Fine Art & Design: April 23-24, 2026

DESIGN & FINE ART

APRIL 23-24 , 2026 APRIL 23-24, 2026

DESIGN & FINE ART

APRIL 23-24 , 2026

EXHIBITION HOURS

SATURDAY EXHIBITION

April 16-22 Monday - Friday 9:00 a.m. - 5:00 p.m.

Saturday, April 18 10:00 a.m. - 2:00 p.m.

Tuesday, April 21 5:00 p.m. - 7:00 p.m.

EVENING PREVIEW Auction License LA AB-363 | Eichenwald #1922, Steinkamp #1265 25% Buyer’s Premium (No Discounts) | 30% for Purchases Made on LiveAuctioneers and Invaluable

Bidding

Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Lot Schedule

Please note that times are approximate.

Thursday, April 23, 2026 10:00 a.m CT Friday, April 24, 2026 10:00 a.m CT

10:00 - 11:00

11:00 - 12:00

12:00 - 1:00

1:00 - 2:00 10:00 - 11:00 11:00 - 11:30 1 - 65

333 Saint Joseph Street, New Orleans, Louisiana 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com

FINE ART Department

Claudia Kheel Southern Regional Art Specialist claudia@neworleansauction.com

Michele M. Carolla Director of Fine Art michele@neworleansauction.com

Sophie Curtis Associate Fine Art Specialist sophie@neworleansauction.com

SESSION1

THURSDAY, APRIL 23

1

Sharp and Allen Chromolithograph of “Victoria Regia - Opening Flower”

1854-1856, plate 2 from The Great Water Lily of America with a Brief Account of Its Discovery and Introduction into Cultivation after John Fisk Allen (18071876), lithographer William Sharp (1749-1824), published by Sharp & Son, Dorchester, Massachusetts.

Matted, glazed and framed.

sight 16-1/2” x 22”, framed 27-1/4” x 32-3/4”

$1,500-$2,500

2

Sharp and Allen Chromolithograph of “Victoria Regia - A Partial Bloom Caused by Low Temperature”

1854-1856, plate 6 from The Great Water Lily of America with a Brief Account of Its Discovery and Introduction into Cultivation after John Fisk Allen (18071876), lithographer William Sharp (1749-1824), published by Sharp & Son, Dorchester, Massachusetts. Matted, glazed and framed.

sight 16-1/2” x 22”, framed 27-1/4” x 32-3/4”

$1,500-$2,500

3

Hans J. Wegner “Round Chair” Model JH501

1949, teak frame with woven cane seat and cane-wrapped back rest, the center stretcher labeled “Johannes Hansen/Copenhagen/ Denmark” and the logo. h. 29-3/4”, w. 25”, d. 21”

$1,000-$1,500

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

4

Collection of Marie Fay Kuenstler Studio Pottery

1970s, in the mid-century Modernist taste, all raku glazed, most initialed and dated, including five “weed” vases with narrow necks, h. 2-1/2” to 8-3/4”, dia. 2” to 4-1/4”, a blueglazed turned jug, h. 6-3/4”, w. 5-1/2”, and a cylindrical jug, h. 7-1/2”, w. 3-1/4”.

$500-$800

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas and the Marie Bel Fay Fund. 3 4

5

Jacqueline Bishop (American/Louisiana, b. 1955)

“Persona”, 2002

oil on board signed and dated lower right, titled and dated on label en verso. Framed.

5-3/4” x 4-5/8”, framed 8-1/2” x 7-1/2”

$600-$900

6

Stephen Robert Koekkoek (Dutch, 1887-1934)

“Sunset”

oil on canvas signed lower right. Framed.

20” x 24”, framed 30” x 33-1/2”

$700-$1,000

7

Shearwater Pottery Alligator Teapot

2020, with removable cover, after a design by Walter Inglis Anderson, impressed underglaze “Shearwater/2020/a”.

h.7”, w. 12-3/4”, d. 5-3/4”

$700-$1,000

Provenance: Private collection, Baton Rouge, Louisiana.

8

Shearwater Art Pottery Bowl

1980s, hand-painted and glazed earthenware, decorated by Patricia Anderson Findeisen (American, b. 1933), with impressed “Shearwater 10” mark and incised “D/P” at bottom.

h. 5”, dia. 8-1/2”

$500-$800

9

Bronze and Marble Deer-Form Lamp

20th century, the slightly abstracted figure of a doe standing on a Siena marble plinth, now on a wooden base and fitted with a lampshade.

h. 26”, w. 9-1/2”, d. 10-1/2”

$300-$500

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

10

Henri Hecht Maik (French, 1922-1993)

“Zebres, Girafe et Lievre” oil on canvas unsigned, with a “Wally Findlay Galleries” label en verso. Matted and framed.

6-1/8” x 8-7/8”, framed 11-1/4” x 13-1/2”

$3,000-$5,000

Provenance: Wally Findlay Galleries, New York, New York; The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

11

Chief Philip Willey (American/New Orleans, 1887-1980)

“One Orange Hare”, 1975

oil on masonite signed and dated lower right, and signed, titled and dated on label en verso and inscribed “Boopy, Graduation 1975, From Uncle Michael” en verso. Framed.

5” x 7”, framed 7-1/2” x 8-1/2”

$400-$600

12

Martin Barooshian (American, 1929-2022)

“Two Birds in Flight”, 1996

oil on textured canvas initialed and dated lower left, and signed, titled and dated en verso. Framed.

11” x 23”, framed 12-1/4” x 24-1/4”

$600-$900

13

9’ x 12’ 2”

$2,500-$4,000

14

and Crafts

ca. 1900, attributed to Wylie & Lochhead Ltd., Glasgow, of wing-back form with an inlaid and paneled back, the hinged seat opening to a void interior. h. 44-1/2”, w. 43”, d. 17”, seat h. 17-1/2”

$1,000-$1,500

15

American Arts and Crafts Leaded Glass Table Lamp

early 20th century, with a geometric caramel and green slag glass shade, on an oak hexagonal, two-light base. h. 22”, dia. 18-1/4”

$1,200-$1,800

16

Alexandre Alaux (French/Louisiana, 1851-1932)

“Judith”, 1905

oil on canvas

monogrammed and localized “NO” lower left, signed, dated and localized en verso, after the ca. 1890 painting by Nathaniel Sichel (German, 1843-1907) which was widely exhibited and now in a private collection. In a period, gessoed and giltwood frame. 26” x 20”, framed 37” x 31”

$3,000-$5,000

Provenance: Martha Ann and Ray Samuel Collection, New Orleans, Louisiana; Sold in these galleries, May 20, 2006, lot 85; Private collection, New Orleans, Louisiana.

Exhibited: A Keen Eye: Louisiana Art from the Martha Ann and Ray Samuel Collection, New Orleans Museum of Art, March 4-April 22, 2006.

Literature: Exhibition catalogue, A Keen Eye: Louisiana Art from the Martha Ann and Ray Samuel Collection, New Orleans Museum of Art, March 4-April 22, 2006.

17

John McCrady (American/Mississippi, 1911-1968)

“Building of the PBY-5 Catalina Sea Planes, Consolidated Vultee Aircraft Co., New Orleans”, ca. 1942-1945

pencil on paper

pencil-initialed “J.McC” lower right, titled lower left, and drawings and annotations in the margins.

Matted and unframed.

sheet 13-1/4” x 19”, matted 15-1/2" x 23"

$2,500-$4,000

Provenance: Estate of John McCrady, New Orleans, Louisiana; Downtown Gallery, Naomi Marschall, New Orleans, Louisiana.

18

David Harouni (Iranian/Louisiana, b. 1962)

“Happy Anniversary”, 1997

oil on gallery-wrapped canvas signed lower right, and signed, dated and titled en verso. Unframed.

20” x 15-3/4”

$3,000-$5,000

19

Grace Hartigan (American, 1922-2008)

“Untitled”, 1988

mixed media on thick paper signed and dated lower left. Float-mounted, glazed and framed. sheet 18-1/2” x 15”, framed 24-1/4” x 18-1/4”

$5,000-$8,000

20

Amelie Augustine Allard Duplantier Peniston (American/Louisiana, 1821-1845)

“Father and Daughter”

oil on canvas signed, dated and localized “Paris” along left edge. Framed.

16” x 13”, framed 22-1/4" x 18-3/4"

$1,000-$1,500

21

William Henry Buck (Norwegian/Louisiana, 1840-1888)

“Fishing Village on Bayou Teche”

oil on canvas signed lower right.

Framed.

26” x 40”, framed 35-1/2” x 49-1/2”

$150,000-$300,000

Provenance: Private collection, New Orleans, Louisiana.

22

William Henry Buck (Norwegian/Louisiana, 1840-1888)

"Lighthouse, Penobscot River, Maine", ca. 1880-1887

oil on French’s artist board signed “Wm. H. Buck” lower right, and an “E.F. French, New York” label en verso.

In a period giltwood frame.

12” x 20”, framed 19” x 27”

$10,000-$15,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

23

The World’s Industrial and Cotton Centennial Exposition, New Orleans, Louisiana, Plan No. 2, Map of the City of New Orleans

1884, printed by the Southern Litho. Co., New Orleans, Louisiana. Glazed and framed.

sight 27” x 37”, framed 32” x 42”

$1,000-$1,500

24

Newcomb College Pottery Bowl, Henrietta Davidson Bailey

1911, buff clay impressed “NC”, “HB”, “JH” and indistinct “OM” with underglaze blue “EM28”, in matte glaze green banded in blue and circled with white jasmine. h. 3-5/8”, overall dia. 10-3/4”, opening dia. 8-7/8”

$1,200-$1,800

Provenance: Private collection, Baton Rouge, Louisiana. 23 24

25

Newcomb College Pottery Plaque, Alma Florence Mason

1912, buff clay initialed in ink “A.M.” and “F. K.74”, the sculpted, blue-framed lake scene with a tiny “NC” at lower right, all in various shades of blue and green matte glaze. h. 6-3/8”, w. 4-1/2”

$3,000-$5,000

Provenance: Private collection, Baton Rouge, Louisiana.

26

Newcomb College Pottery Vase, Joseph Fortune Meyer

ca. 1900, buff clay impressed “NC”, “JM” and “149”, in urn form having an experimental green-into-blue matte glaze. h. 8-3/4”, dia. 5-1/4”

$500-$800

Provenance: Private collection, Baton Rouge, Louisiana.

27

Newcomb College Pottery Vase, Joseph Fortune Meyer

ca. 1900, buff clay impressed “NC” and “JM”, the body with soft horizontal ribs having an experimental green-into-blue matte glaze. h. 6-3/8”, dia. 3”

$500-$800

Provenance: Private collection, Baton Rouge, Louisiana.

28

Newcomb College Pottery Vase, Henrietta Bailey

1915, the buff clay impressed “NC”, “HB”, “JM”, “262C” and enameled “HD63”, with a subtle moss-draped tree landscape sculpted in dark blue beneath a rare gunmetal matte glaze. h. 6”, dia. 2-3/4”

$700-$1,000

Provenance: Private collection, Baton Rouge, Louisiana.

29

Henry Martin Gasser (American, 1909-1981)

“The Old Homestead”

watercolor on paper signed lower right, a “Newcomb Art Gallery, Tulane University, New Orleans, Louisiana” exhibition label en verso. Matted, glazed and framed. sight 7-1/2” x 9-1/2”, framed 16” x 17”

$3,000-$5,000

Exhibited: Newcomb Art Gallery, Tulane University, New Orleans, Louisiana, Drawn from New Orleans, April 24-June 30, 2007.

30

Margaret Frances Robinson (American/Louisiana, 1904/08-1985)

“Louisiana Cemetery”

oil on canvas board signed lower left. Framed.

14” x 18”, framed 17-1/4” x 21-1/8”

$1,000-$1,500

31

Anna Mary Richards Brewster (American, 1870-1952)

“Square in Cornwall”

oil on canvas

signed lower left, titled on stretcher en verso. Framed.

16-1/4” x 20-1/4”, framed 21-3/4” x 25-1/2”

$1,200-$1,800

32

E. Galastry (American/Louisiana, Early 20th Century)

“Early Fall in Luisiana [sic]”

oil on board

signed lower left, and titled en verso. Framed.

9-3/4” x 13-3/4”, framed 11-1/2” x 15-1/2”

$1,000-$1,500

33

Bruce Monical (American/Texas, 1936-2022)

“Goldfinger”, 1966 oil on panel signed and dated lower right. In a thin gallery frame.

36” x 60”, framed 37” x 61”

$500-$800

34

Marcelo Bonevardi (Argentinian, 1929-1994)

“Sororite du Ciel (Sisterhood of Heaven)”, 1968

mixed media collage on paper pencil-signed, titled, and numbered “22/50” lower right.

Matted, glazed and framed.

sight 17” x 23”, framed 20-1/2” x 27”

$1,000-$1,500

35

Knute Heldner (Swedish/Louisiana, 1875/77-1952)

“The Washer Woman, French Quarter, New Orleans”

oil on canvas signed lower left. Framed.

30” x 24”, framed 33-3/4” x 27-1/2”

$4,000-$7,000

36

Knute Heldner (Swedish/Louisiana, 1875/77-1952)

“Preservation Hall Courtyard”

oil on canvas signed lower left. Framed.

30” x 24”, framed 34” x 28”

$4,000-$7,000

37

Attributed to Alberta Kinsey (American/Louisiana, 1875-1952)

“Louisiana Delta”, 1939

oil on canvas board unsigned, titled and dated en verso. Framed.

16” x 20”, framed 19-1/2” x 23-1/2”

$400-$700

Provenance: Private collection, Baton Rouge, Louisiana.

38

Alberta Kinsey (American/Louisiana, 1875-1952)

“Fruit Market on a Street in Florence”

oil on canvas board signed lower right, and typewritten label with artist and title en verso. Framed.

sight 12-3/4” x 10-1/4”, framed 15” x 12-3/4”

$1,000-$1,500

Provenance: Private collection, Baton Rouge, Louisiana.

39

Caroline Spellman Wogan Durieux (American, 1896-1989)

“Poisson d’Avril”, 1951

lithograph in colors on paper pencil-signed, titled and inscribed “Tirage 12 epreuses color lith” in the lower margin, printed by Edmond Desjobert et Son, Paris, edition of 12. From the “Paris Series”. Together with printed material on the artist and the print. Unframed. sheet 20” x 25-3/4”

$700-$1,000

Provenance: Private collection, Baton Rouge, Louisiana.

40

Josephine Marien Crawford (American/Louisiana, 1878-1952)

“Woman with Her Dog (Possibly Self Portrait)”

gouache on paper with wallpaper border unsigned. Matted, glazed and framed. image 27-1/2” x 16-1/4”, framed 31” x 20”

$2,500-$4,000

Provenance: Gift of the artist to Mary Lee Brown Tullis; thence by descent to the Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

Literature: Hoffman, Louise C., An Artist’s Vision: Josephine Crawford, The Historic New Orleans Collection, 2009, illus. p. 123.

41

Josephine Marien Crawford (American/Louisiana, 1878-1952)

“Portrait of Charles Henderson, the Artist’s Nephew”, ca. 1934

oil on canvas unsigned. Framed.

24” x 20”, framed 32” x 27-1/2”

$1,500-$2,500

Provenance: Estate of Charles Henderson; Private collection, Baton Rouge, Louisiana.

42

H. Alvin Sharpe (American/New Orleans, 1910-1982)

“Poseidon”, designed 1961

sterling silver pendant with chain. Together with a copper 1974 Krewe of Poseidon doubloon from the same die, the reverse with a Sharpe design of a 1780 Brigantine. pendant h. 3”, w. 2-5/8”, chain l. 26-1/2”, 2.27 t. oz.; doubloon 39mm

$400-$700

43

Clarence John Laughlin (American, 1905-1985)

“Enigma”

gelatin silver print laid down on cardboard later printing from the 1941 image, from the Historic New Orleans Collection edition and with their label en verso along with expository note. Matted and unframed. image 13-3/4” x 11-3/4”, sheet 20” x 15-3/4”, matted 22” x 18”

$2,000-$4,000

44

Martha Wright Ambrose (American/Louisiana, 1914-2000)

“French Quarter Corner, New Orleans”

watercolor on paper signed lower right. Matted, glazed and framed. sight 17-1/4” x 23-1/4”, framed 24-1/4” x 30-3/4”

$1,500-$2,500

45

Rolland Harve Golden (American/Louisiana, 1931-2019)

“French Quarter Courtyard”, 1963

oil on canvas board signed and dated lower right. Framed.

21” x 29”, framed 29-1/2” x 36-1/2”

$1,000-$1,500

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

46

Sol Wilson (Polish/American, 1896-1974)

“The Bay”

oil on canvas board signed and inscribed “To Harry Glassgold” lower left, and signed and titled en verso. Matted and framed.

7-1/4” x 14-1/4”, framed 11” x 18”

$800-$1,200

47

Martha Wright Ambrose (American/Louisiana, 1914-2000)

“French Quarter, New Orleans”

watercolor on paper signed lower right. Matted, glazed and framed.

sight 10-1/2” x 14-1/2”, framed 19-1/4” x 23-1/4”

$1,500-$2,500

48

Will Hinds (American, 1936-2014)

“Homestead, Route 66”

oil on canvas board signed lower left. Framed.

19” x 24”, framed 24-1/2” x 31”

$800-$1,200

49

Nestor Hippoyle Fruge (American/Louisiana, 1916-2012)

“Red-Roofed Cabin”

oil on canvas signed lower left. Framed.

30-1/2” x 24”, framed 33” x 27”

$2,000-$4,000

Provenance: Private collection, Baton Rouge, Louisiana.

50

Chris Guarisco (American/Mississippi, b. 1958)

“The Sacrifice of Abel”, 1984

mixed media and encaustic on gallerywrapped canvas signed and dated en verso. Unframed.

83” x 60”

$2,000-$4,000

Provenance: Galerie Simonne Stern, New Orleans, Louisiana; Private collection.

Exhibited: Contemporary Arts Center, New Orleans, Louisiana, 1984; Galerie Simonne Stern, New Orleans, Louisiana, 1990.

$5,000-$8,000

$3,000-$5,000

53

Modern Moroccan Carpet

8’ 11 x 11’ 11”

$3,000-$5,000

54

Jessie Macgregor (British, 1847-1919)

“The Silver Cross”

oil on canvas unsigned, titled and artist identified on plaque. Framed.

28” x 22”, framed 39-1/2” x 31”

$1,500-$2,500

55

John McCrady

(American/Mississippi, 1911-1968)

“Swing Low Sweet Chariot”, 1941

lithograph on paper

initialed in stone “J.McC.” lower right, and pencil-signed, titled and numbered “ed. of 12” in lower margin. “New Orleans Museum of Art” exhibition label en verso of mat board. Matted and unframed.

sheet 15” x 19”, matted 20" x 24"

$1,500-$2,500

Provenance: Estate of John McCrady, New Orleans, Louisiana; Downtown Gallery, Naomi Marshall, New Orleans, Louisiana.

Exhibited: New Orleans Museum of Art, John McCrady 1911-1968, Retrospective, 1975, illus. in catalog #65, p. 104.

56

John McCrady

(American/Mississippi, 1911-1968)

“Heaven Bound”, 1941-42

lithograph on paper initialed in stone “J.McC.” lower left, and pencil-signed, titled and numbered “ed. of 12” in the lower margin. Matted and unframed.

image 10-1/2” x 10-1/2”, sheet 16” x 12”, matted 19" x 18"

$800-$1,200

Provenance: Estate of John McCrady, New Orleans, Louisiana; Downtown Gallery, Naomi Marschall, New Orleans, Louisiana.

Exhibited: New Orleans Museum of Art, John McCrady 1911-1968, Retrospective, 1975, illus.

57

Roberto Rincon (Venezuelan/British, Contemporary)

“The First Angel”, 1995

gelatin silver print signed and dated lower right, titled lower left and numbered “2/10” lower center. Matted, glazed and framed. image sight 19” x 19”, framed 25” x 25”

$700-$1,000

58

Francisco Goya (Spanish, 1746-1828)

“Linda Maestra”

etching on paper plate 68, from the “Los Caprichos” series. Matted and unframed. sheet 19-3/4” x 13-1/2”, image 9” x 5”

$1,000-$1,500

59

Walter Inglis Anderson (American/Mississippi, 1903-1965)

“The Devil”

crayon on paper unsigned. Matted, glazed and framed. sheet 11” x 8-1/2”, framed 16” x 13-3/4”

$5,000-$8,000

Provenance: Gasperi Gallery, New Orleans, Louisiana.

60

Christopher Inglis Stebly (American/Mississippi, b. 1967)

“Owl”, 2014

watercolor on paper signed and dated lower right. Float-mounted, glazed and framed. sheet 25-1/4” x 30-1/4”, framed 27-1/2” x 33”

$1,500-$2,500

Provenance: Purchased from the artist; private collection, Baton Rouge, Louisiana.

61

Newcomb College Pottery, Cynthia Pugh Littlejohn

1915, low bowl, buff clay impressed “JM”, “NC”, encircled “C”, conjoined “CL” and “29” and enameled “HF 45”, the body a blue-striated green below a narrow, incurved blue band encircled in dogwood. h. 3-1/4”, dia. 9-1/8”

$1,400-$1,800

Provenance: Private collection, New Orleans, Louisiana.

62

Newcomb College Pottery Vase, Sarah “Sadie” Agnes Estelle Irvine

1930, buff clay impressed “NC”, “JH”, “250”, “SP 27” and incised “S”, carved “Moon and Moss” landscape in blue and green matte glaze moss-draped trees. h. 8”, dia. 3-3/4”

$1,500-$2,500

Provenance: Private collection, New Orleans, Louisiana.

63

Newcomb College Pottery Vase, Mary

Given Sheerer

1909, high glaze buff clay impressed “NC”, “JM” and “C” with underglaze “MS.” and “CZ86”, the sides encircled with carved upright narcissus blossoms and carved blue and underglaze green narrow strap leaves. h. 10-1/4”, dia. 4-1/2”

$2,500-$4,000

Provenance: Private collection, New Orleans, Louisiana.

64

Newcomb College Pottery Vase

1931, buff clay impressed “NC”, “JH”, “79”, “TE 2” and indistinct “O.D”, carved in an Art Deco-style with matte blue glaze and stylized green details. h. 7”, dia. 3-7/8”

$1,200-$1,800

Provenance: Private collection, New Orleans, Louisiana.

65

John McCrady (American/Mississippi, 1911-1968)

“Sketch for Political Rally”, 1935

pencil on paper initialed “J. McC.” lower right, and pencilsigned and inscribed “Bilbo Oxford Square Rally” en verso. Unframed. sheet 12-1/2” x 19-1/4”

$2,500-$4,000

Provenance: Estate of John McCrady, New Orleans, Louisiana; Downtown Gallery, Naomi Marshall, New Orleans, Louisiana.

66

John McCrady (American/Mississippi, 1911-1968)

“Oxford Square Gathering, Winter”

pencil on paper pencil-signed lower right and titled en verso of mat board. Unframed. sheet 15” x 17”

$1,500-$2,500

Provenance: Estate of John McCrady, New Orleans, Louisiana; Downtown Gallery, Naomi Marshall, New Orleans, Louisiana.

67

John McCrady (American/Mississippi, 1911-1968)

“Saturday Promenade, Oxford, Mississippi”, 1963

charcoal on paper signed, dated and localized lower right. Unframed.

sheet 19-1/2” x 21-1/2”

$2,000-$4,000

Provenance: Estate of John McCrady, New Orleans, Louisiana; Naomi Marshall, Downtown Gallery, New Orleans, Louisiana.

68

Hunt Slonem (American, b. 1951)

“Three Cockatoos”, 1996

oil on wood board signed, dated, titled and with a “HarmonMeek Gallery/Naples, Florida” label en verso. Framed.

20” x 27-3/4”, framed 27-1/2” x 30-1/2”

$3,000-$5,000

Provenance: Harmon-Meek Gallery, Naples, Florida; Private collection.

69 Floyd Newsum (American, 1950-2024)

“Confetti”, 2011

mixed media on paper mounted to canvas signed and dated lower right. Unframed.

52” x 40”

$5,000-$8,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

70

Hans de Bruijn (Dutch, b. 1959)

“Untitled”, 1999

oil on canvas signed and dated en verso. Unframed.

66-3/4” x 78-3/4”

$3,000-$5,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

71 Swarez (British, Contemporary)

“Thunderstruck”, 2025

enamel paint on lucite signed lower left, and signed, dated, titled and marked “1 of 5” en verso, from a series of 102 interconnected paintings. Unframed.

27-1/2” x 19-1/2”

$1,500-$2,500

72

Brandon Delles (American, b. 1978)

“Untitled”

oil on canvas signed lower right. Unframed.

30” x 24”

$500-$800

73

Donald Roller Wilson (American, b. 1938)

“Sweet Days with Our Friends Riding”, 1970

oil on canvas signed and dated lower right, titled and dated on label en verso. Framed.

66” x 60”, framed 67” x 61”

$10,000-$15,000

Provenance: Gift from the artist to Ralph T. Coe; Ralph T. Coe Center for the Arts Collection, Santa Fe, New Mexico; Sold for the benefit of the collection at Rago Arts and Auction, Los Angeles, California, March 26, 2025, lot 305; Private collection.

74

Hans de Bruijn (Dutch, b. 1959)

“Untitled”, 1998 oil on canvas signed and dated en verso. Unframed.

78-1/2” x 67”

$3,000-$5,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

75

Pair of Continental Art Deco Sconces

first half 20th century, the angular reeded brass frames set with textured glass panels, electrified with one light each. h. 12-3/4”, w. 11”, d. 8-1/2”

$1,000-$1,500

76

Miruna Budisteanu (Romanian, b. 1967)

“Untitled (Blue)”, 2003

mixed media on paper signed and dated lower right. Float-mounted and framed. sight 52” x 36”, framed 54-1/2” x 38-1/2”

$1,000-$1,500

77

Dorothy Churchill Wyman (American, 1899-1993)

“Taos, New Mexico, Early Autumn”

oil on canvas board signed lower left, and signed, titled and inscribed en verso. Unframed.

16” x 20”

$800-$1,200

Exhibited: Art Hobby House Gallery, Taos, New Mexico; Hotel Vargas, Santa Fe, New Mexico.

78

Dorothy Churchill Wyman (American, 1899-1993)

“Tornado on the Road to Gallup, New Mexico”

oil on canvas board signed lower right, and signed, titled and inscribed en verso. Unframed.

16” x 20”

$800-$1,200

79

Miruna Budisteanu (Romanian, b. 1967)

“Untitled (Green)”, 2005

mixed media on paper signed and dated lower right. Float-mounted and framed.

sight 52” x 36”, framed 54-1/2” x 38-1/2”

$1,000-$1,500

80

Laura Covaci (Romanian, b. 1964)

“The Pool 3”

oil on gallery wrapped canvas unsigned. Unframed. 75-1/4” x 82”

$1,200-$1,800

81

Julia Jacquette (American, b. 1964)

“Six Petit Fours”, 1994

enamel on wood panel signed, dated and titled en verso. A “Holly Solomon Gallery” label affixed to verso. Unframed.

10” x 13-1/2” x 1-1/4”

$2,000-$4,000

Provenance: Holly Solomon Gallery, New York, New York.

82

Agnes Bernice Martin (American/Canadian, 1912-2004)

“Untitled”

fifteen offset lithographs on vellum in a vellum protective envelope. each 10-7/8” x 10-7/8”

$3,500-$5,000

83

Gene Davis (American, 1920-1985)

“Untitled”, 1984

ink on paper signed and dated lower right. Matted and unframed. sheet 8” x 12”, matted 14” x 18”

$1,500-$2,500

84

Jenny Holzer (American, b. 1950)

“Money Creates Taste”, 2007

silver-plated sculpture in an integral shadowbox with a silver-plated plaque engraved with artist name, title, and numbered “25/100”. overall 10” x 10” x 2-1/4”

$1,500-$2,500

85

Srdjan Loncar (Croatian/Louisiana, b. 1971)

“Value”, 2008

mixed media assemblage from an unnumbered edition of 500, verso with a “Prospect I/Arthur Roger Gallery” label. h. 17-1/2”, w. 18-1/8”, d. 16”

$2,000-$4,000

Exhibited: Arthur Roger Gallery, New Orleans, Louisiana; Prospect I, New Orleans, Louisiana; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

86

Andy Warhol (American, 1928-1987)

“Campbell’s Soup Cans”

found object and mixed media four cans in shrink-wrap with printed signature.

h. 4”, w. 5-1/4”, d. 5-1/4”

$400-$700

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

87

Fernando Canovas (Argentinian, b. 1960)

“Untitled”, 1994

mixed media on linen signed and dated lower right.

Float-mounted, glazed and framed. sheet 69” x 38”, framed 77” x 45-3/4”

$3,000-$5,000

88

Gunther Gerszo (Mexican, 1915-2000)

“Tula”, 1984

screenprint in colors

pencil-signed and dated lower right, marked “A/P” lower left.

Matted, glazed and framed. sight 19” x 21-1/2”, framed 26” x 28-1/4”

$1,000-$1,500

Provenance: Carmen Llewellyn Gallery, New Orleans, Louisiana; Private collection.

87

88

89

Rufino Tamayo (Mexican, 1899-1991)

“Idolo Precolombiano”, 1976

lithograph in colors

pencil-signed lower right along with printer’s blind stamp and numbered “63/100” lower left.

Matted, glazed and framed. sight 22” x 18”, framed 30-3/4” x 25-3/4”

$1,000-$1,500

Provenance: Carmen Llewellyn Gallery, New Orleans, Louisiana; Private collection.

90

Mario Villa (Nicaraguan/Louisiana, 1953-2021)

“Lamp”, 1992

mixed metal and glass signed and dated on base, wired for electricity. h. 22-1/2”, w. 15”, d. 5-1/2”

$800-$1,200

91

Kent Ullberg (Swedish/Texas, b. 1945)

“Equipoise”

polished stainless steel cast signature, copyright-marked and numbered “1/30” at back, on an integral black marble base. Together with receipt from “Gerald Peters Gallery, Santa Fe, New Mexico”. h. 13-1/2”, w. 10”, d. 5-1/4”

$1,500-$2,500

Provenance: Gerald Peters Gallery, Inc., Santa Fe, New Mexico; Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

92

Paul Ninas (American/Louisiana, 1903-1964)

“Dominica, Lesser Antilles”

gelatin silver print later printing. Unframed.

20” x 20”

$1,000-$1,500

Provenance: Collection of the artist; Collection of John Clemmer, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana.

93

Paul Ninas (American/Louisiana, 1903-1964)

“Women on Their Way to Market, Dominica, Lesser Antilles”

gelatin silver print later printing. Unframed.

20” x 20”

$1,000-$1,500

Provenance: Collection of the artist; Collection of John Clemmer, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana.

94

Tod Bailey (American/Texas, b. 1970)

“Paw Paw Patch”, 2010

oil on gallery-wrapped canvas signed, dated, titled and localized en verso. Unframed.

14” x 18”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

95

Chris Lawson (American/Louisiana, Contemporary)

“Untitled”

mixed media collage on wood panel signed lower right. Unframed. 38” x 38”

$500-$800

96

Dick Wray (American, 1933-2011)

“Untitled”

ink and watercolor on paper signed lower right. Float-mounted, glazed and framed. sheet 11-1/4” x 15”, framed 17” x 20”

$700-$1,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

97

Reuben Nakian (American, 1897-1986)

“Head of Marcel Duchamp”, 1985

patinated bronze incised “H/C” and with artist’s cypher, from the Tallix Foundry, Beacon, New York, from a 1943 model, together with a copy of a letter from Paul S. Nakian confirming attribution and declaring that the sculpture is from the personal collection of the artist. h. 22”, w. 10”, d. 9”

$12,000-$18,000

Provenance: Collection of Paul S. Nakian, Stamford, Connecticut; Private collection, New Orleans, Louisiana.

98

Marc Chagall (Russian/French, 1887-1985)

“Poissons et Fleurs”, 1950

gouache, brush, ink and wash on paper signed and localized “Venice” lower right. Matted, glazed and framed. 29-1/2” x 20-1/2”, framed 36” x 27-1/4”

$150,000-$300,000

Provenance: Svensk-Franska Gallery, Stockholm, Sweden; Private collection, Sweden (acquired from the above in the 1950s); Bukowski’s, Stockholm, Sweden, April 19, 2016, lot 165; Sotheby’s London, June 23, 2021; Private collection.

99

Bronze Side Table in the Manner of Diego Giacometti

20th century, on ring-turned tapered legs, mounted with stretchers, set with a glass top.

h. 29-1/2”, w. 36”, d. 24”

$3,000-$5,000

100

Bronze Floor Lamp, “Tete de Femme”

20th century, after a 1933 design by Alberto Giacometti (Swiss, 1901-1966), the bust on a conical base, with green-patinated surface.

h. 67-3/4” x 7-1/4”

$2,500-$4,000

101

Ilana Goor Bronze Perching Birds Floor Lamp

20th century, in the manner of Diego Giacometti (Swiss, 1902-1985), two birds on a rusticated perch, on a tripod base.

h. 62”, w. 16”

$3,500-$5,000

102

Mid-Century Modern Christopher Chadoff Signed Coffee Table

20th century, patinated bronze and plate glass, signed “Chadoff”, in the Diego Giacometti style, of rectangular form, with stylized animal legs ending in hoof feet.

h. 18”, w. 41-1/4”, d. 35-1/4”

$2,000-$4,000

103

Bronze Floor Lamp, “Tete de Femme”

20th century, after a 1933 design by Alberto Giacometti (Swiss, 1901-1966), the bust on a conical base, with green-patinated surface. h. 61-1/4”, dia. 7-1/4”

$2,500-$4,000

104

20th century, in the manner of Diego Giacometti (Swiss, 1902-1985), with metal Goor tag numbered “37/100” at one corner, the mirror plate with patinated metal surround and patinated bronze bird perched on one corner.

h. 43-1/2”, w. 29-1/2”

$1,500-$2,500

105

8’ x 10’

$2,000-$4,000

106

10’ 2” x 13’ 1”

$3,000-$5,000

107

Virgil Grotfeldt (American, 1948-2009)

“Constant Rhythm”, 2005

acrylic and coal powder on metallic paper laid down on foam board signed and dated lower right. Framed.

40-1/8” x 29-1/2”, framed 41-1/2” x 30-1/2”

$1,500-$2,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

108

American School (20th Century)

“Portrait of a Terrier in a Field”

oil on canvas signed lower left. Framed.

20” x 24”, framed 29” x 34”

$600-$900

109

Giorgio Lucchesi (Italian, 1855-1941)

“After the Hunt”, 1891 oil on canvas signed and dated lower left. Framed. sight 45" x 65-1/2", framed 54” x 74-1/2”

$8,000-$12,000

110

Attributed to Achille Perelli (Italian/New Orleans, 1822-1891)

“Nature Morte: Smew or Shell Duck and Sparrow Hawk”, 1840 watercolor on paper unsigned, titled and dated en verso, with an artist plaque. Matted, glazed and framed. sheet 22” x 14”, framed 32” x 26”

$2,000-$4,000

111

After John James Audubon (American, 1785-1851)

“Roseate Spoonbill, No. 65, Plate CCCXXI (321)”, 1836

hand-colored engraving and aquatint on wove paper

engraved, printed and coloured by Robert Havell (1793-1878), with a Whatman watermark. From Audubon, Birds of America

Matted, glazed and framed.

sheet 26-1/2” x 39-1/2”, framed 36-1/2" x 49-1/2"

$50,000-$80,000

112

After John James Audubon (American, 1785-1851)

“Black Skimmer, No. 65, Plate CCCXXIII (323)”, 1836

hand-colored engraving and aquatint on wove paper

engraved, printed and coloured by Robert Havell (1793-1878), with a Whatman watermark. From Audubon, Birds of America

Matted, glazed and framed.

sheet 38-1/2" x 25-1/2", framed 41-3/4" x 33-3/4"

$3,000-$5,000

113

After John James Audubon (American, 1785-1851)

“Great American Shrike, or Butcher Bird, No. 39, Plate CXCII (192)”, 1834

hand-colored engraving and aquatint on wove paper engraved, printed and coloured by Robert Havell (1793-1878), with a Whatman watermark from Audubon, Birds of America Matted, glazed and framed. sheet 37-3/4” x 24-1/2”, framed 43-1/2" x 38-1/2"

$4,000-$7,000

114

Colette Pope Heldner (American/Louisiana, 1902-1990)

“Swamp Idyl (Louisiana Bayou Country)”

oil on canvas board signed lower left, signed and titled en verso. Framed.

16” x 20”, framed 19-1/2” x 23-3/4”

$900-$1,200

115

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Coming Home”

oil wash on paper signed lower right. Glazed and framed.

sight 19” x 40”, framed 23-1/2” x 44”

$2,000-$4,000

116

David Harouni (Iranian/Louisiana, b. 1962)

“Untitled - Trees”

oil on gallery-wrapped canvas signed lower right. Unframed.

48” x 48”

$2,500-$5,000

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

117

George Bauer Dunbar (American/Louisiana, 1927-2024)

“Untitled Abstract”, 1963

mixed media collage signed and dated mid-right. Framed.

32” x 40”, framed 34” x 42”

$2,500-$4,000

Provenance: Sold in these rooms, March 22, 2015, lot 1295; Private collection, Baton Rouge, Louisiana.

118

Marcus Reichert (American, 1948-2022)

“Man with Newspaper”, 1976-1981

oil and gold radiator paint on gallerywrapped canvas triptych signed, dated and titled en verso, with a “Hatton Gallery, Newcastle Upon Tyne” label en verso.

Unframed. each panel 72” x 60”, overall 72” x 180”

$3,000-$5,000

Provenance: Hatton Gallery, Newcastle Upon Tyne, England.

119

Joseph Marioni (American, 1943-2024)

“Green Painting”, 2004

acrylic on Belgian linen signed, dated and titled on stretcher, with “Matthews Gallery” and “Larry Becker/ Philadelphia, Pennsylvania” labels en verso. Unframed.

52” x 42”

$25,000-$40,000

Provenance: Larry Becker Contemporary Art, Philadelphia, Pennsylvania; Matthews Gallery, Santa Fe, New Mexico; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

120

Hudson River School (20th Century)

“In the Mountain Valley” oil on panel unsigned. Matted and framed.

sight 5-1/2” x 7-1/4”, framed 9-1/4” x 11-1/4”

$600-$900

121

American School (19th Century)

“Native American Settlement in the Shadow of Mount Tahoma (Ranier)”

oil on canvas unsigned. Framed.

16” x 24”, framed 25-1/2” x 33-1/2”

$2,500-$4,000

122

John Marshall Gamble (American/California, 1863-1957)

“California Lupines”

oil on canvas signed lower right. Framed.

24-1/2” x 36”, framed 37-1/2” x 49”

$40,000-$70,000

Provenance: Leland Little Auctions, Greensboro, North Carolina, April 26, 2012, lot 963; Private collection.

123

Stevan Dohanos (American, 1907-1994)

“Before Dawn”, 1934

watercolor and gouache on paper signed and dated lower right. Matted, glazed and framed.

sight 6-1/2” x 8”, framed 14” x 14-1/2”

$1,000-$1,500

124

Charles Criner (American, 1945-2025)

“Cotton Fields”

oil on canvas signed lower right. Unframed.

9” x 12”

$600-$900

125

Mr. Incredible Reference Maquette by Kent Melton (1955-2024)

gray-painted resin, signed by the film’s director Brad Bird at front of selfbase, inscribed “Hero-1149”, dated and numbered “#2” at bottom. h. 18-1/2”, w. 10-1/4”, d. 7-1/2”

$7,000-$10,000

126

Elaine de Kooning (American, 1918-1989)

“Firenze #18”, 1973

brush and ink on paper initialed lower right, and signed, dated, titled and inscribed “To Robert with Love Elaine” en verso of backing. Float-mounted, glazed and framed. sheet 8-1/2” x 6-3/4”, framed 9-1/2” x 8”

$4,000-$7,000

127

James Louis Steg (American/Louisiana, 1922-2001)

“Bacchanalian Group”, 1948

collotype on paper

pencil-signed and dated lower right, titled and numbered “15/25” lower left. Unframed. 20” x 29-1/2”

$500-$800

128

Carol Peebles

(American/Louisiana, 20th Century)

“She/Her”, 1999

charcoal on paper

signed and dated lower right, and signed and titled on note en verso. Matted, glazed and framed. sight 36” x 31”, framed 45” x 41”

$500-$800

129

William Anzalone (American, b. 1935)

“Nude”

oil on canvas signed lower left. Framed.

28” x 12”, framed 34” x 18”

$800-$1,200

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

130

Jack Ambrose (American/Louisiana, d. 1961)

“Standing Nude”

pencil on paper unsigned. Matted, glazed and framed. sight 22” x 10-1/2”, framed 29-1/4” x 17-1/2”

$300-$500

131

Paul Ninas

(American/Louisiana, 1903-1964)

“Standing Nude in Front of Drawing”

gelatin silver print later printing. Unframed.

20” x 20”

$1,000-$1,500

Provenance: Collection of the artist; Collection of John Clemmer, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana.

132

Paul Ninas

(American/Louisiana, 1903-1964)

“Reclining Nude in Front of Painting”

gelatin silver print later printing. Unframed.

20” x 20”

$1,000-$1,500

Provenance: Collection of the artist; Collection of John Clemmer, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana.

133

David Korte (American, b. 1944)

“Open Dress”, 1994

gelatin silver print

pencil-signed on mat lower right, numbered “5/40”, titled and dated on artist’s label en verso.

Matted, glazed and framed. sight 9-1/2” x 9-1/2”, framed 18-1/4” x 16-1/4”

$400-$700

134

David Sinclair Nixon (American/Louisiana, 1904-1973)

“Blue Nude (Eve)”

acrylic on canvas artist identified en verso. Unframed.

38” x 15”

$700-$1,000

135

Loet (American, 20th Century)

“Contemplating”, 1974

patinated bronze signed, dated, titled and numbered “3/250” on plaque at proper left side of base, on an integral black marble base. h. 7-1/4”, w. 3”, d. 4”

$400-$700

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

136

Emile-Quentin Brin (French, 1863-1950)

“Les Baigneuses”

oil on canvas

signed lower right, sale/inventory stencil and old label en verso with title and history. Framed.

59” x 43-1/2”, framed 71-1/4” x 56”

$3,000-$5,000

Provenance: Abell Auction, Los Angeles, California, February 9, 2023, lot 50.

137

Attributed to Kenyon C. Cox (American, 1856-1919)

“Sketch for the Pursuit of the Ideal”

oil on French’s artist board unsigned, with “French’s artist board” label en verso. Unframed.

30” x 18”

$1,000-$1,500

138

American School (20th Century)

“The Three Graces” watercolor on paper unsigned.

Float-mounted, glazed and framed. sheet 17-1/4” x 22”, framed 26-3/4” x 31-3/4”

$700-$1,000

139

Warren Prindle (American, Contemporary)

“The Three Graces”

oil on masonite signed lower left and inscribed en verso. A “Carol Robinson Gallery” label en verso. Framed.

16” x 20”, framed 19-1/2” x 23”

$600-$900

Provenance: Carol Robinson Gallery, New Orleans, Louisiana.

140

Modern Amethyst Lamp

20th century, composed of a solid rectangular block of amethyst, now fitted with a lampshade. h. 31”, w. 18”, d. 11”

$1,000-$1,500

141

Lydia Purdy Hess Lowry (American, 1866-1936)

“Sunset in Northern France”, 1894 oil on canvas signed and dated lower right, artist information affixed to verso.

Matted and framed. 9” x 12”, framed 15-1/2” x 18-1/2”

$700-$1,000

142

Jules Pascin (French/American, 1885-1930)

“Le Seuil de Porte, Cuba” watercolor on paper signed lower right.

Matted, glazed and framed.

sight 8” x 10”, framed 14” x 16”

$2,000-$4,000

143

Jules Pascin

(French/American, 1885-1930)

“Cafe Au Texas”

watercolor on paper signed lower right.

Float-mounted, glazed and framed. 7” x 9-1/2”, framed 14-1/8” x 16”

$1,500-$2,500

144

Mario Villa

(Nicaraguan/Louisiana, 1953-2021)

“Meandering Vine Lamp”

copper and mixed metal signed at base, pierced copper shade, wired for electricity.

h. 18”, w. 4”, d. 4”, shade dia. 14”

$800-$1,200

145

William Condon (American/Texas, 1923-1998)

“Untitled”, 1968

mixed media on wood panel signed and dated lower right. In an integral frame.

56” x 30”

$2,000-$4,000

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

146

Nazar Yahya (Iraqi, b. 1963)

“Red Rose Water”, 2012

mixed media on rice paper laid down on canvas signed, dated and titled en verso. Unframed.

38” x 38”

$1,500-$2,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

147

After Fritz Scholder (American, 1937-2005)

“Untitled”, 1977

printed fabric sewn signature and date along right edge. Float-mounted, glazed and framed. sight 23-1/4” x 17-1/2”, framed 26” x 21”

$1,000-$1,500

148

Thomas Vernon (American, Contemporary)

“White White Red”, 2004

acrylic and mixed media two-part sculpture signed, dated and titled en verso. overall h. 23-3/4", w. 36”, d. 2-1/2”

$600-$900

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

149

Dick Wray (American, 1933-2011)

“To Wade”, 2009

mixed media on gallery-wrapped canvas signed, dated and titled en verso. Unframed.

18” x 24”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

150

John Ochs (American, b. 1969)

“Boxed Heat”, 2009

oil on wood panel signed, dated and titled en verso. Unframed.

60” x 48”

$1,500-$2,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

151

Stephen Taylor (American, Contemporary)

“Be Nice or Leave!”, 2015

mixed media on canvas signed and dated en verso. Unframed.

40” x 30”

$1,000-$1,500

152

Tod Bailey (American/Texas, b. 1970)

“Figurative Abstraction”, 2012

oil and ink on canvas signed and dated lower right and en verso. Unframed.

38” x 38”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

153

Michael Low Crespo (American/Louisiana, 1947-2010)

“Large Fern”

oil on canvas signed lower right. Framed.

42” x 48”, framed 43” x 49”

$1,500-$2,500

154

Southern School (20th century)

"Uncle Sam Plantation, St. James Parish"

oil on canvas illegibly initialed "GH" lower left. 32" x 24", framed 37" x 29"

$1,000-$1,500

Provenance: D.H. Holmes, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana.

155

Peter Lanz Hohnstedt (American/Texas/Louisiana, 1872-1957)

“Still Life with Fruit and Red Flowers”

oil on canvas signed lower right. Framed.

15-1/2” x 12”, framed 19-3/4” x 15-3/4”

$700-$1,000

Provenance: Private collection, Baton Rouge, Louisiana.

1 56

George Schmidt (American/Louisiana, b. 1944)

“Study for The First King of Carnival, Lewis Soloman, 1872”, 1993

pencil on paper pencil-signed and dated lower right. Matted, glazed and framed.

sight 21-1/2” x 31”, framed 37-1/2" x 45"

$900-$1,200

157

J. Hamilton (American, Contemporary)

“The Trinity” oil on canvas signed lower right. Unframed.

42-1/2” x 51”

$1,200-$1,800

158

Christa Ougel (American/Louisiana, b. 1986)

“Torso Study I” “Torso Study II” “Torso Study III”

three gelatin silver prints each signed lower right and titled lower left. Framed alike. each sight 8-3/4" x 7", framed 22" x 18"

$1,000-$1,500

159

Roberto Rincon (Venezuelan/British, Contemporary)

“Fallen Warrior”, 1994

gelatin silver print

signed and dated lower right, titled lower left.

Matted, glazed and framed.

sight 15-1/2” x 15-1/2”, framed 23” x 23”

$700-$1,000

160

Roberto Rincon (Venezuelan/British, Contemporary)

“Odysseos”, 1994

gelatin silver print

signed and dated lower right, titled lower left.

Matted, glazed and framed.

sight 18” x 14-1/2”, framed 25-1/2” x 21-1/2”

$700-$1,000

161

Roberto Rincon (Venezuelan/British, Contemporary)

“Bound Prisoner”, 1993

gelatin silver print signed and dated lower right, titled lower left and numbered “4/10” lower center.

Matted, glazed and framed.

sight 15” x 15”, framed 23-1/8” x 23-1/8”

$700-$1,000

162

Jack Ambrose (American/Louisiana, d. 1961)

“Contrapposto” pencil on paper unsigned.

Matted, glazed and framed.

sight 22” x 10-1/2”, framed 29-1/4” x 17-1/2”

$300-$500

163

Jack Ambrose (American/Louisiana, d. 1961)

“Standing Figure”

pencil on paper unsigned.

Matted, glazed and framed.

sight 22” x 10-1/2”, framed 29-1/4” x 17-1/2”

$300-$500

164

Tsugoharu Foujita (Japanese, 1886-1968)

“Le Reve”, 1947

lithograph on Arches paper pencil-signed lower right and inscribed “EA” lower left. Unframed.

22” x 29-7/8”

$1,800-$2,500

163

164

165

Hibbert Charles Binney (British, 1872-1951)

“Bust of a Woman”

marble

early 20th century, the roughly hewn marble carved with a detailed face, signed “Binney” on the lower left front side. h. 19”, w. 15”, d. 9-1/2”

$1,000-$1,500

166

Edward Russell Whiteman (American, b. 1938)

“Untitled”, 1983

mixed media collage initialed and dated lower right. Float-mounted, glazed and framed. approximately 53” x 42”, framed 64” x 54”

$1,200-$1,800

167

Gene Koss (American/Louisiana, b. 1947)

“On the Ridge”, 1984

molded and cast glass incised signature, dated and titled at bottom.

h. 9-1/2”, w. 12”, d. 4”

$700-$1,000

168

Sol LeWitt (American, 1928-2007)

“Colors with Lines in Four Directions (Blue)”, 1990

silkscreen pencil-signed and numbered “67/100” lower right, printed by Goro Fujii and Hidemi Nomura, Watanabe Studio Ltd., Brooklyn, New York, published by Parasol Press, New York, New York. Glazed and framed.

48” x 48”, framed 52-3/4” x 52-3/4”

$2,000-$4,000

169 Sam Minot (American/New Orleans, b. 1962)

“Rigolets”, 1992 oil on canvas signed lower right, and signed, titled and dated en verso. Unframed. 22” x 54”

$1,500-$2,500

170

Nathaniel Cortlandt “Buster” Curtis, Jr. (American/Louisiana, 1917-1997)

“Royal Street, New Orleans”, 1975 watercolor on paper signed, titled and dated lower right. Unframed. 13-1/2” x 13-3/4”

$500-$800

171

Nathaniel Cortlandt “Buster” Curtis, Jr. (American/Louisiana, 1917-1997)

“St. Charles Avenue, New Orleans”, 1975

watercolor on paper signed, titled and dated lower right, and inscribed upper right. Unframed. 11-1/4” x 9-1/2”

$500-$800

172

Lula Ameen (American/Louisiana, 1921-1992)

“Church Tower”, 1976

watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 12-1/4” x 21-1/4”, framed 23” x 31-1/4”

$600-$900 171 172

173

Charles Woodward Hutson (American/Louisiana, 1840-1936)

“The White Tree Trunk”

oil on canvas initialed lower right, a “Collection of Phillips Memorial Gallery, Washington D.C.” inventory card and several old labels en verso. Framed.

22” x 28”, framed 24” x 30-1/2”

$1,000-$1,500

Provenance: Phillips Memorial Gallery, Washington, D.C.; Private collection, Baton Rouge, Louisiana.

174

Mary Louise Jordan Liddell Hemenway (American/Louisiana, 1893-1970, act. Newcomb College, 1908-15, 1922-25)

"Mission San Juan Capistrano"

oil on canvas affixed to board signed lower left. Framed.

18” x 24”, framed 22” x 28”

$3,000-$5,000

175

Dan Wingren (American, 1923-1998)

“Storm”, 1960

oil on canvas signed and dated lower right. Framed.

18” x 24”, framed 24” x 30”

$800-$1,200

176

Michael Roque Collins (American/Texas, b. 1955)

“Cathedral”, 2000

oil and mixed media on gallery-wrapped linen signed lower left, and signed, dated and titled en verso. Unframed.

20” x 26”

$2,000-$4,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

176

177 Randall Schmit (American, b. 1955)

“Untitled”, 1983

mixed media on paper signed and dated upper right. Float-mounted, glazed and framed. sheet 21-1/4” x 30”, framed 30-3/4” x 39-3/4”

$600-$900

178 Jamie Davis (American, b. 1945)

“Untitled”, 1990

mixed media sculpture in two parts signed and dated at bottom. h. 14-1/2”, w. 10”, d. 10”

$800-$1,200

To be sold for the benefit of the Museum of Fine Arts, Houston, Texas.

179

Paul Wunderlich (German, 1927-2010)

“Horus”, 1985

porcelain bas-relief produced by Rosenthal, in the original wooden presentation box, signed and titled on label at top of box, signed and dated on porcelain plaque, and numbered “831/1,000” on Rosenthal label. h. 16-1/4”, w. 13-3/4”, d. 1-1/4”

$1,200-$1,800

To be sold for the benefit of the Museum of Fine Arts, Houston, Texas.

180

Roberto Rincon (Venezuelan/British, Contemporary)

“Steve Reclining II”, 1992

gelatin silver print signed and dated lower right, titled lower left and numbered “2/20” lower center. Matted, glazed and framed. sight 9-3/4” x 12-1/4”, framed 15-7/8” x 18-1/4”

$700-$1,000

181

Frank Parsley (American/Texas, 1943-2024)

“Untitled”, 1993

gelatin silver print signed and dated lower right. Matted, glazed and framed.

sight 7-7/8” x 7-7/8”, framed 11-1/2” x 11-1/4”

$400-$700

182

Frank Parsley (American/Texas, 1943-2024)

“NOLA Series #4”

gelatin silver print signed lower right, titled on business card en verso. Matted, glazed and framed.

sight 5-1/2” x 5-1/8”, framed 8-1/2" x 8-1/4"

$400-$700

183

Nazar Yahya (Iraqi, b. 1963)

“Viator Forsend 2”, 2011

mixed media on Chinese paper laid down on canvas

signed, dated and titled on “Albareh Art Gallery, Bahrain” label en verso. Unframed.

50” x 37”

$1,500-$2,500

Provenance: Albareh Art Gallery, Manama, Bahrain; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

184

Nazar Yahya (Iraqi, b. 1963)

“Viator Forsend 3”, 2011

mixed media on Chinese paper laid down on canvas

signed, dated and titled on “Albareh Art Gallery, Bahrain” label en verso. Unframed.

49-3/4” x 37”

$2,000-$4,000

Provenance: Albareh Art Gallery, Manama, Bahrain; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

185

Regina Foster (South African/New Mexico, Contemporary)

“Roses I” “Roses II”

two lithographs on paper each signed lower right, each numbered “7/8” lower left. Matted, glazed and framed alike. each sight 15” x 14”, framed 19-1/2” x 19”

$1,500-$2,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

186

Dan Gorski (American, b. 1939)

“Sisters”

sumi ink and acrylic on incised wood signed and titled en verso. 10-1/4” x 14-1/2”

$1,500-$2,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

187

Dick Wray (American, 1933-2011)

“Untitled”, 2003

mixed media on gallery-wrapped canvas signed and dated lower right and en verso. Verso with a “Matthews Gallery” label. Unframed.

60” x 48”

$4,000-$7,000

Provenance: Matthews Gallery, Santa Fe, New Mexico; collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

Exhibited: Station Museum, Houston, Texas.

188

Owen Murphy (American, b. 1948)

“Shadowdance”

gelatin silver print signed lower right, titled on label en verso. Matted, glazed and framed. 12-1/2” x 8”, framed 20-1/4” x 16-1/4”

$700-$1,000

189

George Valentine Dureau (American/Louisiana, 1930-2014)

“Wendell Platt”

gelatin silver print signed lower right and titled lower left. Unframed. sheet 14” x 11”

$700-$1,000

190

George Valentine Dureau (American/Louisiana, 1930-2014)

“David Kopay”

chromogenic print signed lower right, titled lower left. Matted, glazed and framed. sight 10-1/2” x 10”, framed 19-1/4” x 18-1/4”

$1,000-$1,500

191

Mid-Century Modern Laminated Hardwood and Leather Lounge Chair and Ottoman

after the design by Charles and Ray Eames, the lounge chair model 670, h. 35-1/2”, w. 34”, d. 25”, and the ottoman model 671, h. 14”, w. 24”, d. 20”, both lacking their labels.

$1,500-$2,500

192

Harry Sternberg (American, 1904-2001)

“Smoke Stacks”

screenprint in colors signed lower right. Matted, glazed and framed. sight 11-1/8” x 14-1/8”, framed 19-1/4” x 22-1/4”

$1,000-$1,500

193

Harmony Lynn Hammond (American, b. 1944)

“Untitled - New Mexico Spirit”, 1985

mixed media on paper pencil-signed and dated lower right, inscribed “For Wade” lower left. Float-mounted, glazed and framed. sheet 15” x 12-3/4”, framed 17-3/4” x 15-1/2”

$1,500-$2,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

194 IRWIN (Slovenian, Contemporary)

“Rdeci Revirji (Sejalec) (Red Districts [Sower])”, 1989

silkscreen on color paper image of a sower printed over an industrial scene by the artist Janez Knez (Slovenian, 1931-2011), stamped by the artist collective IRWIN, pencil-dated, and numbered “11/33” along right margin. Matted, glazed and framed. sight 13-1/2” x 19”, framed 24-1/8” x 30”

$700-$1,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

195

George Miyasaki (American/Hawaii, 1935-2013)

“Presentation #2”, 1964

lithograph in colors

pencil-signed and dated lower right, titled lower center, and numbered “4/11” lower left. Matted, glazed and framed. sight 20-1/2” x 17-3/4”, framed 27-1/2” x 22-3/4”

$1,000-$1,500

196

John W. Kearney (American, 1924-2014)

“Car”

patinated bronze

unsigned, upper portion lifts to tripartite interior, front and back elements hinged. h. 8”, w. 11”, d. 6-1/2”

$4,000-$7,000

197

Michael Aram Metal Wall Sculpture

woven patinated metal elements with gilt accents, sculpture tapered around porthole center.

dia. 43”, d. 15”

$1,000-$1,500

198

Geoff Winningham (American, b. 1943)

“Oaxaca”, 1993

chromogenic print

pencil-signed lower right and titled, dated and numbered “4/25” lower left.

Matted, glazed and framed.

sight 24” x 24”, framed 35-1/2” x 33”

$700-$1,000

Provenance: Estate of Marie Bel Fay

Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

199

Steven Forster (American/Louisiana, b. 1957)

“Irving Mayfield” “Ellis Marsalis”

pair of gelatin silver prints each numbered “1/25” lower left and pencilsigned lower right.

Matted, glazed and framed alike.

sight 21-1/2” x 19”, framed 34-1/2” x 31”, and sight 15-1/4” x 21”, framed 28-1/4” x 33”, respectively

$500-$800

200

Dorothy Draper Aluminum and Black Leather Tub Chair

American, ca. 1949, in the Hollywood Regency taste, the curved back splat set between scrolled arms, with circular upholstered seat and sabre legs, commissioned for the Crown Room at the Fairmont Hotel in Nob Hill, San Francisco, the back with bas-relief crown on the rear of the splat. h. 29-1/4”, w. 23-1/4”, d. 19”

$2,500-$4,000

201

Twelve Cockburn-Lange World War I Aviation Combat Photographs

1930s, images created using models by Wesley David Archer, originally published in Death in the Air: The War Diary and Photographs of a Flying Corps Pilot as documentary photography, including images 12, 13, 19, 28, 30, 32, 36, 38, 46, 52, 55 and 99. Float-mounted, glazed and framed alike.

sheet 10-1/4” x 13-1/8” and 13-1/8” x 10-1/4”, framed 12-3/4” x 15-3/4” and 15-3/4” x 12-3/4”

$2,000-$4,000

202

Newton Reeve Howard (American/Louisiana, 1912-1984)

“The Aircraft Carrier”, 1949 watercolor on paper signed and dated lower right. Matted, glazed and framed. sight 12” x 17”, framed 17-3/4” x 22-3/4”

$2,500-$4,000

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

203

Mario Villa (Nicaraguan/Louisiana, 1953-2021)

“Lamp”, 1992

copper and mixed metal signed and dated along edge of base, pierced copper shade, wired for electricity.

h. 26-1/2”, w. 6”, d. 6”, with shade h. 29”, w. 13”, d. 13”

$800-$1,200

204

George Nakashima (American, 1905-1990)

Walnut Asymmetrical Table, 1966

American black walnut the top made from a single crescent-form slab, having an inset rosewood butterfly cleat, with chamfered corner edges and shaved canted edges, along with chiseled enrichments, raised on three turned tapering legs, the underside inscribed “STEWART”. Together with a digital copy of the original order card.

h. 24-1/2”, w. 57”, d. 39”

$10,000-$15,000

Provenance: Commissioned directly from the artist by William E. Stewart, Detroit, Michigan; George Nakashima Woodworker, New Hope, Pennsylvania, Order Card 66-VIII48, dated October 24, 1966; Sloans & Kenyon, Bethesda, Maryland, 2009; Private collection, New Orleans, Louisiana; Authenticated by the Nakashima Foundation for Peace, 2025.

205

Nam June Paik (Korean, 1932-2006)

"Beuys & Shaman", 1992

$30,000-$50,000

brass chandelier, twelve lights, five Sony FD-10 pocket watchmans, Porter Cable storage case, now repurposed to store electrical equipment, Zealous Video Sender, two channel color video, Magno Sound & Video laser disk, and laser disk player, now digitized to DVD titled and dated on original laser disk. dimensions variable

Provenance: Holly Solomon Gallery, New York, New York.

New Orleans Auction Galleries would like to specially thank Sebastian Figueroa and Sara Storm for their assistance in the set-up and installation of this work.

206

German Ergonomic Napshell

the handmade sleeping pod with a cocoon shape, designed for power napping and relaxation, disassembles in three sections. h. 58”, w. 52”, l. 117”

$3,000-$5,000

207

Mark Williams (American, b. 1950)

“Prospect”, 2007

enamel on wood panel signed, titled and dated en verso. Verso with a “Wade Wilson Art” label. Unframed.

20” x 16”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

208

Randall Timmons (American/Louisiana, b. 1946)

“AI 18”, 1977

oil on canvas signed, dated, titled and marked “series II” along lower margin. Unframed.

48” x 50”

$1,000-$1,500

209 Randall Timmons (American/Louisiana, b. 1946)

“AI 4”, 1977

oil on canvas signed, dated, titled and marked “series II” along lower margin. Unframed.

36” x 44”

$1,000-$1,500

210 Frank Charles Peyraud (Swiss/American, 1858-1948)

“Blue Skies, White Clouds”

oil on canvas signed lower right. Framed.

25” x 30”, framed 29-1/2” x 34-1/4”

$2,000-$4,000

211

William Branks Stewart (Scottish/Louisiana, 1898-1950)

“The White Boat”

oil on canvas board signed lower right, and “New Orleans Art League” label with signature and title en verso. Framed.

20” x 24”, framed 23” x 27-1/2”

$800-$1,200

Provenance: Private collection, Baton Rouge, Louisiana.

212

William Woodward (American/Louisiana, 1859-1939)

“Eucalyptus, Carmel”, 1925-1926

oil on canvas board initialed “WW” and dated “25” lower left, and pencil-signed, titled and dated “Jan. 26”, with a “Jean Bragg Galley” label en verso. Framed.

13-1/2” x 10”, framed 17-1/4” x 13-1/2”

$1,200-$1,800

Provenance: Jean Bragg Gallery, New Orleans, Louisiana; Private collection, Baton Rouge, Louisiana.

213

Dapper Bruce Lafitte (Davenport) (American/Louisiana, b. 1972)

“Doc Harris”

ink on textured paper signed and inscribed in several places en recto.

Float-mounted, glazed and framed. 29-1/2” x 22”, framed 34-3/4” x 25-3/4”

$1,500-$2,500

214

William Tolliver (American/Mississippi, 1951-2000)

“A Field Worker”, 1986 mixed media on paper signed and dated lower left. Matted and framed. sight 27” x 19”, framed 40” x 31”

$2,000-$4,000

Provenance: Sold in these rooms, April 11, 2021, lot 93; Private collection.

215

William “Bill” Ludwig (American/Louisiana, 1935-2011)

“Untitled”, 1975

patinated bronze cast signature and dated along proper left side of helmet. h. 16”, w. 13”, d. 8-1/4”

$1,000-$1,500

Provenance: The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

216

Sharon Nieburg (American/California, Contemporary)

“Hair Braiding”, 2001

oil on canvas signed and dated lower right. Framed.

15-1/4” x 19-1/2”, framed 19-1/2” x 23-1/2”

$1,200-$1,800

217

Kevin Connor (Australian, 1932-2025)

“Double Portrait III”, 1968 oil on masonite signed and dated lower right. In a thin gallery frame. 48” x 50”, framed 49” x 51”

$1,000-$1,500

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

218

John W. Kearney (American, 1924-2014)

“Horse”

bronze in two parts, top opens to box interior, cast initials on self-base. h. 7-1/2”, w. 4-1/4”, d. 2”

$800-$1,200

219

Peter Sacks (South African/American, b. 1950)

“Book of Assyrian Reliefs”, 2012-2013

fabric and mixed media on gallery-wrapped canvas

signed, dated and titled en verso, from the “Migration” series. Unframed.

36” x 36”

$15,000-$25,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

220

Emery Ann Clark (American, b. 1950)

“Beach Study, Santa Rosa Island”, 1983

watercolor on paper signed and dated lower right, titled along bottom.

Matted, glazed and framed. sight 12-1/2” x 17”, framed 17-1/4” x 21-1/4”

$1,000-$1,500 219 220

221

Charles Taylor Bowling (American, 1891-1985)

“Green Hills, Dallas, Texas”, 1961

oil on canvas board signed and dated lower right, and titled en verso.

Matted and framed.

9” x 11”, framed 14-1/2” x 16-1/2”

$8,000-$12,000

Provenance: David Dike Fine Art, Dallas, Texas, 2008, lot 215.

222

Anna Althea Hills (American, 1882-1930)

“Summer Afternoon by the Sea, Laguna Beach”, 1915

oil on canvas board signed and dated lower right, and signed, dated and titled en verso.

Framed.

7” x 10”, framed 10” x 12-3/4”

$2,000-$4,000

223

Anna Althea Hills (American, 1882-1930)

“Sunset, Laguna Beach”, 1914

oil on canvas board

signed and dated lower right, and signed, dated and titled en verso. Framed.

7” x 10”, framed 10” x 13”

$1,500-$2,500

224

Sam Minot (American/New Orleans, b. 1962)

“Storm Clouds Over the Mesa”, 1995

oil on canvas board

signed and dated lower right, and signed, dated and titled on a label en verso. Unframed.

11” x 14”

$700-$1,000

Provenance: Neal Auction Company, New Orleans, Louisiana, November 24, 2019, lot 1098.

225

Paul Maxwell (American, 1925-2015)

“Construction”, 1960 oil on canvas signed and dated lower right. Framed.

40” x 30”, framed 42-1/2” x 32”

$800-$1,200

226

Danielle Frankenthal (American, Contemporary)

“Untitled”, 2007

acrylic paint and acrylite collage on Arches paper signed and dated lower right, signed and dated en verso of element lower left. Float-mounted, glazed and framed. sheet 22” x 30”, framed 27-1/2” x 35”

$1,000-$1,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

227

Pair of Post-Modern Painted Floor Lamps

late 20th century, designed by Morris Lapidus (Ukrainian/American, 1902-2001) for the Eden Roc Hotel in Miami, the marine-blue lamps with exaggerated Ionic capitals, on tapered and fluted standards, mounted on round bases and fitted with lampshades. h. 76”, dia. 21”

$1,200-$1,800

228

Charles Green Shaw (American, 1892-1974)

“Fog Bound”, 1965

oil on canvas board titled on old label and signed and dated en verso. Framed. 8-1/8” x 10-1/8”, framed 11-1/2” x 13-1/4”

$1,000-$1,500

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

229 Lin Emery (American/Louisiana, 1926-2021)

“Untitled” bronze signed on top of base, an early magnetdriven kinetic sculpture. On an integral black base. h. 14-1/2”, w. 9”, d. 4-1/2”

$3,000-$5,000

230 Richard Johnson (American/Louisiana, b. 1942)

“Determined”, 1981

acrylic on canvas signed, dated and titled en verso. In a thin gallery frame. 58” x 62”, framed 59-3/4” x 69-3/4”

$1,500-$2,500

231

Masahiro Arai (Japanese/Canadian, b. 1954)

“Interior”, 1992

oil on canvas signed and dated lower right. Unframed.

31” x 18-3/4”

$1,200-$1,800

232

Mariano Fortuny “y de” Madrazo (Spanish, 1871-1949)

Fortuny Floor Lamp

enameled steel, chrome-plated steel, cloth French, 1907 / 1985, retailed by Pallucco, Venice, Italy.

h. 76”, w. 37”, dia. 38”

$2,000-$4,000

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

233

Italian White Leather and Chrome Settee

contemporary, the back and seat with two integral cushions and the arms with padded elbow rests, raised on outcurved chrome legs.

h. 38”, seat h. 18-1/2”, w. 67”, d. 36”

$1,000-$1,500

234

Italian White Leather and Chrome Sofa

contemporary, the back and seat with three integral cushions and the arms with padded elbow rests, raised on outcurved chrome legs.

h. 37”, seat h. 19”, w. 89”, d. 37”

$1,000-$1,500

235

Pair of Modernist Vellum-Wrapped Nesting Tables

in the manner of Jean Michel Frank (French, 1895-1941), each of waterfall form, graduated in size.

h. 28”, w. 22”, d. 16”

$1,500-$2,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

236

Modernist Linen-Wrapped and Lacquered Parsons Table

design inspired by Karl Springer (German, 1930-1991), with a square top and straight square legs joined by a lower shelf.

h. 26”, w. 30”, d. 30”

$1,000-$1,500

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

236

237

Lalique Champs Elysees Chandelier

post-1968, the crystal and chrome six-light chandelier with a leafmolded bottom pan, parcelfrosted leaf molded shades, and supported on chrome rods. h. 25”, dia. 21-1/2”

$3,000-$5,000

238

Mae Belle Gay (American, 1926-2017)

“Untitled”

oil on canvas signed lower right. Unframed.

30” x 42”

$600-$900

239

Charles Green Shaw (American, 1892-1974)

“Montauk Lighthouse”

oil on board signed lower right, titled en verso. Framed.

5-1/2” x 7”, framed 8” x 9-1/2”

$1,000-$1,500

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

240

Mark Williams (American, b. 1950)

“Contact”, 2007

oil enamel paint on wood panel signed and titled and with a “Wade Wilson, Houston, Texas” gallery label en verso. Unframed.

20” x 16”

$600-$900

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

241

Lewis Carroll (British, 1832-1898) and Salvador Dali (Spanish, 1904-1989)

Alice’s Adventures in Wonderland, New York: Maecenas Press - Random House, 1969, printed by Ateliers Rigal and M. Nourisson, limited edition portfolio with one color etching (facing frontispiece) and twelve color heliograves with woodcut remarque on wove Mandeure paper, signed by Dali on title page, this numbered 1007 on colophon, in original linen-covered clamshell portfolio with toggle closures, leather spine with gilt lettering.

sheets 17” x 11-1/2”, portfolio 18-1/2” x 13-1/4”

$6,000-$9,000

242

Basilios Poulos (Greek/Texas, b. 1941)

“Issaris”, 1982

acrylic on canvas signed and titled along lower edge, and signed, dated and titled en verso. Unframed.

76” x 58”

$2,500-$4,000

Provenance: Grapestake Gallery, San Francisco, California; Private collection.

243

Mexican Mixed Metal Coffee Set and Associated Pieces

Victoria, Taxco, copper with applied silver accents, including a coffee set with: coffeepot, h. 7”, l. 7-1/4”; cream jug, h. 4-3/4”, l. 5-1/4”; covered sugar bowl, h. 4-1/2”, dia. 3-1/2”; and oblong tray, 17-1/4” x 11-1/4”; together with a spherical water pitcher, h. 7-3/4”, dia. 6-1/2”; and a salt cellar, h. 1-1/2”, dia. 1-1/4”; the hollowware all decorated with applied silver Aztec-inspired meander banding and silvered interiors, the pitcher with spout en suite, the coffee set with hinged lids, spherical finials and right-angle granadillo handles.

$800-$1,200

244

Jose Clemente Orozco (Mexican, 1883-1949)

“Masks”, ca. 1930

gouache on paper signed and inscribed “Para Bettina” lower left. Matted, glazed and framed. sight 8-1/2” x 12-1/4”, framed 26-1/4” x 28-1/4”

$15,000-$25,000

Provenance: Gift of Jose Orozco to the artist Elizabeth Ely de Vescovi (Italian/American, 1910-1998); Estate of Elizabeth Ely de Vescovi; Private collection, Houston, Texas.

245 Rufino Tamayo (Mexican, 1899-1991)

“Mujer con Sandía (Woman with Watermelon)”, 1950

lithograph in colors

pencil-signed and inscribed "p de" (artist's proof) lower margin. Printed by Guilde Internationale de l’Amateur de Gravures. Matted, glazed and framed. sight 24-3/4” x 19”, framed 34” x 28”

$1,200-$1,800

246

Pia Camil (Mexican, b. 1980)

“Knock Knock”, 2020

watercolor, acrylic, ink and oil stick on paper

unsigned, together with a certificate from Galeria OMR, Mexico City, Mexico.

Float-mounted, glazed and framed. sheet 51” x 37”, framed 61-1/2” x 47-1/4”

$2,500-$4,000

Provenance: Galeria OMR, Mexico City, Mexico; Private collection, New Orleans, Louisiana.

247

Rufino Tamayo (Mexican, 1899-1991)

“Idolo Precolombiano”, 1976

lithograph in colors

pencil-signed lower right along with printer’s blind stamp and numbered “21/100” lower left.

Matted, glazed and framed.

sight 21-3/4” x 17-3/4”, framed 29” x 25”

$1,000-$1,500

Provenance: Carmen Llewellyn Gallery, New Orleans, Louisiana; Private collection.

248

Geoff Winningham

In the Eye of the Sun: Photographs of Mexican Fiestas 1984-1995 Portfolio

1995, fifteen float-mounted chromogenic prints, this portfolio numbered “9/20” and signed on frontispiece page, numbers 1, 2, 3, with 45 images, all others with individually chosen fifteen images, each image pencilsigned, dated, titled and numbered out of an edition of 25, printed by Other Americas Press, Houston, Texas, with clothbound clamshell box.

$1,500-$2,500

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

Complete list of images available upon request.

249

Carlos Betancourt (American/Puerto Rican, b. 1966)

“Landscapes Reimagined IV”, 20192021

vinyl and mixed media on canvas In an integral plexiglass shadowbox. overall 66” x 54-1/4”

$5,000-$8,000

Provenance: Purchased from the artist, 2021; Private collection, New York, New York.

Exhibited: Art Basel, Miami Beach, 2021.

Literature: Brett Sokel, “A Cultural Circus Returns to Give Gallerists a Jolt”, The New York Times, Friday, November 26, 2021, illus. p. C14.

250

Danielle Frankenthal (American, Contemporary)

“Once in a Blue Moon”

acrylic paint on acrylic resin panel pencil-signed lower right, numbered “25/25” lower left.

Float-mounted, glazed and framed. sheet 50” x 39”, framed 59” x 46-1/2”

$2,000-$4,000

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

251

Tom Berg (American, b. 1943)

“Folding Chair: Steel/Canvas/Tape”, 1980

oil on canvas signed lower center, and signed, dated and titled en verso along with a “Heydt/Bair Gallery, Santa Fe, New Mexico” label. In a thin gallery frame. 48” x 36”, framed 49” x 37”

$1,000-$1,500

Provenance: Heydt/Bair Gallery, Santa Fe, New Mexico; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

252

Knox Martin (American, 1923-2022)

“Untitled”

mixed media on paper signed lower right. Float-mounted, glazed and framed. 41” x 49”, framed 50” x 58”

$1,500-$2,500 251 252

253

Georges Braque (French, 1882-1963)

“Corbeille de Fruits”, ca. 1955

lithograph in colors

pencil-signed lower right and inscribed “HC” lower left, published by Maeght, Paris. Unframed.

14-1/2” x 21-1/2”

$1,500-$2,500

254

Weissenhof (MR 10) Cantilever Chair

1927, German, polished chrome and cane, designed by Mies van der Rohe with Lilly Reich for the Weissenhofsiedlung Exhibition.

h. 33”, w. 17-1/2”, d. 32-1/2”

$600-$900

255

Glazed Ceramic Fortune Cookies

nine individual cookies presented on a plate. h. 7”, dia. 18”

$400-$700

Provenance: Sourced by Holden & Dupuy Interior Design, New Orleans, Louisiana.

256

Fritz von Herich (Continental, 20th Century)

“Pulling Into Port” oil on wood panel signed lower left. Float-mounted and framed. 15” x 15”, framed 22-1/2” x 23”

$600-$900

257

Rolland Harve Golden (American/Louisiana, 1931-2019)

“Boats at Dock”, 1961

watercolor on paper signed and dated lower left. Matted, glazed and framed.

sight 20-1/2” x 28-1/4”, framed 30-1/4” x 38-1/2”

$1,000-$1,500

258

Rolland Harve Golden (American/Louisiana, 1931-2019)

“View of Royal Street”, 1966

watercolor on paper signed and dated lower right. Framed.

sight 19-1/4” x 27”, framed 31” x 38-1/8”

$1,200-$1,800

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

259

Pair of Chrome and Fabric Armchairs

20th century, the “flat bar” style frame with open sides at back, the bottom with stretchers, upholstered in a nubby fabric with loose back and seat cushions. h. 26-1/2”, w. 33-1/2”, d. 33-1/2”

$2,000-$4,000

260 Kelly Fearing (American, 1918-2011)

“The Penitent” mixed media on paper signed lower right. Matted, glazed and framed. 15” x 10-1/8”, framed 21-1/2” x 17”

$2,000-$4,000

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

261

Guy Pierre du Toit (South African, b. 1958)

“Soweto”

patinated bronze on a thin iron support base. h. 30”, w. 36”, d. 14”

$4,000-$7,000

262

Barcelona Chair

20th century, polished steel and tufted suede cushions, after the iconic 1929 design by Mies van der Rohe manufactured by Knoll, labeled. h. 34”, w. 29-1/4”, d. 30”

$1,000-$1,500

263

Continental Silverplate Drinks Tray on Stand

fourth quarter 20th century, in the manner of Valenti, the rounded rectangular tray with twisted wire “knotted rope” handles, the collapsible wavy X-form stand with “rope” legs and stretches with chain strap. tray 23-1/4” x 16-1/4”; stand h. 22-1/4” (24-1/2” with tray), w. 16-3/4”, d. 24”

$1,200-$1,800

264

Valenti Silverplate “Rope” Ice Bucket

fourth quarter 20th century, Barcelona, Spain, cylindrical in the form of a coiled nautical rope, the flat lid with “knot” finial opening to reveal the detachable insulated aluminum interior. h. 10-1/2”, dia. 9-1/4”

$800-$1,200

265

Thomas Wilmer Dewing (American, 1851-1938)

“Woman in Profile”

pencil on paper signed lower left. Mounted to matting and unframed. image 16-3/4” x 9-1/2”, matted 23-3/4” x 16-1/4”

$2,500-$4,000

266

Handel Leaded Glass Table Lamp

early 20th century, Meriden, Connecticut, with a fleur-de-lis-pierced heat cap, the geometric shade with a mauve floral border, on a bronze-finished metal base signed “Handel”, set with two lights. h. 20”, dia. 15-3/4”

$1,000-$1,500

267

Dianne Elizabeth Flynn (British, b. 1939)

“Young Girl by the Water” oil on canvas signed lower left, with a “Herston” canvas stamp and “MacConnal-Mason” framing label en verso. Framed.

20” x 24”, framed 26-3/4” x 30-1/2”

$1,200-$1,800

268

Charles Sims (British, 1873-1928)

“Reading the News”

oil on canvas signed lower right. Framed.

20” x 24”, framed 25” x 29”

$3,000-$5,000

269

Pair of Arts and Crafts-Style Oak Display Cabinets

in the manner of Stickley, each with a pair of full-length doors with muntin grilles, the sides of like design, the interiors lighted and with mirrored backs, fitted with adjustable plate-glass shelves. h. 82-1/2”, w. 31”, d. 15-1/2”

$800-$1,200

270

Montague Dawson (British, 1890-1973)

“With the Wind” watercolor on paper signed lower left, a “Marine Arts Company, Salem, Massachusetts” label en verso. Matted, glazed and framed. sight 16” x 26”, framed 28-3/4” x 38”

$3,000-$5,000

Provenance: Marine Arts Gallery, Salem, Massachusetts; The Collection of Deborah & Eli Tullis, New Orleans, Louisiana.

271

William John Huggins (British, 1781-1845)

“An East Indiaman in a Gale”

oil on canvas unsigned, a “N.R. Omell, London” exhibition label with artist and title en verso. Framed.

34” x 50”, framed 41” x 56-1/2”

$3,000-$5,000

Exhibited: N.R. Omell Gallery, London, United Kingdom, Exhibition of Marine Paintings of the 18th, 19th & 20th Century, October 1-November 1, 1985.

272

British School (19th Century)

“Portrait of a Young Man with His Faithful Companion”

oil on canvas unsigned. Framed.

55” x 38-1/4”, framed 58-1/4” x 43-1/4”

$7,000-$10,000

273

American School (19th Century)

“Portrait of a Young Girl and Her Terrier” oil on canvas unsigned. Framed.

30-1/2” x 25”, framed 35-1/2” x 30-1/2”

$2,000-$4,000

274

Louisiana School (19th Century)

“Portrait of a Young Man” oil on canvas tondo unsigned. Framed.

17” x 14”, framed 22-1/2” x 19-1/4”

$400-$700

Provenance: Hebert House, Lake Arthur, Louisiana; Private collection, Baton Rouge, Louisiana.

275

Henry Bacon (American, 1839-1912)

“The Stubborn Mule”, 1867 oil on canvas signed and dated lower right. Unframed. 14” x 10-3/4”

$800-$1,200

276

Tony Couch (American, Contemporary)

“Dashing Through the Snow”

watercolor on paper signed lower left. Matted, glazed and framed. sight 19” x 32”, framed 26-1/2” x 39-1/2”

$800-$1,200

277

William Starbuck Macy (American, 1853-1945)

“Gathering Firewood” oil on canvas signed lower right. Framed.

19-1/2” x 32”, framed 29” x 40”

$1,500-$2,500

278

Neal Slavin (American, b. 1941)

“Holland Tunnel”, 1979 “Engine 7, Ladder I”, 1979

two gelatin silver prints each signed, dated and numbered “15/75” along left edge. Matted and unframed. each sheet 11” x 14”, matted 14” x 18”

$800-$1,200

20th century, the rectangular plate-glass top with a broad beveled edge, over a cast-iron base with scrolled legs, the interior set with four fruit-and-shell molded terra cotta panels.

h. 16”, w. 46”, d. 41”

$1,500-$2,500

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280

Suite of Eight Engravings of Mythological Figures

17th century, after Polidoro da Caravaggio (Italian, ca. 1499-1543), engraved by Hendrick Goltzius (Dutch, 1558-1617).

Each matted, glazed and framed alike. each sight 15-1/4” x 10”, framed 23-1/4” x 17-3/4”

$4,000-$7,000

281

French Hand-Colored Copper Engraving of “Salle de Spectacle Construite a Versailles”

18th century, after Charles Nicolas Cochin II (French, 1715-1790).

Matted, glazed and framed.

sight 29” x 20-1/2”, framed 41-1/2” x 32”

$500-$800

282

French School (Late 18th Century)

“The Chaperone”

watercolor and ink on paper figures outlined in pinprick-sized holes suggesting this may have been used as a pattern.

Matted, glazed and framed. sight 7-1/8” x 9-1/8”, framed 13” x 15”

$300-$500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

283

Italian School (18th Century)

“Colpo di Grazia” “Satiro e Ninfa”

pair of inks and wash on paper unsigned, former marked “37” upper left, latter marked “777” upper left. Matted, glazed and framed alike. each sight 8-5/8” x 12-1/4”, framed 17-1/4” x 21-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

284

British School (19th Century)

“The Old Grist Mill”

watercolor and mixed media on paper unsigned.

Matted, glazed and framed. sheet 10” x 14”, framed 16-3/4” x 20”

$400-$700

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

285

After James Abbott McNeill Whistler (American/British, 1834-1903)

“Billingsgate”, 1859

etching and drypoint on paper signed and dated in plate lower right center, with a “Bellette Hofman, New York, New York” gallery label en verso.

Matted, glazed and framed. sight 7” x 10”, framed 14-1/2” x 17-1/2”

$1,000-$1,500

Provenance: Bellette Hofman Fine Art Inc., New York, New York; Private collection, New Orleans, Louisiana.

286

Honore Daumier (French, 1808-1879)

“Family Scene”

lithograph on paper blind-stamp lower right, after the ca. 1865 ink wash drawing. Matted, glazed and framed. sight 8-1/8” x 7-1/4”, framed 24” x 17-1/4”

$300-$500

287 Italian School (19th Century)

“Two Drawings of Ancient Roman Marble Busts”

charcoals on paper unsigned.

Together with a partial, smaller drawing of a child en verso. Framed together. each image sight 15” x 11”, framed altogether 27” x 34-1/2”

$300-$500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 287 286

288

Marie Vasselon (French, 1844-1899)

“Study of a Figure in Profile”, 1877 “Study of a Child”, 1876

two pencils on paper each signed and dated lower right. Matted, glazed and framed alike. sight 23-1/2” x 18”, framed 30” x 24”, and sight 18” x 23”, framed 24” x 29”, respectively

$200-$400

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

289

Attributed to Thomas Sully (British/American, 1783-1872)

“Figural Studies”, 1824 ink on paper initialed and dated lower center. Matted, glazed and framed. sight 4-1/2” x 8”, framed 12” x 15”

$800-$1,200

290

French School (19th Century)

“Griffins and Flourishes”, 1880

graphite on paper illegibly signed and dated lower right. Float-mounted, glazed and framed. sheet 24-1/4” x 18-1/2”, framed 30-3/4” x 25”

$300-$500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

291

Two French Hand-Colored Engravings

19th century, after Genevieve de Nangis Regnault (French, 1746-1802), including “Rose” and “Chevrefeuille”. Matted, glazed and framed alike. each sight 15” x 10”, framed 26-1/2” x 21-1/2”

$600-$900

292

Fred Brook (British, Late 19th/Early 20th Century)

“The Pumpkin Patch”, 1915

engraving and drypoint on paper pencil-signed and dated lower right. Matted, glazed and framed.

sight 5-1/2” x 8”, framed 11-3/4” x 13-3/4”

$200-$400

Provenance: The Collection of Clarence G. Ochsner, Wabasha, Minnesota.

293

Jules Pascin (French/American, 1885-1930)

“Le Cireur de Chaussures”, 1915

pencil and watercolor on paper pencil-signed lower center, localized “USA” and dated lower right.

Matted, glazed and framed.

sight 6-1/4” x 9-1/2”, framed 12-3/4” x 15-1/2”

$1,200-$1,800

294

Peppino Gino Mangravite (American, 1896-1978)

“Tomorrow’s Bread”

lithograph on paper pencil-signed lower right. Matted, glazed and framed.

sight 9” x 14”, framed 16-7/8” x 20-7/8”

$100-$200

295

Gypsy Lou Webb (American/Louisiana, 1916-2020)

“Orleans Street to Saint Anthony’s Garden”

watercolor and ink on paper signed “Gypsy Lou” lower left and inscribed lower right.

Matted, glazed and framed.

sight 12” x 9”, framed 16” x 12-1/2”

$600-$900

296

Noel Rockmore (American/Louisiana, 1928-1995)

“The Skyscraper, New Orleans”, 1970

oil and marker on canvas board signed, titled, dated and localized lower right. Unframed. 16” x 20”

$600-$900

297

Willie Lucille Reed Rowe (American/Louisiana, 1914-1986)

“My Balcony Garden”, 1948

“My Studio Kitchen”, 1948

two etchings on paper each pencil-signed and dated lower right and titled lower left, from an unnumbered edition of 100. Unframed. sheet 8-1/4” x 5-3/4” and 9-1/2” x 7”, respectively

$400-$700

298

William Woodward (American/Louisiana, 1859-1939)

“Old Dyer Institute, Lee Circle, New Orleans”, 1935

drypoint on paper initialed “W.W” and dated “35” lower left in plate, and pencil-signed and “1st proof” lower margin.

Matted, glazed and framed. sight 8-1/4” x 10-1/2”, framed 17-1/4” x 19-1/2”

$500-$800

Provenance: Private collection, Baton Rouge, Louisiana.

Literature: Hinckley, Robert, ed., William Woodward, American Impressionist, 2009, plate 127, illus. p. 145.

299

Rolland Harve Golden (American/Louisiana, 1931-2019)

“Sun Panes”

pencil on paper affixed to board signed lower right and titled en verso. Matted and framed. sight 6-1/2” x 4-3/4”, framed 15-1/2” x 12-1/2”

$700-$1,000

300

Knute Heldner (Swedish/Louisiana, 1875/77-1952)

“By the Sea”

drypoint on paper signed in plate lower left. Matted, glazed and framed.

sight 11” x 8-1/2”, framed 16-1/2” x 14”

$400-$700

301

Edith Hirsch Kaufmann (American/Louisiana, 1919-1969)

“Girod Street Graveyard, New Orleans”, ca. 1941

etching on paper signed and marked “ed. 6” lower right, titled lower left. Together with an award announcement from the Isaac Delgado Museum of Art (now the New Orleans Museum of Art).

Matted, glazed and framed.

sight 9-1/2” x 6-3/4”, framed 15-1/4” x 12-1/4”

$400-$700

Provenance: Collection of the artist; thence by descent, New Orleans, Louisiana.

Exhibited: The Annual Louisiana State Exhibition, Art Association 10 of New Orleans, Delgado Museum of Art, New Orleans, Louisiana, 1941.

Awarded: Purchase Prize in Graphics Art, Art Association of New Orleans of the Delgado Museum of Art, New Orleans, Louisiana, 1941.

302

Nathaniel Cortlandt “Buster” Curtis, Jr. (American/Louisiana, 1917-1997)

“Fort Bayou - Ocean Springs”, 1975

pencil on paper signed, titled and dated lower right. Together with an article about artist. Unframed. 10-3/4” x 17”

$300-$500

303

Charles Henry Reinike (American/Louisiana, 1906-1983)

“Bayou”

ink and watercolor on paper signed lower left. Framed.

sight 10” x 14”, framed 18-1/2” x 22-1/4”

$600-$900

304

Harry Sternberg (American, 1904-2001)

“Desert Sun”

screenprint in colors signed lower right and titled lower left. Matted, glazed and framed.

sight 7-3/4” x 33-1/2”, framed 9” x 35”

$800-$1,200

305

Martha Wright Ambrose (American/Louisiana, 1914-2000)

“Landscape with Live Oaks”

watercolor on paper unsigned.

Matted and glazed in a clip frame.

sight 13-3/4” x 22”, framed 20” x 28”

$600-$900

306

Cora Kelley Ward (American/Louisiana, 1920-1989)

“Untitled”

watercolor on paper unsigned, with artist plaque. Matted, glazed and framed. sight 15-1/4” x 11-1/2”, framed 20-3/4” x 17-3/4”

$500-$800

Provenance: Private collection, Baton Rouge, Louisiana.

307

Martha Wright Ambrose (American/Louisiana, 1914-2000)

“Rooftops”

watercolor on paper unsigned.

Matted and glazed in a clip frame. sight 17-1/2” x 23-1/4”, framed 22” x 28”

$1,000-$1,500

308

Christopher P. H. Murphy (American, 1869-1939)

“Ship Malmo, Savannah Harbor”

etching with colors signed lower right, a “The Closson Galleries, Cincinnati, Ohio” label en verso. Matted, glazed and framed.

sight 6” x 7-1/2”, framed 13-1/4” x 14-1/4”

$800-$1,200

Provenance: The Closson Galleries, Cincinnati, Ohio; Private collection, New Orleans, Louisiana.

309

Christopher P. H. Murphy, Jr. (American, 1902-1973)

“On Montgomery Street, Savannah”

etching with colors signed lower right, a “The Closson Galleries, Cincinnati, Ohio” label en verso. Matted, glazed and framed. sight 6-3/4” x 5-1/2”, framed 14” x 12”

$800-$1,200

Provenance: The Closson Galleries, Cincinnati, Ohio; Private collection, New Orleans, Louisiana.

310

Lamar Baker (American, 1908-1994)

“Exodus (Cotton #3)”

lithograph on paper

pencil-signed lower right and titled lower left, from the “Cotton Series”.

Matted, glazed and framed.

sight 14-1/2” x 11-1/2”, framed 20-3/4” x 17”

$600-$900

311

Lamar Baker (American, 1908-1994)

“Background (Cotton #1)”

lithograph on paper

pencil-signed lower right and titled lower left, from the “Cotton Series”.

Matted, glazed and framed.

sight 11-1/2” x 14-1/2”, framed 17-1/2” x 20”

$600-$900

312

Lamar Baker (American, 1908-1994)

“Night Blooming Cereus”, 1942

lithograph on paper

pencil-signed lower right and titled lower left, initialed and dated “42” in plate lower right corner.

Matted, glazed and framed.

sight 11-1/4” x 9”, framed 20-3/4” x 17”

$600-$900

313

Lamar Baker (American, 1908-1994)

“Broken Blossom (Cotton #2)”, 1938

lithograph on paper

pencil-signed lower right and titled lower left, initialed and dated 1938 in plate lower right corner, from the “Cotton Series”.

Matted, glazed and framed.

sight 14-1/2” x 11-1/2”, framed 20-3/4” x 17-1/8”

$600-$900

314

Kojin Toneyama (Japanese, 1921-1994)

“4 Cattle”, 1958

lithograph on paper signed and dated lower right, titled and numbered “19/200” lower left.

Matted, glazed and framed.

sight 17-1/2” x 22-1/2”, framed 25” x 29-1/2”

$200-$400

315

Salvador Dali (Spanish/French, 1904-1989)

“Adam and Eve”, 1972

engraving in color on Rives paper pencil-signed lower right and numbered “642/1,000” lower left, from the “Famous Loves” series.

Matted, glazed and framed.

sight 17-1/4” x 13”, framed 27” x 22-3/4”

$1,000-$1,500 315 314

316

Georges Rouault (French, 1871-1958)

“De Profundis”

lithograph on paper pencil-signed lower right and numbered “17/100” lower left, initialed and dated “1929” in plate lower right corner, from “La Petite Banlieue” series.

Matted, glazed and framed. sight 14” x 9-1/2”, framed 22-1/2” x 17”

$1,000-$1,500

317

Georges Rouault (French, 1871-1958)

“Il Serait si Doux d’Aimer (It Would Be So Sweet to Love)”

offset lithograph on paper plate 13 from “Miserere”, signed in plate lower left.

Matted, glazed and framed. sight 23” x 16-1/2”, framed 34” x 27-1/2”

$200-$400

Provenance: Estate of Marie Bel Fay Evnochides, Houston, Texas.

Proceeds from the sale of this lot will go to benefit the Fay School in Houston, Texas, and the Marie Bel Fay Fund.

318

Arbit Blatas

(American/Lithuanian, 1908-1999)

“Marcel Marceau”

lithograph on paper

pencil-signed lower right and numbered “72/250” lower left.

Matted, glazed and framed. sight 15” x 9”, framed 21” x 14”

$100-$200

319

Pat Trivigno

(American/New Orleans, 1922-2013)

“Bird”

pencil on paper

signed lower right.

Matted, glazed and framed. sight 17-1/2” x 8-1/2”, framed 22” x 13-1/4”

$600-$900

320

Charles Henry Reinike (American/Louisiana, 1906-1983)

“Untitled”

watercolor on paper signed lower right. Glazed and framed.

sight 31-1/2” x 17-1/8”, framed 37-1/2” x 23-1/2”

$700-$900

Provenance: Private collection, Baton Rouge, Louisiana.

321

James Louis Steg (American/Louisiana, 1922-2001)

“Winter”, 1950 “Spring”, 1950

two etchings in color each pencil-signed and dated lower right, former numbered “19/25” and latter numbered “10/25” lower left.

Each matted, glazed and framed. sight 5-1/4” x 12-1/2”, framed 12-1/4” x 19-1/4” and sight 9-1/2” x 4-1/2”, framed 17-3/4” x 11-3/4”, respectively

$500-$800

322

Cora Kelley Ward (American/Louisiana, 1920-1989)

“Untitled”

watercolor on paper unsigned, with artist plaque. Matted, glazed and framed. sight 19-1/2” x 14-3/4”, framed 27-1/4” x 21-1/4”

$500-$800

Provenance: Private collection, Baton Rouge, Louisiana.

323

Cora Kelley Ward (American/Louisiana, 1920-1989)

“Untitled”

watercolor on paper unsigned, with artist plaque. Matted, glazed and framed. sight 19” x 15”, framed 26-1/2” x 20-1/2”

$500-$600

Provenance: Private collection, Baton Rouge, Louisiana.

324

Raymond Thibesart (French, 1874-1968)

“Spring Landscape”

pastel on paper signed lower right. Together with a Certificat d’ Authenticite from Art en Seine Gallery. Matted, glazed and framed. sight 9-1/2” x 12-1/4”, framed 16-1/8” x 19”

$600-$900

Provenance: Galerie Art en Seine, Le Havre, France.

325

Raymond Thibesart (French, 1874-1968)

“Maronnies devant le Village”

pastel on paper signed lower right, a “Galerie Art en Seine” label en verso. Together with a Certificat d’ Authenticite from Art en Seine Gallery. Matted, glazed and framed. 9-1/4” x 12-1/4”, framed 16” x 19”

$400-$700

Provenance: Galerie Art en Seine, Le Havre, France.

326

Charles Constantin Hoffbauer (French/American, 1875-1957)

“Dumbo, Brooklyn”

watercolor on paper signed lower left. Matted, glazed and framed.

sight 18-1/2” x 14”, framed 25-1/4” x 21”

$800-$1,200

327

James A. Fisher (American/Louisiana, 20th Century)

“Model’s Revenge”, 1948

pencil on paper signed, dated and inscribed “Drawing by Jim Fisher/caricature of model at art class at New Orleans Art School/gift of John Clemmer” en verso.

Unframed. 23-1/2” x 17-1/2”

$300-$500

Provenance: Private collection, Baton Rouge, Louisiana.

328

Edward Schoenberger (American/Louisiana, 1915-2007)

“Florian”

pencil on paper signed lower right and titled lower left. Unframed.

21-1/2” x 14-1/2”

$700-$1,000

Provenance: Private collection, Baton Rouge, Louisiana.

329

Stanley Higuchi (American, 20th Century)

“Man with a Bowtie”, 1947

pencil on paper pencil-signed and dated lower right and titled lower left. Mounted to matting and unframed. overall 10-3/4” x 8-3/4”

$400-$700

330

James Louis Steg (American/Louisiana, 1922-2001)

“Visage”, 1948

ink on paper signed and dated lower left. Unframed.

19-3/4” x 14-3/4”

$400-$700

331

Xavier de Callatay (American/Louisiana, 1932-1999)

“Le Roi des Zoulous”, 1960

woodblock on paper signed lower right, titled and number “17/90” lower left. Matted and unframed. sheet 17” x 12”, matted 20” x 16”

$500-$800

332

After Edvard Munch (Norwegian, 1863-1944)

“Death and the Maiden - Exhibition Poster”, 1973

lithograph on paper

Glazed and framed. sight 24” x 17-1/4”, framed 25” x 18”

$100-$200

333

Eddy Rawlinson (American, 20th Century)

“Cerro Pedernal”, 1993

etching on paper

pencil-signed and dated lower right, numbered “3/25” lower center, titled lower left, signed and titled en verso backing. Matted, glazed and framed.

3” x 3-1/2”, framed 24” x 17”

$300-$500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

334

Henry Casselli (American/Louisiana, b. 1946)

“The Old Lady with the Cross”, 1975

lithograph on paper

pencil-signed lower right, titled and inscribed to “Stewart K Gahn, Jr.” lower center and numbered “9/60” lower left. Mat affixed with a sticker noting “from the collection of Stewart K. Gahn, Jr., Director of Sales Promotion for D.H. Holmes Company, New Orleans”.

Matted and unframed. sheet 20-3/4” x 16-1/4”, matted 24” x 20”

$600-$900

Provenance: Collection of Stewart K. Gahn, Jr., New Orleans, Louisiana; Private collection.

335

James Louis Steg (American/Louisiana, 1922-2001)

“Pastorale”

etching on paper

pencil-signed lower right, titled lower center, numbered “2/40” lower left. Matted, glazed and framed. sight 36” x 24”, framed 46” x 32-1/2”

$500-$800

336

Jackson Lee Nesbitt (American, 1913-2008)

“Calhoun Street”, 1990

lithograph on paper pencil-signed and dated lower right, titled lower left and numbered “134/250” lower center.

Matted, glazed and framed. sight 14-3/4” x 12-1/2”, framed 27” x 25”

$500-$800

337

Dorothy Furlong-Gardner (American, 20th Century)

“Ram”, 1981

aquatint on paper signed lower right, titled and dated lower center, and numbered “2/20” lower left. Unframed.

16” x 15”

$600-$900

338

James Louis Steg (American/Louisiana, 1922-2001)

“Contemplating a Dead Fish”

collagraph on paper

pencil-signed lower right, titled lower center, and numbered “1/31 (2nd)” lower left.

Matted, glazed and framed.

sight 36” x 24”, framed 45-1/4” x 32-1/4”

$500-$800

339

Ellen Orseck (American, b. 1952)

“Breaking the Wave”, 2010

monoprint on paper signed, dated, titled and numbered “1/1” along lower margin.

Float-mounted, glazed and framed. sight 14-1/2” x 19-3/4”, framed 19” x 24”

$400-$700

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

340

Henry Leopold Richter (American, 1870-1960)

“Autumnal Landscape”

watercolor on paper signed lower left. Framed.

sight 13-1/2” x 17”, framed 20” x 23-1/2”

$600-$900

341

Frank Relle (American/Louisiana, b. 1976)

“Chestnut”, 2010

chromogenic print later 2017 printing, signed and dated lower right, titled lower left, numbered “3/18” on artist certificate en verso, from the “Nightscapes” series. Matted, glazed and framed. 18” x 26”, framed 29” x 36”

$700-$1,000

342

Bruce R. Bleach (American, b. 1950)

“Untitled”

mixed media and lithograph on paper

pencil-signed lower right and numbered “100/125” lower left.

Unframed.

39-1/2” x 29-1/2”

$700-$1,000

343

Bruce R. Bleach (American, b. 1950)

“Untitled”

mixed media and lithograph on paper pencil-signed lower right and numbered “58/150” lower left.

Unframed.

29-1/2” x 38-1/2”

$700-$1,000

344

Henry Varnum Poor (American, 1887-1970)

“Laguna Beach”, 1950

pastels on paper signed, dated and inscribed lower right, and titled en verso. Framed. 11” x 14”, framed 11-3/4” x 14-1/2”

$500-$800

345

Dorothy Churchill Wyman (American, 1899-1993)

“Public Garden Festival Day”

mixed media on textured paper signed lower right, signed and titled en verso. Matted, glazed and framed. sheet 11-1/2” x 15-1/4”, framed 21-1/2” x 24-3/4”

$800-$1,200

Exhibited: Copley Society of Art, Boston, Massachusetts.

346

After Robert Gillam Scott (American/Louisiana, 1907-1957)

“Carnival Revelers”, 1949

offset lithograph on paper pencil-signed and dated lower right. Matted, glazed and framed. 14” x 11-1/2”, framed 24-1/2” x 20-1/2”

$600-$900

347

Chris Clark (American/Mississippi, Contemporary)

“Untitled”

mixed media on paper signed lower right. Matted, glazed and framed. sight 22” x 32”, framed 31” x 42”

$800-$1,200

348

James Louis Steg (American/Louisiana, 1922-2001)

“Portrait of O”, 1965 collotype on paper pencil-signed and dated lower right, titled and numbered “2/25” lower left. Unframed. 25-3/4” x 32-3/4”

$600-$900

349

Mike Peters (American, b. 1943)

“Near Death”, 1994 production cel signed lower left, numbered “4/75” and with gold seal lower right, from a limited edition published by Gimminy Inc. Matted, glazed and framed. sight 7” x 17-1/4”, framed 15” x 25-1/2”

$200-$400

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

350

After Al Capp (American, 1909-1979)

“See Anything Int’restin’?”, 1974

serigraph on paper

pencil-signed and dated lower right and numbered “173/250” lower left. Matted, glazed and framed. sight 20-1/4” x 25-1/4”, framed 33” x 39”

$300-$500

351

Bert Long, Jr. (American/Texas, 1940-2013)

“Thin Ice”, 2004-2005

acrylic on Dutch etching paper signed, dated and titled lower right, and signed, dated and titled on label for “Contemporary Arts Museum Houston” en verso.

Float-mounted, matted, glazed and framed. sheet 15” x 11”, framed 23-1/4” x 19-1/4”

$500-$800

Provenance: Contemporary Arts Museum Houston, Houston, Texas; Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

Exhibited: Contemporary Arts Museum Houston, Houston, Texas, Double Consciousness: Black Conceptual Art Since 1970, January 22-April 17, 2005.

352

Paolo Masi (Italian, b. 1933)

“Senza Titolo”, 1990

mixed media on cardboard signed and dated en verso. Together with a Certificate of Authentication from Daliano Ribani Arte.

Framed in a plexiglass shadowbox. framed 28” x 20”

$2,000-$4,000

Provenance: Daliano Ribani Arte, Carrara, Italy.

353

Robert Gordy (American/Louisiana, 1933-1986)

“Untitled”

silkscreen in colors pencil-signed lower right and marked “Artist Proof” lower left. Matted, glazed and framed. 21” x 29”, framed 29-1/2” x 36-1/2”

$600-$900

354

R. B. Kitaj (American, 1932-2007)

“Rose”, 1997

screenprint in colors

pencil-signed and dated lower right, and marked “P/P” (printer’s proof) lower left. Unframed. 13” x 13”

$400-$700

355

Paolo Masi (Italian, b. 1933)

“Senza Titolo”, 2013

mixed media on corrugated cardboard signed and dated en verso. Together with a Certificate of Authentication from Daliano Ribani Arte.

Framed in a plexiglass shadowbox. framed 20-1/4” x 43-3/4”

$2,500-$4,000

Provenance: Daliano Ribani Arte, Carrara, Italy. 355

356

Aagje Pel (Dutch, Contemporary)

“Dissecting Religion”

mixed media on paper pencil-signed lower right and titled lower left. Matted, glazed and framed.

sight 17-1/2” x 13-1/2”, framed 25-1/4” x 19-1/8”

$400-$700

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

357

Sergio Gonzalez-Tornero (Chilean, 1927-2020)

“John Smiler IV”, 1972

silkscreen in colors on paper pencil-signed and dated lower right, numbered “18/150” lower left, and embossed title lower center.

Matted, glazed and framed.

sight 26” x 19-3/4”, framed 34-1/2” x 28”

$200-$400

358

Andy Warhol (American, 1928-1987)

Halston Advertising Campaign

group of four silkscreens in color on paper, including “Women’s Wear”, “Men’s Wear”, “Women’s Accessories”, “Fragrance and Cosmetics”, each signed in plate. Unframed.

each sheet 23” x 29”

$1,200-$1,800

359

Michael Ledet (American/Louisiana, b. 1941)

“Tenocha”, 1983

group of four silkscreens in color on paper each pencil-signed and dated lower right, titled and numbered “12/75” lower left, published by Word Picture Productions, New Orleans.

Together in a paper folder. each sheet 14” x 11”

$200-$400

360

Mildred Wolfe (American, 1912-2009)

“Capital Street Sunday”, 1980

linocut on paper

pencil-signed and dated lower right, titled lower center, inscribed “linocut” lower left. Matted, glazed and framed. sight 10-3/4” x 13-1/2”, framed 23-1/2” x 37-1/2”

$300-$500

Provenance: Private collection, Baton Rouge, Louisiana.

361

Mark Williams (American, b. 1950)

“Nature Tape 1, 3, 4”, 2007 “Tape Drawing 3, 4”, 2007

five mixed medias on grid paper each pencil-initialed and dated lower center. Float-mounted, glazed and framed alike. each sheet 8-1/2” x 11”, framed 12-1/4” x 15”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

362

Juan Aaron Castillo (American/Texas, Contemporary)

“Beyond the Green Pines: For Palestine”

lithograph on paper printed signature lower right and titled lower center.

Float-mounted, glazed and framed. sheet 22-1/2” x 28-1/2”, framed 26-1/8” x 33-1/8”

$400-$700

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

363

Luis Alfonso Jimenez (American, 1940-2006)

“Abu Ghraib”, 2008

lithograph on paper later impression from 2006 lithograph, estate stamp lower right, pencil titled and numbered “21/60” lower center.

Float-mounted, glazed and framed. sight 11” x 12”, framed 17-1/4” x 18”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

364

Lu Hong (Chinese, b. 1959)

“Spirit of the Tropics”

serigraph in colors on paper pencil-signed lower right and numbered “49/300” lower left.

Matted, glazed and framed. sight 35” x 34”, framed 45” x 43-1/2”

$500-$800

365

Catharine Carter Critcher (American, 1868-1964)

“Portrait of a Lady” pastels on paper signed upper left. Matted, glazed and framed. 24” x 18”, framed 29” x 23”

$3,000-$5,000

366

Yigal Ozeri (Israeli, b. 1958)

“Priscilla with Vines”, 2009

watercolor, gouache and pencil on paper signed and dated lower left. Matted, glazed and framed. sight 22” x 29”, framed 20" x 33-1/2"

$1,500-$2,500

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

366

367

Lori Yarotsky (American, 20th Century)

“Reclining Nude I”, 1976 “Reclining Nude II”

two watercolors on paper the former signed and dated mid center, the latter unsigned.

Each float-mounted, glazed and framed alike.

each sheet 9-1/2” x 12-1/2”, framed 23-1/2” x 31-1/2”

$1,000-$1,500

367

368

Bob Harvey (American, 20th Century)

“Reflections in the Caucasus”, 1979

lithograph in colors

pencil-signed lower right, titled lower left and numbered “16/100” lower center.

Matted, glazed and framed. sight 17” x 13”, framed 24-1/8” x 18-1/4”

$500-$800

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

369

Suzanne Fosberg (American, Contemporary)

“Reclining Nude”

gouache and wash on paper laid down on board signed lower right. Framed.

42” x 62-1/2”, framed 49” x 69”

$1,000-$1,500

370

David Pryor Adickes (American/Texas, 1927-2025)

“Untitled”

lithograph on paper

pencil-signed lower right and numbered “7/50” lower left.

Matted, glazed and framed. sight 8-3/4” x 6-3/4”, framed 22” x 17”

$700-$1,000

370

371

Jill Moser (American, b. 1956)

“Untitled”, 2004

screenprint in colors

pencil-initialed and dated lower right, numbered “24/24” lower left.

Float-mounted, glazed and framed. sheet 15” x 22”, framed 19-1/4” x 26-1/4”

$500-$800

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico. 371

372

Karl C. Brandner (American, 1898-1961)

“Rolling Hills”

watercolor on paper signed lower right, with an “Estate of Karl C. Brandner 1898-1961” stamp below. Unframed.

17” x 20-1/2”

$600-$900

373

Frank di Gioia (Italian/American, 1900-1981)

“Tuileries, Paris”, 1950

watercolor on paper signed, dated and localized lower left, signed, titled and inscribed “To Lucille from Frank” en verso.

Glazed and framed.

sight 4-1/2” x 8”, framed 7-1/2” x 9-1/2”

$400-$700

374

Robert Leroy Knudson (American, 1929-1989)

“Wildflowers at Checkerboard Mesa (Zion Park)”

watercolor on paper signed lower left, and titled en verso. Matted, glazed and framed.

sight 10-1/2” x 14”, framed 19” x 22”

$500-$800

375

Jerry Wilkerson (American, 1943-2007)

“Tulip”, 1990

fiber pen on rag board signed and dated lower right. Matted, glazed and framed.

sight 9-3/4” x 10”, framed 18-3/4” x 18-1/2”

$800-$1,200

374

375

376 Ansei Uchima (Japanese/American, 1921-2000)

“Between Silences”, 1967

woodcut in colors on paper pencil-signed and dated lower right, titled lower left, and numbered “20/200” lower center.

Matted, glazed and framed. 12-1/2” x 16”, framed 21-1/2” x 25”

$200-$400

377

Grigorij Davidovic (Grisha) Bruskin (Russian, b. 1945)

“Note A”, 1991

silkscreen in colors pencil-signed lower right and numbered “5/45” lower left, from the “Kabbalah” series.

Matted, glazed and framed.

sight 30-1/2” x 22-1/2”, framed 40” x 31-1/2”

$800-$1,200

Provenance: Collection of Wade Wilson Art, Houston, Texas and Santa Fe, New Mexico.

378

Nadine Prado (American, b. 1940)

“Untitled”

lithograph in colors on paper

pencil-signed and dated “75” lower right and marked “H.C.” lower left. Unframed. sheet 40" x 30"

$300-$500

379

Adrian Wong Shue (Jamaican, b. 1952)

“Song Bird”

serigraph in colors on Arches paper

pencil-signed lower right and numbered “121/300” lower left. Matted, glazed and framed. sight 33” x 45”, framed 43” x 54-1/2”

$800-$1,200

378

379

380

380

Adrian Wong Shue (Jamaican, b. 1952)

“The Counselor”

serigraph in colors on Arches paper pencil-signed lower right and numbered “8/200” lower left.

Matted, glazed and framed.

sight 38” x 29”, framed 48-1/2” x 38”

$700-$1,000

ARTIST INDEX

Adickes, David Pryor

Ambrose, Jack 130,162,163

Ambrose, Martha Wright 44,47,305,307

Ameen, Lula 172

American School 108,138,273

Anzalone, William 129

Arai, Masahiro 231

Audubon, After John James 111,112,113

Bacon, Henry 275

Bailey, Tod 94,152

Baker, Lamar 310,311,312,313

Barooshian, Martin 12

Berg, Tom

Betancourt, Carlos 249

Binney, Hibbert Charles 165

Bishop, Jacqueline 5

Blatas, Arbit

Bleach, Bruce R.

Bonevardi, Marcelo

Bowling, Charles Taylor

Brandner, Karl C.

Branks Stewart, William 211

Braque, Georges 253

Brewster, Anna Mary Richards 31

Brin, Emile-Quentin 136

Brook, Fred 292

Bruskin, Grigorij Davidovic

Buck, William Henry 21,22

Budisteanu, Miruna

Camil, Pia

Canovas, Fernando

Capp, After Al

Casselli, Henry

Castillo, Juan Aaron

Chagall, Marc

Clark, Chris

Clark, Emery Ann

Collins, Michael Roque

Condon, William

Connor, Kevin

Couch, Tony

Covaci, Laura

Cox, Attributed to Kenyon

Crespo, Michael

E.

Hammond, Harmony Lynn 193

Harouni, David 18,116

Hartigan, Grace 19

Harvey, Bob 368

Heldner, Colette Pope 114

Heldner, Knute 35,36,300

Hemenway, Mary Louise Jordan Liddell 174

Higuchi, Stanley 329

Hills, Anna Althea 222,223

Hinds, Will 48

Hoffbauer, Charles Constantin 326

Hohnstedt, Peter Lanz 155

Holzer, Jenny 84

Hong, Lu 364

Howard, Newton Reeve 202

Hudson River School

Huggins, William John 271

Hutson, Charles Woodward 173

IRWIN 194

Italian School 283,287

Jacquette, Julia 81

Jimenez, Luis Alfonso 363

Johnson, Richard 230

Kaufmann, Edith Hirsch 301

Kearney, John W. 196,218

Kinsey, Alberta 38

Kinsey, Attributed to Alberta 37

Kitaj, R. B. 354

Knudson, Robert Leroy 374

Koekkoek, Stephen Robert 6

Korte, David 133

Koss, Gene 167

Lafitte, Dapper Bruce 213

Laughlin, Clarence John 43

Lawson, Chris 95

Ledet, Michael 359

LeWitt, Sol 168

Loet 135

Loncar, Srdjan 85

Long, Jr., Bert 351

Louisiana School 154,274

Lowry, Lydia Purdy Hess 141

Lucchesi, Giorgio 109

Ludwig, William “Bill” 215

Macgregor, Jessie

Macy, William Starbuck 277

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature

ARTIST INDEX CONT.

Maik, Henri Hecht 10

Mangravite, Peppino Gino 294

Marioni, Joseph 119

Martin, Agnes Bernice 82

Martin, Knox 252

Masi, Paolo 352,355

Maxwell, Paul 225

McCrady, John 17,55,56,65,66,67

Minot, Sam 169,224

Miyasaki, George 195

Monical, Bruce 33

Moser, Jill 371

Munch, After Edvard 332

Murphy, Christopher P. H. 308

Murphy, Jr., Christopher P. H. 309

Murphy, Owen 188

Nakashima, George 204

Nakian, Reuben 97

Nesbitt, Jackson Lee 336

Newcomb Pottery 24,25,26,27,28,61,62,63,64

Newsum, Floyd 69

Nieburg, Sharon 216

Ninas, Paul 92,93,131,132

Nixon, David Sinclair 134

Ochs, John 150

Orozco, Jose Clemente 244

Orseck, Ellen 339

Ougel, Christa 158

Ozeri, Yigal 366

Paik, Nam June 205

Parsley, Frank 181,182

Pascin, Jules 142,143,293

Peebles, Carol 128

Pel, Aagje 356

Peniston, Amelie Augustine Allard Duplantier 20

Perelli, Attributed to Achille 110

Peters, Mike 349

Peyraud, Frank Charles 210

Poor, Henry Varnum 344

Poulos, Basilios 242

Prado, Nadine 378

Prindle, Warren 139

Rawlinson, Eddy 333

Reichert, Marcus 118

Reinike, Charles Henry 303,320

Relle, Frank 341

Richter, Henry Leopold 340

Rincon, Roberto 57,159,160,161,180

Robinson, Margaret Frances 30

Rockmore, Noel 296

Rouault, Georges 316,317

Rowe, Willie Lucille Reed 297

Sacks, Peter 219

Schmidt, George 156

Schmit, Randall 177

Schoenberger, Edward 328

Scholder, After Fritz 147

Scott, After Robert Gillam 346

Sharpe, H. Alvin 42

Shaw, Charles Green 228,239

Shue, Adrian Wong 379,380

Sims, Charles 268 Slavin, Neal 278

Slonem, Hunt 68

Stebly, Christopher Inglis 60

Steg, James Louis 127,321,330,335,338,348

Sternberg, Harry 192,304

Sully, Attributed to Thomas 289

Swarez 71

Tamayo, Rufino 89,245,247

Taylor, Stephen 151

Thibesart, Raymond 324,325

Timmons, Randall 208,209

Tolliver, William 214

Toneyama, Kojin 314

Trivigno, Pat 319

Uchima, Ansei 376

Ullberg, Kent 91

Vasselon, Marie 288

Vernon, Thomas 148

Villa, Mario 90,144,203

von Herich, Fritz 256

Ward, Cora Kelley 306,322,323

Warhol, Andy 86,358

Webb, Gypsy Lou 295

Whistler, After James Abbott McNeill 285

Whiteman, Edward Russell 166

Wilkerson, Jerry 375

Willey, Chief Philip 11

Williams, Mark 207,240,361

Wilson,

Wingren,

Winningham,

Wray, Dick

Wunderlich, Paul

Wyman,

Yahya, Nazar

Yarotsky, Lori

New Orleans Auction Galleries does not make any express or implied warranty as to the authorship of works of art and fine art. Please note that all of the terms and descriptions used in this catalogue are intended as our qualified opinions only and are subject to the Conditions of Sale set forth elsewhere.

The Artist’s Name: In our qualified opinion, a work by the artist.

Attributed to: In our qualified opinion, a work of the period of the artist that may be in whole or in part the work of the artist.

School of / Follower of: In our qualified opinion, a work by a follower of the artist.

Circle of: In our qualified opinion, a work of the period of the artist and showing his or her influence.

Studio of: In our qualified opinion, a work possibly associated with the studio of the artist and showing his or her influence.

Manner of: In our qualified opinion, a work in the style of the artist, possibly of a later period.

After: In our qualified opinion, a copy of a known work by the artist.

Signed: In our qualified opinion, has the signature which is that of the artist.

Bears Signature: In our qualified opinion, has a signature which may be the signature

Conditions of Sale:

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction

(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.

(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;

• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;

• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);

• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;

• “ Buyer’s Premium” is defined in Section 4 below;

• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;

• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;

• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;

• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;

• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;

• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;

• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.

(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.

(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”

(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.

(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.

(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.

(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).

(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

(c). Catalogue and other descriptions.

(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.

(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.

(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.

(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;

(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;

(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;

(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and

(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction

(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:

(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;

(ii) NOAG may require the production of bank or other financial references or any other additional information;

(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment

(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and

(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).

(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.

(c). Absentee bids / Telephone bids.

(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).

(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.

(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.

(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction

(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:

(i) the Hammer Price; and

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000.

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.

(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.

(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.

(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.

(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):

(i) to charge outstanding amounts to the Buyer’s credit card;

(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);

(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;

(v) to cancel the sale;

(vi) to resell the property publicly or privately on such terms as we shall think fit;

(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;

(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;

(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;

(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;

(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.

(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright

The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection

In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

333 SAINT JOSEPH STREET, NEW ORLEANS, LA 70130 WWW.NEWORLEANSAUCTION.COM

ABSENTEE / TELEPHONE BID FORM

Bidder (Please Print): ____________________________________________ Date: ____________________

Business Name (if applicable): _______________________________________________________________

Dealer Resale # (Dealers must also sign official State of Louisiana document): _________________

Mailing Address: _____________________________________________________________________________

City: __________________________________________________ State: ________ ZIP: __________________

Telephones: Cell (_____)________________ Home (_____)_________________ Fax (____)______________

E-mail Address: ______________________________________________________________________________

Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue and online at neworleansauction.com. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

LOT #

BID AMOUNT (NOT INCLUDING BUYER’S PREMIUM) OR TELEPHONE NUMBER TO CALL:

All Major Credit Cards #: ______________________________________

CVV #: _________________

Billing ZIP: __________________

Expiration Date: _____________

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000. Please note that effective January 1, 2023, there is no longer a discount for payments made by cash, check or wire transfer. Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required): ________________________________________________________________________

Please submit this form by 4:00pm CT two days prior to the first day of auction. Faxed forms can be sent to 504-566-1851 or scanned and emailed to info@neworleansauction.com.

PHONE: 504-566-1849 | FAX: 504-566-1851 | INFO@NEWORLEANSAUCTION.COM

CEO:

PRESIDENT:

DIRECTOR EMERITUS:

VICE PRESIDENT

DIRECTOR OF FINE ART

ASSOCIATE SPECIALIST, FINE ART

SENIOR SPECIALIST: FURNITURE & CLOCKS

SENIOR SPECIALIST: GENERAL

DIRECTOR OF FINE JEWELRY

FINE SILVER

CARPETS

CONSIGNMENT COORDINATOR

BUSINESS DEVELOPMENT

ADMINISTRATION

OFFICE MANAGER

CLIENT SERVICES

RETAIL MANAGER

CREATIVE:

LEAD PHOTOGRAPHER

DIGITAL IMAGING & PHOTOGRAPHY ASSISTANT

ART DIRECTOR & VISUAL MANAGER

ART DIRECTOR & PROJECT MANAGER

OPERATIONS:

DIRECTOR OF OPERATIONS

OPERATIONS ASSOCIATES

Susan D. Sarofim

Taylor Eichenwald | taylor@neworleansauction.com

Tessa Steinkamp

John C. Jones | john@neworleansauction.com

Michele M. Carolla | michele@neworleansauction.com

Sophie Curtis | sophie@neworleansauction.com

Greg S. Kowles | greg@neworleansauction.com

Ireys Bowman | ireys@neworleansauction.com

Kim Lemon | kim@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Sean Ranson | sean@neworleansauction.com

Alex Ebel | alex@neworleansauction.com

Cass Roth-Retz | cass@neworleansauction.com

Denise Haik | denise@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Audrey Dawson | audrey@neworleansauction.com

Owen Lemon | owen@neworleansauction.com

Christa Ougel | christa@neworleansauction.com

Chelsea Caldwell | chelsea@neworleansauction.com

Erica Westenberger | erica@neworleansauction.com

Jo Gremillion | jo@neworleansauction.com

DESIGNER:

CONSULTANTS:

CATALOGUER

ENGLISH & CONTINENTAL FURNITURE

AMERICAN FURNITURE

REGIONAL FINE ART

ASIAN ARTS

Sean Ranson

Cedric Roberts, Gerald Hampton, Emmitt Kendrick, Jr., Juanita Jones, Theadrow Mark, Will Williams, Jr., Furnell Augustin, Jr., Christian Hamilton, Brennan Moses, Vyron Thomas

Burke John Thompkins

Ellen McKenzie

Thomas Halverson

Claudia Kheel

James Callahan