MOViE MOViE Magazine #77 - Summer Dreams, Ripped at the Seams.
SUMMER DREAMS, RIPPED AT THE SEAMS. MOV i E-MOV i E-MAGAZINE #77 FOR MOVIE LOVERS
BITTER CHRISTMAS
PUBLISHER
MOViE MOViE
EDITORIAL DIRECTOR
PHOEBE CHIU
CREATIVE DIRECTOR
RENATUS WU (EDITED.HK)
CHIEF EDITOR
MALHAREC FUNG
EDITORS
ELAINE SHAM
ELFA HO
CATHY LAI
JASLYN HUI
JASMINE KEUNG
ENGLISH EDITOR
KEVIN MA
DESIGNER
CATHY CHAN (EDITED.HK)
SPECIAL THANKS
BROADWAY/PALACE/B+ CINEMA/ BROADWAY CINEMATHEQUE/ MOVIE MOVIE PACIFIC PLACE/ MOVIE MOVIE CITYPLAZA/ PREMIERE ELEMENTS/ MY CINEMA YOHO MALL
EDKO FILMS LIMITED ESLITE
HONG KONG ARTS CENTRE
JCCAC
PMQ HKU CEDAR-GE
ANALOG DEPT. RECORDS
ART AND CULTURE OUTREACH 艺鵠
BEGIN COFFEE
BLUE BOTTLE COFFEE
CONTRAST COFFEE
CREW COFFEE
FRENCH MAY: DOG RISING
LEMNA OF THE ALCHEMIST
MEGATONI
MOVIE PANDA
PANDA CAMERA
REVERIE BOOKSTORE
SHOWA
半杯寮
光昍工作室 FILMING LAB
序言書室 HK READER
突破書廊
留下書舍
常常集品
about movie movie MOViE MOViE 於 2012 年與觀 眾首次見面 將百老匯電影中 心的精髓帶到觀眾家中，成立 了只此一家的國際電影頻道及
串流平台，讓大家隨時隨地能 透過 Now TV ch 116 或應用程 式 欣賞獨家首輪人氣猛片、國 際影壇得獎傑作，以至口碑載 譽不朽經典，看盡電影的美好。 隨後分別於 2017 年及 2020 年再 推出融入藝術、文化與生活概念 的戲院 MOViE MOViE Cityplaza
及 MOViE MOViE Pacific Place，
提供多元文化觀影體驗。以後不
論身處何方，看電影從此不一樣。
所有文章內容僅代表作者個人
足見本地大眾對動漫的熱情有增無減！ MOViE MOViE 頻道從今年二月起，逢星期三晚上特設「動 畫之夜」，播放全球精選動畫電影，為動畫愛好者 帶來了精彩的節目。2025 年上映的動畫電影《世
外》短片源自「動畫支援計劃」，該短片也是透過 MOViE MOViE anifest 動画藝術祭在戲院放映，我 們一直致力為本地動畫人才提供展示平台。 今期 Life Behind Movies 欄目，我們邀請了香港動 畫大師導演許誠毅，與及在「明日動畫」支援計劃精 選放映《無涯之約》的導演孔令政一起分享他們的創 作之路。此外，anifest 2026 特別舉辦「袁建滔回顧 展」，他憑藉《麥兜故事》成功打入具「動畫界奧斯卡」 之稱的安錫影展。除了在戲院放映他三部經典作品 外，他還帶來了新作《小虫蟲大冒險》，這部動畫融 合了真人實景與電腦動畫技術。我深信 anifest 2026 將會為觀眾帶來一場精彩的動畫盛宴。
by phoebe
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EDITORS’ NOTES
In May, Hong Kong held its first Comic Con to enthusiastic response, proving that Hong Kong’s love of animation is bigger than ever. Since February, MOViE MOViE has devoted every Wednesday evening to showcasing animated films from around the world for animation aficionados. Further proving our commitment to providing a platform for local animation talent to showcase their work, last year’s local animation smash hit Another World began as a short film that was funded by the Animation Support Program and shown on the big screen at the MOViE MOViE anifest.
chiu director of movie movie
For this edition of Life Behind Movies, we are honored to have master Hong Kong animation filmmaker Raman Hui, and James L. J. Hung, the director of Future Animation scheme-supported film Odium Zero, to share their respective creative journeys. In addition, Anifest 2026 will feature a special retrospective of works by Toe Yuen, who propelled Hong Kong animation to the Annecy International Animation Film Festival, often referred to as the “Oscars of animation”, with My Life as McDull. In addition to screening his three classic films, he will also bring us his latest film A Mighty Adventure, which combines real-world elements with computer-generated animation. I’m confident that anifest 2026 will be a spectacular animation feast for audiences. 今年
Thank you to everyone for the time I had with MM, teaching me new things, being super approachable, and being very friendly for my first time here. I am incredibly grateful for this opportunity and experience, and I hope my contributions were useful to the team as an intern who can’t actually read or write 繁體字.
Joe and Angela’s marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places. Have they reignited the spark or lit the match that burns it all down?
It’s a BRAND NEW DAY for Peter Parker. Fighting crime full-time as Spider-Man in a world that doesn’t remember him — and the pressure of seeing his old friends move on without him — sparks a change in Peter he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves — a powerful villain no one can even see.
The world may have forgotten Peter Parker, but he hasn’t forgotten them.
上映日期 IN CINEMAS
上映日期 IN CINEMAS
上映日期 IN CINEMAS
上映日期 IN CINEMAS 22/08 (SAT)
(THU)
上映日期 IN CINEMAS
上映日期 IN CINEMAS
NOW SHOWING IN CINEMAS
IN CINEMAS
導演 director
貝德羅艾慕杜華 pedro almodóvar
演員 cast
芭芭拉蘭妮 bárbara lennie
里安納度沙巴華利亞 leonardo sbaraglia
艾坦娜桑琪絲吉洪 aitana sánchez-gijón
上映日期 IN CINEMAS
September 2026
Bitter Christmas
BITTER CHRISTMAS
Director in Focus:
焦點導演
艾慕杜華
Pedro Almodovar
卻不足以拯救一個你愛的人
「 愛或許能移山倒海 ,
｡ 」 “Love may move mountains, but itʼs not enough to save the person you love.”
In 2026, JCCAC's monthly "Saturday Film" continues in partnership with MOViE MOViE and Alliance Française de Hong Kong. This collaborative project brings art to the public and the community through open cinema. In 2026, the series continues its dedication to local cinephiles with "Life" as the central theme, curated by JCCAC. From January to June, the programme accompanied audiences through absurdities, struggles, and psychological mazes filled with secrets. In the second half of the year, the lens delves deeper into the quiet glow hidden beneath everyday life. Starting from "HOME" and ultimately returning to "THE EVERYDAY," the series invites viewers into a gentle dialogue about family, bonds, and self-reconstruction.
the community through open cinema. In 2026, the
Nanni Moretti and Hirokazu Kore-eda's Three and Shoplifters
Heaven Is Still Far Away realms of the body, sensation, and the lingering Petite Maman
The six films in the second half continue the profound reflections on life from the first half. Nanni Moretti and Hirokazu Kore-eda's Floors once again confront the fragility and tenderness of modern family structures. Ryusuke Hamaguchi's two short films, Touching The Skin Of Eeriness and Far Away, extend the sense of touch into the realms of the body, sensation, and the lingering warmth of trauma. Céline Sciamma's poetically constructs a healing bridge across generations. Finally, Wim Wenders' Perfect Days provides a closing footnote for the entire year, hoping that after walking with the characters through their daily trials, audiences can find reconciliation with the world once more.
主辦
Organiser
JCCAC
hoping that after walking with the characters reconciliation with the world once more.
EEN T IMETAB LE
小偷家族》 SHOPLIFTERS
地點 VENUE
電影夥伴 Movie Partners
JUL
中央庭園
講者：陳志華 Post-screening talk Guest speaker: Ernest Chan Chi Wa
觸得到的奇怪肌膚》
《觸得到的奇怪肌膚》 TOUCHING THE SKIN OF EERINESS
《離天堂還很遙遠》 HEAVEN IS STILL FAR AWAY
三家有本 難唸的經》 THREE FLOORS
Courtyard SEP
迷你孖媽》 PETITE MAMAN
Courtyard 31
法國電影 JCCAC HONG KONG FRENCH FILM FESTIVAL
節 @ JCCAC
中央庭園 Central Courtyard NOV
免費登記入場 Free Admission
OCT AUG
黑盒劇場 Black Box Theatre
《新活日常》 PERFECT DAYS
Courtyard 26 DEC
最新活動「夜廠 JCCAC Latest event “Night at JCCAC” L
中央庭園 Central Courtyard 15 AU
賽馬會創意藝術中心中央庭園或黑盒劇場 Central Courtyard or Black Box Theatre Jockey Club Creative Arts Centre (JCCAC)
MOViE MOViE 八月焦點放映跟隨四部歐陸盛夏電 影的視角，穿梭於地中海的郵輪之旅、公路流浪與狂 歡派對之間。烈日把理想與現實的落差徹底曝曬現形。 虛偽的奢華與迷茫的青春交織，愛慾與幻想如夏花盛 開又悄然幻滅。在年少輕狂的歲月裡，美夢與惡夢難 分難解。Summer dreams ripped at the seams. But, oh, those summer nights!
電影初段對時裝的諷刺亦在現今的飲食行業可 見：一碗沙嗲牛肉麵賣港幣 $40；但若換成慢煮 鹿兒島和牛，上面綴以黑松露與魚子醬泡沫，便能 賣你 $800，而且兩口就吃完。當然，廚師的手藝 其實不容輕視，高級餐飲自有它存在的價值。只 是，作為食客的思考角度，當食物變成了你在社交 媒體上炫耀和包裝身價的工具時，或許是時候該 問一問自己：Am I really eating for the taste, the experience, or the fame？
THE 13TH ANIMATION SUPPORT PROGRAM WINNERS SHOWCASE
《不軌劇場》 THE NONSENSE PLAY
《打劫經濟》 WE WILL ROB YOU
《曦》 FRANGIPANI
ROBOY - SURROUND SOUND
《追光小拖車》 THE LIGHT CHASER
MOViE MOViE 每年夏天的動畫盛事 anifest 動画
藝術祭載譽歸來，將於 2026 年 8 月 21 日至 9 月
19 日舉行。
今年 anifest 繼續與動畫支援計劃（ASP）合作，
繼續帶來《第十三屆「動畫支援計劃」本地薑得獎
馬拉松》，精選 ９ 部題材多元的本地原創動畫作品
在大銀幕上映。
《西蘭花事變》 BROC!
THE OBSESSION
《一擗泥》 DOUGH CAN…
《袁小姐的每一天（動畫版）》 MISS YUEN’S DIARY THE ANIMATION
anifest 動画藝術祭 2026 將呈獻更多得獎動畫
新作及經典修復，更多節目詳情將在 8 月初公佈。
AUGUST SATURDAY BLOCKBUSTERS
準備好迎接 MOViE MOViE 2026 動画藝術祭了嗎？ 為了讓各位影迷作好熱身準備，八月我們特別精選了 多齣不容錯過的動漫傑作，
逢星期六晚十點 Every Saturday Night at 22:00
“You can handle yourself.”
“I like to think so.”
難得可以同座，何以要忌諱赤裸？ 在渾身稜角、事事追求痛快撞擊的青蔥歲月，總聽不明白成年人 “Small Talk”的沉重與避忌。長大後才發現，原來對話間的留白與兜 圈圈，硬找無關痛癢的話題瞎聊，並不是因為不用腦，而是要用盡洪 荒之力，才能你我一起把房裡的巨象（Elephant in the room）藏起來， 在縫隙裡精準繞道，避而不談。MOViE MOViE 八月首映星期天的五 部電影，對白好像沒幾句在推進重點劇情，但在無聲的留白中，卻拖 拉出比千言萬語還要沉重的包袱，緊繃地在等待最後一根壓垮駱駝 的稻草。
A Japanese man and Taiwanese-American wife’s immigrant life unravels when their son disappears. The kidnapping reveals hidden secrets, testing their emotional limits and moral boundaries.
Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
Fren, working in HR, faces an existential crossroads when she discovers she’s one month pregnant. As she interviews countless young job candidates at her company, their stories of hope, anxiety, and uncertainty become a mirror for her own internal struggle about bringing new life into an increasingly complex world. Through deliberate pacing and subtle performances, acclaimed Thai director Nawapol Thamrongrattanarit delves into modern dilemmas, exploring contemporary questions about life, parenthood, and the changing nature of human existence in an era of declining birth rates globally.
小編 M：若撇開對白語言，也許我也不會知道這套是泰國電影， 因為全球的發展也真的太相似了。電影畫面的冷色調很像啟德與 將軍澳一帶的新樓盤、很像倫敦的 Canary Wharf、又很像巴黎的 La Défense。全球的城市規劃開始變得一模一樣，新一代的小朋 友不論國籍都會在這乏味的審美下成長，以前覺得反烏托邦電影 未來城市很簡潔很酷，現在只有覺得殘酷，還我 Art Deco >.<
“You can choose your friends and your lovers, but you canʼt choose your family.” — Father Mother Sister Brother
家，是我們最親密，卻也最常把秘密壓抑在回憶深處的地方。MOViE MOViE 九月週六熱映夜：我們這一家為你帶來四部探討家庭關係的作 品，貫穿中西家庭、橫跨了童年青年到成年的階段，把藏在屋簷下、封閉 家門裡的家庭百態搬上螢幕。
Hajime is a handsome young man, who is always a second quicker than everyone else. He works at the post office, where Reika comes to buy a stamp every day. Reika is a young woman, who is always a second slower than everyone else. On the day after Valentine’s Day, Hajime wakes up to find himself losing all his memories from the previous day… A remake of the Best Film Winner at the Taipei Golden Horse Awards, My Missing Valentine, and relocating the story to Kyoto, the film tells a quirky romance caught in unexpected time differences.
In 1987 Tokyo, a quirky and sensitive 11-year-old girl copes with a terminally ill father and stressed-out working mother while encountering various adults dealing with their own struggles.
Comedian Noam Shuster-Eliassi’s one-woman show tackles the Israeli-Palestinian conflict and the struggle for equality, challenging audiences with uncomfortable truths when her pursuit of coexistence starts sounding absurd.
An introverted teenager who’s only ever experienced intimacy through the lens while working for his father’s pornography business, must step out from behind the camera when a feisty classmate challenges him to embrace real connection.
《我的初戀赤裸裸》
TRULY NAKED
導演 director
穆麗爾丹桑堡 muriel d'ansembourg
演員 cast andrew howard
kate kennedy
lyndsey marshal
獨家首播 EXCLUSIVE PREMIERE
27/09 (SUN) 22:00
28/09 (MON) 23:45
According to statistics, three of the most visited websites in the world are pornography sites. Pornography is viewed by millions of people every day on the internet, but very few would honestly acknowledge pornography’s effect on not only how we view sex, but also how we have sex. Much like how romantic films and social media posts featuring extravagant romantic gestures shape our fantasies of the ideal romance, pornography both shapes and feeds on our sexual fantasies. For some, pornography provides a tutorial of sorts for sexual novice, as well as an outlet for people’s most secret sexual fetishes. However, many also mistake pornography as documentaries rather than fiction, causing them to develop unrealistic expectations for sex in real life.
Truly Naked, Muriel d’Ansembourg’s feature debut, mostly unfolds like a coming-of-age love story, but it comes with a twist: it is also a deep dive into the psychology of pornography. The film’s young hero, Alec, is a reserved teenage boy with a secret: He shoots, edits and uploads the content for his father’s amateur pornography. When Alec falls for Nina, his feminist classmate, while working with her on a school project, he realizes that the staged sexual intimacy that he witnesses every day is far from the type of intimacy he needs to learn to maintain a romantic relationship, and that to be truly naked is to also open up emotionally without reservation.
On paper, the idea of a teenager shooting hardcore pornography is shocking even in Western countries that have seen shows like Sex Education And while the film’s sex scenes are explicit (one involving a certain invertebrate is especially disturbing), Truly Naked is neither exploitative nor obscene. d’Ansembourg questions the effects of consuming pornography on our psyche and the ethics of making pornography (including the idea of the “male gaze” in filmmaking), but she also tries to remain impartial about pornography itself, as evident in a compelling verbal exchange between Nina and an adult film actress (played by real-life adult film performer Alessa Savage).
In this candid interview, director Muriel d’Ansembourg speaks to MMM about the film’s origin, pornography and the patriarchy, how the sex scenes were filmed, and the surprising reaction she received from male audiences in Hong Kong.
Kevin Ma is a writer and English subtitler in the film industry, and the Hong Kong Consultant for Italy’s Udine Far East Film Festival. He was an English Editor at YesAsia.com and the Entertainment Editor of Cathay Pacific’s inflight magazine. He has contributed to publications by the Asian Film Awards. South Korea’s Bucheon International Fantastic Film Festival, Poland’s Five Flavours Film Festival, Hong Kong International Film Festival, Hong Kong Asian Film Festival and the Hong Kong Film Archive.
