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The Chocolate Watchband rolls back the clock p15

As the blogosphere dissolves into corporate and social media, a big sucking sound poses a dilemma to independent voices p18

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Vote for this yearâ€™s best @ MetroBestof.com Ramen Green Restaurant Park Hiking Biking Trail Holiday Celebration Community Music Series Hookah Bar Ethnic Market Pearl Teas Smartphone OS Internet TV Option Lawyer, Family Large Law Firm Lawyer, Business Lawyer, Criminal Litigator Small Downtown New Restaurant Restaurant (Culinary Excellence) Chef American Restaurant Cajun Restaurant Seafood Restaurant Chinese Restaurant Japanese Restaurant Business Lunch Small Restaurant Korean Restaurant

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The Voting Has Begun!

THIS T HIS MODERN M WORLD WORLD D

9p T TOM OM TOMOROW TOMOROW

I SAW YOU

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COMMENTS Letters@metronews.com Letters@met tronews.com onews com Metroo welcomess letters. Like any gr Metr great eat work should of art, they shou uld be originals—not copies elsewhere. of material sent elsewher e. Please include your name, city of rresidence esidence and daytime number. telephone numb ber. (Phone number will published.) not be published d.) Letters may be edited correct ffor or length and cclarity larity or to cor rect ffactual actual inaccuracies known inaccur acies kno own to us. SanJoseInside = SanJose Inside

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It’s It’ ’s a Flinch Flinch Gr eat article article by by Cole Cole Smithey! Smithey! (“3D, (“3D,” Great C over Story, Storyy, Feb. Feb. 2). 2). The The “3D” “3D” that that is is Cover b eing pr esentted to us today todaay is sad. I being presented w aant old-school old-scho ool 3D. 3D. Doesn’t Doesn’t anybody an nyybody want rremember emember when when we we used used to to reach reacch out out aand nd try try to to grab grab fairies fairies and an nd dragons? dragons?

When we used to ﬂinch and dodge W dodgee n othing aatt aall ll be cause o ur eeyes yes ttold old nothing because our uss debris w aas ﬂying right at our fac ces? was faces? Sm mithey said it p erfeectly by by calling calling this Smithey perfectly la atest gimmick only a hair above above HD H latest te elevision. T odaayy’s 3D isn’t isn’t 3D at al ll; television. Today’s all; it ’s just 2D-plus. 2D-plus. it’s ER IC O ZIUS | SSAN AN JO SE ERIC OZIUS JOSE

GGreatest Gr eatest H Hits? its? I thi tthink nk Steve Steve Palopoli Palopoli does does a lot lot of of great great m usic w riting, b ut h is p romotion o he music writing, but his promotion off tthe Su uzanne V eega Trio (Metr oactivve, JJan. an n n. Suzanne Vega (Metroactive, 26 6) said that her 19 87 album Solitudee 26) 1987 St tanding ta a brok ke the song “Tom’s “T To om m’s Diner. Dineer.” Standing broke A ctually, tthe he b ig h it vversion ersion o hat Actually, big hit off tthat so ong w aas not the a ccappella appella vversion eersion on o song was So olitude St tanding a g.. It It was was the the 1990 1990 dance dance Solitude Standing. rremix emix ccredited redited tto o ““D.N.A. D.N.A. ffeaturing eaturing S uzanne V ega.” It It eended nded u po n tthe he Suzanne Vega. up on

rremixes emixes ccollection ollection album m Tom’s Toom’’s Album Album.. On page 64 of the sa ame issues same issues,, P alopoli’s p romotion o arreau u ssaid aid Palopoli’s promotion off A All JJarreau he w aas pr obably b est kn nown ffor o or the was probably best known Mo onlighting theme. theme. I think think that’s that’s true true Moonlighting only if TV show familiarity familiaaritty trumps other factors Jarreau’s songs s “W We’re factors.. Jarreau’s “We’re in This Love Love T ogether” and “Mornin’” “Mornin n’” Together” wer oarrd pop pop o chart chart hits, hits, weree bigger Billb Billboard an nd I’ve I’ve heard hearrd b oth o hem m uch and both off tthem much m ore o n ccommercial ommerciall rradio, adio, iincluding ncluding more on fr om m aylists y . from myy old KTID pla playlists. BOB D AVIS | LLOS OS AALTOS LTOS DAVIS

Butcher B utcher B Boy oy I wou ld like like to to ask ask Mr. Mr. von von Busack Busacck would a question question regarding regarding aan n aarticle rrticle h hee wr ote on Dust gﬁeld (“Dust ty wrote Dustyy Spring Springﬁeld (“Dusty in Memor y,” Music, Music, March Maarch 4, 1999). 1999). Memory, H mentions a line line ffrom rom aan no ld b lues Hee mentions old blues

song tthat song hat I h have ave be been en llooking ooking for for yyears. ears. It go oes like like this: “I’m not the goes butcher/ I’m m the butcher’s butcher’s son/ son n/ But I ccan an n cchop hop yyour our m meat eat u until ntil tthe he b butcher utcher ccomes. omes.” N Now, ow, iiff h hee ccould ould ttell ell m mee tthe he the possibly name of th he song and p ossibly the performer, p erformer o , I’d II’d be be most grateful. grateful MARK U SCHERER US MARKUS R ichard v on B usack rreplies: eplies: T hanks ffor or Richard von Busack Thanks kkeeping eeping thee memor ry of an old st toorry aliv e. memory story alive. I be lieve tthat hat tthe he ssong ong iiss ‘‘All All A round believe Around Man’ bbyy Boo C art a teerr. Carter.

Amplification A mpliification Last week’s Last week’’ss Valentine’s Valentine’s cover cover photo photo was was credit the h work workk off many people. people l . The Th full f ll cr redit edi information inf formation o n ffollows: oollows: Bodypainting: Merry Bo dypain nting: Trina Trrina Merr ry Photograph: Phot tograaph: Martin Delfino Wardrobe: W aarrddrroobe: Ashley Ashleey Elieff Hair: Moreno H air: SSandra andra M oreno & James Griffiths (Salon Blu) J ames a G Model: Breanna Parsons Mo del: B reanna e Parrssons

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THEFLY FLY THE

FFull ull Court Couurt Press Press DAVI DAVID V D SSATTERFIELD AT TTERFIELD doesn’t doesn’t claim to be DON DRAPER, DRAPER E , but you’d be a mad Mercury cury News man to think the the former former Mer managing editor editor didn’t didn’t help soften the paper’s paper ’s stance staance toward toward Team Team San Jose. Just a week weeek after Team Teeam San Jose signed with Satterfield’s Saatterfield’s public relations relations firm, Sitrick and and Company, Companyy, Satterfield put together a meeting between the financially delinquent delinquent venue operators operators Mercc’ss editorial board—which board—which and the Mer RACHEL included editorial editorrial writer R ACHEL WILNER, WILNER columnist SSCOTT COTT T H HERHOLD ERHOLD and reporter reporter T RACY SEI PEL. A ent rresult esult TRACY SEIPEL. Ass an appar apparent of that meeting meeting ther theree was a recent recent marked shift on o the paper’s paper ’s part: two glowing articles arrticles about Team Team San Jose Jose’s ’s commitm commitment ment to openness and tr ansparency after a months of scathing transparency criticism. City Attorney Attorney RICK RICK DOYLE DO OY YLE was quoted in a subsequent subsequent Seipel article as saying “it ’s a new day” for for Team Teeam “it’s San Jose, whilee Councilmember PETE CCONSTANT ONSTAN NT was quoted loftily asserting his hope h for “a “a renewed renewed for spirit of openness opennness and cooper ation.” Several S Sever al cooperation.” Don’t days later the forget newspaper lauded lau uded to tip! TTeam eam San Josee in an editorial for for making making FLY@ ““giant giant strides strides”” to METRONEWS. change oper ations. operations. COM T included replacing This replacing TTeam eam San Josee CEO DAN FENTON, D AN FENT ON, who w rresigned esigned g in January, CHUCK January y,, with ski s resort resort owner CHU CK TOENISKOETTER, T OENISKOETTEER, as well as a cosmetic rreorganization eorganization of the nonpr ofit’s board. board. nonprofit’s But newshound ds want ffacts, acts, not ffaces, aces, newshounds and the disclosure disclossure of Fenton’s Fenton’s $180,000 eexit xit package package is is what what truly truly sated sated the the Mercc. This is a somewhat ironic Mer ironic detail, cconsidering onsidering that that the the much-maligned much-maligned Fenton was thee only person who could sign off on making making the disclosure disclosure public. public IInn an an effort effort to to continue continue striking striking while while the the iiron ron is is hot, hot, Satterfield Satterfield and and Team Team San San Jose Jose Valley a also recently recently met m with the Silicon Valley Could another another change change Business Journal Journnal. Could of editorial heart heaart be forthcoming? forthcoming? Fly’s aavailable vailable for for lunch lunch next week.

SVNEWS

Mr. Secretary >FF; >@> >@@> Af_e CXì[ nXj Xggfèk\[ j\Zi\kXip f] k_\ Af_e CXì[ nXj Xggf fèk\[ j\Zi\kXip f] k_\ ie``X EXkliXc I\jfliZ\j 8^ ^\eZp fe AXe% ,% :Xc`]fie`X EXkliXc I\jfliZ\j 8^\eZp fe AXe% ,%

EXkliXc I\jfliZ\j 8^\eZp Z_`\] EXkliXc I\jf fliZ\j 8^\eZp Z_`\] _e CXì[ _e ` [ kXcb k cb b XYflk bj Y k _`j _` e\n Af_e CXì[ kXcbj XYflk _`j e\n gf fjk Xe[ lejj\kkcè^ e\n XY Y`c`kp gfjk Xe[ lej\kkcè^ e\n XY`c`kp kf j`c\eZ\ \ X iffd kf j`c\eZ\ X iffd 9p TRACI R AC I H HUKILL UKILL

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Laird d went w on that h yyear ear to b become ecome o one of thee ﬁrst op openly gay enly ga ay mayors maayorss in the country unttry and to launch a p political olitiical career thee particulars particulars of which ar aree well known now wn in these par parts: ts: as C Cabrillo abrillo Collegee Trustee; T as assemblymem assemblymember mber with an n app aappointment ointment as chairman n of the budget dgeet ccommittee; ommittee; as a ccandidate andid date

ffor o or the state state Senate se seat at rrepresenting epresenting the C Central entral C Coast oast and d par parts ts of Silic Silicon on Valley; now,, in a lleap from V aalley; and now eap fr om the legislative legislativ g e to the eexecutive xecu utive branch,, secretary Resources as secr etary of the Natural Nattural R eesources A gencyy. ““And A And now I’m m sit ting her Agency. sitting heree with industrial solar pr p ojects on m projects myy plate 28 yyears ears later later,” ,” hee says. saayys. The journey journey from from obscure o obscur e solar member California’s ccommission ommission memb er to C aliffo ornia’’s administrattor has gr great eat chief solar administrator dramatic fullfull-circle circle ap appeal, ppeal, but there’s ther e’s not much timee to sa savor avor it. L aird, who as a legislat tor had a st aff Laird, legislator staff a dozen, now off perhaps perhaps h d no ow heads h d an 17,800 employees. agency with 17 ,800 em mployees. U nder the agency’s agency’s ae gis ar Under aegis aree eight depar tments (includin ng Water departments (including R eesources and F ish an nd Game), 16 Resources Fish and b oards and ccommissions ommissio ons (among boards them the Energy Energy Commission Com mmission oastal C omm mission), 10 and the C Coastal Commission),

cconservancies onservancies and ttwo wo councils. councils. L Laird aird has a seat on o each of them, so he has t know to k th the h issues he iissues.. Hee aalso H lso h has as tto ok know now tthe he ggovernor’s overnor’s position on p osition o n tthose hose iissues. ssues. ““One One tthing hing iiss I n now ow sspeak peak o on nb behalf ehalf o off tthe he hee ssays. no aadministration,” dministration,” h ays. ““I’m I’m n o longer sp speaking eaking just ffor o or m myself, yselff, so I ha ave to b have bee sur suree what I’m doing is tthe he o official fficial aadministration dministrattion p position osition aand nd iiff I sspeak peak o out ut iit’s t’s n not ot b being eing misinterpreted.” misinterpr reted.”” Anotherr challenge is making ssure ure n nothing othing ggoes oes h horribly orribly w wrong rong while he he’s ’s get getting ting up to sp speed. eed. On the da day ay wee sp spoke, oke, 29 da days ayys into his appointment, ointmeent, L Laird app aird had ttaken aken home 10 folders folders o t study the previous to previous night. ““I’m I’m rreading eading aabout bout eextending xtending ccontracts ontracts tto op eople o n aalternative lternattive people on eenergy, nergy, potential potential lawsuits lawsuits on on eenergy nergy big deals off ssites, ites, aand nd tthey’re hey’re b ig d eals aand nd aany ny o tthem hem ccould ould b low u p iiff yyou ou ttake ake a sstep tep blow up in the not right direction,” direction,”” he says. saayys. ““There’s There’s tthe he p otential ssomething omething potential w ill blow blow up up o n you you because because you’re you’re will on don’t have iin n ttransition ransition aand nd d on’t h ave yyour our ssea ea legs ou u’re tr ying to k eep that legs.. So yyou’re trying keep ffrom rom h appening aand nd att tthe he ssame ame happening ttime ime sstart tart m aking ssome ome p rogress o n making progress on long-term issues.” issues.” The T he issues issues are are extraordinarily extraordinarily

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We’re looking for contributors who know Silicon Valley. While everyone everywhere knows this is the capital of the digital world, we want writers who understand the real valley—a unique place with a culture of its own. We’re looking for writers with the reporting skills to find stories that help define this place and the writing chops to bring those stories to life. We have openings for freelance writers of varying levels of experience to contribute to Metro and SanJose.com in the following areas: Cki_Y WdZ d_]^jb_\[ J^[Wj[h WdZ j^[ Whji KhXWd b_l_d]" Z[i_]d WdZ ijob[ Feb_j_Yi" Xki_d[ii WdZ j[Y^debe]o If you are interested, please send a letter, resume and clips/writing iWcfb[i >JCB b_dai" F:<i or Word docs) to Eric Johnson: eric@boulevards.com

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complex. As complex. Asked ked to to name name tthree hree of of tthe he aadministration’s dministrattion’s priorities, priorities, Laird Laird mentions m entions the the process process of of taking taking d own tthe he d ams o n tthe he Klamath Klamatth down dams on River habitat Riv er and rrestoring estoring the th he habit at tthere; here; d designating esignatting the the last last M Marine arine Protected Area, P rotected A rea, off off the the North North Coast, C oast, which which means means negotiating negotiatting with trib tribes es in the area areaa who want want access ccontinued ontinued ac cess to traditional traaditional grounds; fishing gr ounds; and coming coming up with plan w ith a p lan to to restore restore the the damaged damaged off tthe Bay while eecology colog y o he B ay Delta Delta w hile aalso lso preserving pr eserving its use as a water water source. source. This T his llast ast issue issue alone, alone, which which could could affect Santaa Clara County’s aff ffeect Sant Cou unty’s most water iimportant mp or tant w ater resource, resource, is is one one of of tthe he tthorniest horniest problems problems facing facing the the state, st ate, as it pits environmentalists environ nmentalists against farmers and mayors mayors in ma direct, high-profile way. Laird ad irect, h igh-profile w ay. Lai ird insists the administration’s administrattion’s sciencescienceapproach based appr oach doesn’t doesn’t favor faavor one cconstituency onstituency over over another, another, and and that timing and management manaagement can can achieve achie ve dual goals. goals. fish habitat ““The The rreal eal tthing hing ffor or fi sh h abitat water rrestoration estorattion iiss ccold old w atter ffor or ccertain ertain times of the yyear,” says. Wet ear,” he sa ays y .W eet yyears ears pose problem off w water p ose llittle ittle p roblem iin n tterms erms o ater supply, adds.. ““And it’s supply y, he adds And if A i it ’s a drier need water yyear ear att tthe he ttime ime yyou ou n eed ccold old w ater habitat, probably don’t ffor or fish habit o at, yyou ou pr o obably don ’t pull much off off.” ff.” Here on Central Coast, Laird H ere o n tthe he C entral C oast, L aiird ssays ays tthe he aadministration’s dministrattion’s p plans lans w will ill b felt m ost n oticeably iin n llikely ikely p arks bee felt most noticeably parks closur es, which will b ed closures, bee announc announced iin n tthe he n ext ttwo wo w eeks aass p art o next weeks part off Br own’s budget -balanccing pr ogram. Brown’s budget-balancing program. In or der to sa ave some $22 $ billion o ver order save over ttwo wo yyears, ears, parks that do on’t pr oduce don’t produce enough rrevenue, evenue, dra aw enough draw visitors or meet ccertain qualifications ertain n qualific ations as historic plac places time-es will ttake a e a time ak o ut. ““In In tthe he C entral C oast, w ith tthe he out. Central Coast, with o n umber o arks tthey hey h ave, tthere’s here’s n number off p parks have, no w ay the y’re going to ge et out of that,”” way they’re get L aird says. saayys. Laird T he iissues ssues aare re ccertainly ertaiinly The but daily has ccomplicated, omplicated, b ut d aiily llife ife h as cchanged hanged ttoo. oo. IIt’s t’s a ssimple imple ffact act tthat hat L aiird iiss a b igger ccheese heese tthan han h Laird bigger hee was before, w as b efore, aand nd aass ssuch uch iiss ttreated reated diff ffeerentlyy. differently. “I had this eexperience xperiencce wher wheree I went iinto nto tthis his cconference onference rroom oom w ith aall ll with people with Cal Fire tthese hese p eople w ith C all F ire aand nd tthe he D epartment o inance,” h ays, ““and and Department off F Finance,” hee ssays, theyy were the were having haavving this arm-waving, a arm-w aving v , aanimated nimated m meeting eeting aand nd I w walked alked iin n aand nd tthey hey aall ll sshut hut u up p aand nd d didn’t idn’t anything anything until I walked walked d to tthe he front. front. It’s It’s weird. weird. It happens.” happ ens.”

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sv 411.com fr from om buying, that that’s ’s not Zynga’s Zyynga’s ffault. aault. If parents par ents are are so terrible terrible at a raising raising their kids that they have no idea iddea what their kids are are spending money ey on, that is also not Zynga’s Zyynga’s ffault. aault.

Facebones I usedd to play Farmville, Farmville but it just gott too boring. boring Click to plant crops. crops. Click to harvest h vest crops. har crops. Click to plow ﬁelds. Same Sam me with Maﬁa Wars. Waars. Click to beat someone someeone up. At At least games like SimCity had natural natural disasters you had to deal with. This Thhis is just mouse clicks. clickks.

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FFarmville’s aarm mville’’s Sketchy Skketchy Parent P arent e Company Compan a y Worth W oorrth Over Over $77 Billion Hey! Looks Looks like exploiting the weaknesses weaknesses of addicts and kids kkid does pay off: o Investors are are considering considerinng pouring another $250 $2250 million intoo the San Francisco–based Francisco–basedd gaming company Zynga Zyyng Inc “in Inc. in a deal deal that could value the three-year-old thhree ee-year-old year old start-up start upp at a between $7 $7 billion and $9 billion,” according acccording to the Wall Wall Street Stre Journal. TThat’s hat’s right, right, the the company company behind behind Farmville Farmville is is worth—according worth—according to always-r ational investors—$7 billion n. TTime ime to short the hum ma always-rational billion. human —MAX AX READ, GA GAWKER.COM WKER.COM rrace. ace. —MA jjohne A 7 billion dollar market value simply p y byy irritating irritatingg the shit out of people on FB. I’m going public tomor tomorrow! row!

hippopotamusprime hippopo otamusprime The people who are are truly sketchy here here are are thosee that are are valuing valuinng these companies at massively inﬂated innﬂated prices and, what I can only on intentionally, creating assume is inte entionallyy, cr eating a bubble so theyy can get their idiot investorss to toss money att them and pocket their ludicr ludicrous ous ffees. e ees. ShaunTKennedy ShaunT TKennedy If people lack the impulse impulsse control control to stop themselves

QueenAnne I hadd to delete my Facebook account because beecause I was addicted to the games. In I my def defense, ense, injured and unemployed, unempployed, so I had I was injured endless amounts of timee I could waste crops, clearing cleariing out the tending my crops, frontier, frontierr, dressing dressing up my pet, visiting my friends’ friends’ pets, hiring celebrities celeebrities to visit my nightclub, hunt for for treasure—you t easure—you tr get the picture. picture. rraincoaster aaincoaster YYou oou know kknow, w, last century’s “sketchy” “ssketchy” is this thhis century’s “mainstream.” “m mainstream.” We We may just j as well admit we live in an unabashedd kleptocracy. kleptocracyy.

Why T Why There here W Won’t on’t Be a ‘Twitter ‘T Twitt w err Phone’ When T Twitter witter CEO Dick Dicck Costolo World gave his keynote at Mobile M W orld Congress Barcelona Monday, C Congr ess in i Bar B celona l a Monday M d y, he didn’t intend to launch lau unch a new product. pr oduct. He didn’t come com me to rreveal eveal his money,” finances (Twitter (Twitter is “making “making m moneyy,,” he said, declining to specify s whether it was profit profit or revenue), revenu ue), and he rumors casually denied rumor rs that Google was going to buy the company ffor or $10 billion. Instead, Costolo camee to explain Twitter brand how he thinks the T witter br and works best: when it’s it’s invisible, and everywhere. everywher e. In rresponse esponse to a questioner questioner who so-called rreferenced eferenced the so-cal led “Facebook INQ,, and phone” and the INQ a asked if he could ever see a Twitter-branded Tw wittter-branded smartphone, Costolo’ss answer was

short and sweet: No. “Twitter “T Twitter w aalready lready works on every you’re device you u’re going to hear about week,”” Costolo told the this week, audience of o mobile industry elites. “Tweets “T Tweets w fl seamlessly across flow across platforms; that’s we’re platf orms; that ’ss what we we’r re trying accomplish.” to accomp plish.” Throughout Thr oughou ut his hour-long address, address, compared Twitter Costolo co ompared T witter to water—a utility so useful and ubiquitous, ubiquitous s, we almost forget forget it’s it’s there. ther e. We We don’t need to relearn relearn how to use it in n different different contexts. And in thee case of Egypt, where where the countrywide countrywid de protest protest lost access to Twitter T w witter as part of a wider Internet “People blackout, Costolo C said, “P eople in the desertt will always find a way to water.” (Indeed, water .” (In ndeed, Google and Twitter Twitter provided pr ovided a voice-to-tweet service service that kept protesters p otesters in touch.) pr That’s theree will never, That ’s whyy ther neverr, under Costolo’s leadership, l be such a “Twitter Water thing as a “T witter phone.” W ater need branding. water.. doesn’t ne eed br anding. It’s It’s water Everyone needs n it every day. dayy. It isn’t mobilee ((just Twitter just mobil just 40 percent percent T witter w users use it on a phone, Costelo rrevealed). evealed). It may be bigger than measures. mobile, in some measur es. So perhaps Costolo, his S op erhaps C ostolo, despite despite h is protestations, new p rotestations, did did llaunch aunch a n ew product today—the pr oduct to oday—the invisible, indispensable company, indispensa able tech company y, one that about birds is less abo out the tweeting of bir ds moree about water.. and mor a the flowing of water —CHRIS T TAYLOR, AYLOR, MA MASHABLE.COM SHABLE.COM

Adi Fur Furca Fu ca Nevertheless, there there are are br branded anded wa waters aters :) ajun519 ajun5 519 If he doesn’t doesn’t jump on a TTwitter witter w mob mobile bile phone the company is going to mi iss the next big thing. Soon miss somebody’ss going to try it, and Twitter Twitter w will be left playing catchup. It It’s ’s the phone that can bring Twitter, Tw witterr, Facebook, Blogger, Bloggerr, Linkedin Linnkedin and other social sittes all on one screen—sort screen—sort of network sites like a Tweetdeck Tweeetdeck but more more seemless. crate cr ate Twitter Tw witter doesn’t doesn’t have the attribute off megalomania that Google and Facebook Faceboook have. Google wants to be the new Microsoft Miicrosoft and Facebook wants to be—som be—some me sort of cul cult. t.

partnership p and got TechForward TechFor e ward to proprietary give them highly h proprietary data under a confidentiality con nfidentiality agreement. agreement. the And then th he best part. Just six weeks after after the disclosure disclosure of information, inf ormation n, Best Buy ended discussionss and: to the world “Best Buy announced a that it was implementing its own buyback program—called prrogram—called the Buy Back Plan (“BBP”)—which is P virtually identical ideentical to TechForward’s TeechForward’s M@I8C M<E8C@KP M@I8 C M<E8C@KP 8] 8]k\i ]k\i XggXi\ekcp i`ggè^ f]]] X ]fid\i XggXi\ekcp i`ggè^ f]] X ]fid\i Yljè\jj gXike\ii# 9\j # jk 9lp g`kZ_\[ Yljè\jj gXike\i# 9\jk 9lp g`kZ_\[ `kj jkfc\e `[\X n`k_ X X m\ip Zffc `kj jkfc\e `[\X n`k_ X m\ip Zffc Jlg\i 9fnc Zfdd\iZ`Xc jkXiiè^ Jlg\i 9fnc Zfdd\iZ`Xc jkXiiè^ Fqqp FjYfie\ Xe[ Aljjkè 9`\Y\ii% Fqqp FjYfie\ Xe[ Aljkè 9`\Y\i%

Best Buy Hoses Hooses TechForward, T eechForwarrd, d Says Sa ys Lawsuit Lawsuit You don’t see total bet You betrayals trayals like this every day. dayy. But if the th he ffacts acts that TechForward T echFor e ward ar aree alleg alleging ing in their lawsuit against Best Buy B are are true, this is some truly sleazy sleazzy stuff. stuff. Last year, yearr, says the lawsuit, lawsuit, Best Buy and T TechForward echFor e ward engaged e in a trial trial program program of of TechForward’s TechForward’s Guaranteed Plan Guar anteed Buyback P lan in Stores. a number of Best Buy S tores. Customers C ustomers choose to purchase p chase the pur plan at the time they’re they’re buying a gadget, g adget, like like those those eextended xtended service service warranties. war ranties. If they get the plan, they selling have the option of selli ing the gadget credit back to Best Buy for for store sttore cr edit on a sliding scale. The longer long ger they keep the gadget, the less they theey get back. For people p p who upgrade upgr pg ad de often,, it mayy be an excellent choice and certainly selling saves the hassle of sel ling something Craigslist eBay. on Cr aigslist or eBay y. TechForward T eechForward says that the way it important— does the buybacks is im mportant— price, p rice, exercise exercise rates, rates, etc. etc. BestBuy BestBuy allegedly held out the promise p omise of a pr

Guaranteed Guar anteed d Buyback Plan in its program pr ogram structure, sttructure, marketing materials and a terms and conditions. To matters T o make m atters worse, the Best Buy executives executtives who supposedly ““developed” developed d” this buyback program program aree the exact ar exaact same executives who worked worked with TechForward TechFor e ward pilott Guar Guaranteed on the pilo anteed Buyback Plan program program a for for Best Buy and who rreceived eceived TechForward’s TechFor e ward’s highly confidential confidentia al information. information. did Not only di d Best Buy launch program a buyback pr ogram using TechForward’s T eechForward’s propriety propriety data, it way. did so in a big way y. For the first time in its history, historyy, Best Buy bought advertising g during the Super Bowl, aired which air ed d on Feb. 6, 2011. The Super Bowl Bowl advertisement, which ffeatured eatured Ozzy Ozzzy Osbourne and Justin Bieber,r, wass devoted entirely Bieber entirely to the BBP. BBP P. almost exactly The plans have h the same terms. terms. The lawsuit contract claims breach breaach of contr act and misappropriation misappr oprriation of trade trade secrets. secr ets. — —MICHAEL MICHAEL ARRINGT ARRINGTON. ON. T TECHCRUNCH.COM ECHCRUN CH.COM

Sir Noﬂatusatall No oﬂatusatall TThis hhis alleged behavior on the part of Best Best Buy Buy is completely ly consistent with my impression impression of o them as a company. companyy. steveray stever ray W Wow, oow w, I hope the lawsuit costs Best Best Buy Buy at least 2X as much as an acquisition acquissition would have. That Thhat is sleazy. unbelievablyy sleazy y. Anon Will they buy back JJooJoos? ooJoos? QuoraBoy Quor raBoy I hear heardd Quor Quoraa has hired hired Justin Justin Bieber Biebeer for for its superbowl 2012 commercial. commercial.

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Just when Sharks Ju st w hen iitt looks looks llike ike tthe he S harks have put h avve p ut iitt aall ll ttogether, ogether, tthey hey follow follow five-game up a fiv e-game game win streak sttreak by by dropping Tuesday’s dr opping ttwo wo in a row. row w. T uesdaay’ ys Predators ccontest ontest with the Nashville Nash hville v Pr edators boys have bee aaside, side, tthe he b oys iin n tteal eal h avve tto ob pleased with the results resu ults of their the longest rroad oad trip of th he season. Gaining piece off m mind G aining ssome ome p iece o ind ffrom rrom moving mo ving up a couple couple spots s ots in the sp Western Conference W estern C onference sstandings—as tandings—as being well as b eing allowed d to sleep in own beds forr tthe first ttheir heir o wn b eds fo he fi rst ttime ime iin n February—could Februar y— could set set the the club club up nicely forr a b brief u pn icely fo rief tw ttwo-game o -game homestand before going homest and b effo ore go oing back being Kerouacs. Alexander tto ob eing K erouacs. A lexander Ovechkin Washington Ov echkin and the Wa ashington Capitols present esent a toss-up tosss-up at 7:30pm C apitols pr Thursday before bottom-feeding T hursday b efore tthe he b ottom-feeding Colorado Avalanche play part off C olorado A valanche p lay tthe he p ar t o ssacrificial acrificial llambs ambs on on Saturday Saturday att tthe he time.. same time

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men’s basketball Ben UCLA m en’s b asketball coach coach B en Howland knows how w to, to, well, Hee p put ccoach. oach. H ut ttogether ogether ggreat reatt tteams eams at at Pittsburgh, Pittsburgh, and and he’s he’s been been doing doing forr eeight years now UCLA. The iitt fo ight ye ars n ow aatt U CLA. T he Bruins Maples B ruins ((18-7) 18-7) aare re ccoming oming tto oM aples Pavilion forr a 77:30pm P avilion fo :30pm showdown showdown Thursday with Stanford T hursday w ith S tanfo ord ((13-11), 13-11), aand nd doesn’t bode well forr C Cardinal tthis his d o esn’t b o de w ell fo ardinal Dawkins who,, well, ccoach oach JJohnny ohnny Da aw wkin ns who But might not bee ccan’t an’t ccoach. oach. B ut tthat hat m ight n ot b an issue much longerr if Stanford Stanffo ord doesn’t d o esn’t eend nd tthe he sseason eason sstrong; trong; Dawkins likely bee out of a job job.. Da aw wkins will lik ely b his year program IIn nh is tthird hird ye ar lleading eading a p rogram was that w as coming coming off a Sweet 16

season under un nder Trent Trent Johnson, Johnson, who w was as unceremoniously u eremoniously let go, unc go, Dawkins Da aw wkins has h got gotten ten pr progressively ogressively worse w orse each each season. season. Year Year three three is is generally considered considered mak e-it- ormake-it-orbreak-it b reak-it time, time, and and ssomething’s omething’s ggot ot tto o ggive ivee ssoon. o on. T he usual usual ta lk The talk will w ill come come up up about ab out how how ttough ough iitt is to rrecruit ecru uit at Stanford Stanffo ord b ecause because off aacademics, o cademics, b but ut JJim im H Harbaugh arbaugh n ever made made excuses. excuses. And And he he had had tto o never ttake ake o over ver a losing program program while re cruiting aathletes thletes w ho sspend pend tthree hree recruiting who hours day daay running head ﬁrst into each other r. other.

Adrian A d i n Oliv drian Oli Oliver er Leading Leading di Sp artaans Back to to Glory Spartans When Whe n you you think think of of prime-time prime -time men’s men ’s ccollege olllege basketball, basketball, you you obviously State. ob viously think of San Jose Jose St ate. Or maybe maayyb e not. But for fo or hoops ho ops aficionados aficionado os interested interested in seeing nation’s scorers one of thee nation ’s top sc orers named not name d Jimmer, Jimmer, Fridayy night’s night’s between 7pm gamee b etween the Spartans Spartans Weber worth aand nd visiting visiting W eber State State iiss w or th cchecking hecking out. out. SJSU SJSU iiss led led by by senior senior Adrian gguard uard Ad rian Oliver, Oliver, who who has has quietly become nation’s q uietly b ecome tthe he n attion’s fourth fourth scorer points per highest sc o er at 24 p or oints p er game.. Wh While Spartans game hile the Spar tans have haave sstruggled truggled tto o cconsistently onsistently sstring tring together wins to getther this season—mainly because b ecause they they h have avve no no legitimate legitimate big big men m en tto o sspeak peak of—they of—they aare re hovering hovering aaround round a .500 .50 0 record. record. With With five five games remaining—four rem maining—ffo our at home aand nd an an aaway way ccontest ontest aatt B Boise oise S State tate out tto o cclose lose o ut tthe he sschedule—this chedule —this might be be the t first winning season forr tthe Spartans fo he S partans since since 1994. 19 94. To To put put year perspective, tthat hat ye ar iin np erspective, none none of of the the had tteam’s eam’s ccurrent urrent players playyers h ad finished finished kindergarten kinder garten t yet. yet.

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SanJoseInside.com An inside look at San Jose politics

City Releases Releaases Employee Emplo yee Salary List The T he ttop op ssalaries alaries for for ccity ity eemployees mployees in 2010 were were released released last week, and rrecently ecently rretired etired p police olice chief R Rob o ob Davis $534,576 D avis topped topped the the llist ist at at $ 534,576 iin n ttotal otal ccash assh ccompensation—more ompensattion—more than than n $300,000 $ 300,000 of of which which was was comprised comprised of of sick and unpaid leave leaave payouts. paayouts. on off 9 9,354 Of tthe he ttop op 1155 o n tthe he llist ist o ,354 full- and part-time part-time city city of San JJose ose work ers, nine ar mbers of the workers, aree mem members p olice depar tment and d five five ar police department aree p arrt o he fi re d epartment. O nly part off tthe fire department. Only ttwo wo of the top 15— SJF FD Bat ttalion 15—SJFD Battalion C hief JJuan uan Diaz Diazz ($289,263) ($289,263) and and City City Chief Manager Debra Figone Figon ne ($269,662)— ($269,662)— ar re aactive ctive eemployees; mployees; tthe he rrest est aare re are now rretired. etired. F ormer fir arryl V on o Former firee chief Da Darryl Von Raesf feeld is sec ond on the t list at Raesfeld second $430,10 8. $430,108. H arry M avrogenes, the the Harry Mavrogenes, eexecutive xecutive d irector o he S an JJose ose director off tthe San R edevelopment A gency, iiss llisted isted aatt Redevelopment Agency, 19th with a compensation compensattion totaling totaling $2 59,6774 4, while Mayor Maayorr Chuck Reed Reeed $259,674, ccomes omes in on the lowerr half of the sc ale at $111,845. scale N icole B lade, a part-time part-time office office Nicole Blade, sp ecialist in the human human resources resources specialist department, d epartment, received received tthe he lleast east amount of compensation compensattion in 2010, earning $1. $1 — J oosh K oehn e Josh Koehn

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Be My M Budget Valentine The T h bu he b budget dget ffor or 2011–12 2011–12 aassumes ssumes that that eeach acch union union agrees agrees to to a 110 0 percent percent total total ccompensation ompensation ccut. ut. L Last ast yyear, ear, 25 25 percent percent workforce took percent total of the work kffo orce to ok 10 p ercent tot al ccompensation ompensation ccuts uts ffor or o one ne yyear. earr. The The off 110 percent not ccurrent urrent aask sk o 0p ercent is is n ot iin n aaddition ddition tto o tthe he ccut ut ffrom rom llast asst yyear, ear, b but ut maintains rrather ather m aintains the the 110 0 percent percent cuts cuts another yyear ear for for o those who took took it. budget The bud dget is also asking the rremaining emaiining 75 75 p ercent of of eemployees mployees percent w ho d id n ot ttake ak ke a 10 10 percent percent cut cut llast ast who did not yyear ear to to please pleasse d o their their part part and and take take do the same cut c the others have. haave. I have haave thought th hought that a pa ay freeze freeze for fo or pay fi ve yyears ears o ore would would be be a w ay to to five orr m more way ccap ap spending, spending, b ut iincreased ncreased p ension but pension pa ayyments and slow incr emental payments incremental p roperty tax tax receipts receipts do do not not allow allow for for property this option n. option. Ev en if the t assumption that the Even eentire ntire w orkforce ttakes akes a 10 10 percent percent workforce ttotal otall compensation compensation cut, cut, the the city city will will sstill till have have a h uge d eficit an nd ttherefore herefore huge deficit and sizable rreductions ed ductions in ser vice, thus service, la ayoffs. An n alternativ layoffs. alternativee to the 10 p ercentt tot al ccompensation ompensation pay paay percent total ccut ut w ould b dditionall llayoffs. ayoff ffss. T here would bee aadditional There iiss n o eeasy assy w ay o ut an nd tthe he iimpacts mpacts no way out and will b starrk. —Pierluigi Oliv erio bee stark. Oliverio

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Sweet Sixties Sound

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But now things are heating up. Just a few weeks ago, the band released a Greatest Hits album of tunes it rerecorded at KVP Studio in Santa Clara last year. The goal was to re-create the sound and energy they had on the ﬁrst three Watchband albums in 1966, ’67 and ’68. The group reproduced the reverb of the old “echo chamber.” They used the exotic instrumentation—sitar, bouzouki, temple bells and a Theremin—that gave the original recordings their distinctive sound. The album is available on iTunes now. “We really focused on listening to the original material and ﬁguring out what the spirit, the heart and the magic was, and how to recreate that,” said Tim Abbott, the

Watchband’s guitarist. “We used tape-emulation programs, we used a lot of tube stuff, tube amps, tube preamps, a lot of old-style vintage compressors, as much vintage gear as we could.” The Chocolate Watchband originally formed in San Jose in 1965. The band’s music was a blend of garage and psychedelic rock, taking inﬂuences from blues and British R&B but with an experimental, multi-instrumental edge. The band incorporated elements of surf, jazz and ’60s exotica, all under the umbrella of the drug-addled antiwar era. The Watchband appeared in two ﬁlms: 1967’s Riot on Sunset Strip and The Love-Ins. Locally, the band gigged at a variety of places: Napredak Hall, the Continental Roller Rink, the San Jose Civic, the Spectrum in Redwood City, Homer’s Warehouse in Palo Alto. Circa 1967, the group played every night at Winchester Cathedral in Redwood City with Sly and the Family Stone. At the Coconut Grove in Santa Cruz, the

Psychedelia www.thechocolatewatchband.com

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SILICON SILICON ALLEYS ALLEYS

Watchband played at least once a month. “There were free concerts everywhere,” Abbott said. “San Francisco, up and down the peninsula, block parties, the park across from Stanford Shopping Center. There were venues everywhere. We were just playing our brains out. There was never a ‘Hello, we gotta get a gig.’ There were opportunities everywhere.” In those days, the legendary Stevens Music in Willow Glen supplied all of the band’s equipment. The Watchband originally went for a Rolling Stones–style, British-inﬂuenced sound, and the store provided all the Vox ampliﬁers. Today, Abbott actually runs KVP Studio in Santa Clara, where the sessions went down. Rerecording the old material was just a prelude for the band’s next step. Last month, the Watchband cut more than a dozen brand-new songs. Abbott won’t blow the whistle on everything yet, but he says the new work is essentially a biography of the Chocolate Watchband, including songs about the band itself. Aguilar wrote most of the lyrics, and the band collaborated on the songwriting. “This is the next album that would have come out in the ’60s, stylistically and soundwise,” Abbott said, adding that a good amount of slide guitar and even sitar parts appear throughout the entire project. “It’s going to have the full Watchband thing going on, with the different instruments and sounds. There’s quite a range of moods.” Currently, the band will also be included on a multiple-CD tribute to Sky Saxon of the Seeds, who passed away last year. For that project, folks like Iggy Pop and Billy Corgan are also on board. “We’re still going,” Abbott said. “We were ‘back in the day,’ but we’re still doing it. The last 10 years, we’ve done some of the biggest shows we’ve ever done, bigger than the shows we did in the ’60s. It’s been good, but we’re looking forward to being even better.”

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The T he latter latter eevent vent is is signiďŹ cant signiďŹ can nt because Gawker because Gawker has has been been aatt the the fforefront orefront of of the the online online publishing publishing now ggame am me ffor or what what we we n ow consider consider a llong ong time.. And while the Huffington time Hu uffinggtton Post Post generates a lot of h hype, yp y e, Gawker Gaaw wker in fact ggenerates enerates more more page pagge vviews: iews: A ccording According to Q Quantc antcast, a t, 30 million n people people visit i it Quantcast, Ga aw wker sites each mont th while 25 25 Gawker month million go to Huffing gto ton Post. Post. Huffington Ga awk w erâ€™s Nick Denton, Dento on,, a BritishGawkerâ€™s

born,, Oxford-schooled born, Oxffo orrd-schooled 10-year 10-year vveteran eteran of The T Financial Financial Times, Times i ,w was as an original new new media innovator. innovator. His career, career, whic which ch had taken taken him fr from om London London to Budap Budapest est and New New York, Yo ork, eventually eventually llanded anded him him iin n Silicon Silicon Valley Vaalley as the th he turn of the millennium approached. approached. H Hee rremained emained ffor or o only nly a couple couple of years years e before beffo ore he decided to head back East, E but it was was here here that he he sseems eems tto oh have ave hit hit u upon pon G Gawkerâ€™s awkerâ€™s two two primar primary ry inno innovations. ovvations. One was was likely likely inspired inspired b byy Dentonâ€™s Dentonâ€™s la last ast piece piece for for o FT FTâ€”a Tâ€”a â€” stor storyy about about a couple cou uple of Harvard Harvard dr dropouts opouts who had come come o to California Califfo ornia and made a mint min nt on a ccompany ompan p y called called LinkExchange. LinkExchan nge. So Soon on after arriving in New New York York o aand setting setting up shop in his SoHo loft, Denton began began to launch blogs blogs at a furious fu paceâ€”and paceâ€”and link them all together. to ogether. Over Over thee next next few few yyears, ears, in addition to o Gawker Gaawk w er itself itself, f, he had gave gaave birth birth to t dozens of websites websites,, each focused focuseed on a speciďŹ c speciďŹ c topic: Gizmodo Gizmodo (tech (tech toys), toys), Fleshb Fleshbot ot (alt (alt-porn), porn), Defa Defamer amer (celebrity (celebrity gossip), Wonkette Wo onkettte (D ((DC C gossip), Lifehacker Liffeehacker (practical (practical tricks), trricks), K Kotaku otaku (video games), Deadspin Deeadspin (sp (sports), orts), io io9 9 (sci ďŹ ),

Jalopnik Jalopnik (cars) (cars) and Jezebel Jezebel (woman(wom mancentric centric sex sex and fashion) and our ou ur personal personal favorite, faavorite, Valleywag Vaalleywag (Silicon (Siilicon Valley Vaalley news news and gossip). Many Many of of the the Gawker Gawker sites sites rapidly rapidly gained gained tractionâ€”partly tractionâ€”partly because because of of the cross-linking cross-linking strategy strategy Denton Dento on had had d learned learned from from the the LinkExchange LinkExchan ange guys. guys. But But the the primary primary reason reasson for for their their popularity popularity was was their voice. voice. Every Every one of Gawkerâ€™s Gaawk w erâ€™s universally universally talented taleented writershad writershad d a gift gift for for the the blog blog worldâ€™s worldâ€™s signature signature characteristic: snark. New New York Yoork magazineâ€™s magazineâ€™s Vanessa Vaanessaa Grigoriadis Grigoriadis described described the phenomenon in a 2007 2007 proďŹ le: proďŹ le: â€œThey â€œThey didnâ€™t didnâ€™t exactly exactlyy invent in nvent the blog, blog, but the tone they they used for fo or Gawker Gaawk w er became became the most important important stylistic stylistic y inďŹ‚uence inďŹ‚uence on the emerging emerging ďŹ eld d of blogging blogging and has turned into the th he de facto voice voice of blogs blogs today.â€? todaay.â€? Another Another Gawker Gawker traffic traffi ffic driver driver was was not not a Denton Denton innovation innovation but but something that was waas already already present preseent in the blogosphereâ€™s blogosphereâ€™s publish-now, publish-now w, checkch heck klater later ethos. ethos. Gawker Gawker became became a scoop scoo o p machine. A ed, Ga G aw wker machine. Ass the sites matur matured, Gawker brok ke a number number of stories that put p it broke securitty breach breach e on the media map: a security that exposed exposed the the email email addresses ad ddresses that

of 100,000-plus of 100,000-plus iPad iPad owners; owners; a Scientology S cientology pitch pitch video video starring starring Tom Tom Cruise; a brilliantly nasty n ty exposĂŠ nast exposĂŠ of the ssexual exual habits habits of of Tea Tea Party Parrtty candidate candidate Christine C hristine Oâ€™Donnell; Oâ€™Donnell; Brett Brett Favreâ€™s Favreâ€™s unwanted un nwaanted advances advances toward tow war a d a comely comelyy sideline reporter. reporter. And A nd last last week, week, two two days days after after Gawkerâ€™s G awkerâ€™s rrelaunch, elau unch, aass if if by by plan, plan, came came its biggest-ever biggest- ever scoop. scoop p. There There on the newly n ewly redesigned redesigned homepage homepage was was a photo of Republican Reepublican n Rep. Rep e . Christopher Lee, L ee, shirtless shirtless aand nd buff, buff ff,, and and the the story story off the o the â€œCraigslist â€œCraigslist Congressmanâ€? Congressmanâ€? who who eevidently vidently u used sed the the classiďŹ eds classiďŹ eds site site to to ďŹ nd extramarital extramarital love. lo ove. When the ccongressman ongressman n resigned resigned the the following following day, d ay, an an independent independent blog blog h headline eadline aasked: sked: â€œDid â€œDid Chris Chris Leeâ€™s Leeâ€™s R Resignation esignation Have H ave Anything Anything to to Do Do With With the the Gawker Ga awk w er Redesign?â€? Redesign?â€? e

Valleywag V aalleywag vs. vs. Tech T eech Crunch Crunch The Ga Gawker aw wker teamâ€™s teamâ€™s one-two one-two punch of snark and scoops scoops ps has not been been universally univ ersally beloved. beloved. In Silicon Silicon Valley, V aalley, another pion pioneering neering blogger, blogger,

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WAG W A G THE BL BLOG OGG 17

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Michael Arring Arrington, ton,, ha has as often ttaken aken professional pr offessional e and p personal erso onal off offense ffeense at Valleywagâ€™s V aalleywagâ€™s stunts stunts.. Hee has air aired ed these TechCrunch, inďŹ‚uential on T eechCrunch, an in nďŹ‚uential site he 2005. launched in 20 05. have been The battle batttle t seems to o ha ave b een soon Valleywag was engaged so on after V a ywag w alle as 2006. editor,, launched in 20 06. Its ďŹ rst editor Douglas,, appar apparently Nick Douglas en ntly sent ďŹ‚urryy of emails to Arring Arringtonâ€™s a ďŹ‚urr A tonâ€™s associates digging b i business asso ciates i t dig di gging i ffor or o dirt. Several missives weree dir t. Se veral of the mi issives wer Arrington, fforwarded or o warded to Arring to on, and he post ffollowed ollowed o up with a p o headlined ost â€œValleywag Getting Lame.â€? â€œV Vaalleywag Is Get ting L ame.â€? The escalated ďŹ ght esc alated ffor o or yyears, earrs, with Valleywag V aalleywag publishing frequent frequent mocking larger items mo cking its lar g ccompetitor, ger ompetitor, TechCrunch and T eechCrunch responding responding o with occasional o ccasional withering critiques. c critiques . 2008, Arrington penned piecee In 20 08, Arring ton np enned a piec attacking Valleywag post about at tacking ki a V aalle ll ywag p ost ab bout an sexual encounter between alleged se xual enc oun nter b etween notable technology visionaryâ€? â€œa not able technolo gy visionar yâ€? appears bee and â€œa woman who ap ppears to b looking publicityy as lo oking ffor o or as much publicit p possible.â€? piecee cconcluded p ossible.â€? The piec o oncluded that irreverent the irr everent gossip site ssiteâ€™s â€™s ccoverage overage was shortt of immoral. w as nothing shor i Arrington wrote: â€œHow Arring ton wr ote: â€œH How long bee b before Valleywag drives will it b effo ore V alle a yw y ag driv es someone in our community comm munity to that suicide? i id ? My ffear ear e is i tha hat it i isn iisnâ€™t â€™ a â€™t matter happen, mat tter t of if it will hap ppen, but when. Valleywag V aalleywag and Nick Denton, D though, likely look will lik ely lo ok fforward orwarrd to the eevent, o vent, great growth and the gr eat traffic gr rowth that will surely sur ely ffollow.â€? ollow o w.â€? November lastt yyear, In N ovember of las ear, Arrington TechCrunch AOL Arring ton sold T eechCrunch to A OL million. ffor or o a rreported eported $30 mil llion. Although announced deal he announc ed the dea al at the

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N?<<CJ KLIE@E> N ?<<CJ K LI E@E> E`Zb E`Zb ;\ekfeĂŠj iX[`ZXc i\[\j`^e f] ;\ekfe ĂŠj iX[`ZXc i i\[\j`^e f] >Xnb\i >Xnb\i dXp _Xm\ [fe\ XnXp n`k_ d _Xm\ [fe\ XnXp n`k_ dXp k_\ cXjk m\ \jk`^\j f] k_\ cfZXc ^fjj`g k_\ cXjk m\jk`^\j f] k_\ cfZXc ^fjj`g j`k\ MXcc\pnX^% j`k\ MXcc\p X pnX^% annual Disrupt Dissrupt convention, con nvention, which TechCrunch story T eechCrunc hC ch h cco-sponsors, o -sponsors, that th t stor t y was broken w as br oken n on Valleywag. Vaalleywag. Att the ti tine sale,, Arring Arrington, A ine of the sale ton, appears bee more who app eaars to b more committed committed Silicon Valley to ccovering overingg Silic on V aalley tech culturee tha than cultur an any any rreporter eporter on the planet,, sswore wo ore that he would retain retain independence editorial in ndependence despite his new overlords. ne w ccorporate orporate o o verlords. But he admitted have admit ted that t the site would ha ave to eexpand xpand its scope scope beyond beyond the valley. valley.

Whereâ€™s W hereâ€™ eâ€™s V Valleywag? aalleywag? In the wee week k sinc sincee the Ga Gawker awk wker e rredesign, edesign, I ha have ave b been een n unable to ďŹ nd Valleywag. Valle a yw waag. Although A lthough the the site site was wass officially officially merged m erged with with Gawker Gawker in in llate ate 2009, 2009, the the URL U RL vvalleywag.gawker.com alleywag.gawker.com displayed displayed ah homepage omepage w with ith a Valleywag Valleywag header header aand nd po sts b he ssectionâ€™s ectionâ€™s eeditors, ditors, R yan posts byy tthe Ryan T ate and and A drian Chen. Chen. Beginning Beginning last lasst Tate Adrian w eek, that that URL URL redirected redirected u sers to to week, users tthe he Gawker Gawker homepage. homepage. T he Valleywag Valleywag The lo go w as go one. logo was gone. I sent em mails to Tate Tate a and Chen but emails got no responses, resp ponses, so today todaay I emailed Nick Dent ton himself f. He rreplied eplied Denton himself. that ther as â€œno real real change to theree w was V aalleywag st atus. Itâ€™s Itâ€™s a section of Valleywag status. Ga awk w er, ass it has been been sinc 2009.â€? Gawker, sincee 2009.â€? In a follow-up follow o w-up note, note, he conceded conceded that â€œwe we did to one down the branding.â€? branding.â€? tone W iith Ga awk w er cconsolidating onsolidating and With Gawker T eechCruncch now par AOL TechCrunch partt of the AOL empir e, an nd as the online media empire, and landsc explodes and convulses, convulses, landscape ape explodes the lo cal media m landsc ape ma ay be be local landscape may lo osing ttwo w of its most powerful wo powerful loosing indep endeent vvoices. oices. independent

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Ah! But But!! Surely Surely they they aren’t aren’t so McDonald’’s-sized now? McDonald’s-sized “Well, “W Weell, the th he McDonald’s McDonald’s rreference effer e ence was from was w as fr om five fi e yyears fiv ears ago—when ago —when I w as downplaying potential downpla ayyin ng the rrevenue evenue p otential blogs,” of blo gs,” he he said, then paused ffor o or eexactly xactly onee minute. minute. “Things did move from mo ve on fr rom then.” then.” Whatever become, Whate ver e blogs blogs have haave b ecome, theree seems ther seem ms to be be universal universal agreement agreement that the format format o that made them m ubiquitous—the

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BLOG BL OG ON, CA CASH SH H OUT 21 reverse- chronological aggr reverse-chronological aggregation egation accompanied ac companied by by commentary—is comm mentary—is not long ffor or o this worl world, d,, and Denton Denton’s ’s scoop-friendly scoop -friendly rredesign edesiggn would seem to be best be the b est eevidence videncce of that. In fact, the decline of thee blog blog has ccome ome so quickly, quicklyy, one has h to wonder liked whether we ever ever rreally eallly lik ed the medium at all.

=ifd k_\ =ifd k_\ \ jkfip p j\c\Zk`fe j\c\Zk`fe c k e kf k_\ kf k_\ jXiZXjk`Z Z## jXiZXjk`Z# c` _pg\iYfc`Z _pg\iYf _ pg Yfc`Z Yc Ycf^ Zfek\ek Ycf^ Zfe ^ ek\ek k k Y\ZXd\ Y gi\[`ZkXYc\ g gi\[`ZkX XYc\ Xe[ [lcc [ [ cccc\i Xe[ [lcc\i “From beginning, didn’t “Fr om the b ng, I didn ’t ccall all eginnin ‘blogs,’” Abrams,, the sites ‘blo gs,’” said Dan D Abrams his Mediaite who h launched l h d hi Mediaite di i network network k 2009. that’s because ecause in 20 09. ““And And that A ’s ttrue rue b always vision I alw ays y had this visio on of them being moree than just adv advertisingb eing mor ertisingsupported, blogs. You know,, supp orted, ah, well,, bl logs. Y ou know o whatever word is.” whate ver the wor d is .” blogging?” asked “What is blo gging?” ask ed Lockhart Steele,, publi publisher L ockhart Steele isher of the Curbed network. Capital Curb ed net work. “Is what w C apital New York doing,, do N ew Y o ork is doing o yyou ou cconsider onsider blogging? Well, no.” that blo gging? W eell,, yyes es and no .” always “It alw ayys has been been an word, embarrassing wor d,” the th he Awl’s Aw wl’s Choire Choire Sicha S icha ssaid. aid. “First, “First, it it was was embarrassing embarrasssing because dirty, b ecause bloggers bloggers were were these dir ty, horrible people, was h orrible p eople, and an nd then then it it w ass eembarrassing mbarrasssing because because our our grandmas grandmas have ” ha ave blogs, blogs, God God bless them. t

The T he P Pajama ajama GGame ame The reluctance reluctance to eeven ven n ttalk alk ab about out blogs blo gs may maay ha have ave sprun sprung ng fr from om the fact that our early ent enthusiasm thusiasm for for o the medium was, was, in th the he clarit clarityy of hindsight, based en entirely ntirely on hypotheticals. h yypotheticals. Blo Blogs gs wer w weree meant to off offer ffeer untrammeled d personal personal eexpression. xpression. The Theyy ccould ould d turn

elections. They’d T y’d straight The -up mur der elections. straight-up murder ne wspaperrs! Oh gosh,, remember remember newspapers! Printeed Blo g? The Printed Blog? We even even n thought that owning We could turn a tidy enough off them could profit. In 2003, 2 03,, Go 20 ogle both both debuted profit. Google AdSense and a pur chased the Blogspot Blogspot AdSense purchased blogging platform, p fo plat orm, symptoms symptoms of the blogging m del based on the notion mo business model could o target a vast audience audience that ads could target i h readers. readers e d . off niche 2004 4,, Jason Jason Calacanis Calacanis launched In 2004, blog dedicated ded dicated solely to the goingsa blog satelllite radio. radio. “Howard “Howard is on of satellite moving to o satellite radio, radio, so it ’s a moving it’s deal,,”” he wrote, wrote, excitedly, excitedlyy, in the done deal,” launch’s press press release. release. launch’s “W We we ere ccertainly ertainly much mor “We were moree casual about about o launching sites,” sites,” casual ays y . “As “As soon soon saaid of those da Denton said days. concept,, we as we had a name and a concept, j l launch h d” hed. just launched.” Somewh here b etween the business Somewhere between person nal sides of the blogging blogging and personal course the blo ggers weere of course bubble were bloggers themselves e , sometimes pajamaed, themselves, scoop o -wielding and truly witty witty often scoop-wielding creatures that t occasionally danced danced creatures occasionally acr oss the cover cover of major daily across ne wspaperrs. If bloggers bloggers back then newspapers. were no le ess reviled, reviled,, they they were were at were less cts of curiosity. curiosity. least objec objects h the th micr i opublishing bli hi mo d l del When micropublishing model flopped, th he game soon soon turned to flopped, the biggger—in this p eriod, Gawker Gaaw wker going bigger—in period, reversed its itts ban on reality reality stars, stars, reversed oth her measures, measures, to grab more more among other readers— competing ffor o or the lar gest readers—competing largest audience in i the areas, areas, like like gossip and audience kno own to be be successes. successes. Sites media, known like Busine ess Insider and Mediaite like Business popped popped on n the scene scene to compete compete ffor or o everr-inflating ad dollars, dollars, and those ever-inflating called for fo or more more bloggers. bloggers. this called Soon every every 22-year-old 22-year- old with a Soon allin” Google Google alert alert and “Sarah P Palin” rony fancied himself a dose of iirony xt Ale A From the the ne next Alexx Balk. From story selection selecction to the sar castic or story sarcastic hyperbolicc headlines content hyperbolic headlines,, blo blogg content became predictable, prredictable, and duller for fo or it. became It’s the sort sorrt of thing that can can lead a It’s good blogger blogger g feeel undervalued. undervalued. good to feel November farewell farewell post, post, In his November five-year stint on the A tlantic after a five-year Atlantic blog, Marc Marc Ambinder wrote wrote that blog, elief to head to the be a rrelief it will be o ournal , where where he will feel feeel National J Journal, compu ulsion to turn every every piece piece no compulsion op pinion of “a web -based into the opinion web-based

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personality ccalled personality alled ‘Ma ‘Marc arc Ambinder’ that p people eople rread ead b because ecau use it it’s ’s ‘Mar ‘Marcc Ambinder,’,’ rather than Ambinder nb because ecause it it’s ’s good interesting.” go od or inter esting.” “You’re “Y You o ’re ccompetitive ompetitive in terms of ggetting etting something something first, first, and an nd then then getting yyou’re ou’re ccompetitive ompetitive on get ttting a ttake ake that is close to the truth trutth so much as it bee approximated, ccan an b approximated,, and then you’re you’re building ccompetitive ompetitive iin nb uilding and and keeping keeping an influential i fl ti l and d broad-based b broaad-based db d rreadership, eadership,” Mr. Mr. Ambinder Ambin nder said. “We’re stage now wheree “W We’re at a st age no ow wher market saturated, it’s that mark et is saturat ed, so it ’s the long-tail phenomenon. We’re getting long-t ail phenomenon n. W e’re get ting point wheree it it’s to the p oint wher ’s rreally, eallyy, rreally eally hard oncee yyou start, har d onc ou st art, unless u yyou’re ou’re a something,” phenomenon or some ething,” he said. dripped This saturation of opinion o dripped personal blogging spheree into the p ersonal blo g gging spher Tumblr, Facebook as well,, with T umblr, Fac ebook and Twitter becoming preferred T wit w ittter b ecoming i the h pr efferr e ed d mode oversharing, mo de ffor o or o versharing, the sharing sortt of b being point, sor eing the p oin nt, and aggregation. aggr egation. To establish basics,, ery basics T o est ablish the vvery personal blogg to took the p ersonal blo k the fform orm o ok passivee website th that of a passiv hat offered off ffeered one’s inner life a glimpse into one ’s in nner lif fe to anyone interested, whereas an yone inter ested, wh hereas these networks broadcast these net works br oadcast th hese thoughts friends,, who would to friends d presumably presumably bee b best and b est suited i d to rreceive eceiiv i e them, h d these who in turn used thes se networks networks over others,, witho without having o ver the others out ha aving v to through, say, Wordpress. trudge thr ough, sa ay, W or o dpress. purpose off iitt iiss jjust pretty ““The The p urpose o ust p retty different, Rex diff ffeerent,” said the web b expert expert R ex Sorgatz, who up his S orgatz, w ho rrecently ecently ggave ave u ph is personal blog Tumblr. pe rsonal b log ffor or a T umblr. ““Because Becau use know who I ssee ee tthe he aaudience, udience, aand nd I k now w ho theyy ar are, theyy ar the e, see who the aare. e. I ttalk alk in different way and post a ccompletely ompletely d iff ffeerent w ay an nd po st pictures myy do dogg and make jokes pictur es of m d mak ke jok kees about people without ab bout pe ople w ithout llinking inking tto o tthem hem because knows who be cause eeveryone veryyone k nows w ho II’m ’m about. ttalking alking ab out. And ccertainly ertainly it changes way about things..” the w ay you you talk talk ab outt things The amount off ttraffic T he astounding asstounding am mount o raffi ffic passed websites p assed tto ow ebsites ffrom rom ssocial ocial networking would discredit n etworking w ould sseem eem tto od iscredit people actually tthe he iidea dea tthat hat pe ople ac ctuallly llike ike having news byy h aving ttheir heir n ews ssurrounded urrounded b Also off tthis llame am me jjokes. okes. A lso iindicative ndicative o his iiss occurrence aggregationthe strange o ccurrence of aggr egationonly websites—blogs have been o nly w ebsites—blogs tthat hat h ave be en stripped writing. stripp ed of their writin ng. Sorgatz worked Sor gatz has work ed d on a ffew ew these,, rrecently ecently debuted vversions ersiions of these notable the and not able among th he established established aree the ne newer efforts sites ar wer eff ffo ff orts of likee the Memeorandum family, faamilyy, lik

Mediagaze er, which offers off ffeers algorithmMediagazer, based curation curaation of media gossip. gossip. here is The A tlantic W iire, there Atlantic Wire, Then th stripped-down aggregation the stripp e down aggr edegation service from ser vice fr om a company compan ny that frequently fr equentlyy touts its web presence, presence, which willl soon soon relaunch relaunch under Gawker fformer ormer Ga o awk w er editor Gabriel Snyder with employees. Sn nyder wit th 15 new new emplo yees. According A ccordin ng to Denton, the “pendulum it’s “p endulum d l m has h swung,” swung,” and d it i ’s become moree viable to pr profit b ecome mor m ofit from from this spate of o aggregation, aggregation, which he arguably prompted, ar guably pr p ompted, rather than attempt at tempt to o ccompete ompete with it. new His ne w goal is to make make sure sure the entiree web whatever scoops entir b sees whate ver sc oops Gawker has Ga awk w er ha as to offer. off ffeer. Rest Reest assured assured next Tom that the ne ext time T om Cruise uses o new Apple a ne w App ple product product to send photos penis of his p eniis to something that washed Montauk, w p on Mont auk, it will be be in ashed up RSS soon yyour our RS S feed feed e as so on as it’s it’s splayed splaayed across Gawker marquee. oss the Ga acr aw wker mar quee. Still, S till, even even knowing knowing the the logic logic behind behind iit, t, tthe he Gawker Gawker redesign redesign is is jarring. jarrring. Just Just one on home o ne sstory tory iiss ffeatured eatured o n the the h ome given page at any an ny giv veen point, point,, and the vast majorityy will bee exclusive any majorit w not b exclusivve by by an ny sstretch tretch of of tthe he imagination—past imagination—passt on its public b beta eexamples xamples seen s eta have haave flying iincluded ncluded a gguide uide tto ofl ying tipsy tipsy aand nd Charlie a cchart harrt eexamining xamining C harlie Sheen’s Sheen’s publicity p ublicity value value for for porn porn stars. stars. It’s It’s sleek sleek are tto o be sure, sure, but but there there ar re shockingly shockingly ffew ew llinks, inks, an aand nd that’s that’s somewhat somewhat unexpected u nexpected coming coming ffrom rom the the man man blogg fformat. who ccodified odifi fied the blo o ormat. happened What ha appened to the famed “snarky” “snark y” Gawker Gaw Ga wker ttake ake on the news news of day? the da ayy? “Well, that bee there, “W Weell,, th hat will b there, of ccourse,” ourse,” Mr. Mr. Denton said. said “If If anything, story, an ything, in i splash stor y, more more obviously i.e., ob viously there, there, i.e .,, the most pungent of o stories will be be the ones the front that get th he most play plaay on the fr ont page.. W Writers have page rritters will ha ave to ease up irony headlines—because on ir ony in n headlines—b ecause theyy will no have the n longer ha ave the lede clarify. to clarif fy. But B that’s that’s already already been been happening—because happ eningg—because so much traffic from ccomes omes fr om m headlines distributed on Facebook Twitter.” Fac eb book k and dT wit w ittter.” “Social ironic cial media “So m killed the ir onic blogg headl headline,” blo line,” he added neatly. neatlyy.

Destination D estinnation Sites Sites None of this None th his is to say saay that Denton’s Denton’s model mo del is the th he way way ahead ffor o or all blogs, blogs,

How does spirituality enhance mental health? â€œSheâ€™s blogg p posts â€œShe â€™s not no ot aggregating aggregating blo osts about that just came ab out the thing t came down wire. the wir e. Sheâ€™s Sh heâ€™s making things, things, and I o the mistakes mistakes that a lot think one of of blogs blogs make maake that kind of deadend them as a blogs blogs is ccovering overing the same thingg that everyoneâ€™s everyoneâ€™s ccovering overing instead of like l e creating lik creating things and stuff,â€? stopping to o make make stuff ff,,â€? Sicha said. likee she rrenewed â€œI rreally eally ffeel eeel lik enewed thi idea this id in in me that th t this thi should h ld nott bee ab about Keith goddamn b out ccovering overing K eith go ddamn Olbermann. bee ab about Olb ermann n. This should b out engaging with w the thing that most fascinates me m or cracks me up at 2 in morning.â€? the mornin ng.â€? freedom from If the fr e eedom from the opinionaggregation model freed based aggr e egation mo del has fr eed blogs their blo gs of the eir point point of origin,, and savory short-form less sa avory aspects, aspects, the shor t-ffo orm personal p ersonal blog bllog may maay well encourage encourage extracurricular l longer extrracurricular i l writing. writing ii . Wired Clivee In W iired last month, Cliv point. Thompson n argued argued just this p oint. â€œTen myy fa favorite â€œT Teen yyears ears ago, ago, m avorite bloggers wrote blo ggers wr rote middle ttakesâ€”a akesâ€”a link with a couple couple of sentences sentences of theyâ€™d update ccommentaryâ€”and ommentaryâ€”and â€” the yâ€™d up date Twitter a ffew ew timess a day. daay. Once Once T witter w arrived, blogging arriv ed, they theey began began blo gging less moreoften but with w much longer, longer, mor ein-depth indepth essays,â€? esssaays y ,â€? he wrote. wrote. when And d whe hen someone does d es decide do d id Mr. Olbermann tto o weigh weigh in in on on M r. O lberman nn iin na on personal blog, ssubstantive ubstantive way way o nap ersonall b log, a llaa Sady Doyle S ady D oyle on on Tumblr, Tumblr, the the networking networking aaspects spects of of the the new new blog blog formats formats ensure ensure post bee rread. that the p osst will b ead. Ass ffor itâ€™s A or Dentonâ€™s o Deentonâ€™s rredesign, edesign,, it â€™s unlikely unlik ely that th hat many many other blogs blogs will rush to copy cop py the visual fformat, o ormat,, with paucityy of links. its paucit links. Steele went out of his way way to t praise the traditional blogg app appearance over anyy inno innovation blo eaarance o ver an vation because b ecause of the reader reader engagement it encourages. enc ouragess. â€œI ccontrast ontraast that to the homepages of, wheree of f, letâ€™s letâ€™s say, saay, magazine websites, websites, wher thereâ€™s ther eâ€™s an internal internal consistency, consistencyy, as magazine why in the mag gazine understands understands wh hy the box box on n the upper upper right corner corner changes every ever e y week and this right over day o ver here here changes c eevery very da ay and this over hour,, but o ver here here changes c eevery very hour the aaverage veragee reader reader has no idea whatâ€™s whatâ€™s new,â€? said. ne w,â€? he sai id. thing blogs thatâ€™s great â€œThe thin ng about about blo gs that â€™s gr eat is that if yyou o arrive ou arrive at a blog, blog, yyou ou immediately know imm mediately how to read read it,â€?â€? he added. â€œOnce â€œ â€œOnc e youâ€™ve youâ€™ve learned to basically rread ead one blog bllog yyou ou ccan an basic ally rread ead blog.â€? eevery very blo g.â€?

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least of all because because he generally g boasts around times b oasts ar ound 20 time es the traffic of an anyy of the other sites sitees mentioned hereâ€”with Sichaâ€™s her eâ€”with the exceptions exceptiions of Sicha aâ€™s sites,, which do mor sites more, e, and a Abramsâ€™ sites,, which do still more. sites mo ore. But his emphasis on original content content has already ether, alr eady been been in the eth her, in a proportionally pr oportionally smallerr degree, degree, on moree fforward-thinking blogs. the mor or o ward-thin nking blo gs. have S Some off these th h ha ave been been bullish b lli h old-school on oldschool scoops. scoops. Yahoo Yaahoo rrecently ecently together whiz-bang put to gether a whiz-ba ang team of rreporters eporters for for o its Upshot Upsho ot news news blog, blog, which regularly regularly furthers furtheers stories with new ne w details. details. Itâ€™s model thatâ€™s been It â€™s a mo del that â€™s b e pursued by een by Talking Points T aalking P oints Memoâ€™s Memoâ€™s Josh Josh Marshall from fr om early on in the lif lifespan fespan e of his Polk Awardâ€“winning P olk A wardâ€“winning site s and one heâ€™s aggressively, that he â€™s pushed aggr esssivelyy, to the point been outspoken p oint i where wher h e heâ€™s h â€™s b he een outsp ok ken in i calling his recent recent decision to stop s calling the site a blog blog at all. He now no ow rrelegates elegates opinion-heavy personal posts, the opinion-hea avvy p erssonal p osts, moree in k keeping he mor eeping with what w used to do in the earlyy days, daays y , to the blogâ€? â€œeditors blo gâ€? section. â€œOver time,, by design, â€œOv er time by desig gn, the news news section has grown grown dramatically, dram maticallyy, and pretty the blog blog section is pr ettty much what always was it alw ayys w as in terms of volume volume and d in i terms off ffootprint ootprint i on the h page,â€? page ,â€? Marshall said. â€œIt â€œIt makes makes you you a site.. A Att a lot destination site lo ot of different diff ffeerent levels, le vels, you you have haave stuff that th hat no one else has.. Sometimes itâ€™s has itâ€™s a matter m ter that you mat you have scoop matter ha ave a sc oop or itâ€™s itâ€™s a mat m ter that you you have storyy ha ave a consistent consistent ffocus ocuss on a stor people donâ€™t have.â€? that a lot of other p eop ple don â€™t ha ave.â€? blogging â€œI think the story story off blo gging in the last couple couple of years yearss or more, more, professional pr offeessional blo blogging, gging, is that we all do a lot more more original ccontent,â€? ontent,â€?â€? said Steele of Curbed. Curbed. â€œI th think ink by by the dint of being being local, local, thatâ€™s thatâ€™s something so omething weâ€™ve weâ€™ve always alw ayys done, done, but if an anything, y ything , thatâ€™s thatâ€™s gotten got ten even even more more imp important. ortant. W Wee givee more giv more at attention tention to o that sor sortt of stuff now now.â€? w.â€? The Awl Awl w network network ma may m ay b bee a notable not able exception exception of a ne new w online endeavor endea avor that essentially essentiaally follows follows o the old blogging blogging meth method, hod,, but Sicha noted that some of the siteâ€™s siteâ€™s moree unique eff mor efforts ffo orts ha have ave gained a surprising amount of traction. t SpeciďŹ cally, Sp eciďŹ callyy, he rreferenced effer e enc e ed the ďŹ‚yaway ďŹ‚ya away suc success cess of theirr ne newest west property, pr operty, The Hairpin,, which he credits credits to its editor editor,, Edith Zimmerman.

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ffor or ttwo, wo, ggreat reat sseats eats for for watching watching the the ac ction of the alw ways y liv vely e bar from from action always lively a discreet discreet dist ance. The light-colored lightt-colored d distance. w ooden floor floor gives gives the the place placce the the feel feel wooden off a well-k ept Old World Wo orld grocery grocery store. sto ore. well-kept There’s Th here’s an adjacent adjacent room room with spaci spacious ious ttables ables for ab for larger larrger parties. parties. Behind Behind the the bar bar sits sit ts a rreplica eplicca of a vint vintage age meat slic slicer. err. Watch W atch how how tthin hin the the beautiful beautiful hunk hunk of of rred e machinery ed machinery ccan aan slic oscuitttto. slicee pr proscuitto. The bar is where where all the action is. is. There’s oven Th here’s a cconvection on nveection o veen for fo or toasting toastin ng baking desserts, ccrostini rostini aand nd b aking d esserts, aand nd tthat’s hat’s ab bout as far as kitchen equipment goes. go oes. about Th he restaurant restaurant uses an off-site off ff--site kitchen kitcheen The ffor or some some dishes, dishes, but but m most ost of of the the food food is is pr repared à la minut te b efore yyour our eeyes. yes. A prepared minute before Ass befits b efits a wine wine bar, bar, you you won’t won’t find find full-size full-size meals m eals h here. ere. T This his is is a p place lace tto o nibble nibble and and snack. sn nack. k But the h lineup li off ffood ood iis quite ie me, order aappealing. ppealing. IIff yyou’re ou’re llike ike m e, yyou’ll ou’ll o rder aand nd o order rder ssome ome m more ore aand nd tthen hen add add one one moree thing and wind up being m mor being quitee full. T he menu menu includes includes crostinis, crostinis, a w ide The wide rrange ange of of excellent excellent and and seldom seldom seen seen cured cured meats, m eats, a glorious glorious sselection election o off 14 14 Italian Italian ccheeses, heeses, a few few ssalads, alads, ssome ome ssmall mall plates plates

aand nd ccrusty rusty ssandwiches andwiches o nK elly’s B akery on Kelly’s Bakery b read. T he ccrostinis rostinis aare re a ggreat reat p lace tto o bread. The place sstart tart eexploring xploring tthe he m enu. M avorite w as menu. Myy ffavorite was tthe he ffunghi unghi (($5), $5), a ttrio rio o oasted sslices lices o off ttoasted off br ead topp ed with p orcin ni mushr ooms, bread topped porcini mushrooms, black k-truffle spr reead and oliv o ve oil. Tr y, to o, black-truffle spread olive Try, too, tthe he C armela (($5), $5), cchopped hopped aand nd ssautéed autéed Carmela ffennel eennel and p eas with Ma andarin-orangepeas Mandarin-orangefl avored o live o il aatop top rricotta icotta ccheese. heese. T he flavored olive oil The p eas aand nd ffennel ennel n eeded a h it o alt tto o peas needed hit off ssalt rreally eeally set them off ff. The melanzane ff m ($5) off. ccombines o ombines an eggplant p e fr esto om Sicily pesto from la ayeered with cr eam my mas scarpone cheese layered creamy mascarpone cheese.. Masc carp a one ttastes aastes gr eat on o w aarm br ead, Mascarpone great warm bread, but the jarr ed eggplant p esto ttasted, asted asted, a , well, well jarred pesto jjarred, arred, aand nd llacked acked tthe he ssnap nap aand nd vvitality itality o off a fr eshly made pr oduct. freshly product. Y ou ccan’t o an’t go wr ong with w the cur ed You wrong cured m eats. IIowa’s owa’s L uercia p roscuitto (($4) $4) meats. Laa Q Quercia proscuitto ggives ives IItaly tally a rreal eal rrun un ffor or iits ts m oney. IIff yyou ou money. llike ike ttruffles, ruffles, ggo o ffor or tthe he C reminelli ssalami alami Creminelli ttartufo arrtufo (($4.5), $4.5), p ork ssalami alam mi iinfused nfused w ith pork with black truffles truffles.. W hile tthe he ccheese heese p ortion sseemed eemed a While portion b it sstingy tingy tto om e, jjust ust p oint yyour our fi nger aatt bit me, point finger tthe he llist, ist, aand nd yyou’ll ou’ll p ick a w inner. M ake pick winner. Make ssure ure yyou ou ttry ry tthe he u nusual ttestun estun aall B arolo unusual Barolo (($5.50), $5.50), a ssemisoft emisoft b lend o ow aand nd ggoat oat blend off ccow m ilk ccovered overed w ith b arolo w ine m ust, tthe he milk with barolo wine must, sp ent grap es left o veer fr o pr om essing wine spent grapes over from pressing wine.. It ’s outst taandingg. The sand dwiches ar eat. It’s outstanding. sandwiches aree gr great. W hile tthe he o nes m ade o n IItalian talian rrolls olls aare re While ones made on a llittle ittle ttoo oo b ready, yyou ou ccan’t an’t ccomplain omplain bready,

ab out what ’s b ettween w those slic es of about what’s between slices ffresh resh ttoasted oasted b read. G o sstraight traight ffor or tthe he bread. Go p orchetta ssandwich andwich (($10), $10), h ot, tthick hick sslices lices porchetta hot, o oasted p ork w ith ssweet weet llittle ittle rroasted oasted off rroasted pork with cipp oline on nions and spring gr eens. cippoline onions greens. T he A rthur A venue ssandwich andwich The Arthur Avenue (($10.50) $10.50) iiss L toria’s ttake ak ke o n a cclassic lassic Laa S Storia’s on muffalet tta: pr p oscuitttto, fino cchiona muffaletta: proscuitto, finocchiona salami,, mor tadella,, pr ovolone cheese mortadella, provolone cheese,, cchopped hopped o live ssalad, allad, p epperoncinis olive pepperoncinis an nd llettuce. ettuce. T he m ost iintriguing ntriguing iiss tthe he and The most V ittoria (($11), $11), m ascarpone, sspeck peck ((ham) ham) Vittoria mascarpone, an nd aarugula rugula w ith o live o il iinfused nfused w ith and with olive oil with b ergamot ((think think E arl G rey ttea) ea) sserved erved bergamot Earl Grey on a toasted d franc ese rroll. oll. francese Desser ts ar aaree quite go od. The cho colate Desserts good. chocolate hazelnut tor rte ($4.50) is made with torte S unnyvale’s S nak ke an nd B utterfly Sunnyvale’s Snake and Butterfly cchocolate; hocolate; tthe he eethereal thereal b ut eexceedingly xceedingly but rrich ich d essert vvaults aults tto oah igher llevel evel dessert higher o eliciousness w ith tthe he ad ddition o off d deliciousness with addition off ccrumbled rumbled b acon. T he ssfogliatelle, fogliatelle, a bacon. The ric ottta-cheesse-stuff ffeed pastry pastry ($4.50), ricotta-cheese-stuffed ttakes ak kes 2 inutes tto ob ake, b ut iit’s t’s w orth 255 m minutes bake, but worth tthe he w ait. IItt w ould k ill w ith a gglass lass o ate wait. would kill with off llate har veest wine e. harvest wine. O ourse, L toria’s rraison aison d ’être iiss Off ccourse, Laa S Storia’s d’être tthe he w ine, aand nd G uerra aand nd C annistraci wine, Guerra Cannistraci h ave aassembled ssembled a p rodigious llist. ist. I have prodigious ccounted ounted n ine w hites aand nd 114 4 rreds, eds, p lus a nine whites plus ssprinkling prinkling o parkling w ines aavailable vailab ble off ssparkling wines b he gglass lass ((available availab ble iin n 33-ounce -ounce o byy tthe orr 5ounce p ou urs—nice). But ffor or o a wine 5-ounce pours—nice). b ar, I eexpected xpected a w ider sselection election b he bar, wider byy tthe glass—with an entir aall of wine entiree of w wall o pposite tthe he b ar I w aan nted m ore. M aybe opposite bar wanted more. Maybe II’m ’m jjust ust ggreedy. reedy. B ut yyou’re ou’re ffree ree tto op ull But pull an ny b ottle o ff tthe he sshelf helf aand nd h ave iitt any bottle off have o pened u p. T here iiss a $ 15 ccorkage orkage ffee ee o n opened up. There $15 on the first b ottttle (none on the sec ond)— bottle second)— tthat’s hat’s a d eal cconsidering onsidering yyou’re ou’re p aying deal paying rretail etail p rice, n ot tthe he ttypical ypicall 2 00 tto o 3300 00 price, not 200 p ercent rrestaurant estaurant a mark k--up on wine percent mark-up wine.. T he rreal eall vvalue alue o toria iiss tthe he The off L Laa S Storia k nowledge o ts o wners, aand nd ttheir heir knowledge off iits owners, passion ffor o or wine w fills the rrestaurant. estaurant. aurant T here aare re ssome ome ggems ems o n tthe he llist ist o ines There on off w wines b he gglass. lass. T he 2 009 D ominique byy tthe The 2009 Dominique P iron M orgon, a 1100 00 p ercent ggamay amay Piron Morgon, percent b eaujolais ffrom rom B urgundy, iiss a ggreat reat beaujolais Burgundy, cchoice hoice n ext tto oap lank o eat an nd next plank off m meat and cheese ampbell’s Tr evieso winer cheese.. And C Campbell’s Trevieso wineryy is rrepresented epresenteed with its eexcellent xcellent 20 06 2006 C hupacabras as, a lluxuriously uxuriously b lend o Chupacabras, blend off ssyrah, yrah, ggrenache renac ache an nd vviognier. iognier. IIt’s t’s ccool ool and tto o sstroll troll aalong long tthe he sshelves helves o ine w ith off w wine with a glass of win ne in hand hand. It ffeels eels e kind wine o llicit. F ull k itchen o ot, E noteca off iillicit. Full kitchen orr n not, Enoteca L eat plac ound Laa Storia is a gr great placee to surr surround yyourself ourself with o h go od ffood ood and wine good wine.. Enoteca Enoteca La Storia Storia 416 4116 N. Santaa Cruz Ave., Ave., Los Los Gatos 408.625.7272 408.625.72772

27 M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 1 6 -2 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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Downtown San Jose ¿book online at sanjose.com

AFFINITY American. $$$. Bigshouldered food in handsome surroundings is the rule. The steaks are big and juicy, the pot pies better than Grandma used to make. Full bar. 300 Almaden Blvd, inside the Hilton. 408.947.4444. AMICI’S EAST COAST PIZZERIA Pizza. $. Amici’s specializes in thin-crust, New York-style pizza. With its upscale atmosphere and friendly service you’ve got one of downtown San Jose’s best pizza shops. 11am-10pm MonThu, 11am-11pm Fri, 11:30am11pm Sat and 11:30am-10pm Sun. 225 W. Santa Clara St. 408.289.9000.

ARCADIA Steakhouse. $$$. Celebrity chef Michael Mina reworked the menu at Arcadia in the summer of 2006 to create a modern steakhouse, a change that has made it the destination restaurant it was originally supposed to be. Lunch 11:30am-2pm Mon-Fri and dinner 5:30-10pm SunThu, 5:30-11pm Fri-Sat. 301 S. Market St. 408.278.4555.

BELLA MIA Italian-American. $$$. One of downtown San Jose’s most attractive eateries, Bella Mia serves regional dishes with ﬂair. Full bar. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 4:30-10pm Sat, 4:30-8pm Sun. 58 S. First St. 408.280.1993. BILLY BERK’S Eclectic. $$. Billy Berk’s restaurant looks and taste likes the offspring of the Hard Rock Cafe and Chili’s. The downtown San Jose restaurant offers a populist mix of American, Mexican and Asian

food. Most dishes are designed for sharing—appetizer-size portions, nibbles and ﬁnger foods that pair well with the prodigious drink list. 11:30am10pm Mon-Wed, 11:30am10pm Thu, 11:30am-11pm Fri, 5-11pm Sat, Bar open till midnight. 99 S. First St, San Jose. 408.292.4300.

DALAT Vietnamese. $$. San Jose’s second-oldest Vietnamese restaurant continues to draw those in search of delicious traditional fare. Surroundings are clean and friendly. Open daily for lunch and dinner. 408 E. William St. 408.294.6989. E&O TRADING COMPANY Southeast Asian. $$$. Entrees come on playful serving dishes and are beautifully spiced with multiculti ﬂavors, from Bali to Ceylon and back through Malaysia. Full bar. Open 11:30am to 10:30pm, until midnight on weekends. 11:30am-10pm Mon-Thu, 11:30am-10:30pm Fri, 510:30pm Sat, 5-9pm Sun. 96 S. First St. 408.938.4100.

EULIPIA New American. $$$. The revamped menu emphasizes robust ﬂavors and beautiful presentations. Several standouts have been retained from the previous menu, as have the sexy Eulipia cocktails. Full bar. 5:30-10pm Tue-Sat, 4:30-9:30pm Sat. 374 S. First St. 408.280.6161. FLAMES EATERY AND BAR American. $$. In Silicon Valley, the home-grown Flames restaurant chain is the area’s deﬁnitive coffee shop. And now they’ve opened in downtown San Jose to great acclaim. 7am-midnight daily. 88 S. Fourth St. 408.971.1960.

4TH STREET PIZZA CO. Pizza. $. 4th Street Pizza Co. occupies a prime corner spot on East Santa Clara and Fourth with big

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¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

windows to watch the comings and goings at City Hall across the street. The thin-crust margherita fell short but the thicker-crust pies are better. 11am-9pm Sun-Thu and 11am10pm Fri-Sat. 150 E. Santa Clara St. 408.286.7500.

GUMBO JUMBO Cajun fusion. $$. Gumbo Jumbo charts new territory with dishes such as Cajun lemon-grass chicken, garlic shrimp noodles and crawﬁsh egg rolls. And don’t miss the boiled crawﬁsh. 11:30am-2:30pm and 5:3010pm Mon-Wed, 11:30am2:30pm and 5:30pm-midnight Thu-Fri, 3pm-midnight Sat and 3-10pm Sun. 80 N. Market St. 408.294.8626. HOUSE OF SIAM Thai. $. This popular establishment runs the gamut of Thai treasures. Casual. Beer, wine. 11:30am-2:30pm Mon-Fri, 5-10pm daily. 151 S. Second St. 408.295.3397. IL FORNAIO Regional Italian. $$. Embraced by the graceful Sainte Claire Hotel, this location (there are several up and down the coast) transports the diner. The menu showcases a different region of Italy monthly. 7am-10pm, 10:30am-11:30pm Mon-Thu, 8am-11pm Fri-Sat, 8am-10pm Sun. Full bar. 302 S. Market St. 408.271.3366.

KOJI SAKE LOUNGE. $$. Japanese. In spite of Koji’s well-tuned atmosphere, it’s the sakes that really set the tone. Koji’s sake list includes tasting notes that help you ﬁnd one that suits you. Happy hour 6-9pm Wed-Fri with $3 beers and $5 small plates. 6pm-late Wed-Fri, 8pm-late Sat. 48 S. First St. 408.287.7199.

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SVDINING 28 LA PASTAIA Italian. $$. La Pastaia remains a stalwart of downtown San Jose’s dining scene. Set inside the Hotel De Anza, the rustic Italian restaurant has big city style to spare. Lunch 11am-3pm Mon-Fri and noon-2pm SatSun; dinner 5-9pm Mon-Thu, 5-10pm Fri-Sat and 5-9pm Sun. 233 W. Santa Clara St. 408.286.8686.

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all over the restaurant. Lunch 11am-3pm Mon-Fri, dinner 511pm Mon-Sat and Sun 5-9pm. 86 N. Market St. 408.998.1509.

MORTON’S STEAKHOUSE

LA VICTORIA TAQUERIA

Steakhouse. $$$$. Morton’s, a Chicago-based chain of restaurants with more than 80 locations across the United States and abroad, offers delicious, premium-priced steaks. The rest of the menu is a mixed bag. 5:30-11pm MonSat, 5-10pm Sun. 177 Park Ave. 408.947.7000.

Mexican. $. La Vic’s famously addictive orange hot sauce merely tops off its tasty taqueria fare: big burritos of the breakfast and lunchtime varieties, overﬂowing nachos, delectable chile rellenos. 7am3am daily. 140 E. San Carlos St. 408.298.5335.

MUCHOS Mexican. $. A small player with a big rotisserie, this taqueria cultivates a devout lunch following. All standards get billing, but the mesquiteroasted chicken is the star. Beer. 11am-10pm daily. 72 E. Santa Clara St. 408.277.0333.

LOS CUBANOS Cuban. $$. Cuban food exudes an earthy, slow-cooked seduction and Los Cubanos has it in spades. Lunch 11am-2:30pm; dinner 5-9pm Tue-Thu, 5-10pm Fri, 3-10pm Sat and 3-8:30pm Sun. 22 N. Almaden Ave. 408.279.0134.

MCCORMICK AND SCHMICK’S Seafood. $$$. Harks back to big-city ﬁsh houses with stately, masculine interiors. Menu follows the freshest fruits of the sea, grilled, panseared, steamed. Desserts will hook you. 11:30am-10pm daily, 11pm happy hour Fri-Sat. 170 S. Market St. 408.283.7200. MEZCAL Regional Mexican. $$. Mezcal specializes in delicious regional cuisine from the southern Mexican state of Oaxaca. People who need nachos and sourcream-topped burritos on the menu will probably be miffed, but for those willing to venture beyond the same old Mexican-American standards, Mezcal offers an excellent point of departure. 11:30am11pm Sun-Fri and 5-11pm Sat. 25 W. San Fernando St. 408.283.9595. MOROCCO’S Moroccan. $$. Morocco’s is the kind of restaurant downtown San Jose needs more of: distinctive food cooked and served by people with a personal investment in customer happiness. Morocco’s personal touch is

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PAOLO’S New Italian. $$$$. Filled with artistic spins on California-meets-Italy, the kitchen turns out elegant entrees spearheaded by seasonal vegetables. The impeccable service compensates for the modest portions. Full bar. 11:30-2:30 Mon-Fri, 5:30-10pm MonSat. 323 W. San Carlos St. 408.294.2558. POOR HOUSE BISTRO New Orleans. $$. The Poor House Bistro offers a lowpriced menu of Crescent City classics like po’ boys, barbecued shrimp, gumbo and muffaletta. Live music on Fridays and Saturdays. Open 11am-9pm Mon-Sat. Open Sundays for major HP Pavilion events. 91 S. Autumn St. 408.292.5837.

New American. $$. Lots of restaurants would like to think of themselves as friendly neighborhood joints but few deliver. The Garage does. Small but satisfying menu of well executed comfort food classics. 5-9:30pm Tue-Thu, 5-10pm Fri, 9am-1pm, 5-10pm Sat, 9am1pm Sun. 505 E. San Carlos St. 408.286.1100.

SCOTT’S SEAFOOD Seafood. $$$. Culture lovers and power brokers alike ﬁnd impeccable sourdough, a sea of marine treats and other entrees and a panoramic view (there’s a sister eatery in Palo Alto). For maximum pleasure, get there at sunset. Full bar. 11:30am5pm Mon-Fri, 5pm-close Sat, 4:30pm-close Sun. 185 Park Ave. 408.971.1700.

NHA TOI Vietnamese. $-

71 SAINT PETER New

$$. Nha Toi is the place for northern style Vietnamese food—less sweet than southern Vietnamese food and less spicy than the food of central Vietnam, yet it makes wider uses of aromatic ingredients 9am10pm daily. 460 E. William St. 408.294.2733.

ORIGINAL JOE’S ItalianAmerican. $$. For ﬁve decades OJ’s has been serving classics of American and ItalianAmerican food with heaping portions of big city attitude and glamour. The restaurant underwent an extensive remodel, but the menu is the same as it ever was. 11am1am daily. 301 S. First St. 408.292.7030. PAGODA RESTAURANT Chinese. $$$. The cuisines of China share top billing with the opulence of the décor. Pagoda offers the gamut of regional all-stars. Dressy. Full bar. 610pm Tue-Sat. Fairmont Hotel, 170 S. Market St. 408.998.3937.

American. $$$. This romantic eatery offers upscale Mediterranean food in an intimate setting Beer, wine. Closed Sun. 71 N. San Pedro St. 11:30am-1pm, 5-9pm Mon-Sat. 408.971.8523.

VEGETARIAN HOUSE Vegetarian. $. This meat-free stalwart offers vegetarian dishes from around the world with a side serving of religious reading material from spiritual leader Ching Hai. 11am-2pm, 5-9pm Mon-Fri, 11am-9pm SatSun. 520 E. Santa Clara St. 408.292.3798.

VUNG TAU VIETNAMESE $$. Traditionalists might gripe that they can get authentic Vietnamese food for less elsewhere, but it’s hard to top Vung Tau for its fresh, quality ingredients and sleek yet comfortable décor. Encyclopedic menu. Open daily 10am-3pm and 5-9pm. 535 E. Santa Clara St. 408.288.9055.

LIVE FEED

Fast Chicken Soup

;FEÊK befn n_XkÊj _Xgg\eè^ n_\i\ pfl c`m\# Ylk dp _flj\# e\`^_Yfi_ff[# jZ_ffc [`jki`Zk Xe[ Z`kp Xk cXi^\ j\\d kf _Xm\ Y\\e _`k Yp X gXe[\d`Z f] Zfc[j# Ô lj Xe[ \m\e ge\ldfe`X k_Xk nflc[ Y\ dp n`]\ % <m\ipn_\i\ @ ^f# @ j\\ g\fgc\ n`k_ nXk\ip# gl]]p \p\j Xe[ ileep efj\j cffbè^ gcXè d`j\iXYc\% 8k dp jfeÊj jZ_ffc# fe\ f] k_\ bè[\i^Xik\e ZcXjj\j nXj i\[lZ\[ kf k_i\\ b`[j ]ifd (- fe =i`[Xp Y\ZXlj\ jf dXep n\i\ flk j`Zb% I’ve somehow managed to dodge the germ bullets flying around, but everyone else in my house has been laid flat. I can only imagine how much worse things would have been if hadn’t been so sunny and everyone was cooped up indoors. But as I write this, rain is in the forecast, so things could get worse. The only defense I have is my chicken soup. Chicken soup has proven anti-inflammatory properties and always makes me feel better. The trouble with chicken soup is that it often doesn’t taste very good. The canned stuff is loaded with salt and tastes flat. Making your own is the way to go, but many people are daunted by chicken stock. Chicken broth in boxes doesn’t cut it. It tastes like it’s been seasoned with cardboard. There are countless recipes for homemade chicken stock, and I’ve tried half of them. I’ve settled on a recipe that has several compelling virtues. It’s easy. It’s quick. It’s cheap. And it tastes great. This recipe is really two-in-one. It requires a bit of planning but not much. First, buy a roast chicken. (You can roast your own, but when someone in my family is sick I’m going for fast and convenient.) Costco makes a good one, and most grocery stores sell them. Take it home and eat it. If you can, leave a bit of meat on the carcass. It will go into the soup and help flavor the broth. The important thing is to save all the bones. Roasting bones is the key to a rich broth, and buying a roast chicken means it’s already been done for you. I keep a plastic bag in the freezer where I store all my old chicken bones. You can make a good broth with the bones from one bird, but more bones are better. Anyway, here’s what you do to make four bowls of soup: Put all the bones in a big pot with enough water to cover by three inches or so. Bring to a boil and then reduce to a simmer. It’s important not to boil your broth, which can make for a cloudy, less-than-delicate broth. Simmer for about 90 minutes. Add a little more water if need be and then add a cup each of diced carrots, onions and celery. Drop in about 10 peppercorns, a few bay leaves and a wad of fresh parsley. Simmer for about 30 minutes. Adding the vegetables earlier will only serve to leech out their flavor. Strain the stock through a fine wire mesh and return to the pot. Reserve the chicken bones and let cool. The broth will be a little bland. Add two teaspoons of salt, the juice from half a lemon and two or three dashes of Vietnamese fish sauce. Yes, fish sauce is my secret ingredient. No one will ever know it’s there, but the fish sauce boosts the umami quotient of the broth. Taste the broth. You don’t want it too salty, but add a little more salt if need be. Meanwhile, once the chicken bones have cooled, pick off any meat and reserve. That’s it for the broth. So easy and so economical. Now sauté some carrots, celery and onion and season with salt and pepper. Make sure to retain some of the vegetables’ snap. Cook some rice, pasta shells or barley and add it to the broth along with the vegetables and reserved chicken and serve. That’s it. I hope you feel better.—Stett Holbrook

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CHOICES BY: 8Xife :Xie\j 9\Xl ;fnc`e^ D`Z_X\c J% >Xek Jk\m\ GXcfgfc` I`Z_Xi[ mfe 9ljXZb

GOOD HUSTLE

KRS-ONE BIJ J$$F J Fe e\ \ `j `j jk`cc k_\ k_ _``e eb b`e^ d dXeÊj iX _\ g g\ g \ii]]f Xg gg fiid g\i2 2 djj n`k_ _ Dlij JXkli[ Xp Xk 8mXcfe%

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*wed NICHOLAS ISHERWOOD

Braun Music Center, Stanford Wed – 8pm; $28 World-renowned bass/baritone Nicholas Isherwood has performed in at least a dozen operas but is visiting the area to touch the extremes of avant-garde music, a musical realm of apprehension, terror and unexpected beauty. Isherwood is famed as an interpreter of the ﬁendishly difﬁcult music of Karlheinz Stockhausen. As Stockhausen’s 2007 obituary phrased it, the composer faced the “increasingly equivocal” sympathies of the cultural establishment, after using helicopters and shortwave radios as musical instruments. What one can expect is

unique profundity, since the low end of the musical spectrum seems best at expressing mortality. (RvB)

*thu

FREEWAY AND JAKE ONE VooDoo Lounge, San Jose Thu – 9pm; $15

Rappers Freeway and Jake One ﬁnd themselves caught in-between mainstream and indie hip-hop. Philly’s Freeway is probably best known for his guest appearances on Jay-Z and Kanye records, but he also sold half a million copies of his major-label solo debut. Likewise, hip-hop fans may think of Jake One primarily for his producing chops, having worked with De La Soul and

50 Cent. In 2008, though, he ﬁnally stepped out from behind the board to record his debut album, White Van. Last year, Freeway moved to indie label Rhymesayers for his album Stimulus Package, bringing on Jake One to produce. Mutual respect made the album work, with Freeway declaring at the beginning of the record that he’s going to make lots of room for Jake One’s beat. The producer, meanwhile, gave Freeway the space to let loose with some of his best rhymes yet. (AC)

be unfounded, so we’re still waiting for Straight Outta Campbell. Their long-awaited debut promises to clear up once and for all the mistaken notion that they’re a metal band (blame the name). Instead, they draw from a range of inﬂuences, most noticeably Smashing Pumpkins. Not to belabor the point, but the forthcoming record, when it ﬁnally comes forth, will also prove that, with its trio of talented songwriters and players, Mary Axe is one of the local music scene’s overlooked gems. (BD)

MARY AXE

GOOD HUSTLE

*fri

*sat

Caravan Lounge, San Jose Fri – 10pm; free

Homestead Lanes, Cupertino Sat – 8pm; $8

Rumors that this was to be Mary Axe’s CD release party turned out to

What San Jose’s quirkiest funk outﬁt didn’t do at their ﬁrst practice

session four years ago was write a bunch of songs and practice them to death. Instead, they got together and jammed. That’s what Good Hustle continues to do; their songs are skeletal in structure, giving the band the ﬂexibility to alter the length of entire sections. It allows them to do pretty much whatever they feel like doing, as long as they stick to their number one rule: Keep the music fresh. The music is energetic and offbeat, built on a foundation of intense dance beats and slick keyboards, and they nimbly walk a ﬁne line between paying homage to classic ’70s soul and skewering it. (AC)

KRS-ONE & MURS Avalon Nightclub, Santa Clara Sat – 8pm; $20 Old school meets new school in

* concerts

With Ronnie from Jersey Shore, Wit Feb 18 at 9pm, San Jose

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STUDIO8 OPENING

PALO ALTO PHILHARMONIC P PA With ssoprano Nanette McGuiness, Feb 19 at 8pm, Cubberley Theatre, Palo Alto

FREEWAY

SF CHAMBER ORCHESTRA Feb 19 at 8pm, St. Mark’s Episcopal Church, Palo Alto

LINKIN PARK Feb 22 at 7:30pm, HP Pavilion, San Jose

SECOND CITY Feb 23 at 7:30pm, Montalvo Arts Center

DISNEY ON ICE Feb 23–27, HP Pavilion

BALLET SAN JOSE Swan LLake, Feb 25–27 at San Jose Center for the Performing Arts Ce

DEFENDING THE CAVEMAN D Feb 25–26, Campbell Heritage Fe Theatre

AFIARA STRING QUARTET A Feb 27 at a 3pm, Montalvo Arts Center

ERIC CLAPTON Mar 2 at 8:30pm, HP Pavilion M

TRIO VOCE Mar 4 at 8pm, Campbell Recital Hall, Stanford

_ AXp$Q Xe[ BXep\ N\jk# 9\jk befne ]fi iXggè^ n`k _lij[Xp Xk Mff;ff% =i\\nXp afèj AXb\ Fe\ K this brilliant pairing of two of rap’s sharpest and most unpredictable talents. In demanding success on their own terms and refusing to stoop to gangsta clichés, KRSOne and Murs are hip-hop soul mates. The former is one of the most influential rappers of all time; in the early ’80s he more or less invented alternative hiphop, taking on political and social issues at a time when most other rappers were still boasting about their bling. Murs has done his part for the post-gangsta resurgence of underground rap, beginning in the mid-’90s as part of Oakland’s Living Legends. He may have shocked a lot of fans by jumping to a major for Murs for President, but he still writes some of the sharpest rhymes around. (SP)

SIX WEEKS SOBER Johnny V’s, San Jose Sat – 9pm; $5 Hailing from San Francisco, Six Weeks Sober’s main goal is put the city back on the map when it comes to hard rock. They take most of their musical cues from Papa Roach, with a touch of good old Bay Area thrash; it’s radio-friendly riffs mixed with hard-hitting breakdowns. This is the kind of music an MMA ﬁghter would make an entrance with— and has. (BD)

*sun TRIO NOBILIS Le Petit Trianon, San Jose Sun — 7pm; $30-$42 Pianist Stephen Prustman, violinist Ruggero Allifranchini and cellist Suren Bagratuni constitute a leading classical trio with lots of individual accomplishments behind them: Allifranchini performed with the Borromeo String Quartet, Bagratuni was a Tchaikovsky Competition winner and Prustman is director of the Cartagena Music Festival in Colombia. For this San Jose Chamber Music Society Concert, they will perform piano trios by Haydn, Beethoven and Tchaikovsky. (MSG)

SCOTT H. BIRAM Blank Club, San Jose Sun – 8pm; $8 Austin-based “dirty old oneman-band” Scott H. Biram once recorded an album once called Lo-Fi Mojo. That sums up his sound in a few words. As he snaps the strings of his ’59 Gibson, there’s a ghost of Johnny Cash in production, and of Waylon Jennings in the vocals. Ultimately, though, Biram is one of the last Texas bluesmen. A former punk rocker who headed deeper into roots music, Biram is famous for his successful attempt to knock some sense into an 18 wheeler. While recuperating, he recorded the “Rehabilitation Blues” EP showing his car-crash-ravaged self on the cover. (RvB)

FOUNTAIN BLUES FEST ALLSTARS FOUNTA Mar 5 at 7:30pm, Montalvo Arts Ma

JOHN HOLLENBECK Mar 6 at 2:30pm, Dinkelspiel, M Stanford

THE ADLERS Mar 13 at 2:30pm, Dinkelspiel Auditorium, Stanford

SYMPHONY SILICON VALLEY Concert version of Man of La Mancha, Mar 19–20, California Theatre, San Jose

CIRQUE DU SOLEIL Mar 24–27, HP Pavilion, San Jose

SYMPHONY SILICON VALLEY Brahms’ German Requiem, Mar 24–27, California Theatre

SAN JOSE JAZZ WINTER FEST Mar 12 at 7pm, Pagoda, Fairmont Hotel, San Jose

HARLEM GOSPEL CHOIR Mar 31 at 7:30pm, Montalvo Arts Center

MINGUS BIG BAND Apr 13 at 8pm, Dinkelspiel Auditorium, Stanford

Bart Nagel

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Who Needs Reality? 8 9<KK<I KFDFIIFN 9<KK<I KK KFDFIIFN K 8lk_fi AXe\ DZ>fe`^Xc Y\c`\m\j 8lk_fi AXe\ DZ>fe`^Xc Y\c`\m\j k_Xk ^Xd`e^ jkiXk\^`\j n`cc ^\k lj k_\i\%

@e _\i e\n Yffb# AXe\ DZ>fe`^Xc Xi^l\j k_Xk k_\ nfic[ f] ^Xd\j _Xj k_\ i\Xc nfic[ kfkXccp Y\Xk 9p NEAL SOLDOFSKY

8E< D:>FE@>8CĂŠJ e\n Yffb# I\Xc`kp @j 9ifb\e G\e^lè Gi\jj2 )-%0, _Xi[YXZb `j XYflk k_\ dfjk [ì\ f] `jjl\j% @kĂŠj XYflk X [\\g cXZb Xk k_\ _\Xik f] jfZ`\kp% @kĂŠj XYflk nfib# \dgkp Zfejld\i`jd# k_\ jkil^^c\ ]fi _Xggè\jj Xe[ k_\ ]Xk\ f] k_\ nfic[% N_`Z_ `j kf jXp# `kĂŠj XYflk ^Xd\j% Jane McGonigal is a game designer who favors an unusual platform: the real world. For the past three years, sheâ€™s been a part of Palo Altoâ€™s

Institute for the Future, researching the interaction between games and reality, when not working with other organizations, or on her own, on games to solve serious problems. Computer games are perhaps the greatest escapist medium ever created, and McGonigal makes the case that they satisfy basic emotional needs that reality currently doesnâ€™t. The biggest of these emotional needs are about work. Games are better than reality at making people feel productive, at giving people an opportunity to achieve, at creating a context where work is as intrinsically rewarding. According to McGonigal, this ability of games is a reason to be optimistic. Games have the power to focus epic levels of effort, creativity and

organization on solving problems, and because of this, they are lever with which to move the world. D\kif1 ?fn [`[ pfl ^\k jkXik\[ `e ^Xd\ [\j`^e6 McGONIGAL: I came out to do my

Ph.D. in Berkeley, and I was intending to study theater. And when I got out here, my ďŹ rst semester there was a startup company looking to do a mobile game that would be played on the streets of San Francisco, and they needed someone to help stage manage the game and write it. It seemed like something a theater person would be good atâ€”sort of live-action games and realityâ€”so I got a job doing that my ďŹ rst semester here, and that changed the path that I was on. ?fn [`[ k_Xk Ă“ijk ^Xd\ ^f6 It was great. The main thing that I learned from that game, what I ďŹ rst started writing about, was that playing a game in reality changes how you think about reality. If you play a game on a street block, youâ€™re more likely, when you come back to that block, even if

youâ€™re not playing the game anymore, to do things that are gamefulâ€”like to help someone who needs help or to go into a space youâ€™ve never been before. . . .Those lingering effects of having played a game, and tracking those, and ďŹ guring out why they happen, that was where my research started. Fe\ f] k_\ k_è^j k_Xk jkilZb d\ Xj èk\i\jkè^ XYflk k_\ ^Xd\j pfl dXb\ `j k_Xk `kĂŠj efk aljk XYflk Zi\Xkè^ k_`j ^Xd\ jkilZkli\# k_\i\ĂŠj Xcjf X cXi^\ \c\d\ek f] ]XekXjp% N_p [f pfl k_èb k_\ ]XekXjp dè[$j\k `j `dgfikXek n_\e dXbè^ X ^Xd\ k_XkĂŠj ^fè^ kf X]]\Zk k_\ i\Xc nfic[6 I know there are a lot of people right now who are trying to look at some of the most abstract elements of games, like points and levels and achievement badges, and I think that really misses the point of what makes a game a game. Thereâ€™s this great quote in the game industry that â€œevery game is a power fantasy.â€? And people mean different things by that, but what I think it means is that every game is about the fantasy that you have the power to change the world, or at least the power to save someone, the power to make a difference. Games are really designed to give you that sense of agency, of heroic purpose, that you can really rise to the occasion. So when I make games about real world problems, like climate change, or oil dependency, or poverty, I want to play into that power fantasy and see if we can make it real. @e k_\ Yffb# pfl kXcb XYflk Jlg\iY\kk\i# k_\ ^Xd\ pfl fi`^èXccp dX[\ kf _\cg pflij\c] i\Zfm\i ]ifd X j\i`flj _\X[ èalip% Efn k_Xk pfl Xi\ nfibè^ fe X Zfdd\iZ`Xc m\ij`fe# Xi\ pfl Ă“e[è^ `k X Z_Xcc\e^\ kf ^\k g\fgc\ kf i\XZ_ flk ]fi _\cg ]ifd fk_\ij# Xj k_\ ^Xd\ i\hlì\j6 Weâ€™re testing it with different kinds of personalities, I guess you would say. There are a couple of different reasons why people withdraw when they have injury or illness, and weâ€™re working with different personality types to see ways that the game could support people overcoming that. One of the things that weâ€™ve found is really helpful is that the game helps you come up with speciďŹ c things you can ask people to do. Something as simple as â€œCome see me once a week and make me laugh, thatâ€™s your mission.â€?

â€œ...a non-stop p showcase off movement artistry.â€? â€?

FEBRU FEBRUARY A Y 25 â€“ 27 AR 27 PERFOR PERFORMED RMED WITH SYMPHONY SILICON S SILIC ON VALLEY VALLEY A SYMPHONY AT A T THE SAN SAN N JOSE JOSE CENTER

- Rachel Howard,, San Francisco Chronicle e

FOR F OR THE PERFORMING PER RFORMING ARTS ARTS

â€œ...a magniďŹ centt â€? achievement.â€?

SINGLE TIC TICKETS: CKETS: S $16 $16$16-100 100

- Rita Felciano,, San Jose Mercury Newss

GROUP DISC DISCOUNTS OUNTS AVAILABLE A AVAILABLE

Maria Jacobs-Yu. Jacobs-Yu. Photo Photo by by RJ RJ Muna Pictu Pictures ures

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Funding un nding ding for for tth the he h e San San Francisco Francisco production production of of the the exhibition exhib e xhib bition ition is is provided provided by by the the Phyllis Phyllis C. C. Wattis Wattis Fund Fund ffor or Traveling avveling eling E Exhi Exhibitions xhib bitions itions Image: aage: ge: Colossal Co ossa Head He ead ad 5, 5, MĂŠxico, MĂŠxico, Veracruz, Veracruz, Municipality Municipa M unicipaliity tyy of of Texistepec, Texistepec, San San Lorenzo Lorenzo TenochtitlĂĄn, Tenochtit ĂĄn, 1200â€“900 1200 900 B.C. B C. Museo Museo de de AntropologĂa Antropo A n t ro p o l o ogĂa gĂa de Xalapa, Xalapa, Universidad Univer U niverssidad idad Veracruzana Veracruzana (Reg. (Reg. 49 49 P.J. P.J. 4026). 4026). Photo: Photo: Consejo Cons C onsejo Nacional Naciona para para la la Cultura Cultura y las as Artesâ€”Instituto Ar tes nstituto Nacional Naciona d de e AntropologĂa ttropologĂa ro p o o g Ă a e H His Historiaâ€”MĂŠxicoâ€”Javier isstoriaâ€”MĂŠxico toriaâ€”MĂŠxicoâ€”Jaavier vier H Hinojosa inojosa

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SWAN LAKE KE

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34 What we find in the big obstacle for people reaching out for support is they don’t know what to say to somebody. It feels overwhelming, it’s too vague and amorphous. Like you know, “I need help”—you don’t want to say that. And people who want to support you don’t know what they’re supposed to do. That’s something everybody experiences, where you see somebody who’s having a hard time, and you would help if you just knew what you could do. The science says that if you have three people that you can ask for help, during any injury or illness, that you increase your chances for recovery by more than 100 percent, and it speeds up recovery as well. That’s one of the most important things about the game, just trying make sure everybody feels like they can get two, three people, even if it’s not the three people they might have thought of immediately. @e k_\ Yffb pfl kXcb XYflk k_\ gfk\ek`Xc f] dXbè^ nfib dfi\ ^Xd\c`b\% ?Xm\ pfl j\\e Xep ZfdgXe`\j k_Xk _Xm\ ^`m\e k_Xk X j\i`flj kip6 Zappos, I think, has one of the most interesting examples. Zappos has a game that you play whenever you log into your computer at the office, where it shows you a picture of somebody else at the company, and they ask you if you know who that person is and what they do in the company. And it keeps track of how many people you were able to recognize, and from what I’ve hard from Tony Hsieh, their CEO, that this has really transformed the social atmosphere, that people are more likely to stop and introduce themselves to somebody else they don’t know that they’re passing by in the hall. And it’s become this kind of addictive game that people like to play when they check in. You can see your streaks, like how many days in a row did you get the right person, you can see who knows the most people. . . . It’s not like they’ve transformed the whole company to work like a game, but they’ve found a really meaningful game to play in the first one minute of everybody’s day at work. Jane McGonigal Reads Wednesday (Feb. 16), 7pm Barnes & Noble Stevens Creek, San Jose

More listings:

metroactive ARTS

METROACTIVE.COM FEATURED LISTINGS

Jimmy Pardo Feb. 18–20; Rooster T. Feathers, Sunnyvale; $12–$18 Jimmy Pardo is the comedian Conan O’Brien handpicked to warm up the audience before The Tonight Show and Conan. This was not just because Pardo is hilarious, which he is, but because his comedy consists almost entirely of audience interaction. He has very little prepared material, but he is so quick he doesn’t really need it. He is always there, in the moment, with his audience. As a result, his shows feel fresh, uncontrived and electric. Pardo also hosts a podcast called Never Not Funny, which GQ recently named their “No. 1 Relatively Obscure Thing You Need to Be Paying Attention To.” (Alan Soldofsky)

Smucker’s Stars on Ice Friday, 7:30pm; HP Pavilion, San Jose; $25 and up Some of the world’s best skaters take a break from competition to perform a touring exhibition. The show stops in San Jose this weekend with 2010 Olympic gold medal winner Evan Lysacek and silver medalist Sash Cohen in the lead. Some of the other notables taking a spin will be Jamie Salé and David Pelletier, Kurt Browning, Todd Eldredge and Ekaterina Gordeeva.

Andrew Altschul Wednesday (Feb. 16), 7pm; Kepler’s, Menlo Park; also Thursday, 7pm; King Main Library, San Jose; both free Reality television deserves more than our mockery. It deserves our most serious reﬂection. Although it deals primarily with reality TV, the ambitious new novel Deus Ex Machina (Counterpoint; $14.95 paperback) by local author Andrew Foster Altschul, offers a much greater critique—and reality TV is merely the lens we need to use in order to see it. (Read a full-length review online at SanJose.com.) Altschul speaks twice this week about his novel. (Alan Soldofsky)

*stage Dance

NUTCRACKER IN CHINA A beneﬁt performance of an original Chinese dance drama by Rainbow Phoenix Performing Arts Company. Sun, 1:30pm. $30. Mountain View Center for the Performing Arts.

Opera

Theater

THE BARBER OF SEVILLE

COMPLETE FEMALE STAGE BEAUTY

Opera San Jose presents Rossini’s comic opera. Feb 18, 24 and 26, 8pm, Feb 20 and 27, 3pm. $51-$101. California Theatre, San Jose.

TURANDOT A Puccini favorite presented by West Bay Opera. Feb 18 and 26, 8pm, Feb 20 and 27, 2pm. $25-$60. Lucie Stern Theatre, Palo Alto.

City Lights puts on the South Bay premiere of Jeffrey Hatcher’s drama about a 17th-century English actor who specialized in female roles. Thu-Sat, 8pm, Sun, 2pm. Runs thru Feb 20. $15-$28. City Lights, San Jose.

DEATHTRAP A suspense play by Ira Levin,

presented by Northside Theatre Company. Thu-Sat, 8pm, Sun, 3pm. Runs thru Mar 6. $15/ $20. Northside Theatre, San Jose. A look behind the curtain in a drama by Robert Harwood about a famed Shakespearean actor and his dresser, presented by San Jose Repertory Theatre. Wed-Fri, 8pm, Sat, 3 and 8pm, Sun, 2pm. Runs thru Feb 20. $35-$74. The Rep, San Jose.

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM A Sondheim musical romp presented by South Bay Musical Theatre. Thu-Sat, 8pm. Runs thru Feb 19. $23-$33. Saratoga Civic Theatre.

CLUB FOX Mon, 8pm: Comedy Monday with Dan St. Paul. $10. Redwood City.

COMEDYSPORTZ An interactive improvised comedy show. Fri, 9 and 11pm and Sat, 7 and 9pm. $12/$15. ComedySportz, San Jose.

ROOSTER T. FEATHERS Wed, 8pm: New Talent Showcase. $10. Thu, 8pm: Bill Santiago and Brian Watts. $12. Fri, 9pm, Sat, 8 and 10:30pm, Sun, 8pm: Jimmy Pardo, with Bill Santiago and Brian Watts. $12$18. Sunnyvale.

SAN JOSE IMPROV ON THE WATERFRONT The West Coast premiere, by Santa Jose Stage Company, of a stage adaption of Budd Schulberg’s famous screenplay about a conﬂicted dock worker. Runs Feb 16-Mar 13. Wed-Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2pm. $15-$35. The Stage, San Jose.

RUN FOR YOUR WIFE A farce about a bigamist racing back and forth between wives. Presented by Santa Clara Players. Runs Feb 18-Mar 6. Thu (Mar 3 and 10), 8pm, Fri-Sat, 8pm, Sun, 2:30pm. $16 ($18 champagne opening). Triton Museum, Hall Pavilion, Santa Clara.

SEE HOW THEY RUN British playwright Philip King’s comedy with mystery overtones. A Tabard Theatre production. Fri, 8pm, Sat, 3 and 8pm, Sun, 2pm. Runs thru Feb 20. $15-$24. Theatre on San Pedro Square.

SYLVIA A comic romance by A.R. Gurney about a man, a woman and a dog. Wed, 7:30pm, Thu-Sat, 8pm. Runs thru Feb 19. $24-$32. Bus Barn Theater, Los Altos.

THE 39 STEPS A stage adaptation by TheatreWorks of the famous British spy caper. Fri-Sat, 8pm, Sun, 2pm. Runs thru Feb 20. $27-$42. Mountain View Center for the Performing Arts.

WORKING Foothill Music Theatre offers a musical based on Studs Terkel’s interviews with American workers. Runs Feb 18-Mar 6. Thu (Feb 24 and Mar 3), 8pm, Fri, 8pm, Sat, 8pm (plus Feb 26 and Mar 5 at 2pm), Sun (Feb 27 and Mar 6), 2pm. $13-$26. Lohman Theatre, Foothill College, Los Altos Hills.

Wed, 8pm: Unﬁltered. $12. Thu, 8pm: Kris Tinkle and Friends. $12. Fri, 8 and 10pm, Sat, 7 and 9pm: Jennifer Coolidge. $22. Mon, 7pm: Big Al Gonzales. $12. San Jose.

*art

Museums ART MUSEUM OF LOS GATOS “Conﬁgurations: Bodies in Motion.” Figurative works by Michael Azgour, Nancy Bowman and Christofer Charles. Thru Mar 18. Los Gatos.

CANTOR ARTS CENTER “In a New York Minute: Photographs by Helen Levitt.” Thru May 1. “Paths Through the Global City: Photographs by Leo Rubinﬁen.” Thru May 1. “Vodoun/Vodounon: Portraits of Initiates.” Portraits of Vodoun followers and their shrines in Benin by Jean-Dominque Burton. Thru Mar 20. “Go Figure!” Figurative paintings and sculptures by contemporary artists. Ongoing. “Chiaroscuro Woodcuts From 16th-Century Italy.” Thru Feb 27. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

DE SAISSET MUSEUM “The Veil: Visible and Invisible.” A traveling group show of works focusing on the various societal uses of the veil through history. Thru Mar 11. “The Saints of Mission Santa Clara: Discovering the Meaning Behind the Art.” Thru Mar 11. Santa Clara University.

show about games and recreation is expanded in a second part. Thru Feb 24. TueThu, 11am-3pm. De Anza College, Cupertino.

HISTORY PARK SAN JOSE “Celebrating Local Artists: The Fifth Anniversary of the McKay Gallery.” A look at the McKay’s collection, including paintings and sketches by ADM Cooper. Thru Mar. In the Pasetta House. Tue-Sun, 11am-5pm. San Jose.

Fair & Unbalanced the best of Second City

Wed, Feb 23, 7:30pm

JAPANESE AMERICAN MUSEUM “Camp Days: 1942-1945.” Works about the internment camps by Chizuko Judy Sugita de Queiroz. Thru Apr 30. Also exhibits about the history of Japantown and the lives and contributions of Japanese immigrants in the valley. Thu-Sun, noon-4pm. San Jose.

LOS ALTOS HISTORY MUSEUM “Touching Lives.” An exhibit about the lives and contributions of Josephine and Frank Dubeneck, who ﬁrst lived in Hidden Villa. Thru Jun 27. Los Altos.

LOS GATOS HISTORY MUSEUM “Bear in Mind: The Story of the California Grizzly.” Thru Feb 27. Wed-Sun, noon-4pm. Los Gatos.

SAN JOSE MUSEUM OF ART “Robert Mapplethorpe: Portraits.” Photographs of New York celebrities and artists of the 1970s and ’80s. Thru Jun 5. “The Modern Photographer: Observation and Intention.” Thru Jul 3. “Degrees of Separation: Contemporary Photography From the Permanent Collection.” Thru Mar 14. Tue-Sun, 11am5pm, closed Mon. San Jose.

SAN JOSE MUSEUM OF QUILTS AND TEXTILES “Earthly Paradise: Memory, Myth, Metaphor.” Large quilted tapestries by A Bee collection. “Eden Re-Imagined.” Embroidery art by Leo Chiachio and Daniel Giannone. “Boy Code.” Embroideries by Wendy Osher. “Modern Maya.” Mayan clothing and photographers of the weavers. Thru May 1. TueSun, 10am-5pm. San Jose.

TECH MUSEUM OF INNOVATION “Body Worlds Vital.” A detailed anatomical look at bodies in health and disease, based on the work of Gunther von Hagens. Mon-Wed, 10am-5pm, Thu-Sun, 10am-8pm. San Jose.

EUPHRAT MUSEUM “Learn to Play Too.” The group

EVENTS AT MONTALVO ARTS CENTER

The Fountain Blues A Night of Flamenco Festival Allstars Music and Dance Band with Chris Cain Fanny Ara Presents: Garlochi

Hailed by the New York Times as “A Comedy Empire,” Chicago’s Second City has garnered an impressive reputation as the premier training ground for the comedy world’s best and brightest. With a stellar alumni list including Bill Murray, John & Jim Belushi, Mike Myers, Tina Fey, John Candy, Bonnie Hunt and many more, this touring company is always daring, original and hilarious. The troupe will perform social and political satire in scripted scenes, music and improvisation. Not-to-be-missed!

Fri, Mar 4, 8pm

Sat, Mar 5, 7:30pm

Bay Area choreographer Fanny Ara’s ﬂamenco and Spanish classical dance pushes the boundaries of tradition. Her re-imagining of ﬂamenco and the paso doble adds a cheeky, whimsical twist that contradicts the inherently serious tone of these dance forms. Garlochi means “heart” in Calo, the language of the gypsies. This performance features live music and is part of the New Directions Series at Montalvo.

Special guest Chris Cain and other award-winning local and national talent who have all performed at the prestigious Metro Fountain Blues Festival (JC Smith, Endre Tarczy, Ron E. Beck, Stan Erhart, Lara Price, Mark Fenichel, Maxx Cabello Jr., Kaye Bohler, Andy Just, Gary Smith, and Richard Palmer) come together to jam the blues — bringing back the spirit of the legendary greats!

$20 General | $15 Members

$32/$27 | Members: $29/$24

$45/$40 | Members: $40/$36

Co-presented by Montalvo Arts Center and The Bay Area Flamenco Partnership.

Carriage House Theatre Box Office, 408.961.5858, M-F, 10am-4pm ticketmaster.com or montalvoarts.org Free on-site parking!

15400 Montalvo Road Saratoga, CA 95070

39 M E T R O S I L I C O N VA L L E Y | F E B R UA R Y 1 6 -2 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

THE DRESSER

Comedy

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Twitter.com/SVDining

Meat the Brewers

@C@:FE M8CC<P e\\[j dfi\ _fd\îfne ]ff[ \m\ekj# Xe[ k_XkÊj n_p @Êd _Xggp kf j\\ D\Xk k_\ 9i\n\ij YXZb X^Xè ]fi X j\Zfe[ p\Xi% =ifd effe kf ,gd fe =\Y% (0# ]ff[ Xe[ Y\\i cfm\ij n`cc ÔfZb kf k_\ K`\[ ?flj\Êj Yi\n\ip ]XZ`c`kp [fne fe Jflk_ J\m\ek_ Jki\\k è JXe Afj\ ]fi X [Xp f]# n\cc# Y\\i Xe[ ]ff[% The event began last year as a way to let the South Bay’s beer scene shine amid all the fanfare of San Francisco Beer Week. Beer Week is Feb. 11–20 this year, and Silicon Valley hopheads have upped the ante with what looks like another great MEAT THE BREWERS celebration. The event will go down like last year, but with a little something different: food trucks. In addition to a great lineup of local breweries, Meat the Brewers will feature hot meals from local and Bay Area food trucks. The vendors will include KALBI BBQ, makers of KoreanMexican fusion food; the LOUISIANA TERRITORY, purveyors of Cajun food on wheels; SOUTHERN SANDWICH, a food truck specializing in Southern-fried delicacies; and MOBOWL, a rolling restaurant that serves Asian-style rice bowls. Complementing all that food will be nearly a dozen breweries, including FIREHOUSE BREWERY AND GRILL, TIED HOUSE/HERMITAGE BREWING CO., DEVIL’S CANYON BREWING CO., GORDON BIERSCH, SANTA CRUZ MOUNTAIN BREWERY, ROCK BOTTOM BREWERY, CAMPBELL BREWING CO., RABBIT’S FOOT MEADERY, UNCOMMON BREWERS and SEABRIGHT BREWERY. Twenty-five dollars in advance or $30 at the door gets you unlimited beer tastings. Kids 16 and under are free. Food is sold separately. Purchase tickets online at foodtruckthebrewers.eventbrite.com or in person at the Tied House, 954 Villa St., Mountain View; 650.965.2739. Go to www.betterbeerblog.com for more information. —Stett Holbrook

MetroGiveaways M etroGiveaways

Scan this QR code code with your your smartphone or vis visit sit

METROGIVEAWAYS.COM METR OGIVEA AWAYS.COM M

for straightforward, ﬂavorful dishes like pasture-raised chicken breast stuffed with creamy goat cheese, tangy preserved lemons and salty olives. Lunch 11am-2:30pm Tue-Thu; dinner 5-9pm TueThu, 5-10pm Fri-Sat. 827 Santa Cruz Ave. 650.325.3665.

KAYGETSU Japanese. $$$. Kaiseki is a rareﬁed Japanese cuisine born in Kyoto with impeccably seasonal ingredients and poetic presentations. Kaygetsu bills itself as “classic Japanese cuisine” but its kaiseki menu is like discovering a new galaxy of food. Closed Mon. 325 Sharon Park Dr. 650.234.1084.

LEFT BANK Grandma’s French. $$$. Wise country fare combined with metropolitan

savoir faire and a dash of Gallic attitude. Full bar. 11:30am10pm Sun-Mon, 11:30am-11pm Tue-Sat. 635 Santa Cruz Ave. 650.473.6543.

MARCHÉ Modern French. $$$$. Under new executive chef Guillaume Bienaimé, Marché offers some of the most inspired, impeccably sourced and thoroughly delicious food in Silicon Valley. Bienaimé’s cooking is based in French technique, and he ﬂirts with modern methods and elements of trendy molecular gastronomy like ﬂavor-infused foams and dehydrated and crushed sauerkraut, but at its core his approach is rooted in superb, often locally sourced ingredients simply and expertly prepared. 5:30-10pm Mon-Sat. 898 Santa Cruz Ave. 650.324.9092.

SULTANA Turkish. $$$. If you’ve eaten Greek, Iranian or Middle Eastern food, you’ll ﬁnd much that’s familiar here. Sultana makes your introduction to Turkish food easy with its warm service, well-executed dishes and soothing ambience 11am2:30pm, 5-10pm Mon-Fri; 11am-10pm Sat-Sun. 1149 El Camino Real. 650.322.4343.

Milpitas ¿book online at milpitas.com

ABC SEAFOOD RESTAURANT Chinese. $$. ABC is a Hong Kong-style restaurant, and that means dim sum and lots of fresh, fancifully prepared seafood. At lunch the place is

Pat Kirk

Dana Grover

STAGE

OPERA

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Worth Killing For

Slapstick Shaver

HOW FAR would you go to achieve success? Would you lie? Steal? Commit murder? Probably not, but we can’t be so conﬁdant when it comes to Sidney Bruhl, the hero of Ira Levin’s 1978 comedy-thriller Deathtrap, which opened Friday night at Northside Theatre Company.

YOU MAY HAVE heard the singular crack of a slapstick at the start of Ravel’s Piano Concerto in G. But once begun, the slapstick in The Barber of Seville at Opera San Jose goes—like—totally viral. Argentine-born stage director José Maria Condemi left no sight gag or comedic epiphany unﬂipped. The mind boggles at how the cast members in Sunday’s matinee could have memorized Rossini’s riotous score and Condemi’s hilarious stagecraft and delivered them with such razor sharp timing. The full house rocked with laughter.

Matt Singer plays Sidney, a famed author of Broadway thrillers who is experiencing a creative dry spell. Enter Clifford Anderson (Jason Arias), a young admirer who submits a manuscript to the elder playwright for critique. Upon reading it, Sidney begins to half-seriously consider killing Clifford and claiming the play as his own, to the horror of his wife, Myra (Melinda Marks). He believes that Clifford’s play has the makings of a Broadway smash, and even a movie starring Michael Caine. Eerily, this is exactly what became of Ira Levin’s Deathtrap in real life. Levin, who wrote bestselling novels like Rosemary’s Baby, The Stepford Wives and The Boys From Brazil, had his biggest stage hit with Deathtrap, which is still the longest-running comedythriller Broadway has ever seen.

;\Xk_kiXg Through March 6 Olinder Theatre, San Jose $15–$20

The play’s tone (foreboding, with humorous touch of absurdity) is immediately established by the décor in Sidney’s old colonial home, where all of the action takes place. Along with the ephemera of his past plays, Sidney has a number of weapons on display: handcuffs, swords, daggers, a variety of ﬁrearms, an ax, a crossbow and a medieval mace. It looks like the kind of place where a murder could happen; in truth, it would be surprising if a murder did not occur. James Lucas appears as Sidney and Myra’s attorney, while Shareen Merriam plays their neighbor, a Dutch psychic named Helga ten Dorp, who fulﬁlls what would traditionally be the role of a detective. It may seem contrived to replace the usual logic and deduction with supernatural readings, but Merriam’s gleefully loopy character is one of the best parts of the play, along with the hilarious dialogue between Singer, Marks and Arias and a few genuinely, hair-raisingly scary moments. Unlike a lot of things from the ’70s, Deathtrap has aged very well, and Northside’s production seems as fresh and entertaining as the original must have been. It could easily take place today, and if the cast are decked out in their best 1978 costumes, that’s just an extra bit of fun. —Sean Conwell

The first performance by this cast probably explains the tentative start of Act 1, with animated but sober podium leadership by conductor Bryan Nies. The same was true onstage until Adam Meza as Figaro sparked the audience with the celebrated “Largo al Factotum.” Just before that, Chester Pidduck as Count Almaviva delivered a tense nasally tone in his opening aria. Here making his company debut, Pidduck’s tenor soon revealed itself as an ideal fit for Rossini, light, bright and agile. Moreover, he successfully disguised his voice (as well as his identity) in winning the eagerly K_\ 9XiY\i willing Rosina’s hand and thwarting her suspicious, manipulative warder, Doctor Bartolo. In that role, F] J\m`cc\ Torlef Borsting held the stage with swaggering authority, booming baritone and explosive rages over his failures. Through Feb. 27 California Theatre, As Seville’s all-around factotum, Figaro offers his clients San Jose every manner of fix that his kit and his imagination can come up with—for payment in gold. Of course, Almaviva has more gold to spend than anybody else, and the wily barber happily schemes with him to keep Bartolo from contracting marriage to his comely ward. This involves manipulating Bartolo’s servants, Berta and Ambrogio, and Rosina’s music teacher, Don Basilio. In yet another laugh-out-loud performance, Paul Murray’s Basilio outlines for Bartolo a highly inflated plan to slander Almaviva. Add to all this an exposed love letter that threatens the anticipated happy outcome, a wild thunderstorm that advances the plotters’ plot, a ladder to abduct Rosina from her second story balcony, and . . . well, you get the point. To Rosina, Cathleen Candia gave a rich-toned mezzo-soprano and a smoothly flexible character that variously pouts and purrs. In Scene 2, Almaviva (as Lindoro), makes a drunken scene in Bartolo’s. A squad of soldiers investigating the ruckus surrounds the hapless Bartolo, freezing him into a “cold and unmoving” pose that gives everybody something to make fun of in the run up to the big Act 1 finale. Act 2 concentrates comedy, music and stage action even further, as Almaviva, now disguised as a substitute music teacher, makes more moves on Rosina while Figaro distracts Bartolo with a shave. Kindra Scharich as Berta won cheers for her one big solo declaiming that master and ward deserve each other. Matthew Antaky’s clever set and Kent Dorsey’s lighting worked in great complement to Condemi’s stage action. The orchestra and choristers maintained the company’s high standards.—Scott MacClelland

M E TR O S I L I C O N VA L L E Y | F E B R UA R Y 1 66-2 -2 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC AC T I V E . C O M

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metroactive FILM

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With W iith long long,, gloss glossyy rred ed hair and fieryy wardrobe, plays a fier wardrobe, Heche pla ayys Ostrowski-Fox, insurancee JJoan o Ostr oan owski-Fox, an insuranc saleswoman. sa aleswoman. The highlight of herr sedate se edate year year is the annual convention convention Iowaa cit cityy of 120,0 120,000. It’s in n that Iow 00. It ’s her h time she’s prissily tim me to cut loose. loose. When she ’s pris ssily accused being philanderer,” ac ccused of b eing “a philander er,” wearyy lo look makes JJoan o flashes a wear oan ok and ma akes upward wave a slow upw ard w ave of the hand: are ou going to do? W What are yyou Arteta’s shares Miguel Ar teta’s ccomedy omedy shar es Foxy’s viewpoint favor F o y’s worldly vie ox wpoint in fa avorr of the th he pleasures pleasures of the flesh. Based on o a byy Phil JJohnston, Cedar rrobust o obust script b ohnston, C eedar Rapids shows us some captivating R a apids captivating alliances ourse of the al lliances during the ccourse cconvention. o vention. on Larry Fine among Ed Helms, Helms, the L arry F ine amon ng the stooges Hangover, th he three three sto oges of The Hango verr,

ﬁlm’s hero. plays is the ﬁlm ’s actual her ro. He pla ays y Tim Lippe, from T im Lipp e, a salesman n fr om the BrownStar Insurancee C Company Br ownStar Insuranc ompan ny of Brown Valley, Wis. Hiss o ogre boss Br own V aalley, W iis. Hi gre of a b oss alternate sends him as an altern nate delegate moree pr proactive after a far mor oacctive salesman accident. meets with an ac ciden nt. Westernish The Best W eesternish h business looks likee Xanad Xanadu Tim, hotel lo oks lik du to T im, who im, hometown. has never never left his hom metown. His backwardness demonstrated byy back kwardness is demo onstrated b his affair with his former form o mer sixth-grade teacher,, Macy Macy, played bawdy teacher y, pla ayed with ba aw wdy gracee b byy Sigourne Sigourneyy W Weaver. grac eeaaver. (“Did have me,, to too?” yyou ou ha ave a crush on me m o?”” he bed. “You weree 12,”” she asks her in b ed. “Y Yo ou wer w rreplies.) eplies.) Tim’s T im’s only rregret egret is that Macy ccouldn’t ouldn’t join him on the t exciting exciting trip.. But he he’s distracted byy meeting trip ’s distracte db Ronald his new new rroommates: oommates: R onald ((ACT o ACT Whitlock life vvet et Isiah Whitlo ck JJr.) r.)) and the lif fe of the cconvention, on nvention, Dean Ziegler ((John John C.. R Reilly). C eeilly). When Ziegler turnss up, up, slapping (“You anyy backs and rroaring oaring (“Y Yo ou got an honeyy on yyour hone our stingerr yyet?”), et?”),

it’s that jokee ab about it’s clear th hat the jok out “BrownStar” bee thee “Bro ownSt S aar”” isn’t isn’t go goingg to ob only hint of analityy in the film. o analit Reilly, bee Reilly e y, who o seemed at first to b headed ffor o orr Rod Rod Steiger rroles, oles, did 180-degree a 18 0- degree turn to become become one fantastically fantasticallly adept comedian comedian (Walk (Waalk Hard; Step Brothers). Hard; St teep Br otherrs). His Dea Dean raree example an is a rar example of a coarse jackass coarse jack kass who brings hilarity hilarity to every gesture, unprintable every ge esture, eevery very unprint able under-the-breath Reilly under-the-br - eath comment. comment. R eeilly is so b beautifully eauttifully obscene, obscene, tilting his low fforehead, o oreheead,, standing, standing, paunchy paunch hy and b boxer-short-clad, oxer-short- clad, delivering delivering a late late-night about -nigh ht speech speech ab out how a businessman “dancee with the businessm man has to “danc tiger.” tiger.” As As Rooster Rooster Cogburn’s Cogburn’s ex-wife ex-wiffe said of thee marshal, the love love of decency does decency do oes not dwell in him. Ziegler, however, Ziegler, howe ver, is not monotonous. monotono ous. During a night of drinking, lucidityy to drinking, he h snaps into lucidit give Tim some give T im so ome important important advice. advice. The small-town small--town naif needs to know that thaat the cconvention o vention is not on the on level the churchly evel e and that t churchly head of thee or organization ganiization (Kurtwood (Kurtwood Smith) iss har hardly h dly aass pious as he seems. seems. Cedar Rapids Tim’s good Cedar e R a apids ccelebrates elebrates T im’s go od luck uck k in getting getttting the help of the gentle Ronald, the profane, Ron onald, th he pr ofane, loyal loyal Dean and thee sworn-to-fun sworn--to -fun Joan, Joan, who has more more going her surface. goin ng on under u surface. The sweetness sweetness and melancholy of her life aree ind indicated through liffe ar dicated thr ough her theme music, old tune by music, an o by the Penguin Penguin Café Orchestra. Caffé Or cheestra. Cedar Rapids perfect. looks Cedar e R a apids is not p erfeect. It lo oks roughly edited roughly ed dited during a scavengerscavengerhunt sc scene. attractions enee. The ccoming oming at tttractions aree just as roughly don’t ar roughly edited; they they don ’t give rhythms give a hintt of the comedic comedic rh hyythms film. of the film m. And it tries to get aaway way with a kind kind of small-businesstriumphant triumphan nt ending that we ccan an barely Capra movies. barely accept accept e in Frank C apra mo vies. But C Cedar Rapids eda e ar R aapids is ultimately humane, humane, always a ayys diverting alw diverting and consistently consistently ticklish. Just Just remembering rememberring JJoan oan swimming swimming up to Tim likee an Tim in the t hotel pool pool lik anaconda anac onda gliding toward toward a floating baby baby bird, bird, or Reilly’s Reilly’ e s Dean popping popping his eeyes terrible,, yes as he says saayys something terrible can can make make you you really really feel feeel good good about about things. things.

Cedar Ra Rapids pids R; 86 min. Opens Friday Fridday

metroactive FILM BIG MOMMAS: LIKE FATHER, LIKE SON (PG-13; 107 min.) A comedy with Martin Lawrence and Brandon T. Jackson. (Opens Fri.)

CEDAR RAPIDS

lives of college students. (Opens Fri at Camera 12 in San Jose.)

UNKNOWN (PG-13; 113 min.) Liam Neeson comes out of a coma only to learn that bad things have been happening while he was unconscious, and that his life is in danger. Also stars Diane Kruger and January Jones. (Opens Fri.)

(R; 86 min.) See review on page 42. (Opens Fri at Camera 7 in Campbell and CinĂŠArts Santana Row.)

Revivals

I AM NUMBER 4

BEDLAM/THE BODY SNATCHER

(PG-13; 110 min.) Alex Pettyfer, Timothy Olyphant and Teresa Palmer star in a tale of an unusual young man who is trying to escape a deadly enemy. (Opens Fri.)

JUST GO WITH IT (PG-13; 115 min.) See review on page 44.

JUSTICE ON TRIAL (Unrated) The South Bay Committee Against Political Repression, Labor Action Committee to Free Mumia Abu-Jamal and Justice for Palestinians present a screening of a documentary about Mumia AbuJamal. After the ďŹ lm, there will be a session with a member of the Labor Action Committee to Free Mumia. (Plays Sat, 2-4pm, San Jose Peace and Justice Center.)

KABOOM (Unrated; 86 min.) Gregg Arakiâ€™s new ďŹ lm takes a look into the future sex

(1946/1945) Bowing, scraping and bewigged: the irreplaceable Boris Karloff as the manager of the most infamous of all insane asylums. In London in 1761, a courageous Quaker (the dull Richard Fraser) investigates conditions in the madhouse, while an English lordâ€™s fancy woman (Anna Lee) gets sucked into the hellhole. Not a hit, and why? Despite the lowness of its budget, it was one of the most well-researched looks at Georgian times ever seen in a Hollywood movie, and it was an inďŹ‚uence on ďŹ lms as varied as Shock Corridor, GoldďŹ nger and The Draughtsmanâ€™s

Contract. BILLED WITH The Body Snatcher. A renowned, savagely proud Scottish doctor of the 1830s (Henry Daniell) needs medical cadavers. He illegally requisitions them from a partner from the old days. Itâ€™s Gray, a â€œresurrectionist,â€? a grave-robbing coachman, played by Karloff as basically the nicest strangler youâ€™d ever hope to meet. Memorable for an elegant murder scene staged deep in the black background under a city tunnel arch. Itâ€™s a quick act of annihilation, an instant of thrilling pure horror, epitomizing the elegance and comfortlessness of producer Val Lewtonâ€™s cinema. (Plays Feb 17-18 in Palo Alto at the Stanford Theatre.) (RvB)

THE COLOR PURPLE (1982) Loads of tears (and loads of Disney) in Steven Spielbergâ€™s popular adaptation of Alice Walkerâ€™s novel about the systematic abuse of Celie (Whoopi Goldberg, debuting); it was the launching pad for Oprah Winfreyâ€™s own rise. Proclaimed faithful to the book by Walker, who, she said, recognized E.T. as â€œa being of color.â€?

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Cinequest Nears THE DIFFICULT part about handicapping Cinequest 21 (March 1â€“13) is that a good deal of what will be shown is unpreviewed. But three ďŹ lms stand out so far. The opening-night feature on March 1 is John Turturroâ€™s Passione, which premiered at the Venice Film Festival. Turturro records artists who counterpoint the notorious troubles of Naples with songs. Turturro will be on hand to collect the Maverick Spirit award for his work. In addition to his indie ďŹ lmmaking, heâ€™s been a Brooklyn Peter Lorre in the ďŹ lms of the Coen brothers and Spike Lee, and a commedia del arte comedy relief among the robots in the Transformers series. This huge fan of Eric Mendelsohnâ€™s Stay tuned 1999 Judy Berlin is excited to see for complete the directorâ€™s ďŹ rst ďŹ lm in a decade, 3 Cinequest Backyards (March 6). Mendelsohn won coverage in the best director award at Sundance in upcoming issues 1999 and still couldnâ€™t get a distributor until months later. His star in Judy Berlin, longtime friend Edie Falco, went on to worldwide fame as Carmela in The Sopranos. Working in color this time, Mendelsohn weaves in three sets of encounters involving Falco (a housewife), Elias Koteas (a husband on the brink of divorce) and Embeth Davitz (a celebrated actress turning up in a suburban neighborhood); the exquisiteness of 3 Backyardâ€™s mood, color and performances is evident even in the trailers. One ďŹ lm I did see in advance: this yearâ€™s Goya award winner for Best Latin American feature, MatĂas Bizeâ€™s La Vida de los Peces. Back in Chile after 10 years of rootless hackdom as a travel writer, Andres (Santiago Cabrera of Heroes) runs into Beatriz (Blanca Lewin) who is clearly the love of his lifeâ€”just as clearly as sheâ€™s now married with children. Told in close-ups, itâ€™s a televisionistic ďŹ lm. Its complaints about cyberculture and its essentially conservative story will let you guess where itâ€™s headed. Yet the classicism of the ending sold me: well-staged, tender, silent, worthy of Bizeâ€™s attempt to re-create a love story in the Chekhov style. For schedule details, see cinequest.org.â€”Richard von Busack

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New

REVIEW

Tracy Bennett

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metroactive FILM (Plays Feb 18-20 in San Jose at the Retro Dome.) (RvB)

THE PICTURE OF DORIAN GRAY/ THE IMPORTANCE OF BEING EARNEST (1945/1952) Oscar Wilde’s famous story got its best screen adaptation in this prestigious 1945 MGM production. George Sanders, imperious and

clipped, stands in for the author as Lord Henry Wotton. His delivery of Wildean quips catches exactly the right note of civilized cynicism. It is even possible to believe that handsome young Dorian (Hurt Hatﬁeld) might take Wooton’s advice to put innocent pub singer Sibyl Vane (Angela Lansbury) to a test of purity

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The Spouse Trap LIKE ALL Adam Sandler movies, Just Go With It has an unignorably creepy aspect. Sandler is as truculent as Jerry Lewis in his “scary Jerry” mode—the dead eyes getting deader over the years. The quieter he gets, the more menacing he is. In courtship with Jennifer Aniston, he’s like Harvey Keitel trying to soothe Jodie Foster in Taxi Driver. Sandler plays Danny, an L.A. plastic surgeon, who keeps romance casual by pretending to be married. One night, he meets the perfect girl, the stackedup Palmer (the hard-faced swimsuit model Brooklyn Decker), and hides the ring. After a night of sex, she finds it and is outraged. Danny is forced to create an imaginary wife, to be played by his divorced-with-children secretary, Katherine (Jennifer Aniston). Matters worsen when Palmer and Danny go to Maui, accompanied by his “ex-wife,” his two “kids” and the ex-wife’s “lover,” Danny’s dopey cohort Eddie (Nick Swardson). The film is a remake of Cactus Flower (1969), in turn sourced from a French farce by Pierre Barrilet and JeanPierre Grédy (Potiche, a film version of their play, is screening at Cinequest 21). The flowering cactus (Ingrid Bergman in the original) would be Aniston, whose TV personality underplaying is as delicate as this movie gets.

Hitting 45, Sandler is looking to the future. Two separate references to Cary Grant (as well as a dirty version of the “pass the orange” sequence from Charade) indicate that Sandler wants to get classy. The poop jokes seem to have been jammed in during the rewrite, in the same way Aljk >f that DJ Lobsterdust rammed N`k_ @k in rhythm tracks onto the soundtrack’s series of hits by PG-13, the Police. 115 min. The farce structure is less of a one-line situation than most Sandler comedies. The film complicates matters by throwing in an extra character: Nicole Kidman, who clearly wanted to do something popular, broad and mean. Ultimately, Kidman—like any woman isolated onscreen in a Sandler movie—is there to be humiliated. Of the two kids, Bailee Madison might amount to something. Her joke is that she has acting ambitions. Like Bart Simpson, she likes to do a terrible Artful Dodger accent to show off her chops. Kazuhiro Tsuji’s makeup for the disfigured overly plastic surgery cases at a Malibu party is fascinatingly alarming: the prosthetics are essential to this comedy’s more interestingly ugly side.—Richard von Busack

SCREEN GEMS PRESENTS A VERTIGO ENTERTAINMENT PRODUCTION “THE ROOMMATE” ALY MICHALKA AND BILLY ZANE SUPERVISIONMUSICBY MICHAEL FRIEDMAN MUSICBY JOHN FRIZZELL DANNEEL HARRIS FRANCES FISHER PRODUCED EXECUTIVE WRITTEN BY DOUG DAVISON AND ROY LEE PRODUCERS BEAU MARKS SONNY MALLHI BY SONNY MALLHI DIRECTED BY CHRISTIAN E. CHRISTIANSEN CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES

“A SWEET COMEDY

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Roger Ebert

metroactive FILM

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REVIEW

that she must fail, thus setting Dorian on the path to ageless perdition while his oil portrait grows more and more grotesque. Hatﬁeld gives an impassive performance that verges on hypnotism. The effect must have been deliberate on the part of eccentric director/writer Albert Lewin, who made the similarly oneiric Pandora and the Flying Dutchman with James

Full-Tilt Fuller IN Godard’s Pierrot le Fou, director Sam Fuller made a memorable cameo, chomping on a cigar and describing for Jean-Paul Belmondo’s character the essence of moviemaking: “A film is like a battleground. There’s love, hate, action, violence, death . . . in one word: emotion.” There is plenty of fraught emotion in two of Fuller’s most flamboyant black-andwhite films of the early 1960s, The Naked Kiss (1964) and Shock Corridor (1963), now reissued by Criterion in handsome packages full of extras and with essays illustrated by Daniel Clowes. The Naked Kiss opens with the frenetic immediacy scored to raucous sax-filled jazz. In agitated, hand-held-camera closeup, a prostitute named Kelly (hard blonde Constance Towers) attacks her pimp with her spike-heel shoe. He desperately reaches for her head, only to pull off her wig; she finishes the job bald and then faces the screen as if it were a mirror and puts herself back together. All this before the title appears. Hoping to start a new life, Kelly moves to a small town, drawing the attention of a moralistic police captain (Anthony Eisley) and a rich man (Michael Dante) harboring twisted secrets. Her past, however, keeps reasserting herself, and Kelly has to use that deadly shoe on several people who need straightening out. The disc includes a recent interview with a very elegant Towers plus three early TV pieces on Fuller, in which he discusses the significant influence his days as a reporter had on his movies: “The average newspaper reporter could make a very good filmmaker.” Shock Corridor features one of those promising reporters, Johnny Barrett (Peter Breck), who fakes a mental illness in order to get committed to an insane asylum,

Mason and Ava Gardner. BILLED WITH The Importance of Being Earnest. Michael Redgrave and Michael Denison star as the friendly opponents in a proudly stagebound version of Wilde’s play; the attractive cast, clad in peppermint-striped, summer-weight ﬂannels, make the epigrams ring like chimes. (Plays Feb 19-21 in Palo Alto at the Stanford Theatre.) (MSG/RvB)

COLUMBIA PICTURES PRESENTSMUSICA HAPPY MADISON PRODUCTION “JUST GO WITH IT” SUPERVISION BY MICHAEL DILBECK BROOKS ARTHUR KEVIN GRADY MUSIC EXECUTIVE BY RUPERT GREGSON-WILLIAMS PRODUCERS BARRY BERNARDI ALLEN COVERT TIM HERLIHY STEVE KOREN BASED ON “CACTUS FLOWER” STAGE PLAY BASED UPON SCREENPLAY BY I.A.L. DIAMOND BY ABE BURROWS A FRENCH PLAY BY BARILLET AND GREDY SCREENPLAY PRODUCED BY ALLAN LOEB AND TIMOTHY DOWLING BY ADAM SANDLER JACK GIARRAPUTO HEATHER PARRY DIRECTED BY DENNIS DUGAN A FILM BY DENNIS DUGAN

where he hopes to solve a murder case. His girlfriend (Towers) reluctantly agrees to help out with a plan sure to go wrong. Inside, as Johnny draws closer to the truth, he becomes dangerously aﬀected by the varied mental furies of the inmates around him (including a very funny room full of nymphomaniacs, one J_fZb of whom resembles Liz :fii`[fi Taylor in Suddenly Last Summer). His growing K_\ EXb\[ mania includes visions B`jj of Towers, who earns Criterion her keep as a stripper. In Collection, a memorable scene, she $29.95 each appears onstage with her head swathed completely in a feather boa, looking like a strange bird creature that stepped out a Max Ernst collage. As she starts to sing, we see only the wafting of the feathers blown by her breath. Although Shock Corridor is pitched at fever level, it is surprisingly interesting in the social issues that Fuller crams into the characters (an African American patient imagines he is a KKK member and so on), and the production values are high—the cinematographer was Stanley Cortez, who worked with Orson Welles and Fritz Lang. Fuller also throws in a line that must have greatly pleased his ink-stained soul: “An insane mute will win the Pulitzer Prize!” The extras include the excellent documentary about Fuller The Typewriter, the Riﬂe and the Movie Camera. —Michael S. Gant

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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Friday, February 18 In the Atrium AGES 21+

FRIDAY NIGHT FUNCTION: DJ Aspect

DJ Tone Sol, Nima Fadavi NO COVER • 9 p.m./ 9 p.m. :H[\YKH` -LIY\HY` AGES 21+ $19 Adv./$23 Dr. Doors 8 p.m. Show 9 p.m.

Saturday, February 19 In the Atrium AGES 21+

SISTA MONICA

$15 Adv./ $18 Drs. • Drs. 8:30 p.m./ Show 9 p.m.

;\L -LI AGES 16+ Numbskullshows.com presents

LESS THAN JAKE

plus The Supervillains also Off With Their Heads $16.50 Adv./$18.50 Drs. • 7 p.m./ 8 p.m. Tuesday, February 22 In the Atrium AGES 21+

RASTA CRUZ REGGAE TUESDAYZ with DJs Don-ette G & Lion-S + weekly guests DJs Models/Dancers No Cover • Show 9 p.m.

Feb 23 B.B. King (Ages 21+) Feb 23 Power Strip Atrium (Ages 21+) Feb 24 Pepper (Ages 16+) Feb 25 Streetlight Manifesto (Ages 16+) Feb 26 Robin Trower (Ages 21+) Feb 26 Mike Pinto Atrium (Ages 16+) Mar 5 Porter Robinson (Ages 18+) Mar 9 Andre Nickatina (Ages 16+) Mar 11 Vital SC: Excision (Ages 18+) Mar 12 Iration (Ages 16+) Mar 19 State Radio (Ages 16+) Apr 6 Dark Star Orchestra (Ages 21+) Apr 15 G. Love & Special Sauce (Ages 21+) Apr 16 Yonder Mtn. String Band (Ages 21+) Apr 29 The Devil Makes Three (Ages 21+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

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metroactive MUSIC

One for All

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But it wasn’t until the nu-metal wave of Y2K that the angry white boy label really stuck. Hits with lyrics like “open up your hate and let it ﬂow into me” brought seething and

alienation to mainstream radio in a way previously unimagined by anyone not named Trent Reznor. That was the culture in which Linkin Park thrived. Though more skilled at incorporating other genres, especially hip-hop (they partnered with Jay-Z for the remix album Collision Course), alt-metal was always the core of their sound. Beginning at the turn of the century, they turned songs like “Numb” and “Somewhere I Belong” into chart-toppers, selling some 50 million albums along the way. Like the hits of their nu-metal peers, they were insular songs about internalized rage, desensitization, addiction and mental breakdown. So imagine the shock of the world at large when their latest album, A Thousand Suns, turned out to be a concept record about nuclear war. For a band that had made their career

facing inward, this was an ambitious attempt at a bigger perspective. Though there are still personal fears underlying A Thousand Suns, this is an outward-looking record that steps out of “angry white boy” territory to examine societal ills. It’s about connecting, rather than disconnecting; one for all, instead of all for one. Perhaps no one was as surprised as the band itself, which used the Surrealist technique of automatic writing—a stream-of-consciousness style that attempts to avoid the ﬁlter of self-analysis or critique—to tap into some feelings they’d never explored. “Ideas would just kind of pop out, and I wouldn’t even know that I was thinking about some of this stuff,” said Linkin Park’s guitarist and rapper Mike Shinoda, in a phone interview. “It would come out of my mouth, and the song would develop.” Eventually, he and lead singer Chester Bennington realized there was a central theme linking the songs. “When we listened back to all that, there were ideas of destruction and self-annihilation and fear that were popping out and surprising us,” said Shinoda. “We’re very analytical when

it comes to rating our songs and putting them all together, so we’re looking at songs from every angle and we’re thinking about things, and we started asking ourselves, ‘What do we all feel about these ideas being on the record all over the place and maybe taking the record in that direction?’” A concept record about nuclear Armageddon isn’t necessarily the most commercially viable idea, however, and it’s not always easy for a popular band to suddenly change direction with more challenging material. But in this case, Linkin Park held together. “It turned out that all six of the guys felt like there was definitely a universal fear that I think a lot of people these days do have, whether it be in the front of their mind or in the back of their mind, that humanity as a whole is and has been for a long time on the brink of destroying itself,” says Shinoda. “Whether that be slowly or quickly, a possibility exists in the world and I think we’re all scared of it to some degree. . . .We decided that, for the six of us, it was an honest fear and an honest emotion, and that it was proper for it to be a part of the record in the way that it ended up being.” The resulting album is far more downbeat than their previous efforts, sometimes downright ambient, with a couple of short tracks that feature samples of Robert Oppenheimer and Martin Luther King Jr. rather than lyrics. Though the sound and lyrical style is completely different, at times it recalls a Roger Waters–era Pink Floyd album in its structure and scope. Perhaps it’s no surprise, then, that the band considered presenting the album as one piece live, playing it from start to finish—but they won’t be doing that when they play HP Pavilion this week. “Definitely there was a temptation. I think that we’re not going to do it at this point, but we’re still open to the idea of doing special shows where we play A Thousand Suns front to back,” says Shinoda. “But I want to let [fans] know that we are going to be playing songs from our entire catalog. This isn’t just a Thousand Suns show; you’ll be hearing stuff from every album.”

Linkin Park Tuesday, Feb. 22, 7:30pm HP Pavilion, San Jose $41–$72.50

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metroactive MUSIC

More listings:

METROACTIVE.COM FEATURED LISTINGS

Le Verita Wednesday, 9pm; Blank Club, San Jose; free Coming on like an ambient electronic band, but liable to break into a propulsive, abrasive rush at any time, Le Verita is a sonic dream of what New Wave could have been. The duo’s Iron Ghosts EP starts out sparsely, with a few well-chosen words in the haunting “Zelda,” and spirals all the way through the lush, sweeping “Winter’s View.” (SP)

Bob Welsh Friday, 8pm; Poor House Bistro, San Jose; free There are a few sideman gigs that land you instant cred in the blues world. Playing guitar with Elvin Bishop is one of them. That’s what Louisiana native Bob Welsh does; he also regularly drops in to Poor House Bistro and on Friday he’ll play with Hans Bosse and Mike Phillips in the Montegos. (SP)

Vote! V Vo ootte

Britannia Arms Cupertino’s 30th Anniversary

VVote oote online: Metr MetroBestof.com oBesstof.co

Saturday, noon; Britannia Arms Cupertino; free

Winners will be announc Winners announced ced in the Best of Silic Silicon on Valley Val alley 2011 20 issue on Mar March ch 9.

Cupertino’s Brit celebrates three decades of Islesinspired pint-raising. AC/DC tribute band Long Gon Bon is the headliner; eerily enough, it is also the 31st anniversary of Bon Scott’s death. If “Have a Drink on Me” wasn’t in their set list before, it’s time to bust it out. (SP)

All ballots ballots will be entered entered int intoo a dr drawing awin ttoo win ccool ool priz prizes es (one (one entry per per person). person

Rock/Pop

party with Long Gon Bon (band at 8pm, $10 cover). Cupertino.

ANGELICA’S BISTRO

CAPERS

Fri, 8:30pm: Sound Moves. $15. Redwood City.

ART BOUTIKI Fri, 6:30pm: Edrip and Edrip, 15mm, Brandon Walker, Battle School. All ages. San Jose.

AVALON Sat, 8pm: KRS One, Murs. $20. Santa Clara.

THE BLANK CLUB Wed, 8pm: Le Verita, Please Do Not Fight, Cova. No cover. Fri, 9pm: Dave Biasa, Shawn Packer, Derick See, Dave Miller, Bry Caughey, Mike Belardes. $5. Sun, 8pm: Scott H. Biram, Ralph White. $8. San Jose.

BLINKY’S CAN’T SAY

Fri-Sat, 8:30pm: Live music. Campbell.

Sat, 9:30pm-1:30am: Jackie’s Drama Camp. Rock and blues. Free. Santa Clara.

CARAVAN

BOSWELL’S Thu: Bitchin’ Camaros. Fri:The Peelers. Sat: Savoir Faire. Sun: Jack Rip Off. Mon: Drive! Campbell.

BRITANNIA ARMS ALMADEN Thu, 10pm: After Party. Fri, 10pm: Love Stoned. Sat, 10pm: Groovenugget. San Jose.

Thu: The Quirks. Fri: Mary Axe. CD-release show. Sat: Luca Brazi. San Jose.

CLUB FOX Sat, 8pm: Love Fool. $10/$15. Redwood City.

EL RANCHO SPORTS BAR Wed, 8pm: The Falling Rocks. Rolling Stones tribute. San Jose.

FOX THEATRE BRITANNIA ARMS CUPERTINO Sat, noon: 30th anniversary

Fri, 8pm: Foreverland. Michael Jackson tribute. $18/$20. Redwood City.

THE GRAPEVINE Fri, 7pm: Daemon City Lights, Peter Chung. Sat, 7pm: Given to Fly. Willow Glen. Sat, 9pm: Six Weeks Sober. Sun, 7pm: Montra, Abaddon, 5150. Metal. All ages. San Jose.

LILLY MAC’S Fri, 9:30pm: Aftershock Band. Sat, 9:30pm: Dirty White Boys. Sunnyvale.

Jazz/Blues

WILLOW DEN

Wed, 7-11pm: Blues jam. $5. Redwood City.

Fri, 6:30-9:30pm: Friday Night Live with Blue Dogs Band. Sat, 9:30pm: Whiskey Avengers. Willow Glen.

X BAR MURPHY’S LAW Thu: Maneck. Fri: Dave Abbott Band. Sat: Amy Lou’s Blues. Sunnyvale.

Sat, 8pm: Good Hustle, Shinobu, Cadet, Casey Chisholm. All ages. Homestead Lanes, Cupertino.

ART BOUTIKI Thu, 7pm: Jazz jam. San Jose.

CLUB FOX

D’VINE JAZZ AND WINE Fri-Sat, 8pm: BR Jazz Band. Morgan Hill.

GRAND DELL SALOON Thu, 8pm: Blues jam with Aki. Sat, 8pm: Sid Morris. Campbell.

HEDLEY CLUB

NICKEL CITY

AGENDA LOUNGE

Sat, 6:30pm: The Red Phantom, Thunderhorse, Ipswich, Abaddon, Darkest Shade of Red, Gravel, Frost. All ages. San Jose.

Wed: Salsa night. San Jose.

Wed, 7:30pm: Hedley Club Jazz Jam. Thu, 8pm: Russo Alberts Trio. Fri, 8:30pm: John Worley and WorlView 4.0. Sat, 8:30pm: Brian Ho Quartet. Hotel de Anza, San Jose.

ALBERTO’S

J.J.’S BLUES CAFE

Wed: Bachata. Thu: Salsa with Pantea. Fri: Salsa. Sat: Rock en español. Sun-Mon: Argentine Tango. Tue: Salsa with Pantea. Mountain View.

Wed, 9pm: Blues Angel. Thu, 9pm: Madylan Rose. Fri, 7pm: Dog House Riley, Vicious Groove. $10. Sat, 9pm: Humdaddyz. $10. Sun, 9pm: Gene Washington. Mon, 9pm: Dennis Dove. Tue, 7pm: Liar’s Club, Blue J. San Jose.

NETO’S GRILL Wed: Junction. Fri, 6:30pm: Vegas Nights. Santa Clara.

9 LIVES Sat, 8pm: Buffalo Canyon. 21+. $5/$8. Gilroy.

NUMBER ONE BROADWAY Wed, 9pm: JC Smith Jam Band. Free. Thu, 9:30pm: Second Story Band. Free. Fri, 9:30pm: Touch of Class. $10. Sat, 9:30pm: Marvin Banks. $10. Los Gatos.

PAGODA LOUNGE

World

AZÚCAR LATIN BISTRO MOJITO BAR & LOUNGE Wed: Rock. Thu: Latin fusion. Fri, 9pm: Bachata. Sat, 9pm: Salsa, merengue, urban and Latin fusions. Tue: Salsa. San Jose.

NETO’S GRILL Sat, 7pm: Tip of the Top. Tue, 7pm: Blues jam with Dennis Dove. Santa Clara.

CLUB FOX

A PERFECT FINISH Fri: Dirty Downtown Jazz Duo. Sat: Quasimodal. San Jose.

Fri: Johnny Super Rock. Sat: Cancer beneﬁt show. Sunnyvale.

Thu, 7pm: Javier Pacheco & Orquesta Pacheco. $12/$14. Fri, 7pm: Tempest, Molly’s Revenge. $16/$18. Redwood City.

THE REFUGE

MOROCCO’S RESTAURANT

Sat, 6:30pm: Communist Kayte, Cassanova, the Dialed, Four O Clock Heroes, the Druids. All ages. Cupertino.

Wed, 6pm: Happy Together Live. Thu, 6pm: Jason Bellenkes Duo. Fri, 6pm: World music and belly dancer Adriana. Sat, 6pm: World music. Sun, 6pm: Moroccan music and belly dancing. Tue, 6pm: AZA. San Jose.

Fri, 8pm: Andy Allo, Mara Hruby. $10-$20. Fairmont Hotel, San Jose.

THE QUARTER NOTE

RED ROCK COFFEE ROASTING CO. Fri, 8pm: Doug Young. Sat, 8pm: Slow Skate. Mountain View.

SONOMA CHICKEN Thu, 8:30pm: Maxx Cabello Jr. Fri, 8:30pm: Liquid Courage. Sat, 8:30pm: Beach Cowboys Band. Campbell.

PARRANDA NIGHTCLUB Thu-Sat: Live music. Sunnyvale.

THE VENUE Fri, 6:30pm: The American Dream, Goodnight MIchelle, Aviadora, For a Better Kind, We Are the Archers, As He Wept, Domination. All ages. Los Gatos.

VOODOO LOUNGE Thu, 9pm: Freeway, Jake 1, Those

Wed, 6-9pm: Ron Thompson. Thu, 6-9pm: Lara Price & Yesterdays Band. Fri, 6-10pm: Bob Welsh. Sat, 6-10pm: Annie Sampson Band. Sun, noon-3pm: Johnny Fabulous. San Jose.

RED ROCK COFFEE CO. Sun, 2-4pm: Hot Club of Palo Alto. Free. Mountain View.

TESSORA’S Fri, 8pm: Tip of the Top. Sat, 8pm: Nancy Wright Trio. Campbell.

THREE FLAMES

Fri, 7pm: Claudio. Italian classic guitar and vocals. San Jose.

Sun, 6-9pm: Dynamic Refried Band. Tue, 6pm: Modesto Briseno Septet. Willow Glen.

SENZALA

UNWINED

Wed: Dave and Denny Duo. Thu, 7:30pm: Daddios Big Band. $5. Fri: Bossa nova at noon, and Capoeira at 7:30pm. Sunnyvale.

Thu, 7pm: Felix Amirian. Sat, 7pm: Live jazz. San Jose.

RISTORANTE FRATELLO

SOUTH FIRST BILLIARDS Fri: SFR. Sat: BiPolar Bears. San Jose.

POOR HOUSE BISTRO

ST. BEDE’S EPISCOPAL Sun, 4pm: Kitka, Trio Kavkasia. Menlo Park.

WINE AFFAIRS Wed, 7:30-10pm: Michael Medina. Thu, 8-11pm: Russell Barber & Billy Davis Blues Band. San Jose.

M E T R O S I L I C O N VA L L E Y | F E B R UA R Y 1 6 -2 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

JOHNNY V’S

Fools. Live hip-hop. $15. Sun, 9pm: Artifacts, Project Seer, Topr, Joe Cutter. $8/$10. Tue, 9pm: Armed for the Apocalypse, Lyncium, Morning Ablaze, Crypt Keeper. Metal. $7. San Jose.

M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 1 6 -2 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

metroactive MUSIC 67 WOODHAM’S LOUNGE Fri and Sun: Pro Jam with rock and blues local musicians. Santa Clara.

C&W/Folk BOSWELL’S Sun: Mike Leatherman. Campbell.

CAFFE TRIESTE Fri, 8pm: Lyric Theatre. All ages. Free. Sat, 8pm: Rebelskamp. All ages. Free. San Jose.

MISSION CITY COFFEE Sun, 7pm: Nora Jane Struthers and the Bootleggers. $20/$22. Santa Clara.

ORCHARD VALLEY COFFEE Fri: Blue Serra. Sat: Corduroy Jim. Campbell.

SAM’S BBQ Wed, 6pm: Sidesaddle & Co. Tue, 6pm: Windy Hill. San Jose.

Open Mic

BLINKY’S CAN’T SAY

SAN JOSE BAR & GRILL

Fri, 9pm: Danielle. Santa Clara.

Tue, 10pm-close: Kamikaze Karaoke. San Jose.

BRITANNIA ARMS ALMADEN Wed and Sun, 10pm: DJ Hank. San Jose.

BRITANNIA ARMS CUPERTINO Sun-Tue, 10pm: Karaoke. Cupertino.

BRITANNIA ARMS DOWNTOWN SAN JOSE

THREE FLAMES Mon, 8pm-midnight: DJ Curtis. Willow Glen.

WILLOW DEN Wed, 9:30pm: DJ JR. Thu, 9:30pm: DJ Uncle Hank. San Jose

Wed, 9pm: Karaoke. San Jose.

CREEKSIDE LOUNGE Wed and Mon-Tue: Stephanie. Thu and Sat: Randy. Fri: Jerry Sauceda. San Jose.

WOODHAM’S LOUNGE

DASILVA’S BRONCOS

Wed-Thu, Sat-Sun, Tue: 9:30pm: Vinnie. Santa Clara.

Wed: Guitar Hero Tournament plus karaoke. Thu, 9pm-1am: Karaoke. Santa Clara.

Dance Clubs

FAHRENHEIT ULTRA LOUNGE

AGENDA

Tue, 9pm: Partyoke. Beer pong and karaoke. San Jose.

FIREHOUSE GRILL Sun, 7pm-close: Uncle Dougie Show. Palo Alto.

FLAMES COFFEE SHOP BAREFOOT COFFEE ROASTERS

More listings:

METROACTIVE.COM

Wed-Sat and Tue, 9pm: Uncle Dougie Show. No cover. San Jose.

Wed, 7pm: Musical open mic. Sign up by 5pm. Santa Clara.

CAFFE TRIESTE

Wed, 8pm: Salsa Wednesdays. Thu-Fri: DJs. San Jose.

AVALON Sat, 9pm: Fever Dance Party. $20. Santa Clara.

AZÚCAR LATIN BISTRO Wed: Rock music. Thu: Latin fusion. Fri, 9pm: Bachata and rock en espanol. Sat, 9pm: Salsa, merengue, urban and Latin fusions. Tue: Salsa. San Jose.

Tue, 7pm: Open mic. San Jose.

B4 TWELVE

JOHNNY V’S

Fri-Sat, 9:30pm: DJs and dancing. Palo Alto.

Mon: Rebels Camp open jam night. San Jose.

MISSION CITY ROASTING CO. Thu, 7pm: South Bay Folks Open Mic. Santa Clara.

Karaoke

THE BLANK CLUB THE GOOSETOWN LOUNGE Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.

GOOSE LOONEY’S Wed, 9pm: Thomas. Thu-Sun, 9pm: August. Milpitas.

7 BAMBOO

HOMESTEAD LANES

Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

Fri, 9:30pm: Vinnie. Mon, 9pm: Vinnie. Tue, 9pm: August. Cupertino.

MARIANI’S Thu, 8pm: Chris. Santa Clara.

ALEX’S 49ER INN Nightly except Sun, 9pm-2am: Karaoke. San Jose.

Sat, 9pm: Club Satori. With DJs Vitus & Kevin. $5. San Jose.

OASIS Wed and Fri-Sat, 8:30pm: Doug. Sunnyvale.

BRITANNIA ARMS ALMADEN Wed and Sun, 10pm: DJ Hank. Mon, 9pm: Beer Pong. San Jose.

BRITANNIA ARMS CUPERTINO

PEACOCK LOUNGE

Thu, 10pm: DJ Tosh. Cupertino.

Thu, 9pm: Brian. Sun, 9pm: DJ and karaoke. Tue, 9pm: Ryan. Sunnyvale.

BRITANNIA ARMS DOWNTOWN

BOGART’S LOUNGE

QUARTER NOTE

Wed, Fri and Sun, 8pm-2am: KJ Dennis. Sunnyvale.

Tue, 9pm: Sherrie and Sue. No cover. Sunnyvale.

Thu: DJ David Q. Fri, 10pm: DJ Diego Guevara. Sat, 10pm: DJ David Q. San Jose.

CONCERT

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Night of the Troubadours IN THE South Bay music scene, some of the best singer/songwriters go completely under the radar, even if they’re in the area’s most popular bands. Perhaps they’re better known for their guitar mastery, like Shaun Packer of the Shitkickers and Suicidal Barﬂy, or Derek See of Careless Hearts and The Bang. Maybe it’s the sound of their band that gets the most attention, like Dave Miller of Talky Tina and the Odd Numbers, or Dave Baisa of the Odd Numbers and the Pimpsticks. All of the aforementioned, who’ll play solo Friday at the Blank Club with Bry Caughey and Pimp Sticks Friday, Feb. 18, 9pm saxophonist Mike Belardes for “Night of the Troubadours,” share one thing in common: they Blank Club, San Jose put their bands ﬁrst. What Baisa, who organized this event and wants to turn it into an annual $5 concert, wanted to do was showcase his friends’ songwriting skills in an acoustic setting. “They don’t really get to do that,” he says. “I sit around and play acoustic guitar a lot, and I know these guys do, too. I know all these guys have their own songs.” All he had to do, it turns out, was ask—everyone jumped at the opportunity. Only Lars Fredericksen of Rancid was unable to play, as he’s on tour in Japan. Baisa wanted this to be a night when fans could hear all the words, for once, and for himself it’s an opportunity to get back into playing live after spending the last four years as a newly minted family man. He knows , too, that it’s not necessarily easy for the artists on the bill to leave their bands behind: “It’s kind of hard to get up there with just a guitar sometimes.” —Steve Palopoli

BRITISH BANKERS CLUB Wed: Raygay. Thu: Latin. Fri: ’70s and ’80s. Sat: House. Sun & Tue: Lounge. Menlo Park.

9pm:The HeitThursdays Fri 9pm: 9pm: The Heit Thursdays. Fri, 2011. Sat, 9pm: DJs and dancing. Mon, 9pm: Industry. Tue: Partyoke. Beer pong and karaoke. San Jose.

CLUB ILLUSIONS

GOOSE LOONEY’S

Fri, 10pm-2am: Fuz. With DJ Barney. 18+. Sun, 7:30pm: Teen night. Wth DJ Nate. Palo Alto.

Thu: Ladies’ Night. Fri-Sat: Old School. Milpitas.

DIVE BAR Thu: DJ Otrebor. San Jose.

Wed: The Cypher. Thu: Hip hop. Fri: Dub Massive. San Jose.

FAHRENHEIT ULTRA LOUNGE

MOTIF

Wed, 9pm: Wine Wednesday. Thu,

Thu: Fresh Thursday, hip-hop, guest DJs. San Jose.

JOHNNY V’S

STUDIO8 Fri, 9pm: Grand opening. Featuring Ronnie of “Jersey Shore.” Sat, 9pm: All About Aubrey. San Jose.

WILLOW DEN Fri, 9:30pm: DJ Truth. Sat, 11:30pm-2am: DJ. Willow Glen.

ZEN LOUNGE Fri: Fabulous Fridays. Sat: Celebrity Saturdays with DJ DRoc. Mountain View.

Buy tickets at livenation.com. To charge by phone (800) 745-3000. Limit 8 tickets per person. All dates, acts and ticket prices are subject to change without notice. All tickets are subject to applicable service charges.

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LLC

San Jose’s First Cannabis Buyers Collective PHONE: (408) 247 0400 NEW HOURS:

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To join SJCBC you must be 20 years or older and a California resident. Up to 2 days waiting period for new members. Bring your valid California ID/drivers license and recommendation for medical cannabis signed by your doctor. Our waiting period can be waved for many severe medical conditions such as: Cancer, AIDS, Multiple Sclerosis, Parkinson’s, Seizure disorders, PTSD, Tourette’s, Glaucoma, Rheumatoid Arthritis, and other severe pain conditions.

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Of course, you can’t just say “I’m not going to think about her.” When you start, you need to shove the thoughts out of the way by engaging your memory and your speech (when you’re talking and remembering, you can’t also be obsessing). Have a substitute program at the ready: Recite the Cyrillic alphabet, run through the 50 states and their capitals, and move on to Canada if need be . . . whatever it takes to pry your mind off how dreamy her varicose veins look when the sun hits them. This brain retraining will be really hard at first, and seem stupid and futile, but it should eventually take if you keep at it. And you do need to keep at it. Only when you stop being the lab rat pushing the little bar for the hit of middle-aged married woman will you have clarity on why looking at your husband sends you into a heterosexually vegetative state. Now, maybe you are a lesbian late bloomer, bi-curious, or just boredcurious. But, it’s possible that you’re simply angry and resentful and maybe worried that your husband will go back on the sauce. While men can have sex without an emotional connection, women generally need to feel emotionally close to their partner first. You won’t figure out what your deal is by chasing this woman around the hors d’oeuvres table but by taking a hard look at the man and the marriage you still have. You may need to forgive him in order to want him again. You may need more proof that he won’t rekindle his affair with Jack Daniel and Mr. Cuervo. Or, you may need him to be a chick. In which case . . . sayonara. As successful as many people are in going to AA meetings and “humbly asking God to remove their shortcomings,” it’s best if those shortcomings are things like impulsivity and anger issues—not testicles.

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FREE WILL ASTROLOGY

TAURUS T AURUS ((April April 220–May 0–May 220): 0): H Hua ua CChi, hi, a B Buddhist uddhist China takes his devotio ons very seriously. seriously. monk in China, devotions For the last two decades he hass perf performed ormed as many prayers every single da ay in the same exact as 3,000 prayers day spot Part mee aadmires spot at at his his ttemple. emple. P art ooff m dmires hhis is pprofound rofound commitment, while part of me iiss appalled at his insane addiction to habit. It It’s ’s great grreat that he loves his spiritual spiritual work work so so deeply, deeply, bbut ut ssad ad tthat hat hhee ccan’t an’t bbring ring more playfulness efforts. more imagination and playfulne ess to his eff orts. I bring this up, TTaurus, it’s aurus, a because I think it ’s a good time, astrologically astrologically speaking, speaking, for for yyou ou ttoo ttake ake iinventory nventory ooff the regularly. the good good things things yyou ou ddoo vvery ery re gularly. SSee ee iiff yyou ou ccan an inject more inventiveness more fun and inventivene ess into them. GEMINI (May 21–June 20): “T “To To the scientist ther theree

iiss tthe he jjoy oy iin n ppursuing ursuing ttruth ruth which which nearly nearly counteracts counteracts revelations tthe he ddepressing epressing re velations ooff ttruth,” ruth,” ssaid aid sscience cience fiction writer H.P. fi ction w riter H .P. LLovecraft. ovecraft. TThe he cclear lear iimplication mplication ooff there’s always this statement is that ther e’s al ways a sense of loss are. that comes with discovering thee way things rreally eally ar e. protest boycott Ass pr proof I pr otest this perspective. I boyc cott it. A oof that it’s it ’s at least partially wrong, wrong, I offer offfer up the evidence provided lifee in the dayss ahead. Fr From pr ovided by your lif om what I gratification you can tell, the gr atification that yo ou ffeel eel while hunting will will ddown own the the ttruth ruth w ill bbee ssubstantial, ubstantial, aand nd yyet et iitt w ill ultimately ul timately seem rather rather mild compared com mpared to the bliss arrives you’ree looking ffor. that ar rives when you find whatt you’r or.

CANCER ((June June 221–July 1–July 222): 2): P People eople llisten isten w when hen EEric ric

Schmidt speak s. He ’s the CEO ooff Google, a company speaks. He’s shapingg the futur futuree of that has major power in shapin recent months iinformation. nformation. IIn n re cent m onths hhee hhas as bbeen een rriffing iffing oon n Because tthe he ddisappearance isappearance ooff pprivacy. rivacy. B ecause oour ur llives ives aare re with bbecoming ecoming iinterwoven nter woven w ith tthe he IInternet, nternet, hhee bbelieves elieves increasingly hardd to keep any secr secrets. it will become incr easingly har ets ets. don’t “If you have something that youu don ’t want anyone know,” to know ,” he says, ““maybe maybe you shouldn sshouldn’t ’t be doing it first forr yyou iin n tthe he fi rst pplace.” lace.” TThis his iiss eespecially specially ttrue rue fo ou rright ight now,, CCancerian. weeks, encourage now ancerian. In the coming week w s, I encour age you standards behavior.. to maintain the highest standar rds of ethical behavior luckyy thing about this situa situation The luck ation is that news of moves make tthe he ggood ood ddeeds eeds yyou ou ddoo aand nd ssmart mart m oves yyou ou m ake aree also likely to cir circulate and ar culate ffar ar an nd wide.

Here’s their promise: “Meltt your fface music. Her e’s the eir pr omise: “Mel ace off in a relaxing, way.” vvery ery re laxing, hhealing ealing w ay.” TThat’s hat’s the the spirit spirit I’d I’d like like lifee in the coming week: to see you bring to your lif intense curative; vehemently inten nse but tenderly cur ative; wickedly ﬁerce brilliantly ﬁer ce but brillian ntly rrejuvenating. ejuvenating.

SCORPIO SC ORPIO ((Oct. Oct. 223–Nov. 3–Nov. 221): 1): I w would ould llove ove ttoo ssee ee you play with yo your draw pictures ur ffood ood this week. And dr aw pictur es on walls. And have havve conversations with winking statues magic statues and and talking talking trees trees aand nd m agic ttoasters. oasters. II’ll ’ll be thrilled, Scorpio, Scorppio, if you watch cartoons about furry maniacal robots furry animals animals outwitting outwitting m aniacal ro bots and and if if you you entertain entertain fantasies fantasies of of yourself yourself ppushing ushing a ccream ream ppie ie in figure. But in the the face face of of an an oobnoxious bnoxious aauthority uthority fi gure. B ut given how dignified discreet dignifi fied and discr eet you tend to be, I realize realize the the chances chances of of any any ooff tthis his aactually ctually hhappening appening are are miniscule. Can Can a I at least coax you into hopping, skipping and dancing one’s dan ncing around around a lot when no one ’s watching? SSAGITTARIUS AGITTARIU US (Nov (Nov.. 22–Dec. 21): “Better keep

and George Bernardd yourself clean an nd bright,” said Geor ge Bernar window which must SShaw. haw. ““You You aare re tthe he w indow tthrough hrough w hich yyou ou m ust see the world.” Ta TTake ake a that advice to heart, Sagittarius. forr yyou TThis his iiss aan n eexcellent xcellent ttime ime fo ou ttoo ddoo aany ny nnecessary ecessary yourself brighter.. I’m not at work to get your rself cleaner and brighter mess. But aallll iimplying mplying tthat hat yyou’re ou’re a ddusty, usty, ggreasy reasy m ess. B ut llike ike foreign aallll ooff uus, s, tthere’s here’s a ccontinuous ontinuous bbuild-up uild-up ooff fo reign distorts matter that disto orts the view and that must be washed work pperiodically eriodically w ashed aaway. way. IIff yyou ou ddoo iitt nnow, ow, yyour our w ork extraa sma smart effective. will be extr art and eff ective ective.

CAPRICORN CAPRIC ORN (Dec. 22–Jan. 19): The state of Wisconsin is ffamous wasn’t am mous ffor or its cheese, so it wasn ’t a big surprise when itss state Legislatur Legislaturee decided to honor the bacterium th that’s hat’s essential in making cheddar, cheddar, Monterey year,r, Monterey Jack and and Colby cheese. So as of last year Lactococcus lactis microbe. lacttis is the official state micr obe. I would love to se seee you decide upon your own most beloved microbe microbe sometime soon, CCapricorn. apricorn. How about naming Ru Ruminococcus Peptococcus uminococcus or P eptococcus as your flora? your personal personal favorite favorite aamong mong aallll ooff yyour our ggut ut fl ora? It’s It’s that time of year y when it makes cosmic sense to to acknowledge acknowledge and and aappreciate ppreciate aallll ooff tthe he ssmall mall aand nd hard-to-see hard-to-see things thinngs that keep you thriving. AQUARIUS A QUARIUS (J(Jan. Jan. 20–Feb. 18): Don’t Don’t put your

LEO LE O (July 23–Aug. 22): Six yea years ars ago, a friend of

before sockss this week, shoes on bef ore you put on your sock Refrain from OK? Refr ain fr om m polishing off a piece of cheesecake cream before dinner,, and don don’t and a bowl of icee cr eam bef ore dinner ’t say whenever arrive goodbye whenev ver you ar rive at a new destination. proper CCatch atch my drift, Aquarius? A Do things in the pr oper while oorder, rder, nnot ot jjust ust w hile eengaged ngaged iin n tthe he ffundamental undamental taskss of your dai daily task ly rhythm, but also in the long-term processes you’ree car carrying pr ocesses you’r rying out. Each step in the prepare sequence needs to pr epare the way ffor or the next step. vision organizing KKeep eep a clear visio on of the or ganizing principle that informs work. inf orms your wo rk.

VIRGO VIR GO ((Aug. Aug. 223–Sept. 3–Sept. 222): 2): ““I’m I’m nnot ot cconfused,” onfused,” ssaid aid

Mellenkamp’s John Mellenkam p’s song “This Is Our Country” commercial because it was used u in a commer cial ffor or Chevy Silverado trucks. heardd it that way way,, Silver ado truck s. But if they’ve only hear under impression they may be und der a mistaken impr ession about its fraction meaning The ad quotes just a fr meaning. action of the lyrics, lyrics iincluding ncluding ““So So llet et tthe he voice voice of of ffreedom/ reedom/ SSing ing oout ut through land/ country.” thr ough this land d/ This is our country .” What the doesn’t include aree other lines like ““And ad doesn ’t includ de ar And A poverty And would ccould ould bbee jjust ust aanother nother uugly gly tthing/ hing/ A nd bbigotry igotry w ould And bbee sseen een oonly nly aass oobscene/ bscene/ A nd tthe he oones nes tthat hat rrun un this land/ Help the t poor and common man.” Let this forr yyou, Pisces. Make sserve erve aass a ccautionary autionary ttale ale fo ou, P isces. M ake ssure ure you get the rrest est of every story—not just the partial whole freaking truth, but the wh hole fr eaking thing.

previous mine came to believe she had died d in a pr evious iincarnation ncarnation bbyy bbeing eing tthrown hrown ooff ff a hhorse. orse. FFrom rom tthat hat felt ttime ime oon, n, sshe he fe lt stuck. stuck. She She became became convinced convinced that that lifee ener energy her lif gy would rremain emain in a state of suspended comfortable animation until she learned to ffeel eel comf ortable on a forr hhorse. orse. FFear ear kkept ept hher er ffrom rom eeven ven aattempting ttempting tthat hat fo recently a llong ong ttime, ime, bbut ut re cently sshe he ggot ot uupp tthe he ccourage ourage ttoo Her were first, bbegin. egin. H er eefforts fforts w ere bbumpy umpy aatt fi rst, bbut ut rrapidly apidly Ass sshe iimproved. mproved. A he ggained ained cconfidence onfidence aass a rrider, ider, eevery very oother ther aaspect spect ooff hher er llife ife bbloomed, loomed, ttoo—just oo—just aass sshe’d h e’ d forr ssuspected. uspected. I tthink hink hher er eexperience xperience ccould ould bbee uuseful seful fo from What’s you to learn fr om in the comingg months, Leo. What ’s there your biggest, oldest ffear? ear? Is the ere anything you could do to start dissolving it? Frost. poet Robert Fr ost. “I’m just well mixed.” I would love coming that to be your motto in the com ming weeks. weeks. You’re You’r o e eentering ntering a pphase hase ooff yyour our ccycle ycle when when you you should should bbee extraa curious about blending in ingredients extr gredients in new ccombinations. ombinations. IIn n ffact, act, II’ll ’ll ggoo ssoo ffar ar aass ttoo ssay ay tthat hat tthe he enthusiastically cosmos will rrespond espond enthusiast tically if you take steps embodiment diversity.. to make yourself the embodime ent of lush diversity Virgo! will CCelebrate elebrate ccomplexity, omplexity, V irgo! YYou ou w ill ggenerate enerate fortune uunexpected nexpected sstrokes trokes ooff ggood ood fo rtune bbyy eexperimenting xperimenting that with medleys and syntheses tha at appeal to the jaunty parts of your imagination.

LIBRA (Sept. 23–Oct. 22): In addition a to their

Atlanta’s sstandard tandard oofferings, fferings, tthe he yyoga oga tteachers eachers aatt A t l a n t a’ s (toughloveyoga.com) TTough oough LLove ove YYoga oga o center (toughl oveyoga.com) offer variations. sometimes off er exotic variation ns. During their “Metal YYoga” oga o ” classes, ffor or instance, the soundtr ssoundtrack ack ffor or their stretching breathing exercises str etching and br eathing exer cises is heavy metal

PISCESS ((Feb. PISCE Feb. 19–March 19–March 220): 0): M Many any ppeople eople kknow now

Homework: Wh What hat most needs rregeneration egeneration life? And aree you going to do to in your lif e? A nd what ar rregenerate egenerate it?? FreeWillAstrology.com. FreeWillAstrology.com.

Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700

M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 1 6 -2 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

ARIESS (Mar ARIE (March ch 21–April 19): “T “There There ar aree nights when the moon the wolves wolves are are silent silent and and oonly nly tthe he m oon hhowls,” owls,” ssaid aid comedian comedian George George Carlin. Carlin. “There “There are are mornings mornings when when your dreams dreams are are more more real real and important than your waking worker. waking life,” life,” says says my my favorite favorite ddream r am w re orker. ““There There are are times when the doctor isn’t isn’t ffeeling eeling well, and only his patient can cure cure him,” says I. Now it so happens, Aries, that in the upcoming week, lifee is likely to weeek, your lif pass through through an alternate alternate reality realitty where where all three three of the above conditions will prevail—as prevaiil—as well as other similar variants and mutations.

9p pR ROB OB BREZSNY BREZ SNY =\YilXip (= \YilXip (-

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NVIDIA Corporation, market leader in graphics & digital media processors, has openings in Santa Clara, CA: Mngr Section, Systems SW (MGRSW01): Direct the SW systems development funcJobs tion; ASIC Design Engr (ASICDE88, ASICDE89, Verigy US, Inc., ASICDE90, ASICDE91): provider of semiconductor Design and implement the test solutions, has an openindustry’s leading Graphics, ing in Cupertino, CA: Staff Video/Media & Engineer (ENG01): Consult Communications Processors; and develop test solutions Systems SW Engr (SSWE68): for Verigy 93000 SOC IC Support NVIDIA’s new high tester. Send resume & ref job performance chipset busicode to: Verigy US, Inc. Attn: ness; R. Butts, 10100 N. Tantau Research Scientist (RS01): Ave, Cupertino CA 95014. Develop algorithms and design hardware and SW Sr. Business extending the state of the art in computing, graphics, Application Analyst: media processing, and other develop systems in SAP to support business application technology areas surrounding NVIDIA’s business (posiprocesses. Apply to: Tesla tion requires 5% domestic Motors, Attn: Natalie Cripe, travel); 3500 Deer Creek Rd., Sr. Mngr, Android System SW Palo Alto, CA 94304. (MGRSW02): Manage the coordination of the activities Security/Bouncers of a section or department Needed with responsibility for wanted 5 nights a week 9pm- results, including costs, 2am. Apply mornings only. methods and staffing; and Alex’s 49er Lounge Systems SW Engr (SSWE91): 2214 Business Circle, San Ensure customer bring-up Jose. 408/279-9737 and implementation of operating system adaptation layOpenwave Systems, ers (will be based out of headquarters in Santa Clara, Inc. CA, but may be assigned at has a Sr. Manager, SW Quality job opportunity avail- various unanticipated work sites throughout the United able in Redwood City, CA. Lead a team of QA personnel States on an as needed basis engaged in testing and assur- by management). If interested, ref job code and send to: ing the quality of multiple NVIDIA Corporation. Openwave Messaging prodAttn: MS04 (J. Brantley). ucts. BS in CE or related + 5 yrs related exp. Requirement 2701 San Tomas Expressway, Santa Clara, CA 95050. include: Designing and writPlease no phone calls, emails ing test plans; programming or faxes. exp. in C/C++, PERL and/or JAVA. Mail resumes to Karaoke DJ Openwave Systems, Inc., wanted 9pm-1:30am. Must Attn: Linda Lee, have equipment. Apply morn2100 Seaport Blvd., ings only. Alex’s 49er Lounge Redwood City, CA 94063. 2214 Business Circle, Must reference job title and job code (# OPWV7903) to be San Jose. 408/279-9737 considered. EOE.

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Arm, Inc. has a Principal Design Engineer position available in San Jose, CA. Responsible for a key area of process/infrastructure improvement and meet with customers and 3rd party companies. BS in Electronics Engineering or related plus five yrs. related exp. Requirement include: embedded memory design, margining, characterization and EDA model generation; EDA tools such as HSPICE, HSIM, Encounter timing system, PrimeTime, PrimeTime-SI, Celtic. Mail resumes to Arm, Inc., Attn: Sr. Recruiter, 150 Rose Orchard Way, San Jose, CA 95134. Must reference job title and job code (PDE1) to be considered.

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Voice Lessons Expand range, flexibility, confidence. Instruction also available for songwriting and guitar. Reasonable rates. Instructor: award-winning vocalist/songwriter, Deborah Levoy. www.deborahlevoy.com 408/275-0802.

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Legal & Public Notices

ORDER TO SHOW CAUSE FOR CHANGE ON NAME CASE NO. 111CV192248 SUPERIOR COURT OF CALIFORNIA, COUNTY OF SANTA CLARA, 191 NORTH FIRST STREET, SAN JOSE, CA 95113 IN THE MATTER OF SHAKONDI NAKOLE JACKSON. THE COURT FINDS that Petitioner(s) has/have filed for a decree changing name(s) as follows Present name: SHAKONDI NAKOLE JACKSON Proposed name: SHAKONDI NAKOLE LEE THE COURT ORDERS that all persons interested in this matter shell appear before this court at the hearing indicated below to show cause, if any, why the petition for change of name should not be granted. Notice of Hearing on March 29, 2011 at 8:45 a.m. in Room 107 located at 191 located at 191 North First

Street, San Jose, CA, 95113. A COPY of this order to show cause shall be published at least once each week for four week successive weeks prior to the date set for hearing on the petition in the following newspaper of general circulation, Metro Newspapers printed in the county of Santa Clara. Dated: JANUARY 20, 2011 /David H. Yamasaki Judge of the Superior Court (Pub CC 2/16, 2/23, 3/2, 3/9/2011)

FICTITIOUS BUSINESS NAME STATEMENT #547090 The following person(s) is (are) doing business as: 1. Vietnamese American Cultural Center, 2. Trung Tam Vanhoa Viet My, 2290 Tully Rd., San Jose, CA, 95122, Viet American Voters of Northern California, 1704 Four Oaks Rd., San Jose, CA, 95131. This business is conducted by a Corporation. The state of Corporation: California. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/John Ngo President #3018136

This statement was filed with the County Clerk of Santa Clara County on 11/25/2008. (pub Metro 2/2, 2/9, 2/16, 2/23/2011

FICTITIOUS BUSINESS NAME STATEMENT #547091 The following person(s) is (are) doing business as: New Eras Painting, 10793 Miguelito Road, San Jose, CA, 95127, Ernesto Hernandez. This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Ernesto F. Hernandez This statement was filed with the County Clerk of Santa Clara County on 1/25/2011. (pub Metro 2/2, 2/9, 2/16, 2/23/2011)

FICTITIOUS BUSINESS NAME STATEMENT #546817 The following person(s) is (are) doing business as: Twinlode Rack Manufacturer, 1101 S. Winchester Blvd., #J220, San Jose, CA, 95128, Twin Pick Rack Systems Inc. This business is conducted by a Corporation. The state of Corporation:

California. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. Refile of previous file #387009 after 40 days of expiration date. /s/John Terry President #2066825 This statement was filed with the County Clerk of Santa Clara County on 1/19/2011. (pub Metro 2/2, 2/9, 2/16, 2/23/2011)

FICTITIOUS BUSINESS NAME STATEMENT #546987 The following person(s) is (are) doing business as: 1. LAO Security Integrators, 5961 Vista Loop, San Jose, CA, 95124, 2. LSI, Vien Souvannavong . This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Vien Souvannavong This statement was filed with the County Clerk of Santa Clara County on 1/21/2011. (pub Metro 2/2, 2/9, 2/16, 2/23/2011)

Hmm, tough one. I came up with ďŹ ve scenarios, but Iâ€™m not sure any of them would work. The thing to realize is the magnitude of what weâ€™re trying to accomplish. According to the U.S. Geological Survey, there are 33 million cubic kilometers of ice in the polar regions. This is grounded ice, sitting on land or the sea ďŹ‚oor in or near Antarctica and Greenland. Thereâ€™s also ďŹ‚oating ice, such as that covering the North Pole for part of the year. But the USGS rightly ignores this, since (a) the ocean level wonâ€™t rise when it melts (ďŹ‚oating ice displaces a volume of water equal to its weightâ€” think about it), and (b) relatively speaking, ďŹ‚oating ice is a drop in the planetary bucket. Just as wellâ€”weâ€™ll have our mittens full with the grounded stuff. Assuming an average polar ice temperature of minus 22 degrees Fahrenheit, melting it all will take 11.3 yottajoules of energy. How much is that? Well, yottais the biggest metric preďŹ x weâ€™ve gotâ€” it means â€œadd 24 zeros.â€? Annual world energy consumption is something like 500 quintillion joules. Multiply that by about 22,000 and youâ€™ve got 11.3 yottajoules, which isâ€”I have to say thisâ€”a lotta joules. How to deliver it? At the earthâ€™s distance from the sun we receive about 1.4 kilowatts of solar energy per square meter, half of which makes it through the atmosphere to the surface. So theoretically we could position giant mirrors in space to reďŹ‚ect sunlight onto the poles and melt the ice. Problem: to get the job done in a mere 20 years, our bank of mirrors will need to be roughly the size of North America. Then, too, itâ€™ll be nearly impossible to keep the mirrors aimed properly, and the melting ice will create sun-blocking cloud cover, slowing the process. What about the nuclear option? Estimates of the total world nuclear arsenal vary, but a reasonable guess is a combined yield from all nuclear weapons of 5,000 megatons. Even

assuming we could pump all the blast energy into the ice and not have any of it leak away, itâ€™d still be less than a hundredth of what we need. Fossil fuels, then? Those 11.3 yottajoules are more than 1,000 times the energy contained in the entire worldâ€™s proved oil reserves. Throw in all the globeâ€™s coal and natural gas and, once again, we still donâ€™t get to even 1 percent of whatâ€™s required. Maybe we can do better. See how this grabs you. We come up with a process that traps energy in the atmosphere rather than letting it radiate away, perhaps involving an accumulation of gases such as carbon dioxide or methane that would be transparent to incoming solar radiation but a barrier to surface heat. Sort of a, you know, greenhouse effect. The beauty of this scheme, as evil plans go, is that once the heat built up to a certain point, cascading events would likely take you the rest of the way. As the temperature rose, melting ice would release additional carbon dioxide and methane trapped within it, accelerating the warming trend. Thawing permafrost would release still more CO2, and if the oceans got toasty enough you could end up with a major release of frozen methane lying on the seabed, a process thatâ€™s thought to have been a cause of the Great Permian Extinction. Evil plans donâ€™t get much more grandiose than that. The problem from a cinematic standpoint is that no one genius, however evil, could pull this stunt off. The only way to generate enough CO2 would be combustion on a staggering scaleâ€”youâ€™d need to enlist the bulk of the earthâ€™s population in a decades-long campaign to burn through a signiďŹ cant fraction of the planetâ€™s organic materials. Even if the plan were technically feasibleâ€”and Iâ€™m sure many in the evil genius guild would scoffâ€”nobody would buy it as a movie premise. Everybody pitches in to melt the ice caps? Come on, you think weâ€™re all fools?

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REAL ESTATE

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Homes Under $600K

Boulder Creek

Carlton Avenue

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The neighborhood is made up of ‘60s-era homes situated on big lots located on quiet side streets, and offers close-up views of the hills. And it surrounds Carlton School, a K-5 public school that earned an impressive four out of five stars from Greatschools.com. (Parents noted community involvement, a dedicated staff and an overall supportive environment for students.) A ranch house on a spacious lot at 5077 Leigh Ave. features a large master bedroom, a bright, airy kitchen, a living room with a separate dining area and wood-burning fireplace, and a separate family room that can be used as a bedroom. What sets this house apart is the property: 6,000 square feet, complete with fruit trees and a dog run. You can sit out in back, do some work in the garden and let your pets (and kids or grandkids) run free here. The house also features double-pane windows, hardwood floors and a relatively new roof. It can be had for $549,500. Buyers looking to expand may want to check out another house at 14575 Acton Court. It’s a corner house, which means that the lot is larger the other ample lots on the block. The house itself is 1,630 square feet. There are

three bedrooms and two full baths and a kitchen that was recently redone with wood cabinets and granite countertops. There’s also a roomy living room and dining area, as well as a private family area right off the living room. But like most of the homes in Carlton, this place is really about the outdoors. A big deck out back leads to a rounded swimming pool, which is surrounded by a large lawn and mature fruit trees. And this is the kind of home that will grow. The seller already has approved plans to convert the home into a four-bedroom, three-bathroom house covering 2,650 square feet. The new buyer could do the expansion/ remodel right away, or take it one step at a time. The house is selling for $779,000. Another very nice home is available at 2329 Carlton Ave. It’s a spacious (1,829 square feet), three-bedroom, two-bath home, with an open floor plan that can be modified easily. The kitchen includes dark wood cabinets and granite countertops. There are also two fireplaces, including a stunning, brick-enclosed hearth in the living room. The house is located on a 7,000 square foot lot, leaving plenty of possibilities for outdoors as well as indoors. This house can be had for $625,000. Just 10 minutes by bicycle from downtown Los Gatos, the Carlton neighborhood is also pretty close to both Campbell and Willow Glen. It’s kind of an undiscovered little neighborhood and might be worth a look-see. —Danny Wool

a beautiful building site in the sun. Half acre. Private gated road. Easy location. All utilities in place. Plans included, too. Excellent neighborhood. Owner financing. $249,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

g Homes

Boulder Creek 290 acres ! Run your dirt bikes or quads or take a hike and have a lot of fun on the 11 parcels ranging in size from 18- 40 acres. Santa Clara county. Sun, Views, Spring, Creek. Off grid. Excellent Owner financing. $1,150,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Tired of the same old place? Check out Metro's Real Estate classifieds and find a new place to live. Call 408-200-1300 to advertise.

Land

Los Gatos Mountains 4 acres. A perfect spot for the home you have been dreaming of. Incredible view and Full Sun. Shared well. Power at lot line. Some reports. Paved access. Plans included. Owner financing. $450,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Boulder Creek 10 acres. Ridge top. 3 mile private bumpy road leads to this quiet and serene site. Beautiful view and plenty of sun. Off grid. Owner Financing. $189,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

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Santana Row

2 bedroom, loft, 2 bath with range, microwave, dishwasher. No appliances $1750 per month plus deposit. 510/524-6935 Shared Housing

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ARIZONA BIG BEAUTIFUL LOTS $99/mo., $0-down, $0-interest. Golf Course, Nat’l Parks. 1 hour from Tucson Int’l Airport. Guaranteed Financing. NO CREDIT CHECK! (800) 631-8164 Code 4054 www.sunsiteslandrush.com (AAN CAN)

Notice All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination.

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