MUSICA VIVA NY PRESENTS
TEATRO REAL Crescendo: Rising Stars of Opera Sunday, October 5 at 5pm All Souls NYC 1157 Lexington Ave., New York, NY 10075
WELCOME TO MUSICA VIVA NY’S 2025-26 SEASON!
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ollowing the milestone celebration of Artistic Director Alejandro Hernandez-Valdez’s 10th anniversary with Musica Viva NY, and our magnificent performance of Brahms’ Requiem this past May, we enter the new season with renewed energy, reaching new artistic heights and deepening our commitment to bringing joy, meaning, and connection to our community of audiences, musicians, supporters, as well as students,and families across New York City. This year also marks another major achievement: our recording Crimson Roses has been submitted for GRAMMY® consideration. We invite you to experience its beauty and the extraordinary artistry of Alejandro and Musica Viva NY—and encourage you to share and like it widely. The more people who listen, the greater our chances of a well-deserved GRAMMY® nomination and win! Our season is framed by a special partnership with Teatro Real of Madrid— recently voted “the best opera house in the world.” This collaboration began through the friendship between Musica Viva NY board member David Rockefeller, Jr. and Teatro Real President Gregorio Marañón, and has blossomed into a series of exciting joint projects. Last December, we performed for Teatro Real’s patrons at Angel Orensanz Foundation, and today, we proudly present rising opera stars from Teatro Real’s Crescendo program. As Mr. Marañón shared: “The first opera house in Spain, with almost 200 years of history and a leading role among the most prestigious theaters on the international artistic scene, must not only be a benchmark for artistic excellence, but also carry the mission of bringing this art form to new audiences and of supporting the talent of young artists who will shape the future of opera. It was with this noble mission that Crescendo was born five years ago at Teatro Real. The arrival of these young artists in New York to take part in Musica Viva NY’s program is a day of joy for all of us.” A highlight of this partnership will be Musica Viva NY’s tour to Spain in March 2026, presented by Teatro Real, where we will share our music with audiences in Toledo, Madrid, and Zaragoza. More information about the tour can be found in this program—we warmly invite you to support us or even join us for this unforgettable artistic and cultural journey. With gratitude, Jasna Vasic Executive Director
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Sunday, October 5, 2025 at 5pm All Souls NYC
Musica Viva NY presents
TEATRO REAL Crescendo: Rising Stars of Opera Lucía Iglesias, soprano Carmen Larios, soprano Eduardo Pomares, tenor Enrique Torres, baritone Gonzalo Villarruel, pianist Danza del Molinero (Farruca) (from El sombrero de trespicos). . . . . . . . . . . . . . . . . . . . . . . . . Falla (1876-1946) Gonzalo Villarruel O mio babbino caro (from Gianni Schicchi). . . . . . . . . . . Puccini (1858-1924) Carmen Larios Ah! Per sempre io ti perdei (from I Puritani). . . . . . . . . . . . Bellini (1801-1835) Enrique Torres Quando m’en vo (from La Bohème). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Puccini Lucía Iglesias Kuda Kuda (from Eugene Onegin). . . . . . . . . . . . . . . Tchaikovsky (1840-1893) Eduardo Pomares Là ci darem la mano (from Don Giovanni). . . . . . . . . . . . . Mozart (1756-1791) Lucía Iglesias, Enrique Torres Parigi o cara (from La Traviata) . . . . . . . . . . . . . . . . . . . . . . . . . Verdi (1813-1901) Carmen Larios, Eduardo Pomares Sull’aria (from Le nozze di Figaro). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mozart Lucía Iglesias, Carmen Larios
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Tu del mio Carlo al seno (from I Masnadieri). . . . . . . . . . . . . . . . . . . . . . . . Verdi Lucía Iglesias Au fond du temple saint (from Les pêcheurs de perles). . . . . . . . . . . . . . . . . . . . . . . . . . . Bizet (1838-1875) Eduardo Pomares, Enrique Torres Je veux vivre (from Roméo et Juliette). . . . . . . . . . . . . . . Gounod (1818-1893) Carmen Larios Luche la fe por el triunfo (from Luisa Fernanda). . . . . . . . . . . . . . . . . . . . . . Moreno Torroba (1891-1982) Enrique Torres No puede ser (from La tabernera del puerto). . . . . . . . . . . . . . . . . . . . Sorozábal (1897-1988) Eduardo Pomares Libiamo, ne’ lieti calici (from La Traviata). . . . . . . . . . . . . . . . . . . . . . . . . . . . Verdi Lucía Iglesias, Carmen Larios, Eduardo Pomares, Enrique Torres
We hope you will join us for a party downstairs in Reidy Hall after the concert.
Save the dates for the remaining concerts of our 2025-2026 season (which all take place at All Souls NYC on Sundays at 5pm):
December 7, 2025 Musica Viva NY presents ALL’S WELL SISTERS Blanket of Snow
May 3, 2026 THIS WILD EARTH Orff, Tormis, Lyons and Whitacre
February 22, 2026 EL CAMINO Talbot, Casals and Victoria —4—
MEET THE ARTISTS
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eatro Real of Madrid is considered the leading institution of the performing arts in Spain, the foremost national opera house and one of the most important Spanish cultural institutions.
Crescendo, Creamos Ópera is a program of the Friends of the Teatro Real Foundation, launched in 2021 with the aim of promoting, stimulating, supporting, and accompanying the artistic and professional development of promising future operatic artists. More than 99 young artists of 20 nationalities have participated in the five editions of this training program, which offers first-class artistic training from leading professionals and artists associated with the Teatro Real, as well as support at the beginning of their careers through job opportunities. Gonzalo Villarruel studied piano under the tutelage of Mauricio Vallina, his main musical guide since 2015. At the same time, he studied Orchestral Conducting at the RCSMM with maestros Juan Luis Martínez and Mariano Alises. In 2016, he received the Premium Scholarship for excellence courses from the Martha Argerich International Academy, and in 2021, he received the Arturo Benedetti Michelangeli Foundation Scholarship, awarded by the Argentine pianist. In February 2024 he was selected as a repeat pianist for the IV Crescendo Edition of the Friends of the Teatro Real Foundation, participating in lyric recitals at the Teatro Real and the Real Teatro de Retiro. Together with the Serbian soprano Dragana Paunovic, he won the 2nd prize at the 3rd AMAO International Singing Competition (2024) and the 1st prize and special prize at the 8th Martín y Soler International Singing Competition (2025). He is a regular contributor and co-repetiteur with several choirs, such as the Orfeón Complutense, Coro Polifónico de Madrid, Coro Divertente y Coro Filarmonía, and assistant conductor of the Orfeón Carlos III. He has participated in the Eutherpe Foundation Orchestra, Piano and Conducting Course and received instruction from maestros such as Bruno Aprea, Joaquín Soriano, Jura Margulis, and Patricia Barton. Soprano Lucía Iglesias (May 2000), discovered her vocation for singing at the age of eight when she participated in Werther by Massenet at the A Coruña Mozart Festival, conducted by Víctor Pablo Pérez and Graham Vick. She studied piano and singing at the conservatory in her city, earning the graduation award in singing. She made her professional debut in 2019 with Cinderella Rossini’s opera at Òpera a Catalunya. Since then, she has performed roles such as Musetta (Bohemia), Age (The Elixir of Love), —5—
MEET THE ARTISTS Susanna (The Marriage of Figaro) and Clorinda (Cinderella) in theaters in Spain and Italy. Critics praise her pliable, fresh voice and her theatrical performance as exquisite and lively. Winner of competitions such as the Clara Schumann Competition, Spazio Musica, Compostela Lírica, Germans Pla and Mirna Lacambra, she has trained with sopranos such as Lisette Oropesa, Mariella Devia, Nadine Sierra and Deborah Polaski. She has a degree in Music, a Master’s degree in Theatre from the International University of La Rioja and participated in the V edition of YAP Crescendo at the Teatro Real. She is currently training with Daniel Muñoz and Manuel Burgueras. She will soon play Adina in Orvieto and make her debut as Nannetta in Falstaff by Verdi. Soprano Carmen Larios began her piano studies at the age of 8 at the Cuevas del Almanzora Conservatory in Almería. She continued her singing studies at the Narciso Yepes Professional Music Conservatory in Lorca, Murcia, at the age of 12. She continued with both in 2019 at the Castilla y León Conservatory of Music in Salamanca, where she completed her advanced piano studies in 2023 and singing in 2024. Among her participations in international competitions, the XIX New Voices Competition, Seville (January 2024) stands out, where she won First Prize at the Maestranza Theater, in addition to receiving two other awards: the Special Prize Rodolfo Celletti Academy of Bel Canto and the Special Prize from the Seville Royal Symphony Orchestra. She was awarded a scholarship to join the academy in 2024 and a concert with the Seville Royal Symphony Orchestra, held in September 2024 at the Royal Alcázar of Seville, respectively. She also won Third Prize at the Lousada International Competition, Portugal (June 2024), as well as a Special Prize to perform a recital in the 2025/26 season at the Friends of the Opera Association of A Coruña. She has participated in the IV Crescendo Edition at the Teatro Real in Madrid. There she was part of the cast of the opera production The Liberation of Ruggiero from the Island of Alcina by Francesca Caccini at the Teatros del Canal in Madrid (June 2024). She has also given concerts in the main hall of the Teatro Real for the presentation of the New Season, among other events. Also in February of this year, she was the soprano soloist in Mozart’s Requiem at the National Auditorium in Madrid. Carmen’s future projects include: the debut of the role of Health in The Short Life de Falla at the Humboldt University of Berlin. She has also been awarded a scholarship by the Wagnerian Association from Madrid to attend the Bayreuth Festival next August. It will be part of the Opera Studio from the Stuttgart State Opera from September 2025. She has been part of the cast of Parsifal of Wagner as one of the flower girls. —6—
MEET THE ARTISTS She currently resides in Berlin, where she is pursuing a master’s degree in opera at the prestigious Hochschule für Musik Hanns Eisler. Tenor Eduardo Pomares completed his Bachelor’s and Master’s studies in bassoon at the Royal Conservatory of Music in Madrid, where he discovered his passion for lyrical singing and entered the Higher School of Singing in Madrid. As a soloist, he has performed works such as Mozart’s Requiem, Dvořák’s Stabat Mater, and Mahler’s Das Lied von der Erde. He has appeared in opera and zarzuela galas at venues such as the National Auditorium, the Monumental Theatre, and the Royal Theatre. His notable roles include Il Duca (Rigoletto), Don José (Carmen), Rodolfo (La Bohème), José María (La chulapona), Javier (Luisa Fernanda), and Gustavo (Los gavilanes). He won first prize at the 8th Albox Lied Competition (2023), first prize and zarzuela prize at the Alcalá de Henares Competition (2024), and third prize at the Logroño Competition. He also won an award at the Valleseco Zarzuela Competition (2024). He participated in the program IV Crescendo from the Teatro Real, performing the chamber opera Tenorio by Tomás Marco. He currently continues his vocal training with Elena Valdelomar and Ricardo Francia. Born in Madrid in 1997, baritone Enrique Torres Domínguez has developed his career in the lyrical field, covering opera, zarzuela, and concert repertoires. He has performed on important national and international stages, collaborating with prominent musical institutions and renowned conductors. He participated in the Teatro Real’s 2024/2025 Season presentation, accompanied by the Teatro Real’s Symphony Orchestra, as well as in a concert of arias and duets on the same stage. Among his recent stage engagements are the roles of Le Chat and L’Horloge Comtoise in The Child and the Spells by Maurice Ravel, at the Teatro Real de Retiro; the debut of the role of Vidal in the zarzuela Luisa Fernanda; Marcello’s role in Bohemia and that of the Marquis d’Obigny in La Traviata, the latter performed in Lanzarote with the Las Palmas Symphony Orchestra. He has given recitals in prestigious venues such as the Belgais Center for the Arts, alongside pianist Maria João Pires, as well as in cultural and diplomatic institutions such as the Museo Nacional Thyssen-Bornemisza, the Royal Academy of Fine Arts of San Fernando, and the NATO base in Latvia. He has participated in the Young Artists Development Program. IV Crescendo from the Teatro Real. In parallel, he has worked on his vocal —7—
MEET THE ARTISTS technique and style with figures such as Ramón Vargas, Dolora Zajick, Roberto Scandiuzzi, Elisa Belmonte, Ángel Ódena, Manuel Mas, Sabina Puértolas, and Leigh Melrose. He has a solid academic background: he holds a degree in performance (specializing in trumpet) from the Katarina Gurska Conservatory of Music (CSKG) and is currently in his final year of advanced singing studies at the Escuela Superior de Canto in Madrid. He also furthered his training at the Conservatory of Music of the Principality of Asturias, where he specialized in composition.
PROGRAM NOTES
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his concert presents a journey through some of the most representative works of the operatic repertoire. It begins with the expressive power of Manuel de Falla and continues with unforgettable arias by Puccini, Bellini, and Tchaikovsky, imbued with emotion and sensitivity. The program also includes pieces by Mozart and Verdi, great masters of opera, alongside notable French works by Bizet and Gounod. It is completed with the Spanish tradition through zarzuela excerpts by Moreno Torroba and Sorozábal, bringing closeness and establishing a close connection to cultural roots. This repertoire was conceived for Musica Viva NY to showcase the richness and diversity of opera and zarzuela. It offers the audience a musical journey that unites different cultures, styles, and emotions, performed by young artists who represent the future of the genre.
Sanctuary Sounds: A series of meditative sound baths All Souls NYC Sundays at 7 PM All Souls NYC is hosting a series of sound baths with an exciting line-up of artists! This is a pay what you wish program with a suggested donation of $20. October 19: Ambient Visionary tone communicator, multiinstrumentalist, improvisational pianist mystic – Laraaji – will offer a Celestial Grand Piano Sound Bath. November 16: Liz Torres is a New York–based artist, producer, and founder of Urban Blue Zone, a sound healing practice dedicated to creating still spaces for restoration, resonance, and reclamation.
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Musica Viva NY Tour to Spain, March 2026 Become a Tour Patron: sponsor a singer for $2,500 and join us on this unforgettable journey! Saturday, March 14 – Toledo ● Morning: Cultural activity in Toledo for Tour Patrons organized by Teatro Real ● 8pm: MVNY Concert: “EL CAMINO” at the Toledo Cathedral ● 10pm: Dinner at local tapas restaurant organized by Teatro Real Sunday, March 15 – Madrid ● 12pm: Teatro Real’s Tenor Viñas Competition winners: concert at Teatro Real ● 5pm – 6pm: MVNY private concert and reception at Orchestra Hall at Teatro Real ● 7:30pm: Armide by Lully at Teatro Real Monday, March 16 – Madrid ● 7:00pm: MVNY Concert: “THIS WILD EARTH” at Teatro Real del Retiro Tuesday, March 17 – Madrid ● 5:30pm: Special private event - open rehearsal with MVNY choir and Intermezzo, the chorus of Teatro Real, featuring music from Carmen ● 7:30pm: A Midsummer Night’s Dream by Britten at Teatro Real Wednesday, March 18 – Zaragoza ● Early afternoon: Special guided tour of La Seo Cathedral ● 7pm: MVNY Concert: “THIS WILD EARTH” at the Teatro Principal of Zaragoza Thursday, March 19 – Madrid ● Private tour of the Royal Collection, organized by Teatro Real If you cannot join us but you would like to help make the exciting tour a success, you can donate at any amount. For more information about the tour, including how to join or support it, please visit our website or use this QR code:
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MUSICA VIVA NY Our Team Alejandro Hernandez-Valdez Artistic Director
Dinah Nissen, Esq. Marketing Director
Jasna Vasić Executive Director
Kate Phillips Director of Community Engagement
Trent Johnson Assistant Artistic Director
Barbara de Bellis Librarian
Erinn Sensenig Operations and Production Manager
Nathan Siler Digital Marketing Consultant
Board of Directors Julie Brannan President Heidi DuBois Vice-President Shawn Bartels Secretary
Lisa O’Brien, Esq. Treasurer Shu-Wie Chen Melanie Niemiec Dinah Nissen, Esq. Winnie Olsen
Kate Phillips David Rockefeller, Jr. Andrew Taylor-Troup
Advisory Board Seymour Bernstein Laurel Blossom Renée Fleming
Susan Jolles Walter Klauss Artistic Director Emeritus
Jean-Louis Petit Bruce Saylor Epp Sonin
Sponsor Musica Viva NY There are many opportunities to play a role in bringing Musica Viva NY’s season to life as a sponsor, including: •
Underwrite a concert
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Underwrite a recording
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Underwrite a tour
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Underwrite the appearance of a guest artist Naming opportunities are available for sponsors. Contact Jasna Vasić, Executive Director at jasna@musicaviva.org. — 10 —
MUSICA VIVA NY
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usica Viva NY is a non-profit arts organization that was established nearly fifty years ago. Its mission is to bring world-class music to a wide community through an annual concert series, an active community engagement program, and an ambitious artistic vision. Under the baton of Artistic Director Alejandro Hernandez-Valdez since 2015, Musica Viva NY strives to offer joy, solace and renewal in a complex world by presenting new compositions and classic masterworks in transformative interpretations that ennoble the human spirit. Musica Viva NY’s superb chamber choir and world class collaborating instrumentalists make their concert home at Manhattan’s historic All Souls NYC. “Musica Viva NY is a treasured institution that makes living in New York a joy” (Front Row Center). Musica Viva NY regularly combines its presentation of the classical repertoire with less widely known works, as part of its commitment to perform the works of living American composers, women composers and composers of color, including works that address social, racial or environmental issues. Dr. Alejandro Hernandez-Valdez is a celebrated conductor and pianist known for his expressive artistry and innovative programming. He serves as Artistic Director of Musica Viva NY, Director of Music at the Unitarian Church of All Souls in Manhattan, Artistic Director of the Victoria Bach Festival in Texas, and cofounder and Artistic Director of the New Orchestra of Washington (NOW). Praised by The Washington Post for his “incisive clarity” and by The New York Times for delivering “a stirring performance,” Hernandez-Valdez is a passionate advocate for both traditional and contemporary music. He has commissioned and premiered works by a diverse roster of composers including Joan Tower, Arturo Márquez, Joseph Turrin, Gilda Lyons, Richard Einhorn, Seymour Bernstein, Viet Cuong, Juan Pablo Contreras, Trevor Weston, and Elena Ruehr, among others. Under his leadership, Musica Viva NY has expanded its artistic reach, earning acclaim for compelling performances and, most recently, a landmark Naxos release featuring legendary mezzo-soprano Frederica von Stade. With NOW, he has redefined the chamber orchestra experience, presenting bold programs in venues such as the Kennedy Center. Upcoming engagements include performances of Beethoven’s Ninth Symphony, Bach’s B Minor Mass, Brahms’s Symphony No.1, and the world premiere of Grammy-nominated composer Juan Pablo Contreras’s Symphony No.1. He will also lead Musica Viva NY on a tour of Spain in collaboration with Teatro Real. — 11 —
Critical acclaim for our album CRIMSON ROSES
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e are delighted to announce that our album, CRIMSON ROSES, released by Naxos in November 2024, has been receiving glowing reviews in the musical press, including the following: BBC Music Magazine February 2025 “This moving album from Naxos celebrates the strength of contemporary American choral composition with three successful, and well-performed works.” “This recording finds the Musica Viva NY Choir on especially thrilling form.” Gramophone January 2025 “with warmth, vitality and cohesion under music director Alejandro Hernandez-Valdez . . . the Musica Viva NY Choir bask in the technical challenges, sustaining long lines with finesse and brimming with colour and crisp ensemble in the livelier material.” Sequenza 21/ December 2024 “This is the tenth anniversary of Hernandez-Valdez’s tenure with Musica Viva NY, and the contemporary pieces that were selected for the recording demonstrate both his dedicated curation and the versatility and talent of the group.” “The orchestra and choir acquit themselves well in Turrin’s neo-romantic score. Kudos to conductor Alejandro Hernandez-Valdez for leading the piece in a well-paced and thoughtful interpretation.” Textura December 2024 “Led by its conductor and Artistic Director Alejandro Hernandez-Valdez since 2015, the chamber choir dazzles audiences with seasonal concerts at its historic All Souls NYC home base in Manhattan.” “Crimson Roses: Contemporary American Choral Music is distinguished by the ensemble’s superb realizations of the three works but also for including a performance by the great mezzo-soprano Frederica von Stade. Having someone of her stature—she’s issued over seventy recordings and received countless honours and awards for her life’s work—make a guest appearance on the album is a genuine feather in the cap for the choral ensemble.” “Cumulatively, the works argue strongly on behalf of Musica Viva NY and Hernandez-Valdez’s assured guiding hand and suggest attendance at one of its All Souls NYC concerts should be part of any city visitor’s itinerary.” — 12 —
Musica Viva NY’s Community Engagement Programs
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PATRON SUPPORT LEVELS FOR OUR 2025-26 SEASON
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e need your generous contributions for our 2025-2026 season to support the outstanding concerts and community engagement programming of the Musica Viva NY choir and instrumentalists. There is a level for every budget, and you will enjoy special benefits as a measure of our thanks. Your contribution can be made as a one-time gift, or on a recurring basis.
PATRON LEVELS • Reserved seating • Two free passes to each concert’s Saturday dress rehearsal
APPASSIONATO $10,000 and above • Invitation to a dinner featuring a special performance by the Artistic Director • Invitation to a season preview with the Artistic Director in the choir loft • Six complimentary season subscriptions • Reserved seating • Two free passes to each concert’s Saturday dress rehearsal
CON FUOCO $5,000 to $9,999 • Invitation to a dinner featuring a special performance by the Artistic Director • Invitation to a season preview with the Artistic Director in the choir loft • Five complimentary season subscriptions • Reserved seating • Two free passes to each concert’s Saturday dress rehearsal
RISOLUTO $1,000 to $2,999 • Invitation to a season preview with the Artistic Director in the choir loft • Three complimentary season subscriptions • Reserved seating • Two free passes to each concert’s Saturday dress rehearsal
ESPRESSIVO $500 to $999 • Invitation to a season preview with the Artistic Director in the choir loft • Two complimentary season subscriptions • Preferred seating
CANTABILE $200-$499 • Invitation to a season preview with the Artistic Director in the choir loft • One complimentary season subscription • Preferred seating
CON BRIO $3,000 to $4,999 • Invitation to a dinner featuring a special performance by the Artistic Director • Invitation to a season preview with the Artistic Director in the choir loft • Four complimentary season subscriptions
DOLCE $25-$199 • Acknowledgment in program at all levels
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MUSICA VIVA NY PATRONS 2025-2026
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e are deeply grateful to our Patrons listed below for their support of our 2025-2026 season. Thank you for joining us! Your support for our outstanding Musica Viva NY artists, our high-caliber, innovative choral and orchestral performances, and our community engagement is vital and essential. Corporate and Foundation Support Blackbaud Corporate Philanthopy, in honor of Andrew TaylorTroup The Heart & Soul Charitable Fund New York City Department of Cultural Affairs The Rea Charitable Fund Appassionato $10,000 and above Don & Georgia Gogel Melanie & David Niemiec Susan & David Rockefeller, Jr. Jennifer Shotwell Con Fuoco $5,000 to $9,999 Heidi & Nicholas DuBois Fritz Reuter Con Brio $3,000 to $4,999 Lisa & Dick Cashin Shu-Wie Chen Pamela Healey
Dinah Nissen Laura Pedersen Madonna K. Starr Risoluto $1,000 - $2,999 Susan Boland Bill Bechman & Tom Garlock Cynthia & Richard Esposito Lois Gaeta, in Memory of David Remember Baker Dixie Goss & Dan Cryer Lena Kaplan Carri Lyon Dede McMahon Harold Norris & Kell Julliard Judith Samuelson & Vic Henschel Epp Sonin Andrew Taylor-Troup Brenda Walker Espressivo $500 - $999 Barbara de Bellis, in memory of Greta Minsky Robin Bossert Julie Brannan
Miles Chapin Mary Gundermann Dana Ivey Michele Jawin & Dr. Mark Kroll Carol Kirkman John Mascio Erika Mikkelsen Halford Kate Phillips Winnie Olsen Lynne Randall Karen Steele Deborah Taylor Edward Whitney Aracy Winter Rachel Ziemba Cantabile $200 - $499 Betsy & David Bennett Anne Brewer Joan Flesch Anne Fraenkel-Thonet Mary Geissman John Mascio William Steele Alison Tung
This list reflects gifts received from June 1, 2025 to September 26, 2025. To find out about ways to support Musica Viva NY through employer matching, volunteering, and monthly giving, please contact our Executive Director at jasna@musicaviva.org. — 15 —
Musica Viva NY is extremely grateful for the following help with its 2025-26 season from:
All Souls NYC (www.AllSoulsNYC.org) for Musica Viva NY’s meeting, rehearsal, performance, and reception spaces as well as for the facilities and events staff who help make all productions run smoothly
Heart & Soul Fund, Inc. for its longtime support of our community engagement programming
MVNY’s community engagement is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Musica Viva NY 1157 Lexington Avenue New York, NY 10075
212 794 3646 info@musicaviva.org