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Dawn in the room (alto and guitar) | David Solomons | MusicSpoke

Page 1

Poem by EM Solomons

     

Adagio Moderato

1

Alto

Dawn in the Room  80

          

1

Guitar

   

 

7

       

7

14



  

face,

I

        

14

21



 

 21            



       

                     

pale gold

light

knowthat you are here.

       

   

   

Dis - pels

              

28

hits the

       

creeps in to my

          3

        

mir - ror

and



reachesmy lone - ly



    

    

bed.

 

 

the grey - mist which lin - gers

   

     

   

                  

si - lent room

touch - ing my

 on

 

-

1

a tempo

       

grey; a tempo





                3 4

    

  

 

  

the win-dow pane;

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. © David W. Solomons 1995/2008

     

 poco rall.                 Soft-ly con-tours form as the co-lours take the place of   poco rall.              

     

   



     

       

    



 

    

trans - lu - cent gold

28



    

The

Music by D.W. Solomons

dee -

 


Dawn in the Room

34



     pens the i - mage,  34        

40





     and I

  

here



46

53

But

   

  

of

         

a tempo          

 

  

with

  

     

I

    

  

mage fades

but

  

       

                     

in

60



Your

i

 

-

and

      

  

poco rall.

 I

lan - guish poco rall.

      



says

   

  

  

    

"I

of youand

have not

   

    

you

are still

   

you are here, be - side and with -

      

     



 

in

me.

(sempre f.)

here

   

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. 2

  

  

               

think

hair once shone.

    

love,

    

while your fond me-mo-ry re - mains."

 

  

com-fort,

60

  

  

           

  

  

my for-mer self,

     

  

   

     



then your dear voice calls

 53        left,

  

 a tempo          

  

 

Pale blond light where your

Lone-ly sha-dow

 

you.

      

            

   

40

46

see



   


Dawn in the Room

     

       

67

You

     

must, you mustcome back,

67

74

   



if

    



  

on - ly

at

dawn.

     

  



See through

74

80

                 

    

you are here once more

      

     

Your ghos - tly

          

   

80

  

pre - sence fills

   

   

      mind once more to be as one.      86                       



   

      

is your

the

       

        

of

gold



       

heart.

so



Search - ing my

  

     

close

 

 

bo - dy

       

       

tears

poor



to my

  own.

  

    

molto rall.



  

 molto rall.                                                      

In this 93



     

Here

my

     

86

93

     

 



             

    

  







spec

-

tral

world

we

share

our

thoughts!

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. 3


Dawn in the Room

  atempo    

99

quiet

My soul now

at



last,

my

  a tempo                         

   

       

       

106

113



     



  

  

a tempo

113

 

    poco rall.

      

 

     

  

might

      

face

a

 -

no

-

ther

day.

 

   

 



       

       

  

  



This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. 4

 





 

 

  

     



molto rall.

 





119

119

  

 



a tempo



     

I gol - den glow brings me peace and poco rall.

The

  

poco rall.



hold.

     

    

 

yearn - ings on

99

106

   

    


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