Bonnie Mclarty
Snow Angel text by Wyatt Townley For Soprano, Mezzo-soprano, and Piano Duration: c. 35 minutes
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Bonnie Mclarty
Snow Angel A Song Cycle with text by Wyatt Townley Black Wedding Train Shelter Song of Myself Mal de Debarquement Behind the Shirt Leaving Home Snow Angel After You Died In Extremis The Back of Beyond (Postlude)
3 11
16 20 26 30
38 46 50
58
Instrumentation: Soprano Mezzo-Soprano Piano note: 4-6 additional voices required for performance of "Song of Myself'
duration c. 35 minutes Text from Rewriting the Body by Wyatt Townley. Nacogdoches: Stephen F. Austin State University Press, 2018. Used with permission.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel Wyatt Townley
Bonnie Mclarty, 2019
1.
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Snow Angel
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page 6
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Snow Angel
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page II
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Snow Angel
page 14
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Snow Angel
page 16
3. Song of Myself Singer Dialog
Ensemble Cues
A. SOPRANO: You’re okay. (6x) MEZZO: No you’re not. (3x) No you’re not okay.
→ Chorus members are silent.
B. SOPRANO: You’re okay. (7x) MEZZO:
No you’re not. (3x) No you’re not okay. No you’re not okay you’re not okay. No you’re not okay (Soprano joins without pause)
→ As soon as the soprano says “You’re okay” one time, each member of the chorus begins to speak the text of the poem* from beginning to end, staggering entrances by 1-3 seconds. Each member should use their natural speaking voice and should deliver the text at a comfortable, natural pace, pausing to breathe as appropriate.
C. BOTH SINGERS IN UNISON: you’re not okay you’re not okay. (Soprano immediately continues without breathing) SOPRANO: You’re not okay you’re not okay. (growing more insistent) No you’re not okay you’re not okay. You’re not okay you’re not okay. You’re not okay, okay? MEZZO: SOPRANO: MEZZO: SOPRANO: MEZZO:
→When both singers speak in unison, this is the cue for the chorus to begin a very slow crescendo, growing louder and more insistent (but not faster) as they speak the text. If chorus members reach the end of the poem, they should start over again at the beginning without a pause.
(Agreeably) Okay, you’re not okay. Okay, you’re not okay. You’re okay (pause) you’re not okay. You’re (pause) okay you’re not okay. Okay.
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Snow Angel
page 17
D. (Dialog becomes an argument, growing more intense, but not rushed.) SOPRANO: MEZZO: SOPRANO: MEZZO: SOPRANO: MEZZO: SOPRANO: MEZZO: SOPRANO: MEZZO:
E.
You’re okay. You’re not okay (almost interrupts) you’re okay. (insistently) You’re not okay (more insistently) you’re okay, okay? Okay, (interrupts, switches roles) you’re not okay you’re okay. You’re okay (almost angrily) you’re not okay. You’re okay you’re okay. Okay? (addresses chorus, loudly)
→ Chorus grows louder and more insistent that they be heard, beginning to compete with the singers in volume. If a chorus member finds they have reached the end of the poem, they should restart the poem without pause.
→In response to this “okay” from the mezzo, chorus members abruptly drop from almost yelling to loud whispers, regardless of where they are in the poem’s text. Over 3-12 seconds, chorus members gradually switch from whispering the text of the poem to creating the unpitched sounds indicated in section E (see below).
(guided improvisation; duration: approximately 35-55 seconds)
ALL MEMBERS OF THE ENSEMBLE: this section is shaped by the pianist, who will execute a series of unpitched gestures: 3-5 long sustained scratching sounds that begin quietly, crescendo to a loud dynamic, and then fade away, with a pause between each “scratch.” These gestures are followed by a final sustained scratch that starts abruptly ff and gradually fades to silence. SOPRANO: inhales and exhales loudly, with a cadence that suggests a panic attack or the aftermath of intense weeping. MEZZO turns away from the soprano, silent; mid-way through the section, begins to quietly let air through almost-closed teeth, in a “shhhhh” sound. CHORUS staggered entrances; alternating long breaths of air and unpitched sounds with a sense of swelling with periods of silence. Unpitched sounds may include white noise effects such as clicking/tapping sounds/shuffling/creaking/scraping. Chorus may also make sounds on the body of the piano with permission from the pianist. PIANO scratches two lowest strings (or lowest within easy reach) with fingernail while holding down damper pedal; may also scratch/tap metal or wood parts of the instrument.
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Snow Angel
F.
page 18
As cello fades, all chorus members fade also; piano continues to hold down damper pedal. Soprano’s breathing calms. Once soprano is breathing normally again, singers resume dialog.
G. MEZZO: subdued)
(calmly, in a normal speaking voice, somewhat
You’re okay. (6x) SOPRANO: (spoken in a quasi-whisper) No you’re not. (3x) No you’re not okay. MEZZO: You’re okay. (7x) SOPRANO: No you’re not. (3x) No you’re not okay. No you’re not okay you’re not okay. No you’re not okay (Mezzo joins without pause) (SIMULTANEOUSLY) SOPRANO: you’re not okay you’re not okay. MEZZO: you’re okay you’re okay (Soprano immediately continues without breathing)
→ As soon as the mezzo says “You’re okay” one time, each chorus member begins to whisper “you’re okay” repeatedly, staggering entrances by 3-5 seconds. Each person should whisper as audibly as possible but without straining and should deliver the text at a comfortable, natural pace, pausing to breathe as appropriate.
H. SOPRANO: You’re not okay you’re not okay. (growing more insistent but not louder) No you’re not okay you’re not okay. You’re not okay you’re not okay. You’re not okay, okay? MEZZO: (Agreeably) Okay, SOPRANO: (Interrupts) you’re not okay. Okay, you’re not okay. MEZZO: You’re okay SOPRANO: (pause) you’re not okay. MEZZO: (No pause) You’re okay SOPRANO: (pause) you’re not okay. MEZZO: Okay.
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Snow Angel
page 17
I. MEZZO: SOPRANO: MEZZO: SOPRANO: MEZZO:
You’re okay You’re not okay (quietly confident) you’re okay. (more quietly) You’re not okay (more insistently) you’re okay, okay? Okay, SOPRANO: (whispers) you’re not okay MEZZO: you’re okay. You’re okay SOPRANO: (almost inaudible) you’re not okay. MEZZO:
→Chorus members’ whispers gradually fading. By the final “okay?” spoken by the Mezzo, everyone else should be completely silent.
(reassuring) You’re okay (brief pause) you’re okay. (longer pause) Okay?
THE END *Poem text for chorus to read: You’re okay. (6x) No you’re not. (3x) No you’re not okay. You’re okay. (7x) No you’re not. (3x) No you’re not okay (2x) you’re not okay. No you’re not okay You’re not okay you’re not okay. No you’re not okay you’re not okay. You’re not okay you’re not okay. You’re not okay, okay? Okay, you’re not okay. Okay, you’re not okay. You’re okay (pause) you’re not okay. You’re (pause) okay you’re not okay. Okay You’re okay. You’re not okay you’re okay. You’re not okay you’re okay, okay? Okay, you’re not okay you’re okay. You’re okay you’re not okay. You’re okay you’re okay. Okay? (start again from the top of the poem)
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Snow Angel
page ;zo
4. Mal de Debarquement (Ji= Ji) Soprano
It's
not as if
the
worl _______________
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Snow Angel
page zz
18
s.
Pno
s.
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vis - cer - al_______
Pno
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Snow Angel
s.
page :z:z
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35
The
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sky
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42
[Q] accel. ____________________ disoriented, queasy J = 108 D
beginning with clarity, dissolving into indistinct watery blur
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Snow Angel
page ;z3
48
s. The
s.
f
fall off
s.
54
sways.
room
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un
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der
our
chairs _________
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
page Z4
Snow Angel
nif cresc. poco a poco
a hint of jazz
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.. ,.
Snow Angel
page z5
68
s. ship's a - shore._
tempo primo, but with a sense of distance and disconnection 111!p What did you say?
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Snow Angel
page ;z6
5. Behind the Shirt ,.,
Mezzo-soprano
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boun - cers at the
door. __
-
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10
with attitude
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M-S. They're not
pick-y._
endearingly blunt
.--3--, They
don't see
shit,
>
Pno
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page z7
Snow Angel
I
rit.................................................... ). A Waltz gone wrong J = 108 simply
3
M-S.
strain a - gainst the shirt
18
M-S. nos - es through a
a view,
chain
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-
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Snow Angel
30
page zB
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M-S. bras, __
M-S.
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42
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rit............................................. a tempo but freely, shimmering J = 84
p
intimate
M-S. Their
ti - ny fac - es wrin - kle
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Snow Angel
page .29
Moving forward J = 108
M-S. they
wait
for. ___
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-
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'.
Snow Angel
page 30
6. Leaving Home With a folk-like fiddle feel J = 96
M-S.
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....
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Snow Angel
[fil
18
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page 31
-
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11V with increasing confidence
M-S. Wher - ev - er
I have gone
the bo - dy goes.
Breath_ by
Pno
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
__,,
Snow Angel
page3;z
29
M-S. head, shoul - ders, knees and_ toes,_
knees and
Pno
>
s. M-S.
Pno
resonant pedal
s.
M-S.
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Snow Angel
page 33
s. head, shoul - ders,
knees and_
toes,
M-S. head, shoul - ders, knees and
(�.)_____________________
s. M-S. knees and
toes.
ped. ad. lib.
'llf/
s. new hips
an old
M-S. new hips ____
Pno
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel
page 34
5.1
s. but what a
en ...._____ M-S.
must
but what a
end
Pno
this
girl slip-ping out of her
this
girl slip-ping out of her
clothes.
� clothes_____
>
I I
G with purpose
s.
f
f
or
M-S.
It's
po-e-try in
mo-tion--
Pno
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
is_it
Snow Angel
page 35
61
What
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>��
page 36
Snow Angel
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I
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Snow Angel
page 37
nif
82
s.
r... shoul - ders,
head,
knees and
toe
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This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
I
-.
Snow Angel
Like sun on snow
J=
7.
page 38
Snow Angel
c. 9i-96
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with pedal even 8th notes, pulse not emphasized
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in the bran - ches_
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r
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96-108
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in tempo, slightly faster
7i
-
she's
?
I
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-
- - -
-
-- -beaks
-d
I
catc....______
hems__
your moth - er's
14
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.
of birds
-J .J
r
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peaks
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of ,.
I
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..
Snow Angel
-- - ....� - - - -
18
s.
A
.,
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u
OI
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page 39
- •
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the sky
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Snow Angel
page 40
s. an av - a-
Pno
s. of bliz - zards_
thun - der and
snow, __
Pno
[!ii]
s.
Unleashed
J=
==========ff__
c. 1:io-13:i
Pno
'lll!pdim.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel
50
page 41 with intensity
'lll!p
s. She's mid - air
all o - ver
Pno
s.
nif
53
She's in your
_____
......_
s.
57
throw as_
Make a snow - ball______
-s.
Pno
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Snow Angel
page 4:;z
Pno
[ill
s.
floating
-----
Pno
s.
75
Pno
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page43
Snow Angel
[!]
s.
Pno
a sense of relief, exhaling
Pno
QJ
'IRIJI
88
s. She's be - hind your
back__
Pno
92
s.
A
I
tJ
-
.
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>
.,
as you op - en >
tJ
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.,,_
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,
arms,
your
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-
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.. I
,;--..... ,
.,,_
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Snow Angel
98
I
A
s.
[illmp-----================================= . � � -- --
-
.,
tJ
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<
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her
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in,
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her
let
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s.
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., tJ
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tJ
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cloud.
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1-,1
-
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A
I
tJ
"tJ
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ghost
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mfdim.
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that
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mp
your
side
mf .,
-
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r
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106
a
lil
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tJ
Pno
page 44
b_. .fl-
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mp
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-
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-
-
Snow Angel
page45
8ba________________________________________________________
do not slow down
p
(8)_____________________________________________________________________
122
INI
zet ring, dying away
pp
(8)_____________________________________________________________________
rit ..........................................................................
(8)________________________________ J
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Snow Angel
page 46
8. After You Died With deep feeling, almost religious J = 48-54 111!p .----3--,
Mezzo-soprano
Af
I
- ter you_ died____ chorale-style
Piano
111!p
6
-
M-S.
the_
of
long black sleeve
Pno
-
8 ,., M-S.
.,
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--
-
>
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k
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-
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down__ my
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night
,., Pno ◄
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111!p L�
=
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throat
and
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,
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p
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pulled
it down my
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_, ,_
I
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page 47
Snow Angel
12
M-S.
Pno
16
A
M-S.
u
I �:: I
Pno j
�-·.. ' I
.
I
., �
closed my eyes
- JQ�J
t
., k
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k
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I Pno
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'lllfJJ
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'lllfJJ
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and went un - der __
pp
the
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pp
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breathed __
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r it
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(Ji= 66-7:z)
- - - - - -· i· -j_J_- .JJ-- - - -- - - - -- - - - - - - - - -- -- - - -- -- -
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-J.
r-. .,.
.J.
-
.J.
a
gain
I
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-
-
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I
·-�;
Snow Angel
page 48
22
M-S. as
if
its
star
ry
but - tons_
could
pp
Pno
p (�>-----��-------------
[QJ Hushed J = 48-54 r.,.
M-S.
pp-===== kept_
you
breath - ing_
pp
Pno
p
JI
M-S. breath - ing_
breath - ing____
Pno
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel
page 49
M-S.
Pno
-
freely
38
A
M-S.
I
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�-� t)
I Pno
I
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hems
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of your last
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- - -
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calla voce
:
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41
Pno
-
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in_which
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,,-'
M-S.
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-
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- - -- - - - -- ---
.
I
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n
-
-
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This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
:
Snow Angel
page 50
9. In Extremis With serene calm J = n6-1io II
Mezzo-soprano
tJ
,., tJ
.
'lll!p simply, with little vibrato
- - - - - - -
-
I
"
-
You
steady pulse, very subtle shaping
.
I
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k
-- - - - - - ..
do
not have
to
be
- - - - - - -
-
-
with pedal
s.
;
,.,
I
t)
M-S.
II
echo with little to no vibrato, slightly breathy, P match the mezzo for tone/inflection/shaping
You
do
not have to
good��--
be
'
I
goon�--------------
You
do
not have to
eat
what is
....
s.
<' II
I
tJ
M-S.
II
I
You
do
not have
to
eat
what
is
--..
giv - en�--
giv - en�------
..
--
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel
s.
9
,, A
I
A
I
M-S.
s.
., A
-
.
M-S.
- -
do
do
not_
Pno
l
ll
�
do
not_
do
not_
do
not_
do
to take over main melody
- -
,_
You
have
to
qui - et
-
I
down___ l
I
or change your I
or change your
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not have
-
I
qui - et
to I
down
,
..
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--..
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mp
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t)
---
p
not
not
-
soprano: gradually emerge from beneath mezzo
- - -
�
s. M-S.
-
UP�--------------
get
====--
tJ
ll
to
I
You I
not have
- --
i,..tJ
-
do
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t)
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-
p--============'1111'
'
You
II
page 51
--
gown _________________
I
gown. _____
- -
---..
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-
....
....
Snow Angel
� sweet and pure mp
- .... -- -. ... -
16
A
s.
I
"
u
,. tJ
.
-�
"
I
"
- - - - ...... -
,,
l
l
I
I
have on - ly
You
mp
I
·-. -A
whole room
-,. - .- --,. -. ---
- - -I
l
I
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u
I
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-
I
I
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hall - ways of your
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.
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,_
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lungs
and let it_
.
--.
-
-·
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out
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u
u
I
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@]..
....
-
I
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i,.t.J
Pno ◄
,_ ,_
- - - - - - -- - -
---
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take_the
I
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-..-
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I
--
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in - to the
I
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I
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....
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I
tJ
M-S.
--
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tJ
s.
..-
-
I
-- -
breathe
-
"
s.
to
....-.. ..
-- - - - - - - -- - - -
--,. -. ...-
20
page 5:z
I
I
::-
--
-J J
�
I
I
I
I
I
-
-
I
l
I
I
I
,_
I
,_
I
,_
-
I
,_
I
the house re - ar
..= ..=-
I
,_
-
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
I
,_
-
-.. .. ......
Snow Angel
-- � . .... --· - --
27
M -S .
A
I
,,
'
u
-,., -
. ..
I
M -S .
I
,_
u
,.,
I
I
,_
,_
I
I
,_
I
,_
I
a
one breath at I
,_
I
- -- ---.
I
,_
,_
I
I
,_
I
,_
-
"
p
--
I
,,
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,_ ,_
I
I
I
,_
I
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,_
-
I
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p
�-
-�
Just
-
,_
..=- �. - - - - --. ..
-
Then do
�-,, i,..tJ
,_
-
time
-.
I
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--
--
-- . --�
'
-- --
� �
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,,
3.0
s.
I
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'.,,
., II
,
-rangetl
u
,.,
- -:
-�
"
page 53
it
a
-
-
gain
'
- �-
--
-�
. �.
�
.
,_
breathe
--,. � . ---- - - - - - - - - -..=- - - - - - --. - - - - I
,_
u
- - . -,.,
-
"
I
p
-
"
-
-. .
-
--=
pp
I
�----voice grows fuller and more expressive
as at first, but as if glowing
s.
M-S.
p
u II
I
You do not have to I
I
p pp
u
You
voice grows fuller 1ll!p and more expressive
I
I
I
I
-
-
do_ not
-
do_ not
have_
do_ not
' be I
goon-______________ I
I
I
I
I
I
You
do not
I
..=..
I
I
I
I
I
('!w.)_- ____________________
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
page 54
Snow Angel
s.
)7-,.
-
u
-"
M-S.
.
I
-
"-
�
-
.
I
�
�t)
- -.
u
-
You do not have to
have to eat what is
,�
-
to
- - - - - -
--
�:._-=========mil -- -- - -- -
.,
1..-
up _____
-. -. -
-
.,
get
·�
giv - en
-
- - - - - - - - - - - - - - -
"
I
I
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p
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s.
u
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M-S.
. ---. -.. -
I
.
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Pno
s.
M-S.
I
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"
A
I
tJ u
-
j5,. u
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.
. --.
.
Pno
!; A
u
I
I
I
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I
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,_
I
- - - - - - - .. up.
You do nothave to get
- - - - - I
I
I
I
I
..
,_
-..
.,
down
,_ ,_
cresc. poco a poc0
-
- - - -
,_ ,_
You do not
- - - - - - - - -- - - - - I
I
I
I
I
cresc. poco a poco
I
I
I
I
I
I
I
I
..=-
<'iwS_-_ -_-_____________- __ - _ - __
--- --
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-..-
-
,_ ,_
I
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- - - - - - - -..=.. cresc. poco a poco
mf
..----�- -
,_
- I
have to
-
- -
or
change your
. �
-
qui - et
,
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,_
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-- -
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-- -
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"
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=-
('!ro.)
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u
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H
I
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,_
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I
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.. .. ..
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,_ ,_
gown
,
down
..- �
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,_
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..- -
-..
....-
-
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I
your gown your gown your
I
I
I
- - ,_
,_
... I
,_
I
,_
I
,_
,_
('iw_)____________________
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
..
,_
..-
,_ ,_
Snow Angel
page 55
warmly, with an expansive sense of space
------
f
s.
on - ly
have
You _____________
f
to
M·S. gown___
-- . . ,.,
s.
I
k
II
tJ
M-S.
-,.,- . I
k
II
I
... aa
-
,.
r
...
-
I
-
.. ,_
-
whole
the
..- --
--
-
I
----
to
-I
=-
-
�
----
the
take
--.. -
--- --..----
-I
breathe.____
[ill.. ..
�
take
::=::_
I�: . ., --- II
---
I
�
I
-
- ..- -
,
�
1--tJ
k
Pno
breathe
... aa -
--,., . -
..-�--
-�
#
... aa
on - ly
have
You
I
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-
=-
-
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.. ,_
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--
=-
(�.)._____,.________,,____________
--
s.
-
.
k
tJ
M-S.
Pno
,.,
.. - -
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whole_ ,,.
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k
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in
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=- ....- =- ---
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to
-
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-
to
the_
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111IJI ,_
-
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---
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- ..
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hall
the
'
room
tJ
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in
room_
1--tJ
,.,
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-
ways
hall
-
-
-- -
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ways
--- --
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I
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mf �
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This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
� ,_
-
,_
=-- ..-
I
,_
page 56
Snow Angel
s.
M-S.
:;-
,.,
II .
...
�-� i,,.tJ
l ��..-
.,
-
of
- .,_
your
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of
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.
,
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V
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your_
,_
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T
1
1
-- . --·
66
M-S.
,., i'-tJ
,.,
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,�
I
,_
-
,_
-
it
out
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= ,_
�
lungs
,_ and
--- - -
·-I
-
let
it
out
- - - --- --- -- -- -- --
pocodim.
,_
,_
,_
,_
,_
I
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serenely centered 'l11!p
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I
I
time
.
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house re - ar
range.�-------
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breathe
Just
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-
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Just
.
I
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.,
.,
p
.,
.,
.,
-,
= ,_
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-
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breathe.
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-
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.,
.,
-,
a
---
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= ,_
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Snow Angel
6
9
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page 57
gain.)
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play evenly and quietly for as long as possible during continuous diminuendo, then continue playing "action" after notes no longer sound
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fading to a memory of sound
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_______________________.
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Snow Angel
10.
page 58
Postlude: The Back of Beyond
Very freely, linger on long notes J = 60-69 1ll!p Mezzo-soprano
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still
page 59
Snow Angel
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Snow Angel
page 60
mf
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still_
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page 61
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This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel
page 6:z
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page 63
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page 64
Snow Angel
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page 65
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9.3
allarg............................ Slightly calmer J = 96 mf
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(�).___________,,...._____________ This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Snow Angel
(�)
_____________________
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This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
......
page 67
Snow Angel
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