What Remains | Arturo Tapia-Minchez | MusicSpoke

Page 1

Music and Text by Arturo Tapia-Minchez 03/27/2022

WHAT REMAINS Dedicated to the memory of my Father, Arturo Tapia-Figueroa
5 B.2 BASS 2 B.1 BASS 1 T. TENOR A. 2 ALTO 2 A. 1 ALTO 1 S. SOPRANO                                                                                                                                                                                   Sub.       Sub.       Sub.       Sub.       Sub.       Sub.                       ber mem andre see to all inour played dis ly ing lov for ingroom liv our room, ing liv box en wood ly Love ber mem re and see inour played dis ly ing lov to for all room ing liv box en wood ly love A ber mem re and see to all played dis ly ing lov for room ing liv our in box en wood ly Love ber mem re and see to all roomfor ing liv our in played dis ly ing lov box en wood ly love A ber mem re and see to all for room ing liv our ingroom, liv inour played dis ing ly lov en box wood ly love A ber mem re and see to all for room ing liv our in played dis ing ly lov enbox wood ly love A ( = 55)                    This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
For the CAI Premiere Project 2022
13 9 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                      a as child a as child a as me held that arms the were once es ash These a as child a as child a as me held that arms the were once es ash These a as child a as child a child a as me held that arms the once were es ash a as child a as child a child a as me held that arms the once were es ash These a as child a as child a as child a as me held that arms the once were es Theseash 3 3 ( = 80) A    2     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Accel. - - - - - - - - - - - - - - - - - - - -

= 80)

with walked that feet the once were child 3 (

with walked that feet the once were mains Thesecre child with walked me with thatwalk'd me with thatwalked me,

with walked that feet the once were mains Thesecre child with walked me with walk'd me with walked me,

3

that me walkedwith that feet the feet the once were mains cre These child with walked me with me with me,

that me walkedwith that feet the feet the once were mains Thesecre child with walked me with walked me with walked

that walked that feet the with walked that me with walked

once were mains cre These with walked me with walked me with walked

        3     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

21 17 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                                    Sub.   Sub.   Sub.   Sub.   Sub.   Sub.                    
with walked that me
Rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Molto Rit. - - - - - - - - B
29 24 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                 ()       ()  ()   me with me with me with me with me me with with me me with me with me me with me with me with me me with me with me with me me me me This me ( = 60) (sim) *Bell Tones* (sim) *Bell Tones* (sim) *Bell Tones* (sim) *Bell Tones* C   4     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
37 33 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                                             I kissed I kissed ing rest nal fi were I cheeks what holds place ark cred sa I cheeks kissed I cheeks were what holds place ing rest nal fi ark cred sa I
the
I kissed I cheeks the were holdswhatonce place rest ing nal fi your ark cred sa This
I cheeks the whatwereonce once rest
ing nal your sa fi is ark, cred
I cheeks the whatwereonce once place
rest ing rest nal fi your ark, cred sa I
cheeks the once were
holds
ing rest nal fi your ark, cred sa 3 3 3 D          5     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
cheeks
kissed
I cheeks the kissed
rest place ing
I cheeks kissed
ing
kissed I
what
place
44 40 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                  ()        ()                         I
ly gent I held I held head The kissed
hand
I held held I
ly I gent stroked ly I gent head the
stroked ly I gent head the
3 ( = 80)
E       6     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
that hand the stroked
the held I
The
that thehand stroked
kissed the held I hand The held I that hand the
kissed the held I that hand The kissed the held I that hand The kissed I kissed the held I that hand The kissed
Molto Rit. - - - - - - - - - - - - -

Rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

( = 65)

heart the and stroked ly gent I stroked, ly gent I head the head

heart the and stroked ly gent I stroked, ly gent I head the head

stroked ly gent I stroked, ly gent I that head

stroked ly gent I stroked, ly gent I head me me loved that loved that heart andthe

I stroked, ly gent I head me loved that heart andthe

Molto Rit. - - - - - - - - - - -

Whatre me loved that

Whatre me loved that

heart the and stroked ly gent I ly stroked, gent I that head 3

stroked ly gent the heart, andthe

Whatre me loved that

loved that me loved that heart

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

50 47 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                                                                                                
     7    
56 54 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                es ash to es ash are are mains es ash re what me es ash to es ash are es ash es ash are re mains what es ash to es ash are es ash are mains re what es ash to es ash are remains what remains what es es ash to ash are re mains what mains, es ash to es ash are remains what remains what es ash es. ash are mains re what mains, es ash to es ash are es ash are mains re what mains 3 3 3 3 3 3 ( = 85) F  8     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
61 58 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                                                      Sub.      Sub.    
                         are mains re what es ash es ash are es ash are es ash es ash are mains re what es ash are es ash are es ash are mains re what es ash es ash are mains re what es ash are es ash are es ash are mains re what es ash es ash are mains re what ash are es ash es ash es ash are es ash are es ash are
re what es ash are mains re what Whatre ash are es ash es ash es ash are es ash are es ash are
re
es ash are mains re what ash are es ash are es ash are es ash are es ash are es ash are
re
es ash are mains re what
    9     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Sub.
mains
mains
what
mains
what
Rit. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
67 64 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                        es ash to es ash are mains re What es ash to es ash are mains re What es ash to es ash are mains re What es ash to es ash are mains re what es ash are remains What es ash are mains re What es ash are mains re what es ash are mains re What es ash are mains re What es ash are mains re what es ash are mains es ash are mains re What es ash are mains re what ( = 60) G  10     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
74 70 B.2 B.2 B.1 B.1 T. T. A. 2 A. 2 A. 1 A. 1 S. S.                                                                                                                                                                                                                                      me through but you but er ev for on live you but you you but you but me through er ev for on live you but you
you but you but you but me through er ev for on live you but you
you but you but you but me through er ev for on live you but you
you but you but you but me
er ev for on live you but you
you but you but you but me
er ev for on live you but you
you but you but you but ( = 45) ( = 50)
H     11     This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
but
but
but
through
but
through
but
Rit. - - - - - - - - - - - - - - - - -

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What Remains | Arturo Tapia-Minchez | MusicSpoke by MusicSpoke - Issuu