Next Morning Music: Chris Hutchings Lyrics: G.S. Chaplin G.S. Chaplin was a military policeman in World War I. His private papers were donated to the Imperial War Museum in 1976. This excerpt gives his account of seeing a deserter shot at dawn; a few words have been altered from the original. "Next morning, the sun was shining, a touch of frost was in the air. I was sent up the road to stop any traffic and high up I had a bird's eye view. I saw the man brought out to the post, the firing squad march into positions, turn right and take up stand. I heard the report as they fired. I saw the smoke from their rifles They turned and marched off... The dead man was taken away on a blanket... It was over. I came down but it did not seem real." Unfortunately it has not been possible to trace the copyright holder. The Imperial War Museum have given permission to use the text, and their help is acknowledged and appreciated. For any further details, please contact the composer directly: chris@hutchingsmusic.co.uk or hutchingsmusic@hotmail.com Trumpet, SATB chorus (no divisi), organ. Duration 4 minutes. The trumpet part is given in C in the score, but can be supplied for B flat trumpet on request. A vocal-only score with a keyboard reduction is also available.
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Next Morning
Chris Hutchings
Winner of the Chigwell Choir Composers' Competition, 2015 Moderato q = 80
Trumpet
Organ
& 44
w F & 44 Π.
j œœ œœ .. # œœj # ww P F ? 44 Œ . Jœ œ . œJ w ? 44
6
Tpt.
6
S 6
A 6
T 6
B
œ œœœ œ w . F Œ.
˙ P
& Ó
3 j œœ œœ .. # œœj # œœ ˙ ˙ P F ˙ Œ . Jœ œ . œJ œ
∑
∑
‰
& &
∑
The sun
Œ.
P j œ œ. Pj œ œ. The sun
V
∑
?
∑
? Œ.
Org. 6
? œj œ . ˙
j œ. ˙ . F
˙˙ ˙
∑
Œ. Œ.
P j œ œ. The sun
˙ œ ˙ J œœ ..
j œœ œœ .. ˙ j œœ J
w
∑
œœœ ... œ.
Œ
Ó
∑
p
‰
F 3 j #œ #œ ˙ was
j œ
shi - ning.
F
œ ˙
shi - ning.
F œ œ ˙ J
was
˙
3
j F 3˙ œ œ
was
œ œj ˙ P < F
shi - ning.
˙ ˙ ˙
3
was
j # œœœ œ J
Œ.
Ó
P j œ œ.
A touch
Œ.
Pj œ œ.
A touch
Œ. Œ.
shi - ning.
P j œ œ.
A touch
A touch
3
œœœ ˙˙˙ ˙˙˙ w Ó
‰ œ # œj P <
Pj œ œ.
Œ œ
j œœ œœ ..
Œ.
œœœ ... œ œ. J
˙
œ.
Πp
ww P Œ œ ˙
Sw. to Ped. Ped. 8' diapason
j j œ. œ œ œ< Fœ P P ∑ Œ . œj œ .
& ˙˙
œœœ
3
Sw. diapasons
The sun
6
Œ
œ P
œ.
j #œ #œ.
‰ œ œj P
j œ- œ œ. F
F j œ œ œ œ
of
frost
j œ
of
j œ
frost
of
œ.
frost
œ J
œ.
F j œ œ œ œ was in the air. F œ œ œ œ J was in the air. œ œ œ Fœ J
frost
was in the air.
of
j # œœœ œ J œ J
œ.
œœœ .. . œ. ˙
© Chris Hutchings 2016 www.hutchingsmusic.co.uk twitter.com/hutchingsmusic
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was in the air.
j œœ œœ œ œ ˙ J œ œ
Tpt.
S
‰ œ œj œ œ œ œ œ œ œ P < F 11 P U ∑ & œ ˙. & ˙
P
11
A
& w V w
B
Org.
? w
Tpt.
˙ & P
S
A
16
p
16
p
&Œ &Œ
16
T
˙ p P ˙
œ
and
high
P ˙
œ
and
high
up,
˙
the
sent
up
the
road
œ.
up
œ J
sent
U
was
up
sent
the
j œœ œœ .. œ œœ .. J
œ¯ œ J P P œ œ J
Œ. Œ.
I
had
œ
œ
œ
œ
œ
œ
œ
œ.
a
bird's - eye
I
had
?
∑
∑
∑
?
16
∑
˙
˙ Œ ˙ ∑
œ
Ó œ. œ
j œ 3 œ Fœ ˙ . œ œ
œ
œ
traf - fic,
P
F œ œ œ œ œ ˙. J
traf - fic,
P
traf - fic,
P
stop a - ny 3
to
stop a - ny 3
to
stop a - ny
to
stop a - ny
F œ œ œ Nœ œ ˙. J 3
traf - fic,
j œœ N œœ œ œœ œœ ˙˙ .. 3 j P œ œ œ œ œœ ˙˙ .. œ œ Nœ œ J œ 3
3
œ
œ
bird's - eye
œ
view.
˙. p
U
˙.
U U
∑
œ ∑
a
œ
œ p p U w
U
∑
œ˙ .
œ J
œ œ J
œ
‰ œ œj p < P
F j œ Nœ œ œ œ ˙.
to
view.
P j œ œ
Œ.
Ó
Ó
∑
∑
&˙ p ?w
road
∑
up,
˙˙
road
j œ œ.
∑
˙ ˙
road
j œ œ.
j j œ œ œ
Ó
Œ
the
j j # œœ œœ .. # œœ œœ œœ p wcresc. œ J œ # Jœ œJ œ
al niente
˙
j j œ œ œ
was
up
∑
16
Org.
œ
I
U
j œœ œœ
Œ
sent
cresc.
V
16
B
U ˙.
j œ œ.
pœ cresc. J œ # Jœ œJ œ
∑
œ
16
I
U
Œ
∑
was
j œ œ I was p j cresc. œ œ
∑
œœ ..
11
I
U
11
& œ ˙˙ .. œ ? Œ Ó
p
∑
P
? w
11
3
w p p cresc. j j j œ œ #œ œ œ
U
P
11
T
Next Morning
U
11
œ
j œ
˙˙ œ
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U
œ
˙˙ U ˙ U
∑
∑
Next Morning
4 20
Tpt.
∑
& & Œ.
20
S
& Œ.
20
A
V Œ.
20
T
?
20
B
Œ. & w pw ? Œ.
20
Org.
?
20
24
Tpt.
& & Œ.
24
S
p & #˙
24
A
post,
V Œ.
24
T
p ? ˙
24
B
p j œ œ.
I saw
p œ œ. J
?
24
œ J
the
œ man
j œ w
I saw
the
man,
œ
I saw
œ J
∑
j œ œ. œ œ. J
the
man
j œ œœ . œ wœ J œ.
w
P œ œ œ œ J
brought out
to
P j œ œ œ œ
brought out
to
j œ
the
j œ
the
j œ œ œ œ ‰ Ó œ œ œ œ J j œ ˙
j œ œ J
I saw
œ J
œ
the man
Ó p œ œ. J
I saw
the man
to
Ó
j œ œ œ œ
brought out
p j œ œ.
I saw
post,
œ.
to
œ J
I saw
œ. œ.
man
œ J
the
œ J
the
brought out
the
j œœ œ .
œ man
j #œ #œ
œœ œ . J
œ J
Ó
Œ.
P b˙
Œ.
post,
the
P j œ œ œ œ
j œ
brought out
œ
∑ Œ.
post,
w
b œ. J p p œ J
the
P ˙
p œ J
the
to
the
j œ œ œ œ j œ œ œ œ
j œ
Ó bœ œ J œ œ J
N œ b œ¯ J
œ œ J
Œ
Nœ bœ J
œ œ J
Œ
fi - ring
Œ. bœ œ J
fi - ring
P bœ œ. J squad,
I
œ. j bœ œ
j bœ
saw
œ œ J
P œ œ. J squad,
I
œ J œ J
j œ
j œ ˙
Œ.
∑ œ J œ J
j œ
to
œ.
j baccel. j ˙ œ œ œ œ œ œ œ. cresc. œ. œ œ œ œ œ J J j œ ˙
the
P j œ œ œ œ ∑
p œ œ. J
∑
j œ œ ˙. j œ œ
j #œ #œ
Ó
˙
accel.
∑ j œ œ
post,
∑
w
œ œ œ œ J
brought out
∑ Ó
Œ.
∑
p œ œ. J
˙ Œ.
∑
∑
j Œ. œ œ. & #w j Œ ‰ œ œ. ? w post,
24
Org.
pœ œ . J
Sw. closed diapason Ped. +16' Sw. to Ped.
w P
∑
∑
saw
bœ œ. J j œœ ˙œ . J
the
Œ œ J
the
j bœ œ J
gradually add brass & reeds
w
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Tpt.
S
A
man
T
V Ó ? œ
28
B
man 28
& bœ
Org.
? œ ? œ.
28
S
œ œ Nœ #œ nœ œ œ bœ ‰ œJ n œJ b œ Œ. J J J J J brought out to the post, the fi - ring squad the fi - ring squad P F œ œ œ œ Œ Œ ‰ œJ 45 œJ b œ Œ ‰ N œ N œJ # œ Œ J J J the fi - ring squad, the fi - ring squad F œ nœ bœ œ œ N œ b Jœ œ œ œ œ 5 bœ bœ œ œ œ . Œ ‰ J J J J J J 4 J brought out to the post, the fi - ring squad the fi - ring squad j j j j œj Œ ‰ j bœ bœ œœ œœ Œ b œœ n œœ b œ œ œ œ œ.Nœ Œ œ œ œ œ b œJ 45 b œ . œ J J J J j j œ b œ # œ œ œœ œ Ó œ œ b œ b œ œ n œ b œ œ œ œ œ œ 5 bœ œ œ œ ‰ J J J J J J J 4 J
4 4
j œ œ œ œ
march
Ó
in
& 44
f 4 V 4 #œ.
31
T
march
?4 4
31
B
F 5 bœ 4
the
fi - ring
F
-
to
∑
Nœ. F œ >œ J
#œ J >œ
po - si - tion,
f Nœ.
march
œ œ œ N œ # >œ J J J in - to po - si f œ. ∑
>œ
#œ J
in
- tion,
march
bœ J
in
œ œ J
Ó
œ œ J
Œ
Œ. F ‰ œJ
squad,
œ J Nœ
the
fi - ring
j bœ ˙.
45 œ .
œ œ œ J J
31
A
5 bœ œ 4 J
j bœ ˙
Molto agitato q = 130
4 &4 ˙ f f 31 œ. 4 &4 31
Tpt.
4 4
Œ.
& Ó
28
N œ. # œ n œ¯ J J F
Œ
28
& bœ
¯ 45 œJ b œ
‰ œJ. P bP œ J
5
44
Œ
& Ó
28
Next Morning
œ œ J
28
march
œ n œ b œ N >œ J J to
>œ
po - si - tion,
#œ.
Ó œ œ J
-
Ó
in
œ J
to
march
>œ
>œ
-
to
Ó
po - si - tion,
-
Ó
U w ˙ ~~~~~ Œ ˘œ f F ˘œ F U w >œ >œ Œ
œ J
po - si - tion,
> ˙
march,
œ œ œ J J
in
œ.
to
> œ #œ J
œ œœ J œ J
œœ œ
œœ ˙˙ .. J œ N œ # œœœ ... J
Œ
N œœœ ...
œ b œœ J œ J
œ œœ J œ J
44 44 44 44
march,
turn
ƒ ƒ
˘ FU Œ nœ nw
right,
ƒ
right,
ƒ
˘œ F U w Œ
ƒ
˘ FU >œ Œ œ #w
po - si - tion,
>˙
turn
turn
right,
turn
right,
fbU œœ b œœ N œœ n ˙˙˙ ww œ œ œ œ J œ ˙ œ w U N ˙˙˙ Sw. n b www œ N œ # ˙˙ b n œœœ œœœ # œœœ œœœ # œ . J J J Org. J p LH to brassy, harsh 31 Ch., p U ˙˙ ˙ w ?4 ˙ œœ œœ 4 ˙ ˙ ˙ f licensed˙for performance. Please visit˙ MusicSpoke.com to purchase performance copies. f This score is not œ b œœ J œ J
Molto agitato q = 130
œ. & 44 N œœ .. fœ . # ?4 4
31
44
flz.
œ œ J J œ
œ.
Ó
-
>œ
Œ
squad
j Nœ œ.
œ.
œ n œ¯ b œ¯ N >œ J J
œ œ J
Next Morning
6 36
Tpt.
∑
∑
&
p œ
& Ó.
36
S
V Ó.
36
T
up
stand.
œ and b pœ
œ
bœ
˙. ˙.
bw stand. P bU w
and
pœ
take
up
stand.
œ
˙.
P bU w
? Ó.
and
take
up
stand.
36
B
36
&
Org.
? ?
36
41
Tpt.
&
41
S
&
www w p
˙
T
œ
port
as
Œ
#œ
œ
heard
the
V ?
41
B
?
re
∑
& ˙ b˙ ?
41
#œ
they
œ J
œ J œ J ∑
∑
fired,
heard
#œ
-
œ
I
heard
the
∑ Œ
Œ
œ J
re -
f #marcato œ J I
∑ j Sw. 8' reed œœ b ˙ œ œ F dim. poco a poco J b˙ œ J
∑ ∑
∑
∑
∑
rit.
Œ
‰
Œ
Œ
F œ J I
heard
œ
j œ
#œ
œ
as
j œ
they
#œ
fired,
Œ
Œ
‰
Œ
Œ
F œ J
#œ
œ
#œ
œ
heard
the
œ J
port
as
œ J
marcato
#œ
#œ
∑
85
∑
al niente
œ J
F j #œ
U
œ J
marcato
∑
85 ˙˙ ˙ 85
bw
I
41
Org.
w
f #œ J
Presto q = 150
b bb www
˙
∑
p 58
U
œ J
& Œ
41
Ch. flutes
œ J
Œ
p 58
U
∑
58 # >˙ Í p 5 Œ 8
Presto q = 150
p 5 8
U
up
www
Ped. 8' only; Sw to Ped. off
41
A
take
∑
#œ
P
take
p
& Ó.
P U bw
˙.
œ
∑
and
36
A
U
the
œ
port
as
Œ
Œ
re
œ J
they
F #œ J I
j œ œ J
b˙ ˙ ∑
-
port
#œ
fired, marcato
re
j œ
˙
N˙
œ J ∑
-
œ
œ the
re
‰
I
they
j œ
rit.
N˙ ˙
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œ J
œ J ∑
-
Next Morning 45
Tpt.
45
S
∑
& &
œ
œ
port
as
45
A
œ
heard
the
re
Œ
‰
? #œ fired,
œ J
? ˙ ?
& 44
∑
& 44
Org.
∑
Œ.
saw the smoke
j œ œ
from
Andante q = 70
∑
? 4 Ó. 4
port
œ
œ
U
as
they
3 4 œ
Ó
4 4
œ
they
3 4 œ
U
as
j œ
Ó
4 4
Œ
‰
43
U
∑
44
43
U
44
fired.
Nœ p
Œ. œ œ J
fired.
˙ ˙
∑
U 43 b˙. U 43 ˙ .
j œ œ J
∑
43
I saw
the smoke
œ œ J
œ
Œ. j œ œ
from
j œ œ
œ œ
I
the smoke
saw
the
j œ œ
from
œ
∑ j Œ. œj j œœ œ œ œ
œ. œœ .
Ped. 8' diapason
44
Ó j œœ J œ ‰
j œ
smoke from
j œ œ
their ri
-
their
œ
fles,
∑ Œ.
j œ I
j œ œj œœ œ œ œœ œœ œ J J œ ˙ œ
? 4 Sw. 8' closed diapason 4 w w w w p This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. 49
U
j œ œ œ œ
their ri - fles,
their ri - fles,
∑
p legato j œ œ
p legato j œ œ œ œ I saw
44
∑
Œ.
Ó
44
∑
∑
p legato j œ œ œ œ
j œ œœ J
fired.
∑
∑
p legato j œ œ Nœ œ I
œ
44
∑
j œ
∑
∑
? 4 Œ. 4
-
they
˙ ˙
∑
49
Œ
j œ œ J
& 44
V 44
œ J
p
∑
∑
49
re
as
∑
49
œ
j œ
œ
port
Andante q = 70
49
B
‰
∑
49
T
-
Œ
U
43
∑
the
4 &4
49
A
œ
œ J
45
S
heard
j œ
& ˙
Tpt.
œ
I
45
Org.
fired,
p j œ
œ
V
œ
they
Œ
45
B
œ J
& Œ
45
T
∑
7
Next Morning
8 53
Tpt.
53
S
∑
& cresc. poco a poco
& œ
ri
I
V Œ.
j œ œ
cresc. poco a poco
j œ
I
cresc. poco a poco
saw
œ J
& œ
œ
œ.
Œ. ? œ.
smoke
the
?
j œ
& œ. p
œ
from
?œ
56
B
saw
& Œ. j ? œœadd 4' œ ?
56
w
I
saw
œ J
œ
their
ri
œ
œ
the
smoke
œ J
56
Org.
œ
œ
from
ri
-
Œ. ˙ œœ .
smoke
œ J
their
fles,
j œ j œ œ
smoke
j œ œ
j œ
œ
œ œ
saw
the
j œ œ
from
their
œ
œ J j œ
-
ri
œ
the
smoke
œ J
from
œ
œ œ J
œ
œ
œ
œ
ri
fles,
Ó
Œ.
˙œ œ J œ˙
j œ j œ œ œœ œ Ó ˙ œ˙ . Ó
-
fles,
œ J
œ
œ -
fles,
Ó
œ
Ó
ri
œ
the
œ
from
Œ œ J
their
œ
-
their
j œ œ
œ
œ J
œ
saw
fles,
from
Œ.
œ
œ.
I
œ
j œ œ
I
saw
œ œ
the
smoke
œ J I
œ
j œ
w
Fj œ
F œ œ J
& Œ. j V œ
j œ œ
the
j œ
œ. Œ.
&Ó
56
T
j œ œ œœ J
œ œ
œ
w
56
A
œ
their
w
56
S
œ J
from
j œœ œœ J J
56
Tpt.
smoke
œ
cresc. poco a poco
53
saw
œ œ
saw
œ œ
the
53
Org.
œ
I
cresc. poco a poco
? œ
53
B
fles,
Œ.
53
T
-
j œ
Œ.
Ó
& Ó
53
A
œ
∑
∑
œ
œ J
œ
-
fles,
œ œ J ˙. œ œ w
smoke
œ J
œ
œ J
œ J
œ
j œ œ
their
ri
from
œ ri
˙
œ
œ. œ
from
their
U
œ
w
-
fles.
œ
œ
j œ œ œ
œ œœ
f
F
f
F U ˙.
f
F˙ .
ri - fles.
œ
ri
F F U ˙.
ri - fles.
their
Œ
U ˙.
œ
-
u
fles.
U
œ ˙U. œœ P ˙˙ .. U
w
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f
Next Morning 59
Tpt.
S
A
T
59
P
59
P
59
P
&Œ &Œ VŒ ?Œ
59
B
œ
˙
œ
Œ
They turned
œ
˙
Œ
œ
œ
Pœ
˙
?
∑
8' only wpw ? 59
p b œ œ 4 &4 ‰ J
S
p j 4 ‰ &4 œ œ
The dead
˙.
b˙
man
The dead
p 4 ‰ V 4 b œj œ
œ.
man
63
T
The dead
p ? 4 ‰ œj œ 4
63
B
The dead
& 44 ˙ ?4 ˙ 4
63
Org.
man
œ.
man
3
3
a
j œ œ bœ œ œ bœ œ a
3 j œ œ œ œ œ bœ œ 3
was
ta - ken a - way on
a
j œ œ œ œ œ œ œ 3
was
3
ta - ken a - way on
˙ Ó
P Œ bœ
a
3 4
∑
4 4
3 4
∑
4 4
43
∑
44
43
∑
44
œœ ˙
∑
Œ
ä bœ ˙.
p
œ œ
P Œ bœ
ä bœ b˙.
p
œ
blan - ket
and
blan - ket
and
bu - ried.
bu - ried.
bu - ried.
w
p
˙ p
44 œ
3 4
∑
43
∑
43
∑
43
∑
3 4 43
∑
∑
∑
∑
∑
∑
∑
∑
Ó ∑ ˙ π to purchase performance copies. This score is not licensed for performance. Please visit MusicSpoke.com ˙
44
œ p
bœ and P Œ œ
Œ
44
œ
p
P
and
blan - ket
œ
44
ä bœ b˙. bu - ried. äœ ˙ .
blan - ket
bœ
∑
43 Ó
bœ bœ bœ
43
43 œ n œœ 43
bœ
3
ta - ken a - way on
Grave q = 60
?4 ˙ 4
63
œ.
π
∑
ta - ken a - way on 3
was
π
∑
œ bœ œ œ œ bœ œ J
was
π
b ˙˙
∑
bœ.
π
rit.
∑
63
A
Ó
off.
∑
4Grave q = 60 ∑ &4
63
b >˙
and marched
ww
Ó
off.
˙
63
Tpt.
>˙
˙
œ
Ó
off.
and marched
Œ
They turned
&
œ
Œ
They turned
∑
> b˙
and marched
˙
Ó
off.
˙
9
∑
>˙
˙
and marched
They turned
59
Org.
∑
∑
&
rit.
∑
3 4 3 4
Next Morning
10
& 43 ˙ . P
68
Tpt.
3 &4 Œ
68
S
3 &4 Œ
68
A
V 43 Œ
68
T
? 43 Œ
68
B
∑ p p p
3
œ
It 3
It
P bœ o P bœ o
˙
was
œ
3
œ
3
It
˙
was
It
˙
& 43 ? 43 ? 43
68
-
-
o
-
ver.
& Œ
72
S
& bœ it
œ
˙ p
did
72
A
& œ
ver.
b˙
Œ
˙
Œ
ver.
ver.
B
Org.
down,
œ.
came
‰
down,
∑
œ
seem
œ
seem
œ
œ
œ
bœ F ˙. > real, F
œ
not
seem
real,
˙
˙
P P P P
∑
∑
?
∑
∑
?
∑
∑
72
P ˙
came
∑
bœ
&
‰
∑
œ 4
œ.
4 Ó 4 44 Œ 44 Œ 44 Œ
œ
3
it
4 4
œ
did
not
bœ
seem
œ it
did
œ
not
œ
seem
bœ
œ
did
œ
not
œ
seem
œ
œ
œ
did
not
seem
3
it
3
4 4
œ
3
4 Œ bœ 4 44
3 4
˙ p
it
∑ ∑ ∑
œ
bœ b˙ p 34 b˙. > real, p 34 >œreal, b ˙ p 34 ˙ . > real, p 3 ˙. 4 > 43
real,
3 4 3 4
j œ
but
P b˙
∑
? œ
did
down,
∑
seem
it
came
‰
∑
not
72
˙
j œ
but
∑
not 4
œ.
P
∑
did
it
72
œ
down,
∑
V bœ
72
œ
I
came
‰
∑
not
did
j œ I p œ J I p œ J
œ.
∑
œ
4
p
Œ
P b˙
∑
>œreal, F b˙. > real, F b >˙ .
it
T
4
I
˙
72
Tpt.
j œ
Œ
b˙
œ
p
Œ
b˙
-
P œ o
was
68
Org.
˙
was
bœ
p
P œ
˙ p
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
∑ ∑ ∑
œ J
but
œ J
but
4 4 44 44 44 4 4 44 4 4 4 4
Next Morning
& 44 Ó
11
76
Tpt.
4 Œ 3 &4 bœ
b˙ p
76
S
4 &4 Œ
76
A
V 44 Œ
76
T
? 44 Œ
76
B
it
it 3
œ
œ bœ
did
œ
did
œ
? 44 ? 44
76
Tpt.
& 44
S
& 44
80
A
T
π w π
morendo
π ?4 4 bw
Org.
?4 4 ?4 4
80
œ
seem
not
real,
œ
seem
dim. poco a poco
œ
not
bœ
bœ
seem
œ it
Œ
˙.
œ it
bw
real,
Œ bœ
bw
Œ bœ
3
it 3
real,
œ
œ
did
it
3 4
Œ
not
œ
3 4
Œ
3
œ
N˙
Œ
4 4
Œ
4 4
seem
˙
did
not
œ
œ
Œ
43 b ˙
Œ
44
œ bœ
Œ
43 b ˙
Œ
44
did
seem
not
did
not
∑
∑
∑
∑
∑
∑
∑
∑
∑ ‰ bœ
j œ w
j bœ. œ
lontano
w
(slowly change to "ll" sound)
morendo
w
(slowly change to "ll" sound)
w
(slowly change to "ll" sound)
(ee) morendo
(ee) morendo
real.
& 44
real,
w
real.
80
80
seem
(ee)
real.
B
œ
‰ bœ p
real.
w π 4 V4 w
80
bw
3
44
∑
seem
seem
43 43
44
∑
43 œ.
44
∑
44
∑
U j bœ œ œ J ‰ P al niente
if possible, walk out as you play this phrase, and play the final note from outside or an adjoining room
4 &4 Ó
80
œ
dim. poco a poco
did
& 44
80
œ
not
œ
76
Org.
not
did
3
it
Œ
dim. poco a poco
it
œ
b˙.
dim. poco a poco
3
bœ
bœ
43
∑
w
U
al niente
w
(slowly change to "mm")
U
al niente
U
al niente
w
(slowly change to "mm")
w
(slowly change to "mm")
w
(ee)
j œ
(slowly change to "ll" sound)
∑
∑
∑
∑
∑
∑
∑
∑
∑
w w
U
w
al niente
(slowly change to "mm")
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
U
∑
U
∑
U
∑