Stabat Mater for SATB choir, keyboard, and cello
Sulpitia Cesis (1577 - after 1609) edited by Meredith Bowen
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Notes
Sulpitia Lodovica Cesis (1577 – after 1619) was a nun at the Augustinian convent of San Geminiano in Modena, Italy. Like many young women from wealthy families in the 17th century, she professed her vows of poverty, chastity, and obedience at age 16 then lived her entire life behind the walls and iron grates of her convent. Cesis was mentioned in a traveler’s account from 1596: “The nuns there are versed in all sorts of musical instruments...[including] Sister Sulpitia, daughter of the most illustrious Signor Count Cesis, who played the lute excellently... they performed a motet of hers which was highly praised.” She published one volume of music in 1619 entitled Motteti spirituali. This volume contains twenty-three motets for 2-12 voices including parts for tenors and/or basses. The “Stabat Mater” is a 13th-century Latin hymn about Mary’s pain at the foot of her Son’s cross, sung during the fifth week of Lent. The performance would have taken place in a divided chapel with the nuns singing and playing behind a wall or iron grate to obscure their faces from the public. Originally scored for soprano, alto, tenor, and bass voices in part books, this edition provides all four parts combined in modernized notation. All tempos, dynamics, and breath marks are editorial. The organ and cello parts are optional, but can be played colla parte, per early-modern performance practice.
Text and Translation
Stabat Mater dolorosa iuxta crucem lacrimosa dum pendebat Filius. Cuius animam gementem constriantem, et dolentem pertransivit gladius. O quam tristis et afflicta fuit illa benedicta Mater unigeniti. Quis est homo qui non fleret Christi Matrem si videret in tanto supplicio?
The sorrowful mother stood weeping beside the cross while her son was hanging there. Her grieving soul sad and dolorous was pierced through as by a sword. O how sad and afflicted was that blessed mother of an only son. Who is the man who would not weep if he saw the mother of Christ in such distress?
Sancta Mater istus agas Crucifixi fige plagas cordi meo valide. Tui nati vulnerati iam dignato pro me pati paenas mecum divide. Fac me plagis vulnerati cruce hac inebriari ob amorem filii. Quando corpus morietur fac ut anime donetur Paradisi gloria.
Holy Mother, hear me, and inflict the wounds of the cross deeply in my heart. Your son, covered with wounds, desired to suffer for me; may I share his pains. May his wounds hurt me, may I become intoxicated from the cross, for the love of your son. When my body dies may my soul be granted heavenly glory.
An SSA performance of this piece was recorded by mirabai and can be heard here: https://youtu.be/6dH079UXABQ
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
Stabat Mater Sulpitia Cesis (1577 - after 1619) Edited by Meredith Bowen
Tempo I h = ca. 72
SOPRANO
° C mf & w
w
˙
˙
w ˙
w
w
˙ Sta mf
&C w
ALTO
bat
-
Ma
-
ter
do - lo
ro
-
-
-
w
˙
#w
˙
˙
˙
˙
œ œœ˙
œ œ Sta mf
-
˙
w &C ‹ Sta
TENOR
-
bat
Ma
˙
w
-
ter
do - lo
ro
-
-
-
˙ ˙
w ˙
˙ w
-
bat
Ma
w #˙
ter
-
do
-
-
lo
ro
-
-
mf
?C w
˙
˙
w
˙ w w
BASS
¢ Sta
bat
-
Ma
-
ter
do
-
-
lo
˙˙ ˙ ˙
˙˙ ˙
-
ro
-
Tempo I h = ca. 72
˙˙ ˙
w &C w w
˙˙
w w w
w #w ˙
˙˙ ˙ w
˙ Organ (optional)
mf
˙
?C w
#˙
w
˙œ œ
œ œœ˙ w w
w
{ Tempo II h = ca. 132
Tempo I h = ca. 72
8
, ° & #w
3 2 #w
- sa,
iux
& w
3 2w
sa,
iux
& w ‹ sa,
3 2w iux
-
-
-
˙
w ta
cru
#˙
w
ta
cru
˙
w
ta
cru
˙ ? w
3 2w
-
-
-
˙ w cem
la
˙
w
cem
la
˙ w cem
la
w
w™ #˙ -
cri
-
cri
-
cri
C ˙
mo
sa,
-
w™
˙ -
sa,
-
w™
˙ -
mo
C #˙
-
mo
C ˙ sa,
-
w w™
˙
C ˙
˙
¢ - sa,
iux
& w #w w ? w
3 2 #w w w 3 2w
-
ta
cru
-
cem
la
-
cri
-
mo
Tempo II h = ca. 132
{
sa,
-
p
˙ dum
,p ˙ ,dum p ˙ dum
,p ˙ dum
Tempo I h = ca. 72
C #˙˙ ˙
nw w w w
˙˙˙
w w w w
# ˙˙ ˙
w ™ w w ™™ w™
˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
# ˙˙˙
˙˙ ˙ p
C ˙
˙
2 14
, ° <#>˙ &
˙™
nœ
˙
˙ -
de
-
-
w
w
œ œ ˙
pen
#w
˙ bat
-
Fi
-
li
us.
-
,
, & ˙
˙
˙™
˙
˙
˙
w
œ
w
#˙
#˙ ˙ pen -
˙
de
-
bat
Fi
˙
˙™
˙
li - us,
-
Fi
li
-
-
us.
,
,˙
w
w
w
œ ˙
˙ & ‹ pen
-
de - bat
Fi
li - us,
-
Fi
-
li
us.
-
, ? ˙
˙™
œ
w ˙
¢
pen
& ˙˙ <#> ˙ ? ˙
-
˙˙ ˙ ˙
w
w Fi
-
˙˙ ˙
˙˙ ˙
de
-
bat
˙ ˙ w
#˙˙
˙˙ ˙
˙˙ ˙
w li - us.
w w˙ #˙ ˙™
{
w
#w w w
w w w
w
w
œ
w w
21
° pw & Cu
˙
˙ ˙
-
-
ius
a
˙
˙
˙
w ˙
˙
˙
˙
˙ -
ni
˙ -
mam
ge
-
men
-
tem
con
-
tri
#˙
˙
˙
˙
tem
con
-
tri
-
p
& w
˙ ˙
w
˙ ˙ Cu
-
-
ius
a
-
ni
-
mam
ge
-
men
-
˙™
œ #œ œ ˙
men
-
p
˙ & w ‹ Cu
˙ ˙
˙
-
˙ ˙
˙ ˙
-
-
ius
a
˙
˙
-
ni
-
mam
ge
˙
˙
mam
ge
˙ ˙
˙˙ ˙
˙
˙
-
-
-
tem,
con -
p
˙
? w
w
˙
˙ ˙
˙
˙
con
-
tri
˙˙˙
˙˙ ˙
¢ Cu
w & nw w
-
-
˙˙ ˙
ius
a
˙˙
˙˙
˙
˙
-
ni
˙˙ ˙
-
-
men
w ˙™
-
tem
œ #˙œ œ #˙˙˙
p
? w
˙ ˙
w
˙ ˙
{
˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
˙
-
3 28
, ° ˙ & stan
w -
˙ ˙
w
˙
˙
#˙
tem,
et
do
˙
#w -
len
-
tem,
per mf
tran
-
˙
si
-
-
vit
, ˙
w & ˙
˙ ˙
˙
˙
n˙ ˙
w w
stan
-
tem,
œ ˙
et
do
œ , ˙
˙
-
len
-
tem,
per
w
w
tran
-
si
-
-
vit
˙
˙
˙
˙
˙ ˙
& ‹ tri - stan
-
tem,
b˙
et
do
, ˙
˙
-
len
-
per mf
tem,
tran
si
-
-
vit
bw w ˙
w
? ˙
˙ ˙
˙ ¢ stan
-
tem,
et
do
˙ ˙ œ b˙
˙˙ ˙ ˙
& n˙˙˙
len
-
tem,
#˙˙ ˙
w ˙
˙
#w w w
bw ˙
-
per mf
tran
-
nw w w
si
-
˙˙ ˙
˙˙˙
-
vit
˙˙˙
˙˙ ˙
mf
w
˙
? ˙
˙
w
˙ ˙
{ 35
p
, ° w & gla
w -
di
˙
-
-
us.
#w
˙ di
-
˙
-
˙ di
-
us.
O p
w
˙
O
quam
tri
-
˙
˙
˙ #˙
quam
tri
˙
˙
w
quam
tri
˙ w quam
tri
-
-
stis
w
us.
O p
, w ˙
? w
˙
w , w
& w ‹ gla
w ∑ ,p w
& w gla
w
#w
-
˙
˙ w
w
¢ gla
di
-
& w w
#w ˙
˙
? w
˙
˙
{
-
us.
O
w #w w
w w w
w
w
nw w p w
w ˙w ˙
-
w ˙ #˙ ˙ ˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
w
-
4 42
° ˙ #˙ &
˙
stis
et
& w
w ˙
˙
af
-
˙
˙
ta
fu
-
#˙
˙
˙
-
ta
fu
-
˙ #˙
˙
˙
˙
-
ta
fu
-
˙
˙
˙
flic
-
it
il - la
˙
˙™
˙
be - ne
œ
dic
-
˙
˙
˙
la
be - ne -
-
˙™ ˙
et
˙
˙
˙ ˙
et
af
˙
˙
w -
flic
˙
œ nœ ˙
it
il
-
˙
˙
-
˙ ˙ ˙ & ‹ stis
et
? w
˙ af - flic
-
˙
it
il - la
be - ne
˙ ˙
˙ ˙ dic
-
œ w
˙
w
-
˙™ ˙ ˙
¢ stis
et
af
& ˙˙ #˙˙ ? w
˙˙ ˙
˙˙ ˙
-
-
ta
fu
-
it
w ˙ #˙
#˙˙˙
˙˙˙
˙˙˙
˙˙ ˙
˙
˙
˙
flic
il - la
˙˙ ˙
n˙˙˙
be -
˙˙˙
˙˙˙
˙
ne - dic
-
˙˙ ˙ œ w
˙˙
˙™
w
˙ ˙
{
Tempo II h = ca. 132 50
, ° ˙ &
˙
˙
˙ ˙ ˙
˙
˙™
œ #w
-
ni - ti.
w
˙ -
ta
Ma - ter
u - ni
-
ge
-
, & ˙
˙
˙
˙
w
#˙
˙ #˙
[mf] 3w 2
˙
Quis
est
[mf]
w
3 2w
ti.
Quis
est
˙
w
w
, [mf] 3w 2 Quis
est
w
˙
˙ dic - ta
Ma - ter
u
ni
-
- ge
-
ni
-
˙ #˙
˙
˙
n˙
˙ w
˙
˙
-
ni
˙
˙
& ‹ ta -
Ma
-
ter
u - ni
-
ge
-
-
ti.
, w 3 2
˙ ? ˙ ¢ - ta
˙ ˙
˙
w ˙
w Ma
-
ter
u - ni
-
ge
-
-
ni
-
˙
w
ti.
Quis
est
Tempo II h = ca. 132 [mf]
& #˙˙˙
˙˙ ˙
˙˙ ˙
? ˙
˙
˙
{
˙˙ ˙ ˙
n˙˙˙
˙˙ ˙
#˙˙w w
˙
˙
˙
˙˙ #˙˙ ˙
#w w w
w w w
w
w
˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
3 2 nw w w 3w 2
˙˙ ˙ ˙
5
Tempo I h = ca. 72 58
° ˙ &
˙ ˙
ho - mo
& ˙
˙
˙
qui
non
fle
Chri
Cw
w
˙
˙
œ œ œ œ
˙
Ó
ret
-
˙ #˙
Cw
w ˙
sti
-
Ma - trem
˙
si
œ œ œ œ
˙
˙
#w
˙
˙ ho - mo
˙
qui
non
˙
˙
fle
˙
ret
-
Chri
Cw
w
-
sti
-
Ma - trem
si
w ˙ w
˙
˙
& ‹
˙ ho - mo
qui
? ˙
non
fle
ret
-
Chri
sti
-
Ma - trem
˙
si
vi
-
˙ w
˙
w
˙
˙
w
Cw
w
¢ ho - mo
qui
non
fle
ret
-
Chri
-
-
sti
Ma
#˙˙ ˙ ˙
w nw w
trem
-
Tempo I h = ca. 72
& ˙˙ ˙ ? ˙
˙˙ ˙ ˙
˙˙ ˙ ˙
w w w w
˙˙ ˙ ˙
{
Cw w w
#w w w
˙˙˙
Cw
w
˙
œœ œœ œ œ œ œ
w w
65
˙ ° & ˙
˙ w
˙ ˙
w
˙ ˙
∑ w ˙ vi
-
de
ret
-
in
tan
-
to
sup -
pli
-
, ˙ & ˙
˙ ˙
˙
w ˙
˙
˙
˙
˙
w ˙ ˙
vi
de - ret
-
in
tan
˙
˙
ret
in
tan
w
w
-
to
sup
- pli - ci
-
o,
sup - li -
, & œ œ ˙ ‹ de -
˙ w
˙
˙
œ œ ˙
˙ ˙
˙
w -
-
-
to
sup -
pli
-
-
ci
-
o,
sup -
, ˙ ? ˙ ¢
˙
si
vi
& œ˙˙ œ ˙˙˙
˙
w -
de
-
˙w ˙
? ˙
{
˙
w
˙
ret
w w
˙˙˙
w
w
˙ ˙
in
tan
˙ ˙ ˙
˙ w
to
sup
˙˙
˙˙˙
˙˙ ˙
˙˙ ˙
˙
˙ ˙ w
-
-
w
pli
-
˙˙ ˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
-
˙˙ ˙ w
˙˙
6
I h = ca. 72 " Tempo mp ˙ ˙ nw
rit. 73
° & ˙™
U w
œ #w
w w
w
˙ ˙ ci - o?
-
Sanc
ta
-
Ma
ter
-
is - tud
a
-
" mp
U w
w
& ˙ #˙
w
w
˙
#w ˙
ci
-
o?
Sanc mp
-
œ œ ˙
˙
ta
Ma
˙
w
ter
-
˙
is - tud
a
-
w
˙
˙
" ˙
˙
U w
w
w
˙
˙ ˙
& ‹ pli - ci
-
Sanc mp
o?
" w
U w
w
ta
Ma
˙ #˙
w
-
ter
-
is
-
tud
-
˙
w
˙
? w
w
¢ - ci
o?
-
Sanc
ta
-
Ma
ter
-
is
-
tud
˙˙ ˙
˙œ œ ˙˙˙
˙˙
w
˙
˙
-
Tempo I h = ca. 72
rit.
" U w w w
w & ˙ ™ #˙˙ œ #w w
˙˙ ˙
nw w w
˙˙
w w w
w #˙w ˙
" mp w
U w
w
˙ #˙
w
? w
w
{ Tempo II h = ca. 132
Tempo I h = ca. 72
82
, ° & w -
-
#w
3 2 #w >
gas
Cru
> w ˙ > -
ci
-
fi
-
>˙
> w
xi
fi
>˙
w >
xi
fi
>˙
> w
xi
fi
#>˙ -
ge
w- ™ pla
C #˙
˙
gas
cor
C ˙
˙
-
˙
˙ di
, & œ œœ˙ -
-
w
3 2w >
gas
Cru
w >
#>˙ -
ci
-
fi
-
>˙ -
ge
w™ pla
˙ ˙
gas
cor
di
me -
C ˙
˙
˙
˙
gas
cor
C ˙
˙
gas
cor
-
, & w ‹ a
-
? w
w
3 > 2w
gas
Cru
w
, > 3 2w
>˙ -
ci
> w -
>˙
fi
-
> w
-
gas
Cru
-
> w
ge
>˙
˙ >
¢ a
>˙
-
ci
-
fi
-
xi
fi
-
ge
w- ™ pla
w- ™ pla
Tempo II h = ca. 132
& œ œ ˙ w œ ? w
{
w #w w w
3 2 #w w w 3 2w
-
-
di
˙ ˙ di
Tempo I h = ca. 72
C #˙˙ ˙
nw w w w
˙˙˙ ˙
w w w w
# ˙˙ ˙
w ™ w w ™™ w™
# ˙˙˙
˙˙ ˙
˙˙ ˙
C ˙
˙
˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
˙˙ ˙ ˙
7 90
, mp w
° ˙™ & me
nœ œ œ ˙ -
-
-
& ˙ ‹ me
o
va
˙
˙™
#w
˙ ˙
o
˙ va
-
˙ li - de,
li
-
˙ #˙
œ ˙ -
˙
w
w -
˙™
& ˙ #˙
˙ ˙
de.
Tu
w
, mp w
w
i
-
na - ti
˙ ˙ ˙ ˙
va
-
li
˙
w
de.
-
Tu
w
, mp w
w
œ ˙
i
-
na - ti
˙ ˙ ˙ ˙
- o
va
li - de,
-
va
-
li
de.
-
Tu mp
-
, w
i
na - ti
˙
˙
i
na - ti
˙˙
˙˙
˙ ˙
? ¢ w
˙™
œ
w
w
w
me
o
-
& ˙ #˙˙ ˙ ? w
˙˙ ˙
va
˙˙ ˙
˙˙ ˙
-
Tu
li - de.
-
˙˙ ˙
w
#w w w
w w˙ #˙
w w w
-
˙˙ ˙
nw w w
˙˙ ˙
mp
w
˙
˙ ˙
˙™
{
œ w
w w
˙ w
99
° ˙ &
w ˙
˙
˙
˙
˙
˙
˙ #˙
w #w
˙
vul - ne
-
ra
-
ti
iam
di
-
gna
-
ti
pro
me
pa
˙ w me
pa
-
ti
˙ & ˙
˙
w
vul - ne
-
- ne
ra
-
-
ra
˙
ti
˙
˙
iam
œ #œ œ ˙
˙™
˙ & ˙ ‹ vul
˙ #˙
n˙ di
-
gna
-
ti
˙
-
w ˙
-
ti
œ ˙
iam
di - gna
me
pa
˙
bw
me
pa
˙ #˙ ˙ ˙ œ ˙˙ ˙˙ b˙ ˙ ˙
w ˙ bw
-
ti
pro
b˙ ˙
-
ti
w
˙ ˙
˙
˙
ti
iam
˙
˙
vul - ne
& ˙˙
˙˙ ˙
? ˙
˙
{
ti
˙
w ? ˙ ¢
-
˙ œ ˙ ˙
-
pro
w
-
ra
w ˙™ w
-
œ #˙œ œ #˙˙˙
di
˙˙˙
˙˙ ˙ ˙
-
gna
n˙˙˙
-
ti
pro
˙ ˙
˙
˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
-
˙
ti
#w w w w
8 107
, ° w &
p
˙ ˙ ˙
˙
w
w
w
w
#w
pae
nas
-
me - cum
di
∑
vi
-
de.
-
Fac
, p
& w
˙
˙ ˙ ˙ #w
w pae
nas
-
w
me - cum
di
˙
w
˙
˙
Fac
me
pla -
w
˙ vi
-
-
de.
, pw
˙ ˙ ˙
˙ ˙
˙ w
˙
& ‹ pae
nas
-
me - cum
di
˙ vi
-
w -
w
de.
Fac p
me
, w
˙ ˙
˙
w
˙
˙
? w
˙ w
˙
˙
w
¢ pae
nas
-
w & nw w
me - cum
˙˙ ˙
˙˙˙
di
˙˙˙
˙˙ ˙
˙ ? w
vi
-
w w
#w ˙
˙
w
˙
˙
-
de.
Fac
w #w w
w w w
w
w
me
nw w p w
w ˙w ˙
˙ ˙
˙
˙
˙ ˙ ˙
{ 116
° ˙ &
˙
me
pla
& ˙ #˙ -
gis
˙ #˙ -
gis
w ˙
˙ ˙
vul - ne
-
ra
-
˙
˙
˙
re
Cru
-
ce
#˙
˙
˙
˙ ce
˙
w vul
˙
-
ne
˙
˙
w -
ra
-
ri
Cru
-
˙ #˙
˙
˙
˙
ri
Cru
-
˙
˙
˙
˙
i
-
ne - bri -
œ nœ ˙ hac
˙ ˙
w
hac
˙™ ˙
-
˙
˙ i
-
˙
˙
˙
˙
& ‹ pla
-
? w
gis
vul - ne - ra
-
-
ce
hac
i
-
ne - bri -
w ˙ ˙
˙
w
œ ˙™ ˙
˙ ¢ pla
-
w & ˙ #˙ ? w
gis
˙ #˙ ˙ ˙ w
vul - ne
˙˙ ˙
˙˙ ˙
-
ra
-
re
Cru
-
ce
hac
i
w ˙ #˙
#˙˙˙
˙˙˙
˙˙˙
˙˙ ˙
n˙˙˙
˙˙ ˙
˙
˙
˙
ne -
˙˙˙
˙ w
{
-
bri -
˙˙˙ œ
˙™ ˙ ˙
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
9 124
, ° & ˙™ a
˙
œ
˙
˙
˙ ˙
˙
˙™
œ #w
-
li - i.
w
3 2
w
,3 2
˙ -
& ˙
˙ ri
-
˙
˙
˙
ob
a
mo - rem
-
w
˙
fi
-
w
#˙
˙
˙
rem
fi
-
li
˙
˙
-
li
˙
˙
#˙
˙ ne - bri
a
-
-
ri
ob
˙
˙
a
-
mo
-
n˙
˙
i.
-
, ˙ #˙
w
˙
w
w
3 2
˙ & ‹ a
-
ri
ob
˙
˙
a
mo - rem
-
fi
-
i.
-
, ? w
˙ ˙
w
˙
3 2
˙ w
¢ a
& ˙˙˙ ? w
-
ri
ob
a
˙˙
#˙˙˙
˙˙ ˙
˙˙ ˙
˙
˙
˙
mo - rem
-
n˙˙˙
˙˙ ˙ ˙
fi
-
-
li
˙˙ ˙
#˙˙w
˙
˙˙
#˙˙
w
˙
˙
˙
w
i.
-
#w w w
w w w
w
w
3 2 3 2
˙
{ 132 Tempo II h = ca. 132
Tempo I h = ca. 72 p
° 3w &2 Quan
˙ ˙ ˙ ˙ -
do
cor - pus
˙ mo
w ˙ -
ri
Cw
-
e
-
˙ #˙
Ó
tur
fac
ut
[mf] p
3 &2 w
˙ ˙ ˙
w
˙
Cw
#w
tur
fac
˙ ˙
˙ Quan [mf]
-
do
cor - pus
mo
-
ri
-
e
-
ut
p
˙
3w &2 ‹ Quan ? 23 w ¢
-
Quan
-
˙
˙ ˙
do
cor - pus
mo
w ˙ -
ri
-
e
-
Cw
w
w
tur
fac
ut
p
˙
˙
˙ w
˙ ˙ ˙ do
cor - pus
Cw mo
-
ri
-
e
Tempo II h = ca. 132
-
tur
w
˙
fac
ut
Tempo I h = ca. 72
[mf]
3 w & 2 nw w w ? 23
{
˙˙ ˙ ˙
˙˙ ˙ ˙
˙˙ ˙ ˙
˙˙ ˙ ˙
˙˙ ˙ ˙
w w w w
Cw w w
#w w w
˙˙˙
p
Cw
w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
˙
#˙˙ ˙ ˙
10 138
° ˙ & a
œ œ œ œ
˙
w ˙
w
w ˙
ni
-
me
-
do
ne
-
-
tur
-
, & ˙
œ œ œ œ
˙
˙ ˙
˙
˙
w ˙
a
ni
-
me
-
do
˙
ne
-
tur
-
Pa
-
ra
-
, œ œ ˙
˙ & ˙ ‹ a
˙
˙ w
ni
-
-
me
do
ne
-
-
-
˙
w
˙ -
-
tur
Pa
w
w
-
ra
-
, ? w
w ˙ ˙ w
¢ a
-
ni
-
-
me
-
œœ œœ œ œ œ œ
w & nw w
do
ne
-
œ˙ œ ˙ ˙˙ ˙
˙w w
˙
? w
tur
-
˙
w w
˙˙˙
w
w
˙ ˙
˙
w
{
-
rit. 144
˙ ˙
° & ∑
˙ ˙ ˙
˙™
˙ Pa
& ˙
-
ra
di
-
si
-
glo
-
U w
ri - a.
-
˙
w
j œ™ œ ˙
a,
glo
-
ri
˙
˙
˙ ˙
-
œ #w
w #˙
U w
˙ di
-
si
glo
-
ri
-
-
-
a.
w
U w
˙ & ˙ ‹ di
-
˙
˙
œ œ
˙
si
glo
-
˙
˙ w si
glo
˙ -
-
˙
-
-
-
-
ri
-
a.
w
? ˙
U w
˙ w w
¢ Pa
-
ra
-
di
-
-
-
-
ri
-
a.
rit.
& ˙˙ ? ˙
{
˙˙
˙˙˙
˙
˙
˙˙ ˙
˙˙ ˙
˙ w
˙˙ ˙
˙˙ ˙ w
˙˙˙
˙™
w #˙˙ œ #w w w
w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
U w w w U w
Stabat Mater Ed. M. Y. Bowen Sulpitia Cesis
Violoncello [h = 92]
≥[mf] ?C w
w
˙ #˙
w
˙
˙
U w
w
w
3 2
[h = 132] 9
˙
w
?3 w 2
w w™
˙
C
˙
[h = 92] [p] 13
≤ ˙
?C ˙
˙
˙™
w
˙
œ w
w w
w
[mf] 21
≥ ? w
˙
˙ ˙
˙ b˙
˙
w
˙ ˙ ˙
˙
˙
˙
29
bw ˙
w
? ˙
w
˙
˙
w ˙
˙
˙ w
˙
[p]
≥w
38
˙
˙ w w
˙
? w
˙
w
˙
˙
46
? ˙
œ w
˙ ˙
˙
˙
˙™
˙
˙
˙
˙
˙
[mf]
≥[h = 132] w ˙ 3 2
53
? w
˙
˙ w
w
˙
˙
≥ w
˙
˙
C
[h = 92] 60
˙ ?C w
w
w
˙
˙ ˙
˙
˙
≥ w
w V.S.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
2
Violoncello Verse 2 68
˙
w
˙
? w
U w
"
˙ ˙
w
w
w
[mp] 76
≥ ? w
w
˙ #˙
w
˙
˙
3 2
w
w
w
[h = 132] 84
>˙
> ? 3 ≥w 2
> w
> w
>˙
w- ™
˙ >
C
[h = 92] 88
≥ ˙
?C ˙
˙
˙™ w
˙
œ w
w w
w
[mp] 96
≥ ? w
˙ b˙
˙ ˙
˙
w
˙ ˙
˙ ˙
˙
˙
˙
104
? ˙
bw ˙
w
w ˙ w
˙
˙
˙ ˙
w
˙ [p]
≥w
113
˙
˙ w
≥ ˙
w ? w
˙
˙
w
˙
121
? ˙
œ w
˙
˙
˙™
˙
˙
˙
˙
˙
˙
˙ [mf]
[h = 132] 128
? w
˙
≥ 3w 2
˙ w
w
˙
˙
˙
w≥
˙
˙
C
[p]
[h =92] 135
?C w
≥ w
˙ w
˙
˙ ˙
˙
˙
≥ w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
w
Violoncello
3
143
˙≥ ? w
˙
w ˙ ˙
w
w
w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
U w