Artcertificate | International Contemporary Artists II by Artcertificate

CATALOG

PIERRE CHERBIT Forest Fire, 2016

Oil on canvas /huile sur toile de lin

48cm Haut x 61cm Large

GYL DURAND Manatthan 1930

Huile sur toile marouflée sur panneau de bois

Introduction

What does the future hold for Artists?

Never have the arts been so abundant, rich, diverse and of such quality Yet the market laws, the lack of interest from institutions, the careerism of Art actors, the decline of galleries, the disappearance of passions in favor of marketing, are pushing creators to their limits

The public is also taken hostage, flooded with images and meaningless symbols Official Art has become a fair to the world where the inovation of absurdity and the blatant lack of artistic passions dominate: some artists sell their souls while arrogant and boring professionals no longer lift their eyes from their laptops

This assessment of our time is irrefutable, but was it better before? How was it during the glorious classical era and the modern revolution? I have read many biographies and none of them were written in periods that were easy for artists to live in In fact, we are now living in the happiest and most promising period

An artist can never escape his passion; this passion consumes him and pushes him to express himself with his own language, to share, to fraternize with an audience eager to participate in the great artistic adventure that characterizes the human species

We must remain wild and pure, cultivate our secret garden, and create without limits and with passion Let's act on our Art to sublimate it and subjugate the spectator to the point that he can only make it his own, love it and defend it passionately

The Artist needs no one but his own passion to move mountains, alone against all, alone against the market, alone against ignorance He must reinvent himself constantly and project his spirit so that a new world of passion and beauty can burst forth

Publisher, Curator

Eric Doireau

Assistant Curators:

Esperanza Duran, Luis Martin

Front covers:

Véronique BOURDON

Martin GAUDREAULT

Bruno CLEMENT

Eric DOIREAU

Patrick FISCHER

Jean-Jacques VITIELLO

Luc BARUSSEAU

Philippe CLAVERIN "Urbexophil"

Véronique DUMONT

“international Contemporary Artist” Vol II is published by Artcertificate

Back cover:

François DÉSIRÉ

Gaël JUDIC

Caroline GASCH

Catherine PUGEAT

Corinne GUITTARD

Terry LAAKSO

Mamadou SANGARE

Corinne DECHELETTE

Caroline GASCH

EU: Europark,T8 5 D Sainvi, Villajoyosa, Alicante, Spain

Printed in EU.

ISBN 782952682190

No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying recording or by information storage and retrieval system, without wrtitten permission from the copyright owners.

Artists

ALDEHY

ALLOSIO Claudette

ATLAN EDGARD

BARUSSEAU Luc

BEKKAOUI Jihane

BELLETTINI Pierre-François

BERG Ingrid

BLANKA BLINX Križ

BOURDON Veronique

BOUVET PIERRE

BRARD LAURE

CADIERGUES Miguel

CASTELLS ALONSO Sylvia

CHARPENTIER Ludovic

CHATELAIN Andre

CHAUTARD Mar!e-noelle

CHERBIT PIERRE

CHOISET Laurence

CLAVERIN Philippe "Urbexophil"

CLEMENT Bruno

COTTE Jean-paul

D Jackye

DAUDIER DE CASSINI Thierry

DECHELETTE Corinne

DELMAS LETT Catherine

DÉSIRÉ François

DOIREAU Eric

DRAWING Brienz

DUBUS Grégory

DUMONT Véronique

DURAND GYL

EGLE Severine

FARNIER André

FISCHER Patrick

GAMBY Géraldine

GASCH Caroline

GAUDREAULT Martin

GUITTARD Corinne

HEURTEBIZE Gabriel

JELIC KREMANSKI Zeljko

JOYEUX Dominique

JUDIC Gaël

LAAKSO Terry

LICATA Fabien

MATHIEU Marie-Elise

MÉLIN François

MESSMER Jean-Philippe

MIQUEL Claude

MISSISTRANO Jean-Pierre

MUGNIE Franck

MURZEAU Isabelle

NOLET DE BRAUWERE Frédérique

PACHET MICHENEAU Gyslaine

PERIAULT Lionel

PHEULPIN Laurent

PINCI Claire

PINHEIRO André

POIRIER Gilles

PRIEUR Christian

PUGEAT Catherine

SANGARE Mamadou

SOLANAS Ana

SYDNEY

SZALSKI Eric

TACHON Jean Pierre

TELLIER René

TORRELLI Maria

VANDOORNE Laurence

VITIELLO Jean-jacques

VIVÈS LUC Argot Christine

VERONIQUE BOURDON

MARTINIQUE

Véronique Bourdon is a self-taught mixed media ar tist who collects, assembles and superimposes various materials on a background of cold tones warmed with vibrant colourful touches. Her work is rooted somewhere of f the beaten track, at the edge of f iguration and abstraction, at the precise place where the material is celebrated. While the ar tist is clearly an abstract painter, she sometimes steps outside of these conf ines, by not attempting to clear the canvas of all discernible, recurring form throughout her works. Objects slowly become familiar, figurative and delirious, projections of a subconscious so often magnified in the practices of surrealists. From time to time, it is numbers and letters that emerge from underneath the material and then appear as geographical coordinates of a still unknown destination, whose untitled works complete the enigma. Véronique Bourdon's work should be seen as an invitation to travel, and her paintings will be our ship.

Untitled N°104, 2018

Acrylic, Mixed Media(dough structure) on canvas

31.89 x 25.59 inches

Untitled N°105, 2018

Acrylic, Mixed Media(dough structure) on canvas

31.89 x 25.59 inches

N°103 , 2018

Acrylic, Mixed Media(dough structure) on canvas

31.89 x 25.59 inches

Untitled

Untitled N°124, 2018

Acrylic, Mixed Media(dough structure) on canvas

25.59x19.68 inches

Untitled N°123, 2018

Acrylic, Mixed Media(dough structure) on canvas

25.59x19.68 inches

Untitled N°109, 2018

Acrylic, Mixed Media(dough structure) on canvas

24.01x19.68 inches

31.89 x 25.59 inches

Untitled N°106, 2018 Acrylic, Mixed Media(dough structure) on canvas

MIGUEL CADIERGUES

FRANCE

My works vary according to my mood and state of mind as soon as I sit in front of a blank canvas. I am inspired by the daily life of this world. Nothing is premeditated. I like when the public questions, opens his mind, exceeds his limits, his brakes, dig deep inside him, smiles or even grimaces. It belongs to him, it is his emotions. Ar t invites to travel, to escape. Whether one is an ar tist, an amateur, an admirer, a collector, a spectator ... he heals us, soothes us, moves us. That's why ar t is life. So let's share, travel, dream.

Briser ses barrières et renaître, 2018

Acrylique sur toile 73x92

Rêverie sur le por t, 2018 Acrylique sur toile

46x33

In nath en due, 2018 Acrylique sur toile

61x50

Totem magique, 2018 Acrylique sur toile

80x60

La femme invisible, 2018 Acrylique sur toile

61x50

Goddess Ishtar, 2017

Huile sur toile 36x36

Princesse, 2017

Huile sur toile 36x36

Nature, 2017

Huile sur toile 36x36

Arrival, 2018

Huile sur toile 18x24

ANDRE CHATELAIN

Born in Vaudreuil-Dorion, André Chatelain lives in Ste-Annedes-Lacs (Quebec, Canada) since 2014. Training from The Academy of Realist Ar t, a private institution that teaches drawing and painting in the old-master tradition, has directed the ar tist to dedicate himself to oil technique on canvas applied in the oldmaster method of realist ar t.

FRANÇOIS DÉSIRÉ

FRANCE

Born in 1961, François Désiré is an autodidact. His inspiration comes from the news but also from the emotion that give him literature and music. Admiring the technique and work of classical painters, he is especially passionate about the ar tists’ works from the XXth century. Some years to mature his ar t have been necessary. His f irst paintings were created f ifteen years ago. What he prefers is to work the colors and materials. For that, he does not hesitate to mix various pictorial techniques.

4102, 2015 Acrylique, liant, spatule, éponge 81x63

Piano jazz, 2015

Acrylique, liant, rouleau 81x63

Miroir, 2008

Acrylique, éponge 81x63

4102, 2009

Acrylique, liant, spatule, éponge 81x63

Drugstore, 2010

Acrylique, liant, spatule 81x63

AX, 2018

Acrylique, pâte à structure, pinceau, spatule 81X63

Semper et f ils, 2009

acrylique, car ton ondulé, collage et pinceau 81X63

François Désiré

Vol de nuit, 2018

Acrylique, spatule

GYSLAINE PACHET MICHENEAU FRANCE

Gyslaine Pachet Micheneau, born in 1960 in a small village in France, has always been attracted to painting, especially the landscape and themes related to spirituality. She lives and works near Tours. She sketches, draws and paints in ink or charcoal on the motif then develops her landscapes in acrylic or oil on canvas . She also likes watercolor. Self-taught, she joined in 1997 the workshop of Anne Frigière for his training in painting for several years, with nature as the main source of inspiration. Loving the contact with the public, she chooses to paint outdoors on the ar t markets

f ine ar t

Moisson, 2018

photographie

sur toile canvas

80X60

Gaël Judic fut, dès l’adolescence, influencé par Henri Cartier Bresson qui inspira ses premières photographies argentiques. Sa sensibilité humaniste l’amena en Patagonie et en Afrique réaliser une série de clichés sur les rituels du Peuple Bassari, et une série animalière, qui ont fait l’objet d ’un livre. Il est membre de la Société des Auteurs des Ar ts visuels et de l'Image Fixe et de la Maison des Ar tistes.

MARS ET VENUS, 2018

« Livre d ’or » est entièrement coulé en bronze et sculpté à la main, avec une f inition poli miroir. Pierre s’est inspiré du regard et de l’expression de deux personnes, une dynamique binaire : l’un écoute, l’autre parle. 40X30X20

BIRD PARKER, 218

Sculpture contemporaine en métal laqué. Musical, léger et nostalgique, ce saxophone est idéal pour un salon ou un hall d ’entrée. Il a été fabriqué en metal et laiton pur coulé dans la masse, f inition poli miroir, meule bleuie, poli vernis. 100X40X30

EMOTION,

2019

Sculpture émotion elle éprouve l émotion et l amour entre deux etres. un regard suf f it pour comprendre. format 25lx20lx25h matière : métal / laiton pur f inition : poli miroir 25X20X25

Banzai, 2019

Métal torsade a la main résine coule plateau banzai en métal fondu 25x25x20

PIERRE BOUVET

FRANCE

Since 2008, Pierre Bouvet is creator of contemporary furniture, entitled also under the name of designer ar tist Before going on his own, Pierre learned everything through the family business, especially with his parents. Good blood can not lie, because with a lot of envy and motivation Pierre star ts alone and star ts from scratch to create his company Créations Pierre Bouvet, the creator has steadily climbed his business, signed with hard work. With an ambitious and generous character he now wants to launch his own Online Store. You will cer tainly discover new lines in the name of his charming little girls Manon and Jade! Pierre Bouvet is dedicated to the manufacture of contemporary furniture and sculpture. As you have been able to follow on our Facebook page and other social networks, he creates according to his inspirations and under the request of his customers, bespoke Creations or not! Furniture and sculpture. In recent years, under the influence of its customers, and these partners, Pierre opens new perspectives, also moving towards interior decoration and space development. He will guide you in your project, according to his ideas and will adapt to your desires. In the sculpture has interior decoration and contemporary furniture that will bring a beautiful harmony and a f inal touch to your home!

FLORAISON, 2018

Acrylique sur toile 65x54CM

MANO Marie-Noëlle Chautard Je suis native de Valréas dans le Vaucluse. Formée aux Beaux Arts d' Avignon, mon style très personnel, entre réalité et abstraction incite à la rêverie. Formes et couleurs se mélangent pour une invitation au voyage intérieur. Je travaille sur toile, parfois j'ajoute dif férents matériaux tels que : papier, car ton,tissu bas, etc... Ces matières diverses donnent force et relief à l'abstraction . Acrylique , pastel, collage sont l'essentiel de ma production. J'aime mélanger les couleurs qui vibrent selon un rythme qui ne doit rien au hasard. ces techniques mixtes créent une dynamique et du volume qui permettent de l'animation et du mouvement dans mes tableaux. J'of fre à la sensibilité de chacun le par tage de mes émotions .

ESPACE AQUATIQUE, 2017

Acrylique mixte sur toile 77x56cm

MELODIE, 2018

Acrylique sur toile 73x60cm

Doors, 1999

Oil on multipurpose board

46cm Hautx38cm Large

Androgine, 2019

Huile sur toile de lin 65cm H x 51cm L

Forest Fire, 2016

PIERRE CHERBIT

FRANCE

Pierre Cherbit has been painting for over twenty years. His painting is primarily the expression of a feeling, without a physical medium : he uses neither photos, or model, or background. It is pure inspiration which guides him through the use of the noblest painting materials, alternating the arrangement of the dif ferent pictorial techniques, allowing him to use color and light in a unique manner.Pierre Cherbit adores exploring and has exposed himself to the richests cultures of the world.He is graduate of the 'Institut National des Langues Orientales', and speaks Chineese, Tibetan, Spanish and he is curently studying literary Sanscrit.Pierre Cherbit brings an ar tistic revival to the world of painting, possibly initiating the dawn of a new ar tistic movement.

Oil on canvas /huile sur toile de lin

48cm Haut.x 61cm Large

Masque, 2018

Oil on canvas /huile sur toile de lin

65cm Haut.x50cm Large

Blue Cassowarie, 2018

Oil on canvas /huile sur toile de lin

65cm Haut.x50cm Large

JEAN-PAUL COTTE

Jean-Paul Cotte is a freelance photographer and graphist leaving in Marseille, France. He is 47 years old. He is interested in many photographic areas, but has a predilection for minimalism and digital graphics. The series presented is a metaphor of artistic creation under the aegis of the moon, bathed in primordial water.

Fécondation, 2018

Photo manipulation

60x90

Ether, 2018

Photo manipulation

60x90

Gestation, 2018

Photo manipulation

60x90

Création, 2018

Photo manipulation

60x90

3, 2009

Photographie

60 x 40 cm

Photographie

80 x 60 cm

Photographie

40 x 80 cm

Ojo 1, 2009

Ojo 2, 2009

Chronos

LAURENT PHEULPIN

My passion for photography emerged 15 years ago. After a brief stint in landscape, I discovered the studio and its limitless possibilities. As a former chemist, I still don’ t know if light is made of waves or par ticles, but I enjoy playing with it by orientating my f lashes wherever my fancy takes me. my chiaroscuro photo series explores the theme of individualism by default or by excess. The light can indeed dissolve the subject or struggle to reveal it.

Hurricane, 2016

Huile sur toile

150 x 100 cm

GILLES POIRIER

Ar tist since 1989 I'm Gilles Poirier and I paint since 1989. Colours, as a painter is the most impor tant thing for me. I love to use bright and hot colours in contrast with cold and dark ones. My latest paintings are under the collection "Stains and Prints". The central idea is about movement and colours. Colours of a stain and movement of human or animal prints or the movement of the sea or wind. But of course, you can see whatever you want. In previous paintings "Panic in the city" I played with perspectives in a more naive style. More information: www.powar t.com

THE SNAKE, 2018

Huile sur toile

145 x 130 cm

Floods, 2018

Huile sur toile

150 x 120 cm + 120 x 120 cm

THE CREATION, 2018

Huile sur toile 193 x 130 cm

EXPLOSION, 2018

Huile sur toile

Trptyque (3 tableaux de 81 x 65 cm)

Just Stains, 2016

Huile sur toile 120 x 100 cm

Venus, 2018

Mixtes 106cmX182cm

Mouvement Urbain, 2019

Acrylic 76.2cmX76.2cm

Naître Terre, 2018

Acrylique 61cmX91CM

Cuspide, 2019

Acrylic 35,5cmX45.7cm

INGRID BERG

Ingrid Berg expresses her ar t with a rare sensitivity. Fascinated by movement and its representation, her abstractions are full of life; her portraits and bodies convey a sense of authenticity. The ar tist combines styles to go beyond reality, manipulating time and space to arrive at truth in its purest. Berg's work is the result of a process of meditation. From this contact with energies emerges a painting of dazzling and sensitive beauty that gives form to a process of becoming guided by the quest for purity. In work after work, the artist ’s objective is to heal and cultivate the souls of those who view her ar t.

La Loi d'AmourAcrylic, 2019, mixtes sur toile 50.8cmx76.2cm

Rayon, 2019 Acrylic 25.4cmX25.4cm

Naître Terre 2, 2019 Acrylic 35.5cmX91cm

SYDNEY

denisbarbier.wixsite.com/sydney-art d e n i s . b a r b i e r @ l i v e . f r

SYDNEY est compositeur de musique de f ilms et concer t. La photographie est sa première passion. Le cinéma lui a permis de garder musique et image dans une harmonie quotidienne idéale. Son travail musical a enrichi son expérience au bénéf ice de la mise en page visuelle. Membre de Mondial Ar t Academia, il travaille ses photos abstraites comme une musique électro ou symphonique. Photographies of frant une myriade de détails, f ines mosaïques conçues pour être réalisées en grand format sur Verre Acrylique, suppor t lumineux au rendu magnif ique des couleurs, des détails et des aplats, of frant à l’amateur d ’ar t un objet visuel et matériel.

064 - LE PRINTEMPS, 2016

Digital Ar t - Acrylic glass 70x100cm

126 - FAHRENHEIT, 2018

Digital Ar t - Acrylic glass 70x70cm

134 - PHOENIX, 2017

Digital Ar t - Acrylic glass 70x70cm

148 - SOUPLESSE VEGETALE, 2018

Digital Ar t - Acrylic glass

75x50cm

034- BAMBOO, 2017

Digital Ar t - Acrylic glass

80x60cm

150B - TRANSPARENCE, 2018

Digital Ar t - Acrylic glass

70x70cm

062B- AQUATIC, 2016

Digital Ar t - Acrylic glass

70x70cm

MARTIN GAUDREAULT

CANADA

Biography and ar tistic approach : Mar tin Gaudreault, photographer of the great outdoors. Born in Lac St-Jean, this original blueberry has been taking photographs for many years. Self-taught photographer, Mar tin is an image hunter, he interprets landscapes and his compositions are paintings that inspire ref lection. These photographs ref lect passionate work and expose the meticulous details of nature. Artistic approach : Passionate about the changing colours of the seasons, his photographs ref lect the contemplation and appreciation of the landscapes of our world. The capture of each moment becomes the testimony of his vision on the world in which we live. For Mar tin, a photograph is not only an image captured on the spot, it is also the expression of the photographer who feels emotions through his digital eye and transposes them according to his human values.

Les fantômes de la nuit des Galeries, 2018 Photographie - 40 cm x 90 cm

Photographie

40 cm x 90 cm

Heureux printemps, 2018

Photographie

40 cm x 90 cm

Dieu du ciel, 2018

MARTIN GAUDREAULT

Ma cabane au Canada, 2018

Photographie - 40 cm x 90 cm

FRANÇOIS MÉLIN

FRANCE

Intuitive colorist, I work mainly with acrylic. I like to work in the style of watercolor with very little impatement. I let the pictorial material live, let it flow in a stream of lyrical energy. My paintings evoke interior landscapes where Shadow and Light dance in oceanic delights.

Sans titre, 2019

Acrylique, laque noire et vernis

87 cm x 112 cm

Adélie, 2018

Acrylique

100 cm x 50 cm

Les f lots du soir bercent ma mémoire, 2019

Acrylique

80cm x 40 cm

Bruyères dans la brume, 2017

Acrylique

100 cm x 50 cm

Sans titre, 2019

Acrylique, laque noire et vernis

87 cm x 112 cm

w w w . f r a n c km u g n i e . c o m

f r a n c k . m u g n i e @ o r a n g e . f r

FRANCK MUGNIE

FRANCE

Ar tiste-peintre professionnel, adhérent à l'ADAGP, inscrit à la Maison des Ar tistes (no M605965). Cotation AKOUN et Dictionnaire Larousse Sorriano.Formation: 1984-85: Ecole d'ar ts plastiques de Maisons-Alfor t. 1997-2002: Conservatoire de Combs la Ville (professeur: Christian PERRAIS)

Zone por tuaire, 2015 Acrylique/toile 90 x 70

Attention travaux, 2015 Acrylique/toile

100 x 100

Printemps en Bourgogne, 2014 Acrylique/toile

100 x 100

Little Italy, 2015 Acrylique/toile

100 x 100

Ligne 61, 2015 Acrylique/toile

100 x 100

Le château de la Bonne Quille - Le Billard - Impression Lustrée contre collée sur Dibond 3mm - 60*40 - 2019

Le château des anges déchus - La salle de Bain - Impression Lustrée contre collée sur Dibond 3mm - 60*40 - 2019

Philippe CLAVERIN "URBEXOPHIL"

FRANCE

Philippe Claverin, 41 years old, amateur ar tist photographer for a long time with a very strong attraction for stolen moments pictures. Curious by nature and silence worshipper.I am passionate about the works built by man, used and then being abandoned. I like to think that we are only passing through « here on Ear th » and, as time goes on, only these constructions remain. It is a sor t of common heritage that passes through the ages and that I love to photograph today. Being alone in the silence of a place that once was f illed with the human and mechanical "hubbub" provides a par ticular excitement, I can assure you. I nur ture my creativity with the emotion and energy that emerge, most of the time, from the places I visit and my purpose is to show this emotion with my shots, by any means. However, this practice is not without risks and can be severely punished by law, so I explore it in a considered manner in each of my shootings.

La Por te Ver te - Impression Lustrée contre collée sur Dibond 3mm40*60 - 2018

Le château des anges déchus - Fioles - Impression Lustrée contre collée sur Dibond 3mm - 40*60 - 2018

Le château Papy 1418 - Piano - Impression Lustrée contre collée sur Dibond 3mm - 40*60 - 2018

Por trait d'homme 800 pixels, 2018

Groupes de jazz, 2018 Peinture acrylique

70 CM X 50 CM X 2

Trio de jazz, 2018 Peinture acrylique

70 CM X 50 CM X 2

https://www.galerie-com.com/artiste/larue/24563/

LARUE

FRANCE

I've ever wished to paint, but I used to postpone the moment to star t it. I signed "Larue" at school my very f irst drawings due to dyslexia, so I decided to carry on signing this way. When my dad was dead, my mother had to sell her house and had to get rid of old things, she found an old easel, a hundred of paint brushes and some Virgin canvases, he wanted to star t ar t painting when he'd been retired. He died before being retired. I received the Virgin canvases, the paint brushes and the old easel and started to paint on December 2016. I mostly paint by night because of the silence of the night. I do respect the art principles of making my own drawings before painting, as it is the only way to be true and to transmit my soul. I am passionate by strong colours and ref lects, I began to paint por trait just as negative photos, so by using a smar tphone negative f ilter you discover the real face. I do like this way to make por traits because there are two paintings in one, modern and conventional and it matches our time, using a phone to see its real colors.

FRÉDÉRIQUE NOLET DE BRAUWERE

En parallèle au travail graphique ou avec lui, j'aborde un questionnement sur des "valeurs" d'aujourd'hui comme par exemple le statut des animaux, la relation à la mor t, à la liber té. Notamment j’utilise des photos numériques, suppor ts à l'intention, traitées simplement comme un JEU, de façon décalée ou ambiguë. La lecture peut être frontale, le message clair. Souvent ce sont des mises en situation de figurines, de peluches ou autre objet signe de bonheur, de saveur, d’enfance, de jeu en opposition avec une idée dramatique. J'utilise aussi des DESSINS combinés à des GRAVURES ou des techniques mixtes avec une intention autre que la seule sensibilité de "ma patte" graphique.

Le noeud, 2018

Photo en Gallery Bond 50x50 cm

Al-Hoceima, 2017

Photo de gravure en Gallery Bond 45x60 cm

La fosse, 2016

Gravure 40x27 cm

La trancheuse, 2018

Photo en Gallery Bond 45x60

Druide celtique , 2018

LIONEL PERIAULT

FRANCE

PERIAULT Lionel, né à Rennes le 14 novembre 1953, vit en Corse. Il sculpte depuis 40 ans des personnages corses et bretons. Ar tiste international, actif tant sur le marché local qu’international, il présente une grande variété d ’œuvres de qualité. Tout ce qui est présenté dans cer taines de ses œuvres est une réalité donnant libre cours à son imagination. Son style est reconnaissable à sa façon de sculpter d ’où ressor tent ses origines bretonnes ; A été l'élevé de marie Céline chottin ar tiste peintre et de Marie-Line MONFERRINI ar tiste sculpteur ; A pris par t à l’exposition internationale au château de Franc-Waret (Belgique) A été présenté a la princesse Léa de Belgique pour ses sculptures a expose a la maison de la culture espace diamant Ajaccio 2018 a expose a la galerie aux ar t Ajaccio 2018 a reçus le prix ar tmajeur.

Grés feuilles d'or 24 carats scocle béton celulaire 37x30x20

Guerrier gaulois , 2018

Grés feuilles d'or 24 carats scocle béton celulaire 51x23x17

Femme loup, 2018

Grés polychrome scocle béton celulaire - 57x20x20

Luna la réveuseécaaillée, 2017

Grés polychrome scocle béton celulaire - 31x29x22

L'arbre aux reves , 2017

Grés polychrome scocle béton celulaire 44x36x26

Femme du futur, 2017

Grés polychrome scocle béton celulaire 60x30x32

ERIC SZALSKI

FRANCE

Photographe passionné par l'art contemporain, l'architecture et la photo ancienne. J'aime réaliser des clichés et les travailler comme des gravures sor ties de l'ombre. J'ai débuté la photographie à 14 ans dans une chambre noire d'un club photo de mon collège, mais aussi en suivant les por traits réalisés par mon oncle, autre passionné de photo. Le temps ne m'a pas laissé prendre pied dans cette passion, puis un jour de mes 43 ans, j'ai eu l'occasion d'en faire mon métier.

Boulingrin Reims , 2017 Numérique 60x60

Basilique St Remy Reims, 2017

Noir et Blanc

60x60

Collegiale ND de Dôle, 2019

Toile

120x80

Hotel de Ville Reims, 2017

Noir et Blanc

60x60

Neige en sous sol, 2019 Toile

30x40

BRUNO CLEMENT

I am an artist-photographer since a few years ... My favorite themes are nature, landscape landscapes and digital creative ar t. I seek through my photos to highlight emotions, ref lection and beauty in all its forms that are natural, ar tif icial, metaphorical, dreamlike and cosmological, with a subjectivity that everyone will feel according to their sensitivity. I invite you to discover now, my unique and authentic world.

Boreale Symphony, 2018 Plexi/contre-collage 75x50

Ref lexion Celeste, 2017

Plexi

75x50

Prince of waters, 2018

Plexi/contre-collage

45x30

Perle du nord , 2018

Plexi/contre-collage

75x50

CLAUDE MIQUEL

Mon originalité, presque ma signature, est de choisir la soie comme suppor t. J’aime ce matériau depuis des dizaines d ’années, pour sa douceur et la couleur obtenue. Sans croquis préalable, je dessine à main levée. J’ai adapté la technique du cerne à ma personnalité, me situant hors de tout courant. Je qualif ie mes tableaux d' « allusions f iguratives », de « mosaïques » ou d'« abstractions », of frant une peinture qui incite avant toute réf lexion, à la joie des yeux, au bonheur. Toujours animée d ’idéal, je peins maintenant des personnages qui invitent à réfléchir sur le monde contemporain, ses interrogations et ses attentes.

Ensemble, 2018 Soie, technique mixte 146 X 120

Bientôt la fête, 2018

Soie, technique mixte

100 X 73

Elucubration, 2017

Soie, technique mixte

65 X 54

Au-dessus des frontières, 2017

Soie, technique mixte

Diptyque 146 X 92

Une femme, 2014

Soie, technique mixte

160 X 115

Rêve, 2017

Soie, technique mixte

65 X 54

Plus que 4000, on y est presque, 2019 Aquarelle

76x48cms Méditation au por t des barques, 2019 Aquarelle

76x46cms

Le por t anglais, 2019 Aquarelle 76x46cms

JEAN-PIERRE MISSISTRANO

FRANCE

Born in Marseille in 1948, Jean-Pierre Missistrano went to Paris at the age of six. A magnet to draw from an early age, he began painting around adolescence, his f irst oil paintings date back to the '65s. Hesitating between an ar tistic or medical career, he obtained a diploma of masseur-physiotherapist in 1974 which will constitute his main professional activity. Exercising in the Paris region until the 2000s he decided to go down to continue in the Var. The natural light helping, it emerges brushes, follows dif ferent courses f irst in summer school at the National School of Fine Ar ts in Paris, then Ecole des Beaux Ar ts La Seyne sur Mer, and also Toulon. He continues his training with private teachers: Renaud Jobin in Six-Fours, Adrien Coppola in watercolor in Giens, as well as many internships and studies with eminent "masters" in this f ield.

Champagne au frais, 2019 Aquarelle 76x46cms

ARGOT CHRISTINE & VIVÈS LUC

FRANCE

We are two artists, producing together drawings made first with traditional tools (ink, pen, charcoal...) and then transformed on a computer, using numerical painting in order to improve the complexity of compositions, add textures, colors, and create specif ic atmospheres. We link opposites like life & death, f lesh & bones, childhood & mor tality, real & dreams. We are fond of places full of mystery and enigma, weird and baroque atmospheres, ruins and forests as sanctuaries. We also unify figurative and abstract paintings that appear complementary to us as you can discover in our web site.

Car ta Magna, 2017

Charcoal & digital painting

120 x 120 cm

Il était une Fois / Once upon a Time, 2016

Charcoal, pen, pencil and numerical painting

70 x 96 cm

Kaleidographe, 2018

Digital painting

96 x 96 cm

Witches, 2018

Charcoal & digital painting

99 x 129 cm

Charcoal & digital painting

58 x 86 cm

Cydonia, 2016

La Grotte du Loup perdu / Dire Wolf and Birdman Lost Cave, 2016

Charcoal & digital painting 54 x 81 cm

MARIE-ELISE MATHIEU

CANADA

Marie-Elise developed her passion for photography throughout her childhood. her f irst camera was a Diana. She photographed family gatherings, friends and special occasions.Over time, she tried several mediums, such as painting, graphite, was a member of the circle of painters in Quebec in the 80s However photography was always present during trip or family gatherings.The real star t was with digital photography. Having more time for studying technical, it began with a Canon XTI, in 2006, enrolled at the club Photo Repentigny. At her f irst photo competition, she won first place with her red fox portrait. " Then came many other successes that the photo of the year with History swallow.

Regard de renard , 2007 Photography 12X18 pouces

Manarola, 2018

Photographie 12x18 pouches

Muscovey duck, 2017

Photography 24x36

Parc de la Jacques Car tier, 2018

Photography 12x18 pouces

CATHERINE PUGEAT

Rien ne dure. Tout bouge, tout change. La vie est mouvement, LE MOUVEMENT. Ce mouvement est au coeur de mon univers artistique abstrait. Dynamique, énergique, coloré, il est comme une respiration, un souf f le régénérant, une pause dans notre monde rapide, complexe, stressant, parfois épuisant. Entrez dans mes toiles, vous pourriez trouver une force revigorante, tonifiante. Et si vous prenez le temps de regarder, de vous attarder, alors vous pourriez entendre le vol d'un oiseau ou d'une libellule, le frémissement du ruisseau, le chant des cigales, ou mieux encore, le murmure d'un silence heureux.Juste écouter la Vie.

Collection mouvement, Cellules,Faille temporelle

Huile sur toile de lin couteau

Liber té ! Liber té !, 2017

Huile sur toile

54x65 cm

Nature Mor te, 2017

Huile sur toile

45x60 cm

Mystère Sacré, 2014

Huile sur toile

50x61 cm

Dame f leur, 2011

Huile sur toile

38x46 cm

MARIA TORRELLI

FRANCE

Grand Prix and laureate of numerous national and international competitions, medalist of great Academies in painting as in poetry. Delegate of several French associations, collaborator and Member of the Academic Senate of Italia in Arte nel Mondo, Ambassador I.E.D.A.C., President of Literary Jury, Member of Jury of Visual Art, Maria Torrelli is engaged in the promotion and the defense of Art, Culture and Human Rights at the Depar tmental, National and International levels. She has several publications in anthologies, magazines, in the ar t encyclopedia of Italia in Ar te nel Mondo and I.E.D.A.C.; Born Lionné , Italian Professor of the National Education and mother of four children, she has been painting and writing classical poetry since the end of 2008.

A Cœurs Ouver ts, 2009 Huile sur toile 46x38 cm

Vision abyssale, 2018

Pastel sec 80x60 cm

Estival, 2018

Pastel sec 65x50

Ambiance crépusculaire, 2018

Pastel sec 60x40

Estival, 2018

Pastel sec 65x50

CLAUDETTE ALLOSIO

FRANCE

« Claudette Allosio excites thanks to her mastery of the technique acquired during years of long research. Her colour is color in the conquest of the soul, a color that emphasises the shapes of the object caught in its emotional essence. Her ar t is a deeptoned and transmits vibrations of consciousness to the viewer, opening the way to dif ferent perceptual states from the usual. « From Dino Marasa (Critic of ar t)

Champêtre, 2018

Pastel sec 50x50

Incandescence, 2018

Pastel sec 60x60

Oliveraie Menton, 2018

Photographie A3

Jardin de la madone, 2019

Photographie A3

Angelot, 2018

Photographie A3

PIERRE-FRANÇOIS BELLETTINI

Photographe sans trucage depuis toujours ,ce n'est que récemment que j'ai entrepris mon coming out photographique et mon ouver ture aux dimensions des mondes . Des paysages, des visages, des silhouettes ,des masques apparaissent dans un jeu d'échange grandissant. Suite d'ombres et de f lous, l'oeuvre devient énigme et bouge devant les regards. L'illusion appor te les contre-vérités de l'œil. Les compositions ne relèvent pas du discours du vivant, elles sont au-delà ,à l'écar t de toute question. Ces créations ne sont qu'un mouvement de clar tés, d'éclair dans l'éternité, de nuances ,de courbes, de vibrations accompagnées par le rituel d'un désir sacré ,celui de saisir le beau.

Bord de loire, 2018 Photographie A3

Crane, 2018 Photographie 100cm/70cm

LAURENCE VANDOORNE

FRANCE

J'ai grandit en Bretagne à Cancale, Saint-Malo, Nantes & Rennes et c'est en 2001 que je m'installe dans les Landes avec ma famille. Thérapeuthe familiale, je travaille auprès d'enfants et de familles, j'utilise le dessin et la peinture comme media pour favoriser leur expression. Dans cette démarche, j'ai créé en 2004 en par tenariat avec la Jeune Chambre Economique du Pays-Basque une journée por tes ouver tes sur le thème de l'Art-Thérapie. Après m'être essayée à diverses techniques de manière autodidacte et expérientielle, j'ai rejoint le cours de peinture de l'association Ar t Décom en 2013 auprès d'Yvana Duchêne. Je tire mon inspiration de deux sources essentielles : la musique et mes propres émotions.

Dodge The Dodo - Esbjorn Svensson Trio 2018 - 80x80

Acrylique et huile

Keith Jarrett - Koln concer t Par t I 2018 - 50x50 Acrylique

Spam Boo Limbo - Esbjorn Svensson Trio 2018 - 80x80

Acrylique et huile

Boa Sor te - Vanessa Da Mata et Ben Harper

2018 - 50x50

Acrylique et huile

Insane in the brain - Cypress Hill

2018 - 70x70

Acrylique et huile

Keith Jarrett - Koln concer t Par t II A

2018 - 50x50

Acrylique

All Res - Gogo Penguin

2018 - 70x70

Acrylique et huile

Keith Jarrett - Koln concer t Par t II B

2018 - 50x50

Acrylique

Caballo, 2018

Acrílico sobre madera y hierro

60x20x185 cm

El vasco, 2017

Acrílico sobre madera y hierro

25x45x160 cm

Dos caras, 2017

Acrílico sobre madera

29x16x56 cm

Cachalote, 2017

Acrílico sobre madera y hierro oxidado

66x18x110 cm

Camello, 2019

Madera de olivo y hierro oxidado

40x12x45 cm

s y l v i a c a s t e l l s @ g m a i l . c o m S y l v i a C a s t e l l s A r t ( F a c e b o o k )

Máscara, 2017

Acrílico sobre madera 40x10x35 cm

SYLVIA CASTELLS ALONSO

ESPAÑA

Soy Sylvia Castells y llevo unos años dedicada al ar te. Todo empezó conectando con la naturaleza y ésta contestó en forma de f iguras en la madera. A par tir de allí empezó una nueva visión y comprensión de las leyes naturales.

Abstracción, 2018

Acrílico sobre madera y hierro 26x20x52 cm

Pez globo, 2016

Acrílico sobre madera y hierro 48x20x68 cm

PEAUrigami " EVENTAIL DE PEAUX" Thermoregulation function of the skin reinterpreted by origamis, 2019 - 55x35

PEAUrigami " APEAUTHEOSE" Tribute to the 4 functions of the skin (psychological, physiological, cultural and sociological), 2019 - 4 x (85x140)

ORIGAMIS made with skin photos at dif ferent magnif ications of people from all over the world

Instagram : peaurigami

PEAUrigami “PEAU MORTE”

Stratum corneum architecture reinterpreted by origamis, 2019 -25x25

CORINNE DECHELETTE

FRANCE

An ar tist passionate about Japan with a scientif ic background (Ph. D in skin biology) who proposes educational – ar tistic exhibitions where the science is reinterpreted by japanese origamis. Her work is science-driven using origamis as educational 3D-structures. Her first exhibition dedicated to physiology of skin (peau in french) through an origamis journey was logically named 皮膚紙 PEAUrigami has been recognized by the Japan Fondation committee located in Tokyo and was par t of the cultural French-Japanese programm JAPONISMES 2018.

PEAUrigami " SAUVEZ SA PEAU" Traditionnal lucky charm origamis for the skin , 2019 - 200x150

PEAUrigami " A FLEUR DE PEAU" Sensory nerves of the skin reinterpreted by origamis, 2019 - 50x70

PEAUrigami " EFFET DE PEAUX " Epidermal Dif ferentiation process of the skin reinterpreted by origamis, 2019 - 50x70

Voiles de Saint-Tropez, 2018

Photographie

100 X 50 cm

Voiles de Saint-Tropez, 2018

Photographie

90 X 60 cm

Voiles de Saint-Tropez, 2018

Photographie

100 X 50 cm

Voiles de Saint-Tropez, 2018

Photographie

100 X 50 cm

LUDOVIC CHARPENTIER

Specialized nautical photographer, based in Montpellier

Voiles de Saint-Tropez, 2018

Photographie 90 X 60 cm

Voiles de Saint-Tropez, 2018

Photographie 120 X 60 cm

SEVERINE EGLE

FRANCE

Born in 1977 in Marseille, Severine EGLE had a great passion for the ar ts at a very young age. Self-taught painter, she knew how to find her style between oil and acrylic paint for a particurlaly luminous ef fect. After his travels to Europe and Canada, it was f inally near the Pyrenees that his inspiration found its way. Close to nature she of fers us throught her painting a magnificent journey between heaven and ear th...

Tempête en mer, 2018

Acrylique

Coeur de corail, 2018

Acrylique

90cmx80cm

Aquarilys, 2018

Acrylique

80cmx60cm

Jardin aquatique, 2018

Acrylique

80 cm x 60 cm

"Émotion...", 2019

Pastel

24 x 18 cm

"Primevera...", 2017

Pastel

30 x20 cm

"Sardane...", 2016

Pastel

40x30 cm

PATRICK FISCHER

FRANCE

Né le 6 mars 1966 à Mulhouse, Patrick Fischer apprend les rudiments de la peinture au sein d ’une association de quar tier. Depuis son plus jeune âge, il rêvait des Beaux-Ar ts mais la vie faisant, les années passent et … Les paysages de montagne non loin de sa ville le fascine. A chaque occasion de promenades, il grif fonne avec ses crayons et ses fusains. Jeune adulte, à côté de son association de « Petits Chanteurs », il intègre des cours du soir en association à Mulhouse ou il se régale et se familiarise avec toutes les techniques allant de l’huile au collage en passant par la gouache, les encres ou la sanguine. Patrick met tout son cœur dans ses diverses œuvres et encore plus depuis sa découver te du pastel. Il travaillera pendant plusieurs années avec Christiane Bernole qui le passionnera à cette technique si par ticulière. Il puisera littéralement toute les connaissances qu’elle pourra lui appor ter dont son obsession pour l’ombre et la lumière.

Pastel

30 x 40 cm

62 x 62 cm

"La vague", 2018

Pastel

"Ombres marines.. " , 2017

Silence, 2019 - 80/4/80cm

Mixed Ar t,Oil, acrylic, fabric color and many other components

Golden bag, 2018- 50/2/60cm

Mixed Ar t,Oil, acrylic, fabric color and many other component

The power of red color, 2018

Mixed Ar t,Oil, acrylic, fabric color and many other components

The Seven symbols of the world's power, 2018 - 80/4/80cm

Mixed Ar t,Oil, acrylic, fabric color and many other components

TERRY LAAKSO

Terry Laakso was born in Turku in 1965. Today he is a respected, new, self-developed sea-sand style ar tist. Terry developed an ar t style in Spain, carefully screened for the Atlantic Ocean sand. The sand he hardens in ar twork, by his own recipe. Its ingredients come from Finnish Lapland and sand of the Spanish Ocean.Terry Laakso developed his popular naive style and works on his presentation in his exhibitions in Finland. 2018 Terry Laakso then developed a free new art, Sea-Sand painting. These works are found in value homes, from China, USA, Spain and Finland.

ANDRÉ PINHEIRO

André Pinheiro is a creative geometric ar tist with a degree in adver tising who excels in a career as a Graphic Designer and Ilustrator. His passion for visual ar ts motivated him to enroll at the Scuela Leonardo da Vinci in Florence in 2014. Mr. Pinheiro's unique artwork style is created using oil, charcoal, acrylic, nail polish as well as other mediuns. In André's original technic, he uses drawing pens, ranging from 0.1 to 0.5mm loaded with indian ink. His provoking ar twork transmits sophisticated connectivity in expressive lines that leaves the viewers to collectively recognize their inner interpretation of the ar twork. Mr. Pinheiro was selected to showcase his work at the Art Shopping at Carrousel du Louvre(2019) and Florence Biennalle di Ar te Contemporanea (2019).

Angoli, 2018 Nankin on Paper 190x70cm

Sfondo Astratto, 2019 Nankin on Paper 68x94cm

Occhio della Terra,2016

Nankin on Paper 96x66cm

Garden of Af f lictons, 2017

Nankin on Paper 94x22cm

To the light

SAND, pigments and golden leaf on canvas - 90 x 60

State of the soul SAND pigments and golden leaf on canvas - 146x114

Crucif iction

SAND and pigments on canvas 150x100

ANA SOLANAS

SPAIN

Solanas was born in Madrid where she spend more of her childhood Her interest for art began at a very young age and she has been painting ever since She traveled the world living in diferents countries Her Work is influenced by the numerous cultures she has encontered The core of Solanas Paintings is Mainly focused on body and colors with particular fascination for sand and marble paint. She has been Awarded by “Federation Nationale de la culture Française “ with the golden canvas 2014. Also, International Award Francisco De Goya 2017 Musa International Award 2018 Artist of the year 2019 by ASS Socio culturale Ea effeto arte In Mantova

Lineal univers frecuencies

SAND, pigments and golden leaf on canvas - Diptique 100x160

Mouvements II

SAND, pigments and golden leaf on canvas - 120x100

My friend - Mon ami, 2018

Airbrush photo realism

54 x 73 cm

Love without distinction / S'aimer sans dif férence, 2018

Airbrush / Aérographie - 100 x 80 cm

Flamenca, 2018

Airbrush / Aérographie

40 x 80 cm

Strengh, 2018

Airbrush / Aérographie

40 x 80 cm

JEAN-JACQUES VITIELLO

Jean Jacques Vitiello, an incurable dreamer in search of the spirit of creation, gives life to an ar t where one perceives a subtle sense of continuity, a common thread that follows the soul of his characters, a concentrate of strength and intense vision. Meticulous and up to observer, the ar tist focuses on every detail, creating an elaboration that is attentive to detail and nuances, allowing the viewer to admire a work that ranges from black and white hyper-realism of the faces in the foreground, a f igurative imbued with symbolism with soft and warm colors never intrusive. With a remarkable expressive ability, the ar tist puts us in direct contact with his character, in an immediate dialogue that releases energy and creates an explosion of sensations. Jean Jacques Vitiello succeeds in transferring an invaluable and unforgettable instant with infinite mastery, in which reality and tenderness converge to confirm an artistic expression pervaded by poetry, an intense testimony of pure emotion, a true hymn to life.. Alessandra

Ancal Palel

- Curatrice d'Ar te

COURSE VERS LE BONHEUR , 2018

NOIR ET BLANC NUMERIQUE

50 X 70 cm

VIENS AVEC NOUS, 2018

NOIR ET BALNC NUMERIQUE

70 x 105 cm

LUC BARUSSEAU

Œnologue de formation, Luc Barusseau pratique la photographie depuis l’âge de 12 ans. C'est à la suite de rencontres qu'il passe le cap de la photographie professionnelle et s'oriente vers le repor tage. Pour reprendre ses mots « la photographie, c’est toutes ces rencontres qui peuvent vous ef f leurer ou vous renverser. C’est une quête de notre humanité et de l'essentiel. Des moments hors du temps, sans faux semblant, où pour vivre et par tager, il faut savoir lâcher prise et être…. Malgré nos dif férences, et toutes les barrières, au fond de nous, nous ne sommes pas dif férents : nous avons peur, nous rions, nous aimons

… Finalement dans le regard et dans les yeux passent plus d ’émotions que dans la parole. Dans la rencontre, les barrières tombent vite. » Il se laisse toujours embarquer par les émotions, les sourires et la simplicité. Ce sont les éléments fondateurs de sa photographie.

REGARDS D'ENFANTS, 2018 NOIR ET BLANC NUMERIQUE

50 X 70 cm

2018

NOIR ET BLANC NUMERIQUE

50 X 70 cm

JEU ET RIRE , 2018

NOIR ET BLANC NUMERIQUE

50 X 70 cm

REVERIE,

L'ÉTRANGER , 2017

NOIR ET BLANC NUMERIQUE

50 X 70 cm

LE BONHEUR, 2015

NOIR ET BLANC NUMERIQUE

50 X 70 cm

KRIŽ BLANKA BLINX

My name is Blanka - Blinx Kriz and I was born in 1971 in Ljubljana, Slovenia. In 1991, I graduated from the College for Design and Photography in Ljubljana. I have always had a keen interest in many f ields of ar t, so I decided to continue my studies in London - where I f inished two years of studies in f ields of graphic design and illustration. After I have completed my studies in London, I returned to Ljubljana, where I attended the Institute for conservation and restoration of frescoes and paintings. In 2008, I finished my PhD in Cultural Studies. During all my years of study I explored dif ferent fields of ar t, so after this I could say that my ar tistic approach is free and dedicated to the changes; to explore, to combine all my knowledge with discovering a new materials and tools to work with; f inding new techniques and to combine them with tehnicque that I already know and to experiment with them (to give them a new level of use). Challenges are my main guide -for me there is no borders and everything is possible to be done in this space of inf inity choeces.

INFINITY, 2019

Alcohol ink on a synthetic paper with a hand made holes / 3d picture + 22 carat gold 40x50cm

INFINITY (zoom in), 2019

Alcohol ink on a synthetic paper with a hand made holes / 3d picture + 22 carat gold Zoom in

LAND

DEEP

La révolte des coraux / The revolt of the corals, 2019

Huile et cerné acrylique

80/100

Oceania, 2019

Huile et cerné acrylique 100/145

Evolution 2, 2019

Huile et cerné acrylique

70/100

Les cerfs volants / Kites, 2018

Huile et cerné acrylique

70/100

Evolution 4, 2019

Huile et cerné acrylique 70/100

DOMINIQUE JOYEUX

After a lot of drawings, I select some of them and build a set; then I put the acrylic colours . Then I trace around with the knife and f inally I f inish with f lat areas in oil to get more vividness and depth. Painting allows me to feel in accord with myself and with the universe and far from cutting me of f from the world I share the emotions and thoughts that our human condition inspires me; colours are a joyful mask that allows me to go to others and request my imagination.

THIERRY DAUDIER DE CASSINI

Peintre autodidacte, photographe passionné

La découver te de l'œuvre de Zao Woo-Ki a éveillé son envie de peindre. Son inspiration est essentiellement issue de la Nouvelle École de Paris (1945-1965) L'Abstraction Lyrique.

"Peindre, peindre, Toujours peindre, Encore peindre, Le mieux possible, Le vide et le plein Le léger et le dense, Le vivant et le souf f le."

Zao Woo-ki

thierrydaudierdecassini.com d a u d i e r t @ s k y v i e w p r o d . c o m

Abstraction Lyrique, 2019 Acrylique sur papier

Abstraction Lyrique, 2019

Acrylique sur Car ton

Abstraction Lyrique, 2019 Acrylique sur Car ton

Eveil des sens, 2017

Huile sur toile

120/80 cm

Vision pénétrante, 2018

Huile sur toile

92/73 cm

blanche, 2019

Huile sur toile, travail en cours

120/92 cm

Tara

GÉRALDINE GAMBY

FRANCE

I live in Nice, in a peaceful place among olive trees I am a painter, and an Ayurvedic massage therapist I studied art in high school and I spent two years at the Academy of Arts in Valence, Drôme I have a Buddhist spiritual culture and a look that has awakened in contact with my existence and my experiences. I looked differently thanks to my spiritual path and contemplation to the human and his thoughts, to nature, to the elements and from my inner looks and my reflections. By practicing meditation, pranic healing and massages in contact with the invisible I discovered another dimension, another language The one of the intention, the feeling, the emotions that go through all forms of life and that connect us all The one of giving thanks in the moment which is simply prayer and its power of materialization I understood that I could give life in painting to these wishes of healing, compassion and transmit through the canvas as a pictorial prayer, loading it with qualities that we could nurture, develop, integrate. The canvas is iconic and invites us to meditation and contemplation. Every painting I make is immersed in the light; inner light, adamantine provided with pure and creative force, revealing and radiant of what is of each being. The outer light and the pranic energy revealing what is materialized and materiality Each deity represented, bears the divine and sacred part of each of us It poetically delivers a message and carries qualities that we are invited to develop and nurture Everything is in reliance with nature, the elements and our nature

Tara Devi, 2018

Huile sur toile 92/73 cm

Prélude, 2019

Huile sur toile 120/80 cm

Morbihan, 2019

Acrylique

100 x 81 cm

Languedoc, 2016

Acrylique

116 x 89 cm

Colorado, 2019

Acrylique

100 x 81 cm

Etangs, 2019

Acrylique

100 x 81

Gabriel Heur tebize is a 28-year-old French painter from Touraine, France. His work has been mainly inf luenced by landscapes from his childhood and travel memories. Using brushes and painting knives, Gabriel follows the natural colours and movements of rivers and oceans.

https://www.facebook.com/gabriel.heurtebize.ap

gabriel.heurtebize.ap@gmail.com

La sang du jeune , 2016

Peinture à huile

163x130

Henné d ’or , 2016

Peinture à huile 163x130

Africaine Blanche , 2016

Peinture à huile 100x81

MAMADOU SANGARE

Le testament , 2018

Peinture à huile 178x116

La traversé du déser t , 2018

Peinture à huile 80x80

Sangaré Mamadou of my artists name Gagui Native of Mali born on the 24/02/1984 in Bamako I live in France since 2009 Self-taught very passionate about art and creation, I use a mixed technique to create my works, I have a preference for oil painting, I have my artistic side since my youngest age, since that time.

I have a way of doing things differently with a different artistic vision, My loved ones my nicknamed the artist well before I understand the meaning of art stands which motivated me to learn more about the art that has taken a lot of my life today

I hope to be a model for the future generation is my greatest wish, My art leads me to exhibit in Lille (France) to participate in the SOLID'ART event in 2015 and 2017 at the Palais Rameaux, And also in Lyon (France) at the Bondy Palace for the Salon Regain 2017 event

Née à Paris et domiciliée dans le Sud de la France. Après avoir évolué dans l'univers de la mode, des cosmétiques couleurs et le milieu de l'édition, je me suis lancée dans celui de L'Ar t. Cette Passion est devenue au f il du temps mon quotidien. Aujourd'hui, autodidacte, j'essaie d'aller dans le mouvement des formes, rondes ou carrées, cer tains l'appellent le cubisme, l'ar t contemporain... Toujours en recherche d'esthétisme et d'harmonie. "La vie n'est-elle pas un jeu d'équilibre"? Il y a tellement de mots pour interpréter une toile, le tout est d'avoir : "Un esprit, une idée, une couleur et cela traduit l'ART.

TRESOR DE VIE, 2018

Mixte, acrylique/Huile

Feuille d'or et paillettes

70 x 60

Un MONDE AU FEMININ, 2018

MIXTE ACRYLIQUE/HUILE - collage feuille d'or

80 X 80

CAROLINE GASCH

FRANCE

Caroline Gasch achieves the feat of making us feel good with superb photographs : urban landscapes with color and light at the center of everything. She travels to cities all over the world where she handpicks cityscapes that she shoots and scenography at dif ferent moments of the day to create a unique piece of ar t where the color light is at work to create a surrealistic esthetic, as if painted on canvas. The perception of the world comes from our brains and is the result of information gathered by our senses. Caroline Gasch shapes light in superb urban landscapes, which may seem familiar to us, to reminds us that our surroundings are more profound than what we think we can see, encouraging us to question ourselves about our own perception of reality.

Réf lexion, Berlin, 2018 Tirage subligraphie 126x95

Square, Paris, 2018

Tirage fne ar t, plexi 60x90

Color Gleaming, 2018

Tirage subligraphie 126x95

Color Swim, 2018

Tirage subligraphie, caisse américaine

80x80

LAURENCE CHOISET

FRANCE

Je suis une jeune créatrice d'af f iches d'ar t sous le nom Guy. Illustration graphique décorative éco-responsable, avec papier et encre cer tif iés issus du développement durable. Guy, c'est jouer avec les pixels, les mettre en relief. Colorier, jouer avec les traits, les formes, souligner les atouts graphiques d ’une photographie tout en conservant son authenticité. Guy, c’est imaginer, se souvenir, se jeter à l’eau…C’est faire d ’un instant, une histoire… Les sujets des af f iches sont la plage, le surf, la voile, le retro-océan, la montagne. Parfois il faut oser, alors j'ose... J'aime le chocolat, les stylos 4 couleurs, le crépitement du feu de cheminée, avoir 10 ans, rêver... Je déteste mettre des chaussettes identiques (une per te de temps), l'injustice, les endives au jambon, l'alcool (dans les gâteaux seulement dans les gâteaux), oublier... « Je suis comme un océan transformé en lac et qui aurait la nostalgie de ses marées, de ses vagues et de ses tempêtes. » Geneviève Dormann

Abandon de poste, 2019

Graphisme 70X50

Sharks or f ins, 2018

Graphisme

70X50

Les Landes, 2018

Graphisme

50X70

Splash, 2019

Graphisme 50X70

Straight on, 2018

Graphisme 50X70

Zop sur son nuage, 2018

Digital

40 * 40 cm

Zop prends son pieds, 2019 Digital

40*40 cm

Zop en pleine réf lexion, 2019 Digital

40 * 40 cm

Zop en jette, 2018

Digital

40 * 40 cm

Zop ne se soumet pas à la haine, 2019

Digital

40 * 40 cm

Lovers of color, of life, this ar tist is agitated in the conf luence of sound and light. He tells stories through feathers and ropes, at the limit of the proper. From his bir th, Jean-Phil bathed his mind in pencils, brushes and sheet music. Painter, musician, visual ar tist, he expresses himself with the help of media and innovative tools: comics, paintings, drawings, guitar, keyboard, multi-media installations, nothing resists him.

www.instagram.com/presidentezop

CATHERINE

MALAYSIA

Catherine Delmas-Lett was born in Paris in the 60s. She found her artistic vocation very early, in contact with theCristallerie de Vallérysthal, in which she lived from the age of one to seven years old. Graduated from ESAG Penninghen (Académie Julian) in 1984 With her husband, in 2000, she moved to Doha in Qatar, where they stayed until 2015. She organized workshops of arts techniques, and created in 2011 the “Rencontres Artistiques” at the Katara Art Center In 2015, she left Qatar for Malaysia, where she settled on the east coast in the Terengganu.

Night Paka Pantum House, 2017

Oil on paper stick on canevas 90x40

Qamar Beach House, 2019

Oil on paper stick on canevas 70x28

Our ear th planet !, 2016 Oil on paper stick on canevas 78x97

Au pays des Pantums, 2018 Oil on paper stick on canevas 100x120

Paka house by the river, 2018 Oil on paper stick on canevas 90x40

The jackfruit house, 2018 Oil on paper stick on canevas 100x85

Manatthan 1930, 2019

Huile sur toile marouf lée sur panneau de bois

50 X 40

La pause, 2019

Huile sur toile marouf lée sur panneau de bois

50 X 40 cm

Les citrons de Menton, 2018

Huile sur toile marouf lée sur panneau de bois

50 X 40 cm

The Mingli birds, 2019

Huile sur toile marouf lée sur panneau de bois

50 X 40 cm

GYL DURAND

GYL is a drawing painter live and work in Provence. She has always been passionate about painting but also about drawing. All subjects are for her a source of inspiration; por trait, still life, seascapes … His works are made on entoilated panels, with extra f ine oil colors and a medium inspired by Jan Van's technique (1382-1441). Referenced and listed at AKOUN - Referenced at ARTS STORE - CANNES - Award-winning gold masters in 2010 by Academia Internazionale Gréci-Marino - School of f ine ar ts in Toulon

Relaxation, 2019

Huile sur toile marouf lée sur panneau de bois

50 X 40 cm

Poussière d'Etoile, 2018

Dessin mine de plomb sur papier C à grains 280 gr CANSON 42 X 29.7 cm

GREGORY DUBUS

Gregory Dubus is a French man living in the Netherlands who has been a geometrical abstract ar tist for more than 25 years. His ar t is following the abstract ar t movement called ‘Suprematism’, which is focused on painting basic geometric forms in a limited range of colors in order to reach ‘pure ar tistic feelings’ and his objective is to procure emotions and ref lections thanks to the creation of complexes geometric structural compositions, mostly being triangles. His ar t represents his personality which contains a duality of concepts that he is trying to make coexisting together in harmony: Feelings vs Thinking; Simplicity vs complexity...

Clair de lune, 2018