caleb Wire
GATSBY BULTER
Declan MacIssac
BUCHANNAN MAID
Eliana Smith
POLICEMAN
Alberto Peñalver
BUSINESS MAN
Joel Ruybalid
SAILOR
Nathan Rowell
TWINS
Savannah Campbell • Sabrina Sierens
CAST
Saturday, Sunday – 2:00 p.m.
HOTEL MANAGER
Kenna Gold
NEWSTAND MAN
Garreth Chapple
MAFIA MEN
Ruei Lin Cheng • Troy Santulli
LADIES OF THE ASHES
Charlotte Anub • Remy Loren
Anna Neudorf • Ruri Nonami
Ellarie Price
MEN OF THE ASHES
Cameron Bailey • Bernardo Betancor
Ruei Lin Cheng
Sebastian Marriott-Smith
Charlie Mellor • Alberto Peñalver
SWIMMER GIRL
Maya Fazzari
GREEN GIRL
Kenna Gold
OWL EYES
Nathan Rowell
PARTY LADIES
Dominique Guerra • Hazuki Kishida
PARTY MAN
Thomas Gerhardt
PALLBEARERS
Bernardo Betancor • Ruei Lin Cheng
Sebastian Marriott-Smith
Alberto Peñalver • Tolly Stewart
MAIDS
Emma Longin • Noe Lynds
Eliana Smith
BUTLERS
Garreth Chapple • Bradyn Harris
SPECIAL THANKS TO
Julie Stockton • Pearl
SYNOPSIS
It’s 1917 in Louisville, Kentucky and outside a military base, a young Daisy and Gatsby say goodbye as he departs for the war in Europe. Daisy is left alone, distraught and unsure of what her future holds. Her best friend, Jordan, arrives and convinces her to attend a function at the dance hall in an attempt to lift her sunken spirits. There, handsome polo player Tom Buchanan pursues Daisy, struck by her beauty and initial disinterest. He is relentless and eventually his charisma wins over the vulnerable Daisy.
Five years later in New York City, Nick Carraway steps off the train to begin a new job and spend time with his cousin Daisy, now married to Tom and living in the stylish area of East Egg on Long Island. During Nick’s first visit to the Buchanan estate, he meets Jordan, now a famous golfer, and an emotional Daisy confesses that her life is truly unhappy. A mysterious phone call from Tom interrupts the gathering and throws Daisy into a tirade. Jordan reveals to Nick that Tom has a mistress somewhere in the city.
Nick returns to his bungalow in West Egg, reflecting on the events of the day. At the mansion across the garden, he sees a lone figure gazing over the bay. As the figure moves into the light, he watches Gatsby lost in thought - seemingly pulled toward the green light of Daisy’s dock across the water.
The next day, Tom and Nick take a trip into the city, stopping at a gas station in the Valley of Ashes. In this wasteland between Long Island and New York City, Nick meets George, the mechanic, and his wife Myrtle. It becomes apparent that Myrtle is Tom’s mistress. Soon after Tom and Nick leave, Myrtle makes a scene and departs for the city, leaving a confused and frustrated George behind. Tom and Nick gather Myrtle from the train station in the city and make their way to the apartment Tom rents for their affair. Nick has his first glimpse of the debauchery, infidelity, and abuse surrounding him. A drunk Myrtle, desperate for Tom to leave Daisy, pushes the issue too far and sends Tom into a physical rage.
Later that week, Nick receives an invitation to a party from his mysterious neighbor, Gatsby. Soon caterers begin to arrive, preparing the grounds and mansion. That evening, the infamous spectacle of a Gatsby summer party ignites with lights, music, and an array of extraordinary characters. Jordan is in attendance and escorts Nick into the féte when he arrives. At the end of a magical evening, Gatsby introduces himself to Nick. Having learned from Jordan that Nick is Daisy’s cousin, Gatsby asks Nick to grant him a favor. Nick agrees to the seemingly strange request, and a garden tea party is arranged for Gatsby to see Daisy again.
On the morning of the tea party, Gatsby arrives at Nick’s bungalow early. Usually calm and cool, he is outwardly nervous, fretting over the decor and the weather. Just as Daisy is about to arrive, an anxious Gatsby rushes away, followed by a perplexed Nick. Daisy arrives to a beautiful but empty garden and explores the grounds, wondering why she is there. Nick returns with Gatsby and the two lovers are reunited. Nick leaves them to converse in the garden and after a few awkward moments, the two begin to rekindle the flame of love. When Nick returns, they are euphoric. Gatsby offers Daisy a tour of the mansion, and the two depart. Alone in Gatsby’s bedroom, the passion of their former lives overtakes them.
An abstract scene reflects the storylines of the main characters thus far. Tom and Daisy continue to struggle with their marriage, with Daisy spending more and more time with Gatsby at his mansion. George and Myrtle also continue to fight. George is becoming more suspicious, and Myrtle grows more desperate every day. We are given a glimpse into Gatsby’s history and how Meyer Wolfsheim, an unsavory associate, transformed a young army officer into the Great Gatsby.
The caterers have returned to the Gatsby grounds and are preparing for another summer party. Daisy has convinced Tom to attend, and they arrive with Nick and Jordan for another evening of spectacle. During the party, an overconfident Daisy and Gatsby dance a foxtrot in front of all the guests. Tom begins to suspect the affair, becoming dangerously jealous when he is embarrassed by Gatsby. The evening ends on a dark note, but Daisy sneaks a parting kiss with Gatsby, further fueling his hopes of reclaiming the past.
Daisy has arranged a luncheon at the Buchanan home, inviting Nick and Gatsby to join. Tom, still angry over events of the party, makes his feelings clear. When Daisy begins flirting with Gatsby, Tom begins picking away at the rumors surrounding the man and his questionable rise to fame. When tensions reach a boiling point, Jordan and Daisy decide a trip to the city is in order. Daisy and Gatsby take Tom’s car, while Jordan and Nick depart with Tom in Gatsby’s vehicle. Tom, Nick, and Jordan arrive at the scene of the accident moments later. Tom is beside himself, but cannot show any remorse over the tragic scene. George is in a catatonic state over the death of his wife, his sanity flattering with each passing moment. Tom reveals to him that the yellow car involved is owned by Gatsby, and George vows to seek revenge.
At the Buchanan home, Daisy is in shock. She was driving the car when it struck Myrtle. Overwhelmed with what her life has become, Daisy realizes she has gone too far. When Tom, Nick, and Jordan arrive, she sends her friends away to be alone with Tom. The couple reconcile their marriage. Daisy keeps the truth about Myrtle to herself. Outside the Buchanan house, Nick finds Gatsby hiding in the garden. He is still convinced he can win Daisy back, and that it’s not too late for a future together. Nick, frustrated and distraught over his friends blind ambitions, tries to tell Gatsby he must let it go. Gatsby finally agrees to leave, telling Nick that Daisy promised to call the next day.
The next morning, Gatsby waits by the pool for the phone call from Daisy. Nick checks in on his friend before he departs for work. A shadowy figure appears on the grounds and sees the yellow car. Gatsby, deep in thought, continues to wait for Daisy’s phone call as George steps out from the shadows. He shoots Gatsby and, seconds later, takes his own life. The funeral for Gatsby, arranged by Nick, is a somber affair attended only by the mansion staff and few guests of parties past. Nick reflects on the bizarre and tragic events of the summer - the twisted lives in which he became entangled, the dark and selfish side of society. His only respite is remembering Gatsby and his singular obsession with reclaiming past love - his never-ending hope and unwavering belief.
ARTISTIC DIRECTOR
JORDEN MORRIS Artistic Director
After his dance career, Jorden Morris studied teaching and choreography at Canada’s Royal Winnipeg Ballet (RWB) and later dance and theatre arts at New York University. He trained in French choreography and pedagogy with Claude Bessy and Serge Golovine at the Paris Opera and later with Russian masters Sergei Berejnoi and Tatiana Terekhova at Boston Ballet.
Morris’ elite training led to artistic leadership at RWB where he premiered his first work – an interpretation of Alexander Dumas’ The Three Musketeers. He later joined Boston Ballet’s artistic staff and choregraphed two pieces for Queen Elizabeth II during her visit to Canada.
From 2002 to 2013, Morris served as RWB’s associate school director and was commissioned to create his first, full-length production – Peter Pan, the company’s best-selling production, surpassed only by his Moulin Rouge® the Ballet, whose grand debut required performances to be added.
Morris directed and choreographed Head Start/Feet First, a collaboration between the RWB and intercity academic schools, which resulted in Canada’s popular children’s television show, “The Toy Castle,” in which he also starred. Morris premiered two other works at RWB - The Doorway, inspired by the poetry and voice of Leonard Cohen; and MOA, inspired by the artist Egon Schiele.
While Moulin Rouge® toured the world, Morris’ Peter Pan was being performed by the RWB, Pittsburgh Ballet and Nevada Ballet Theatre.
In 2019, Pittsburgh Ballet Theatre premiered The Great Gatsby, Morris’ glamorous ballet with an original score by composer Carl Davis. Before being named its artistic director, Morris came to Orlando Ballet in 2020 as Artist in Residence and staged three grand ballets. In 2023, he debuted his newest creation, a reimagined production of The Nutcracker, a highlight of Orlando Ballet’s 50th anniversary season.
ARTISTIC TEAM
LISA THORN MORRIS
Associate Artistic Director
As Associate Artistic Director at Orlando Ballet, Lisa Thorn Morris, who joined Orlando Ballet in 2015, has significantly contributed to the success of the professional company’s artistic development.
Lisa enjoyed a 20-year dance career as an artist with the Kansas City Ballet where she performed numerous principal roles by some of the world’s greatest choreographers including favorite roles by Alvin Ailey, George Balanchine, Todd Bolender, August Bournonville, Merce Cunningham, Agnes DeMille, Nacho Duato, Ruth Page, Marius Petipa and Twyla Tharp, to name a few.
While at Kansas City Ballet, Lisa transitioned to serve as Associate Ballet Mistress before being elevated to Ballet Mistress in Residence.
In addition to dancing professionally, Lisa has also choreographed for numerous organizations including Orlando Ballet, Kansas City Ballet, Lyric Opera of Kansas City, Actors Theatre of Kansas City, and the Kansas City Youth Ballet. Lisa’s choreographic skills and success led to her being named 2005’s Emerging Choreographer at the Craft of Choreography Conference.
Lisa earned a bachelor’s degree in fine arts in Dance, graduating Summa Cum Laude from the University of Missouri where she also served as an Adjunct Professor at the Conservatory of Music and Dance.
Lisa also serves as the stager for Artistic Director Jorden Morris’ highly popular ballets including ©Moulin Rouge – the Ballet, Peter Pan, The Great Gatsby, and Deverell. She spent two years as choreographic assistant to Morris in the development and world premiere of his new multi-million-dollar production of The Nutcracker during Orlando Ballet’s 2023-2024 season.
HEATH
GILL Rehearsal Director
Throughout his career, Heath had the opportunity to perform featured roles in a widely varied repertoire that included renowned creators such as: John McFall, Jorden Morris, Christopher Wheeldon, James Kudelka, Twyla Tharp, David Bintley, Jean-Christophe Maillot, Jorma Elo, Val Caniparoli, Helen Pickett, Liam Scarlett, Jiri Kylian, Alexander Eckman, Annabelle Lopez Ochoa, Michael Pink, and Ohad Naharin. Heath received critical acclaim for his performances and was recognized as one of ArtsATL’s “30 under 30” and Dance Magazine’s “25 to Watch”.
In 2017 Heath co-founded Terminus Modern Ballet Theatre in Atlanta, Georgia. Beyond bringing his skills to the stage for TMBT, Gill served on the Board of Directors and as the company’s Production Director and Resident Choreographer. In his time at Terminus, he created many full evening dance works and his production, Marley Was Dead, To Begin With was named “Best Dance Production of 2020” by ArtsATL. He continues to aid the organization in a Board Emeritus role.
Since joining the team at Orlando Ballet, Heath has continued to present and create new works for the company including Confronting Genius, The Next Big Thing, and Memento. He also continues his creative endeavors by serving as a guest choreographer for other companies and as a stager for Kenneth Tindall’s works. Heath has a sincere love for coaching and is thrilled to be passing his skill and love of the artform on to the next generation as Orlando Ballet’s Rehearsal Director.
GUEST ARTISTIC
JULIAN PELLICANO
Guest Conductor
Known for his versatility across a broad spectrum of genres, dynamic interpretations and meticulous technique, American-Canadian conductor Julian Pellicano is a conductor with the National Ballet of Canada, Music Director of Canada’s Royal Winnipeg Ballet and is the newly appointed Music Director of the Okanagan Symphony Orchestra. Bringing an incisive musicality and collaborative spirit to every performance, he has built a wideranging international career leading the Winnipeg Free Press to proclaim that “his versatility is truly astonishing.”
Associate conductor of the Winnipeg Symphony Orchestra from 2013 - 2024, Julian conducted hundreds of performances on all of the orchestra’s various series, contributed to the development of the orchestra’s programming and established himself in the community as an ambassador for the WSO. As a guest he has conducted orchestras and ballet companies across North America and abroad.
Highly experienced with live-to-film performances, Mr. Pellicano’s film project credits encompass more than 35 titles, including many legendary films scored by John Williams, recent blockbusters, and classic films of the “Golden Age” of Hollywood.
Julian Pellicano studied conducting at the Yale School of Music with Shinik Hahm and he studied percussion at the Peabody Conservatory, the Royal College of Music in Stockholm, Sweden, and at the Yale School of Music. As a percussionist, he has performed in concert halls and festivals in North America, Europe and Asia. He also holds a degree in philosophy from The Johns Hopkins University
ORLANDO
VIOLIN 1
Rimma Bergeron-Langlois
Annabelle Gardiner
VIOLIN 2
Alexander Stevens
Victor Ferroni
VIOLIN 3
Sacha Phelps
Joni Hanze
VIOLA
Joseph Henderson
Douglas Pritchard
CELLO
Ronald Gardiner
Jonathan Stilwell
BASS
Don-Michael Hill
FLUTE/PICCOLO/ALTO FLUTE
Colleen Blagov
OBOE/COR ANGLAIS
Jamie Strefeler
CLARINET/ALTO SAXOPHONE/FLUTE
Seok Hee Jang
Carrie Wiesinger
TENOR SAXOPHONE/ SOPRANO SAXOPHONE/ CLARINET
Joshua Hollenbeck
ALTO SAXOPHONE/ BARITONE SAXOPHONE/ CLARINET
Richard Wertz
HORN
Kathleen Thomas
Mark Fischer
TRUMPET
Daniel Kassteen
Matt Pieper
Thomas Macklin
TROMBONE
Jeffrey Thomas
BASS TROMBONE
Brian Brink
TUBA
Robert Carpenter
TIMPANI
Carl Rendek
PERCUSSION
Mark Goldberg
Kirk Gay
PIANO/CELESTA
Angelyn Chen
HARP
Haley Rhodeside
GUITAR
Christopher Belt
ORLANDO BALLET COMPANY
CHARLOTTE ANUB
JOHN ABENANTY
Born in New York, John Abenanty is a graduate of The Harid Conservatory. He was the first American principal dancer of the Sofia National Opera & Ballet and has toured to many countries. John is also a laureate of the Varna International Ballet Competition and a USA IBC finalist. He is in his fifth season with Orlando Ballet.
Originally from New York, Charlotte Anub trained at New York Theatre Ballet School and became an apprentice at 14, performing works by Limón, Tudor, Cunningham, and Whiteside. She later joined Pacific Northwest Ballet’s Professional Division, dancing Balanchine repertory. This is her first season with Orlando Ballet.
CAMERON BAILEY
Born in England, Cameron Bailey trained at the Royal Ballet in the junior associate program, followed by joining Elmhurst Ballet School. Representing the UK at the 2017 Cecchetti International Ballet competition, he earned a scholarship with Oklahoma City Ballet and later graduated from English National Ballet School. He is in his third season at Orlando Ballet.
BERNARDO BETANCOR
Raised in the Canary Islands, Bernardo began dancing at the age of four and in 2015 moved to Madrid to train under Victor Ullate. In 2017 he joined The Washington School of Ballet, followed by English National Ballet earning a Level 6 Diploma in Dance and Choreography from Trinity College. In 2022, he joined Les Grands Ballets Canadiens in Montreal, performing for three seasons. This is his first season with Orlando Ballet.
SAVANNAH CAMPBELL
Originally from Illinois, Savannah relocated to Florida at age twelve and trained at Orlando Ballet School. She joined Sarasota Ballet, advancing from trainee to main company member. Her performance highlights include principal in Renato Paroni’s Rococo and featured appearances in George Balanchine’s Serenade, Who Cares?, and Western Symphony This is her first season with Orlando Ballet.
ORLANDO BALLET COMPANY
MAYA FAZZARI
ISRAEL ZAVALETA ESCOBEDO
Born in Mexico, Israel Zavaleta Escobedo is a proud Orlando Ballet School alumnus. Prior to attending Orlando Ballet School, he received training from his family’s dance company Ballet Folklorico Texcoco de Noe Zavaleta. He is in his eighth season with Orlando Ballet.
Born in Canada, Maya Fazzari trained at Canada’s National Ballet School. Following her graduation in 2021, she joined their post-graduate program and performed with the National Ballet of Canada. She joined OBII in 2023, and this is her second season with Orlando Ballet.
KATE GARDINIER
JOSHUA FICKLING
Born in Meltham, England, Joshua Fickling trained at The Royal Ballet School and later with Mentors in Ballet Education, where he earned Diplomas in both the Enrico Cecchetti Method and Dance Education. He has performed with Birmingham Royal Ballet, The McNicol Ballet Collective, and The Sarasota Ballet of Florida. This is his first season with Orlando Ballet.
Born in Pittsburgh, Kate Gardinier trained at the Washington School of Ballet’s Professional Training Program where she had the opportunity to perform under the direction of Julie Kent. She joined OBII in 2021. She is in her fourth season with Orlando Ballet.
THOMAS GERHARDT
Born in England, Thomas Gerhardt trained at the Royal Ballet School White Lodge. He soon joined the Royal Ballet Upper School and worked with choreographers Ashley Page, Carlos Acosta, and the Birmingham Royal Ballet. He is in his fourth season with Orlando Ballet.
ORLANDO BALLET COMPANY
DOMINIQUE GUERRA
KENNA GOLD
Born in California, Kenna Gold trained at The Rock School on a full scholarship. She joined Orlando Ballet in 2018 as a trainee and has since danced numerous lead roles. She is in her fifth season with Orlando Ballet.
Born in South Carolina, Dominique started her training at Ballet Spartanburg in South Carolina. She also received training from Pittsburgh Ballet Theatre and Pacific Northwest Ballet. Before joining Orlando Ballet, she danced with United Ballet Theatre’s company as a company member. She is thrilled to begin her second season with Orlando Ballet.
ELLIE IANNOTTI
Born in New Jersey, Ellie Iannotti trained at The Rock School for Dance Education, and later became a part of ABT’s National Training Scholar program. She then attended the ABT Jacqueline Kennedy Onassis School on scholarship for a year before joining OBII. She is in her fourth season with Orlando Ballet.
CIELO IBARROLA LEON
Born in Paraguay, Cielo Ibarrola trained at the Miami City Ballet School Pre-Professional Program, graduating in 2022. Joining OBII in 2022, she was then promoted to Apprentice. She has performed in Western Symphony (MCBS) and Paquita (OBII). She is in her third season with Orlando Ballet.
HAZUKI KISHIDA
Born in Canada, Hazuki Kishida trained at the Victoria Academy of Ballet and graduated from their Post-Secondary Bridge Program in 2022. Upon graduation, she joined OBII and was later promoted to Apprentice for the 23/24 season. She is in her third season with Orlando Ballet.
ORLANDO BALLET COMPANY
REMY LOREN
Originally from California, Remy Juliette Loren trained at Ballet Arte and held trainee positions with Philadelphia Ballet and Joffrey Ballet. She performed works by Christopher Wheeldon and Kathy Marston and attended summer programs with San Francisco Ballet, ABT, Royal Ballet School, and Dutch National Ballet. This is her first season with Orlando Ballet.
CHARLIE MELLOR
SEBASTIAN MARRIOTT-SMITH
Born in England, Sebastian Marriott-Smith trained at the Royal Ballet School, later graduating from English National Ballet School where he worked with Tamara Rojo on the World Premiere of her production, Raymonda. He joined Orlando Ballet in 2022 as an OBII. He is currently in his third season with Orlando Ballet.
Born in England, Charlie Mellor trained at Tring Park School. There, he secured first place at the Cecchetti Children’s Awards at Sadler Wells and is a Mabel Ryan Junior Award runner-up. His TV debut in BBC Young Dancer of the Year showcased a La Fille Mal Gardee pas de deux. He is in his fourth season with Orlando Ballet.
ALBERTO PEÑALVER
HITOMI NAKAMURA
Born in Japan, Hitomi started her training at Kaneta Kono Ballet Academy, then she moved to the states and trained with Houston Ballet Academy. She joined OBII and was promoted to apprentice in 2014. Since joining the company, she has performed several principal roles. This is her twelfth season with Orlando Ballet.
Born in Spain, Alberto Peñalver trained at the Conservatorio Profesional de Danza of Murcia, John Cranko Schule, and School of American Ballet. He was a Tulsa Ballet II member before becoming a Company Dancer at Ballet Arizona. He is in his fourth season with Orlando Ballet.
ORLANDO BALLET COMPANY
NATHAN ROWELL
JACK RAGLAND
Born in South Carolina, Jack trained at South Carolina Christian Dance Theatre and attended summer programs at Charlotte Ballet, University of SC Dance Conservatory and Pennsylvania Ballet. Jack was invited to The Youth America Grand Prix Finals in 2021 as well as being invited to perform in the Danza en Arte a Pietrasanta Festival. This is his second season with Orlando Ballet.
Born in Oregon, Nathan Rowell trained at Houston Ballet Academy and then later at Texas Ballet Theatre. He joined Orlando Ballet in 2019 as an OBII. He is currently in his fifth season with Orlando Ballet.
RENEE SHUBOV
TROY SANTULLI
Originally from Massachusetts, Troy Santulli trained at Boston Ballet School and performed in Mikko Nissinen’s The Nutcracker, Swan Lake, and Giselle. He danced with Kansas City Ballet II in works by Lila York, Michael Pink, and Tomm Ruud; with Texas Ballet Theater in ballets by Ben Stevenson, O.B.E.; and with Milwaukee Ballet in productions by Kenneth Tindall, Michael Pink, and Mark Godden. This is his first season with Orlando Ballet
Born in New York, Renee Shubov started her training at the Academy of Dance Arts in New Jersey. At 14, she moved to Houston to train at Houston Ballet Academy. After two years, she joined Houston Ballet II under the direction of Claudio Muñoz. In 2023, Renee joined OBII. She is in her second season with Orlando Ballet.
SABRINA SIERENS
Born in Michigan, Sabrina Sierens started dancing at the Ann Parsley School of Dance. She then continued her training at The Rock School for Dance Education in Philadelphia where she graduated under Peter Stark and Stephanie Spassoff. She joined Orlando Ballet as an OBII in 2023. She is in her second season with Orlando Ballet.
ORLANDO
ARIA SMITH
Born in Southern California, Aria Smith began her training at Maple Conservatory of Dance. At 10, she joined Ballet West Academy where she participated in many performances. Aria graduated frotm the Ballet West Professional Training Division in 2022 and joined OBII that fall. She is in her second season with Orlando Ballet.
JAYSAN STINNETT
Born in Tennessee, Jaysan Stinnett trained at the Thomas Armor Youth Ballet in Miami, followed by additional training at the Harid Conservatory. He garnered full scholarships for various prestigious summer programs. He is currently in his seventh season with Orlando Ballet.
EMMA LONGIN
SHANNON MCNIVEN
DECLAN MACISAAC
JAIME MONROY
CHEN-YU LIAO
RUEI LIN CHENG
ANNA NEUDORF
ELIANA SMITH
RURI NONAMI
ELLARIE PRICE
TOLLY STEWART
AYLIN CONTRERAS
NOE LYNDS
RILEY POLLACK
CALEB WIRE
Back row - left to right: Joel Ruybalid • Garreth Chapple • Bradyn Harris
Middle row - left to right: Viktoriia Kovyreva • Miyu Takasawa
Rachel Cravener • Mallory Baggs • Mia Bianchi • Regina Osorio Cabiedes
Sara Marin • Sadie Kern
Front row - left to right: Maya Cohen • Rei Yanagishima • Natalie DuCharme Kotono Suzuki
*Not pictured: Laura Sonnek
BOARD OF DIRECTORS
OFFICERS
PRESIDENT
Jonathan Ledden Private Investor
VICE PRESIDENT
Jayne Willis DNP, RN UCF College of Nursing
TREASURER
Jean Grono-Nowry Massey Services, Inc.
SECRETARY
Angie Jernigan Orlando Health — Jewett Orthopedic Institute
DIRECTORS
Margaret Shan Atkins Independent Corporate Director
Jaleh Benner The Scout Guide Orlando
Sandor Bondorowsky Total Media Productions, Inc.
Meredith Cook Scientia Global Consulting
M.C. Cravatta Foley & Lardner, LLP
Jennifer Curry Siemens Energy
Colte Debbouza-Suggs É poque, Inc.
Ekta Desai Schenkel Shultz Architecture
Keri Holliday PNC Private Bank
Eric Horner Eric Horner Interiors
Andrew Howell Tropical Smoothie Cafe
Kelley Irby Orlando Magic
John A. “Skip” Kirst Jr. Collado Real Estate
Diane Kuhl Development Consultant
Keith Lashley HKS Architects
Krista Ledden Community Volunteer
Jennifer Lowndes Holland & Knight
Erich S. Maschhoff Truist
London Ott City of Orlando
Geanne Share Community Volunteer
Richard J. Skaggs USF Credit Union
Yadhira Sollberger Community Volunteer
Robert Suchor Truist
Lisa Westlake Independent Corporate Director
David Withee J.P. Morgan
EX-OFFICIO
Jorden Morris Artistic Director
Bradley Renner Executive Director
Rebekah Essick Co-Chair Orlando Ballet Ambassadors
Kara Howell Co-Chair Orlando Ballet Ambassadors
Lizette Valarino Chair, Amigos del Orlando Ballet
FOUNDERS
Barbara Riggins
Kip Watson
Patti Watson Walsh
DIRECTORS EMERITUS
John A. “Skip” Kirst Jr. Krista Ledden
STAFF
ARTISTIC
Jorden Morris .........................................................................................................................................................Artistic Director
Lisa Thorn Morris .............................................................................................................................. Associate Artistic Director
Heath Gill Rehearsal Director
Amado Bobadilla Company Pianist
Angelyn Chen Company Pianist
ADMINISTRATIVE
Bradley Renner Executive Director
Katherine Fabian .............................................................................................................................................. Managing Director
Jen Flood............................................................................................................................................ Director, Marketing & Sales
Kim Sydebrant Controller
Alyssa David Director of Events
Melinda Rutland Major Gifts Officer
Helen Preston Individual Giving Officer
Noelle Park Individual Giving Manager
Anna Tanzilla Grants Manager
Richard Elo Facilities Manager
Patrick Ingram ...................................................................................................................... Manager, Group Sales & Ticketing
Maureen Walsh ......................................................................................................... Manager, Marketing & Communications
Mal Clark Graphic Designer
Jamie Gillies Retail Specialist
Noelle Malfa Marketing Coordinator
Francis Mihm Philanthropy Coordinator
Jackie Nash Gill Executive Assistant & Board Liaison
Kirsten Smith Coordinator, Ticketing Concierge & Consumer Insights
Bekki Tyler Accounting Specialist
PRODUCTION
John Beaulieu Director of Production
Cecilia de Erausquin Production Stage Manager
Alex German Company Manager & Assistant Stage Manager
Eddy Frank Fernandez Costume Director
Norelis Dean Wardrobe Supervisor
Gina Makarova OBS & Community Enrichment Wardrobe Coordinator
Ani Boer ...................................................................................................................................................................... Shoe Manager
EDUCATION
Chris Alloways-Ramsey Director of Education
Jenny Logus School Administrative Manager
Victoria Sarau Sr. Manager of Educational Operations
Shane Bland Head of Community Enrichment
Amyia Burrell Head of Young Dancer Program
Gonzalo Espinoza ......................Assistant to the School Director, School Choreographer, & Principal OBII Teacher
Natasha Glos .............................................................. Principal Teacher, Repetiteur for the Academy, & Principal Coach
Kim Marsh Head of Preparatory Training Center & Certification
Sofia Tsutsakova-Abenanty Principal Teacher, Company Liaison for OBS, & Methodologist
Chandler Blum Community Enrichment Coordinator
Aless Kendrick Fitness Thru Dance Coordinator
Kayla Reyburn School Admin & Summer Intensive Coordinator
Melissa Miller Front Desk Assistant
Susan Swain Front Desk Assistant
Carlie Miles ................................................................................................................................................... Front Desk Assistant
FACULTY MEMBERS
Allison Baber • Ani Boer • Lisa Buono • Andrea De Faria • Dion Leonhard DiDonna • Jenny Dzuranin
Heather Fryxell • Bonnie Gombos • Gina Hatch • Monica Heinz • Elaine “Lanie” Hoxie • Patrick Ingram • Zoe Khoury
Krista Ledden • Annie Lewis • Shawn Lowe • Mila Makaroff • Brittany Marcell Monachino • Susan Olson
Elizabeth Shook-King • Jessica Springer • Heidi Towle • Stephanie Towle • Mariana Tzanova • Giovanni Villalobos Randee Workowski
TEACHING ARTISTS
Amelia Anderson • Anneke Belman • Jasmine Burelsmith • Dion Leonhard DiDonna • Anna Diaz • Andrea Faria
Heather Fryxell • Bonnie Gombos • Gina Hatch • Robert Kelley • Christy Kowal • Abigail Krefta • Chloe Lawrence
Brittany Lebida • Cyndi Litz • Shawn Lowe • Patricia Marijanich • Abigail Markel • Brittany Monachino
Nicole Moran • Valerie Poku • Jazlyn Ruiz • Mares Sanchez • Rebecca Sanderlin • Elizabeth Shook
Jessica Springer • Julia Vinez • Madeline White • Sydnie Zvolenski
A STANDING OVATION
Orlando Ballet celebrates the retirement of company member Israel Zavaleta Escobedo following eight seasons of artistry.
Israel Zavaleta Escobedo began his dance career at age 15 a er leaving Mexico, his parents, and little brother to train at Orlando Ballet School having been invited by teacher Olivier Munoz. He spent about 1.5 years at the school before joining the ballet’s second company. Speaking no English, the teen let his artistry do the talking but also credits Orlando Ballet instructor Gonzalo Espinoza for helping him learn English and adjust to his new life.
“It was all very scary because I didn’t know anyone here, didn’t know the language, and I didn’t know the culture,” he recalls, adding that there were times when he would call his mom and share the di culties of his new life. “I thought, I just want to go home. I can’t make it.” But he also remembered how his mother who, with Israel’s father, drove him on a daily, four-hour round trip to ballet lessons. Because of this, Israel stated, “I knew that I just couldn’t quit.”
His rst featured role was the Candy Cane solo in Robert Hill’s production of The Nutcracker, a high-pro le role for an OBII dancer. Soon a er, he received his contract with the company, a transition Israel describes as “meaningful.”
His commitment paid o . His rst principal role was as Mowgli in Orlando Ballet’s 2021 production of The Jungle Book, a career highlight. The role required a good deal of acting and a bit of courage; his entrance involved swinging upside down on a vine across stage. “It was so much fun!”
Now, at age 26, a er a near decade on stage, Israel has matured along with his priorities. The time is right, he says, for a new chapter. His nal performance with Orlando Ballet will be as Nick Carraway in Jorden Morris’ production of The Great Gatsby, one of Israel’s favorite roles.
Israel expresses profound gratitude to Artistic Director Jorden Morris and Associate Artistic Director Lisa Thorn Morris for their encouragement. Also to Orlando Ballet in general for the opportunities to progress through Orlando Ballet School, second company, and ultimately into the professional company. He adds that he remains grateful to the audiences, his fellow dancers, and the ballet board for their support.
It’s no surprise that he will continue to work in the art form. For the past several seasons, Israel has captured Orlando Ballet’s promotional photography, creating the striking imagery that brings each production to life.
Perhaps his most transformative experience was meeting and marrying former dancer Kellie Fulton, with whom he was partnered in The Great Gatsby.
Israel says his focus now is to be a good husband, build a life with Kellie, continue to grow professionally, and try new things. “I came here with a big suitcase full of dreams, hoping for the best, so all of this is way beyond what I expected.”
“Orlando Ballet is not just a company for me; it is an actual family.”
VOLUNTEER MEDICAL TEAM
Primary Care Sports Medicine
Medical Director
Elizabeth Davis-Houston, MD
Orlando Health Jewett Orthopedic Institute
Sports Medicine
Orthopedics
Steven C. Choung, MD
Orlando Health Jewett Orthopedic Institute Foot and Ankle
Orthopedics
Michael Jablonski, MD
Orlando Health Jewett Orthopedic Institute Knee, Hip and Shoulder
Performance Health Specialist
Courtney Butler, LAT, ATC
Orlando Health Jewett Orthopedic Institute
Athletic Trainer/Sports Medicine Supervisor
Performance Health Specialist
Alexa Keener, LAT, ATC
Orlando Health Jewett Orthopedic Institute
Athletic Trainer/Elite Athlete Liaison
Performance Health Specialist
Amanda Williamson, PT, DPT, CSCS
Orlando Health Jewett Orthopedic Institute
Physical Therapist
Performance Health Specialist
Karyn Proehl, PT, DPT
Orlando Health Jewett Orthopedic Institute
Physical Therapist
Sports Nutrition
Katelyn Tribble, RD
Orlando Health Jewett Orthopedic Institute
Registered Dietitian
Family Medicine
Caroline Nguyen-Min, MD
Orlando Health Medical Group
Primary Care
ENT
Michael Bibliowicz, DO
Orlando Health Medical Group Ear, Nose and Throat
Plastics
Saulius Jankauskas, MD
Orlando Health Medical Group
Plastic and Reconstructive Surgery
Chiropractic
Sabrina Atkins, DC
Orlando Sports Chiropractic
Obstetrics and Gynecology
John Van Wert, MD
Premier Obstetrics & Gynecology
Obstetrics and Gynecology
Christine C Greves, MD
Orlando Health Medical Group
Obstetrics and Gynecology
Dental
Timothy Lane, DDS
Distinctive Dentistry on Maitland
Dental
Charles Cuprill, DMD, NMD, IBDM, FIAOMT, FIABDM, FICOI, AFAAID, SMART cert
Orlando Holistic Dental Studio
Endodontics
Keith G. Kanter, DDS Endodontist
Orthodontics
David L. McIntosh, DMD McIntosh Orthodontics
Vision
Brian D. Haas, MD Boutique Eye Orlando
Podiatry
Lori A. Grant, DPM
Orlando Health Medical Group Podiatrist
Sports Psychiatry
Edward Singh, MD
Orlando Health Medical Group Psychiatrist
Founder of the Volunteer Medical Team
Marilyn Roofner
WHEN OUR DOCTORS SEE YOU, THEY SEE THEMSELVES.
And not just our doctors. Our entire team leads with empathy to deliver personal care you can feel.
WHAT SETS US APART: OUR ORLANDO BALLET FAMILY
Orlando Ballet is more than a company—it is a movement, a family, and a force of artistry that transcends borders and generations. None of it would be possible without you — our generous donors, whose support fuels everything we do. Thanks to you, our 27 company dancers from seven countries, along with 16 dedicated OBII dancers, can bring world-class performances to life, captivating audiences and inspiring the next generation of artists.
Your generosity extends beyond the stage and into our Academy, where we welcome students as young as 18 months and nurture aspiring pre-professionals toward their dreams. Because of you, 35% of our Academy graduates earn a coveted trainee position, 20% of those trainees rise to our second company, and 80% of our company dancers once stood in the very same second company ranks— a testament to the power of the opportunities you provide.
The impact doesn’t stop there. Through 140 residencies held by our 25 teaching artists, we have reached over 1,800 individuals, from age four to an inspiring 103-year-old. Our talented instructors have traveled more than 40,000 miles, ensuring that dance is accessible to all. Thanks to you, we’ve been able to provide over 900 pairs of ballet shoes to the community, creating small steps that lead to big dreams.
Your support isn’t just a donation—it’s the heart of our mission. Every performance, every class, and every life we touch is because of you. From the stage to the studio, from the youngest dreamers to the most seasoned professionals, your generosity makes it all possible.
This is the impact of your giving. This is Orlando Ballet, made possible by you.
DONOR SPOTLIGHT
We proudly support the Orlando Ballet because it represents the very best of what the arts bring to a community: beauty, discipline, storytelling, and inspiration.
Ballet is more than a performance to us. It is a living art form that requires extraordinary dedication, sacrifice, and grace. The dancers of the Orlando Ballet embody these qualities every time they step on stage. Their commitment, athleticism, and artistry deserve not only admiration, but active support.
We believe in dressing up and showing up – honoring the tradition of ballet as an elevated cultural experience while welcoming others to discover its magic.
The Orlando Ballet creates an environment where elegance and accessibility coexist, allowing audiences of all ages and backgrounds to experience world-class performances right here in our community.
Supporting the Orlando Ballet also means investing in education and outreach. By helping bring ballet to the community, we are nurturing creativity, discipline, and confidence in young people and ensuring that future generations have access to the arts. These programs strengthen our cultural fabric and make Orlando a more vibrant, enriched place to live.
Above all, we support the Orlando Ballet because art matters. It connects us, moves us, and reminds us of what is possible when passion and purpose meet. We are honored to stand behind an organization that uplifts its artists, inspires its audiences, and keeps the timeless beauty of ballet thriving in our community.
With gratitude and admiration, – Dr. Marc and Nancy Sharfman
THE BALLET FUND
ORLANDO BALLET DONOR LIST
The Artists, Board of Directors, students, families, and staff at Orlando Ballet Company and School extend heartfelt thanks to the generous individuals, foundations, corporations, and government agencies whose support continues to allow us to fulfill our mission to entertain, educate, and enrich through the highest quality of dance.
HARRIETT’S LEGACY SOCIETY
Includes individuals who have made a commitment to support Orlando Ballet with a planned gift.
Wally Harper*
Anne France Henriquez*
Krista & Jonathan Ledden
The Lesniak & Franklin Family Trust
Frank Santos & Corbett Compel
LEADERSHIP CIRCLE
Mission Visionary | $250,000+
City of Orlando
Orange County Government Arts & Cultural Affairs
Orlando Health
United Arts of Central Florida
Mission Benefactor $100,000+
Edyth Bush Charitable Foundation
Laurence & Sue Costin
Abdel & Colte Debbouza-Suggs
Dr. Phillips Charities
Florida Dept. of State Division of Arts & Culture
Madison W. (Matt) Gay, MD
Krista & Jonathan Ledden
The More Good Fund
Mission Builder | $50,000+
Frontline Insurance/Lanier & La Voyce Porter
Harvey & Carol Massey Foundation
Massey Services, Inc.
McIntyre & Skaggs Charitable Trust
Paquin Public Relations
Think Integrated
Total Media Productions
John & Lisa Westlake
Mission Investor | $25,000+
Margaret Shan Atkins & James Edward Erbs
Bunco Roll for a Cause
Andrew & Mykl Dunning
Diane N. Kuhl
The Lesniak & Franklin Family Trust
The Mall at Millenia
Bert W. Martin Foundation
JB Maverick Beverage Company of Florida
Elizabeth Morse Genius Foundation
The Pargh Foundation
PNC Private Bank
*indicates deceased
Rehmann
John Ruffier
Frank Santos & Corbett Compel
The Shubert Foundation
Dr. Stephen Summers and Jonathan Devine
Truist
Truist Foundation
Al & Brea Weiss
David Yurman
Lawrence & Laura Zirbel
Choreographer's Circle | $10,000+
Anonymous
Addition Financial
Cheryl Bartch
Amanda & Sam Bergman
Blacktip
Celebration Obstetrics & Gynecology Associates, PA
Beatriz & Erick Collado
M.C. & Katlin Cravatta
Ekta Desai & Daniel Laggan
Andrea Eliscu
David A. Straz, Jr. Foundation
FAIRWINDS Credit Union
Florida Blue Foundation
Ginsburg Family Foundation
Ronald Ginsburg & Santiago Corral
Greenberg Traurig
Helius Fund
Angel Houck
Dr. Stephen & Ruth Ann Heller
Skip Kirst & Eric Hogan
Andrew & Kara Howell
Dave & Eydie MacInnis
Jay & Traci Madara
The Chesley G. Magruder Foundation
The Martin Andersen - Gracia Andersen Foundation Inc.
McCoy Federal Credit Union
MidFlorida Credit Union
Pabst Steinmetz Foundation
Partners Federal Credit Union
Rachel & Darren Pierce
Jack Pine
Robert Parris & Bradley Renner
Steve Ruoff
Melinda Rutland
Dr. Paola Sanz-Guerrero & Mr. Rolando Sanz-Guerrero
Geanne & Adrian Share
Dr. Marc & Nancy Sharfman
James & Grecia Sixsmith
THE BALLET FUND
Paige & Gokul Solai
Guillermo & Yadhira Sollberger
Andrew & Elyse Starling
The Tiedtke Family
USF Credit Union
Jayne & John Willis
Nancy & Bill Yarger
Wendy & Jeffrey Yu
Principal's
Circle | $5,000+
&Barr
Ronald & Lynne Bergman
James Bowden, Jr. & Paul Oppedisano
Bettina Buckley & Oscar Shearer
Dr. Wei-Shen Chin
Bonnie & Van Church
Jay M. & Hillary S. Cohen
Richard & Claudia Debler, San Angel Inn LLC
Rose & Rafael DeTorre
DG Brungard Foundation
Marjorie & Joe Eubank
Christopher & Ginger Flynn
Foley & Lardner, LLP
Lynn Geary
Sharon Ginsburg
Sandi & Pete Goldish
Andrea & Don Goodman
Eric Horner & John Hamilton
Sonya Hough*
George A. Kalogridis & Andrew G. Hardy
Larry Kellogg & Cathy Roth
Gary Lambert & Shawn Hunt
Dr. Lynn Lee
Jennifer Lowndes & Tim Boeth
M Family Foundation
Erich & Danelle Maschhoff
The Mayflower
Melcher Family Foundation
The Munro Family
The Norris Family Foundation – In Memory of Peg Norris
Aurelia Nowak Nugent
Orlando Magic
Michelle & David Peck
David L. Poff
Roy & Eileen Putrino
Linda & Lou Rappaport
Gina & Paul Rice
Debby & Ron Robinson
Carole Rubin
Lesley & Barry Rubin
David Simon & Melissa Mull
Andrew Snyder and Christopher Nemethy
Blaine & Rebecca Sweatt III
Tamara L. Trimble
Ciara Univers & Thomas Hall
Theodora Uniken Venema
Alvin & Marlene Urena
Soloist's Circle | $3,000+
Anonymous
Keith & Eleanor Ackermann
Russell P. Allen
Jody & NiCole Barry
Stacey & Andy Beu
Waggoner Foundation in memory of Robert Waggoner
Central Florida Foundation
Cheryl & Tom Collins
Citrus Club
Duke Energy Foundation
Ted Edwards & Nikki Seybold
Catherine A. Faircloth
Rachel & Rob Gebaide
Germaine Bruyere Haserot Fund for the Arts
James & Fredel Goodrich
Jean Grono-Nowry
Humana Foundation, Inc.
Dr. Diane M. Jacobs
Eliza & Matt Juliano
Joshua Kolbert
Marilyn & Robert Lange
Kency & Rose Ellen Mocombe
The Neitzel Family
Dr. Ron & Nina Oppenheim
Dr. Brian Price & Paul Anagnostos
Selby Prince
Renaissance Charitable Foundation Inc.
Mr. & Mrs. Charles Simpson
Carolyn & Frank Stansberry/ Coca Cola
Bruce & Martha Wittbrodt
WillowWynd
Corps de Ballet Circle | $1,500+
Anonymous
Anne & Scott Allen
Linda Cone Allen
Phil & Jennifer Anderson
George & Leslie Andreae
Donna & Crawford Barley
Beth Barnes & John Crocitto
Ed & Susan Baxa
Andrew Benz & Isabella McKnight
Angelo & Theresa Boer
Regine Bonneau & Elyh Saint-Hilaire
Dr. Stephen Brooks
Kathrine Conroy
Dr. Elizabeth Davis-Houston & Mr. Kyle Houston
Walt Disney World Resort
Deprez Fund
Ed & Janas Durkee
Dr. Perry & Eileen Dworkin
Elaine Berol Taylor & Scott Bevan Taylor Foundation
Dykes & Lisa Simonton Everett
Nancy Flint
THE BALLET FUND
Sue Foreman
Jane & Charlie Gibbons
Stephanie & Samuel Graham
Andrew & Monica Hand
Roseann Harrington
Jason & Carol Hendren
David & Sharon Henry
Peggy Hilbrich
HKS Architects, Inc.
Steven & Keri Holliday
I.A.T.S.E. Local 835 in Memory of Our Dear Friend
Charles Bruno
Dr. Diane M. Jacobs
Angie Jernigan
Michael & Aimee Kakos
Mary F. Kelsh
Janet & Lester Knispel
Rachael & Eric Kobb
Lucy Langfield
Cheryl & David Loft
Susan & Nicholas Menand
Dr. Alfonso Migliara Jr.
Michael Moore
John Niss & Lisa Mouton
Capt. Steven Nakagawa
Dw Phineas Perkins
Lisa & Jeffrey Phillips
Eddie & Melanie Pipkin
John & Lynne Pirrie
Gaia Prete
Derrick & Sarah Rende
Ann & Rainer Richter
Nicholas Riippa & Dominic Del Brocco
John & Monica Rivers
Craig Robbins
Maria Rubin
Dr. Richard & Irene Sandler
Jim & Valeria Shapiro
Dr. Marilyn Shapiro
Jacob Stanton
Stephen M. Brooks MD Charitable Fund
Randall Sumner & George Mabry
Leslie J. Temmen
Dylan & Dana Thomas
Justine & Roger Thompson
Ms. Renee Thompson
Leila Edgerton Trismen
Thomas & Debra Tschopp
Paul & Madeleine Vilmos
Michael & Diane White
Emily & Zane Williams
Joseph Wise & Derek Scott
Maria & Christopher Sutorik
Robert Webb & Stanley Whittington
David & Diane Withee
Mr. & Mrs. Zeinfeld
*indicates deceased
Corporate, Foundation, and Government Supporters | $3,000+
Addition Financial
&BARR
Blacktip
Bunco Roll for a Cause
Celebration Obstetrics & Gynecology Associates, PA
The Chesley G. Magruder Foundation, Inc.
Central Florida Foundation
City of Orlando
Coca Cola
David A. Straz, Jr. Foundation
David Yurman
DG Brungard Foundation
Dr. Phillips Charities
Duke Energy Foundation
Edyth Bush Charitable Foundation, Inc.
Elizabeth Morse Genius Foundation
FAIRWINDS Credit Union
Florida Blue Foundation
Foley & Lardner LLP
Frontline Insurance /Lanier & La Voyce Porter
Germaine Bruyere Haserot Fund for the Arts
Ginsburg Family Foundation
Greenberg Traurig
Harvey & Carol Massey Foundation
Helius Fund
Humana Foundation, Inc.
JB Maverick Beverage Company of Florida
The Martin Andersen - Gracia Andersen Foundation Inc.
Massey Services Inc.
The Mayflower
McCoy Federal Credit Union
MidFlorida Credit Union
The More Good Fund
The Norris Family Foundation
Orange County Government Arts & Cultural Affairs
Orange County Public Schools
Orlando Health
Orlando Magic
Pabst Steinmetz Foundation
The Pargh Foundation
Partners Federal Credit Union
PNC Private Bank
Rehmann
Renaissance Charitable Foundation Inc.
Russell's On Ivanhoe
San Angel Inn LLC
The Shubert Foundation
Florida Dept. of State Division of Arts & Culture
Truist
Truist Foundation
Think Integrated
Total Media Productions
United Arts of Central Florida
USF Credit Union
ORLANDO BALLET VISIONARIES
Orlando Ballet is grateful for the long-term support of benefactors who have helped sustain our mission and vision. Special thanks for the distinguished circle of donors whose $100,000+ cumulative commitments shape the legacy and future of Orlando Ballet.
The Anna F. Henriquez Management Trust
Margaret Shan Atkins & James Edward Erbs
Bert W. Martin Foundation
Susan Bounds
Chesley G. Magruder Foundation, Inc.
City of Orlando
Laurence & Susan Costin
Darden Restaurants, Inc
Abdel & Colte Debbouza-Suggs
Ava & Art Doppelt
Dr. Phillips Charities
Robert & Tricia Earl
Edyth Bush Charitable Foundation
Andrea Eliscu
Elizabeth Morse Genius Foundation
Estate of Wallace G. Harper
Florida Blue Foundation
Florida Dept. of State Division of Arts & Culture
Mrs. Laraine Frahm
Frontline Insurance
Madison W. (Matt) Gay, MD
Ginsburg Family Foundation
Harriett Lake Family Trust
Harvey & Carol Massey Foundation
Diana & Johnny Holloway
Mr. Ford Kiene
Lamm & Co. Partners
Krista & Jonathan Ledden
Marc & Sharon Hagle Charitable Operating
The Martin Andersen - Gracia Andersen Foundation Inc.
Massey Services, Inc.
McIntyre & Skaggs Charitable Trust
The More Good Fund
Orange County Government Arts & Cultural Affairs
Orange County Public Schools
Orlando Health
Orlando Magic
Orlando Magic Youth Foundation
PNC Private Bank
Lanier & La Voyce Porter
Frank Santos & Corbett Compel
Seretta Construction
Geanne & Adrian Share
The Shubert Foundation
Sonny’s BBQ
Chuck Steinmetz & Margery Pabst Steinmetz
TD Charitable Foundation
Total Media Productions/Sandor & Delise
Bondorowsky
United Arts of Central Florida
USF Credit Union
Walt Disney World Resort
Al & Brea Weiss
Mr. Bryce West
John & Lisa Westlake
Judy & Bob Yarmuth
Lawrence & Laura Zirbel
*indicates
We are deeply grateful to all of these generous supporters, as well as the more than 705 donors who contributed up to $1,499. Every gift—no matter the size—plays an essential role in helping Orlando Ballet entertain, educate, and enrich through the transformative power of dance. Your support keeps our artists on stage, our students in the studio, and our community inspired.
Thank you!
WAS BROUGHT TO LIFE
through the extraordinary dedication, creativity, and passion of Alyssa, Ekta, and Eric. Your countless hours and unwavering commitment transformed our vision into an unforgettable evening of wonder.
EKTA DESAI • ERIC HORNER
ALYSSA DAVID
Your belief in the power of dance has helped Orlando Ballet soar to new heights.
With deepest appreciation, YOUR
TO OUR GENEROUS SPONSORS, DONORS, AND ATTENDEES OF THE 2026 BALLET BALL:
Your incredible support made this the party of the year. Through your generosity, Orlando Ballet’s dancers will be able to continue entertaining, enriching, and educating our community.
The curtain may have closed on this spectacular night, but thanks to you the music will keep on playing.
THE BALLET FUND
PLAY A PART IN ELEVATING OUR ART.
WELCOME TO THE DR. PHILLIPS CENTER
Grab a Drink, Grab a Snack
• Pop by the bars on tiers 1, 3, or 4 for a range of food and drinks—including delicious culinary offerings created by our in-house chef. Bar service starts 1.5 hours before shows. You can also preorder drinks for intermission.
• On tier 2, you can visit Crafts on two and enjoy local craftbeer, wine, cocktails, and Foxtail Coffee Beverages in the auditorium are allowed if they are purchased in the Dr. Phillips Center. Please enjoy your food before taking your seat.
• It’s our goal to make your experience as smooth as possible. Concessions and coffee bars are now cashless to make checkout easier—so you can get back to your seat quicker. All major credit and debit cards and mobile payment options accepted.
Feel at Home
• Restrooms are available on each tier, and all are wheelchair accessible.
• Elevators reach all tiers of the theater. One elevator is on the north side of the Harvey & Carol Massey Family Grand Staircase, and two are on the south side.
• Applause is welcome! The dancers love to know if you’re enjoying the performance, so don’t be afraid to applaud after a dancer does something spectacular onstage, when the dancers take a bow, or at the ballet’s end.
Be a Good Neighbor
• We all want to enjoy the performance. Please refrain from talking or whispering during the performance. Help keep an unobstructed view by arriving on time, being seated before the performance starts, and not leaning forward or resting your head on your seatmate’s head or shoulder.
Need Some Help?
• Ticket services are available through the Dr. Phillips Center Box Office Monday through Friday, 10 a.m. to 4 pm, Saturday, 12 p.m. to 4 pm, or two hours before showtime.
• Visit drphillipscenter.org or call 407-358-6603.
• Subscriber services are available through the Orlando Ballet Box Office Monday through Friday, 10 a.m. to 4 p.m.
• Visit orlandoballet.org or call 407-418-9828.
• Lost and Found is at the concierge desk behind the Harvey & Carol Massey Family Grand Staircase in Della Phillips Grand Lobby.
Important Policies
•Late seating isn’t allowed while a performance is in progress. You’ll be asked to stand until a break, at the discretion of house management, which may be at intermission. Guests can watch a live stream of the performance from monitors in the Della Phillips Grand Lobby until entry is permitted.
•Guests can freely leave and re-enter the performance at any time during our Family & Sensory Friendly performances.
•Occupying a seat other than the seat for which you hold a ticket isn’t allowed. Please sit only in your ticketed seat.
•Audio/visual recordings of any kind of the performance are strictly forbidden.
•Mobile devices should be turned off and put away before the performance. The lights and sounds are a distraction to the performers and your fellow patrons.
A TRIUMPHANT JOURNEY TO JOY
BEETHOVEN SYMPHONY NO. 9
STEINMETZ HALL
SATURDAY, MAY 9 | 7:30 P.M.
SUNDAY, MAY 10 | 2:30 P.M.
Few pieces transcend the emotional and raw power like Beethoven’s Symphony No. 9, a masterpiece that has inspired audiences for generations. From its stirring opening to the triumphant Ode to Joy, this iconic symphony is a true celebration of unity, hope, and the indomitable human spirit . With its soaring choral finale and unforgettable melodies, Beethoven’s Ninth is more than just a concert—it’s an emotional and uplifting journey that speaks to the soul.
hosted by Grammy Award-winning baritone Gabriel Preisser
Saturday | May 16, 2026 at 7:30 p.m.
soprano
VIP packages available to celebrate the Opera’s 10th Anniversary Amanda Crider mezzo-soprano
CONQUER.
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BRANDING & MARKETING AGENCY FOR ORLANDO BALLET
THE LEADING HOTELS
DREAM C OME TRU E .
Four Seasons Resort Orlando is a proud supporter of the Orlando Ballet.
Joyous Dawn by Elizabeth Fischer Chapman
HARRIETT LAKE
FOREVER IN OUR HEARTS
T h e A n g e l o f t h e B a l l e t "
GINSBERG
You Can’t Spell Community Without MCO
Orlando International Airport (MCO) is committed to our communities by providing Orlando and Central Florida with seamless travel experiences, desirable destinations, and familiar local brands.
Madrid St. Thomas, USVI Edinburgh