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'$1 38/&5$12 <;@KFI@8C Managing/Arts Editor: Michael S. Gant Food Editor: Stett Holbrook Music Editor: Steve Palopoli News Editor: Josh Koehn Contributing Writers: Tori Eakes,
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COMMENTS Letters@metronews.com Metro welcomes letters. Like any great work of art, they should be originals—not copies of material sent elsewhere. Please include your name, city of residence and daytime telephone number. (Phone number will not be published.) Letters may be edited for length and clarity or to correct factual inaccuracies known to us. = SanJoseInside
= via email
Puzzled I was puzzled by The Fly’s Aug. 1 (“Wage War”) account that I had somehow “enlisted” San Jose/ Silicon Valley Chamber of Commerce CEO Matt Mahood to ask his board to swallow a minimum-wage increase.
Rather, I separately discussed with leaders on both sides of the minimum-wage debate—Professor Scott Myers-Lipton and Mahood— whether any “middle ground” could be found. Each man unequivocally replied “no.” I doubt that Mahood told his board anything at my urging. I also take issue with the suggestion that my efforts to seek compromise reflect my being “on a mission to mend fences with public employees” after Measure B. I never discussed this issue with any union leader or member, and for good reason: an increase in the minimum wage would have no effect on 99 percent of city employees. Rather, I sought a compromise because of my consistently outspoken belief that $8
per hour does not suffice to pay rent in San Jose, but the rigidity of the current proposal harms struggling businesses in the working-class neighborhoods that I represent. SAM LICCARDO s J8E AFJ< :@KP :FLE:@C
Feathered Friends I’d like to address a few points in Stett Holbrook’s article about Chez TJ chef Joey Elenterio (“Free Foie,” July 18). Elenterio claims ducks from Sonoma Artisan Foie Gras weren’t tortured and come running when it’s time to be overfed. Like all animals, I bet they’re just eager to be fed, but not forcibly. He adds
they were very happy ducks. Even though I doubt this was a happy life (animal-rights investigations into the company show otherwise), they only had a few months of it before being killed. I wonder if they come running when it’s time to be slaughtered. He also says the “state of beef, pork and poultry production are far worse.” These industries are horrific money-making machines that should also be addressed. However, this is like saying, gay bashing is bad, but racism is worse, so why do anything about gay bashing? Many of Elenterio’s Twitter followers wonder what’s next to be banned. I wonder what’s next to be called food. Elenterio says, “If my customers want foie gras, I will continue to serve it to them.” People tend to let their taste buds overrule morality. So, if they asked for a cat’s kidney or a dog’s leg, would he serve it to them? They do in other countries. What’s the difference? And for those who simply don’t care about animals, I ask, why are you eating a diseased organ? MICHELLE HECHT s J8E AFJ<
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THE T HE FLY FLLY JOE JU JUDGE DGE will rraise aise his glass g and take a final sip fr om the Santaa Clar Valley from Claraa Valley Water Water District chalice chaalice at the endd of this year year.. Thee District 2 boaardmember, boardmember, who has held the who position possition ffor or 26 years, surprised yea ars, Joe Judge man many ny TTuesday uesday by announcing that he will retire retire when his term expires expires in December. Decembeer. This comes depending on as good or bad news, depending how much you care care about abou ut water. water. Of the candidates in the District Disstrict 2 race, race, S t CClar Cl Claraa County’s C t ’ D AV VID GGINSBORG INSBORG, Santa DAVID deputy assessor assessor,, leads fu fundraising undraising totals with mor moree than $4 $44,000 44,000 rraised aised ffor or the November electio on. He has election. easily outpaced other ca ndidates such candidates BARBARA ARBARA KEE KEEGAN GAN, a fformer o ormer water as B district engineer engineer,, and waiter-turnedwaiter-turnedDREW W college-gr college-grad-turned-entrepreneur ad-turned-entrepreneur DRE SP SPITZER ITZER (all in the last tw two wo years), both of whom pulled papers Don’t but have yet to pay forget the $3,300 ffee ee ffor or a ballot statement. One to tip! person who could have FLY@ benefited from from Judge’s Judge’s METRONEWS. departur departuree fr from om the COM rrace ace is SSCOTT COTT KNIE KNIESS, executive dir director ector of the San Jose Downtown Association. Assoociation. But in an email to supporters last laast week, week Knies cited the need for for fewer fewer challengers against Judge to ensure ensure the incumbent would be defeated defeated and bowed b out of the race. race. Knies, who admitted adm mitted to others that he ffeels eels mor o ortable selling moree comf comfortable San Jose and its pr ojectss than himself projects himself,, then thr ew his support behind b Ginsbor g, threw Ginsborg, a seasoned political anim mal after years animal ARR RY ser ving alongside countyy taxman LLARRY serving B t accor according di to ding t the tth Registr R Registrar i t ar off SSTONE TONE. But V oters,, ther o Knies and or Voters, theree is still time ffor others to rreconsider. econsider. If an incumbent does not file a ballot statement statement,t,, county rules say that the deadline—w which is Friday— deadline—which must be extended by five days. This would make the new deadline Au ug.. 15. Aug.
SVNEWS
Rack, Paper, Seizers NOW N OW YOU YOU SEE IT The M Mercury ercury N News ews promised p to return M Metro etro new news ws racks found in their scrap metal m dumpster dumpster. r. The rack on o the right, however however, r, disappea disappeared ared less than 48 hours later later, r, and a the M Merc erc can can’t ’t explain why why. y.
M Merc errc N News ews caughtt red-handed with w independent indep pendent media a news racks By D DAN AN PUL P PULCRANO CRANO and JOS JOSH SH KOEHN KOEHN
A
ke key ey piece of evidence has ha as disappeared in the th he San Jose Mercury Mercury News e News rrack ack theft caper. caper.
Last L ast week week, k, San JJose ose p police olice wer weree called to thee ne called newspaper’s wspaper’s headquar headquarters ters after an inde independent ependent distribution firm discovered disc cover e ed it its ts ne news ews w racks—along with those of mo more ore than a dozen other lo local cal publications—in public caationss—in a met metal al rrecycling eecyyccling dumpster b behind e ehind the daily’ daily’ss plant. The rrecycling ecyyccling ccontainer, onttaainerr, ab about out the dimensions of a midmid-sized sized moving mo oving v van’s van n’s ccargo argo ar area, ea, w was aas mostly full, and mor more re news ne ws b boxes oxes wer w weree st stacked taack keed ar around o d the ound dumpster. dumpster r. The T op operation eration to rround ound up and destr destroy roy racks appar apparently ently ttargeted aarrggeted the distribut distribution tion channels of ccompetitors ompetitors to San Ramo Ramon–based on–based Ba Bay ay Ar Area ea N News ews Group Gr oup (B (BANG), AN NG), which owns daily newspapers ne wspapers fr from rom o Marin to Monter Monterey, ey, including th the he Mer Mercury rccurry Ne News, ws, and
ccommunity ommunitty weeklies in Silic Silicon on V Valley. aallleey. “We’d been three “W We’d b een losing at least thr ee a week,” said T Tom om Lilledahl, of Moun o Mountain ntain View–based Circulation Management V iiew–based Cir culation Managem ment Inc.. After racks disapp Inc disappeared eared on W Willow i illow Glen’s Lincoln Avenue Alameda Glen n’s Linc oln A veenue and The Al lameda in San JJose, ose, CMI p personnel ersonnel went to o the Mercury Merrccurry Ne News’ ws’ Ridder P Park ark Dri Drive ivve plant and ffound o ound its missing pr property, operrty, along with ne news ws b boxes oxes of Met Metro, tro, the th he Palo Alto Alt to Daily P Post, ost o , the Mount Mountain taain Vie View wV Voice, ooicce, Good Go od T Times, iimess, LLaa Of Oferta, feertta, the San Franc Francisco ciscco Chronicle Chr roonicle and other public publications. caations. When sho shocked ck keed rrepresentatives epresenttaativvees of o Metro, Met tro, the Palo Alt Alto to Daily P Post oost and CMI C showed up at the Ridder P Park ark Driv Drive ve plant to rreclaim eclaim e their pr property, operty, San n JJose ose police p olice offic officers ers and Mer Mercury rccurry Ne News ws se security ecuritty personnel p ersonnel or ordered dered them to w wait aait on n the sidewalk. side waalk. The Daily P Post’s oost’s publisherr w was aas rreportedly eportedly thr threatened eatened with arr arrest est when w he went to rrecover ecover e a rack. The situation w was aas defused after SJPD off offered ffeered to ttake aak ke a rreport eport and do document cum ment the eevidence, vvidence, and a Mer Mercury rccurry Ne News ws eexecutive xxecutivve agr agreed eed to rremove emo ove the rac racks cks fr from om the dumpster dumpster, r, ccount ount and or organize g ganize the racks and allow the public p publications ation ns to
property next day. rrecover ecoveer their pr operty the ne exxt da ay. Merc keep agreement, The Mer rc did not k e the agr eep eement, however. howe eveerr. Thursday, asked moree time On Thursda ay, it ask keed ffor or mor o empty dumpster offered to empt ty the dumpst ter and off ffeerred e to deliver racks have deliv veer the seized rack ks rather than ha ave up.. On Frida Friday, publishers pick them up ay, the Mercury News Mer rcur c ry Ne ews showed d up with only ffour our o five of the fiv ve Metro Mettro rackss that it had in its possession. p ossession.
Where’s W here’’s R Rack a # 5? ack Att least one ne A news ws rac rack ck in the Mer Merc’s c’s possession p ossession vanished as the San JJose ose Police P olice Depar Department tment pr p prepared epared to ccommence ommence a crimina criminal al in investigation nveestigation into the daily’ daily’ss dump dumping ping of its ccompetitors’ ompetitors’ racks. racks. Mercury Mer rcur c ry Ne News ws eexecutives xxecu utivvees off offered ffeered no eexplanation xxplanation ffor o or thee eevidence vidence ttampering—only ampering—only tha that at the they ey had ““triple triple checked” check keed” the yar yard d and d ccan’t an an’’t lo locate cate a it. Without W iithout the missing b box—a ox—a monthsold, recently-redesigned recentlyy--rredesigneed Metro Mettro news news rack—it rack k—it — will b bee har harder deer to unra unravel aveel the mystery m yystery and trac tracee wh whether hether the Mercury’s Merrccurry’s ssweep weep of ccompetitors’ w omp o etitors’ st stands taands w was aas ccentered enterreed mainly in P Palo a Alto or if the alo media giant w was aas also b behind ehind the rrecent ecent disappearances disapp earanccees of str street e distribution eet
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AUGUST A U G U S T 88-14, 14, 2012 | metr metrosiliconvalley.com osiliconvalley.com | sanjose.co sanjose.com om | metr metroactive.com oactive.com
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SVNEWS
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More Mor re inf information foormation can n bbee ffound oound at sanjoseinside sanjoseinside.com .com
boxes in San JJose, boxes ose, which h wer weree rreported eported byy thr three organizations. b ee or rgganizations. Sinc oveery, a series of Sincee the initial disc discovery, ccontradictory ontradictory and misle ading st atements misleading statements rreleased eleased b rcur c ry Ne N ws and byy the Mer Mercury News B ANG has left man ny of the indep endent BANG many independent publishers—and eeven veen so ome public saf feetty some safety officials in Silicon Silicon Valley—incredulous. Vaalleey— —incredulous. The media chain initiallyy claimed it w aas “c conttaacted b cal authorities aauthorities” in was “contacted byy lo local P alo Alto and “instructe ed to rremove emo ove Palo “instructed se eveeral ne ws racks that wer w several news weree not in ccompliance ompliancce with a lo caal rack or dinance.” local ordinance. The st atement went on to sa ay that the statement say rremovals emo ovals v of racks is “a no ormal practic normal practicee in the industr y” and the Mer rc notified industry” Merc individual publishers wh hose racks wer whose weree rremoved. emo oveed. But Palo Alt to W eeekly publisher p Bill Alto Weekly JJohnson ohnson ccalled alled a the rack rremovals emo ovvals “e eveery “every publisher’ publisher mare” when he publisher’ss worst nightm nightmare” w aas notified b tro th he da ay ffollowing ollowing o was byy Met Metro the day the Mer rc’s st atement. Merc’s statement. “What !” eexclaimed xxclaimed an n incredulous incredulous “What!” K evvin Bab eaux, owner of o the Belmont tKevin Babeaux, Belmontbased Pink Sp ots LGBT public p ation, when Spots publication, inf fo ormed Thursda ay of th he cconfiscations. onfiscations. informed Thursday the “That ’s disgusting ’s our pr operty.” “That’s disgusting.. That That’s property. A ffollow-up ollow-up st o taatemen nt b avid v statement byy Da David R ounds, vic o reesident of o cir culation Rounds, vicee pr president circulation ffor or B o ANG, said that the Mer rc rreceived eceivveed BANG, Merc ccalls alls all fr ffrom om the th P alo l Alto Alt p olic li e dispatch di t h Palo police to rremove emo ove racks fr ro om ttwo w wo diff ffeerreent from different lo caations in P alo Alto gain, that claim locations Palo Alto.. A Again, w aas sswiftly wiftly w disputed. was “I ccan aan tell yyou ou that it o ’s not our it’s p olicy and ccertainly ertainly not our st taandarrd policy standard pr ocedurre to b ectin ng one ccompany ompan ny procedure bee dir directing to rremove emo ove ne ws rack or an nyything lik ke news anything like that,” said P alo Alto p olicce Lt. Zach Palo police P erron. “That ’s not eeven veen n enf fo orceed b Perron. “That’s enforced byy the police policce depar tment. It’s I ’s done b It department. byy the public bli works k depar d tmen nt.” He added, dd d “I “ department. don n’’t know if such a ccall aalll o ccurred, but it don’t occurred, would surprise me if it did. d ” With W ith i B BANG ANG owning almost eevery veery newspaper Bay major daily ne wspaper in i the Ba ay Ar reea outside of San Fran ncisco, some Area Francisco, publishers and cir rcculatio on managers circulation ha ave wonder ed if B ANG G has ttaken ak keen a have wondered BANG ssystematic ystematic y appr approach ro oach to fur ffurther ther squash ccompetition, ompetition, aside fr om m cconsolidation. onsolidation. from “What that sa ayys to me m is that the y’re says they’re disorganized, they’re ccompletely ompletely disor ganized d, or else the eyy’re rreally eally or ganized and it ’s intentional,” sa ayys organized it’s says Lilledahl, who has had multiple m run-ins with the Merc Merrc in the past. passt. March 2004 letter In a Mar ch 20 04 let tte ter to Lilledahl fr om Harr o oldt, then n VP of from Harryy W Woldt, Cir culation ffor o or the Mer rccurry Ne ws, aan n Circulation Mercury News, agreement was lawsuit agr eement w aas made to o dismiss a la awsuit w
byy Lille Lilledahl filed b edahl and CMI after ttwo wo w from Coco’s CMI racks went w missing fr om a C oco’s R est e taaurant in Sunn nyyvale. In eexchange, xxchange, Restaurant Sunnyvale. W oldt wr o otte, the Mer rc would “not Woldt wrote, Merc rremove emo ove an ny ne ws racks or instruct an ny any news any third thir rd par party ty to rremove emo ove an any ny ne newsrack wsrack owned by by CMI C fr om public or private from par ty witho out prior cconsent. onsent. o ” party without The let ttteer went on to sa ay the Mer rc had letter say Merc “intended intended to t rreturn eturn the ne ws racks to news CMI, but ha ave b een unable to lo cate a the have been locate ne ews w racks as of this time news time..” Mer rccurry News News officials off Ne ffeered no Mercury offered disappearance eexplanation xplanation x n ffor or the disapp o earancce of the fifth vverified er erified Met tro rack under their Metro w aatch, nor ha ave the ey pr ovvided an ny watch, have they provided any ac countingg of the dates cations and accounting dates,, lo locations quantit ty off racks pick ked e up in the past. In quantity picked the last six months m errcent months,, mor moree than 5 p percent of Met tro’s ne n ew wly designed ne ws racks Metro’s newly news ha ave disapp peared fr om the str reets e . have disappeared from streets. After eextensive xxttensivve ccoverage oveerage on tele evvision television and radio ne n wsccaasts, in the ccommunity ommunitty newscasts, pr ess and on n media industr press industryy websites websites,, a ne w ttwist w wistt emer ged when B ANG new emerged BANG public ation ns ccovered oveered the stor publications storyy in its lowcir culation Satur rd daay edition ’s business circulation Saturday edition’s sections ticle, the Mer rcur c ry sections.. In the ar article, Mercury Ne ws sugge ested that the rrecycling ecyyccling of News suggested ccompetitors’ ompetitorrs’ racks w aas a “mist taak ke” b was “mistake” byy a single empl lo oyeee, and the ccount ount shrank employee, ffrom fr om earlier li r rreports. eports t. Bob L am mpkin, a cir culation dir reector of Lampkin, circulation director Embar caadeero Media, w aas quoted in the Embarcadero was ar ticle descr ribing the ne ws rack rremovals emo ovvals article describing news as “a tot aas also allyy normal situation.” It w totally was noted that L ampkin pr evviously work keed Lampkin previously worked ffor or the Mer o rcur c ry Ne ews. Mercury News. culation B ANG vic vvice ce pr esident of cir BANG president circulation Da avvid R o oun nds told his pap er that ““the the David Rounds paper racks the Mer M rcur c ry Ne ws rremoved emo oveed wer Mercury News weree left along a ffence enc e ce b ehind the ne wspaper’s behind newspaper’s h headquar d teers ffor or o pick i kup u . Howe ever er, while hil headquarters pickup. However, 17 racks wer re lined up b enc e e, an were byy the ffence, emplo oyeee mist m taak keenly tossed se eveen others employee mistakenly seven into a rrecycling ecyycling c bin.” The ar ticcle did not eexplain xxplain wh hy the article why emplo oyeee selected seelected nearly-new nearlyy--new b oxes of employee boxes the Daily P o and Met ost tro for fo or recycling reecyyccling Post Metro ollection while he ele ected not to toss a ccollection elected of rust ty old d racks nearb by. rusty nearby. On Mon ndaay, Rounds Ro ounds maintained mainttaained Monday, that the Me ettro rack that had b een Metro been photo graph hed on W eednesdaay at the photographed Wednesday b ottttom of the t met al heap w aas nowher bottom metal was nowheree to b o ound d. He added in a separate bee ffound. email that B ANG had “engaged an BANG outside firm m to cconduct onduct a thor ough thorough in nvestigatio e on n” of the rack rremovals. eemo ovals v . investigation” “If I had yyour our ne o ws rack,” he told news Met tro, “I’d “I’d give g ve it back.” giv Metro,
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TECHNOLOGY & CULTURE IN SILICON VALLEY BY BRENDAN NYSTEDT, DAN HOLDEN, MATT MILLER & ROD BASTANMEHR updated daily: www.sv411.com twitter: 5sv411 facebook: siliconvalley411
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Facebook Could Have 83 Million Fake Accounts In a 10Q statement filed with the SEC earlier, Facebook representatives laid out scenarios where people may be illicitly creating as many as 83 million fake profiles on its platform. Facebook representatives said “duplicate profiles” belonging to already registered users could represent as many as 4.8 percent of all accounts.
Fake accounts are created for a wide variety of reasons, but Facebook does not distinguish any of this activity as legitimate. Fake or duplicate accounts may be created for business purposes, for the family dog, to earn points in an online game or for more nefarious reasons, such as scraping accounts to spam or defraud other users, or to lampoon or bully other people.
Irrespective of intent, Facebook has strict policies against creating duplicate accounts or even multiple accounts off the same email address. The company has filtering systems designed to detect and identify such activity and it will automatically block users it suspects of creating such accounts. However the filters can be avoided and the sheer number of false accounts makes it extremely difficult to stop altogether. Users who find that their profiles have been copied or mimicked are advised to follow a simple procedure to report the abuser.—DH
Another category known as “usermisclassified accounts” could amount to 2.4 percent of all profiles. These accounts include profiles for businesses or pets and as such are not legitimate users.
HP Wins Huge Ruling in Legal Battle with Oracle
A third category, “undesirables” are created for nefarious reasons, such as spamming the system. Facebook says this could total 1.5 percent of users.
A Santa Clara judge hearing the lawsuit between two Bay Area tech giants has ruled that Oracle violated a contract by not continuing to provide new software for a HewlettPackard computer server compatible with Intel’s Itanium server chip.
The company said the sum total could be as high as 8.7 percent of all profiles, which, through simple math, figures out to be as many as 83 million “users.”
It’s a huge win for HP and one that comes after weeks of trial and testimony and leads the way to a
second trial to see if Oracle must pay the $4 billion in damages that HP is currently seeking. “Today’s proposed ruling is a tremendous win for HP and its customers,” HP said in a statement. “The Superior Court of the State of California, Santa Clara County, has confirmed the existence of a contract between HP and Oracle that requires Oracle to port its software products to HP’s Itanium-based servers. We expect Oracle to comply with its contractual obligation as ordered by the Court.” The fight between the companies came down to a paragraph in a legal settlement.
“HP’s argument turns the concept of Silicon Valley ‘partnerships’ upside down,” Oracle said in its statement. “We plan to appeal the Court’s ruling while fully litigating our cross claims that HP misled both its partners and customers.” This started in 2010 after Mark Hurd took a job as Oracle co-president after resigning as the CEO of HP. In the lawsuit that stemmed from this changing of positions, HP asked Oracle to say it would continue to build software that supported the Intel chip. In March 2011, Oracle decided to stop development of software that would work with the chip. As a result, HP sued Oracle 13 months ago.—MM
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14 metroactive.com s sanjose.com s metrosiliconvalley.com s AUGUST 8-14, 2012
SILICON SILICON ALLEYS ALLEYS
Soccer King ?<8;ÊJ$LG K?@EB@E> LdY\ikf 8Yifeq`ef jg\ek [\ZX[\j LdY\ikf 8Yifeq`ef jg\ek [\ZX[\j ilee`e^ k_\ G\e`ejlcX JfZZ\i C\X^l\ flk f] _`j YXiY\ij_fg%
K_\ i\fg\e\[ NXkjfe GXib j\im\j Xj X i\d`e[\i f] LdY\ikf 8Yifeq`ef# k_\ dXe n_f Yifl^_k jfZZ\i kf k_\ mXcc\p 9p GARY SINGH
A
DFM<D<EK `j X]ffk kf Yl`c[ X Ó \c[ _flj\ Xk k_\ i\Z\ekcp i\fg\e\[ NXkjfe GXib kf _fefi fe\ f] JXe Afj\Êj Xcc$k`d\ c\^\e[j# LdY\ikf 8Yifeq`ef# Zi\[`k\[ efk fecp Xj Y\`e^ k_\ ]fle[`e^ ]Xk_\i f] jfZZ\i `e JXekX :cXiX MXcc\p Ylk Xcjf Xj k_\ _\if k_Xk fg\iXk\[ k_\ 9XjZfd 9XiY\i J_fg ]fi Xcdfjk ,' p\Xij% Originally from Italy, Abronzino, who passed away in 2006 at the age of 85, started the Peninsula Soccer League when he first came to San Jose in the late ’50s. Watson Park was his
main turf. Officially sanctioned by the U.S. Soccer Federation, the Peninsula Soccer League still exists today, and from 1957 until his death, Abronzino ran the league out of his barbershop. Just about everyone who has ever played the sport in Santa Clara County owes a debt to Abronzino. He started everything. He created the royal soccer bloodline of San Jose, and his home, outside of the barbershop, was Watson Park. He was an administrator, a referee and a tireless diplomat for the game. During the 1994 World Cup in the United States, he was Italy’s Ambassador to the entire tournament. Anyone who attended the original San Jose Earthquakes matches in the old North American Soccer League (NASL) from 1974 to 1984 will remember Abronzino as the timekeeper during those games. At
that time, the NASL was changing the rules of the game in order to placate confused Americans, so they actually used to stop the clock during matches. At Spartan Stadium, Abronzino was the old guy who sat there on a raised platform, on the west sideline, with a handheld cylindrical pushbutton switch to stop the game clock, upon the referee’s request. Everyone knew him. He was an institution. Watson Park closed in 2005 due to toxins in the soil—the place was originally a city dump—and Abronzino never lived to see the park undergo its new transformation. After six years of hard work, a painstaking collaborative effort finally culminated with the park reopening last year. Along with a playground, a dog park, basketball courts, a restroom, picnic areas and other facilities, a new soccer bowl, renamed Abronzino Bowl, contains two new soccer fields, one grass and one artificial turf, both of which have lights to allow night play. As a result, San Jose Parks Foundation and the Soccer Silicon Valley Community Foundation are now raising funds to build a field
house at the park in Abronzino’s honor. The field house will include restrooms, concessions, office space, storage and a permanent exhibit about Abronzino and the history of recreational soccer in Silicon Valley, curated by History San Jose. With that, allow me to digress with a hysterical and somewhat mystical side note: last year, Team San Jose led a media tour of the old Martin Luther King, Jr., Main Library on San Carlos Street, as it was about to get demolished. The old concrete building had recently housed some the city offices that the new City Hall didn’t have room for, particularly Public Works, so as we toured it, many remnants still remained inside the building, leftover from when the city employees had finally vacated the place. In one pile of garbage, I discovered the entire 60-page roll of blueprints for the new Watson Park renovation project. To save the prints from annihilation, I took the roll and donated it to History San Jose. Perhaps it is symbolic of the endless cycles of creation and destruction that always seem to characterize San Jose’s belligerent, ham-fisted suburbanplanning (d)evolution: A park is built on a former city dump. Toxins close the park 50 years later, just as the City Hall moves back to downtown. Since there isn’t enough room in the new City Hall for all the employees, Public Works gets relocated to the old MLK Library building. When that building gets destroyed, no one even cares enough to save the Watson Park blueprints they’d been working on, so a newspaper columnist donates them to History San Jose, who just happens to be helping envision a new field house at the remodeled Watson Park. Welcome to San Jose, the “global epicenter of innovation,” as the politicians keep telling us. In any event, raising money for the new Umberto Abronzino Field House is a wonderful cause. Without exaggeration, he probably affected at least 500,000 people in this area, over the course of 50 years. I am certain the field house will be here to stay.
LEARN MORE AT: www.sanjoseparks.org/the_abronzino_fund
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Join us for any of these FREE August events. Meet instructors and staff, learn what’s new in your field, and see how our courses can expand your career options.
CAREER EVENTS AUGUST 14–27 BUSINESS AND MANAGEMENT
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Business Administration and M.B.A. Prerequisites Open House
Tuesday, 6:30–8:30 pm, August 14
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Embedded Systems and VLSI
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Tuesday, 6–8:30 pm, August 21
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Wednesday, 6:30-8:30 pm, August 22
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EDUCATION
TESOL Open House
• Instructional Design and Delivery • Online Teaching Certificate
Tuesday, 5:30–7:30 pm, August 14
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Thursday, 6:30–8:30 pm, August 23
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Register now to reserve your seat:
ucsc-extension.edu/events 2505 Augustine Dr., Santa Clara, CA 95054
Copyright © 2012 The Regents of the University of California. All rights reserved.
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At UCSC Extension, Your Next Step… Can Be a Leap
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Catch some R&B-Soul-Jazz-Reggae-Rock-Metal-Hip Hop-RapAlt-Americana-Electronica-Gospel-Experimental-Latin-ClassicalFunk-World Music. It’s all in Oakland, a worldly city that still feels like a town. Experience great venues of all sizes, from a Coliseum to Art Deco palaces to hip downtown art spaces to down-home clubs. And enjoy a pre-show meal created by one of the rock star chefs that have made Oakland the epicurean epicenter of the West Coast.
Oakland. To know it is to love it. loveoaklandmusic.org #oaklandloveit
AMANDA SHAW
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THE NEW SOUNDS OF SUMMER FEST San Jose Jazz explores fresh musical frontiers for its weekend festival BY STEVE PALOPOLI
A
S San Jose Jazz’s summer festival has grown up, it’s also grown out. The last couple of years have seen a huge expansion in the diversity of the festival’s musical offerings, to the point where the word “jazz” has slipped out of the name entirely—it’s now simply the Summer Fest. (To understand why at least one jazz artist performing at the festival thinks that’s a good thing, read Jeff Hamilton’s profile below.)
The inclusion of funksters George Clinton, Maceo Parker and Tower of Power was a huge statement two years ago, and San Jose Jazz has continued in that vein this year with headliners Morris Day & the Time. Meanwhile, organizers started promoting the festival as the biggest Latin music event on the West Coast in 2011, but their ambition in that genre this year dwarfs anything they’ve done previously—the “Women in Latin Jazz” event alone features eight female-led bands. One of the most innovative happenings at this summer’s festival is the “Blues Pop-up Club” at Santa Clara and San Pedro streets, curated by local blues guru JC Smith and featuring a wide range of artists, including 12-year-old Ray Goren. New Orleans has always been a major exporter of festival bands, and Summer Fest organizers have been especially forward-thinking in this genre lately—last year with Trombone Shorty, this time with Amanda Shaw. Hip-hop is not something that jazz organizations usually have on their radar, but perhaps the wildest band on the slate this year is BlackMahal, who combine rap and funk with Punjabi music. There are electronic artists like Julius Papp and J Boogie featured at the Pagoda’s after-hours festival shows. With all that in mind, here’s a look at four artists from farflung corners of the Summer Fest’s new musical universe.
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SAN JOSE JAZZ SUMMER FEST
AUG
10–12 DOWNTOWN SAN JOSE See the festival insert in this issue for full schedule details. Metro is one of the sponsors of Summer Fest.
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SUMMER FEST FE S T 17
AMANDA AM AND N A SHAW SHAW
W
HEN CAJ CAJUN JUN rock up-and-comer up-and-c comer Amanda A manda a Shaw belts out a punk pu unk cover— say, say y, the Clash’s Clash’s “Should “Sh hould I Stay or Should I Go” Go” or a gendermodified take on the the Ramones’ “I Wanna Wanna Be Your Your Boyfriend” B —it’s —it’s not a novelty-type novelty y-type thing, like string-music versions v of M Metallica. etallica. Her vversions, ersions, especially especiaally of the Clash song song,, burn with the same power p ower as the originals originals,, led by by her cconstantly onstantly b bobbing obbing an and nd wea weaving, aving v , fist-in-the-air fist -in-the-air deliv delivery. ery. She sings and fiddles with sswagger wagger an and nd at attitude. titude. With W iith authority. authoritt y. Offstage, O ffstage, howe however, ver, Shaw’s S aw Sha w’s personality p ersonality is as far fr from o that toughom girl st stance ance as the bayou baayou u is fr from om the South Ba Bay. ay. She She’s ’s all So Southern outhern charm, as bubbly and fun-lo fun-loving viing as a newly newly minted 22-year-old 2222 year- old (sh (she he ccelebrated elebrated her bir birthday thdaay last week) week k) should b be. e. This one just happ happens ens to ha have ave b been een playing pla ayying violin sinc sincee she she w was as 4 and making rrecords ecords sinc sincee she s w was as 11. She’s She ’s b beloved eloved in herr hometown of N New ew Orleans Orleans,, and ttwo w yyears wo ears ago ago,, Mayor Ma ayor Mitch L Landrieu andrieu u declar declared ed A Aug. ug. 31 “Amanda “A Amanda Shaw Shaaw Da Day.” ay.” Underneath U nderneath the ssweetness weeetness and upst anding citizenr y, though, t upstanding citizenry, ther h e is i definitely d fi i l a pu unk k spirit i i iin there punk Sha aw. She admits thatt her music al Shaw. musical her oes ar ong and an nd sometimes heroes aree all str strong ccomplicated omplicated women: Chrissie C Hynde Hynde,, Am iinehouse, Loretta Loret e ta Lynn, Lyynn, Amyy W Winehouse, Dolly P arton, Et ta James Jam mes and so on. Parton, Etta “I’m definitely all ab bout the girl about p ower,” Sha aw sa ays y . “Even “Evven though I’m power,” Shaw says. a fiddle pla ayer, I lik o rrock ock out.” out.” player, likee to She laid this fact out early on in the song “I’m N ot a Bubblegum Bubbleegum Princ ess,” Not Princess, ffrom fr om the h 20 04 album lb of the of h same 2004 name ft in her ccareer, areer, name.. It signified a shift as she had just finished filming mo vies movies ffor o or the Disne l. Disneyy Channel Channel. “It w as junior high or o the was b eginning of high scho ool,”” she recalls. recalls. beginning school,” “Early on, ar ound thatt time around time,, I had done the ttwo wo Disne m vies. It w mo as Disneyy movies. was
fine, fine, it was was fun, but I didn’t didn’t like like how some of thee girls would ccome ome on and talk New talk bad about ab bout N ew Orleans, Orleans, even even though the they movie ey were were filming the mo vie here. bee like here. Or they’d th hey’d come come in and b like ‘Look myy Chanel sho shoes’ myy ‘Look at m es’’ or m Gucci whatever. me,, it’s Gucci bag or o whate ver. For For me it’s not ab about being product out b eing a pr oduct to sell.”” Shaw been Cajun Shaaw has has b een playing plaayying C ajun music sinc sincee she was was 8,, and has never never shied aaway way from from bringing modern modern elements—like elements— —like the Clash—into it, believing that th hat tradition must adapt believing
Led by Led y her constantly cons stantly t tly bobb b bb bing bi g and bobbing i g, weaving, wea ving, th fist-in-thefist-i fi t iin-theair i d delivery, li y, she h ssings i g and d fiddl fi fiddles with ith h swagger gg ttit d and d attitude. survive. She’s She’s committed committed to it, to survive. and to her ccommunity, ommunity, because because ommu unity has alw ayys been been her ccommunity always committtted d to her committed her.. as young young and st arting “When I w was starting there were w e a lot of rreally wer eally gr eat out, there great h musicians her heree who would let me th heir sets with m fiddle,” sit in on their myy fiddle,” saayys. “I was was 8,, 9 years years old. I was was she says. classically trained, t , but they they taught taught classically eally play. plaay. Not Not knowing me how to rreally song, they’d th hey’d say, saay, ‘OK, this one’s one’s in the song, the k key D,’,’ and I’d figuree ey of D I’d have haave to figur it out. George Porter, Marva Georrge P orter, Jr. Jr. and Mar va Wright, likee that didn’t Wrright,, people peo ople lik didn’t have haave to welcome welcomee me in. They’re They’re the ones who have New haave really really ccontinued ontinued the N ew Orleans tradition—you Europe traadition—you go to Eur ope and Mar Marva vaa was was a superstar. superstar. They They welcomed helped me,, it welc omed me in and help ed me was likee family.” was lik fam milyy.”
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CAJUN RO ROCK O C K W IT ITH HA ATTITUDE TTTITUDE
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SUMMER FE FEST ST 19 MORRIS DAY
August 18th & 19th Discovery Meadow Park Downtown San Jose
12pm - 7pm www.sanjosepride.com
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Be Green. Ride to Prid Pride de with VTA. Think Clean. Recycle at Pride. de. Prid Supported, in part, by a Cultural Affairs grant from the City of San Jose. Event date, times and perfo performances formances are subject to change withou without ut notice.
Saturday, August 11 1 @ 5:00PM Tickets: $5 0ROO\ 2¡1HDO ZLOO EH WKURZLQJ WKH ÀUVW 0ROO\ 2¡1HDO ZLOO EH WKURZLQJ WKH ÀUVW SLWFK DORQJ ZLWK UDIà H SUL]HV JLYHQ DZD\ SLWFK DORQJ ZLWK UDIà H SUL]HV J JLYHQ DZD\ throughout the game. This is a family friendly event where our community can c grow and enjoy each other’s company. company.
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GAME-CHANGING GAME - CH HAN G IN G FUN FUNKK
MORR MORRIS RIS DAY DAY & TIME THE T IME
F
OR O R millionss of people, Prince Prin nce is an enigmatic musical m genius,, one genius e of the greatest songwriters songwritters of his generation, the generation, and perhaps p most celebrated celebrated icon icon of funk in history. history. To T o Morris Da Day, ay, he he’s ’s the guy he w was as stuck in the basementt with eevery very night ffor o or hours up upon on hours on end. end Off ccourse, O ourse, he he’s ’s much h mor moree than that. Princ Princee and Da Day ay st sstarted arted out as childhood childho od friends in Minneap M Minneapolis, olis, putting put ting their ďŹ rst ban band nd to together gether in high scho school. ol. But eeven ven after mainstream mainstr eam hits lik likee “J ““Jungle ungle L Love,â€? ove,â€? “The Bir Birdâ€? dâ€?â€? and “J “Jerk erk Out O Outâ€?—not â€?—not to
mention a cco-starring o -starring rrole ole in Purple R aain—mosst p eople still don ’t know Rain—most people don’t that the T i ’s ďŹ rst thr ime ee landmark Time’s three albums we ere written, written, arranged, were p erfo ormed d and pr oduced almost performed produced entir ely b wo p eople: Morris entirely byy just ttwo people: Da ay and Princ P e, slaving slaavving aaway way on the Day Prince, futur f in a basement. futuree of funk Da ay rremembers em members the p olice Day police dr opping b eside studio dropping byy their lak lakeside se veral tim mes to tell them to shut it several times down ffor o or the t night. night “It w as crazy,â€? c y,â€? says craz saays y Day. Daay. “He was w anted to b wanted bee in the studio all the time t’s all we did. W started time.. That That’s Wee started pla ayying mu usic to gether when we playing music together wer ’s always alwayys been been more more weree kids kids,, but he he’s of a work a aholic than I am. workaholic am.â€?â€? The illu sion that ther was an illusion theree was
the theyy were, were, the T Time ime began began to rrebel ebel g Prin Prince’s nce’s attempts attttempts p to control control against their album albums, ms, and even even where where they they ccould ould pla play ay live—especially live— especially sinc sincee the ffeeling eeeling w was ass that he k kept ept them out of ccertain ertain cities cities so as not to risk b being eing outshone.. outshone while,, it w was like, ‘You ““After A After a while w as lik e, ‘Y Yo ou New York, guys ccan’t an’t do d N ew Y o ork, yyou ou ccan’t an’t “Theree wer weree a lot do L.A.,”” Day Day says. saays y . “Ther starting brew behind of issues st a ting to br ar ew b ehind the scenes.” sc enes.” words, rivalryy In other wor ds, the rivalr Rain was dramatized d in Purple R aain w as rreal, eal, movie eeven ven if the mo vie presented presented a very very subjectivee view whatever subjectiv v w of it. But whate vie ver proud issues eexisted, xisted, he is still pr oud of the they’ve music the y e made. y’v made. “Even was “Ev en though th hough some of it w as stuff, cutting fun stuff ff,, itt was was definitely cut ting edge,” “We worked hard edge ,” he says. saayys. “W We work ed so har d musicians, as musician ns, and strayed straayed way way out, pop was simple.” ccause ause p op music m w as so simple .” they’ve Although h the yy’vve had their ups downs, Princee still and downs s, Day Daay and Princ have “We’re like, ha ave a relationship. relattionship. “W We’re not, lik e, buddies,, bu but it’s likee ‘How’ ‘How’ss the buddies ut it ’s not lik family?’ ays y Da ay, rreferring effeerring to the family?’”” sa says Day, stone-cold put-down famous sto one- cold put - down scene scene Rain. in Purple R aain. “When we see each other,, we we’re always other ’re alw ayys ccool.” ool.” Unlike U nlike many m y of his ffellow man eellow funksters,, Day funksters D Daay isn’t isn’t surprised at all to bee in invited b nvited v to t what is at its ccore ore still a jazzz ffestival. day, jaz eestivaal. al “”Back Back in the da ay, when weree pu putting together we wer utting this to gether as kids,, we studied jazz,” says. kids stu udied a lot of jaz z,”” he sa ayys. grooves strike, there’s ““A A lot of gr rooves we strik e, ther e’s similarities.” some simil arities.”
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EFF Hamilton Hamilto on thinks it’ss kind of funny it’ f that musical diversity diversity at jazz festivals festivalls is getting so much attention n in the last few years. years. He’s He’’s been playing them for longer l than most of the artistss at this year’ss Summer Fest—both year’ Fesst—both as bandleader of his h own trio and as drummer drumm mer for jazz
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legend Oscar Oscar Peterson, Peterson, as Krall well as Diana D Kr all and Ray Brown. Brow wn. He rremembers emeembers rrock ock singer/ songwriter song writerr Rickie L Lee ee Jones Jones ffollowing o ollowing him h at the Montr Montreux eux Festival three ago.. He JJazz azz F estivaal thr ee decades ago Kool Cigarettes getting rremembers ememberss K ool Cigar ettes get ting jazz ’80s into the jaz zz game in the early ’8 0s bringing and bringin ng an influx of R&B acts jazzz festivals. into jaz feestivals.
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actual band p performing erfo ormin ng on the Time’s T ime’s rrecords ecords w was as cr created eaated right from fr om the first,, self self-titled f-title d 19 1981 81 album, sincee there sinc there is one pictu pictured ured on the ccover, over, fr fronted onted b byy Da Day. ay. Prince’s P Princ e’s ccontributions ontributions wer weree ob obscured scured with pseudonym “Jamie Starr.” the pseudon ym “J amiee St arr.” Off ccourse, Time was O ourse, the T ime w as a rreal eal performed livee rregularly band, which p erfo ormed liv egularly theyy wer weree bar barely eeven ven as the e allowed ely to ccontribute ontribute to the rrecords. e ords. This ec bee a huge sou source ccame ame to b rce of tension, especially Time good. esp ecially when the T ime got go od. Really good. Ass in,, go good R eeally go od. A od enough ffor o or Prince Prince to suddenly cconsider onsider his creation cr eation a threat. threat. “We always “W We alw ayys say saay he created crreated a Frankenstein’s monster,” Frank enstein’s monste er,” says saayys Day. Daay. was ““All A All of a sudden, this w as a band that was better band.” w as b etttter than his ban nd.” He’s point He ’s quick to p oint out o that he doesn’t better than Princee as do esn’t mean b etter th han Princ performer an individual p erform o er but,, rather, rather, better anyy gr group b etter than an oup of musicians was surround the Purple One w as able ab ble to surr ound himself with. Live, Liv e, the Time Time ffeatured eeatured Jimmy Jimmy Terry Lewis—who JJam am and T eerry L ewis— —who would go on to be most successful be ttwo wo of the mo ost suc cessful producers 1980s, No. pr oducers of the 19 80ss, with 16 N o. throughout ’80s 1 songs thr oughout thee ’8 0s and ’90s—on keyboards and bass,, Day’s ’9 0s— on k eyboards an nd bass Daayy’s popular p opular ccomic omic sidekick k JJerome erome guitarist Benton, guit arist JJesse esse JJohnson, ohnson, drummer JJellybean ellybean JJohnson oh hnson and keyboardist additional k eyboardistt Monte Moir,, who went on to a suc successful Moir cessful songwriting producing song writing and pr odu ucing ccareer. areer. theyy were Knowing the were as good good as
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SUMMER FE FEST ST 21
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JEFF HAMILTON TRIO
Left L eft to right: Christoph L Luty, uty y, Jeff H Hamilton, amilton, T Tamir a amir H Hendelman endellman
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“I think this has b been eeen going on ffor o or ,” Hamilton Haamilton says. saayys. quite a long time time,” He’s He ’s ne never ver minded,, eexcept xcept ffor o or one thing ontinuee to use the thing.. “The “Theyy ccontinue ffour-letter our o -letter wor word,” d,”” he sa says. ayys. “I don don’t ’t think yyou ou ccan an do that t.” that.” That wor word, d,, of course, coursee, is jazz, jazz,, and that is eexactly ayys. xactly what Hamilton Haamilton pla plays. He do doesn’t esn’t know wh why hy many man ny events events eeven ven b other to ccall all the emselves a “jaz bother themselves “jazzz ffestival” estival” e ti l”” any an ny more, more, and d he h pr prefers effeers that th t the ng lik theyy shift to somethin something likee what San JJose ose JJazz azz does does with its rrechristened echristened “Summer F est.” Fest. In fact, he lik likes es vvery ery much how San JJose ose JJazz azz has hand dled the handled sometimes challengin challenging ng question of how to pr ogram ot ther genr program other genres es alongside traditional jaz jjazz, z, which is wh hy he ’s back ffor o or a sec cond time why he’s second time.. When he first br ough ht his trio her brought heree ttwo wo yyears w eears ago ago,, T Tower ower off P o Power ower w was aas pla aying y their set outside e, while they they playing outside, played pla ayed e in an intimate ve vvenue enue that had just the right ac o or the group. group. acoustics oustics ffor That’s That ’s the only w way ay he’ll he’lll do it an anymore. nymor y e. “I don n’’t pla ay a lot of fe ffestivals, eestivals,” he says. saayys. don’t play “The ffestivals eestivals I pla play ay ha have ave a listening rroom, oom,, lik ke San JJose. ose. I ccould uld flick a finger like ou on the b bell ell of a cymbal,, and yyou’d o ou u’d hear it in the back of the rroom. oom m.” His eexperiences xxperiences with the kind of intimate,, acoustic jazzz played byy his intimate acoustic jaz playeed pla db hi group—which gr oup—which also ffeatures eeattures Christoph Luty pianist Tamir L utty on bass and pianis st T amir a Hendelman—haven’t been Hendelman—ha aveen n’’t aalways alw wayys b een so great. was gr eat. Back when he w a touring with as Ray Brown, being drowned Ra ay Br own,, he rrecalls ecalls b eing dr owned out ccompletely ompletely while trying trrying to ffollow ollow o Playboy Festival. an electric band at the Pla P ayyboy F estival.
“The rrotating ottating st stage age ccame ame ar around, ound, and nob nobody ody d knew knew we were were pla playing,” ayying,” he sa says. ayys. “We “W We caught caught the sound engineer b byy surprise surprise.” .” Otherwise, O therwise, Hamilton has liv lived ed the jaz jazzz eq equivalent quivalent of a charmed life, lif fe, get getting tingg to pla play ay with all of his heroes. her oes. Wh When hen he w was as 20 yyears ears old, he left Ind Indiana diana U University niversity to play plaay with the N New ew T Tommy ommy Dorse o Dorseyy Band, an ensemb ensemble ble Dorse Dorsey’s yy’s widow put together to gether after a his death. “I w was as ready ready e to do it at 15,”” he says. saayys. “I tolerate tolerated ed high scho school ol and ccollege, ollege, but I w wanted antted to b bee out playing.” plaayying.” Lionel Hampton H sa saw aw him in that band and stole him aaway, way, then Montyy Ale Mont Alexander exander to took ok him on. Woody W oody Herman Heerman hir hired ed him to play plaay in his or orchestra, ch hestra, and then Br Brown own p oached him. h as poached Suddenly he w was pla layying i wi ith i P eterson, t Countt B Basie i , playing with Peterson, Count Basie, Ella F itzgeerald and man more. Fitzgerald manyy more. “I just k ept going fr om band to kept from band,”” he sa ssays. ayys. He got to o work with eeveryone veryo one he w anted a to ayys, because because he would wanted to,, he sa says, obsess o ver er their rrecordings, ecordings, memorize over eeverything veerythingg he ccould ould in advance, advance, and show his id dols that he kne w their idols knew material ba ack kwaard and fforward. o orwaard. backward O oursse, things ha ave changed Off ccourse, have now that h he h has h his hi own gr oup — group— musicians ar trying to impr ess him. aree trying impress And he us es the same st andard he uses standard held himse elf to all those yyears. ears. himself “If the ay, ‘I w ant to play plaay with theyy sa say, want yyou,’ ou,’’ I say saay ‘How ‘ many of m many myy CDs do yyou ou have?’ haave?’’ Those ar aree the kind of p eople yyou ou uw ant in yyour our band. people want band.””
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SUMMER MM ER FE FEST ST 24 SU
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BLACKMAHAL
BAYY A BA AREA REA PUNJA PUNJABI B I HIP-HOP HI P - HO P
BLACKMAHAL BLA ACKMAH HAL
A
NYONE who wonders NYONE wh hat hip-hop could what possibly pos ssibly have in common com mmon with traditional tr aditionall Punjabi Punjabi music has never heard hearrd Ustad Lal Singh Bhatti sing. sing g.
“He’s “He ’s the ultimate u fr freestyler,” eestyler,” saayys rapper says rapper V Vijay iijaay Chat Chattha tha of his bandmate in the San Francisc Francisco o hiphip hop-funk-jazz group hop -funk k-jjazz gr oup BlackMahal. Bhatti’s Indeed, Bh hatti’s vvoice oice defies description. He H is the world’ world’ss most f famous Punja P Punjabi jabi bi vvocalist—and ocalist li —and d master of thee ttwo-sided wo -sided Indian hand drum known n as the dhol. dhol. Over Over a ccareer areer e that spans ffour our o decades, decades, he h has as p performed erfo ormed ffor o or U.S. U.S. pr presidents esidentts str stretching etching back to Gerald F Ford, orrd, at the U U.S. .S. bicentennial bicentennial ccelebration, elebration,, and at
th the he 2010 V Vancouver anc a ouver Olympics Olympics.. He’s H He ’s ccollaborated ollaborated with the Black Eyed Ey yed P Peas eas and other gr groups. oups. But hip-hop in n hooking hooking up with hip -hop hop head d Chattha, C hattha,, who fformed o ormed BlackMaha BlackMahal al in 2004, 20 004, he ffound o ound a whole ne new w gr groove. oove. Bhatti’s Bhat ti’s vvocals ocals dra draw aw on the traditional tr raditional bboliyan, oliyan, which ar aree lyric lyrical cal Punjab.. The orall ccouplets o ouplets sung in Punjab tradition tr radition of b boliyan oliyan allows much rroom oom ffor o or impr improvisation, ovisation, and ar aree known kn nown ffor o or eexpressing xpressing deep emoti emotion. ion. In n other wor words, ds, boliyan boliyan singers wer w weree the O.G. freestylers, perhaps it’s th he O .G. fr eestylers, so p erhaps it ’s no o surprise i that h Bhat Bh Bhatti tii has h thrived thriv h i ed in i the th he hip hip-hop -hop rrealm. ealm. ’90s, In fact,, as far back as the ’9 0s, DJss b D DJ began egan fusing b boliyan oliyan with hip-hop beats, partly political hi ip -hop b eats, par tly as a p oliticall rresponse e onse to what the esp theyy cconsidered onsidered d the th he bast bastardization ardization of ffolk o olk traditio traditions ons byy bhangra. But in BlackMahal, b
Bhatti’s aree neit neither Bhat ti’s vvocals ocals ar ther a statement gimmick—they’re st atement nor a gimm mick k— —they’re as integral to the fabri fabric ic of the music Chattha’s raps,, or th the as Chat tha’’s raps he sound of the eever-growing ver-growing mus musical sical ensemble Lee (which also includes JJason ason L ee on turntables, Pillai Keys, Tim turnt ables, Satish Pilla ai on K eys, T im bass,, Pangfua Chang on bass Pangfu ua Chang on vvocals, ocals, Sandeep Bhat Bhattt on sax sax,, Dave Daave W ood on trump et an d JJon on C ook on Wood trumpet and Cook d drums). ) “T Todaay’ y s DJ cultur out “Today’s culturee is all ab about choppy loops loops and cho oppy samples,” samples,” choppy choppy sa ayys Chat tttha. “W We ffeel eeell lik e’s an says Chattha. “We likee ther there’s unt apped element to ha aving v great untapped having great musicians pla ay and having haavving U stad do play Ustad his thing .” thing.” It do doesn’t esn’t hur hurtt that Bhat Bhatti’s ti’s vvoice oice astic soaring sounds fant fantastic soarin ng o over ver a beat. beat. And it do esn’t seem out o of plac doesn’t placee in a band that dra aws w on the eclecticism draws of P Parliament-Funkadelic arliament-Funkad delic and writes lo opy songs ab out mu ustaches and loopy about mustaches mangos mangos.. Ther e’s a metho d to o their sonic There’s method madness d par madness,, though, and partt of it lies in how songs lik likee “Savor “Saavor the Flavor” Flaavor” and “Mangos” ar elaatable to b oth aree rrelatable both Punjabi and Americ an n culture— culture— American
eeven ven in the eir ridiculousness charting their ridiculousness,, charting a certain certain in ntersection of the Punjabiintersection Americ an eexperience. xperience. American “W We tr ave “We tryy to find things that ha have double me eanings in b oth cultures,” cultures,” meanings both Chat tha sa ayys, “themes “themes that work ffor o or Chattha says, b oth.” both.” The son ng “Mangos,” “Mangos,” he says, saayys, song originally b egan with the idea of began using the motion m of pulling fruit as a w ay tto eexplain xp plain l i to t non-Punjabs P j b how h way to do bhan ngra danc es. It got sillier bhangra dances. fr om ther e. This is not a gr oup that from there. group cconcerns oncerns it tself with ccoming oming off ston itself stonyy and har d like l e a lot of p lik ost-gangsta hard post-gangsta hip -hop cr rews. hip-hop crews. “It ’s hard hard to b hard,”” admits “It’s bee hard,” Chat tha. “It “It wouldn ’t b us. We’re We’re Chattha. wouldn’t bee us. w ay mor ayyful and lighthear ted. way moree pla playful lighthearted. W e’re having haavviing to o much fun. We’re too fun.”” A fo or his h own rap st yle, he says saayys Ass for style, h ffeels he eels e l lik ke he h ’s dra d awn w ffr om “all “ ll off like he’s drawn from those gr eaat MCs fr om the ’8 0s and great from ’80s ’9 0s.” There’s Therre’s a lot of Chuck D in ’90s.” his deliv erry, but he admits his heart heart delivery, b elongs to o Fla avva Flav. Flaav. belongs Flava Either w ay, he sa ayys, “When yyou ou way, says, pla ay with U stad, you you have haave to bring play Ustad, the noise .” noise.”
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AUGUST A U G U S T 8-14, 8-14, 2012 | metr metrosiliconvalley.com o osiliconvalley .com | sanjose.co sanjose.com om | metr metroactive.com oactive.com
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“No reservation,” he asked, pausing. “Do you know what I’m doing here?” I told him I did. Or at least I thought I did. I knew that Sawa served a prix fixe menu of sushi. The entry level is $95 for six courses, and the bill goes up from there. The 25-course menu is $350. I had also heard that Sawa was some kind of mad sushi genius.
Once granted access to the bar, I learned a great deal more. The tinted front windows reveal nothing; next door is a Subway restaurant. Sawa is rather unremarkable looking for a restaurant ranked No. 74 in Opinionated About’s list of America’s Top 100 restaurants. (Los Gatos’ Manresa is ranked No. 1, by the way). Inside, the restaurant is spare, almost drab. Unlike most sushi bars, there are no fish in the display case. All Sawa’s fish comes out of reach-in coolers from behind the bar or from the kitchen. The walls bear little artwork, just a painting of turtles behind the bar. A strange mix of pop tunes (Beatles, Bob Dylan, Mariah Carey) fills the room. It’s a fitting touch for a chef who is anything but traditional. Sawa wears a T-shirt instead of the starched chef’s coat and headband favored by many itamae. Sawa has created a highly personal, one-of-a-kind cuisine. For the most part, Sawa is the only restaurant employee you see. A woman, I’m guessing Sawa’s
wife, can be seen behind the scenes darting in and out the kitchen or handing Sawa the phone when a call comes in. There is no menu at Sawa; the service is all omakase, that’s Japanese for “the chef will decide what you eat.” There is also no drinks menu. If you want beer or sake, of which Sawa has some very good stuff, Sawa will ask how much you want to spend, and he will come around the bar and bring you something. On my two visits, Sawa made nothing but sashimi, fat slices of startlingly fresh, obscurely procured fish adorned with a seemingly endless variety of sauces. No rice. No seaweed. Just fish. But it was some fish. I’m not sure if Sawa is coy or secretive, but he was reluctant to tell me what kind of fish he was serving me. It became a guessing game. Me: “Tuna?” Sawa: “Yes, but a very special tuna. Hard to find.” Me: “Is this one amberjack?” Sawa: “No.” Me: “What’s in this sauce?” Sawa: “Don’t ask.” After a while I did stop asking and just enjoyed the plates of glistening fish Sawa passed me. On my visits, I had pearlescent orbs of
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27 AUGUST 8-14, 2012 s metrosiliconvalley.com s sanjose.com s metroactive.com
Sushi Maverick
sea scallop draped in a ponzulike sauce; deep red salmon with a mayonnaise-ish sauce dabbed with tiny yellow fish eggs; three fat cubes of bluefin (an endangered species that should be banned; I ate it with a guilty conscience); what I’m guessing was snapper matched with a luxurious green sauce made with what I think was a purée of avocado and tomatillos; and the sweetest creamiest uni (sea urchin) I’ve ever tasted. Sawa does not skimp. Six courses are more than enough. Each plate was a simply but carefully composed world of flavor distinct from the one that came before it. The only dish that faltered was the king crab. It was icy. Sashimi purists will be in heaven even if the sauces are less than traditional. I enjoyed almost everything I ate but found myself wanting a little variety, maybe a vegetable dish or a few cooked mayb items. I like raw fish as much as anyone, items by the end, the meal seemed a bit but b homogeneous. homo made a reservation for my second Im visit, aand Sawa remembered me and welcomed me to the bar, pausing to welco think where I should sit, as if he were expecting more diners to show up a later. expec A few did, but not enough to crowd me out. Halfway through my meal, two poor suckers walked in looking wide-eyed and nervous. “Do you have a reservation,” Sawa asked. They did not. “Goodbye,” Sawa said. The hapless duo looked at each other, and then Sawa told them that there was no menu, that the menu was set and that in essence they didn’t know what they were getting into. This confused them further, and they shuffled out the door. Sawa shook his head in disdain. Sawa’s approach wasn’t the most hospitable. He could have taken the time to explain what the restaurant is all about. But given that the restaurant bears his name, I think he only wants people to eat his food who understand what he’s up to. If you’re not clear on the concept, you shouldn’t be there. But if you’re down with the program, you’ll enjoy a sushi experience unlike any other in Silicon Valley. But for God’s sake, make a reservation.
piece of spain indulge in a small piece
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10
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FOOD NEWS
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B8KJL is in the works in Los Gatos where Valeriano’s used to be. The high-style Japanese restaurant is the work of chef B8KJLJ?@BF ÇB8KJLÈ ?8E8DLI<. Hanamure worked under famed Japanese chef EF9LPLB@ D8KJLJ?@J8, owner of the EF9L restaurant empire. Hanamure was sushi chef at D8KLJ?@J8 and Nobu in Los Angeles. Katsu’s menu will include dishes like spicy ceviche over crispy rice, phyllo-wrapped oysters, spiny lobster sashimi, and uni champagne shooters. A spokesperson for the restaurant wasn’t available for comment, but the website says it’s opening this summer. Better hurry up. Summer is almost over. Meanwhile, Santana Row’s P8EB<< G@<I is gone and up pops C8IB :I<<B 9CL<, another seafood restaurant owned by the same Lark Creek Restaurant Group. The restaurant features a casual design but modern design, a circular raw bar, an open kitchen and covered patio seating. Chef G8LC 9ILEF, who most recently held the roles of sous chef or executive sous chef at DFE 8D@ >89@# J<89CL< and Michael Mina in Las Vegas, is running the show. Current menu offerings include halibut ceviche, Angus beef carpaccio with nori flakes, salt-baked Hawaiian prawns, and a roast Duroc pork noodle bowl. Also in San Jose, the ;IP :I<<B >I@CC opened last month on Hamilton Avenue. The interior of the 22-seat restaurant is done up in dark wood with a handsome, high-end bar featuring repurposed chairs that were once in the Cardinal Lounge and reclaimed lights that once illuminated Los Gatos’ Jesuit novitiate. In addition to steak, burgers and barbecue, the restaurant is serving items like smoked mushroom pasta, grilled salmon with bacon and truffled beet salsa, pork chops and crab cakes. Stett Holbrook
AUGUST 8-14, 2012 s metrosiliconvalley.com s sanjose.com s metroactive.com
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F=@8E ?8C@D Xe[ K_fdXj NlÊj JXekX :cXiXÅYXj\[ N\ Jlj_` [\c`m\ij jlj_` n`k_ ]i\j_ Ó j_ gliZ_Xj\[ ]ifd cfZXc Ó j_ dXib\kj \m\ip dfie`e^% K_\ kilZb# `[\ek`Ó \[ Yp `kj Yi`^_k i\[ gX`ek afY# f]]\ij Xe Xjjfikd\ek f] ifccj# i`Z\ [`j_\j Xe[ jlj_` Ylii`kfj# n_`Z_ ZfdY`e\ Xe Xjjfikd\ek f] Ó j_ Xe[ m\^\kXYc\j# niXgg\[ `e j\Xn\\[ Xe[ i`Z\ n`k_ X jg\Z`Xc jXlZ\% Fe\ f] k_\ kilZbÊj dfjk gfglcXi `k\dj `j k_\ J\b`nXb\# X le`hl\ jg`e fe k_\ Jg`Zp KleX Ifcc n`k_ jXcdfe Xe[ _XdXZ_`% Halim and Wu have worked extensively at restaurants like Ozumo and Yoshi in San Francisco. They wanted to collaborate on their dreams for the best sushi and Japanese cuisine available so they decided to open the first mobile sushi truck. TRUCK NAME: We Sushi CUISINE STYLE: Japanese Cuisine, Sushi HOMETOWN: Santa Clara USUAL LOCATIONS: Regular stops in the South Bay include Palo Alto, Sunnyvale and Los Gatos. YEARS IN BUSINESS: Launched right after Thanksgiving of 2011. OWNERS/CHEFS: There are two owners, Sofian Halim and Thomas Wu. Halim manages orders and finances. He is also responsible for keeping the truck stocked. As the menu expanded, he started to work as a backup cook. The chicken teriyaki bento and many of the appetizers are prepared by him. Halim has been working in a restaurant setting as a server and bartender for many years. Wu is the head chef in charge of the sushi station. His daily routine ranges from picking up fish in the morning and breaking it up, preparing ingredients and managing the work flow. He has been working as a sushi chef for more than 10 years and spent most of the time working at fine-dining restaurants. He was trained by Japanese sushi chefs on the job. BACKGROUND: The idea for a sushi food truck was first conceived in July 2011. Halim and Wu were working at a Japanese restaurant in Foster City when they thought of the idea. They searched all over the Bay Area for an ideal location but could not find one. After an unsuccessful search for a permanent location they decided to try out a mobile truck instead. SPECIALTY MENU ITEMS: Wheel of Fire Specialty Roll (a spicy California roll topped with albacore and slices of jalapeno), the Lobster Crunch roll (with lobster salad, cucumber and avocado in lightly fried soy wrap) and the Sushi Taco. TOP SELLER: Crispy California Roll, lightly fried and served in a special WE sauce; and Sekiwake, a spicy tuna roll topped with salmon and hamachi in the WE signature sauce. FAVORITE MUSIC TO LISTEN TO IN THE TRUCK: Anything fun. Amulya Datia
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metroactive
CHOICES BY: Aaron Carnes Steve Palopoli
4TWO7
ENRIQUE IGLESIAS y. Wednesday. kW Tank k Ta o to the Shark IGLESIAS bringss J. Lo E IGLES ENRIQUE
*wed ENRIQUE IGLESIAS & J. LO HP Pavilion, San Jose Wed – 7:30pm; $28-$96.50 Guess who has the all-time most number one club hits: a) M.J.; b) Prince; c) Enrique, son of Julio. Actually, it’s d) all of the above, but since Michael isn’t around to make any more, and Prince hasn’t made one for quite some time, it’s safe to say only one of them will be breaking the three-way tie anytime soon. The guy has a way of stirring up controversy and then walking away from it even more popular. C’mon, he named his last single “Tonight (I’m Fuckin’ You).” By the time anyone could object, he had
the clean version out, called “Tonight (I’m Lovin’ You),” which turned out to be his biggest U.S. hit yet. Similarly, no one could believe he signed up play second banana on Britney Spears’ last tour, but then he walked away, presumably to show he’s not Britney’s bitch. Now he’s on the road with J. Lo—and getting top billing. Advantage: Iglesias. (SP)
*thu SLAG
Caravan, San Jose Thu – 9pm; free Good news for people new to South Bay grindcore band Slag. You can listen to their entire five-song demo in just a hair under five minutes, and you won’t even need the entire five minutes to
decide if this band is for you or not. That’s because they play insanely loud, uncut power-violence, a style you most likely already love or hate. Even if they’re not your cup of tea, you got to give it up to them—they are really, really pissed off, and they’re not afraid to scream about it at the top of their lungs for 45 seconds per topic. (AC)
4TWO7 Streetlight Records, San Jose Thu–7pm; free Is “Butta On Ya Muffin Top” the new “Baby Got Back?” I think it ought to be. Seriously, if you haven’t yet seen the video for 4two7’s newest song, do so immediately. “Crumbs all over the floor, and we ain’t even had dinner yet.” Classic! This thing just keeps giving. Fremont-based 4two7 is a strange case, a guy who gave up repping multi-platinum Maroon 5, popular underground rapper Planet Asia, and
Iss Fremont ra ap pp pe er 4TWO7 tth e next Sir Mix x--A A--Lot? Fi F nd d ou o t at Street light.
others to return to his love for rhyme. His drumline-style, percussive sound can be irritating at first, but it sticks in your head. And his lines are just so odd and usually pretty funny. He’ll perform at this show with San Francisco rapper Rasco, who came out of the gate in the late ’90s with San Jose’s Peanut Butter Wolf producing his first album (on Wolf’s Stones Throw label), Equipton, Z Man, Playa Rae, Trey C and more. (SP)
*fri
DRUM NIGHT 2012 San Jose Rep, San Jose Fri– 6:30pm; $20-$35 Every year DRUM! Magazine hosts
an evening of performance and lectures with some of the best drummers in the industry. This year, their guests come from some pretty wide-ranging backgrounds, including legendary rock drummer Kenny Aronoff (Chickenfoot, John Fogerty, Bob Dylan and Rolling Stones), metal drummer Tim Yeung (Morbid Angel and Divine Heresy) and soul drummer Cora Coleman Dunham (Prince and Beyoncé). Be sure not to miss the pre-event, which among other things, includes a ‘stick trick’ technique workshop. Hopefully ‘stick trick’ is code for teaching drummers how to better twirl their sticks between songs. These young drummers today have all but forgotten how to twirl their stick like true rock stars. (AC)
* concerts
33
DURAN DURAN
MACY GRAY & SEAL Aug 10 at 7:30pm, Mountain Winery
BENT KNEE
SAN JJOSE JAZZ SUMMER FEST Aug 10–12, downtown San Jose Au
BUDDY GUY Aug 111 at 7:30pm, Mountain Winery
SHONEN KNIFE Aug 11 at 9pm, Blank Club
YES/PROCOL HARUM Aug 14 at San Jose Civic
DIANA KRALL Aug 16 aat 7:30pm, Mountain Winery
IDENTITY FESTIVAL Aug 17 at 2pm, Shoreline
CHRIS BOTTI Aug 223 at 7:30pm, Montalvo Arts Center
BOMB THE MUSIC INDUSTRY BOM Aug 25 at 8pm, X Bar
THE HEAVY Sep 5 at Blank Club
CS&N Sep 8 at San Jose Civic
FIONA APPLE Sep 9 at San Jose Civic
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and then oscillates wildly. Contra Ville opens. (SP)
BENT KNEE
SISQO
Art Boutiki, San Jose Sat—7pm;
Studio 8, San Jose Sat – 9pm; free before 11pm; 21+
There’s a lot of Bjork in Courtney Swain, the fascinating lead singer of Bent Knee. One minute she can whisper innocently, the next she’ll belt. Like Bjork, Swain sings as if she’s four years old—she just puts it all out there. She’s strangely mesmerizing. The six other members of this Boston band, who play an experimental brand of indie-rock with certain classical elements and other moments of all-out rocking, seem to give her all the space she wants to do her thing. The end result is a song like “Styrofoam Heart,” which starts out like a lullaby, turns into a dark tale of decay, goes crazy
Rapper/R & B singer Sisqo may be best known for his bumping party track, “Thong Song” which was a hit in 2000 and once again in 2009, after it was performed on Glee (and after Sisqo became a contestant on Celebrity Big Brother in 2010, where he would frequently sing it on camera during the show). In the song, Sisqo covers the familiar territory or professing his love for women in revealing underwear. He is, perhaps, a little odder than the song might have you think. Not only does he refer to himself as the “Dragon,” so much so that his three albums all revolve around this theme, but the seemingly formulaic
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shake-that-ass video for “Thong Song,” gets weird three-fourths of the way in when he suddenly and inexplicably develops the ability to jump really high. (AC)
BATTLE OF THE BANDS Refuge, Cupertino Sat – 6pm; Pinup Productions’ Battle of the Bands is now a South Bay institution, giving some exposure to some of the umpteen newbie bands looking for their chance. There’s a new group here starting out in round one this Saturday, including Eyes Like Mine, Conversions, Without Spaces, West of Sunset, The Bellafonte and Asterion. (SP)
MAJOR POWERS AND THE LO-FI SYMPHONY Streetlight Records, San Jose Sat–4pm; free Bay Area weirdo-rock trio Major Powers & the Lo-Fi Symphony have carved out a genre that is equal parts stadium rock and operatic concerto. Basically, they’ve built their entire concept around the Queen song “Bohemian Rhapsody.” Few bands that came after Queen have been able to blend musical theater and balls-to-the-wall rock with as much authenticity as Queen had. The Lo-Fi Symphony understands where these two worlds overlap—melodrama. The Lo-Fi Symphony are ready to pick up where Queen left off and venture to all-new musical heights. (AC)
JOE WALSH Sept 30 at 7pm, Montalvo Arts Center
JOE JACKSON Oct 4 at 7pm, Montalvo Arts Center
MADONNA Oct 6 at 8pm, HP Pavilion
DELFEAYO MARSALIS OCTET Oct 13 at 8pm, M ontalvo Arts Center
CARRIE UNDERWOOD Oct 14 at 7:30pm, HP Pavilion
SPYRO GYRA Oct 19 at 8pm, Montalvo Arts Center
LEONARD COHEN Nov 7 at 8pm, HP Pavilion For music updates and contest giveaways, like us on Facebook at metrofb.com
AUGUST 8-14, 2012 s metrosiliconvalley.com s sanjose.com s metroactive.com
Aug 8–9 at 7:30pm, Mountain Winery
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10 GUIDE TO SANTA CRUZ COUNTY
What’s Wh What’ t’’s h happening i iin nS Santa antta C Cruz C County o ty thi ount this w week eek k THURSDAY 8/9
SATURDAY 8/11
PATO BANTON
MICHAEL GAITHER
First gaining attention in the 1980s for his rhythmic singing with the ska band The Beat, Pato Banton wrote a slew of reggae staples throughout the 1990s and earned a Grammy nomination for best reggae singer in 2001. Since then his new band, The Now Generation, has travelled the world singing the teachings of the Christian sectarian text, The Urantia Book. Catalyst; $10 adv/$15 door; 9pm.
Finding the poetic in everyday Americana, singer-songwriter Michael Gaither writes songs full of warmth and humor about back roads, small towns and good times. Saturday’s event is a CD release party for Gaither’s latest, “Starlight Drive-In Saturday Night,� which was inspired, in part, by his hometown of Watsonville. Guest musicians include Dayan Kai, Steve Uccello, Steve Kritzer and Aaron Bagchee. Santa Cruz County Fairgrounds; $20; 7:30pm.
FRIDAY 8/10
MONDAY 8/13
JOHN WAITE
TERENCE BLANCHARD
After cutting five records as the front man for the Babys, John Waite went solo, started showing off an astounding cleft chin and wrote one of the greatest hits of the ‘80s, “Missing You.� Bad English, Waite’s next endeavor, earned critical acclaim and topped Billboard charts as well. Now solo, Waite’s songsmithing has matured and evolved, but this rockstar’s hunky demeanor remains the same. Beach Boardwalk; Free; 6:30pm & 8:30pm.
A world-renowned trumpeter, Terence Blanchard is one of the giants of today’s jazz world. He has also composed the scores to more than 40 ďŹ lms, including every Spike Lee movie since Jungle Fever and George Lucas’s Red Tails. With a handful of Grammys to his name, the New Orleans–bornand–based Blanchard has raised the bar for jazz artists, while staying true to his roots as a performer. Kuumbwa; $25 adv/$28 door; 7pm & 9pm.
MICHAEL GAITHER
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Festival Guide The Jazz Crusaders ft. Wayne Henderson, Joe Sample, Wilton Felder Dianne Reeves Terence Blanchard Monophonics Coco Montoya Tia Fuller Adam Theis & Subharmonic Jeff Hamilton Trio Yesberger Band Ivan Neville’s Dumpstaphunk The Spinners Wil Campa Y Su Gran Union BlackMahal Amanda Shaw & The Cute Guys Morris Day & The Time
August 10-12
12 Stages / 1,000 Musicians / Downtown San Jose
Powered by
jazzfest.sanjosejazz.org
POST ST.
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There are many affordable parking options adjacent to Summer Fest, the closest of which are visible on the festival map. For more parking options and info, visit sjdowntownparking.com.
PUBLIC TRANSPORTATION Valley Transportation Authority links Santa Clara County to the festival’s location in downtown San Jose with light rail and bus lines. Park in any of VTA’s Park and Ride lots, and ride light rail to any downtown station to enjoy the festival. Multiple bus lines also serve downtown—taking VTA is quick, easy, stress-free, and green. Capitol Corridor, ACE Rail and Caltrain serve San Jose Diridon Station. VTA Light Rail & Bus 64 connect the station to the festival grounds on weekends. vta.org (408) 321-2300 capitolcorridor.org (877) 9-RIDECC acerail.com (800) 411-RAIL caltrain.com (800) 660-4287
BIKE TO SUMMER FEST Summer Fest offers free valet bike parking for attendees, courtesy of the Silicon Valley Bicycle Coalition. Located on Paseo de San Antonio at First Street. Visit the festival website for more information.
Jazz Store
Light Rail Stops
Bike Valet
411 SV
3RD ST.
PARKING
Pedicab Stop
2ND ST.
The 12 stages of the festival are centered on Plaza de César Chavez Park, in downtown San Jose. The downtown core is served by highways 280, 87 and 101, with ample parking and multiple modes of public transportation. Visit the festival website for more information.
ALMADEN BLVD.
GETTING TO SUMMER FEST
Nx
PLAZA DE CESAR CHAVEZ
PARK AVE.
ADMISSION
Listen to your favorite musicians up close and in the shade. On Saturday and Sunday, VIPs have unlimited access to the premium seating area right in front of the Main Stage. The VIP Pavilion features a buffet of delicious food, hosted bar and covered seating. Please note: No VIP services are provided on Friday, August 10.
Cash-Only Admission VIP Concierge/ Will Call/ Membership
E. SAN FERNANDO ST.
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*Presale only; online through Aug 8
PARTY LIKE A VIP
411
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$275 — VIP 3-Day Pass Adult* $150 — VIP Sat, Aug 11 Adult * $150 — VIP Sun, Aug 12 Adult *
Buy tickets online at jazzfest.sanjosejazz.org; discount passes are available though Aug 8. Print your General Admission ticket and enter at any of 5 E-Gates. If you purchase VIP admission (presale only), bring your ticket to the VIP Concierge/Will Call booth. On site, you may purchase tickets with cash at any stage location or with Visa, MasterCard or Amex at any E-Gate location.
VIP
ATM Restroom
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E-Gate
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$45 — 3-Day Pass Adult (Special Presale Price)*
VIP ADMISSION*
1st ST.
$55 —3-Day Pass Adult $15 — Fri, Aug 10 Adult $20 — Sat, Aug 11 Adult $20 — Sun, Aug 12 Adult $5 — Any day, child aged 5-12
First-Aid Station
MARKET ST.
W. SANTA CLARA ST.
Sw SAN PEDRO ST.
GENERAL ADMISSION
ALMADEN AVE.
NOTRE DAME ST.
jazzfest.sanjosejazz.org
Parking Entance
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PASEO DE SAN ANTONIO (WALKWAY)
VIP
W. SAN CARLOS ST.
*Ride Green, take VTA to the festival
NEW FOR 2012: MAIN STAGE BLANKET POLICY Patrons may place blankets, no larger than 6’ x 8’ to reserve seats, beginning on Friday at 3pm. Blankets may be left in place overnight— however, starting at 5pm on Friday and noon on Saturday and Sunday, there must be at least one person on the blanket, reserving each 6’ x 8’ space, or the blanket will be removed.
ABOUT SUMMER FEST Started in 1990 as the San Jose Jazz Festival, San Jose Jazz Summer Fest has become one of the most popular music festivals in the West. What began as one small stage focusing on fusion and straight-ahead jazz has grown into a 12-stage, 3-day extravaganza featuring a wide range of international stars, emerging artists and regional favorites playing straight-ahead jazz, blues, salsa, Latin, R&B, and more. The festival is powered by San Jose Jazz, a region-wide, 25 yearold non-profit organization that enriches our community through education and performance. San Jose Jazz provides music education programs that have helped more than 65,000 gifted and underserved youth in the last decade. The organization presents 160+ free concerts per year, and other concerts and series including Winter Fest. Learn more at sanjosejazz.org.
Main Stage (Outdoors) Plaza de César Chavez Headliners; family-friendly
Kaiser Permanente Salsa Stage (Outdoors) San Fernando Street at Almaden High energy dancing; vendors
Blues Stage (Outdoors) San Fernando St. at Almaden Blvd. 24/7 blues; BBQ; craft brews
Jazz Beyond Stage Post Street at Market Experimental; party atmosphere
BECOME A MEMBER Membership provides you special access to thrilling live music all year long, and also supports the amazing breadth of our music education programs. Join fellow music lovers and discover for yourself what it means to be a San Jose Jazz member! Membership starts at only $80 per year. For more information on levels and privileges, visit sanjosejazz.org, call (408) 288-7557, ext. 2335 or visit the VIP Concierge / Will Call booth on site.
CONNECT WITH US! Sign up for email updates at sanjosejazz.org twitter.com/sanjosejazz facebook.com/sanjosejazz
Castellano Latin Stage (Outdoors) Post Street at Market Latin jazz; family-friendly; leafy and laid back
TiVo San Jose Rep Stage (Indoors) Paseo de San Antonio and 3rd Straight-ahead jazz; great acoustics and sightlines
Cisco Bella Mia Stage (Indoors) First Street at Post Straight-ahead and Latin Jazz; elegant and intimate space
Swing Stage (Indoors) Theatre on San Pedro Square Lively swing scene; dance lessons
Metro Market Stage (Indoors) Perazzo Building, San Pedro Square Market Family-friendly; artisan food & drink; local artist
Next Gen Stage (Indoor) Atrium, The Tech Museum Family-friendly; youth bands; free admission to galleries
Gordon Biersch Stage (Outdoors) Patio, Gordon Biersch Restaurant Eclectic lineup; craft beers
Silicon Valley Stage (Indoors) Club Regent, Fairmont Hotel Straight-ahead jazz; local artists; elegant setting
metroactive ARTS
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More listings:
METROACTIVE.COM BENEFITING THE LINCOLN HIGH SCHOOL MUSIC PROGRAM
Courtesy Cantor Arts Center, anonymous gift
*stage * t CAVALIA Runs thru Aug 19. Wed-Fri, 7:30pm, Sat, 3 and 8pm, Sun, 2pm, Tue, 7:30pm. $44.50 and up. White Big Top, 101 Tech campus, San Jose.
CHICAGO City Lights heats up summer with the Fosse and Ebb musical. Runs thru Aug 26. Thu-Fri, 8pm, Sat, 8pm (plus 2pm Aug 11 and 25), Sun, 2pm (Aug 12, 19 and 26). $20-$40. City Lights, San Jose.
HOWTOSUCCEEDINBUSINESS WITHOUTREALLYTRYING A musical comedy about the ad game, presented by Foothill Music Theatre. Runs thru Aug 12. Thu-Sat, 8pm, Sun, 2pm. $10$28. Smithwick Theater, Foothill College, Los Altos Hills.
LOSGATOSSHAKESPEARE FESTIVAL Runs thru Aug 11. This week “Two Gentlemen of Verona,” Fri, 8pm. “Romeo and Juliet,” Sat, 8pm. “Alice in Wonderland,”Thu, Sat, 8pm. Oak Meadow Park, Los Gatos.
THEMIKADO Gilbert and Sullivan favorite from Lamplighters Music Theatre. Sat, 2 and 8pm, Sun, 2pm. $18-$52. Mountain View Center for the Performing Arts.
Streets, Shops, Signs and Surrealism Runs through Sept. 23; Cantor Arts Center, Stanford; free Tucked away upstairs in the Cantor’s permanent collection is a small, fine show of images taken in the 1920s and ’30s by photographers influenced by the Surrealist movement. Working on the boulevards of big cities, camera artists like Edward Weston, Eugène Atget, Manuel Alvarez Bravo and Robert Frank found fertile subjects in the random, odd juxtapositions of signs, ads and goods in the windows of both department stores and small shops. Lisette Model’s streetscape cleverly uses reflections from a display window to create the illusion of a triple exposure. Lotte Jacobi captures the subliminal creepiness of shelves full of puppet parts, arranged in rows of heads and bins of limbs. More than once, French photographer Atget focuses on storewindow mannequins—inanimate humans frozen and bedecked for the delectation of live shoppers. Pictured is his gold-toned paper print of four coy busts promoting wigs and “artists for permanent waves.”
NEWWORKSFESTIVAL NEWWORKSFESTIVAL An annual series from TheatreWorks. “The Trouble With Doug.” Runs thru Aug 19. This week Sat, 8pm, Tue, 7:30pm. “The Loudest Man on Earth.” Wed, 7:30pm, Sun, noon. “Being Earnest.” Runs thru Aug 18. This week Sat, 4pm. “Sleeping Rough.” Sat, noon. “Triangle.” Runs thru Aug 18. This week Sun, 4pm. $19$25. All at Lucie Stern Theatre.
SAMSHEPARDFESTIVAL Stanford Summer Theater presents “Curse of the Starving Class.” Runs thru Aug 12. Thu-Sat, 8pm, Sun, 2pm. $15 and up. Pigott Theater, Stanford.
SHADYSHAKESPEARE In repertory. “King Lear.” Runs thru Aug 31. “Pericles.” Runs thru Sep 2. Thu-Sat, 8pm. Sun, 2 and 7pm. $20-$30. Fri-Sun, 7:30pm. Sanborn Park, Saratoga.
UPRIGHTGRAND A world premiere from TheatreWorks. Runs thru Aug 10. Thu-Fri, 8pm. $31-$51. Lucie Stern Theatre, Palo Alto.
*art MUSEUMS CANTORARTSCENTER “When Artists Attack the King: Honoré Daumier and
KENNY ARONOFF (CHICKENFOOT, JOHN FOGERTY)
La Caricature.” A look at the Caricature ”A scathing political satire of early19th-century France. Thru Nov 1. “Guardians: Photographs by Andy Freeberg.” An exhibit of photos of Russian museum docents. Runs thru Jan 6. “Not Wanting to Say Anything About Marcel.” An exhibit of “plexigrams” by John Cage. Thru Nov 11. “Central Nigeria Unmasked: Arts of the Benue River Valley.”Thru Sep 2. “Light Works.” “Wood, Metal, Paint: Sculpture from the Fisher Collection.”Thru Oct 13. WedSun, 11am-5pm, Thu, 11am-8pm. Stanford.
TIM YEUNG
(MORBID ANGEL, DIVINE HERESY)
CORA COLEMANDUNHAM (PRINCE, BEYONCÉ)
HISTORYPARKSANJOSE “Through My Father’s Eyes.” Photographs chronicling FilipinoAmerican life in the 1940s and ’50s. Pacific Hotel, San Jose.
SANJOSEMUSEUMOFART “Local Color.” Drawn from the museum’s permanent collection. Runs thru Jan 13. “Mexicanisimo Through Artists’ Eyes.”Thru Sep 23. Tue-Sun, 11am-5pm, closed Mon. San Jose.
SANJOSEMUSEUMOFQUILTS &TEXTILES “International TECHstyle Art Biennial.”Thru Oct 14. Reception Aug 12, 2-4pm. Tue-Sun, 10am5pm. San Jose.
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d`e[ Yf[p jg`i`k =fZlj Æ C\Xie ?fn Kf D\[`kXk\ Æ 8e[ N_p Enjoy life! Calm the mind. Improve relationships. Make better decisions. Meditation and Buddhist View with Reed Sherman. Everyone is welcome. No previous experience necessary. $10 per class. Every Thursday evening, 7:30-9, Unitarian Universalist Fellowship of Los Gatos, 15980 Blossom Hill Rd. Los Gatos, 95032. Call Kelsang Gamo 408/226-0595 for information or visit us at www.MeditationInSanJose.org
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JkX^`e^ k_\ =lkli\ THEATREWORKS’ annual and ambitious New Works Festival is in full swing. The event features five plays-in-the-making at the Lucie Stern Theatre in Palo Alto. Now in its 11th year, the festival allows playwrights and composers to present their works in developmental productions and staged readings, and then hear feedback from audience members. The artists can absorb the notes, and the audience is welcome to return to see if their ideas were put to use. “The audience is able to participate but on the terms of the artist,” says Meredith McDonough, director of the festival, “as opposed to a free-for-all. So it’s great. They have questions for the process. They read those questions in advance and they then can think about and reflect New Works on those as they’re watching the piece unfold knowing Festival that ultimately, their opinion matters.”
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This year’s lineup comes hard on the heels of the world Runs through premiere of Upright Grand, a play with live music by Aug. 19; $19–$25 Laura Schellhardt. McDonough shares a long relationship Lucie Stern Theatre, with Schellhardt. “Upright Grand was one of the readings Palo Alto we did at the festival last year,” McDonough explains. “Over the course of the past two years, [Schellhardt] sent me scenes and drafts and bits and pieces. We put it in the festival, and it was a huge hit. I think this play is right in TheaterWorks’ sweet spot, which is this confluent play and music, and it’s looking at parent/child relationships but also really looking at sentimentality in a lovely way.” Coming back to TheaterWorks is writer Paul Gordon, who in 2007 debuted his play Emma. Gordon enjoyed his time at TheaterWorks, really finding the audiences’ insight great and helpful. “It was an amazing experience,” Gordon says. “Without it, I’m not sure Emma would have been nearly as successful. Really, just ‘hearing’ an audience’s response to a work in progress is invaluable. You can tell what is working and what isn’t just by listening to your audience. There is an energy in the room that allows you to ‘feel’ what’s working and what isn’t.” This year, Gordon presents Being Earnest, a take on Oscar Wilde’s The Importance of Being Earnest set in London’s mod era. Gordon wanted the musical to take place in the 1960s to give it a bit of a musical twist. “I love the music of the early ’60s, and it just so happened that the ‘style’ of London in 1964 is very Edwardian and lent itself to the fashion of Oscar Wilde himself. Also, in 1964 we still have the values of the 1950s, which were still considered conservative and can easily mirror the values of Wilde’s 1890s London.” The other plays are The Loudest Man on Earth, a romantic tale about a journalist and a deaf stage director; Triangle, a musical with a time-traveling plot; and The Trouble With Dog, a musical filtered through Kafka’s The Metamorphosis. A panel discussion with the artists takes place this Sunday at 7:30pm.—Kim Diaz
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SPIRITS
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metroactive.com s sanjose.com s metrosiliconvalley.com s AUGUST 8-14, 2012
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F== KF K?< I8:<J A team from ‘Cavalia’ makes like ‘Ben-Hur’ under the big top. The show runs through Aug. 19 in San Jose.
35 TRITONMUSEUMOFART “Poetics of Disposability.� Assemblage pieces by Bay Area artists. Runs thru Sep 9. “Harry Powers.� A retrospective. Thru Sep 16. “David Stonesifer: My Point of View.� Paintings by THE Los Gatos plein air artist. Thru Sep 23. TueWed and Fri-Sun, 11am-5pm, Thu, 11am-9pm. Santa Clara.
METROLOBBY “The Desert Has a Human Problem.� Photos by Alex Stover. Thru Aug. San Jose. San Jose.
MONTALVOARTSCENTER “The Film Trilogy.�Three multimedia pieces by Daniel Canoger that recycle cinema technology in surprising ways. Runs thru Oct 14. Thu-Sun, 11am3pm. Saratoga.
GALLERIES
PHO69
ANNODOMINI
“Year of the Dragon 2012.� Works by Curt Schauer. San Jose.
“This Snow Rising.� Solo show by Faring Purth. San Jose.
ARTARKGALLERY “Genesis.� Works by Jason Adkins. Thru Aug 24. San Jose.
DOWNTOWNYOGASHALA “La Baja Sur.� Images by Marcia Rendon and Miguel Moreno. San Jose.
EMPIRESEVENSTUDIOS “Though the Lines.�The craft and life of Orly Locquiao. Reception Sat, 7-11pm. San Jose.
FAUXSALON Large-scale digital art pieces by illustrator, artist and ďŹ lmmaker Katie Bush. Runs thru fall. Campbell.
GOODKARMACAFE “Paintings and more by Haley Goodlett. San Jose.
KALEIDGALLERY “Creatively Maladjusted.� New works by Steven Borelli. “Polygons.� Works by paper by Zoya Scholis. San Jose.
SANJOSEINSTITUTEOF CONTEMPORARYART “Chico and Chang.� Artists exploring cultural representation. Thru Sep 16. “City Beneath the City.� Artifacts unearthed during the original excavation of San Jose’s Chinatown. Thru Sep 16. Tue-Fri, 10am-5pm, Sat, noon5pm. San Jose.
SLGBOUTIKI “Steampunk Visions.� Works by Dorothy Whitman. San Jose.
STANFORDARTSPACES Paintings by Ben Zlexy, Valerie Cohen and Kyungsoo Lee. Thru Sep 6. Mon-Fri, 8:30am-5pm. Paul G. Allen Art Spaces, Stanford.
WORKSSANJOSE BeneďŹ t Auction Exhibition culminates on Aug 18. San Jose.
*events BEERWALK
with craft brews. Sat, 2-6pm. $30/$35. Downtown Campbell.
CAJUN/ZYDECO FESTIVAL With Louisiana culinary treats. Sat. Ardenwood Historic Farm, Fremont.
COMMUNITY PEACE RALLY Presented by Coalition 2020: A Celebration of Unity and Diversity to honor victims of massacre at Sikh temple in Wisconsin. Thu, 5pm. Santa Clara County Gov. Center, San Jose.
DRUM! NIGHT 2012 From Enter Music Publishing and “DRUM!� magazine, the event is a fundraiser for Lincoln High School and features drummers Kenny Aronoff, Tim Yeung and Cora Coleman-Dunham. Fri, 4:30pm. $20-$35. San Jose Repertory Theatre.
FIESTA DE ARTES Art and wine festival with music. Sat-Sun, 10am-6pm. Free. Los Gatos Civic Center Grounds.
SCHOOL SUPPLIES DRIVE To help local teachers and students with basics like glue sticks, crayons and more. Collection thru mid-August. OfďŹ ce of Dr. Kimberly Loos, 4110 Moorpark Ave, Suite B, San Jose.
SPIRIT OF ’45 WEEK Honoring the men and women who fought in WWII. Includes a ďŹ lm fest (at Mexican Heritage Plaza) and more. Runs thru Aug 12 (see facebook.com/ BayAreaSpiritof45 for details).
An evening of suds tasting
For complete Art, Stage and Events listings, go to www.metroactive.com
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metroactive FILM 360 ( R; 111 min.) This dramatic thriller tells multiple stories, all following characters from disparate social backgrounds, as their relationships intersect and their narrative threads tie together. Sort of like 2004’s Crash, but less racially charged— which may itself be sort of racist. So actually, exactly like Crash. (Opens Fri at Camera 3.)
BILL W. (NR; 104 min.) A biographical documentary about the man who co-founded Alcoholics Anonymous and helped create one of the ďŹ rst international mutual aid movements for people struggling with addiction. This is the ďŹ rst full-length ďŹ lm about the “healerâ€? who Time Magazine named one of the most important people of the century. (Thu, Aug 9, 7 and 9:15pm at Camera 3.)
HOPE SPRINGS (PG-13; 100 min.) It’s as serious as studio movies about marriage get. A sexless middle-aged couple of some 31 years go for a retreat under the guidance of a psychiatrist, played with admirable colorlessness by Steve Carell. Meryl Streep’s particular heft insures this material is far from Neil Simon. But any performer so regularly called the greatest actress alive will have some ham in her. When facing the demands of getting alarmingly physical with herself, Streep handles it brilliantly. She also throws herself
THE CAMPAIGN (R; 85 min.) A dirty-mouthed, mean-for-the-fun of-it comedy about a gargoyle version of John Edwards (Will Ferrell, in his most invigoratingly vicious part ever). Expecting another easy win, this slouch ďŹ elds an unexpected challenger, in the form of a light-inthe-loafers Republican tour guide (Zack GaliďŹ anakis). It’s built about as sturdy as a Family Guy episode, and the behind-it-all wealthy scoundrels “The Motch [i.e., Koch] Brothersâ€? (Dan Aykroyd and John Lithgow), never get a big enough scene. But it’s fast, and it has multiple horselaughs in the attackad parodies. Brian Cox makes some deliciously bilious faces. And the bit where Ferrell tries to remember how the Lord’s Prayer goes is as good as his Internet comedy. For once the comediennes get something, too: some too-stupid-not-to-laugh-at dialect comedy by Karen Maruyama; some steadfast reactions and heavy lifting by Sarah Baker, as GaliďŹ anakis’ portly wife. (Opens Fri.) (RvB)
of TV work, but also Marley and Me and The Devil Wears Prada) once again takes most of the mayonnaise out of a domestic story. (Opens Wed at Camera 7.) (RvB)
Revivals
UNFORGIVABLE
(1951/1952) The Gershwin score is the salient feature of this Gene Kelly/Leslie Caron musical, which introduced America to French impressionism. Nina Foch and Oscar Levant co-star. BILLED WITH Singin’ in the Rain, the best musical ever made: a wise-guy parody of the early days of sound ďŹ lm, with Debbie Reynolds, Gene Kelly and Donald O’Connor conniving to help
(NR; 111 min.) This French-language drama tells of a crime writer living in Venice who marries his real estate agent in a urry of love and momentum. But as they settle in a remote island home, his obsession with his wife’s doings become a dark burden to bear. (Opens Fri at Camera 3.)
AN AMERICAN IN PARIS/ SINGIN’ IN THE RAIN
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“ONE
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HELL OF A MOVIE!� ROGER EBERT
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THE BOURNE LEGACY (PG-13; 135 min.) Bourne won’t be found here, and the upholding of his legacy is arguable. But the fourth ďŹ lm in this surprisingly successful franchise maintains the same moody popcorn fun, and has Jeremy Renner taking over as a new agent in the Bourne mythology, who is equally capable and just as angry as his predecessor. (Opens Fri valleywide.)
at the mercy of the audience in a few moments of low comedy, such as fondling supermarket salami and that old burlesque favorite, the ejaculating champagne bottle. Tommy Lee Jones, by contrast, verges on neurotic bastardry that would do credit to a Nicholas Ray movie. He end-runs the usual equation of “woman’s drama = man’s fault.â€? Scripter Vanessa Taylor is a longtime TV writer, but atness only seems apparent on the peripheral characters, particularly a squandered Elisabeth Shue. Director David Frankel (his own hefty load
“ONE OF THE MOST SATISFYING MOVIES OF THE YEAR!�
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“A magical, MODERN-DAY LOVE STORY, one with razor-sharp edges and a tender heart.� “INGENIOUS AND DELIGHTFUL... Zany and sweet.�
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metroactive FILM a pretty but squawky actress (Jean Hagen) make the transition to sound. Hagen’s Ode to a Movie Star’s Sacrifice: “If we bring a little joy into your humdrum lives, we feel all our hard work ain’t been in vain for nothin’.” (Plays Aug 11-14 in Palo Alto at the Stanford Theatre.) (RvB)
BATTLE CRY/ NEWSREELS FROM 1942 (1955/1942) Raoul Walsh’s archetypical Pacific War movie with James Whitmore as the sergeant who sees them come and sees them go. “Them” in this case: Van Heflin as a brave colonel, Tab Hunter as the kid and Aldo Ray as the womanizer. The soundtrack by Max Steiner underscores points we might have missed. CinemaScope. BILLED WITH A series of newsreels from 1942. (Plays Aug 8-10 in Palo Alto at the Stanford Theatre.) (RvB)
FREE SUMMER MOVIES The Great Outdoors (1988) (Plays Aug 9 at 8:15 in Redwood City at Old Courthouse Square.) Cars 2 (Plays Aug 10 at sunset in Mountain View at Sylvan Park.) (RvB)
MANOS: THE HANDS OF FATE “It’s shocking, it’s beyond your imagination! A cult of weird, horrible people ...” Surely “the master would not be pleased” at RiffTrax’s live broadcast assault on this really tremendously godawful nugget about devil worship in Texas, and of doughty yet curly Peppy the Poodle who tries to bite the goaty leg of Torgo, the whiny flunkey of Satan. (Plays Aug 16 at CinéArts in Palo Alto, Santana Row 6, Oakridge 20 and others.)
NILES FILM MUSEUM Regularly scheduled programs of silent films. Aug 11: Wild Beauty (1927) with the formidable Morgan known as Rex, the Wonder Horse, a.k.a. Rex, King of the Wild Stallions. Plus “Felix Wins Out” (1923) and Ida’s uncle Lupino Lane in “Sword Point” (1928). Bruce Loeb at the piano. Aug 12 at 4pm: Laurel and Hardy in Them
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Thar Hills (1934) and the L and H short “Tit for Tat” (1935), and Our Gang in “Forgotten Babies” (1933) and “For Pete’s Sake” (1934). (Plays Aug 11-13 in Fremont at the Edison Theater.) (RvB)
THE PRINCESS BRIDE (1987) The “quote-along” version. (Plays Aug 10-12 in San Jose at the Retro Dome.) (RvB)
ROCKY HORROR PICTURE SHOW (1975) With the Bawdy Caste. (Plays Aug 11 in San Jose at the Retro Dome.) (RvB)
THE ROOM (2003) With the sadder but wiser Wiseau. (Plays Aug 11 at 11:55pm in San Jose at Camera 3.) (RvB)
SUSAN SLEPT HERE/ LOVE IS BETTER THAN EVER (1954/1952) Scriptwriter Dick Powell is stuck on his latest script when he gets a surprise guest: an underage juvenile delinquent (Debbie Reynolds) facing a four-month stretch in jail. BILLED WITH Love Is Better Than Ever. The little-known musical with the nigh-blacklisted Larry Parks as an agent who meets a small-town girl (Elizabeth Taylor). (Plays Aug 15-16 in Palo Alto at the Stanford Theatre.) (RvB)
Reviews BEASTS OF THE SOUTHERN WILD (PG-13; 91 min.) A gumption-crazed little girl survives what looks like post-industrial living in Beasts of the Southern Wild. Hushpuppy (Quvenzhané Wallis) lives in a waterside squatters’ camp called “The Bathtub.” A teacher in this swamp town displays a $200 custom-made tattoo on her thigh depicting some kind of mythical whangdoodle. That’s all the proof Hushpuppy needs that ice-locked beasts of the Stone Age could rise again. Hushpuppy tries to bond with her ailing dad, Wink (Dwight
Henry), going on a boat trip with him when the storm waters inundate the town. Beasts of the Southern Wild’s impressionistic self-seriousness is sweetened by Wallis’ own feistiness. You can put Hushpuppy on the list with Princess Merida and Katniss: emerging strong heroines, countering a cinema made for a boys-only club.
THE BEST EXOTIC MARIGOLD HOTEL (PG-13, 122 min.) A summit meeting of great British thespians: seven distinguished elders meet in a story held together by a peeling retirement hotel in Jaipur, a Raj-era ruin. A widow gradually blossoms (Judi Dench); a married man shows modest enchantment (Bill Nighy); a wizened gent becomes a randy goat (Ronald Pickup); a wife (Penelope Wilton) responds with absolute disgust to the heat and noise and insects and the filth. Some Desiinterest and perfunctory under-60 love interest arises in the form of the Marigold’s hapless manager Sonny (Dev Patel). But watching something impressive, such as the scene of Tom Wilkinson’s Graham sitting in a garden and unfolding on his personal life, I thought, “This is really fine playwriting. Too bad it’s a film.” And the arc careens too high for Maggie Smith, as a terrified Cockney racist who suddenly proves her unlikely super-powers. (RvB)
THE INTOUCHABLES (R; 112 min.) It’s a seriously winning film, Olivier Nakache and Eric Toledano’s The Intouchables—an example of how first-rate comedic acting can sell material that might not have flown otherwise. A larger than life, exuberantly handsome performer named Omar Sy dominates this buddy film as Driss. He is the caretaker of an aristocratic French paralytic who can only move his head. Philippe, the malade (Francoise Cluzet), likes Driss’s style. When a snobbish relative
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MADAGASCAR 3: EUROPE’S MOST WANTED (PG; 95 min.) In what the title tells me is only the third Madagascar ďŹ lm, Alex the Lion, Marty the Zebra, Melman the Giraffe, and Gloria the Hippopotamus (voiced by Ben Stiller, Chris Rock, David Schwimmer and Jada Pinkett Smith, respectively) set out to return to New York City after escaping Africa in the last installment. Their plan goes predictably awry, and the four animals ďŹ nd themselves stranded in Monte Carlo and in the crosshairs of a traveling circus.
MOONRISE KINGDOM (PG-13; 94 min.) In September 1965, gifted 12-year-olds Suzy (Kara Hayward) and Sam (Jared Gilman) head off to the wilderness of the ďŹ ctional New England island of New Penzance. They are sought by a sad constable (Bruce Willis) and an intrepid “Khaki Scoutsâ€? leader (Edward Norton). Gilman and Hayward demonstrate awless precociousness, but the conceit is uneven. Sometimes the ďŹ lm is like Our Gang, as in a Boy Scout camp of kids acting like adults. Sometimes, it is as ooky as Bugsy Malone. Director Wes Anderson’s toy showboat is keeled with adult regret, particularly the drinker’s sorrows embodied by Bill Murray as Suzy’s dad. The coolness and preciousness keep a glass barrier up, as thick as a store window. (RvB)
PEACE, LOVE AND MISUNDERSTANDING (R; 96 min.) This independent comedy-drama stars Catherine Keener as a conservative lawyer who, after her husband unexpectedly ďŹ les for divorce, takes her two teenage children to meet their estranged, hippie grandmother (Jane Fonda) in Woodstock.
SNOW WHITE AND THE HUNTSMAN (PG-13; 127 min.) The second Snow White adaptation of 2012 (what’s in the water down in Los Angeles?) comes from the producers of 2010’s blockbuster Alice in Wonderland (never mind, it’s box-ofďŹ ce receipts gushing out of those faucets). The ďŹ lm stars Kristen Stewart as the titular princess-to-be; Chris Hemsworth (of The Avengers fame) as the titular Huntsman; and Charlize Theron as the evil queen.
STEP UP REVOLUTION (PG-13; 97 min.) The fourth ďŹ lm in the most successful street dance franchise in Hollywood history (a robust list that includes Step Up 1-3, and that’s it) takes us to the hot streets of Miami, where a dance crew must turn their performance into protest in order to save their historic neighborhood from demolition.
TED (R; 106 min.) Ted marks Seth McFarlane’s (of Family Guy fame) feature ďŹ lm debut, and it is a mix of live-action, commuter animation, a blank check and a blind eye. Mark Wahlberg plays a Boston native whose childhood wish for his teddy bear to come to life is granted, for better or worse. Now in his adult years, he ďŹ nds himself ready to kick Ted (voiced by McFarlane) to the curb after his girlfriend (Mila Kunis) demands that he ditch the slacker lifestyle that he and Ted have come to adopt.
THE WATCH (R; 102 min.) Ben Stiller, Vince Vaughn and Jonah Hill star as members of a suburban neighborhood watch group who accidently uncover an extraterrestrial plot that threatens the world. Skip the film; read last month’s in-depth New Yorker piece on Stiller instead.
provide locations for something this handsome. Also admirable is Pagnol’s passion for the mot juste (“It’s wise to beware of people who sell tools but don’t use them,� says the offended father). Fine work by the scene-stealing Emilie Cazenave (an Ann Miller lookalike) as the wise second daughter. The adorable baby that the
filmmakers cast proves what used to be proverbial: “Love children are the loveliest.�
SAVAGES (R) Oliver Stone directs a gritty tale of the Mexican drug trade. Stars Aaron Johnson, Blake Lively and Taylor Kitsch. (Opens Fri.)
THE WELL-DIGGER’S DAUGHTER (NR; 107 min.) Executed in a classic style, though still not a classic. It’s Daniel Auteuil’s version of a Marcel Pagnol novel, filmed by Pagnol himself in 1940, with Raimu in the lead; a story of pride and prejudice in the rural south of France. Eighteenyear-old Patricia (Astrid BergesFrisbey), the angel of her family, is seduced and impregnated by Jacques, a merchant’s son who has grown up to be a pilot in the French Air Force. Jacques’ too-proud family rejects the bastard, which slights the honor of Patricia’s father (Auteuil), the local well-digger. Meanwhile, the well-digger’s homely assistant Felipe (Kad Merad, in a role Fernadel once played) offers to give the baby his name. It’s solid and satisfying, though part of its solidity is a quotient of corn and ham. Maybe it’s just that it’s gratifying to know there’s enough of Pagnol’s world left on the southern French backroads to
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• Pruneyard/Campbell 559-6900 Sony 4K Digital • Final Week • * No•Passes
• Pruneyard/Campbell • 559-6900 Student Night Wednesdays -- $6 after 6pm *THE BOURNE LEGACY (PG-13) *THE CAMPAIGN (R) *HOPE SPRINGS (PG-13) *TOTAL RECALL (PG-13) *KILLER JOE (NC-17) THE DARK KNIGHT RISES (PG-13) BEASTS OF THE SOUTHERN WILD (PG-13)
• 41 N. Santa Cruz • 395-0203 *THE BOURNE LEGACY (PG-13) *HOPE SPRINGS (PG-13) • 201 S. 2nd St, S.J. • 998-3300 Student Night Wednesdays -- $6 after 6pm *THE BOURNE LEGACY (PG-13) TED (R) *CAMPAIGN (PG-13) *HOPE SPRINGS (PG-13) *TOTAL RECALL (PG-13) THE WATCH (R) *DIARY OF WIMPY KID: DOG DAYS (PG) DARK KNIGHT RISES (PG-13) SAVAGES (R)
• 288 S. Second, S.J. • 998-3300 *UNFORGIVABLE (NR) MOONRISE KINGDOM (PG13) *360 (R) *WELL DIGGER’S DAUGHTER (NR) RAYMONDA (HD Ballet)--Sun 12 noon/Tue 7:30 OPENS 8/15! ODD LIFE OF TIMOTHY GREEN OPENS 8/17! CELESTE & JESSE FOREVER
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COLUMBIA PICTURESMUSICPRESENTS AN ORIGINAL FILM PRODUCTI ON A FILM BY LEN WISEMAN “TOTAL RECALL� BRYAN CRANSTON JOHN CHO BY THE SHORT STORY EXECUTIVE AND BILL NIGHY BY HARRY GREGSON-WILLIAMS PRODUCERS RIC KIDNEY LEN WISEMAN “WE CAN REMEMBERINSPIRED IT FOR YOU WHOLESALE� BY PHILIP K. DICK SCREEN SCREENPLAY STORY BY RONALD SHUSETT & DAN O’BANNON AND JON POVILL AND KURT WIMMER BY KURT WIMMER AND MARK BOMBACK PRODUCED DIRECTED BY NEAL H. MORITZ TOBY JAFFE BY LEN WISEMAN
AUGUST 8-14, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
complains that people from the slums are without pity, Philippe agrees that’s exactly what he’s looking for: someone who won’t treat him with pity. This comedy stakes its ground as opposing middle-class timidity. The problem of being middle class is feeling that two other classes are condemning you simultaneously. The Intouchables suggests that the unhesitating grab for brio is the common privilege of the rich and the poor. That idea may be ridiculous, but it’s presented with flavor and humor here. (RvB)
More listings:
metroactive MUSIC
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METROACTIVE.COM
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IN MEMORIAM: TONY SLY OF NO USE FOR A NAME Tony Sly, a fixture in the San Jose rock scene and frontman of No Use for a Name, passed away July 31 at the age of 41. His longtime friend Jeff Brummett shares his thoughts and memories.
SONNYMOON MAKES SURPRISE RETURN TO SAN JOSE
Boston electro duo Sonnymoon generated a lot of buzz when they played San Jose in June and left a lot of people who missed their show at the Pagoda chomping at the bit to see them. That explains why tickets are already being snapped up for the group’s return to Pagoda for Summer Fest on Friday, Aug. 10.
PHOTOS: DADDY YANKEE AT SAN JOSE CIVIC
International Latin music star Daddy Yankee filled San Jose Civic on Saturday for a night full of reggaeton beats with Wil J opening.
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Rock/Pop ART BOUTIKI
BRITANNIA ARMS CUPERTINO Live music most weekends. Cupertino.
COURTHOUSE SQUARE Fri, 6pm: Live Wire. Redwood City.
JOHNNY V’S
Sat, 7pm: Bent Knee, Contra Ville. SLG, San Jose.
CAFFE FRASCATI
THE BLANK CLUB
THE CARAVAN
Thu: Rebelskamp. Fri: The Rodgers, Kiwi Time, Lights Become Stars. Sat: Mons Pubis and Friends. San Jose.
Wed, 9pm: Audible Smoke Signal, Dustonius Maximus. Free. Fri, 9pm: Shadow Beat Ritual, the Devil Himself, Space Hook. $8. Sat, 8pm: Shonen Knife, the Mallard, Girls With Guns. $12. San Jose.
Thu, 8pm: Slag. Fri, 7pm: Allura. Sann Jose.
MOJO LOUNGE
BOSWELL’S Wed, 9:30pm: Jack Rip-Off. Thu, 10pm: Sexy Back. Fri, 9:30pm: Savoir Faire. Sat, 9:30pm: Choppin’ Broccoli. Campbell.
BRITANNIA ARMS ALMADEN Fri, 10pm: Stung. Sat, 10pm: Live music. San Jose.
Fri, 8pm: Marjikeze. San Jose.
Fri, 9:30pm: Hales Machine. Fremont.
MOUNTAIN CHARLEY’S Fri, 7pm: Ruckus. Sat, 7pm: Johnny Neri Band. Los Gatos
THE CATS Wed-Thu, 6pm: Johnny Fabulous. Fri, 9pm: Aces Up. Los Gatos.
CLUB FOX Sat. 9pm: RebelYell. $10. Thu, 6:30pm: Rocking for a Cure, w/ As Is. $25. Sat, 9pm: Zoo Station, Who Too. Redwood City.
MOUNTAIN WINERY Wed-Thu, 7:30pm: Duran Duran. Fri, 7:30pm: Seal with Macy Gray. Sat, 7:30pm: Buddy Guy. Sun, 7:30pm: Roger Hodgson. Mon, 7:30pm: Heart. Tue, 7:30pm: Weird Al Yankovic. Saratoga
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Whiskerman FOR THE SIXTH installment of the Uncanny Valley of the Heart’s Delight, hosts Corpus Callosum bring Oakland gospel-folk group Whiskerman in to headline. Band leader Graham Patzer is perhaps best known as the younger brother of the two Judgment Day string players. Whiskerman—which actually has big brother Lewis on cello—is so vastly different from the string-metal math sounds of Judgment Day, it might shock fans who know the groups’ connection. Yet what they do have in common is a similar spirit of musical boundarypushing, albeit expressed completely differently. At first glance, Whiskerman could be best described as gospelAnno Domini inspired Americana, but its texturing with strings and pianos really enhances the sound, giving what is simple and earthy Tuesday; 7pm; at its core, a complex, harmonious overtone. As a songwriter, all ages Patzer captures the straightforward, storytelling approach present in folk music, right down to the lyrics, which tend to be stories about fictitious characters. Yet, the music is inherently moody and layered, which is not due solely to nuanced arrangements. Patzer’s voice and choice of melodies consistently hit different emotional triggers simultaneously. He embodies the joy of soul music and the sadness of the blues at once. Also on the bill are the Spirits of Red City, an experimental, minimalistic acoustic group, and of course show hosts Corpus Callosum. They will be performing a particularly special set. This is their homecoming show from their first U.S. tour, and they’re bound to get a little bit emotional.—Aaron Carnes
42 NETO’S GRILL
Tour. Sat, 4pm: Major Powers, LoFi Symphony. San Jose.
STEPHENS GREEN Tue, 7:30pm: Irish music. Mountain View.
Fri, 8:30pm: Who Does That, with Vernon Davis. $10. Sat, 9pm: Soul Intention, ’70s dance beats. $10. Santa Clara.
TESSORA’S
NINE LIVES
Fri: Live bands, some jams. Santa Clara.
CLUB FOX
World
GRAND DELL SALOON
Thu, 8pm: Battle of the Bands. $5. Sat, 8pm: Skinner. $10. Gilroy.
NUMBER ONE BROADWAY Wed: Jam night. Thu: After Sunset Blvd. Fri, 9:30pm: Groove Doctors. $10. Sat, 9:30pm: Touch of Class. Los Gatos.
SHORELINE AMPHITHEATRE Sun, 7pm: Toby Keith. Mountain View.
STREETLIGHT RECORDS Thu, 7pm: United Fakes of America
Fri, 8:30pm: Cascada. Sat, 8pm: Frankie Sorci. Campbell.
WOODHAM’S LOUNGE
AGENDA LOUNGE
Jazz/Blues Wed, 7pm: Jam. Redwood City. Thu, 8pm: Tia Carroll. Fri, 8pm: Jimmy Dewreance. Sat, 8:30pm: Red Eye Express.
Wed, 8pm: Salsa. $5. Thu, 9pm: Banda. No cover. Fri, 8pm: Rock en Español. Sun: Reggae. San Jose.
J.J.’S BLUES CAFE
AZÚCAR
LOS GATOS TOWN PLAZA
Thu, 9pm: Live music and DJ. Fri, 9pm: Live music and DJ. Mon, 8pm: Salsa lessons. San Jose.
Fri: Liars Club. Sat: Mike Osborn. $110. Mon: Waynes Way. Tue: Dennis and Stuart. San Jose. Wed, 6:30pm: Terence Blanchard. Jazz on the Plazz. Los Gatos.
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MetroGiveaways M etroGiveaways WIN FFREE R EE SSTUFF! TUFF!
Scan this thiis QR code code with yyour our smartphone smartphoone or visit
METROGIVEAWAYS.COM MET TROGIVEA AWAYS. S COM
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CONCERT
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Shonen Knife TO CELEBRATE THEIR 30th anniversary as a band last year, J-punk pioneers Shonen Knife finally released a full album of Ramones covers, Osaka Ramones. The anticipation came not just from the fact that their Ramones covers that had been floating around for years (“I Wanna Be Sedated,” “Suzy Is a Headbanger,” etc.) were some of the best ever but also from the fact that since day one, Naoko Blank Club Yamano and crew had patterned their music after the NYC superpunks—it was the album that Shonen Knife was Saturday; destined to make. It delivered, but there were some surprises, 9pm; $12 too—they picked not only the catchiest and most exuberant tunes from the Ramones catalog (since that’s the side Shonen Knife has emulated the most), but also some of their tougher, darker songs: “We Want the Airwaves,” “We’re a Happy Family,” “Chinese Rock.” After that moment of harmonic convergence, they’re back to their own original songs—always sure to include something about parties, animals and food— with their new album, Pop Tunes.—Steve Palopoli
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BAMBOO LOUNGE
AZÚCAR
Fri, 9pm: Quasimodal. Sat, 9pm: Blue House. San Jose.
Mon, 7pm: Musical open mic for singer/songwriters. Sign up at 7pm. Free. San Jose.
Wed, 9pm: English and Spanish karaoke and dancing. San Jose.
POOR HOUSE BISTRO
CITY ESPRESSO
Fri, 9pm: Ryan. San Jose.
Wed, 6pm: Ron Thompson. Thu, 6pm: Stan Erhart. Fri, 6pm: Noel Catura. Sat, 6pm: Jackie Payne. San Jose.
JOHNNY V’S
A PERFECT FINISH
SANTANA ROW Tue, 7pm: Hristo Vitchev Trio at Thea Mediterranean; Mads Trolling at Vintage Wine Bar. San Jose.
Open Mic
Fri, 7pm: Open mic. San Jose.
THE BEARS BENNIGAN’S GRILL Sat, 9pm: August. Santa Clara.
Wed: The Cypher. Hip-hop open mic. San Jose.
RED ROCK COFFEE CO. Mon, 7pm: Cavin and King’s Open Mic. Mountain View.
Karaoke
BLINKY’S CAN’T SAY
7 BAMBOO
BLUE MAX
Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.
Fri, 9pm-1am: Danielle. Sat, 9pm-1am: Karaoke. Santa Clara. Fri-Sat, 7pm: Karaoke. Sunnyvale.
BLUZ BY-YOU Mon, 7:30pm: Karaoke. Santa Clara.
BOSWELL’S CAFFE FRASCATI Tue, 7pm: Open mic. San Jose.
ALEX’S 49ER INN Nightly, 9pm-2am: Karaoke.
Tue: DJ Davey K. Campbell.
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AUGUST A U G U S T 8-14, 8-14, 2012 | metr metrosiliconvalley.com o osiliconvalley .com | sanjose.co sanjose.com om | metr metroactive.com oactive.com
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WIN FFREE R EEE STUFF! STUFF!
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Know Your Treatment Options If you’re unsatisfied with your current treatment for MS relapses— because it doesn’t work well or causes side effects that are hard to manage—you’re invited to a presentation created especially for you. You will learn from an MS healthcare professional about a different FDA-approved treatment option and hear a firsthand account of a patient’s experience with this treatment.
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escape the ordinary
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311 and Slightly Slightly Stoopid Stoopid T Tickets icckets August 31 at Shoreline S eline Shor Scan this QR ccode ode withh yyour our smartphone or visit
METROGIVEAWAYS.COM METR OGIVEEA AWAYS.COM
Alex Stover
BARFLY: ANTONIO’S
;`m\ K_i`m\ AT 10pm, this Palo Alto bar is packed—cocktail dresses, plaid shirts and hornrimmed glasses stretch the length of the room, filling the bar stools and tables. I move through the throng, PBR in hand, taking in the madhouse known as Antonio’s Nut House. Antonio’s is one of the most unusual bars I have ever visited. It revels in its divedom, its quirks and its atmosphere, making it a gem of a dive. The brick walls are covered in chalk graffiti, Antonio’s Nut House neon beer signs and street signs, while the floor is coated in peanut shells, crushed into a fine powder by 321 S. California Ave, the trampling of countless feet. The ceiling is covered in Palo Alto a hodgepodge of artwork—an announcement of Carrie’s 650.321.3550 30th birthday, a monster from Where the Wild Things Are and instructions for Election the drinking game (2008 edition)—the smorgasbord hinting at a rich communal history. The bar is large, wall covered in posters and stickers, captions of many either too obscene or of too questionable taste to reprint here. Antonio’s has become a favorite haunt of nearby Stanford students. Tonight, they cluster around the bar, the men in Polos and parted hair and the women in cocktail dresses and gold earrings. The preppy clothing makes for a strange sight amid the general dive-ness of Antonio’s. Yet I shouldn’t be surprised at the presence of the crowd—Antonio’s is the natural place to go for any college student. As at any good dive, the drinks are cheap and strong: here, a few rounds could easily cost less than $20. The bartenders are knowledgeable and dedicated to their craft, recommending drink concoctions and downing them alongside their customers. While a prime place to get one’s drink on, Antonio’s is also a prime place to get one’s grub on. Conveniently located a drunken stumble’s length away, literally on the other side of the room, a restaurant serves a staple food of every college student’s diet, Mexican food. The cooks work long into the evening, dishing out tasty Mexican plates for drunken customers. By now, the scene is heating up into a near frenzy of activity: The bar is crowded in a wall several bodies thick—preppy students taking shots with the bartenders and asking each other where they summer. Newcomers arrive every few moments, gravitating to the bar. They jostle for control of the bartenders, fistfuls of debit cards reaching over my head. As I vacate my stool, they fill the void in my wake, arms pulling back glasses and pitchers of beer.—The Barfly
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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Thursday, August 9 ‹ In the Atrium ‹ AGES 21+
ALL NEW INTERIOR TWO BARS
PATO BANTON & THE NOW GENERATION !DV $RS s $RS OPEN P M 3HOW P M
Friday, August 10 ‹ In the Atrium ‹ AGES 16+ Mike Garmany of The Holdup TWIN CITY featuring and James Melo of Young Science
plus 2AM
Club !DV $RS s $RS P M 3HOW P M
3ATURDAY !UGUST ‹ In the Atrium ‹ AGES 21+
SIN SISTERS BURLESQUE
!DV $RS s $RS OPEN P M 3HOW P M
3UNDAY !UGUST ‹ In the Atrium ‹ AGES 21+
BEAVER FEVER
plus Interzone also Culo a Boca plus Tried & True $RS ONLY s $RS OPEN P M 3HOW P M
LIVE MUSIC
Tues: Karaoke~Weds: Live Country Music~Thurs: Old School 80’s Party Rockin’ Fridays & Saturdays (Band schedule online)
HAPPY HOUR
4 pm-8 pm Every Day! 16oz Drafts, $3 Domestic, $4 Import, $4 Well Drinks
15 N. Santa Cruz Ave., Downtown Los Gatos
408.335.0042 + Mtn-Charleys.com
Aug 22 Hank 3 (Ages 21+) Aug 30 Aesop Rock (Ages 16+) 3EP Steel Pulse (Ages 16+) 3EP Buckethead/ Samples (Ages 16+) 3EP Against Me! (Ages 16+) 3EP James McMurtry/ The Gourds (Ages 21+) 3EP Big Bad Voodoo Daddy (Ages 21+) 3EP Carolyn Wonderland (Ages 21+) 3EP Easy Star All Stars (Ages 16+) 3EP Menomena (Ages 18+) 3EP Odd Future (All Ages) 3EP Good Riddance (Ages 16+) Oct 6 Roach Gigz (Ages 16+) Oct 12 Yelawolf (Ages 16+) Oct 20 Taking Back Sunday (Ages 16+) Oct 21 Tiger Army (Ages 16+) Oct 22 Switchfoot (Ages 16+) Oct 24 Macklemore & Ryan Lewis (Ages 16+) Oct 26 Brother Ali (Ages 16+) Oct 31 Groundation (Ages 16+) Nov 5 GWAR (Ages 16+) Nov 23 UFO (Ages 21+) Dec 8 Chris Robinson Brotherhood (Ages 21+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 877-435-9849 & online
www.catalystclub.com
metroactive MUSIC Thu, Sat & Tue, 9pm: Avent Entertainment. Santa Clara.
BOGART’S LOUNGE
Dance Clubs
Wed, Fri and Sun, 8pm-2am: KJ Dennis. Sunnyvale.
AGENDA
BRITANNIA ARMS ALMADEN Wed & Sun, 10pm: DJ Uncle Hank. San Jose.
BRITANNIA ARMS CUPERTINO Sun-Tue, 10pm: Karaoke. Cupertino.
Wed, 8pm: Salsa Wednesdays. Thu: Antromix. Banda nights. Fri: Rock en Español. San Jose.
BRANHAM LOUNGE Wed: Whiskey Business. Thu: Daisy Dukes & Cowboy Boots Thursdays. Fri: Quality Control. Sat: Cocktails & Dreams. Sun: Turbo. Tue: Irie Nights. San Jose.
BRITANNIA ARMS DOWNTOWN
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WOODHAM’S LOUNGE
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More listings:
METROACTIVE.COM Fri, 9pm: Good Friday. $10. Sat, 9pm: Solstice. $10. Mon, 9pm: Industry. Tue: College Night. San Jose.
JOHNNY V’S Wed, 9pm: The Cypher. Hip-hop open mic. No cover before 10:30pm, $3 after. Thu, 9pm: Thumpin’ Thursdays. No cover. Mon, 9pm: Retoxx with DJ Casp3r. No cover. San Jose.
LOS GATOS BAR AND GRILL Thu: EDM Thursdays, with the Dirty Bro.LeKtros. Fri: BeatzBoutique with DJ Tech Minds. Sat: Video killed the DJ. Los Gatos.
PAGODA LOUNGE
Wed, 9pm: August. Mon, 9pm: Comedy with Mr. Walker. San Jose.
Fri, 10pm: D1ME. $5. Fairmont Hotel, San Jose.
SAN JOSE BAR & GRILL
BRITANNIA ARMS ALMADEN Thu, 10pm: DJ Dinero. San Jose.
THE GOOSETOWN LOUNGE
BRITANNIA ARMS DOWNTOWN
Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.
Thu: VJ mixing. Fri: DJ QZR. Sat: DJ Ready Rock. San Jose.
MOUNTAIN CHARLEYS
THE ELEGANT PUB
Tue: DJ Uncle Hank. Los Gatos.
THE NEW JERSEY’S Sat: Karaoke. Campbell.
Fri-Sat, 9pm: DJ Checo. Evergreen Inn, San Jose.
FAHRENHEIT
Wed: Wingy Tango night. Thu: ‘80s Babies (second and fourth Thu) or Intensity Thursdays. Fri: Video Junkie Fridays. Sat: Sapphire Saturdays. Every third Sat: Guest DJ. Sun: Funday. Mon: Manic Mondaze. Tue: Buck Wild Tuesdays. San Jose.
STUDIO8 Every first Thu: Club Damelo. Sat: Sisquo. San Jose.
WILLOW DEN Wed-Fri: DJs. Willow Glen.
Thu, 9pm: The Heit Thursdays.
San Francisco’s City Guide
OUTSIDE LANDS FESTIVAL Neil Young, Metallica, Stevie Wonder, Skrillex and many, many more in 3-day fest. Aug 10-12 at Golden Gate Park.
NICKI MINAJ
Your
Spot
A toy doll with tourettes who’s been fed three mochas. What’s not to love? Aug 9 at the Paramount Theatre.
CAFE TACUBA Cross-pollinating rock band from Naucalpan, Mexico, with huge fanbase up north. Aug 9 at the Fox Theater.
COBRA SKULLS Trio from Reno, NV play everlasting all-ages punk club with Murderburger, Hard Girls and more. Aug 11 at 924 Gilman.
Skrillex
OPEN SINCE 1974
THE BLACKBYRDS Find more San Francisco events by subscribing to the email newsletter at www.sfstation.com.
Doin’ it in the park. Doin’ it after dark. Ooooh yeah. Aug 11-12 at Yoshi’s Oakland.
Find more San Francisco events by subscribing to the email newsletter at www.sfstation.com.
1933 W. SAN CARLOS - SAN JOSE
408-297-3472
Open Everyday 10am to 11pm
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A LLT TERNA AT TIVE MEDICINE metroactive.com metr oactive.com | san sanjose.com njose.com | metr metrosiliconvalley.com osiliconvalleyy.com | AAUGUST U G U S T 88-14, 14 2012
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61 A UGUST 8-14, 2012 | metrosiliconvalley.com | | sanjose.com | | metroactive.com |
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metroactive.com | sanjose.com | metrosiliconvalley.com | AUGUST 8-14, 2012
62
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EMPLOYMENT Jg\\Z_ CXe^% Pathologists. Dev. treatment plans for preschool age to adults. Prov. therapy for children w/articulation & lang. disorders. Plan therapy for adults w/psychological apraxia of speech secondary to CVA. Reqs. MA in Comm. Disorders + 1 yr expr. in indv., group speech, & lang. therapy. Apply to A is for Apple, Inc. 405 Alberto Way, # B. Los Gatos, CA 95032
J\Zli`kp&9fleZ\ij E\\[\[ wanted 5 nights a week 9pm-2am. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737
9lj`e\jj 8eXcpjk1 Dynasty Group, dba Dynasty Seafood Restaurant in Cupertino, CA. Analyst restaurant’s business structure for improvement. Master required. Mail resume to 10123 N. Wolf Road, #1688, Cupertino, CA 95014 or email dynastyseafoodca@yahoo.com
Ă Call 408.298.8000 Mon-Fri, 8:30am-5:30pm Ă Email classiďŹ eds@metronews.com Please include your VISA, MC, Discver or AmEx number and expiration date for payment Fax Ă your ad to 408.271.3520
AXY`c :`iZl`k has an opening in San Jose, CA for a Sr. Director of Strategic Development to formulate and execute strategy. Bachelor’s degree in Mechanical Eng., Electrical Eng. or related ďŹ eld & 10 years of exp. in telecommunications, analytical lab equipment & instrumentation, and test & measurement instrumentation. 40-60% global travel req’d. Must have legal auth. to work permanently in the US. EOE. Apply at www.jabil.com. Reference job id 13393.
DXib\k`e^ Aruba Networks, Inc. has multiple openings at all levels for its Sunnyvale, CA location for Marketing Manager (Channel) Req#MM-10 Req. MS or equiv. & 2 yrs of exp as a Mkting Mgr or 2 yrs of channel mkting exp. To apply, send covltr/Resume w/Re # to Aruba Networks, Inc. ATTN: HR 1344 Crossman Ave, Sunnyvale, CA 94089 or Fax to HR: 408-752-0626. EOE M/F/D/V www.arubanetworks.com
Ă Mail to Metro ClassiďŹ ed, 550 South First Street, San Jose, CA 95113
Ă Visit our ofďŹ ces Mon-Fri, 8:30am-5:30pm Ă Deadlines: For copy, payment, space reservation or cancellation: Display ads: Thursday 3pm, Line ads: Friday 3pm
G8:L IE&FI IE&Jli^`ZXc K\Z_&@ejkild\ek Iffd K\Z_ Silicon Valley Surgery Center, L.P. in Los Gatos, CA is looking for SHORT HOUR CLOSING SHIFT coverage. Our surgery center provides a supportive, pleasant and professional working environment for its employees. Our mission is to provide eďŹƒcient, accessible, compassionate, cost-eective, quality care in a state-of-the-art ambulatory surgical environment. Silicon Valley Surgery Center is built on a unique partnership between the physicians who use our facility and the sta who provides direct and indirect support. Seeking applicants for short shifts Monday through Friday from 2pm on. Shifts vary from 2 to 4 to 6 hours each shift. Healthcare professionals with current experience as a PACU RN or Operating Room RN or Surgical Tech or Instrument Room Tech needed. Perfect for the day shift or night shift healthcare professional (or those on alternate work schedules) interested in extra hours and $$$. Healthcare professionals with current experience as a PACU RN or Operating Room RN or Surgical Tech or Instrument Room Tech needed. Compensation: Commensurate and Competitive Send resume to: jobs@ siliconvalleysurgery.com www.siliconvalleysurgery.com
BXiXfb\ ;A wanted 9pm-1:30am. Must have equipment. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737
<e^`e\\i`e^ Agilent Technologies, Inc. has the following job opportunity available in Santa Clara, CA: Wireless Applications Engineer (Req #WAE-CA):Responsible for providing solutions around Agilent cellular products across the customer base. Mail resumes to Agilent Technologies, c/o Pinstripe, 200 South Executive Drive, Suite 400, BrookďŹ eld, WI 53005. Must reference job title and Req # to be considered. EOE
J`bbX Jf]knXi\ :fig# Milpitas, CA (job site). S/W Engineering & Tech Support Lead. Analyze, review s/w, code, reqmts., sys. risk & reliability; identify code metrics; Evaluate & manage team’s progress; Set-up, manage & improve stds. & procedures; etc. Resumes to HR, 830 Hillview Ct, #290, Milpitas, CA 95035. Complete job details: career.sikkasoft.com
:FDGLK<I $ Infogain Corp. seeks Computer Systems Consultant to deďŹ ne & plan OnDemand Application Management Process; & design architecture for OnDemand Implementation. May be temporarily assigned to work at client sites within Santa Clara County, CA. Resumes to worksite: 485 Alberto Way, #100, Los Gatos, CA 95032 Attn: J. Azzam-Recruiter
?<CG N8EK<; Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easyworkjobs.com
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N\ ?\cg J\cc Pfli M\_`Zc\ 8LKFJ N?FCJ8C< We will advertise your vehicle. Handle DMV paper work. Show you vehicle to customers. Call us for a quote on your service. Bill 510/557-1502 or Martin 510/862-8145
:FFBJ J<IM<IJ IMMEDIATE OPENINGS. Day time work! PT/FT Assignments. Weekly pay, long-term potential. Email resume to sherryc@partysta.com or call (408) 364 -8885.
Part time / Full time cashier position at PaciďŹ c Car Wash. Position requires proďŹ ciency in English, register use, customer service, and basic computer skills. Please call 408-823-6699 and ask for Helen.
TRANSPORTATION :8J? =FI :8IJ1 Any Car/Truck. Running or Not! Top Dollar Paid. We Come To You! Call For Instant Oer: 1-888-420-3808 www.cash4car.com (AAN CAN)
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Airbrush & Media Makeup Artists For: Ads TV Film Fashion Train & Build Portfolio in 1 week Lower Tuition for 2012 AwardMakeupSchool.com
Conveniently located downtown in a professional setting. We record all genres, voice overs, commercials etc. oering production, mixing, and mastering also. 518.496.5703
GI<>E8EK6 :FEJ@;<I@E> 8;FGK@FE6 Talk with caring agency specializing in matching Birthmothers with Families nationwide. LIVING EXPENSES PAID. Call 24/7 Abby’s One True Gift Adoptions 866-4136293 (Void in Illinois) (AAN CAN)
Centrally located in San Jose, near Santana Row. Full or part time or on-call. Licensed Masseuse. 408-396-8041
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K_l^Nfic[I\Zfi[j%Zfd Thug World Records explosive label with major features lil Wayne g-unit E-40 free downloads mp3s Ringtones looking for talented artist rappers singers female models. Log on: thugworldrecords.com or call 408-561-5458 and ask for gp
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GENERAL I<;L:< PFLI :89C< 9@CC Get a 4-Room All-Digital Satellite system installed for FREE and programming starting at $19.99/mo. FREE HD/DVR upgrade for new callers, CALL NOW. 1-800-925-7945
I<8:? , D@CC@FE hip, forward-thinking consumers across the U.S. When you advertise in alternative newspapers, you become part of the local scene and gain access to an audience you won’t reach anywhere else. www.altweeklies.com/ads
Candidates for egg donation must be female, healthy, drug free, age 21-28, non-smoking, reliable, and able to attend up to 10 appointments in San Jose. Fertility Physicians of Northern California 800.597.2234 www.fpnc.com
GUITAR & AMP REPAIR 1199 N 5th St. (408) 215-2065 sjrockshop.com
63 AUGUST 8-14, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
IP Infusion Inc., a provider of intelligent network software, is seeking a qualiďŹ ed Sr. SW Engr, Systems & a Sr. SW QA Engr for its Sunnyvale, CA location. Send resumes to hr@ipinfusion.com
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the Metro photo exhibit featuring local photographers South First Fridays @ 550 S First
metroactive.com | sanjose.com | metrosiliconvalley.com | AUGUST 8-14, 2012
Now’s a great time to consider buying that beach home...
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metroactive.com | sanjose.com | metrosiliconvalley.com | AUGUST 8-14, 2012
66
i\Xc \jkXk\ SALES CFD8 :?@HL@K8 Paved road access, 10 acres in the Santa Cruz Mountains with multiple, potentially buildable sites and stunning valley views. Room for vineyard. Favorite site of star gazers and award winning photographers. Phone hook-up already on PGE pole, on High Speed Internet system. Water Well and pump with 5500 gallon storage tank. Sewer, survey, and Geo reports available. Owner ďŹ nancing available. Shown by appointment only. Oered at $395,000. Broker will help show. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
:8J8 CFD8 22+ acres. Quiet, Remote and Tranquil. Approx. 8 miles from McKean Road with private, easy access road. Year round creek. Beautiful mountain views. Existing structure Not currently livable. Has existing complete foundation, plumbed. Need permits to continue building. Owner ďŹ nancing available. Oered at $285,000. Shown by apt. only. Broker will help show. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
E@E8 ;<C@>?K u 9FLC;<I :I<<B Seller says this is one of the last buildable properties in Nina Heights! Sun and view await you. South-facing magic, high up on a hill, surrounded by trees and good neighbors. Near post oďŹƒce, grocery store, and quaint little town. Pavement, power at the street, and city water. Owner ďŹ nancing available. Oered at $225,000.00. Shown by appointment only. Call for your private viewing: Donner Land & Homes, Inc., Deborah J. Donner, 408-395-5754.
RENTAL
I<;NFF; CF;>< IF8; Approx. 4 acres located in Los Gatos Mountains with Beautiful views and all day sun. Redwood Trees proudly stand tall and are gathered in various areas around the property. Power at the street. Fenced. Well required. Owner ďŹ nancing avail. Oered at $159,000. Shown by appt. only. Broker will help show. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
:I<<B =IFEK J<KK@E> Beautiful creek front setting with a pretty meadow. Sunny, happy place to garden. Bit of a rough road getting there and o the grid. Shown by appointment only. Broker will help show. Oered at $157,000. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
I@;>< KFG CF> :89@E Owner Financing on this Fully Permitted, Log House on 40 Acres. Private, Sunny & Secluded. Back-up propane generator, propane heat & hot water, well w/electric pump & working windmill pump. Internet service available. Completely o the grid. Oered at $595,000. Shown by appointment only. Broker will help show. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
>8I;<E ;<C@>?K N@K? 8E F:<8E M@<N Permits approved for 2,500 SF house & workshop. Create your dream home in a good neighborhood! Peacefully private, pretty Meadowlike setting. Potential horse property. Good well with solar pump. Close to Aptos Village. Good Access, Easy terrain. Power at street. Private: Locked gate. Shown by appointment only. Broker will help show. Oered at $396,000. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
Shires Senior Retirement Apts
Prime Downtown SJ Location
s BLKS TO ,IGHT RAIL AND &REE $!3( 3HUTTLE s -OVE IN 2EADY s 3TUDIO TO "EDR s TO s 6IEWS !VAILABLE ! 5NIQUE NON PROFIT (IGH 2ISE #OMMUNITY .EW UPGRDES 7ELL MAINTAINED
LIBRARY ROOM COMMON ROOM W PIANO
PATIO GARDEN AREA PARKING AVAILABLE AND MORE Call Manager Dave Scott for Tour & Application
408.297.7476
SERVICES
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AUGUST A U G U S T 8-14, 8-14, 2012 | metr metrosiliconvalley.com o osiliconvalley .com | sanjose.co sanjose.com om | metr metroactive.com oactive.com
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BENEFITING THE LINCOLN HIGH SCHOOL MUSIC PROGRAM
KENNY ARONOFF
TIM YEUNG
CORA COLEMANDUNHAM
AUGUST 10, 2012
In Partnership With:
Sponsored by: DW, Zildjian, Ddrum, Sabian, Tama, Vic Firth, Remo, Vater, Gretsch, Samson/Zoom, Yamaha DTX Electronics, Roland, Meinl Percussion
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