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Contents

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STAGE/ART/EVENTS 27 BEATSCAPE 28 CLUB GRID 30 FILM 34 EPICURE 35 FOODIE FILE 37 ASTROLOGY 39

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own to us. factual inaccuracies kno known EDITORIAL EDITO ORIAL EDITOR EDIT OR STEVE PALOPOLI PAL A OPOLI STEVE spalopoli@santacruzweekly.com spalopoli@santacruzw weekly.com

STAFF WRITERS STAFF W GEORGIA A PERRY PERRY gperry@santacruzweekly.com gperry@santacruzw weekly.com

JACOB J ACOB B PIERCE jpierce@santacruzweekly.com jpier rcce@santacruzw weekly.com

RICHARD VON VON BUSACK BUSACK richard@santacruzweekly.com richar rd@santacruzw d weekly.com

CONTRIBUTING C ONTRIBUTING G EDITOR EDITOR CHRIS TINA WATERS WAT TERS CHRISTINA PHO TOGRAPHER PHOTOGRAPHER CHIP SCHEUER S C ONTRIBUTORS CONTRIBUTORS ROB BREZ B SNY Y, BREZSNY, PAUL M. M DAVIS, DAV VIS, PAUL GANT T, MICHAEL S. GANT, JOE E GARZA, GILBERT T, ANDREW GILBERT, MARIA GRUS SAUSKAS, GRUSAUSKAS, JOR RY JOHN, JORY CA AT JO OHNSON, CAT JOHNSON, KELL LY LUKER, LUKER, KELLY SCOTT MA CCL LELLAND, SCOTT MACCLELLAND, A VERY MONSEN, V M AVERY P AUL W AGNER PAUL WAGNER

A ART & PRODUCTION PRODUC CTION DESIGN DIRECTOR DIRECTOR KARA A BROWN BROWN KARA PROD DUCTION PRODUCTION OPER RATIONS OPERATIONS COORD DINATOR COORDINATOR MERC CY PEREZ MERCY DE ESIGNER GRAPHIC DESIGNER TA ABI ZARRINNAAL ZARR RINNAAL TABI ED DITORIAL EDITORIAL PROD DUCTION PRODUCTION SEAN GEORGE AD DESIGNER DE ESIGNER VA ANEY YCKE C DIANNA VANEYCKE

DISPLAY DIS SPLAY ADVERTISING ADVERTI ISING SENIOR ACCOUNT ACCOUNT EX XECUTIVE EXECUTIVE ILANA RAUCH-PACKER RAUCH--PACKER ilana@santa acruz.com ilana@santacruz.com A CCOUNT EXECUTIVE EXE ECUTIVE ACCOUNT DENI SE TOTO TOTO DENISE denise@santacruzw weekly.com denise@santacruzweekly.com OFFICE MANAGER MA ANAGER LIL LY S TOICHEFF O LILY STOICHEFF lily@santacruzw weekly.com lily@santacruzweekly.com

PUBLISHER PUBLI ISHER JEANNE HOWARD H WARD HO

PRESIDE PRESIDENT ENT & EXECUTIVE EXECU UTIVE EDITOR ED DITOR DAN D AN PU PULCRANO LCRANO

Thank Y You, ou, o SCMF Re: R ee: “Santa “San San nta Cr Cruz uz Mus Music sic F Festival estivva al M Makes akes Bo Bold ld Debut”: three De bu ut”: t A giant gian nt thank than nk yyou o ou to to the the thr ee yyoung oun o g men this incredible And m en who who created crea ated th is in credible eevent. veen ntt. An d thanks theenin ninee downtown th anks to toth dow wn ntow wn vvenues eenues that that p rovided stages stages and and the the over ovveer 90 musical musical acts acctts provided who camee fr from all ov over thee coun country. This was w hocam omall o veer th nttry. T his w a as a music music llover’s ovver e ’s dr eam m. P acific A ve. w as a aliv ve dream. Pacific Ave. was alive and lineup was truly an d giddy. giddy. The Thelin eu up for fo or each eachsstage tagew w a as tr uly inspired. in spired. Some highlights me: att M Motiv: Some hig hlightts ffor o or m e: 4:30 a otiv: LittleJohn, house Li ttleJohn, our llocal ocal h ouse music music impresario, impresarrio, spinningg a set so advanced—multiple spinnin ad dva anced—multiple ggenres enres sp anning over ovveer 50 yyears—but ears—bu uttn ever e on ce llost ost spanning never once thee m most sublime groove thee yyoung Santa th ost sub lime gr roovve ffor or o th o oung San ta Cr uz gglitterati. litterati. t Cruz 6:35 a att Kuumbwa: Roadkill Ghost Choir. Kuumb bwa a:: R oadkill Gh o ost Ch oirr. Alm ost fr on nt rrow ow wsea atts ffor or this b o and fr om Almost front seats band from Florida, with Fl orida, fronted fron nted by by a llonghaired onghaired sshaman haman wi th a soulful These guys made beautiful, asoul ful vvoice. oi o ce. T hese gu uys m ade beau uttiful, haunting brought them wallh aun ntin t g melodies melodies and a db an rougght th em tto oaw all-

of-sound psychedelia. was after thee o f-sound psy ychedelia. I w a as in llove ovve aft fter th first seconds. The beginning off th thee secon second firs st 30 secon ds. T he beginnin go d song brought and ended with son nggb b roughttgggoosebumps oosebum o b ps an d en ded d wi ith a trumpet solo that had mee in ttears. thee llonely on nely tr umpet so lo th at h ad m ea ars. By th end off th their knew thee w world was en do eir set, I kn ew th orld w o as a ggoing oin o g tto o OK. be O K. 11:15 att th thee Ca Catalyst Atrium: The Coup. 11 1:15 a atalyst Atr rium: T he Cou up. Seriously heavy music, the Ser riously h ea avy musi c, cchallenging hallenging th he “powers that head with most “po owers e th at be” h ead on wi th a m ost performance byy th thee b band, thee eelectrifying lecttriffyin y g per rform o ance b and, d th sensual ball-of-fire, Silk-E, and, especially, thee sen nsual b all-of-fir - e, Silk -E, an d, espec ciallly, th world-class and power off Boots w o ld-class ccharisma or harisma an d sstar tar po weerr o Riley. And who knew also onee o off th thee Ril ey. An ey dw ho kn ew Boots is al so on greatest dancers Earth? gr eatest d ea ancers on Ear th? This Festival and worked: T his F estivva al rrocked ocked an dw orked: o published program, schedule a pu ublished p rogram, on sc hedule performances, walks, no per rfo ormances, sshort hort sets, sshort hort w alks, sn o lines, no over-packed great sound lin e n es, o ov ver-p e acked vvenues, eenues, gr ea at so ound production and only firstt tim time out, p rod o uction an d onl y $30. The The firs me ou utt, thiss event something emulate. thi eveen nt is already alread dy som ething to to em mulate. Who aree th these masked men and where Wh ho ar ese m asked m en an dw her e e did they these mad th e gget ey et e th ese m ad sskills? kills?

Thanks Thanks ag again ain ffor o or a major major cultural cultural eevent veen nt in San Santa ntaCr Cruz uzhis history. torry. Mark Peabody Santa Cruz

SCMF:: Thank Y You ou o Wanted tto Wanted o ttake ake a min minute ute and and thank thank yyou ou ffor o or th thee gr great ea at cov cover ver e sstory tory on th thee firs firstt ann ual Santa Santa Cr uz Musi estival (Jul annual Cruz Musicc F Festival (Julyy 10). T he event event made made a lot lot of of good good noise, noise, our The a tt t endance ggoals oals were were m et and and we we look look attendance met fforward or orward tto oS CMF F 2014. 4 A bigg th anks for for o all SCMF thanks th efffo ort, tim a d en ergy th at eeveryone veryo one pu ut thee effort, timee an and energy that put in to S CMF 2013. into SCMF Ad ditional th an nks: T he Ci ty o nta Cr uz, all Additional thanks: The City off San Santa Cruz, o eenerrous o sp ponsors, willin g vvenues en e ues e an d off our ggenerous sponsors, willing and allth plew w hoa oa tt t endedth veen nt.t all thee peo people who attended thee 2013 eevent. Brian Crabtree SCMF Gener ra al Manager General

Modest Modes st Proposal Thanks T hank ksfffor o or yyour ouro o on ongoing goin oi g cov coverage veerageo offth f the he scourge scour rgeo offh homelessness omelessnessinSan in Santa ntaCr Cruz, uz, an and d our iron-fisted ourir on-fisstedCi City t Coun ty Council cilfffor o orm making aking th their eir besttef bes effort ffo orrtttto odr drive ivveth e theeun undesirables desirra ablesou out utto offttown. own. w Unfortunately, Unf fo orrttunately, despite despi e te their their laudable lauda able attempts att t empts tto o cu cut ut all ser services rvvices an a and d send send Santa San nta Cruz’s Cruz’s finest finest to to kick ki ck eevery ver ery ill illegal egal cam ccamper per d down ow wn th thee road, ro oad, so ffar a ar thee tr th transients ansien nts t d don’t on n’t seem tto o be lleaving. ea avving. W Weeecan can’t’t just jussttk keep eeep multiplying mullttiplyin y g fforever, or oreveerr, an and d degenerate who puts eexpecting xpecctting tto offfeed eeed eevery ver ery d eg geeneratew w ho pu uts t out ou uttth their eirh hand. and.Isu I submit ubmitth therefore ereffo oreaM a Modest odest Proposal Pr oposal for fo orso solving lvving the the problem: problem:in instead steado off ffeeding eeeding the the homeless, homeless, we we start start ea eating atting th them! em! I know, kn ow, som somee o off yyour ou our rreaders eaders m may ay fin find d th thee id idea ea unpalatable, un palatable, bu but ut I can assure assure you yo ou that that eeven veen older o lder h homebums omebumss so soften ften u up p ni nicely cely coo cooked keed sslowly lowly in into nto oas a stew, tew, or b baked akedin into ntoacasser a casserole. role. On Oneew w way ay or an another, ottherr, iit’s t’scclear learth that attourCoun our Council cil has h as yyet ett e to oso solve lveeth theeH e Homeless omeless Qu Question. estion.T The he timeefffor tim orb o band-aid and-aid did ideas easlik likeecr criminalizing riminalizing ssleeping leeping an and d begg begging ging is ov over; ver; e w what hat w wee n need eed is a Final Final Solution Soluti t on tto o th thee p problem. roblem. If th thee liber liberal ra al vvegetarian eegetarrian cr crowd owd w won’t on o ’t llet et us im implement plemen nt m myy proposal p roposal of of Reverse Reveerrse Soup Sou up Kitchens, Kitchens, a att lleast east can wee agr agree off an area offth theeP Pogonip w reet e to offfence eenceo o fffanar eao ogonip ffor or o them free-range in?? th emtto ofr ree-r e ra angein For our safety, timeetto our F oroursaf fety e y, for forourkid o our kids, s, it’s it’stim ottake akeour town back! tow n ba ck! Steve Schnaar Santa Cruz

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OPEN HOUSE

Currents Chip Scheuer

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ALLOW ME TO BE DIRECT? Six-time mayor Mike Rotkin says Santa Cruz residents shouldn’t elect their top official.

Does Santa Cruz Need a Full-Time Mayor? Some are calling for a system that gives the mayor more power and responsibility BY JACOB PIERCE

here’s a good chance Hilary Bryant got home from work last night around 10 or 11pm, started writing emails before going to sleep, and woke up this morning at 5am to write more emails before the onslaught of daily messages poured in. All this for a mayoral post that is officially described as “part-time.” But anyone who thinks Bryant works less than full-time as mayor of Santa Cruz is wrong. The meetings, events, commissions, staff reports and dozens of daily emails—each of which Bryant tries to respond to—add up. “That alone makes it almost

impossible to think it of the job as parttime,” says Bryant, who works 40 to 60 hour weeks for the city. “Then you lay on any type of crisis. After [SCPD officers] Butch and Elizabeth died, I had to call my mom to ask her to move in with the kids to watch them because I was at work 11 or 12 hours a day.” Bryant’s term comes in the midst of community chatter that the mayor’s job should be restructured—though it’s not a charge Bryant is leading. Richelle Noroyan, for one, suggested switching the mayor to a full-time, better-paying post last year during her city council bid. Instead of rotating

through one-year terms, mayors could serve full-time terms for two or four years to look deeper into city issues. County Treasurer Fred Keeley supports that kind of restructuring too, and a few former mayors are intrigued by the idea. Ryan Coonerty, who announced his run for the county board of supervisors last week, is fully on board. “Having a single voice for four years that can set a vision, communicate with consultants and companies and institutions is increasingly important,” former mayor Coonerty says. “The city is a $200-million-a-year organization, and it needs someone speaking for it full-

time. You can only set goals in one year. And most meaningful goals take many years to move forward.” The idea isn’t selling itself to everyone, though. Former mayor Mike Rotkin says it would just lead to divisiveness between the mayor and the staff or the mayor and the council. “A separately elected mayor is a guarantee for a massive amount of energy thrown into a fight between the mayor and the council,” Rotkin says. “It happens in every city that has [that system].” Rotkin, a now-retired UCSC professor, says the council should attract people who are committed to a high level of service, but acknowledges the job comes with a heavy workload. “The mayor’s job is 40 hours a week, and I had another full-time job, so I was working 80 hours a week, and that’s doable,” says Rotkin. Then again, Rotkin is an admitted workaholic, who served six terms as mayor and set the bar high for everyone else—every town’s got one. Bryant, a mother of two whose husband owns Cruzn Pedicabs, says if she had another full-time job this year, she would have had to walk away from one of them. Nowhere does city code specify how many hours the mayor is supposed to work. But the mayorship, notes city councilmember Don Lane, is “not compensated very well if you consider it a full-time job.” Lane, whose most recent term as mayor ended last December, prefers the current council set-up, but does see the benefits of a full-time, directly elected mayor. He says that it’s confusing how the mayor doesn’t have a different specified role on the council, other than acting as the chair and performing a few ceremonial acts. “And yet we have all this informal expectation,” Lane says, “about what we’re supposed to do as mayor, which I think is what people are trying to get at. Shouldn’t we recognize that this is a bigger job than chairing the city council meeting? On paper, that’s the

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Currents

only difference. The city charter doesn’t describe a whole lot of extra duties for the mayor, other than running the city council meeting. But in fact there’s a tremendous expectation about being the spokesperson for the city. Obviously, this year that’s been huge.” Currently, the city has a city manager form of government. One thing Lane doesn’t want to do is take the day-to-day duties from the city manager, currently Martín Bernal, and give too much to a mayor, who may not have all the expertise needed to run a city. “You really need a professional administrator to manage 10 department directors working under them and to manage a city budget,” Lane says. “You don’t just want an experienced amateur like me. I have some knowledge of management, but it’s not a substitute for professional training in budgeting, fiscal management and personnel administration.” Coonerty, who supports mayoral restructuring, doesn’t want an independent “strong mayor” system that takes power away from Bernal, either. He says there are advantages, though, to a directly elected mayor. It would be easier to keep long-term projects going because people wouldn’t have to re-establish contacts with each new mayor. Santa Cruz would have a figurehead, who could take the time to sell its accomplishments to an international audience. Plus the city can continue setting the bar high for its mayors and expect a lot during times of crisis. And if the city does amend its city charter amendment by a vote of the people to make for a directly elected mayor, the city would likely need to increase the mayor’s compensation, as well. Otherwise, former mayors say, it would be hard to find qualified people willing to put their lives on hold for more than one year at a time for a small salary. Whether a change ever happens or not, Coonerty and Lane both say a lot of people don’t fully grasp how the oneyear terms and city manager system work at the moment. “When I was mayor, I was always surprised at how many people were surprised our mayor wasn’t elected directly,” Coonerty says. “Many people assume this is how it is, and would be surprised to hear how different it is.” 0

Briefs Social Distortion? What makes for a fair discussion about public safety? That’s what some locals have been asking since last week, when a member of the city’s public safety task force left a Facebook comment on Take Back Santa Cruz’s page that elicited some, er, strong reactions. “I’d be fine with junkies dying somewhere else,” Steve Schlitt wrote in a discussion about drug addiction, after a body was found in the San Lorenzo River. “Outside the county is fine by me.”

'I'd be fine with junkies dying somewhere else' — Steve Schlitt Whether Schlitt was being serious, sarcastic or insouciant, he struck a nerve, and someone took his comment from the TBSC page, which is open to members only, and emailed it to the city council, suggesting that Schlitt might not be fit for the task force. Schlitt, who’s generally seen as one of Take Back Santa Cruz’s prevailing coolest heads, isn’t thrilled someone shared the information. “This person went into a private Facebook group and sent it in a letter to city council,” says Schlitt, adding that he doesn’t have anything to apologize for. “The comment was taken out of context.” Activist Brent Adams, who’s criticized TBSC in the past, says the comment “lacks a realistic approach to drug addiction,” and shows larger problems too. “The task force is tasked with getting to the root of the problems,” Adams says, “but what we’ve seen to this point is they’re not interested in the roots of problems, just the same old story.” Schlitt says that it was a closed discussion and that people are making noise about nothing. “What transpired in the conversation was between the people in the conversation,” Schlitt says. “It was reprehensible someone would take me out of context.” 0

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J U LY 3 1 - A U G U S T 6 , 2 0 1 3 Chip Scheuer

POINT AND CLIQUE Students at Boulder Creek’s Young Actors’ Theatre Camp

Method in the Madness At Young Actors’ Theatre Camp in Boulder Creek, they don’t just train budding thespians. Even more importantly, they encourage kids to discover their true selves by letting their freak flags fly BY GEORGIA PERRY

ith blue eyes, curly blond locks and a round babyface, 35-year-old Shawn Ryan was teased a lot growing up. He says as late as the eighth grade adults would ask him if he was a little boy or a little girl. “That probably made me an introvert,” he admits. In his career as an actor and jazz/cabaret singer who is perhaps best known for reaching the semifinals on the first season of America’s Got Talent, his look has helped him score some offbeat roles. He once appeared on the 2007 ABC series

Women’s Murder Club as “transgender narcoleptic drag king Karen Adams.” But it was a long journey, and Ryan claims theater saved his life. “In high school I got a lot of, ‘hey fag’ as I was walking down the hall. Kids can be so mean to one another. I didn’t even know I was gay. I just knew people called me fag. I remember asking my sister like, ‘What is a fag?’” But after a trip to New York to look at the American Academy for Dramatic Arts, where he eventually went to college, everything changed. “I remember coming back and being like, ‘There’s a whole world out there!’ So when my senior year started I walked

across those boys that called me fag every morning and I finally stopped and I went, ‘Are any of you gay?’ And they were like, ‘No.’ And I’m like, ‘OK, I just wanted to know if you’re calling me this name because one of you is interested in me, or are you just doing it to be mean?’ I am not kidding, it stopped that day.” Ryan is co-director of the Young Actors’ Theatre Camp in Boulder Creek, which he founded with his partner John Ainsworth. In addition to the professional instruction, a big part of the camp’s purpose is to give kids that same sense of empowerment that theater gave Ryan when he was in high 13

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DREAM WORKERS Shawn Ryan and John Ainsworth founded the Young Actors’ Theatre Camp together 12 years ago.

“Some of these kids are never going to go into the performing arts,” says Ainsworth. “But the experience that they’ll have gained from being in a place where they’re not judged, and they can be how they want to be or try something new without fear of being called stupid, or being called dumb or gay or fag or whatever—that’s an experience that literally can flip their whole world.”

I’ma Be Me Indeed, at this camp—which has three sessions, each two weeks long, every summer in the Santa Cruz Mountains—the kids and staff all operate under one guiding principle: Be whoever you want to be. For the two weeks they’re here, everyone is expected to forget the definition the real world has created for them. Instead, they imagine the person they want to be from scratch, and then just be him, or her, or the Hulk, or whatever. The effects of this are plain to see: The kids, ages 8-18, go from breakfast to activities carrying puppets, or wearing cartoon-patterned footie

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pajamas, or decked out in vampire makeup, growling “I’m crying blood” at reporters they have never met before. The staff is unfazed by this display: to them, this is the mark of a successful session. “From the day we’re born, we’re defined by other people,” says Ryan. Outside the cabin he and Ainsworth share at the camp near Boulder Creek waves a rainbow flag proclaiming “Born This Way”—the Lady Gaga lyric. “The only boundaries are the ones you set on yourself.” Ryan and Ainsworth, both working actors in Los Angeles, have run the camp for 12 years. As the only camp of its kind in the Bay Area, it attracts kids from as far away as China and Singapore, and as close as Santa Cruz and Aptos. They come because they love performing and want to learn how to do it from professionals— working television and stage actors who drop in for a couple days at a time and teach master classes in which they offer up prize tips on everything from vocal technique to headshot poses, insider information

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METH OD IN T HE MAD N ESS

Escape From L.A. Ainsworth is just back from Los Angeles, where he auditioned for a Paranormal Activity-type movie. Now he dangles his legs over the arm of a couch outside their cabin,

underneath the “Born This Way” flag. Ryan sits in a plastic chair that until a few moments ago had a pink boa and a strand of fake pearls occupying it. (Jokes Ryan: “These are actually real pearls. We just have so many we’re like, ‘Throw them wherever.’”) “I’ve been called into this one casting office that does all the Lifetime, Hallmark Channel movieof-the-week-type things. They’ve called me eight times in the last seven months for eight different films,” says Ainsworth, who wears jeans and a faded baseball cap. “So it’s like, they really like me and really want me to be in one of the films, but they’re trying to find that perfect fit. “Shawn, did you tell the reporter about the Macy’s thing?” he asks. Ryan flew back to Los Angeles last week to audition for a national Macy’s spot, and is currently “on avail,” meaning he is one of two people they are considering for the job and is expected to keep the shoot dates available, kind of like a wedding “save the date.” “Yeah, the phone call’s coming in today,” Ryan says with a wink in my direction. “We’ve already decided.” “He said that on Saturday,” Ainsworth explains, “and I said, ‘Babe it’s Saturday.’ And he said, ‘It’s comin’ through on Monday.’” Today is, by the way, Tuesday. “OK, Tuesday,” Ryan shrugs. But then, he looks at the phone, and some textbook actor insecurity shines through. “It’s so hard!” he says playfully, throwing his arms in the air. “Please call!” There are 100-120 kids at each session of the camp, and around 50 full time teachers and counselors. The staff is encouraged to fly back to Los Angeles for any and all auditions that may come up during camp. “We understand that the industry is what calls first,” says Ryan. “If you get a job in Los Angeles go, go, go, go. Come back and show the kids that you just did an episode of you know, Big Time Rush.” (Big Time Rush is a Nickelodeon series about four former hockey players from Minnesota who move to Hollywood and form a boy band.) Excited for the chance to see their camp director on the big screen, the

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many professional adult actors may never learn. Focusing on all aspects of “The Industry”—from acting, singing and dancing to filmmaking, choreography and casting—the camp is definitely geared toward the budding professional actor. In fact, there already are some young pros in their ranks. “One of the kids in this session— Charlie—he auditions all the time,” gushes Ryan. “He’s the voice of the Leap Frog video games. So when it turns on and you hear, ‘Wanna play?’ that’s Charlie.” The Young Actors’ Theatre Camp is the only “top five” kids’ acting camp that doesn’t require auditions to get in, says Ryan. Because of that fact— along with its price tag of $1,750 for a session, quite reasonable compared to over $3,000 at the other camps like it—“We open for registration and we sell out within like an hour. It’s like a concert ticket,” Ryan says. YATC also offers several scholarships to homeless and at-risk kids. For the campers who don’t have the added confidence that no doubt accompanies amphibian-themed voice-over success, the whole “be whoever you want” thing has to be encouraged a bit. “I’ll have parents call and say, ‘She’s interested in singing, but she’s not a great singer,’” admits Ryan, adding a quick caveat that, “I mean, obviously the kids who come to this camp have great parents who send them to this camp, so they’re great parents.” But when that kid gets to camp and goes into her first voice lesson with her head down, saying she’s not a great singer, that’s when the camp initiation really begins. “I’m like, ‘OK, let’s tack three words onto this: Up until now,’” says Ryan. “So anything you put out into the universe that’s negative about yourself you can always tack on ‘up until now.’ And you can say that as many times as you need to, because we have to reprogram ourselves.”

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DO RE TREE Classes at Young Actors’ Theatre Camp focus not just on acting, but also singing, dancing and other disciplines.

PUBLIC NOTICE CITY AND DISTRICT EXTEND PUBLIC COMMENT PERIOD TO AUGUST 12, 2013 FOR scwd2 REGIONAL SEAWATER DESALINATION PROJECT DRAFT EIR The City of Santa Cruz and Soquel Creek Water District released the Draft Environmental Impact Report (EIR) for the proposed scwd 2 Regional Seawater Desalination Project on May 13, 2013 for public review and comment. Several Santa Cruz and District area residents asked the agencies for an extension to the initial 60-day comment period, citing the desire for more time to read the Draft EIR and prepare their comments. The comment period has been extended another month from July 15 to August 12, 2013 to provide a longer opportunity for the public to participate.

COMMENT ON THE DRAFT EIR Written comments can be sent by email or mail before 5:00 p.m. on August 12, 2013 to: Heidi Luckenbach scwd 2 Desalination Program Coordinator City of Santa Cruz, Water Department 212 Locust Street, Suite C Santa Cruz, CA 95060 Email: hluckenbach@cityofsantacruz.com For more information or translation services please contact Melanie Mow Schumacher, Public Outreach Coordinator, Soquel Creek Water District, 5180 Soquel Drive, Soquel, CA 95073, by telephone at: (831) 475-8501 ext. 153 or by email at:melanies@soquelcreekwater.org. Esta información está disponible en español. Por favor llame al (831) 475-8500.

kids eagerly ask Ainsworth how his most recent audition went. He jumps on the opportunity for a teaching moment. “Honestly, in this industry you have to go and do the audition and then walk away from it and forget about it,” he tells them, “because you likely will never hear if you don’t get it. You only hear if you do get it. And there’s like 40 other actors that were going in for the same role.”

Princess Power It’s day nine of the camp’s second two-week session, and Ryan is making morning announcements. He brings up the hidden-talent show that is happening later today at

lunch, and a little girl wearing a pink t-shirt, a rhinestone tiara and pink sweatpants that look like they’ve seen a few days’ worth of outdoor playtime raises her hand. “This is Natalie Tanner, everyone,” says Ryan, who wears teal shorts and a newsboy cap over his blond curls. He invites her to come stand with him at the front of the cafeteria and everyone applauds, because they applaud at almost everything here. He continues, with more than a touch of “hey girl” punchiness in his voice: “We all have our inner child, and this is exactly what I picture my inner child to look like—always wearing a tiara, sparkly and excited for the day.” Miss Tanner has an announcement

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regarding the talent show: “My thing is, my dad forgot to bring my violin, and I do play it.” Ryan feigns panic. “Can anyone whittle a violin before the talent show?” But luckily that won’t be necessary—a big kid offers to let Tanner borrow hers. Whew. “Look at that, Natalie, we magically got you a violin!” says Ryan. As Tanner takes her seat, everyone applauds again. Why not, right?

Dream Boarders During the day, the campers have the opportunity to take a range of classes from working professionals. There’s a film class, scene study, dance and even a “Dream Board”

class taught by Ryan’s mother, who is a professional motivational speaker. (Dream Boards are collages with pictures of your goals—think The Secret.) Master classes from big names such as Sutton Foster, who starred in Thoroughly Modern Millie on Broadway, as well as Jonathan Groff and Darren Criss from the hit FOX series Glee, are one of the camp’s biggest draws. Campers are even invited to sign up for coveted one-onone sessions with the celebrities. Today there is a class called “Power Breathing” taught by Chris Dilley, a professional singer and teacher who currently tours with an a capella theater show called Voca People.

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ROARING CAMP Zach Smallman goes primal at Young Actors’ Theatre Camp.

Dilley has a bright white grin and a muscular chest. He plays piano and leads the kids in a singing warmup where they belt vowel sounds in different octaves. However, there is a catch. The kids each have a plastic straw and have been instructed by Dilley to try to sing the exercise while sticking their tongues out and using them to hold the straws just underneath their lower lips. “Our tongue has a habit of tightening up when we sing,” he explains, which can cause it to go back and block the hole leading to the air supply and limiting the power of a singer’s voice. “This exercise is about teaching the tongue where it should be.” While most of the kids stumble through the exercise, catching their straws as they drop—the tongue is a muscle that needs to develop strength just like any other—Dilley holds his straw easily with his tongue and plays the piano with both hands. Afterwards he has them stretch by sticking out their tongues, then wag their heads from side to side like dogs.

“Whose tongue is sore?” he prompts. Everyone nods and moans. That’s good, though. “Did you think you were just gonna sit in a chair for an hour and ‘la la la?’”

The Show As the lunchtime talent show takes place near the picnic tables outside the main cafeteria, everyone is remarkably attentive. Unlike adult open mic nights, where the performers go into self-absorbed trances a couple slots before and after their individual sets, these kids give their full attention to whomever is onstage and, of course, treat them to raucous applause when they finish. The talents are not quite what you would expect, either. While there are some spot-on drama camp moments—one girl belts out a perfect soprano opera while wearing pink gym shorts—a lot of it resembles the kind of stuff you might see at any summer camp’s

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METH OD IN T HE MAD N ESS

You learn more than just performing here, you learn how to treat people. I’m probably gonna leave here and somebody’s gonna say something mean to me and I’ll be like, ‘OK, that’s cool!’ When it is time for Natalie Tanner’s much-anticipated violin solo, the instrument is too big for her to support on her own. She is one of the littlest kids at camp. But again, it is no problem. The owner of the violin, a teenage girl wearing knee-high laceup Converse sneakers and a monkey hat, holds up the other end of the violin for Tanner. Another kid holds up her music book. Tanner performs a song very slowly, with pauses between each note for her to get her fingering and bow placement right. The campers and staff hang on every note. When she’s done, the crowd erupts into the biggest applause of the day.

Drama With No Drama After the talent show, a few teenage

campers sit down for an interview. They’re quick to explain why they feel so comfortable here. “Meanness is, like, not an option here. You get kicked out of camp if you’re mean,” says 13-year-old Natalie Cheyette of Burlingame. Cheyette got stage-mommed into the industry, landing a job as a department store model when she was just four years old. She says she likes performing because of the attention, and being at camp because of the friendly atmosphere and how everyone has similar interests. “I am not much into sports, and many of the people here are also not that much into sports, so you don’t have to make small talk about sports,” she says. “It would be really hard to make a movie out of this, ’cause there’s no drama. Everyone’s so nice and there aren’t mean girls,” adds 15-year-old Sara Narragon, who is from Santa Cruz. “You learn more than just performing here, you learn how to treat people. I’m probably gonna leave here and somebody’s gonna say something mean to me and I’ll be like, ‘OK, that’s cool!’” Sally Shields has long, straight hair and a laid-back ingénue look that casting agents could probably describe as a “Mischa Barton type.” Shields is still glowing from a recent master class with LA casting director Ty Harman. “He was sitting over there and I went up and introduced myself and after a [brief] conversation he was like, ‘Definitely get Shawn to tell me if you come down to L.A. anytime, I’ll give you my information.’” Like her campmates, she is quick to assert that, yes, she wants to make it. Yes, these kids want to be famous. “Everyone wants to perform,” says Shields. “No matter what aspect— acting, singing, dancing—everyone is here because that’s what they want to do.” Ryan and Ainsworth just want to do their best to help them achieve those goals. “People ask us all the time, ‘You guys will make such great parents, are you gonna have kids?’” says Ryan. “And we're like, ‘We have 500 kids.’ I may not have had any kids of my own, but I definitely feel like I've had a hand in raising a couple. And I'm so proud of them all.” 0

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talent show. One boy does the moonwalk. A girl impersonates a parrot, saying “Polly wants a cracker” in a high-pitched, nasal voice . One kid, who is missing a front tooth, says his talent is squirting liquids through his teeth. Someone else does a backbend, and one girl reads a poem she wrote: “Eternity, tranquility, serenity—the key to be.”

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NO SHOES, NO SHI SHIRT, IRT, GREAT SOLOS Swedish h clarinetist Emil Jonason Festival Contemporary Music guests at the Cabrillo F eestival of Contempor ary Mus sic Aug. 11.

Whistle Whis stle Down Do own the th he Wind d Cabrillo F Cabrillo Festival estival gu es guest esst Em Emil il JJonason onason b brings rings cclarinet, larinet, Klezmer Kl ezmer an and nd T Tom om W o Waits a aiits t BY B CHRISTINA WAT WATERS TERS

innish com innish composer poser M Magnus agnus Lindberg’s Lin dberrg’ g s acclaimed accclaim med Cl Clarinet arrinet Concerto Con cerrto (2002) eexpands x ands upon xp up pon a single melodic theme sin gle m elodic th eme ssweeping weeeping fforward orrwa o arrd musical trajectory in five fivve sections. seccti t ons. The The mus sical tr rajecctory of of demanding passages give guest d emanding p assag gees sshould houl o d giv ve gu est artist out ar rttist Emil JJonason onason a cchance han a ce tto o pull ou ut all the the stops, stops, so to to speak, in a musical musical dialogue piece dial ogue with with the the orchestra. orchesstra. The The pi ece culminates cadenza culmin ates in a froth froth of of so ssolo lo cad enza improvisation before into im provisa o ati t on bef fo ore eexploding xp ploding in nto a denouement orchestra. d enouemen nt ffor o or full or chessttrra a. JJonason, onason, Swedish virtuoso who aS weedish vir tuoso w ho turn tturned ed 30 llast asst week, admits that hee is en energized byy w eeek, admi ts th at h nerrggized b thee p prospect off per performing att th thee th rospecct o rfo ormiing iitt a upcoming Cabrillo Festival. u pcoming Cab rillo F estivva al. coming “It's eextremely xtremely eexciting xcciting comin g tto o California—this myy fir first performance Calif fornia—this o is m rst per rfo ormance thee U.S., an and couldn't att a m more in th d iitt coul dn't be a ore wonderful huge deal mee w onderrfful vvenue. o eenue. It is a h uge d eal ffor o or m

tto o be per performing rfo orm ming a att the the ffestival.” eessttivva al.” that hee h had do JJonason onason conf cconfesses fesses e th at h ad d tto od o somee h homework about thee eevent when som omewor ork abou ut th ven ent w hen hee w was contacted about performing. h a as first first con ntaccted abou ut per rformin o g. couldn't believe when out “I coul dn't be b lieve iitt w hen I ffound o ound ou ut more Festival—I m ore about abou ut the the Cabrillo Cabrillo F estivval a —I thought, th oughtt, oh oh man!” The question, off course course,, is: w why T he first first qu q ueestion, o hy thee cclarinet? th larinet?? “That's easy answer,” says “T hatt's ea asy tto o an sweerr,,” sa ays JJonason. onason. “We have “W We h ave a public p public music music school school in Sweden that anyone may apply and S wed e en th at an nyon o em ay a pply tto, o, an d when was myy mother asked which w hen I w a as 10 1 m mother as ked w h hich instrument specialty had no waiting list.t. in strumen nt special ltty h ad n ow ai a ting lis turned out thee cclarinet, and It turn ed ou ut tto o be th larrinet, an d so that th at was was iit.” t.” turned out great fit.t. “I w went It turn ed ou o ut tto o be a gr ea at fi een nt thee Södr Södra Latins Gymnasium, tto o th a La attins Gymn asium, in Stockholm age and then St to ockholm fr ffrom om ag ge 15 tto o 19, an d th en thee R Royal College off Musi Music.” tto o th oya al Co llegge o c.” JJonason’s onason’s

had played amateur ffather atther h ad p layed e am ateur cclarinet— larrinet e— over jjazz azz and and sswing. w win i g. g “I ttook ook ov veer his hi cclarinet lar arin i ett when And justt k kept w hen I sstarted. ta arrted. An d I jus ept ggoing.” oin o ng.” When comes influences, hee Wh en iitt com es tto o infl uences, h firstt n names wife, music firs ames his wif fe, a cclassical lassical mu usic composer. “Shee h has new commission com poserr. “Sh as a n ew commi ission from Australia flute and guitar fr om Aus sttrralia a ffor o or a fl ute an d gui tar a piece. Wee talk thee time,” pi ece. W talk about abou ut music music all th t e,” tim hee conf confesses happily. “We're musical h feesses h appilly. “W We'r e e a mu usical ffamily.” amil a y.” . huge off Am American JJonason onason is a h uge ffan a an o erican c composers, and hee an and com posers, an d rrecently eecen ntl tly h d his h pianist friend transposed somee Aa Aaron pianis st fr riend tr ansposed som arro on Copland songs based byy Co pland son gs b ased on poems b Emily Dickinson piano and Emil ly Di ck kinson ffor o or pian o an d cclarinet. lar arinet. Having performed Mozart’s H avving per rfo ormed M ozart’s llegendary eggeendary Clarinet Concerto major (1791), Cl arrinet Con certo in A m ajor (1791 11)), praises Lindberg’s concerto JJonason onason p raises Lin dberg’s con cerrto as off th thee bes bestt thin things I've played. ““one one o gs I'v ve eever ver e p layed. e has off n notes, and off It h as a llot ot o otes, an d ttakes akes a llot ot o

practice time. You must have great p ra accti t ce tim e. Y ou o mu usst h ave a gr ea at collaboration with thee or orchestra co llaborattion wi th th chestrra ffor or o iitt tto o work. It’ss so mu much fun!” w ork. It’ o uch fun n!” Whilee oth other musicc mig might contain Whil er musi ht con ntain more difficult passages than m ore dif ffficullt ttechnical echnical c p assag gees th an Lindberg’s Lin dberrgg’s piece piece (which (w wh hiich he he nonetheless nonetheless concedes quite hee con cedes is qui te cchallenging), hall a enging), h believes “they often thee pur purely be lievees “th ey o ften llack a k th ac ely musical aspect. think that Magnus’ musi cal aspec ctt. I thin nk th at M agnus’ concerto onee o off th thee m most con cerrto is on ost ““clarinetclarrinetesque’ pieces out there—it pushes thee esqu uee’ pi eces ou ut th erre—it pus hes th instrument and what do.” in str t umen nt an dw hat iitt can d o.” particularly energized JJonason onason is p arrti t cularly en ergized on thee ttopic off im improvisation. do th opic o pro ovisa attion. “I used tto od o improvisational work att m myy musi musicc hig high im provisa o attional w or ork a gh school. played and sc hool. I p layeed cclassical lassiical an d jjazz, azz, llots ots off big b band and Within o and an d jjazz azz cclassics. lassics. W ithin pieces aree cad cadenzas eeven veen cclassical lassical pi eces th tthere erre ar enzas where thee per performer improvise.” w herre th rform o er can im provise.” almost obvious As a cclarinetist, larinetisstt, iit’s t’s a alm osst o bvious that hee w would have dabbled Klezmer, th at h o ould h ave d a bled in Kl ab ezmerr, musical idiom that highlights a musi cal idi om th at often often hig hlights t wailing, played aw ailing, jazzlike a jazzlike cclarinet. larrinet. “I p layeed Klezmer band several att in a Kl ezmer b and ffor orr se o ever eral a yyears ears e a that samee gymn gymnasium. not th at sam asium m. I’m n ot rreally eallly schooled Klezmer,” hee conf confesses. sc hooled in Kl ezmerr,,”” h feesses. “I have just listened and then h ave jus st lis tened tto o rrecords, e ds, an ecor d th en done myy o own went Poland d one m wn w vversion. eersion n. I w een nt tto oP oland play att a JJewish cultural tto op lay a ewis w h cul lttural ffestival—and eestivva al—and also have Romanian and al so I h ave performed perrfo ormed dR om o anian an d music. was much gypsy musi c. It w a as so o mu ch fun.” When comes hee sa says, Wh en iitt com es tto o com ccomposing, posing, h ays, s he’s perfectionist. h e’s a per rfec ecttionist. never satisfied with myy o own “I'm n eveer sa atis t fied d wi th m w wn compositions. hard over thee com positions. It's h p arrd tto o gget et ov veer th perfectionist thing—my wife likee th that, per rfeeccttionist thin g—m my wif fe is lik att, ttoo.” oo.” That performing T hat said, Jonason Jonason will be per rformin o g somee o off his vvariations thee musi musicc o off som a aria attions on th Tom Waits during T om W o a aits d urring hiss ffestival eestivval a rresidency. esidencyy. makes no predictions JJonason onason m akes n op redictions about career. don't know abou ut his car eerr. “I d on't kn ow about thee fu future. Myy p plan abou ut th utture. M lan is tto o play play much off th musicc I llove, as mu ch as I can o tthee musi ovve, whether w hether iitt lleads eads tto o gig ggigss or rrecording ecording hee sa says. or whatever,” whateverr,,” h ays. s “As llong ong as I play musicc I llove, can p lay musi ove, I’m completely completely satisfied.” sa attisfied.”

Emil Jonason

Aug. A ug. 11, Santa Cruz Crruz Civic

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WAVE HELLO Derek Bermel will take over for the injured Marin Alsop.

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erek Bermel’s trans-cultural composition Dust Dances will open this season's Cabrillo Festival of Contemporary Music. That is not news. But what is news is that the composer himself will conduct this piece inspired by West African percussion idioms, specifically the 14-key gyil, after maestra Marin Alsop injured her wrist July 1. “There's some sadness about stepping in for Marin,” Bermel admits. “I would have been thrilled to hear her conduct my music. But she thought it would be interesting for the audience and the musicians to have me direct. It's a chance to communicate directly with the performers.” Even though this is composer Bermel's ﬁrst Cabrillo Festival appearance, he will be among many musician friends and colleagues. “Kevin Puts and I were in Rome together,” he says of the 2012 Pulitzer Prize winner whose work will also be performed at the opening concert. “I have a lot of musical friends who will be performing—it’s a thrill to be here because the Cabrillo orchestra is great, and has so many great players. It’s fun to work with colleagues from all over the country.” And for opening night audiences, Bermel will provide a rare opportunity to hear the composer conducting his own work. “I'm not technically an ethnomusicologist,” Bermel notes,

“but let's say I’m interested in music in context. I like to be in the place where the music originated, and hear it in context. Rather than on YouTube,” he jokes. It was on a visit to Ghana and the Ivory Coast that Bermel encountered the gyil players and drummers who inspired his composition. “I wrote the piece 20 years ago, so it’s sort of an anniversary performance for me.” Recalling the origins of Dust Dances Bermel admits that it was perhaps his “ﬁrst mature statement. I was trying to synthesize aspects of the solo African instrument—it was challenging. I was taking a non-Western, non-tempered scale, and translating that form into an orchestral instrumentation. I was taking the harmonic landscape of the xylophone and drum and transforming that for orchestra.” Back in Brooklyn now after four years as Artist-in-Residence at Princeton’s Institute for Advanced Study, Bermel is ﬁnishing up a musical called Golden Motors that he'll be workshopping at Reed College in September. But for the next two weeks, the Dust Dances composer will be in Santa Cruz—and promises to show up for “everything the Festival wants me to be at.—Christina Waters”

‘Dust Dances’ Fri, Aug. 2

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OPENING

Baby Feeding Circle

DANCE

Claraty Arts

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Bellydance Showcase Different belly dancers each week on the garden stage. Presented by Helene. www. thecrepeplace.com. Sat, 1:30pm. Crepe Place, 1134 Soquel Ave, Santa Cruz, 831.429.6994.

THEATER ‘Oklahoma!’

MADCAP LAUGH Bianca (Victoria Nassif) and Hortensio (William Elsman) in ‘Taming of the Shrew.’

Conspiracy of Dunces Sexist fools go wild to hilarious effect in SSC’s ‘Shrew’

heatre companies always seem to approach Shakespeare’s The Taming of the Shrew as a problem to be solved. Which is understandable, since the play is on one level pretty much a celebration of domestic abuse. Even more bizarrely— and unlike that other politically incorrect terror from the First Folio, The Merchant of Venice—it’s a wacky comedy. Over the course of many productions, I’ve seen directors try everything to make the most sexist parts of this play go down smoother. Sarcasm is the most common weapon of choice—as in “let’s all act like we know this is terrible stuff”—but the least effective. If you’re going to present this play, there’s really no point in being embarrassed about it. Paul Whitworth handled it most brilliantly in 2004, when he staged both Shrew and the tables-turning sequel by John Fletcher, The Woman’s Prize (better known as The Tamer Tamed). But for this production, director Edward Morgan has more or less thrown caution to the wind, if anything playing up the battle of the sexes that causes other producers so much hand wringing. In the process, he’s made Shrew laugh-out-loud funny again; in fact, this may be the most purely entertaining take on Taming of the Shrew you ever see. I’m sorry, but actors trying to come off as cool, sophisticated and, worst of all, “above the material” is just not

funny. Morgan’s male cast members, on the other hand, are willing to play their characters as raging idiots, at times reaching Monty Python levels of absurd arrogance, but always with complete conviction in what they’re saying and doing. Fred Arsenault plays Petruchio, the famed shrew tamer, like some kind of cross between Captain Kirk and Phil Hartman, full of incredible and inexplicable straight-faced bluster. At one point, he and his servant Grumio (played by Conan McCarty) are practically doing Abbott and Costello. William Elsman’s Hortensio, one of the trio of suitors plotting for the love of the shrew’s sister Bianca, maintains a similarly side-splitting air of emptyheadedness, mistakenly convinced he is always the smartest guy in the room. Even Lucentio, normally portrayed as the brave and clever hero, gets a dose of charming dumbassedness from Elvin McRae. The women go for broke, as well, though Kate (Gretchen Hall) and Bianca (Victoria Nassif) are mostly raging straight women for the men’s comic antics. Other productions may pussyfoot around the material, but SSC’s Shrew goes to 11.—Steve Palopoli The Taming of the Shrew UCSC’s Festival Glen, through Sept. 1

The Rodgers & Hammerstein classic musical set in a Western Indian territory. Runs July 26-Aug. 18. $16$44. Cabrillo College Crocker Theater, 6500 Soquel Dr, Aptos, 831.479.6154.

Shakespeare Santa Cruz Preview Taming of the Shrew: The classic Shakespearean romantic comedy. Full schedule of dates at www. shakespearesantacruz.org. July 23-Aug. 31. $20-$50. UCSC Festival Glen, UCSC campus, Santa Cruz, 831.459.2159.

CONCERTS Pale Dark, experimental pop from SoCal. Thu, Aug 1, 5pm. Streetlight Records Santa Cruz, 939 Pacific Ave, Santa Cruz, 831.421.9200.

The Bad Light Delta blues/metal from Santa Cruz. Sat, Aug 3, 3:30pm. Streetlight Records Santa Cruz, 939 Pacific Ave, Santa Cruz, 831.421.9200.

Twilight Concerts Live music by a different group each week. Wed, 6-8pm. Thru Aug 29. Free. Capitola Esplanade Park, Capitola Village, Capitola.

Art MUSEUMS

Nellie’s Last Act: A mural unveiling/art show to celebrate the life of Nell Claraty. Featuring music by Coffee Zombie Collective, food and festivities. Fri, Aug 2, 610pm. Free, 831.427.1878. 1725 Seabright Ave, Santa Cruz.

Felix Kulpa Gallery Kiss My Bronze: Bronze castings by Sheila HalliganWaltz and Eike Waltz. Gallery hours: Thurs-Sun, noon-6pm. Aug. 2-31. Free. 107 Elm St, Santa Cruz, 408.373.2854.

Lulu’s at the Octagon Paintings by Mary Karlton. www.marykarlton.com. Thru Sept. 22. Free. 118 Cooper St, Santa Cruz.

Santa Cruz Central Branch Library Libraries Inside Out. HOME: A large-scale woodblock printmaking exhibition by Bridget Henry. Aug. 2 through the winter months. Free, 831.427.7700. 224 Church St, Santa Cruz.

CONTINUING Pajaro Valley Arts Council Best of Show. Fur, Feathers, Flippers & Fuzz: An exhibition celebrating the real pets in our lives that prove they are “Best in Show” every day. Gallery hours: Wed-Sun 11am-4pm. Thru Aug. 4. 37 Sudden St, Watsonville, 831.722.3062.

Santa Cruz County Bank Viva Santana. A solo retrospective of the late painter, printmaker and sculptor Manuel Santana. At Santa Cruz County Bank locations in Aptos, Capitola, Santa Cruz, Scotts Valley and Watsonville. Mon–Thu, 9am– 5pm & Fri. 9am–6pm, Thru Aug. 23. Free, 831.457.5003. 720 Front St, Santa Cruz.

Events

CONTINUING

LITERARY EVENTS

Santa Cruz Museum of Art and History

Storytime

Free First Friday. View the exhibits for free every first Friday of the month. Docent tours at noon. First Fri of every month, 11am-6pm. Spotlight Tours. Bringing the artists’ voices directly to visitors. Go behind the scenes and museum-wide exhibitions. First Sat of every month, 11:30am-12:30pm. Museum hours Tue-Sun, 11am-5pm; closed Mon. 705 Front St, Santa Cruz, 831.429.1964.

Former Shakespeare Santa Cruz actress Billie Harris and Book Cafe manager Jill Rose perform animated readings of children’s stories. Mon, 11am. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

The Writer’s Journey Local author Laura Davis presents a monthly evening of writing practice for aspiring writers. Bring a notebook and pen. Mon, Aug 5, 7:30pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.460.3232.

A chance to relax, feed your baby and chat with other new mothers. Open to all mothers and babies. Mon, 10:3011:30am. free. Luma Yoga & Family Center, 1010 Center St, Santa Cruz, 831.325.2620.

Beat Sanctuary A dance class for exploring authentic movement as connection, exercise, prayer and spiritual practice. Wed, 7:30-9:15pm. $15. A weekly class for exploring exercise and spirituality through dance. Wed, 7:30-9:15pm. $15. Santa Cruz Yoga, 402 Ingalls Street, Santa Cruz, 585.278.0080.

Candlelight Vigil A vigil for remembering Hiroshima and Nagasaki led by the Peace Community of Santa Cruz. Tue, Aug 6, 7-9pm. Top of Pacific Ave, near town clock, Santa Cruz.

Clutterers Anonymous A free weekly 12-step meeting for those frustrated with too much clutter and not enough room. Fri, 5:30pm. Free. Sutter Maternity and Surgery Center, 2900 Chanticleer Ave, Santa Cruz, 831.359.3008.

Computer Coaching Basic computer help for adults: Emailing, searching the internet, creating passwords and more. Sign up for 30minute sessions at the front desk. First Sun of every month, 1-4:30pm. Free. Santa Cruz Central Branch Library, 224 Church St, Santa Cruz, 831.427.7700x7635.

A Course In Miracles Study Group A weekly meeting on learning how to forgive and live in peace. Drop-ins are welcome. Thu, 7-9pm. The Barn Studio, 104b Park Way South, Santa Cruz, 831.272.2246.

Dog Hikes Santa Cruz International Dog Owner’s Community hosts a weekly one-hour, easy hike along the beach for dog lovers and their pets. www. newdogsintown.com Mon, 8:45-9:45am. Free. Aptos Beach staircase, 1049 Via Palo Alto, Aptos.

Eating Disorders Resource Center Meeting Groups will be led by Kimberly Kuhn, LCSW and Carolyn Blackman, RN, LCSW. First Fri of every month, 6-7:30pm. Sutter Maternity and Surgery Center, 2900 Chanticleer Ave, Santa Cruz, 408.559.5593.

Grief Support A lunchtime drop-in support group for adults grieving the death of a family member or friend. Fri, noon-6pm. free831.430.3000. Hospice of Santa Cruz County, 940 Disc Drive, Scotts Valley.

Hemochromatosis

Support The Ironic Family: An anniversary of the group featuring a talk by Mardi Brick chair of two national Iron Overload Conferences. Sat, Aug 3, 10am. De Anza Mobile Home Park Clubhouse, 2395 Delaware Ave, Santa Cruz, 831.423.5542.

Insight Santa Cruz Meditation sits, talks and discussions every day of the week. Learn the formal practice of meditation and engage with a community dedicated to reducing suffering by cultivating compassion. Visit www. insightsantacruz.org for specific times and more information. Ongoing. Insight Santa Cruz, 1010 Fair Avenue, Suite C, Santa Cruz, 831.425.3431.

Jane Addams Peace Camp A week-long day camp for young people ages 6-16 focusing on non-competitive games, theater, music and respect for nature. www. japeacecamp.org. Mon, Aug 5 and Tue, Aug 6. Orchard School, 2288 Trout Gulch Rd, Aptos, 831.566.2227.

Miracle Working Spiritual teacher Dominique Free leads a weekly class on cultivating the consciousness to heal, overcome, succeed and create miracles. Thu, 78pm. Conscious Lounge, 1651A El Dorado Av @ Capitola Rd, Santa Cruz, 831.359.0423.

Overeaters Anonymous A 12-step support group for those who wish to recover from compulsive eating. Sundays 9-10:15am at 2900 Chanticleer Ave, Santa Cruz and 4-5:15pm at 115 South Morrissey, Santa Cruz. Mondays 12:15-1:15pm at 420 Melrose Ave, Santa Cruz and 7-8pm at 4951 Soquel Drive, Soquel. Tuesdays 12:15-1:15pm at 420 Melrose Ave, Santa Cruz. Wednesdays 10:3011:30am at 1335 Seabright Ave, Santa Cruz; noon-1pm at 49 Blanca Ln #303, Watsonville; and 6:30-7:30pm at 335 Spreckles Dr, Ste. A, Aptos. Thursdays 1-2pm at 301 Center St., Santa Cruz. Fridays noon-1pm at 49 Blanca Ln, #303, Watsonville and 12:151:15pm at 225 Rooney St., Santa Cruz. Saturdays 9-10am at 532 Center St, Santa Cruz and 11am-noon at 75 Nelson St, Watsonville. 831.429.7906.

Postpartum Health Circle A weekly community circle offering support and information about postpartum changes for mothers. Wed, 1:30-2:30pm. $5-$10 donation. Luma Yoga & Family Center, 1010 Center St., Santa Cruz, 831.325.2620.

Qigong Flow Led by Bonnie Eskie, MFT. Tue, 10-11am. $10-$12. Louden Nelson Community Center,

Jana Marcus

A E!

SAFETY DANCE Cowboys can dance if they want to in ‘Oklahoma!’

Church Street Fair Cabrillo Music Festival’s annual street fair is a veritable “round the world” plane ticket, showcasing music and dance performances from Mexico, Ireland, Cuba, the Middle East, and more. While the sweet sounds infuse the air, stroll the many booths of artists and craftspeople selling their wares. Saturday, August 3 and Sunday, August 4 from 11am to 8pm on Church Street outside the Civic Auditorium in downtown Santa Cruz. 301 Center St, Santa Cruz, 831.515.4144.

School Supply Donations Needed Write-Start Backpack Project: Donations of backpacks, school supplies and bus passes are needed for homeless students in the Santa Cruz County public school system. Santa Cruz County Office of Education, 400 Encinal St., 2nd floor, Santa Cruz, 831.466.5710.

Serenity First— Pagans in Recovery A 12-step meeting with a Pagan flair where guests are free to discuss their nature-based, goddesscentered spiritual paths. Sun, 7pm. The Sacred Grove, 924 Soquel Avenue, Santa Cruz, 831.428.3024.

Support and Recovery Groups Alzheimer’s: Alzheimer’s Assn., 831.464.9982. Cancer: Katz Cancer Resource Center, 831.351.7770; WomenCARE, 831.457.2273. Candida: 831.471.0737. Chronic Pain: American Chronic Pain Association, 831.423.1385. Grief and Loss: Hospice, 831.430.3000. Lupus: Jeanette Miller, 831.566.0962. Men Overcoming Abusive Behavior: 831.464.3855. SMART Recovery: 831.462.5470. Trans Latina women: Mariposas, 831.425.5422. Trichotillomania: 831.457.1004. 12-Step Programs: 831.454.HELP (4357).

The Speaker’s Gym Instructor Noel Murphy provides leadership coaching and public speaking skills every week. www. thespeakersgym.com. Wed, 7-9:30pm. Discovery Gym, 75 Mt. Hermon Rd, Scotts Valley, 831.238.1234.

Yoga Instruction Pacific Cultural Center: 35+ classes per week, 831.462.8893. SC Yoga: 45 classes per week, 831.227.2156. TriYoga: numerous weekly classes, 831.464.8100. Yoga Within at Aptos Station, 831.687.0818; Om Room School of Yoga, 831.429.9355; Pacific Climbing Gym, 831.454.9254; Aptos Yoga Center, 831.688.1019; Twin Lotus Center, 831.239.3900. Hatha Yoga with Debra Whizin, 831.588.8527.

First Sun of every month, 23:30pm. Free. UCSC Farm and Garden, UCSC, Santa Cruz, 831.459.3240.

to Israel and Palestine. Sun, Aug 4, 7pm. $10-$25 sliding scale. Resource Center for Nonviolence, 612 Ocean St, Santa Cruz, 831.216.6570.

Wines of the World Music & Art Music and art as part of the park’s Summer Series. Fri, Aug 2, 5-8pm. Free/donation. Mission Adobe, 144 School St, Santa Cruz, 831.425.5849.

UCSC Farm Tours Learn about organic farming while visiting greenhouses, orchards, and row crops.

A wine-tasting and live jazz fundraiser event benefitting Habitat for Humanity and Messiah Lutheran Church. Featuring wines and cheeses from around the globe. Sat, Aug 3, 4-8pm. $50. Messiah Lutheran Church, 801 High St, Santa Cruz, 831.477.0969.

Zen, Vipassana, Basic: Intro to Meditation Zen: SC Zen Center, Wed, 5:45pm, 831.457.0206. Vipassana: Vipassana SC, Wed 6:30-8pm, 831.425.3431. Basic: Land of the Medicine Buddha, Wed, 5:30-6:30pm, 831.462.8383. Zen: Ocean Gate Zendo, first Tue each month 6:30-7pm. All are free.

AROUND TOWN Art & Music Local artists’ work on display in the park, with live music on the Esplanade Stage overlooking Monterey Bay. Sun, Aug 4, 2-4pm. Free. Capitola Esplanade Park, Capitola Village, Capitola, 831.475.7300.

Comedy Showcase A new comedy showcase hosted by DNA featuring a different Bay Area headliner each week. Tue, 8:30pm. Free. Blue Lagoon, 923 Pacific Ave, Santa Cruz, 831.423.7117.

Interfaith Peace Builders A concert by Aza, plus silent auction and hors d’oeuvres to benefit the Interfaith Peace Builders delegations

San Francisco’s City Guide

Sebadoh Amidst a sea of ‘90s reunions comes Lou Barlow & Co., hair hanging in front of their eyes. Jul 31 at Cafe du Nord.

El-P & Killer Mike Both released hot albums last year, now touring on new collaboration, ‘Run the Jewels.’ Jul 31 at the Independent.

Rancid The world’s favorite sneering East Bay punks headline a two-night stand. Aug 2-3 at the Warﬁeld.

Mac Miller A new album winning critics, performing with the expert rhymesmith Chance the Rapper. Aug 4 at the Warﬁeld.

Panteón Rococó Mexico City’s biggest ska band blends punk, salsa and mestizo for energetic live sets. Aug 6 at the Fillmore. More San Francisco events at www.sfstation.com.

Altered State

Cabrillo Stage’s ‘Oklahoma!’ masterfully turns movement into narrative

abrillo Stage’s production of Oklahoma! is a testament to the theatre company’s ability to reach the heights of a fullyintegrated musical masterpiece. Set in the Oklahoma frontier on the cusp of statehood, the plot revolves around an animated cast of local farmers and cowhands navigating love’s complicated waters in their idyllic community. Naysayers who claim that Rogers and Hammerstein are not for them, prepare to leave the theatre with a light heart and a sappy grin on your face. This show is outstanding. First off, the performances are all top notch. Matthew J. Taylor commands the stage from the opening “Oh What A Beautiful Morning” with macho bravado as a cowhand in love with the beautiful and stubborn Laurey, played sweetly and expertly by Emily M. Marsilla. The chemistry between these two characters makes the traditional love story convincing. Vanessa Vazquez is unendingly charming as the flirtatious Ado Annie opposite Jordan Sidfield’s idiot-with-a-heart-of-gold Will Parker. Sassy no-nonsense Aunt Ellen (Alice Hughes) is a peach, and roguish peddler Ali Hakim’s (Andrew Ceglio) affectations are hilarious. Kevin Johnston’s nuanced performance of the vulnerable

and vindictive farmhand Jud Fry is captivating, and at times downright scary. The skill of the supporting cast really takes this production to another level. The bar is set pretty high in this masterpiece, and the audience is not left wanting. Director and choreographer Kikau Alvaro must be commended for translating movement into storytelling, most obviously in the ensemble’s performance of the classic Dream Sequence ballet. Other numbers worth humming for days post-performance are “Kansas City”, “I Cain’t Say No!” and, of course, the title song. The set design is beautiful, with the off-kilter angles and rich colors adding an element of fantasy. And it’s a treat for the ears to hear Roger and Hammerstein’s immortal songs rendered by such a skillful orchestra, under the masterful conducting of Jon Nordgren. Cabrillo Stage’s production of Oklahoma! is an endlessly fun, rich staging of the musical that changed all musicals.—Lily Stoicheff

Oklahoma Through Aug. 18 Crocker Theater, Aptos

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SATURDAY 8/3 & SUNDAY 8/4

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28 THURSDAY | 8/1

THURSDAY | 8/1

FRIDAY | 8/2

SATURDAY | 8/3

’OLIVER MTUKUDZI

TY SEGALL

SUN RA ARKESTRA

MORGAN HERITAGE

When it comes to standing out from the crowd, no one did it quite like Sun Ra. The keyboard-playing philosopher, poet, composer and bandleader with a penchant for all things cosmic left a trail of musical stardust behind him when he passed that still resonates through the jazzo-sphere. His longtime, ever-morphing band, the Arkestra, now led by Marshall Allen, keeps the spirit of the legendary artist alive with performances that honor the far-out, not-of-this-world, spiralingthrough-time-and-space aesthetic that Sun Ra embodied. Kuumbwa; $20 adv/$25 door/$40 VIP; 8pm. (CJ)

It's hard to hear “down by the river” and not think of Chris Farley's motivational speaker character on SNL. But these words are also a popular song of the reggae band Morgan Heritage. Though they are far from Farley's wacky antics, the Royal Family of Reggae still knows how to bring joy to an audience. For almost 20 years, they’ve been performing, making albums and touring around the world, building up their confidence, skills and fan base. They began as a teen quintet and are now one of contemporary reggae's most powerful forces, some calling them the Rolling Stones of Reggae. Moe's Alley; $25 adv/$30 door; 9pm. (Melanie Ware)

Zimbabwean artist Oliver Mtukudzi’s commitment to confronting socio-economic and political issues throughout his 35-year career of music and film has made him an international icon and humanitarian ambassador. His unique style and voice, nicknamed “Tuku music” by his fans, combines traditional African instruments like mbira and marimba with soulful and energetic acoustic guitar. Mtukudzi’s lyrics, which are characterized by their innuendo, extol his philosophy that one must communicate figuratively if one is to be understood universally. Part entertainment and part education, Mtukudzi is a powerful musician with a message. Kuumbwa; $22 adv/$25 door; 7pm & 9pm. (Lily Stoicheff)

I’m quite sure at this point that Ty Segall is franchising out his name—there’s no way this guy put out three records with three different lineups last year, right? The San Francisco rocker has been releasing albums for five years or so, and he’s got somewhere between seven and 392. With such a steady supply of material, I’m actually thinking of opening a branch location of Ty Segall myself. I certainly like his upcoming release Sleepers, and I hope it convinces everyone to put the “garage rock” tag to rest for a while. Not that he doesn’t play garage rock, but he’s proven he can do so much more, and on this moody, reverb-drenched album he completes his transformation into the second coming of Syd Barrett. Catalyst; $13/$15; 8:30pm. (Steve Palopoli)

Beatscape B FRIDAY | 8/2

XAVIER RUDD

Let me just float a visual by you: There’s a barefoot Australian guy playing a veritable wall of instruments including three didgeridoos, bells and an assortment of drums. On his lap is a guitar and within arm’s reach is a stompbox, bass guitar, banjo and whatever else this one-man band might need. He starts playing music that sounds like one part Jack Johnson, one part outback and one part lo-fi blues, singing songs of whales, indigenous rights and the environment. That, my friends, is Xavier Rudd; a singer-songwriter-activist with skills to boot and something to say. Catalyst; $22 adv/$27 door; 9pm. (CJ)

TY FOR FIRST Indie retro-rock darling Ty Segall comes to the Catalyst.

SUNDAY | 8/4

DONNA THE BUFFALO The Grateful Dead have deadheads, Jimmy Buffett has parrotheads and Donna the Buffalo has the herd, a loyal following of appreciators who’ve been with the band throughout its 20-plus year history. But this New York-based roots outfit works on a much smaller, quieter scale than the Dead and Buffett, playing catchy-yet-humble folk-rock music that lends itself well to evening dance-alongs, outdoor festivals and easy fun. Led by songwriters Jeb Puryear and Tara Nevins, Donna the Buffalo is one of the underappreciated gems of the Americana landscape and a favorite of herd-ers everywhere. Moe’s Alley; $14 adv/$18 door; 8:30pm. (CJ)

29 Celebrating Creativity Since 1975

MONDAY | 8/5

FREDDIE STEADY KRC AND FRIENDS

WEDNESDAY | 8/7

DEADLY GENTLEMEN If a series of music duels were to take place between young and talented musicians, these gentlemen have a good chance of coming out on top. A few Berklee College of Music grads make up the five-member band, along with a Ph.D. in Molecular Biology from MIT, a child prodigy in mandolin and legend David Grisman's son. With such a diverse background, they bring the whisper of metal, the waves of bluegrass and unconventional lyrics to their killer sound. Crepe Place; $10; 9pm. (MW)

Friday, August 2 U 8 pm

THE SUN RA ARKESTRA DIRECTED BY MARSHALL ALLEN

Tickets: Brownpapertickets.com Monday, August 5 U 7 pm

ERIC ALEXANDER & HAROLD MABERN QUARTET 1/2 Price Night for Students Thursday, August 8 U 7 pm

CLIFFORD BROWN & MAX ROACH PROJECT FEATURING SCOTTY BARNHART & CLAYTON CAMERON Mon. August 12 U 7 & 9 pm | No Comps

Andre Nickatina

Concerts GOOD LUCK THRIFT STORE OUTFIT Aug. 3 at Don Quixote’s ANDRE NICKATINA Aug. 3 at Catalyst SIERRA LEONE”S REFUGEE ALL-STARS Aug. 7 at Moe’s Alley BREEDERS Aug. 26 at Rio Theatre WILLIE NELSON AND FAMILY Aug. 30 at Civic Center

GENTLEMEN’S CLUB Deadly Gentlemen play the Crepe Place.

THE COOKERS: Billy Harper, Eddie Henderson, George Cables,Ceil Mcbee, Billy Hart, David Weiss, Craig Handy Monday, August 15 U 7 pm

SASHA DOBSON 8/19 Etienne Charles Quintet 8/26 Barbara Higbie, Laurie Lewis, Linda Tillery Unless noted advance tickets at kuumbwajazz.org and Logos Books & Records. Dinner served 1-hr before Kuumbwa presented concerts. Premium wines & beer. All ages welcome.

320-2 Cedar St [ Santa Cruz 831.427.2227

kuumbwajazz.org

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The bill includes a wide variety of musical styles, from Beatles inspired rock 'n' roll to folk, country, Hawaiian, jazz and swing. Renaissance man and Hall-of-Famer Freddie Steady Krc shows his guns as a skilled singer, songwriter, guitarist and drummer as he gushes out some classic rock. Also playing is Peter Lewis of Moby Grape and Jeff Blackburn, who has played alongside the likes of Neil Young. Veteran folk musician Michael Martyn will take the stage as well to do some country and Americana storytelling while Patti Maxine takes on just about every musical genre you can name. Each guest presents a little something new and by the end of the night the five performers will have put on a history of music. Don Quixote's; $10; 7:30pm. (MW)

Thursday, August 1 U 7 & 9 pm | No Comps OLIVER MTUKUDZI & Dance Space! THE BLACK SPIRITS

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CROW’S CROW’S NES NEST T 831.4 831.476.4560 76.4560

DAVENPORT DAVENPORT V ROADHOUSE ROADHOUSE 831.426.8801 831.426.8801

Geese in the Fog Fog

FINS COFFEE COFFEE 831.423.6 831.423.6131 131

Dana Scruggs Trio Trio

Jazz by by Five F e Fiv

Barry Scott Scott

HOFFMAN’S BAKERY BAKERY CAFE

& Associates Associates

8 831.420.0135 31.420.0135

Eric Alexander Alexander

The Jazz Kiln

KUUMBWA KUUMBWA JAZZ JAZZ CENTER

Paula Paula Fuga Fu uga &

Mountain Standard Standard

M Mike ike Love Love e

T Time ime

Eclectic Eclectic by by

Hip-Hop by by

Primal Pr Productions o oductions

D DJ J AD

831.427.2227 831.427.2227

Donna The Buffalo Buffalo Rasta Ras ta Cruz Reggae Reggae

MOE’S MOE S ALLEY 831.4 831.479.1854 79.1854

MOTIV MOTIV 831.4 831.479.5572 79.5572

THE REEF 831.459.9876 831.459.9876

RIO THEA THEATRE TRE 831.423.8209

SEABRIGHT BREWERY BREWERY 831.426.2739 831.426.2739

SANTA CRUZ CIVIC AUDI TORIUM 22ND ANNUAL CELEBRATION OF MUSIC ART FOOD & WINE... AUGUST CHURCH STREET STAGE SAT & SUN Non-stop performances from 11am-8pm on the outdoor stage, including:

SATURDAY The Great Morgani Chagall Quartet AZA Eva Salina Primack: Balkan Songs Kuzanga Marimba Band Desert Dream Music & Dance Bryn Loosley SambaDá

Sponsored by:

3 & 4 11AM - 8PM

LOCAL WINERIES

Wine tasting by Vinocruz Alfaro Family Vineyards & Winery Beauregard Vineyards Hallcrest Vineyards Hunter Hill Vineyards & Winery Soquel Vineyards Storrs Winery

SUNDAY

LOCAL ARTISTS

Zun Zun Santa Cruz Ballet Theatre Free Family Concert Watsonville Taiko Mariachi de la Eleazar Cortés Kalae: The Jazzy Hawaiian Flor de Caña The Inciters

Celebrating the local creative spirit in painting, ceramics, glass, jewelry, photography, pottery and more!

FREE FAMILY EVENTS CREATIVITY TENT FOR KIDS hands-on music and art workshops

FAMILY PERFORMANCES on the Church Street Stage

FREE FAMILY CONCERT in the Civic, Sunday 1pm

With support from Downtown Assoc. of Santa Cruz

THE BEST OF SANTA CRUZ! FREE FAMILY EVENTS BOTH DAYS!

SCHEDULES AND MORE INFORMATION:

CHURCHSTREETFAIR.ORG

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

clubgrid l b id

Wednesday, July 31 Â‹ In the Atrium s AGES 21+

OWLS OF WALDEN

also Jackson

plus Murphyâ€™s Wagon Danny $RS s $RS P M 3HOW P M

Thursday, August 1 Â‹ In the Atrium s AGES 16+

TY SEGALL

KEEP UP WITH THE LOCAL ACTION:

plus Daughn Gibson Donovan and William Tyler

also Mike !DV $RS s $RS OPEN P M 3HOW P M

Friday, August 2 Â‹ AGES 16+

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XAVIER RUDD

!DV $RS s $RS P M 3HOW P M Friday, August 2 Â‹ In the Atrium s AGES 21+

POUNDERS

also Head

plus Stormy Strong Casket !DV $RS s P M P M

Saturday, August 3 Â‹ AGES 16+

ANDRE NICKATINA !DV $RS s $RS P M 3HOW P M Tuesday, August 6 Â‹ In the Atrium s AGES 21+

THE GODDAMN GALLOWS

plus Sean Wheeler & Zander Schloss also Jayke Orvis & The Broken Band and The Calamity Cubes!

AT THE $RS ONLY s $RS OPEN P M 3HOW P M

WED 7/ 7/31 31 A APTOS / RIO DEL MAR / SOQ SOQUEL QUEL

TH THU HU 8/ 8/11 FRI 8 8/2 /2 A APTOS / RIO DEL MAR / SOQU SOQUEL UEL

BRITANNIA B BRIT TANNIA A ARMS THE T HE FOG BANK

Live Live Music

Karaoke Karaoke Jake Jake Mackey Mackey

with Eve Eve

DB Walker Walker

211 2 11 Esplanade, Esplanade, Capitola Capitola

M MANGIAMOâ€™S PIZZA PIZZA AND WINE BAR

SAT 8 8/3 /3

Cougar Cougar Unleashed Unleas shed

110 11 0 Monterey Monterey Ave., Ave., Capitola Capitola

House House

David D vid Da id Paul Paull Campbell C b ll

David D vid Da vid Paul Paull Campbell C b ll

George G Geor ge Christos Ch i tos Chris

Roberto-Howell Robert b to-Ho H well ll

The Flashbacks

Pho Phoenix oenix Rising

Extra Extra Large Large

Spigot

783 7 8 Rio del Mar Blv 83 Blvd, d, Apt Aptos os

MICHAELâ€™S M MICHAEL â€™S ON MAIN 2591 25 591 Main S St, t, Soquel

PARADISE P ARADISE BEACH BEACH GRILLE

Joh Johnny nny Fabulous Fabulous

Dennis Dove Dove

215 21 15 Esplanade Esplanade,, Capit Capitola ola

SANDERLINGS S ANDERLINGS

Dizzy Gr Grover over

In Thr Three ee

1 Seascape S R Resort esort Dr Dr,, Rio del Mar

SEVERINOâ€™S S EVERINOâ€™S BAR & GRILL

Don n McCaslin &

7500 7 5 500 Old Dominion Ct, Apt Aptos os

The The Amazing Jazz Gee Geezers zers

SHADOWBROOK S HADOWBROOK

Aug 7 Pisshorse Atrium (Ages 21+) Aug 9 Chimaira (Ages 16+) Aug 16 Chris Rene (All Ages) Aug 17 Tainted Love (Ages 21+) Aug 18 Les Claypoolâ€™s Duo de Twang (Ages 21+) 3EP Brother Ali/ Immortal Technique (Ages 16+) 3EP The Expendables (Ages 16+) 3EP Jimmy Eat World (Ages 16+) 3EP Tech N9ne (Ages 16+) Oct 16 Steve Vai (Ages 21+) Oct 28 AFI (A Fire Inside) (Ages 16+) .OV Crizzly/ Figure (Ages 18+) Nov 11 Reverend Horton Heat (Ages 21+)

1750 17 750 Wharf Rd, Rd, Capit Capitola ola

Unless otherwise noted, all shows are dance shows with limited seating.

MOSS M MO SS LANDING INN

Tickets subject to city tax & service charge by phone 877-987-6487 & online

Hwy H wy 1, Moss Moss Landing

www.catalystclub.com

LIKE US ON FACEBOOK AT 831 BEER SCENE

THE T HE UGLY UGL LY MUG

Steve Steve Kritz Kritzer er &

4640 4 640 Soquel Dr Dr,, Soquel

Michael G Gaither aither

ZELDAâ€™S Z ELDAâ€™S

Asher

Wallyâ€™s Wallyâ€™s Cocktail Cockta ail

Jennyâ€™s Jennyâ€™s Basement

C Combo ombo

Joe Ferrara Ferrara

BeBop

Matt Matt Masih &

Funkr Funkranomicon anomicon

Tim Tim Snider

203 20 03 Esplanade Esplanade,, Capit Capitola ola

the Mes Messengers sengerss

S SCOTTS VALLEY / SAN LORE LORENZO ENZO VALLEY D DON QUIXOTEâ€™S QUIXOTEâ€™S

Jeff Jeffery ery Broussard Broussard

Bill C Coulter oulter

Full Frontal Frontal Funk Fu unk

6275 62 275 Hwy Hwy 9, 9, Felton Felton

Good Luck Thrift Store Store OutďŹ t

H HENFLINGâ€™S TAVERN TAVERN 9450 94 450 Hw Hwy y9 9,, Ben L Lomond omond

W WATSONVILLE / MONTEREY Y / CARMEL C CILANTROâ€™S

Hippo Happy Happy Hour

11934 934 Main Main St, St, W Watsonville atsonville

Mariachi Ensemble Ensemble &K KDON DON D DJ JS SolRock olRock

Open Jam

KDON DJ DJ Showbiz Showbiz

33 Like STRAW-BER-RITA

SUN

8/4 8 /4

MON

8/5 8 /5

TUE 8 8/6 /6 BRIT BRITANNIA ANNIA ARMS Karaoke Karaoke

w with ith Eve Eve

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831.464.2583

Pam P am Hawkins Hawkins

THE FOG BANK 831.462.1881 831.462.1881

MANGIAMO’S MAN NGIAMO’S PIZ PIZZA ZA AND WINE BAR 831.688.1477 831.688.1477

Acoustic A coustic Mojo

David David O’Connor O’Connor

Breeze Br eeze Babes

Dining Music

MICHAEL’S MICHAEL’S ON MAIN 831.4 831.479.9777 79.9777

PARADISE PARADISE BEACH BEACH GRILLE 831.476.4900 831.476.4900

SANDERLINGS SANDERLINGS 831.662. 831.662.7120 7120

SEVERINO’S BAR & GRILL 831.688.8 831.688.8987 987

SHADOWBROOK SHADO WBROOK 831.475.1511 831.475.1511

Open Mic c

THE UGL UGLY LY MUG

w/ w/ Mosep Mosephus hus

831.477.1341 831.477.1341

ZELD ZELDA’S A’S

831.475.4900 831.475.4900

SCOTTS VALLEY / SA SAN AN LORENZO VALLEY Blue Sky Sky Riders

Freddie Freddie Steady Steady Kr Krc c

P Patrice atrice Pik Pike e Band

DON QUIX QUIXOTE’S OTE’S

Karaoke Karaoke with K Ken en

HENFLING’S T TAVERN AVERN V

831.603.2294 831.60 3.2294

831.336.9318 831.336.9 318

WATSONVILLE / MONTEREY M / CARMEL Santa Cruz Trio Trio

KPIG Happy Happy Hour

Happy Happy hour hour

Karaoke Karaoke

CILANTRO’S 8 831.761.2161 31.761.2161

MOSS MOSS LANDING INN 831.6 831.633.3038 33.3038

LLYRICS Y YRICS BORN DE DERRICK ERRICK HODGE AFROLI AFROLICIOUS CIOUS

Film Capsules

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New

2 GUNS (R; 109 min) Denzel Washington plays a DEA agent, because of course he does. Mark Wahlberg plays a Navy SEAL, because whatever. They think they’re stealing money from the mob, but it all turns out to be a doublecross by the CIA. Written by Homer Simpson. (Opens Fri at Riverfront Stadium Twin, Green Valley and Scotts Valley)

BLACKFISH (NR; 83 min.) After the SeaWorld killer whale Tilikum was involved in a third trainer death in 2010, writerdirector-producer Gabriela Cowperthwaite undertook this documentary in attempt to get at what might really be happening (she might have sensed something fishy when SeaWorld claimed Tilikum had attacked trainer Dawn Brancheau because her hair was in a ponytail). In a larger sense, Cowperthwaite examines whether it’s really true, as water parks claim, that

S H O W T IM E S

animals like Tilikum are better off living in captivity. (Opens Fri at the Nick) CRYSTAL FAIRY (98 min.) Travel comedy about Michael Cera finding misadventure on a hallucinogenic quest in Chile. (Opens Fri at the Nick) ONE TRACK HEART: THE STORY OF KRISHNA DAS (NR; 74 min.) Documentary about Jeffrey Kagel, who gave up a gig as lead singer of Blue Oyster Cult in the ’70s to become spiritual teacher and devotional-music guru

Movie reviews by Steve Palopoli and Richard von Busack

Krishna Das. (Plays Monday, Aug. 5 at 7pm at the Nick) REBELS WITH A CAUSE (NR; 74 min.) Frances McDormand narrates this documentary by indie writer-director Nancy Kelly about the conservationists who fought to establish some of the Bay Areas most cherished protected open spaces. (Plays 7pm Thursday, Aug. 1, at the Nick, with a Q&A session) STILL MINE (PG-13; 102 min.) James Cromwell and Genevieve Bujold play

a couple who have to fight city hall to build the home in which they want to live out the rest of their years together. (Opens Fri at the Nick) WE’RE THE MILLERS (R; 110 min.) Filling the no-doubt massive audience demand to see the last vestiges of their ’90s innocence ruined by seeing Jennifer Aniston play a stripper, this comedy stars Jason Sudeikis as a pot dealer who enlists a random group of weirdos to be his fake family so he

Showtimes are for Wednesday, July 31, through Wednesday, Aug. 7, unless otherwise indicated. Programs and showtimes are subject to change without notice.

APTOS CINEMAS

122 Rancho Del Mar Center, Aptos 831.688.6541 www.thenick.com

Red 2 — Wed-Thu 2:10; 4:40; 7:10; plus Wed-Sat 9:35pm; Sat-Sun 11:40am (No Tues 8/6 7:10pm). The Smurfs 2 — Wed-Thu 1:50; 4:20; 6:50 plus Wed-Sat 9:10pm; Sat-Sun 11:30am.

41ST AVENUE CINEMA

1475 41st Ave., Capitola 831.479.3504 www.cineluxtheatres.com

The Conjuring — Wed-Tues 11:20; 2:20; 4:55; 7:30; 10:15 (No 11:20 Wed 7/31); Thu 2:20; 10:15pm. The Wolverine — 11:20; 1:20; 4:20; 7:20. The Wolverine 3D — 9:30pm. Rio — Wed-Thu 10am.

DEL MAR

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com

The Conjuring — Wed-Thu 2:30; 3:40; 5; 7:30; 8:15; 9:30 plus Fri-Sat 10:40pm; Sat-Sun noon (no Thu 8/8 8:15pm). The Way, Way Back — Wed-Thu 2:15; 4:40; 6; 7; 9:45; Sat-Sun 11:10; 1:20 (no Thu 8/8 6pm). The Audience — Sat-Sun 11am.

NICKELODEON

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

Blackfish — (Opens Fri) Wed-Thu 3:10; 5:10; 7:10; 9:10; plus Sat-Sun 1:10pm. Crystal Fairy — (Opens Fri) Daily 8:30pm. Still Mine — (Opens Fri) Wed-Thu 6:20 plus Sat-Sun 11:50am. 20 Feet From Stardom — Wed-Thu 2; 5:20; 7:20 plus Sat-Sun 12:50pm. Before Midnight — Daily 4pm. Fruitvale Station — 2:40; 4:50; 7; 9 plus Sat-Sun 12:30 (No Mon 8/5 7pm). The Hunt — Daily 2:50; 9:20pm. One Track Heart: The Story of Krishna Das — Mon 8/05 7pm.

RIVERFRONT STADIUM TWIN

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com

2 Guns — (Opens 8pm Fri) call for showtimes. The Heat — Wed-Thu 12:45; 3:45; 6:45; 9:30; Fri-Wed call for showtimes.

SANTA CRUZ CINEMA 9

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com

Despicable Me 2 — Wed 10:50; 1:25; 3:55; 6:20; 9:40; Thu 10:50; 1:25; 3:55;

10:20; Fri-Wed call for showtimes. Pacific Rim — Wed-Thu 10:50; 2:50; 6:45; 9:40; Fri-Wed call for showtimes. Red 2 — Wed-Thu 11:20; 2:15; 5; 7:50; 10:35; Fri-Wed call for showtimes. R.I.P.D. — Wed-Thu 1:10; 6:50; 10:10pm. Thu 1:10; 6:40pm; Fri-Wed call for showtimes. The Smurfs 2 — Wed-Thu 1:15; 6:35; Fri-Wed call for showtimes. The Smurfs 2 3D — Wed-Thu 10:30; 4; 9:15; Fri-Wed call for showtimes. The To Do List — Wed 11:10; 1:45; 4:20; 7:20; 9:50; Thu 11:10; 1:45; 4:10; 7:20; 9:50; Fri-Wed call for showtimes. Turbo 3D — Wed-Thu 4:50; 9:30; Fri-Wed call for showtimes. Wolverine 3D — Wed 10; 1; 4; 7; 10; Thu 10; 1; 3:50; 7; 10; Fri-Wed call for showtimes. Grateful Dead Meet Up Sunshine Daydream — Thu 7:30pm. Jaws — Thu 9pm.

CINELUX SCOTTS VALLEY CINEMA 226 Mt. Hermon Rd., Scotts Valley 831.438.3260 www.cineluxtheatres.com

2 Guns — (Opens Fri) Wed-Thu 11:20; 2; 4:45; 7:30; 10:10 (no Wed 11:20). Despicable Me 2 — Wed-Thu 11:10; 1:45; 4:10; 6:45; 9:15pm. Monsters University — Wed-Tues 11:00; 1:30; 4:20pm. Pacific Rim — Wed-Tues 7;10pm. Red 2 — Wed-Thu 11; 1:45; 4:30; 7; 10:15pm. The Smurfs 2 — Wed-Thu11; 1:30; 4:10; 6:45pm. The Smurfs 2 3D — Wed-Thu 9:45pm. The Way, Way Back — Fri-Thu 11:10; 2; 4:30; 7:10; 9:40pm. The Wolverine — Thu 1; 2:30; 4; Fri-Wed 1; 2:30; 4; 7:15; 9:20pm. The Wolverine 3D — Wed-Thu 5:30; 8:30; Fri-Wed 11:30; 5:30; 8:30pm. The Conjuring — Fri-Mon 11:20; 2; 4:40; 7:30; 10:15pm. Turbo — Wed-Thu 11:45; 2:10; 4:40; 7:20; 9:45pm. Rio — Wed-Thu 10am.

GREEN VALLEY CINEMA 8

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com

2 Guns — (Opens Thu 8pm) Fri-Thu 11; 1:40; 4:20; 7:20; 10:15pm. Despicable Me 2 — Wed-Thu 10:45; 12:55; 3:05; 5:15; 7:30; (no 7:30 Thu). Grown Ups 2 — Wed-Thu 10:40; 12:55; 3:10; 5:25; 7:45; 10:15pm. R.I.P.D. — Fri-Wed 10pm. The Conjuring — Wed-Thu 11; 1:40; 4:20; 7:15; 10:15pm. Turbo — Wed-Thu 10:45; 12:55; 3:05; 5:15; 7:30; 9:45pm. Smurfs 2 — Wed-Thu 11; 1:30; 2:30; 4; 7; 8; 9:30pm. Smurfs 2 3D — Wed-Thu 12; 5:05pm.

can smuggle drugs in from Mexico. (Opens Wed, Aug. 7 at Scotts Valley, Green Valley, Santa Cruz 9 and Aptos)

Reviews

THE CONJURING (R; 112 min.) Two ghost hunters investigate a house in Rhode Island and get very freaked out by what they find in this based-on-a-true-story tale from 1971. DESPICABLE ME 2 (PG; 98 min.) How often is the most anticipated film of the summer an animated movie? That isn’t made by Pixar? Right, and yet the first movie was the movie that was more than just a big moneymaker. It also bubbled up from nowhere on the cultural radar, with fans watching it over and over with the same kind of passion normally reserved for a Nolan Batman flick. The main characters—Steve Carell as former supervillain Gru, Miranda Cosgrove as Margo, Russell Brand as Dr. Nefario, etc.—are all back in this story of what happens when world leaders call upon Gru’s expertise to defeat a new villain. FRUITVALE STATION (PG-13; 126 min) Hmm, wonder if anyone in the Bay Area’s heard about this Oscar Grant guy? Wait, something’s coming back now, like how his shooting by BART police in Oakland was one of the most shocking stories of 2008, sparked massive protests and set police-community relations in NorCal back 20 years. Yeah, that Oscar Grant. This drama follows his story on the last day of his life. GROWN UPS 2 (PG-13; 102 min.) Apparently, this is Adam Sandler’s first sequel. I guess we can be thankful it’s not Jack and Jill 2, but c’mon, a Wedding Singer sequel was out of the question? Even Happy Gilmore 2 seems like a better bet, but whatever. Kevin James, Chris Rock and David Spade return as the other grown ups, who have moved back to their hometown. MONSTERS UNIVERSITY (G; 110 min) When people talk about the greatest Pixar movies, Monsters Inc. never seems to get mentioned. And yet, it is awesome. Why Cars got a sequel before Sulley and Mike is anyone’s guess, but at least it’s here now. Technically, it’s a prequel,

with John Goodman and Billy Crystal returning to tell the story of how the pair got into the scare business. PACIFIC RIM (PG-13; 131 min) Guillermo Del Toro, best known for flipping easily between dark, personal films like Pan’s Labryinth and offbeat crowd-pleasers like Hellboy, goes for broke with his biggest film ever, a battling-robot movie with more soul than Transformers. Actually, it combines the Japanese Kaiju genre (monster attack movies of which the Godzilla series is the most famous) and mecha (robot-centric) genres: this time, when the sea monsters (appropriately called “kaiju” here) come, humans beat them back with giant robots. RED 2 (PG-13; 116 min.) Frank (Bruce Willis) hasn’t killed anyone in months, and Marvin (John Malkovich) convinces him to come out of retirement and chase down a nuclear device in this star-studded sequel with Catherine Zeta Jones, Anthony Hopkins and Helen Mirren. R.I.P.D. (PG-13; 96 min.) Ryan Reynolds dies, gets hired by the Rest In Peace Department and starts chasing around and scaring monsters as Jeff Bridges’ sidekick. Think Men In Black with Ryan Reynolds as Will Smith. THE SMURFS 2 (PG; 109 min) The official plot summary for this movie is 600 words long. It contains the phrases “time-traveling Smurfs,” “using the Eiffel Tower as a conduit” and “the evil wizard puts them into his Smurfalator.” Who directed this, David Lynch? TURBO (PG) It’s hard to imagine some executive at Dreamworks didn’t say “I want Ratatouille meets Cars!” when they came up with this story of a snail who dreams of competing in the Indy 500. Guess if he does! THE WOLVERINE (PG13; 126 min.) No, not that Wolverine movie from 2009, this is the new Wolverine movie from 2013, which is of course a sequel to the X-Men movie from 2006. This time, Hugh Jackson goes to Japan and has to fight samurai while not being immortal. I hate when that happens.

Send tips about food, wine and dining discoveries to Christina Waters at xtina@cruzio.com. Read her blog at christinawaters.com.

HEAD OF THE CLASS Last year’s California Beer Festival proved it has become the feel-good hit of the summer.

Beer Here Now BY CHRISTINA WATERS

ell, August 10 actually. That's the Saturday the ginormous California Beer Festival rolls into atmospheric Aptos Village Park and answers the prayers of brewski aficionados all over the central coast. Imagine yourself soaking up some mid-summer rays, rockin’ to the beat of blues, soul and a big band tribute to Michael Jackson (a.k.a. Foreverland), enjoying a diverse array of BBQ specialties while sampling your way through (some of the) 70 craft brews you'll be tempted by at this mother lode of summer outdoor beer halls. Zameen, Mission Hill Creamery, Red Restaurant, Sid's Smokehouse, 99 Bottles—you get the idea. Here's the deal: You do not want to miss this event. You haven’t really had a summer if you haven’t stopped by the California Beer Festival in Aptos, from 12:30–5pm on Sat. Aug. 10. General

admission $45; designated drivers $25. This baby will sell out fast, so check CaliforniaBeerFestival.com for tix. NEWS FROM MY INFORMANTS:

Gluten-free beer that tastes like beer—at least that’s the word about Omission beer, available at New Leaf markets. Just sayin’.... Wine-wise, Beauregard Vineyards 2009 Chardonnay Metallique rewards the palate for a

mere $14.99 (at Shoppers Corner). Yes, the name does say it all: Finished without oak, aged instead in stainless steel. Lovely varietal flavors and a long mineral finish. Hurry!... And Germaine Akin of the Red emails me to admit that things have moved, ahem, slowly with her new Wharf project. But movement is occurring. Maybe early fall? Stay tuned. THE EVOLUTION OF GABRIELLA: Always charming, Gabriella Cafe

continues to fine-tune, consider,

reconsider and then fine-tune some more as far as its kitchen philosophy goes. A national pioneer in searching out local seasonal ingredients, Paul Cocking’s popular and stylishly laid back establishment has hit a vibrant summertime stride. Dishes stress well-prepared signature ingredients— sensuous pastas, textbook seafoods, inventive salads and now the hippest focaccia in town, made from locally grown organic low-gluten wheat (no kidding!) from the maverick hand of entrepreneur Ryan Roseman. We started with a shared plate of rich and crunchy roasted Brussels sprouts tossed with hazelnuts and then moved on to splendid salads of beautiful pink and green butter lettuces, splashed lightly with honey-lemon vinaigrette and dotted with walnuts, chèvre and Fog Skin melon. Salad the way a locavore god intended. A pasta interlude of nettle

tagliatelle arrived perfumed with flavors at once delicate and full-throated. Strewn with delicacies from the sea— tender calamari, sea bass, mussels in their shells—the not-exactly-al-dente noodles were laced with deep green ribbons of poblano pepper and tiny orange cherry tomatoes, all bathed in the juices of the ingredients. An entree of tasty seared duck breast arrived so rare that only a few pieces were retrievable (the extreme slices we took home to heat up to the perfect point of doneness for lunch the next day). An accompanying succotash of sour cherries, crisp veggies and farro made a textural statement. Dessert was gorgeous—pale green basil panna cotta, with sliced strawberries, toasted pistachios and nectarine sauce. The flavor in the panna cotta remained sotto voce. The noise level had hit five bells halfway through the meal—one of the only drawbacks to dining here on a Friday night. Our wines—a glass of lively Verdelho 2010 Quinta Cruz and cherryred Grenache 2011 from Birichino— worked beautifully with the dinner, and the warm summer night. EARLY NOTICE ON REDWOOD WINE: It's not too early to be thinking

about an al fresco wine event coming soon—August 25—marking an atmospheric collaboration between the Santa Cruz Mountains Winegrowers Association (SCMWA) and Roaring Camp Railroads. Imagine dozens of wines, paired with French-theme cuisine, live music and the rustic surroundings of redwood-drenched Roaring Camp. The event—Wines of the Mountains—is a fundraiser auction, and affords an opportunity to sample the special fun of taking a train ride through the redwoods prior to the wine event. Trains depart at 12:30pm and return at 1;45pm. Just in time for the 2-5pm fundraiser event. Winetasting (over two dozen participating wineries), small plates and entertainment, $55adv/$65door; $15 for children under 12. For reservations visit http://www.scmwa.com.0

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Epicure

J U LY 3 1 - A U G U S T 6 , 2 0 1 3

FO O D IE FIL E Chip Scheuer

J U LY 3 1 - A U G U S T 6 , 2 0 1 3

MO BETTER FOODS Benji Mo opened Betty’s Noodle House last year.

Benji Mo Owner, Betty’s Noodle House

enji Mo moved to Santa Cruz from China 10 years ago. Now a graduate of UC Davis, 25-year-old Mo opened Betty’s Noodle House last year. He operates the restaurant, located at the Metro bus station on Pacific Avenue, with his girlfriend Betty and her mom Lina.

SCW: Why not Benji’s Noodle House? Benji’s a guy’s name—not very

attractive. And also she’s my girlfriend, and I want to marry her. Did you put the pho in fun? Yeah, it’s really fun. It’s more like a salad

and soup, because you get a side of green sprouts. And we do the soup separately, and we do the noodles separately. It’s a very American way to make noodle soup. Do you like spicy food? [Nodding] Mmmh-hmm. And when I eat

spicy food, I always drink root beer. It makes the meal more tasty. It makes you feel like you’re flying in the sky. What’s your favorite vegetable? Eggplant. It’s really tasty. And Betty’s mom Lina can make a very good eggplant dish. Also it’s really healthy. What are your favorite dishes? I like a noodle bowl, a stir fry. I like the ginger noodle bowl or chili tofu appetizer—it’s crispy outside and really soft inside. It gives you a surprise when you bite it. And I’m also a big eggplant fan, so I eat C4, eggplant noodle bowl, a lot. What’s most popular? People in this town like ginger a lot. The ginger

noodle bowl and ginger noodle soup are really popular. What’s the hardest to make? Betty’s noodle Soup, B9. That’s the most

GO GREEN &

difficult because we first stir-fry the onion, the vegetables. We mix the sauce. We put the sauce into the broth. And then at the end you add the egg.

healthy in between!

EVERTHING

Do you get any ingredients from China? No, that would be really expensive. Mostly we get them from San Francisco, and sometimes we have to go to San Jose to pick it up ourselves. What’s your favorite part of this job? Creating the menu because my

major was graphic design. And I always think I should use what I learned from school to put into what I’m doing. I’m really proud of myself. Even though it isn’t very professional or good-looking, I did a good job. Jacob Pierce

Fresh, local, organically-grown fruits and vegetables each week. CSA at the Homeless Garden Project: http://shop.homelessgardenproject.org/csa.html

Diner’s Guide Symbols made simple: $ = Under $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

J U LY 3 1 - A U G U S T 6 , 2 0 1 3

APTOS/SOQUEL $$$ Soquel

Cafe Cruz

$ Soquel

Discretion Brewing

2621 41st Ave, 831.476.3801 2703 41st Ave, 831.316.0662

Heather’s Patisserie

$ Aptos

7486 Soquel Dr, 831.662.3546

$$ Soquel

5050 Soquel Dr, 831.462.5051

Sawasdee

$$ Severino’s Grill Aptos 7500 Old Dominion Ct, 831.688.8987 $$ Aptos

Rosticceria & Bar. Fresh, local, sustainable. Lunch, dinner. Patio dining, happy hour menu. Brewery/gastropub.. Handcrafted beers on tap. Tasty beerinspired tapas by Main Street Garden w/ local ingredients. Bakery and deli. Pastries, breads, baked goods baked daily on site. Breakfast, lunch, wedding cakes. Thai cuisine. Authentic flavors and preparation, fresh ingredients. Lunch & Dinner Sun-Thurs 11a-9:30p Continental California Cuisine.. Breakfast, Lunch, Dinner. www.seacliffinn.com

Zameen Mediterranean

Middle Eastern/Mediterranean. Fresh & flavorful. Beer and 7528 Soquel Dr, 831.688.4465 wine. Dine in or take out Tue-Sun 11a-8p.

CAPITOLA $$$$ Capitola

Shadowbrook 1750 Wharf Rd, 831.475.1511

California Continental. World-class service, fine food, wines, with Old-World charm. Open daily.

SANTA CRUZ $$$ Aquarius Creative American cuisine. Oceanfront dining. Local Santa Cruz 175 West Cliff Dr, 831.460.5012 produce and sustainable seafood. $ Charlie Hong Kong CA Organic meets Southeast Asian street food. Santa Cruz 1141 Soquel Ave, 831. 426.5664 Consistent winner “Best Cheap Eats”. Open daily 11a-11p. $$ The Crepe Place Crepes and more. Full bar and beautiful outdoor patio. Santa Cruz 1134 Soquel Ave, 831.429.6994 Live music.

Crow’s Nest Seafood and American cuisine. Kids menu and nightly $$$ Santa Cruz 2218 East Cliff Dr, 831.476.4560 entertainment. Harbor and Bay views. Gabriella Cafe $$ Santa Cruz 910 Cedar St., 831.457.1677

Califormia-Italian. Farmers market fresh and organic. Local wine list, romantic setting with charming patio.

Hindquarter Grill Americana. Specializing in ribs, steaks and burgers. $$$ Santa Cruz 303 Soquel Ave, 831.426.7770 Full bar. $$ Hoffman’s Bistro Calif. cuisine & Bakery. Breakfast, lunch, dinner, brunch. Santa Cruz 1102 Pacific Ave, 837.420.0135 Full Bar w/ $3 Bar Bites/$4.50 Well Drinks. $$ Hula’s Island Grill Santa Cruz 221 Cathcart St, 831.426.4852

’60s Vegas meets ’50s Waikiki. Fresh fish, great steaks, vegetarian. Full-service tiki bar.

$$$ Johnny’s Harborside Santa Cruz 493 Lake Ave, 831.479.3430

Seafood/Calif. Fresh seafood made your way on the Harbor. Great views & full bar.

$$ Laili Santa Cruz 101 Cooper St, 831.423.4545

Silk road flavors. Fresh and flavorful Mediterranean cuisine with an Afghan twist. Patio dining.

$$ Louie’s Cajun Kitchen Santa Cruz 110 Church St., 831.429.2000

N’awlins-style dining. Cajun and southern flavors. Full bar. Bluesy, cool, funky..

$ Pizza My Heart Pizza. Slices and whole pies. Original & award -winning Santa Cruz 1116 Pacific Ave/2180 41st Ave recipes. Daily specials. $ Pono Hawaiian Grill Santa Cruz 120 Union St, 831.426.7666

Authentic Hawaiian Cuisine. Large outdoor patio. Feat. “The Reef” tropical bar. and “Aloha Fridays”

$$ Red Restaurant and Bar Santa Cruz 200 Locust St, 831.425.1913

Restaurant and Lounge. Large, small and shared plates. Extensive cocktail, beer, wine lists.

$ Samba Rock Acai Cafe Santa Cruz 291-B Water St, 831.458.2224

Brazilian. Fresh and authentic acai smoothies and bowls. M-F 8a-5p, Sat/Sun 9a-5p.

$ Santa Cruz

Santa Cruz Mountain Brewing California / Brewpub. Handcrafted organic ales and large 402 Ingalls Street, 831.425.4900 outdoor patio.

$ Santa Cruz

Sawasdee By The Sea 101 Main St, 831.466.9009

$$$ Solaire Santa Cruz 611 Ocean St, 831.600.4545

Thai cuisine. Authentic flavors and preparation, fresh ingredients. Lunch & Dinner Sun-Thurs 11a-9:30p Seasonal cuisine. Farm-to-table American comfort food. Gluten-free/vegetarian options.

$$$ Stagnaro Bros. Seafood and more. Panoramic ocean views. Fresh seafood, Santa Cruz 21 Municipal Wharf, 831.423.2180 pasta and steaks . Kid friendly..

Woodstock’s Pizza $$ Santa Cruz 710 Front St, 831.427.4444

Pizza. Beers on tap, patio dining, HDTV and free WiFi. Large groups, catering, deliveries.

SCOTTS VALLEY/FELTON $$ Mollie’s Country Cafe American. Homemade meals in a comfortable, family Scotts Valley 219 Mt Hermon Rd, 831.438.8313 environment. Breakfast, lunch, dinner. Outdoor patio. $$ Felton

Redwood Pizzeria 6205 Hwy 9, 831.335.1500

Pizza. Local and organic toppings, lasagna, salads. Beer & wine. Gluten-free options.

Astrology As A sttrrro ology g Free F Fr r e Will ree Will

Rob Brezsny Breezsny

For F or the the week week o off Jul Julyy 31

skateboar ding tr icks is called the 1080. TToo pull it off skateboarding tricks off,f, a skateboar der hass to do thr ee complete 360-degr ee skateboarder three 360-degree evolutions in mi rrevolutions d-air and land cleanly y. No one had ever mid-air cleanly. pulled it off until 12 -year-old TTom om o Schaar did it in 2012. 12-year-old Since then, two other o teenage boys have managed the skateboarder same ffeat. eat. But I pr ppredict edict that a Scorpio skateboar der break will br eak the rrecord eccord sometime soon, managing a three and 1260, or thr ee an nd a half full rrevolutions. evolutions. Why? First, tribe geared because your trib be is unusually gear ed to accomplish performances now.. And second, yyou have a ppeak pperf ormancces right g now knack ffor or doing complex c maneuvers that rrequire equire a lot of concentration. concentr ation.

TAURUS (April 20-May 20): Thee 19th-century English artist John Constable specialized inn painting landscapes. The countryside near his home esp pecially excited him. especially He said, “The sound of water escap ping fr om mill dams, escaping from willows, old rrotten otten plank s, slimy po osts, and brickwork, planks, posts, I love such things. They made me a painter painter,r, and I am gr rateful.” a TTake aake a cue fr om Constabl le, TTaurus. aaurus. Spend grateful.” from Constable, quality time appr eciating the simp ple scenes and earthy appreciating simple pleasur es that nourish your cr eativve spirit. Give your pleasures creative senses the joy of getting ﬁlled up with w vivid impr essions. impressions. Immerse yourself in experiences th hat thrill your animal that intelligence.

SAGITTARIUS (Nov SAGITTARIUS (Nov.. 22 22-Dec. -Dec. 21): CCan an you think of have ways that you ha ave been colonized? Have any powerful brain desires institutions ﬁlledd up your br ain with ideas and desir es aren’t alignment that ar en’t in alig gnment with your highest values? For your instance, has you ur imagination gotten imprinted with thatt makes you wor worry conditioning tha ry that your body’s enough account’s not beautiful eno ough or your bank account ’s not big isn’t enough or your style s isn ’t cool enough? If so,, Sagittarius, weeks the coming week ks will be an excellent time to get There uncolonized. The ere has rrarely arely been a better time than purge brainwashing now to pur ge anyy br ainwashing that puts you at odds deepest self.. with your deepes st self

GEMINI (May 21-June 21-June 20): This is Grand Grand Unification Week for for you Geminis. If your left hand h Week has been at war it’s a perfect perfect moment to declare declare a with your right hand,, it’s truce. If your head and heart have not been seeing eye are ready ready to find common comm mon ground ground and start to eye, they are for your greater greateer glory. gloryy. Are Are there there any conspiring together for life? You Yoou will generate generate good fortune fortune rips or rifts in your life? for yourself if you get to work on healing h for them. Have you from an ally or at odds o with a beloved been alienated from dream or separated separrated a from from a valuable valuablle resource? resource? You Yoou have dream thhose. a lot of power to fix glitches like those.

CAPRICORN C CO N (Dec. ( 22 22-Jan. -Jan. 19):) An old Chinese poem tells us tha that at “the true measure measure of a mountain mountain’s ’s greatness gr eatness is not its height but whether it is charming dragons.” theree ar aree enough to attract attracct dr agons.” YYou oou and I know ther no such things as can’t literally. as dragons, dragons, so we can ’t take this liter rally a y. treat airy tale? I suggest But what if we tr reat it as we might a ffairy draw metaphorical we dr aw a metap phorical meaning from from it and apply it to life. Let’s impressed your lif e. Let ’s say say that you shouldn’t shouldn’t be impr essed with strong shouldn’t how big and str o anything is; you shouldn ong ’t give your mojo to people or o institutions simply because they have power.. Ra Rather, served worldly power atherr, you will be best ser ved by aligning what’s yourself with wh at’s mysterious and fabulous. fabulous. You’re You’r o e moree likely to ha have mor ve fun and generate generate good ffortune ortune ffor or seeking ng out stories that appeal to your soul yourself by seeki instead of your ego. e

CANCER (June 21-July 21-July 22): In ann episode of the TV TV win Peaks w Peak e s, special agent Dale Daale Cooper gives the show TTwin following advice to his colleague Harry: H ry: “I’m going to Har following secret. Every day, daayy, once a day, dayy, give let you in on a little secret. present. esent Don’t Don’tt plan it, it don’t doon’tt wait ffor or it, it just yourself a present. let it happen.”” Now I’m passing on this advice to you, Cancerian. It’s It’s a perfect perfect time for for you yoou to try out this fun Cancerian. You o are are in a phase of your astrological astrological cycle when game. You com mmitment to self-care self-care . you’ll be wise to intensify your commitment making yourself feel feel good . . and deepen your devotion to making increase your artistry at providing providing o yourself with . . . and increase everything you need to thrive LEO O (July 23 23-Aug. -Aug. 22): Ser Sergei gei Diag Diaghilev ghilev was a Russian ballet impresario impresario who ffounded ounded Bal lets Russes, one of the Ballets great ballet companies. compannies. At At one point in his 20th century’s great career he met French French playwright Jean Jean Cocteau. Diaghilev career dared Cocteau to write a piece for for a future future Ballets Russes dared production.. “Astonish “Astonish me!”” he said. saidd. It took seven years, production. created P Parade aarraade, a but Cocteau met the challenge. Hee created featured music byy Eric Satie and sets byy ballet that also featured Pablo Picasso. Now let’s let’s pretend pretend I’m m Diaghilev and you’re you’re Pablo “Astonish me!” Cocteau. Imagine that I’ve just toldd you, “Astonish respond? What surprising surprrising beauty will you How will you respond? marrvvels will you y unleash? come up with? What marvels VIRGO (Aug. 23-Sept. 23-Sept. 22):: Since 1948, the chemical warfarin has been used as a pesticide to known as warfarin rats.. Beginning in 1954, it also also became a medicine poison rats. prescribed to treat treat thrombosis thrombosis andd other blood ailments prescribed there anything in your youur own life life that in humans. Is there resembles warfarin? warfarin? A person or an an asset or an activity resembles coonstructive, depending that can either be destructive or constructive, sooon be right for for you to on the situation? The time will soon warfarin in both employ that metaphorical version of warfarin sure you’re you’re very clear c capacities. Make sure about which is which. LIBRA (Sept. 23 23-Oct. -Oct. 22): “My he heart eart was a hysterical, unr eliable or gan,” wr ote Vladimir Nabokov N in his novel unreliable organ,” wrote LLolita olita. W Wee have all gone through through phases phhases when we could uttered a similar statement. But B I doubt that this have uttered for you, Libra. Libra. a On the contrary. contrary. I is one of those times for rigght now—poised suspect your heart is very smart right gracious. In fact, fact, I suggest regard the sugggest you regard and lucid and gracious. from your heartt as more more trustworthy messages coming from you—wiser than your head and than any other part of you—wiser together. your gut and your genitals put together. SCORPIO (Oct. 23-Nov. 23-Nov. 21): The Holy Gr Grail ail of

AQUARIUS (Jan. ((Jan 20-Feb. 20 Feb. 18): The questions you have been askingg aren’t aren’t ter terrible. rible. But they could be formulated formulated better. betteer. They might be framed framed in such a way as to encourage encourage life life to give you crisp insights you can really really use rather rather than what you’ve been getting lately, latelyy, which are are fuzzy conjectures c conjectur es that are are only partially relevant. relevant. Would Would you y like some inspiration? inspiration? See if any of these inquiries help help hone your spirit of inquiry. inquiry. 1. What kind of teacher or o teaching do you need the most right now? 2. What part part of you is too tame, and what can you do about it? 3. What could you do to make yourself even more more attractive attracctive and interesting interesting to people than you already already are? are? 4. What W is the pain that potentially has the most power to awaken aw waken your dormant intelligence? PISCES (Feb. 19-Mar 119-March ch 20): “Ther “Theree are are some enterprises in which whhich a careful careful disorderliness disorderliness is the true method.”” Soo says Ishmael, the hero hero of Herman Melville’s 19th-century Melville’s 19th-ce entury novel Moby Dick. He is ostensibly referring referring to whal whalee hunting, which is his job, but some modern critics suggest suuggest he’s he’s also talking about the art of suspect storytelling. I sus pect his statement applies to a certain enterprise you are arre currently currently engaged in, as well. CCan an you wrap wrap your mind and a heart around around the phrase phrrase a “careful “careful disorderliness,” disorderliness,”” Pisces? P I hope so, because I think it’s it’s the true method.. Here Here are are some other terms to describe it: benevolent chaos; chaaos; strategic strategic messiness;; purposeful improvisation; improvisation;; playful plaayful experiments.

moree Homework: Compose Co ompose a love spell to get mor intimatee connection you want, but withof the intimat withmanipulating free Tell out manipulat ting anyone anyone’ss fr ee will. T ell e me Freewillastrology.com. about it at Fr e eewillastr ologyy.com. . Visit RE Visit REALASTROLOGY.COM A L ASTROLOGY.COM ffor or R Rob’s ob’s Expanded E Weekly Weekly Audio Audio Hor oscope es and Daily Text Text Message Message Horoscopes Hor oscope es. The The audio horoscopes horoscopes Horoscopes. ar e also available available by by phone at at are 1.877.873.4888 1.877.873 3.4888 or 1.900.950.7700 1.900.950.7700

J U LY LY 3 1 - A U G U S T 6 , 2 0 1 3

ARIES (Mar (March ch 21-April 19): TToo ad add dd zest to meal mealtime, time, ood that has be een seasoned with you might choose ffood been red chili peppers, cumin, or other piquant p flavors. Some red ation, which is why chimpanzees have a similar inclina inclination, ed fir J fr om the they like to snack on rred firee ants. Judging from astrological omens, I’m guessing yyou ou ar rently in astrological aree cur currently raction a to sp picy things is at a a phase when your attr attraction spicy or dinner but in oother ther ar eas of your peak—not just ffor areas life, as well. I have a suggestion: Pu ursue rrowdy owdy fun with life, Pursue adventures that have metaphorica al rresemblances esemblances to rred ed adventures metaphorical om those t that ar ed chili peppers, but stay away fr from aree like rred fire ants. fire

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