Estates Auction: December 6-7, 2025

New Orleans Auction g alleries

December 6-7, 2025

WONDER Warmth&

“To romanticize the world is to make us aware of the magic, mystery and wonder of the world; it is to educate the senses to see the ordinary as extraordinary, the familiar as strange, the mundane as sacred, the finite as infinite.”

– Novalis

“I’ve

never thought of my jewelry as trophies. I’m here to take care of it and to love it, for we are only temporary custodians of beauty.”

– Elizabeth Taylor

WONDER Warmth&

ART DIRECTION

Jo Gremillion

Erica Westenberger

PHOTOGRAPHERS

Jacqueline Marque

Augusta Sagnelli

DIRECTOR OF PHOTOGRAPHY

Sam Aguirre-Kelly

MODEL

Ali McNally

HAIR & MAKEUP

Wendy Karcher

WARDROBE STYLIST

Kathryn Bullock

OPERATIONS

Sean Ranson, Cedric Roberts, Gerald Hampton

WARDROBE PROVIDED BY

ESTATES AUCTION

EXHIBITION

Monday - Friday 9:00 a.m. - 5:00 p.m NOVEMBER 29 - DECEMBER 5

Saturday, November 29 10:00 a.m. - 2:00 p.m.

Sunday, November 30 Closed

December 1 - December 5

Evening Reception

Thursday, December 4 5:00 p.m. -

BIDDING

Bidding is available in-person, by telephone, absentee and live online at NewOrleansAuction.com, LiveAuctioneers.com and Invaluable.com.

Saturday, December 6, 2025 10:00 a.m CT LOT SCHEDULE

10:00 - 11:00

11:00 - 12:00

12:00 - 1:00 1:00 - 2:00 2:00 - 3:00

Please note that times are approximate.

Sunday, December 7, 2025 10:00 a.m CT

333 Saint Joseph Street, New Orleans, Louisiana 70130 504-566-1849 | info@neworleansauction.com www.neworleansauction.com

from the President

Welcome to

DECEMBER

“I’ve never thought of my jewelry as trophies. I’m here to take care of it and to love it, for we are only temporary custodians of beauty.”

– Elizabeth Taylor

Elizabeth Taylor’s words deeply resonate with those of us who live with and treasure beautiful, meaningful objects. Whether jewelry, art or furniture, these feel less like possessions and more like companions we care for, study, protect and preserve for the next generation. In that way, collecting is an act of stewardship rather than ownership.

As we prepare for our last auction of the year, I am once again reminded of how each item that enters our gallery carries stories that began long before us and will continue long after. Our role, much like Elizabeth claims, is to honor these pieces, present them thoughtfully and guide them toward their next chapter.

In this spirit, we encourage you to truly enjoy the pieces in your collection (and those you purchase in this sale) without overthinking it–place them in your home, use them or wear them without waiting for “the perfect moment.” Set the table for one with silver flatware or your finest China, wear your best piece of jewelry with a t-shirt and jeans, and indulge in the pleasure of making the everyday feel extraordinary.

The holiday season naturally brings enchantment to the big and small moments, and this sale offers a vast selection of exquisite objects surely to bring warmth, wonder and wistfulness today and every day. Whether you are searching for a gift for someone special or treating yourself, I hope you find something that becomes part of your daily rituals as much as of your celebrations.

Our Dec. 6–7 Estates Auction offers a fitting close to a year packed with fascinating stories, remarkable pieces and record-setting moments. The exhibition begins Saturday, Nov. 29, from 10 a.m. to 2 p.m., and continues Monday through Friday, from 9 a.m. to 5 p.m. We invite you to join us for our annual holiday celebration and evening preview on Thursday, Dec. 4, from 5 to 7:30 p.m. The auction begins at 10 a.m. each day, Saturday and Sunday, Dec. 6–7.

This season of gifting, we also encourage you to visit Curated, our retail shop located at 328 Julia Street, just a block away from our gallery. Curated offers a hand-picked selection of seasonal decor and hundreds of ready-to-buy contemporary and antique pieces.

I hope you find inspiration and something you love in the pages that follow, and I hope the objects you select will be cherished for many chapters to come. Finally, on behalf of all of us at New Orleans Auction, our warmest wishes to you and yours this holiday season. We look forward to an exciting 2026 and to sharing more with you soon.

See you at the auction!

Taylor Eichenwald President

Timeless TREASURES

Storied gifts as distinct as everyone on your list...

The for SEASON SPARKLE

This selection of heirloom-worthy antique treasures and fine contemporary pieces shimmers as much as the season’s most meaningful moments. Whether gifted or kept close, they are treasures to wear, remember and pass on.

Lot 392

Diamond and Sapphire Dress Watch

Lot 428

Lot 479

Pair of Diamond Dangle Earrings

Lot 417

Lot 472

Lot 437

Audemars Piguet Diamond Watch

Lot 402

Diamond and Sapphire Brooch

Lot 440

Lot 473

Convertible Diamond Flower Pendant Choker

474

Lot 382

Diamond and Ruby Bracelet

Lot 372

Emerald and Diamond Bangle

Lot 421

The of the ART TABLE

Celebrate the season with these hand-selected tabletop essentials. From porcelain and silver to glass and copper, these evocative pieces will transform even an everyday gathering into something extraordinary.

SESSION1

SATURDAY, DECEMBER 6

1

Pair of French Bronze Dore et Patine Aesthetic Sconces

ca. 1870-1890, after a Japonisme design attributed to Edouard Lievre (French, 1829-1886), the cloudmolded candle sockets on leaf-molded drip pans, supported by bronze “branches” clasped in the mouth of a dragon, on scroll-molded backplates. h. 23”, w. 17-1/2”, d. 11-3/4”

$8,000-$12,000

These bronze dore et patine five-light sconces draw on the Japonisme aesthetic that Edouard Lievre helped define in the late nineteenth century. Trained first as a painter and illustrator, Lievre became known for decorative objects animated by fantastical creatures in dynamic poses, a style that was widely emulated by Parisian bronze workshops of the period.

2

Pair of French Bronze Dore et Patine Aesthetic Sconces

ca. 1870-1890, after a Japonisme design attributed to Edouard Lievre (French, 18291886), the cloud-molded candle sockets on leafmolded drip pans, the arms supported by bronze “branches” clutched in the mouth of dragonform backplates.

h. 20-1/2”, w. 12-3/4”, d. 9”

$4,000-$7,000

Provenance: Christie's, London, The Collector: Silver, 19th Century Furniture, Sculpture & Works of Art, November 2017.

The spirited dragon motif seen here, with creature clutching foliate branches, closely parallels Edouard Lievre’s designs from the mid-1870s.

3

Pair of Spanish Painted Wooden Stands

mid-20th century, possibly Pierre Lottier, in the chinoiserie taste, the hexagonal stands with arched skirts and cabriole tripod legs. h. 11-1/2”, dia. 11”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

4

Baccarat Crystal Drinks Set in a Leather Faux Book-Form Case

the stamped leather case composed of antique book bindings, the fitted leather-lined interior with four Baccarat “Piccadilly” oldfashioned glasses and a decanter, each piece marked. h. 16”, w. 15-3/4”, d. 14-3/4”

$1,200-$1,800

5

Baroque Gilt-Copper Mirror

late 17th/early 18th century, with crossetted corners and molded, giltaccented cabochons lining the outside and inside borders, divided into panels molded with classical figures, including the muse Terpsichore, Cupid and Psyche and Hermes. h. 21-3/4”, w. 20”

$1,500-$2,500

Pair of Carved Giltwood Sconces

in the Baroque taste, the leaf-carved circular backplates set with scrolled arms terminating in trumpet-form candle holders.

h. 10-1/2”, w. 10-1/2”, d. 14-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

7

Italian Polychrome and Parcel-Gilt Console Table

18th century, in oxblood paint, with a shaped and molded top over a deep apron with carved and gilt details, raised on bold cabriole legs ending in ball-and-claw feet.

h. 33-1/2”, w. 30-1/2”, d. 14”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

8

Mistletoe-Form Bronze and Enamel Chandelier

second quarter 20th century, molded with a bronze rope supporting the enameled “branch”, set with a ball of bronze mistletoe decorated with green enamel leaves, bronze bellform light sockets and opaline glass berries.

h. 15”, dia. 16”

$1,500-$2,500

9

French Tole Lantern

19th century, the green-painted lantern with a carrying handle and a wall mount hook, the “roof” decorated with gilt neoclassical figures and brass finials mounted atop the body, with a hinged door, the glass outlined with gilt sprigs, the interior decorated with flowers.

h. 24”, w. 10”, d. 9-1/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

10

French Louis XV-Style Trumeau Mirror

19th century, the upper tablet with an oil-oncanvas of a stag hunt, in a giltwood rococo surround, the two-section mirror plate with an ogee surround carved with scrollwork and the side panels lined in giltwood with carved flourishes, on a green ground.

h. 78”, w. 58-1/4”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond. 9

Pair of French Restauration Parcel-Gilt Altar Sticks

early 19th century, the wooden sticks decorated with gilt on a white ground, the column-form standards with giltwood Egyptian capitals and fluting, the lower portions with acanthus carving, on tripartite bases set with carved panels, raised on paw feet. h. 43-1/4”, dia. 13-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

12

French Belle Epoque Giltwood Mirror

late 19th century, the crest decorated with an oval cabochon framed with trailing acanthus leaves, with crossetted corners, set with corner medallions, the surround lined with egg-and-dart molding. h. 66-1/2”, w. 44-1/2”

$1,400-$1,800

13

French Louis XV Giltwood Barometer

ca. 1760-1780, the crest carved with a masque framed with a laurel wreath and trailing leaves, atop the barometer dial, signed “Bailin”, on a pale blue ground, the barometer and thermometer below framed with pierced and carved rocaille work and leaves, with a carved lower drop decorated with lotus leaves and a cone-form finial.

h. 33-1/4”, w. 20-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

After Antonio Canova (Italian, 1757-1822)

“Hercules and Lichas”

alabaster

ca. 1900, figures on a separate lotus-carved alabaster base, after the 1795 marble now conserved at the Galleria Nazionale d’arte Moderna, Roma.

h. 23-1/4”, w. 15-1/4”, d. 10-1/2”

$3,000-$5,000

15

Directoire Aubusson Carpet

ca. 1800.

11’ 9” x 12’ 8”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

16

Pair of Bronze-Mounted Porcelain Urns

19th century, in the Meissen taste, the covers with gilt-bronze cone-form knops, the bodies decorated with scenes of troubadours in 18th-century costume, accented with rich raised gilt, on white grounds, set with bronze leaf-molded ring handles, on bronze bases with square feet, with spurious Meissen-style underglaze blue crossed swords marks. h. 21-1/2”, dia. 9”

$3,000-$5,000

early 20th century, the Rosso Verona marble revolving top trimmed with green onyx, above a molded bronze capital, over an onyx standard set with a bronze-framed porcelain plaque painted with “Flora”, on a matching marble and onyx base. h. 43-1/2”, w, 11-1/2”, d. 11-1/2”

$2,500-$4,000

An identical pair sold at Christie’s “Opulent Eye” sale in London, 2012.

18

Grace Pruden Neal (American, 1876-1961)

“Columbia and Brittania”

patinated bronze cast signature and “American Art Foundry” inscription along back edge of self-base. h. 34-1/2”, w. 17”, d. 13”

$10,000-$15,000

Pair of Italian Painted Tole Torcheres

20th century, with foliate finials, corner scrolls and metal leaf finials, on wooden standards set into faux stone bases. h. 81-3/4”, dia. 9”

$1,500-$2,500

20

Italian Majolica Charger

late 19th century, by Gaetano Bottaglia, probably Naples, the central panel decorated with a musical procession, the borders with winged satyrs and scrollwork, the reverse signed “G. Bottaglia”. dia. 20-3/4”

$700-$1,000

21

Large Blue-and-White Faience Planter

20th century, in the Rouen taste, the tapered sides set with handles, molded with swags of flowers, the sides decorated with blue scrollwork, panels of flowers and tendrils of leaves. h. 12-1/2”, dia. 18”

$1,000-$1,500

Provenance: Kevin

22

French Marble and Bronze Dore Mantel Clock and Barometer

late 19th century, the lyre-form white marble top with a Psyche-form finial, the center set with bronze strings, flanked on the left by a clock set with Vincenti et Cie works and on the right by a barometer, both dials framed with trailing bronze dore laurel leaves, supported on a cove-molded base. h. 31-3/4”, w. 13”, d. 7-1/2”

$2,500-$4,000

23

ca. 1800, the scrolled and pierced crest decorated with a laurelwreath crest above an oval plaque mounted with lovebirds, flanked by scrollwork and flower heads, the rectangular surround carved with dents-de-loup, on leaf-carved feet. h. 62-1/2”, w. 30”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

24

Pair of Louis XVI Beechwood Fauteuils

18th/19th century, each with a molded frame, ribbon-carved crest, and stop-fluted arm supports, raised on turned, stopfluted legs, upholstered in Scalamandre fabric. h. 39”, seat h. 17”, w. 26”, d. 24”

$1,500-$2,500

25

Pair of French Gilt-Bronze and Porcelain Figural Candelabra

third quarter 19th century, decorated with Chinese export foo dog figures framed with pomegranate branches and pairs of candle branches accented with sculpted porcelain flowers, on gilt-bronze Chinese-style bases. h. 19”, w. 13-3/4”, d. 6”

$2,000-$4,000

26

Pair of Italian Venetian Tole Lantern Sconces

19th century and later, the tripartite lanterns with delicate pineapple-molded finials atop the painted yellow and green lanterns, set with glass doors, the corners with scrollwork and applied leaves. h. 26-1/2”, w. 9-1/4”, d. 13-1/4”

$1,400-$1,800

27

Continental Polychrome and Parcel-Gilt Bibliotheque

20th century, the complex molded overhanging cornice over a pair of framed doors with wire mesh, raised on a molded platform base. h. 94”, w. 60”, d. 17”

$2,000-$4,000

Provenance: A Villa, Palm Beach, Florida; interior designed by Juan Pablo Molyneux.

Literature: Thurman, Judith, “Juan Pablo Molyneux Outfits a Refined Palm Beach Villa”, Architectural Digest, July 2008, illustrated.

28

Molded Glass Chandelier in the French Taste

the fifteen-light chandelier with a glass-clad standard, set with two tiers of rope-twist glass candle branches terminating in glass prism rings and lights, hung with swags of cut-glass drops.

h. 31”, dia. 28-3/4”

$1,000-$1,500

29

Corinne and Hugues Claude Pissarro (French, b. 1974 and 1935, respectively)

“Promenade Dans la Neige, Aux Angers”, 2000

oil on canvas

signed lower right and signed, dated, titled and localized “Ireland” en verso.

Together with a Certificat # POP/MED 09032017. Unframed.

35-1/2” x 45-3/4”

$4,000-$7,000

Provenance: Frederick Chanoit, Paris, France.

30

Hugues Claude Pissarro (French, b. 1935)

“Le Clocher Sislait-sur-Aure”

oil on canvas

signed lower right, and signed, titled and inscribed en verso.

Together with a Certificat # POP/MED 09032016. Unframed.

35” x 46”

$5,000-$8,000

Provenance: Frederick Chanoit, Paris, France.

6’

$1,400-$1,800

$1,000-$1,500

33 Lucien Neuquelman (French, 1909-1988)

“Au Port”

oil on canvas signed lower right. Framed.

16” x 19-1/2”, framed 23” x 25-1/2”

$1,200-$1,800

34 Niek van der Plas (Dutch, b. 1954)

“Vondelpark, Amsterdam”

oil on wood panel signed lower right and en verso. Framed.

18” x 24”, framed 24” x 30”

$2,500-$4,000

33

34

35 Paul-Emile Pissarro (French, 1884-1972)

“Cour Femme Animee”

watercolor on paper signed lower left, a “Galerie Turlure” stamp and a “Galerie Art en Seine” label en verso on backing.

Matted, glazed and framed.

9-1/2” x 12-1/2”, framed 18-1/2” x 22-1/2”

$1,000-$1,500

Provenance: Private collection, Le Havre, France; Galerie Turlure, Le Havre, France; Galerie Art en Seine, Le Havre, France.

36

Francois Gall (French/Hungarian, 1912-1987)

“Sur la Plage” oil on canvas signed lower left. Framed.

10-1/2” x 18-1/4”, framed 19” x 26”

$1,500-$2,500

37 Niek van der Plas (Dutch, b. 1954)

“Rialto Bridge, Venice” oil on wood panel signed lower right and en verso. Framed.

14-1/2” x 19”, framed 21-1/2” x 26”

$1,200-$1,800

38 Pierre Neveu (French, b. 1929)

“Evening in the City” oil on canvas signed lower left. Framed.

24-1/2” x 19-1/2”, framed 30-1/2” x 26”

$1,000-$1,500

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

Three Sterling Silver Pillar Candlestands

hallmarked Birmingham, 2000-2002, by Broadway & Co., each of molded socle form, two small and one large. h. 1-3/4”, dia. 3-3/4” and 2-1/8”, dia. 5-1/4”; weighted

$200-$400

Provenance: The Estate of Martha Turner & Glenn Bauguss, Houston, Texas.

40

Gucci Silverplate-Mounted Glass Drinks Pitcher

contemporary, Italy, the cylindrical glass pitcher with everted spout, up-pulled handle and bulbous base, fitted in a silverplate foot-ring banded with a realistic celluloid-handled riding crop. h. 7-1/2”, dia. 4-1/2”, l. 6-3/4”

$500-$800

41

Three Hermes Parcel-Gilt Silverplate Equestrian Wine Coasters

20th century, by Ravinet d’Enfert, Paris for Hermes, each circular coaster with a gilt horseshoe rim and guilloche, one with an original Hermes box. dia. 4-3/4”; box w. 5-3/4”

$2,000-$4,000

42

Hermes Silverplate and Horn Desk Magnifying Glass

20th century, by Ravinet d’Enfert, Paris for Hermes, with circular frame and natural springbok horn handle. l. 12”, dia. 4”

$600-$900

43

Frosted Glass and Silverplate Polar Ice Bucket

contemporary, the silverplate frame with icicles at the rim and glaciers at the base, with coral-form uprights and swing handle, fitted with a frosted glass ice bucket and flat inset lid with polar bear finial.

h. 7” (9” with swing handle), dia. 6”

$800-$1,200

44

Two Gorham Sterling Silver and Glass Fruit-Form Marmalade Jars

fourth quarter 20th century, Providence, Rhode Island, one a melon, one a pineapple, each with molded glass body and realistically detailed silver lid, both complete with the original spoon.

melon h. 4-1/4”, dia. 4-1/4”, spoon l. 5”; pineapple h. 5-1/2”, dia. 3-3/4”, spoon l. 5-3/4”; 5.98 total t. oz.

$400-$700

45

Gorham Sterling Silver Olive Dish

1886, Providence, Rhode Island, in the form of a large olive with textured finish and leaf cluster handle.

h. 2-1/4”, l. 5-3/4”, w. 3-1/2”; 4.78 t. oz.

$500-$800

46

American Art Deco Sterling Silver Photo Frame

first quarter 20th century, by Unger Brothers, Newark, New Jersey, the rectangular sterling frame decorated with narrow incised vertical lines, with purple velvet-covered easel back and glazing.

13” x 10”; 6.79 t. oz. (sterling frame only)

$300-$500

47

Assembled Set of Tiffany Sterling Silver “Milk Bucket” Bowls

third quarter 20th century, including: a Tiffany, Portugal sugar bowl, with realistically detailed staves and band, h. 3”, dia. 2-5/8”; and a pair of Tiffany, New York salt cellars, with stylized incised staves and band, h. 1-1/2”, dia. 1-1/2”. 7.48 total t. oz.

$500-$800

48

Tiffany & Co. Sterling Silver Flask

the pattern introduced in 1929, this example before 1947, of plain rounded rectangular form, with hinged screw cap, decorated with a blue champleve camel (never thirsty!) and monogrammed “JHM”. h. 7-1/4”, w. 4-1/2”; 13.14 t. oz.

$600-$800

49

Buccellati Silver Model of a Horse

third quarter 20th century, .800 silver, the bolting stallion with body textured to simulate hair, engraved on one foot “Buccellati / Italy / 800”. h. 11-3/4”, l. 11-1/4”; 79.28 t. oz.

$3,000-$5,000

50

Buccellati Silver Model of a Horse

third quarter 20th century, probably .800 silver, the bolting stallion with body textured to simulate hair, engraved on one foot “Buccellati” and numbered on another “12”. h. 11-3/4” l. 11-1/4”; 83.92 total t. oz.

$3,000-$5,000

51

Three Silver Dogs

in the manner of Julius Rappoport, including a bulldog, a pug and a long-haired dachshund, each realistically detailed with garnet eyes, with imitation marks of Rappaport and Faberge. h. 3/4” to 2”, l. 2” to 2-1/2”

$1,000-$1,500

52

Three Continental Silver Game Bird Table Garnitures

first half 20th century, including: a pair of German sterling silver pheasants with importer’s mark of Israel Freeman & Sons, l. 9-1/2”; and a Dutch .833 silver partridge, hallmarked Groningen, 1926, no maker’s mark, the head hinged for use as a tea caddy, l. 4-1/2”.

10.06 total t. oz.

$1,000-$1,500

53

Collection of Vienna Bronze Cold-Painted Birds

early 20th century, Austrian, the collection including two quail, a grouse, a sandpiper, a pigeon and a mockingbird. h. 1-3/4” to 6-1/4”, w. 2” to 3-3/4”

$800-$1,200

54

Pair of Austrian Bronze Pheasants

early 20th century, signed Franz Xavier Bergman, realistically cold painted, the male looking up and the female pecking at the ground, one stamped “5048”.

h. 9”, w. 3-1/4”, l. 15-1/2” and h. 5”, w. 3-1/4”, l. 11”

$1,200-$1,800

55

Franz Bergman Cold-Painted Bronze Inkwell

early 20th century, the inkwell in the form of a bulldog wearing a separate nickel dog collar, the head hinged and opening to reveal an inkpot, signed with Bergman’s impressed amphora mark.

h. 6”, w. 4-1/2”, d. 4-3/4”

$1,200-$1,800

56

Austrian Vienna Bronze Inkwell

early 20th century, attributed to Franz Xavier Bergman, the inkwell in the form of a hissing cat with a movable tongue, a ribbon around its neck, the head hinged and opening to reveal an inkwell.

h. 4”, w. 4”, d. 4-3/4”

$500-$800

57

French Silk and Goldwork Chasuble and Stole

mid-19th century, red silk with gold weft threads, richly embroidered with couched goldwork passementerie grapes, wheat stalks and flowers within scrolling floral bands, embellished with plate, purl and spangles, lined in plain red silk, complete with the original stole en suite with bullion and twist tasseled edges. chasuble w. 27”, l. 44”; stole w. 9-1/2”, l. 95”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

the large natural red coral specimen with numerous branches. h. 15-1/2”, w. 17”, d. 10”

$1,400-$1,800

Rare Ormolu-Mounted Chinese Export “Crucifixion” Jar

the porcelain ca. 1695, with later Regence period gilt-bronze lion’s-head ring pulls and base, each side decorated with Christ on the cross, framed by swirling lotus blossoms, the base with an artemisia leaf mark. h. 8”, dia. 6-1/2”

$12,000-$18,000

60

Pair of Italian Marble and Cast-Stone Console Tables

each with a cast-stone top resting on a pair of spiral-twist marble columns with plinth bases. h. 33-1/2”, w. 37-1/2”, d. 18”

$1,500-$2,500

61

Italian Gilt-Metal and Glass Basket-Form Chandelier

the double corona decorated with metal leaves supporting swags of glass beads, accented with cobalt drops, supporting strands of glass beads down to the ring-form body, set with glass floriform medallions and mounted with gilt-metal scrolled candle branches terminating in fluted drip pans and matching sockets, the bottom with a pendant spherical finial. h. 45-1/2”, dia. 48-1/2”

$2,000-$4,000

10’

$1,500-$2,500

$1,400-$1,800 62

64

Pair of Italian Rococo Polychrome and Parcel-Gilt Fauteuils

18th century, each with a carved frame and legs, covered in cream leather.

h. 42”, seat h. 17-1/2”, w. 26”, d. 25”

$2,500-$4,000

65

Pair of Spanish Carved and Polychrome Wooden Plaques

18th/19th century, each depicting a bishop or pope wearing a mitre and carrying a crozier, on one plaque he carries a Bible and the other plaque he carries a shield, framed with carved laurel leaves, each inscribed on the back in period Spanish script.

h. 27-3/4”, w. 21”

$2,500-$4,000

66

Carved Giltwood and Polychrome Figure

19th century, possibly St. Patrick, the figure with a polychrome face, wearing a mitre and flowing robes, carrying a staff in one hand and the other pointed heavenward, on a molded rectangular base. h. 26”, w. 14-1/2”, d. 6-1/4”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

67

Italian Louis XV Giltwood and Marble-Top Console Table

18th century, the conforming Breccia Giallo Siena marble top over a carved frieze with a central masque, raised on shaped cabriole legs joined by a stretcher centered by a foliate cartouche. h. 34-1/2”, w. 46”, d. 21-1/2”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

68

Pair of Italian Monumental Giltwood Altar Sticks

19th century, in the Baroque taste, the silver-giltwood altar sticks with foliate-carved candle holders, on turned standards ornamented with carved scrolls and leaf work, above tripartite bases, resting on scrolled feet, with polychrome-painted bas-relief religious details.

h. 62-1/4”, dia. 23”

$1,000-$1,500

Provenance: Private collection, Dallas, Texas.

69

Continental Pewter and Wood Lavabo with Cabinet

ca. 1800, the lead cover with a bronze finial on the lobed pewter fountain, set with a bronze spigot, the base with an inset oval pewter basin, with a raised panel door, all decorated in various specimen faux-painted marble surfaces.

h. 57-1/2”, w. 15”, d. 20”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

70

Charles Louis Hinton (American, 1869-1950)

“Nymph with Syrinx”

patinated bronze 20th century, cast signature along edge of self-base.

h. 35-1/2”, w. 11”, d. 11”

$3,000-$5,000

19th century, each Medici-form urn with an egg-and-dart rim and a reeded base, set with masque-molded handles and raised on a bronze base mounted on a Siena marble plinth with lotus-molded trim.

h. 14-1/4”, dia. 6-1/4”

$2,000-$4,000

72

Painted and Parcel-Gilt Cheval Mirror

in the rococo taste, the serpentine top and base surround with a scrollwork crest, carved with pierced, interlaced sides and stretcher, on acanthus-carved scrolled feet, mounted with a beveled mirror plate.

h. 68-1/2”, w. 24-1/2”

$1,200-$1,800

73

Patinated and Gilt-Bronze Chandelier

in the Empire taste, the twelve-light chandelier with a leaf-molded corona, supporting the body on bronze chains, the turned bronze candle sockets and drip pans decorated with pierced anthemia and set on the patinated bronze pan, decorated with leaf-molded trim and a pendant cone-form finial.

h. 28-1/2”, dia. 26”

$1,000-$1,500 72

74

Patinated Bronze Figure of a Bear

in the Russian taste, the carefully detailed bear posed menacingly.

h. 8”, w. 6-3/4”, l. 17-3/4”

$800-$1,200

75 Soviet Silver Cigarette Case

marked 1954, Moscow Jewelry & Watch Factory, .875 silver, of rounded rectangular form, the cover embossed with a figure of a satyr, with red glass cabochon push-button opening to the gilt interior.

4-3/8” x 3-1/2”; 5.18 t. oz.

$600-$800

76

Two Russian Gilt-Bronze Bears on Malachite Bases

20th century, one with two wrestling bears and the other with a mama bear and her cub, each on a hewn malachite base.

h. 5” to 5-3/4”, w. 7-1/4” to 8”, d. 4”, to 4-1/4”

$2,000-$4,000

77

Collection of Three Russian Gilt-Bronze Bears

20th century, one bear crouching, one rolling on its back, and the third mounted on a malachite base.

h. 2” to 3-1/4”, w. 2-3/4” to 5”, d. 1-3/4” to 3”

$1,500-$2,500

marked St. Petersburg, 1891, assay master Aleksandr Shevyakov, workmaster Cyrillic “AH”, 84 zolotnik (.875) silver, including twentyfour each dessert forks, l. 6-3/4”, dessert spoons, l. 7”, and dessert knives with silver “blunt”-shaped blades and filled handles, l. 8-1/2”, each with plain spatulate handle with applied armorial, presented in the original fitted blue-velvet-lined oak oak case with lift-out tray, the interior lid in cream satin embossed with the Grachev emblem, with brass handles and escutcheon, the latter engraved with the same armorial as on the service, that of Khruschev. 90.68 total t. oz. (knives excluded), case 4” x 17” x 11-1/4”

$9,000-$12,000

Provenance: Sotheby’s New York, Russian Works of Art, June 20, 1984, sale 5203, lot 131 (the original invoice accompanying the lot).

The patriarch Ivan Ivanovich Khruschev left his native Poland for the Muscovite state in 7001 (1493) to serve Grand Duke Ivan Vasilyevich of All Russia and was ennobled in that year. The family estates were in Tula, and another grant was received in 7130 (1622). Russian nobility registers show at least 45 tenthgeneration descendants born in the mid-19th century, so accurately tracing which member of the Khruschov family owned this handsome set is unlikely. (It is to be noted that the most famous bearer of this name - Premier Nikita Khruschevwas not a member of the noble family, born of peasant stock in Kalinovka, Kursk, very near the Ukraine border).

79

Handsome French Louis XVI Giltwood Barometer

late 18th century, with a draped urn finial atop the vasiform fluted case, the dial signed by barometer maker “Chevallier, Bar-le-Duc, France”, the bottom flanked by tapered pilasters decorated with ram’s heads and leaf-carved finials, supporting carved fringe drapery, the base with a lion’s head, and a cone-form pendant finial. h. 35”, w. 15-1/2”

$1,200-$1,800

Provenance: Private collection, Dallas, Texas.

80

Italian Polychrome and Parcel-Gilt Salon Chair

18th century, exuberantly carved, the padded back with a shellcarved cartouche, raised on cabriole legs ending in scrolled toes. h. 37-1/2”, seat h. 18”, w. 18”, d. 17-1/2”

$1,200-$1,800

81

French Grand Tour Gilt-Bronze Amphora

late 19th century, the fluted neck and reeded body set with a border of bas-relief neoclassical figures, with scrolled handles terminating in masques of Socrates. h. 11-1/2”, dia. 5-1/2”

$500-$800

82

Exceptional Carved Marble Male Torso

17th/18th century, with finely carved musculature in the Hellenistic manner suggesting tension and movement, presented on a black-and-white marble pedestal. h. 34”, w. 13”, d. 9”

$15,000-$25,000

This exceptional marble torso reflects the same carving methods and attention to form evidenced in Imperial Roman sculpture (itself inspired by the Greek prototypes), giving it a commanding presence that recalls ancient work. Marble used for sculptural fragments of this type in the 17th and 18th century was often taken from the same Italian quarries exploited in antiquity, particularly the historic Luni/Carrara region.

Provenance: From the collection of George H. Campbell (1925-2009), antiques dealer, appraiser and former show-business agent; by descent from Campbellís estate to the present owner.

George H. Campbell (1925-2009) lived a stylish, spirited and unmistakably colorful life - the kind described by friends as "wickedly funny, brilliantly stylish, charming and entertaining," shaped by his years in show business and his later career as a successful antiques dealer.

Born in Michigan and educated at the University of Miami, Campbell entered the performing arts through the Coconut Grove Playhouse before becoming a show-business agent with offices in New York, Beverly Hills and London. His clients ranged from the celebrated comic pianist Victor Borge to Judy Garland during the later years of her career. His social circle included Rock Hudson, Tab Hunter, Sal Mineo, Tennessee Williams and Truman Capote.

After returning to Florida, Campbell became a familiar presence in the Miami and Coral Gables arts community. He operated an antiques shop in Coconut Grove and was active in supporting the Lowe Art Museum, contributing works and assisting with fundraising efforts.

Pair of Italian Marble Torcheres

ca. 1900, after a Roman 1st century AD candelabrum design, the circular leaf-carved tops on tapered standards with basrelief-carved plants overlapping laurel leaves, the tripartite bases framed by bead-and-reel borders and set with basrelief panels depicting classical figures, raised on paw feet on plinths.

h. 61-3/4”, dia. 13-3/4”

$3,000-$5,000

84

French Gilt-Bronze and Marble-Top Gueridon

20th century, the circular breche marble top within a banded frame, raised on slender out-curved legs ending in paw feet and joined by a triangular stretcher centered by a bronze urn. h. 27-1/2”, dia. 20”

$1,500-$2,500

85

Harry Winston Quartz Rhinoceros Sculpture

ca. 1999, from the "Marvelous Creations" series, the rhinocerous carved from smoky rutilated quartz and raised on a lighter rutilated quartz and vermeil base, the feet and eyes with 18k yellow gold and diamond accents, the gold mounts stamped “750”, the base stamped “925”, each bearing the Harry Winston makerís mark.

h. 8-1/2”, w. 12”, d. 5-1/2”

$10,000-$15,000

Provenance: Christie’s, New York, Important Jewels from the House of Harry Winston, April 11, 2001, lot 102.

86

Two Russian Carved Agate Animals

19th/20th century, including a gray/brown agate hippopotamus with ruby eyes, and an amber/green agate bear.

h. 1-3/4” to 2-1/4”, l. 4” to 4-1/2”

$1,000-$1,500

Created under Ronald Winston, son of the firm’s founder, in the late 1990s, this sculpture forms part of the firm’s imaginative “Marvelous Creations” concept - a body of work that explored the house's artistry through whimsical, gem-based designs extending beyond traditional jewelry. Conceived as one-of-a-kind objets d’art, these pieces translated Winston’s expertise in gemstones into sculptural expressions of nature and fantasy.

Two Gilt-Brass and Intaglio Gemstone Roller Seals

mid-19th century, including: a French billet doux roller seal with faceted amethyst handle and gilt-brass cannetille-style ferrule holding a wheel with seven seal mounts set with gems intaglio engraved with sentiments thus: white onyx engraved “Je reviendrai” (“I will return”) above a sun arising from the clouds; carnelian engraved “Je ne change qu’en mourant” (“I change only when I die”) around an autumn leaf; black onyx engraved “Bon soir” (“Good night”) around a candle being extinguished; amethyst engraved “Repondez vite” (“Answer quickly”) above a flying dove; green goldstone engraved “Faite bien, laissez dire” (“Do well and let them talk”); bloodstone engraved “Me perd qui me neglige” (“Neglect me and lose me”) around an empty bird cage; and an unengraved citrine; and an English daily roller seal with figural gilt-brass handle of the infant Bacchus and his goat climbing a grapefile, with acanthus scroll ferrule holding a wheel with seven seal mounts set with gems intaglio engraved with the days of the week thus: black onyx engraved “Monday”; bloodstone engraved “Tuesday”; citrine engraved “Wenedsay”; white onyx engraved “Thursday”; amethyst engraved “Friday”; aventurine engraved “Saturday”; citrine engraved “Sunday”. l. 4” and l. 5-3/4”

$800-$1,200

88

Group of Three Restauration “Jeweled” Gilt-Brass

Monocular Spyglasses

ca. 1815-1830, including: one seven section, set with bands of dark blue glass jewels, dia. 1”, d. 1-1/2”, extended l. 3”; one seven section, with applied floral swags set with green glass jewels within bands of pink glass jewels, dia. 1-5/8”, d. 1-1/4”, extended l. 3-3/4”; and one four section, with applied giltbrass floral banding set with and banded by rows of red glass jewels, dia. 1-1/2, d. 1-3/4”, extended l. 3-3/4”.

$1,500-$2,500

89

Group of Three Restauration “Jeweled” Gilt-Brass Monocular Spyglasses

ca. 1815-1830, all of six sections, including: one with wirework flower banding set with green and colorless glass jewels, dia. 1-5/8”, d. 1-1/2”, extended l. 3-3/4”; one with openwork floral banding with silvered flowers and red glass jewels within bands of clear and red glass jewels, dia. 1-1/2”, d. 1-1/4”, extended l. 3-5/8”; and one with embossed gilt-brass floral banding within bands of red glass jewels, dia. 1-3/4”, d. 1-1/4”, extended l. 3-7/8”.

$1,500-$2,500

90

Group of Four Empire and Restauration Gilt and Mother-ofPearl Monocular Spyglasses

first third 19th century, all with mother-of-pearl paneled body and milled gilt-metal banding, including: Francois Antoine Jecker (1765-1834), Paris, nine section, dia. 1-1/4”, d. 1-1/4”, extended l. 4”; Gaspard Derepas (ca. 1785-1831), Paris, six section, dia. 1-1/2”, d. 1-3/8”, extended l. 3-1/2”; unmarked, with stepped body, three section, dia. 1-1/4”, d. 2-1/4”, extended l. 3-3/4”; and unmarked, five section, dia. 1-1/4”, d. 1-3/8”, extended l. 3-1/4”.

$1,500-$2,500

91

Bronze Athenienne-Form Gilt-Bronze Stand

20th century, the bronze top supported by three whippetmolded legs terminating in dog paws, on turned feet, with reeded stretchers. h. 29-1/2”, dia. 14-1/2”

$2,500-$4,000

92

Bronze Tabouret, After the Antique

20th century, the circular bronze top supported on three whippet-molded legs terminating in dog’s-paw feet, with cross stretchers. h. 23”, dia. 20”

$2,500-$4,000

Collection of Six Agate Desk Articles

late 19th century, including a brass-mounted stamp box, h. 13-1/4”, w. 9”, an inkpot with a faceted agate cover, h. 3”, dia. 2”, two page turners, l. 6-1/4” to 7”, a paperweight with a brassmounted top, h. 1-1/2”, w. 4”, and a rectangular paperweight, h. 1-3/4”, w. 3-1/4”.

$800-$1,200

94

Collection of Eight Striped Agate Seals

19th century, of various colors, one in the form of a squirrel, two with gilt-brass engraved ends and the others with engraved initials or plain, the smallest example with a watch fob hook. h. 1-1/4” to 3-1/4”, w. 1/2” to 1-3/4”

$800-$1,200

95

Collection of Thirteen Agate and Metal Objects

20th century, the collection including a match holder on a ballfooted base, h. 4-1/4”, w. 3-1/2”, two oval bowls, h. 1/2” to 1-1/2”, w. 2-3/4” to 4-3/4”, a rectangular dish, w. 2-3/4”, l. 3-1/2”, an oval box, h. 3/4”, w. 2-3/4”, a rectangular footed box, h. 1”, w. 1-3/4”, a faceted bead, h. 1”, five agate-handled bookmarks, l. 3-1/4” to 4-3/4”, and a paper knife with an agate ball handle, l. 3-3/4”.

$800-$1,200

96

Viennese Secessionist Lamp

ca. 1900, the bronze standard in the form of a coiled serpent, supporting the helmet-form ribbed shade, accented with polychrome glass cabochons and original fringe. h. 19-1/2”, w. 13-3/4”, d. 8-1/2”

$1,500-$2,500

An identical lamp was included in the SFO Museum’s exhibition, The Allure of Art Nouveau: 1890-1914, February 13August 26, 2016.

97

Signed Vienna Bronze Snake and Lizard

early 20th century, Austria, the cold-painted lizard with a patinated bronze snake, made by Franz Xavier Bergmann, and impressed “Geschutz 5801”. h. 4”, w. 7-1/2”, d. 6”

$800-$1,200

98

Spanish Ebonized and Silver-Inlaid Side Table

19th century, the rectangular top with inlaid silver panels in foliate motifs, raised on pierced trestle-form ends with bracket supports.

h. 29”, w. 27”, d. 23”

$1,000-$1,500

After Georges Bareau (French, 1866-1931)

“Le Temps Creant la Sagesse”

patinated bronze first half 20th century, cast signature along the side, after the 1902 marble now conserved at the Musee des Beaux-Arts de Nantes.

h. 33”, w. 24”, d. 18”

$5,000-$8,000

100

French Neo-Grec Patinated Bronze Tazza

late 19th century, decorated with a bas-relief profile of the goddess Athena, signed “F. Levillian”, the profile framed with bas-relief palmettes, with scrolled and pierced handles terminating in ram’s heads with leopards mounted on top, on a tapered base.

h. 8”, w. 20-3/4”, d. 14-3/4”

$600-$900

101

Collection of Nine Metal Hands

including seven 19th-century iron hands, some with gilt surfaces, and three with molded “jewels”, l. 4” to 5”, and two 20th-century molded bronze hands, l. 8-1/4”.

$1,000-$1,500

102

French Silvered Bronze and Tole Bouillotte Lamp

ca. 1860, the standard set into a fluted bronze column, mounted with leaf-molded candle branches terminating in acanthusmolded candle sockets and drip pans, with a later Pompeiian-red tole shade.

h. 22-1/2”, w. 11-3/4”, d. 7-1/4”

$800-$1,200

103

Giltwood Overmantel Trumeau Mirror

19th century, in the Georgian taste, the cove-molded, leaf-carved giltwood surround set with an oil-on-canvas polychrome scene of two gentlemen at a shooting party, the lower portion set with beveled glass mirror plates. h. 46”, w. 55-1/4”

$3,000-$5,000

104

Two

Equestrian-Themed Humidors

early 20th century, including a brass and leather-covered boot with a lidded top opening to reveal a humidor interior, with a nickel-plated spur, on a horseshoe base, h. 10-1/4”, w. 9-1/2”, d. 5-3/4”, and a bronze and leather riding helmet with a fringed bronze cover opening to an interior with a fitted cigar holder, the body clad in gilt-stamped leather, with a bronze bib, h. 6-3/4”, w. 6”, d. 6”.

$1,000-$1,500

105

William IV Bombe-Form Tea Caddy

ca. 1830, the cove-molded cover set with a monogrammed silver plate, the facade with a silver escutcheon, the twocompartment interior with covers, concealing foil-lined interiors.

h. 6-1/4”, w. 6-1/2”, d. 4-1/2”

$800-$1,200

106

Austrian Cold-Painted Vienna Bronze Plaque

early 20th century, in the Franz Bergman style, in the form of a fox head, pierced for hanging on the reverse. h. 9”, w. 5-3/4”

$800-$1,200

107

Cold-Painted Bronze Cockerel

ca. 1900, likely Viennese, the large cast-bronze cockerel with realistic polychrome enamel. h. 20-1/4”, w. 6”, l. 16”

$2,000-$4,000

108

Bronze and Glass Cockerel-Form Decanter

early 20th century, with molded bronze feathers, the head hinged to form a cover, opening to reveal an amber glass decanter body, supported by feet and a rake. h. 7-1/2”, w. 6-1/4”, d. 6”

$600-$900

109

Victor Demongin (French, b. 1873)

“Kittens”

oil on canvas signed lower left. Framed.

21-1/4” x 25-3/4”, framed 29-1/4” x 34-1/4”

$3,000-$5,000

Provenance: Hindman, Chicago, Illinois, January 22, 2012, lot 220.

110

George III Mahogany Dining Table

early 19th century, the expandable top with drop leaves, opening to receive one 24-1/2” leaf, raised on tapered square legs.

h. 29-1/2”, w. 45”, l. 50”, ext. l. 74-1/2”

$1,000-$1,500

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

52”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

113

Franz van den Broucke (Belgian, 1884-1964)

“Portrait of a Lady”, 1915-1916 oil on canvas signed and dated lower right. Framed.

32” x 24”, framed 38-3/4” x 31”

$1,500-$2,500

114

Regence Inlaid Kingwood, Ormolu-Mounted and MarbleTop Commode

18th century, of bombe form with a conforming Turquin (de Caunes) marble top, the front fitted with three side-by-side drawers over two long drawers, dressed with elaborate bronze mounts.

h. 34”, w. 52”, d. 24”

$3,000-$5,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

French Belle Epoque Giltwood Mirror

late 19th century, the pierced crest carved with a pair of lovebirds on musical trophies, accented with carved drapery, the surround with crossetted corners, supporting urn finials, lined with egg-and-dart carving and inset with beveled mirror panels, overlaid with carved roses, the beveled mirror plate secured with a gadrooned liner. h. 101”, w. 67-1/2”

$1,500-$2,500

early 20th century, the central hub with three eagle mounts and six arms, suspended by cast swags to an upper canopy. h. 40”, dia. 23”

$1,000-$1,500

Pair of Painted and Parcel-Gilt Doric Pilasters

19th century, likely Spanish, with gilt caps and bases, the upper portions painted in the Moorish taste with strapwork-framed stars, the lower portions with gilt vines, on a blue-tinged ground. h. 94”, w. 15-1/2”, d. 16-1/2”

$4,000-$7,000

$1,000-$1,500

119

Louis Philippe Aubusson-Style Carpet

$1,000-$1,500

120

Bidjar Carpet

8’ x 11’

$2,000-$4,000

Provenance: Collection of Arlene Philipson, New Orleans, Louisiana.

121 Turkish Angora Oushak Runner

2’ 7” x 29’ 7”

$1,000-$1,500

122

Robert Watson (British, 1855-1921)

“Highland Sheep”, 1883 oil on canvas signed and dated lower right. Framed.

24-3/4” x 36-1/4”, framed 28-1/4” x 40-1/4”

$1,800-$2,500

Provenance: Malcolm Innis Gallery, Edinburgh, Scotland, 1986; private collection, Houston, Texas.

123

English School (19th Century)

“Hunters with Their Dogs at Rest” oil on wood panel unsigned. In a cove-molded frame.

19-1/2” x 27”, framed 30” x 38”

$700-$1,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

124

Hendrik Savrij (Dutch, 1823-1907)

“Cattle by the Stream” oil on canvas signed lower left. Framed. 24” x 42-1/2”, framed 36-1/2” x 54”

$2,500-$4,000

125

Samuel Joseph Clark (British, 1834-1912)

“Farm Scene” oil on canvas signed lower left. Framed.

18” x 24”, framed 27” x 32”

$1,500-$2,500

126

Louis Pierre Verwee (Belgian, 1807-1877)

“Landscape with Sheep” oil on canvas signed lower right. Framed.

19-1/2” x 29”, framed 31” x 40-1/2”

$1,200-$1,800

127

Georgian-Style Mahogany Partner’s Pedestal Desk

20th century, the large desk with a banded top and an inset green leather blotter, over a central drawer, flanked by smaller drawers, the pedestals fitted with three drawers on each side, raised on a bracket foot base. h. 30-1/2”, w. 66”, d. 60-1/2”

$700-$1,000

128

Two Pairs of Mahogany and Leather Club Chairs

20th century, the Georgian-style chairs trimmed with brass tacks and raised on tapered legs, two in red leather and two in green leather. h. 30”, seat h. 18”, w. 25”, d. 22-1/2”

$1,000-$1,500

129

“Taylor’s Patent” Pine and Oak Library Ladder

ca. 1858, the ladder folding into a long wooden rod, with stained pine standards and oak rings, the brass latch stamped “Taylor’s Patent”. h. 114-1/2”, w. 11-1/2”

$700-$1,000

An identical example is in the collection of the Victoria and Albert Museum, London.

130 Austrian School (19th Century)

“Portrait of a Gentleman” oil on canvas unsigned. Framed.

26” x 21”, framed 39” x 34-1/2”

$2,000-$4,000

$1,200-$1,800

$1,500-$2,500

$2,000-$4,000

135

French Leather Book-Form Tantalus

early 20th century, the leather case constructed as a stack of books, the fitted interior set with three gilt-glass liqueur bottles and ten gilt-rimmed shot glasses. h. 6”, w. 10”, d. 8-1/4”

$800-$1,200

136

Set of Twelve Copeland Spode “967” Pattern Plates

ca. 1900, with fluted edges, richly decorated with green, rose and cinnabar peonies and scrollwork, most plates with green transfer-printed “Copelands China England” mark. dia. 9-3/4”

$800-$1,200

137

Eight George-III-Style Mahogany Dining Chairs

early 20th century, comprised of an armchair, h. 38-1/2”, seat h. 20”, w. 23-1/2”, d. 20”, and seven side chairs, h. 36-1/2”, seat h. 19”, w. 19-1/2”, d. 17-1/2”, each with an acanthine-carved crest rail, pierced splat, and slip seat, raised on tapered square Marlborough legs.

$1,200-$1,800

138

Large Regency-Style Mahogany Dining Table

20th century, labeled “Premier Furniture Crafters, EJ Victor”, the circular top with a rosewood- and satinwood-banded border and a carved, beaded edge, the fluted apron with a reeded lower molding, mounted to a base with four reeded columns and downswept, acanthus-carved legs joined by a circular stretcher and ending in brass casters. h. 30-1/2”, dia. 81”

$2,000-$4,000

139

William IV Mahogany Sideboard

19th century, the spun brass railing along the back mounted to a shaped top above a single long drawer, raised on bold turned and reeded legs. h. 51-1/2”, w. 83-1/2”, d. 36”

$1,000-$1,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

140

Large French Belle Epoque Giltwood Mirror

late 19th century, in the rococo taste, the pulvinated surround ornamented with acanthus leaves and trailing flowers at each corner. h. 62”, w. 42”

$1,000-$1,500

141 Continental School (19th Century)

“Still Life in a Classical Setting” oil on canvas initialed “M.H.” lower left. Framed.

15” x 19-1/2”, framed 21” x 25-1/2”

$800-$1,200

142 Leopold Stoll (Dutch/Austrian, 1788-1888)

“Still Life with Parrot”, 1874 oil on canvas signed and dated lower right. Framed.

12” x 16”, framed 13-1/2” x 17-1/2”

$800-$1,200

143

Pair of Italian Carved Pilasters

19th century, the composite capitals with carved Ionic scrolls, swags of fruit and acanthus leaves, over fluted bodies on ogeemolded bases.

h. 90-3/4”, w. 13”, d. 13”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

144

Northern Italian Carved Walnut Long Bench

18th century, the padded slip seat set within a molded frame with scroll-carved aprons and raised on cabriole legs ending in cloven hoof feet.

h. 20”, w. 63”, d. 19-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

145

Important Suite of Four Limoges Enamel Plaques

18th/19th century, the plaques depicting Saint John, Saint Anthony, Saint Thomas and Saint Paul, on cobalt grounds, in carved giltwood frames with carefully detailed side plaques, inspired by the works of Leonard Limousin (French, ca. 1505-ca. 1577). h. 24”, w. 12-3/4”

$25,000-$40,000

Provenance: The collection of Mr. & Mrs. Thomas Jefferson.

146

French School (Mid-20th Century)

“Chat Noir”

oil on canvas illegibly signed lower right. Framed.

10” x 13-1/2”, frame 14” x 18”

$600-$900

147

Pair of Empire-Style Mahogany Bergeres

20th century, with padded backs, arms and reversible seat cushions, the arm fronts carved in the form of swans and ending in cloven hoof feet. h. 39”, seat h. 19”, w. 25-1/2”, d. 22”

$1,500-$2,500

148

Pair of Italian Venetian Carved Corbels

19th century, the corbels carved with winged angel heads framed with gilt acanthus leaves, on a dark green ground.

h. 19”, w. 8-1/2”, d. 9”

$1,200-$1,800

149

Pair of Italian Venetian Carved Wooden Figural Corbels

19th century, the angled corbels carved with winged angel heads framed with gilt acanthus leaves, on a dark green ground. h. 19”, w. 8-1/2”, d. 9”

$1,200-$1,800

150

Louis Philippe Mahogany Bibliotheque

19th century, the top with an overhanging cornice and latheturned moldings, over a pair of framed and glazed doors, on a base with scalloped feet. h. 83”, w. 42-1/2”, d. 17”

$1,000-$1,500

151

Empire Ormolu-Mounted Mahogany Day Bed

19th century, the front with a pair of turned columns at each end, with bronze collars, the crest rail with a large bronze rosette, the ends joined by large downswept rails. h. 44”, inside w. 36”, l. 74”, outside w. 41”, l. 80”

$2,500-$4,000

Provenance: Sotheby’s, New York.

152

French Limoges Colorful Fish Set

late 19th century, the central panels decorated with various fish in blue water with pink and orange coral, with gilt edges, signed on the back by decorating firm Oscar Gutherz, the set including a fish platter, w. 9”, l. 24”, and eight plates, dia. 9-1/4”.

$800-$1,200

153

Partial Service of Colle “Princeps” Stemware

Italian, with colorless bowls and lavender stems, the service including:

eleven water goblets, h. 9-1/2”; fourteen champagne flutes, h. 8-1/4”; and thirteen wine goblets, h. 7-1/4”. (38 pieces total)

$700-$1,000

154

English Periwinkle Blue Porcelain Dessert Service

second quarter 19th century, the gilt-trimmed service molded with flowers on a lattice ground, probably William Ridgway, the set including: a comport, h. 5”, w. 12”; eighteen dessert plates, dia. 8-1/4”; two large shell dishes, w. 8-3/4”, l. 10-3/4”; and two smaller shell dishes, w. 8”, l. 9-1/2”. (23 pieces total)

$1,000-$1,500

Provenance: James II Galleries, New York, New York.

155

Coalport “Harebell Turquoise” Dinner Service

ca. 1952-1979, the bone china service including: eleven dinner plates, dia. 10-3/4”; sixteen salad/dessert plates, dia. 8”; and sixteen bread-and-butter plates, dia. 6”. (43 pieces total)

$700-$1,000

156

Collection of Salviati Hand-Blown Glass Stemware

early 20th century, Murano, Italy, the stemware decorated with gilt scrollwork and white-enameled “jewels”, the service including: ten red wine goblets, h. 8”; ten white wine goblets, h. 6-1/2”; ten champagne coupes, h. 6”; ten finger bowls, h. 2”; and ten underplates, dia. 7”. (50 pieces total)

$1,500-$2,500

157

Gilt-Bronze and Cut-Crystal Ice Bucket in the Baccarat taste, with a gilt-bronze rim, set with Bacchanalian masque handles, the body cut with thumbprints separated by cut-glass stars. h. 11”, dia. 7-3/4”

$700-$1,000

158

Maria Theresa-Style Chandelier

the eighteen-light chandelier with a glass-clad scrolled frame and arms, set with lights in two tiers, the arms terminating in ribbed prism rings, hung with swags of prisms and cut-glass drops, with a pendant faceted ball finial. h. 33”, dia. 34-1/2”

$1,200-$1,800

159

Italian Giltwood Salon Chair

18th century, with a shield-form back and foliate-carved details, the arm fronts with carved lion’s heads, over turned legs wrapped in grapevine carvings. h. 38”, seat h. 19”, w. 24”, d. 19”

$1,500-$2,500

160

Italian Giltwood Mirror in the Rococo Taste

composed of a 19th-century giltwood surround on a later olive backing, the pierced serpentine crest decorated with a bird eating grapes, in a rocaille panel, with scroll-framed sides and base accented with flower heads and a shell, set with a twopart antique mirror plate.

h. 66-3/4”, w. 39-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

161

French Bronze-Mounted Kingwood Writing Table

18th century, the rectangular top with a brass gallery and inset leather blotter, each end fitted with a drawer, raised on tapered square legs.

h. 28-1/2”, w. 32”, d. 18”

$1,500-$2,500

Provenance: Christie’s, New York.

162

Continental Giltwood Reliquary

19th century, now mounted with a mirror glass in a delicate pierced surround decorated with ribbons and scrollwork, accented with flowers and trailing leaves on the sides, resting on an ogee rocaille-carved base. h. 26-1/2”, w. 15-3/4”, d. 3-1/4”

$1,200-$1,800

163

Pair of Large Chinese Porcelain Lamps

in the famille noir palette, the porcelain vases decorated with polychrome peonies, lotus blossoms and dragons on a black ground, now mounted as lamps on wooden bases. h. 30”, dia. 8”

$800-$1,200

164

Two Chinese Carved Coral Figures

one of a mother and child and the other of a scholar carrying a lotus blossom, each mounted on a wooden base. h. 3-1/2” to 3-3/4”, w. 2-1/2” to 4-1/2”, d. 1-3/4” to 2-3/4”

$800-$1,200

165

Chinese Hardwood Altar Table

19th century, the rectangular top with an inset raised panel, the frame carved with bamboo motifs, with pierced legs and grape- and vine-carved aprons. h. 38-1/2”, w. 48-1/2”, d. 16-1/2”

$800-$1,200

166

Asian Carved and Painted Wood Recumbent Deer

19th century, carved from one piece of wood, the deer mounted with horns.

h. 15-1/4”, w. 26”, d. 6-1/2”

$2,000-$4,000

Provenance: Sotheby’s, New York, The Bill Blass Collection, October 21-23, 2003, lot 740A.

167

Chinese Black-Lacquered and Parcel-Gilt Storage Box

the box with gilt decoration and a lift-off lid opening to a void interior.

h. 16”, w. 29”, d. 17”

$1,000-$1,500

168

Two Gilt-Metal Buddha Figures in the Sino-Tibetan Style

second half 20th century, of an emperor and Guanyin, respectively, each seated on a lotus throne, the emperor holding a flaming pearl and scepter, h. 35”, w. 19”, d. 17-3/4”, and Guanyin holding a bowl in lotus pose, h. 32”, w. 17”, d. 14”, having an apocryphal four-character Xuande mark on the base.

$1,800-$2,500

169 Mario Schifano (Italian, 1934-1998)

“Thylacine”, ca. 1990

acrylic on computer-prepared PVC signed en verso; “Fondazione Mario Schifano” label en verso, Multistudio Foundation Archive registration No. 90-97/456. Unframed.

27-3/4” x 39-1/2” x 1”

$3,000-$5,000

Provenance: Daliano Ribani Arte, Carrara, Italy.

Often dubbed "Italy's Andy Warhol", Mario Schifano was a consummate postmodernist - a painter, musician, and filmmaker whose multifaceted career defies categorization. He embraced the closely intertwined relationship between Pop art and postmodernism. Schifano led a colorful life from an early age: his social circle included Cy Twombly, Frank O'Hara, and Jean-Luc Godard, and he had many romantic dalliances, including famously stealing Marianne Faithfull away from Mick Jagger. His debaucherous lifestyle earned him six separate prison sentences. In recent years, Schifano's vivacious oeuvre and way of life have earned him several retrospectives, including those at the National Gallery of Modern Art in Rome and at the Gallerie d'Italia in Naples.

Born in Libya at the time of Italian colonization, Schifano moved with his family to Rome at a young age. He never attended art school, opting for a self-taught approach, and worked as a ceramics restorer as he began to paint. He rose to fame with his Monocromi series - canvases that consisted of a single color, humming with energy - that he debuted at his first solo exhibition in 1959. In 1963, he declared he was done with monochromes, upsetting gallerists and art dealers throughout Italy, and pivoted sharply towards Pop art.

By this time, Rome had become a glitzy city of conspicuous consumption, and Schifano's work reflected the wealth of imagery entering Italian culture through ubiquitous advertising. At the height of his fame, Schifano was known to throw lavish parties in his Roman apartment and whip around the ancient city in his Rolls Royce, often with members of the Rolling Stones in tow. Seeking reinvention, he again pivoted in the late 1960s, this time towards abstraction; using unorthodox materials like parcel paper and enamel paint, Schifano anticipated the Arte Povera movement.

Schifano worked intermittently until his death in 1998, embracing elements of gestural abstraction, geometric abstraction, Pop art, Conceptualism, and Arte Povera. His oeuvre defies narrow definitions, but his dedications to play, diversity, destruction of hierarchies, and the individual experience places him squarely as a father of postmodernism. Today, his influence - from his prolific creative output to his indulgent lifestyle - still reverberates throughout the contemporary art world.

170

Glazed Pottery Boar

first quarter 20th century, unmarked. h. 9-1/4”, w. 15”, d. 9-1/2”

$700-$1,000

Provenance: Private collection, New Orleans, Louisiana.

171

Elaborate Giltwood Buddhist Altar Mikusei Doban

20th century, with two hexagonal tiers, mounted with carved dragons alternating with cloud-carved panels, the supporting carved and pierced giltwood garlands hung with giltwood temple bells on the lower edge of each tier.

h. 63-1/4”, dia. 28”

$2,500-$4,000

Provenance: Purchased in Singapore ca. 1978.

172

Pair of Chinese Black-Lacquered Side Tables

early 20th century, the tops each with an inset woven rattan panel, set within a broad mortised frame, raised on large in-curved legs.

h. 17-1/2”, w. 27-1/2”, d. 27-1/2”

$1,200-$1,800

173

Pair of Chinese Black-Lacquered Emperor’s Throne Chairs

early 20th century, each with a shaped back and arms, which lock together, the seat with an inset woven rattan panel, raised on large in-curved legs.

h. 32”, seat h. 18”, w. 31”, d. 31”

$1,200-$1,800

174

Pair of Chinese Black-Lacquered Emperor’s Throne Chairs

early 20th century, each with a shaped back and arms, which lock together, the seat with an inset woven rattan panel, raised on large in-curved legs.

h. 32”, seat h. 18”, w. 31”, d. 31”

$1,200-$1,800

175

Pair of Chinese Lacquered

Side Tables

19th century, the tops with inset woven rattan panels, raised on square legs with in-curved feet.

h. 20-1/2”, w. 20”, d. 15”

$1,000-$1,500

176

Chinese

Qingbai Pottery Funerary Urn

ca. 1250-1350, Song or Yuan Dynasty, decorated on the cover with the Vermilion Bird of the South, and the Dragon of the East on its neck, along with clouds, turtles and snakes. h. 35-3/4”, dia. 5-3/4”

$1,000-$1,500

Provenance: Purchased in Bangkok, 2001.

A related example is in the collection of the Victoria and Albert Museum, London.

177

Pair of Italian Carved Wood Venetian Gondolier Monkeys

late 19th century, the monkeys with glass eyes and dressed in hats and tunics, with kerchiefs at their necks, one hand holding a gondola pole and the other outstretched hand holding a ball, each perched on a rocky outcropping, on later bases. h. 69”, w. 13-1/2”, d. 26”

$8,000-$12,000

178

Grand Tour Bronze Dore et Patine Figural Oil Lamp

early 20th century, decorated with a minstral, set with a leafmolded and pierced handle, with a molded cover and a spout set with a flame-form finial. h. 5”, w. 6-1/2”, d. 2”

$800-$1,200

179

French Patinated Bronze and Marble Figure of Napoleon

second quarter 19th century, the general standing with his arms crossed, on a Siena marble base with a mount in the form of a Greek tomb, inscribed “Il Sut Vivre en Heros et Mourir en Grande Homme” and dated “5 Mar, 1821”. h. 14-1/2”, w. 4-1/2”, d. 4-1/2”

$800-$1,200

180

Bronze-Mounted Mahogany and Marble-Top Center Table

19th century, in the Empire taste, the inset circular Gris SainteAnne Belge marble top over a straight frieze with ormolu mounts, supported by three turned columns with bronze collars, mounted to a curved triangular platform base. h. 30”, dia. 30”

$1,500-$2,500

181

Empire Ormolu-Mounted Mahogany Armchair

early 19th century, the padded back with an out-curved frame with gilt-bronze mounts, the arm posts with Greek Revival busts, raised on tapered legs ending in bronze paw feet, pegged construction throughout. h. 36-1/2”, seat h. 19”, w. 23”, d. 23”

$1,000-$1,500

182

French Ormolu-Mounted Mahogany Writing Desk

20th century, the top with an inset black leather blotter, the edge trimmed with a brass molding, one side fitted with a central drawer and three drawers in each bank, raised on tapered legs.

h. 31”, w. 72”, d. 35”

$2,000-$4,000

183

Pair of French Gilt-Metal and Faux Marbre Lamps

early 19th century, the urn-form lamps with fluted gilt-metal necks set with satyr-head handles and molded with grapes, the bodies decorated with swags and bowknots, on dark green faux marbre bases, fitted with lampshades. h. 30”, dia. 18”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

184

Neapolitan Bronze and Marble Bust of Dionysus

fourth quarter 19th century, stamped “Sabatino de Angelis” on the edge, mounted on a cove-carved marble socle, after the 1st century CE sculpture (originally identified as Plato) discovered in 1754 at the Villa dei Papiri at Herculaneum and now conserved at the Museo Nazionale, Naples. h. 16”, w. 7-3/4”, d. 6-1/2”

$2,000-$4,000

185

Italian Specimen Marble Inlaid Stand

20th century, the ebonized and parcel-gilt stand with a top inset with a marble parrot, supported by a plume-form standard mounted to a triangular platform with three carved paw feet. h. 29-1/2”, dia. 17-1/2”

$1,500-$2,500

186

Pair of French Patinated and Gilt-Bronze Sconces

in the Empire taste, each with a torch-form backplate with a flame finial, and set with three scrolled leaf-molded candle branches terminating in engine-turned trumpet-form candle holders, electrified.

h. 18”, w. 9-3/4”, d. 6”

$700-$1,000

187

French School (19th Century)

“Leda and the Swan” oil on wood panel unsigned. Framed with erroneous plaque.

11” x 7-1/2”, framed 16” x 13”

$1,000-$1,500

188

Dutch School (18th Century)

“Abduction of Persephone by Hades” oil on cradled wood panel unsigned. Unframed. 28-3/4” x 41-1/4”

$1,200-$1,800

189

Italian School (18th Century)

“Jupiter and Juno with a Handmaiden, on Mount Ida” oil on canvas unsigned. Framed.

14” x 9”, framed 20-3/4” x 17”

$1,000-$1,500

190

French Patinated Bronze Figure of Napoleon

second quarter 19th century, the general standing with his arms crossed, on a rectangular base with a mount depicting a dying angel and inscribed “Isle St. Helene”.

h. 11-3/4”, w. 4”, d. 4”

$800-$1,200

191

Rare Pair of Neo-Gothic Polychrome Stools

early 20th century, of circular form with padded and tufted seats and scalloped aprons, raised on turned legs, retaining their original paintdecorated surfaces.

h. 16”, dia. 18”

$1,800-$2,500

192

Patinated Bronze and Marble Figure of Mercury

20th century, the messenger of the gods with winged helmet and talaria (sandals), one foot delicately balancing on a symbol of the wind, after the 1580 sculpture by Giambologna (Flemish/Florence, 1529-1608) now conserved at the Museo Nazionale del Bargello, Florence, on a reliefmolded circular base, resting on a verde antique marble pedestal. overall h. 67-1/4”, dia. 8-1/2”

$1,200-$1,800

193

Pair of Patinated Bronze and Marble Chimeras

19th century, the recumbent bearded figures with lion’s paws and dolphin’s tails, on marble bases. h. 10-1/2”, w. 8-1/2”, l. 10-1/2”

$1,500-$2,500

194

Italian Walnut Fold-Over Games Table

18th century, the shaped top opening to a recessed playing surface with four in-carved oval chip holders, raised on slender legs ending in shoe-form feet. h. 29”, w. 36-1/2”, closed d. 14-1/2”, opened d. 29”

$1,400-$1,800

195

French Bronze Dore et Patine Lamp

20th century, in the Empire taste, with three lotus-molded candle sockets mounted on a column-form standard with an Egyptian capital, the base set into lotus leaves, raised on paw feet resting on a tripartite base, fitted with a lampshade. h. 41”, dia. 18”

$700-$1,000

196

Pair of Bronze Patine et Dore Water and Wine Ewers

late 19th century, the “water” jug decorated with a mermaid straddling the neck, a dolphin masque and trailing aquatic plants on the front and sides, and the “wine” jug decorated with a satyr straddling the neck, a ram’s head and trailing grapes on the front and sides.

h. 14-1/2”, w. 5-1/4”, d. 7-1/2”

$3,000-$5,000

197

Pair of Patinated Bronze Medici Urns

19th century, with egg-and-dart-molded rims, the bas-relief-molded bodies with neoclassical figures over molded acanthus leaves, set with handles terminating in molded masques, on tapered, fluted bases.

h. 19-1/2”, dia. 15”

$3,000-$5,000

198

French Walnut and Marble-Top Sideboard

18th century, in the Directoire taste, the conforming gray marble top over a pair of framed doors with inset circular panels, raised on tapered legs. h. 39”, w. 62”, d. 26”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

199

Pair of Terracotta Figural Sweetmeat Stands

19th century and later, the terracotta putti figures modeled fishing on the edges of their baskets, now on later Italian parcel-gilt wooden column-form bases. h. 19”, dia. 8”

$1,500-$2,500

200

Gilt- and Patinated Bronze Chandelier

in the Empire taste, the six-light chandelier with a corona set with pierced anthemia, supporting the pan-form body on bronze chains, the scrolled candle branches alternating with wreaths on the body, with a pendant cone-form finial. h. 21-1/2”, dia. 21”

$800-$1,200

201

Diminutive Louis XV-Style Gilt-Bronze-Mounted Kingwood Writing Table

19th century, stamped “G. Durand”, with a shaped and inlaid top with musical motifs, set within a bronze banded rim, each end fitted with a drawer, a writing slide along one side. h. 28”, w. 25”, d. 17”

$2,000-$4,000

202

Regency Brass-Inlaid Rosewood and Marble-Top Bookcase

19th century, the gray marble top over a pair of framed mirrored doors, the frames each with inset pierced brass panels and gilt-metal liners, raised on tapered square legs.

h. 38”, w. 46-1/2”, d. 11”

$1,000-$1,500

203

Petite Regency Rosewood Sewing Table

19th century, the shaped top with a three-quarter pierced bronze gallery above a pull-out fabric-covered storage basket, supported by trestle-form ends with faux bamboo inserts.

h. 29-1/2”, w. 22-1/2”, d. 12-1/2”

$1,000-$1,500

204

French Restauration Bronze Figural Mantel Clock

ca. 1825, the clock mounted with a patinated bronze figure of a Roman Emperor seated on a gilt-bronze case decorated with acanthus leaves and anthemia, raised on scrolled feet.

h. 22”, w. 17”, d. 6-1/2”

$1,500-$2,500

205

Bronze Dore et Patine Boudoir Lamp

20th century, in the neoclassical taste, decorated with a palmette capital, the patinated body wound with gilt bellflowers, on a leafmolded base, fitted with a lampshade. h. 17-3/4”, dia. 5-1/4”

$500-$800

206

Regence-Style Parcel-Gilt Oak and Marble-Top Table

19th century, the shaped marble top with a molded edge, above a conforming shell-centered frieze, raised on large, shaped legs with gilt and foliate accents, joined by shaped stretchers to a central column, modified to be used as a pair of console tables. h. 30”, w. 64”, d. 52”

$2,000-$4,000

207

French Silvered Bronze Jardiniere

late 19th century, the oblong jardiniere decorated with cartouches framed in ribbons and bowknots, the ends with scrolled handles and the sides with panels of leaf-molded scrollwork, the base molded with fringed drapery. h. 6”, w. 18-3/4”, d. 7-3/4”

$800-$1,200

208

French Belle Epoque Marble and Bronze Pedestals

late 19th century, composed of red griotte marble, the revolving square tops resting on shell-molded composite gilt-bronze capitals, the marble standards set into bronze bases molded with ribbonbound laurel leaves. h. 46-1/4”, w. 12”, d. 12”

$2,000-$4,000

209

Hand-Carved Giltwood Eagle

late19/early 20th century, depicted with its wings down, perched on a half dome. h. 19-1/2”, w. 11-1/2”, d. 5”

$1,200-$1,800

210

Manner of Vincenzo Catena (Italian, ca. 1480-1531)

“Portrait of (Possibly) Aldus Pius Manutius” oil on wood panel unsigned. Framed. 12” x 9-1/2”, framed 21” x 18-3/4”

$4,000-$7,000

Well-known and well-respected throughout the Republic of Venice in the 15th and 16th centuries, Aldus Pius Manutius was already a distinguished figure by the time Vincenzo Catena rose to prominence, and he is still celebrated today for his contributions to the history of printing and the proliferation of humanism. In 1494, Manutius founded the Aldine Press, which quickly began printing texts by Aristotle and Aristophanes in their original Greek in order to preserve and disseminate the humanist ideals that had shaped his youth. The Aldine Press continued to grow in popularity among Venetian scholars, but it was Manutius’s invention of the small, portable book format – the predecessor of the modern paperback – that truly secured his legacy.

Vincenzo Catena was an independently wealthy Venetian artist who maintained friendships with local humanists such as Giorgione and Pietro Bembo. He may have painted this possible portrait of Manutius - notably featuring a portable book and a naturalistic depiction of the sitter - as a celebration of Manutius’s dedication to humanism.

211

Late Regency Mahogany Secretary Bookcase

19th century, the upper case with a pair of astragal-glazed doors, the base with a butler’s desk above three graduated long drawers, raised on splayed legs. h. 92”, w. 47”, d. 22”

$800-$1,200

212

Set of Twelve Royal Worcester Cabinet Plates

ca. 1892, decorated with bouquets in the center panel, the borders with red and gilt scrollwork, accented with scattered flowers, with a printed Royal Worcester mark and a Bailey, Banks & Biddle retailer mark. dia. 10-1/2”

$1,000-$1,500

213 William IV Pollard Oak Sideboard

19th century, with an expansive framed mirror along the back, over a highly figured top with a bold molded edge, raised on large cabriole legs with shield-carved knees and ending in scrolled toes.

h. 68-1/2”, w. 98”, d. 25-1/2”

$2,500-$4,000

214

Custom Mahogany Double-Pedestal Dining Table

20th century, in the Regency style, the top with rounded corners and a reeded leading edge, mounted to a pair of pedestals with turned standards, each with three downcurved reeded legs, ending in brass caps with casters. h. 30”, d. 52”, l. 98”

$2,000-$4,000

Provenance: Private collection, Laguna Beach, California.

215

Suite of Eight George III-Style Mahogany Dining Chairs

19th century, comprised of two armchairs, h. 39”, seat h. 19”, w. 28”, d. 23”, and six side chairs, h. 38-1/2”, seat h. 19”, w. 24”, d. 18”, each with a ribbon-and-bow-carved crest rail above a pierced and carved back splat, slip seat and cabriole legs ending in ball-and-claw feet, pegged construction.

$1,200-$1,800

216

Italian Giltwood Mirror in the Baroque Taste

late 19th century, the bold pierced surround carved with acanthus leaves and scrollwork, with a reeded liner and set with a beveled mirror plate. h. 33-3/4”, w. 29-1/2”

$700-$1,000

217

Pair of Royal Doulton Pottery Garden Seats

ca. 1900, the midnight-blue and tan garden seats with stylized flower borders at the top and around the pierced opening, the barrel-form sides with stylized leaf borders and swags of flowers framing Renaissance figures, with a rare transfer-printed Royal Doulton mark. h. 20”, dia. 11-1/2”

$1,500-$2,500

218

George III-Style Carved Mahogany Side Table

third quarter 19th century, the rectangular Egyptian black marble top over a conforming apron with a gadrooned edge, centered with a winged putto masque, the whole supported on tall, well-carved cabriole legs. h. 33”, w. 59-1/2”, d. 22-1/4”

$1,500-$2,500

Provenance: Estate of Charles L. Whited, Jr., New Orleans, Louisiana.

219

Pair of Chinese Cloissone Censer-Form Lamps

20th century, set with elephant-head handles, the upper panels decorated with mandarin figures and the lower portions decorated with lotus blossoms and raised cabochons, fitted with lampshades.

h. 37”, dia. 18”

$1,200-$1,800

220 Continental Mahogany Vitrine

19th century, the arched top with a central carved cartouche, above a shaped glazed door, opening to four scalloped shelves and raised on cabriole legs. h. 75”, w. 40”, d. 17”

$700-$1,000

221 Italian Baroque Painted Writing Slope/Bible Box

18th century, the red-painted box with black and gilt decoration, the slanted cover painted with a grisaille cartouche crowned with a winged angel head, supported by putti, the box outlined with delicate gilt penwork trim, on black turned feet.

h. 10-1/2”, w. 23-1/2”, d. 17-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

222

Pair of Painted Metal Roosters

ca. 1970s, in the Michel Jarry taste, the crowing roosters with delicately sculpted feathers, the comb and wattles with some red paint, the feathers with some white paint. h. 14-1/2”, w. 9”, d. 4-1/4”

$1,000-$1,500

223

Unusual Campaign Jewelry/Collar Case

19th century, the mahogany case with brass corner fittings and flush-mounted brass campaign handles on the top and facade, the interior with one lift-top compartment and a drawer with fitted, velvet-lined trays. h. 9”, w. 7-3/4”, d. 7-1/4”

$700-$1,000

224

English Brass-Mounted Mahogany Campaign Desk

19th century, in two parts, the upper case with a pair of side-by-side drawers over a single long drawer, the lower case with two long drawers, each with inset flush-mounted hardware, raised on turned legs. h. 38-1/2”, w. 41”, d. 19”

$1,000-$1,500

225

Pair of William IV Old Sheffield Plate Wine Coolers

second quarter 19th century, each of campana form, decorated with robust floral and rocaille banding, with opposing acanthus-mounted handles en suite, raised on a pedestal foot and fitted with a cavetto collar and liner. h. 10”, dia. 9”, w. 11”

$700-$1,000

226

Pair of Old Sheffield Plate Dish Warmers

first quarter 19th century, circular with oval ring handles, the top lifting to reveal a hot water reservoir.

h. 1-1/2”, dia. 8-1/4”

$300-$500

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

227

Impressive Victorian Silverplate Neo-Grec Plateau

the design registered April 21, 1873, of rounded rectangular form with circular projection, the robust molded base decorated with an ovolo band of alternating flowers and stars, raised on six palmette scroll feet, the four central feet with neoclassical female masques, fitted with conforming mirrored plates. h. 3-1/4”, l. 53”, w. 21-1/2”

$3,000-$5,000

228

English Silverplate Triple Wine Trolley

in the rococo taste, with a trio of coasters, each with applied rococo scroll rim and turned wooden base, crested by demiputti, fitted to a wagon-wheel trolley with turned wood stirrup handle. l. 20”, w. 14-1/4”

$400-$700

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

229

Victorian Silverplate Tray

fourth quarter 19th century, oval with addorsed acanthus scroll handles, with robust cast and applied oakleaf and acorn rim, the plateau engraved with a wide band en suite, engraved with a crest of a bear’s head muzzled and the motto “Nobilitas Sola Virtus”. 28-1/4” x 19-3/4”

$1,000-$1,500

230

Edwardian Oak and Silverplate Galleried Serving Tray

first quarter 20th century, the canted rectangular oak base with scrolling and balustered silverplate gallery, with turned oak handles and shaped inserted boss.

h. 2-1/2”, l. 10-1/4”, w. 14-1/4”

$800-$1,200

231

Pair of George V Baronial Sterling Silver Candlesticks

hallmarked London, 1933-1934, by Lionel Alfred Crichton (Crichton Brothers), each with an elaborate knopped standard supported by scrolls above a waisted base of four coquilles separated by acanthus scrolls with a cluster-column nozzle with conforming detachable bobeche, engraved on the base with the crest of Partington, Baron Doverdale, presumably for Oswald Partington (1872-1935), 2nd Baron.

h. 10-3/4”, w. 10”; 74.50 total t. oz.

$2,000-$4,000

232

Pair of Silverplate Hot Water Urns

mid-20th century, each of deep bowl form above a waisted and knopped standard and circular foot, with stirrup handles, cavetto collar and ogee-domed lid, the tap with single-arm turned wood key.

h. 14-1/2”, w. 12-3/4”, d. 13”

$800-$1,200

233

Signed Dutch Delft Covered Vase

ca. 1713-1735, marked by Adriaan Van Rijsselbeergh, the blueand-white tin-glazed covered vase with a bird knop, the facade decorated with a view of a river and people fishing on the bank, framed with raised cobalt scrollwork. h. 13-1/2”, w. 5-1/2”, d. 3-3/4”

$700-$1,000

234

Pair of English Delft Polychrome Plates

18th century, possibly Liverpool, decorated with “Long Eliza” figures holding water pots, a bridge in the background. dia. 8-3/4”

$700-$1,000

235

Diminutive Italian Walnut Cassone

18th century, the cotter pin hinged lid with a gadrooned edge, opening to a void interior, the front carved with a central wreath and flanked by female figures amongst grapevines, raised on carved paw feet. h. 6”, w. 29-1/2”, d. 6”

$800-$1,200

236

Italian Bronze and Marble Figure of Silenus Wrestling the Serpent

19th century, the Bacchanalian figure supporting a circular anthemion-trimmed frame set with a marble sphere, after the 1st century BCE bronze standard discovered in 1864 in the ruins of Pompeii and now conserved at the Museo Archeologico Nazionale, Naples.

h. 25”, dia. 10”

$1,200-$1,800

237

Pair of Irish Carved Bog Oak Candlesticks

late 19th century, the candle cups carved with acorns, over standards carved with towers, lyres and Celtic crosses, over spiral-carved feet.

h. 10-1/4”, dia. 5”

$800-$1,200

238

Collection of Eight Vienna Bronze Pug Dogs

early 20th century, in a variety of sizes, two dogs playing, one seated with its head tied in a kerchief for a toothache. h. 1/2” to 4-1/4”, w. 1-3/4” to 4-1/4”

$1,500-$2,500

239

Two Vienna Bronze Dogs

early 20th century, Austria, including a golden retriever and a mastiff, both cold painted.

h. 3-1/4”, w. 5-1/4”, d. 1-1/4” and h. 4”, w. 7”, d. 2-1/2”

$600-$900

240

20th century, the dog-form footstool labeled “Made in England”. h. 21”, w. 34”, d. 9-1/2”

$1,500-$2,500

241

ca. 1960s, the hippopotamus-form footstool labeled “Made in England”. h. 15”, w. 26-1/2”, d. 8”

$1,000-$1,500

242

ca. 1960s, the rhinoceros-form footstool labeled “Made in England”. h. 13-3/4”, w. 23-1/2”, d. 7”

$1,000-$1,500

ca. 1700, the top and drawers profusely inlaid with birds and griffin figures, the front fitted with four long drawers, raised on turned bun feet.

39”, w. 61”, d. 28”

$4,000-$7,000

the lions depicted standing, decorated with various patterns of brass inlay, with white-enameled eyes.

h. 24”, w. 6”, l. 44”

$1,000-$1,500

245

Burmese Carved Teakwood Side Table

late 19th century, of circular form, with a pierced and carved apron with various birds, flowers and figures, over four carved legs of mythological serpents. h. 27”, dia. 16” (overall)

$800-$1,200

246

Good Yogya Silver Tea Set

mid-20th century, Yogyakarta, Indonesia, .800 silver, including: four sizes of pot, each with a pear-shaped body with fitted, domed lid with lotus blossom finial, cormorant-throat spout with hinged cap, crested and beaded handle, and cavetto foot ring, h. 9-1/4”, l. 9-1/4”; h. 8-1/4”, l. 7-3/4”; h. 7-1/4”, l. 7”; and h. 6-1/4”, l. 6”;

a covered sugar bowl with fitted lid en suite, h. 4”, dia. 3-3/4”; a spoon holder en suite, h. 3-1/4”, dia. 2-1/2”; a sugar spoon, l. 4-3/4”; six teaspoons, l. 4-1/2”; and an oval platter, 21-3/4” x 16-3/4”; all richly decorated with repousse or chased lotus blossoms on a matte ground.

195.57 total t. oz.

$3,000-$5,000

Provenance: Private collection, New Orleans, Louisiana.

$2,500-$4,000

polychromed

248

Three Italian Grand Tour Specimen Spheres

19th century, including a marble sphere on a dolphin-molded bronze support and a pair of smaller spheres on black marble and bronze supports.

h. 9-1/2” to 12-1/2”, dia. 5-1/4” to 7-1/2”

$1,000-$1,500

249

Three Italian Grand Tour Specimen Marble Spheres

19th century, including a pair of marble spheres on scrolled bronze bases and a larger sphere on a bronze brazier-form base.

h. 12-3/4” to 13-3/4”, dia. 6” to 6-1/4”

$1,000-$1,500

250

Suite of Six Victorian Mahogany Balloon-Back Chairs

19th century, each with a curved back and arched splat, padded seat and raised on cabriole legs. h. 35”, seat h. 19”, w. 19”, d. 21”

$1,000-$1,500

Provenance: Nottoway Plantation, White Castle, Louisiana.

251

Pair of Bronze Deer

the large standing figures including a stag and a doe. h. 59”, w. 41-1/2”, d. 15-3/4” and h. 47-1/2”, w. 40”, d. 14”, respectively

$2,500-$4,000

252

Pair of Black-Painted Metal Garden Urns

the flaring urns with fluted tops and reeded bases, on reeded, tapered bases with square plinths. h. 23-1/2”, dia. 17”

$1,000-$1,500

253

Pair of Napoleon III-Style Pedestals

20th century, each walnut pedestal with a thick molded top over an incurved conforming standard and carved corner brackets under the top, and ending in a complex molded base. h. 45”, w. 23”, d. 23”

$1,500-$2,500

254

English Jacobean Oak Ratchet Wing Chair

18th century, the framed back, seat and wings covered in tan leather, a mechanical iron ratchet system under the arms, allowing adjustment to the tilt of the back, on block-andturned legs joined by an H-form stretcher. h. 55”, seat h. 16”, w. 29”, d. 30”

$3,000-$5,000

255

Bradley and Hubbard Brass Floor Lamp

19th century, in the aesthetic taste, the piano lamp standard set with an anthemion-molded front, supported on a fluted standard decorated with a brass serpent coiled around it, on an ostrich claw foot mounted on a plinth, decorated with molded plants and a lizard, now electrified and fitted with a lampshade.

h. 70”, dia. 15”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

256

Napoleon III Rosewood and Marble-Top Table

19th century, the square Breche de Medous dished marble top with carved corners, over carved aprons and cabriole legs joined by an X-form stretcher with a center finial. h. 28-1/2”, w. 50-1/2”, d. 50-1/2”

$2,000-$4,000

257

Bronze and Tole Floor Lamp

the lamp with a bronze standard set with three leaf-molded candle arms, with molded candle sockets and drip pans, supported by a trio of eagle-headed monopodia with paw feet, on a tripartite base, mounted with a green tole shade. h. 63-1/2”, dia. 18-1/2”

$1,500-$2,500

258

Two French Palissy Ware Faience Vases

late 19th century, the smaller fluted conical vase supported on vines, on a green mossy base, marked “T.S.” for Thomas Sergent, and the larger mottled brown example decorated with applied serpents, lizards and moths. h. 4-1/2”, dia. 3” and h. 6-1/4”, dia. 4-1/4”

$400-$700

259

Two Portuguese Palissy Ware Dishes

late 19th century, each decorated with lizards, baby frogs and turtles, on a mossy ground, each pierced for hanging. dia. 7-3/4” and 9”

$700-$1,000

260

Two Portuguese Palissy Ware Dishes

late 19th century, the miniature dishes decorated with brown beetles on a mossy ground, one marked “Mafra, Caldas, Portugal”, the backs pierced for hanging. dia. 7-1/4”

$500-$800

261

Portuguese Palissy Ware Faience Wall Plaque

late 19th century, decorated with a chameleon and a serpent, on a bed of moss. dia. 9”

$600-$900

262

Two Portuguese Palissy Ware Dishes

late 19th century, decorated with molded applied serpents, salamanders, frogs, grasshoppers and beetles on a mossy ground, with brown mottled backs, one example signed “Mafra, Caldas, Portugal”, both backs pierced for hanging. dia. 8-1/4” and 9”

$800-$1,200

263

Manuel Mafra Portuguese Palissy Ware Dish

ca. 1865-1887, the dish decorated with a serpent fighting two lizards on a mossy ground, the back with an impressed “Mafra, Caldas, Portugal”, pierced for hanging. dia. 12”

$800-$1,200

A closely related Mafra dish with the same mark and subject matter is in the collection of The Metropolitan Museum of Art, New York, New York.

264

Palissy Ware Faience Tobacco Jar

late 19th century, likely Portuguese, the cover decorated with a lizard and a shell-form match holder, over a jar decorated with snakes, shells, frogs and salamanders, with tufts of moss. h. 7-1/2”, dia. 5-1/4”

$700-$1,000

265

Pieter van Boucle (Flemish, ca. 1610-1673)

“Nature Morte aux Poissons” oil on canvas unsigned. Framed.

21-1/2” x 25-3/4”, framed 26-3/4” x 31”

$4,000-$7,000

Provenance: Private collection, France.

Literature: Michel Fare, Le Grande Siecle de la Nature Morte en France, le XVIIe Siecle, Paris: Office du Livre, 1974, illus. p. 98.

266 William Geddes (British, 1841-1884)

“An Isla Sea Trout”, 1882 oil on canvas signed lower left, signed and dated en verso, and titled on “Malcolm Innes Gallery, Edinburgh” label en verso. Framed.

17” x 25-1/2” , framed 24-1/2” x 33”

$1,000-$1,500

Provenance: Malcolm Innes Gallery, Edinburgh, Scotland, 1986; private collection, Houston, Texas.

267

Suite of Nine French Provincial Elmwood Side Chairs

early 19th century, each with a curved back crest above a painted panel of a historical scene, woven rattan seat and tapered square legs.

h. 33-1/2”, seat h. 17-1/2”, w. 17”, d. 15-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

268

French Provincial Cherry Wood Farm Table

19th century, the framed top with an inset flush panel, above highly scalloped aprons and a drawer along one side and end, raised on square cabriole legs.

h. 29-1/2”, w. 70-1/2”, d. 30-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

269

Pair of Chelsea House Lamps

faux tole and brass, in the form of Regency chinoiseriedecorated hot water urns, set with dolphin-molded brass handles and spouts, raised on brass paw feet, fitted with lampshades, labeled.

h. 31-3/4”, w. 16-1/2”, d. 16-1/2”

$1,000-$1,500

270

Pair of Marble Desk Ornaments

in the form of triumphal columns, with ball finials atop the columns, mounted on rectangular bases.

h. 15-1/2”, w. 6-1/2”, d. 6-1/2”

$700-$1,000

271

Four English Bronze Hand-Form Door Pulls

19th century, each molded with a hand holding a baton, on a turned back.

l. 8-3/4”

$1,000-$1,500

272

French Copper and Tin Lantern

ca. 1900, the turned turret top with vent holes, on a mansardform “roof” with acorn finials on each corner, the sides set with glass and the front door hinged, set with an interior candle or lamp platform.

h. 22-3/4”, w. 11-1/2”, d. 11-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

273

George III Leather Wing Chair

18th century, of traditional form, with a tufted back, outscrolled arms and raised on tapered square legs. h. 45-1/2”, seat h. 18”, w. 30”, d. 30”

$1,500-$2,500

274

Dutch School (19th Century)

“The Travelers” oil on canvas unsigned. Framed.

16-1/2” x 24”, framed 22” x 29-1/2”

$3,000-$5,000

275

Pierre-Jules Mene (French, 1810-1879)

“Two Horses”

patinated bronze 20th century, cast signature along edge of self-base. h. 13”, w. 20”, d. 8”

$1,000-$1,500

276

Pierre-Jules Mene (French, 1810-1879)

“Reined Horse”

patinated bronze 20th century, cast signature along edge of self-base. h. 17”, w. 26-1/2”, d.7”

$1,500-$2,500

277

19th century, decorated with a carved mountain goat with glass eyes, atop a promontory, mounted with a circular barometer, the body carved with rocks and plants, set with an opaline thermometer.

h. 27-3/4”, w. 14”

$1,000-$1,500

278

Black Forest Linden Wood Bear Music Box Bench

early 20th century, an adult bear standing at one end and a bear cub at the other end, holding up the plank seat, the interior fitted with a three-tune music box which activates when the spring-loaded seat is depressed.

h. 27-1/2”, seat h. 18”, w. 39”, d. 13”

$3,000-$5,000

279

Victorian Carved Walnut Figural Crest

late 19th century, the carved crest thus “out of a ducal coronet, an eagle’s head” for Bousfield et al. h. 14”, dia. 11-3/4”

$1,200-$1,800

280

William IV Tea Caddy

ca. 1830, the rectangular cut-corner caddy with silver line inlay, the ends set with silvered lion’s-head ring pulls, the interior with a pair of tea caddies with hinged covers, flanking a mixing bowl.

h. 6”, w. 10-3/4”, d. 5-1/2”

$1,000-$1,500

281

William IV Bombe-Form Tea Caddy

ca. 1830, the cover with a silver presentation plaque, the interior with two lidded compartments, resting on ball feet. h. 5-1/2”, w. 6-1/2”, d. 3-3/4”

$800-$1,200

282

Assembled Vienna Bronze and Metal Monkey Band

early 20th century, the smaller bronze monkeys with coldpainted instruments and the larger enameled metal monkeys with nodding heads.

h. 1” to 3-1/2”, w. 3/4” to 2-1/2”

$800-$1,200

283

George III Chinoiserie Tall Case Clock

18th century, the face signed “John Burges, Boston”, with a time-and-strike movement, along with a calendar dial, the case decorated in traditional chinoiserie scenes, raised on a bracket-foot base.

h. 84-1/2”, w. 18-1/2”, d. 9”

$2,000-$4,000

284

Large George III-Style Mahogany Porter’s Chair

20th century, the tall back with pierced slats, joined by curved arms with bird-form hand grips, the leather seat trimmed with brass tacks, raised on Marlborough legs.

h. 61-1/2”, seat h. 19”, w. 36-1/2”, d. 23”

$2,000-$4,000

Provenance: Julien's Auctions, Property from the Collection of Hugh Hefner, November 30-December 2, 2018.

285

Black Forest Lindenwood Plant Stand

late 19th century, the root-carved pot holder over the stand carved with two bears, each with glass eyes, playing and climbing a tree, on an oval carved base. h. 42-1/2”, w. 14-1/4”, d. 15-1/4”

$2,500-$4,000

286

Carved Walnut Plaque in the Black Forest Style

decorated with an alligator, turtle and fish, nestled in carved aquatic plants.

h. 27-1/2”, w. 17”

$1,200-$1,800

287 Continental Patinated Bronze of a Bull

first half 20th century, modeled beside a stump and a sheep, unsigned. h. 11”, w. 13-1/2”, d. 5-1/2”

$1,000-$1,500

288

Gilt-Bronze Stag-Form Wall Mount

early 20th century, the deer head with a lower edge of molded oak leaves. h. 16”, w. 16-1/4”, d. 5-1/4”

$1,000-$1,500

289

Tuscan Neoclassical Giltwood and Tole Chandelier

ca. 1800, the tapered, fluted standard set with a vasiform body carved with acanthus leaves, supporting scrolled tole candle branches, decorated with applied leaves and flowers, terminating in giltwood candle supports. h. 51”, dia. 41-3/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

290

English Majolica Trumpet Vase

late 19th century, the trumpet vase supported by pierced dolphins on a shell-molded base, attributed to Thomas Forester, England. h. 13”, dia. 8”

$900-$1,200

291

Pair of Empire Mahogany Fauteuils

19th century, attributed to Francois-Honore-Georges Jacob, each with a padded back and seat set within an outcurved frame, the hand grips in the form of carved lion’s masques, raised on down-curved legs ending in carved paw feet.

h. 36”, seat h. 18”, w. 24-1/2”, d. 26”

$2,500-$4,000

292

Marc Chagall (Russian/French, 1887-1985)

“Le Song du Peintre (Mourlot 489)”

lithograph in colors on Arches paper pencil-signed lower right and numbered “50/50” lower left. Together with a Certificate of Authenticity from Galerie Dobkine, Paris, France. Unframed.

sheet 34-3/4” x 26”

$5,000-$8,000

Provenance: Galerie Dobkine, Paris, France.

293

Turkish Angora Oushak Carpet

9’ 2” x 12’ 1”

$1,400-$1,800

294

Turkish Angora Oushak Carpet

8’ x 10’

$1,000-$1,500

295

Turkish Angora Oushak Carpet

7’ 10” x 9’ 10”

$1,000-$1,500

296

Xiang Zhang (Chinese/Texas, b. 1954, act. New Orleans 1986-1993)

“It’s Festival Time”, 1991 watercolor and ink on paper signed and dated lower right. Matted, glazed and framed. sight 19” x 29”, framed 25-1/2” x 35-1/2”

$2,000-$4,000

Xiang Zhang grew up in the Sichuan province of China and studied set design at the Central Academy of Drama in Beijing. In 1986, he moved to New Orleans and enrolled in the Master of Fine Arts program at Tulane University. While in the city, Zhang designed sets for the New Orleans Opera House. In 1993, Zang moved his family to Dallas where he became well known for his western paintings of cowboys and horses.

297

Dapper Bruce Lafitte (Davenport) (American/Louisiana, b. 1972)

“Let Them Have It”, 2020 marker on paper signed and inscribed in several places. Unframed. 24” x 18”

$800-$1,200

Provenance: Collection of the artist. 296 297

298

Basilios Poulos (Greek/Texas, b. 1941)

“Issaris”, 1982

acrylic on canvas signed and titled along lower edge, signed, dated and titled en verso. Unframed. 76” x 58”

$3,000-$5,000

Provenance: Grapestake Gallery, San Francisco, California; Private collection.

299

Richard A. Johnson (American/Louisiana, b. 1942)

“Aquatic Moonscape”, 1972

acrylic on canvas initialed and dated lower right, signed, dated and titled en verso.

In a thin gallery frame. 54” x 66”, framed 55” x 67”

$1,000-$1,500

300 Luis Cruz Azaceta (Cuban/American, b. 1942)

“God”, 1995

mixed media on paper signed lower right, a “George Adams Gallery” label with title and date affixed to verso.

Float mounted, glazed and framed. sight 48” x 42”, framed 52-1/2” x 46-1/2”

$8,000-$12,000

Provenance: George Adams Gallery, New York, New York; Private collection, New Orleans, Louisiana.

"The condition of being in exile is of being in two places simultaneously, physically in your place of exile, emotionally and spiritually in the place you left behind, your roots. This experience allowed me as an artist to address the condition of violence, racism, isolation, separation and oppression through my work. It gave me an eye to understanding that this experience goes beyond my personal journey to a perspective of a more global condition that many live within."

–Luis Cruz Azaceta Artist statement

301

Louis XIV-Style Faux Boulle Coffee Table

20th century, the rectangular top with faux Boullework panels and a gilt molded edge, raised on tapered square legs with ball feet, joined by a shaped stretcher. h. 19”, w. 53-1/2”, d. 29-3/4”

$2,000-$4,000

302

Pair of Biedermeier-Style Elm Wood Side Chairs

20th century, each with a dramatic plume-carved back and padded slip seat, raised on tapered square legs. h. 39-1/2”, seat h. 19”, w. 19”, d. 16-1/2”

$700-$1,000

303

Lillian August for Hickory White “Maddox” Mirror

the sunburst mirror with a turned bezel, set with carved “rays”, in a soft gilt finish, labeled on the back. dia. 36-1/2”

$800-$1,200

Eight Regency-Style Mahogany Dining Chairs

20th century, comprised of a pair of armchairs, h. 35-1/2”, seat h. 19”, w. 22”, d. 18”, and six side chairs, h. 34”, seat h. 19”, w. 20”, d. 17”, each with inlaid and banded back crest, reeded astragal-form back, downswept arms with reeded details, slip seat and tapered, reeded legs.

$800-$1,200

305

Circular Yew Wood Horseshoe Dining Table

20th century, in the Regency taste, the circular top with bookmatched, segmented veneers, with four curved outside leaves, mounted to a base with four square out-curved legs ending in brass caps. h. 30”, dia. 47-1/2”, ext. dia. 64-1/2”

$800-$1,200

the curved spotted shell carved with a small head, mounted on a rectangular lapis lazuli base. h. 8”, w. 5-1/4”, d. 2”

$700-$1,000

307

Pair of Contemporary Two-Dimensional Prints

both in black and white, one of Melpomene and Artemis on the frontal plane and the other of Venus du Capitole, Nymphe and Venus d’Arles on the frontal plane, the rear planes on each decorated with various classical cityscapes, each in a contemporary giltwood frame. h. 13-1/4”, w. 17-1/4”

$1,000-$1,500

308

Pair of Pavel Glass and Chrome Lamps

the standards composed of graduated, stacked glass spheres, on circular chrome bases, fitted with lampshades. h. 29”, dia. 14-1/2”

$800-$1,200

309

Polychrome and Parcel-Gilt Queen-Size Bed

20th century, in the Louis XVI style, the arched and padded headboard with fluted posts and pineapple-form finials, with a like footboard. h. 55”, inside w. 60”, l. 80”, outside w. 65”, l. 84-1/4”

$2,000-$4,000

310

Copper-Plated and Leaded Glass Hall Lantern

the hexagonal lantern with an upper portion decorated with scrolled arms, supporting the sides set with colorless, leaded glass, accented with a smoky glass lozenge in each center. h. 44”, dia. 9-3/4”

$700-$1,000

311

Oversized Zelda Swivel Lounge Chair

in the Hollywood Regency taste, labeled Marge Carson, with a tufted back and seat and long twisted fringe along the lower edge.

h. 39”, seat h. 18”, w. 35”, d. 34”

$1,000-$1,500

312

Art Deco-Style Mahogany Circular Center Table

20th century, the top with segmented veneers and a raised beaded edge, mounted to three out-curved legs. h. 30”, dia. 32”

$700-$1,000

313

Maitland-Smith Wood and Leather Screen

each panel depicting a four-story Palladian town home, with a dentillated pediment at the top, over an arched top window, two rows of windows and a front door with a pediment and pilasters, on a gilt-stamped leather ground. h. 80-1/2”, w. 40”

$1,000-$1,500

314

Bronze Billiard Table Chandelier

the vertical standard supporting a cross bar, decorated with turning and scrollwork, each end with a helmet-form cap supporting the light socket, mounted with shades. h. 45-3/4”, w. 48”, d. 15-1/2”

$800-$1,200

315

Unusual Painted Oval Sunburst Mirror

early 19th century, the circular mirror plate set into a fluted surround, the “rays” with white and Prussian blue paint, can be hung vertically or horizontally. h. 43”, w. 23”

$1,000-$1,500

316

Pair of Tan Leather Chesterfield Club Chairs

diamond tufted throughout and trimmed with brass tacking. h. 32”, seat h. 18”, w. 41”, d. 39”

$1,500-$2,500

317

Pair of Custom Aubusson Tapestry Pillows

late 19th century and later, with panels of flower-decorated tapestry, framed with gold braid, on gold velvet grounds, trimmed with passementerie fringe. w. 17”, l. 20”

$800-$1,200

318

Frances Elkins Attributed Walnut Low Table

ca.1935, Monterey, California, by Myron Oliver Studios, with cabriole legs terminating in pied de biche, set with beaded skirts, stamped “Myron Oliver” on lower edge of skirt. h. 15-1/2”, w. 14-1/2”, d. 12”

$1,500-$2,500

A similar table is illustrated at Elkins’ project Hotel Del Monte on page 65 of “Frances Elkins, Visionary American Designer”, by Scott Powell.

319

Clementine Hunter (American/Louisiana, 1886-1988)

“Making Syrup”

oil on canvas board monogrammed lower right and titled en verso. Framed.

18î x 24î, framed 20-1/2î x 26-1/2î

$4,000-$7,000

Although primarily focused on the cultivation of cotton, Melrose Plantation grew a small crop of sugar cane for use by the Henry family and their workers. In the painting Making Syrup, Clementine Hunter illustrated the laborious method of boiling the cane juice in castiron kettles placed over open flames. Eventually, the reduced crystalized sugar was put into barrels known as hogsheads.

320

Pair of Art Deco-Style Calamander Wood Pedestals

20th century, each with a square top mounted to a standard with serpentine sides and a plinth base. h. 47-1/2”, w. 16-1/2”, d. 16-1/2”

$1,500-$2,500

321

Set of Twenty Royal Crown Derby “Cobalt Blue” Chargers

20th century, the bone china chargers with gilttrimmed cobalt borders, each marked. dia. 11-3/4”

$800-$1,200

322

Wedgwood “Chinese Tigers” Dinnerware

ca. 1984-1993, including forty bone china dinner plates, dia. 10-3/4”, and a circular salad bowl, h. 4-1/4”, dia. 10”, decorated with green foo dogs. dia. 10-3/4”

$1,000-$1,500

323

Tiffany-Retailed “Dragon Gray” Porcelain Dinner Service

20th century, Japanese, made by Fukagawa for Tiffany, the service including thirteen dinner plates, dia. 10-1/2”, twelve luncheon plates, dia. 9”, eight bowls, h. 1-1/2”, dia. 7-1/2”, sixteen breadand-butter plates, dia. 6-1/2”, twelve cups, h. 2-1/4”, fourteen saucers, dia. 6”, three stacking bowls with a cover, h. 6-1/2”, dia. 4”, four oval serving bowls, h. 2-1/2”, w. 10-1/2”, d. 8”, three small oval platters, w. 8-3/4”, l. 12”, and a large oval platter, w. 12-1/2”, l. 16”.

$1,000-$1,500

324

Set of Ten Mexican Sterling Silver Place Bowls

third quarter 20th century, maker “GPR”, Mexico City, each of lobed circular form with applied rococo-scroll rim.

h. 1-1/2”, dia. 4-1/2”; 38.32 total t. oz.

$1,400-$1,800

325

Set of Twelve Mexican Sterling Silver Bread-and-Butter Plates

mid-20th century, in the Spanish Colonial taste, each of serpentine-lobed form with molded rim. dia. 6”; 32.35 total t.oz.

$1,200-$1,800

326

Mexican Sterling Silver Platter

mid-20th century, of lobed oval form, with molded rim.

l. 16-1/2”, w. 12”; 25.47 t. oz.

$1,000-$1,500

327

Three Mexican Sterling Silver Baskets

second half 20th century, Tane Orfebres, Mexico City, each woven of strap silver with circular rim and square base, with one small, h. 1-3/4”, dia. 2-1/4”, and two large, h. 2-3/4”, dia. 4-3/4”, baskets. 14.27 total t. oz.

$600-$900

328

Mexican Sterling Silver Waiter

third quarter 20th century, by “MAP”, square with applied scroll rim, monogrammed “PLS”. w. 12”, l. 12”; 37.55 t. oz.

$700-$1,000

329

Mexican Sterling Silver Tea Tray

mid-20th century, oval with lobed and scalloped rim, with cast and applied handles and scroll-mantled feet. 27-1/2” x 17-1/4”; 86.17 t. oz.

$3,000-$5,000

330

Mexican Sterling Silver Water Pitcher

third quarter 20th century, by Lindo, of lobed ovoid form, with waisted collar, integral spout, addorsed acanthus-crested handle and raised on a cavetto-domed foot h. 10-7/8”, dia. 5-1/2”, l. 8-3/4”; 37.99 t. oz.

$1,400-$1,800

331

Mexican Sterling Silver Center Bowl

third quarter 20th century, by Sanborn Hermanos, Mexico City, of lobed shallow hemispherical form, with opposing scrolling handles and cavetto foot ring. h. 4-1/2”, dia. 9-1/2”; 35.13 t. oz.

$1,200-$1,800

332

Assembled Set of Six Mexican Sterling Silver Place Bowls

third quarter 20th century, five by Perlita Hermanos, Taxco, and one by “GPR”, Mexico City, each of lobed circular form with rolled rim. h. 1-1/2”, dia. 4-5/8”; 14.68 total t. oz.

$500-$800

333

Mexican Sterling Silver Tea Set

mid-20th century, maker ANC for Sanborn Hermanos, Mexico City, each of lobed form with openwork foot ring, including: a teapot, h. 8”, l. 8-3/4”; a covered sugar bowl, 4-1/2”, w. 5-1/4”; and a cream jug, h. 4-1/4”, l. 5”. 56.72 total t. oz.

$2,000-$4,000

334

Mexican Sterling Silver Platter

third quarter 20th century, by Sanborn Hermanos, Mexico City, in the Spanish Colonial taste, of oval form with wavy serpentine lobed rim. l. 20”, w. 14-1/2”; 52.04 t. oz.

$1,800-$2,500

335

Mexican Sterling Silver Water Pitcher

third quarter 20th century, by Sanborn Hermanos, Mexico City, of lobed ovoid form, with waisted collar, integral spout, dolphin head-crested handle and raised on a domed foot en suite. h. 11-1/2”, dia. 5-1/4”, l. 8-1/4”; 34.78 t. oz.

$1,200-$1,800

336

Mexican Sterling Silver Tea Set with Associated Tray

third quarter 20th century, by Sanborn Hermanos, Mexico City, of lobed ovoid form, including: a teapot, h. 10”, l. 8-3/4”; a covered sugar bowl, h. 6-1/8”, w. 6-3/4”; a cream jug, h. 5-3/4”, l. 5-1/2”; and a waste bowl, h. 3-1/4”, dia. 4-3/4”; together with an oval tray, maker’s mark “LM”, with applied rococo-scroll rim and stirrup handles, 22-5/8” x 13-1/4”.

(5 pieces total)

114.87 total t. oz.

$4,000-$7,000

337

Three Mexican Sterling Silver Serving Dishes

second quarter 20th century, by Sanborn Hermanos, Mexico City, in the Spanish Colonial taste, of oval serpentine-lobed form, including: a vegetable dish, l. 12-3/4”, w. 8-5/8”; a large vegetable dish (divider lacking), l. 15-1/8”, w. 10-1/4”; and a platter, l. 14-1/4”, w. 9-3/4”.

70.19 total t. oz.

$2,500-$4,000

338

Mexican Sterling Silver Platter

second quarter 20th century, by Sanborn Hermanos, Mexico City, in the Spanish Colonial taste, of circular serpentine-lobed form.

dia. 14”; 29.38 t. oz.

$1,000-$1,500

339

Four Mexican Sterling Silver Condiment Dishes

third quarter 20th century, Plata Moderna, Mexico City, each of saucer form with molded rim. h. 1-1/4”, dia. 4”; 13.86 total t. oz.

$500-$800

Mexican Sterling Silver and Granadillo Salad Serving Set

mid-20th century, maker’s mark “JS”, Taxco, each with a modernist sterling silver ovoid bowl and threaded conical ferrule to a carved Granadillo handle of round to square section and down-turned finial.

l. 11”

$150-$300

341

South American Sterling Silver Fruit Bowl

mid-20th century, marked “Florentina”, of deep circular form with molded and pentagonal serpentine-lobed rim. h. 3-1/2”, dia. 9-1/4”; 13.10 t. oz.

$500-$800

SESSION2

SUNDAY, DECEMBER 7

Pair of Diamond Leaf Ear Clips

18k yellow gold, the earrings mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 3.60 carats in total.

l. 1-3/8”, total weight 16.2 grams

$4,000-$7,000

343

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total. inside circumference 6-3/4”, total weight 4.6 grams

$1,400-$1,800

344

Pair of Diamond Dangle Hoop Earrings

14k yellow gold, the ribbed hoops suspended from emerald-cut and round brilliant-cut diamonds weighing approximately 0.67 carats in total.

l. 1-1/8”, total weight 4.8 grams

$2,500-$4,000

345

Diamond Pendant Necklace

14k yellow gold, the fixed pendant mounted with baguette-cut diamonds weighing approximately 0.45 carats in total.

l. 16” to 18”, total weight 1.9 grams

$1,200-$1,800

346

Diamond Tennis Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 7”, total weight 4.6 grams

$1,400-$1,800

347

Diamond Station Necklace

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 7.50 carats in total.

l. 18”, total weight 14.6 grams

$6,000-$9,000

348

Diamond and Mother-of-Pearl Bangle Bracelet

14k yellow gold, the bracelet mounted with mother-of-pearl flowers mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total. inside circumference 6-1/2”, total weight 11.2 grams

$2,500-$4,000

349

Coiled Diamond Ring

14k yellow gold, the flexible ring mounted with round brilliantcut diamonds weighing approximately 0.40 carats in total. size 7, total weight 3.9 grams

$1,200-$1,800

350 Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.45 carats in total. inside circumference 6-3/4”, total weight 4.6 grams

$1,400-$1,800

351 Diamond Bar Necklace

14k yellow gold, the necklace mounted with a bar of round brilliant-cut diamonds weighing approximately 1.35 carats in total.

l. 17”, total weight 5.1 grams

$1,800-$2,500

approximately 4.03 carats in total. total weight 2.1 grams

$14,000-$18,000

14k

the

mounted with round brilliant-cut

weighing approximately 0.60 carats in total. inside circumference 6-3/4”, total weight 7.6 grams

$1,800-$2,500

354

Diamond Engagement Ring

14k yellow gold, the ring mounted with a round brilliant-cut diamond weighing approximately 2.62 carats, approximate color G-H-I, and clarity VS1. size 7, total weight 2.7 grams

$9,000-$12,000

355

Diamond Pendant Necklace

14k yellow gold, the necklace mounted with a fixed round brilliant-cut diamond weighing approximately 1.00 carat.

l. 16” to 18”, total weight 1.9 grams

$2,000-$4,000

356

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.40 carats in total. inside circumference 6-1/2”, total weight 6.1 grams

$1,500-$2,500

357

Diamond, Mother-of-Pearl and Wood Earrings

18k yellow gold, the earrings with three articulated sections, one mounted with mother-of-pearl, one with wood and one with round brilliant-cut diamonds weighing approximately 0.58 carats in total.

l. 2-1/2”, total weight 17.3 grams

$3,500-$5,000

358

Diamond and Gold Bracelet

18k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 2.32 carats in total. w. 5/8”, l. 7”, total weight 57.9 grams

$7,000-$10,000

359

Pair of Citrine and Diamond Ear Clips

18k yellow gold, the ear clips mounted with emerald-cut citrines weighing approximately 6.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.24 carats in total.

l. 7/8”, total weight 21.3 grams

$3,000-$5,000

360

Wide Gold Bracelet

14k yellow gold, the bracelet links in a textured herringbone pattern.

w. 1-1/8”, l. 8”, total weight 7.4 grams

$6,000-$9,000

14k yellow gold, the fixed pendant mounted with pear, oval- and round brilliant-cut diamonds weighing approximately 0.75 carats in total.

l. 16” to 17”, total weight 4.7 grams

$1,500-$1,800

362

of Diamond Huggies

14k yellow gold, the earrings mounted with round brilliantcut diamonds weighing approximately 2.65 carats in total.

l. 5/8”, total weight 6.6 grams

$3,500-$5,000

363

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. inside circumference 6-1/2”, total weight 5.6 grams

$1,800-$2,500

364

Pair of Diamond Huggies

14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total.

l. 3/4”, total weight 9.7 grams

$1,800-$2,500

365

Diamond and Topaz Pendant Necklace

18k yellow gold, the fixed pendant mounted with baguettecut London blue topaz weighing approximately 0.30 carats in total and round brilliant-cut and a half-moon-cut diamond weighing approximately 0.25 carats in total.

l. 15-3/4”, total weight 8.5 grams

$2,500-$4,000

366

Diamond Bracelet

14k yellow gold, the bracelet mounted with marquise-cut diamonds weighing approximately 4.00 carats in total.

l. 7”, total weight 9.2 grams

$3,500-$5,000

367

Emerald and Diamond Bracelet

14k yellow gold, the bracelet mounted with square-cut emeralds weighing approximately 4.75 carats in total and round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 7”, total weight 9.3 grams

$2,500-$4,000

368

Emerald and Diamond Ring

18k yellow gold, the ring mounted with baguette-cut emeralds weighing approximately 2.26 carats in total and baguette-cut diamonds weighing approximately 1.28 carats in total.

size 6-1/2, total weight 12.5 grams

$3,500-$5,000

369

Pair of Emerald and Diamond Earrings

14k yellow gold, the earrings mounted with square-cut emeralds weighing approximately 0.90 carats in total, accented by baguette-cut diamonds weighing approximately 0.60 carats in total.

l. 3/8”, total weight 2.8 grams

$1,400-$1,800

370

Emerald and Diamond Ring

14k yellow gold, the ring mounted with an emerald-cut emerald weighing approximately 1.85 carats, accented by round brilliant-cut diamonds weighing approximately 0.58 carats in total.

size 6-3/4, total weight 4.1 grams

$1,400-$1,800

371

Emerald and Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with an emerald-cut emerald weighing approximately 0.50 carats in total. inside circumference 6-5/8”, total weight 5.9 grams

$1,500-$2,500

372

Emerald and Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with oval-cut emeralds weighing approximately 1.20 carats in total and round brilliantcut diamonds weighing approximately 0.35 carats in total. inside circumference 6-3/4”, total weight 6.0 grams

$1,800-$2,500

373

Emerald and Diamond Pendant Necklace

14k yellow gold, the pendant mounted with a tear-dropshaped emerald weighing approximately 24.54 carats, suspended from a round brilliant-cut diamond weighing approximately 0.33 carats. pendant l. 1-3/8”, chain l. 21”, total weight 8.8 grams

$1,800-$2,500

374

Coral and Diamond Ring

14k yellow gold, the ring mounted with a central oval coral cabochon, surrounded by a halo of oval coral cabochons alternating with round brilliant-cut diamonds weighing approximately 1.95 carats in total. size 7-1/2, total weight 8.0 grams

$4,500-$7,000

375

Pair of Coral, Onyx and Diamond Ear Clips

18k yellow gold, the ear clips mounted with carved coral drops suspended from onyx rings and accented by round brilliantcut diamonds weighing approximately 0.18 carats in total. l. 2-1/2”, total weight 40.3 grams

$3,500-$5,000

376

Pair of Carved Coral Ear Clips

18k yellow gold, the ear clips mounted with carved coral centers surrounded by rope-twist gold borders. dia. 1”, total weight 25.1 grams

$3,000-$5,000

377

Pair of Tourmaline and Diamond Earrings

18k yellow gold, the earrings mounted with pear-cut tourmalines weighing approximately 11.10 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total.

l. 1-5/8”, total weight 16.7 grams

$3,500-$5,000

378

No Heat Burmese Ruby and Diamond Ring

platinum, the ring mounted with an oval-cut untreated Burmese ruby weighing 1.72 carats, AGL report #1099708, accented with round brilliant-cut diamonds weighing approximately 0.68 carats in total. size 6, total weight 4.9 grams

$25,000-$40,000

379

Pair of Tourmaline, Opal and Diamond Earrings

14k yellow gold, the earrings mounted with emerald-cut tourmalines weighing approximately 2.15 carats in total, suspended from pink opal columns, flanked by caps mounted with round brilliant-cut diamonds weighing approximately 0.23 carats in total.

l. 3/4”, total weight 4.3 grams

$1,500-$2,500

380

Ruby and Diamond Ring

18k yellow gold, the ring mounted with an oval-cut ruby weighing approximately 3.70 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.50 carats in total.

size 7, total weight 9.1 grams

$8,000-$12,000

381

Tourmaline and Diamond Ring

18k rose gold, the ring mounted with a pear-cut tourmaline weighing approximately 17.56 carats, accented by round brilliant-cut diamonds weighing approximately 0.56 carats in total.

size 7-1/2, total weight 10.3 grams

$4,500-$7,000

382

Diamond and Ruby Bracelet

platinum, ca. 1950s, the bracelet mounted with round brilliantcut diamonds weighing approximately 1.47 carats in total, accented by round-cut rubies weighing approximately 0.56 carats in total.

l. 7”, total weight 11.1 grams

$3,500-$5,000

383

Pair of Ruby and Diamond Earrings

18k rose gold, the earrings mounted with invisible-set rubies weighing approximately 8.45 carats in total, accented by cushion- and marquise-cut diamonds weighing approximately 0.49 carats in total. dia. 1/2”, total weight 4.7 grams

$7,000-$10,000

384

Diamond and Ruby Ring

platinum, the ring mounted with a central European-cut diamond weighing approximately 1.00 carat, surrounded by a halo of square-cut rubies weighing approximately 0.36 carats in total, and accented by smaller round brilliant-cut diamonds weighing approximately 0.78 carats in total. size 6, total weight 6.0 grams

$4,500-$7,000

385

Diamond and Ruby Bracelet

platinum, ca. 1930s, the bracelet mounted with round brilliant-cut diamonds weighing approximately 1.90 carats in total and square-cut rubies weighing approximately 1.20 carats in total.

l. 7”, total weight 26.1 grams

$18,000-$25,000

386

Pair of Ruby and Diamond Earrings

platinum, the dangle earrings mounted with pear-, marquiseand round-cut rubies weighing approximately 1.48 carats in total, accented by round brilliant-cut diamonds weighing approximately 3.42 carats in total.

l. 1-7/8”, total weight 9.6 grams

$4,500-$7,000

387

387

Period Art Deco Diamond, Ruby and Emerald Necklace

platinum, ca. 1930s, the stunning necklace mounted with European-, single-, triangular-, marquise- and baguettecut diamonds weighing approximately 9.84 carats in total, accented by calibre-cut rubies and emeralds weighing approximately 0.80 carats in total.

l. 15”, total weight 54.9 grams

$20,000-$40,000

388

Pair of Gilded Age Diamond Day-and-Night Earrings

platinum, the earrings with a “buttercup”-set mine-cut diamond stud weighing approximately 3.00 carats in total, suspending a detachable drop set with mine-cut diamonds weighing approximately 1.08 carats in total, with conversions from the original making the drop detachable. l. 1-1/8”, total weight 4.7 grams

$6,000-$9,000

Diamond and Ruby Bracelet

platinum, the bracelet mounted with European- and mine-cut diamonds weighing approximately 7.59 carats in total, accented by calibre-cut rubies weighing approximately 0.42 carats in total. w. 5/8”, l. 7”, total weight 43.8 grams

$12,000-$18,000

390

Pair of Diamond Earrings

platinum, the earrings mounted with single-cut diamonds weighing approximately 1.10 carats in total. l. 3/4”, total weight 4.8 grams

$1,800-$2,500

391

French Diamond and Onyx Bracelet

platinum, ca. 1920s, the bracelet mounted with rose-cut diamonds weighing approximately 2.40 carats in total, accented by onyx. w. 5/16”, l. 7”, total weight 23.3 grams

$12,000-$18,000

392

Diamond and Sapphire Dress Watch

platinum, the watch mounted with mine-cut and single-cut diamonds weighing approximately 2.70 carats in total and calibrated-cut sapphires weighing approximately 0.32 carats in total, on a grosgrain ribbon band. inside circumference 6”, total weight 17.9 grams

$1,000-$1,500

393

Diamond Bracelet

platinum, ca. 1950s, the bracelet mounted with single-cut diamonds weighing approximately 5.14 carats in total. w. 3/8”, l. 6-1/2”, total weight 31.1 grams

$9,000-$12,000

Period Art Deco Diamond Bracelet

first quarter 20th century, the bracelet mounted with European-cut diamonds weighing approximately 6.44 carats in total, in the original custom fitted box. w. 5/8”, l. 6-3/4”, total weight 36.0 grams

$5,000-$8,000

395

Diamond and Pearl Bracelet

18k white gold, the bracelet mounted with rose-cut diamonds weighing approximately 8.50 carats in total, accented by small seed pearls on each side.

w. 5/8”, l. 7”, total weight 27.8 grams

$8,000-$12,000

396

Diamond Engagement Ring

platinum, the ring mounted with a central European-cut diamond weighing 2.27 carats, color I and clarity VS1, GIA report #5182552033, flanked on each side by trapezoid-cut and half-moon-cut diamonds weighing approximately 0.54 carats in total.

size 6, total weight 4.9 grams

$9,000-$12,000

397

Beautiful Diamond Bracelet

platinum, ca. 1930s, the bracelet mounted with baguette-cut and round brilliant-cut diamonds weighing approximately 6.00 carats in total, stamped by the maker, Henry Blank & Co., Newark, New Jersey. w. 5/16”, l. 7”, total weight 22.3 grams

$12,000-$18,000

398 Beautiful Diamond Bracelet

platinum, the bracelet mounted with emerald-cut diamonds weighing approximately 13.50 carats in total.

l. 7”, total weight 37.3 grams

$14,000-$18,000

399 Diamond Pendant Necklace

14k white gold, the pendant mounted with European-cut and single-cut diamonds weighing approximately 1.94 carats in total, l. 7/8”, suspended from an 18” white gold chain. total weight 4.6 grams

$2,500-$4,000

400 Beautiful Diamond Bracelet

platinum, the bracelet mounted with oval-, marquise- and round brilliant-cut diamonds weighing approximately 9.65 carats in total.

l. 6-3/4”, total weight 16.3 grams

$12,000-$18,000

401

Sapphire and Diamond Bracelet

platinum, the bracelet mounted with European-cut and rose-cut diamonds weighing approximately 3.26 carats in total, accented by calibrated-cut sapphires weighing approximately 0.90 carats in total. w. 5/8”, l. 7-1/4”, total weight 36.3 grams

$2,500-$4,000

402

Diamond and Sapphire Brooch

18k white/yellow gold, the brooch mounted with Europeancut and rose-cut diamonds weighing approximately 0.81 carats in total and half-moon-cut sapphires weighing approximately 0.48 carats in total. size 2” x 3/4”, total weight 8.2 grams

$800-$1,200

403

Diamond and Sapphire Bracelet

platinum, ca. 1930s, the bracelet mounted with Europeancut and single-cut diamonds weighing approximately 5.63 carats in total, accented by square-cut sapphires weighing approximately 1.32 carats in total. l. 7”, total weight 26.9 grams

$14,000-$18,000

404

Sapphire and Diamond Flower Ring

18k white gold, the ring mounted with round brilliant-cut diamonds weighing approximately 0.60 carats in total and tapered baguette-cut sapphires weighing approximately 1.80 carats in total.

size 7, total weight 5.5 grams

$2,500-$4,000

405

Beautiful Diamond and Sapphire Bracelet

platinum, ca. 1930s, the bracelet mounted with emerald-cut sapphires weighing approximately 1.80 carats in total and European-cut diamonds weighing approximately 4.32 carats in total.

w. 5/16”, l. 6”, total weight 23.9 grams

$18,000-$25,000

406

Pair of Sapphire and Diamond Earrings

18k white gold, the earrings mounted with calibrated-cut sapphires weighing approximately 2.90 carats in total and round brilliant- and marquise-cut diamonds weighing approximately 1.00 carat in total. dia. 9/16”, total weight 4.8 grams

$7,000-$10,000

407

Diamond and Sapphire Bangle Bracelet

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.55 carats in total and round-cut sapphires weighing approximately 1.00 carat in total.

inside circumference 6-1/2”, total weight 7.3 grams

$1,800-$2,500

408

Pink Sapphire, Diamond and Enamel Bow Brooch

14k yellow gold/sterling silver, the brooch mounted with round- and oval-cut pink sapphires weighing approximately 7.68 carats in total, and round brilliant-cut diamonds weighing approximately 1.42 carats in total, accented by black enamel.

size 1-3/8” x 2-1/4”, total weight 14.6 grams

$2,500-$4,000

409

Sapphire and Diamond Cuff Bracelet

18k white gold, the bracelet mounted with green, yellow, orange, pink, blue and purple oval-cut sapphires weighing approximately 13.50 carats in total, accented by round brilliant-cut diamonds weighing approximately 4.24 carats in total.

w. 1-3/8”, inside circumference 6-1/8”, total weight 73.9 grams

$4,000-$7,000

410

Pink Sapphire and Diamond Starfish Brooch

18k yellow gold, the brooch mounted with round-cut pink sapphires weighing approximately 2.90 carats in total and round brilliant-cut diamonds weighing approximately 1.69 carats in total.

size 1-3/4” x 2-1/8”, total weight 28.6 grams

$2,500-$4,000

411

Multicolored Sapphire and Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with a double row of square-cut treated sapphires ranging in color from orange to green and weighing approximately 3.60 carats in total, bordered on the top and bottom by a row of round brilliant-cut diamonds weighing approximately 1.00 carat in total. inside circumference 6-3/4”, total weight 28.5 grams

$1,800-$2,500

412

Pair of Gem-Set Dangle Earrings

18k yellow gold, the earrings mounted with various shapes and colors of tourmaline weighing approximately 33.20 carats in total, suspended from oval-cut tanzanites weighing approximately 3.47 carats in total. l. 2-1/2”, total weight 17.8 grams

$4,500-$7,000

413

Amethyst and Diamond Bracelet

14k yellow gold, the bracelet mounted with oval-cut and emerald-cut amethysts weighing approximately 96.15 carats in total, accented by round brilliant-cut diamonds weighing approximately 1.37 carats in total. w. 5/8”, l. 7-1/2”, total weight 64.5 grams

$6,000-$9,000

414

Amethyst, Diamond and Tsavorite Garnet Earrings

18k yellow gold, the earrings mounted with carved amethysts weighing approximately 12.40 carats in total, accented by pear-cut tsavorite garnets weighing approximately 0.42 carats in total and round brilliant-cut diamonds weighing approximately 0.14 carats in total.

l. 1”, total weight 6.1 grams

$1,400-$1,800

415

Pair of Peridot and Diamond Earrings

14k yellow gold, the matte-gold earrings mounted with oval-cut peridots weighing approximately 6.00 carats in total, accented by round brilliant-cut diamonds weighing approximately 0.06 carats in total.

l. 3/4”, total weight 7.54 grams

$1,200-$1,800

416

Amethyst and Peridot Bracelet

14k yellow gold, the bracelet mounted with oval-cut amethysts weighing approximately 30.00 carats in total and ovalcut peridots weighing approximately 18.00 carats in total, stamped “14k SAROSI”. l. 7”, total weight 38.6 grams

$4,000-$7,000

417

Lemon Quartz and Ruby Cocktail Ring

14k yellow gold, the ring mounted with an emerald-cut lemon quartz weighing approximately 19.26 carats, accented on the side by round-cut rubies weighing approximately 0.24 carats in total.

size 6, total weight 10.3 grams

$1,400-$1,800

418

Diamond Tennis Necklace

14k yellow gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 6.20 carats in total. l. 16”, total weight 13.3 grams

$5,000-$8,000

419

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.25 carats in total. inside circumference 6-1/2”, total weight 4.0 grams

$1,200-$1,800

420

Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.35 carats in total. inside circumference 6-1/4”, total weight 10.3 grams

$2,500-$4,000

421 Diamond Bangle Bracelet

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.50 carats in total. inside circumference 6-1/2”, total weight 5.4 grams

$1,400-$1,800

$2,500-$4,000

423

Pair of Inside/Outside Diamond Hoop Earrings

14k yellow gold, the oval hoop earrings mounted with round brilliant-cut diamonds weighing approximately 1.50 carats in total.

l. 1-1/4”, total weight 4.2 grams

$1,500-$2,500

424

Diamond Tennis Bracelet

14k yellow gold, the bezel-set bracelet mounted with round brilliant-cut diamonds weighing approximately 3.50 carats in total.

l. 7”, total weight 7.4 grams

$3,000-$5,000

425

Pair of Diamond Dangle Hoop Earrings

14k yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.00 carat in total.

l. 1-3/4”, total weight 4.4 grams

$1,800-$2,500

426

Convertible Gold Necklace/Bracelets

18k yellow gold, the necklace composed of interlocking textured and polished gold links, separating in the center to be worn as two separate bracelets. necklace l. 16”, each bracelet l. 8”, total weight 48.9 grams

$6,000-$9,000

427

Tsavorite Garnet Ram’s-Head Ring

10k yellow gold, the ring in the form of a ram’s head, the eyes set with round-cut tsavorite garnets weighing approximately 0.30 carats in total. size 7-1/2, total weight 20.9 grams

$3,000-$5,000

428

Pair of Diamond and Emerald Door Knocker Earrings

14k yellow/white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.94 carats in total, accented by cabochon-cut emeralds weighing approximately 0.20 carats in total.

l. 1-1/4”, total weight 21.5 grams

$2,500-$4,000

429

Italian Diamond and Gold Coiled Panther Ring

18k yellow gold, the double-headed panther ring mounted with round brilliant-cut diamonds weighing approximately 0.16 carats in total.

size 6, total weight 15.7 grams

$3,500-$5,000

430

14k yellow gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 14.00 carats in total.

l. 7”, total weight 17.2 grams

$14,000-$18,000

431

Pair of Diamond Stud Earrings

14k yellow gold, the bezel-set earrings mounted with round brilliant-cut diamonds weighing approximately 2.02 carats in total.

total weight 1.6 grams

$4,500-$7,000

432 Diamond Bracelet

14k yellow gold, the bracelet mounted with emerald-, pear-, oval- and marquise-cut diamonds weighing approximately 6.95 carats in total.

l. 7”, total weight 12.1 grams

$14,000-$18,000

433 Diamond Chain-Link Necklace

14k yellow gold, the paper-clip chain-link necklace mounted with round brilliant-cut diamonds weighing approximately 3.00 carats in total.

l. 17”, total weight 7.4 grams

$3,500-$5,000

434

Van Cleef & Arpels Diamond Cadenas Watch

18k yellow gold, the watch mounted with round brilliantcut diamonds weighing approximately 2.16 carats in total, stamped “VAN CLEEF & ARPELS”, “750 3Atm”, “No 150180”. w. 7/8”, l. 6-1/2”, total weight 167.8 grams

$30,000-$50,000

435

Van Cleef & Arpels Gold Bracelet

18k yellow gold, the interlocking mesh coiled bracelet with a beaded edge, stamped “V.C.A. 62 750 B1586”. l. 8”, total weight 45.7 grams

$8,000-$12,000

436

Tiffany & Co. Diamond Ring

18k yellow gold, the mesh band mounted with a row of round brilliant-cut diamonds weighing approximately 0.10 carats in total, stamped “T & Co. 750”. size 7-1/2, total weight 6.8 grams

$1,800-$2,500

437

Audemars Piguet Diamond Watch

18k yellow gold, the manual-wind watch with a bezel set with round single-cut diamonds weighing approximately 0.20 carats in total, the back of the case stamped “Audemars Piguet Swiss 33700”, the clasp accented with a cabochon-cut emerald weighing approximately 0.10 carats. l. 6” to 6-1/4”, total weight 28.2 grams

$1,000-$1,500

438

Judith Ripka Diamond Hoop Earrings

18k yellow gold, the earrings mounted with round brilliantcut diamonds weighing approximately 0.90 carats in total, stamped “Judith Ripka”. dia. 1-1/4”, total weight 14.6 grams

$3,000-$5,000

439

David Yurman Sapphire Hoop Earrings

14k yellow gold, the earrings mounted with oval cabochoncut sapphires weighing approximately 1.00 carat in total, stamped “D.Y. 585”. l. 1-3/8”, total weight 7.9 grams

$2,500-$4,000

440

Italian Cartier Gold Bracelet

18k yellow gold, third quarter 20th century, UnoAErre, Arezzo, for Cartier, the wide woven bracelet with polished and textured links, stamped “CARTIER ITALY 18K”, “750 1AR” and “UNO AR”. w. 1”, l. 7”, total weight 44.7 grams

$5,000-$8,000

441

Les Must de Cartier Colisee Travel Alarm Clock

2005, gold-plated finish with retractable stand, the circular white enamel dial with black Roman chapters, complete with the original case and guarantee/manual folio. dia. 3”; case 2-1/4” x 4-1/2” x 4”

$500-$800

442

Unusual Diamond and Enamel Snake Ring

18k rose gold, the wide band accented with an enamel design on one side and separating into three separate bands on the other side, slipping through the enameled side like a buckle, each finished with a snake-style head, accented with round brilliant-cut and pear-cut diamonds weighing approximately 0.80 carats in total. size 6, total weight 7.4 grams

$3,000-$5,000

443

Coiled Diamond Snake Bracelet

14k yellow gold, the flexible bracelet mounted with round brilliant-cut diamonds weighing approximately 1.85 carats in total.

inside circumference 6-1/2”, total weight 33.5 grams

$6,000-$9,000

444

Pair of Enamel and Diamond Earrings

18k rose gold, the enameled earrings mounted with round brilliant-cut diamonds weighing approximately 0.72 carats in total.

l. 5/8”, total weight 4.8 grams

$2,500-$4,000

445

18k yellow gold, the necklace mounted with graduated white cultured pearls with a good luster, measuring approximately 12.90mm to 15.00mm, finished with a gold clasp mounted with round brilliant-cut diamonds weighing approximately 0.05 carats in total.

l. 17”, total weight 101.3 grams

$2,500-$4,000

446

14k yellow gold, the necklace set with alternating 9.50mm and 13.00mm white cultured pearls.

l. 36”, total weight 53.8 grams

$2,500-$4,000

447

Pair of Baroque Pearl and Gem-Set Earrings

18k yellow gold, the baroque pearls accented and suspended from butterflies mounted with round-cut pink, blue and yellow sapphires weighing approximately 1.65 carats in total and round brilliant-cut diamonds weighing approximately 0.28 carats in total.

l. 1-5/8”, total weight 20.1 grams

$3,000-$5,000

448

Cultured Pearl Ear Studs

14k yellow gold, the earrings mounted with 17.40mm white cultured pearls with a good luster. total weight 15.4 grams

$1,200-$1,800

449

18k yellow gold, the necklace mounted with graduated white cultured pearls with a good luster, measuring approximately 10.50mm to 13.60mm, finished with a gold clasp.

l. 32”, total weight 145.7 grams

$1,400-$1,800

18k yellow gold, the woven necklace accented with white cultured pearls.

l. 20”, total weight 109.9 grams

$12,000-$18,000

18k yellow gold, the spring-action bracelet mounted with cultured white pearls measuring approximately 11.8mm in diameter, accented by round brilliant-cut diamonds weighing approximately 1.60 carats in total, stamped “18L IPS”. inside circumference 6-1/2”, total weight 84.0 grams

$2,500-$4,000

452

Gem-Set Bug Brooch

14k yellow gold/sterling silver, the brooch mounted with a carved tanzanite cabochon weighing approximately 12.55 carats, accented by cabochon-cut emeralds weighing approximately 1.23 carats in total, cabochon-cut sapphires weighing approximately 0.30 carats in total and round brilliant-cut diamonds weighing approximately 1.05 carats in total.

size 1-1/8” x 1-5/8”, total weight 8.8 grams

$1,500-$2,500

454

Amethyst, Emerald, Ruby and Diamond Bug Brooch

14k yellow gold/sterling silver, the brooch mounted with a cabochon-cut amethyst weighing approximately 14.26 carats, accented by cabochon-cut emeralds weighing approximately 2.00 carats in total, round-cut rubies weighing approximately 0.15 carats in total and round brilliant-cut diamonds weighing approximately 0.50 carats in total.

size 1-3/8” x 1-1/2”, total weight 10.5 grams

$1,800-$2,500

453

Diamond and Ruby Bug Brooch

14k yellow gold/sterling silver, the brooch mounted with round brilliant-, oval- and baguette-cut diamonds weighing approximately 2.60 carats in total, accented by round-cut rubies weighing approximately 0.02 carats in total.

size 1-3/8” x 1-3/8”, total weight 7.2 grams

$1,500-$2,500

456

Opal, Diamond and Ruby Bug Pendant/Brooch

14k yellow gold/sterling silver, the pendant/brooch mounted with a cabochon-cut opal weighing approximately 9.20 carats, round-cut rubies weighing approximately 0.28 carats in total and round brilliant-cut diamonds weighing approximately 2.60 carats in total.

size 1-1/2” x 2-1/8”, total weight 12.9 grams

$2,000-$4,000

457

Opal and Diamond Ring

14k white gold, the ring mounted with a cabochon-cut opal weighing approximately 17.20 carats, accented by round brilliant-cut diamonds weighing approximately 0.50 carats in total.

size 7, total weight 8.7 grams

$2,000-$4,000

455

Diamond and Ruby Panther Brooch

14k yellow gold/sterling silver, the brooch mounted with round brilliant-cut diamonds weighing approximately 2.41 carats in total, accented by round-cut rubies weighing approximately 0.01 carats in total.

size 5/8” x 2”, total weight 7.8 grams

$1,400-$1,800

458

Opal, Diamond, Emerald and Ruby Brooch/Pendant

14k yellow gold/sterling silver, the brooch/pendant mounted with a central cabochon-cut opal weighing approximately 11.66 carats, accented by oval-cut emeralds weighing approximately 2.03 carats in total, round brilliant-cut diamonds weighing approximately 2.73 carats in total and round-cut rubies weighing approximately 0.26 carats in total. size 2” x 1-3/8”, total weight 17.7 grams

$1,800-$2,500

459

Pair of Gem-Set Dangle Earrings

18k white gold, the earrings mounted with a cultured pearl, two carved tanzanites weighing approximately 3.62 carats in total, a triangular-cut topaz weighing approximately 2.40 carats, a cabochon-cut tourmaline weighing approximately 2.00 carats, and an opal doublet, accented by round brilliantcut diamonds weighing approximately 0.45 carats in total. l. 3”, total weight 8.4 grams

$2,500-$4,000

460

Beautiful Emerald and Diamond Bracelet

platinum, ca. 1930s, the bracelet mounted with a central cabochon-cut emerald weighing approximately 3.00 carats, accented by calibrated-cut emeralds weighing approximately 0.80 carats in total and European-cut diamonds weighing approximately 3.36 carats in total. w. 1/2”, l. 6-3/4”, total weight 19.5 grams

$25,000-$40,000

461

Diamond and Emerald Flower Brooch

18k white gold, the brooch mounted with round brilliantcut diamonds weighing approximately 6.02 carats in total, accented in the center with round-cut emeralds weighing approximately 0.75 carats in total. size 1-1/2” x 1-7/8”, total weight 23.3 grams

$6,000-$9,000

462

Diamond and Emerald Bracelet

platinum, the bracelet mounted with European-, single-, and marquise-cut diamonds weighing approximately 7.04 carats in total, accented by square-cut emeralds weighing approximately 0.74 carats in total. w. 3/8”, l. 6-3/4”, total weight 26.6 grams

$14,000-$18,000

463

Diamond and Emerald Ring

platinum, the ring mounted with emerald-cut and Europeancut diamonds weighing approximately 1.12 carats in total, accented by square-cut emeralds weighing approximately 0.32 carats in total.

size 6-3/4, total weight 4.9 grams

$3,500-$5,000

464

Stunning Cartier Emerald and Diamond Ring

platinum, the ring mounted with a cushion-cut emerald weighing approximately 3.98 carats, accented by trapezoid-cut and round brilliant-cut diamonds weighing approximately 0.26 carats in total, stamped “CARTIER 64 79146”.

size 6-1/4, total weight 6.4 grams

$15,000-$25,000

464 detail

465 Emerald and Diamond Ring

18k white gold, the ring mounted with an emerald-cut emerald weighing approximately 1.19 carats, accented by baguette-cut and round brilliant-cut diamonds weighing approximately 1.00 carat in total. size 7, total weight 4.0 grams

$3,000-$5,000

466

Emerald and Diamond Bracelet

14k white gold, the bracelet mounted with square-cut emeralds weighing approximately 4.52 carats in total and round brilliant-cut diamonds weighing approximately 1.50 carats in total.

w. 3/8”, l. 7”, total weight 18.5 grams

$3,000-$5,000

Emerald and Diamond Ring

18k white gold, the ring mounted with a central square emerald-cut emerald weighing approximately 1.90 carats, accented by shield-cut and round brilliant-cut diamonds weighing approximately 0.50 carats in total.

size 6-1/2, total weight 3.0 grams

$2,500-$4,000

468

Pair of Jade, Diamond, Sapphire and Onyx Earrings

14k white gold, the earrings set with jade discs, accented by round brilliant-cut and rose-cut diamonds weighing approximately 1.08 carats in total, square-cut sapphires weighing approximately 0.12 carats in total and onyx inserts. l. 2-1/4”, total weight 20.9 grams

$2,500-$4,000

14k white gold, the necklace mounted with round brilliant-cut diamonds weighing approximately 20.00 carats in total. l. 16”, total weight 22.0 grams

$20,000-$40,000

470

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 3.00 carats in total . total weight 1.8 grams

$7,000-$10,000

471

Stunning Diamond Bracelet

14k white gold, the bracelet mounted with 27 round brilliantcut diamonds weighing approximately 27.25 carats in total.

l. 7”, total weight 28.7 grams

$45,000-$70,000

472

Diamond Ring

18k white gold, the ring mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 1.10 carats in total.

size 7-1/4, total weight 3.2 grams

$1,800-$2,500

473

Convertible Diamond Flower Pendant Choker

18k white gold, the choker with a removable pendant, both mounted with round brilliant-cut diamonds weighing approximately 4.71 carats in total.

l. 15”, total weight 35.8 grams

$3,500-$5,000

474

Diamond and Moonstone Dangle Earrings

14k white/yellow gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 0.70 carats in total and cabochon-cut moonstones weighing approximately 4.40 carats in total.

l. 2-1/2”, total weight 16.1 grams

$2,500-$4,000

Diamond Ring

18k white gold, the wide ring mounted with round brilliant-cut diamonds weighing approximately 2.00 carats in total. size 6-1/2, total weight 8.7 grams

$1,000-$1,500

476

Diamonds-by-the-Yard Necklace

18k yellow gold, the necklace mounted with round brilliantcut diamonds weighing approximately 4.60 carats in total. l. 16”, total weight 11.3 grams

$1,800-$2,500

477

Pair of Diamond Stud Earrings

14k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 2.03 carats in total. total weight 1.1 grams

$3,500-$5,000

478

Diamond Bangle Bracelet

14k white gold, the bracelet mounted with round brilliant-cut diamonds weighing approximately 0.80 carats in total. inside circumference 6-1/2”, total weight 5.5 grams

$1,500-$2,500

479

Pair of Diamond Dangle Earrings

18k white gold, the earrings mounted with round brilliant-cut diamonds weighing approximately 1.76 carats in total. l. 1-1/8”, total weight 5.4 grams

$1,500-$2,500

480

Rolex Oyster Perpetual “Cosmograph Daytona” Automatic Wristwatch

18k yellow gold, reference # 116568BR and serial/case # G893357, the 40.00mm case fitted with a factory-set diamond bezel of 24 baguette-cut diamonds surrounding a mother-of-pearl dial with applied diamond hour markers, with a Rolex deployant clasp, accompanied by its Rolex warranty card and original inner and outer box.

inside circumference 7-1/4”, total weight 202.5 grams

$75,000-$125,000

The reference 116568BR is one of the most striking gem-set interpretations of the Cosmograph Daytona. The bezel, set with 24 perfectly matched baguette-cut diamonds, reflects Rolex's intensive stone-selection process in which each diamond is assessed by hand and by advanced instrumentation to ensure exact uniformity of color, clarity and proportions. Combined with its 18k yellow gold case and mother-of-pearl dial, the model has become one of the most sought-after modern Daytona configurations for collectors. According to the warranty card, the present watch was purchased in December 2014. The serial or case number indicates a 2009-2010 production.

481

Cartier Juste un Clou Bracelet

18k yellow gold, the classic bracelet stamped “Cartier 20 EP1985 AU750”, with the original inner and outer boxes. inside circumference 7-3/4”, total weight 38.1 grams

$5,000-$8,000

482

Cartier “Tank Americaine” Wristwatch

18k yellow gold, ca. 1990s, reference #8012905 and serial #0025XX, quartz movement, case size 24.00mm x 41.00mm (including lugs), the elongated curved rectangular case enclosing a silvered dial with Roman numerals, subsidiary seconds dial, and blued steel hands, fitted with a sapphire cabochon crown and a brown crocodile strap with an 18k yellow gold Cartier deployant clasp, the case back signed “Cartier Paris”, marked “Quartz”, “18K”, and “Swiss Made”. inside circumference 7-1/4”, total weight 50.1 grams

$3,000-$5,000

Introduced in 1989, the “Tank Americaine” was conceived as a modern reinterpretation of Cartier's “Tank Cintree”, first produced in 1921 and regarded as one of Cartier’s most celebrated designs. Like its predecessor, the “Americaine” features an elongated gently curved case that follows the contour of the wrist, but with a slightly broader profile and modern movement designed for everyday wear. Produced in a range of configurations, the present example is executed in 18k yellow gold and fitted with Cartier's signature sapphire cabochon crown.

483

Diamond Cross Pendant on Chain

14k yellow/white gold, the pendant mounted with round brilliant-cut diamonds weighing approximately 2.10 carats in total, l. 2”, suspended from a gold rope chain, l. 24”. total weight 21.9 grams

$1,800-$2,500

484

Pair of Diamond and Enamel Cufflinks

14k yellow gold, the cufflinks mounted with mine-cut diamonds weighing approximately 0.08 carats in total. dia. 1/2”, total weight 5.8 grams

$1,200-$1,800

485

Pair of Tiffany & Co. Onyx and Diamond Cufflinks

18k yellow gold, the cufflinks mounted with round brilliantcut diamonds weighing approximately 0.20 carats in total, stamped “TIFFANY & CO.”. l. 3/4”, total weight 14.1 grams

$2,500-$4,000

486

Two Judith Leiber Convertible Evening Bags

the first a “Rabbit” minaudiere, late 1960s, with drop-in chain and gold thumb closure, with silver crystal body and gold crystal feet, ears and face with a carnelian eye, the frame signed, the gold kidskin-lined interior separated and plaquelabeled “Judith Leiber”, includes a matching coin purse, tasseled comb and swing mirror with pouch, h. 4-1/4”, w. 5-1/2”, d. 2-1/2”; chain drop: 10-1/4”; the second example Art Decoinspired champagne shirred karung with drop-in silver chain, one upper side trimmed with rhinestone-inset silver Deco designs with a matte crystal drop and a rhinestone-encircled matte crystal scarab closure, the champagne satin-lined interior with two slip pockets and a silver plaque labeled “Judith Leiber”, includes a tasseled silver comb, h. 6-1/2”, w. 7-1/4”, d. 1-1/2”; chain drop: 19-1/2”.

$1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana.

See Enid Nemy & John Bigelow Taylor, Judith Leiber: The Artful Handbag (New York: Harry N. Abrams, 1995), p. 140, for identical examples in red and floral crystals.

487

Two Vintage Judith Leiber Minaudieres

the first example a “L’Amour Petit Coeur” silver and iridescent pink crystal-encrusted heart with drop-in chain and pink stone heart push closure, the silver kidskin-lined interior plaque-labeled “Judith Leiber”, includes a matching coin purse and pink labeled dust pouch, h. 4-1/4”, w. 5”, d. 1-7/8”; chain drop: 19”; the second example a silver-framed grey, blue and aqua rectangular with swirled tones and splashes of bluegreen, the silver drop-in wrist chain and closure with inset “aquamarine” stones, the silver kidskin-lined interior plaquelabeled “Judith Leiber”, includes a matching coin purse, h. 3”, w. 6”, d. 1-1/4”; chain drop: 4-1/4”.

$1,000-$1,500

488

Two Judith Leiber Minaudieres

1980s, the first example a gold and silver crystal turtle with stylized reptilian details underneath, with a drop-in chain and rhinestone and garnet push closure, the gold kidskin-lined interior with a stationary divider with one side plaque-labeled “Judith Leiber”, the frame signed, includes a matching coin purse, a swing mirror and tasseled comb, h. 4”, w. 6”, d. 2-1/4”; chain drop: 19”; the second example a gold-framed and garnet-encrusted shaped rectangle with drop-in chain and simple gold push closure, the gold kidskin-lined interior plaque labeled “Judith Leiber”, includes a matching coin purse, two tasseled combs, a pouch-covered swing mirror and labeled dust bag, h. 4-1/4”, w. 6-3/4”, d. 1-1/2”; chain drop: 19-1/4”.

$1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana.

See Enid Nemy & John Bigelow Taylor, Judith Leiber: The Artful Handbag (New York: Harry N. Abrams, 1995), p. 139, for an identical example.

489

Chanel Chocolate Lambskin Medium “Classic DoubleFlap” Bag

1994-96, gold hardware, with rear slip pocket and “CC” turn lock closure having “Chanel/Paris” stamped on the reverse plate, with convertible leather-threaded chain, the cover flap with a long zippered pocket above a deep pocket, the interior flap with trapunto “CC” above gilt-stamped “Chanel” and two half-gusseted pockets, the opposing side gilt-stamped “Made in France” with a deep forward slip pocket and snap closure. h. 6”, w. 9-1/2”, d. 2-3/4”; chain drop: 9”-16-1/2”

h. 6”, w. 9-1/2”, d. 2-3/4”; chain drop: 9”-16-1/2”

$2,500-$4,000

490

Two American Bags with Silver Frames including: one 1889, by Gorham Corp., Providence, Rhode Island, with black lizard-skin bag with grey suede interior, the silver frame with elaborately scrolling flowers and palmettes with central laurel-framed cartouche monogrammed “FAH”, with acorn push-button clasp and suspension chain, h. 7-3/4” (11-3/4” with chain), w. 7-3/4”; and one 1902-1907, by Tiffany & Co., New York, New York, the black ottoman silk bag lined with black tabby silk, the frame shaped and acid-engraved with foliate scrolls, with push-button clasp, suspension chain and the original belt hook acid-engraved with ivy leaves and monogrammed “GMP”, h. 6-1/2” (12” including chain and hook), w. 6”.

$500-$800

491

George III Inlaid Satinwood Tea Caddy

ca. 1800, the cover inlaid with a conch shell, with crossbanded panels, the interior with a pair of compartments with hinged satinwood covers, flanking a circular compartment with a period cut-glass mixing bowl.

h. 5-3/4”, w. 11-3/4”, d. 6”

$800-$1,200

492

George II Inlaid Satinwood Tea Caddy

ca. 1800, the cover with an inlaid Greek-fret border and a pierced silverplate bail handle, the interior with three oval pewter-lined compartments.

h. 6”, w. 9-1/2”, d. 5-1/2”

$800-$1,200

493

Pair of Austrian Painted Terracotta Pugs

late 19th century, the seated pugs with glass eyes and red studded collars.

h. 20”, w. 7-1/2”, l. 19-3/4”

$2,500-$4,000

494

Black Forest Wooden Dog House-Form Cigar Holder

ca. 1900, Swiss or Austrian, the brass-trimmed chalet-form dog house with a hinged roof, opening to reveal fittings for cigars and matches, the front of the chalet with a brass-trimmed opening and a cast-bronze terrier with ruby glass eyes. h. 7-1/4”, w. 6”, d. 9-1/2”

$800-$1,200

495

Cast-Bronze Pug-Form Inkwell and Stamp Box

ca. 1900, the inkwell with red glass eyes, the hinged head opening to reveal a glass inkpot, with a weighted base, h. 4”, w. 2-3/4”, d. 3”, and the matching stamp box opening to reveal a stamp compartment, h. 1”, w. 2-3/4”, d. 2-1/2”.

$800-$1,200

496

English Bronze Bulldog-Form Inkwell

ca. 1900, the carefully molded bronze head set with red glass eyes, hinged and opening to reveal a frosted glass inkpot, set into a circular bronze dish. h. 5”, dia. 9”

$800-$1,200

497

French Provincial Walnut Commode

18th century, of serpentine form, with three conforming long drawers, each with elaborate ribbon-and-shell brass hardware, raised on short out-curved legs. h. 36”, w. 50-1/2”, d. 28”

$1,500-$2,500

498

Two Dutch Delft Baluster Vases

mid-18th century, in the rococo taste, made by “The White Star” factory, the covers with pierced knops, decorated in the chinoiserie taste with pagodas, willow trees and peonies in a fenced garden, all framed by raised rococo scrolled panels, marked on the base. h. 13-3/4”, w. 5”, d. 3-3/4”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

499

Dutch Delft Pottery Vase

19th century, the octagonal blue-and-white fluted vase decorated in the millefiori pattern, the base with a spurious “Klau” mark.

h. 24-1/4”, dia. 8-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

500

Signed Dutch Delft Ewer and Basin

ca. 1750-1770, made by Twee Scheepjes for Anthon IJ Pennis and marked with his cypher, decorated with figures in an Arcadian landscape, trimmed with molded and painted scroll and rocaille work.

ewer h. 10”, w. 7-3/4”, d. 5”, basin h. 2-1/4”, w. 14-1/4”, d. 10-3/4”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

499 500

501 Italian Cut and Engraved Venetian Mirror

the beveled surround engraved with ferns and sprigs of flowers, the upper tablet engraved with a basket of flowers. h. 54-1/2”, w. 29-1/2”

$800-$1,200

502

Pair of Monumental Italian Silver-Giltwood Altar Sticks

19th century, in the Baroque taste, the foliate-carved candle sockets and drip pans over vasiform standards carved with rocaille work and bold scrolls framing bas-relief-carved polychrome religious symbols, on tripartite bases, raised on scrolled feet framing panels decorated with the Sacred Heart of Jesus. h. 63”, dia. 23-1/2”

$1,000-$1,500

503 Russian Icon of St. Nicholas the Thaumaturge the silver riza marked Moscow, 1898-1914, the maker’s mark rubbed but probably Dmitri Andreyevich Gorbunov (fl. Moscow, 1883-1908), the figure haloed and in benediction, with champleve-enameled inscription and gospel, with traces of gilt.

8-3/4” x 7”

$1,000-$1,500

504 Silvered Metal and Crystal Chandelier

in the Russian taste, the corona set with two graduated tiers of prisms, beaded crystal starbursts set into the reeded standard on the basket-form body, set with a cobalt glass pan and strands of cut-glass prisms, the rim set with scrolling candle arms with cobalt glass inset drip pans alternating with starbursts, supporting swags of cut prisms. h. 55-1/2”, dia. 30-1/2”

$1,500-$2,500

505 Mario Schifano (Italian, 1934-1998)

“Single Bloom”, 1995

enamel and acrylic on canvas signed en verso; “Fondazione Mario Schifano” label en verso, with Mario Schifano Foundation Archive Registration No. 95/348.

Framed.

20” x 27-1/2”, framed 28” x 36”

$4,000-$7,000

Often dubbed “Italy’s Andy Warhol”, Mario Schifano was a consummate postmodernist - painter, musician, and filmmaker whose multifaceted career defies categorization. He embraced the closely intertwined relationship between Pop art and postmodernism. Schifano led a colorful life from an early age: his social circle included Cy Twombly, Frank O’Hara, and Jean-Luc Godard, and he had many romantic dalliances, including famously stealing Marianne Faithfull away from Mick Jagger. His debaucherous lifestyle earned him six separate prison sentences. In recent years, Schifano’s vivacious oeuvre and way of life have earned him several retrospectives, including those at the National Gallery of Modern Art in Rome and at the Gallerie d’Italia in Naples.

He rose to fame with his Monocromi series of canvases that consisted of a single color, humming with energy that he debuted at his first solo exhibition in 1959. In 1963, he declared he was done with monochromes, upsetting gallerists and art dealers throughout Italy, and pivoted sharply towards Pop art.

By this time, Rome had become a glitzy city of conspicuous consumption, and Schifano’s work reflected the wealth of imagery entering Italian culture through ubiquitous advertising. At the height of his fame, Schifano was known to throw lavish parties in his Roman apartment and whip around the ancient city in his Rolls Royce, often with members of the Rolling Stones in tow. Seeking reinvention, he again pivoted in the late 1960s, this time towards abstraction; using unorthodox materials like parcel paper and enamel paint, Schifano anticipated the Arte Povera movement.

Schifano worked intermittently until his death in 1998, embracing elements of gestural abstraction, geometric abstraction, Pop art, Conceptualism, and Arte Povera. His oeuvre defies narrow definitions, but his dedications to play, diversity, destruction of hierarchies, and the individual experience places him squarely as a father of postmodernism. Today, his influence - from his prolific creative output to his indulgent lifestyle - still reverberates throughout the contemporary art world.

506

Pair of Glass and Silverplate Table Ornaments

the glass spherules resting on neoclassical-style silvered metal stands with laurel-molded rings, above leaf-molded standards with pierced bases. h. 10-1/2”, dia. 6”

$1,000-$1,500

507

Impressive Silver-Leaf and Amethyst-Top Coffee Table

mid-20th century, the framed top with a bookmatched amethyst quartz slab, raised on carved legs. h. 18”, w. 66-1/2”, d. 35”

$25,000-$40,000

Provenance: Christie's, New York, October 29, 1993, The Property of Garrick C. Stephenson, Lot 235. By repute, King Farouk I of Egypt.

508

Pair of Louis XVI Silver-Leaf Fauteuils

18th century and later, each with a carved and reeded frame, padded back, seat and arm rests, raised on turned and reeded legs. h. 35”, seat h. 16”, w. 24”, d. 23”

$1,500-$2,500

509

Venetian Polychrome and Parcel-Gilt Sofa

18th century, the arched and padded back joined to the outcurved arms, with a neckroll bolster at each end, raised on cabriole legs ending in scrolled toes, pegged throughout. h. 43”, w. 84”, d. 29”

$1,000-$1,500

510 French Hand-Woven Tapestry

19th century, depicting lovers in a bucolic park setting. 45” x 70”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

511

Raffaello Romanelli (Italian, 1856-1928)

“Shulamite”

carved marble incised signature and localized “Firenze” along back of selfbase.

h. 45”, w. 22”, d. 21”

$10,000-$15,000

Provenance: Private collection, Baton Rouge, Louisiana.

Romanelli received his earliest training from his father at his family's studio in Borgo San Frediano, Florence, learning the rudiments of drawing and carving. While at the Accademia di Belle Arti di Firenze, he was the recipient of the prestigious Annual Prize for Sculpture which essentially launched his career as one of the most sought-after marble sculptors. Excelling at portraiture, particularly difficult when working with the unforgiving hard stone, the young man was commissioned for such notable works as the Portrait of Pope Leo the Great on the facade of the Duomo, the equestrian sculpture in honor of Giuseppe Garibaldi, and the monument in honor of Donatello at the Basilica de San Lorenzo. The fine sculpture offered here, with its delicate treatment of the facial features and the classically inspired composition, reveals Romanelli at his most accomplished.

19th century, probably Venetian, the six-light basket-form chandelier with a corona decorated with sprays of glass flowers and swags of drops, the ring-form body set with scrolled candle branches alternating with sprays of glass flowers and drops and accented with amber glass beads, the basket woven with glass beads, suspended on strands of colorless and green glass beads.

h. 48”, dia. 17-1/4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

513

Attributed to Jean Aristide Rudel (French, 1884-1959)

“Sur la Plage de Palavas-les-Flots”, ca. 1925 graphite on paper unsigned.

Matted, glazed and framed. 8” x 11-1/4”, framed 18” x 21”

$600-$900

Provenance: Wirthmore Antiques, New Orleans, Louisiana; Private collection.

514

Continental Giltwood and Upholstered Bench

late 20th century, the padded seat joined by carved eagleform legs at each end, terminating in carved ball-and-talon feet.

h. 27”, w. 77”, d. 30”

$2,000-$4,000

515

Turkish Angora Oushak Carpet

9’ 1” x 12’

$1,400-$1,800

516

Turkish Angora Oushak Carpet

8’ 2” x 9’ 10”

$1,000-$1,500

517

Turkish Angora Oushak Carpet

$1,500-$2,500

518

Pair of Monumental Jacob Petit Porcelain Vases

mid-19th century, the unusual Paris porcelain vases composed in two parts and bolted together, with lobed bodies decorated with scattered porcelain fruit, accented with flowers, on a ground of gilt sprigging, signed “JP”. h. 23”, dia. 9-1/2”

$3,000-$5,000

519

Peshawar Malayer Runner

2’ 9” x 18’ 10”

$1,200-$1,800

520

$2,000-$4,000

522

Pair of French Polychrome, Parcel-Gilt and Marble-Top Gueridons

19th century, each with a circular white marble top set within a giltwood rim, supported by a trio of scrolled and acanthinecarved standards to an in-curved triangular base with scrolled feet.

h. 31-1/2”, dia. 18”

$3,000-$5,000

523

French Giltwood Daybed

19th century, in the Louis XV taste, with a padded headboard and footboard, raised on floral-carved cabriole legs. h. 48”, inside w. 49”, l. 82”, outside w. 53”, l. 87”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

524

Continental School (19th Century)

“Saint Elijah the Prophet” oil on linen laid down on cradled wood panel unsigned. Unframed.

12-1/2” x 10-1/2” x 2-1/4”

$700-$1,000

525

Continental School (18th Century)

“Ecce Agnus Dei: Saint John the Baptist Identifies Jesus Christ” oil on canvas unsigned. Framed.

40” x 30”, framed 44-1/2” x 34-1/4”

$2,000-$4,000

526

Pair of Gilt-Bronze and Agate Parfums Brule

19th century, in the manner of Pierre Gouthiere (French, (17321813), the reeded covers with bronze flower-molded knops, the bases supported on bronze monopodial legs with ram’s-head caps and hoof feet, the center with coiled bronze serpents, on tripartite bases with beaded trim. h. 11-1/2”, dia. 4-1/2”

$6,000-$9,000

527

Louis XV-Style Mahogany Bergere

20th century, now in buff leather upholstery edged with brass tacks, the closed arms terminating in shaped supports, the molded seat rail joined to cabriole legs, the seat fitted with a loose cushion, pegged construction. h. 35-3/4”, seat h. 20-3/4”, w. 28”, d. 29-1/2”

$1,000-$1,500

Provenance: Private collection, New Orleans, Louisiana.

528

Pair of Paris Porcelain-Style Fruit Cooler Lamps

the urn-form bodies set with handles molded with allegorical depictions of winter, the lower bodies decorated with tooled gilt leaves, on square bases. h. 19”, w. 10-1/2”, d. 6-3/4”

$1,200-$1,800

529

Pair of French Gilt-Brass-Mounted Cut-Glass Vases

early 20th century, the oval faceted crystal vases decorated with delicate pierced brass mounts with pierced medallions, trophies, swags and wreaths. h. 8”, w. 3”, d. 2-1/4”

$800-$1,200 528

530

Giltwood Overmantel Mirror in the Neoclassical Taste

early 20th century, the crest carved with a wreath and torch and quiver trophies, the surround with crossetted corners framing medallions, and the outside edge decorated with a ribbon-wrapped reed.

h. 42-1/4”, w. 47-1/4”

$800-$1,200

531

French Ormolu-Mounted Mahogany Bureau Plat

20th century, the top with an inset black leather writing surface and cast-bronze molded edge, one side fitted with three drawers, raised on tapered square legs with bronze mounts.

h. 31”, w. 72”, d. 36”

$1,500-$2,500

532

Theodore Louis Auguste Riviere (French, 1857-1912)

“Dante in Contemplation”

carved rouge marble incised signature along proper left side. h. 14-1/2”, w. 6-1/4”, d. 7”

$1,200-$1,800

533

Pair of Edwardian Giltwood Mirrors

early 20th century, in the Georgian taste, the swan’s-neck pediment set with shell finials, the surround with crossetted corners, the lower “Cupid’s bow” skirt carved to match, set with beveled mirror plates.

h. 50”, w. 19-1/2”

$2,500-$4,000

534

Pair of French Bronze Dore and Marble Lamps

ca. 1900, the red griotte marble urn standards set with rococo bronze handles flanking masques and terminating in lion’s heads grasping swags of bellflowers, the acanthus-molded bronze bases on marble plinths, set with scrolled feet, fitted with lampshades. h. 33-1/2”, dia. 17-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

535

Italian Parcel-Giltwood and Silver-Gilt Reliquary Stand

ca. 1800, decorated with silver-gilt and parcel-gilt borders and ribbon-bound cabochons, against a textured ground, the pulvinated base with parcel-gilt garlands against a silver ground. h. 17-1/4”, w. 13-1/4”, d. 8”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

536

Henry Dasson Louis XVI-Style Mahogany and OrmoluMounted Games Table

19th century, the fold-open top supported by an accordionstyle expandable base, dressed with numerous gilt-bronze mounts and raised on turned and fluted legs, the underside stamped “HENRY DASSON”. h. 30-1/2”, w. 33-1/2”, d. 17”, ext. d. 34”

$3,000-$5,000

537

Pair of French Patinated Bronze Coupes a Pieds

19th century, the shell-form bowls on mermaid-form standards, resting on turtles, on pierced, scrolled bases. h. 9”, w. 6”, d. 5-1/4”

$1,200-$1,800

538

Italian Patinated Bronze Figure of the “Dancing Faun”

late 19th century, after the Roman sculpture (itself a copy of a 1st century BCE Greek work) excavated in 1830 at the House of the Faun, Pompeii and now conserved at the Museo Nazionale, Naples. h. 32”, w. 12”, d. 10-3/4”

$1,500-$2,500

539

Large Dutch Blue-and-White Delftware Plaque

late 19th century, in the rococo taste, the oval plaque with a molded edge, decorated with a street scene, over a scrolled cartouche, the verso pierced for hanging.

h. 24-1/2”, w. 19-1/2”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

540 Pair of Dutch Delft Covered Urns

20th century, in the 18th-century taste, the lobed, covered urns decorated with flowers, peacocks and scrollwork, marked “J.V.”, in the style of De Porceleyne Fles.

h. 13-3/4”, dia. 6”

$1,400-$1,800

541

French Bronze Patine et Dore Bust of Menelaus

late 19th century, the Spartan king wearing his battle helmet, with gilt accents, after the 1881 marble bust by Giacomo Brogi (Italian, 1822-1881) now conserved at the Vatican Museums, Rome.

h. 16”, w. 8”, d. 4-1/2”

$800-$1,200

542

Pair of Gilt-Bronze and Malachite Corbeilles

20th century, Russian or French, the pierced baskets supported by monopodial satyrs, on double malachite bases with lotus-molded gilt-bronze trim. h. 16-1/2”, dia. 9-1/4”

$2,000-$4,000

543

Pair of Malachite Obelisks

20th century, Russian or French, of classical form, on rectangular bases with raised panels. h. 24-1/2”, w. 6-1/2”, d. 6-1/2”

$1,500-$2,500

544

Pair of Bronze and Faux Malachite Lions

20th century, the growling recumbent lions on well-executed faux malachite bases. h. 6-1/4”, w. 10-3/4”, d. 5”

$1,200-$1,800

545

Neapolitan Patinated Bronze Grand Tour Figure

ca. 1895, cast and labeled by Sabatino de Angelis, after the undated sculpture discovered in 1754 at the Villa dei Papiri at Herculaneum and now conserved at the Museo Nazionale, Naples. h. 14”, w. 9-3/4”, d. 4-1/2”

$1,500-$2,500

546

Fine French Grand Tour Bronze and Marble-Top Gueridon

19th century, the Breche Jaune de Sienne circular marble top set within a cast-bronze rim, mounted to three figural bronze legs joined by a stretcher. h. 36”, dia. 20-1/2”

$3,000-$5,000

547

Gilt-Bronze and Lacquered Jewel Casket

20th century, in the Moorish taste, the rectangular casket with two doors, bas-relief decorated with keyhole arches framing mashrabiya patterns, the interior set with black-lacquered velvet-lined drawers, set with delicate filigree bronze handles. h. 10”, w. 9”, d. 5-1/2”

$1,200-$1,800

548

Bronze Dore et Patine “Music and Wine” Covered Bowl

early 20th century, attributed to E.F. Caldwell, the cover decorated with Bacchanalian motifs, over a body decorated with angels playing lyres and trumpets, divided by braziers, on ball feet.

h. 8-1/4”, dia. 6-1/2”

$800-$1,200

549

Pair of Italian Patinated Bronze Fawns

20th century, the young deer standing on rectangular plinths. h. 21”, w. 16”, d. 5-1/4”

$1,500-$2,500

550 French Parcel-Giltwood Barometer

second half 18th century, the pierced bowknot crest over a thermometer framed with pierced giltwood laurel tendrils, over a Mes. Basergue barometer in a scroll-carved base, accented with flower heads.

h. 43”, w. 13”

$1,800-$2,500

551

Louis Philippe Bronze Mantel Clock

mid-19th century, the bronze clock decorated with a Bacchanalian putto eating grapes and resting on the works, the dial signed “Mercier a Paris” and stamped “Roblin, Paris”, on a base mounted with carved black marble panels inset with carved verde antique marble, over scrolled feet. h. 15-1/2”, w. 26”, d. 7-1/2”

$2,000-$4,000

552

Patinated Bronze of the Farnese Hercules

figure draped with the skin of the Nemean lion and leaning on his club, his back hand holding the apples of Hesperides, after the 3rd century CE marble by Glykon (itself a copy of a 4th century BCE bronze by Lysippos) now conserved at the Museo Nazionale, Naples. h. 24”, w. 10-1/4”, d. 8”

$1,500-$2,500

553

Italian Grand Tour Bronze Floor Lamp

19th century, the patinated bronze torchere now mounted as a floor lamp, the candle holder mounted on a Greek sphinx atop the fluted standard, on paw feet separated with molded anthemia, fitted with a lampshade. h. 71-3/4”, w. 14”, d. 10”

$800-$1,200

554

Rare Vienna Bronze Figural Tobacco Stand

ca. 1900, of a bear wrestling with a German shepherd and a bulldog, the hinged bear head opening to reveal a tobacco compartment, the dogs’ heads opening to reveal compartments for cigarettes and matches. h. 15-1/4”, w. 10-3/4”, d. 5-1/4”

$3,500-$5,000

555

Italian Marble and Alabaster Polar Bear Lamp

early 20th century, the well-detailed marble polar bear on a carved alabaster iceberg, with an interior light. h. 15-1/2”, w. 16-1/2”, d. 9-1/2”

$1,500-$2,500

556

Italian Pietra Dura and Gilt-Bronze Casket late 19th century, in the Renaissance taste, the cover set with a specimen marble pietra dura plaque trimmed with wavyedged molding and brass, the sides with like decoration, the ebonized frame with gilt-bronze corner mounts of masques and fruit swags, on gilt-bronze scroll-molded feet. h. 10-3/4”, w. 15”, d. 8”

$7,000-$10,000

557

After Cosimo Giuseppe Conti (Italian, 1825-1896)

“Massacre of the Cignoli Family”, 19th century oil on canvas laid down on pieced coarsely woven linen after the work conserved at the Galleria D’Arte Moderna, Palazzo Pitti, Florence, unsigned. Framed.

66” x 97”, framed 83” x 109”

$5,000-$8,000

558

Louis XVI-Style Giltwood and Marble-Top Side Table

early 20th century, the oval marble top set with a carved frame, over a pierced and carved woven gallery, raised on turned and stop-fluted legs joined by a stretcher. h. 30-1/2”, w. 26”, d. 21”

$1,500-$2,500

559

Pair of Italian Giltwood Gothic Revival Frames

late 19th century, the gable-form crests flanked by finials, over pointed arch openings decorated with Gothic tracery and flanked by pairs of spiral-reeded columns, now containing prints of angels, on conforming giltwood bases. h. 25-1/4”, w. 8-1/4”, d. 2”

$700-$1,000

Provenance: Private collection, New Orleans, Louisiana.

560

Gilt and Silver-Leaf Mirror in the Rococo Taste

early 20th century, the pierced crest with rocaille-framed scrollwork, the sides with silver-gilt panels with carved flowers, set with a beveled mirror plate. h. 49-1/2”, w. 23”

$900-$1,200

French Bronze Bust of Rhea Silvia

19th century, the Vestal Virgin and mother of Romulus and Remus wearing the helmet of Mars, on a gilt-accented cove-molded socle.

h. 20-1/2”, w. 10-1/4”, d. 6-3/4”

$1,500-$2,500

562

19th century, each with a pierced floral back and padded seat, raised on dramatic down-curved legs. h. 40-1/2”, seat h. 19”, w. 19”, d. 20”

$800-$1,200

19th

$800-$1,200

564

Rare Biedermeier Bronze-Mounted Fruitwood Armoire

early 19th century, the top with a neoclassical-form inlaid pediment and corner ornaments, over a pair of framed and paneled doors. h. 84”, w. 54”, d. 20”

$3,000-$5,000

565

Rare Biedermeier Maple and Line-Inlaid Desk

19th century, the oval top mounted to a pair of tapered cylindrical standards and circular bases, joined by a leathercovered foot rest, one side fitted with a drawer. h. 31”, w. 63”, d. 25”

$3,000-$5,000

566

Louis Philippe Fruitwood and Marble-Top Pot Cupboard

19th century, of barrel form with a circular inset white marble top, fitted with a single door, with an interior shelf. h. 28-1/2”, dia. 15”

$700-$1,000

567

Collection of Three Objects

the collection including a sterling silver-mounted purse, marked by Albert W. Feaveryear, manager of Tiffany’s, London, 1925-26, l. 6-1/2”, d. 5”, a dome-top cigarette case, h. 1-3/4”, w. 5”, and a bracelet h. 2-1/2”, dia. 2-1/4”.

$700-$1,000

568

Giltwood Mirror in the Baroque Taste

second half 18th century, the pierced crest with a crown, framed by carved swagging, sitting atop a cabochon, flanked by female figures resting on scrollwork, the surround with side urns carved with pierced scrollwork and flowers, the frame carved with strapwork and scrollwork, lined with gadrooning. h. 48”, w. 32-1/4”

$2,500-$4,000

569

French Empire Bronze of “Daphnis and Chloe”

19th century, on a bronze and breccia marble base, unmarked.

h. 13-1/4”, w. 7”, d. 4-3/4”

$1,500-$2,500

570

Louis XVI-Style Giltwood and Marble-Top Console Table

19th century, the shaped rouge marble top over a pierced and scroll-carved apron with laurel swags, raised on carved and stop-fluted turned legs.

h. 33-1/2”, w. 43”, d. 20”

$2,500-$4,000

571

Large English Gothic Revival Bronze Table Lamp

19th century and later, the bronze lamp standard with a leafmolded Gothic capital atop a tapered column molded with Gothic tracery, the base with flying buttress-form feet, on a stepped base, now with a black enamel plinth, fitted with a lampshade. h. 36”, dia. 16-3/4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

572

French Giltwood Mirror in the Regency Taste

20th century, the mirror-backed pierced pediment decorated with a masque and a pair of dolphins accented with scrollwork and flower heads, the surround inset with mirrors and carved with scrollwork, the corners decorated with large scrolls and rosecarved swagging, the base with a carved shell. h. 59-1/2”, w. 32-1/2”

$1,800-$2,500

573

Pair of French Gilt-Metal and Glass Sconces

second quarter 20th century, in the Maison Bagues taste, the quiver-form backplates set with phoenix birds and gilt-metal branches, decorated with leaves and flowers, terminating in floriform candle sockets and drip pans.

h. 21-1/2”, w. 14”, d. 5”

$2,000-$4,000

574

French Bronze and Marble-Top Side table

late 19th century, the oval Breche Arlequino marble top set within a bronze rim, raised on tubular bronze legs wrapped with vines and headed by masques with horned figures.

h. 30”, w. 24”, d. 15”

$2,000-$4,000

575

Pair of French Giltwood and Marble Taborets

late 19th century, each with an inset circular white marble top within a carved ring, the aprons with carved laurel-leaf swags, raised on large out-curved legs with acanthine details and ending in scrolled toes.

h. 17”, w. 19”, d. 19”

$2,500-$4,000

576

French Regence Giltwood Mirror

early 18th century, the pierced crest decorated with a central urn of flowers framed with scrollwork, accented with flower heads and bellflower swagging, the ogee-molded surround carved with scrollwork and strapwork, inset with mirror plate panels.

h. 59-3/4”, w. 32-1/2”

$2,500-$4,000

577

Pair of French Gilt-Bronze and Mother-of-Pearl Candelabra

first quarter 19th century, in the manner of Claude Galle, the standards of “Victory” perched on a sphere, supporting a rod of exceptionally well-cast grapes with engine-turned candle cups on each end, the bases set with mother-of-pearl caps engraved with grapes, the edges molded with lotus leaves. h. 13-1/2”, w. 7-3/4”, d. 5”

$3,000-$5,000

578

French Bronze Mistletoe Chandelier

second quarter 19th century, the six-light chandelier in the form of a ball of mistletoe, set with bronze flowers concealing the light sockets, a bronze rope supporting the branch. h. 23”, w. 15”, d. 11”

$1,200-$1,800

581

Patinated Bronze Guardian Lion

the seated lion with a rich chocolate brown bronze patina. h. 19-1/4”, w. 5-3/4”, l. 13-1/2”

$1,500-$2,500

582

French Mahogany and Gilt-Bronze Side Table

19th century, the circular white marble top set within a molded bronze rim, mounted to turned bronze standards onto an open triangular platform, raised on tapered legs ending in bronze paw feet. h. 30”, dia. 15”

$1,500-$2,500

583

Italian Baroque Parcel-Giltwood Crucifix

18th century, the parcel-gilt and ebonized cross carved with scrolled trim, supporting a polychrome figure of Christ, the scrolled polychrome base decorated with a winged angel head on a blue faux marbre ground, flanked by carved gilt scrollwork. h. 26-3/4”, w. 12-1/2”, d. 4”

$1,500-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

584

French Louis XVI Giltwood Barometer

late 18th century, the pierced crest decorated with a pair of lovebirds, over a thermometer framed with floral swags on each side, the carved barometer face flanked by scrolls crowned with baskets of flowers, the lower fluted panel carved with swags of bellflowers.

h. 42”, w. 18”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

585

French Giltwood and Marble-Top Side Table

19th century, in the Louis XVI taste, the oval white marble top set within a carved rim and mounted to a single fluted column, to a base with three scrolled legs, on an in-curved triangular base.

h. 27”, w. 19”, d. 14-1/2”

$1,200-$1,800

586

Brass Applique of Vatican Trophies

19th century, decorated with the papal tiara in the center, and a sash, swords of St. Paul and crossed keys. h. 16”, w. 55-1/4”

$1,200-$1,800

587

Italian Polychrome, Silver-Leaf and Marble-Top Console Table

18th century, the conforming Sarrancolin marble top over a large shell-carved front apron, raised on cabriole legs ending in scrolled toes.

h. 34-1/2”, w. 51”, d. 21-1/2”

$2,000-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

588

Pair of Italian Carved Giltwood Candelabra

18th century, the carved and pierced giltwood candelabra with lotus-carved candle holders, set with prickets, supported on lotus-carved vasiform standards decorated with carved scrollwork, hung with swags of fruit and flowers, on leaf-carved bases mounted on rectangular plinths. h. 33-1/4”, w. 17-1/2”, d. 4”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

589

Italian Giltwood Torchere

early 19th century, the circular top with a carved edge, supported by a fluted standard with a lotus-carved capital, and an acanthus-carved base raised on paw feet, separated by carved anthemia, on a triangular platform. h. 64”, dia. 14”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

590

Pair of Giltwood Corbel-Form Wall Brackets

19th century, the rectangular top with a leaf-carved edge, on an acanthus-carved backplate, with fruit-carved lower trim. h. 17-3/4”, w. 9”, d. 6”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

591

Louis XVI Giltwood and Marble-Top Console Table

18th century, the conforming gray marble top over foliateand-rosette-carved aprons, raised on fluted legs with garland swags.

h. 35-1/2”, w. 48”, d. 23”

$2,500-$4,000

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

592

Pair of French Gilt-Bronze Sconces

in the neoclassical taste, each backplate decorated with a putto supporting a basket of flowers on his head, and set with a pair of scrolled candle arms molded with acanthus leaves, terminating in matching drip pans and fluted candle sockets. h. 22”, w. 13-1/2”, d. 6-1/2”

$1,800-$2,500

593

Giltwood Convex Mirror in the Neoclassical Taste

early 19th century, American or English, the ebonized eagle finial on a giltwood platform, supporting chains of giltwood bulls and tassels in its mouth, the cove-molded surround set with gilt spherules and a reeded, ebonized liner securing the mirror plate, the base with a rocaille-carved pendant finial.

h. 44-3/4”, w. 26”

$2,000-$4,000

594

French Framed Botanical Specimens

1935 and earlier, including six pressed botanicals with handwritten inscriptions. Float-mounted, glazed and framed alike.

each sheet 18-1/4” x 13-1/4”, framed 55-1/4” x 31”

$1,000-$1,500

Provenance: Historic Roswell Antiques and Interiors, Roswell, Georgia; Private collection, New Orleans, Louisiana.

595

Louis XVI-Style Carved Walnut Wing Chair

early 20th century, the carved frame with acanthine hand grips, reversible seat cushion and raised on turned, tapered and fluted legs. h. 44”, seat. h. 17”, w. 25”, d. 24”

$800-$1,200

596

French Carved Fruitwood Wing Chair

early 20th century, in the Louis XVI taste, with a reversible seat cushion and raised on tapered, turned and fluted legs. h. 45-1/2”, seat h. 18-1/2”, w. 27”, d. 28”

$800-$1,200

597

Pair of Pietra Dura Obelisks

decorated with specimen marble in geometric patterns. h. 23-3/4”, w. 6-1/4”, d. 6-1/4”

$1,500-$2,500

598

Pair of Italian Giltwood Brackets

19th century, in the rococo taste, the lobed shelves covered with worn velvet on the tops, with giltwood edges and bottoms, supporting pierce-carved, carefully detailed acanthus leaves. h. 11-1/2”, w. 12-1/2”, d. 7-3/4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

599

Austrian Giltwood and Brass Picture Frame Clock

second quarter 19th century, the outside edge of the dial with a gilt egg-and-dart surround, the dial with a silvered chapter ring and an engine-turned center, the pendulum aperture decorated with dolphins, flanked by bas-relief figures of “Hope”, set with a silk-string suspension movement. h. 20-3/4”, w. 17”, d. 7”

$1,400-$1,800

600

George II Walnut-Veneered and Parcel-Gilt Mirror

18th century, the giltwood swan’s-neck pediment set with a scroll-carved finial, the top with crossetted corners, the base with rounded corners terminating in flower heads, flanking the serpentine base, the beveled mirror plate set into a carved giltwood liner. h. 55”, w. 27”

$1,200-$1,800

601

Pair of Caldwell Giltwood and Gilt-Bronze Sconces

first quarter 20th century, in the Regency taste, each backplate in the form of a carved sash with a tasseled end, decorated with an ebonized eagle and set with a pair of rope-twist candle arms with gilt-bronze candle sockets and matching drip pans, branded “C” in a lozenge on the backs. h. 24-3/4”, w. 12-1/4”, d. 4-3/4”

$700-$1,000

Provenance: Empire Antiques, New Orleans, Louisiana; Private collection, New Orleans, Louisiana.

602

Neoclassical Mixed-Wood Inlaid Side Table

18th century, the oval top with an inlaid “building blocks” central panel, the front fitted with a drawer, raised on downcurved legs joined by a fan-inlaid oval shelf. h. 31”, w. 23-1/2”, d. 18”

$1,500-$2,500

603

Rare Bombay School of Art Glazed Terracotta Vase

ca. 1880, in two parts, the sinuous vase set with green handles in the form of peacocks, the body decorated with terracotta, white and polychrome, on a black ground, the lower portion with molded peacocks, signed on the bottom of the upper sections.

h. 29”, dia. 16”

$1,500-$2,500

604

Carved and Painted Wooden Dromedary

20th century, the well-carved camel set with glass eyes, the paint likely original.

h. 9-1/4”, w. 22-3/4”, d. 6”

$1,200-$1,800

605

Pair of Austrian Carved Wood Figural Pedestals

19th century, in the Renaissance taste, each with a square rotating top held up by a hunchback figure, the tapered bases with carved panels on each side.

h. 52”, w. 14”, d. 14”

$3,000-$5,000

606

Regency Burl Elmwood Dressing Table

19th century, the hinged top with bookmatched veneers and opening to a void interior, the underside mounted with a mirror, the front with a single drawer, supported by lyre-form ends mounted to a shaped platform base. h. 31”, w. 34”, d. 19”

$1,000-$1,500

607

Pair of Venetian Polychrome Wood Monopodial Finials

19th century, the phoenix bird monopodia with gilt wings, grasping red rings, on carved paw feet, resting on cobalt molded bases.

h. 20-1/2”, w. 5-1/2”, d. 6-1/4”

$1,500-$2,500

608

Italian Neoclassical Faux Marbre Console Table

composed of antique elements, the ca. 2000 custom stepped top with a faux marble surface and gilt-molded edge, mounted to a pair of shaped legs with polychrome and gilt details.

h. 31”, w. 69”, d. 15”

$1,400-$1,800

609

Pair of Venetian Carved Wood Dolphin-Form Finials

19th century, the carved polychrome dolphins modeled with their tails up, and resting on giltwood and seafoam greenpainted bases.

h. 19-1/2”, w. 8”, d. 2-1/2”

$1,000-$1,500

610

French Bronze and Porcelain Jewel Casket

late 19th century, in the “Modern Gothic” taste, the polished steel body mounted with carefully cast gilt-bronze mounts, set with porcelain plaques painted in the Boucher manner, with “jeweled” trim, the lid opening to reveal a velvet-lined interior fitted with trays.

h. 7-1/2”, w. 11-1/4”, d. 8-1/2”

$1,500-$2,500

611

American Neoclassical Sterling Silver Water Pitcher

1856, By William Gale & Son, New York, New York, the ovoid body with waisted collar and integral spout, with crested scroll handle and circular pedestal foot, with applied gadroon above chased dart banding at the shoulder and beaded banding at the edges, inscribed “T. Botters to E. Owens”. h. 11-1/2”, dia. 5”, l. 7-1/4”; 24.87 t. oz.

$1,000-$1,500

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi.

first quarter 20th century, Providence, Rhode Island, Model 3427R, cylindrical with flared rim and base, decorated with engraved carnations centering an oval cartouche.

h. 12”, dia. 5-1/4”

$700-$1,000

612

American Art Nouveau Sterling Silver Vase

first quarter 20th century, by Reed & Barton, Taunton, Massachusetts, the baluster-form body with waisted collar and wavy rim, decorated with realistically detailed repousse poppies, above a domed and shaped pedestal foot en suite.

h. 15”, dia. 5”; 27.93 t. oz.

$1,200-$1,800

614

Large American Sterling Silver Trumpet Vase

first quarter 20th century, by Graff, Washbourne & Dunn, New York, New York, of inverted conical form with gauffered rim and integral circular foot, decorated with incised acanthus fronds and scrolls.

h. 20”, dia. 7-3/4”; 52.40 t. oz.

$2,000-$4,000

615

Durgin “Fairfax” Sterling Silver Luncheon Set

the pattern designed in 1910 by Barton Pickering Jenks (18701941), Providence, Rhode Island, retailed by Smith-Patterson Co., Boston, Massachusetts, including a dozen four-piece place settings, with an additional twelve place pieces and eight serving pieces, monogrammed “P”, presented in a fitted, tarnish-resistant cloth-lined wood case with lift top and single drawer, 6” x 14-3/4” x 11-1/4”.

(68 pieces plus case)

60.94 total t. oz. (weighable silver)

$2,000-$4,000

Provenance: The Estate of Stella R. Sharp, Natchez, Mississippi. Detailed list of pieces available on request

616

Set of American Silverplate Service and Bread-and-Butter Plates

second quarter 20th century, by E.G. Webster & Son, Meriden, Connecticut, including a dozen each service plates and breadand-butter plates, each of serpentine-lobed circular form with a Renaissance-style rim decorated with flower baskets, scrolls and leaf-and-dart edges, monogrammed “AYD”. dia. 11” and 6-1/2”, respectively

$800-$1,200

617

American Five-Piece Sterling Silver Tea Set

third quarter 20th century, by Poole Silver Co., Taunton, Massachusetts, model 990, including: a coffeepot, h. 11”, l. 10-1/4”; a teapot, h. 9-3/4”, l. 10-1/4”; an open sugar bowl, h. 5-1/4”, w. 7-1/4”; a cream jug, h. 5”, l. 5-1/2”; and a waste bowl, h. 5”, w. 5”; each with pear-shaped, serpentine-lobed body decorated with floral scroll banding and rim, with crested scroll handles and floral-crested scroll finials and feet.

112.29 total t. oz.

$3,000-$5,000

618

Set of Eleven Sterling Silver Bread-and-Butter Plates

1914, Gorham Corp., Providence, Rhode Island, each circular with reeded rim, with lozenge monogram “CTK”. dia. 6-1/4”; 36.62 total t. oz.

$1,400-$1,800

619

Wallace “Grand Baroque” Sterling Silver Flatware Set

the pattern designed in 1941 by William S. Warren (18881965), Wallingford, Connecticut, including a dozen ninepiece place settings with an additional dozen teaspoons and twenty serving pieces, presented in two fitted wooden cases with lift top, one with an indigo velvet lining, 3-1/2” x 15-1/4” x 11-1/4”, the other with painted lid and red baize lining, 3-1/2” x 16-3/4” x 11-1/4”. (140 pieces plus two cases)

165.06 total t. oz. (weighable silver)

$5,000-$8,000

the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including a dozen seven-piece place settings and eleven serving pieces, no monograms, presented in a fitted, Kenized cloth-lined drawer insert with zippered top, 3-1/4” x 23” x 13”. (95 pieces plus case)

121.67 total t. oz. (weighable silver)

$6,000-$9,000

Detailed list of pieces available on request.

621

Rare Reed & Barton Francis I Sterling Silver Fish Set

the pattern designed in 1907 by Ernest Meyers, Taunton, Massachusetts, including eight each fish forks, l. 7-1/4”, and fish knives, l. 8”, no monograms.

(16 pieces total)

32.48 total t. oz.

$1,400-$1,800

622

Four Tiffany-Retailed Rococo-Style Sterling Silver Candlesticks

mid-20th century, each of baluster form above an integral base, quarter-lobed and decorated with shell-and-acanthus and anthemion motifs, the detachable bobeches with shaped rococo scroll rims.

h. 10-1/4”, dia. 5-3/4”; weighted

$2,000-$4,000

623

Tiffany “Hamilton” Sterling Silver Flatware Set

the pattern introduced in 1938, New York, New York, including eight six-piece place settings (one piece lacking) with an additional thirty-five place pieces and eleven serving pieces, no monograms, presented in a fitted, tarnish-resistant clothlined wood case with lift top and single drawer, 5-3/4” x 14-1/2” x 10-1/2”.

(93 pieces plus case)

117.68 total t. oz.

$4,000-$7,000

624

Eight Tiffany & Co. “Marquise” Sterling Silver Salad Plates

1902, designed by Paulding Farnham (1859-1927), New York, New York, with shaped bead-and-bobbin rim and circular foot ring, no monograms.

dia. 9”; 114.36 total t. oz.

$5,000-$7,000

Although not patented until 1904, Farnham’s “Marquise” pattern was introduced in 1902, as confirmed by the pattern number 15161 on these plates, which corresponds to that year. As the company president’s initial on these plates is “T” for Charles Louis Tiffany who died in 1902, they can be dated very narrowly to that year and therefore among the first items produced in the pattern.

625

Rolland Harve Golden (American/Louisiana, 1931-2019)

“Sun Panes”

pencil on paper affixed to board signed lower right and titled en verso. Matted and framed.

sight 6-1/2” x 4-3/4”, framed 15-1/2” x 12-1/2”

$700-$1,000

626

Alfred Heber Hutty (American, 1877-1954)

“Loading Melons”

watercolor on paper signed lower left. Matted and framed.

sight 7-1/4” x 9-1/2”, framed 10-1/2” x 13”

$900-$1,200

627

Knute Heldner (Swedish/Louisiana, 1875/77-1952)

“French Quarter Courtyard”

oil on canvas signed lower left. Framed.

30" x 24", framed 33-1/2" x 27-1/2"

$4,000-$6,000

628

Pair of American Aesthetic Movement Chairs

19th century, each ebonized chair with a central padded back with pierced floral-carved crest rails and flanked by inserted gilt-bronze panels of opposing storks, raised on carved, tapered square legs.

h. 33”, seat h. 19”, w. 21-1/2”, d. 22”

$700-$1,000

American Late Classical Mahogany Sideboard

second quarter 19th century, Philadelphia, with an elaborate fruit-and-scroll-carved backsplash over three side-by-side drawers and four cabinets below, raised on carved paw feet. h. 58”, w. 74”, d. 25”

$1,800-$2,500

Provenance: Estate of Loveta Byrne, Natchez, Mississippi.

630

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Louisiana Bayou”

oil wash on board signed lower left. Glazed and framed.

6-1/2” x 20”, framed 9” x 22”

$1,500-$2,500

Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.

631

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Live Oak, Louisiana Bayou”

oil wash on board signed lower left.

Glazed and framed.

sight 10” x 27”, framed 11-1/2” x 29-1/2”

$1,500-$2,500

Provenance: The Estate of Kenneth Abshire, Gulfport, Mississippi.

632

Alexander John Drysdale (American/Louisiana, 1870-1934)

“Live Oaks in Louisiana Bayou”

oil wash on board signed lower right. Framed.

sight 19” x 29”, framed 22-1/2” x 32”

$2,500-$4,000

633

Miniature Late Classical Mahogany Chest

ca. 1840, probably New England, with two top drawers over three long drawers, framed with scrolled sides and set with turned wooden knobs.

h. 16”, w. 15”, d. 9”

$700-$1,000

634

American Aesthetic Movement Chandelier

fourth quarter 19th century, the three-arm chandelier with a brass frame, decorated with panels of aesthetic piercing and set with molded glass kerosene fonts, with molded glass shades in the “Daisy and Button” pattern, retaining its functioning spring-loaded clutch for raising and lowering, electrified.

h. 40-1/2”, dia. 35”

$700-$1,000

635

Pair of American Aesthetic Movement Giltwood Parlor Chairs

19th century, each with a padded back separated by a foliatecarved panel, carved seat frame and raised on shaped legs joined by stretchers.

h. 33”, seat h. 20”, w. 20-1/2”, d. 19”

$1,400-$1,800

636

Regina

Oak Automatic Changer Music Box

ca. 1900, made by the Regina Music Box Co., Rahway, New Jersey, this quarter-sawn oak model referred to as the “Dragon Front” music box, playing 27 discs, with winding crank and twelve discs.

h. 67-1/2”, w. 37-1/2”, d. 24”

$5,000-$8,000

early 20th century, fitted with four shelves and mounted to a base with four outstretched legs.

h. 65-1/2”, w. 28”, d. 28”

$700-$1,000

638 Louise Guidry (American/Louisiana, b. 1930)

“Canadian Birches”

acrylic on canvas unsigned. Unframed.

36” x 24”

$1,200-$1,800

Provenance: Collection of the artist.

639 Pauline Ziegen (American, Contemporary)

“Here Summer Ends”

oil on panel artist cypher upper left, titled and with artist stamp en verso. Unframed.

35-3/4” x 48-3/4”

$1,500-$2,500

640

Morris Conrad Rippel (American, 1930-2009)

“Alonzo”, 1981 egg tempera on canvas board signed and dated lower right, and signed, dated and titled en verso.

Framed.

13-1/2” x 22”, framed 21-1/2” x 30”

$1,200-$1,800

641

William Judson Dickerson (American, 1904-1972)

“Western August”, 1935 oil on masonite signed and dated lower left, and signed, localized and titled en verso.

Framed.

20” x 26”, framed 22-1/2” x 28-1/2”

$1,200-$1,800

Solid Rock Maple Butcher Block

ca. 1900, the thick top with dovetailed maple blocks, raised on block-and-turned legs. h. 33-1/2”, w. 30”, d. 30”

$800-$1,200

643

Grand Tour Patinated Bronze Bust of a Youth

late 19th century, possibly Antinous, mounted on a green-andblack marble base.

h. 18-1/2”, w. 8-1/4”, d. 9”

$2,000-$4,000

644

Large Parcel-Gilt Sanctuary Figure of St. Paul

ca. 1900, with a naturalistically carved and painted face and neck, dressed in gilt robes and carrying a copy of his epistles in the Bible, on a giltwood base, signed indistinctly.

h. 35-1/4”, w. 13”, d. 7-3/4”

$1,500-$2,500

645

Pair of KPM Reticulated Porcelain Baskets

post-1870, the pierced and scrolled handles on oval pierced baskets accented with medallions, over pierced, cove-molded bases decorated with scrollwork, with underglaze blue sceptre marks.

h. 8”, w. 12-1/4”, d. 6-3/4”

$800-$1,200

646

Pair of Belle Epoque Giltwood Brackets

late 19th century, in the neoclassical taste, the bowed shelves with cabochon-decorated edges, supported by pierced backplates decorated with shells, framed with scrolling leaves, over spire-form pendant finials.

h. 12”, w. 13-1/4”, d. 9”

$1,400-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

647

Pair of Dutch Japanned Pewter Chestnut Urns

ca. 1800, the urns decorated with lion’s-head ring pulls and painted with raised gilt pagodas and pine trees, on a black ground.

h. 12-3/4”, w. 6-3/4”, d. 4”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

648

Bronze and Iron Fire Tool Set

in the Baronial taste, the set with fireplace tongs, shovel and fork with bronze satyr-form handles, and a hearth brush with a molded bronze handle, supported on an iron fire tool holder with bronze leopard-head finials.

h. 35-3/4”, w. 11”, d. 11”

$1,000-$1,500

649

Black Forest Lindenwood Carving of a Bovine Family

carefully delineated, the bull standing in the rear, overlooking the cow and her calf, on a lobed base carved with flower heads. h. 12”, w. 15-1/2”, d. 9-1/2”

$2,000-$4,000

650

Cast-Bronze and Iron Figural Hat Rack

20th century, in the Black Forest taste, the bronze mountain goat head on a painted faux bois iron backplate, set with bronze hooks, molded with scrollwork and flowers.

h. 25”, w. 20-1/2”, d. 7-1/2”

$800-$1,200

651

Italian Baroque Carved and Inlaid Wooden Coffer

17th century, probably Florence, the facade with marquetry inlay and the corners carved with putti masques and leaves, the sides with cotter pin carrying handles over the lower section with carved gadrooning, raised on carved giltwood feet.

h. 15”, w. 22-1/4”, d. 10-1/2”

$1,200-$1,800

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

652

Continental Carved Wood Standing Putto

19th century, figure with one arm out to grasp a (missing) staff, on an egg-and-dart-carved circular base. h. 36”, w. 21-1/2”, d. 14-1/2”

$1,200-$1,800

654

Near Pair of French Kingwood and Marble-Top Side Tables

20th century, each with a white marble top set within a brass-banded edge, one fitted with three drawers, the other with a single drawer over an open shelf, raised on cabriole legs ending in brass sabots. h. 28”, w. 17-1/2”, d. 13-1/2”

$1,800-$2,500

653

French Louis XVI Parcel-Gilt Pier Mirror

ca. 1800, the pierced crest carved with musical trophies framed with swirling laurel leaves, with leaf-carved finials, laurel drops and tassels on each side, attached to a bluepainted backboard, the surround trimmed with lotus leaves on the exterior.

h. 70-1/2”, w. 36”

$1,800-$2,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

655

French Belle Epoque Bronze Bust of a Satyr

late 19th century, accented with a bronze dore wreath and base, mounted on a Siena marble fluted column-form pedestal.

h. 12”, w. 5”, d. 5”

$800-$1,200

656

French Napoleon III Bronze-Mounted Marquetry Jardiniere

third quarter 19th century, the pierced bronze gallery top over sides inlaid with leaves and cartouches, set with rococo-style bronze handles and corner mounts terminating in leaf-molded feet.

h. 7-1/4”, w. 14-1/2”, d. 8-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

657

Napoleon III Wood, Brass and Glass Cave a Liqueur

third quarter 19th century, set into a serpentine-front brassinlaid case veneered in burl walnut, with ebonized trim, the lift-up top and facade opening to reveal a lift-out rosewood tray with a gilt-bronze handle, four gilt-decorated decanters and sixteen glasses.

h. 10-1/2” w. 13-1/2”, d. 10-1/4”

$1,200-$1,800

658

Rare Palissy Sweetmeat Stand Centerpiece

19th century, French or Portuguese, possibly by Charles-Jean Avisseau, the three-tiered stand with a vase top, lined with pottery mussel shells, supported on pottery seahorses, the lower tiers decorated to match, with molded oyster shells supported by a molded crab, with shells forming the base. h. 20”, dia. 12”

$800-$1,200

659

Pair of Italian Mahogony Plaques

19th century, figures framed with scrollwork wings. h. 7”, w. 14-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

660

Pair of Japanese Porcelain Covered Ginger Jars

ca. 1900, in the Imari palette, decorated with gilt-accented cobalt and orange plum branches and peonies, with cobaltframed panels, the domed covers with gilt foo dog knops. h. 11-3/4”, dia. 5-1/2”

$1,000-$1,500

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

661

Japanese Imari Porcelain Floor Vase

ca. 1900, decorated with cobalt-framed panels, painted with figures and landscapes, on a rich patterned orange and blue ground, decorated with chrysanthemums, cranes and lotus blossoms, with Kutani-style character marks on the base. h. 30”, dia. 12”

$900-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

662

Fine Regency Brass-Inlaid Mahogany Tiered Bookshelf

19th century, the five graduated shelves supported by acanthine-carved brackets and Egyptian Revival figures, raised on large carved paw feet. h. 48”, w. 49”, d. 13”

$2,500-$4,000

663

Two French Grand Tour Bronzes

third quarter 19th century, the larger example the Egyptian great sphinx of Giza, on a black marble base, h. 7-1/4”, w. 11”, d. 3-1/4”, and the smaller example the protective deity Lamassu, on a black marble base, h. 6-3/4”, w. 7-1/4”, d. 3-1/4”.

$1,200-$1,800

664

French Empire-Style Bronze-Mounted Mahogany Firescreen

late 19th century, the top with a bronze carrying handle, over a circular screen set with needlepoint, in a bronze-mounted mahogany frame, set with beveled glass, on a bronzemounted lyre-form standard, the platform base raised on paw feet.

h. 39”, w. 20-1/2”, d. 13-1/2”

$800-$1,200

Provenance: Kevin Stone Antiques, The Collection of Kevin Stone & Mark Diamond.

665

Pair of French Patinated Bronze Urns

late 19th century, each body decorated with a Bacchanalian procession, with satyrs, maenads and Dionysus, on fluted, tapered bases, the bottom with an Achille Collas “reduction mecanique” medallion.

h. 13-1/2”, dia. 10-1/2”

$1,000-$1,500

666

William IV-Style Mahogany Three-Part Banquet Table

20th century, each rectangular top above an ogee-molded frieze, the bulbous ring-turned stems on outswept legs ending in paw feet.

h. 30”, w. 52”, l. 150”, extended l. 185”

$2,500-$4,000

Provenance: Private collection, Covington, Louisiana.

667

Twelve Queen Anne-Style Mahogany Dining Chairs

20th century, comprised of a pair of armchairs, h. 38-1/2”, seat h. 18-1/2”, w. 24”, d. 21”, and ten side chairs, h. 38-1/2”, seat h. 18”, w. 23”, d. 18-1/2”, each with a yoke-form crest rail above a shaped splat and a slip seat, raised on cabriole legs ending in hoof feet.

$1,500-$2,500

Provenance: Dixon & Dixon, New Orleans, Louisiana; Private collection, Covington, Louisiana.

668

Pair of Edwardian Mahogany Knife Urns

early 20th century, in the Adam taste, the covers with carved pineapple finials, on ratcheted supports above the fitted interior, the bodies carved with fluting and oval paterae, on tapered feet and square bases. h. 23-1/4”, dia. 8-1/2”

$2,000-$4,000

669

William IV Mahogany Double-Pedestal Sideboard

second quarter 19th century, the shell-carved backsplash with volutes and a central carving, resting on a crossbanded mahogany top, over three bolectionmolded drawers, the cupboard doors with elaborate acanthine-carved uprights, the whole ending in square molded plinth bases.

h. 59”, w. 102”, d. 29-1/4”

$1,200-$1,800

670

Pair of Baccarat “Dauphin” Pattern Candelabra

each with a central glass spear-point finial and three molded and frosted crystal candle cups, set into prism rings, on a frosted dolphin-form crystal standard, marked on the base.

h. 23-1/2”, dia. 11”

$2,000-$4,000

671

Pair of Hollywood Regency-Style Mahogany Bergeres

first half 20th century, the back crests carved in the form of drapery swags, the arm fronts with carved rope and tassels, raised on out-curved fluted legs.

h. 38”, seat h. 19”, w. 28”, d. 21”

$800-$1,200

673

French Metal and Marble-Top Console Table

second quarter 20th century, the marble top supported on a skirt pierced with scrollwork, the bold scrolled legs decorated with floriform medallions and applied leaves.

h. 42-1/2”, w. 49-1/2”, d. 20”

$1,200-$1,800

674

Art Nouveau Patinated Metal “Jouvence” Lamp

ca. 1900, after Alfred Jean Foretay (Swiss, 1861-1944), of a nymph washing her long flowing hair, standing on a rocky outcropping above a pool of enameled “water”, mounted with two sockets in the upper portion, cast signature along side.

h. 32”, w. 16”, d. 18”

$1,500-$2,500

672

Pair of Frederick Cooper Pottery Lamps

20th century, in the form of tea canisters, decorated with bouquets of roses and violets framed with ivy intertwined with ribbons, on wooden bases.

h. 19”, dia. 8”

$1,200-$1,800

Conditions of Sale:

ALL SALES ARE “AS IS, WHERE IS” WITHOUT ANY WARRANTIES WHATSOEVER. PLEASE SEE SECTION 2(a) BELOW IN WHICH ANY AND ALL EXPRESS AND IMPLIED WARRANTIES (INCLUDING WITHOUT LIMITATION ANY WARRANTY AGAINST REDHIBITORY DEFECTS) ARE WAIVED.

1. Introduction

(a). These Conditions of Sale (“Conditions of Sale”) contain all the terms governing Auctions (defined below) conducted by Cakebread Art Antiques Collectables, Inc. d/b/a New Orleans Auction Galleries (“NOAG”), and all the terms under which NOAG and the Seller (defined below) of a Lot (defined below) contract with the Buyer (defined below). These Conditions of Sale may be amended by posted notices or oral announcements made during the Auction.

(b). Under these Conditions of Sale, the following capitalized terms are defined as follows:

• An “Auction” is a public auction conducted by NOAG, at which Bidders may place Bids to purchase one or more Lots offered for sale by NOAG. An Auction takes place over one or more days and includes separate auctions of one or more Lots within an event conducted by NOAG;

• The “Auctioneer ” is the auctioneer calling the Auction conducted by NOAG; A “Bid” is a bid made by a party at the Auction to purchase a Lot;

• A “ Bidder ” is (i) a person making a Bid at the Auction (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding); and/or (ii) a person who attends the Auction and registers to make a Bid (whether in person, through an absentee bid, through electronic or internet means, or through telephone bidding);

• A “ Buyer ” is the party that commits to purchase a Lot by submitting the Winning Bid at Auction;

• “ Buyer’s Premium” is defined in Section 4 below;

• “Catalogue” is the Auction catalogue utilized by NOAG to list the Lots offered at Auction;

• The “ Estimates” are the high and low estimates of value for each Lot set forth in the Catalogue presented by NOAG in connection with the Auction or otherwise set forth and/or announced at the Auction;

• The “ Hammer Price” for a Lot is the amount of the Winning Bid at the Auction, as announced by the Auctioneer, exclusive of commissions, Buyer’s Premium, expenses, and any taxes or other charges;

• A “ Lot ” is specific item of property offered for sale at Auction; The “Reserve” is defined in Section 3 below;

• The “ Purchase Price” is defined in Section 4 below; A “Sale” of a Lot occurs when a Winning Bid is declared at Auction for the Lot;

• The “ Seller ” of a Lot is the party who consigned the Lot with NOAG for purposes of selling the Lot, or is otherwise the seller of the Lot;

• The “ Winning Bid” is, as to a particular Lot, the Bid recognized by the Auctioneer as the highest and best Bid for that Lot.

(c). Except as otherwise stated, NOAG acts as consignment agent for the Seller. The contract for the sale of the Lot is therefore made between the Seller and the Buyer.

(d). By bidding at the Auction as a Bidder or Buyer, and/or by your signature below, you agree to be bound by these terms.

2. Before the Auction

(a). ALL SALES ARE “AS IS, WHERE IS” WITH NO EXPRESS OR IMPLIED WARRANTIES WHATSOEVER.

(i) NEITHER NOAG NOR THE SELLER PROVIDES ANY GUARANTEE OR WARRANTY AS TO THE NATURE, DESCRIPTION, GENUINENESS, PROVENANCE, IMPORTANCE, OR CONDITION OF THE LOT. All Sales and Auctions are without any representation or warranty of any kind by NOAG or the Seller. Bidders and Buyers are responsible for satisfying themselves concerning the condition of the Lots and the matters referred to in the catalogue entry, the Condition Report, or in any other statement or writing provided. All Sales are final and are “AS IS WHERE IS.”

(ii) No warranty of redhibition. ANY WARANTY AGAINST REDHIBITORY DEFECTS IS WAIVED AND EXCLUDED. NOAG and Seller provide absolutely no warranty against redhibitory defects, including without limitation: (x) any defects rendering a Lot useless or its use inconvenient; and (y) any defects diminishing the usefulness of a Lot; and any such warranties are waived and excluded. In addition, NOAG and Seller provide no warranties, guarantees, or representations as to whether a Lot is fit for its ordinary use, fit for Buyer’s intended use or for Buyer’s particular purpose.

(iii) No warranty against eviction. ANY WARRANTY AGAINST EVICTION IS WAIVED AND EXCLUDED. In the event that Buyer is evicted from possession of whole or part of the Lot, neither NOAG nor Seller have any duty whatsoever to return any part of the Purchase Price to Buyer. Buyer is buying at Buyer’s sole risk and peril as to third parties who may claim rights in the Lot after the Sale.

(iv) No warranty as to authorship. NOAG does not make any express or implied warranty as to authorship of works of art and fine art. No statement in the Catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED.

(v) No warranty of peaceful possession, etc. The following warranties are waived and excluded: the absence of hidden defects, peaceful possession, and ownership. NOAG and Seller provide absolutely no warranty that the Lot is free from hidden defects, or for peaceful possession, or for ownership.

(vi) No other warranties. None of the Seller, NOAG, or any of NOAG’s officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law, any express or implied warranty of any kind whatsoever is excluded by this Section 2(a).

(b). Examination of property / Condition Reports. Prospective Buyers and Bidders are strongly advised to examine personally any property in which they are interested, before the Auction takes place. As a convenience, Bidders may request that NOAG produce a Condition Report (“Condition Report”) for a Lot, which, if produced, will provide additional detail concerning the condition of the Lot as observed by NOAG’s staff. NOAG reserves the right to decline to produce a Condition Report for any specific Lot, for any reason and in NOAG’s sole discretion.

(c). Catalogue and other descriptions.

(i) All statements made by NOAG as to condition, authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, or historical relevance, whether in the Catalogue entry for the Lot, in the Condition Report, and/ or in a bill of sale, or made orally or in writing elsewhere, are qualified statements of opinion only and are not to be relied on as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by NOAG of any kind. References in the Catalogue entry or the Condition Report to damage or restoration are for guidance only and should be evaluated by personal inspection by the Bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others.

(ii) Without limiting the foregoing, none of the Seller, NOAG, or any of NOAG’s officers, employees or agents, are responsible for the correctness of any statement of whatever kind concerning any Lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any Lot.

(iii) Any Estimates provided should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Any written or oral appraisal, Estimate or other statement of NOAG or our representatives with respect to the estimated or expected selling price of any Lot of Property is a statement of opinion only and shall not be relied upon by Bidders or prospective Bidders as a prediction or guarantee of the actual selling price.

(iv) NOAG shall not be liable for any errors or omissions in catalogue or other descriptions of the Property. Neither NOAG nor the Seller is responsible in any way for errors and omissions in the catalogue, or any supplemental material.

(d). Further acknowledgement. As a Bidder and prospective Buyer, you further agree and acknowledge that:

(i) You are not relying on NOAG’s skill or judgment in selecting to purchase any Lot;

(ii) No oral or written statements in the Auction Catalogue, Condition Report, or elsewhere are the cause of or reason behind your purchase of any Lot; and you would have incurred such purchase regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere;

(iii) NOAG did not and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why you decide to purchase any Lot;

(iv) Your purchase of any Lot is not intended to gratify a nonpecuniary interest; and

(v) NOAG did not know, nor should it have known, that any oral or written statement about a Lot in the catalogue, Condition Report or elsewhere would cause a nonpecuniary loss to a Buyer.

3. At the Auction

(a). Registration before bidding / Bidding requirements. In order to be accepted as a Bidder and allowed to place a Bid, all Bidders must meet all of the following requirements:

(i) A Bidder must complete and sign the attached registration form and provide identification to NOAG;

(ii) NOAG may require the production of bank or other financial references or any other additional information;

(iii) When making a Bid, a Bidder is accepting personal liability to pay the Purchase Price in full in the event that the Bidder submits the Winning Bid, unless it has been explicitly agreed in writing with NOAG before the auction of the Lot that the Bidder is acting as agent on behalf of an identified third party acceptable to NOAG, and that NOAG will only look to that principal for payment

(iv) All Bids are to be made in U.S. currency unless agreed upon between NOAG and the Bidder; and

(v) At NOAG’s sole discretion, NOAG may require any Bidder to post a cash deposit in an amount set by NOAG at its sole discretion. Such deposit may include, without limitation, a deposit of 25% of the Maximum Bid (or another amount set in NOAG’s sole discretion) in the case of Absentee Bids (defined below).

(b). Refusal of admission / Rejection of Bidders. NOAG has the right, at its complete discretion, to refuse admission to the premises or participation in any Auction. NOAG reserves the right to reject any Bidder for any reason whatsoever and in NOAG’s sole discretion.

(c). Absentee bids / Telephone bids.

(i) As a convenience to Bidders, NOAG may allow a Bidder to submit an absentee bid (“Absentee Bid”) or telephone bid (“Telephone Bid”) by filling out (in full) the section of the attached registration form marked “Absentee Bids / Telephone Bids.” In order to submit an Absentee Bid or Telephone Bid for an Auction, that registration form must be filled out and submitted to NOAG no later than 5:00 p.m. central time on the last business day before the commencement of the Auction. (NOAG reserves the right to accept late Absentee Bid or Telephone Bid submissions in NOAG’s sole discretion.) All Absentee Bid submissions must include a maximum bid amount (“Maximum Bid”).

(ii) If an Absentee Bid is submitted and accepted, at the time of the auction of the affected Lot, the Auctioneer or other NOAG staff will place the Absentee Bid at the amount of the opening bid amount, and will increase the amount as necessary until the earlier of (x) the Absentee Bid is the Winning Bid; or (y) the amount reaches the Maximum Bid. All such actions in this paragraph are at the sole discretion of the Auctioneer and/ or NOAG. If NOAG receives Absentee Bids on a particular Lot with identical Maximum Bid amounts, and at the Auction these are the highest bids on the Lot, the Lot will be sold to the person whose Absentee Bid was received and accepted first. In the event of a tie bid between an Absentee Bid and a Bid submitted by a Bidder physically present at the Auction (or a Telephone Bid), the Lot will be sold to physically present Bidder (or bidder submitting the Telephone Bid).

(iii) If a Telephone Bid is submitted and accepted, at the time of the auction of the affected Lot, NOAG staff shall attempt to contact the Bidder using the telephone number provided. If successfully contacted, the Bidder shall then be afforded the opportunity to place a Bid on the Lot by telephone. Telephone Bids may be recorded. By submitting a Telephone Bid, the Bidder consents to the recording of the conversation and the placing of the Bid.

(iv) Execution of Absentee Bids and Telephone Bids is a free service undertaken subject to other commitments at the time of the Auction and neither NOAG nor the Auctioneer shall have any liability for failing to execute an Absentee Bid or Telephone Bid or for errors and omissions in connection therewith.

(d). Video or digital images. At some Auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image and we do not accept liability for such errors. NOAG reserves the right to video tape and record proceedings at any Auctions. Any personal information obtained will be held in confidence by NOAG but may be used or shared with our affiliates and marketing partners for customer analysis purposes and to help us to tailor our services to buyer requirements. Any Bidder attending an Auction in person who does not wish to be video-taped may make arrangements to make a Telephone Bid in accordance with Section 3(c) above.

(e). Reserves. All Lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold (the “Reserve”). The Reserve for a Lot will not exceed the low Estimate for that Lot. The Auctioneer may open the bidding on any Lot below the Reserve by placing a bid on behalf of the Seller. The Auctioneer may continue to bid on behalf of the Seller up to the amount of the Reserve, either by placing consecutive bids or by placing bids in response to other bidders. Notwithstanding the foregoing, a Lot may be sold at a Hammer Price below the Reserve, at the discretion of the Auctioneer and NOAG, in any manner consistent with the agreement between NOAG and the Seller.

(f). No bidding by Seller. Under no circumstances shall Seller (as agent or principal), whether by itself or through its representatives, employees or agents (except as through the Auctioneer as set forth in Section 3(e) above), enter or cause to be entered a Bid on Seller’s Lot.

(g). Auctioneer’s discretion. The Auctioneer has the right at his or her absolute and sole discretion to refuse any Bid, to advance the bidding in such a manner as he or she may decide, to withdraw or divide any Lot, to combine any two or more Lots, and in the event of any error or dispute, to determine the Winning Bid, to continue the bidding, to cancel the Sale or to reoffer and resell the Lot or item in dispute. If any dispute arises after the Sale, NOAG’s sale record is conclusive. Unless otherwise announced by the Auctioneer at the time of Sale, all Bids are per Lot as numbered in the Catalogue and no Lot shall be divided for Sale. NOAG and/or the Auctioneer may withdraw any Lot at any time before such Lot is offered at Auction, for any reason and in their sole and absolute discretion. (h). Successful bid and passing of risk. The Auctioneer shall have absolute discretion in determining the Winning Bid and the striking of the Auctioneer’s hammer marks the acceptance of the highest and best bid as the Winning Bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the Lot but not its title passes to the Buyer immediately upon announcement of the Winning Bid at the Auction. (i). Post-auction sale. In the event that there is no Winning Bid at Auction for a Lot, or the Lot is withdrawn from the Auction, or the Sale is cancelled for non-payment pursuant to Section 4(g) below, NOAG may sell the Lot at public or private sale at any time thereafter, in a manner consistent with the agreement between Seller and NOAG. (j). NOAG assumes no responsibility for failure to execute Bids for any reason whatsoever.

4. After the Auction

(a). In order to consummate and complete the Sale, the Buyer must tender payment in full of all of the following amounts (all such amounts together being the “Purchase Price”) to NOAG:

(i) the Hammer Price; and

(ii) the “Buyer’s Premium” consisting of a premium of 25% of the Hammer Price (discounted to 22% if the method of payment is by check, cash, or wire transfer [subject to a $30 fee for domestic wires and a $60 fee for international wires] by the end of the day on the fifteenth calendar day following the conclusion of the Auction) up to and including a Hammer Price of $200,000 and 12% of the amount by which the Lot’s Hammer Price exceeds $200,000; and

(iii) Any applicable Louisiana, state, local, and federal or other taxes, calculated as required by law. Any documentation of tax exemption must be provided by the Bidder contemporaneously with the execution of the attached registration form.

(b). Payment and passing of title. The Buyer and any other Bidders are responsible for contacting NOAG for Auction results during the week after the conclusion of the Auction. Subject to the provisions of Section 4(i) below which may require earlier payment, the Buyer must pay the full Purchase Price no later than 4:30 pm central time on the fifteenth calendar day following the conclusion of the Auction. Payments may be submitted during business hours to: New Orleans Auction Galleries, 333 St. Joseph Street, New Orleans, Louisiana 70130, Telephone number: 504-566-1849. Payments may be made by certified check, cash, wire transfer, or credit card (Visa, Mastercard, and American Express). Payments will be accepted by non-certified check only in NOAG’s sole discretion, from Buyers that have been qualified by NOAG in NOAG’s sole discretion. Title to the Lot does not pass to the Buyer until the full amount of the Purchase Price has been tendered and received by NOAG in good cleared funds, even in circumstances where the Lot has been released to the Buyer.

(c). Credit Cards. Your signature on this form constitutes permission to charge the full amount of the Purchase Price on your credit card, if you are the Buyer on a Lot and payment is not received within five business days of the close of the Auction. Your signature on this form also constitutes permission to charge the full amount of Storage Charges (defined below), if and when accrued, on a periodic basis on your credit card.

(d). Release of Lot to Buyer. No Lot will be released to the Buyer unless and until NOAG receives full payment of the Purchase Price, and such payment has cleared and NOAG has received confirmation of all funds owed. At its sole discretion, NOAG may release a specific Lot at any time, notwithstanding the foregoing provision. In addition, NOAG may require that Lots not be released until the Buyer has cleared additional checks in NOAG’s sole discretion, including without limitation, any anti-money laundering or antiterrorism financing checks to NOAG’s satisfaction. In the event that a Buyer fails to complete any anti-money laundering or anti-terrorism financing checks to NOAG’s satisfaction, NOAG shall be entitled to cancel the Sale and take any other action permitted or required under applicable law. In addition, notwithstanding the foregoing, Lots cannot be released until after the conclusion of the Auction.

(e). Export/Import license and Dealers. It is the Buyer’s sole responsibility to obtain any relevant export or import license. The denial of any license or any delay in obtaining licenses shall not justify the rescission of any sale nor any delay in making bill payment for the Lot; and shall not limit or alter any of the obligations of the Buyer herein. Dealers purchasing for resale must enter appropriate their Dealer Resale Number on the attached registration form and provide NOAG with proper documentation.

(f). Storage charge. Subject to the foregoing provisions, any Lot that is not picked up by the end of the day on the fifteenth calendar day following the conclusion of the Auction is subject to an additional storage charge of $5.00 per Lot per day (“Storage Charge”) for as long as the Lot is stored at NOAG’s facilities. The outstanding amount of this Storage Charge must be paid in full (in addition to the Purchase Price) before such Lot will be released to the Buyer. Such Storage Charge accrues on a daily basis and is billed monthly. All items handled or stored will be at the Buyer’s risk. NOAG is not liable for any damage to Lots after the conclusion of the Auction.

(g). Remedies for non-payment. If the Buyer fails to make payment in full of the Purchase Price in good cleared funds within the time required by Section 4(b) above, or payment in full of any applicable Storage Charge when incurred, NOAG shall be entitled in its absolute discretion to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available by law):

(i) to charge outstanding amounts to the Buyer’s credit card;

(ii) to charge interest at the rate of one and one-half percent (1.5%) per month (but not to exceed the highest amount chargeable under applicable law);

(iii) to hold the Buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law;

(iv) to exercise any other remedy or remedies available under the law, including but not limited to a second sale of said item in accordance with the provisions of applicable law, including the subsequent enforcement of any deficiency against the initial buyer;

(v) to cancel the sale;

(vi) to resell the property publicly or privately on such terms as we shall think fit;

(vii) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer;

(viii) to set off against any amounts which NOAG may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer;

(ix) where several amounts are owed by the Buyer to NOAG, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs;

(x) to reject at any future Auction any Bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer before accepting any Bids;

(xi) to exercise all the rights and remedies of a person holding security and/or privilege over any property in our possession owned by the Buyer, whether by way of pledge, security interest or in any other way, to the fullest extent permitted under Louisiana law (including without limitation under La. Civil Code art. 3247, La. R.S. 10:7-209 and 10:7-210 and other applicable law), or (xii) to take such other action as NOAG deems necessary or appropriate. In connection with the item (xi) above, the Buyer will be deemed to have granted such security to NOAG and NOAG may retain the affected Lot and any property of the Buyer as collateral security for such Buyer’s obligations to NOAG and to the Seller

If we resell the property under Section 4(g)(vi) above, the Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon resale as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kind associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (vii) above, the Buyer acknowledges that NOAG shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

(h). Shipping and packing. All shipping, packing, and transportation of Lots from NOAG’s facilities is the responsibility of Buyer. NOAG may, as a courtesy, assist Buyer with necessary arrangements, but by doing so, NOAG assumes no responsibility or liability for shipping, packing, moving, or transportation, including without limitation damage to Lots, damage to Buyer’s vehicle, or any personal injury of any persons involved.

(i). Earlier payment may be required. For any specific Lot, and notwithstanding the provisions of Section 4(b) above, NOAG may require, in its sole discretion, that the Hammer Price for the Lot be paid immediately upon the striking of the Auctioneer’s hammer and announcement of the Winning Bid, with the balance of the Purchase Price being due by the close of the Auction.

5.Copyright

The copyright in all images, illustrations and written material produced by or for NOAG relating to a Lot including without limitation the contents of the Catalogue, is and shall remain at all times the property of NOAG and shall not be used by the Buyer or Bidder, nor by anyone else, without our prior written consent. NOAG and the Seller make no representation or warranty that the Buyer of a Lot will acquire any copyright or other reproduction rights in it.

6. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

7. Data Collection

In connection with the operation of our auction business, NOAG may need to seek personal information from Bidders or obtain information about Bidders from third parties (e.g., credit checks from banks). Such information will be processed and kept by us in confidence. Some of Bidders’ personal data may also need to be shared with third party service providers (e.g., shipping or storage companies) for Bidders’ benefit. By participating in an Auction, you agree to all previously stated disclosure.

8. Law and Jurisdiction

The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the Auction and any matters connected with any of the foregoing shall be governed and interpreted under the laws of the State of Louisiana. By bidding at the Auction and/or through execution of the attached registration form, the Bidder consents to the exclusive jurisdiction of the courts of the State of Louisiana and the Federal courts of the United States of America located in the Eastern District of Louisiana.

New Orleans Auction galleries

ABSENTEE / TELEPHONE BID FORM

Name (Please Print): ______________________________________________ Date: ______________________

Business Name: ______________________________________________________________________________

Dealer Resale # (Dealers must also sign official State of Louisiana document): _______________________________

Address: _____________________________________________________

City: _____________________________________________ State: ____________ ZIP: ___________________

Telephones: Work (_____)_____________ Home (______)______________ Fax (______)_______________

E-mail Address: _________________________________________________________________________________

Conditions of Sale: Conditions of sale are as set forth in the applicable New Orleans Auction Galleries catalogue. Placing a telephone bid and/or absentee bid in the auction constitutes acceptance of all Conditions of Sale posted by NOAG as amended by any posted notices or oral announcements during the sale.

Lot # Bid Amount (not including buyer’s premium) OR Telephone Number to Call: $ $ $ $

VISA / MasterCard / American Express #: ____________________________________________

Expiration Date: _____________ CVV #: __________ Billing Zip:

I have read and agree to the Conditions of Sale. I agree that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 12% of the hammer price greater than $200,000 (no discounts). Your signature on this form constitutes permission to charge successful bids to your credit card, including the 25% buyer’s premium, if payment is not received within five days of the auction.

Signature (Required):

Please fax this form by 5:00 p.m. the day before the auction to 504-566-1851 or scan and email to info@neworleansauction.com

333 Saint Joseph Street, New Orleans, LA 70130 | 504-566-1849 | Fax: 504-566-1851 | info@neworleansauction.com Rev. Jan. 2023

Meet Our Team

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CARPETS

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Susan D. Sarofim

Taylor Eichenwald | taylor@neworleansauction.com

Tessa Steinkamp

John C. Jones | john@neworleansauction.com

Michele M. Carolla | michele@neworleansauction.com

Sophie Curtis | sophie@neworleansauction.com

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Kim Lemon | kim@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

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Alex Ebel | alex@neworleansauction.com

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Audrey Dawson | audrey@neworleansauction.com

Denise Haik | denise@neworleansauction.com

Charles C. Cage | charles@neworleansauction.com

Owen Lemon | owen@neworleansauction.com

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Sean Ranson

Cedric Roberts, Emmitt Kendrick, Jr., Gerald Hampton, Theadrow Mark, Furnell Augustin, Jr., Will Williams, Jr., Juanita Jones, Christian Hamilton, Brennan Moses, Vyron Thomas

Burke

John Thompkins

Ellen McKenzie

Thomas Halverson

Claudia Kheel

James Callahan