Both plaid patterns and the physical makeup of a woven fabric represent connections and transitions. This project highlights these semiotics at a deeper level, calling out family relationships and exploring the transition of generations through subtle graphic interpretation of these images. Using research and investigation of materiality, I showcase images inlaid through handwoven plaids and other renderings of the original photographs, with careful consideration of locally sourced and, in some cases, recycled materials. I chose many of the colors and fabrics in response to the clothes worn in the archived images; the silhouettes were influenced by the relaxed mood of the photos as well as 1970s music and fashion, creating a contemporary feel and comfortable, gender-neutral garments.
