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She Walks in Beauty | Andrew Jacobson | MusicSpoke

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A composer, conductor, and active pianist, Andrew Jacobson is currently the Director of Choirs at Bellevue High School in Bellevue, Washington. He holds an advanced degree in Music Education from Boston University, in addition to a BM in Music Education from the University of Washington where he studied with Dr. Steven Zopfi, Dr. Giselle Wyers, and Dr. Geoffrey Boers. He is in demand as a Washington State Solo and Ensemble Clinician for the male voice, small vocal ensembles, and large vocal ensembles. In addition to his Solo and Ensemble work, he is active as a choral festival clinician across Washington State. He is also an active proponent and educator in teaching music literacy to junior high and high school choral students. As a composer, his works have gained popularity across the country and internationally. He has had works premiered by Dr. Steven Zopfi and the Adelphian Choir at the University of Puget Sound and by Dr. Giselle Wyers at the University of Washington in addition to several high school choirs.

She walks in beauty, like the night Of cloudless climes and starry skies; And all that 's best of dark and bright Meet in her aspect and her eyes: Thus mellow'd to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impair'd the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!

-Lord George Gordon Byron

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


for Dr. Steven Zopfi and The University of Puget Sound Adelphian Concert Choir

She Walks in Beauty LORD (GEORGE GORDON) BYRON (1788-1824)

   SOPRANO     ALTO     TENOR      BASS  

ANDREW R. JACOBSON (b. 1984)

q=80 Exuberant yet tender

poco rall.

q=80 Exuberant yet tender

    

 

 

 

  

  

 

poco rall.    

 









      p f Piano                                        (sim.)  Tempo I  5         

           



            

mp

mf

Of cloud - less mf

climes

and star - ry skies, and

mp

She walks in beau - ty, like the night

Of

climes

star - ry skies,

                She walks in beau - ty, like the night

             

Tempo I

 

mp

   



cloud - less

                  

   

      

            

             

mf

  

Copyright © 2015 Andrew Jacobson Music | All Rights Reserved

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. www.andrewjacobsonmusic.com

and

 




2

     9





 mp

         star - ry mp

   

 

star - ry

skies

  skies;

   

  

mp

mf

   

mp

14

 

 





        

         meets in her as - pect and her eyes;

all that's best of dark and light

         

meets in her as - pect and her eyes;

       

all that's best of dark and light

 mf         





  

mp

Thus mp

 

Thus



mf



 

       

 



              

  

  

 

  mf         

And

   

mf

 

 

  

 

           

   

  

       

  

   

                       

   licensed for performance. Please visit MusicSpoke.com to purchase performance copies. This score is not


  

 

Which Heaven to gau - dy day de - nies.

  

      

p

   

   22

    

   

  

 

 

 

  

         

rall.

  

 

 

 

poco rall.

       

            





    

 

 



         p                         

   

 rall. 

p

 

     

q=70 mp

p

    

One shade the

One shade the

p

Which Heaven to gau - dy day de - nies.

     

      

p

    

One shade the p

       

      

 

One shade the

 

 



        mel - low'd to that ten - der light             mel -low'd to that ten-der light

  



 

q=80 Tempo I



18

3

poco rall.

f





  

f

  

       

more,

one ray the

more

the

   

 

  

 

more

the

    more

     

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mp

    

 

the


4

27           

  



f            

     

   

Had half im

Had half im

-

pair'd the name - less grace

Which waves in mf

ev - ery ra - ven tress

Or soft - ly

       

Had half im

-

pair'd the name - less grace

Which waves in mf

ev - ery ra - ven tress

    

Or soft - ly

Had half im

-

pair'd the name - less grace

Which waves in

ev - ery ra - ven tress

Or soft - ly

less,

  

    less, less,

less,

       

    

-

pair'd the name - less grace

  

  

  

 

  

 

   

 mp              32

 

light - ens o'er

her

face, o'er her face

      light - ens o'er

her

her

              her

                

  

face

 

  

   

Or soft - ly

            

 

ff

        face

ff

         

 

o'er her

 

face ff

       o'er her

 

face ff

       

face

o'er her

face

p

    

molto rall.

o'er her face

face

    



     

ev - ery ra - ven tress



face

  

 

   

p

face,

          

 mf      

face

face,

         light - ens o'er

  

face,

          light - ens o'er

p

Which waves in

o'er her

 

face

molto rall.

 

     

   

f

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39         

       

her

5

 p q=60       

 face

her

face

face

her

her

          

  face

    

    

Her face

        p

face



 

               

pure, how dear their dwell - ing place And on that

 









 



               

and o'er that brow

   

So soft, so calm, yet el - o -

          



           

cheek

that brow

So soft, so calm, yet el - o -

And on that mf

cheek

that brow,

So soft, so calm, yet el - o -

And on that

cheek

that brow,

So soft, so calm, yet el - o -

 

        

    

mf

Her face



Her face

         

     

How

   

  

mf

 mf                  

 

  

Her face

pure, how dear their dwell - ing place And on that cheek

   

          

Piu Mosso q=65

rall.

      

How

Where thoughts se - rene - ly sweet ex press

p

                              

45

Where thoughts se - rene - ly sweet ex press

p

         her face her face          her

           

mp

    

             

  

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 

   


     

6

50

quent,

 



f             The smiles that win, the tints that glow, f             

  

      f             quent, The smiles that win, the tints that glow, f                quent,

quent,

   

  

The smiles that win,

the tints that glow,

The smiles that win,

 

 

the tints that glow,



 

55              

peace with all be - low,

peace with all be - low,

  

  

      

 

    

      

 

    

      

  

But tell of days in good - ness

      

spent,

 

But tell of days in good - ness

spent,

But tell of days in good - ness

But tell of days in good - ness

     

      

A heart whose love is inn - o - cent.

                 

     



spent,

A mind at mp

spent,

              

A mind at mp

mp

 

     mf



       She walks in beau - ty,

A heart whose love is inn - o - cent.

mp

 

p

beau - ty,

 

p

beau - ty,

             



p

 

beau - ty,

     

             

        

mf This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


7

    60

    She walks in

 

  





beau



beau

  

    63

beau

beau

    beau

   

beau

      

-

-

ty

-

-

She walks in



ty,



ty,

 -

ty,



    

ty,

beau

 

 -



-

-

-

ty.

 

 

 

ty,

ty,



     

    

molto rall.

 

n

ty,

  -

  

molto rall.

 -

   

                 



     

beau

beau



 

   

 

       

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

      

p


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