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Eloi, Eloi | Jessica French | MusicSpoke

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Jessica French

Eloi, Eloi for SATB Chorus, divisi

The French Press jessicafrench.net

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Eloi, Eloi

901

Commissioned for the St. James Cathedral Choir by Glenda Voller

Mark 15:33-35, 37-39 New Jerusalem Bible

Jessica French

Adagio desolato 

   

Soprano Solo

   

Tenor Solo

   

Soprano

      

Bass

    

Tenor

    

Alto

Ah

4 S

A

T

B



    

  

3

 

  

  3    

there was dark - ness o - ver the When the sixth hour came 3 3   3                When the sixth hour came

there was dark - ness o - ver the

      

stagger breathing

n.b.*

whole land un - til the ninth hour.

                n.b.*

whole land un - til the ninth



* no breath

     

    3

port.

port.

 3       

And at the ninth hour

Ah

port.

         port.

Ah

 

Je

 

*no breath

© 2019 by The French This score is not licensed for performance. Please visit MusicSpoke.com toPress purchase performance copies.

-

Je - sus

sus


Eloi, Eloi

2

    

9 S

cried out

A

T

B





S2

A

cried

He

cried

out,

 

 

* see pronunciation note below staff

     

   

cried

       

-

lo - i

“E

-

lo - i

             

lo - i



     

-

         

-

       

lo - i

e

-

lo - i,

       e

-

lo - i,

e

-

lo - i,

e

-

lo - i,

      

    “E - lo - i,

 

 

cried

  

  

in

Je - sus

Je - sus cried in

out

a

    

a loud voice,

   

in a loud voice,

out

   



 3    

He cried

“E

     

   

   

out



cried

  



         

Ah

“E

B

out

     

out,

 

“E

T

cried

   

14 S1

        

   out

  

 

in a loud voice,

   

loud



 

la - ma,

e

-

lo - i,

la - ma,

sa - bach - tha - ni?”

e

-

lo - i,

la - ma,

sa - bach - tha - ni?”

e

-

lo - i,

la - ma,

sa - bach - tha - ni?”

  

 

       

e - lo - i,



  

la - ma,

 

lo - i,

  

 3    

-

   

voice,

e

      

sa - bach - tha - ni?”

 

  

 

  

  

  

sa - bach - tha - ni?”

*Pronounced eh-lo-HEE luh-MAH shuh-vakh-TAH-nee

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Eloi, Eloi

        

18 S1

“E

S2

A

  

B2

   

S2

A

B2

“My God, my

-

lo - i,

-

lo - i”

  

which

           -

  

 

  

“E - lo - i”

“E - lo - i”

 

 

which means,

  me?”

why have you for - sak

-

en

me?”

  

-

   

have

 

sak

-



-

-

 

en

 

en

   3  for - sak - en

you

-

 

-

 

-

 

en



 

God,

God,

   

God,

why have you for -

      my

  

“My God,

my

“My God,

  

 

a tempo ()



me?”

 

me?”

 

 

he is call - ing on

Ah

for -

3       

They said, “Lis - ten,

me?”

3 

  

why

why have you

for -

God,

me?”

 

God,

my

“My

     

which means,

en

-

means,



  

 

God,

my

“My God, my God,

  

-

-

lo - i” “My God, my

 



      

“My God, my God,

why have you for - sak

    

3

e

lo - i,

-

e



     

         

 

lo - i” i,

      

God,

          

sak

B1

-

rall.

sak

T

e

      

   

22 S1

      

3

         “E

B1

lo - i,

           “E

T

-

3

Ah

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E -


Eloi, Eloi

4



 

 

25 T Solo

S

A

   

B2

   

 

    

               on E

-

li - jah.”

             on E

-

li - jah.”

                on E

B

“E - lo - i,

my

   



-

li - jah.”

              on E

call - ing on E - li - jah,

call - ing



call - ing on E - li - jah,

         

 

 3 3                              “Lis - ten, he is call - ing call - ing call - ing on E - li - jah,                          “Lis - ten,

  

God,

T

call - ing

 3     3            

he

29

A

he is call - ing

he is call - ing on E - li - jah.” he is call - ing

      

B1

S

3        3              

“Lis - ten,

li - jah.”

T Solo

  3   3 3   3                                   “Lis - ten,

T

 3     

-

li - jah.”

he is call - ing

is

call - ing

 3        

“E - lo - i,

     

e - lo - i,

call - ing

on

call - ing

E - li - jah,

   

call - ing on E - li - jah,

         

   

la - ma,

la - ma,

     Why have you for - sak

-

   en

me?

sa - bach -

  

for - sak - en

   

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But


Eloi, Eloi Andante appassionato (poco piu moso)

      

33 T Solo

S1

S2

A

   

tha - ni?”

    

B



              

      cry,

T

cry,

B

Je - sus

But

            

Je - sus gave a

cry,

a

loud

gave

a

loud

cry,

 

   

But

Je - sus

 a



loud

and

breathed,

 

a loud

cry,

and

gave

  

breathed,

   

and

cry,

 

 

breathed,

 cry,

a

a



his

 

his

    

his

and

loud

loud

loud

loud

       

loud

 



loud

        

 

cry,

 

loud

a loud

cry, a

cry,

and

 



loud

loud

cry, a

  

        cry,

loud

a

cry,

       

loud

    loud

                

cry,

      



loud

gave a

  

loud

Je - sus gave a

Je - sus gave a

cry,

A

      

       

cry,

S2

        

38 S1

 

   

Je - sus gave a

me?”

T

5

loud

 

 

last.

 



last.

last.

breathed,



breathed,

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and

 


Eloi, Eloi

6 rall.

  

42 S

A

T

B

 

breathed,

breathed,



  

his

   

   

 

breathed

  

and

last,



breathed

breathed,

47 Solo S

S1



S2

A

“Je

B

Je

  

su,

           “Je

T

su,

          -

   

-

-

Je

  

-

su,

Je

-

     su,

Je

-

su,

 

     

su,

Je

  

su,

      

           “Je

 



 

 

 

his

last.

morendo

 



    “My

           -

 

breathed

Adagio lamentoso 

“Je

breathed

 



and

Je



“Je - su,

-

-

-

Je

      

  

-

su,

 

su,

Je

Je

-

-

my



  

su,



su,

God,

  

my

     

God,

  3            

su,

su,

my

God,



God,



my

God,



my

Je

-

 

  my

 3    

su,

      

“My God, my

       Je

Je

 

-

-

su,

su,

God,

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 

“My


Eloi, Eloi

  

52 Solo S

  

God,

S1

      Je

S2

  

A

      Je

T

      Je

B

   

  

-

su,

Solo S

S



 

-

A2

T

B1

my

God,

B2

    





     

 

God

has died.

God

has died.



 

     3

the Son

Son

of

of

   

God

  

  

my

God,

   

my

   

   

   

  

God,

my

            

   

  

Drammatico e gioioso ()

  

   

my

   

    

   

my

God,

God,

my





 

  

God,

my

God,

me?

God,

of

 

  

molto rall.

my

my

has died.

Son

the

God,

   

God

the

God,

my God,

of

my God,

has died.

Son

God,

 

God

the

 

  

of

God,

 

en

my God,

Son

the

  

 

-

   

 

God,

    

 

my

          

 

  

su, my God,

why have you for - sak

A1

my

3       

God,

55

 

    

my God,



God,

God,

su,

   

my

  

-

 

7



God,

         E - lo - i,        

Je - su,





Je - su,



has died.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

  


Eloi, Eloi

8

    

59 S

A1



        E

A2

T

B

And the

 



-

lo - i,

 

Je - su,

S2

T2

     

Je

 

Je

B

  

lo - i,



veil

torn

in two

-

lo - i,





              3

of the Sanc - tu - ar - y was

torn

in two

   

to bot - tom.

  

-

lo - i,





Je - su,

 n.b.

 3     

top

E

Je - su,

3

 

from

Je - su,

       E

n.b.

Je - su

 

from

top

  

     3

to bot - tom.

molto rall.

Ah

Je

T1

   

Je - su,

E

A2

-

    

Je - su,

Ah

A1

E



And the

S1

  

of the Sanc - tu - ar - y was

Je - su,

 63

veil

3       3        

 

-

-

-

  

-

lo - i,

su,

su,

           Ah 

Ah

su,

         from top

 Ah

from top

    

  

  

to

bot - tom

to

  

 

            

Ah

 

 

bot - tom

 

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 

 

 


Eloi, Eloi

S1

S2

A

T

B1

B2

Adagio lamentoso ()

 

 3         

 

66

A

T

B

        3

The cen - tu - ri - on

The cen - tu - ri - on

  

died,

 

He had

died,

 



 3        had seen how

He had

The cen - tu - ri - on

                 and he

said,

        and he

said,

       and he

and he

had

 3        The cen - tu - ri - on



He had

 3       





The cen - tu - ri - on

   

 

had seen how

 

     

Teneramente (= 65)

     

“In truth

“In truth

  

this man

 



had died,



    



had



seen

 

had

died,

how He



had



  

      

the Son of God, in

 

how He

         

    

  

in truth



truth

died,

  

 

this man

was the

this man

was the

     

      

      in

seen how He had died,

seen

died,

had died,

this man was the Son of God,

  

had

     

had

   

   

died,

said,

said,

  

rall.

had seen how

 3         

70 S

The cen - tu - ri - on

9

truth this

in truth

man

was the

this man

was the

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  

 


Eloi, Eloi

10

75 Solo S

S

A

T

B

S1

Son

of God,

  Son

of

God,

Son

of

God,

 

   

truth

    

in truth

 

  

Son

God,

in

truth

of

E - lo - i,

 

was the

of

God,

was

    

Son

of

this

was

Son

of

God,

Son

of

  

this

man

    

man

 

this man

was the

 

  

   

  

     

       

  

   



my

God,

  

  

          

     

man was the Son

the Son

  

the Son

the

the









Son

in





this

  

truth

   

this

 God.”

  

this

   

God.”

            

e - lo - i,

  

the

 

E - lo - i,



truth

God,

of

of

truth

      

this

     

  

 

  

truth

     

Son

in

God,



God,

     

 

my

Son

this man



man was the Son

B

God,

man was the Son

T

3         

       

man was the Son

A

my

  

in truth

man was the Son

S2

“E - lo - i,

       

 

79 Solo S

 3      

Son

   

        E - lo - i, the

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Eloi, Eloi

11

              molto rall.

  



  

      

85 Solo S

S1

S2

A1

A2

was

“In

“In

      

 

man was the

this

man was the

Son

      

this

    

Son

     

   

was the

the

was the

Son

    the

  

     

Son

the

Son

the

Son

Son

 

               

 

 

was

the

Son

God,

       Son

this

man was the

     this

man

     this

man

Son

 

was

the

of God,

  

 

Son



my God.”

 

 

  

God.”

  

of

  

My God,

of

Son

            

Son

B2

man

truth this man

      

of

B1

truth this

      

  

T

God.”

  

of



of

God,

God,

       



of God,

  of

  of

 

God,

my

God.”

   God.”

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 

of God,


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