F E B R UA U A R Y 1 5 -2 - 211 , 201122 | V O L . 27 2 7,, N O . 448 8 | S I L I C O N VA V A L L E Y, Y, C A | F R E E Photography Photogr aphy by Dave LLepori/ epori/ B Background ackgrounnd image courtesy of N NASA ASA
BEST BE ST OF O VOTING VOTING ENDS ENDS SOON SOON N > ME METROFB.COM M MET ETR ET TTROF ROF R OFFB B.CCOM OM OM
Moonhackers
A new generation of space codeboys readies a lunar launch BY ROD BASTANMEHR P16
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metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
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THIS MODERN WORLD
I SAW YOU
By TOM TOMORROW
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
6
ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.
Airhead Marshal I saw you at the airport, mouth breathing, with a vacuous expression on your face. I was wearing my military fatigues. You asked me such a stupid question— “Are you in the military?”— that I sarcastically replied, “No,” out of mild annoyance, being as it was so obvious by my attire that I was in the military. Evidently, the subtlety of my sarcasm was lost on you because shortly after being seated, the flight attendant asked me for my military ID. I know you put her up to it, you busybody airhead.
COMMENTS Letters@metronews.com
CHEF BETTINA | LA LUNE SUCRÉE SAN JOSE
Metro welcomes letters. Like any great work of art, they should be originals—not copies of material sent elsewhere. Please include your name, city of residence and daytime telephone number. (Phone number will not be published.) Letters may be edited for length and clarity or to correct factual inaccuracies known to us. = SanJoseInside
definitely help spread the word about us.
= via email
Sweet Success I wanted to take a moment to thank Stett Holbrook for that very nice article you wrote about our cafe (“Sweet Dreams,” SVDining, Feb. 8). We’ve already had several customers come in after reading it, and it will
Not Ecstatic Re “Home of the Rave” (SVNews, Jan. 25): Let me get this right. MAPS wants to treat war vets who sustained brain damage with synthetic multidrug medication that causes more brain damage? Sorry, Mr. Brown, but the data shown in one study you cited on sexually abused women given the drug Ecstasy (MDMA) as treatment for PTSD is questionable and leaves the public with a sense of “bad faith” science. Perhaps the reason your organization is the only one funding clinical trials of MDMAassisted psychotherapy is because no
other organization would do these experiments on human subjects. Personally, I think giving MDMA to our military (or anyone for that matter), that would result in brain and thought loss, hyperthermia, hypertension, hepatitis and low seratonin levels that lead to increased depression and aggression is “one of the meanest and most misguided things our government could do.” PAMELA R. VILLANUEVA
Image-Busting Some mayors don’t know of the Mayors for Freedom to Marry, but Mr. Reed does (“Mayor Reed Opposes Freedom to Marry Campaign,” SanJoseInside, Feb. 8). Clearly, he chose not to sign for the dignity
and the equal treatment of his gay and lesbian citizens, and to align the city with the far-rightist agenda of discrimination and intolerance. Does he really want San Jose to be the last major U.S. city denying what is just decent? All the major companies in Silicon Valley strongly supported marriage equality, explaining how it is important for them to provide all their employees a friendly work environment, willing to attract the best competencies and skills. Discrimination is certainly not that. Mr. Reed is damaging the image of San Jose in many ways. Gay and lesbian people who are numerous in San Jose, all the people who care for them and the ones who understand how much Mr. Reed’s stand is damaging for the city’s image. The mayor of Palo Alto signed the pledge. This, in contrast with San Jose, is very good for the city’s future and image in Silicon Valley. MICHAEL BROWN | SAN JOSE
11 7 FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.com | metr metroactive.com oactive.com
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THE T HE FL FFLY LY
You Y oou Bee the Judge Electing a jjudge Electing udge ffor or tthe he SSanta anta CClara lara CCounty ounty Superior Superior CCourt ourt iiss uusually sually moree about com mor comfort mfort level than name People rrecognition. ecognition. TToo put it bluntly: P eople pprefer refer ffemale emale judges. judges. That That might might bbee unknown why an unknow wn attorney named ALEX CERUL listed hiss first name as A lexis on CERUL Alexis the ballot ffor or th the he June 5 primary primary.. Cerul, or the county y, ffaces aces a staff attorneyy ffor county, PAUL AUL COLIN COLIN out of the the battle-tested battle-testeed P ttorneey’s office. With mor District A Attorney’s moree than 35 judges endo endorsing orsing Colin in the rrace, ace, one A is a shoo-in would think thee deputy D DA JEROME OME BR BROCK OCK on to replace replace the retiring retiring JER tthe he FFifth ifth D District istrict bbench ench ((he he ggot ot B Brock’s rock’s But eendorsement). ndorsement). B ut i id think insiders thi k Cerul C l has h Don’t a shot based oon n “The forget R itchie EEffect,” ffect,” nnamed amed Ritchie to tip! shocking after the shock king 2008 upset sco scored ored FLY@ bbyy SSuperior uperior CCourt ourt METRONEWS. DIANE ANE RITCHIE RIT TCHIE. judge DI COM In 2008, pr prosecutors oseccutors JJAY AY BOYARSKY, BOYARSKY, LANE LANE TIM IM M PITSKER PITSKER all fell fell to R Ritchie, itchie, LLIROFF IROFF and T who was (un)kn (un)known nown ffor or representing representing disgruntled Bell But disgruntled TTaco aco B ell employees. employees. B ut another race race worth worth watching—even watching—even another though though we we know know you you won’t—that won’t—that actually features features a real real woman woman is is tthe he actually Seventh Seventh District District fight fight ttoo rreplace eplace tthe he ccrusty rusty NEAL EAL CABRINHA CABRINHA, w who ho yet well-respected well-respeccted N YNTHIA is also rretiring. etiring. EEven ven though CCYNTHIA SEVELY’s SEVELLY’s sstock tock h has as ffallen allen ssince ince hher er beloved fformer DOLORES ormerr boss D OLORES CCARR ARR got the boot ass D DA, A, she is the de ffacto acto frontrunner for for n ow—all ddespite espite hher er frontrunner now—all rep rep ffor or being a pessimistic misanthr misanthrope. ope. T TEVEN POGUE w will ill ssee ee Family Family (law) guy guuy SSTEVEN what what he he can can do do ttoo ssnag nag some some ooff SSevely’s evely’s BOB OB CA CAMORS MORS is making votes, while BO aanother nother rrun un ffor or a sseat eat aafter fter hhaving aving hhis is hhat at JULIA handed to him by JULI A ALLOGGIAMENTO ALLOGGIAMENTO iinn 22010. 010. CCamors amors hhas as eexpertise xpertise iin n hhigh igh tech after working workking in P Palo alo A Alto lto for for years, bbut ut tthis his ttime ime tthe he V Vietnam ietnam vvet et m might ight want to rresist esist wr w wrapping apping his rrésumé ésumé in an American A merican flag flag to to persuade persuade vvoters. oters. TThat hat rred, ed, white white and and blue blue shtick shtick may may work work for for politicians, but the only colors judges should be know known wn ffor or ar aree black and white.
Chip Scheuer Scheuer
8
SVNEWS
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Three Thr ee da days ayys b before effo ore last Thanksgivin Thanksgiving, ngg, tthe he 32-year-old 32-year-old S an JJose ose n ative was was San native d riving aaway way ffrom rom tthe he L ucky’s ggrocery rocery driving Lucky’s st tore on South White R o oad in east store Road S an JJose. an ose. A ulled h is ccar ar o ut o he San Ass h hee p pulled his out off tthe lo ot, L all sa ayys that thr ee men, without lot, Lall says three aapparent pparent rreason, eason, rripped ipped h im ffrom rom tthe he him driver’s d river’s sseat eat aand nd b beat eat h him im w while hile d dousing ousing h im w ith lliquor. iquor. T hey ccalled alled h im a him with They him te errorist. terrorist. A sside fr om the teeth he lost, L all, Aside from Lall, w ho iiss IIndian, ndian, aalso lso ssuffered uff ffeered a ggash ash u nder who under his h is cchin hin aand nd a b broken roken jjaw. aw. W While hile iitt h appened, p eople iin n tthe he sstore tore p arking happened, people parking lot lo ot appar apparently ently went ab about out their busin business, ness, iignoring gnoring tthe he aattack ttack aass iiff iitt w as a ttypical ypical was in nstancce of valet ser vice turned violen nt. instance service violent.
A lmost tthree hree m onths ssince ince tthe he Almost months iincident, ncident, tthe he ssecond-to-last econd-to-last o an off S San JJose’s ose’s 332 2h ate ccrimes rimes rreported eported llast ast hate yyear eear has spark keed ttwo wo w sep parate p olice sparked separate police in nveestigations. The first ccontinues ontinues o to investigations. men ssearch earch ffor or tthe he tthree hree m en ssuspected uspected of b eating L all. T he other, other, sources sources beating Lall. The cconfirmed, onfirmed, is b eing cconducted ond ducted b being byy IInternal nternal A ffaairs, tthe ff he p olice d epartment’s Affairs, police department’s w atchdo a g, which is lo ok king into claims watchdog, looking tthat hat iinvestigators nvestigators b ungled tthe he ccase asse aand nd bungled blamed b lamed tthe he ccity’s ity’s b budget udget p problems roblems ffor or their inabilit ty to find th he culprits inability the culprits.. In a mo ove that L all de escribes as move Lall describes ““damage damage ccontrol, ontrol,” p police olice h held eld a p press ress cconference onference llast ast w eek tto o rrelease elease a ssketch ketch week o ne o he ssuspects uspects aand nd aask sk ffor or tthe he off o one off tthe public’ h at ttack keers. public’ss help in finding his attackers. E leven w eeks h ad d ggone one b ince Eleven weeks had byy ssince the at ttack and L all, with h the help of attack Lall, tthe he S outh A sian nB ar A ssociation, h ad South Asian Bar Association, had successfully suc cessfully pushed the depar department tment tto om make ake tthe he ssketch ketch ggo o vviral. iral. B But ut p police olice w ere ccaught aught o ff--guard w ff hen L alll were off-guard when Lall went on the at ttack at th he pr ess eevent, vent, e attack the press sslamming lam mming tthe he d eparrtment ffor or tthe he w ay department way it handled h dl d the h ccase. aase. “It’s “It t’s kind of ob obvious bvious v th they heey know the they ey
scr ewed w up p, but the y’re the ccops, ops, and screwed up, they’re the ey’r y e ne ever e going to admit it,” L all they’re never Lall ssays, ays, n ow ssitting itting iin nh is h ome aatt tthe he b ase now his home base of the ffoothills, ooth hills, a week after the pr ess press cconference. onffeerencce. S urrounded by by h is ggirlfriend, irlfriend, a Surrounded his C hihuahua n amed L eo aand nd aan n eextensive xtensive Chihuahua named Leo ccollection ollection o ideo-game cconsoles onsoles and and off vvideo-game D VDs, the only V o eevidence vidence of an nyything DVDs, anything ccombative ombativve in i his natur all’s PS3. naturee is L Lall’s A bove tthe he ccouch ouch iiss a p icture o all aand nd Above picture off L Lall tthe he M t. P leasant H igh S chool m ock Mt. Pleasant High School mock ttrial rial tteam, eam, cclass lass o 997. Unable Unable tto ow ork off 11997. work ssince ince tthe he aattack, ttack, L all’s jjaw aw sshifts hifts a llittle ittle Lall’s due multiple tto o tthe he sside ide d ue tto o tthe he m ultiple ssurgeries urgeries he’s which having he ’s had, wh hich included ha aving v ttwo wo w titanium plates bolted face. tit anium pl lates b olted into his fac ce. do me, Lall ““If If tthey hey ccan an d o tthis his tto om e,” L all ssays, ays, aass up police well his iiff cconjuring onjuring u p tthe he p olice aass w ell aass h is breath, many aattackers ttackers iin n tthe he ssame ame b reath, ““how how m any people they other p eople do the ey do this to?” According off aactivity A ccording tto o a log log o ctivity provided police, p rovided by by p olice, tthere here aare re ttwo wo ssides ides question been to the quest tion of who has b een less investigation. ccooperative ooperativve in the in nvestigation. e police on multiple IIn n tthe he p olice aaccount, ccount, o nm ultiple occasions, o ccasions, Lall Lall took took days days to to rrespond espond messages detectives tto om essages ffrom rom d etectives sseeking eeking missed iinformation nformation aand nd also also m issed or or was was late late sketch artist. to meetingss with a sk keetch ar tist. With one’s assistance scene W iith no one ’s assist taance at the sc ene crime, Lall investigators’ of the crime e, L all also made in nveestigators’ more difficult byy d driving jjobs obs m ore d ifficult b riving a ssafe afe distance from store before dist tanc a e fr o the stor om re b effo ore ccalling alling a police having parents p olic li e and dh aving vi his hi par rents e meet him hi home him aatt h ome tto o ttake ake h im tto o tthe he eemergency mergency
“This is not appropriate for our personnel to be blaming the mayor and city council for our professional conduct—period,” says Moore. “Our officers have been told that is not an appropriate response and that message is going out loud and clear to our organization.” City Councilmember Rose Herrera, who represents the Evergreen district, says she has the utmost respect for law enforcement but has heard similar complaints from residents about police blaming bureaucracy. When she arranged a meeting with Lall after reading about the attack— another police oversight because councilmembers should be notified of hate crimes in their district—she says she was shocked at how upset he was. “I expected him to tell me about the crime, and I wanted to reassure him and put him in touch with the proper resources,” says Herrera, who is offering a $1,000 reward for information leading to the arrest of the suspects. “It turned out it was a really good thing I talked to [Independent Police Auditor] LaDoris Cordell beforehand, because I ended up calling her and telling her what he said. Over half his concerns were about the process the police used.” Lall says he called Cordell’s office three weeks ago and filed a formal complaint, which he thinks may have led to the press conference. The Independent Police Auditor’s job is to forward complaints to IA and then review the unit’s findings. Neither Cordell nor Sgt. Rick Weger, who helps oversee the IA unit, say they can confirm an investigation is underway because of privacy and personnel concerns, but Weger says the turnaround from the time the IPA’s office receives a complaint to the start of an investigation by his department usually takes just several days, meaning Lall’s file should be in the IA pipeline. If recent history is any indicator of what an IA investigation will yield, the unit is unlikely to find fault with police. Internal Affairs closed 19 neglect of duty investigations in 2010, and not a single allegation was sustained. Cordell says there have been dramatic improvements at IA, and she credits Moore for reaching out to the division. “It’s the hardest job of all police jobs because you have to sit and judge your fellow officers,” she says. “But if you don’t have integrity in your police department, you might as well hang it up and go home because you will have chaos in the streets.”
9 FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
room. The initial police report says an officer was unable to locate the crime scene in the shopping plaza. Careful not to criticize the victim, police have held their tongues for the most part. “I feel bad for the guy, I really do, because they screwed him up really good,” says Sgt. Jason Dwyer, the police spokesman. “But the things he is saying are not true or he’s spinning it in a way that makes the department look bad.” According to the police report and log of contact, though, questions arise about how timely and thoroughly the investigation has been handled. From the start of the investigation until the press conference, Lall says, police have repeatedly misstated the number of assailants as two rather than three. Investigators also didn’t attempt to retrieve video surveillance of the incident from the grocery store until nine days after the attack. Most confounding of all, a search was never conducted of Lall’s car. Lall himself discovered the tequila bottle, wedged in the backseat of his Honda, almost three weeks after the incident. Two months have passed, and the lab has yet to send back fingerprints or any DNA evidence retrieved from the bottle. “I said, ‘My car is the scene of the crime. Don’t you want to look for evidence?” Lall recalls. “And the cop is like, ‘Nah, we already looked for everything.’ Several weeks, later we found the bottle of tequila in my car.” “I wasn’t there, you weren’t there,” says Police Chief Chris Moore. “Clearly, if we didn’t collect evidence the way we’re supposed to collect evidence, that’s on us. ... Are we perfect? No one’s perfect. At the same time, we have a very serious investigation.” What the police log excludes is how many times Lall attempted to reach the lead detective on the case, Michael Villanueva, as well as the curious fact that the incident wasn’t listed as a hate crime from the start. Lall says he lost count of how many times he called police for details on how the case was progressing, and says that Villanueva and other department officials answering phones sounded apathetic. “After talking to the detective, it was like ‘budget cuts, budget cuts, thank your mayor,’” Lall says. “It was almost like he was saying, ‘You’re alive, just be thankful for that.’” The police chief says that Lall’s allegation of officers blaming the city’s budget cutbacks for their work, if true, is unacceptable.
10
TECHNOLOGY & CULTURE IN SILICON VALLEY
BY BRENDAN NYSTEDT & ROD BASTANMEHR
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
web: www.sv411.com twitter: sv411
the European Telecommunications Standards Institute, among others..
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Apple Shares Climb Above $500 Shares of techno-titan Apple hit a record-breaking company high of more than $500 per share on the morning of Feb. 13. The company’s worth was spurred by the first-quarter earnings report that came close to 20 percent. At the close of Monday’s trading, Apple was going for $502.60 a share, with a high on the day of $503.83. While other companies do cost more per share (Google and Priceline, for starters), this is a major moment for a company that managed to turn a 4.2 percent decline in October–December into a 4.4. percent gain by February. In total, Apple’s stock has risen 22 percent this year, compared to the more modest 12 percent of most technology companies in the Standard & Poor’s 500 Index. “It reminds us all of the amazing transformation of Apple over the past eight years,” investor Timothy Ghriskey told Bloomberg, even going so far as to expect the stock to hit $600 in the not-too-distant future. “It’s still an inexpensive stock for a company that is executing at the very highest level and continues of innovate.” (RB)
Whitman Capital Caught for Insider Trading Menlo Park-based Whitman Capital allegedly used illegal information to make more than $900,000 on stocks from Marvell Technology, Polycom and Google. Doug Whitman, the founder of his eponymous hedge fund firm, has been accused of getting insider info from two sources, paying cash once and exchanging a valuable tip on the second occasion. Whitman pled not guilty to the charges in Manhattan, and was released on a $1.5 million bond. One of the sources he allegedly got information from has already admitted to divulging information to the co-founder of another hedge fund firm. Whitman’s legal team insists that he got the information through legitimate means like research and market analysis. Unfortunately, Roomy Khan, one of the sources of information Whitman used, was simultaneously working for the government in an insider trading probe. (BN)
Don’t Worry, Google Will Fairly License Motorola Patents Google, in a letter to standards organizations, has stressed that they will be wielding the huge cache of Motorola Mobility’s patents in a “fair and reasonable” way and not as a superweapon. Bloomberg had scooped the content of said letter before it had been sent to
Because Motorola has been in the mobile device space for a while compared to newcomers like Apple, Samsung and HTC, it’s been speculated that Google will use the patents to defend Android licensors from Apple’s attacks. Former Apple CEO Steve Jobs famously told his biographer that he wanted to wage “thermonuclear war” against Google for what he felt were ideas rippedoff from the iPhone. Still, Apple and Google haven’t butted heads as they’re maintaining an image of civility but it hasn’t kept Apple from attacking Samsung over Android phones. Google, with patents in hand, will likely start backing up the battles of besieged Android-licensing companies. But that doesn’t mean that they don’t want others to start ponying up to license their portfolio of patents. Could this cold war come to an end if Apple and Google reach a cross-licensing agreement or is Apple resolved to make Google pay? (BN)
Tesla’s Model X Crossover a Strange Beast In preparation for its production in 2013, Tesla’s crossover vehicle has finally been unveiled to the public. At first glance, the vehicle is a pretty straightforward baby SUV—a tall, brawny, jellybean-shaped hatchback. But open the doors, and the SUV shows how weird it truly is. The second-row of doors open upward, similar to gull-wing doors on such iconic cars as the Mercedes-Benz 300SL coupe and, of course, the Delorean DMC-12. Tesla’s marketing has dubbed the doors “falcon wings” because of the hinge in the middle. This design allows the rear doors to open with less side clearance than a conventional door design. Also, it scores x1000 cool points. Based on the work Tesla’s accomplished on its Model S sedan,
11 FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
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the Model X, in some configurations, will throw in an extra motor to drive the front wheels, giving this car proper, symmetrical all-wheeldrive. Standard models will have rear-wheel-drive, like the Model S. Tesla’s done a good job adding a family resemblance, too. The Model X, despite its meatier exterior, retains the swoopy design language of their more classic sedan. Pricing has been announced as starting at $49,900, with government tax credit. The Model X will be manufactured at Fremont’s NUMMI plant per Tesla’s partnership with Toyota. (BN)
Alibaba Works to Buy Stock Back From Yahoo! With the future uncertain for Yahoo, Alibaba Holdings is working furiously
to take control of the search company’s shares, even going so far as to suspend all public trading of its stock in Hong Kong in order to facilitate the deal. Yahoo owns 40 percent of Alibaba. If the deal goes through as it is speculated to, Yahoo would let go of its stakes in Alibaba, Yahoo Japan and Japanese mobile phone company SoftBank. The Alibaba deal is going to give Yahoo a windfall of $3 billion alone, but take into consideration the other holdings and that number skyrockets. Yahoo could gain a one-time payoff of around $17 billion by divesting all its Asian stocks. Alibaba previously wanted to buy all of Yahoo, but is this move strategic or a sign of no faith in the future of one of the original dotcom darlings? Yahoo, with $17 billion, could easily pivot a bit to reposition itself in a hitherto unforeseen way to keep the company relevant for years to come. (BN)
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SanJoseInside.com An iinside nside look at San Jose politics
Opponents Pr O Press esss EEthics thics CComplaint omplaint A Against Mayor THE $ THE $250 250 million million question: question: Did Did Mayor M ayor C Chuck huck R Reed eed aand nd o other ther ccity ity officials offi fficials knowingly lie about about the worst-case w orst-case sscenario cenario ffor or S San an JJose’s ose’s pension p ension crisis? omplaint that An ethics ccomplaint included in ncluded almost 8 800 00 cit city ty emplo employee oyee ee ssignatures ignatures w as tturned urned iinto nto the the was E lections C ommission llast ast week. week. T he Elections Commission The ccomplaint omplaint sstates tates tthat hat R Reed, eed, D Director irector o off R eetirement Ser vices R ussell Crosby u Crosb by and Retirement Services Russell fformer o ormer city cit ty actuar actuaryy Michael Mo Moehle ehlle k nowingly used used false false information information to to knowingly b o olster the ma ayor’ o s push to declar bolster mayor’s declaree afi fiscal scall eemergency, mergency, w which hich m may ay h have ave aalso lso h ad aan n ad dverse eeffect ffeect o ff np ension had adverse on pension rreform efo ef orm negotiations negotiations.. C hristopher P latten, an an attorney attorney Christopher Platten, ffor o the fir or firefighters efighters union Local Local 230 230, 0, filed fi led tthe he ccomplaint omplaint a d day ay aafter fter N NBC BC B ay A rea rreported eported tthat hat C rosby an nd Bay Area Crosby and R eed h ad d eexaggerated xaggerated tthe he p ension Reed had pension ccrisis risis b hrowing o ut aan n ar rbitrarry byy tthrowing out arbitrary nu umberr—$650 — million—as a worst tnumber—$650 worstccase ase sscenario cenarrio ffor or tthe he ccity’s ity’s u unfunded nfunded lia abilitty to retirees. retirees. Cr osb by w aas the first fi liability Crosby was p erson tto ou se the the number number o 650 person use off $ $650 million, Feb. 2011 m illion, aatt a F eb. 114, 4, 2 011 meeting, meeting, and and an tthe he ttelevision elevision sstation tation says says he he flippantly flippan ntly ccame a ame up with it off the top of his head. h number was That numb er w as then repeated repeated many m any ttimes imes over over b byy R Reed eed aand nd o other ther ccity ity o officials, fficialls, w who ho h have ave sstated tated tthat hat rretirement etirement ccosts osts w ill rrise ise to to $ 400 will $400 m million b al yyear ear 2015–16 and byy fisc fiscal ““could could jjump” ump” to to $650 $650 million. million. That That ccaveat aveat m ight prove prove tto ob mportan ant might bee iimportant any defense omplaaint. in n an ny def fense e against the ccomplaint. In an inter interview view with San Jose Jose In nside, Mayor Maayor R eeed def feended the Inside, Reed defended worst-case w worst -case sc scenario enario pr projection. ojection. “It’s “It ’s not an arbitrary arbitrary number; number; it’s i ’s it a rreasonably eassonab bly good good ballpark ballpark number number off w o what hat ccould ould happen hap ppen if if we we ignore ignore the problem, th he pr oblem,” he said. “I do know what mee iiss that w hat [[Crosby] Crosby] ssaid aiid tto om that $650 $650 m million is not the worst -case sc enaario. worst-case scenario. Itt ccould ould be be higher than that.” Despite D espite an n iinternal nternal email email that that Crosby discontinue use off C rosby ssent ent tto od iscontinue the the u se o $6 650 million as a worst-case worstt- case scenario, scenaario, $650
mayor no one him tthe he m ayor ssaid aid n oo ne eever ver ttold old h im to stop using the num mber. number. ““Well, Well, iit’s t’s ggood ood tto o ssee ee [[the the m ayor] mayor] ggot ot h his is m memory emory b back, ack, b because ecause tthat’s hat’s the not what he said on th he rreport eport ..., . . .,” said JJim im U Unland, nland, president presiident of the Police Officers Association. hee P olice Offi cers A ssociation. ““Now Now h hee n never was rrecalls ecalls tthat hat h ever w as ttold. old. II’m ’m not buying But his n ot b uying iit. t. B ut I’m I’m glad glad d to to see see h is cured. amnesia is cur ed.” David Vossbrink, Da avvid V ossbrink, o thee city’s cittyy’s director, downplayed ccommunications ommunications d irector, d ownplayed tthe he N NBC BC rreport, eport, ssaying aying h hee w was aass iin n the rroom oom with Cr Crosby osb by when NBC NBC’s ’s in investigative nveestigativve reporter, reporter, JJenna enna Susk Susko, o, inter viewed Cr osb by on JJan. an. 24. interviewed Crosby ““It’s It’s sso o eembarrassing mbarrassing tto ob bee iin n tthe he ne ws business if that qualifies qu ualifies as news, news,” news V ossbrink said. “The on o nly numb ers that Vossbrink only numbers w ere u sed ffor or b udget p urposes an nd were used budget purposes and m aking d ecisions for for sservice ervice levels levels aand nd making decisions sstaffing taffing llevels, evels, w ere tthe he $ 400 m illion were $400 million pr ojected ccosts. osts. W n’t ’ do pr ojected projected Wee don don’t projected ccosts osts ffor or o st affing decisio ons.” staffing decisions. H dded: ““When When tthe he rreporter eporter Hee ad added: m et w ith R ussell C rosby, iitt w as cclear lear met with Russell Crosby, was to me that she had he er stor her storyy in mind. The tone w as mor rosecutorial was moree pr prosecutorial rather than fact -findin ng.” fact-finding. Cit ty Manager Debra Debra F igone put City Figone o ut a m emo tthe he d ay aft aafter fter tthe he N BC out memo day NBC rreport eport aaired ired d isputing tthe he ac ccuracy o disputing accuracy off the inf fo ormation. information. T om S aggau, a p olitical consultant consultan nt Tom Saggau, political with the fir efighters union u and firefighters others unions tthree hree o thers u nions rrepresenting epresenting
CUBESOULS CUBE SO ULL S
man management nagement aand nd ssupervisors upervisors aass w well ell disputed aass eengineers ngineers aand nd aarchitects, rchitects, d isputed the cit city’s y’s si side ide of the story. story. on bee d dishing ““If If I was was o n ttheir heir sside ide II’d ’d b ishing bull, well, Saggau tthis his b ull, aass w ell,” S aggau u ssaid, aid, ““but but were tthe he ffact act is is they they w ere stupid stupid enough enough to say saay this in email.” What rresolution e esolution ccan an ccome ome from from aan n eethics thics ccomplaint omplaint is is unclear unclear aatt tthis his point, negotiations p oint, but but Unland Unland said said n egotiations aree sure ar sure to o be be hampered. hampered. wheree we go now now, “I have haave no n idea wher w,” hee ssaid. don’t know h aid. ““II d on’t k now how how to to go go back b acck to to tthe he membership membership when when the the trust has b been een br broken oken lik likee this this..”
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FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.com | metr metroactive.com oactive.com
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
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SILICON ALLEYS
Jazz Brush MILES, A HEAD Bruni’s portrait of Miles Davis captures the jazz great’s intensity.
Bruni’s paintings, created around midnight, plumb the creative souls of jazz players By GARY SINGH
W
HEN I search for the eyes of Miles Davis, a Bruni painting is among the likenesses that emerge. At least in Google, that is. And when I slither into 1171 Lincoln Ave. in Willow Glen, his eyes appear slightly to the right of the entrance, as I cross the threshold. They stare back at me, in a small cordoned-off area that Bruni has dedicated to the iconoclastic jazzman of mystery. To You Miles the wall says, in more ways than one. Originally from Sao Paolo, Brazil, Bruni has created a catalog
of jazz paintings that reached epic proportions decades ago, but her new space in Willow Glen will celebrate its one-year anniversary this Saturday, complete with vino from the Thomas Fogarty Winery and music by Tim Volpicella. She refers to him as “Tommy.” Before the current location, Bruni set up shop in Campbell for 11 years, and before that, Los Gatos landlords allowed her to stay for 19 years. The Lincoln Avenue compound features an incalculable amount of paintings on the walls. Every jazz legend I can think of surrounds me as I contemplate the scene. After I experience the Miles Davis subdivision in the right front corner, I look left towards the shrine to Einstein. A Mother Teresa Chapel occupies the middle of the gallery, to the right.
Piles of binders, each one containing images of sold paintings, sit on a table. There are also paintings of Picasso, Sinatra and the famous Brazilian Formula 1 driver Ayrton Senna. A small statement on the table says: “Great art doesn’t have to match the sofa.” Aside from painting some of the greatest jazz people, Bruni can weave tales about meeting just about everyone. The stories flow. She initially attended gigs up and down the Bay Area, sketching musicians from her spot in the audience. Her career grew from there. Not only has she painted more than 1,400 portraits, but she’s also spoken to many of her subjects in person. “I’m pretty lucky,” Bruni says. “I’ve met some of the greatest human beings that walked the Earth.” Bruni famously paints only at nighttime. She begins at midnight and works through the wee hours, while the Willow Glenites are busy sleeping. Her subjects, the jazzmen and
women of legend, were often conflicted characters exhibiting both a dark side and light side. Even though many of them suffered greatly, Bruni says they always conveyed a sense of humor. “In the jazz world, I’ve never come across a dark spirit,” she says. “It doesn’t matter how many drugs they’ve done, it doesn’t matter how much they did themselves in. It wasn’t through being dark, it was through being in pain. The most that I do is I acquire their pain for maybe a couple of days, and it stays with me. Basically, I’m kind of a channel in a way, which is why nighttime helps too. I feel their pain, I feel what they went through, I become them. It’s like method acting.” In this way, her process of painting these individuals becomes a spiritual exploration, however you attempt to elaborate such a concept. The way I see it, the energy of the musician is the painting is the process is the experience and the entire encounter. There is no separation, no dividing line between performer and audience, between the painter and the subject. “Psychically, I can feel everything that’s going on,” says Bruni. “Especially if it’s an entity that suffered a lot, I’ll be crying when I’m painting—Charlie Parker, Billie Holiday, Bill Evans. Almost all of the jazz greats were people that were kicked in the teeth.” Best of all, Bruni’s compound in the heart of Willow Glen is where this all goes down. It’s like a secret vortex of creativity amid the genteel conformist landscape. One can only guess how her career will evolve from here. “My ambition is to be able to have all of the greats painted before I die,” she declares. “Just this year, there’s so many people who’ve passed—Etta James, Johnny Otis—I’m behind, there’s so many others I haven’t done. I have a list and I’d like to catch up with that list someday. The plan is to just paint them all.”
Bruni Gallery Anniversary Saturday; 6–10pm
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I8E;FE GC8JK< I8E;FE GC8JK<I `j k\cc`e^ d\ <I `j k\cc`e^ d\ k_\ jkfip f] _`j aflie\p kf :Xg\ k_\ jkfip f] _`j aflie\p kf :Xg\ I\`e^X# n_`Z_# `e k_\ _Xq\ f] `e`k`Xc I\`e^X# ^ # n_`Z_## `e ` k_\ _Xq\ f] `e`k`X Xc `ekif[lZk`fej# j\\dj c`b\ k_\ efe `ekif[lZk`fej # j\\dj c`b\ k_\ efe j\hl`kli kf \e[ Xcc efe j\hl`klij% 9lk Xj k_\ j\hl` `kli kf \e[ Xcc efe j\hl`klij j % 9lk Xj k_\ jkfip le]fc[j# `k k\ccj d\ \m\ipk_`e^ @ e\\[ kf jkfip p le]fc[j# `k k\ccj d\ \ \m\ipk_`e^ @ e\\[ kf befn XYflk k_\ g\ijfe j`kk`e^ `e ]ifek f] d\ befn n XYflk k_\ g\ijfe j`kk`e^ j `e ]ifek f] d\ d Xe[ k_\ m\ip gifa\Zk k_Xk dXb\j _`d nfik_ Xe[ k m\ip gifa\Zk k_X k_\ Xk dXb\j _`d nfik_ _ j`kk`e^ [fne n`k_% 8Yflk k_\ jfik f] g\ijfe j`kk`e e^ [fne n`k_% 8Yfl lk k_\ jfik f] g\ijfe e fe\ _Xj kf Y\ n_\e \dYXib`e^ fe jfd\k_`e^ fe\ _Xj kf _ _Xj kf Y\ Y\ n_\e n_\e \dY YXib`e^ fe fe jfd\k_`e e^ Y`^^\i k_Xe k_\dj\cm\j% Y`^^\ \i k_Xe k_\dj\cm\j% He sp sports o ts a quintessential je or jewfro wfro (though whether or not he is JJewish ewish I ccouldn’t ouldn’t tell you, you, b because ecause it is rude to ask su such uch things). He or orders ders a vanilla la latte. attte t .W Wee sit down outside outside.. I ask him h if it it’s ’s true that he he’s ’s going tto o tthe he m moon, oon, aand nd h hee ccan’t an’t q quite uite an answer nswer iimmediately, mmediately, be because cau use h he’s e’s seen a hu hummingbird ummingbird b behind ehind me me,, and honestly wher wheree do does es one go after that that?? Dressed Dr esseed in a w warm arm black fleec fleecee and light light-washed t-washed jeans jeans,, with enough tears ar around o ound his flip-flop-adorned flip -flop -adorned ankles to o let yyou ou know that he has indeed b been een wearing the jeans ffor o or a while,, Brandon while Brrandon is is,, at that moment, a most si singular ingular figur figure, e, if not an unexpected une xpected one one,, with whom to assess an and nd digest the ne next xt giant leap in spac spacee exploration. exploration. And he he’s ’s sit sitting ttting heree telli her telling ing me a stor storyy that b begins egins with a 45 45-pound 5-pound backpack and will end with h ccologne, ologne, a car car crash and a ffork ork in th o the he rroad. oad.
Att 22,, Brandon Plaster find A findss himself par partt of a pr project oject that ccould, ould,, in n theor theory, y, rredefine edefine h how ow w wee vview iew n not ot o only nly llunar unarr rresearch esearch an and nd sspace pacce ttravel ravel b but ut aalso lso tthe he entir entiree cconcept oncept of go government-funded veernmentt--funded vs. vs. p privately rivately fi financed nan nced p projects. rojects. W With ith rrecent ecent ttalk alk o off llunar unar ccolonization olonization fl flooding ooding tthe he R Republican epublican p primary rimary season, seasson, tthe he m moon oon ssuddenly uddenly sseems eems tto o matter mat ttter again. A And nd w where here tthe he b buttoned-up uttoned-up H Houston ouston ccontrol ontrol eengineer ngineer o off yesteryear, yester e year, with his black black-framed, k--fram med,, hornrimmed glasses and p pocket ocket pr protector otector firmly fi rmly iin np place, lacce, p pulled ulled o off ff o one ne o off tthe he ggreatest reatest h human uman ac accomplishments ccomplishments off tthe o he 2 20th 0th ccentury, enturyy, tthe he n next ext ggreat reat American hero may look nothing likee Americ an her o ma ay lo ok noth hing lik theyy ma may bee ena enamored them. In fact,, the ay b amored byy a h hummingbird. They may b ummingbird. T hey m ay jjust ust look like lo ok lik ke Brandon. successful, If suc cessful, Brandon and his bee rrevitalizing ccohorts ohorts wouldn’t wouldn’t just b eviitalizing America’s theyy Americ a’’s lunar rrelationship; elationship;; the
makee the dr dream ccould ould also help mak m eam energy of clean ener gy aan n actual rreality. eality. Theyy ccould about The ould finallyy bring ab out the eons-touted seemingly eons-to outed cconcept oncept of flights ccommercial ommercial flight ts to the nether space. rregions egions of spac e. And A in doing so makee Ame America ccould ould mak erica a dominant presence spacee eexploration pr esence in spac xploration and innovation—again. inno vation—agaiin. But ffor now, o or now w, there th here is a hummingbird me,, and that, hummingbir d behind behind e me apparently, some crazyy shit. appar entlyy, is som me truly craz The ccompany ompan ny that t Brandon finds (or,, mo more himself in (or ore accurately, accuratelyy, that Moon Express, ffound ound Brandon) is Mo o on Expr ess, currently Mountain View curr ently tl located l cated lo t d in i M Mount tain i V iiew but due to move move to a new new location location in Silicon Valley byy the end of this Silicon V alle a yb spring 2012. MoonEx, Mo onEx,, as it is i often ccalled, alled, is currently one of 26 ccompanies ompan nies curr ently vying Google Lunar to win the Go oglle L unar X PRIZE (GLXP) ccompetition. ompetittion. (Seven (Seven have haave withdrawn sincee the ccompetition’s withdra aw wn sinc ompetition’s announcement 2007.) announc ement in n 20 07.) organized byy the X The GLXP is or rganized b sponsored PRIZE ffoundation o oundatio d ion and d sp onsored d byy Go Google, b ogle, and ccarries a arries with it secondary a sec ondary moniker—“Moon mon niker—“Moon speaks 2.0”—which sp eaaks vvolumes olumes about about both participants the intention of b oth its par ticipants project. and the pr oject. The ccompetition ompetitio on itself ccomes omes with specific set Teams a fairly sp ecific se et of rules: T eeams theyy ar aree the win $20 million if i the moon first to land a rrobot ob bot on the mo on have travel 500 and ha ave it tra avell 50 0 meters and dataa and high-definition transmit dat d highdefinition Earth. images back to E arth. Second-place teams Sec ond-place te eams win $5 million, have and all teams ha ave the chance chance to prizes byy completing win additional pr rizes b completing
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Mountain View’s Moon Express is a new breed of space explorers. They are sending a craft to the moon because they think they can do it. BY ROD BASTANMEHR
MOON EXPRESS CEO BOB RICHARDS
FEBRUARY 15-21 | metrosiliconvalley.com | sanjose.com | met metroactive.com troactive.com
Moon
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SPACE SP ACE CODEBOYS CODE BOYS
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Dave Lepori
K?< JK8I F= K?< J?FN K ?< JK8 I F= K?< J?FN K_`j K_`j j`e^c\ d\kXcc`Z \ek`kp `j n_Xk Xcc k_\ k`d\# j`e^c\ d\kXcc`Z \ekk`kp `j n_Xk Xcc k_\ k`d\# dfe\p dfe\p Xe[ kXcb jliifle[`e^ k_\ ]lkli\ f] jgXZ\ kiXm\c Zflc[ _`e^\ fe% Xe[ kXcb jliiifle[`e^ k_\ ]lkli\ f] jgXZ\ kiiXm\c Zflc[ _`e^\ fe%
Ph: (408) 916.4644
ttasks asks b beyond eyond the ccompetition’s om mpetition’s equirements—ttasks such basic rrequirements—tasks as photo photographing graphing the har hardware dware rremains emains of prior Ap olllo missions Apollo and other man-made objects curr ently rresiding esiding on the mo on, or currently moon, sur viving a lunar nigh ht. surviving night. The ccontest ontest will aaward ward $1 million to teams that displa ay purp oseful display purposeful ethnic div diversity, ersity, and an a additional $2 million to teams th that hat launch the mission fr from om the st state ate of Florida. incentives givee eevery startup These inc entives giv very st artup chancee to nab a ccool team a chanc ool $30 million illi if it i meets the he ccompetition’s ompetition i i ’s deadline.. 2015 deadline “I just ha haven’t aven’t seen a hummingbir hummingbird d long.. And it it’s right byy yyou now, in so long ’s rig ght b ou now w, right b behind ehind yyou.” ou.” journeyy st started The journe arted d ffor o or Brandon was student when he w as a studen nt at the University U niversity of R Rochester. ochester. His chanc chancee Open Scenes knowledge of the Op e Sc en enes Graph softw software are nabb nabbed e him a ed NASA summer internship with w NAS A at the L Langley angley R Research eesearch c C Center enter in V Virginia. iirginia. NASAThe internship led to o a NAS Aprompted p rompted iiPhone Phone aapp-making pp-making ccontest, ontest,, which he won won, n,, which led to an internship sp spot ot at Ames A R Research eesearch C enter iin nM ountain V iew. IItt w as aatt Center Mountain View. was A MES tthat hat B randon w ould fi rst be gin AMES Brandon would first begin
to work with w the mo on in mind. moon bassic idea of the summer “The basic pr ogram w as to mak on program was makee a mo moon rrover over thatt went along with this landing ssystem y ystem that NAS A was was NASA working to owards a while ago towards ago,, that the ped working on and w as theyy stopp stopped was eeventually ventuallyy ttaken aken over over b byy a private ccompany,” ompany,” he eexplains. xplains. After Pr resident Obama a’s hefty President Obama’s cut to the 2011 fiscal-year fiscal-year budget left NAS A all but out of the mo on NASA moon eexploration xploratio on business business,, the intention w as alw ays y for for o the private sector to was always ccome ome in i ffu ull ll fforce o orce and d pick i k up the h full slack left b ehind b ormer o fathers of behind byy fformer inno vation n. innovation. Still,, eeven ven e Brandon w asn’t entir ely wasn’t entirely cconfident onfident that the seemingly rregular egular ffolks olks o (whi (which ch is to sa say, ay, an anyone yone who isn ’t, quitee literally, literallyy, a rocket rocket scientist) isn’t, would b ything on bee able to craft an anything Apollo. par with Ap A ollo. “We “W We wer were re just de developing veloping this rover project, was rover ffor or o that t pr oject, and that w as honestly it it.” t.” hummingbird gone.. The hum mmingbird is gone “It ne never occurred me,, nor verr o ccurred to me anyone els se on the pr oject, that it anyone else project, make moon.” would ma ake it to the mo on.” n has a tendency to end Brandon up in situations never situaations he ne ver rreally eally anticipated. anticipated.
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Moon Express arrived on Aug. 17. “We had this demo for this company, and it was the first time I’d ever heard of them,” Brandon says. “And they loved [the rover], and what we were doing with it, with the project.” Within two days, they had come to us and offered every member of the project a job.” Brandon is one of around 20 employees currently stationed at Moon Express, and one of many science-crazed dreamers the company shipped from the East Coast and beyond to a post-bubbleburst Silicon Valley. Brandon was thrown into the infamous Blackbox Mansion in Atherton, which, aside from “that one garage that Apple started in,” can often be the birthplace of radical new ideas. It’s the kind of sprawling, quasi-suburban turf that Hugh Hefner might have created had his interests been more tailored to the self-made men of the startup generation, as opposed to scantily clad bunnies. The house is filled with other similarly big-picture-minded youngsters. Here, the belief is that the geek shall inherit the earth. “It wasn’t the best financial offer,” Brandon says of Moon Express, “but, I mean, I couldn’t believe it. The idea is that by 2013 we’re sending something to the moon. How do
you say no to that?” Bob Richards would have been the man to say no to. The Canadian-born space entrepreneur has been orbiting a company like Moon Express for some time, having founded and served as CEO of Odyssey Moon Limited, a commercial lunar enterprise that was also the first team to join the Google Lunar X PRIZE as an official competitor. In 1986, Richards was one of the co-founders of the International Space University in France, as well as the Singularity University in 2008. For Richards, looking forward is a simple matter of looking upward. “The health of our home planet and the survival of our species will only be secured through the use of space resources and the expansion of Earth’s economic sphere to the moon and beyond,” says Richards, speaking like a true big-picture thinker, which is just another way of saying he sounds like a walking press release. But the nature of the big picture is, as Newt Gingrich likes to put it, the grandiose, so when Richards says that “creating an off-Earth economy and multi-planet civilization will safeguard the long-term prospects of humanity,” he isn’t trying to downplay what’s at stake. What Richards is doing is aiding in the not-so-silent shift that the space industry has seen take place in the last five years. While murmurings of a commercial and private form of space travel have circulated for years now, never before have we seen such a massive shift to the privatization of aerospace itself. Never before has the future of space travel depended so much on the work being done by the private sector—which was always viewed in the past as a Plan B, as a possibility, as an “if it should come to that.” Bob Richards, Brandon Plaster and the entire Moon Express operation stand at the forefront of this change. And the fear, of course, is that nothing is more dangerous than the unexpected, and trying to get somewhere far away often proves more dangerous than one can predict.
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Around 7am, Brandon jets out his first hitchhiker’s thumb. By noon, he is halfway to Cape Reinga. At around 1pm, Brandon stretches his thumb out again. A small, black four-door sedan pulls up next to him; behind its ominously tinted windows sit two teenagers, smirking, and Brandon recalls the car with such astute detail (“yellow cigarette butts and empty DB beer cans carpeting the floor, wires hanging from the dash”) that even without saying it, I can almost recall the sting of instinct that must have reared its head. Against better judgment, and perhaps due to an unquenchable thirst for adventure and frenzy, he gets in, thinking, this car must be stolen. “It’s our uncle’s car; we’re just using it while he’s in prison.”
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Kf _Xm\ 9iXe[fe k\cc `k# XYflk k_\ Kf _Xm\ 9iXe[fe k\cc `k# XYflk k_\ dfd\ek k_Xk k_\ ZXi jb`ik\[ f]] f] d fd\ek k_Xk k_\ ZXi jb`ik\[ f]] f]] k_\ dX`e ifX[ Xe[ fekf k_\ Y\XZ_# k_\ dX`e ifX[ Xe[ fe ekf k_\ Y\XZ_# dXb`e^ *-'$[\^i\\ jkXk`feXip d Xb`e^ *-'$[\^i\\ jkXk`feXip kliej `e k_\ jXe[# XZZ\c\iXk`e^ kliej `e k_\ jXe[# XZZ\c\iXk`e^ XZifjj k_\ [le\j Xk ( XZifjj k_\ [le\j Xk ('' d`c\j g\i ('' d`c\j g\i _fli# `j kf _\Xi X jkfip XYflk ]Xi$ _fli i## `j kf _\Xi X jkfiip XYflk ]Xi$ f f]] [\jk`eXk`fej Xe[ k_\ jkiXe^\ ]] [\jk`eXk`fej Xe[ k_\ jkiXe^\ Zflij\j fe\ f]k\e kXb\j kf ^\k k_\i\% Zflij\j fe\ f]k\e kXb b\j kf ^\k k_\i\% @e ef k`d\# k_\ ZXi n @e ef k`d\# k_\ ZXi nflc[ Y\ nflc[ Y\ YXZb fe X ifX[# k_`j fe\ dfi\ YXZb fe X ifX[# k_`j fe\ dfi\ XYXe[fe\[ k_Xe k_\ cXjkÆÇK_\i\ XYXe[fe\[ k_Xe k_\ \ cXjkÆÇK_\i\ nfeÊk Y\ Xepfe\ fe k_`j ifX[ ]fi nfe Êk Y\ Xepfe\ fe k_`j ifX[ ]fi d`c\jÈÆ`e X ]fi\jk dfi\ fd`eflj d`c\jÈÆ`e X ]fi\jk d dfi\ fd`eflj k_Xe k_\ fe\ Y\]fi\ `k% k_Xe k_\ fe\ Y\]fi\ `k% Theree ar aree underst understandable Th Ther d tan ndable d bl qualms l rregarding egarding the ccommercialization ommerrcialization of anything. almost an ything. The biggest ffear, eear, perhaps, monopoly. p erhaps, is the risk of a monop olyy. Money, to,, ccan things.. Mone y, as it tends to an buy things money, tends to,, ccan A lot of mone y, as it te ends to an things.. buy a lot of things The idea of a ccommercial omm mercial
enterprise rretaining etaining eexclusive xclusive large rights to as a lar ge a “product” “product” as the moon one,, and is mo on is a worrisome one invariably in variably in the back of the aaverage verage person’s p erson’s mind m when the question arises. dictate of risk aris ses. Who is to dict ate the amount off ccontrol ontrol these private would have weree to (as entities wo ould ha ave if we wer already have) become we alr eadyy seem to ha ave) b ecome dependent ccompletely ompletelyy dep endent on them? always worry ““There There iiss al lways tthe he w orry aabout bout monopolization, mean, m onopolization, aand nd I m ean, yyes, es, I worry Brandon w orry aabout bout tthat, hat,” B randon ssays. ays. ““But But whether orr n not w hether o ot II’m ’m tthat hat cconcerned oncerned about now may bee b because ab bout iitt rright ight n ow m ay b ecau use there. me,, right now now, I’m not th here. And to me w, only way we’re iitt sseems eems llike ike tthe he o nly w ay w e’re ggoing oing So are wee w willing tto o gget et tthere. here. S o ar re w illing tto o rrisk isk happening tthat hat h ap ppening ffor or tthe he aability bility tto o eeven ven place?” go in the first fi plac e?” Getting theree seems to b bee just Get ting ther beginning. Current the b eginn ning. Curr ent sideshow presidential hopeful Newt and GOP pr p esidential hop eful N ewt speech Gingrich made m a sp eech on JJan. an. 25 25 rregarding egarding his plans ffor o or setting setting a permanent moon, p ermanen nt ccolony olony on the mo on,
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The car halts; the driver turns to Brandon, telling him to get out and check the car tire. Brandon refuses point blank, first because his expertise regarding car maintenance is lacking, but eventually because growing tension has made the situation increasingly dangerous—though it would seem not dangerous enough to make the sane decision of getting out. The driver turns to the other passenger, smirks and looks back at Brandon. “I don’t think you understand. This is your stop.” For Moon Express, the Google Lunar X PRIZE is the jumping-off point for a large-scale plan of action that will take the company far beyond the competition’s 2015 deadline. MoonEx sees the moon not just as a grandiose political statement or a fledgling symbol of faded Americana but also as an untapped resource with the ability to fundamentally drive innovation forward—namely the push for clean energy. “One of our biggest limitations for having clean energy is that there is only 30 kilograms of helium 3 on Earth,” Vergalla says. “The moon has a lot of it, and that would be able to facilitate all of this research on clean energy. And suddenly, clean energy pockets start
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FEBRUARY 15-21 | metrosiliconvalley.com | sanjose.com | metroactive.com
Dave Lepori
even going so far as to frame the moon as a potential future U.S. territory. His seriousness regarding the plan is of course burdened by context: He announced his intentions in the same breath as his claim to embrace grandiose ideas as a definitive and distinct characteristic of his potential presidency; he also made the announcement in Florida, the state with the largest investment in the future of space exploration—and, conveniently, a major early state on the Republican primary schedule. For Gingrich, the moon is the logical next step, and could even fall in line with the Northwest Ordinance, which dictates that once 13,000 people reside in a region, it could legally be petitioned as a state. A permanent colony on the moon would allow for just that, and suddenly Hawaii wouldn’t feel so distant. Of course (and perhaps, as expected), Gingrich, who calls
himself a historian, appears to have misstated the number of lunar colonists required for a space-based outpost to apply for statehood: the reality is that the number is 20,000 for self-government in the original bill, which requires the population of the nation’s least populous state— or, now, greater than Wyoming’s 563,626 people (according to the 2010 Census). “Moon Express is not really associating itself with [the Northwest Ordinance],” says Michael Vergalla, one of the company’s Projects and Aerospace Engineers. “One of the key things [we’re interested in] is Space Policy, and we plan to use the precedent laws of international waters. If you use your own personal resources to obtain something like oil, fish or minerals, they are yours—but you can’t claim the land as your land.”
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@e fi[\i kf n @e fi[\i kf n`e k_\ >ff^c\ CleXi O GI@Q< Xe[ X _\Xck_p [fj\ f] YiX^^`e^ i`^_kj n`e k_\ >ff^c\ CleXi O GI@Q< Xe[ X _\Xck_p [fj\ f] YiX^^`e e^ i`^_kj # k_\ ifm\i # k_\ ifm\i _Xj kf cXe[ jlZZ\jj$ i _Xj kf cXe e[ jlZZ\jj$ ]lccp# [i`m\ ,'' d\k\ij Xe[ j\e[ YXZb _`^_$[\Óe`k`fe g_fkfj Xe[ m`[\f ]ffkX^\ YXZb kf k_\ Dffe<o _\X[hlXik\ij% ]lccp p## [i`m\ , ,'' d\k\ij Xe[ j\e[ YXZb _`^_ _$[\Óe`k`fe g_fkfj Xe[ m`[\f ]]ffkX^\ YXZb kf k_\ Dffe<o _ _\X[hlXik\ij% popping up eeverywhere popping verywhere b because ecause the rresources esources ha have ave arriv arrived.” ed.” F For or inst instance, ancce, ther theree is not nearly enough platin platinum num on Ear Earth th ffor o or the automotivee industry automotiv in ndustry to start start cr creating eating ccars ars that run on fuel ccells ells as opposed opposed to dir dirty ty fuel and a gasoline gasoline,, which has been b een a k key ey fa facet acet pr preventing eventing the clean energy ener gy mo movement vem ment fr from om entering the mainstr eam. mainstream. A db And eyon nd d natural t l rresources, esources, the th beyond rreality eality is thatt the minerals needed to mak d eam of a sust ainable makee the dr dream sustainable futur ealiity ar futuree a rreality aree often lost in mess olitical a stalemates stalemates and b outs messyy p political bouts nationalisttic dialo gue. of nationalistic dialogue. was tthe he ccase ase just this past Such was yyear ear when Ch hina blo cked Japan Japan off China blocked fr om rreceiving eceivin ng the ccountry’s ountry’s export export from of rar ital minerals raree and vi vital minerals,, used in h ybrid ccars, ars, wind w turbines hybrid turbines,, guided missiles i il and d an aany ny advancements advanc d ements made in rreusable eusable ener gy. energy. V eergalla sa ayys that eevery very last Vergalla says mineral we ccould ould eever ver need is aavailable vvailable in mass m up on the mo on, moon, just w aiting to t b waiting bee mined. “Ther st no rreason eason to destr oy “Theree is ju just destroy our planet,”” he h eexplains. xplains. “We “W We can can
fig figure gure out how to go get it else elsewhere wh here an and nd ha have ave machines do it. W Wee ha have ave th the he technolo technology.” gy.” Bridging the gap b between etween natio nations ons is not just a ccoincidental oincidental end rresult esu ult w when privatized spac spacee tra travel avel kick kickss into in nto high gear gear,, but rather one of th the he man manyy pr pros os of let letting ting the priva private ate se sector ector join the game game.. Americ a’’s nost algia-ridden histo ory America’s nostalgia-ridden history with the with th mo on—first fi t visited i it d d duri iing moon—first during th he height of V iietnam, during a the Vietnam, ti me of outcries fr om an emer gin ng time from emerging ccounterculture o ounter culture and a rampant di isillusionment with go vernmen nt— disillusionment government— ha as plac ed the mo on in a curiouss has placed moon ccontext. o xt. When we arriv onte ed, the arrived, w vidence to thee world seemed,, all eevidence ccontrary o ontrar y notwithstanding, notwithstanding, to ha ave have m moment arily stopp ed. momentarily stopped. The mo on landing b ecame the moon became w ld’s first world’ fi global l b lb br oadc d ast and d world’s broadcast br rought with it b ombastic ne w brought bombastic new pa atriotism. Y eet the mission w as patriotism. Yet was pr rompted lar gely (if not entir ely)) b prompted largely entirely) byy th he Soviet-led Soviet-led spac e, meaningg the spacee rac race, th hat while it w as “one giant leap that was ffor o or mankind,”” it didn ’t hur i didn’t hurtt that it so olidified Americ a’s title as a leadi ing solidified America’s leading
superpower, and ccontinued superpower, onttinued the seemingly endless gam game me of p political olitical alpha-dogism. alphadogism. “The privatization of o spac spacee tra travel avel will lib liberate erate the huma human an sp species ecies fr from om the ar artificial tificial tribal boundaries bou undaries that governments go vernments ar aree in th the he business of maintaining,” maintaining,” Richa Richards ards asser asserts, ts, settling settling ccomfortably omffo ortably back b in pr press ess release mo de. release mode. “B oming “Bec i a multiw ltiworld ld sp ecies i “Becoming multiworld species ally a hu uman is fundament fundamentally human undertaking, and an tempts to undertaking, anyy at attempts impose national fr onttiers off the impose frontiers Earth will not sur vive long .” Earth survive long.” As seemingly “Mani iffeest Destin y”As “Manifest Destiny”or o thee sp ecies, ish as it sounds ffor species, Richar ds’’ vie w is long-term Richards’ view long-term unification, br eaking up u the idea unification, breaking “progress” as a nation-by-nation natio on-by--nation of “progress” or Ric chards, it ’s plan of action. F For Richards, it’s ll or nothing hi , and d the he p ower off all nothing, power d fr ee-market private enterprise and free-market commerce will be be the driving fforce o orce commerce for o all major inno vation. for innovation. “Nationalism is just less imp ortant important in a private vventure,” enture,” said s Eleanor Crane, Mo on Expr ess’’ GNC softw are Crane, Moon Express’ software engineer. engineer.
“As a U.S. U.S S. company, company, we still have haave “As to abide b byy all the U U.S. .S. policies, policies, on ntrol inf fo ormation and which ccontrol information technolo technologies g that ccould gies ould b bee used to weap pons ssystems. ystems. This also build weapons covers covers a lo lot ot of spac spacee technologies, technologies, so nationalit esent. But when nationalityy is still pr present. I think of who aree and how we we’ve w we ar ’ve all b been together, it’s een brought brrought to gether, it ’s a shared shar ed passion passsion ffor o or space space exploration exploration unifying factor.” th t is that i the th mostt unif iffyying i ffactor t .” If Moon Express Moon n Expr ess has its way, way, this passion wi will farther ill eextend xtend eeven ven far ther than scope, its lunar sc cope, working with NASA NASA other to rreach each ot ther planets and, most interestingly, beginning inter estingglyy, b eginning to mine the asteroid belt. asteroid b e elt. “The belt beltt is literally filled with mineral, water, water, gold, platinum. You You o ccould ould mak make ke rrocket ocket fuel,”” V Vergalla eergalla sa says. ayys. ““Aluminum, Aluminum A m,, ir iron. on. Ev Everything erything Earth Earth h is has i ther there h re a thousand-times h d i o over ver in i the aster asteroid oiid b belt.” elt.” Brandon n sees a similar mo move ve as ine inevitable, vitable, and cconsiders onsiders that the speed sp eed ma may ay b bee exponentially exponentially faster than we ma m may ay think. “What p privatization rivatization do does es is it creates cr eates a rreason eason to go go.. It allows not just the in incredibly ncredibly imp important ortant p people eople to pr produce oduce things things.. More More people people will bee able to go b b because ecause there there will b bee a rreason eason to o go and d this hi rreason eason to go will b bee funding fun nding the abilit abilityy to go … The k key ey is not to b bee sc scared.” ared.” K_\ *' j\Z K_\ *' j\Zfe[j f] j`c\eZ\ k_Xk Zfe[j f] j`c\eZ\ k_Xk 9iXe[fe [\jZi`Y\j Xj jfd\ f] 9iXe[fe [ [\jZi`Y\j Xj jfd\ f] k_\ jZXi`\ \jk f] _`j c`]\ n\i\ k_\ jZXi`\jk f] _`j c`]\ n\i\ \m\eklXcc cp `ek\iilgk\[ Yp X \m\eklXccp `ek\iilgk\[ Yp X jkXleZ_ i jkXleZ_ i\]ljXc kf ^\k flk f] i\]ljXc kf ^\k flk f] k_\ ZXi kf Z_\Zb k_\ k`i\# Xe[ X k_\ ZXi kf f Z_\Zb k_\ k`i\# Xe[ X k`^_k\i _fc[ fe _`j YXZbgXZb% k`^_k\i _f fc[ fe _`j YXZbgXZb% <m\eklXcc cp p## k_\ jg\cc `j Yifb\e# k_\ jg\cc `j Yifb\e <m\eklXccp# k_\ jg\cc `j Yifb\e# \p\j Y\^Xe Yc`eb`e^# k_\ dXe \p\j Y\^X Xe Yc`eb`e^# k_\ dXe `e k_\ [i`m\iÊj j\Xk cXl^_j `k `e k_\ [i` `m\iÊÊjj j\Xk cXl^_j `k f]]ÆleZfem`eZ`e^cpÆXe[ k_\ f]]ÆleZf fem`eZ`e^cpÆXe[ k_\ ZXi jkXikj lg X^X`e% 8]k\i X Zflgc\ ZXi jkXikj j lg X^X`e% 8]k\i X Zflgc\ dfi\ d`e elk\j f] [i`m`e^# k_\ dfi\ d`elk\j f] [i`m`e^# k_\ gXjj\e^\i gXjj\e^\i jl[[\ecp kliej kf i jl[[\ecp kliej kf 9iXe[fe n`k_ X Yfkkc\ f] Zfcf^e\# 9iXe[fe n n`k_ X Yfkkc\ f] Zfcf^e\# jgiXp`e^ `k `e k_\ ZXi Xe[ k_\e jgiXp`e^ `k `e k_\ ZXi Xe[ k_\e X`dj `k [` `i\Zkcp `ekf 9iXe[feÊjj X`dj `k [`i\Zkcp `ekf 9iXe[feÊj \p\j % 8 j`e e^c\ `ejk`eZklXc jcXg f] \p\j% 8 j`e^c\ `ejk`eZklXc jcXg f] k_\ k_\ _Xe[ _Xe[ _Xj k_\ Yfkkc\ Ôp`e^# _Xj k_\ Yfkkc\ Ôp`e^# k_\ _Xe[ _Xj k_\ Yfkkc\ Ôp`e^# Xe[ jffe k_\ ZXi ]fccfnj jl`k# Xe[ jffe k_\ ZXi ]fccfnj jl`k# X`iYfie\% Ther re challenges Theree ar are challenges,, as one xp pect, in hurling thr ough should eexpect, through the sk nd get ting to the mo on. skyy an and getting moon.
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San Pedro Square, Downtown San Jose
SANJOSEJAZZ.ORG a program of 408 288-7557
Ambrose Akinmusire
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FEBRUARY 15-21 | metrosiliconvalley.com | sanjose.com | metroactive.com
Dave Lepori
LUNAR DREAMS
Bob Richards is the man with the plan, serving as CEO of Moon Express, as well as founder of a competing GLXP team.
Vergalla insists that the journey is the least of MoonEx’s concerns. “Getting to the moon is not as difficult as you may think—it’s landing that’s tricky. You need to know how high you are, you need to be able to look out for rocks, and you need to be able to do that all without someone driving.” Luckily, NASA has proven quite the passenger, serving as mentors from a distance and aiding Moon Express as it works toward its steadily nearing launch date. Because NASA had a bevy of projects underway before funding was cut and the lunar missions all but permanently cancelled, Moon Express has managed to find use of all the disregarded, half-projects that almost never were. “[NASA] had a plan to go to the moon, with a lot of projects and satellites to go and support that plan. They’d collected data and everything,” Vergalla says, citing NASA’s leftovers
as a great starting point for MoonEx. “They have a lot of expertise; a lot of good standards,” Vergalla adds. “They’ve been with us for a long time, and they’ll review or comment on what we’re doing, but they won’t give us answers.” Brandon agrees: “It’s a helpful process, because at the same time Moon Express is learning, and the facilities that NASA has should be utilized.” For example, MoonEx’s partnership with NASA Ames, and aided by the Reimbursable Space Act agreement, has, according to Crane, given the company access to a fantastic test bed that NASA had built: the Hover Test Vehicle (HTV), a prototype lunar lander that has been fitted out with a propulsion system that lets it fly cleanly and safely, using thrusters fed by highpressure compressed air as opposed to rocket fuel.
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SPACE SP ACE CCODEBOYS ODEB BOYS
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Conscious C onscious inno innovations vations lik likee these Robotics Specialist ecialist lead R o obotics System Sp Krystine Kr ystine Thor Thoroughman oughmaan to b believe elieve that the U nited St atess will b United States bee at the fforefront o orefront of ccommercial omm mercial and privatized spac ojeects. spacee pr projects.
ÉÉ8 e\n Xe[ 8 e\n Xe[ [ ]fZlj\[ ]fZlj\[ ^\e\iXk`fe ^ \e\iXk`fe e j\\ gif^i\jj j\\ gif^i\ g \jj Xj Y\`e^ X j Y\`e^ ^ [\g\e[\ek fe [\g\e[\e [ ek fe k_\ nfibj f] k_\ k_\ nfibj f] k_\ Zfcc\Zk`m\# # ef Zfcc\Zk`m\# ef cfe^\i n\ ^ \`^_\[ ^ cfe^\i n\`^_\[ [fne Yp m [ Y mX^l\ [fne Yp mX^l\ efk`fej f]] efk`fej f] eXk`feXc`j `jd%Ê eXk`feXc`jd%Ê “I would lik A likee to see Americ Americaa lead ommercial spac y, and the ccommercial spacee industr industry, i man in ayys, I think hi k our ccountry ountry manyy w ways, needs to pursue thesee vventures. entures. W Wee need to figur w to cr eate figuree out how create profitable pr ofitable industries and a sust sustainable ainable jobs ant to see thee ccountry ountry jobs.. I w want united to achie achieve ve thes these se goals to today.” daay.” She eeven ven sees a lar ge-sc s ale pr oject large-scale project that ccould ould help bring ab about out b both oth the industr j ““America Americ A industryy and the jobs: a needs to build the rail railway lway into spac space.” e.” But eeven ven though Mo M Moon on Expr Express ess is aiming to help bring Americ A Americaa back to the fforefront o orefront of thee spac spacee industr industry, y, it’s it ’s the mor moree immedia immediate ate set setting tting t that sp speaks eaks most loud loudly dly ab about out not just where where the pr project ojectt is going going,, but perhaps perhaps what it mean means. ns. Its headquar headquarters ters ar aree mor moree than just a place place to get st started, arrted, mor moree than just a setting setting close to NAS N NASA. A. Silicon Silic on V Valley, alle a y, the st starting tarting point point of the tech b boom, oom, is now n helping ffoster oster a ne o new w lens with h which to vie view w a pr previously eviously go government-specific vernment-specific project. project. And this defin defining ning ssymbol ymbol of old America—the America—the mo moon oon as a grand statement st atement of hop hope, e, p possibility o ossibilit y and, perhaps, p erhaps, an o overly verly uto utopian opian vision of a brighter immedia immediate ate futur future—is e—is now b being eing rrevisited evisited th through hrough the
parameters new America. parameterrs of ne w Americ a. new A ne w entr eentrepreneurial epreneurial and individualistically individual listically ffocused ocused progress being generation n sees pr ogress as b eing dependent dependentt on the works of the collective, collective, no longer weighed down byy vague notions b n of nationalism, competition one-upmanship. competitio on and one -upmanship. Here, the valley, futuree Her e, in th he valle y, the futur involves in nvolves everyone. everyone. “History Silicon “History will show that Silic on Valley was springboard Valle a yw ass the springb oard for for o the privatization privatizati ion and industrialization spacee ne necessary of spac ecessary for fo or the longperpetuation species,” term p erp petuation of the sp ecies,” Richards Richar ds fforesees. or o esees. “This is not accident. n an ac cident. The power power and d wealth of visionaries transformed who trans fo ormed our mainframe personal world into o the p ersonal ccomputing omputing aree now working to transf transform world ar fo orm and democratize democratize the space space frontier frontier open and op en up its infinite wealth and opportunity world.”” opp ortuniity to change the world. way. “It’s Brandon n sees it a similar w ay. “It ’s have going to ha h ave an enormous impact on eeverybody. verybodyy. Even Even if there there is no immediately, gain imme ediatelyy, the cconcept oncept of happening it happ eniing is going to change eeverything.” verythingg.” For him, journeyy to F or him m, the journe Moon Express been M Mo on Exp E press has h b tl een so vastly interconnected inter conneected with a seemingly series viewing endless ser ries of eevents vents that vie wing possibility succeeding the p ossibility of actually suc ceeding simply matter is now sim mply a mat ter of faith. do “What d o yyou ou imagine it changing?”” I ask. changing? “Possibility.” “P ossibiliity.” 9iXe[fe jkXikj nXcb`e^ ]ifd k_\ 9iXe[fe j jkXikj nXcb`e^ ]ifd k_\ ^Xj jkXk`fe k_\ kilZb k_XkÊ[ glcc\[ ^Xj jkXk`f fe k_\ kilZb k_XkÊÊ[ glcc\[ k_\ ZXi flk f] k_\ [`kZ_ _X[ kXb\e k_\ ZXi fl _ lk f] k_\ [`kZ_ _X[ kXb\e ] _ [` _ _ [ b _`d kf# Xe[ `kÊj Xk XYflk +gd _`d kf f## Xe e[ `kÊÊjj Xk XYflk +gd n_\e 9iXe[fe Xe[ _`j YXZbgXZb n_\e 9iX Xe[fe Xe[ _`j YXZbgXZb Xi`m\ Xk X jgc`k `e k_\ ifX[% K_\ Xi`m\ Xk X X jgc`k `e k_\ ifX[% K_\ i`^_k gXk_ c\X[j kf X ZXdgj`k\ i`^_k gXk_ _ c\X[j kf X ZXdgj`k\ aljk k_i\\ d`c\j [fne# n_\i\ aljk k_i\\ \ d`c\j [fne# n_\i\ 9iXe[fe Zflc[ j\kkc\ ]fi k_\ 9iXe[fe Z Zflc[ j\kkc\ ]fi k_\ e`^_k% K_\ c\]k gXk_ c\X[j kf :Xdg e`^_k% K_\ \ c\]k gXk_ c\X[j kf :Xdg I\`e^X# n_`Z_ nXj jk`cc Xefk_\i I \`e^X# n n_`Z_ nXj jk`cc Xefk_\i +' d`c\j f]]% N_`Z_ nXj jk`cc +' d`c\j f f]]]%% N_`Z_ nXj jk`cc k_\ gf`ek Xk n_`Z_ k_\ KXjdXe k_\ gf`ek k Xk n_`Z_ k_\ K KX XjdXe J\X Xe[ k_\ GXZ`ÓZ FZ\Xe d\\k% J\X Xe[ k_ _\ GXZ`ÓZ FZ\Xe d\\k% N_`Z_ nXj jk`cc k_\ efik_\iedfjk N_`Z_ nX Xj jk`cc k_\ efik_\iedfjk k`g f] E\n Q\XcXe[ n`k_ fecp k`g f] E E\ \n n Q\XcXe[ n`k_ fecp knf nXpj f] ^\kk`e^ k_\i\1 X knf nXpj j f] ^\kk`e^ k_\i\1 X Ylj fi jfd\k_`e^ \cj\% 8j n`k_ Ylj fi jfd d\k_`e^ \cj\% 8j n`k_ dfjk k_`e^j# 9iXe[fe Z_ffj\j dfjk k_`e e^jj## 9iXe[fe Z_ffj\j k_\ cfZXk`fe _`^_\jk lg# ]Xik_\jk k_\ cfZXk` `fe _`^_\jk lg g## ]Xik_\jk XnXp Xe[ n`k_ k_\ Y\jk m`\n% XnXp Xe[ [ n`k_ k_\ Y\jk m`\n n%
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FRAME SALE
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What’s happening in Santa Cruz County this week It’s vets vs. newbies when Santa Cruz Derby Girls are pit against each other in an all-out brawl on wheels.
FRIDAY 2/17
Lyrics Born Bay Area rapper Tom Shimura has been making music under the moniker Lyrics Born ever since his college days at UC Davis. An early freestyle session at the college radio station KDVS grew into the first single recorded on SoleSides Records, a collaborative venture with MC Gift of Gab, Chief Xcel (the two would later become Blackalicious), DJ Shadow and Lateef the Truthspeaker. In 2003 Lyrics Born delivered his most complete and most commercially successful album, Later That Day, along with his first-charted
single, “Callin’ Out.” Since then, Lyrics Born has kept busy with a number of collaborations that have kept him touring an average of 150 days a year. Moe’s Alley; $15 adv/ $20 door; 9pm.
FRIDAY 2/17
Heartbreaker Possibly the best Led Zeppelin tribute band in the world comes to Felton for a night of rock & roll revelry. Heartbreaker prides itself on having the most talented musicians, the most authentic sound replication and the most accurate stage show in the business, and its members are dedicated musicians who have
been working in original and tribute projects for decades. For fans of the Zep, Heartbreaker provides the closest thing to seeing the band perform live in their heyday. Don Quixote’s; $18 adv/ $20 door; 8pm.
SATURDAY 2/18
Santa Cruz Derby Girls 2012 Season Opener Rookies will team up with vets for a season opening scrum pitting Santa Cruz Derby Girls against their own. Saturday, Feb. 18, 5:45pm at the Santa Cruz Civic Auditorium, 307 Church St., Santa Cruz.
SUNDAY 2/19
Tommy Castro Tommy Castro earned the moniker “the most dangerous man in blues” when he did something unheard of at the 2010 Blues Music Awards—he swept the ceremony’s most prestigious categories, taking home four “Handys:” Entertainer of the Year, Contemporary Blues Artist of the Year, Blues Album of the Year and Band of the Year. An unprecedented feat, but that’s not to say it was a surprise. Castro, as his longtime fans already knew, is a master practitioner of that particular alchemy that turns the blues into gold. Moe’s Alley; $20 adv/$25 door; 8pm.
Adrian Cruz, Brad Briske & Gema Cruz
www.gabriellacafe.com
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GUIDE TO SANTA CRUZ COUNTY
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SVDINING
MENU ENU MEME Suddenly, everybody seems to be serving Brussels sprouts with bacon.
The secret to cooking Brussels sprouts is as simple as remembering to slice them in half By
ARI LEVAUX
B
RUSSELS SPROUTS with bacon is hardly a new idea, but the combination has taken off lately. The pair has become a menu meme, a darling of online recipe searches and food TV. Given the recent spike in all things bacon, I suppose this was inevitable. But the pairing has gotten popular enough to necessitate a reminder that it’s possible to eat Brussels sprouts without bacon as well. Those green brassica balls go effortlessly and deliciously, for example, in that most vegetarian of dishes: the leafy salad. However one likes to prepare sprouts, the fundamentals remain the same. And the foundation of most successful Brussels sprout dishes is that the sprouts are cut in half. Cutting Brussels sprouts in half
multiplies the ratio of surface area to volume, which is key when it comes to holding sauce. The many layers of tightly wrapped leaves exposed by a halved Brussels sprout can hold a surprising amount of flavoring. This is crucial, because Brussels sprouts have a strong flavor of their own, and the more sauce you can balance against it the better. If the sprout is not sliced at least once, the ratio of surface area to volume is not at all conducive to holding sauce. Additionally, the tightly wrapped leaves form an almost impermeable barrier that repels sauce or dressing like water off a freshly waxed car. The sauce has no access to the sphere’s inner folds and can only wait helplessly on the sidelines while a flavor foul is committed in your mouth. Raw Brussels sprouts are too strong for most palates, so they generally need to be cooked before being tossed in a greasy pan or a salad bowl. My two favorite ways of cooking Brussels sprouts are roasting and steaming. Roasting gives them a weathered taste and feel. The dry heat cultivates
flavor as the outer leaves develop a extra flavor brown crisp. Steaming sprouts preserves a certain clean, bright innocence in them, the better to deflower with bacon grease, ranch dressing, or a light mix of olive oil, salt and vinegar. Growing Brussels sprouts is a grind. They take a long time to mature and don’t produce much poundage per plant. That’s why they’re expensive and why each sprout should be groomed like the treasure it is. Trim the cut end at the bottom of each sprout to create a new, nonbrowned end and pull off the outer leaf or two if they’re brown, yellow, dirty, shriveled or otherwise tainted. What remains are densely packed layers of green and pregreen yellow. In the oven, I roast my cut sprouts at 350, sprinkled with olive oil and tossed with carrot coins or slices of winter squash. Stir often and cook for about half an hour, or until the first signs of browning. Steamed, they only need 5 to 10 minutes, depending on the sprouts’ thickness, until they soften all the way through but retain the rich green glow of spring grass. If you plan to fry Brussels sprouts in bacon grease, a quick steaming is way less trouble. For salad, the rough, rich flavors of roasted Brussels sprouts add bold contrast to the leafy greens.
31 FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
Sprout Abouts
If cooking Brussels sprouts with other vegetables, just make sure everything is cut to a size that allows it to cook at the same rate as the Brussels sprouts. Both carrots and squash cut to Brussels sprout size will take about the same time or a few minutes longer. To accompany Brussels sprouts in a salad, I go for sturdy greens like romaine lettuce or endive, and a dressing of equal parts olive oil, cider vinegar and soy sauce. Some or all of the cider vinegar can be replaced by balsamic. One snazzy way to liven up a winter salad is with seasonal fruit. Even if you don’t live anywhere near the citrus orchards of Florida, Arizona or California, yyou can eat seasonally, if not locally, in winter. Chunks of orange or grapefruit wi add nice acidic sweetness to a Brussels ad sprouts salad, as do pomegranate seeds. spr And about that bacon vinaigrette. Any salad can be made omnivore-friendly sal by preparing the Brussels sprouts with bacon prior to adding them to the salad. ba Start by chopping the bacon and putting it in a pan, perhaps with a little pu olive oil if the bacon isn’t super-fatty. oli While it’s cooking you can also add other red meats like beef or venison and let it all brown together. When the bacon is crispy to your liking, add some minced or mashed garlic and stir it in really well. As soon as you smell the garlic, which should be just about immediately, add the pre-cooked sprouts, along with any other veggies you may have cooked them with. Stir quickly and deglaze with a shot of bourbon if you have it, and turn off the heat—all within about a minute of when you first added the garlic. That bourbon shot is a secret trick, by the way. From hunting camp. Share it wisely. Season with black pepper and hot sauce, and add the above dressing of vinegar, soy sauce and olive oil. Toss the sprouts to maximize their uptake of dressing. Add the meaty, greasy sprouts to your salad, or pop them straight in your mouth. After hanging on their stalks like bare knuckles in farm fields through late autumn, Brussels sprouts can be stored all through the winter under proper conditions, waiting to offer a refreshing bolt of green when you need it most. If more people knew how to cook these tight wads of bitter leaves, maybe Brussels sprouts wouldn’t be such a symbol of vegetable-hating. And remember, with Brussels sprouts, good cooking starts with slicing and sauce.
M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 1 5 -2 1 , 2 0 1 2 | M E T R O S I L I C O N VA L L E Y
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SVDINING
More dining coverage
Our selective list of area restaurants includes those that have been favorably reviewed in print by Metro food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro. Updates from vigilant readers and listed restaurateurs are heartily encouraged; please submit via email to sholbrook@metronews.com.
Palo Alto ¿book online at paloalto.net
BISTRO ELAN California French. $$$. The only problem with the menu is that it’s all tempting. Using seasonal produce, the chef allows flavors to speak for themselves. Wine, beer. 11:30am-1:30pm Tue-Fri, 5:309:30pm Tue-Sat. 448 California Ave. 650.327.0284.
BISTRO MAXINE Cafe. $$. Bistro Maxine is a bright, friendly little spot, a coffee shop and creperie rolled into one. If you’re lucky, you’ll snag one of the five indoor or two outdoor tables while perusing the long but straightforward menu. 8am-2pm 6-10pm Tue-Fri, 9am-4pm Sun. 548 Ramona St. 650.323.1815. BUCA DI BEPPO Nondesigner Italian-American. $$. Like a Sicilian Christmas carnival in the ’50s, this party spot blends clutter, joy, high spirits and, oh yes, huge portions. 11am-10pm Sun-Thu, 11am-11pm Fri-Sat. 643 Emerson St. 650.329.0665. CAFE BRIOCHE Southern French. $$. Mediterranean magic: exceptional cuisine on oversize plates is whisked to tables as soon as it’s created. Breakfast 9-11am, lunch 11am-3pm, dinner 5:30-9:30pm Mon-Fri; brunch 9am-3pm, dinner 5:30-10pm Sat-Sun. 445 California Ave. 650.326.8640. CAFFE RIACE Trattoria. $$. An absolute joy. Every dish is made with honest expertise— no tricky trendiness here. The homey offerings are based on wholesome Italian staples. Beer, wine. 11:30am2:30pm Mon-Fri, 5-10pm Mon-Sun. 200 Sheridan Ave. 650.328.0407.
CALAFIA CAFE AND MARKET A GO-GO Eclectic. $$. Calafia Cafe and Market A Go-Go combines elements of the fast-food world and the laborintensive slow cooking of more-high-end restaurants. Chef and owner Charlie Ayers (who was Google’s first chef) calls his concept “slow food fast”—good-to-eat and goodfor-you food that he hopes will appeal to Silicon Valley’s frenetic, too-busy-to-eat pace of life. Look for good burgers, pizza, salads and fresh fish. 11am-9pm Mon-Fri, 9am-9pm Sat-Sun. 858 El Camino Real. 650.322.9200.
COUPA CAFE Venezuelan. $$. Venezuela is best known for its oil production and resilient populist president; Coupa shines attention on the country’s premium coffee and chocolate. The beautiful storefront also serves excellent arepas, white corn griddle cakes stuffed with various fillings. 7am-11pm daily. 538 Ramona St. 650.322.6872. EMPIRE GRILL & TAP ROOM California grill. $$. Waiters with charm to spare, an energetic clientele and a menu packed with grilled, roasted and smoked intensity make Empire Grill much more than simply a smart place to sip a cosmopolitan. Full bar. Tue-Sun 11:30am-10pm. 651 Emerson St. 650.321.3030.
EVVIA Contemporary Aegean. $$$. Forward flavors and plenty of laughter—that’s Dionysian dining. Evvia feels like a little taverna on Paros, only with an unmistakable Bay Area sophistication. Full bar. 420 Emerson St. 650.326.0983.
FUKI SUSHI Japanese. $$$. For over two decades this superb Japanese restaurant has served sushi to Nobel laureates and other grateful foodies.
SANJOSE.COM
¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages
Open daily. 4119 El Camino Real. 11:30am-10pm Tue-Sun. 650.494.9383. www.fukisushi.com.
GORDON BIERSCH New American. $$$. Food takes equal billing with ambience and fine handmade beers at the first in this group of successful brewpubs. The menu is so fine-tuned, though, it could thrive even without a brewery attached. Beer, wine. 11:30am-10pm daily. 640 Emerson St. 650.323.7723. Also 33 E. San Fernando St, San Jose. 408.294.6785.
GREEN ELEPHANT GOURMET Burmese. $$. Burmese food draws influences from its three largest neighbors: China, India and Thailand. Standouts here include the coconut chicken soup, tangy tea leaf salad and refreshing glass noodle salad. Lunch 11am2:30pm, dinner 4:30-9pm daily. 3950 Middlefield Rd (Charleston Shopping Center). 650.494.7391.
GYROS GYROS Mediterranean. $. The lunch crowd turns out in force to grapple with the oversize, and messy, lamb and beef gyros, chicken gyros and other treats. That’s especially true on sunny afternoons, when the sidewalk tables fill with folks downing the juicy sandwiches. 11am-11pm daily. 498 University Ave. 650.327.0107.
LA BODEGUITA DEL MEDIO Cuban/California. $$$. Themed after a vintage Havana haunt of Ernest Hemingway’s, this zesty restaurant serves lively Cubaninfluenced cuisine along with liquid staples like rum and mojitos in a handsome, casual
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LIVE FEED
KEEPING IT REAL Chef Bradley Ogden is filming his new cooking show in San Jose.
Odgen in the House
C
HEF AND restaurateur Bradley Ogden has set up shop in San Jose to film a new television series that he will begin shopping to networks for broadcast.
The show is called Real Food With Chef Bradley Ogden. Ogden moved into a house in the Evergreen neighborhood in southeast San Jose that he’s using as both a residence and a set. Earlier this month, he shot the first episode, which included a Super Bowl watching party at his house. Ogden said he moved to San Jose to be closer to investor and Facebook co-founder Chris Kelly. The show is still evolving, but Ogden said it will be an unscripted “community-to-table,” experiential cooking show with his son, Bryan Ogden, who is also a chef. He likens it more to the cinema verité–style of Anthony Bourdain’s No Reservations than a straight-up cooking show a la Rachael Ray. “Everything about it excites me,” Ogden said, adding that it’s been a project in the works for the past 25 years of his career. Ogden was executive chef at San Francisco’s Campton Place Hotel before opening his first restaurant, the Lark Creek Inn, in 1989. His Lark Creek Restaurant Group went on to open One Market in San Francisco, Yankee Pier in Santa Row and elsewhere, Bradley Ogden at Caesars Palace in Las Vegas and Parcel 104 in Santa Clara. Given the surfeit of chef TV shows, director and executive producer Lee Abbot says what make the show different is it’s about “the community of people that are brought together by a love of real food, from fishermen to artisans to grandmothers, and how Bradley pulls it all together.” In addition to the TV show, Ogden is launching the Bradley Ogden Restaurant Group and is considering opening a “one-off ” restaurant as part of the show, possibly somewhere in the Bay Area.—Stett Holbrook
atmosphere. Full bar. Lunch 11:30am-2pm Mon-Fri; dinner 5:30-9:30pm Mon-Thu, 5:3010pm Fri-Sat. 463 S.California Ave. 650.326.7762.
LAVANDA Mediterranean. $$$. This urban grill at the top of University Avenue offers eclectic,
small tasting plates, along with heartier fare such as roasted sea bass with chanterelle mushrooms and guinea fowl with sautéed chard. 11:30am2:30pm Mon-Sun, 5-10pm Mon-Thu, 5-11pm Fri-Sat, 5-9pm Sun. 185 University (at Emerson). 650.321.3514.
MANTRA French, American and Indian. $$$. Mantra serves inventive French and American food that speaks with an Indian accent. It isn’t fusion, but a more subtle blend of surprisingly compatible flavors and
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Twitter.com/SVDining
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escape the ordinary
_Zkf^k l fZkd^m & [hnmbjn^l & `Zee^kb^l & ]bgbg` & [^Znmr & ikh_^llbhgZe l^kob\^l Jackson & Taylor Streets between 1st & 7th, San Jose - japantownsanjose.org
SVDINING techniques. Lunch 11:30am2:30pm Tue-Fri, dinner 5-10pm Sun-Thu and 5:30-10:30pm Fri-Sat. 632-636 Emerson St. 650.322.3500.
MAYFIELD BAKERY AND CAFE American. $$$. With its simple but handsome décor, open kitchen fronted by a long counter and tidy stacks of split almond logs tucked against the wall for the great-smelling wood-burning oven, Mayfield Bakery and Cafe presents updated versions of seasonally driven Mediterranean and American classics—big, bold, rustic flavors and simple preparations that aim to let locally grown ingredients speak for themselves without any undue manipulation or pretence. You know the stuff: Niman Ranch burgers, spitroasted meats, frisée salads with crumbled bacon and a poached egg on top, pizzas, grilled fish, crusty, fresh bread and hearty, satisfying desserts. 8am-4pm and 5-9pm MonFri; 9am-4pm and 5-9pm Sat-Sun. 855 El Camino Real. 650.853.9200.
OSTERIA Italian. $$. Authentic Italian cooking done by skilled chefs from Italy. Be sure to make a reservation, or you’ll be lucky to put a single foot through the door. Beer, wine. 11:30am-2pm Mon-Fri, 5-10pm Mon-Sat. 247 Hamilton St. 650.328.5700.
PAMPAS Brazilian steakhouse. $$$. Pampas is a meat lover’s haven. The $44 rodizio service gets you unlimited spitroasted meat. The sprawling side bar offers one of the most extensive selections of vegetarian options you’ll find in a nonvegetarian restaurant. Lunch 11:30am-2:30pm Mon-Fri, dinner 5:30-9:30pm Mon-Thu, 5-10:30pm Fri-Sat and 5-9pm Sun. 529 Alma St. 650.327.1323. QUATTRO RESTAURANT AND BAR Italian. $$$$. Quattro Restaurant and Bar brings high-style, impeccably sourced Italian cuisine to the South Bay, an area that has about as many great Italian restaurants as it does snow days. Breakfast 6:30-11am Mon-Sun, lunch 11:30am-2:30pm Mon-Sat and dinner 5:30-10pm Mon-
Sun. 2050 University Ave. 650.470.2889.
REPOSADO Mexican. $$$. Reposado offers modern, refined Mexican food served in a lively setting. The restaurant is easily one of Palo Alto’s most striking. The soaring, exposed beam ceilings make the dining room feel at once industrial and inviting because of the warm colors, wood accents and dramatic light fixtures. There’s a beautiful bar and cozy booth seating on one side and spacious table and banquette seating on the other. Great selection of tequila. 11:30am-10pm MonThu, 11:30am-11pm Fri-Sat and 11:30am-9pm Sun. 236 Hamilton Ave. 650.833.3151. RESTAURANT SOLEIL New American. $$$$. A mouthwatering menu and an elegant, golden-hued room shine together at Soleil, upstairs in the Westin Palo Alto. Local ingredients and provocative sauces create dishes worthy of the wine list. Breakfast 6am-11am, Dinner 510:30pm. 675 El Camino Real. 650.321.4422.
ST. MICHAEL’S ALLEY New California. $$$. Reservations are a must at this smart bistro, whose menu includes inventive potato, meat and seafood dishes that tilt toward New American cookery. Beer, wine. 11:30am-2pm Tue-Fri, 5:30-9:30pm Tue-Sat; brunch 10am-2pm Sat-Sun. 806 Emerson St. 650.326.2530.
SANJOSE.COM
motifs from India, China and Thailand, the food of Singapore is anything but timid. The menu at Straits is lavish and diverse. Full bar. 11:30-2pm Mon-Fri, 5:309:30pm Sun-Thu, 5-10pm Fri-Sat. 3295 El Camino Real. 650.494.7168.
TAMARINE New Vietnamese. $$$. A mesmerizing back bar of natural bamboo and glass sleekly adjoins a wall showcasing original artwork. Even the waitstaff is sleek, clad in Prada black. Entrees are gorgeous and deeply aromatic. 546 University Ave. 650.325.8500.
THREE SEASONS Modern Vietnamese. $$$. Much of the menu is familiar, but the food at Three Seasons scores because of its superior execution and light touch. A cool, two-level dining room dominated by a striking circular stained-glass ceiling and an ornate wooden bar that serves great cocktails help set Three Seasons apart, too. Lunch 11:30am-2pm Mon-Fri; dinner 5:30-10pm Sun-Thu and 5:30-11pm Fri-Sat. 518 Bryant St. 650.838.0353. TRADER VIC’S PolynesianAmerican. $$$. A jungle gym of tiki gods—but a classy jungle. Sip a mai tai in the lounge before embarking on a dinner trip from pork spareribs to boat-fresh seared suki tuna to a Calcutta curry. 4-6pm daily happy hour. Dinner at 5pm Mon-Sat and 4:30 Sun. 4261 El Camino Real. 650.849.9800.
SHOKOLAAT. Modern European. $$. Shokolaat’s open kitchen and pastry display counter are as gleaming and clean as a laboratory, a fitting setting for the restaurant’s technically precise, modern European cooking. Counter open 8am-9pm (to-go only 4-9pm); lunch 11:30am-2pm Tue-Sun, dinner 5:30-10:30pm Tue-Sun. 516 University Ave. 650.289.0719.
VERO Italian. $$. Vero aims to offer truly authentic Italian food. The Palo Alto restaurant has had to make a few nods to American tastes but it mainly succeeds with its simple but satisfying food that’s a refreshing break from the same old pasta and pizza. 11:30am-2pm Tue-Fri, 5:3010pm Mon-Sat. 530 Bryant St. 650.325.8376.
SPALTI RISTORANTE Italian.
VINO LOCALE Italian bistro.
$$. Along with a handsome interior, Spalti offers good wine and sparkling flavors. Beer, wine. 11am-2pm MonFri, 5-9:30pm Mon-Sun. 417 California Ave. 650.327.9390.
$$. This restaurant focuses on locally produced Santa Cruz Mountains wines and small plates of food sourced from local purveyors and growers. On Thursdays, if you can guess all the varietals in your flight of wine, it’s free. 11am-9pm daily. 431 Kipling St. 650.328.0450.
STRAITS CAFE Singapore exotica. $$. Blending culinary
35 M E T R O S I L I C O N VA L L E Y | F E B R UA R Y 1 5 -2 1 , 2 0 1 2 | SA N J O S E . C O M | M E T R OAC T I V E . C O M
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CHOICES BY:
metroactive
Aaron Carnes Beau Dowling Michael S. Gant Steve Palopoli Richard von Busack
SCOTT H. BIRAM
GHOST TOWN HANGMEN lys alyst Catalyst. e Ca to the ead ore heading before mit wski imitation best Bukowski hiss be oes h does R BIRAM H B OTT H. SCOTT S SC
*thu
FUTURE OF POP Studio 8, San Jose Thu – 10pm; $20 after 11pm It’s not easy to predict the next big thing in the music world, but it helps if you hedge your bets. That’s what the organizers of “Future of Pop” have done by bringing together a broad range of acts to their bill. For sure, at least one of these performers has to represent a sound just waiting to hit it big. Headlining is Calicove, the rap-rock duo based out of the South Bay and featuring the hard-partying Travis Lindsley (a.k.a. Authentic) and DJ Williams Jr. (Amazin). Also scheduled are Oakland rapper
Jayleez, who performs with a full band and mixes the sounds of NorCal and SoCal hip-hop, rockers FOS, pop band Sim Style, the League and KOH. (SP)
*fri
GHOST TOWN HANGMEN Blank Club; San Jose Fri – 9pm; $8 Not every punkabilly band sounds like those gender-bending lunatics, the Cramps. Santa Cruz’s Ghost Town Hangmen for instance, may be scoring opening spots for the wild and raunchy Reverend Horton Heat and the Chop Tops, but their influences
range a bit wider. Clearly, they’ve been listening to the Beatles, and their swinging rockabilly beats pay more obvious homage to the classic ’50s-era grooves. Even when the heavy distortion kicks in, the energy is much mellower than that of, say, Mojo Nixon. (AC)
NEHAL ABUELATA
A G HO S ST T TOWN HAN GMEN sh s ow loom ms at the Blan k on F Frid da ay.
& Wanted. Over time, they changed their name to the more democratic Sweet HayaH (the latter being the Arabic word for “life). They just released their first EP this month. Abuelata will be playing solo, however, at this show—sort of. She’ll join Troy Curtis and Duke Hearts. (SP)
ANTIOXIDANTS
Caffe Frascati, San Jose Fri – 9pm; free
Nickel City, San Jose Fri – 6:30pm; $6
In 2011, Egyptian-born, Sunnyvalebased singer/songwriter Nehal Abuelata met guitarist Devin Moreno, bassist Aaron Marquez and drummer Josh Gardner. Their musical chemistry developed quickly with songs like “Let Me Be Your Prozac” and “Blues and Decay,” and they began performing as Nehal and the Lost
The Antioxidants are bringing back the ’90s melodic-punk sound—Green Day mixed with Fat Wreck Chords. The emphasis is less on speed and more on a midtempo standard beat with an alternative rock feel and a little bit of ska. Speaking of Green Day, lead singer/guitarist Dylan Gutierrez does his best Billy Joe
but is arguably a better singer. Their ethic is completely DIY, and if you don’t have enough money to buy one of their shirts, they will gladly spray paint their logo on the shirt you’re wearing. Also performing are With Every Story Told, Daily City Symphony and INFM. (BD)
*sat
SOUTH BAY DUB MASSIVE Johnny V’s, San Jose Sat – 9pm; $5 South Bay Dub Massive is back at Johnny V’s with dubstep, glitch and underground hip-hop all night long. Dubstep may be a little less
* concerts
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BIG TIME RUSH
CHUCHO VALDÉS Feb 19 at 7pm, Dinkelspiel, Stanford
NEHAL ABUELATA
MEGADETH Feb 23 at 6:30pm, SJSU Event Center
ST. MICHAEL TRIO Feb. 26 at 3pm, Montalvo Arts Center
TOTEM, CIRQUE DU SOLEIL Opens Mar 2, downtown San Jose
ANGÉLIQUE KIDJO Mar 3 at 8pm, Dinkelspiel, Stanford
LIONHEART Mar 4 at 2:30pm, Dinkelspiel, Stanford
SAN JOSE JAZZ WINTER FEST Mar 9–11, San Pedro Square area, San Jose
DRAKE Mar 10 at 8pm, SJSU Event Center
RICARDO ARJONA Mar 14 at 8pm, HP Pavilion
BLAKE SHELTON Mar 16 at HP Pavilion
LADY ANTEBELLUM Mar 23 at 7pm, HP Pavilion
KELLY CLARKSON Mar 27 at 8pm, SJSU Event Center
LUCHA LIBRE Mar 30 at 8pm, HP Pavilion
day.
forms at Caffe Frascati Fri
LATA per Sunnyvale’s NEHAL ABUE
ETIENNE CHARLES QUINTET Apr 4 at 8pm, Campbell Recital Hall, Stanford
KYLE EASTWOOD BAND underground than it used to be, as more mainstream pop artists are incorporating elements of their sounds. Still, there is a world of difference between, for instance, Britney’s “Freakshow”—with its imitative wobbly bass, percussive pauses and abrasive soundscapes—and legit dubstep. DJ Whores headlines SBDM on Saturday, bringing grooves a little more laid-back than the genre typically champions. Opener Gurthmax, though, will play some loud, aggressive, abrasive dance music. (AC)
PURPLE HAZE Club Fox, Redwood City Sat – 7pm; $12 So many treasures from Jimi Hendrix’s short career keep arriving (especially a great Live at
Winterland set from Sony Legacy), that the guitar great seems almost omnipresent, even some 42 years after his untimely passing. Ralph Woodson keeps the wah-wah pedal pumping onstage with a tribute band called, appropriately, Purple Haze. Not just sounding like his idol, Woodson has Hendrix’s psychedelic look down pat, even unto the scarf ties around the bicep. The only difference: Woodson is right-handed. (MSG)
SEABRIGHT Nickel City, San Jose Sat – 6pm; $6 Justin Morales’ one-man ambient project is chill without being boring, fusing the confessional style of a singer/songwriter to a bright electronic soundscape. Morales doesn’t need eight
minutes to build a mood; some of his headiest grooves slip by in barely 120 seconds. He plays this show with the Bellafonte, La Montagne, Vulture Smile and Animal Super Species. (SP)
*tue SCOTT H. BIRAM The Catalyst, Santa Cruz Tue – 8:30pm; $8/$12 Austin-based “dirty old oneman-band” Scott H. Biram once recorded an album once called Lo-Fi Mojo. That sums up his sound in a few words. As he snaps the strings of his ’59 Gibson, there’s a ghost of Johnny Cash
in production, and of Waylon Jennings in the vocals. Ultimately, though, Biram is one of the last Texas bluesmen. A former punk rocker who headed deeper into roots music, Biram is famous for his successful attempt to knock some sense into an 18-wheeler. While recuperating, he recorded the “Rehabilitation Blues” EP showing his car-crash-ravaged self on the cover. (RvB)
Apr 6 at 8pm, HP Pavilion
PHILIP GLASS Apr 7 at 8pm, Montalvo Arts Center
RADIOHEAD Apr 11 at 7:30pm, HP Pavilion
RISE AGAINST Apr 17 at 7pm, SJSU Event Center
BRUCE SPRINGSTEEN Apr 24 at 8pm, HP Pavilion
COLDPLAY Apr 27-28 at 7pm, HP Pavilion
VAN HALEN Jun 5 at HP Pavilion
NICKELBACK Jun 18 at HP Pavilion
MAYHEM FESTIVAL Jul 1, Shoreline
MADONNA Oct 6 at 8pm, HP Pavilion
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
Feb 19 at 7pm, SJSU Event Center
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
metroactive ARTS
*stage Opera
DIE FLEDERMAUS Presented by Mission City Opera. Sat, 8pm. $25/$35. Mission City Center for the Performing Arts, Santa Clara.
DON GIOVANNI David Cox directs Mozart for West Bay Opera. Feb 17 and 25, 8pm, Feb 19 and 26, 2pm. $52 and up. Lucie Stern Theatre, Palo Alto.
LA TRAVIATA Verdi’s famous work interpreted by Opera San Jose. Feb 16, 18, 21 and 24 at 8pm; Feb 19 and 26 at 3pm. $51-$101. California Theatre, San Jose.
Theater APHRODISIAC A drama about a politician and his missing aide. Written by Rob Handel and presented by City Lights. Runs thru Feb 19. Thu-Sat, 8pm, Sun, 2pm. $25-$35. City Lights, San Jose.
ART Two friends get into an argument over a piece of art that turns into something deeper. A Northside Theatre Company presentation. Runs thru Mar 4. Thu-Sat, 8pm, Sun, 3pm. $15/$20. Northside Theatre, San Jose.
BECOMING BRITNEY A musical (of course) about the ups and downs of the pop star’s career. Runs thru Mar 11. Fri-Sat, 8pm, Sun, 2pm, $33-$44. Retro Dome, San Jose.
BURIED CHILD The Stage tackles Sam Shepard’s play about a farming family coming apart at the seams. Runs Feb 15- Mar 11. Wed-Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2pm. $15-$40. The Stage, San Jose.
CROSSING DELANCEY Susan Sandler’s play tells the story of a woman who wants to move into Manhattan’s literary scene. Presented by Tabard Theatre. Runs thru Feb 19. ThuFri, 8pm, Sat, 3 and 8pm, Sun, 2pm. $15-$35. Theatre on San Pedro Square.
DOUBT, A PARABLE At a Catholic school, allegations of sexual misconduct affect the lives of four people. A Bus Barn Stage Company production. Runs thru Feb 18. Wed, 7:30pm, ThuSat, 8pm. $24-$30. Bus Barn Theatre, Los Altos.
FINIAN’S RAINBOW South Bay Musical Theatre presents a story of an Irish family, a pot of gold and a leprechaun. Runs thru Feb 18. Thu-Sat, 8pm. $18-$38. Saratoga Civic Theater.
GREEN WHALES A middle-aged woman with a disease that makes her look like a 13-year-old navigates life and romance. A Renegade Theatre Experiment production. Runs thru Feb 25. Thu-Sat, 8pm, Sun, 7pm. $12.50-$27.50. Historic Hoover Theatre, San Jose.
NEIL BERG’S 101 YEARS OF BROADWAY A revue featuring hits from decades of great musicals. Runs thru Feb 18. Tue-Wed, 7:30pm, Thu-Fri, 8pm, Sat, 3 and 8pm. $29-$69. San Jose Repertory Theatre.
SHORTS ON STAGE Staged readings by Word for Word Performing Arts Company for Lively Arts Series. Fri, 8pm. $24. Dinkelspiel Auditorium, Stanford.
Classical Concerts SONDRA HELLSTROM A vocal recital by mezzo-soprano Hellstrom, tenor Eric Tuan, viola player Lexie Frosh and pianist Sumi Park, featuring pieces by Bach, Britten and Barber. Sat, 8pm. Free. Campbell Recital Hall, Stanford.
MAGNIFICAT Monteverdi’s “Madrigals of War and Love.” Fri, 7:30pm. $12-$35. St. Thomas Aquinas Catholic Church, Palo Alto.
MESOPOTAMIAN NIGHT A benefit evening of Assyrian music and dances. Sat, 7pm. $75 and up. Mountain View Center for the Performing Arts.
PALO ALTO PHILHARMONIC ORCHESTRA The program features Berlioz’s “Roman Carnival” Overture and works by Mozart, Strauss and
More listings:
Ron Elkman
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METROACTIVE.COM Stravinsky. The guest artist is clarinetist Michael Corner. Sat, 7:30pm. $10-$20. Cubberley Theatre, Palo Alto.
RAGNOLIA RAGTETTE Pianists Jack and Chris Bradshaw and others perform ragtime selections. Sun, 3pm. $10. Foothill Presbyterian Church, San Jose.
CAROLE TERRY The organist performs works by Bach, Buxtehude and Mendelssohn. Wed, 8pm. Free. Memorial Church, Stanford.
DANIIL TRIFONOV Classical prodigy from Russia in a piano recital. Sun, 8pm. $32-$43. Carriage House Theater, Montalvo Arts Center.
VOCALLECTIVE: FRESH MELODIES A performance of works by American composers working in the vocal chamber-music genre. Sun, 5pm. Free. Campbell Recital Hall, Stanford.
Comedy ANGELICA’S BISTRO Wed, 8pm: Comedy night hosted by Dan St. Paul. No cover. Redwood City.
CLUB FOX Call for info. Redwood City.
COMEDYSPORTZ Fri, 9pm and Sat, 7 and 9pm: Live improv comedy. Fri, 11pm: The Midnight Show. Inside the Camera 3 building, San Jose.
TUNING UP San Jose Repertory Theatre presents ‘Neil Berg’s 101 Years of Broadway,’ featuring tunes from big-name musicals; the production runs through Saturday at the Rep. CANTOR ARTS CENTER “Walker Evans.” A celebration of the image of the great American photographer. Thru Apr 8. “The Legend of Rex Slinkard.” Oils and works on paper by the influential California artist of the early 1900s. Thru Feb 26. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.
DE SAISSET MUSEUM “Andy Warhol: Polaroids and Portraits.”Thru Jul 1. “Golden States of Grace: Prayers of the Disinherited.” A documentary photo exhibit by Rick Nahmias about marginalized communities and spirituality. Thru Mar 28. Tue-Sun, 11am-4pm. Santa Clara University.
Kind of Bird Flies Backward.” A retrospective of paintings by Bay Area figurative artist Joan Brown. Thru Mar 11. Works by installation artist Anna Sew Hoy in the Beta Space. Thru Feb 26. Tue-Sun, 11am-5pm, closed Mon. San Jose.
SAN JOSE MUSEUM OF QUILTS & TEXTILES “Quilt National.” A juried show of contemporary quilt and fiber art. Thru Apr 29. Tue-Sun, 10am5pm. San Jose.
TRITON MUSEUM OF ART “Statewide Photography Competition and Exhibit.”Thru Apr 22. Reception Feb 24, 7pm. Tue-Wed and Fri-Sun, 11am-5pm, Thu, 11am-9pm. Santa Clara.
EUPHRAT MUSEUM
TECH MUSEUM
Wed, 8pm: New Talent Showcase. $10. Thu, 8pm, Fri, 9pm, Sat, 8 and 10:30pm, Sun, 8pm: Ryan Stout. $13/$19. Sunnyvale.
“Invoking Peace.” A group show features varying approaches to a call for peace. Runs thru Mar 17. Mon-Thu, 10am-3pm. De Anza College, Cupertino.
SAN JOSE IMPROV
“Islamic Science Rediscovered.” A show about technological advances in the Islamic world before the Renaissance period in the West. Mon-Wed, 10am-5pm, Thu-Sun, 10am-8pm. San Jose.
HISTORY PARK SAN JOSE
ROOSTER T. FEATHERS
Wed, 7pm: Big Al’s Comedy. $12. Thu, 8pm, Fri, 8 and 10pm, Sat, 7 and 9pm, Sun, 7pm: Christina Pazsitzky. $17. San Jose.
*art
“Pioneering the Valley: The Chinese-American Legacy in Santa Clara Valley.” A new historical exhibit. Pacific Hotel Gallery, San Jose.
MUSEUM OF AMERICAN HERITAGE
Museums
“A Child’s World: Antique Toys, 1870-1930.”Thru Apr 29. Fri-Sun, 11am-4pm. Palo Alto.
ART MUSEUM OF LOS GATOS
SAN JOSE MUSEUM OF ART
“Source Material: Works by Darla McKenna, Jeanne Tillman and Josette Urso.” Assemblage pieces. Thru Mar 9. Wed-Sun, 11am-5pm. Los Gatos.
“Renegade Humor.” A show about the uses of humor in art, with pieces by Roy De Forest, John Bankston, M. Louise Stanley and more. Thru Jul 8 “This
TRITON MUSEUM OF ART Statewide Photography Competition and Exhibit. Feb 11Apr 22. Reception Feb 23, 7-9pm. Tue-Wed and Fri-Sun, 11am-5pm, Thu, 11am-9pm. Santa Clara.
Galleries OPENING KRAUSE CENTER “The Courage to Remember.” A traveling exhibit from the Museum of Tolerance about the Holocaust. Feb 21-Mar 2. MonFri, 7:30am-8:30pm, Sat,
9am-5pm. Foothill College, Los Altos Hills.
MAIN GALLERY “Mainly Clay.” A group show in various styles and materials. Feb 15-Mar 18. Reception Sat, 5-7pm. Wed-Sun, 10am-3pm. Redwood City.
OLIVE HYDE ART GALLERY “Hidden Treasures/Local Talent.” A salon show by local artists. Feb 17-Mar 17. Reception Fri, 7-9pm. Thu-Sun, noon-5pm. Fremont.
SJSU GALLERIES Works by Adrian Lopez, Patrick Kingshill, Ismael Villanueva, Elizabeth Medina, Steven Haman and Eliana Cetto. Feb 20-24. Reception Tue, 6pm. Inside the Art Building and Industrial Studies Building, SJSU.
CONTINUING ANNO DOMINI “Cakewalk Championship.” A group show of hallucinations by members of N/TENCE. Tru Mar 17. San Jose.
ART ARK “DYAD.”The show looks at juxtapositions of two works of art that compliment or comment on each other. Thru Feb 17. San Jose.
BRUNI GALLERY “The Jazz Masters Series” by BRUNI. San Jose.
CAFFE FRASCATI Henna-inspired paintings by Lisa Mejia and portraits by David Mejia. Thru Feb 28. San Jose.
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STAGE
star in a new production of ‘Buried Child.’
Flocking to Shepard SAN JOSE Stage Company’s latest challenge is Sam Shepard’s Pulitzer Prize– winning Buried Child. Written during the economic slump of the 1970s, the semiautobiographical play explores the decay of the American Dream through the eyes of a struggling rural farm family. Within this household teetering on the brink of self-destruction, notions regarding family, identity and morality converge to form a macabre yet compelling narrative that director Kenneth Kelleher considers a timeless Buried Child story for all. Buried Child begins with Vince bringing his Runs Feb. 15–March 11; $14–$35 girlfriend home to meet his family for the first time. The Stage in San Jose While initially the farm seems to embody the idyllic midwestern backcountry, the members of the family quickly dispel the façade. Vince’s grandparents are deranged alcoholics, his father is emotionally absent, and his uncle is an embittered amputee. When their darkest secret slowly begins to surface, it threatens to either snap the tenuous threads holding the family together, or offer a chance at salvation. “It’s a very personal and also highly theatrical story,” notes Kelleher, a longtime Shepard fan, in reference to the playwright’s real-life influences. Shepard’s grandfather owned a farm, and his father constantly battled with alcoholism. The character of Vince’s uncle was inspired by one of Shepard’s relatives, who had a false leg from a childhood accident. But despite these similarities between reality and fiction, the key to Buried Child’s lasting appeal is Shepard’s ability to richly layer themes and symbols. “The theme is about spiritual and moral decay,” says Kelleher. “It’s a mythic story about a family about to erode.” Citing the play’s powerful premise, the director saw no reason to update it or attempt to bring it into the present day. The production stays true to Shepard’s vision and to his last and most recent revision to the work, in 1997. On the one hand, the economic depression and questioning of family values is undoubtedly quite pertinent to today, but at the same time Shepard’s skills transform the play into a classic. “From Sophocles to Shakespeare,” observes Kelleher about major playwrights, “they all investigate this issue and condition. Family and identity … the bonds that keep family together and destroy them at the same time.” If Buried Child seems overly grim, rest assured that Kelleher sought to balance out the play’s bleak undertones with lighter moments. At heart the text is not just about adversity but rather a gripping “mixture of comic and tragic elements.”—Misa Shikuma
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
FAMILY CIRCUS Lyndsy Kail (left), Randall King and Harold Pierce
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San Jose Multicultural Artists GGuild uild & Tabia Taabia African-American Theatre Theeatre Ensemble
metroactive ARTS
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38 DOWNTOWN YOGA SHALA “Simply Seen.� Photos taken with toy and plastic cameras by Marco Zecchin. Thru Feb 24. San Jose.
GALLERY AT FIBRE ARTS DESIGN
SJSU GALLERIES
POETRY READING
Works by Sean Paul Richards, the Dirty Brushes Group, Eliza Ranjeet, Vaness O’Hanlon, Nathan Cox and Lauren O’Connor Korb. Runs thru Feb 17. Inside the Art Building and Industrial Studies Building, SJSU.
Monthly event welcomes Patricia Machmiller, Joan Zimmerman, Judith Schallberger and Carol Steele. Thu, 7pm. Willow Glen Library.
“Anima: The Self Within.� An exhibit by 11 artists about the concept of anima/animus. Thru Mar 22. Tue-Sat, 10am-5pm. Fibre Arts Design, Palo Alto.
STANFORD ART SPACES
GALLERY SARATOGA
THOMPSON GALLERY
“Heart to Heart.� Jewelry and paintings for lovers by Tim McKay. Thru Mar 4. Tue-Sun, 11am-5pm. Saratoga.
A show of recent works by faculty in Spatial and Digital Media. THru Feb 24. Art Building, SJSU.
GOOD KARMA CAFE
WELTON GALLERY
“Blessed Are the Beasts, for They Shall Inherit the Earth.� Works by Katrina Marie Loera. Thru Feb 25. San Jose.
“Self-Help Book Club.â€? An exhibit of new works by ďŹ rst-year MFA students. Thru Feb 26. Tue-Fri, 10am-5pm, Sat-Sun, 1-5pm. Stanford.
KALEID GALLERY “Lunar Phases.� New digital photos by Centa Schumacher. “Brutal/Tender.� Sculptures, paintings and more by Al Preciado. Thru Feb 24. San Jose.
MACLA “Chicana/o Biennial.� A group show featuring new works by Chicano artists. Thru Mar 10. Wed-Thu, noon-7pm, Fri-Sat, noon-5pm. San Jose.
METRO LOBBY “Live. Local. Loud.� Photographs by Claire Young and Jessica Shirley-Donnelly. Thru Feb 29. San Jose.
MONTALVO ARTS CENTER “O’ Great Reverie: Montalvo 1912-2012.� An exhibit about the history of the estate built by James Phelan 100 years ago. Thru May 13. Reception Fri, 7pm. Thu-Sun, 11am-3pm. Saratoga.
MOHR GALLERY Photographs by Tony Grant. Thru Apr 1. Reception Feb 24, 6-8pm. Mon-Fri, 9am-7pm, Sat, 9am3pm. Community School of Music and Art, Mountain View.
SAN JOSE INSTITUTE OF CONTEMPORARY ART “One Thing Leads to Another.� A group show about process and repetition in prints and drawings. Thru Feb 25. “Dos Mundos.� Works by Tim Craighead. Thru Feb 18. Tue-Fri, 10am-5pm, Sat, noon-5pm. San Jose.
Mixed media by Kathryn Dunlevie, paintings by Brian Huber and Leo Posillico. Thru Feb 25. Weekdays, 8:30am-5pm. Allen Art Spaces Gallery, Stanford.
WORKS/SAN JOSE “Femme Fatale.� A group show about the complexities of the feminine. Feb 3-Mar 17. San Jose.
Books DAVID AGUS A talk by the author of “The End of Illness,� sponsored by the Commonwealth Club. Tue, 7pm. $7-$20. Schultz Cultural Hall, Oshman Family JCC, Palo Alto.
RAE ARMANTROUT The Center for Literary Arts presents two events with the poet. Wed, 7pm: A reading and booksigning. Thu, 1pm: A conversation with Juliana Spahr. Both events are free. King Main Library, Rm 225/229, San Jose.
RAMONA AUSUBEL A visit from the author of “No One Is Here Except All of Us.�Thu, 7pm. Palo Alto Library.
PHIL MCKINNEY A discussion about ideas that can change the world, with author McKinney (“Beyond the Obvious�) and John C. Hollar. Thu, noon. Computer History Museum, Mountain View.
JENNY S. MARTINEZ The Stanford law professor talks about her book “The Slave Trade and the Origins of International Human Rights Law.� Wed, 7pm. Books Inc., Mountain View.
PATRICIA SCHULTZ A chance to meet the author of “1,000 Places to See Before You Die.� Sat, 8pm. Kepler’s, Menlo Park.
*kids
MISS SMITH’S INCREDIBLE STORYBOOK A family play from Peninsula Youth Theatre. Fri, 9:30 and 11am, Sat, 11:30am and 1:30pm. $8/$10. Mountain View Center for the Performing Arts.
*events ART HISTORY SERIES
Every Thu thru Mar 1, 7pm. $20 per lecture. Triton Museum of Art, Santa Clara.
CHINESE NEW YEAR A celebration with singer Tony Chen, dragon and lion dances and Chinese cuisine. Sat, 1-4pm. Santana Row, San Jose.
DAY OF REMEMBRANCE The Nihonmachi Outreach Committee remembers the 70th anniversary of the order that led to the incarceration of JapaneseAmericans during World War II. Guest speakers include Mike Honda and Karen Korematsu. Sun, 5:30pm. San Jose Buddhist Church Betsuin.
MUSLIM IN SILICON VALLEY A panel discussion called “What It’s Like to Be the Muslim Next Door in Silicon Valley,� with Muhammad Qayoumi, Muhammed Chaudhry and others. Thu, 6:30pm. Free. Tech Museum, San Jose.
SAP OPEN TENNIS With big-name players competing. Thru Feb 19. HP Pavilion.
SPAY NEUTER MONTH For the month of February, the Humane Society Silicon Valley offers discounts on spay and neuter surgeries for pet owners; up to 40 percent off. See hssv. convio.net for details.
BOOKS
JAMES CURTIS’ monumental (in length at least) biography examines the life of an actor who specialized in “pillar of strength.” Spencer Tracy was homely and often portly, but he was the embodiment of fortitude. And he was a nimble, if craggy, light comedian. They say Astaire and Rogers worked because Ginger made Fred look sexy, and Fred made Ginger look classy. Such alchemy occurred when Tracy met Katharine Hepburn. In a series of what producer Leland Hayward called “toad and grasshopper comedies,” Tracy donated the street smarts to the aristocratic Kate. She in turn showed Spencer Tracy: the limitations of old-time wisdom in an America A Biography seeking justice and progress. Curtis squashes speculations that Tracy the pillar By James Curtis was bent. There is, he writes, “a curious subgenre Knopf; 1001 pages; pandering to an audience that apparently wants to $39.95 be told that practically everyone in Old Hollywood was secretly gay.” Countered here also are the rumors that Tracy’s drinking was caused by guilt—the slander that he caught venereal disease, which caused his son John to be born deaf. The truth was less flashy: Usher syndrome. The drinking, though, was Eugene O’Neill–worthy, binges finishing in hospitals and jail cells, including assaults on other actors. There’s even evidence Tracy roughed up Hepburn. Tracy was the son of a middle-class Wisconsin father who had his own binges. Spencer rose through sheer hard work: After college and a short Navy stint, Tracy excelled at the American Academy of the Dramatic Arts. Curtis shines in re-creating the sights and sounds of Tracy onstage; anyone can rewatch a movie, but this digging for the past is more difficult. We get an idea of how electrifying Tracy was through the multiple viewpoints of critics, audiences, co-actors and technicians. Tracy’s breakthrough play was The Last Mile—as a doomed prisoner, Tracy was so intent that he choked a fellow actor semiconscious onstage. Tracy parlayed this success into five years at the low-rent 1930s Fox studios. In 1935, MGM’s Irving Thalberg took a gamble on the hitless actor. Tracy stayed at that studio for 20 years, making San Francisco, A Guy Named Joe and Boys Town. Later came Tracy’s towering work in Bad Day at Black Rock. Certainly the best introduction to Tracy’s power is Fritz Lang’s Fury, based on a double lynching in San Jose in the 1930s. Curtis describes the necktie party as payback for “the kidnapping of a department store heiress.” If he got that wrong (it was the son who was kidnapped), Curtis is elsewhere more accurate in summing up the impact of this troubled giant among actors. “I’m easy to imitate,” Curtis quotes James Cagney, “but you never see anyone imitate Spence.”—Richard von Busack
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
A Guy Named Spencer
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metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
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metroactive FILM
Mambo Combo
HAVANA NIGHTS Chico discovers the beautiful Rita in a Cuban nightclub under the stars.
A pianist and a beautiful singer make a fateful journey from Cuba to New York in animated Chico & Rita By RICHARD VON BUSACK
T
HE MOLDINESS of the 1950s musical plot of Chico & Rita is mitigated a little by stirring, even lavish, animated recreations of mid20th-century Havana and New York City, as seen from convertible roadsters and motorcycle sidecars. Chico (voiced by Eman Xor Oña) is a handsome Havana nightclub pianist of the late 1940s. He sees the most beautiful singer ever at an open-air nightclub, singing “Bésame Mucho.” As a cartoon character, Rita (Limara Meneses) can be described as a more chemical version of the singer Sade: the demure, green-eyed leopard-woman type.
When the two meet, Rita is with some rich mark; Chico and his pal are squiring a pair of American babes. But they ditch these encumbrances at Havana’s posh Hotel Nacional de Cuba. Chico gets a last-minute gig there. The film’s best joke has it that Chico is expected to go straight onstage without rehearsal and pound out Stravinsky’s Ebony Concerto along with Woody Herman’s band. The couple has a modern romance: sleep-over first, then a gradually rising set of troubles. Chico’s used-to-be lover shows up and gets into a catfight with Rita. Made for adults, Chico & Rita plays up the erotic side of the affair. The limits of its stylized animation show in the most intimate moments. Depicting lovemaking is the most difficult task an animator can take on; no wonder these scenes
are usually euphemized. After a final quarrel, Chico and Rita head off to hard, cold New York separately. Rita becomes the bird in an Anglo entertainment magnate’s gilded cage and is hired by MGM to star in a wide-screen musical. What we see of her movie is a crimson-tinged number performed under wrought-iron balconies in the American South; it looks a little more like Goldwyn’s Porgy and Bess than the MGM musicals of the day. Unfortunately, there’s a bracketing story, as if to give this romance more weight—and to present the frustrations of the Communist Cuba in its decline. We see Chico is alone in old age, drinking by himself and shining the shoes of rich, presumably Canadian, tourists. Such old-age sequences were done better in the book Mambo Kings Play Songs of Love. That book, with its unhappy ending, was published before the unbelievable real-life curtain call so many of these Cuban musicians got after the Buena Vista Social Club sessions. The way Chico & Rita handles this belated
success, in a whirling-newspaper montage, makes the real-life story of comeback look like cheap fiction. It’s a pity. This animated feature should have had it all going on. The soundtrack boasts the music of Bebo Valdés. Giants of jazz and mambo turn up in animated form, including Nat King Cole, Charlie Parker, Dizzy Gillespie, Tito Puente and the wild, ill-fated percussionist Chano Pozo. Chico and Rita drift around in their hard-to-resolve love affair, so Pozo’s particular zest for life and sensation hijacks the movie. He may be dangerous, but he’s not passive. He’s got that diabolical glint you see in pictures of Fats Waller. When Pozo turns up in the New York sequences, suddenly there’s something proactive going on—then, of course, all of a sudden Pozo is gone. Chico & Rita is good-looking, and it might pass muster after a few mojitos. It’s a collaboration between Spanish director Fernando Trueba (Belle Epoque) and the wellknown cartoonist and designer Javier Mariscal, who created the all-time best Olympic mascots (for Barcelona in 1992). The handsome design keeps you amused, either in the intricate cityscapes or in Chico’s nightmare scene that owes a little something to the painter Stuart Davis. But it’s one thing to make a movie about a men-on-top society— and another to make the female lead mostly nebulous. The way Rita’s later life is handled is embarrassing. Chico & Rita suggests that a rising star’s one small moment of letting the mask drop would end a career utterly for decades. What happens to this supposedly celebrated and talented singer is something more than you can blame on an underwritten script. It ends up looking like penance Rita is supposed to suffer for her easy ways. And it denies that her art was more important than finding the right man.
Chico & Rita 94 min. Opens Friday at Camera 12 in San Jose.
43
metroactive FILM
(Unrated; 94 min.) See review on p42.
Weinstein Company to pick the film up for a seven-figure deal—and, as with any true Hollywood-Industry fairy tale, reserve the rights for a remake. (Opens Fri.)
GHOST RIDER 2: SPIRIT OF VENGEANCE
Revivals
CHICO & RITA
(PG-13; 95 min.) Longtime fans of Nicolas Cage knew that someday he’d act so hard he’d burst into flames. Thus, the first Ghost Rider, an agreeable supernatural-wheeler shot in Melbourne. It was plagued by undervillaining (Peter Fonda as Satan?!) but sweetened with the Raquel Welch–stylings of Eve Mendez. In this unpreviewed flamethrower, the ADD-addled team of Neveldine and Taylor (Crank) bring us the chariots of fire. In search of Satan, GR heads to Romania to deal with Ciarán “Mr. Baleful” Hinds and the towering Idris Elba. (Opens Friday.)
THIS MEANS WAR (PG-13; 98 min.) In this “notan-adaptation-but-totally-anadaptation” of the Spy vs. Spy comic, two CIA agents (who also happen to be attractive best friends) discover through the magic of contrived cinema that they are dating the same woman (Reese Witherspoon, who is attempting to answer questions of whether or not she can play a sultry and mysterious dream girl by proving that we’re right, she can’t). The two engage in a series of action-packed shenanigans, all in an attempt to one-up the other and woo the gal. Star Trek’s Chris Pine and Inception’s Tom Hardy star as the dueling friends in a script co-written by Mr. & Mrs. Smith scribe, Simon Kinberg, which ought to give viewers an idea of just what to expect both thematically and visually: hyped-up action as a stand-in for sex, and maybe the other way around as well. (Plays early in select theaters, opens nationwide Fri.)
BACK TO THE FUTURE (1985) Michael J. Fox and a frizzyhaired scientist (Christopher Lloyd) ride the red gull-winged DeLorean into the past to fix a troubled family’s destiny. (Plays Feb 16 at 9:30pm and Feb 18 at midnight in San Jose at Camera 3.) (RvB)
THE DEVIL TO PAY!/ EMPLOYEE ENTRANCE (1930/1933) Ronald Colman stars as a rakish blueblood who returns to his family, only to get involved with a debutante (a 17-year-old Loretta Young). It’s love on his part, but she fears it’s money he’s after. BILLED WITH Employee Entrance. “My code is smash or be smashed!” Warren Beatty in the bedroom and J. Montgomery Burns in the boardroom, Warren Williams pursues a married shopgirl (Young) through the corridors of the department store he owns. Seventyfive minutes of the kind of drama that
44
From the studio that brought you PONYO and SPIRITED AWAY
“TERRIFIC!
WONDERFULLY TOLD AND BEAUTIFULLY DRAWN.” Shawn Edwards, FOX-TV
“FANTASTIC! An extraordinary adventure.”
Jami Philbrick, IAMROGUE.COM
“An adventure film for all ages that finds magic and wonder in the smallest details.” Silas Lesnick, COMINGSOON.NET
COLUMBIA PICTURES AND HYDE PARK ENTERTAINMENT PRESENT IN ASSOCIATION WITH IMAGENATION ABU DHABI A MARVEL ENTERTAINMENT/CRYSTAL SKY PICTURES/ASHOK AMRITRAJ/MICHAEL DE LUCA/ARAD PRODUCTION
“GHOST RIDER™ SPIRIT OF VENGEANCE” CIARÁN HINDS VIOLANTE PLACIDO JOHNNY WHITWORTH CHRISTOPHER LAMBERT AND IDRIS ELBA MUSICBY DAVID SARDY EXECUTIVE BASED PRODUCERS E. BENNETT WALSH DAVID S. GOYER STAN LEE MARK STEVEN JOHNSON ON THE MARVEL COMIC STORY SCREENPLAY BY DAVID S. GOYER BY SCOTT M. GIMPLE & SETH HOFFMAN AND DAVID S. GOYER DIRECTED PRODUCED BY NEVELDINE/TAYLOR BY STEVEN PAUL ASHOK AMRITRAJ MICHAEL DE LUCA AVI ARAD ARI ARAD
THE SECRET LIFE OF ARRIETTY (G; 94 min.) See box on p44.
UNDEFEATED (Unrated; 113 min) This surprise Best Documentary Oscar nominee follows the Manassas Tigers, an underfunded and underprivileged football team in Memphis, Tenn., as it attempts a winning season after years of constant losses. The team’s coach, Bill Courtney, is the film’s true star, as his unwavering devotion to his players helps turn the group into academic and athletic stars. The film received critical acclaim at 2011’s South by Southwest, leading the
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
New
B a s e d o n t h e A w a r d - W i n n i n g N o v e l “T h e B o r r o w e r s”
www.disney.com/Arrietty
©2010 GNDHDDTW ©2012 GNDHDDTW
STARTS FRIDAY, FEBRUARY 17 CHECK LOCAL LISTINGS FOR THEATRES AND SHOWTIMES SORRY, NO PASSES
STARTS FRIDAY, FEBRUARY 17
CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES
SEE IT ON A BIG SCREEN
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
44
metroactive FILM
REVIEW
got the Production Code enacted in the ďŹ rst place. (Plays Feb 14-16 in Palo Alto at the Stanford Theatre.) (RvB)
HENRY V (1944) The ďŹ rst completely artistically successful Shakespeare ďŹ lm—it’s about the warrior king who conquers France and wins a princess to boot. Director/star Laurence Olivier’s adaptation begins in a recreation of the Globe Theater in May Day 1600 where a rowdy crowd is watching the play unfold. The groundlings rebel and talk back to the actors when they hear of the impending death
43
of Falstaff. They’re quieted when the ďŹ lm leaves for France, on the road to the victory at Agincourt. (Plays Feb 21-23 in Palo Alto at the Stanford Theatre.) (RvB)
NILES FILM MUSEUM Regularly scheduled programs of silent ďŹ lms. Feb 18: The Pawnshop (1916) with Chaplin, The Playhouse (1921) with Buster Keaton, His Royal Slyness (1920) with Harold Lloyd and Wrong Again (1929) with Laurel and Hardy. Judy Rosenberg at the piano. (Plays Feb 18 at 7:30 in Fremont at the Edison Theater.) (RvB)
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Miniatures
HAYAO MIYAZAKI is in his 70s now. He supervised and co-wrote The Secret World of Arrietty, a Japanese animated version of the children’s tale The Borrowers. Hiromasa Yonebayashi is credited as the director, but it seems like an elder man’s movie—slow, contemplative and ringed with loss. An action sequence, with an injury and a rescue, takes place oscreen. The main male character is a young convalescent, bedridden as he waits for a dangerous operation. This mortality is discussed in blocky dialogue; the boy accepting his possible death, his tiny new friend counseling him to ďŹ ght against it. The exchange adds a tang to the seeming hopelessness of the friendship between the full-size boy and a tiny girl. Arrietty, 14 year olds, 5 inches high, desires to spy on the world of the “beansâ€? (human beings), despite the warnings of her father, who endures perils to “borrowâ€? food, and of her mother, a little woman in constant terror of what might happen. Miyazaki’s Studio Ghibli (Princess Mononoke, etc.) excels at the charm of the miniature and has created a lambently green world for children over age 5 to explore. The Secret World of Arrietty counters the world of prettiďŹ ed Disney
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princesses with a brave girl who ties her hair back, carries a straight-pin sword at her side and scales the cliike walls of kitchen cabinets. The ďŹ lm lavishes aection on a yard in tropical summer, on the grasshopper-nibbled weeds and the prowling insects. A distracted Arrietty strokes a visiting sow bug; it curls up like a K_\ J\Zi\k kitty and purrs.
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Two English-language versions were prepared, G; 94 min. one for the United Opens Friday States and one for Great Britain. The English got Saoirse Ronan and Mark Strong as the adventurous lead and as the unsmiling, wary father. Americans must settle for TV stars Will Arnett and Bridgit Mendler, which may add to the general quietness of this saga. On the bright side, Carol Burnett voices the harassing housekeeper who suspects something funny is going on. This maid is so broad-faced she looks like Alfred E. Neuman’s aunt. Next to her, the funniest thing in the ďŹ lm is an overfed, bob-tailed cat who dislikes tiny people. Forbidden to hunt them, she looks balefully at them, a ringer for the old Orson Welles staring down an advertising director. —Richard von Busack
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ROW CINÉARTS@SANTANA 3088 Olsen Drive, San Jose
(800) FANDANGO
$$! $" % # "$&
CENTURY 16 1500 N Shoreline Blvd, Mountain View (800) 326-3264
45 (1953) An artistically conservative, stage-bound production, Yet the black-and-white photography adds grit. The archcynic Mankiewicz (All About Eve) has a favorite character, Edmond O’Brien’s grim Casca. But the other actors have their due, including James Mason as the badnerved Brutus and John Gielgud as the shallower, slicker Cassius. Marlon Brando’s Mark Antony has to make his “Friends! Romans! Countrymen!” heard in the midst of a major hubbub. BILLED WITH The Man in Grey. Starring James Mason as a
not-so-divine marquis in the British regency. (Plays Feb 18-20 in Palo Alto at the Stanford Theatre.) (RvB)
ROMANCING THE STONE (1984) Fondly remembered adventure with Kathleen Turner as a romance novelist who goes to Colombia to rescue her sister; there she’s helped by a dashing American (Michael Douglas). (Plays Feb 17-19 in San Jose at the Retro Dome.) (RvB)
STELLA DALLAS (1925) Ronald Colman plays Stephen Dallas in the first version of the unkillable melodrama about
maternal love. Belle Bennett has the title role. Dennis James at the Stanford’s Wurlitzer. (Plays Feb 17 in Palo Alto at the Stanford Theatre.) (RvB)
Reviews
a director who can harmonize the various acting styles. Rodrigo Garcia helms with the same fits and starts of his connect-the-dots dramas, most notably Nine Lives. Glenn Close is the frozen-in-fear title character, a waiter at a pretentious hotel. She hides her sex in male clothes and also conceals a trove of hard-earned money hidden
in the floorboards of her dingy room. Close’s portrait of a bound-in woman is the kind one can admire rather than feel. (RvB)
CHRONICLE (PG-13; 84 min.) Captured entirely on home video, three high school students discover a weird star-shaped crystal
46
ALBERT NOBBS (R; 113 min.) Based on a George Moore novella, Albert Nobbs has some plusses. It’s a plausible story, and a well-staged and beautifully costumed re-creation of 1898 Dublin for Ulysses-philes to daydream over. What Albert Nobbs doesn’t have is
“THE PERFECT DATE MOVIE!” STEVE OLDFIELD / FOX TV
Invites you to help us kick off our
21 Days Until 21 Jump Street countdown by attending a special advance screening of
“ ...
RACHEL McADAMS & CHANNING TATUM ARE AMAZING.” SHAWN EDWARDS/FOX-TV
“ROMANTIC
AND STEAMY!” MOSE PERSICO/CTV, MONTREAL
on Thursday, February 23 in San Jose! For your chance to receive two admit-one passes, log on to gofobo.com/rsvp and enter the code: SJMET1LFD Passes are limited and will be distributed on a first-come, firstserved basis, while supplies last.
This film is not yet rated by the MPAA. Please note: Passes received through this promotion DO NOT guarantee you a seat at the theatre. Seating is on a first-come, first-served basis, except for members of the reviewing press. Theatre is overbooked to ensure a full house. No admittance once screening has begun. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket, and accepts any restrictions required by ticket provider. Columbia Pictures, Allied-THA, SJ Metro, and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. NO PHONE CALLS!
IN THEATERS FRIDAY, MARCH 16
“ YOU’LL FALL
IN LOVE WITH ‘THE VOW’”
RACHEL SMITH/FOX5 VEGAS
SCREEN GEMS AND SPYGLASSMUSICENTERTAINMENT PRESENT A BIRNBAUM/BARBER PRODUCTION “THE VOW” SAM NEILL SCOTT SPEEDMAN MUSIC AND JESSICA LANGE SUPERVISOR RANDALL POSTER BY RACHEL PORTMAN MICHAEL BROOK PRODUCERSCO- CASSIDY LANGE REBEKAH RUDD EXECUTIVE PRODUCED PRODUCERS J. MILES DALE AUSTIN HEARST SUSAN COOPER BY ROGER BIRNBAUM GARY BARBER JONATHAN GLICKMAN PAUL TAUBLIEB STORY SCREENPLAY BY STUART SENDER BY ABBY KOHN & MARC SILVERSTEIN AND JASON KATIMS DIRECTED BY MICHAEL SUCSY CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
JULIUS CAESAR/ THE MAN IN GREY
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
46
metroactive FILM buried deep in the Earth, just outside of Seattle. They develop superhuman powers: invulnerability and telekinesis that, when manipulated, allows them to y. Director Josh Trank doesn’t stick with the Blair Witch/CloverďŹ eld idea that only the hero’s cameras can pick up the story; by the end, when there’s a war of two supermen in the air around the Space Needle, we’re seeing the POV from everyone’s camera, from the police helicopters to cell phones). The acting is quite worthwhile; The Wire’s Michael B. Jordan is a sort of Young Obama (he’s likable classpresidential timber); Dane DeHaan is the dad-bashed underdog; and Alex
45
Russell is Matt, a philosophy-crazed student who can’t go into a cave without talking about Plato. In CheapCamera Vision, the special effects at the end are actually a knockout. (RvB)
THE IRON LADY (PG-13, 101 min.) It transcends political naivetÊ by trying to sleaze its way into former British Prime Minister Margaret Thatcher’s personal life. The Iron Lady presents Thatcher (Meryl Streep) in her senility as being haunted by the specter of her late husband, Denis (Jim Broadbent). Great: a Tory version of Topper. The way that director Phyllida
ACADEMY AWARD NOMINEE ÂŽ
BEST ANIMATED FEATURE EEEE EEEE EEEE EEEE EEEE EEEE TIME OUT LONDON
EMPIRE
METRO
THE OBSERVER
THE GUARDIAN
THE TELEGRAPH
Lloyd (Mamma Mia!) presents the doddering old lady, you feel some slight sympathy. But too much of the ďŹ lm is a grateful celebration of a politician who really knew how to spread misery around. (RvB)
JOURNEY 2: THE MYSTERIOUS ISLAND (PG; 94 min.) Journey 2: The Mysterious Island is a sequel to 2008’s Journey to the Center of the Earth (see what they did there? with the title?), and while the cast has been almost entirely scrapped, the crux is the same: A signal intercepted leads to a family-wide expedition to a mysterious island that may or may not have been the inspiration behind Treasure Island, Gulliver’s Travels and Verne’s own Mysterious Island. The ďŹ lm introduces two new elements: High School Musical star Vanessa Hudgens and 3-D. (RB)
SAFE HOUSE (R; 115 min.) Denzel Washington plays a fugitive who ends up on the run with the CIA operative tasked with transferring him (Ryan Reynolds) after their safe house comes under attack by neighboring rebel soldiers. The ďŹ lm, which will surely feature top-notch eyebrow acting by Reynolds and a lot of “rationalâ€? yelling by Washington, is director Daniel Espinosa’s ďŹ rst American feature. (RB)
A SEPARATION (PG-13; 123 min.) In Iran, a potential divorce is complicated by a criminal case when a pious nursemaid (Sareh Bayat) tending to an aged member of the splitting-up family claims that she was made to miscarry. The signiďŹ cant glances and open-faced lies make the title a play on words—the ďŹ lm is actually about the split between
the world of men and the world of women. Director Asghar Farhadi’s astonishing drama shows the problems of legislated morality, but he seems to have his eye on a more metaphysical, ancient statute: the hidden laws of bad luck. (RvB)
THE VOW (PG-13; 104 min.) The tale of Paige and Leo (Rachel McAdams and Channing Tatum, respectively), a couple torn apart by a car accident that leaves Paige with no memory, and Leo with the pieces of a shattered love, trying his hardest to put them back together again. The sappy tale of memory and love lost hinges on whether She will get her memory back, or if He can convince her that memories are secondary to love—or that love is secondary to memories, or something like that, or nothing like that. (RB)
“BEAUTIFUL!
A SWAYING, SEXY, DREAM OF A MOVIE!�
FOR YOUR CHANCE TO RECEIVE A RUN-OF ENGAGEMENT PASS TO SEE
–THE OBSERVER
ALMOST UNIMAGINABLY NT!� SOKNA ANTT,DTHERE RICH NEW YOR TIMES –A.O. SCO
“
“
EXUBERANT!
sically A visually hypnotic, mu � ! electric film
IN THE SOUTH BAY,
–THE HOLLYWOOD REPORTER
LOVE-STORY � R FO THE AGTES!
send an email to SJPromos@metronews.com and tell us (in 50 words or less) about an act of valor you’ve experienced.
“A
–THE INDEPENDEN
Deadline for entries is Tuesday, February 21, 2012. Passes are limited and and available while supplies last. THIS FILM IS RATED R. RESTRICTED. Under 17 Requires Accompanying Parent Or Adult Guardian. Run-of-engagement passes received through this promotion do not guarantee admission to the theatre. Seating is on a first come first served basis. Theatre is open to paying customers. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. Relativity Media, Metro Newspapers, Allied-THA and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary. Participating sponsors their employees & family members and their agencies are not eligible. NO PHONE CALLS!
Featuring the music of Dizzy Gillespie, Thelonious Monk, Charlie Parker, Tito Puente, and more!
STARTS FRIDAY FEBRUAURY 17TH
CAMERA 12
201 S. 2ND STREET (408) 998-3300 SAN JOSE
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metroactive MUSIC
SCRAWL RAWL OF ME After winning a round of the Battle of the Bands at 9 Lives in Gilroy last week, Pounders will compete in the semi-finals.
San Jose’s Chris Pounders finds success in the band named after him, and lots of truly odd jobs By STEVE PALOPOLI
W
HEN CHRIS POUNDERS cut his hair into a Mohawk, he never thought David Lynch would want to set it on fire. The vocalist and guitarist of San Jose pop-punk band Pounders— which won a round of the Battle of the Bands at 9 Lives in Gilroy last week, and will compete in the semi-finals in March—has had his hawk for a few years now. It’s been blond, red, pink and black, and to say the least, it’s given him a distinctive look both onstage and in the acting work he occasionally does. Distinctive enough that Lynch
handpicked him to be in the video for his song “Crazy Clown Time,” the title track from Lynch’s bizarre recent album. Pounders doesn’t know when the video will be coming out, but he filmed his part three weeks ago. In it, he appears to light his hair on fire, though the effect was actually achieved by cutting a shot of him putting a match close to his hair with a shot of a matching Mohawk on a fake Chris Pounders head going up in flames. “The video is just as messed up as the music is,” he promises. The ironic thing is that his trademark look isn’t even a huge political statement on Pounders’ part; it was originally done as an emergency measure after his hair was massacred on a shoot. He
planned to keep it just one day but ended up loving it. “I have a Mohawk, I have tattoos, but I don’t consider myself a punk rocker,” says the 26-year-old Pounders, though it is clearly a bit of a tribute to the hard-core punks he encountered in his formative years: “When I was growing up, those guys were crazy.” Similarly, people often tell the band—which also includes drummer Justin Imamura and bassist Alonso Hernandez—that they sound like old-school punks. This puzzles them to no end, since they’re the first to admit they don’t. Besides their look, this perception has more to do with the energy of their shows; they’re a lot rawer in concert. Pounders accurately describes their sound on record as “old Green Day meets the Cure.” If that sounds like a pretty ingenious combination for the current music climate, you’re not the only one who thinks so. Live 105’s Aaron Axelsen has played three of their songs so far: “Scream
47 FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
Man on Fire
and Let It Go,” “Chasing the Sun” (the title track from their debut album) and the new “Dead Man.” But Pounders isn’t too impressed with the retro-’80s movement, feeling like the current groups have drawn way too heavily from the synth side of the electro-dance/ guitar-band split that existed in the music of that decade. The band’s unofficial motto is “Put away your dancing shoes, turn off that drum machine.” “I’m trying to go more toward the dark, emotional, energetic ’80s stuff,” he says. To hear their stuff getting airplay is a validation of the huge push the band has made in the last couple of years. Though he recognizes that radio has less importance than it once did, Pounders compares the importance of it in his mind to the 1994 flop-turned-cult-movie Airheads, where Adam Sandler, Brendan Fraser and Steve Buscemi Bre break into a radio station to get bre their record aired. the ““They raided the radio station just to get that one play,” he says. jus “To me, it still feels like that. It’s still exciting.” exc IIn actuality, though, Pounders has been around since the mid-2000s. bee Pounders met Imamura when Po they were both in high school, drumming at Great America. The pair began playing together, then met Hernandez when they went back to star in Great America’s “School of Rock” show. Nor, by the way, were any of these the weirdest gig the band members have had. Imamura has hosted Nickelodeon’s Slime Time Live, and Pounders took a couple of years off from the band to perform full-time with Stomp in Las Vegas, including their show at the NBA All-Star Game. They actually incorporate their drumming experience into some of their shows by performing trash-can drumming during their set. In fact, considering that his last name, from which the band derived their moniker, is the one he had at birth, and not a stage name, he sometimes can’t help but feel he’s in the wrong line of work doing vocals and guitar. “Honestly, deep inside I sometimes wish I was a drummer still,” he says. “It’s just too perfect.”
48 metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
metroactive MUSIC
More listings:
METROACTIVE.COM
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REVIEW: ROCKAGE FESTIVAL Not just for nerds: Rockage draws surprisingly diverse crowd (and even girls) to weekend of video games and underground music.
JAPANTOWN BEER WALK The Japantown Beer Walk sold out early on Saturday, signaling a success for organizers and leaving many people who showed up hoping to purchase tickets onsite crying in their beer somewhere else.
LOCAL LOOK: AMONIE When Syrus Fotovat is not giving expert advice on musical instruments or zipping around town in his Volvo wagon, he and his band mates do a little thing they like to call Amonie.
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Metro’s music calendar runs Wednesday–Tuesday. 1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Wednesday, February 15 ‹ In the Atrium ‹ AGES 21+
OPEN MIC
Sign up in advance at catalystopenmic@gmail.com .O #OVER s 3IGN UPS P M 0ERFORMANCES START P M
Thursday, February 16 ‹ In the Atrium ‹ AGES 16+ ELI AKA SMOOV-E plus Gina Rene also Mumbls and Nima
Fadavi !DV $RS s $RS P M 3HOW STARTS P M
Friday, February 17 ‹ In the Atrium ‹ AGES 16+
C-MONEY & THE PLAYERS
FEATURING MEMBERS OF Slightly Stoopid
plus Ease
Up !DV $RS s P M P M
Saturday, February 18 ‹ In the Atrium ‹ AGES 21+
BANDA ORO VERDE
plus Tacayos de la Sierra also DJ The Beat & DJ Koco Loko
!DV $RS s $RS P M 3HOW STARTS P M
:\UKH` -LIY\HY` ‹ AGES 16+ and Pep
plus
The Green
Love !DV $RS s $RS P M 3HOW P M Sunday, February 19 ‹ In the Atrium ‹ AGES 16+ PHILTHY RICH plus Antdog Da Beast !DV $RS s $RS P M 3HOW P M
Tuesday, February 21 ‹ In the Atrium ‹ AGES 21+
SCOTT H. BIRAM !DV $RS s P M P M Feb 23 Goatwhore Atrium (Ages 16+) Feb 24 Trevor Hall Atrium (Ages 16+) Feb 25 Mistah Fab/ Fashawn (Ages 16+) Feb 25 Atomic Aces Atrium (Ages 21+) Feb 29 Alkaline Trio (Ages 16+) Mar 2 Lagwagon (Ages 16+) Mar 8 SOJA (Ages 16+) Mar 10 Hell’s Belles (Ages 21+) Mar 17 Iration (Ages 16+) Mar 23 Pennywise (Ages 21+) Mar 24 Tyga (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online
www.catalystclub.com
Rock/Pop ART BOUTIKI Fri, 7pm: The Trophy Fire, Conversations, Two Star Hotel, Noys Annoise, Stories in Braille. All ages. Sat, 7pm: Endoxi, Cartoon Bar Fight, Rin Tin Tiger, ColorScout. All ages. San Jose.
Christian Vela, Cado. All ages. No cover. San Jose.
CAPERS Fri, 8:30pm: Live music. Campbell.
THE CARAVAN Thu, 8pm: The Casual Rapists, Cremation Chamber. All ages. San Jose.
AVALON
CLUB FOX
Thu, 7pm: Prong. $15. Fri, 8pm: Cry Wolf. $12. Sun, 7:30pm: Testament. $20. Santa Clara.
Thu, 8pm: Lyrics Born. $20. Fri, 8pm: Fred Eaglesmith. $18/$20. Sat, 7pm: Purple Haze and Kevin Russell’s Cream of Clapton. $12. Sun, 7pm: Vicious Groove. $10/$13. Redwood City.
THE BLANK CLUB Fri, 9pm: Ghost Town Hangmen, Them Rude Boys, Atomic Aces. $8. San Jose.
BOSWELL’S Wed, 9:30pm: Jack Rip-Off. Thu, 10pm: Sexy Back. Fri, 9:30pm: Suga Dady. Sat, 9:45pm: Rod. Sun, 8:45pm: The Gents. Mon, 9pm: Chili Sauce. Campbell.
BRITANNIA ARMS ALMADEN Fri, 10pm: The Cheeseballs. Sat, 10pm: Drive. San Jose.
CAFFE FRASCATI Fri, 9pm: Nehal Abuelata, Troy Curtis, Duke Hearts. All ages. No cover. Sat, 8pm: Troy Curtis,
DOSA BIRYANI Thu, 6pm: Sovereign Strength (last show), Ecophagy, Leaders, Watchers & Hunters, YourOwnDestroyer, Eidola. All ages. $10. Sunnyvale.
FOX THEATRE Sat, 7:30pm: Tony Orlando. $35-$52.50. Redwood City.
THE GRAPEVINE Sat, 7pm: Hootenanny with Mike Murdock and Sean McGuire. Willow Glen.
JOHNNY V’S Thu: Live hip-hop. Fri: Nasci,
Something Left Unsaid, Momento. Sat: South Bay Dub Massive. San Jose.
LOS GATOS LODGE Fri-Sat: Live rock bands. Los Gatos.
MOJO LOUNGE Fri, 9:30pm: The Chris Cobb Band. $5. Sat, 9:30pm: The Honey Wilders. $5. Fremont.
MONTGOMERY THEATER Sat, 8pm: House of Floyd. Pink Floyd tribute. $36-$46. San Jose.
NETO’S GRILL Fri, 8:30pm: The Cruzers. $10. Sat, 8:30pm: John Garcia. Santa Clara.
NICKEL CITY Fri, 6pm: A Broken Opera, Seven Year War, the Antioxidants, With Every Story Told, Touch My Rash, Coyote Blue, INFM. All ages. Sat, 6pm: The Bellafonte, La Montagne, Seabright, Vulture Smile, Animal Super Species. All ages. San Jose.
NINE LIVES Thu, 8pm: Battle of the Bands with 1989, Den of Antiquity, Section 5150, Illfusion. $10.
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CONCERT
Prong to the Avalon on Thursday.
Prong PRONG founder/lead-singer Tommy Victor never really considered Prong a metal band. Sure, metal was an influence, but so was punk, industrial and classic acid-rock. But in 1994, metalheads all over the country were regularly banging their heads to their songs “Broken Peace” and “Snap Your Finger, Snap Your Necks” thanks to some heavy rotation on MTV’s Headbanger’s Ball. Their midtempo heavy thrash beats, atonal melodies, syncopated rhythms and atmospheric experimentalism would help define the emerging alternative-metal genre, Avalon along with bands like Helmet and White Zombie. Prong leaned more towards industrial, however, than their Thu, Feb. 16 contemporaries. They put out a couple successful albums, then broke up in 1996 after Epic dropped them. Victor 8pm; $15 quickly took his rock skills and toured and recorded with other metal acts like Danzig, Rob Zombie and Ministry. Victor has stated before that he never left the world of rock & roll because he had no other skills (citing his only prior work experience—soundman for CBGBs—as proof). Prong reformed in 2002 and have been releasing albums on Al Jourgensen’s relatively small indie label. Prong’s recent output has been spotty, but their influence on modern metal is still obvious. Bands like Korn, Static X, Demon Hunter and even Trent Reznor of Nine Inch Nails have all cited Prong as an influence.— Aaron Carnes
Sat, 8pm: 1989, the Relief, Fairgrounds, Oh My Land. $10. Gilroy.
Dream. Sun, 9pm: Pro Jam. No cover. Sunnyvale.
I Swallowed An Owl. No cover. San Jose.
RED ROCK COFFEE
STATION 55
NUMBER ONE BROADWAY
Sat, 8pm: Austin Willacy. Mountain View.
Fri-Sat, 9pm-1am: Live music. Gilroy.
THE REFUGE
STREETLIGHT RECORDS
Sat, 6pm: Dennis Is Dead, the Art of War, For a Better Kind, A Breed Extinct, A Shattered Hope, the Human Centipede. All ages. $10. Cupertino.
Tue, 6pm: Josh Tatum. No cover. San Jose.
SOUTH FIRST BILLIARDS
TRES GRINGOS CABO CANTINA
Thu, 9:30pm: Joint Chiefs. No cover. Fri, 9:30pm: The Groove Doctors. $10. Sat, 9:30pm: Naked in Vegas. $10. Los Gatos.
THE QUARTER NOTE Wed: Pro Jam hosted by Mental Notes. No cover. Thu: Pro Jam hosted by Vicious Groove. No cover. Fri: California Blues Machine. $5. Sat: Madman’s Lullaby. $5. Sun, 5pm: Tomorrow’s
Thu, 9pm: The Ghost of Wrights,
TEMPLE BAR & LOUNGE Sat, 8pm: Live music. San Jose. Thu, 9pm: Solejive. San Jose.
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Buy tickets at livenation.com. To charge by phone (800) 745-3000. Limit 8 tickets per person. All dates, acts and ticket prices are subject to change without notice. All tickets are subject to applicable service charges.
"We have all come to this life on a soul errand to complete and fullfill our golden purpose"
Journey True North www.journeytruenorth.com
Jullianna Brooks LCSW
In these current times the culture and social climate is loaded with material expectations and misleading guidance which can waylay our purpose JOURNEY TRUE NORTH provides practical tools to recalibrate the internal compass and support the continued journey towards a personal north star and golden purpose.
Event photos
SVscene.com
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
OH, SNAP Tommy Victor brings his pioneering alt-metal band
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metroactive MUSIC
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
49
PARRANDA NIGHTCLUB
A PERFECT FINISH
Thu-Sat: Live music. Sunnyvale.
STEPHENS GREEN
Fri, 9pm: Mark Arroyo Jazz Trio. Sat, 9pm: The 3/4 Crowd Jazz Trio. San Jose.
Tue, 7:30pm. Irish music. Mountain View.
POOR HOUSE BISTRO
WOODHAM’S LOUNGE Fri: Pro Jam with local rock musicians. Santa Clara.
World
Jazz/Blues
AGENDA LOUNGE Wed, 8pm: Salsa. $5. Thu, 8pm: Banda nights. Fri, 8pm: Rock en Español. San Jose.
ALBERTO’S Wed: Bachata. Thu: Salsa with Pantea. Fri: Salsa. Sat: Latin night. Mon: Argentine Tango. Tue: Salsa with Pantea. Mountain View.
ANGELICA’S BISTRO Fri, 6:30pm: Christian LaPaglia. $8/$12. Mon, 7pm: A Swingin’ Affair and Jazz Jam. No cover. Redwood City.
ART BOUTIKI Every second Thu, 7pm: Jazz jam. $5. San Jose.
BBC GASTROPUB
ANGELICA’S BISTRO
Fri, 6pm: Live jazz. Menlo Park.
Fri, 8:30pm: Fiesta Flamenca. $20/$25. Redwood City.
BLUZ BY-YOU
ARYA GLOBAL CUISINE Fri-Sat, 8pm: Live music and belly dancing. Tue: Dinner and performance by Italian tenor Pasquale Espositio. Cupertino.
AZÚCAR Thu, 9pm: DJ Che live video mixing. Fri, 9pm: Latin rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban & Latin fusions. Tue, 9pm: Dinner, live music with Angel Zelada and more for Valentine’s. San Jose.
More listings:
METROACTIVE.COM
Fri: Brad Wilson. Sat: Bonedrivers. Santa Clara.
Wed, 6-9pm: Ron Thompson. Thu, 6-9pm: San Jose Jazz Blues Thursday with David Landon Band (CD-release party). Fri, 610pm: John Nemeth Band with John Lee Sanders. Sat, 6-10pm: Terry Hanck Band. Sun, 2-6pm: Junior Watson & Friends. Mon, 6-9pm: Lundi Gras & Ukulele Jam Night. Tue, 5-9pm: Mardi Gras (Fat Tuesday) with the Montegos. San Jose.
TESSORA’S Fri, 8:30pm: South City Blues. Sat, 8:30pm: Scotty Griffin Trio. Campbell.
UNWINED Thu & Sat, 7pm: Live jazz. San Jose.
GRAND DELL SALOON
WINE AFFAIRS
Thu, 8pm: Blues Jam with Aki, featuring Andy Santana. Fri, 8pm: Johnny Neri Band. Sat, 8pm: Jimmy’s 60th birthday bash. Campbell.
Wed-Thu, 7:30pm: Live jazz. San Jose.
C&W/Folk
HEDLEY CLUB
ALICE’S
CASCAL
Every first and third Wed, 7:30pm: Hedley Club Jazz Jam. Thu, 8pm: Russo-Alberts Trio. Fri, 8:30pm: Harold Fethe. Sat, 8:30pm: JP & the Rhythm Chasers. Hotel De Anza, San Jose.
Fri, 9:30pm & Sat, 9pm: Live music. Mountain View.
J.J.’S BLUES CAFE
Thu, 7pm: Live acoustic music. Woodside.
ORCHARD VALLEY COFFEE Fri: Skidanenko and Green Bluegrass Duet. Campbell.
THE SADDLE RACK Wed, 9pm: Wild at Heart. ThuFri, 9pm & Sat, 10:15pm: Diablo Road. Sat, 7:15pm: Rodeo House. Fremont.
Tue: Irish dancing. Sunnyvale.
Wed, 9pm: Blues Angel. Thu, 9pm: Madylan Rose. Fri, 9pm: Dog House Riley. Sat, 9pm: Sammy Varela. $10. Sun, 9pm: Stevie B. Mon, 9pm: Diamond 99. Plus Pro Jam. Tue, 7pm: Blue J, Liar’s Club. San Jose.
LIQUID
LIQUID
THREE FLAMES RESTAURANT
Tue: Rock en espanol. San Jose.
Wed: JC Smith Band. San Jose.
MOROCCO’S MV
LILLY MAC’S
Thu, 9pm: Bit & Spur Band. Sun, 8pm: Rebecca West. San Jose.
Wed, 6pm: Middle Eastern music. Thu, 6pm: Flamenco guitar with Paul Renslow. Fri, 6pm: The Dan Goghs. Sat, 6pm: Belly dancing. Sun, 6pm: World music. Mon, 6pm: Moroccan music. Tue, 6pm: Johnny Williams. Mountain View.
Fri, 9:30pm: Laura Price. Sunnyvale.
MOROCCO’S SJ
LOS GATOS BREWING CO. SJ
HUKILAU Fri: Shaka. Sat: Na Kalohe Kane. San Jose.
LILLY MAC’S
Wed, 6pm: Acoustic guitar with Jack. Thu, 6pm: Johnny Williams. Fri, 6pm: World music. Sat, 6pm: World music and magic. Sun, 6pm: Moroccan music. Mon, noon on: French music. San Jose.
SAM’S BBQ Wed, 6pm: Sidesaddle & Co. Tue, 6pm: Cabin Fever. San Jose.
Open Mic
LOFT BAR AND BISTRO Thu, 7-10pm: Live jazz. San Jose.
ANGELICA’S BISTRO
LOS GATOS BREWING CO.
Tue, 7pm: Open mic. Redwood City.
Fri: Dueling pianos. Los Gatos.
BAMBOO LOUNGE Thu & Sat: Dueling pianos. San Jose.
Mon, 7pm: Musical open mic for singer-songwriters. Sign up at 7pm. Free. San Jose.
MURPHY’S LAW
BAREFOOTCOFFEEROASTERS
Thu: Maneck. Fri: Dave Abbott Band. Sat: Chris Cobb Band. Mon: Pro blues jam. Sunnyvale.
Wed, 7pm: Musical open mic. Sign up by 5pm. Santa Clara.
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FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.ccom | metr metroactive.com met oactive.com active.com
MONTALVO ARTS CENTER
Carriage House Theatre Concert Series GEORGE KAHUMOKU JR. and MASTERS OF HAWAIIAN MUSIC
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
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with Dennis Kamakahi, Uncle Richard Ho’opi’l and Bobby Ingano
SUN, MAR 11, 7:30PM “…every performance is the essence of aloha” – popmatters.com
Grammy Award winner, master slack key guitarist George Kahumoku Jr., known as “Hawaii’s Renaissance Man” is joined with Dennis Kamakahi, award-winning slack key guitarist and prolific songwriter of many famous Hawaiian standards; Uncle Richard Ho’opi’l, ukulele and vocals; and Bobby Ingano, renowned lap steel guitarist. This will be an unforgettable evening in celebration of the true essence of aloha. The music of George Kahumoku Jr. also appears in the award-winning 2011 film “The Descendants.”
metroactive MUSIC 50 BLUE ROCK SHOOT Thu, 7:30pm: Open mic. Saratoga.
BRITANNIA ARMS CUPERTINO
7 BAMBOO
BRITANNIA ARMS CUPERTINO
Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.
Wed & Sun, 10pm: DJ UncleHank. San Jose.
Sun-Tue, 10pm: Karaoke. Cupertino.
BRITANNIA ARMS DOWNTOWN ALEX’S 49ER INN
Wed, 9pm: August. Mon, 9pm: Comedy with Mr. Walker. San Jose.
Nightly, 9pm-2am: Karaoke. San Jose.
BRIX Tue: Karaoke. San Jose.
CAFFE FRASCATI
“Very sharp work. Kyle has imagination and skill” - The Observer, UK
Son of actor Clint Eastwood, Paris-based jazz musician Kyle Eastwood has become a star in the jazz world. An accomplished and multi-talented musician and composer, his second album, Paris Blue, rose to number one on the French jazz charts. About his work he says, “My roots remain in jazz but I like adding all kinds of different flavors.” Eastwood composed pieces of music for several of Clint Eastwood’s films, including “Mystic River” and “Million Dollar Baby.”
TAJ MAHAL & THE TRIO FRI, APR 13, 6:30PM & 9PM “No artist has stretched the definition of blues like Taj Mahal” - Christian Science Monitor A two-time Grammy Award winner, Taj Mahal is one of the most influential American blues and roots artists of the last 50 years. A self-taught composer and multi-instrumentalist, Taj Mahal has done much to reshape the definition and scope of blues music over the course of his long career by gathering and distilling countless musical traditions from a wide range of geographical and cultural sources.
15400 Montalvo Road, Saratoga, CA 95070
BRITANNIA ARMS ALMADEN
AZÚCAR
FRI, APR 6, 8:00PM
Box Office, 408.961.5858, M-F, 10am-4pm ticketmaster.com or montalvoarts.org
Karaoke
Wed, 9:30pm: Open mic. Cupertino.
KYLE EASTWOOD BAND
Free on-site parking!
More listings:
METROACTIVE.COM
Tue, 7pm: Open mic. Free. San Jose.
CITY ESPRESSO Fri, 7pm: Open mic. San Jose.
DA KINE CAFE Tue, 6:30-9:30pm: Open mic. Music, poetry, etc. Sunnyvale.
Thu, 10pm: Melissa and Heather. Santa Clara.
BBC GASTROPUB Mon, 9:30pm: Karaoke. Menlo Park.
THE COURTS LOUNGE Thu, 9pm: Vinnie. Sat, 9pm & Mon, 9:30pm: Joe. San Jose.
THE BEARS Fri, 9pm: Ryan. San Jose.
CREEKSIDE LOUNGE
BENNIGAN’S GRILL
HOT JAVA COFFEE ROASTING
Sat, 9pm: August. Santa Clara.
Tue, 6:30pm: Hot Acoustic Tuesdays. Open mic for instrumentalists, vocalists, poets and more. Morgan Hill.
BLACK CARD LOUNGE
DASILVA’S BRONCOS
Thu, 8pm: KJ Bob and Starmaker Karaoke. San Jose (upstairs at El Palenque Restaurant).
Wed: Karaoke. Thu, 9pm-1am: Karaoke. Santa Clara.
DIVE BAR
JOHNNY V’S
Wed, 9:30pm: Karaoke. San Jose.
Wed: The Cypher. Hip-hop open mic. San Jose.
MISSION CITY ROASTING CO.
MOUNTAIN CHARLEY’S Celebrating 100 Years! 1912-2012
C&J’S SPORTS BAR
Wed, 8pm, and Sat, 8:30pm: KJ Bob and Starmaker Karaoke. San Jose.
Thu, 7pm: South Bay Folks Open Mic. Santa Clara. Presented by
Wed, 9pm: English and Spanish karaoke and dancing. San Jose.
Wed, 8-11pm: Live music, comedy and poetry. Los Gatos.
NINE LIVES Fri, 8pm: Open mic. No cover. Gilroy.
EFFIE’S RESTAURANT BLINKY’S CAN’T SAY Fri, 9pm-1am: Danielle. Sat, 9pm-1am: Karaoke. Santa Clara.
Thu, 8pm: Karaoke. San Jose.
Wed-Thu and Mon, 8pm: Karaoke. No cover. Sunnyvale.
EL TORITO RESTAURANT
BLUE MAX Fri-Sat, 7pm: Karaoke. Sunnyvale.
Tue, 6pm: Open-mic night. San Jose.
BLUE PHEASANT Tue, 7pm: Steve Tiger. Cupertino.
QUARTER NOTE
Fri: KJ Bob and Starmaker Karaoke at 7pm, followed by DJ at 10pm. Santa Clara.
FAHRENHEIT ULTRA LOUNGE Tue, 9pm: Partyoke. Beer pong and karaoke. San Jose.
FIREHOUSE GRILL & BREWERY
Sun & Wed-Thu: Pro jam. Sunnyvale.
Sun, 7pm-close: Uncle Dougie Show. Palo Alto.
RED ROCK COFFEE CO.
SONOMA CHICKEN COOP
EL RANCHO SPORTS BAR
BLUE BONNET BAR
POOR HOUSE BISTRO
Mon, 7pm: Cavin and King’s Open Mic. Mountain View.
Wed-Sat and Tue, 9pm-2am, & last Sun of every month, 2-7pm: B&S Karaoke. Campbell.
BOGART’S LOUNGE Wed, Fri and Sun, 8pm-2am: KJ Dennis. Sunnyvale.
FLAMES COFFEE SHOP Wed-Sat and Tue, 9pm: Uncle Dougie Show. No cover. San Jose.
Wed, 8:30pm: Open mic. Campbell.
BOSWELL’S Tue: DJ Davey K. Campbell.
GALAXY
SUNNYVALE ART GALLERY
BOULEVARD TAVERN
Thu, 9pm-2am: August. Milpitas.
First and third Thursday of every month, 7pm: The Canvas. Open to all performers. Sunnyvale.
Thu: Karaoke. Los Gatos.
GILROY BOWL
BRANHAM LOUNGE
Thu-Sat, 9:30pm: Karaoke. Gilroy.
THREE FLAMES RESTAURANT Wed, 8pm: Open-mic night with Anita. Willow Glen.
Thu and Mon: Karaoke. San Jose.
HUDDLE Wed-Thu and Sun, 9pm: Wild Nights Karaoke. Fremont.
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CONCERT
underground Bay Area hip-hop.
Lyrics Born IN 1997, Latyrx’s debut Latyrx (The Album) changed the very idea of what Bay Area underground hip-hop could sound like. Fifteen years later, Lyrics Born is still changing minds and waking up ears as a solo artist, and still working with the other half of Latyrx duo, Lateef the Truthspeaker, who guests on his new Club Fox mixtape, Variety Show Season Five. Set to drop at the end of this month, Season Five is unlike any of Lyrics Thu, Feb. 16 Born’s previous Variety Show mixes. All of the remixes are two-step and boogie, mixed by DJ Icewater. The 9pm; $20 Japanese-born, Berkeley-raised rapper revisits songs like “Later That Day,” “As You Were,” “Overnight Encore,” and “The Bay.” Besides his former partner in Latryx, Lyrics Born’s guests on the new one include Far East Movement’s Proh, Sam Sparro (their collaboration “Coulda Woulda Shoulda” is mashed up here with Teena Marie’s “Square Biz”), Trackademicks, Francis & the Lights and more.—Steve Palopoli
KYOTO PLACE
QUARTER NOTE
Wed, 7pm: Karaoke. Sunnyvale.
Mon: Ed. Tue: Sue and Sherrie. No cover. Sunnyvale.
LILLY MAC’S Thu: Karaoke. Sunnyvale.
RED STAG LOUNGE
LIQUID
Nightly karaoke, 9pm-1:30am. San Jose.
Mon: Karaoke. San Jose.
THE GOOSETOWN LOUNGE Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.
JERSEYS Sat: Karaoke. Campbell.
JOHNNY V’S Sun: Sunday Funday. Karaoke. No cover. San Jose.
KATIE BLOOM’S Sun, 9:30pm-1:30am: Karaoke. Campbell.
KC BAR AND RESTAURANT Wed, 8pm: Desmond. San Jose.
KHARTOUM Thu, 9pm: DJ Davey K. Campbell.
KING OF CLUBS Thu & Sun-Mon, 8:30pm: Bruce of KOR Karaoke. Mountain View.
MARIANI’S
REDI ROOM
Thu, 8pm: Chris. Santa Clara.
Thu-Sat, 9pm: DJ Curtis. San Jose.
NETO’S MARKET & GRILL
ROSIE MCCANN’S
Fri, 6:30-10:30pm: Bands with live karaoke. Santa Clara.
Tue, 8:30pm: Karaoke. No cover. Santana Row.
OASIS
RUDY’S PUB
Wed and Fri-Sat, 8:30pm: Doug. Sunnyvale.
Wed, 10pm: Purple. Palo Alto.
OFF THE HOOK
SAN JOSE BAR & GRILL Tue: Kamikaze. San Jose.
Thu, 8pm: Karaoke. Campbell.
PEACOCK LOUNGE Thu, 9pm: Matt. Sun, 9pm: DJ and karaoke. Tue, 9pm: DJ Ryan. Sunnyvale.
A PERFECT FINISH Thu, 8:30pm-midnight: Karaoke with Jordan River Productions. San Jose.
SOUTH FIRST BILLIARDS Sun: Karaoke. San Jose.
TEQUILA SHOT’S BAR & GRILL Wed, 9pm: Karaoke Contest. Thu-Sun, 9pm: August. Milpitas.
THREE FLAMES RESTAURANT Mon, 8pm: Chris. Tue, 9pm: Randy. San Jose.
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FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
THE BORN LEGACY Lyrics Born redefined the sound of
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metroactive MUSIC
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
53 WOODHAM’S LOUNGE Thu & Sat, 9:30pm: Wild Side. Santa Clara.
Dance Clubs AGENDA Wed, 8pm: Salsa Wednesdays. Thu: Antromix. Banda nights. Fri: Rock en Español. San Jose.
AZÚCAR Thu, 9pm: DJ Che live video mixing. Fri, 9pm: Latin rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban & Latin fusions. Tue, 9pm: Salsa. San Jose.
MOUNTAIN CHARLEY’S
9pm: Legacy. $10. Mon, 9pm: Industry. Tue: College Night. San Jose.
Wed, 7pm: House Party. Thu, 7pm: Throwback Thursdays. Los Gatos.
JOHNNY V’S
MYTH TAVERNA LOUNGE
Mon: Hip-hop with DJ Casper. San Jose.
Thu: Therapy. Fri: Soul Therapy. San Jose.
KATIE BLOOM’S
SABOR TAPAS BAR
Thu-Sat, 9:30pm: DJs and dancing. Campbell.
Thu-Sat: DJs and dancing. Sun: Reggae. San Jose.
KING OF CLUBS
SAN JOSE BAR & GRILL
Fri, 9:30pm: Club Brinca. Tue, 9pm: Nox. Mountain View.
Wed: Wingy Tango night. Thu: Paradisco Nights. Fri: Video Junkie Fridays. Sat: Sapphire Saturdays. Sun: Sinful Sundays. Mon: Manic Mondaze. Tue: Buck Wild Tuesdays. San Jose.
LILLY MAC’S Sat, 9:30pm: Latin night. Sunnyvale.
LIQUID
Sat, 9pm: Thick & Sexy Saturdays. $10. San Jose.
Thu: DJ Tesfa and rotating DJs, reggae, hip-hop. Fri-Sat: Rotating DJs, including Remedy, Goldenchyld and others. Sun: Live music. San Jose.
THE BLANK CLUB
LOFT BAR AND BISTRO
Thu, 9pm: Atomic with DJ Basura. $10. Sat, 9pm: Club Satori with DV Vitus and DV Kevin. $5. San Jose.
Fri-Sat, 10pm: Live DJ. San Jose.
BAMBOO LOUNGE
More listings:
METROACTIVE.COM
STUDIO8 Thu: Future of Pop. Fri: Mardi Gras Model Search. Sat: 99.7 presents Bitter Ball 2012. San Jose.
LOS GATOS BAR AND GRILL
THREE FLAMES RESTAURANT
Fri: BeatzBoutique. Sat: Video Killed the DJ. Los Gatos.
Fri-Sat, 9pm: DJs. San Jose.
WILLOW DEN
MIAMI BEACH CLUB
Wed-Sat, DJs. Willow Glen.
Thu-Fri: Top 40, club hits, hip-hop, Latin. Sat: DJ Nelly presents. San Jose.
ZEN LOUNGE Wed: Lil Saturday. Thu: 24 Thursdays. Fri: Fabulous Fridays. Mountain View.
MOTIF Fri-Sat: DJs & dancing. San Jose.
BRITANNIA ARMS ALMADEN Thu, 10pm: DJ Kaos. San Jose.
BRITANNIA ARMS CUPERTINO
San Francisco’s City Guide
Thu, 10pm: Live DJ. Cupertino.
BRITANNIA ARMS DOWNTOWN Thu: VJ mixing with DJ Benofficial. Fri, 10pm: DJ Christiano Intrigue. Sat, 10pm: DJ Junky. San Jose.
C&J’S SPORTS BAR
POMPLAMOOSE Quirky YouTube sensations in danger of being usurped by even-more-twee Karmin. Feb 18 at Great American Music Hall.
TREY SONGZ “Bottoms Up,” “Neighbors Know My Name,” “I Invented Sex”—hits galore, here. Feb 19 at the Paramount Theater.
Wed & Sat, 10pm: DJ. Fri, 8:30pm: Sizzling. Salsa night. Santa Clara.
HOT CHELLE RAE
DIVE BAR
THE FRAY
Thu-Sat, 9:30pm: DJs. San Jose.
THE ELEGANT PUB Fri-Sat, 9pm: DJ Checo. Evergreen Inn, San Jose.
FAHRENHEIT ULTRA LOUNGE Wed, 9pm: Wine Wednesdays. Thu, 9pm: The Heit Thursdays. Fri, 9pm: For the Love. 10. Sat,
Interminably peppy boy-toy rock band pose for cameras, sing about love, invade tweens’ hearts. Feb 20 at Slim’s. Piano-rock torchbearers from Colorado deliver majestically on Christian-church roots. Feb 20 at the Fox Theater.
CURSIVE Long-running Omaha emo powerhouse returns with new album “I Am Gemini” and free in-store. Feb 21 at Amoeba SF.
More San Francisco events at www.sfstation.com.
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FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.ccom | metr metroactive.com met oactive.com active.com
A LLT TERNA AT TIVE MEDICINE metroactive.com metr oactive.com | sanjos sanjose.com se.com | metr metrosiliconvalley.com osiliconvalley.com | FFEBRUARY E B R U A RY 15-21, 15-21 2012
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11 57 FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.com | metr metroactive.com oactive.com
Amber
Pearl
Only y at YB Y Amber Pearl Pear 2129 S. 10th St. 2129 $5 Concentrates C $15 Gm Va Vader Vader Kush (Indica (Indica) a) Buy uy 1 Edible e get 2nd at 40% O OFF
“Consume “Consu C n ume the tth Fi Fire! Fire!” !!” Mon - Sat 10 AM - 9:00 PM Sunday 11 AM - 8:00 PM
1-888-539-8470 Visit us at www.YBcollective.com A NONPROFIT ORGANIZATION OPERATING IN STRICT ACCORDANCE W/ CA PROP 215 & SB 420 CA HS.11362.5 & HS11362.7
A LLT TERNA AT TIVE MEDICINE
2129 S. 10TH ST. San Jose, CA 95112
metroactive.com metr oactive.com | sanjos sanjose.com se.com | metr metrosiliconvalley.com osiliconvalley.com | FFEBRUARY E B R U A RY 15-21, 15-21 2012
58 10
2YR ANNIVERSARY SALE WHILE SUPPLIES LAST
$199
PER OZ. PLUS TAX
Mix & Match 20 Indoor Strains At $45 Cap For 1/8ths SAN JOSE’S FINEST
3851 Charter Park Drive · Suite Q · San Jose 408.912.1780 · Mon-Fri 12-7 · Sat 12-5 · Closed Sundays
the Metro photo exhibit South First Fridays @ 550 S First
Illustration by Chris Hack
A LLT TERNA AT TIVE MEDICINE
featuring local photographers
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FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.com | metr metroactive.com oactive.com
A LLT TERNA AT TIVE MEDICINE
metroactive.com metr oactive.com || sanjose.com sanjose.com sanjos se.com || metrosiliconvalley.com metrosiliconvalley.com metr osiliconvalley.com || FEBRUARY FFEBRUARY E B R U A RY 15-21, 15-21, 15-21 2012 2012 metroactive.com
A LLT TERNA AT TIVE MEDICINE
Prop 215 Week
UNBEATABLE PRICES
Jessica Shirley-Donnelly
60 10 60
420
HOOKAS & WATER PIPES
Inline Water Pipes
$6999 VAPORIZERS
Vaporite Digi $100
Sativa Solidarity 36 N. Saratoga Ave. at Stevens Creek 3ANTA #LARA s 408·241·2177
LOOKING FOR CLOUT After years in the high-tech industry, Gary Salvatore is now trying to decode the city’s tangled policies on marijuana collectives.
W
HEN IT came time for Gary “Ace” Salvatore, owner of SVCare, to plead his case with city officials at San Jose’s City Hall, he had the feeling of walking into a Michelin-starred restaurant minus the shirt and shoes. Phone calls went unreturned. Meetings were promised but never made. After working in the high-tech industry for 15 years and spending a decade with PricewaterhouseCoopers, Salvatore was lost and shunned in his attempt to traverse the muddy waters of running a medical marijuana collective where nothing is legal and everything is taxable. When city officials talked tough last spring about capping collectives at 10 and changing requirements ranging from zoning and the legality of edible products to where the pot should be grown, Ace realized he was in over his head. Looking for a seat at the table, SVCare took up an informal partnership with the United Food and Commercial Workers union
(Local 5), which has been avidly pursuing the medical marijuana industry. Last week, SVCare became the city’s first unionized dispensary by formalizing a deal with Local 5. “It lends credibility to the industry,” Salvatore says. “We wanted a partner in this going forward, because we’re in the fight for our lives. “I think we get a little bit more recognition when were talking to these politicians who don’t know us. We’re kind of ‘nuisance’, but when they’re talking to us as a union it’s a little different approach.” Matthew Witemyre, a co-chair for the Citizens Coalition for Patient Care (the group that galvanized a successful referendum drive to kill the city’s planned ordinance), organized SVCare’s entry into Local 5. CCPC is a coalition of 20 collectives that spawned out of a smaller group that was called MC3. Salvatore is a board member. The process of joining Local 5 was relatively simple, according to Witemyre, but it was clearly a process of building trust through relationships. Local 5 representatives talked to Salvatore and his wife,
Eydie, to see if they could gauge workers’ interest in a “card check neutrality agreement.” When more than 50 percent of workers turned these cards back in saying they were interested in learning more, the union began contract negotiations by talking to management and employees to better understand the work environment. Contracts for a collective bargaining agreement on wages, hours and holiday and paid-time off were drawn up, and employees unanimously voted to approve the agreement, Witemyre says. “That’s the goal—to have closed shops,” he adds, using the term of having everyone in agreement. “This industry shouldn’t be about getting rich quick. It should be about dignity and providing a good job and providing quality health care.” Local 5 is continuing talks with other dispensaries in San Jose, including Cinnabar Health Collective. “I feel that the industry is really starting to come around to that and so we’re here for the long haul,” Witemyre says.—Josh Koehn
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A LLT TERNA AT TIVE MEDICINE
A LLT TERNA AT TIVE MEDICINE metroactive.com metr oactive.com | sanjos sanjose.com se.com | metr metrosiliconvalley.com osiliconvalley.com | FFEBRUARY E B R U A RY 15-21, 15-21 2012
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FFEBRUARY E B R U A RY 15-21, 15-21, 2012 | m metrosiliconvalley.com etrosiliconvalley.com | sanjose sanjose.com e.com | metr metroactive.com oactive.com
A LLT TERNA AT TIVE MEDICINE
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
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EMPLOYMENT K<:?EFCF>P Cypress Semiconductor Corporation, leading provider of high-performance, mixedsignal, programmable solutions, has openings in San Jose, CA for Product Marketing Engineer Sr. (PME06): Perform all aspects in developing of New Product/Solution Plans (requires 20% travel); IT Project Manager Staff (ITPM01): Responsible for project planning and execution. Manage Project scope covers multiple functional areas and teams; and Sr. Applications Engineer (AE10): Develop mixed signal solutions using Programmable System on Chip (PSoC) (requires 5% travel). If interested, send resume (must reference job code) to: Cypress Semiconductor Corp, Attn: AMMO, 198 Champion Court, M.S. 6.1, San Jose, CA 95134.
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Silicon Image, Inc. has the following job opportunity available in Sunnyvale, CA: Senior Engineer: Responsible for the characterization of core technologies as well as the design verification and validation. Mail resume to : Silicon Image, Inc., Attn: Carine Stouffer, HR, 1140 East Arques Avenue, Sunnyvale, CA 94085. Must reference job code IM1029.
Bay Area Trucking and Construction Company is seeking 10 wheeler, transfer and double bottom and end dump drivers for local construction material hauling. All work is daily some nights and weekends on occasion no long haul, you will be home with your family daily. Must have clean DMV, Class A lic. at least 2 years experience, read, write and speak fluent English as well as pass pre employment and random drug screening. Compensation is competitive and based on experience and performance. Please fax resume as well as current (less than 30 days old) DMV print out to 408-971-9942. No phone calls please!
Saama Technologies, Inc. seeks Solutions Lead, Life Sciences. Define & drive product dev. w/focus on business intelligence solutions for healthcare & life sciences. Employer paid travel reqd. Resume to worksite: 900 E. Hamilton Ave. 120 Campbell CA 95008.
JXe;`jb :fig% seeks a Staff Device Engineer in Milpitas, CA. Reqs PhD in EE, Material Science or Applied Physics. Mail resumes to HR Representative, 601 McCarthy Blvd. Milpitas, CA, 95035. Must reference job code #9049BR.
JfcXi`X :fig has an opening in Fremont, CA for Sr Sys Eng. Provide tech supp for systems definition purchase, config, install, tune, mntnnc & upgrd of server HW/SW. Mail resume ref job # VT012 to HR Dept, Solaria Corp, 6200 Paseo Padre Pkwy, Fremont, CA 94555.
:fdglk\i Å Infogain Corporation seeks Information Systems Analyst to work w/business units to understand & define requirements for call treatment, routing & operational management; and design & implement solutions. Employer paid travel required. Mail resumes to worksite: 485 Alberto Way, #100, Los Gatos, CA 95032, Attn: A. Singh.
Hl`ek`o :fig% a S/W Dev. Co, San Jose, CA, has openings for Sr. S/W Dev. Develops complex bus. apps; Siebel intg w/ ALSB using MQ Series; Business srvcs/WF/EAI; XML intf; Perf tuning; ODS; EIM. Send resume to quintixhr@gmail.com
J\Zli`kp&9fleZ\ij E\\[\[ wanted 5 nights a week 9pm-2am. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737
FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
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metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
68
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req. to teach Chinese (Mandarin) Language. Work location: Palo Alto, CA. Mail resumes to: H.R. Dept Job # 1310. Castilleja School. 1310 Bryant St, Palo Alto, CA 94301.
has a Global Segment Marketing Director job opportunity available in San Jose, CA. Responsible for identifying the segment Marketing strategy and developing the goto market plan per segment and managing the segment Marketing team of the Authentication Product Line. Mail resumes to 1109 McKay Drive, MS #01, San Jose, CA 95131, Attn: HR Coordinator. Must reference job title and job code (GSMD1) in order to be considered. EOE.
Blue Coat seeks Sr. Sta QA Engineer in Sunnyvale, CA. BS degree/5 yrs. exp. req. Must have unrestricted U.S. work authorization. Mail resumes to: StaďŹƒng Program Mgr., Blue Coat Systems, Inc., 410 Mary Ave., Sunnyvale, CA 94085. Must reference job code 5184.
IX[`fe @eZ seeks Medical Physicist. 3D RapidArc IMRT CyberKnife SBRT HDR plans. QA & chart checks. Some local travel. Res: HR, 20380 Town Ctr Ln #135, Cupertino CA 95014. Details: www.radionglobal.com
GX`[ @e 8[mXeZ\ Make $1,000 a Week mailing brochures from home! Guaranteed Income! FREE Supplies! No experience required. Start Immediately! www. homemailerprogram.net (AAN CAN)
=ifek ;\jb 8[d`e&JXc\j Dance studio in Campbell seeking a mature, responsible and exible individual to greet & check in customers, answer phones, sell studio dance programs, book lessons, maintain instructor calendars, etc. Sales/retail experience is required and must be available Mon-Sat. This is a part time position. Please fax resume to [ tel:408.626.7107 ]408.626.7107. OR call 408-371-9722.
?<CG N8EK<; Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easyworkjobs.com
<e^`e\\ij ELECTRICAL ENGINEERS II needed in the San Jose, CA area. Coordinate engg. dvlpmnt w/ Mechanical/Software/QA Enggrs in product devel., design, ďŹ rmware/ software prog., debugging & veriďŹ cation. Work w/C/C++, Assembly, Verilog, VHDL, MPLAB, AVR studio. Occasional internat’l travel reqd. Send res. to: Mountz, Inc., 1080 N 11th St., San Jose, CA
Spirent Communications, Inc. is seeking a
Systems Engineer Sunnyvale, CA Provide direct pre-sales & post-sales support to key customers in Silicon Valley area. Req: Master’s deg (or FDE) in Comp Sci, Elec Engin’ing or rel field & 3 yrs technical exp in telecommunications/data communication. All of the exp must include providing direct pre-sales & post sales support to customers; coordinating delivery of product presentations & tech support to customer accounts; identifying, qualifying & developing customers to close key strategic opportunities; providing tech sizing & configuration advice to Account Managers; & identifying new features & product req’s using IP & Ethernet technologies. The 3 yrs of exp must also include use of the following systems & technologies: Data Center Ethernet, 100/40/10GigEth, IPv6, Metro Ethernet, ATM, Routing, Broadband access, ADSL2+, and VDSL. In lieu of a Master’s deg & 3 yrs of exp, will accept a Bach deg in the aforementioned fields of study & 5 yrs of the stated exp. Resumes to T. Yamashita, Spirent Communications, Inc., 26750 Agoura Road, Calabasas CA 91302.
<e^`e\\i`e^ Lumileds Lighting, LLC has the following job opportunity available in San Jose, CA : Senior Sta Characterization Scientist (SSCS-CA) - Participate in LED product development teams and work closely with project technical lead and subject matter experts. Submit resume by mail to: Philips People Services, International Mobility, 200 Minuteman Rd, MS 5303, Andover, MA 01810. Must reference job title and job code SSCS-CA.
Af`e fli ZXdgX`^e kf cfn\i _\Xck_ZXi\ Zfjkj% Full time jobs at $12/hr plus bonuses. 408-506-7941.
<e^`e\\i&]X`cli\ XeXcpj`j Xk D`cg`kXj# :81 perform circuit-editing & x-section using focused Ion Beam system for design engineering, product engineering, process engineering, quality assurance & failure analysis. resume to hr@linear.com. Refer to job#852 when apply. Linear Technology Corporation.
<e^`e\\i Microchip Technology seeks Sr. Product Marketing Engr (SPME-CA) in San Jose, CA. Create & maintain mktg materials rltd to SuperFlash. Lead mkt research & analysis. Execute mktg strategy & business plan. MS or equiv+2 yrs exp. Send resumes to: #AllSiliconValleyHR@ Microchip.com. Must ref title & code.
9Xik\e[\i & :fZbkX`c J\im\ij Full Time or 6 AM Part Time shift available. Apply morning’s only. Alex’s 49er lounge, 2214 Business Circle, (San Carlos & Bascom), San Jose. 408/279-9737
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<E>@E<<I $ Cavium, Inc. seeks a Sr. Product Engineer to apply electrical engineering expertise to the design, fabrication and testing process of Cavium’s semiconductors products. Worksite: Cavium, Inc., 2315 N. First Street, San Jose, CA 95131. Email resume to: USjobs@caviumnetworks. com (Reference Job: PETL02).
8Zk`m`jkj Earn $300+ per day gathering signatures. Unlimited income potential, exible hours. 408/830-4164; 954-616-7736
FAMILY SERVICES <d\i^\eZp DfY`c\ ;\ekli\ I\gX`i Denture repair takes an hour to complete on site in your place. 408-940-6508
Talk with caring agency specializing in matching Birthmothers with Families nationwide. LIVING EXPENSES PAID. Call 24/7 Abby’s One True Gift Adoptions 866-413-6293 (Void in Illinois)
TRANSPORTATION :8J? =FI :8IJ1 Any Car/Truck. Running or Not! Top Dollar Paid. We Come To You! Call For Instant Oer: 1-888-420-3808 www.cash4car.com
FOR SALE J<8JFE<; <L:8CPGKLJ $265/CORD $25/DELIVERY $25/STACKING. HELP US CONTROL CALIFORNIA’S BIGGEST WEED! MICHAEL (831) 750-7076
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Is your daily life compromised by Asthma? If yes, you may be able to help. Ages 18-65 using prescribed medications but still compromised by your asthma symptoms. Please consider screening for a clinical research study of an investigational medication. Participants are compensated for their time and travel up to $1,750.00 No insurance is necessary.
Allergy & Asthma Associates of Santa Clara Valley Research Center 408.553.0709 ext. 237
4050 Moorpark Avenue, Suite 6 San Jose, CA 95117 280 to Saratoga Avenue Exit “South� mthompson@allergycare.com
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FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
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Needed immediately for upcoming roles $150-$300/day depending on job requirements. No experience, all looks. 1-800-560-8672 A-109 for casting times /locations.
metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
70
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Come Play on the easy terrain at DEER CREEK MELODY. 10 Acres, just 2 miles in, on a well maintained private road, off the grid, lots of sun, and plenty of water with approx. 200 ft. of accessible year around creek frontage. Recreational Parcel. Offered at $212,000. Broker will help show. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
Feel the breeze through the trees from these Breathtaking Sanctuary Acres. Flat and spacious with Beautiful Oak trees, Giant Redwoods, Turkeys and Deer. It’s just too pretty to describe. Excellent location, just minutes to town. Already has Well, Phone & Power. Septic Perc. test completed. Offered at $750,000. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
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12 Gorgeous AC, Off the Grid, in the heart of the Santa Cruz Mtns. Beautiful spot for a Large house. Comes with a stage that opens 40’ by 16’ +, (great for storage, the owner was thinking about an amphitheatre). The amazing landscape in a dreamlike environment, surrounded by Redwoods, Madrones, Oak Trees, and friendly terrain. You’ll never stop exploring & enjoying this unique piece of land, just 8 MI from town. Water & nice neighbors! Great Investment. Approx. 90 member, private Road Assoc. Broker will help show. Offered at $450,000. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
Come explore 290 acres consisting of 11 meandering parcels varying in size from 18 acres to 40 acres. This sprawling land is rough and rugged, ideal for your quads and dirt bikes or saddle up the horses and have your own Lewis and Clark Expedition. Massive, yet pretty much untouched acreage with Timber possibilities. If you appreciate land that is sprinkled with springs, warmed by lots of sun, and has views as far as the eye can see, consider this beautiful spread. Excellent owner financing is available with just 20% down, the seller will carry at 6%. Inquiries welcome. Offered at $850,000. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
IFL>? 8E; KLD9C< Bring your dreams. Travel 3 miles in, on a private road to a bit of the forest to call your own. This 8 AC parcel is pretty much untouched. Approx. 90 member, private Road Assoc. Broker will help show. Offered at $350,000. Broker will help show. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
G<I=<:K G<I:? Approx. 1/2 acre located in Boulder Creek with Stunning Views and many lovely Redwoods. Design your dream home for this unique property. Already has water, power at property line, Approved septic plan, soils report, and survey. Plans Approved & Building permit ready to issue. Easy drive to town, yet feels private. Shown by appointment only. Offered at 140,000. Call Debbie @ Donner Land & Homes, Inc. 408-395-5754 www.donnerland.com
RENTALS
8CC 8I<8J $ IFFDD8K<J%:FD% Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Roommates.com.
HOME SERVICES Gffc&JgX DX`ek\eXeZ\ I\gX`i Free Service for a week! Also specializing in solar. Equipment upgrade saves $ on energy bill. Call for a FREE estimate. Quality Pool Service, 650-575-2511
MUSIC I<:FI;@E> JKL;@F Conveniently located downtown in a professional setting. We record all genres, voice overs, commercials etc. offering production, mixing, and mastering also. 518.496.5703
K_l^Nfic[I\Zfi[j%Zfd Thug World Records explosive label with major features Lil Wayne, G-unit, E-40. Free downloads, mp3s, Ringtones. Looking for talented artist rappers. singers. female models. Call and log on: thugworldrecords.com 408-561-5458 ask for gp
GUITAR & AMP REPAIR 1199 N 5th St. (408) 215-2065 sjrockshop.com
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FEBRUARY 15-21, 2012 | metrosiliconvalley.com | sanjose.com | metroactive.com
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metroactive.com | sanjose.com | metrosiliconvalley.com | FEBRUARY 15-21, 2012
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75 Jessica Shirley-Donnelly
New Wave Prom at BLANK CLUB on Saturday.
Honda Dumitriu
Jen Anderson
Rocky Horror performers at ROCKAGE this weekend
Strike Brewing Co. was pouring at Empire Seven Studios for the JAPANTOWN BEER WALK on Saturday
The 2nd Annual mass pillow ďŹ ght
FEATHERS OF FURY took over downtown San Jose on Sunday
FEBRUARY 15-21, 2011 | metrosiliconvalley.com | sanjose.com | metroactive.com
Christine Kelly
metroactive SVSCENE
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Meet Valeria and Alex. Friends and dancers, photographed in Downtown LA. Valeria is originally from Ukraine and studies economics at USC, and 16-year old Alexandra moved from a farm in Minnesota to live in Los Angeles with her mom and two rescued chihuahuas. The girls are wearing Made in USA cotton basics, available in hundreds of comfortable styles and colors. Retail Locations: Palo Alto—University Ave Burlingame—Downtown Santa Cruz—Pacific Ave Santa Clara—Westfield Valley Fair
Made in USA Sweatshop Free americanapparel.net
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