BALLAST
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LEAVE A TRACK A BALLAST FROM WHAT|WHO?
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expression of the human relationship with technology, elaborated from the study of Dadaism, addressing the idea of storage data in one place that does not exist’, represented by the black cloud, contrasting with the symbol used for data from which has small notion and control “Safeguarded” on the network, the needle.
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aiNuvem: | iCloud: 2019 three-dimensional object of scrap and needle artist’s collection
aiN iClo uve ud m.0 .0 aiNuvem.0 comes from the observation, conjecture and exhaustion about the idea and representation of the aiNuvem: correlated to Paulo Pasta’s idea in the book Education through painting, chapter One world covered in emptiness, Andy Warhol and Italian metaphysical painting. Pasta, analyzing Warhol’s work notes the predominant use of photography as a language that would lead to perception of a frozen world, already emptied and converted into pure image. “Everything is repeated and emptied, everything is equal, everything is an image and surface ”. (Pasta, 2012)
aiNuvem.0 | iCloud.0 2019 photographic print, collage and watercolor artist’s collection
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d ien r fr ea ga i ,d ne ,m na nti nti ara are qu qu quarantine, oozing sprawling extending widening spreading out pouring prolonging postponing proliferating like endless ink on paper.
quarentina, miga | quarantine, dear friend 2020 nankin on watercolor artist’s collection
W IL L IT G T A N K E O L W O H
TO UNDE RSTAND THAT I S N O Y T T I S S E C NE G O OD? R E M U S N O C A
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sweetness is reflection on the acces
doçura | sweetness 2020 three-dimensional object created from inputs for the treatment of diabetes artist’s collection
built by strips to m alluding to the need f filled with insulin ap common in this routin its narrative demonst of access to sen monitoring, almost im backgrou sensors are a tec today, a pra treatment that facilita insulin therapy and through continuous m results in th psychological and m however, to whom available? lack of co for the appearance and the unfortunate wh strips as treatment, checks, that is, 5 stri blood contacts. rec the benefits of usin thus revealing the from this
born provoking a ss to quality of life for diabetics. measure glucose, for daily control, is pplication needles, ne. search through trate the limitation nsors with glucose mperceptible to the und of sweetness. chnology available actical, less painful ates management control glycemic, monitoring, which he improvement of motivational status. m is this treatment ontrol as a reason e of complications d other problems. ho depend on the do at least 5 daily ips, 5 holes and 5 cent studies show ng these sensors, e need for finance s system by SUS.
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ão, mãe de aNds | joão, mother of aNds 2019 three-dimensional object Paper mache artist’s collection
in a post contemporary society, realizing the need for a break with the current paradigm, John, in ecstasy, accesses the primordial source and, in a mixture of shock and pleasure, gives birth to a lineage of aNds beings, these, are able to conduct a society that perceive empathy as the only way.
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aN aNds, already born in connection to the source and bathed out of unconditional love, unknown to their predecessors, are exposed to the consequences of this posthumous society, where chaos veiled by conformism maintained the loss of itself, suffocated by excesses and exploitation.
aNds 2018-2020 digital illustration artist’s collection
Nd these new belonging, challenged by their natures, pursue the propagation of their own existence through the reconnection with themselves and their relations. conscious, they manifest.
5. me.1_ ACADEMIC EDUCATION since 2019 _Degree in Visual Arts -UERGS 2010 - 2015 _Bachelor of Law - URI Erechim
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202 _Edital Lab Poa - Vi
COMPLEMENTARY TRAINING since 2019 _Integrates the research group Glossary of Image - UERGS https://bit.ly/31QDuAe 2019 _Training for educators: Art, Politics and the Environment - Iberê Camargo Foundation 2018 _ Cultural Mediation Training Seminar - Iberê Camargo Foundation
SKIL
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020 Visual Arts Segment.
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BRAZILIAN | POA-RS | 29 YEARS brocknatalia@gmail.com +55 51 981 493 449 PROFESSIONAL EXPERIENCE 2021 _Integrating Chamber of Teachers - Bienal 13 _ Fenício company - social media | instagram : content organization and planning | graphic design for posts 2019 - 2020 _Space Advisor - Iberê Camargo Foundation _Integrating Chamber of Teachers - Bienal 12 2019 _Photographic coverage of the performance “ÁGUA VIVA Dança manifesto” https://bit.ly/37Wk9S2 since 2018 _Produces in her own studio at home https://bit.ly/2HIfHMd 2018 _reading project - logo | graphic material | tapestry making | short course - Kumon Erechim _visual identity for Gazebo Mercado Nativo | logo | facebook - Erechim
6. me.2_ artista visual, ciclista e vegetariana na busca de traduzir a própria percepção estética da contemporaneidade através de uma arte maximalista acredita que ações artísticas politicamente engajadas são fundamentais para um desenvolvimento social mais equânime, inc
visual artist, researcher, teacher, cyclist and vegetarian in search of translating the own aesthetic perception of contemporaneity through maximalist art believes that politically engaged artistic actions, combined with education, are fundamental for a more equitable social development, inclusive and capable of instigating critical thoughts of a plural culture occupy the digital means as a way of resistance, understanding the importance of the proliferation of heterogeneous arts
natalia brock | @a.natibrock