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Welcome to this week’s Reno News & Review. Nice, totally not-at-all controversial subject on the cover this week—sex education. Check out Kris Vagner’s feature story on page 11 for more about the battle in Washoe County about proposed changes to the sex ed curriculum. Personally, I can still recall the giddy, embarrassed excitement I felt on elementary school sex ed days. This was here in Washoe County, but way back in ye olde 1980s. The classes were helpful. I remember they cleared up some misunderstandings I had about female anatomy based on what I had seen in Playboy magazines— which, for some strange reason, in those days, at least, presented women’s genitals as beginning and ending at the mons pubis. And that seems as good a segue as any to an announcement that I haven’t yet made in this column: My fiancee, Margot Choltco, and I are expecting a baby. (We had sex—several times, as a matter of fact—in order to make the baby. Education!) Hooray! We’re beyond excited. The baby is due Dec. 1, but could come before Thanksgiving. So, if I suddenly disappear from the paper, you can rest easy, knowing I’m off on Baby Island, soon to return with long, flowery, poetic ruminations on diaper smells and sleep deprivation. (And the paper will be fine. The news will keep happening. The arts will keep happening. And my colleagues here are pros.) Margot and I already have three wonderful kids between us—my son Clifford, and stepdaughters Josephine and Viktoria—but this will be our first baby with DNA from both of us. The horns, hooves and tail have not yet appeared on the ultrasounds.
Re “De facto automatics” (letters, Oct. 19): It certainly doesn’t matter to the Las Vegas 58 victims or their families what type of gun(s) were used, but it might be worth knowing that Paul Johnson writes “only the military and a few collectors own automatic weapons.” Not true at all! You or I or any non-felon who has not been involuntarily committed to a mental facility may buy a machine gun, with a $200 ATF registration fee and an extensive background check that can take up to 6 months as long as it was manufactured before May 19, 1986. Your editor’s note says “The term assault weapon usually includes semi-automatic weapons.” Not so! The uneducated media begat this error. You can accurately call them “assault-style weapons.” It’s unfair to perpetuate a picture of madmen using “machine guns” on masses of people. The message to take away is “Concealed Carry permitted guns are not being used in crimes.” There are almost no instances of “permit holders” being convicted of gun crimes.
—Brad Bynum bradb@ ne w s r ev i ew . com
Franklin Booth Sun Valley Editor’s note: The term “assault weapons” usually includes semi-automatic weapons, as a result of this usage by law enforcement. PolitiFact: “Lawmakers, law enforcement officials and others widely refer to many semiautomatic weapons like the rifle used in Orlando and other mass shootings—which reload automatically but fire only once each time the trigger is depressed—as assault weapons. Those are not banned by federal law.” According to the Violence Policy Center, at least 16 concealed carry permit holders have killed four or more people: Michael McLendon (killed 10), Omar Thornton (8), Pedro Vargas (6), Gerardo Regalado (4), Paul Merhige (4), Guillermo Zarabozo (4), Troy Brake (4), Aaron Alexis (4), Andrew Engeldinger (6), Jiverly
Our Mission: To publish great newspapers that are successful and enduring. To create a quality work environment that encourages employees to grow professionally while respecting personal welfare. To have a positive impact on our communities and make them better places to live. Editor Brad Bynum News Editor Dennis Myers Special Projects Editor Jeri Chadwell Arts Editor Kris Vagner Calendar Editor Kelley Lang Contributors Amy Alkon, Matt Bieker, Kelsey Fitzgerald, Bob Grimm, Holly Hutchings, Kent Irwin,
Shelia Leslie, Josie Glassberg, Eric Marks, Tim Prentiss, Jessica Santina, Todd South, Marc Tiar, Brendan Trainor, Bruce Van Dyke, Ashley Warren, Allison Young Design Manager Christopher Terrazas Creative Director Serene Lusano Art Director Margaret Larkin Marketing/Publications Designer Sarah Hansel Production Coordinator Skyler Smith Designers Kyle Shine, Maria Ratinova Web Design & Strategy Intern Elisabeth Bayard Arthur Sales Manager Emily Litt Office Manager Lisa Ryan RN&R Rainmaker Gina Odegard
NOVembeR 02, 2017 | VOl. 23, ISSue 38
Wong (13), Frank Garcia (4), Tan Do (5), Christopher Speigh (8), Dennis Clark III (4), Ian Stawicki (5) and Aaron Alexis (12).
In a housing shortage, too Re “Freeway change coming” (news, Sept. 21): Pyramid/McCarran is a disaster to begin with. To avoid taking just six feet off Mrs. Lagomarsino’s property at the the northwest corner, 66 houses across the street were destroyed, creating a mass dislocation of families, cutting a huge swath through central Sparks, and impacting the tax rolls. All for what amounts to a minor throat widening with no grade separation or any other substantive improvement, while massively disrupting the commute for years. Whatever “historic” aspects there are to this woman’s house, neither that structure nor its ambience would have been harmed by just carving a little bit off the front yard to create a right-turn lane. Public Works calls for: 1. Exercising critical judgment 2. Being resolute 3. Managing effectively. RTC and NDOT failed on all three counts with this ill-conceived project. Bill Stremmel Pahrump
Progress or just change? Re “Air traffic uncontrol” (Let Freedom Ring, Oct. 19): Wow, so many inaccuracies. First, air traffic control (ATC) does not cancel flights. The airline does. Next, comparing ATC in the U.S. to countries that have adapted privatized ATC functions is like comparing apples to oranges. The U.S. ATC system is the largest, most complex, yet safest in the world. The FAA has been hamstrung in achieving its modernization due to the mess that is known as modern-day politics, not any disfunction or unwillingness to modernize. In fact, the airlines themselves have been extremely slow to install the
Advertising Consultants Myranda Keeley, Kambrya Blake Distribution Director Greg Erwin Distribution Manager Bob Christensen Distribution Drivers Alex Barskyy, Brittany Alas, Gary White, Marty Troye, Paola Tarr, Patrick L’Angelle, Timothy Fisher, Tracy Breeden, Vicki Jewell, Brandi Palmer, Olga Barska, Rosie Martinez President/CEO Jeff VonKaenel Director of Nuts & Bolts Deborah Redmond Executive Coordinator Carlyn Asuncion Project Coordinator Natasha VonKaenel Director of People & Culture David Stogner Nuts & Bolts Ninja: Leslie Giovanini
Director of Dollars & Sense Nicole Jackson Payroll/AP Wizard Miranda Hansen Accounts Receivable Specialist Analie Foland Sweetdeals Coordinator Hannah Williams Developers John Bisignano, Jonathan Schultz System Support Specialist Kalin Jenkins N&R Publications Editor Michelle Carl N&R Publications Associate Editor Laura Hillen N&R Publications Writer Anne Stokes Marketing & Publications Consultants Steve Caruso, Joseph Engle, Ken Cross Cover design: Margaret Larkin
equipment—known as ADS-B—that is mandated by 2020. And then there’s this; According to the Bureau of Transportation Statistics, 80 percent of delays in the system today are caused by weather or airline mismanagement. This includes computer glitches, crew deployment schedules and mechanical issues. These issues will not be solved with the new corporation. Only 15 percent of all delays during that time period were due to issues with our air traffic system. Bottom line—do we need to modernize? Absolutely. Privatize? Not so much. David McCollum Oklahoma City
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BY JERI CHADWELL
What do teens need to know about sex? asked aT see see moTor coFFee co., 131 Pine sT.
Jack Beisel General manager
I think as much as possible, as early as possible—and that sex is neither bad nor gross and that consent is paramount.
Tom Fenn Salesperson
I think they need to know everything there is about sex. I have a son who’s 12-years-old. We live in a society in which information is readily available to kids at any age. They’re looking at porn. … Society is different. I sat down with him and talked about the birds and the bees.
k arma Ya z zie BY TIm ConDER
Goodbye, Fourth Street In 2011, my small business, Bootleg Courier Company, was looking for a home. We decided on a much-too-bigfor-our-needs 5,000-square-foot warehouse on East Fourth Street, next door to our friends at the Reno Bike Project. Back then, Fourth Street was primarily inhabited by seedy bars and late-night clubs. I was attracted to the neighborhood, in part, by the industrial feel and the mixed inhabitants—varying socioeconomic backgrounds—coexisting together. It was similar to the neighborhoods in the Bay Area that I had left behind to start my business in Reno. In those cities, drug rehabs and sex shops existed next door to upscale coffee shops and boutique clothing stores. Fourth Street similarly felt like a place where anything was possible. Our warehouse became home to working artists and took on the moniker Cuddleworks. The feeling of camaraderie was palpable. We produced one event each year. The space helped launch initiatives like KWNK Community Radio and Magpie Coffee, and was a project development space for the Holland Project, Fleischmann Planetarium, Great Basin Community Food Co-op, the Nevada Museum of Art, Sheppard Fine Arts Gallery, and more. I was homeless in San Francisco for about a year in 2006-07. One of my biggest takeaways from that experience: In order for social services to be effective, they must be accessible. Reno has all of the ingredients to make this a reality. Because of the train trench, the City of Reno owns a significant amount of property in the middle of town. There are no limitations to the centralization of services other than our own vision and priorities.
It saddens me that newcomers to Fourth Street are pushing to move social services. Business owners who capitalized on recession-era low property values to build their upscale businesses now want to eradicate anyone outside of their specific higher-end clientele. This story is not a new one—progressive individuals and businesses move into old, dilapidated buildings in forgotten neighborhoods to realize their goals. Initially, they interact positively with the community that already exists there. Then, at some point, investors and developers take notice. Together with Under the Rose Brewing and the Reno Bike Project, Cuddleworks helped produce Positively 4th Street—a project highlighting the positive attributes of our street. This event, intended to help secure needed infrastructure updates, also marked the beginning of the end to our time on Fourth Street. What we can learn: Keep everything you do a secret. Being proud of your neighborhood is understandable, but it could also do harm to the people living in that neighborhood. Purchase your space whenever possible. If there’s a way, find it. Always think about origin. Who was here before me? What was their life like? How can I honor them and their efforts? Am I contributing while being sensitive to history and neighborhood culture? Goodbye, Fourth Street. I won’t soon forget you. Cuddleworks will have a new home beginning December 1. The Reno Bike Project has relocated to Grove Street. Ω Tim Conder is the manager of Cuddleworks Art Space, co-owner of Bootleg Courier Company, and CEO of BlackBird.
Bartender
Anymore, they can just get on their phone or social media, and that’s what they’re learning from—what’s on TV, what’s on music. … Really, there’s so much more emotion and heart to it, you know? It’s not just physical.
caTherine leon Development director
I’d say sex is fun. It’s healthy. It’s a natural and enjoyable part of life. But, at the same time, I’d warn— is it warning?—not to believe everything they see. Porn is readily available, you know what I’m saying? I’ve heard of kids who’ve stumbled on, like, S&M stuff.
Jesse Green Barista
I feel people try to make sex to be a big thing and loss of virginity to be a big thing. But I feel like a lot of the issues that come with sex are more societal constructs than they are actual problems. Teenagers need to understand that it’s more about how they feel.
11.02.17 | RN&R | 5
by SHEILA LESLIE
Father knows zip My first reaction was to laugh when I read the condescending opening line of a recent column in the Reno Gazette-Journal by economic development official Mike Kazmierski, declaring “Reno-Sparks is growing up.” I rolled my eyes as he compared Reno to a clumsy teenager, declaring that we need to stop sleeping and playing Xbox all weekend and start solving the challenges associated with his monumental efforts to diversify our economy and add jobs. After all, he shouldn’t be expected to do all the heavy lifting by himself. As I read more, I was astonished by his ability to rationalize away all of us who disagree with his penchant for allocating our tax dollars for the purpose of luring already wealthy corporations to set up shop in our community. Kazmierski thinks those of us who question his policies and their negative effects on the Truckee Meadows in terms of affordable housing, a failing infrastructure, and overcrowded schools and roads need to get over our
“sky is falling” mentality and join his team. He’s been here six years now, you see, and look at all he has accomplished with his philosophy of “a rising tide lifts all boats.” In Kazmierski’s mythical depiction of Reno, we’ve been mere children these last 149 years, but no worries, “we will be adults soon, and with that will come real adult challenges and real adult responsibility.” He gripes that we just need to get over our what’s-in-it-for-me? thinking and start believing we’re in this together. Kazmierski ignores Reno’s rich history dating back to the mid-1850s when pioneers began residing in the valley, along with our boom-and-bust tendencies since Reno’s official founding in 1868. He skips right over Reno’s not-so-childlike culture of quickie marriage and divorce, and turns a blind eye to the vices of gambling, drinking and drugs that continually percolate under the surface of a city that does far too little to acknowledge or assist the addicted.
Since Kazmierski has only been here six years, he didn’t experience the boom period in the late ’70s when the MGM opened its doors. He didn’t witness how the pressure from explosive growth forced people out of their homes as housing costs escalated and public services struggled to keep up with the demand for assistance. But who needs history when you have all of today’s answers? To accommodate the effects of the newest growth burst for which he gladly takes all the credit, Kazmierski wants us to “take on a challenge ... develop a plan, build a coalition and get it done.” Just listen to the adult in the room. Kazmierski concludes his column with the patronizing attitude of a king lecturing his subjects, stating our “young community” should “acknowledge that it’s time to grow up.” This, from a man who has barely lived here long enough to know where to find the best Awful Awful burger. He’s no doubt salivating
at the prospect of rescuing another baby city after he’s finished saving us from ourselves. The comments about Kazmierski’s column on social media were colorful and entertaining, but perhaps the best response come from long-time Reno resident Willie Puchert: “Since he is referring to us as children, I would tell Ward Cleaver up there that part of the ‘maturation process’ is (1) having developers pay impact fees instead of working folks and middle class always shouldering the burden of schools, roads and services, (2) our elected officials quit their addiction to giving corporate welfare to these companies who make all these promises but are never able to deliver and (3) ensuring responsible development that does not create detrimental environmental impacts that those poor folks in Lemmon Valley are experiencing.” In other words, Mr. Kazmierski, grow up, why don’t you? Ω
A NEW SEASON OF ADVENTURES Join hosts Chris Orr and Dave Santina for Season 4 of WILD NEVADA, featuring exciting adventures and scenic discoveries from across the Silver State. Watch Thursdays 8 PM on KNPB Channel 5.1 and online anytime at knpb.org/wildnevada.
On KNPB 5.1 • knpb.org/wildnevada • #watchWildNV 6 | RN&R | 11.02.17
by Brendan Trainor
The new age The father of our country was a slave holder. He was a land speculator. His legacy is still that of a great man, a man of immense ability and noble heart. He refused the blandishments of power. He spurned those who would make him king. He voluntarily stepped down after two terms in office. He is admired as the American Cincinnatus, the farmer who left the plow to save Rome by leading its legions to victory, but, when victory was won, returned back to his farm and a simple life. When George Washington finished his second term, he gave a farewell address. It’s about 6,000 words long, and is graded for an eighteenth grade reader. In other words, a graduate student. Yet his words were standard reading in 19th century common schools. Today, politicians like Donald Trump speak at a fourth grade comprehension level. Senator Rand Paul is called too philosophical because he speaks at a seventh grade level.
In this address the father of our country talked about the virtues and responsibilities of a republican government and its citizens. He warned against the evils that could destroy a republic. In particular, Washington warned against • Excessive debt • Excessive partisanship • Maintaining long term favoritism or enmity toward particular foreign governments • Fighting unnecessary wars If you mention this to a neocon, his response is: “That’s so 1797!” Sure, times have changed. We live in a new era, a new reality. Sparks’ own Karl Rove said that his neocon U.S. is the new reality, and they make history, and all you can do is watch, and write about what they have done. Only, that was so 2004! Now when I turned on the British Broadcasting Corporation, a middle aged woman on a talk show asked, “Does anyone here really still believe
that America can get anything it wants, anymore?” The political tectonic plates are shifting, and a major earthquake is coming. Over 40 percent of the world is now aligned with the partnership between Chinese-style socialism and Russian conservatism. They are preaching a new vision of economic cooperation and democracy between nations, not necessarily democracy within nations. Did Putin and Xi Jinping read Washington’s farewell address? Why have we let Russia and China become the new world leaders? The U.S. is in decline, but that is not necessarily bad. Let the French die in Niger, if they want. They know that part of the world much better than we do. We have been 16 years in Afghanistan. In most of that forsaken land, dogs are considered unclean. Yet whenever we sweep a village, we bring bomb sniffing dogs into Afghan homes, causing anguish and humiliation.
And even after 16 years, we dropped propaganda fliers with a picture of a military dog overlaid with a verse from the Quran! Empire does not suit us. We’re not even good at it. It has bankrupted us and made us mad with fear. We readily give up our liberty for false security. There is no security at the top! There will always be barbarians knocking at the gates. It doesn’t have to be this way. We could trade peacefully with Russia and China and Iran. We could, but we won’t. We are heading for a fall instead, and it will be very big drop. Just lay down the white man’s burden. Bring the troops home. We thought Bush, Obama and Trump would do just that. We are once more betrayed. Haven’t there been enough blacklaced widows weeping on flag-draped caskets? Ω
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This publication was supported by the Nevada Division of Public and Behavioral Health through Grant Number 6NU62PS003654-05-06 from the Centers for Disease Control and Prevention. Its contents are solely the responsibility of the authors and do not necessarily represent the official views of the Nevada Division of Public and Behavioral Health nor the Centers for Disease Control and Prevention.
11.02.17 | RN&R | 7
by Jeri Chadwell
AftermAth
Sanctuary state: Most wild horses in the West hang out in Nevada.
Injured survivors of the deadly mass shooting in Las Vegas are learning the difficulty of dealing with what some call the world’s finest health care system. Many of the victims have reported having to pay large sums out of pocket. Friends or family members of various wounded victims have set up funds for them as the costs started becoming apparent. There are more than 100,000 gunshots treated in emergency rooms annually. Health Affairs reports a study indicating that “The mean per person [emergency room] and inpatient charges were $5,254 and $95,887, respectively.” The Washington Post reported on California copier repairperson Jonathan Smith, who aided numerous people and took a bullet in the neck. Doctors have not found a way to safely remove the bullet. Splinter News reported on Zack Mesker, shot in the pelvis as he and a friend were trying to get out of the area. “Zack is currently in the ICU and has a long road ahead of him,” according to his GoFundMe page. “His injuries are internal as well as external. Zack and his family need to pay unexpected medical expenses and recovery rehab.” About two-thirds of the $50,000 goal set for his fund has been raised. Las Vegas GoFundMe campaigns can be found here: www.gofundme.com/helplasvegas.
PHOTO/JERI CHADWELL
Dennis BAnks 1937-2017 Chippewa Dennis Banks, a founder of the American Indian Movement who led the armed two-month Wounded Knee siege in South Dakota and a week-long occupation of the Bureau of Indian Affairs offices in D.C., has died at the Mayo Clinic in Minnesota. His niece Wishelle Banks of Nevada said, “His granddaughter was murdered two years ago, and it literally broke his heart. ... He was diagnosed with congestive heart failure and underwent surgery at the Mayo Clinic a few days ago.” Banks and Oglala Sioux Russell Means became the most visible symbols of a newly militant Native American community in the 1970s, though the power of bureaucracy was able to beat back many of the demands of tribes. The ground for the new militancy had been laid among whites by two bestselling books by Dee Brown and Vine Deloria, Jr., and there was substantial sympathy for the movement. A dispute in South Dakota in which a tribal member was killed by a white person—who was given a light charge— caused a riot in Custer, in which the victim’s mother died. Shortly afterward, the two AIM leaders rocketed to fame when 200 Native Americans occupied the richly symbolic area around Wounded Knee Creek, where more than 300 Oglala Sioux had been killed by the U.S. Army in 1890. Charges arising from that protest were thrown out of court, but Banks was convicted of riot and assault with a deadly weapon stemming from the Custer incident, and he jumped bail. At one point, he was staying in Winnemucca with few resources. Nevada tribal leader John Trudell rescued him. “John took me to Reno, Nevada, and we stayed there with some supporters for two days,” Banks later wrote. From Reno, Trudell moved Banks to the Bay Area. Eventually, California Gov. Jerry Brown gave Banks sanctuary in the state. Banks later became chancellor of a small college in Davis. An attack on a tribal girl in Carson City in 1998 and the subsequent trial of Hopi-Paiute-Seminole Rocky Boice, Jr. for his role in a retaliatory beating that caused the death of one of the alleged attackers brought Banks to Nevada to offer support to local Washo tribe members and others. “He often walked among us here,” Wishelle Banks said after his death. “The Washo always welcomed him.” —Dennis Myers
8 | RN&R | 11.02.17
Hold your horses Fate of the West’s mustangs still uncertain
Some horse advocates have claimed on social media that the Appropriations Committee changes would lead to horse slaughter on a massive scale—and many thousands of horses could, in fact, be put down both on the range and in BLM corrals and pastures. But the changes made by the committee would not permit horses to be sold to slaughter. Wild horses might be euthanized, but their meat wouldn’t go toward feeding hungry people, anywhere. According to Amodei, euthanasia in large numbers may not need to happen either. The Reno GazetteJournal reported that during an Aug. 21 interview with its editorial board, Amodei said his support of the amendment was meant to put pressure on horse advocacy groups that are opposed to programs which administer birth control to horses living on the range. “If we really don’t want to kill ’em—which, by the way, I agree with—then we need to get seriously behind this whole birth control thing, so we can reduce those reproduction rates so they are in line with something the ecosystem can support,” he told the RG-J.
horse Doctors in July, the future of wild horses in the Western United States was thrown into question when the House Appropriations Committee voted to remove language from the law that prohibits the destruction of “healthy, unadopted wild horses and burros.” Rep. Mark Amodei, a member of the committee and a Nevada Republican, supported the amendment, saying, “The reality is we have a problem. We have to face it, and we have to deal with it.” The Senate Appropriations Committee will soon consider its version of the budget. Some advocacy groups, like Return to Freedom, have said they “do not believe that the bill will include language that will allow [Bureau of Land Management] to ‘euthanize’—kill—healthy, unadopted wild horses and burros.” But they’re not taking chances, urging members to call their senators. The BLM oversees the Wild Horse and Burro Program, established in 1971 with the goal of managing wild horse populations and protecting the animals
from ordinary citizens who had for years rounded them up and sold them to slaughter. Of course, the BLM rounds up horses, too. As of August 2017, the agency was keeping around 44,500 horses and burros in off-range pastures. Some of these pastures are located on private land. A per-horse fee is paid to land owners whose acreage is used to house horses and burros. According to March 2017 estimates from the agency, another roughly 60,000 horses and 13,000 burros live on rangelands in 10 states in the West. Of the wild horses roaming free, more than half are in Nevada. But the BLM doesn’t sell horses to slaughter, because the Act protects them from it. And since 1997, when the Los Angeles Times broke the story that 90 percent of horses adopted out by the BLM had been sold to slaughter by their supposed adopters, the agency has increased the stringency of the adoption process that allows citizens to take in wild horses removed from the range.
New York-based Friends of Animals and San Francisco-based Protect Mustangs are two advocacy groups that oppose birth control for wild horses. The groups say recent studies show use of the contraceptive Porcine Zona Pellucida (PZP)—which is used on various animals in zoos the world over and can keep a wild mare from reproducing for up to two years—has unnatural impacts on mares and their herds. They’ve filed multiple lawsuits to halt experimental programs in which the BLM and private citizens dose wild mares with the contraceptive using dart guns. One such program in Nevada was stalled by lawsuits from Friends of Animals. Pine Nut Wild Horse Advocates—a non-profit staffed by volunteers—began darting mares in an area near Gardnerville with PZP in 2012. (“No home on the range,” RN&R, Feb. 23). In 2014, with the blessing of the Wild Horse and Burro Program’s Nevada office, they established a pilot program to control the
population of wild horses near the Pine Nut Mountains. The Pine Nut group’s members use donated funds to pay for PZP training and certification from another nonprofit, the Science and Conservation Center in Billings, Montana. They also use fundraising to pay for the vaccines, which according to SCC president Deb Walker, cost about $25 per dose. So, the program was established at no cost to the BLM—or taxpayers. It’s been nearly two years since the Pine Nut group darted a mare. The contraceptives they administered to dozens of mares will have worn off by now. But they may soon get a chance to begin their efforts anew. According to John Axtell, wild horse and burro specialist with the BLM’s Nevada office, the agency is finishing an environmental assessment that, once signed, will clear the way for darting to resume. “It will likely be signed in November, at which time the volunteers can once again dart the mares with PZP contraceptives,” Axtell said in a recent email interview. According to Axtell, “because of the amount of litigation involving EAs relating to the [Wild Horse and Burro] Program and PZP in particular, there has been extra review involved.” And this combined with the year’s exceptional fire season, he said, has slowed the process down. In the meantime, the Pine Nut group has been in contact with Rep. Amodei. Its members want him to do something about
the way the Environmental Protection Agency classifies the drug. PZP is registered as a pesticide with the EPA because the agency has no other, more appropriate classifications for it. “We have told him the category with the EPA is hurting everyone since it is categorized as a pesticide,” Walker said. “I am hoping he is going to look into that. He wants to do a pilot with us, and I’m thrilled at that possibility.” While the group waits to begin darting again—and horse advocacy groups wait to see what the Senate Appropriations Committee bill will hold for mustangs—the National Wild Horse and Burro Advisory Board recently adjourned from its meeting in Grand Junction, Colorado. The board is independent and creates a yearly set of recommendations to the BLM for managing horses and burros. This year, as in 2016, it recommended the BLM include lethal options for managing horse populations on and off the range. After last year’s recommendations sparked public outrage, the agency responded quickly—issuing an online statement avowing it “does not and will not euthanize healthy animals.” The BLM hasn’t indicated that its position has changed; however, webpages containing statements about the agency’s no-kill policy for healthy animals have been removed from the BLM website. Ω
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On Oct. 31, a KTVN News photographer shot footage of emergency vehicles at Grove and Wrondel after a crew working on a sewer project hit a gas pipe. A concrete sewer installed in 1956 is being replaced with PVC pipe. The replaced sewer extends from Kietzke nearly to Virginia along Grove with offshoots on Yori and Flagg. The work began Aug. 21 and was scheduled to wrap up Oct. 24. It is now expected to be completed Nov. 17. Stores in the neighborhood say street closures associated with the project have slowed business to a crawl.
50 HIGHWAY 50 STATELINE, NV 89449
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PHOTO/DENNIS MYERS
11.02.17 | RN&R | 9 JOB #: HRT-11055
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Prominence Health plan is an HMO with a Medicare contract. Enrollment in Prominence Health Plan depends on contract renewal. ATTENTION: Language assistance services, free of charge, are available to you. Call 1-855-969-5882 (TTY/TDD: 711). | ATENCIÓN: si habla español, tiene a su disposición servicios gratuitos de asistencia lingüistica. Llame al 1-855-969-5882 (TTY/TDD: 711). | PAUNAWA: Kung nagsasalita ka ng Tagalog, maaari kang gumamit ng mga serbisyo ng tulong sa wika nang walang bayad. Tumawag sa 1-855-969-5882 (TTY/TDD: 711). | Prominence Health Plan complies with applicable Federal civil rights laws and does not discriminate on the basis of race, color, national origin, age, disability, or sex. | Prominence Health Plan cumple con las leyes federales de derechos civiles aplicables y no discrimina por motivos de raza, color, nacionalidad, edad, discapacidad o sexo. | Sumusunod ang Prominence Health Plan sa mga naaangkop na Pederal na batas sa karapatang sibil at hindi nandidiskrimina batay sa lahi, kulay, bansang pinagmulan, edad, kapansanan o kasarian. 10 | RN&R | 11.02.17
D: E E X S g n o r w t i g n i o We’re d
b y K r is V a g n e r
| krisv@newsreview.c
om
Taylor Tremayne is 21. She graduated from Spanish Springs High School in 2014 and is now a month away from earning a psychology degree from the University of Nevada, Reno. Like most local public school students, she participated in Sexual Health and Responsibility Education (SHARE), Washoe County schools’ sex ed program. SHARE curriculum updates proposed earlier this year were shut down by fierce opposition. Once Tremayne started college, she realized there were some things she wished she’d learned more about in high school. “I wish I’d learned how to communicate with my partners about sex, and likes and dislikes—and even just how to bring up the conversation,” she said. “I also wished I’d learned about STDs, and how to also bring up that conversation as well.” If Tremayne were placed in charge of designing the SHARE program, she knows what she would include—more about safe sex, more about pregnancy. “I would probably steer away from abstinence-based,” she added. “That’s where a lot of high schoolers lose interest.” At UNR, Tremayne has noticed some efforts to promote safe sex. Members of the French club put condoms in a goodie bag as part of a fundraiser, for example, and there’s an annual Take Back the Night event, in which survivors of sexual assault share their stories publicly. But she hasn’t found a comprehensive resource for students who want to know more about STDs, pregnancy, communicating with partners or similar topics. “I’m not sure of a website or anything else off the top of my head,” she said, adding that she did eventually garner the information she needed through her peers and through experience. “I think learning with your partners is good. But I wish I’d had more guidance from adults when I was younger.”
s d i k T a h w T u o b a d e z i r a l o p s i y T i n u m m o c The x e s T u o b a w o n k o need T What we don’t know Alison Gaulden is an adviser at UNR, a public relations professor in the journalism school, and a former lobbyist and communications rep for Planned Parenthood. She knows a lot about what young people don’t know about sex, and she’s clear on the consequences of not knowing it. College students, she said, tend to be “woefully underprepared” when it comes to sexual health. Like Tremayne, the first thing Gaulden brought up was communication. “It’s always about no,” she said. “But when you’re ready to say yes, we don’t have information about when you’re ready for yes. How do you say it? How do you ask?” “Young men don’t know how to ask,” Gaulden said. “Neither [young men nor women] know how to set boundaries. To ask at each point of the process of having a sexual relationship, ‘What’s OK? What’s not OK? How far can I go?’” So, how many have decided they’re ready for yes? According to a 2015 study from the Centers for Disease Control and Prevention, 41 percent of American high schoolers reported having had sex—which marks a decrease in recent decades. In 2003, it was 46.7 percent. The numbers for college students are more elusive. Estimates range from 43 percent to 60 percent, though there does appear to be a consensus among researchers that college-age students are also having less sex than in recent decades. Meanwhile, STD rates have risen. The CDCs found in 2016 that gonorrhea, chlamydia and syphilis were at an all-time high, and that teens and young adults accounted for a large number of cases.
Gaulden pointed out that some adults are opposed to informing young people about sex-related topics, including STDs, because they believe such discussions encourage promiscuity. “That’s not the case,” she said. “In fact, studies have shown that students who are well informed are less likely to be promiscuous when they have all the information. Students who are given options about contraception and relationships do a better job waiting and avoiding teen pregnancy.” When it comes to high school sex ed in general, Gaulden said, “We have an unhealthy approach to it. We treat it like it’s a crime, then we give them no tools to be responsible. There are some programs that the university and other groups are trying to add, but it should start earlier.” “There’s really not a lot of information out there for the LGBTQ community, or the asexual students,” she added. “It’s usually people of the conservative religious base who are opposing this.”
Unlike minds A conservative base is indeed opposing LGBTQ education— and a long list of other sex ed topics—and that community enthusiastically opposed the SHARE curriculum updates proposed earlier this year.
“SEX ED: WE’rE DOING IT WrONG” continued on page 12
11.02.17 | RN&R | 11
Doing it right
“SEX ED: WE’rE DOING IT WrONG”
WaNT TO kNOW mOrE? ChECk OuT ThESE rESOurCES. For c ol l e g e st ud e nts In 2014, then-UNR student Anneliese Hucal wrote honest columns for the Nevada Sagebrush about sex from the point of view of someone who was having it. Yep, all that stuff you were trying not to think about in your Monday physics lab— she actually wrote it down. Her articles are still in the archive:
nevadasagebrush.com/blog/category/opinion/sex-relationships/page/3/
For c am p us act iv i sts To learn about Take Back the Night and other campus events, follow Generation Action at Nevada on Facebook. It’s a splinter group of Planned Parenthood concerned with reproductive health and civil liberties.
www.facebook.com/search/str/Generation+Action+at+Nevada/keywords_search
For par e n ts Planned Parenthood has a good book list and straightforward advice to demystify talking about sex with kids of every age. One of the first tips: “You don’t have to be an expert.” Phew!
www.plannedparenthood.org/learn/parents/resources-parents
For par e n ts oF te e ns Sex is related to hormones, and hormones are related to everything. Here to decode and assist teenage girls is Ohio’s Lisa Damour and her book, Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood. On giant websites where books are sold.
For par e n ts in th e Was h o e c o u nt y s c h o o l d ist rict Learn more about the current SHARE program:
www.washoeschools.net/Page/495
For p r og re ssive k i d s , te e ns a nd a d u lts The Universalist Unitarian Fellowship’s Our Whole Lives curriculum is available in book form from In Spirit, the fellowship’s online bookstore. (There are also workbooks for children of different ages and one for adults.)
www.uuabookstore.org/Our-Whole-Lives-C1341.aspx
For t h in g s you a lWay s Wa nte d to k no W b u t a re a Fr a id to as k To Dan Savage, editorial director of Seattle’s alt weekly, The Stranger, and longtime sex columnist, no subject is off limits. In his weekly Savage Lovecast, he fields questions on sex and relationships from people of just about every stripe. And, if he doesn’t know the answer, he calls in an expert. (Heads-up: some families will find Savage Lovecast too explicit for teens. Others—those who want the nitty-gritty on issues like coming out, body image issues, sex-related medical issues, sex-related political issues, assault prevention, and how to communicate with partners, parents and kids about potentially awkward topics—will find it a godsend.)
www.savagelovecast.com/episodes
For l g btQ, t e e n s , a d u lts , Fa m i l i e s a nd a l lies The Unitarian Universalist LGBTQ booklist offers perspectives on history, family life, and balancing religion with various orientations. Titles include A Queer and Pleasant Danger: The true story of a nice Jewish boy who joins the Church of Scientology and leaves 12 years later to become the lovely lady she is today; GLBTQ: The Survival Guide for Gay, Lesbian, Bisexual, Transgender, and Questioning Teens; Family Pride: What LGBT Families Should Know about Navigating Home, School, and Safety in Their Neighborhoods; and Beyond (Straight and Gay) Marriage: Valuing All Families under the Law.
www.uuabookstore.org/LBGTQ-C1362.aspx
12 | RN&R | 11.02.17
Rev. Karen Foster is the administrator of the sex ed program at the Unitarian Universalist Fellowship of Northern Nevada. photo/Kris Vagner
continued from page 11
“The curriculum has seen virtually no changes from 2003 until last year,” explained Brooke Maylath, president of the Transgender Allies Group, who had helped draft the transgender and gender-nonconforming-inclusive policy— separate from the SHARE program—that the district adopted in 2015. (The 2003 curriculum, available online, does have a few scratch marks and write-ins that acknowledge LGBTQ students. “When and how one becomes aware of the opposite sex,” was changed to “when and how one becomes sexually attracted to another person,” for example.) A lot of Maylath’s problem with the 2003 curriculum is what it leaves out. Among her critiques: the consequences of not teaching communication skills. “We’re teaching young girls that no means no, and we’re teaching young boys, ‘Boys will be boys. No means yes. She really wants it. Just keep on trying,’” Maylath said. “And we wonder why date rape happens? And the heartache, and the pain, and the unwanted pregnancies, and they STI transmissions that are happening because of lack of education, we are failing our students. We’ve been failing them for decades. … There’s not a student I have talked to up at the university—in five years—that hasn’t complained about how the curriculum did not get into the practical, real-world matters that all the sudden they were turned loose on in their freshman year. One young woman was telling me two weeks ago she had finished her freshman year before she had a true concept about what willing consent actually means.” “We have an opportunity to be able to change that,” she continued. “Or, we did. We were on course to do that, until a professional agitator mobilized a congregation to be able to show up and start to essentially insult and badger and accuse, on both personal levels and professional levels, members of the SHARE committee.” Beginning in 2015, the SHARE committee—made up of five parents, a school counselor, a teacher, a nurse and a clergy member—began drafting the updates. “What was done by the school district was to remove some of the most outdated materials,” said Maylath. “The SHARE committee worked diligently to be able to develop a medically accurate, up-to-date, evidence-based curriculum— that was LBGT inclusive.” The proposed curriculum addresses age-old topics—a straightforward video explains menstruation—and introduces issues that have come up since 2003. A brief video featuring interviews with teens is titled “Perspectives on Chatting Safely Online.” Another video is a dramatization—correlating with modern teen attention spans at 1:06 minutes— examining how a social-media photo can accidentally make its way into the hands of sexual predators. Abstinence is mentioned, but not as a sole solution. A seventh-grade lesson on gendered language aims to be inclusive of transgender students. One lesson plan explains
“We have basically said that anything goes, and that all things are right Without negative consequences. it’s one-sided, immoral, grossly skeWed.” Dr. Joe Taylor, South Reno Baptist Church
exactly how to say “no,” using, as an example, a conversation about setting up a movie date—“We can if you want” is not as effective as “No, I don’t want to.”
Community standards Here are two excerpts from the philosophy statement of the existing SHARE program: “The intention of the Sex Education Advisory Committee was to develop a sex education program consistent with community standards.” … “We must give young people the facts, but we must remember it is their sense of right and wrong, their internal moral compass, that determines their actions.” Determining what the community considers to be right and wrong and which way moral compasses point has turned out to be a complex endeavor. As for “facts”—there’s some passionate disagreement about those, too. The school district made the new proposal public and held several public-comment meetings in February and March. On Feb. 23, the Nevada Family Alliance put out an action alert headlined “New Sexuality Training in Washoe Schools,” encouraging people to speak out against the proposed changes. The Nevada Family Alliance website says that the group promotes “religious freedom” and “parental rights.” Its director, Karen England was once co-chair of a coalition trying to repeal a California law protecting transgender students, and she has publicly opposed LGBT people in the military and the Boy Scouts. England is also executive director of Sacramento-based Capitol Resource Institute, which says it exists “to educate and strengthen families.” The Southern Poverty Law Center lists it as an anti-LGBTQ hate group. In a March 8 public-comment meeting at Academy of Arts, Career and Technology, several commenters spoke against accommodating LGBTQ students’ sex education needs. Some spoke with a sound of heightened emotion, some in measured tones. Supporters and detractors of the proposal both garnered applause—the detractors tended to elicit louder cheers. The moderator admonished the crowd for booing a speaker and asked one commenter, “Please refrain from making attacks on the board.” Those supporting the curriculum updates—who were in the minority at this meeting—tended to speak about the dangers of being under-informed. A UNR student said she’d been assaulted at age 9 and didn’t know where to turn, “because
“What the kids need is information, honest information, and to be respected enough to be given the tools to make decisions.” Rev. Karen Foster, Unitarian Universalist Fellowship of Northern Nevada
that’s not something that was discussed in my elementary school.” A father of two said that the more educated children are, the more likely they are they avoid STDs and pregnancy. Robert Harding, who works with Northern Nevada HOPES, took the mic and said, “The education we provide in our SHARE program is not adequate” and pointed out Washoe County’s high syphilis rate. YeVonne Allen, equity inclusion director at Truckee Meadows Community College, said, “I’m the one that, once your kids hit college, I’m realizing the education they don’t have. They don’t know about consent. … They don’t know about transgender individuals, because maybe it wasn’t even taught.” Allen concluded, “We’re here as educators. Leave religion out of it.” Of those who opposed the curriculum, most mentioned their faith. Several objected to language and concepts in the proposal that they found age-inappropriate, fourth graders learning what a wet dream is, for example. One parent objected to “pagan influences.” Another said, “You can’t ignore science,” and strongly implied that science does not acknowledge the existence of transgender people. Dr. Joe Taylor, pastor of the South Reno Baptist Church said, “We have basically said that anything goes, and that all things are right without negative consequences. It’s one-sided, immoral, grossly skewed.” Pastor Joe Canary of Spirit Filled Church in Sparks said, “As a pastor of a church, and the 500 people I represent, I feel like I’m being bullied because I think that marriage is between one man and one woman.” Some commenters expressed an allegiance to the Old Testament, linking its messages to their discomfort with homosexuality. “You can’t just throw out 6,000 years of normal,” said one parent. Several expressed anger over what they called attacks on their freedom to teach their children as they see fit. Some called the proposed program “indoctrination.” Some said the school district was trying to overstep its bounds. One parent said, “Everything you have done needs to be thrown out and go back to the drawing board.” That’s exactly what happened.
An alternative model In August, the school board decided not to adopt the changes. The 2003 curriculum remains in place, and the
question remains open of how to design a sex-ed curriculum for the entire community. “We’re kind of in a situation that people are so dug into their perspective,” said Reverend Karen Foster, director of religious education at the Unitarian Universalist Fellowship of Northern Nevada. “I wonder if somehow a one-size-fitsall answer is not the answer.” Foster is one person who’s comfortable talking about religion and sex—including LGBTQ sex—in the same sentence. Her church teaches a sex ed program for kids and teens that addresses, among other topics, anatomy, body image, consent, relationships, communication, domestic violence, pregnancy prevention and decision-making. It’s called Our Whole Lives—OWL for short. And that curriculum recently went through an update process, too. It now mentions how specific drugs relate to issues of consent. “The program was developed in the ’90s as a collaboration between the Unitarian Universalists Association and the United Church of Christ denomination,” said Foster. “Those are two very progressive, liberal denominations, that really believe our kids need something beyond abstinence getting pushed down their throats.” “We believe that sexuality is a great gift,” she said. “It’s a fully integrated part of who we are.” The OWL program, she said, assumes that developing a healthy approach to sexuality is more beneficial than “to pretend it doesn’t exist.” Foster said the program results in a community with few domestic violence incidents or unwanted pregnancies. One comment she said she’s heard often from former participants, is, “I felt like I understood how to talk to partners.” For that success, she credits the detailed information that students receive in OWL, as well as its design. Adult facilitators need about 230 hours of training, kids say the program is fun, and building trust between participants and teachers is a priority. “Sexuality is a beautiful part of who we are,” Foster said. “It’s integrated into our natures. It’s something to be acknowledged as a gift, rather than something that’s evil or something that we shouldn’t participate in. … What the kids need is information, honest information, and to be respected enough to be given the tools to make decisions. There’s really something to be said for helping kids navigate a situation before they encounter that situation. [Without accurate information], there’s a much higher chance you’re going to get caught blindsided.” Ω
11.02.17 | RN&R | 13
The write envi r Writers’ Wednesday Series showcases Nevada authors by Jessica santina Writers’ Wednesday lectures take place at the Nevada Historical Society, 1650 N. Virginia St., on the second Wednesday of each month. A wineand-cheese reception starts at 5 p.m. Lectures begin at 5:30.
14 | RN&R | 11.02.17
Former Nevada Treasurer Kate Marshall is co-author, along with her husband, Elliott Parker, of the book Nevada’s Great Recession. She’s the next presenter at the historical society’s monthly author series. PHOTO/KRIS VAGNER
We writers are a solitary bunch. We sit alone for long periods of time, cranking out words that we send off into the ether and hope they will mean something to someone. Yes, editors and publishers—and perhaps even the occasional reader—will give us a bit of feedback, but mostly we work inside a bubble. It’s hard to know just how the work will be received by the public, or even who that elusive public is. When Catherine Magee came on board as director of the Nevada Historical Society in June 2016, she noticed that the NHS also was in its own sort of bubble. “Around here, we like to say we’re hidden in plain sight,” Magee said. “A lot of people don’t know about us. They just see us on the University of Nevada, Reno campus and think we’re another UNR office building.” But one of the things folks did seem to realize was that the NHS Museum Store contains an excellent collection of books about Nevada and the Great Basin. Occasionally, authors would come give talks about their work, but not with any regularity. Certainly writers needed a greater connection to their readers, just as NHS needed another way to reach visitors? “I thought, ‘Wouldn’t it be great to highlight writers who write on Nevada history?’”
Magee said. “I thought that if we started an evening lecture series, it would allow people who can’t come to events during the day to get a great opportunity to learn about Nevada history and what people are writing about, and to do it after work.” Thus, in November 2016, the Writers’ Wednesday lecture series was born.
M o Nth ly M eeti N g o f th e M i N d S At that first event a year ago, attorney, historian and author Patty Cafferata spoke about her new holiday-themed book, Christmas in Nevada, which was published by the University of Nevada Press and features stories about how Nevadans from 1858 to the present have celebrated Christmas. Magee said the timing of Cafferata’s release made her a natural choice for kicking off the holiday season, but since then authors have been selected and booked based on a combination of factors. “Some authors fit a theme for that month—maybe a holiday or event,” Magee explained. “But we also get contacted by book distributors. For instance, our [October] author, Will Furman, wrote a book called
Bodie: Good Times and Bad, and the publisher called us to let us know it was coming out and asked if we wanted to host a lecture. And sometimes the author hears about the series and contacts us to propose a book.” There’s no restriction on publisher—some books have come from the University of Nevada Press, but it’s not a requirement, and some authors have even self-published. The only requirement is that the content deal with Nevada, the Great Basin or the West. Past presenters have included David Antonucci, author of Snowball’s Chance: The Story of the 1960 Olympic Winter Games, Squaw Valley & Lake Tahoe; Lynn Downey, retired historian from the Levi Strauss & Co., and author of Levi Strauss: The Man Who Gave Blue Jeans to the World; David Lowndes, one of NHS’s own researchers and author of Reno’s Heyday: 1931–1991; Robin Flinchum, who wrote Red Light Women of Death Valley and spoke about the mysterious murder of Virginia City prostitute Julia Bulette; and Stanley Paher, a local publisher and author of several books about Nevada history, spoke about how to break into publishing.
on menT “I thInk It’s Important to realIze these people may be talkIng about the wrItIng process and ... those lIttle bIts of InformatIon that add to your understandIng.” Catherine Magee
Nevada Historical Society director
when the state didn’t have enough money to pay its bills,” Marshall said. Though Parker will be on the road and unable to attend, Marshall will provide attendees at the Writers’ Wednesday talk with a little background on the book’s development, then read a few passages, which she said are “more personal in style, and not just dry economic text.” Then she’ll take questions about the book, about where she and Parker feel Nevada is today financially and what they feel can be done to make Nevada more resilient. The book is available on Amazon and at the University of Nevada Press website. Marshall hopes to see the Writers’ Wednesday series grow. “I mean, to be able to connect to people who are really interested in what’s going on in Nevada is wonderful,” she said. “It’s really something that should be promoted and celebrated.”
R ead i n g ah ead
Talki n g cenTs This month, attendees will hear from former Nevada Treasurer Kate Marshall, who co-wrote Nevada’s Great Recession with her husband, UNR associate dean and economics professor Elliott Parker. Published just this August by the University of Nevada Press, the book is a compilation of articles written during the Great Recession, primarily by Parker himself, which provide a blow by blow of the recession as it unfolded here in the Silver State. “It takes a look at why Nevada was affected more than other states, why it hit us harder and what effects it had on business, housing, wages and so forth,” Marshall said. The book also examines how the state can mitigate the effects of another recession, to see that we don’t sustain the same level of damage. Marshall said she also wrote several vignettes portraying what she saw behind the scenes while working in the state treasurer’s office during that time. “It’s not really a kiss-and-tell book—it’s more just a reflection on what I was experiencing at the time and what happened that people didn’t really see, for example, what did I do
Presenting authors are invited to bring books to sell. Talks are free to NHS members and $5 for non-members. At press time, the NHS had not announced its roster of speakers beyond November, but Magee suggests following the NHS on Facebook and watching its website, nvhistoricalsociety.org, for news about upcoming lectures. She looks forward to expanding the event to include new genres, too, and indicated that while the lectures have, up to this point, featured authors of nonfiction books, she’s open to other ideas, including fiction and journalism. “One thing we’re exploring is people who write fiction based in Nevada,” she said. “There’s going to be a mystery writers’ convention here”—Left Coast Crime 2018, coming in March—“that focuses on mystery writers in the West, so we’re working to see if some of the participants can come give a lecture.” Supporting local authors, making connections between writers and readers, and sharing the history of and love for Nevada are all goals, Magee said. “I think it’s nice to meet the author,” she said. “A lot of times people are disconnected from writers, and I think it’s important to realize these people may be talking about the writing process and things you wouldn’t get otherwise, those little bits of information that add to your understanding.” Ω
11.02.17 | RN&R | 15
by KRIS VAGNER
k r isv @ ne wsr e v ie w.c o m
A lot of the time, DePaul Vera is all smiles—but his artwork addresses some serious questions about identity and visibility.
Unmistaken identity DePaul Vera DePaul Vera described his public image like this: “I’m known as this bubbly, hyper person that is just love all over.” A graduate student in the University of Nevada, Reno’s art department, he’s easygoing and quick to laugh. Vera also contends with some ongoing difficulty, though—a lot of which is encapsulated in the title of a collage he made right after the Charlottesville riots in August: “Here I Am, Enjoying Graduate School, But I Have to Deal With This, And So It’s Time To Save The World.” Vera—who is 25, black, gay and originally from Kentucky—said he didn’t intentionally set out to classify himself as a political artist. But after he moved from a racially mixed town to Reno, where only around 3 percent of the population is African-American, an inescapable feeling of otherness set in. “Just existing as a queer person of color is political in itself,” he said. “The fact is, literally, me breathing is a political statement to some people. So, after the circumstances of the Charlottesville riots, I just felt like I had to make that piece.” The piece is a digital collage. The background is an old photograph of hooded Klansmen with arms outstretched so that they form a human barricade. A cross burns behind them. It’s a pretty typical image of Klansmen—except the power dynamic is flipped. A nude, muscular black male in the foreground is not in peril, but in a position to have the next word. He stands on a tree stump that serves as a pulpit, striking a relaxed, confident pose and holding against his hip a star-spangled volleyball. 16 | RN&R | 11.02.17
PHOTO/KRIS VAGNER
“I was thinking, me being my fun self, how would I approach the Klan?” Vera said. “I would want to serve it up with this volleyball, one by one. Let’s go, guys.” In others images, Vera’s placed black bodies—often muscular, nude, male ones— in various configurations. He’s asserting that it’s about time for members of his race and orientation to be seen as normal. “Mostly when you look at advertisements or the media, black people are portrayed as below the poverty line,” he said. “And I think that is absolutely ridiculous.” Likewise, he said, in media portrayals of gay men, they tend to be white. Vera said he tries to strike a balance between claiming his place in the public eye and not visually assaulting viewers. The feedback he’s gotten from grad school peers and social media followers has been all over the map. Some are offended. Some are impressed. Some wish he would include bodies that aren’t built like models. “As a designer, you know, you try to do things effectively, you try to design effectively,” he said. “And I’m trying not to beat people over the head, but to give them room to breathe as well as put some intense content in front of their faces.” He understands what a tricky balancing act he’s trying to strike. He keeps experimenting with different ways to be approachable as a person and assertive in message—collaging together elements of history and fantasy, circulating work online, hanging it on gallery walls, maybe getting it onto a billboard someday. And he’s crystal clear on his reasons to keep taking on the challenge: “’cause it’s just swept under the rug so much here.” Ω
DePaul Vera and graduate school peers Mahedi Anjuman, Mark Combs, Teal Francis, Gwaylon Leaf, Frances Melhop and Cullen Wegman will show their recent work in the exhibition Paradoxical Existence, through Nov. 9 at Student Galleries South in the Jot Travis Building, University of Nevada, Reno. An opening reception is scheduled for Nov. 2 from 6-8 p.m.
by BoB Grimm
b g ri m m @ne w s re v i e w . c o m
“They said there was a plot in this movie. it must be around here somewhere.”
Sawed off It was seven years ago, around Halloween, when I had myself a little celebration. Well, I did a little happy dance in my head when I walked out of a movie theater. You see, I had just seen Saw 3D: The Final Chapter, the seventh film in the Saw franchise and, as advertised, the supposed last. Oh, I didn’t really believe it would be the last one deep down in my cinema-going heart. I had been tricked before (Fuck you, Friday the 13th and A Nightmare on Elm Street!) But, you know, it did say “The Final Chapter” in the title, and this was back in the pre-Trump days, when I was a little more optimistic and had a bit more spring in my step. No more was I to hear Tobin Bell as Jigsaw, droning on about “playing a game” and murdering people with elaborate schemes that would take something like seven billion dollars per death. (A lot of industrial labor, major planning and perhaps a live production crew would be required to pull off Jigsaw’s Rube Goldberg stunts.) After two or three years went by I thought, “Hey, maybe greed won’t win the day and Jigsaw’s cinematic legacy has finally come to an end.” Nah, the bastard lives on in Jigsaw, a film that pulls Tobin Bell out of the mothballs and finds a way for his permanently scowling, droning party pooper to commence elaborate killings again. Hey, LionsGate needs a hit, and nobody over there is concerned about quality or making a lick of sense. This film is living proof of that. Things start in that oh-so-familiar, Saw way, with a bunch of people trapped in a room and chained to contraptions that threaten to disembowel them. They are all bad people who must confess their crimes or face the wrath of Jigsaw and a rather stellar makeup department. This movie is idiotic, but the gore masters do some pretty decent yucky stuff. There’s a halfsawed-off head moment that was quite good. I hope the PA or intern who did the work on that one got an extra Snickers for the effort. Yeah, Jigsaw died in one of the past movies. I don’t remember which, and you couldn’t pay me
enough to go back and watch them again to figure it out. I just know he died somewhere in the prior six films and lived on in flashbacks. The writers have come up with yet another way to return the crotchety psycho codger to the big screen because somebody at LionsGate needs one of those saltwater swimming pools and a new bike. I’d give you a plot synopsis but, hey, what’s the point, right? It’d just be me running off a bunch of characters played by actors and actresses you don’t really know. I guess what I could do is describe a few of the killing contraptions that take people out in this thing. There’s a spinning blade thingamabob rigged to a motorcycle engine that makes little-to-no sense. There’s also a wire-rigging sniggle-dee-doo that chops a dude’s leg off, and somebody gets injected in the neck with acid. In a nod to the Harrison Ford thriller Witness, a couple almost die by getting buried alive in a grain silo. Oh man, I just referenced Harrison Ford’s Witness in a Saw review. That has to be against film criticism law. I’m sure there’s a fine pending. The movie is directed by Michael and Peter Spierig, whose best previous effort would be the mind-trippingly good Predestination, a film decent enough to make you sad that they wound up with this gig. Like, really sad. Like, a genuine Halloween-time tragedy sad. They get to work with Hellen Mirren on the cool-looking Winchester: The House that Ghosts Built next, so maybe redemption is on the way. Seven movies in, and I’ve yet to meet a Saw movie that I like. Jigsaw is more of the same, more of the lame. The most unique thing in this movie is Tobin Bell’s stylish soul patch. (I really did admire it. It’s a daring facial hair gesture.) At least Cary Elwes doesn’t show up for this one. Although, now that I think about it, a scene with him comically overacting as he saws off yet another limb would’ve been far better than anything in this movie. Ω
Jigsaw
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SHORT TAKES
4
1922
4
Blade Runner 2049
3
Happy Death Day
For the second time in just a month, Netflix scores again on the Stephen King front with this horrific ghost story starring Thomas Jane, no stranger to King territory having starred in Frank Darabont’s The Mist. Jane plays Wilfred James, a farmer who kills his wife Arlette (Molly Parker) with the help of his lovestruck son, Henry (Dylan Schmid). Of course, Arlette has been murdered in a Stephen King movie, so it goes without saying that her soul will not rest peacefully, and her corpse will be riddled with rather spirited and determined rats. Jane delivers a chilling, complicated character in Wilfred, a terrible man yet somebody we can watch for an entire movie and feel some concern for his welfare and the welfare of his misguided kid. Wilfred is one of those men who speaks through clenched teeth, and Jane simply disappears into the character. Parker doesn’t have a lot of scenes before becoming a scary spectral, but she does both the pre- and post-murder scenes well. Schmid is kind of heartbreaking as the dumb son who goes along with his dad’s dumb ideas and winds up paying the price. (Available for streaming on Netflix.)
Ridley Scott’s original sci-fi masterpiece Blade Runner came out in 1982—35 years ago. Scott has tooled with the cut of that movie numerous times, resulting in a final cut that was released about 10 years ago. While there was a lot of monkeying—in a good way—with the original, it didn’t seem there was much thought, or chance, for an actual sequel. The original was a box-office bomb and didn’t start gaining its classic status until a decade after its release. In fact, critics beat up on it a bit. Here in 2017, we actually do get a sequel, this time directed by Denis Villeneuve, the visionary behind Enemy and Arrival. (Scott remains involved as a producer.) Harrison Ford, who has classically moaned about the original movie, has, nonetheless, returned to play blade runner Rick Deckard. A terrific Ryan Gosling steps into the starring role of K, a new blade runner tasked with “retiring” older model replicants, the synthetic humans originated by the likes of Rutger Hauer and Daryl Hannah in the original. Other than the presence of Ford in the final act of the movie, and the vision of Pan Am and Atari logos still present in the Los Angeles skyline, there’s little to make this one feel like a standard sequel. 2049 goes off on many new tangents, bending the mind when it comes to topics like artificial intelligence, what really constitutes love, and determining what is “real” in this world.
A college girl learns a few lessons about life—and not being a total ass—by reliving the day she is murdered over and over again in this mediocre movie that gets by completely on the star power of a relatively unknown actress, Jessica Rothe. Rothe plays Tree Gelbman, who wakes up in a strange dorm room on the morning of her birthday to discover she has spent the night with a bit of a dweeb in Carter Davis (Israel Broussard). She storms out of the room, ignoring phone calls from her dad and basically being nasty to everybody she encounters on her walk of shame. It’s established fairly quickly that Tree is a campus jerk and has more than a few enemies. All of those enemies, and even some of her friends, become murder suspects when Tree is stabbed to death by a mask-wearing baddie on her way to a party that evening. After her life force is snuffed out, she immediately wakes up in Carter’s bed again. She goes about the same day thinking it’s just déja vu, but when she is murdered again and wakes up in the same bed on the same day again, she figures things out. She’s living a murder mystery—Groundhog Day style. Rothe just sort of comes out of nowhere to make this movie more than a rip-off of the classic Bill Murray vehicle.
1
Leatherface
Once again, somebody tries to make a Texas Chainsaw Massacre franchise entry to revive things and, once again, we get proof that some things are better left alone. This time, things go to prequel territory, with a silly story about how Leatherface became Leatherface. As was the case with Rob Zombies’s faulty interpretation of Halloween, in which Michael Myers got a bigger backstory, some movie monsters are best left mysterious and mostly unexplained. Much of the action here centers around an insane asylum where a teenaged Leatherface-to-be is hanging out until a riot ensues. He escapes with a hostage nurse (Vanessa Grasse), while being pursued by yet another evil Texas Chainsaw franchise lawman, this one played by Stephen Dorff. Leatherface’s mom is also looking for him, and she’s played by Lili Taylor, whose career is clearly in a downward spiral along with Dorff’s. Directors Alexandre Bustillo and Julien Maury throw in some gory scares and extremely gross sex scenes, but there’s nothing that puts it in a league with Tobe Hoopers’s original except for the title. (Available for rent on iTunes and Amazon.com during a limited theatrical release.)
3
Only the Brave
3
Stranger Things 2
After a slow start, Only the Brave becomes a solid tribute to the Granite Mountain Hotshots, who lost 19 men battling the massive Yarnell Hill Fire in 2013. The Hotshots were an elite Prescott, Arizona, crew led by veteran firefighter Eric Marsh, played here by Josh Brolin. Brolin’s performance ranks among his best, showing us a man presiding over his crew like a father to his sons. Marsh takes a risk on Brendan McDonough (Miles Teller), a former drug user seeking redemption and a decent living to help provide for his newborn daughter. The always reliable Teller matches Brolin’s acting triumph every step of the way, making both Marsh and McDonough fully fleshed, complicated and ultimately likeable characters. The two seem right at home with each other on screen. Director Joseph Kosinski (Oblivion, Tron: Legacy) takes a solid step beyond his prior sci-fi missteps to provide a movie that is technically sound, emotionally powerful, and just a little hokey and overlong in spots. The movie is never bad, but it does drone a bit during some of the melodramatic build up. The final sequences are so well done, you’ll feel kind of bad for groaning during the film’s more lumbering parts. By the time Kosinski shows the real-life firefighters alongside their Hollywood counterparts, the film has driven home a major message about and homage to these guys.
The gang is all back, just one year later, for another round of ’80s horror and sci-fi nostalgia, and maybe they should’ve taken a little more time to let things settle in. The new, intermittently enjoyable season feels a little stretched out and undercooked at times, with a lot of silly subplots mucking up the works. Will (Noah Schnapp) still sees visions of the Upside Down universe, the place he spent a good part of season one languishing in while his pals searched for him. It turns out Eleven (Millie Bobby Brown), after her huge season one sacrifice going into the Upside Down, came back to our universe almost directly after, and is hiding out with Sheriff Jim Hopper (David Harbour) in a storyline that makes little sense. Dustin (Gaten Matarazzo), in a shameless nod to E.T., has captured a creature in his garbage can, and feeds it Three Musketeers bars instead of Reese’s Pieces. Winona Ryder overacts while Paul Reiser basically replaces Matthew Modine as the scientist guy. Season two manages to maintain the charm that made the first season so watchable, so fans won’t be disappointed. But, there’s no denying that the proceedings seem a little strained this time out. Notable movie references, besides E.T., include Jaws, Pretty In Pink, The Goonies— Sean Astin joins the cast!—Lost Boys, and Close Encounters of the Third Kind. (Streaming on Netflix.)
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18 | RN&R | 11.02.17
By Todd SouTh
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Roll with it Forging its own identity in the space formerly known as Hiroba, Sushimi’s Sushi is both familiar and new. We waited a bit for a table on a Monday night—not more than 20 minutes—and we were warmly greeted upon entry. My wife’s friend and I availed ourselves of free sake, available Monday through Thursday, and I was surprised to see large bottles served for each of us—not a bad way to get things started. Service was quick, with appetizers rapidly filling the table to capacity. Luckily, we brought a pair of 7-year-old eating machines, twin brothers raised on sushi. You’ve got to be pretty quick to snag a bite when dining with these enthusiasts. AYCE lunch is $17.95, dinner $22.95, but kids under 12 eat all they can for $11.95 during lunch hours and $14.95 during dinner hours. Piping hot miso soup was followed by a plate of excellent baked mussels. Deepfried gyoza, calamari rings and yakiton filled out the table, each with its own sauce and crispy character. Seaweed salad provided a light and refreshing contrast to the fried tidbits. All of the sushi was top-notch. The rice-to-fish ratio was perfect, with each piece holding together well. The boys and I rolled through nigiri orders of tuna, seared tuna, yellowtail, salmon roe, salmon, smoked salmon, red snapper, fresh-water eel, shrimp, upside down shrimp, octopus, squid and sea urchin roe. The seared tuna was topped with sesame seed and a sweet sauce, and the salmon roe was a fun, salty pop of ocean flavor. Both fresh and smoked salmon were delicious. The octopus was tender and buttery, and the sea urchin roe was that creamy, velvety, melt-in-the-mouth apparition of sea spray that is completely unique. Shrimp and squid are apparently the boys’ favorites. I
The CR7 roll features cream cheese, white onion, crab, crystal shrimp, avocado, salmon, lemon, teri sauce and mayo. PHOTO/ALLISON YOUNG
didn’t get a bite of either—but I did manage to snag one upside down shrimp. It was stuffed with crab, and I thought it might be too much for smaller mouths. I was wrong. I’m told the squid was a bit crunchy, but I’ll just have to take the boys’ word for that. Next was a pair of hand rolls, one spicy scallop and the other crystal shrimp. Each featured plenty of seafood mixed in with rice, veggies and sauce, and the nori wrappers were dry and easy to bite through. They were so well executed I wish I’d had room for more. Next time, perhaps fewer appetizers. Three long rolls followed, including the Golden Gate (crystal shrimp, cucumber, thin sliced lemon, salmon and green onion), Tundra (crab, mango, tempura shrimp, charred salmon, macadamia, balsamic and teri sauce), and Guapo (cream cheese, crystal shrimp, cilantro, avocado, spicy crab and spicy sauce). The textures and flavor of the Golden Gate were quite good, if a bit on the sweet side. Though I liked the Tundra’s complexity, it was even sweeter, which I find a bit distracting. Finally, the Guapo became the one and only roll containing cream cheese that I’ve ever liked. It was spicy, savory and—shockingly—something I’d consider ordering again. Unfortunately, it took about 20 minutes to get our server’s attention to order dessert, but the mochi, green tea ice cream and green tea cheesecake hit the table fast. The cheesecake was semi-sweet with a texture like soft butter, and the boys loved their ice cream rice balls. Despite this small glitch in service, our overall experience indicated a meal worth repeating. Ω
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Great Basin Brewing Co.’s Outlaw Milk Stout is served year-round on tap and in bottles, usually in both regular and nitro versions.
Dark matter Happy Stout Day. Since 2011, when somebody invented another phony holiday, there have been mildly celebratory tweets, slightly special events, and little else of note to mark the first Thursday in November as International Stout Day. In honor of it, let’s take a closer look at this widely known yet sometimes shunned beer style. As with many historical origins, there’s uncertainty and disagreement, but it’s generally accepted that “stout” originally described a stronger porter in England— “stout porter,” as opposed to the normal version. Eventually, the two diverged, and stout became a style all its own. These days, the stout family is broad—Guinness’ dry Irish stout is the most famous, but the British motherland lays claim to others like sweet stout and oatmeal stout, while many craft brewers in this country offer a slightly more aggressive American version. At the top of the stout food chain is the Imperial Stout, a strong, hearty brew, often 10 percent or higher in alcohol, thick and viscous, suitable for aging before properly sipping it by the fire. What they all have in common is the characteristic opaque dark hue and heavily roasted grain flavors. Stouts sometimes get a bad rap. The perception of dark beer as stronger or heavier refuses to die despite the most ubiquitous brand—Guinness Draught—weighing in at just 4.2 percent, comparable to Bud Light. Most non-imperial stouts are of moderate strength, on par with many of the hoppy IPAs crowding store shelves. Still, the idea of stout as a hearty, chewy beer remains, so as cool temperatures approach when you might seek out more substantial brews, let me give you some local options. Local brewing granddaddy Great Basin Brewing Co. is the most reliable source. Outlaw Milk Stout—a.k.a. sweet stout
Photo/Eric Marks
due to the use of lactose, an unfermentable sugar that remains in the beer and contributes sweetness and body—has won a number of medals and is available year-round in bottles and on tap, usually in both regular and nitro versions. If you want a little more stout in your stout, the bourbon-barrel aged Scytale Imperial Stout is worth seeking out when available, though it’s gone for now. Another worthy, year-round stout is The Blacksmith at The Depot Craft Brewery Distillery. A fairly standard American stout, The Blacksmith will share the limelight with the seasonal milk stout The Milkman in December, followed by the bourbon barreled version, The Return of the Milkman, in February. Just down the street at Lead Dog Brewing, founder and brewmaster Ryan Gaumer told me his chocolate and vanilla stout, aptly named Choconilla, is coming to the taproom soon in regular and nitro versions as well as canned four-packs. A barrel-aged version will debut to celebrate the brewery’s first anniversary in January. A little farther off, Truckee brewery Fifty Fifty Brewing will soon roll out its special annual release of Eclipse, a massive imperial stout aged in an assortment of different whiskey barrels and with flavors like vanilla and coffee. You’ll note the rainbow of wax-dipped bottles, color coded to reflect each individual version, when they arrives at local retailers. Other local brewers offer stouts occasionally, but pitch black beers aren’t for everyone. The dark roasted grains create polarizing flavors. Yet, as a distinguished, complex part of the spectrum of beer styles, stouts are worth a taste. Ω
international Stout Day
by Brad Bynum
b ra d b @ne w s re v i e w . c o m
“I always know when something’s good if it makes me laugh,” says Hellbound Glory’s Leroy Virgil.
Pinball wizard Hellbound Glory “Nothing like a gun will make you feel real tall/Alcohol, Adderall, hey, are you ready for some football?”—those are the opening lines of “’Merica (The Good Ole U.S.A.),” the leadoff track on Pinball, the new album by Reno honky tonk band Hellbound Glory. It’s a portrait of rural patriotism pumped up to a comedic level. Like a lot of the best country music, there’s a wink and a nod, and a tongue that seems firmly in cheek, but, according to singer-songwriter Leroy Virgil, it’s not—entirely—a piece of satire. “It felt pretty sincere to me’” he said. “But in my own strange way of being sincere. … It was written spur-of-themoment about the year that my ex-wife and I met—just running around here in Reno, shooting off fireworks. ... It’s about a feeling, a feeling of freedom and happiness.” But he’s also quick to acknowledge that there’s humor in his songs. “I always know when something’s good if it makes me laugh. … But making fun of something—I don’t want to do that. I’m not making fun.” And not every song has humor in it. “Empty Bottles,” for example, is a straightno-chaser, tears-in-the-beer tearjerker. The album’s title cut is a rockabilly ripper, with a narrator who bounces—like a pinball—from Las Vegas to Reno, and ends up in Wendover, all wrapped up in a crazy bender. It refers to the challenges of tour life—the constant travel as well as the ubiquity of intoxicants. “There were substances—it got to the point where we didn’t know what to do with all of them,” he said. “We don’t want to waste stuff, but we also don’t want to die.”
PHOTO/BRAD BYNUM
Hellbound Glory, now a Reno institution, has been around for more than a decade in various incarnations, centered around Virgil and lap steel guitarist Rico Peterson. The new album was produced by Shooter Jennings, the country singer and songwriter, whose father, Waylon, is the father of the style of outlaw country to which Hellbound Glory is clearly indebted. The band recently premiered a new video for the song “Hellbound Blues.” In the video, Virgil and a scantily clad female accomplice rob a strip club at gunpoint. They get high on a massive pile of cocaine. She overdoses, and he shoots himself. The video has a horror-movie sensibility that some find funny, but others found it offensive, so Virgil released a follow-up video, apologizing to anyone who thought the video was in bad taste. The apology video itself has a cheeky tone. Instead of his usual cowboy garb, Virgil is dressed in jogging attire, and ends the video by going for a run in the hills. Hellbound Glory is known for its raucous live shows, which can go haywire. “There was a time at the Crystal Bay Club where I sat and flipped off the audience for 10 minutes, and went to piss in the back corner of the stage before security dragged me out,” said Virgil. “That was probably not a very good one. But they hired me back. … The guy who booked the place—I get a call the next day, ‘Are you OK?’ He was really concerned, worried I’d gone off the rails. ‘Do you need to talk to someone? Are you OK?’ So, it’s nice to know that some of the business people out there in the Northern Nevada, Tahoe, Reno area—they really care about their musicians. They really do. It’s an entertainment town. That’s a good song title—‘Entertainment Town.’” Ω Hellbound Glory plays at The Saint, 761 S. Virginia St., on Nov. 2 as part of the Off Beat Arts & Music festival. Most Thursdays, the group appears at Davidson’s Distillery, 275 E. Fourth St. For more info, visit hellboundglory.com.
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THURSDAY 11/2 1UP
3rd Street Bar
Frank Perry Jazz Combo, 8pm, no cover
Tag Along Friend, 8:30pm, Roxy Collie, 9:30pm, Youngblood, 10:30pm, $10
Dream Phases, 8;50pm, Hearty Har, 10pm, Sego, 11:10pm, $10
5 Star Saloon
Karaoke, 9pm, no cover
Dance party, 10pm, $5
Dance party, 10pm, $5
altUraS on tHe doWn loW
Cowboy Indian, 8:30pm, $10
Youngblood, 2am, $10
Bar of america
Lumbercat Music, 9:30pm, no cover
Lumbercat Music, 9:30pm, no cover
125 W. Third St., (775) 323-5005 132 West St., (775) 329-2878
Nov. 3, 8:50 p.m.  3rd Street Bar  125 W. Third St.  323-5005
SATURDAY 11/4
1044 E. Fourth St., (775) 324-5050
10042 Donner Pass Rd., Truckee, (530) 587-2626
BiBo coffee co.
Babewatch, Gemini Cusp, Nightrooms, 210 Sound, 7pm, $5
945 Record St., (775) 348-8087
tHe BlUeBird
555 E. Fourth St., (775) 499-5549
Get In Where Ya’ Fit In With DJ CAMZ, 9pm, no cover The Sam Chase, 7:30pm, The Good Bad, 8:30pm, The Easy Leaves, 9:40pm, $10
Adapter, 8:15pm, Cave Clove, 9:20pm, Kelly McFarling, 10:30pm, $10
cHaPel taVern
Comedy
538 S. Virginia St., (775) 329-5558 1099 S. Virginia St., (775) 324-2244
Karl Blau, 8pm, The Coffis Brothers & The Mountain Men, 9pm, $10
Werewolf Club, 8pm, Tino Drima, 9pm, Dustin Lovelis, 10pm, $10
3rd Street Bar, 125 W. Third St. (775) 323-5005: Open Mic Comedy Competition with host Pat Shillito, Wed, 9pm, no cover The Improv at Harveys Lake Tahoe, 15 Hig jhway 50, Stateline, (775) 5886611: Annie Lederman, Andy Haynes, Thu-Fri, Sun, 9pm, $25; Sat, 8:30pm, $30; Rocky LaPorte, Ron Morey, W, 9pm, $25 Laugh Factory, Silver Legacy Resort Casino, 407 N. Virginia St., (775) 3257401: Jeff Capri, Thu, Sun, 7:30pm, $21.95; Tim Meadows, Fri-Sat, 7:30pm, 9:30pm, $27.45; Harry Basil, Tue-Wed, 7:30pm, $21.95 Pioneer Underground, 100 S. Virginia St., (775) 322-5233: Nick-N-Bobby Act Weird, Fri, 6:3pm, $10-$15; Justin Rupple, Fri, 9pm, $14-$19; Sat, 6:30pm, 9:30pm, $14-$19
cottonWood reStaUrant
Dave Manning, 7pm, no cover
Dan Copeland & Friends, 7pm, no cover
daVidSonS diStillerY
Frankly Fictitious, 9:30pm, no cover
Seeing Eye Dogs, 9:30pm, no cover
Erika Paul 7pm, no cover
Moon Gravy Duo, 7pm, no cover
Jules Jenssen, 9pm, NVO, 10pm, Mr. Rooney, 11pm, $10+
Beat Karma, 9pm, Kowta, 10pm, Subdocta, 11pm, $10
10142 Rue Hilltop Rd., Truckee, (530) 587-5711 275 E. Fourth St., (775) 324-1917 6300 Mae Anne Ave., Ste. 3, (775) 787-6300
Reno Classical Music Open Mic, 7pm, no cover
HeadQUarterS Bar
219 W. Second St., (775) 800-10120
Hellfire Saloon
3372 S. McCarran Blvd., (775) 825-1988
tHe jUngle
246 W. First St., (775) 329-4844
Sunday Takeover, 8pm, no cover
Post shows online by registerin g at www.newsrev iew.com/ren o. Deadline is th e Friday before public ation. Traditional Irish Session, 7pm, Tu, no cover
Witch Ripper, Purge the Perfect, Tresed, 8pm, $5
140 Vesta St., (775) 742-1858
71 S. Wells Ave., (775) 384-1652
DG Kicks Big Band Jazz Orchestra, 8pm, Tu, no cover
Line dancing with DJ Trey, 7pm, no cover
tHe Holland Project jUB jUB’S tHirSt Parlor
MON-WED 11/6-11/8
RAF Afterparty with Soohan, Jackson Whalan, 10pm, $15-$20
ceol iriSH PUB
fine VineS Wine Bar
SUNDAY 11/5
Traphouse: Bangus, Paranoid Envy, Shabbin Datter, Twon, 10pm, no cover
214 W. Commercial Row, (775) 813-6689
Dream Phases
FRIDAY 11/3
Rittz, 7pm, $25-$65
Goldiehawn, Cult Member, Flood Fire Death Drought, 9pm, $4
Stellar Corpses, 7pm, M, $TBA Within The Ruins, 6:30pm, W, $13 Outspoken Monday Open Mic, 7pm, M, no cover
November 2nd 5LW] /LYH LQ 5HQR November 4th
Goldie Hawn, Cult Member & Flood, Fire, Death, Drought
November 6th
Stellar Corpses & Argyle Goolsby
November 8th (Showroom) :LWKLQ WKH 5XLQV Aversions Crown, Enterprise Earth & Currents
November 9th (Showroom) Grieves, ProBcause & The Halve Two
Jub Jub’ s Thirst Parlor For more info call 384-1652 www.jubjubsthirstparlor.com 6RXWK :HOOV $YHQXH ‡ 5HQR 22   |   RN&R   |   11.02.17
THURSDAY 11/2
FRIDAY 11/3
SATURDAY 11/4
SUNDAY 11/5
MON-WED 11/6-11/8
The LoFT
Magic Fusion, 7pm, $20-$45
Magic Fusion, 7pm, $20-$45
Magic Fusion, 7pm, 9pm, $20-$45
Magic Fusion, 4:30pm, 7pm, $0-$45
Magic Fusion, 7pm, M, Tu, $20-$45 Night of Magic Benefit, 8pm, W, $55
The Loving Cup
Jazz Night, 8:30pm, no cover
Basha, 8:40pm, Trans Van Santos, 9:40pm, Tilson XOXO, 10:40pm, $10
Maiah Manser, 8:40pm, Smokey Brights, 9:40pm, Rigorous Proof, 10:40pm, $10
MidTown wine Bar
DJ Trivia, 6:30pm, no cover
Dave Mensing, 7:30pm, no cover
Chili Sauce, 8:30pm, no cover
1001 Heavenly Village Way, S.L. Tahoe, (530) 523-8024 188 California Ave., (775) 322-2480 1527 S. Virginia St., (775) 800-1960
MiLLenniuM nighTCLuB
Hector Acosta El Torito, 10pm, $45
2100 Victorian Ave., Sparks, (775) 772-6637
MoodY’S BiSTro
Live music, 8pm, no cover
Live music, 8:30pm, no cover
paddY & irene’S iriSh puB
Acoustic Wonderland, 8pm, no cover
Karaoke, 10pm, no cover
10007 Bridge St., Truckee, (530) 587-8688 906 Victorian Ave., Sparks, (775) 359-1594
You Play Wednesdays, 8pm, W, no cover
MagNicoSynth’s First Friday Funk Fest, 10pm, no cover
The Loose, 7pm, The Brankas, 7:50pm, Shotgun Sawyer, 8:40pm, $10
The poLo Lounge
Ladies Night with DJ Bobby G, 9pm, no cover
T-N-Keys, 9pm, no cover
235 Flint St., (775) 376-1948
1559 S. Virginia St., (775) 322-8864
red dog SaLoon
Off Beat Arts & Music Festival: Hellbound Glory, 8:30pm, Consider the Source, $10
Shea’S Tavern
715 S. Virginia St., (775) 786-4774
SparkS Lounge
1237 Baring Blvd., Sparks, (775) 409-3340
Sam Roberts, 8:15pm, Swoop Unit, 9pm, Lounge on Fire, 10pm, $10
The Seshen, 8:10pm, Marty O’Reilly & The Old Soul Orchestra, 9:20pm, $10
Pink Awful, Swigs, Bloody Waters, Apache, $10
Miscomings, Ealdor Bealu, Hate Recorder, Elephant Rifle, $10
Marshall Poole, 8:30pm, Everyone Is Dirty, 9:30pm, Babewatch, 10:30pm, $10
STudio on 4Th
Off Beat Music Festival: Vague Choir, 8:30pm, The Electric, 10:30pm, $10
432 E. Fourth St., (775) 737-9776
whiSkeY diCk’S SaLoon
27 Hwy. 50, Stateline, (530) 580-7221
Live blues, 8pm, W, no cover
Open Mic Clinic, 9pm, W, no cover Hourglass Files, 8:30pm, Seasons of Insanity, 9:45pm, Murderock, 11pm, $10 Natural Revolution, 9pm, no cover
2660 Lake Tahoe Blvd., S.L. Tahoe, (530) 544-3425
XhaLe Bar & Lounge
Karaoke, 8pm, Tu, no cover Corkie Bennett, 7pm, W, no cover
Blues Etc. Jam with Tony G & Friends, 8pm, no cover
ST. JaMeS inFirMarY
445 California Ave., (775) 657-8484
Karaoke Sundays, 8pm, no cover
Nov. 4, 8:10 p.m. The Saint 761 S. Virginia St. 221-7451
Open mic, 7pm, W, no cover
76 N. C St., Virginia City, (775) 847-7474 761 S. Virginia St., (775) 221-7451
The Seshen
Live music, 8:30pm, no cover
pigniC puB & paTio
The SainT
T-N-Keys, 4:30pm, Tu, 7:30pm, W, no cover
DJ Yo Yolie Nov. 4, 10 p.m. Peppermill 2707 S. Virginia St. 826-2121
Vibe Friday: Rekoh Suave & DZ Beatz, 9pm, $TBA
Virginia Street Antique Mall & Vintage Clothing thank you to all who serve this community... both home & overseas
Storewide Sale up to 30% off Nov 10 th – 12 th vintage clothing, Jewelry, books, Furniture & lighting From nevada’s oldest antique mall open daily 10:00am - 5:30pm
1251 S. Virginia St • Reno • 775-324-4141 www.facebook.com/vsamreno 11.02.17 | RN&R | 23
AtlAntis CAsino ResoRt spA 3800 S. Virginia St., (775) 825-4700 1) Grand Ballroom 2) Cabaret
Boomtown CAsino
2100 Garson Road, Verdi, (775) 345-8520 1) Events Center 2) Guitar Bar
The New Mastersounds Nov. 5, 9 p.m. Hard Rock Hotel 50 Highway 50 Stateline (844) 588-7625
Karaoke Elbow Room Bar, 2002 Victorian Ave., Sparks, (775) 358-6700: Karaoke with DJ Toni Tunez, Tue, 8pm, no cover Jimmy B’s Bar & Grill, 180 W. Pecham Lane, Ste 1070, (775) (775) 686-6737: Karaoke, Sat, 9:30pm, no cover The Point, 1601 S. Virginia St., (775) 3223001: Karaoke, Thu-Sat, 7pm, no cover Spiro’s Sports Bar & Grille, 1475 E. Prater Way, Ste.103, Sparks, (775) 356-6000: Karaoke, Fri-Sat, 9pm, no cover West 2nd Street Bar, 118 W. Second St., (775) 348-7976: Karaoke, Mon-Sun, 9pm, no cover
CARson VAlley inn
1627 Hwy. 395, Minden, (775) 782-9711
THURSDAY 11/2
FRIDAY 11/3
SATURDAY 11/4
SUNDAY 11/5
MON-WED 11/6-11/8
2) Palmore Remix, 8pm, no cover
2) Palmore Remix, 8pm, no cover Kick, 10pm, no cover
2) Palmore Remix, 8pm, no cover Kick, 10pm, no cover
2) Kick, 8pm, no cover
2) The Vegas Road Show, 8pm, M, Tu, W, no cover
2) Jaime Rollins, 6pm, no cover
2) Paul Covareli, 5pm, no cover Rebekah Chase, 9pm, no cover
2) Paul Covareli, 5pm, no cover Rebekah Chase, 9pm, no cover
2) Mike Furlong, 6pm, no cover
2) Tandymonium, 6pm, M, no cover Keith Allen, 6pm, Tu, no cover Stephen Lord, 6pm, W, no cover
Whiskey Maiden, 7pm, no cover
Whiskey Maiden, 8pm, no cover
Whiskey Maiden, 8pm, no cover
1) Sam Bush, Dead Horses, 9pm, $25-$28
1) Joe Marcinek All Stars Super Jam w/George Porter Jr., Alan Evans, Scott Guberman, 9pm, no cover
2) DJ Montague, 9pm, no cover
2) The Wiz Kid, 9pm, no cover 3) DJ Roni V, 9pm, no cover
2) The Wiz Kid, 9pm, no cover 3) DJ Roni V, 9pm, no cover
1) Forte Awards, 7pm, $10-$20
2) Romeo Reyes, 10pm, $15 3) Grand Country Nights, 10pm, no cover
2) Miles Medina, 10pm, $15 3) Grand Country Nights, 10pm, no cover
CRystAl BAy CAsino
14 Highway 28, Crystal Bay, (775) 833-6333 1) Crown Room 2) Red Room
eldoRAdo ResoRt CAsino 345 N. Virginia St., (775) 786-5700 1) Theater 2) Brew Brothers 3) NoVi
GRAnd sieRRA ResoRt
2500 E. Second St., (775) 789-2000 1) Grand Theater 2) Lex 3) Race & Sport Book
HARd RoCk Hotel & CAsino
1) The Black Dahlia Murder, Suffocation, Decrepit Birth, Exhumed, 5pm, $25-$30
50 Hwy. 50, Stateline; (844) 588-7625
HARRAH’s lAke tAHoe
15 Hwy. 50, Stateline; (800) 427-7274 1) South Shore Room 2) Peek Nightclub 3) Center Stage Lounge
HARRAH’s Reno
219 N. Center St., (775) 786-3232 1) Showroom 2) Sapphire Lounge 3) Plaza 4) Convention Center
peppeRmill ResoRt spA CAsino
2707 S. Virginia St., (775) 826-2121 1) Tuscany Ballroom 2) Terrace Lounge 3) Edge
1) The Magic of Eli Kerr, 7:30pm, $32-$42
407 N. Virginia St., (775) 325-7401 1) Grand Exposition Hall 2) Rum Bullions Island Bar 3) Aura Ultra Lounge 4) Silver Baron Lounge
1) Home Free, 7:30pm, $32-$37 2) DJ/dancing, 10pm, $20 3) Arty the Party, 9pm, no cover
1) The Magic of Eli Kerr, 7:30pm, $32-$42 Essence, 10pm, $30.04
1) The Magic of Eli Kerr, 7:30pm, $32-$42 Essence, 10pm, $30.04
3) Ladies Night with DJs Enfo & Twyman, 3) Latin Dance Social, 7:30pm, $10-$20 10pm, $20
3) DJ Yo Yolie, 10pm, $20
4) DJ Kronik, 9pm, no cover
2) DJ Kronik, 9pm, no cover 3) Seduction Saturdays, 9pm, $5
2) DJ Kronik, 9pm, no cover
2) The Wiz Kid, 9pm, no cover
2) Live Band Karaoke, 10pm, M, no cover DJ Logan, 9pm, Tu, no cover DJ Sam Forbes, 9pm, W, no cover
1) The New Mastersounds, Kung Fu, 9pm, $18-$25
2) DJ/dancing, 10pm, $20 3) Arty the Party, 9pm, no cover
silVeR leGACy ResoRt CAsino
Roem Baur, 6pm, Tu, W, no cover
3) Buddy Emmer and guest, 8pm, Tu, no cover
4) DJ Kronik, 9pm, no cover
join the
team! rn&r is hiring
• advertising consultant For more inFormation and to apply, go to www.newsreview.com/reno/jobs Chico Community Publishing, dba the Reno News & Review, is an Equal Opportunity Employer.
24 | RN&R | 11.02.17
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FOR THE WEEK OF nOvEmbER 2, 2017 For a complete listing of this week’s events or to post events to our online calendar, visit www.newsreview.com. BURNERS WITHOUT BORDERS: Christopher Breedlove, program manager of Burners Without Borders, talks about the group whose goal is to unlock the innate skills of local communities to solve problems and bring about meaningful change. Born in the wake of Hurricane Katrina, BWB has become a symbol of how the skills learned at Burning Man events can transfer into the larger world. Fri, 11/3, noon. $10, free for NMA members. Nevada Museum of Art, 160 W. Liberty St., (775) 329-3333, www.nevadaart.org.
EL DIA DE LOS MUERTOS: This Day of the Dead celebration features a presentation of ofrendas created by school and community groups, traditional pan de muertos and Mexican style hot chocolate, sugar skulls, papel picado paper flowers, face painting, traditional Aztec dancing by Virgen Guadalupana and traditional Mexican dances by International Folkloric Ballet, bilingual stories and a brief lecture on the history and meaning of Day of the Dead. Thu, 11/2, 5:30-7:30pm; Sat, 11/4, 11am-3pm. Free. Nevada State Museum, 600 N. Carson St., Carson City, (775) 687-4810, nvculture.org.
FIRST THURSDAY: Grab a drink, listen to live music by Rick Costa and check out the galleries. Thu, 11/2, 5pm. $10, free for NMA members. Nevada Museum of Art, 160 W. Liberty St., (775) 329-3333.
LULA WASHINGTON DANCE THEATRE
11/2:
The University of Nevada, Reno’s Performing Arts Series continues its 2017-2018 season with a performance by the Los Angeles-based repertoire dance ensemble. The Lula Washington Dance Theatre has built an international reputation for the earthiness, vitality, energy and humanism of its repertory—most of it choreographed by founder/artistic director Lula Washington. Lula and her husband Erwin Washington founded the company in 1980 with the aim to provide a creative outlet for minority dance artists in the inner city. Admired as a teacher, leader, dancer and choreographer, Lula Washington fuses African and Afro-Haitian dance while incorporating dance styles of gospel church, classical ballet, modern, street, theatrical and hip hop. Her work has been praised by critics for its strong political and social commentary and avant-garde composition. The company has danced in more than 150 cities in the United States and abroad, including Germany, Spain, Serbia, Mexico, Canada, China and Russia. The performance begins at 7:30 p.m. on Thursday, Nov. 2, at Nightingale Concert Hall in the Church Fine Arts Building, 1335 N. Virginia St., at the University of Nevada, Reno. Tickets are $5-$35. Call 784-4278 or visit www.unr.edu/pas.
EvEnTS
AMERICAN BUSINESS WOMEN’S ASSOCIATION MONTHLY LUNCHEON MEETING: The monthly luncheon features a guest speaker, a raffle drawing and networking with businesswomen from many different types of businesses. Thu, 11/2, 11:30am. $20-$25. Atlantis Casino Resort Spa, 3800 S. Virginia St., (775) 333-9300, www.abwa.org.
2017 FORTE AWARDS: The Fans Of Reno Tahoe Entertainers (FORTE) honor local artists in the fields of music, theater, dance and comedy during the second annual awards ceremony. All proceeds will go toward supporting the Food Bank of Northern Nevada, the Nevada Humane Society, and the Veterans Resource Centers of America. Thu, 11/2, 7pm. $10$20. Grand Sierra Resort, 2500 E. Second St., (775) 355-9494, forteawards.com.
BARRELS & BITES: The event features over
26 | RN&R | 11.02.17
100 themed alcohol and spirit booths, food provided by eight local eateries and silent and live auctions with all proceeds benefiting the Boys & Girls Club of Truckee Meadows. Fri, 11/3, 4pm. $75. Peppermill Casino, 2707 S. Virginia St., (775) 360-2448, www.barrelsandbites.com.
HEY MOM, WHAT DID YOU DO WHILE DAD WAS AT WAR?: This panel discussion covers evolving women’s roles and support and challenges from World War II to the War in Afghanistan. Sat, 11/4, 11:30am. $15$40. Trinity Episcopal Church Parish Hall, 200 Island Ave, www.nevadawomen.org.
MOLLY & MELISSA’S 9TH ANNUAL THE PEANUT PATROL BOWLING TOURNAMENT: A charity bowling event to raise funds for The Peanut Patrol, a local non-profit organization dedicated to increasing public awareness on the severity of peanut allergies and to save the lives of those who have this life-threatening allergy. Sat, 11/4, 1pm. $20. The National Bowling Stadium, 300 N. Center St., (775) 771-4221, www.thepeanutpatrol.org.
OFF BEAT ARTS & MUSIC FESTIVAL: The third annual festival is a citywide, multi-venue festival celebrating the local and regional art and music. Performances are at a mix of venues throughout downtown and midtown Reno and the Fourth Street Corridor. Visit website for schedule. Thu, 11/2-Sat, 11/4. $10-$129. Various locations in Reno, www.offbeatreno.com.
RENO AERIALFEST: This immersive event focuses on various aspects of the aerial arts, including safety, performance, movement artistry, technique and health and wellness. The festival includes a workshop series, competition and after party. Sat, 11/4, 10am. $20-$60. Reno-Sparks Convention Center, 4590 S. Virginia St., www.renoaerialfest.com.
RENO’S ARTOWN: Jennifer Mannix, Artown’s
CLASSROOM GALLERY, OATS PARK ART CENTER:
director of marketing, will discuss the history of Artown and how it has brought Northern Nevada closer together. Sat, 11/4, 2pm. Free. Galena Creek Visitor Center, 18250 Mount Rose Highway, (775) 849-4948.
Hallowed Absurdities. Mixed-media works by Theodore Waddell. The exhibition runs through Nov. 18. Thu, 11/2-Wed, 11/8. Free. Classroom Gallery, Oats Park Art Center, 151 E. Park St., Fallon, (775) 423-1440, www.churchillarts.org.
SATURDAY NIGHT STAR PARTY: The Jack C. Davis Observatory hosts free star parties every Saturday night year round, starting at sunset. The evening starts with a lecture on one of numerous topics and then concludes with guided star viewing by one of the observatory’s astronomers. Sat, 11/4, 6pm. Free. Jack C. Davis Observatory, 2699 Van Patten Drive, Carson City, (775) 857-3033.
SCIENCE CAFE NV: Scientists and researchers to give 15-20 minute presentations to the public, followed by roundtable discussions. Science Café NV is on the first Monday of every month. Mon, 11/6, 6:30pm. Free. Brasserie Saint James, 901 S. Center St., (775) 785-3416.
TMPF TALKS—BUSTING NATURE’S MYTHS: Truckee Meadows Parks Foundation hosts this presentation as part of its quarterly lecture series. This event will include guest speakers discussing myths and misinformation about the natural world around us. Mon, 11/6, 6pm. Free. California Building, Idlewild Park, 70 Cowan Drive, (775) 410-1702.
ALL AGES ALL AGES PAINT & SIP WITH KANDINSKI: Receive one-on-one guidance in an intimate social setting for all levels. The featured painting is Kandinski’s “Winter Landscape. Bring your own beverages/ snacks and friends, leave with a 16” x 20” acrylic painting. Fri, 11/3, 6pm. $20 (includes supplies). Lake Mansion, 250 Court St., (775) 826-6100.
CODE IT BUILD IT: Learn the basics of computer coding for games and more, or work with Legos, Tinker Toys, Raspberry Pi and other building classics. All ages welcome. Wed, 11/8, 4pm. Free. Spanish Springs Library, 7100-A Pyramid Highway, Sparks, (775) 424-1800.
FAMILY GAMES DAY: Bring your family and friends and try out popular games such as Scrabble, Monopoly, Wheel of Fortune, Sequence, chess, checkers and more. All abilities welcome. Sun, 11/5, 10am. Free. Spanish Springs Library, 7100-A Pyramid Highway, Sparks, (775) 424-1800.
ART ARTISTS CO-OP GALLERY RENO: Nevada Beauty in All Seasons. The Artists Co-op Gallery and the Latimer Art Club present the 10th annual juried and judged miniature art exhibition. The show is open daily through Nov. 8. Thu, 11/2-Wed, 11/8, 11am-4pm. Free. Artists Co-op Gallery Reno, 627 Mill St., (775) 322-8896.
E.L. WIEGAND GALLERY, OATS PARK ART CENTER: American Landscapes. Multimedia installation by Willem Volkersz. The show runs through Nov. 18. Thu, 11/2-Wed, 11/8. Free. E.L. Wiegand Gallery, Oats Park Art Center, 151 E. Park St., Fallon, (775) 423-1440, www.churchillarts.org.
GALLERY EAST, MCKINLEY ARTS & CULTURE CENTER: Angles and Eaves Deconstructing Architecture. The art exhibition features hard-edge acrylic paintings reflecting the architectural styles of California before the turn of the 20th Century. Karen Anable-Nichols creates colorful abstractions based off the angles and geometry of buildings using arbitrary colors to create an exciting juxtaposition between color and form. Angles and Eaves: Deconstructing Architecture will be on exhibit in Gallery East of McKinley Arts & Culture Center Monday-Friday through Dec. 1. Thu,
11/2-Fri, 11/3, Mon, 11/6-Wed, 11/8, 8am5pm. Free. Gallery East, McKinley Arts &
Culture Center, 925 Riverside Drive, (775) 334-6264, renoculture.com.
GALLERY WEST, MCKINLEY ARTS & CULTURE CENTER: Preserved Limb, timber and tree-spirit. The art exhibition features paintings of serene, color-drenched environments exploring themes of nature. Artist Jennifer Kapnek uses layers of acrylic paint on recycled wood while incorporating natural elements to reflect concepts of history, endurance and preservation. The show runs Monday-Friday through Dec. 1. Thu, 11/2-Fri 11/3, Mon, 11/6-Wed, 11/8, 8am-5pm. Free. Gallery West, McKinley Arts & Culture Center, 925 Riverside Drive, (775) 334-6264.
SIERRA ROOM AT CARSON CITY COMMUNITY CENTER: Tahoe Clarity. The Capital City Arts Initiative presents its photography exhibition by artist Dylan Silver. The artwork will be on view in the gallery through Nov. 9. Thu, 11/2, Mon, 11/6-Wed, 11/8, 5-8pm. Free. Sierra Room at Carson City Community Center, 851 E. William St., Carson City, www.arts-initiative.org.
THE HOLLAND PROJECT MICRO GALLERY: Discernment. The art exhibition features work by emerging artist Yanessa Martinez, a local, conceptual artist working primarily in acrylic. Her haunting paintings deal with the displacement she perceives in her generation that has resulted from recent, global upheaval. Martinez’s art, like her generation, brings into question social constructs that have formerly been taken for granted. Her pieces balance the spiritual and existential, inspiring foreboding but also hope in the viewer. The show runs through Nov. 10. The closing reception will be held on Nov. 8, 6-8pm. Thu, 11/2-Wed, 11/8. Free. The Holland Project Micro Gallery, 945 Record St., (775) 742-1858, www.hollandreno.org.
WEST ST. MARKET: Art Walk Reno. The evening will highlight public art, murals and stop at several of the galleries and alternative venues along the way, including Sierra Arts Gallery, Art Indeed Gallery and La Terre Verte. Tickets are available at the door. Proceeds will benefit a local nonprofit. Thu, 11/2, 6pm. $10. West St. Market, 148 West St., artspotreno.com.
MUSEUMS NEVADA MUSEUM OF ART: Andrea Zittel: Wallsprawl. On view through Dec. 31; City of Dust: The Evolution of Burning Man. The show runs through Jan. 7; Unsettled. The exhibition runs through Jan. 21; View from the Playa: Photographs by Eleanor Preger. The show runs through Dec. 7. Thu, 11/2-Sun, 11/5, Wed, 11/8, 10am. $1-$10. Nevada Museum of Art, (775) 329-3333, www.nevadaart.org.
THE TERRY LEE WELLS NEVADA DISCOVERY MUSEUM (THE DISCOVERY): A T. rex Named Sue. At 42 feet long and 12 feet high at the hips, Sue is the largest, most complete, and best-preserved T. rex ever discovered. A dramatic, life-sized skeleton cast of Sue is the centerpiece of this blockbuster exhibition that also features digital and hands-on interactive exhibits that help you uncover Sue’s past and explore the field of paleontology. A T. rex Named Sue will be on exhibit through Jan. 15. Museum hours are 10am to 5pm on Tuesday, Friday and Saturday, 10am to 8pm on Wednesday, 10am to 2pm on Thursday and noon to 5pm on Sunday. Thu, 11/2-Sun, 11/5, Tue, 11/7-Wed 11/8. $10-$12. The Terry Lee Wells Nevada Discovery Museum (The Discovery), 490 S. Center St., (775) 786-1000, nvdm.org.
FILM
11/4:
ADONIS PUENTES & THE VOICE OF CUBA ORCHESTRA
Churchill Arts Council presents the all-Cuban, seven-piece ensemble whose sonero sound transports audiences to dance halls of Havana. Bandleader Adonis Puentes’ rich, soulful voice is the perfect front for his orchestra, layering traditional Cuban rhythms with deep bass lines, jazzy horns and his melodic guitar. Puentes was nominated for a Grammy for his vocal work with Los Angeles-based, nine-piece band Mongorama. His most recent CD Sabor a Café received a Juno (the Canadian equivalent of a Grammy) nomination for World Music Album of the Year. Puentes and his band have performed at the Chicago World Music Festival, the Richmond Folk Festival, The Greek Theatre, Pabst Theater, Lincoln Center, South by Southwest and many other venues. The show begins at 8 p.m. on Saturday, Nov. 4, at Oats Park Art Center, 151 E. Park St., Fallon. Tickets are $20 general admission and $17 for CAC members. Call (775) 423-1440 or visit www.churchillarts.org.
THE TROUBLE WITH HARRY: Artemisia Moviehouse presents a showing of this 1955 comedy/mystery directed by Alfred Hitchcock and starring Shirley MacLaine, John Forsythe and Jerry Mathers. Sun, 11/5, 6pm. $5-$9. Good Luck Macbeth, 713 S. Virginia St., (775) 337-9111.
MUSIC CLASSIX TWO: The Reno Philharmonic continues its 2017-2018 Classix season with a program featuring Brahms’ Piano Concerto No. 1 in D minor, op. 15, featuring guest pianist Christopher O’Riley, host of NPR’s From the Top. The concert includes Sibelius’ Symphony No. 2 in D major, op. 43. Sun, 11/5, 4pm; Tue, 11/7, 7:30pm. $29-$89. Pioneer Center for the Performing Arts, 100 S. Virginia St., (775) 323-6393, renophil.com.
FAMILY CONCERT: The Reno Philharmonic offers a family-friendly introduction to the orchestral concert experience. Pre-concert activities will begin at 9am. This year’s concert will highlight the celebration of El Dia de los Muertos and feature music from Mexico. Sat, 11/4, 10am. Free. Pioneer Center for the Performing Arts, 100 S. Virginia St., (775) 323-6393, renophil.com.
WCSD HONOR CHOIR: This concert features the sixth grade, middle school and high school honor choirs of the Washoe County School District. These young musicians have been selected through an audition process and will be performing with their peers from throughout the district. Wed, 11/8, 7pm. $10. Pioneer Center for the Performing Arts, 100 S. Virginia St., (775) 686-6600, pioneercenter.com.
ONSTAGE A CHARLIE BROWN CHRISTMAS FAMILY GALA: TheatreWorks of Northern Nevada’s second annual Family Gala Fundraiser features photos with Santa Claus, face painting, Christmas arts and crafts, a silent auction, dinner and a special performance of the holiday classic A Charlie Brown Christmas. Sun. 11/5. 4pm. $30-$50. Atlantis Casino Resort Spa, 3800 S. Virginia St., (775) 284-0789, www.twnn.org.
GUNPOWDER & FEMME: In Collateral&Co.’s first show, broken into two parts, the company explores both the collateral effects of gun violence and what it means to be both feminine and strong in one’s resolve. Sat, 11/4,7:30pm; Sun, 11/5, 2pm; Mon, 11/6, 7:30pm. $15. Reno Little Theater, 147 E. Pueblo St., (775) 813-8900, renolittletheater.org.
THE FLYING CARPET THEATRE COMPANY: Through the University of Nevada, Reno’s Artist-in-Residence program, New York City-based Flying Carpet will perform with UNR theater students. Thu, 11/2, 7:30pm. Free. Redfield Studio Theatre, Church Fine Arts, 1335 N. Virginia St., (775) 784-4278.
GENERATION WE A HIP-HOPERA: This new work was created in collaboration between Reno band Weapons of Mass Creation (WMC), The Potentialist Workshop’s Pan Pantoja and Good Luck Macbeth Theatre Company. Based on WMC’s Generation WE, and coinciding with the release of the final 10 tracks of the album of the double album, this production tells the story of four individuals each in possession of a mysterious silver ticket and each searching for America but finding a lot more than they bargained for along the way. The story unfolds through theatrical performance, song, rap, poetry and dance. The show runs Friday-Sunday through Nov. 11. Fri, 11/3-Sat, 11/4, 7:30pm; Sun, 11/5, 2pm. $15-$18. Good Luck Macbeth Theatre Company, 713 S. Virginia St., (775) 322-3716.
OUT OF STERNO: Deborah Zoe Laufer’s coming-of-age play explores the triumph and heartbreak of growing up and the contradictory societal pressures women face just trying to make it across town. Fri, 11/3-Sat, 11/4, 7:30pm; Sun, 11/5, 2pm. $12-$15. Restless Artists Theatre Company, 295 20th St., Sparks, (775) 5253074, www.rattheatre.org.
THE ROCKY HORROR SHOW: TMCC Performing
SENIOR HEALTHY WALKING PROGRAM: Center
Arts presents the original rock musical about a wholesome and innocent young couple on a harmless road trip when, by a turn of fate, they run into some unexpected car trouble. After seeking help at the castle of transvestite scientist Dr. Frank-N-Furter, the naive pair gradually lose their innocence as the night progresses. The show runs through Nov. 5. Thu, 11/2-Sat, 11/4, 8pm; Sun, 11/5, 2pm. $10-$15. Nell J. Redfield Performing Arts Center, 505 Keystone Ave., (775) 673-7291, www.tmcc.edu.
for Healthy Aging offers a free senior walking program for people 50 years of age and older. Snacks and water will be provided at the walk. Wed, 11/8, 9am. Free. Meadowood Mall, 5000 Meadowood Mall Circle, (775) 384-4324.
LIFESTYLE AFTERNOON BOOK CLUB: This month the book club will discuss Dead Letters by Caite Dolan-Leach. Wed, 11/8, 2pm. Free. Northwest Reno Library, 2325 Robb Drive, (775) 787-4100.
SPORTS & FITNESS
FOUR SEASONS BOOK CLUB: The book
GUIDED HIKE: Enjoy a guided hike through Galena Creek Park with a local specialist. Please bring appropriate clothing and plenty of water. The hike intensity varies, depending on the audience. Sat, 11/4, 10am. Free. Galena Creek Visitor Center, 18250 Mount Rose Highway, (775) 8494948, www.galenacreekvisitorcenter.org.
IDLEWILD HEALTH WALKS: These interpretative walks are a safe and supportive environment designed to offer people in all stages of Alzheimer’s and their care-partners an opportunity to get outdoors, get some exercise and socialize with their peers. Tue, 11/7, 10am. Free. Truckee Meadows Parks Foundation Office, Idlewild Park, 50 Cowan Drive, (775) 784-1807.
club meets on the first Saturday of the month. This month’s title is The Storyteller by Jodi Picoult. Sat, 11/4, 1pm. Free. Sparks Library, 1125 12th Street, Sparks, (775) 352-3200.
KNIT WITS & HOOKERS: Knitters of all levels are invited to join Sierra View Library’s new knitting club. Thu, 11/2, 1pm. Free. Sierra View Library, Reno Town Mall, 4001 S. Virginia St., (775) 827-3232.
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CLASSES
MYSTERY SLEUTHS: Join North Valley Library’s book group and solve popular mystery stories. Meetings are held the second Wednesday of the month. Call the library for this month’s title. Pick up a copy at the library and come to discuss it. Wed, 11/8, 5:45pm. Free. North Valleys Library, 1075 North Hills Boulevard, (775) 972-0281.
ART EXPLORATIONS: A variety of different techniques and mediums will be introduced, such as drawing, multiple paint mediums and more. A fun opportunity to get back in to doing art again or to learn new techniques. The class will be held on Thursday through Nov. 9. Thu, 11/2, 6:30pm. $55. Lake Mansion, 250 Court St., (775) 826-6100, www.artsforallnevada.org.
SIERRA SUNRISE TOASTMASTERS: Get comfortable with your public speaking skills. Thu, 11/2, 7am. $6-$15. Gold-NSilver Inn Restaurant, 790 W. Fourth St., (775) 750-7950, www.facebook.com/ SierraSunriseToastmasters/.
CHILDREN’S ACTING: Children ages 7-12 can build confidence while expressing their creativity through acting and theater practices. Supplies included in cost. The five-week class will be held on Mondays. Mon, 11/6, 4pm. $45. Lake Mansion, 250 Court St., (775) 826-6100, www.artsforallnevada.org.
SPANISH LANGUAGE PRACTICE AND COFFEE IN RENO: This group gets together every Saturday for one hour or more to discuss different topics of Spanish grammar over coffee and cookies or sweet bread. You will receive a binder with content corresponding to the day’s lesson. Sat, 11/4, 11am. $10-$20. Training Connexion, 4600 Kietzke Lane, Bldg. B, Ste. 117, (775) 224-6271.
COMPUTER CLASSES: Join a specific series of classes to learn beginning computer skills, how to use the internet, email services and Microsoft Office Suite. Wed, 11/8, 1pm. Free. Sparks Library, 1125 12th St., Sparks, (775) 352-3200.
YARN TIME: If you knit or crochet or would like to learn how, join this group on the second and fourth Wednesday of each month. Wed, 11/8, 2pm. North Valleys Library, 1075 North Hills Boulevard, (775) 972-0281.
GENEALOGY OPEN LAB: Learn how to
FOSTER CARE ADOPTION TRAINING: This class is specifically designed for families interested in adoption or those in the beginning stages of adoption. Presented by the Adoption Exchange. Wed, 11/8, 5:30pm. Free. South Valleys Library, 15650-A Wedge Parkway, (775) 851-5190.
if you have a business and would like to carry the paper for free, call our office at 775.324.4440.
build your family tree, discover your ancestors and amaze your family with your research skills. Fri, 11/3, 11:30am. Elizabeth Sturm Library, Truckee Meadows Community College, 7000 Dandini Blvd., (775) 674-7602.
SIERRA VIEW CODING CLUB: This is a drop-in club for kids who want to learn to code. Using the self-paced NCLab platform, students will learn the basics of computer programming and can earn the Governor’s NV Ready 21 Certificate. Wed, 11/8, 4pm. Free. Sierra View Library, Reno Town Mall, 4001 S. Virginia St., (775) 827-3232.
WATERCOLOR PAINTERS OPEN GROUP: This is a group of watercolor painters who paint together and learn from each other. Fri, 11/3, 9am. $5. Nevada Fine Arts, 1301 S. Virginia St., (775) 786-1128.
COMMUNITY BLOOD DONATIONS NEEDED: Donors must be age 16 or older, weigh at least 110 pounds and be in good health. There are some weight and height restrictions for donors younger than 23 and parental permission is required for all 16-yearold and 17-year-old donors. Contact United Blood Services to make an appointment. Thu, 11/2-Fri, 11/3, Mon, 11/6Wed, 11/8. Free. United Blood Services, 1125 Terminal Way, (775) 324-6454.
DIABETES SUPPORT GROUP: Terry Lee Wells Reno Family Support Group offers a supportive environment for parents and children to learn about diabetes management. Meetings include guest speakers, youth activities, special events and parties. This event takes place on the second Wednesday of the month. Wed, 11/8, 6:30pm. Free. Terry Lee Wells Discovery Museum (The Discovery), 490 Center St., (775) 856-3839, diabetesnv.org.
REMSA FREE CAR SEAT CHECKPOINTS: The Regional Emergency Medical Services Authority offers a free car seat installation and inspection check point as part of its Point of Impact community outreach program. When visiting the checkpoint, parents should bring their children and car seats and schedule about 30-45 minutes or longer for more than one seat. Staff and volunteers will check for obvious defects and determine whether the car seat appears on a national recall list. In addition, they will check the installation, correct any problems and provide education on the proper use and installation of the car seat. Inspection dates are Nov. 2, 6-9, 13-16, 18, 20-21, 29-30 and Dec. 4-7, 11-14, 18-21. Thu, 11/2, Mon, 11/6-Wed, 11/8, 9am. Free. REMSA, 400 Edison Way, Reno, (775) 858-5437, remsaeducation. enrollware.com/schedule.
MONTHLY HEALTH FAIR: Northern Nevada Medical Center offers its monthly health fair. Services include blood pressure and body fat screenings, blood screenings, EKG for electrical activity of the heart and overall heart function and other tests. Fasting is required for best results in blood screenings Thu, 11/2, 7-10am. $0$40. Northern Nevada Medical Center, 2375 E. Prater Way, Sparks, (775) 3317000, www.nnmc.com.
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28 | RN&R | 11.02.17
by AMY ALKON
Pic me! I’m a newly divorced woman trying some online dating sites. Because I read your column, I understand how men prioritize beauty. I’m an attractive woman, but I often photograph terribly, and I’m thinking of spending some money and having a professional photographer shoot some pix in a studio. Would this be a good investment? I feel like I’d have a better shot if I had really great photos. Being somewhat vain, I fear the candid camera. In fact, I not only favor the posed photo but tend to stick to a single pose. On online dating sites especially, appearance drives whom we choose or lose. Not surprisingly, marketing researcher Jonah Berger reports that “most online contexts,” including dating sites, “are dominated by posed photos,” as opposed to the candid kind. Berger notes that people tend to assume that others will find them more likable and worth getting to know if they present “a curated, polished version of the self.” Yet in his research, it was the candid pix that made people more interested in “being friends with or going on a date” with the person pictured. Those he surveyed also reported feeling “more connected” to those in the candid photos and liking these people more overall. “Candid photos made photo targets seem more genuine,” Berger explains. They “seem to provide a glimpse into what someone is truly like, an unvarnished perspective on how they look and behave when others aren’t looking.” However, there are times when candids are less advisable. For example, Berger found that employers on LinkedIn were more interested in hiring someone who used a posed photo. Sadly, it seems the candid “Here I am at 1 in the morning drinking my sixth glass of chardonnay” does not scream, “Hire me!” But getting back to online dating, let’s temper Berger’s findings with what we all know: The hotter you look, the more replies you’ll get on a dating site. So, because you’re somebody who often photographs “terribly,” your best bet is getting photos taken that appear to be candid. You do this by having a photographer or friend shoot you “in action”—in other words, appearing not to notice the big honking lens
or the iPhone right in your face. Plan to shoot a ton of photos, and at least a few will catch you looking babe-alicious.
Who will stop the wane? I’m happily married. My wife is beautiful. She used to put a lot of effort into her appearance, but she now wears sweats and T-shirts everywhere, and she never wears makeup or does her hair. I felt really bad about this on our recent date night, when she just put her hair in a ponytail and wore a slouchy army jacket. I want her to keep making an effort to put herself together for me. How can I offer her constructive criticism without making her mad? I suspect the term “constructive criticism” was coined by someone who went through life without ever encountering another human being. Here in the real world, criticizing people doesn’t make them change; it makes them want to clobber you. That’s because our ancient fight-or-flight system is a little one-note—juicing us to respond to a verbal attack as if it were an attack by some dude running at us with a bloody spear. So, though it isn’t unreasonable to want your wife to make an effort on date night, you should focus on what you do want to see rather than what you don’t. For example: “Honey, you’re so beautiful, and when it’s date night, it would make me so happy if you did your hair and wore a dress. And I’ll wear whatever you want.” And to get her to make more of an effort day to day: “I love you so much, and I want to be sure we keep the romance alive.” Make clear that you aren’t expecting her to do the dishes in an evening dress and a tiara. You’d just be thrilled if, from time to time, the thigh-highs could be fishnets instead of hip waders. Ω
ERIK HOLLAND
Got a problem? Write Amy Alkon, 171 Pier Ave., No. 280, Santa Monica, CA 90405, or email AdviceAmy@aol.com (www.advicegoddess.com).
11.02.17 | RN&R | 29
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FRee will astRology
by ROb bRezsny
For the week oF November 2, 2017 ARIES (March 21-April 19): America’s Civil War
ended in 1865. A veteran from that conflict later produced a daughter, Irene Triplett, who is still alive today and collecting his pension. In the coming months, I foresee you being able to take advantage of a comparable phenomenon, although it may be more metaphorical. Blessings from bygone times, perhaps even from the distant past, will be available to you. But you’ll have to be alert and know where to look. So now might be a good time to learn more about your ancestors, ruminate exuberantly about your own history, study the lives of your dead heroes, and maybe even tune in to your previous incarnations.
TAURUS (April 20-May 20): “I wasn’t in the
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market to buy a Day-Glo plastic fish from a street vendor,” testified a witty guy named Jef on Facebook, “but that’s exactly what I did. The seller said he found it in someone’s trash. He wanted 50 cents for it, but I talked him up to a dollar. The best part is the expression on the fish’s face. It’s from Edvard Munch’s “The Scream.” I bring this testimony to your attention, Taurus, because I feel it’s good role-modeling for you. In the coming days, I bet you won’t know exactly what you’re looking for until you find it. This prize may not be highly valued by anyone else but you. And it will amuse you and be of use to you in just the right ways.
GEMINI (May 21-June 20): Where are Chinese
gooseberries grown? In New Zealand. What is a camel’s hair brush made of? Squirrel fur. When England and France waged their Hundred Years’ War, how long did it last? 116 years. When do Russians celebrate their October Revolution? In November. Trick answers like these are likely to be a recurring theme for you in the coming weeks, Gemini. That’s why I advise you to not be a Master of the Obvious.
CANCER (June 21-July 22): In accordance with
the astrological omens, I recommend you indulge in any or all of the following exercises. 1. Dedicate an entire day to performing acts of love. 2. Buy yourself flowers, sing yourself a song, and tell yourself a story about why you’re so beautiful. 3. Explain your deeply-felt opinion with so much passion and logic that you change the mind of a person who had previously disagreed with you. 4. Make a pilgrimage to a sacred spot you want to be influenced by. 5. Buy a drink for everyone in a bar or cafe.
LEO (July 23-Aug. 22): “Dear Rob: I saw a photo
of you recently, and I realized that you have a scar on your face. I hope you don’t mind me telling you it resembles an ancient Mayan hieroglyph that means ‘Builder of Bridges for Those Who Are Seeking Home.’ Did you know this? If so, do you think it’s an accurate title for what you do?—Renegade Leo Scholar.” Dear Scholar: Thanks for your observation. I don’t know if I fully deserve the title “Builder of Bridges for Those Who Are Seeking Home,” but it does describe the role I’m hoping to play for Leos. The coming weeks will be an excellent time for your tribe to clarify and cultivate your notion of home.
VIRGO (Aug. 23-Sept. 22): Author Clarissa
Pinkola Estés encourages us to purge any tendencies we might have to think of ourselves as hounded animals, angry, wounded victims, leaky vessels aching to be filled, or broken creatures yearning for rescue. It so happens that now is a perfect time for you to perform this purgation. You have maximum power to revise your self-image so that it resounds with more poise, self-sufficiency and sovereignty.
LIBRA (Sept. 23-Oct. 22): I used to scoff at peo-
ple who play the lottery. The chance of winning big is almost nil. Why not invest one’s hopes in more pragmatic schemes to generate money? But my opinion softened a bit when the planet Jupiter made a lucky transit to an aspect in my personal horoscope. It really did seem like my chances of winning the lottery were unusually high. I started dreaming about the educational amusements I’d pursue if I got a huge influx of cash. I opened my mind to expansive future possibilities that I had previously been closed to. So even though I didn’t actually get a
windfall during this favorable financial phase, I was glad I’d entertained the fantasy. In alignment with current astrological omens, Libra, here’s the moral of the story for you: Meditate on what educational amusements you’d seek if you had more money.
SCORPIO (Oct. 23-Nov. 21): In the early stages
of Johnny Cash’s development as a musician, his mother hired a coach to give him singing lessons. But after a few meetings, the teacher counseled him to quit. Johnny’s style was so unique, the seasoned pro thought it better not to tamper with his natural sound. I hesitate to offer you comparable advice, Scorpio. I’m a big believer in the value of enhancing one’s innate talents with training and education. On the other hand, my assessment of your destiny between now and October 2018 impels me to offer a suggestion: It may be useful for you to give some credence to the perspective of Johnny Cash’s voice coach. Make sure you guard and revere your distinctiveness.
SAGITTARIUS (Nov. 22-Dec. 21): I used to nurture
a grudge against Tony Pastorini. He was the high school math teacher who kicked me out of the extracurricular Calculus Club because my proofs were too “intuitive and unorthodox.” The shock of his rejection drove me away from a subject I had been passionate about. Eventually, though, I came to realize what a good deed he had done. It would have been a mistake for me to keep specializing in math—I was destined to study literature and psychology and mythology—but it took Pastorini to correct my course. Now, Sagittarius, I invite you to make a similar shift of attitude. What debt of gratitude do you owe a person you have thought of as a source of frustration or obstruction?
CAPRICORN (Dec. 22-Jan. 19): In the lore of
ancient Greek mythology, the god Prometheus stole fire from his fellow deities and sneakily gave it to us humans. Before our patron provided us with this natural treasure, we poor creatures had no access to it. As I gaze out at your possibilities in the coming months, Capricorn, I foresee you having Promethean inclinations. Your ability to bestow blessings and spread benevolence and do good deeds will be at a peak. Unlike Prometheus, however, I don’t expect you’ll get into trouble for your generosity. Just the opposite!
AQUARIUS (Jan. 20-Feb. 18): Here’s a parable
you may find useful. An armchair explorer is unexpectedly given a chance to embark on an adventure she has only read and dreamed about. But she hesitates on the brink of seizing her opportunity. She asks herself, “Do I really want to risk having ragged reality corrupt the beautiful fantasy I’ve built up in my mind’s eye?” In the end she takes the gamble. She embarks on the adventure. And ragged reality does in fact partially corrupt her beautiful fantasy. But it also brings her unexpected lessons that partially enhance the beautiful fantasy.
PISCES (Feb. 19-March 20): “A game of chess
is usually a fairy tale of 1001 blunders,” said chess grandmaster Savielly Tartakower, a Pisces. “It is a struggle against one’s own errors,” he added. “The winner of the game is the player who makes the next-to-last mistake.” I think this is excellent counsel during the current phase of your astrological cycle, Pisces. It’s time to risk bold moves, because even if they’re partly or wholly mistaken, they will ultimately put you in a good position to succeed in the long run. Here’s a further point for your consideration. Remember the philosopher Rene Descartes’ famous dictum, “Cogito ergo sum”? It’s Latin for “I think, therefore I am.” Tartakower countered this with, “Erro ergo sum,” which is “I err, therefore I am.”
You can call Rob Brezsny for your Expanded Weekly Horoscope: (900) 950-7700. $1.99 per minute. Must be 18+. Touchtone phone required. Customer service (612) 373-9785. And don’t forget to check out Rob’s website at www.realastrology.com.
by KRis VAgNER
Entrepreneur
PHOTO/KRIS VAGNER
Krista Bea Jackson is the owner of Sugar Love Chocolates and the lead organizer for the Reno version of Techstars Global Startup Weekend, in which would-be entrepreneurs pitch and develop business ideas. The event takes place Nov. 10-12 at Greater Nevada Field. Tickets are $25-99. For information, visit http://startupweekend.org.
Who is eligible to attend Startup Weekend? Anyone over the age of 13. That is a requirement, and that is pretty much it. We give discounts to students. We really encourage them to try it out. It’s practical learning. It’s not theoretical, how to start a business, it’s “let’s get it done.”
Who are you expecting? This is our fifth year of doing Startup Weekend in the area. We’ve had everyone from a 13-year-old—who’s apparently planning on attending this year—all the way up into the 60s. We have all types of backgrounds, people who are in the tech and start-up scene, and who are fanboys of Elon Musk, all the way to people who just have an idea, and they don’t even know what it means.
Did you attend it yourself, when you were first starting out? Yes, I helped organize a little bit. And then, I was hooked. That was 2013.
What did you learn that year? It’s a great way to build a network, because you’re meeting people who also think it’s fun to do this for a weekend. Some of my best professional contacts are the ones I met and worked with that weekend. That was a great thing, because you’re actually working with the people. You find out if you actually want to work with them.
What happens during the weekend? Friday night, everybody comes together and gets out the pre-jitters. We do little
games and stuff like that, ice-breakers. And then you pitch an idea. You have 60 seconds to pitch an idea. … And then, what the crowd does, through a very democratic use of Post-its, is, we vote for our favorite ideas. We usually vote for three of them, and then whoever gets the most Post-its is basically the teams that go forward. … Saturday, we start at 8 a.m., and it’s—who are your customers, go talk to them, would they be interested in what you’re offering? Maybe you should pivot. What are your competitors doing? What are they doing wrong? … And that goes to midnight. It’s very intense. It’s a lot of work. It’s fun work, though, if you’re passionate about starting a business. And on Sunday, it starts again at 8 a.m. It’s polishing up your pitch. It’s making sure your business model is ready for the judges, and then the judging starts at about 4:30, 5 o’clock.
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Have there been any notable success stories from past years? If you look at the alumni that have come to our events, they’re the ones that are involved in [local wireless network company] Filament, and they’re the ones that are working for [local hardware development company] Breadware now, so it’s more about getting connected in the community and finding what you really like about start-ups. Ω
by BRUCE VAN DYKE
So, it starts So if the pig Ailes was taken down by sexual assault charges, as well as the pig O’Reilly and the pig Weinstein, why not the pig Trump? Why not? If Dum Dum calls all his accusers liars, that pretty much completely guarantees that (1) they’re telling the truth, and (2) he’s lying his ass off. Then again, it’s Monday, and—as just about everybody has said at least once today—it’s Mueller Time. So maybe the sexual assault case should just lay low while Mueller gently boils Mr. Manafort’s eggs in ye olde federal ball poacher? It’s now obvious the Senate Judiciary Committee, The Senate Intelligence Committee, and the House Intelligence Committee investigations are quickly becoming trivial little sidebars. I think the sane people on those committees—meaning Dems—are fine with being neutered; they probably wanna kick back with the rest of us and
watch Mueller go after Trump like a wolverine going after a bucket of chicken. This first day of Mueller Time has been downright nifty, with Bob not wasting any time in throwing us some red meat in the form of Georgie Slopalopolous. Tasty! I mean, if a guy just told a judge that he was absolutely guilty of working his Russian connections for thousands of Democratic e-mails with the obvious hopes of finding great dirt to slime the Clinton campaign, and that he was working on the Trump campaign at the time of these communications, and his superior would say stuff like “Great work” as opposed to “We better call the FBI,” well, uh, gee—isn’t that pretty much a done deal? Doesn’t that prove that every time DOTUS (Dipstick) says there was “no collusion, no way, no collusion,” he’s lying (again) as purely and completely as it’s possible to lie?
I just love, love, love the image that Georgie Guilty might have dropped by the White House in September and had a nice long chat with Jared and Ivanka and Papa Perry Combover, and the batteries in the wire he was wearing stayed strong throughout. Wouldn’t that be just special? I wonder what they would talk about? I’m guessing something along the lines of “OK, everybody, let’s get our stories straight.” We just may find out some day soon. Fun! Why is grouchy glowerer press secretary Sarah Huckabee Sanders? Why isn’t she simply Sarah Sanders, like a regular humanoid? I don’t give a fuck that her old man is some lame rube who just tumbled off the pumpkin truck. Cut the cord, Sarah. Have a glass of wine, maybe? Double up your Lexapro? DO SOMETHING!!! (Trump’s Tweet of the Week). Ω
11.02.17 | RN&R | 31