NMO12817A In manus tuas Domine by Musikkforlagene

Henrik Ødegaard

In manus tuas, Domine

Compline with a musical commentary for:

Schola cantorum (male voices)

Mixed choir

Percussion I – II

Duration: 40 minutes

Commissioned by the Oslo International Church Music Festival

Financially supported by Det norske komponistfond

1. Procession: Deus, Domine p. 1

2. Introduction p. 9

3. Deus, in adiutorium p. 11

4. Psalm 4 p. 12

5. Psalm 134 p. 15

6. Psalm 90 p. 16

7. Hymn p. 18

8. Chapter p. 21

9. Ecce virgo p. 22

10. Responsory p. 35

11. Versicle p. 37

12. Nunc Dimittis p. 41

13. Kyrie p. 44

14. Pater noster p. 44

15. Prayer p. 46

16. Benedicamus p. 48

17. Divinium auxilium p. 50

18. Salve Regina p. 51

19. Recession: Salve p. 54

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In the score, I use square notation for the schola and modern notation for the choir and the percussionists. The schola part is often transposed, which I indicate with “Do =…”. This shows the pitch that Do should have in the square notation.

The choir and percussionists must always listen carefully to the schola´s rhythm, so that the fluid, streaming rhythm that the schola uses influences the total musical expression. In movements with mixed notation (all movements except 1, 9 and 19) the schola sets the rhythmic standard, except in the few places that they must wait for the choir to finish a section.

The schola celebrates compline at the altar end of the church, while the choir/ percussionists are placed at the other end, or in the gallery. The schola enters the church in procession in the middle of movement 1, and leaves when nr. 19 starts. Compline shall be celebrated in the traditional way, with double choir, cantors, lector and celebrant. During movement 9 the schola may sit down. Årnes 31.12.2006. Henrik Ødegaard

Percussion:

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I: Crotales

Glockenspiel

Triangle

4 susp. cymbals

4 tom-toms

Gran cassa

II: Crotales

Vibraphone

Triangle

4 susp. cymbals

4 tom-toms

Gran cassa

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1. Procession: Deus, Domine. Choir, percussion

*:Underlinedconsonant/consonants:Isolatethissoundandsingitalone, orletitbethemainsoundforthenote.

Cymbalswith metalbeateronedge:

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&

Dó-mi-ne.

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Dó-mi-ne.

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Kantor II: Cuminvocáremexaudístime,Deusiustítiae/meae* II: intribulatiónedila/tástimihi; I: miserére/mei* etexáudiorati/ónemmeam.

II: Fíliihóminum,úsquequogravi/corde?* utquiddilígitisvanitátemetquaéri/tismendácium? I: EtscitótequóniammirificávitDóminussanctum/suum;* Dóminusexáudiet,cumclamavé/roadeum.

II: Irascíminietnolítepecca/re † loquíminiincórdibus/vestris,* incubílibusvestriset/conquiéscite.

I: Sacrificátesacrifíciumius/titiae* etsperá/teinDomino.

II: Multidicunt:«Quisosténditnobis/bona?»* Levainsignumsupernoslumenvultus/tui,Dómine.

I: Maióremdedístilaetítiamincorde/meo,* quamcummultiplicánturfruméntumetvin/umeórum.

II: Inpaceinidípsumdórmiametrequi/éscam*quóniamtu,Domine,singuláriterinspecon/stituístime.(g)

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I / II: GlóriaPatri,et/Filio,* etSpirí/tuiSancto. Sicuteratinprincípio,etnunc,et/semper,* etinsaeculasæcu/lórum.Amen.

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*:Whenthemalechoirhasfinished,thechoirandpercussionistsmakeafermataatthe notetheyhavereached,oratthefirstcomingnote.Theneveryonefinishthefermatatogether.

Kantor II: EccebenedíciteDóminum,omnes/serviDómini,* II: quistatisindomoDó/minipernoctes.

I: Extóllitemanusvestrasad/sanctuárium,* etbene/díciteDóminum.

II: BenedícatteDómi/nusexSion,* quifecit/caelumetterram.

I / II: GlóriaPat/ri,etFilio,* etSpi/rítuiSancto. Sicuteratinprincípio,et/nunc,etsemper,* etinsaéculasae/culórum.Amen.

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Stopona U here,onthefirstpossiblenote!

Repetethe necessarynumber oftimes!

6. Psalm 91 (V 90). Schola, percussion

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Kantor II: QuihábiatinprotectióneAlt/íssimi,* II: subumbraOmnipoténtis/commorábitur. I: DicetDó/mino: † «Refúgiummeumetfortitúdo/mea,* Deusmeus,spera/boineum».

II etc.: Quóniamipseliberábittedeláqueoven/ántium* etaver/bomalígno. Alissuisobumbrábitti/bi, † etsubpennaseiuscon/fúgies;* scutumetlorícavé/ritaseius.

q = ca.72 4cymbals,(metal sticksonegde),triangle: Vibraphone, motoroff:

(

Nontimébisatimórenoctúrno,asagíttavolánteindi/e, † apesteperambulántein/ténebris,* abextermíniovastánte/inmerídie. Cadentaláteretuomil/le, † etdecemmíliaadextris/tuis* adteautemnonapp/ropinquábit. Verumtámenóculistuisconside/rábis* etretributiónempeccató/rumvidébis. Quoniamtues,Dómine,refúgium/meum.* Altíssimumposuístihabitá/culumtuum. Nonaccédetadte/malum,* etflagéllumnonappropinquábittaberná/culotuo.

Quoniamángelissuismandávit/dete,* utcustódiantteinómnibus/viistuis. Inmánibusport/ábuntte,* neforteofféndasadlápidem/pedemtuum. Superáspidemetbasilíscumambu/lábis,* etconculcábisleónem/etdracónem.

(q = ca.72) T

Vibraphone, motoroff: 4cymbals,(metal sticksonegde),triangle:

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Quoniammihiadhæsit,liberábo/eum,* suscípiameum,quóniamcognóvit/nomenmeum. Clamábitadme,etegoexáudiame/um† cumipsosumintribulati/óne,* erípiameumetglorifi/cáboeum. Longitúdinediérumreplébo/eum,* etosténdamillisalu/táremeum.

I / II: GlóriaPatri,et/Filio,* etSpirí/tuiSancto. Sicuteratinprincípio,etnunc,et/semper,* etinsæculasæcu/lórum.Amen.

Vibraphone, motoroff: Gl.-sp., triangle:

7. Hymn. Schola, choir, percussion.

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& & V ?

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8. Chapter. Schola

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9. "Ecce virgo". Choir, percussion

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& &

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10. Responsory. Schola, percussion

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Vibraphone:

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poco a poco cresc.

poco a poco cresc. poco a poco cresc.

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poco a poco cresc.

poco a poco cresc. Repetewithindividualspeeds:

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12. Nunc Dimittis. Schola, choir, percussion

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4cymbals, triangle: 4cymbals, triangle: Woodbeater:

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Stophereafterthesholahasfinished.

Repeteasmany timesasis necessary. Repeteasmany timesasis necessary.

Sopr.

13. Kyrie. Schola

Alto Ten. Bass

14. Pater noster. Schola, choir. (Do = sempre h)

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S A T B

& & V ?

œ #œœ#œ#œœœœœ # Paternoster,quiesincaelis,

œ #œœœœœœœœ

Paternoster,quiesincaelis,

œœœœœœœœœ

Paternoster,quiesincaelis,

œœœœœœœœ #œ

Paternoster,quiesincaelis, Fluently,followtheschola´srhythm! F F F

#œœœœœœ#œ#œ#œ sanctificéturnomentuum,

œœœœ #œœ#œ#œ#œ sanctificéturnomentuum,

œœœœœœ#œ#œœ sanctificéturnomentuum,

œœœ#œ # #œœ œ ##œ # #œœ sanctificéturnomentuum, & & V ?

œœœœœœœœ advéniatregnumtuum,

œœœœœœœ fiatvolúntastua

œœœœœœœ #œ advéniatregnumtuum,

#œœœœœœœœ advéniatregnumtuum,

œœœœœœœ#œ advéniatregnumtuum,

œœœœœœœ fiatvolúntastua

#œœœœœœœ fiatvolúntastua

#œœœœœœ œ ##œ œ fiatvolúntastua

œœœœ #œœ#œ#œ#œ sicutincaeloetinterra.

œœœœœœ#œ#œœ sicutincaeloetinterra.

#œœœœœœ#œ#œœ sicutincaeloetinterra.

œ œ ##œ œ œ œ #œœœ #œ #œ #œœ sicutincaeloetinterra.

S A T B

& & V ?

œ #œœ#œ#œœœœœœœœœœ#œ

Panemnostrumcotidiánumdanobishódie,

œ #œœœœœœœœœœœœœœ

Panemnostrumcotidiánumdanobishódie, œœœœœœœœœœœœœœœ

Panemnostrumcotidiánumdanobishódie, œœœœœœœœœœœœœ #œœ

Panemnostrumcotidiánumdanobishódie,

#œœ#œ#œ#œ#œ#œ#œ#œ#œ#œ etdimíttenobisdébitanostra,

œœœ #œœœ#œ#œ#œ#œ#œ # etdimíttenobisdébitanostra,

œœœœœœœœœœœ etdimíttenobisdébitanostra,

œœœœœœœœœœœ etdimíttenobisdébitanostra, & & V ?

#œœœœœ#œ#œ#œ#œ#œ#œœ#œ#œ#œ sicutetnosdimíttimusdebitóribusnostris,

#œœœœœœœ#œ#œœœœ#œ#œ#œ sicutetnosdimíttimusdebitóribusnostris,

œœœœœœœœœœœœ#œ#œœ sicutetnosdimíttimusdebitóribusnostris,

#œœœœ#œœœœœœ #œœ œ ##œ#œ # #œ sicutetnosdimíttimusdebitóribusnostris,

#œœœœœœœœœœœœ etnenosindúcasintentatiónem,

œœœœœœœœœœœœ etnenosindúcasintentatiónem,

œœœœœœœœœœœ #œ etnenosindúcasintentatiónem,

œœœ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ#œ etnenosindúcasintentatiónem,--

& & V ?

#œœœœœ#œ#œ#œ sedlíberanosamalo.

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œœœœœœœ #œ sedlíberanosamalo.

sedlíberanosamalo.

15. Prayer. Schola, choir

Etcumspiritutuo.

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& V

Etcumspitirutuo.

Etcumspiritutuo.

16. Benedicamus. Schola, choir and percussion

Do = d

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#œ.j#œœ ‰ gra-ti-as, #œœ#œœ‰ gragra-ti-as, œ #œœœ‰ gra-ti-as, #œ.J#œœ‰ gra-ti-as, #œ.jœœ ‰ gra-ti-as, #. J #œœ‰

18. Salve Regina. Schola, choir

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œœœ#á#œœ #œœ # il-lostu-ocor-de

¿¿¿¿¿¿¿ j ¿¿

EtJe-sum,fru-ctumven-tristu-i

Whisper,ind.tpi.:

¿¿¿¿¿¿¿ j ¿¿

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Whisper,ind.tpi.: &. . . . A | j

EtJe-sum,fru-ctumven-tristu-i

EtJe-sumbe-ne-di-ctumfru-ctumve-n-tristu-i | P ∑œœ fru-ctum T œœœœ ven-tristu-i ?. . . . B | | œ œœá

Ind.tpi.: T

EtJe-su-m P | œœœœœœ fru-ctumven-tristu-i

& A

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19. Recession: Salve, Deus. Choir, percussion

& & V ? &

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con-ce-dat

#œœœ no-bis,

no-bis,

P P P P

#.œ‰ no-bis, Œ œ. œ ‰ no-bis, Œœ.œ‰ no-bis, Œœ.#œ‰ no-bis,

Tutti: F Tutti: F Tutti: F Tutti: F

no-bis,

p Solo: p Solo: p Solo: p Solo: #˙˙ no-bis,

no-bis,