Sarah Rimkus
By the Waters of Babylon for SATB choir
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Emily LaVoy – By the Waters of Babylon (2017) Psalm 137 for SATB choir with divisi and choral solos (c. 7’) from ‘Babylon’ for choir and percussion
I have always been fascinated by travel and distances. I’ve moved homes a fair amount in my life, as have many of us, and I often have my most creative ideas while moving from place to place in some way or another. A great deal of music throughout history has had a similar fascination – fitting for an art form that is so heavily based on movement and narrative through time. This is even more apparent in American arts and culture, a fragmented culture built by immigrants (voluntary and forced), where so much of our music carries themes of journeying and pilgrimage and the solitude and alienation felt along the way. This setting of Psalm 137, one of the most popular psalms to set to music for concert and popular musicians alike, speaks to these themes in an outpouring of grief for a distant homeland. European composers and church musicians have often seen and used Latin and liturgical texts as a sort of lingua franca. In this piece, the dead language becomes the "babble" of Babylon, like the ghost of a dead religion or culture. This setting comes from a longer work, Babylon for choir and percussion, which uses sacred texts like this psalm and texts from American folk music to express a journey through these themes.
Performance notes: *Much of this piece features aleatoric text, shown in boxes with arrows, which should be repeated by the singers at a comfortable pace independently of each other. The music indicates the volume at which they should do this at any given time. **This piece also contains a number of choral solos. The soloists should perform from within the group. The chosen soloists can vary from section to section of the piece – a variety of voices throughout the piece is encouraged.
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
to Andrew Rimkus
By the waters of Babylon Psalm 137
S
A
T
B
&
Sarah Rimkus
44
"Super flumina..."
(whisper)
b & b b b 44 V
44
?
44
∑
π w
hmm
A
T
B
"Super flumina..." (whisper)
hmm
Ó
˙
w
"Super flumina..." (whisper)
hmm
"Super flumina..." (whisper)
π w
hmm
"Super flumina..."
hmm
"Super flumina..."
w
π w
(whisper)
bbb π b w V ?
Ó
(whisper)
& &
˙
"Super flumina..."
7
S
π bw
q = c. 52
hmm
w
"Super flumina..."
(S1 dim. al niente...)
w dim. al niente...
(whisper)
dim. al niente...
(whisper)
© Sarah Rimkus, 2017.
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2 Very freely, song-like (q = c. 52) 13
&
S
bbbb S1
∑
Ó
∑
b w & b bb
choral solo
w
S2
P very expressive ‰ œj œ œ œ ˙ By
w
the
‰ Jœ
wa - ters,
œ œ.
the
wa
-
œ bœ œ œ
œ œ.
ters,
the
wa - ters
"Super flumina..." (very quietly)
hmm
&
A1 "Super flumina..." (very quietly)
A
&
A2
"Super flumina..."
dim. al niente...
(very quietly)
b & b bb œ .
˙
of Ba - by - lon
S
P very expressive ‰ œj œ œ œJ œ choral solo, different voice
j œ œ. œ œ
18
we sat and
wept,
j œ bœ J œ and wept,
j œ œ J œ
and
wept,
œ œ bœ
œ
when we
œ
re - mem -
& (sempre pp )
"Super flumina..."
& (sempre pp )
"Super flumina..."
A
b & b bb Ó
˙
hmm
π 44 w
b & b bb œ œ ˙ .
42
&
42
44
2 4
4 4
22
-
S
& A
∑
w
bered.
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b & b bb
π
˙
˙
hmm
∑
∑
S1 (tutti)
∑
˙
Ó
w
hmm
˙
42 ‰
choral solo
j œ œ œ By
the
44 œ
hmm
˙
wa - ters,
‰ œj œ . œ . œ œ œ œ œ œ the
wa
-
ters,
we
wept
˙
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‰ œj œ b œ when we
re -
b & b bb b w
˙
27
42 Œ
S1 (tutti)
Ó
S
& A1
42
"Super flumina..."
&
A2
A A2 3 soli
bb &bb ‰
bb & b b bœ.
V
31
&
(sempre
bbbb
˙
b & b bb Ó
T
b & b bb A2
V
œ bœ
we
œ.
re - mem
-
j œ ˙
-
re
j œ
-
mem
-
j œ ˙ bered–
A2 (tutti)
j œ
œ
44
œ
re - mem - bered
42
pp )
P very expressive ‰ j œ œ œ œ the
˙
wa - ters,
‰ Jœ
the
œ œ.
wa
-
˙.
P very expressive j ‰ œ œ œ By
the
Œ
˙
wa - ters,
‰ œj œ the
wa
-
œ bœ œ œ
œ.
œ
œ
œ
ters,
œ
˙.
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44
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44 44
w
bered,
By
Hmm
"super flumina Babylonis..."
42 ‰
w
bered–
44 w
the
wa - ters
j œ œ. œ œ
of
"super flumina Babylonis..."
A1
A
j œ
we
bœ.
"super flumina Babylonis..."
S
&
when
when
mem
T
j œ œ bœ
‰
p œ
42
A1 "super flumina Babylonis..."
b & b bb Ó
3
œ
the
wa
-
˙.
ters
"super flumina Babylonis..." (whisper)
"super flumina Babylonis..."
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Ba - by - lon
4
j ‰ œ œ œ
b & b bb ˙
35
S
&
A
we sat and
we sat and
choral solo very expressive
S
and
wept,
œ œ bœ
œ- œ b œj œ- œ J J wept,
when we
and
re - mem
bœ
œ
ters,
the
œ
œ
wa -
42
œ œ ˙.
-
bered.
42
wept,
œ
j œ
œ
when
œ
we
œ
re - mem
˙
˙
‰ œ.
ters,
bered. dim. al niente...
œ
we
42
˙
-
"Babylonis..."
œ -
œ
dim. al niente...
j œ œJ
and wept,
œ
sat
œ
and
42
wept,
42
44
"Babylonis..."
By
"Babylonis..." 42
42
j œ œ
44 ‰ œ
∑
the
"Babylonis..."
b 2 V b bb 4 ‰ œ
By
the wa
œ
œ
- ters,
œ
œ
the
wa
-
œ
ters
˙
j œ œ.
˙
‰ œj œ b œ
we
44
j œ œ œ By
42 42
˙
T2 "super flumina Babylonis..."
bb 2 &bb 4 ‰ V
T
the wa
bb 2 &bb 4 &
A
œ œ J
By
T
&
and wept,
œ
"Babylonis..."
‰ œj œ œ
P bbb ‰ œ b V
39
j œœ J
"super flumina Babylonis..."
T1
V
wept,
"super flumina Babylonis..."
b & b bb ˙ &
œ- œ j œ- œ J bœ J
œ J
the
44 œ
˙
wa - ters,
44
‰ œj œ . œ œ œ œ œ œ. œ the
wa
-
ters,
we
wept
when we
"illic sedemus..."
44 œ
˙
wa - ters,
‰ œJ
the
œ wa
œ -
ters,
œ œ. J we
œ
œ
sat
and
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œ wept
œ
re -
43
S
&
5 "Babylonis..."
dim. al niente...
bb &bb œ
œ
sat
& A
and
j œ ˙
poco cresc.
-
we
Zi - on.
-
j œ
j œ œ
œ
bered,
p ‰ œj œ
˙
the wa
-
j œ œ
-
By
By
p
the wa
F œ
ters,
ters,
"illic sedemus et flevimus..."
p (still a whisper, but slightly louder)
˙.
œ
F œ
j œ œ œ œ
‰ Aœ
re - mem - bered
Zi - on.
Ó
F ‰ Jœ
Œ
the
œ
re - mem - bered
∑
œ
˙.
Zi - on.
∑
Ó
Œ
˙.
F œ œ œ ‰ Jœ By
the
wa
˙ -
œ ‰ J
ters
the
"illic sedemus..."
∑
∑
œ ‰ œj
∑
œ
–and wept,
b & b bb œ
‰ Jœ œ œ .
the wa-ters
b & b bb ˙ &
T
re - mem
? bb b b
b & b bb
A
œ.
œ bœ
œ bb Vbb ‰ J
47
S
‰
˙
bered,
poco cresc.
?
re - mem - bered
‰
˙.
"illic sedemus..."
when
B
wept–
œ
dim. al niente...
mem
T
˙
"Babylonis..."
bb & b b bœ. V
˙
p ‰ œj œ N œ
œ
‰ bœ. the
˙.
and
œ œ œ. œ ˙.
p
‰ œ.
j œ bœ.
‰ œj œ œ
œ- œ J
j œ- œ bœ J
œ œ œ ‰ J
œ- œ J
b œ œJ œ J
of
˙
œ œ œ. œ ˙.
œ
˙
œ
of
œ wept,
"illic sedemus et flevimus..."
Ba - by - lon,
œ
wa - ters
bœ
Ba - by - lon,
wept,
wept,
"illic sedemus et flevimus..."
b V b bb œ
wa
œ -
‰ œ.
ters,
the
V p (still a whisper, but slightly louder)
˙
wa - ters,
we sat and
wept,
and
wept,
j œ
and
"illic sedemus et flevimus..."
B
? bb b œ œ . œ œ . b wa
?
-
œ bœ œ œ
ters,
the wa - ters
p (still a whisper, but slightly louder)
œ.
œ J œ. œ œ
of Ba - by - lon
˙
we sat and
wept,
and
"illic sedemus et flevimus..."
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wept,
œ J
and
6
S
b œ & b bb
51
&
A
œ
sat
42 œ
˙
and
wept.
‰
j œ
œ
we
œ
œ
sat
and
42 ‰ œ
˙
wept.
œ
œ œ bœ
wept,
œ
when we
œ
œ œ ˙.
re - mem
-
bered.
"illic sedemus et flevimus..."
? b b b œJ b
œ
œ J
wept,
œ
when
œ
we
œ
˙
re - mem
44 Ó
the
bered.
By
wa - ters,
44 "cum recordaremur..."
42
∑
44 ‰ œ A Jœ œ By
42
"illic sedemus et flevimus..."
44
the wa
-
˙
&
S
A
bb &bb œ bb &bb & V
T
B
"cum recordaremur Sion..."
wa - ters,
the
wa
œ
wa
œ
œ
-
ters
sat
and
-
œ
j œ œ.
œ
we
ters
we
sat
œ
and
œ wept,
œ
˙
w
hmm
‰ b œj œ œ
˙
wept
when we
P A˙
42
w
42
we
œ wept
? b b œ œ. œ œ. œ œ œ œ bb wa
-
ters,
"cum recordaremur..."
˙.
we wept
˙
Œ
when we
when we re - mem "Sion..."
-
-
œ.
re - mem
œ J
˙
-
j œ
j œ ˙
mem - bered–
**
‰ b œj œ œ
‰ œJ œ b œ b œ .
œ.
dim. al niente...
"Sion..."
"cum recordaremur..."
j œ œ
re
"Sion..."
"cum recordaremur..."
b V b bb œ .
?
**
hmm
j œ. œ
ters
"cum recordaremur..."
"Sion..."
œ
œ
‰ Jœ
poco rit. 55
j œ
the
44 "cum recordaremur..."
∑
the
the
‰
˙
42
By
j bœ
‰ Aœ
j 42 ‰ œ œ œ 44 œ
˙ -
Ó
j 44 œ œ
By
42
"illic sedemus et flevimus..."
44 ˙
œ
42
"illic sedemus et flevimus..."
b V b b b œJ
?
œ
we
wept,
wept,
V
B
and
‰ bœ.
b j & b bb œ œ . &
T
œ
œ
P A˙
hmm
bered,
42 42 2 4
w
42
w
42
bered, dim. al niente...
42
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. **gradually come together on hum
a tempo
b & b b b 42 ‰
59
S
A
T
B
p j œ
œ
p j œ
b V b b b 42 ‰
œ
A
T
p
hmm
our
? bb 4 b b 4 bœ -
œ-
A
T
B
& 45 V 45 ? 45
tor
f #œ
tor
f #œ
tor
44 œ
-
-
-
-
œœ J
Zi - on.
men
j œœ
men
N œœ J
men
œ J
men
-
-
œ
œ
bœ.
œ
œ
œ
œ
bœ.
-
tors
œ
œ.
œ
tors
tors
œ. cap
œ.
cap
cap
cap
œ
œ J
-
œ
tors asked
j œ œ
-
tors asked
œ J
-
œ
tors asked
œ bœ J
-
tors asked
aœ
œ
œœ
j œ
43 b œ
˙
the trees
j œ
we
43 ˙
the trees
œ J
43 ˙
the trees
œ
we
on
œ.
œ
the trees
on
œœ
œœ œ
on
we
w
us
songs,
for
œ œ
us
for
us
for
œ
de - man - ded
œ œ œ œ ˙ songs,
w
us
songs,
songs
songs
44 # w
songs,
44 # w
œ
hung our
of
joy,
P j œ ˙
of
joy,
P
P
44
harps,
œ we
œ
hung,
we
44 44
n n n n 45
œ 42
‰ # Jœ
42 œ
‰ # œj n n n n 45
our
24 # œ# œ( # œ)
our
n n n n 45
our
œ 42
P j œ ˙
44
harps,
hung,
songs,
œ œ for
hung our
j œ œ.
˙
songs,
œ œ
œ œ
we
œ œ
44 . #œ
de - man - ded
œœ
on
44 œ .
de - man - ded
œœ
˙
#œ
de - man - ded
œ.
œœ .. -
œ
43 œ b œ
œ.
œ
F increasingly passionate œ œ œ œ.
œ
tors
œ
There
harps for there our
œ
increasingly passionate
There
œ
œ.
œ
F increasingly passionate œ œ œ œ.
˙.
harps for there our
our
67
f # œœ
There
For there our
œ-
˙
œ
‰
F
j œ
increasingly passionate
There
j œ œ
b & b b b 44 ˙
tor
P
For there our
hung
S
Zi - on.
œ
‰
f # N œœ 5 &4
˙.
j œ œ
b & b b b 44 ˙
b V b b b 44 b œ-
F
44 w
œ
hung
B
œ
re - mem - bered
? b b b 42 Œ b
44 œ 44 Ó
∑
63
S
œ
re - mem - bered
bb 2 &bb 4
7
With a bit more motion (q = c. 52-60)
˙ #w
‰ # Jœ
our
#˙
n n n n 45
✓
✓
w
✓
w
✓
songs,
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8
rit.
& œ.
j #œ ˙
& œ.
j #œ ˙
& #œ.
j #œ ˙
& #œ.
j #œ ˙
70
songs
S
of
songs
of
songs
A
of
songs
T
of
Ó
w
joy;
V w
w
V w
w
? w
w
∑
‰
#œ
˙.
&
œ J
‰
˙.
œ J
‰
˙.
œ J
œ œ œ. œ J
of
Zi
A
& V T
V
songs
of
Zi
-
Ó
‰
"Sing
on!"
us
the
"cum recordaremur Sion..." (speaking, just under the breath)
ƒ w> ‰ ww
Sing!
‰ œ œ #œ J
˙
ƒ dramatic œ œ #œ J
"Sing us
the
œ.
#œ œ œ. œ J
songs
of
Zi - on!"
"cum recordaremur Sion..."
‰ œJ œ œ œj # œ .
œ. œ œ. ˙ & œ
B
œ.
songs
S
the
(speaking, just under the breath)
songs.
˙ œ & J ‰
us
j œ
œ.
"cum recordaremur Sion..."
songs.
74
ƒ dramatic j œ œ #œ
"Sing gradually begin spoken text...
songs.
B
"Sing
(speaking, just under the breath)
˙
joy.
w
œ-
"cum recordaremur Sion..."
w
joy.
a tempo
They said,
gradually begin spoken text...
˙
joy;
ƒ dramatic Œ œ-
-
on!"
"Sing
#œ
the
#œ
˙
œ œ œ #œ œ
songs,
the songs of
Zi
-
œ
on,
"cum recordaremur Sion..."
œ. songs
#œ œ œ. œ œ. J of
Zi
-
œ J œ
on!"
nœ ˙ J
Nœ. ‰ œ œ #œ J "Sing us
the songs
œ J
of
œ œ.
œ œ. Zi
-
˙
on!"
"cum recordaremur Sion..."
? ˙˙ ˙
(non dim.)
Ó
Ó
r œ œ œ
˙> ˙˙
w ww
˙. ˙˙ . .
Sing! visit MusicSpoke.com to purchase performance copies. This score is not licensed for performance. Please
Œ
œ
‰ œ # œJ
& ˙
78
A
T
Zi
B
#˙
œ œ
How?
œ ‰ ˙ J
œ Nœ
œ b˙.
How?
-
œ #œ œ.
Œ ˙
on!"
How
j œ œ œ. œ
can
we sing
songs
œ.
j Nœ œ
P
œ œ.
of
˙
the
˙
Lord
"cum recordaremur..."
˙
V V
œ J ‰
"cum recordaremur..."
& œJ ‰ # œ # œ œ œ . œ &
œ
How?
S
&
œ œ #œ
9
‰ œ.
œ œ œ ‰ œ J
In
Ba - by - lon,
œ Nœ
how
P (but weighted) Œ œ- œ- œ-
j œ œ œ. ˙.
œ. can
we
sing
songs of
"cum recordaremur..."
>˙ . ? N ˙˙ ..
Œ
How,
>˙ . ˙˙ ..
Œ
œœ œ
Ó
How,
p & w
can
w
83
˙
œœ œ
we
P (but weighted) œœ- œœ- œœŒ bœ œ œ
ww bw
sing
songs of
Ó
∑
∑
S
&
A
"illic sedemus..."
& ˙
œ
in
gradually shift to a whisper...
œ a
˙
for
-
V œ
Lord
V
œ
œ
˙
in
a
for
-
w
land?
b˙
π bw
eign
B1
Lord
? œ œ
B2+3
Œ
Ó
Œ
b œœ
whisper:
"illic sedemus..."
Ó
b ˙˙
˙ ˙
œ
Ó
œ
P œ bœ in
in
˙
a
a
for
b˙
for
gradually shift to a whisper...
"illic sedemus..."
œœ
P
land?
"illic sedemus..."
? œ B
Œ
π
b˙
eign
&
T
the
π w w
gradually shift to a whisper...
w w
w w
Lord is not licensed in a performance. for eign land? This score for Please visit MusicSpoke.com to purchase performance copies.
-
-
b˙
eign
˙
eign
the
10
p & ‰ b œj b œ b œ b œ
88
mournfully S1 choral solo
If
S1 3 soli
& Ó
choral solo
&
choral solo
I
for - get
w
If
∑
I
for
-
bœ
˙.
get
you,
Ó
œ
Œ
Ó
w
œ
Œ
Ó
œ
Œ
Ó
œ a
b˙
-
eign
bœ
bœ
in
a
b˙
p mournfully j ‰ bœ bœ bœ By
the
wa
˙. -
ters
& (whisper)
S2 "illic sedemus..."
Ó
& (whisper)
"illic sedemus..."
A
&
T
w
you,
p mournfully j ‰ bœ bœ bœ
S
S2
œ
(sim.)
bœ
in
π
for
"illic sedemus..."
bw
land?
π V w
∑
"illic sedemus..."
land?
Ó
V (whisper)
"illic sedemus..."
(sim.)
for
? "illic sedemus..." (whisper)
B
b˙
? Ó
˙ ˙
land...
w w
w w
w w
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-
˙
eign
11
& ‰ b œj b œ b œ
œ bœ. J
& Ó
‰
92
If
S1 3 soli
I
for
-
S2
& &
A
&
j bœ bœ bœ
∑
&
w
œ
Œ
Ó
œ bœ ˙.
w
œ
Œ
Ó
œ
Œ
Ó
˙
-
eign
get,
If
S
w
I
for
-
Ó
get,
‰
bœ
By
j j bœ œ bœ the
wa
∑
bw
"super flumina Babylonis..."
land?
Ó
"illic sedemus..."
Nœ
in
œ a
for
Nœ
bœ
in
a
b˙
b˙
"super flumina Babylonis..."
T
∑
V w
Ó
land?
B
ters,
"super flumina Babylonis..."
V
?
-
j œ ˙
"illic sedemus..."
? Ó
for
"super flumina Babylonis..."
˙ ˙
land...
w w
w w
w w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
-
˙
eign
12
& ‰ bœ
96
If
S1 3 soli
j j bœ œ bœ I,
&
∑
&
∑
& &
w
w ‰ b œj b œ b œ If
S
S2
Nœ J
˙
w
w
I,
∑
‰ p bw
"super flumina Babylonis..."
∑
bœ
By
j bœ œ the
wa
-
œ
ters
bw
hmm
"Super flumina..."
"super flumina Babylonis..."
w
dim.
A
&
bw
w
land?
V
"Super flumina..."
w
w
"Super flumina..."
dim.
"Super flumina..."
dim.
T
V w
w
land?
? B
"Super flumina..."
? Ó
dim.
˙ ˙
land...
w w
w w
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
w
∑
N˙
˙.
& ‰ b œj b œ b œ ˙
w
& w
‰ œj b œ .
& bw
w
bœ
& bœ
100
bœ
˙
U
∑
Ó
∑
I...
S1 3 soli
S
S2
w
of
Ba - by - lon...
& (quiet as possible)
B
∑
w
Ó
π b˙
U
∑
w w
∑ π b˙
hmm
A
&
w
hmm
"Super flumina..."
T
U
∑
I...
œ ˙
"Super flumina..." (quiet as possible)
V (quiet as possible)
"Super flumina..."
?
13
"Super flumina..." (quiet as possible)
This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.
˙
U
Ó
U
n
U
n
U
n