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BEST OF BALLOTING IS ON AT METROBESTOF.COM! P15

Cinema’s future or expensive rip-off? p18

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4 METRO M METR O SILICON SILICON V VALLEY ALLE A Y A locally owned company. company.

550 S FFirst irst SSt, t, SSan an JJose, ose, CA 95113 408.298.8000 EEditorial ditorial FFax: ax: 408.298.0602 Advertising A dvertising FFax: ax: 408.298.6992

EEXECUTIVE XECUTIVE EEDITOR DITOR & CCEO EO

DAN D AN PUL PULCRANO CRANO

EDITORIAL EDIT ORIAL Managing/Arts M anaging/Arts EEditor: ditor: Michael S. Gant News N ews Editor: Editor: Eric Johnson FFood ood EEditor: ditor: S Stett tett Holbr Holbrook ook Music M usic EEditor: ditor: S Steve teve P Palopoli alopoli CContributing ontributing W Writers: riters: Gary Singh,

Richard Busack,Tori Richar d von Busack, Tori o Eakes Photographer: Photogr apher: Felipe Buitrago Buitrago CCalendar@metronews.com alendar@metronews.com

ART/PRODUCTION AR T/PRODUCTION Design Dir Director: ector: K Kara ara B Brown rown Production Pr oduction Dir Director: ector: Har Harry ry Allison Graphic Gr aphic Designer: Designer: T Tabi aabi Dolan EEditorial ditorial Pr Production:  oduction: Sean Geor George ge Advertising Graphic Graphic Artists: Artists: Advertising

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DISTRIBUTION DIS TRIBUTION Metro M etro is available fr free ee of char charge, ge, limited to Additional one copy per rreader. eader. A dditional copies of the cur rent issue may be pur chased ffor or $1 current purchased eaach, payable at the M etro office in advance. each, Metro Metro may be distributed only by Metro’s Metro’s Metro au uthorized distributors. N y, without authorized Noo one may may, perm mission of M etro, take mor permission Metro, moree than one copy e issue. SSubscriptions: $50/six ubscriptions: $50/six months, of each $95/one year year.r.

FINE P PRINT RINT Declared a legal Declared g newspaper p p of ggener general al circulation circulation bbyy tthe he SSuperior uperior CCourt ourt ooff SSanta anta CClara lara CCounty ounty Decr ee N o. 65127 4, A pril 77,, 1988. ISSN Decree No. 651274, April 0882-4290. EEntire ntire contents © 2011 M etro 0882-4290. Metro Pub blishing, IInc. nc. A eserved. R eproduction Publishing, Allll rights rreserved. Reproduction orm pr ohibited without publisher ’s in any fform prohibited publisher’s written ppermission. ermission. U nsolicited m aterial sshould hould written Unsolicited material essed bee accompanied by a stamped, self-addr self-addressed envvelope; however etro is not rresponsible esponsible ffor or envelope; however,, M Metro the rreturn eturn of such submissions.


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THIS T HIS MODERN M WORLD WORLD D

9p T TOM OM TOMOROW TOMO ROW

I SAW YOU

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ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

Mrs. Mean @ jXn pfl# j`kk`e^ n`k_ pfli _ljYXe[ Xk k_\ Yffk_ X[aXZ\ek kf flij Xk X Óe\ [`e`e^ i\jkXliXek2 jk`Zb Óidcp gcXek\[ lg pfli e\k_\i i\^`fej% Pfl n\i\ il[\ Xe[ Zfe[\jZ\e[`e^ kf k_\ nX`ki\jj# ZXcc`e^ _\i Xe ÇX`i_\X[È Y\ZXlj\ j_\ Zflc[eÊk ZXiip \m\ipk_`e^ pfl fi[\i\[ `e fe\ ki`g% J_\ j\\d\[ kf Y\ [f`e^ X Óe\ afY ]fi lj Xe[ \m\ipfe\ \cj\ `e _\i j\Zk`fe# Xe[ ]fi pfl knf Xj n\cc% N_p n\i\ pfl jf d\Xe6 G\i_Xgj Y\ZXlj\ pflÊi\ gXjk pfli gi`d\# Xe[ j_\ jk`cc _Xj _\i pflk_]lc Y\Xlkp6 Fi Xi\ pfl jf le_Xggp k_Xk pfl _Xm\ kf dXb\ fk_\ij d`j\iXYc\# kff% CX[p# il[\e\jj `j X jdXcc g\ijfeÊj `d`kXk`fe f] jki\e^k_% PflÊi\ n\Xb%

COMMENTS Letters@metronews.com Letters@met tronews.com onews com

R ALPH P ARKMAN | LLOS OS GATOS GATOS RALPH PARKMAN

Metro welcomess letters. Like any gr Metro great eat work should of art, they shou uld be originals—not copies elsewhere. of material sent elsewher e. Please include your name, city of rresidence esidence and daytime number. telephone numb ber. (Phone number will published.) not be published d.) Letters may be edited correct ffor or length and cclarity larity or to cor rect ffactual actual inaccuracies known inaccur acies kno own to us. SanJoseInside = SanJose Inside

Guinness who blink G blinked ed fatefully at a th he end of Kind Hearts and Coronets. Cooroneets. the

= via email

Ri icharrd v on Busack R eplies: e He ’s Richard von Replies: He’s go ot me oblem with ‘Kind got me.. The pr problem H Hearts and C ooronets’ is that you Coronets’ ttend end ttoo rremember emember it as having a cas castt cconsisting o onsisting of eeveryone verryyone played bbyy Ale ec Alec G uinness. Ap ologiess, and thanks ffor oor the Guinness. Apologies, ccompliment. o ompliment.

SSit it a SSpell pellll The Price Price Is Right Rich ard von von Busack B best, but Richard is the best, in his review review of Barne ey’s V er ersion s Barney’s Version (Metr oFilm, Jan. Jan. 26), I believe believe he (MetroFilm, meant Dennis Denniis Price Price rather than Alec

Hello H —there is a misspelling misspelling in Hello—there St teve Palopoli’s Palopoli’s ar ticle “C adent Steve article “Cadent U ncovered” (MetroMusic, (MetroMusic, JJan. an. 19) ). Uncovered” 19). Th he guitarist’s guitarist’s name is JJonthan onthan The Ba aechler, not “Beachler .” Thank yyou! ou! Baechler, “Beachler.” ALEXIS BE RNSTEIN ALEXIS BERNSTEIN

No o, thank you ffor oor doubl le- checkingg, No, double-checking, Alexis Alexis.. Y You ou o ar aree right ab about o the last out name name, e, but w we’re e’rre pr pretty ett y sur ssuree it it’s ’s ‘Jonathan,’ ‘Jonthan.’ —Editor ‘J Joonathan,’ not ‘J Joonthan n.’ —Edit or

Whose Who se D Diner? inerr? I think Steve Steve Palopoli Palopoli does does a lot of great music-related writing. gr eat music -related wr riting. But his promotion off tthe Suzanne Vega Trio p romotion o he S uzan anne V ega T rio (Metroactive, 1987 (Metr oactive, JJan. an. 26) said her 19 87 album Solitude Standing Sttaandingg broke broke the big ssong ong ““Tom’s Tom’s Diner. Diner.” Actually, Actually, the the b ig hit off tthat not h it vversion ersion o hat ssong ong was wass n ot tthe he a ccappella appella vversion ersion on Solitude Solitude Standing. Sttaanding. was 1990 It w as the 19 90 dance dance remix remix credited credited “D.N.A. Vega. to “D .N.A. ffeaturing eeaturing Suzanne S V eega.” up on IItt eended nded u po n the the rremixes emixes ccollection ollection album Tom’s Toom’’s Album. Album. His His promotion promotion of of Al Al Jarreau Jarrreau said saiid he he was wass probably probably best best known known for for the the

Moonlightin Moonlighting M li hting theme. theme. I think think that’s that’s only ttrue rue o nly iiff TV TV sshow how ffamiliarity aam miliarity other ttrumps rumps o ther factors. faacctors. Jarreau’s Jarrreau’s ssongs ongs Love Together” ““We’re We’re in in This This L ove T o ogether” and and “Mornin’” weree bigger Billboard “Mornin ’” wer Billboard pop pop chart charrt hits, hits, and an nd I’ve I’ve heard heard both both of of them them much much more more on on commercial commercial radio, radio, including inclu uding from from my my old KTID playlists. plaayylists. DAVIS | LOS LOS ALTOS ALTOS BOB DAVIS

Job W Well eell D Done one Super post (Holiday Sup er p ostt there there (Holida ay Books, Gift Bo okss, SanJose.com)! SanJose.com)! Comprehensive C ompreheensive and well collated collated material. Thanks T ffor o or sharing. sharing. ABNER ABNER


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THEFLY FLY THE

SVNEWS

Ugly Rumors Rumors A couple of days days before before DEBRA FIGONE FIGONE finalized her selection seelection of CHRIS CHRIS MOORE MOORE as the city’s next neext chief of police, councilman SAM SAM A LICCARDO LICCARDO referred referred to the candidates candidates’ s’ race race as “the elephant in the room”—Moore, room”— —Moore, acting chief ffor or three is white while the the last thr ee months, m other finalist, Oakland Oakland Chief Chief of Police Police A NTHONY BATTS, BAT TT TS, is black. The The real real ANTHONY ““elephant elephant in the thhe room,” room,” though, was an inflammatory online o report report by a small newspaper in Long Long Beach. Beach. JAY JAY BEELER, BEELER, he h B Beachcomber eachcomber, wr wrote ote a editor of TThe piece that alleged allegged Long Long Beach Beach police had been called calleed to Batts’ Batts’ residence residence on ffour our occasio ons for for complaints of occasions domestic violence violence against his thenwif e, U .S. Rep. Rep. LLAURA AURA RICHARDSON. RICHARDSON. wife, U.S. When contacte ed to confirm the report, report, contacted B Beeler eeler said he had no further comment and would stick sticck by his story, storyy, but had no documenta tion or sources sources on the documentation rrecord ecord rregarding egardinng the alleged abuse. No No media outlet has h printed the allegation, most likely because beccause some vetting showed B eelerr may Beeler Don’t have had an axx to forget grind—he wass once to tip! placed into custody cusstody by police ffor or going going into a FLY@ rrestricted estricted crime crime scene. METRONEWS. B ut commente ers on But commenters COM nearly every website website documenting San San JJose’s ose’s ppolice cchief hief sear ch did br oach search broach the subject. IIt’s t’ss possible that Figone, Figone, trying to restore restore balance to a police department already alrready suffering suffering fr om low from morale, mor ale, had ann easier decision to make considering that thaat Moore’s Moore’s rrecord ecord had no blemishes, real real or contrived.

FFord oord andd Bonilla Bonilla Lose Lose Ass young staff A staffers ers ffor or various SSouth outh B ay Labor Labor Council-backed Council-backed candidates Bay and office-holders, office-holdders, ROLANDO ROLANDO BONILLA BONILLA and R RYAN YA AN FORD FORD learned a little bit about winning ugly. ugly. Recently, Recently, they also learned a bit about losing—and

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Red Development K8O 8E; JG<E; Knf [\ZX[\j X^f# _`^_$gifÓc\ i\[\m\cfgd\ek gifa\Zkj _\cg\[ klie [fnekfne `ekf X m`XYc\ Ylj`e\jj [`jki`Zk# Xe[ k_Xk gX`[ f]] ]fi k_\ Z`kp Xe[ `kj \c\Zk\[ f]ÓZXcj% m``X XYc\ Ylj`e\jj [`jki`Zk# Xe[ X k_Xk gX`[ f]] ]fi k_\ Z`kp Xe[ `kj \c\Zk\[ f]ÓZXcj%

>fm% A\iip 9ifneÊj \]]fikj kf > m%% A\iip >fm A\iip 9ifneÊj j \]]fikj \]]fikj kf `i\Zk k I; ;8 dfe\p Zflc[ c[ Zfjjkk i\[`i\Zk I;8 dfe\p Zflc[ Zfjk JXe Afj\ÆXe[ `kj c\X[\ij JXe Afj\Æ ÆXe[ `kj c\X[\ij 9p JOSH OSSH S K KOEHN OEHN

J

\iip 9ifneÊj gcXe \ iip 9ifneÊj gcXe kkf [`jdXekc\ k_\ f [`jdXekc\ k_\ jjkXk\Êj i\[\m\cfgd\ek k kXk\Ê j i\[\m\cfgd\e ek X^\eZ`\j dXb\ k_`e^j X ^\eZ`\j dXb\ k_`e^ ^j X cfk nfij\ JXe Afj\Êj nf fij\ JXe Afj\Êj jkX^^\i`e^ [\ÓZ`kÆXe[ \ii`e^ [\ÓZ`kÆXe[ \c`d`eXk\ k_\ ]le[`e^ jfliZ\ eX Xk\ k_\ ]le[`e^ jfliiZ\ ]fi k_\ jXcXi`\j f] DXpfi \ jXcXi`\j f] DXpfi :_lZb I\\[ Xe[ k_\ JXe Afj\ b I\\[ I Xe[ k_\ JXe Afj\ Z`kp ZfleZ`c% fleZ`c% In his State State o off tthe he S State tate sspeech peech Mondayy night, night Brown n Brown repeated repeated his his proposal al to to redistribute redistribute tthe he b billions illions of dollars rs redevelopment redevelopment ag agencies gencies generatee to to h help elp p pay ay for for o other ther sservices ervices and solve ve the st state’s ate’s budget crisis crisis.. In San Jose, Brown’s ose s , Br own’s plan would have some m pr me profound offo ound unf unforeseen fo oreseen consequences. ueenc n es.

San San JJose’s ose’s R Redevelopment edevelopment A Agency gency (SJRA) aalready (SJRA) lready sspends pends $ $12 12 m million illion p per er help pay yyear ear tto oh elp p ay ffor or ccity ity sstaff—that’s taff ff— —that’s over o veer and above above its own st staffing affing budget. A lmost 20 20 p ercent o hat aamount mount $ 2.2 Almost percent off tthat $2.2 million pa ayys ffor or the city o citty of San JJose’s ose’s pays its eexecutive xxecutive branch and it ts staff. staff ff. How did that happen, happen, e when RDA RDA byy law, ffunds unds are, are, b law, reserved reserved for for ccapital apital pr ojects to rrevitalize evitalize bl lighted par ts of projects blighted parts the cit y? city? Executivee Dir Executiv Director ector Harr H Harryy M avrogenes says says the the expense expense iiss Mavrogenes jjustified ustified by by the the fact fact that that the the mayor mayor and council council sit as the city’s c y’s RDA cit RDA board. b oard. If the governor governor suc succeeds ceeds in defunding the agency, agenccyy, the cit cityy would w ould have have tto o llook ook eelsewhere lsewhere ffor or tthat hat money—or money— or ttighten ighten its its belt belt cconsiderably. onsiderablyy. That T hat may may be be exactly exactly w what hatt tthe he famously frugal governor govern e nor has in mind. Before Redevelopment blew up B efore R edevelopment b lew u p half-billion dollar iinto nto a h alf-billion d ollar aagency, gency, ccity ity

ggovernment overnment w was as a ffraction raction o off iits ts ccurrent urrent size h SJR RA w aas a funding f di mechanism h i size.. The SJRA was that ccontributed ontrib o buted to the ccorpulent orpulent cit ty city ccouncil ouncil bureaucracy’s bureaucracy’s eexpansion, xpansion, iin n which each h memb er has a st taaff including member staff p olicy aaides ides aand nd some some even even h ave their their policy have own ccommunications omm municcaations directors. directors. While W hile tthe he ggovernor’s overnor’s p plan lan n ccontends ontends tthat hat m money oney ffor or R RDA DA p projects rojects should should b o cops cops and teachers instead, bee going to heree as else elsewhere, Redevelopment her ewhere, the R eedevelopment Agency A gency p pretty retty much much ccreated reatted iits ts o own wn rrevenue. evenue. IItt d did id sso ob byy fforming orming sspecial pecial ttax ax district di districts t i tts thr through th ough h a scheme h k known as ttax-increment ax-increment e financing ((TIF). TIF). Critics C ritics tthroughout hroughout tthe he sstate tate ar argue rgue tthat hat S San an n JJose ose an and nd o other ther C California alifornia ccities ities diverted money used d iverted tthis his m oney aand nd u sed iitt tto o build bureaucratic b uild b ureaucratic eempires—including mpires—including generous officials.. gener ous salaries saalaries ffor or elected officials o Mavrogenes says Ma avvrogeenes sa ayys that his agency helping cityy st stay is also help ping the cit ay afloat financially. Redevelopment fi nanciallly. R edevelopment ccurrently urrently $277 million in cit cityy debt debt— ccovers overs $2 — $15 million overhead iincluding ncluding $ 15 m illion iin no verhead d ffor or Convention Center the C onven ntion C enter and $3 million Fourth Street About ffor or tthe he F ourth S treet Garage. Garragge. A bout $20 millio million bee n of that debt would b city’s piled onto the cit y’s deficit ffor or o the next fiscal says. Meanwhile, ne xt fisc al yyear, ear, he sa ayys. Mean nw while, hee ssays, none off tthe money h ays, n one o he m oney Brown’s budget Br own’s bu udget would rrecoup ecoup after


The he Big Giv Givee Back As SJRA’s JRA A’s defenders deffenders e ha have ave done ffor or o decades, des, Mavrogenes Mavrogenes p points oints o out ut that that SJRA downtown A rrescued e escued downtow wn San JJose. ose. High-profile projects H igh-profile p rojects ssuch uch ass tthe he Fairmont Fairmo ont Hotel, HP P Pavilion avvilion and tthe he Convention Convention Center Center p pumped umped economic ec onomic lif life fe into wha what at w was as a decrepit has d ecrepit ccity ity ccore. ore. IItt h as aalso lso ffunded unded neighborhood neighb orhood impr improvements, ovements e , downtown pr promotions, omotionss, public art, art, and proliferation off IItalian ffreeways reeways an nd a p roliferation o talian n rrestaurants estaurants and chop houses h houses.. “Would people have moved “W Wo ould p eople ha ave mo ved into wasn’t there?” downtown if that stuff ff w asn’t ther e?” Mavrogenes incredulously. Ma avr v ogenes asks incr ed dulouslyy. “Downtown w was as a gho ghost st town.” addition much-touted IIn n ad ddition tto o tthe he m uch-touted quality off llife Mavrogenes q uality o ife iissues, ssues, M avrogenes says sa ayys SJRA also l deliv delivered d li ered d a return return on According SJRA o n iinvestment. nvestment. A ccording tto oS JRA numbers, n umbers, ttwo wo p projects rojects tthat hat tthe he helped build—the Adobe agency help ed build—t the A dobe headquarters h eadquarters d downtown owntown an and nd C Cisco isco massivee ccampus—created Systems’ massiv ampu us— created permanent almost 19,000 19,000 p ermanent jobs and tens of thousands of ind indirect direct jobs jobs.. In the last two two years, years, companies companies Brocade, SunPower such as Br ocade, SunP o ower and Maxim Integrated Pr Products oducts eexpect xpect to create 4,000 new cr eate more more than 4,0 00 ne w jobs in the ar area ea in rreturn eturn ffor or o $5 $ million in agency in investments vestments that help helped ed erect er ect a grove grove of office office towers t in north north San JJose, ose, Ass a result A result of all of th these hese pr projects, ojects, San has become one off tthe most S an Jose Jose h ass b ecome o ne o he m ost powerful RDAs p owerful RD As in the st sstate ate and is

p rojected to to bring bring in in $187 $187 million million in in projected rrevenue evenue this this year, year, ssecond econd o only nly tto oL Los os Angeles Angeles.. A Ass else elsewhere wh here in the state, state, a gr owing nu umber of RD A critics say saay growing number RDA it it’s ’s time ffor o orr rreform—if effo orm—if not outright n. One city city official ccalled elimination elimination. alled the SJRA “aa legalized p ponzi onzi scheme scheme”” that bases to ttoo o much of its numb ers numbers off of sp speculation. ecu ulation. A dding tto o iits ts w oes, llast ast yyear, earr, tthe he S JRA Adding woes, SJRA rrecouped ecouped 8 p percent ercent less than eexpected xp x ected ffor or tthe he ar reas iitt b onded. C ounty T ax areas bonded. County Tax A Assessor ssessor L Larry arry S Stone tone ssays ays tthe he m market arket iiss rrebounding, ebounding, b ut n ot w hen iitt ccomes omes tto o but not when ccertain ertain RD RDA Ap pet et pr projects. ojects. ““There’s There’s n ot a lot lot o etail tthere here aand nd not off rretail a llot ot o off tthose hose h high-rise igh-rise ccondos ondos h haven’t aven’t filled up tone p oints out. up,,” St Stone points In rrecent ecentt years, years, he sa says, ayys, San JJose’s ose’s rredevelopment edevelopm ment agency has focused focused to o much on o big projects. projects. Still, too Stone sees a role role for fo or rredevelopment edevelopment agencies specially San JJose’s.“My ose’s..“My My agencies,, es especially p osition is: Ther are major reforms reffo orms position Theree are that need to to b done,” Stone says. saayys. bee done,” ““Amend A Amend it, don ’t end it. “ don’t Ap oll rreleased e eleased b olicy poll byy the Public P Policy Institute reports rep e orts that ttwo-thirds wo -thirds of C aliffo ornian ns ar avor of shut ttting Californians aree in fa favor shutting down RD As and giving the mone RDAs moneyy back to thee st ate to pay paay off debt state b effo ore rredistributing edistributing that mone before moneyy to ccounty ounty general g school funds and school districts districts..

THE FLY

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just received another painful lesson. Following the lead of the SBLCaffiliated BOB BROWNSTEIN, Ford and Bonilla have helped turn local Democratic politics into a pretty nasty game. So it was no surprise when he pair slapped fellow Democratic policon JAY ROSENTHAL with a lawsuit. Granted, Rosenthal had picked the fight: He registered the web domain “fordandbonilla.com,” and linked it to a YouTube video of Ford angrily barking in the face of AARON RESENDEZ (one of the nicest men in local politics) When Ford and Bonilla called him on the prank, Rosenthal offered to hand the domain over—and also offered to reimburse them for the complaintfiling fee of $1,300. But the newbie consultants demanded an additional

Stone sa says ays y public opinion hass turned against g rredevelopment edevelopment p agencies mainly b because ecause of gr gross osss process abuses of the rredevelopment edevelopment pr rocess California. in Southern C aliffo ornia. Cityy officials in L Los Cit os Angeles took securee $1 rrecently ecently to ok action to secur $ billion in rredevelopment edevelopment pr projects. ojeccts. State Controller That rresulted esulted in St ate C ontrolleer JJohn ohn Chiang launching a st state ate tour t to cconduct onduct audits of 18 RD RDAs, As, S San an JJose’s ose’s included. Mavrogenes Ma avvrogenes sa says ays y San JJose ose hass chosen to delay delaay an anyy action in bond moneyy b because securing b ond mone ecause the t state Legislature isn’t poised oised to mak makee st ate L egislature isn ’t p anyy immediate decision. an Mean while, the agency is in the t Meanwhile, ffeverish everish pr ocess of selling off pa arcels process parcels efforts accumulate of land in eff ffo orts to ac cumulatee moneyy to b bond third-party mone ond with thir d-party sources, Athletics sour ces, such as Oakland A thlettics Lew like owner L ew Wolff, Wolff o ff,, who would li ike to rrelocate elocate his team to San JJose. ose. The clock ticking.. clo ck is ticking Last Reed other L ast week, R eeed and eight oth her mayors Brown about RDA ma ayors met with Br own ab out RD A cuts.. His message w was cuts as simple: Cut C back on other programs programs now orr get RDAs. Looking mayors, rid of RD As. L ooking at the ma ayors, the governor governor asked: asked: “If not yyou, ou, who?” For both F or Reed, Reeed, the message was was b o oth figurativee and literal. figurativ

fee of $125 per hour for 25 hours they spent filing the complaint. (Somehow, they totalled those figures and arrived at the sum of $4,125—shorting themselves by $400—but that didn’t matter in the end.) Rosenthal responded by having his attorney, JOSH COHEN, draft a drop-dead letter. Pointing out that the threat of a lawsuit was “premised on a basic misunderstanding of the law,” Cohen goes on to quote from a California statute spelling out the futility of their claim: “[U]nless and until [the plaintiff] becomes a member of the Bar, his time and energy are not compensable in the legal marketplace.” Cohen may have been right about Team Ford-and- Bonilla’s lack of legal expertise. Bonilla, who spent three years in law school, had recently flunked the bar exam. Last week, the court dismissed the case.

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eliminating RD RDAs As wou would uld help San three fivee yyears. JJose ose ffor o or at least thr ee to o fiv ears. ““We’ve We’ve iissued ssued o over ver $ $33 b billion illion iin n bonds b onds o over ver the the yyears earrs tthat hat sstill till needs needs lot to be be paid off to do a lo ot of this work,” Mavrogenes money M avrogenes ssays. ays. ““The The m oney didn’t didn’t just appear appear magic magically. allyy.” Another noticeable hole A nother n oticeab ble h ole tthat hat would ccome ome as a rresult esult of Br Brown’s own’s proposal $1.7 billion p roposal tto o ttake ak ke $ 1.7 b illion from from the state’s state’s RD RDAs As would db bee seen on the 14th flo floor Cityy Hall, or of Cit H which is ccurrently urrently o occupied ccupied b byy tthe he S SJRA. JRA. IIn n aaddition ddition tto o llosing osing tthe he $ $12 12 m million illion per per yyear ear tthat hat tthe he rredevelopment edevelopment agency aggency city fu puts into the general fund, und, the cit ty would lose out on $1.3 million in rrent. ent. Councilmember Pete Constant C ouncilmember P etee C onstant ssays ays the the only only way way the the city city ccould ould money other rrecoup ecoup tthat hat m oney iiss tto o sslash lassh o ther services. “We have makee ser vices. “W We would ha ave to mak more budget, because m ore ccuts uts tto o tthe he ccity ity b udget, b ecause the redevelopment major redevelopment aagency gency iiss a m ajor tenant building,,” he sa says. nt of the building ayys.


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sv 411.com FBI Raids R ProPro-Wikileaks W ikileaks Hacktivists Haccktivistss TThe FBI executed exeecuted more more than 40 search search c warrants warrants today in connection n with its investigation intoo Operation Operation Payback, Payback, last las month’s month ’s wa wave ave of cyber attack attackss tar targeting getting companies that cut c off Wikileaks. Wikileaks. Things are are not looking good for for Anonymous. Last month h, month, T loose-k The knit loose-knit hacking collective collective Anonymous A nonymous rretaliated etaliated against a Visa, Maste ercard Mastercard and P aypal ffor or Paypal ccutting utting tties ies w ith with Wikileaks, Wikileak s, hitting h ttheir heir websites websites with with distributed denial ?<IF<J 8E; M@CC8@EJ ?<IF<J 8E; M @CC8@EJ 8 jgc`ek\i ^ifl 8 jgc`ek\i ^iflg f] lg service of ser vice attack aattackss fec`e\ gfc`k`ZXc mXe[Xcj n\i\ ifle[\[ lg cXjk fec`e\ gfc`k`ZXc m mXe[Xcj n\i\ ifle[\[ lg g cX (DDoS)—floods (DDoS)—fl oods n\\b ]fi ZpY\i XkkXZbj `e jlggfik f] N`b`C\Xbj% n\\b ]fi ZpY\i XkkXZbj `e jlggfik f] N N``b b`C\ ooff ttraffic raffic that that overwhelmed over whelmed their servers. servers. Authoritiess have since launched a gglobe-spanning lobe-spanning investigation, investigation, including including a raid raid on on a Texas Texas server serve suspected ffarm arm suspe cted of hosting Anonymouss chat rooms, rooms, and the arrests ar rests today todaay in the U.K. of five suspected suspeccted Anonymous members, membe 15–25. aged 15–25 5. (There (There were were no arrests arrests inn the United States.) States.) A guy claiming claim ming to be at the receiving receiving end of one of the American raids, raids, Georgia Georgia Tech Teech freshman freshmaan Zhiwei Chen, posted posteed a copy of the the warrant, warrant, and the business busineess card card of the FBI agent agen who h served servedd it, it to t Reddit. R ddit He H writes: it “They “TThey Th came in i the th dorm d m rroom oom bustin bustin in @ 7:00, and pushed everyone everyone out of bed. They The searched sear ched the thhe place and questioned all all people involved.” administrator Operation Chen says he’s he’s a fformer ormer administr atoor of the Oper ation Payback P ayback chat chhat room, room, where where most of the th he planning occurred. occurred.

Anonymous released released a statement in rrelation elation to the U.K. rraids, aids, calling them a “serious “serious decla declaration aration of war war.” .” ““Arresting Arresting somebody ffor or taking part in a DDoS attack is exactly like arresting ar resting somebody ffor o attending or a peaceful demonstration demonstration a in their hometown,”” the pr press hometown hometown, esss rrelease elease reads. reads. eads

badasscat What a bunch of attacck is like a group group assclowns. A DDoS attack of people walking into somebody’s s place of business, crowding crowding it with so many people that nobody elsee can move, and then blocking the door so that no d legitimate customers can caan enter. enterr. And that would be just as illegal. DoctorNine Yet Yeet more m e pr mor proof oof that isnn’t the same thing technical knowledge isn’t There is no anonymity. anonymityy. as intelligence. There Hasn’t been since ar ounnd 1995. Get Hasn’t around over yourselves, maskedd crusaders. The loook silly, sillyy, and you cape just makes you look aren’t superhe roes. certainly aren’t superheroes. BadUncle W Would oould they t please rretire etire the Guy Fawkes mask? The T Guy tried to blow up P Parliament arliament a in support s of a coup. Paul_Is_Drunk P aaul_Is_Drunk Oper O Operation ation P Payback aayback is an offshoot, of an offshoot, of a bunch of uppity new w members that joined after an Attack Attaack of the Show ’s Anonymous in the same way special. It It’s that Bakersfield is California. Caalifornia. o

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Apple’s T Apple’s Apple’ Terrible eerrrible Sin in Chinaa Last I night I had the good g fortune fortune to highly see Mike Daisey’s high hly acclaimed show ‘The Agony and the Ecstasy of Steve S teve Jobs’ Jobs’ at the Berkeley Berkeley Repertory Theatre. It’s Theatr e. It ’s both an eentertaining ntertaining and an acutely moving performance perrformance that anyone who owns an Apple A product pr oduct moral see. has a mor al duty to se ee. Daisey is not only a brilliant briilliant monologist off m onologist in in the the tradition tradition o Michael Moore Moore and Spalding Spaalding Gray, Grayy, but he’s also a crusading crusading journalist who w ho has has eexposed xposed the the inhumane inhumane working conditions of the t workers at the Foxconn ffactory actoryy in Shenzhen,

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Daisy China. Dais sy went to Shenzhen outside monstrous aand nd sstood tood o utside tthe he m onstrous interviewed Foxconn ffactory a actory and inter viewed its workers—some w orkers—some aass yyoung oung aass 1122 yyears ears old—about old—abou ut the inhumane working conditions there. there. —ANDREW KEEN, TECHCRUNCH.COM T ECHCRUN NCH.COM

LLogan2government ogan n2government Foxconn is one of the thhe biggest semiconductor companies/contract companies/ /contract manufacturers manuffaacturers in the world. A little naive to be hating w pretty on Apple, when this company is pretty much involved involvved in almost every consumer electronic electronic vertical v within the industry. industryy. drummerjoe drum merjoe But the title “Every Consumer Electr EElectronics onics Companies TTerrible eerrible Sins Sins”” isn’t isn’t as a catchy! John Rampton I worked when I was 14. Hell, Helll, I got a paper route route when I was 10 years yeears old. I pedaled a bicycle 8 miles a day d for for 10 years. I wanted to earn money. moneyy. If they don’t don’t wanna do that, don’t. then don’t. Liming Limin ng ItIt’s ’s all relative. relative. Those same people, peoplle, without Foxconn, would’ve worked at much m dirtier places. If you’ve been to China, Chiina, you know what I’m talking about. aboout. Aj I we went ent down a coal mine recently. recentlyy. There, Thhere, below the ground, ground, in coldneess there there were were an army of dark, coldness workinng in dangerous dangerous conditions. men working theeir life life and protruding protruding limbs Risking their couuld switch on my PC and just so I could annother useless tweet. write yet another Dotnetjet Dotne etjet I don’t don’t boycott Apple because thee workers that make their gear aree 12, I boy boycott 12-ar ycott them because the 12 year-olds won w won’t ’t put an SD slot on my shit.


11

a legend, at 26), at the same time moore, not less, popular, popularr, has becomes more, nerve too meet the guys who make the nerve fun/critiquee of him, and comes out as smart and nice. n

Mustafa Musta affa Khundmiri Why Why. y. Does. Mark. ark SSound. oundd. d SSo. o R o. oobotic. obotic IIt’s. t’ss. FFunny. uunnyy. Mark. Robotic. QL:B# QL:B# QL:B QL :B# QL:B# QL:B N`cc k_\ i\Xc N``cc k_\ i\Xc DXib QlZb\iY\i^ gc\Xj\ YXZb f]]6 DXib QlZb\iY\i^ gc\X Xj\ YXZb f]]6

Zuckerberg on Zuckerberg Alongside SNL Alongs Al id ide Cinematic CCounterpart ounterpartt Facebook CEO Mark Zu Zuckerberg uckerberg appearance made a “surprise” “surprise” app pearance on ‘Saturday ‘Satur day Night Live,’ joking j with the actor who played him in ‘The Social Network,’ Jesse Eisenb Eisenberg. berg. dose Viewers got a triple do ose of Zuckerberg Zuckerber g as Oscar nominee/ nominee/ guest host Eisenberg Eisenberg took t the stage, quickly joined by by the show’s impersonator, show ’s Zuckerberg Zuckerberg imp personatorr, Andy Samberg. Samberg. Then, out o walked Zuckerberg himself.. W When Zuckerber g himself hen asked how he liked ‘The Social Sociial Network,’ Zuckerberg Zuckerber g called it ““interesting.” interesting.” Ass the rumors we hear heard A rd Friday the goal suggested, gg g was waas to show Zuckerberg’s humor,, and Zuckerber g’s sense of humor job, he did an excellent job b, appearing to have a great great time in the th he spotlight at York. NBC’s Studio Studio 8H in New wY ork. Zuckerberg Zuckerber g showed up p three three times on the show—a brief backstage producer bit with executive pr od ducer LLorne orne Michaels, the onstage shtick with Eisenberg Samberg Eisenber g and Samber rg you’ll below, see in the video below w, and the ‘SNL’’ g goodbye waltz, obligatory g y ‘SNL goodb bye y wal tz,, wheree Mark gave Eisenberg wher Eisen nberg a heartfelt seemingly heartf elt hug hu ug to show all was forgiven. forgiven. —CHAR —CHARLIE LIE WHITE, WHIT E, MASHABLE.COM MA SHABLE.COM

mnegrini IItt is impossible impoossible not to admir admiree a guy that is portr pportrayed ayed in a movie as a total douch douche he (but also

Nicolee I think he was just nervous. nervous. Remember— —this is a live show and Remember—this he he’s ’s not an actor actor.r. He comes off a little shyy, actually. actuallyy. A lot of actors aren’t aren’t even shy, comfortable comfortablee filming live, so cut the guy some slack. tonyfaustino tonyf faaustino o, IInn light of SSteve teve Jobs’ recent recentt illness recurrence, recurrence, Silicon Silicon Jobs’ Valley Valley a has been b asking who will be th nextt Steve Ste teve Jobs. Jobs. b I honestly h tl believe b li the Zuckerberg’’s ‘SNL’ ‘SSNL’ appearance appearance is a Zuckerberg’s small step ffor or Zuckerberg Zuckerberg to learn what Steve Jobs Jobs inherently i inher ently and brilliantly Steve understood:: Marketing Marketing and Public Relations Relations are arre powerful business allies. mnegrini mnegr rini AAgree. gree. Give some years and some Hollywood-style H coaching and TThe hhe Zuck may may be the next jobs. And And he’s he’s ““The Thhe CEO CEO, O, bitch!” b PrincetonPlainsboro Prince etonPlainsboro O OK, K, seriously guys—and guuys—and don’t don’t take this personally—did personally— —did both of you compare compare Zuckerbergg to Jobs? Zuckerber Jobs? Are Are you freakin’ freakin’ kiddin me? me?!! JJobs obs is a visionary—that guy is the rreason e eason why Zuckerber Zuckerbergg is now worth $15 billion. b

Are Consumers Are Consumer o s Readyy for for Homee Energy Energy Mana gement? Management? Is 2011 thee year consumers will finally warm m to using gadgets and softwaree to softwar o manage their home ener gy con nsumption? W ell, startups energy consumption? Well, like T eendril, Contr ol4 and others are are Tendril, Control4 o of the smart using the opportunity grid DistribuTECH Distrib buTECH show in San Diego this week to tout new deals and partnerships partneerships they hope will build up the home ener gy start to build energy manageme ent market. management

Tendril, T eendril, which makes software software and devices to connect utilitiess and consumers via the smart grid, announced a collaboration collaboration n on Monday morning to work with appliance giant Whirlpool on smart appliances. Tendril Teendril says it will provide provide the back-end back-en nd communications infrastructure infrastructure that will connect Whirlpool’s appliances—refrigerators, digital appliances—r efrigerato ors, dishwashers and laundry machines—to utilities. Tendril million T eendril says “as “as many as 1 million appliances will be smart gridcollaboration. enabled,” through through the collabor a ation. The partnership is clearly a win n for for Tendril, has made T eendril, however Tendril Tendril e maade wellsimilar announcements with w ell ellknown partners like GE (who also also made an equity investment in the t company) and I haven’t seen many m products pr oducts yet come out of the GE G itss own deal (GE ended up launching it energy ener gy management tools). Att the same time, home energy A energyy Control4 startup Contr ol4 says it has a new n energy deal to provide provide its home ener gy service utility gear and ser vice to Nevada uti lity NV Energy. E gyy. Control4 Ener C t ol4 Contr l4 says NV Energy Energy En will provide provide at least 20,000 of Control4’s devicess Contr ol4’s home energy energy device and software software to its customers this year.. In the utility world, 20,000 year 20,000 energy sizab home ener gy devices is a sizable ble Control4 deployment, and Contr ol4 called calleed the deal “the first true rollout—not rollout—no ot a pilot—of customer-driven demand dem mand netw rresponse esponse using home area area network work technologies.” Att the same time service providers, A service pr oviders, like telcos, have finally taken notice notice of the home energy energy market, too. too o. Verizon V erizon launched a pilot program program a this month—the first of its kind kin nd offers in the United States—that States—that off e ers home automation and energy energy services management ser vices via a company com mpany called 4Home, which was bought bought by Motorola Motorola at the end of last year. year. AT&T A T T&T also bought a company called c offers Xanboo last year that off ers similar sim milar services. home automation ser vices. — —KATIE K AT I E FEHRENBA FEHRENBACHER, CHER, GIGAOM.COM/ GIGAOM.COM / CLEANTECH CLEANT ECH

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SEVERAL ccommunity SEVERAL ommunity groups groups h held eld a joint j pr p ess cconference onffer e encce last Frida ay press Friday aatt S ilicon V aallley D eBug’s office office Silicon Valley DeBug’s o nL enzen A venue an nd ccalled alled o n on Lenzen Avenue and on the cit ouncil to vveto eto e oF igone’s cityy ccouncil Figone’s d ecision tthat hat that that Chris Chris Moore Moore will will decision sshed hed tthe he iinterim nterim ttag ag tto ob ecome the the become p ermanent chief of p o e in San JJose. olic ose. permanent police “W We w ant to send a message to “We want the Cit ouncil [and d] Ma ayor Chuck Cityy C Council [and] Mayor R eeed and ask that the ey rreopen eopen the Reed they pr ocess ne xt week,”” sa aid Richar d process next said Richard K onda eexecutive onda, xecutive dir ecctor of the Konda, director A sian L aw Allianc nd DeBug’ Asian Law Alliancee an and DeBug’ss chairman. “Mo ore’s b e her een “Moore’s been heree a while but most of us ha h aven’t had haven’t an ontact with him .” anyy ccontact him.” W alter W ilson, who who w as Walter Wilson, was rrepresenting epresenting the NAA C and the CP NAACP A Afric an Am merican C om mmunitty Ser vices African American Community Services

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C enter at Friday’s F ayy’s pr Frida esser, said F igone Center presser, Figone ffailed ailed tto o follow follow tthrough hrough o nh er p ledge on her pledge tto o accept accept tthe he information information sshe he w aass was ggiven iven aatt fforums orums voicing voicing tthe he cconcerns oncerns of minority minoritty groups. groups. W iilson added, Wilson howe veer, th hat Mo ore “deserved “deserved credit” credit” however, that Moore ffor or steps hee has taken o taken as interim chief. chieff. While Mo M ore has yyet et to ccomment omment Moore on the situ uation, Batts Batttts to ok a defiant situation, took tone in hiss first inter view sinc interview sincee it w as annou unced he was was trying trying to was announced leave Oakland lea ave Oakl land just a year year into a three-year thr ee-year deal. police department ““This This p olice d epartment iiss underfunded under fund ded and is in need of the basics done, Batts vvery ery b asics tto o gget et tthe he jjob ob d one,” B atts according Tribune, said ac cording d to the Oakland T ribune r , which Batts w hich aalso lso rreported eported tthat hat B atts wanted bee quoted b byy name alone alone,, w anted to b not off p police. Outrage n ot aass tthe he cchief hief o olice. O utragge over Batts’ has o ver B atts’ aattitude ttitude h as rresulted esulted headlines one East Bay h ead dlines ssuch uch aass o ne iin n tthe he E asst B ay E xpress: “Batts “Batts H as O ak klan nd b he Express: Has Oakland byy tthe Balls Josh o Koehn Koehn Balls..” — —Josh

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Creating and Creating a Honoring Great G eat Gr Teachers T eeachers EVER EVERY RY Y YOUNG OUNG p person erso on listening ttonight onight w who’s ho’s ccontemplating ontemplating ttheir heir ccareer areer choic choice: e: If yyou ou w want aant to mak makee a difference d iff ffeerence iin n tthe he llife ife o off o our ur n nation, ation, iiff yyou ou w want ant tto om make ake a d difference iff ffeerence iin n tthe he llife ife o off a cchild, hild, b become ecome a tteacher. eacher. Your Your ccountry ountry needs yyou. ou. Kudos Pres. Obama K udos to Pr es. Obam ma ffor or o iincluding ncluding that that statement statement in in his his State State of the Union Union address address Last Last T uesdaay Tuesday night. n ight. A America’s merica’s teaching teaching force force is is the the

cornerston cornerstone ne off our society. societ i y. As As Pres. Pres. Obama O bama ssaid, aiid, tteachers eachers aare re k known nown aass builders Korea. national b uilders in South K orea. Hee eexhorted H xhorted A Americans merican ns to to treat treat our with off o ur tteachers eacchers w ith tthe he same sam me llevel evel o rrespect. espect. Great teachers, perhaps G reat te eachers, p erhaps 10-20 percent teachers,, deser deserve p ercent off all teachers ve a ccompensation ompensattion structur structuree where where the theyy aree rrewarded monetarily ar ewarded d monet arily ffor or o their highly eff effective ffeectiv e e and eexhaustive xhaustive work. Wee must rremember never W emember and ne ver aree the brain fforget orget thatt teachers ar o sur surgeons geons ffor or o our childr children. en. The gr great eat Silicon ones in today’s todaayy’s classrooms classrooms in Silicon Valley V alle a y sho should uld b bee ccompensated ompensated on —Joseph a performance-pay perfo ormance-paay basis. basis. — Jooseph DiSalvoo DiSalv


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Entertainment Auditions We’re looking for great performers on and off the stage for our 2011 season! PERFORMANCE OPPORTUNITIES Children’s Show Hosts Country & Pop Singers Modern, Jazz & Pop Dancers Costume Characters

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It’s hard to believe the roots of tennis run deeper in the Bay Area than any other place in the country, let alone the most popular sport in the world, but the SAP Open has a stake in history that runs back more than a century. Originally hosted in Monterey before moving locales and eventually finding its way to HP Pavilion in San Jose, next week will mark the 123rd year of the tournament’s existence. The Open will take place Monday through Sunday, with 32 men playing singles and 16 doubles pairings taking part in the ATP Tour stop. While the event promotes former champions such as Rod Laver, John McEnroe, Arthur Ashe, Pete Sampras, Andre Agassi and SAP Ambassador and three-time champion Andy Roddick, none of those players of the past and present will be taking the court this year. Instead, the SAP Open has attracted several Top 20 players and a cast of names more likely known only to true fans of the sport. Fernando Verdasco, of Spain, returns to defend his 2010 SAP Open title against the likes of Frenchman Gael Monfils, 2009 U.S. Open champion Juan Martin Del

Potro, the ever-pesky former SAP Open champion Lleyton Hewitt and other top Americans such as Sam Querrey and James Blake. Not having Roddick will be disappointing, as the most prominent American male tennis player will not be returning to San Jose after playing at this year’s Australian Open. Verdasco does offer some star power to the proceedings, though, as the lone Top 10 player. Meanwhile, Monfils, the No. 1 French player in the world, tends to put on a show with his jarringly athletic play. What might make the tournament more interesting is its open format, which could lead to an unknown making a name for himself. According to atpworldtour. com, Canadian qualifier Milos Raonic could be one to watch after beating second-seeded Yen-Hsun Lu Tuesday. Just 20 years old, Raonic beat Lu with 14 aces and recently broke into the Top 100 for South Africa’s ATP rankings after getting to the Australian Open’s fourth round. Other individuals hoping to qualify for next week’s tournament include: South African Kevin Anderson, ranked 59th in the world, and German Dustin Brown, who beat fifth-seeded Florent Serra. To get the event started on the right note, the singles exhibition Monday night will feature Sampras and Monfils taking to the court for a friendly competition. —Josh Koehn


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16 M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

SILICON SILICON ALLEYS ALLEYS

Drink to the Old Days

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ffrom rom tthe he ““old old d days, ays,” w whichever hichever decade decade o ne iidentifies dentifies aass tthe he ““old” old” o ne. The The one one. C araavvan has alw wayys been been one of San n Caravan always JJose’s ose’s m ost sstoried toried aand nd ccelebrated elebrated dive dive most b ars, that that little little ol’ ol’ faded faded lady lady rright ight d own bars, down th he blo ck fr om the Gr eyyhound St atiion, the block from Greyhound Station, in n which it used to be be located. located. a B efore h ought tthe he Caravan Carravan n from from Before hee b bought T o omm my Thatcher ge op erated d Tommy Thatcher,, Geor George operated L enny’s Cocktails Cocktails on on Santa Santa Clara Clarra Lenny’s Street S treet b between etween F Fourth ourth aand nd F Fifth ifth sstreets—an treets—aan n eeven ven sseedier eedier joint joint across accross ffrom rom w here C ity H alll n ow ssits. its. That That where City Hall now eentire ntire sside ide o the block block was was leveled leveled 10 10 off the yyears ears ag go in in order order to to sanitize sanitize the the street street ago ffor or tthe he eeventual ventuall rreturn eturn of of City City Hall Halll to to downtown. d owntown. According According to to one one source source att the cit ty, many man ny a classic al musician n city, classical w would rregularly egularly show up at Lenny’s Lenn nyy’s aafter fter performing performing aatt tthe he n earrby M other nearby Mother

Olson’s Inn. Inn. They They were were shattered shattered when when Olson’s place closed. the place But the the Caravan Caravan was was George’s George’s rrecent ecent But liffeeblood,, as were were its regulars—in reggulars—in the lifeblood, daayytime and the nighttime. nighttti time. It’s It’s funny. funn ny. daytime Locals or or old-timers old-timers who’ve who’ve driven driven Locals by the the Caravan Caravan for for decades decades without without by venturing e probably wouldn’t w wouldn n’’t even eveen venturing in probably realize that, that, for for 20 20 years years now, now, the the bar bar has has realize rock keed at nighttime. nighttttime. A “younger” “yo “y ounger”” cr ounger owd rocked crowd of twentytwenty- aand nd tthirtysomethings hirtysomethings fi ll the the of fill place to see punk and metal m tal met a bands or, or, place essentially, just just for for somewhere somewhere to to escape escape essentially, the jocks, jocks, the the fashionistas, fashionistas, the the amateur amateur the drink kers e and the cologne-soaked co ologn ne-soak ked e frauds drinkers that infest infest most most of of downtown’s downtown’s other other that bars. It’s It’s a pleasantly pleasantly seedy seedy joint joint where where bars. folks o are are allowed to be be themselves t themselv ves e and folks music, even eveen if the t bathrooms bathrrooms listen to music, exude x aromas unknown n to mankind. exude aromas The Caravan’s Caravan’s history, history, since since the the late late The ’50s, is is curiously curiously intertwined intertwined with with a ’50s, few other other institutions. institutions. The The San San n Jose Jose few Greyhound Station Station moved moved to to its its Greyhound current location location in in 1957. 1957. According According current Maay 1955 SSan an J ose M ercury N ews to a May Jose Mercury News article, Santa Santa Clara Clara University University owned owned article, the particular parrticular parcel parcel of of land. lan nd. It It was was the

bequeatheed to the university univversit e ty by by the bequeathed late Isabel Isab bel de de Saisset, Saisset, a member member of of a late locaal pioneer pioneeer French-American French--A American family y, local family, requeested that the university universitty who requested establish and an nd maintain maintain an n art art museum museum establish on campus cam mpus in in her her family’s fam amily’s name. nam me. SCU SCU on lan nd to Greyhound, Greyhound,, upheld sold the land requestt and built the de Saisset her request w exists to this day. daay. museum,, which still exists Originallly operated operated by by Leo Leo Chargin, Chargin, Originally Caraavvaan Lounge Lounge was waas originally the Caravan located inside inside the the bus bus station, station, with with an n located ad ddress of of 58 58 S. S. Almaden. Almaden. It It was was one one address large chain c Caraavvan Lounges Lounges of a large of Caravan iness inside Greyhound Greyyhound doing busi business depots throughout throughout o Califfo ornia. When depots California. Greyhound d later booted booted the bar out Greyhound of the the station, station, Chargin Chargin relocated relocated the the of business down down the the street street to to its its current current business locaation,, which w waas then a used car car a location, was llot. ot. S ince tthe he m id-’60s, tthe he Since mid-’60s, Caraavvan has been been located located at Caravan 98 S. S. Almaden. 98 Sin nce SCU is a JJesuit esuit institution, institution Since another San San Jose Jose newspaper newspaper another clipping from from 1955 1955 added added a clipping humorous note note to to the the land land humorous transaction, referencing referencing cannon cannon transaction, law from from Bouscaren-Ellis: Bouscaren-Ellis: law “The church church . . . sets sets forth forth “The very precise precise steps steps for for disposition disposition very of property. property. An An early early step step is is an an of apprraisal by by at least ttwo w wo experts experts appraisal by high and a determination by eccleesiastical officials that the ecclesiastical ssale ale iiss tto ob or tthe he b est iinterest nterest bee ffor best of the the church. church. All All church church property property of valued in in excess excess of of 30,000 30,000 gold gold francs francs valued must pass pass the the rreview eview of of several several high high . . . must church dignitaries diggnitaries before beffo ore it can can be be sold. church Thereffo ore, the sale of the de SaissetSaissettTherefore, inherited property property b the University University of of inherited byy the Santa C lara h ad tto oh ave tthe he aapproval pproval o Santa Clara had have off the Province Province of of the the Jesuit Jesuit Society Society Order Order the in San San Francisco Fran ncisco and an nd tthe he Jesuit Jesuit General Generall in of the the Society Society of of Jesus Jesus in in Rome Rome and an nd the the of permission n of the Pope Pope himself. himselff.f” permission So think think aabout bout it. it. If If that that sequence sequence So of events events actually actuallly happened, hap ppened, then then it it of mean ns Pope Pope Pius Pius XII XII approved approved the the means Greyhound d Station Station in San Jose, Jose, Calif. Califf. Greyhound pope approved a oveed the Caravan appr Caraavan v The pope Lounge. George George Rich Rich has hass been been blessed blessed Lounge. baar will never never e go aaway. way. A d and that bar Ad maiorem Dei D gloriam! maiorem

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19 M E TR O S I L I C O N VA L L E Y | F E B R UA RY 2-8, 2 0 1 1 | SA N J O S E . C O M | M E TR OAC T I V E . C O M

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You Y ou won’t won’t read read d anything an nything in in Entertainment Weekly Ent teerttaainment W eeekly aabout bout 3-D 3-D aaudiences udiences who who suffer suff ffeer from from constant constant eeye-watering ye-watering or or debilitating debilitating migraine migraiine headaches h eadaches d during uring or or after after watching watching a 3-D 3-D movie. movie. You You certainly certainly won’t won’t rread ead about ab bout audience audience members members who who ccrashed rashed their their cars cars after after seeing seeing a 33-D -D film. film. That’s That’s because because the the most most important aspect imp ortant asp ect of Hollywood’s H Hollywo od’s ccurrent urrent fforce-feeding orce-feeding ttrend rend o off stereoscopic “immersion” moree to ster eoscopic “immersio on” has mor do with raising ticket ticket prices p es across pric across the board b oarrd on on all alll movies movies than than it it does does in in delivering quality deliv ering a qualit ty 3-D D experience. experience. Att the Consumer A the rrecent ecent C onsumer Electronics Electronics Show S how iin n Vegas, Vegass, Panasonic Panasonic was was DVD Avatar giving aaway way D VD ccopies opiies of A vatar with its latest 3-D televisions televisions v as if weree the best it wer best example examp ple of a 3-D film fi lm to to show show off off its its product. product. Little Little does d oes P Panasonic anasonic realizes reallizes that that tthe he cconvergence onvergence le levels vels on the ccameras ameras used ffor o or Avatar Avatar w were ere sset et to to keep keep iits ts 3-D eff effects ffeects b behind ehind the proscenium. proscenium. IIt’s t’s the the same same conservative conservative approach approacch being b eing used by by the current currrent flood flood of 3-D filmmakers filmmakers who are a e either too ar too ttimid imid to to put put the the technology technology through through iits ts paces paces or or simply simply aren’t aren’t skilled skilled in in tthe he ccomplex omplex p practice ractice of of planning, plan nning, ssetting etting up and lighting the shots sh hots for for o the offoff ff-tthe-screen he-screen effects eff ffeects that that we we go go to to 3-D 3-D movies mo vies for fo or in the first place. place. Such S uch before-your-eyes before-your-eyes tricks tricks aare re rreferred eferred tto o iin n tthe he iindustry ndustry aass “breaking givee 3-D “br eaking the window. window w.” They They giv films fi lms their their kick. kick. The The only only 3-D 3-D movie movie off 2010 o 2010 to to take take advantage advantage of of the the practicee was practic was My Bloody Bloodyy Valentine. Vaalentine.

Hollywood Hollywood iiss aattempting ttempting tto ob blur lur the line between bet e ween “High Definition” Definition” and and “3-D” “3-D” to to acclimate acclimate audiences au udiences to to spending “immersive” spending more m e for mor fo or an “immersiv e” experience experience tthat hat m may ay b bee p pretty retty b but ut has do with has llittle ittle tto od ow ith tthe he vvery ery tthing hing 3-D is supposed supp posed to accomplish, accomplish, namely put namely p ut tthe he aaudience udience iinside nside tthe he fourth fourth w wall. all. T The he b best est w way ay tto o jjudge udge the barrage off ccrummy the ccurrent urrent b arrage o rummy 3-D 3 D mo movies viees is to ccompare ompare a high highwatermark bearer watermark sstandard tandarrd b earrer llike ike Avatar Avatar with witth the far mor moree “immersive” “immersive” experience have watching experience yyou’ll ou’ll h ave w attching Hubble 3-D screen— D on a real real IMAX scr een— beware beware thee mini-IMAXs. mini-IMAXs. Then see seek ek out a rare rare scr screening eening of Andy Warhol’s Frankenstein Waarhhol’’s Frank keenstteein iin n 33-D—be -D —be sure sure to sit middle/c middle/center enter ffor or o this one one.. What will with What you you w ill ccome ome aaway way w ith iiss a sense of ho how ow inferior infferior e A Avatar vatar is against Hubble 3-D 3-D—for D—for the the obvious obvious rreasons eassons that the audience au udience eexperiences xperiences A Avatar’s vatar’s effects eff ffeects onlyy in depth b behind ehind the screen, scr een,, wh whereas hereas the IMAX 3-D pr process ocess used in Hubble Hu b brings rings tthe he aaction ction iin n front front of the th he viewer’s viewer’s fac face. e. Andy Warhol’s W Waarhol’ a ’s Frank Frankenstein enstein in 3-D illustrates illustrates the suitability suitability of the technique to embellish embellish a ccampy ampy horror horror mo movie ovie filled with gross-out gross- out gore gore that flies fl off the scr screen. een. When I think of the thrill of 3-D, 3-D 3 D, I think of films like like Warhol’s W Warhol’ s Frankenstein Frankensttein e or Journey Center Joourneey ttoo the C ent e er of the Earth, Earth, not Avatar. Avattaarr. True IMAX IM MAX cinemas (with their 76-by-97-foot screens) 76-by--97-ffoot scr eens) ccan an get aaway way with charging premium charging g a pr emium because because

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of the screen screen size and specialized s ecialized sp glasses MAX cinemas glasses.. But the mini-IM mini-IMAX have ha ave scr screens eens that ar aree only o 28 by by 58 ffeet eeet in size. size. As As well, most mo ost IMAX 3-D pictures pictur es run considerably considerably shorter shorter than an hour, hour, which keeps keeps e them out of ffeature eatur e e film range. range. Hollywo od has succeeded succeeded e in giving Hollywood audiences audienc es two two reasons reasons to boycott boycott 3-D mo vies— cost and quality. quallity. Making movies—cost movies mo vies is expensive expensive regardless reggardless of whether the o 3-D, 3-D, so it theyy ar aree 2-D or doesn’t do esn’t make make sense to charge charge an any ny moree for mor for o a 3-D feature. featur e e. R Retrofitting eetrofitting cinemas with projectors projectors that can can handle 3-D should be be absorbed a absorb ed by by the big studios as the cost cost of doing business,, or in this case business casee conducting conducting a lar large-scale ge-scale experiment experimen nt with filmgoers filmgo ers as the guineaa pigs. pigs. James James Cameron C ameron believes believes thatt audiences audiences should require require 3-D because beccause “we see in 3-D.” 3-D.” But what he doesn’t do oesn’t admit is that we don’t don’t ha have ave to o wear special special gglasses to watch watch 2-D movies. m vies. I like mo like 3-D if it’s it’s done well. De Defenders effeenders of 3-D will ar argue gue to the death d that the process pr ocess is not a gimmick, gimmick, but we all know it is. is. Personally, Personallyy, I don’t don’t want want to put a pair of 3-D glasses glaasses over over my my own glasses ffor o or every every movie m vie I watch. mo watch. I’vee never I’v never seen a 3-D film fi that comes comes

close to thee b est 2-D films I’v best I’vee seen, and the theyy ar are re man many. y.

EEye ye St Strain train Outt- off-wor Out-of-work - rk Americ Americans ans won won’t ’t find an anyy sol solace lace in the curr current ent 3-D eexplosion xplosion tthat’s hatt’s ccreating reating thousands thousands of p post-production ost-production d jobs in India. The T he ssystemic ystemic ggreed reed att tthe he h heart eart o off Hollywood’s H ollywood’s 33-D -D ccraze razze iiss iintrinsic. ntrinsic. If If 33-D -D iiss tto o aattain ttain aany ny llasting assting stronghold stronghold audiences with audien nces it must be be used aptly whose dramatic tto o eembellish mbellish sstories tories w hose d ram matic effect eff ffeect will ggain something from from it. Last L ast yyear’s ear e r’s Piranha was wass a tterrible errible disappointment disapp ointm ment because because it was was an filmmakers iideal deal opportunity opportunity ffor or tthe he fi lmmakers put water with tto op ut tthe he au aaudience udience iin n tthe he w ater w ith schools the scho olss of demonic fishes. fishes. But cinematographer rather than n hiring a cinemato grapher production used vversed ersed in in 33-D, -D, tthe he p roduction u sed director off p photography who ad irector o hotography w ho had had never ne ver madee a 3-D movie movie before. beffor o e. Sadly, standard Sadly y, this iis a st andard practice practice in p Hollywood wheree 3-D filmmaking Hollywo od wher eexperience xperience is seen as an obstacle obstacle advantage. rather than n an advant age. To direct Tron: Disney hired T o dir ect T roon: LLegacy, egac e cy, D isney h ired Joseph Kosinski, television director Joseph K o osin nski,, a tele evvision dir ector with no previous with n op revious 33-D -D eexperience. xperience.

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3-D MO MOVIES VIE S 233 The result The result iiss a n nice-looking ice-looking sstylized tylized adventure adv veenturre mo movie ovvie with ssome ome visual depth d epth b but ut no no ““pop” pop” in in its its aart. rt. W With ith $170,000,000 budget, a $170,0 00,000 budget t,, yyou ou would o eexpect xpect tthe he filmmakers filmmakers to to go go all all out out with with effects. the 3-D eff ffeects. But that’s that’s not the ccase. ase a . always surround Health issues will al lwayys surr ound 3-D.. R Regarding televisions, 3-D eegarding its 3-D tele visions, issued warnings Samsung rrecently ecently issu ued w arnings pregnant people, to pr egnant women, elderly e p eople, kids,, p people suffering from kids eople suff ffeering fr om serious medical and medic al cconditions onditions an nd people people aree sleep sleep-deprived who ar - deprived e or drunk theyy ccould suffer that the ould suff ffeer cconfusion, onfusion, nausea, cconvulsions, onvulsions, alter aaltered ed vision or dizziness. has diz ziness. Nintendo ha as warned warned that kids under 6 should not n use its 3-D mode because permanently mo de b ecause it ccould ould dp ermanently undeveloped damage their unde velloped eeyes. yes.

OPEN TUE-SAT 9 to 6

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Breaking Br eaking thee W Wall aall A Americ a ((Rural Rural The first 3-D films in America Falls)) were America and Niagara Falls F were shown in 1915 in Manhattan. Man nhattan. There There weree 3-D films made in wer i the ’20s and ’30s b before effo ore the b boom oom in the ’50s Arch Oboler’s with 3-D films like like Ar c Ob ch oler’s seminal Bw Bwana ana De Devil; vil; 3-D hit another streak ’80s str eak in the ’8 0s with h sequel films likee J lik Jaws aaws 3-D and Ami Amityville itt yyville 3-D 3-D.. the technology In the 21st ccentury, entury, th he technolo gy is going thr through ough another reintroduction, reintr e oduction, during depression aalbeit lbeit d uring aan n eeconomic conomic d epression tthat hat cchallenges hallenges Hollywood Hollywood to to improve improve quality off its films tthe he q uality o its 33-D -D fi lms aand nd tto o stop stop ccharging harging m more ore tthan han n normal ormal ticket ticket p prices rices ffor or tthe he eexperience. xperience. Personally, Personally, I think think aaudiences udiences sshould hould boycott boycott 3-D 3-D films films until until Hollywood message H ollywood ggets ets tthe he m essage that that it it ccan’t an an’t ’ char charge rge g eextra, xxtra,, and th that hat 3-D means breaking wall way. br eaking the ffourth ourth w o al all in a big w ay. Companies likee C Cannon, Fuji C ompanies p lik an nnon,, F uji j JVC aree deliv delivering and JV C ar eringg cconsumer onsumer anyone 3-D ccameras ameras so that an nyone ccan an It’s eexperiment xperiment with 3-D. 3-D. It ’s only a matter before independent mat tter t of time b effo ore indep endent filmmakers aree cr creating filmmak ers ar eatin ng 3-D films Hollywood’s that ccompete ompete with Ho ollywood’s monopoly. doesn’t monop olyy. But it still do esn’t mean movies that all mo vies should d or will be be 3-D.. It It’s simply made in 3-D ’s simp ly not equal advent to the adv ent of sound d or color color in Ass ffor Camerons cinema. A or o the JJames am mes C amerons theyy ttake of the world,, I suggestt the ake a look Warhol’s Frankenstein, lo ok at Andy W aarhol’’s Frank enstteein, they’re missing.. and see what the y’re missing m Cole Cole SSmithey’s mithey’s film writ writing ting can be found found at www.ColeSmithey.com. www.ColeSmithey.com.


25 M E T R O S I L I C O N VA L L E Y | F E B R UA RY 2-8, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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and game de d developers velopers working on llow ow b udgets, w ill b xplored o ver budgets, will bee eexplored over ttwo wo session sessions ns on Mar March ch 5. R eecentlyy, T roon: Legacy Legaccy rrevived evived tthe he Recently, Tron: pioneering ccomputer omputer animated adventure adventure w with ith 33-D, -D, w with ith JJeff eff B Bridges ridges

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3-D MO MOVIES VIE S 255

in a d in dual ual rrole ole ass h hee iiss ttoday oday an and, nd, iin n hee w was ccyber-animated yber-animatted fform, orm, aass h as iin n 11982. 982. IIn n tthis his n new ew yyear, ear, m more ore tthan han bee rreleased 16 films will b eleased in the 3-D fformat. ormat. o With perhaps upcoming W ith i luck, p erhaps the t up coming filmmakers fi lmmakers att ffestivals estivals llike ike C Cinequest inequest makee something genuinely ccan an mak g rrevolutionary evolutionary o out ut o off 33-D. -D. M Myy m most ost satisfying ery oldsatisf fying y 3-D eexperience xperien nce is vvery school: school: the ster stereoscopic eoscopiic 3-D shor shortt Spooks! Three Sp ooks! ((1953) 1953) sstarring tarring tthe he T hree Stooges. S tooges. A After fter M Moe oe H Howard’s oward’s ssplayed played fingers out off tthe fi ngers ccame am me o ut o he sscreen creen straight ffor or o yyour our eeyes, yes, the t other stuff had tthis his ttechnology echnology h ad tto o sstrut trut sseemed eemed rredundant. edundant. Pixar’ss full-length Clearly Pixar’ full-len nggth t ccartoons artoons ((Up Up for for example) exam mple) mark mark the the m most ost aesthetically use aesthetic ally eexciting xciting us se of 3-D today. todaay. Truth T ruth iis, s, tthese hese ccartoons arrtoons are arre iin n 3-D 3-D already, because they’re alr eadyy, b ecause the y’re made in layers laayers ccompressed ompressed ffor o or the fina final al film: separate them back, and vvoilà! oilà! IIt’s t’s h hard ard tto o ar argue rgue with with W Walter alter Murch’s M urch’s p public ublic ttake-down ak ke-down o off 3-D 3-D in his open open letter lettter t to Roger Roger Eb Ebert. ert. Murch M urch iiss a fi film lm eeditor’s ditor’s film film eeditor ditor and dir director ector of one of the t smartest smartest live-action liv ve-action Disne Disney ey filmss made made,, R Return eturn e ttoo Oz; Oz; he also edited thee 3-D shor shortt Captain C aapttain a Eo ((1986). 1986). Murch Murch ccharacterizes haraccterizes 3-D as “dark, small, str stroby, oby, headache ob inducing,, alienating inducing alienating.. An And nd expensive. expensive.” The T he cclunky lunky ttinted inted gglasses lasses ccut ut iinto nto peripheral p eripheral iimage, magge, aand nd M Murch urch n notes otes that a “convergence/focus” “con nvergence/ffocus” issue i induces induces the famous 3-D D headache headache.. Hee m maintains off H aintaiins tthat hat tthe he ttrick rick o mentally ment ally pr processing ocessing di distance stance and on ccloseness loseness iiss a sstrain train o n tthe he eeyes yes aand nd brain. Since mentally tthe he b rain. S ince m entally aadjusting djusting a

33-D -D iimage magge ttakes ak kes eextra xtra ttime, ime, iitt m makes akes illegible.. “C “Consequently, fast editingg illegible onsequentlyy, tthe he eediting diting o off 33-D -D fi films lms ccannot annot b bee aass 2-D films.” Not rrapid apid aass ffor or 2 -D fi lms.” N ot tthat hatt tthis his sstops tops M Michael ichael B Bay, ay, b but ut iimagine magine 33-D -D with sslowing lowing eediting diting ccombined ombined w ith tthe he aalready lready sstodgy todgy b blocking locking o off ac actors ctors iin n ggreen-screen reen-screen sstudios, tudios, aand nd yyou’ve ou’ve ggot ot ssomething omething tthat hat m may ay eend nd u up p llooking ooking likee a ttalking Viewmaster slide.. lik alkin ng V iiewmaster slide Ther Theree is an a alternativ alternative. e. This is the off d deepening iidea dea o eepening tthe he vvisual isuall sspace pace tthrough hrough iincreased ncreased fframe rame rratios atios p per er make more holographic ssecond econd tto om ake ffor or a m ore h olographic image image.. This has b been een tried: the 6 600fframe-per-second ram me-per-second Showscan Showscan of of effects eff ffeects wizar wizard d Dou Douglas uglas Trumbull has pr proven oveen bankable theme-park rides.. quite bank a on theme able -park rides A And nd tthere’s here’s aalso lso D Dean ean G Goodhill’s oodhill’s MaxiVision Ebert MaxiV Viision 48, which Eb ert claims quadruples the qualit quality ty of the visuals visuals.. want IIff yyou ou rreally eallly w ant tthe he iillusion llusion o off 33-D -D w without ithout gglasses, lasses, iit’s t’s tthere here aatt rreal eal IIMAX MAX ((which which ccan an nb bee ffound ound llocally ocally aatt tthe he T Tech ech M Museum useum iin nS San an JJose). ose). E Except xcept ffor or M Moe’s oe’s fi fingers ngers o off d doom, oom, II’ve ’ve sseen een aalmost lmost n nothing othing aass eeffectively ffeectively 33-D ff -D aass C Christopher hristopher N Nolan’s olan’s The Dark Knight K (2008) (2008) iin nfl flat at IIMAX; MAX; tthe he ssize ize o off tthe he sscreen creen b brought rought o out ut iits ts o own wn iillusion llusion o off d depth. epth. T That hat m moment oment o off B Batman attman n rreadying eadying h himself imself ffor or o a plung plunge ge off the ledge of the IInternational nternational F Finance inance C Centre entre iin n Hong Kong, up: was H ong K ong, 11,300 ,300 ffeet eet u p: iitt w as a ccase ase of Hitc Hitchcock-worthy chcock k--worth hy vvertigo, ertigo, headache either.. and no hea adache either

FOCUS ON 3-D, 3-D, Mar March ch 5, 1–2:30pm and 3–4:30pm, 3–4:330pm, at San Jose Rep. See www.cinequest.org www.cineqquest.org ffor or details. details.

M E T R O S I L I C O N VA L L E Y | F E B R UA RY 2-8, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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un until ntil now ther theree hasn hasn’t ’t b been een a pla place ace th hat sp ecializes in classic Americ a an that specializes American ffood. ood. Scratch fills that hole well. Scratch ttakes akes the plac ailed placee of the fa failed uW Wiink, a diner/gaming restaurant restauran nt uWink, op pened b tari and Chuck E. E Ch heese opened byy A Atari Cheese ffounder o ounder Nolan Nolan Bushnell. All the to ouch-screen computers computers ar touch-screen aree gone and ha ave b een rreplaced eplaced with soft indi rect have been indirect lig ghting and white linen napkins. napkins. lighting The Americ an ccomfort omffo ort ccategory ategory is American a well-worn path where where bac on, th hick bacon, thick p o chops ork oasted chick en, mash hed pork chops,, rroasted chicken, mashed p o atoes, fancy hambur ot gers and potatoes, hamburgers hi igh-impact desserts desserts pla ay a st arrin ng high-impact play starring rrole. o . Scratch chef Sean East ole wood Eastwood di i i istinguishes i h hi his restaurant restaurant b distinguishes byy go oing a lit tle deep er and showc asiing going little deeper showcasing rregional e egional Americ an ffood, ood, par ticulaarly American particularly th hat of the South. that Crab ccakes akes ($12) ar od testt aree a go good off the kitchen ’s priorities ey kitchen’s priorities.. Ar Aree the they lo oaded with br eadcrumbs to str ettch loaded breadcrumbs stretch ffood ood costs costs or does does the rrestaurant estaurant lead

with the crab to rreally eally showc ase the showcase shellfish? Scratch ccomes omees some where somewhere it the middle with a sin ngle, wellsingle, crisp ed pat ty b ound to ogether with crisped patty bound together br eadcrumbs but not in i such quantit breadcrumbs quantityy that the vershadow the t ssweet weet theyy o overshadow Dungeness crab meat. The arugula and ffennel eennel salad ser ved d with the dish served ele vates it fur ther. elevates further. Oysters R ockeffeeller is i a classic that ’s Rockefeller that’s well rrendered endered her e: ffour ou o ur o ysters with here: oysters fr esh spinach and leekss in a P ernodfresh Pernodspik ed cr eam sauc 0). spiked cream saucee ($1 ($10). P ork b elly iiss a d arling o merica Pork belly darling off A America ccomfort omfort ffood, ood, aand nd tthe he d ish (($11) $11) dish is a st andout her e. T wo w ob ourbonstandout here. Two bourbongglazed lazed b locks o ork aare re sserved erved at top blocks off p pork atop u ncommonly ccreamy reamy A nson M ills ggrits rits uncommonly Anson Mills an nd d elicious b raised ggreens. reens. H ow’s and delicious braised How’s that ffor or Southern-fried go o odness? goodness? Salads ar ticularrly go od, aree par particularly good, sprinkled with pr emiu um ingr edients premium ingredients and not o verdressed. W eedge salad ($9) overdressed. Wedge i all is ll to o familiar ffamiliar, ili , b but at a Scratch S h iit ’s too it’s ser ved as ttwo wo small hea ads of ic eberg served heads iceberg let tuce with a light app plication of lettuce application blue - cheese dr essing an nd bac on. blue-cheese dressing and bacon. Go od,, too, too, is the baby-green baby-gr - een salad Good, with aged balsamic vin negar ($8). vinegar O ourse, an rican rrestaurant estaurant Off ccourse, anyy Amer American has to ser ve a bur ger aand nd Scratch ’s serve burger Scratch’s

is a winner ($11),, with ccaramelized aramelized onions o o s, hou ou use-made ade p pickles c es, a plump pu p onions, house-made pickles, pat ty of me eat and a soft but well patty meat toasted bun n. The R eeuben sandwich bun. Reuben ($11), using Wag yu (K obe-style) b eeff, Wagyu (Kobe-style) beef, is also go od. d good. On the dinner d menu, the shor shortt ribs Bour guigno on ($21) is quite go od. Bourguignon good. Ser ved off the t b one, the wonder fully Served bone, wonderfully tender chun nk of b eef is pr esented chunk beef presented atop a cr eam my pur ée of rroasted oasted creamy purée parsnips e onions earl parsnips,, p pearl onions,, glazed apple wood smok ed bac on and a ffew ew applewood smoked bacon bites of p orrtobello mushr oom. This portobello mushroom. is a gr eat winter w dish, eeven ven in the great summerlik ’re had lately y. summerlikee weather we we’re lately. The ffennel-pollen-dusted eenn nel-pollen- dusted rred ed snapp er sp e ecial ($23) didn ’t rreach each the snapper special didn’t same heigh hts. It w as a wellexecuted heights. was well-executed dish but rat ther one - dimensional: just rather one-dimensional: a piec fi on a plate piecee of fish plate.. Scratch off ffeers se ff everal side dishes offers several dishes,, including mac m aroni and cheese ($7),, of macaroni ccourse, ourse, ass w ell aass rroasted oassted B russels ssprouts prouts well Brussels w ith p ecans aand nd b acon (($7). $7). B russels with pecans bacon Brussels ssprouts prouts aare re an aanother nother ffavorite avorite o merican off A American ccomfort omfort ffood, ood, aand nd tthey’re hey’re ggood ood h ere b ut here but sspent pent ttoo oo llong ong iin n tthe he o ven. I llike ike a llittle ittle oven. crunch left in i m outs. myy spr sprouts. Ser vice iss at tttentive but rather rrote. ote. Service attentive The w aaiterss ar ay waiters aree still learning their w way ar ound the menu and ccome ome off a lit tttle around little stiff ff.. I’m sur re the y’ll lo osen up in time stiff. sure they’ll loosen time.. The bar ought o to b aw in itself bee a dra draw ffor or o its wide selection of small-batch b ourbon an nd whisk ey, par ticularly bourbon and whiskey, particularly those fr om K entuck ky. The wine list is from Kentucky. a gem, to o. All the wines ar om the too. aree fr from U nited St attes with an emphasis on United States lesser -know wn C aliffo ornia pr oducers. lesser-known California producers. Meals fin nish str ong with desser t. finish strong dessert. The but tttersscotch pudding ($7) is butterscotch outst andingg, thick,, cr eamy and rich. outstanding, creamy The N ew Yo Y o k–style cheesec ork ake and New York–style cheesecake cho colate o ozing la ava v ccake ake (b oth chocolate oozing lava (both $7) ar ticularly original, original but aree not par particularly the y’re go od. What I lik they’re good. likee is that the desser ortions t her estrained. dessertt p portions heree ar aree rrestrained. Entr ees ar ous, and ther e’s no Entrees aree gener generous, there’s rreason eason to p ile it on with desser t. pile dessert. Scratch ’s pr edecessor didn ’t last Scratch’s predecessor didn’t to o long ut I ha ave a ffeeling eeling e that too long,, bu but have F ischer’s lat test vventure enture is going to Fischer’s latest stick ar ound ffor or a while o around while..

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Campbell ¿book online at campbell.net

CAPERS Well-heeled sports bar and restaurant. $$$. Capers is a sophisticated restaurant that uses sports as its theme. Welldevised menu full of inventive recipes and delicious finger foods. 11am-10:30pm Mon-Thu, 11am-midnight Fri-Sat and 9:30am-10:30pm Sun. 1710 W. Campbell Ave. 408.374.5777. LA PIZZERIA Italian. $$. La Pizzeria specializes in simple pizzas that stand on the strength of a few high-quality ingredients, expertly prepared. Open for lunch and dinner daily. 11am-10pm Sun-Tue, 11am11pm Wed, 11am-midnight Thu-Sat. 373 E. Campbell Ave. 408.370.0826.

MICHI Japanese. $$. Sushi standards are transformed into palate-awakening presentations; culinary boundaries are stretched. 11am-10pm daily. 2220 S. Winchester Blvd. 408.378.8000 or 378.0838. NEGEEN Persian. $$. Mira ghasemi, grilled and puréed eggplant in a tomato sauce with scrambled eggs, and kashk-e-bademjan, puréed eggplant topped with mint and a creamy yogurt sauce, are great, as are the kebabs. Don’t miss the excellent Persian ice cream. 11:30am-10pm MonThu, 11:30am-midnight Fri-Sat and 11:30am-9pm Sun. 801 W. Hamilton Ave. 408.866.6400.

OLIO Mediterranean. $$$. Olio serves simple but expertly prepared Mediterranean food that dips into the underexplored cuisines of North Africa. Small but smart wine list. Dinner 5-9pm Sun-Thu and 510pm Fri-Sat. 384 E. Campbell Ave. 408.378.0335.

PSYCHO DONUTS Donuts. $. Psycho Donuts has taken rings of fried dough into new territory with flavors like apricot, the Cookie Monster (topped with Oreos) and Do-Nilla (sprinkled with bits of vanilla wafers) and the intimidating Psycho Donut, a maelstrom of marshmallow, pretzel and chile powder. 6am5pm Mon-Thu, 6am-11pm Fri, 7am-11pm Sat, 7am-5pm Sun. 2006 S. Winchester Blvd #C. 408.378.4540.

RUSSIAN CAFÉ AND DELI Russian. $$. This is a small Russian grocery store with a good little restaurant tucked in the corner. Borscht soup, pelmeni and solyankya sbornaya, a thick soup studded with chunks of mild pork sausage, black olives, pickles and barley all satisfy. 11am-8pm daily. 1712 S. Winchester Blvd. 408.379.6680.

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¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

CCupertino ti ¿book online at cupertino.com

ALEXANDER’S STEAKHOUSE American-Asian steakhouse. $$$$. Alexander’s is much more than a steakhouse. Add a 500-bottle wine list, multiple dining rooms and Asianaccented ambience and you’ve got a standout South Bay restaurant. Full bar. 5:30-10pm Mon-Thu, 5:30-11pm Fri-Sat and 5-9pm Sun. 10330 N. Wolfe Rd. 408.446.2222.

sushi meets fun surroundings in this zone. 11:30am-2:30pm and 5-9:30pm Sun-Thu and 11:30am-2:30pm and 5-10pm Fri-Sat. 75 S. San Tomas Aquino Rd #1. 408.866.1323.

CAFE TORRE New Italian. $$$. A gem tucked away in an unassuming little mall, with a sophisticated interior and congenial hosts. Even better is the great pasta and seafood. Beer, wine. 11:30am-2pm and 5-9:30pm Mon-Thu and 510:30pm Fri-Sat. Closed Sun. 20343 Stevens Creek Blvd. 408.257.2383.

TIGELLERIA. Italian. $$.

CUPERTINO BAKERY Indian

SUSHI ZONE Japanese. $$. Fun

Tigelleria’s menu centers on fine cheeses and Italian salumi paired with tigelle, free-flowing, piping hot flat-breads the size of mini pitas. The bread forms the addictive heart of the meal. Lunch 11:30am-2pm and dinner 5-10pm daily. 76 E. Campbell Ave. 408.884.3808.

TWIST CAFE AND BISTRO French and American. $$$. Twist describes itself as “American food with a French twist,” but the menu includes Middle Eastern, Asian and Italian influences, too. Cafe 9am-3pm Tue-Sat, 9am2:30pm Sun; Bistro 5-9pm WedThu and 5-10pm Fri-Sat. 247 E. Campbell Ave. 408.374.8982.

and bakery. $. Don’t be fooled by the name. Cupertino Bakery is really a great South Indian restaurant. Unlike many South Indian restaurants, Cupertino Bakery isn’t vegetarian. Good lunch buffet for $7.99. Don’t miss the dosa and utthappam. 11:30am-9:30pm daily, but weekdays kitchen closes 2:305:30pm. 102521 S. De Anza Blvd. 408.517.9000.

DYNASTY SEAFOOD RESTAURANT Hong Kongstyle Chinese. $$$. Dynasty specializes in Hong Kong-style seafood. The seafood is very fresh, especially the creatures swimming minutes before they arrive on your plate.

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LIVE FEED

I

E :8J< pfl _Xm\eÊk efk`Z\[# k_\ ]ff[ nfic[ `j ]lcc f] Ylqq nfi[j% K_\ nfi[j ÇeXkliXc#È Ç^i\\eÈ Xe[ ÇjljkX`eXYc\È Xi\ gXik`ZlcXicp `e mf^l\ k_\j\ [Xpj% Efe\ f] k_\ nfi[j _Xj Xep c\^Xc [\Óe`k`fe% K_\pÊi\ Xcc `e k_\ \p\ f] k_\ Y\_fc[\i fi k_\ dXib\k\i# Xj k_\ ZXj\ dXp Y\% ÇCfZXcÈ `j Xefk_\i nfi[ k_Xk ^\kj kfjj\[ Xifle[ X cfk% J_fg cfZXc% <Xk cfZXc% K_\i\Êj \m\e X k\id ]fi jfd\fe\ n_f \Xkj cfZXccp1 cfZXmfi\% In general, local-food advocates say that local food reduces carbon output, because it has to travel a shorter distance. It’s also fresher, since it spends less time on a truck. And it keeps money in the community rather than in the bank accounts of some distant corporation. I got a vivid illustration of the power of locally sourced food by watching a new documentary called The Economics of Happiness. The documentary begins by introducing the people of Ladakh, a culture in a remote region in northern India called “little Tibet.” Until globalization made inroads into the ancient culture, the people lived in a harmonious, prosperous and, yes, sustainable society. HELENA NORBERG HODGE, who co-directed the film, has spent 35 years in Ladakh and believes the isolated nation of Ladakh has much to teach us. The film persuasively argues that the environmental and economic crises we’re suffering have been brought about by globalization. The film lays out eight “inconvenient truths” about globalization. The first is that globalization makes us unhappy, lonely and depressed. It’s a system that depends on us to always want more, never to feel satisfied that we’ve got enough. That’s as bad for people as it is for the planet. The antidote for all this, the film argues, is a locally based economy. That doesn’t mean we have to live like the Ladakhis, drinking yak milk and building bricks for home construction out of mud. It just means buying what we need from within our community. Since food is central to life, it’s the perfect place to begin. School gardens, urban farming, farmers markets and community-supported agriculture offer numerous ways to reinvent our economy on a more human, local scale. Research shows we are 10 times more likely to have a conversation at a farmers market than at a supermarket. What’s more, money spent at local businesses has three times the local impact of dollars spent at bigbox stores. In addition to creating more jobs, The Economics of Happiness makes it clear that a locally based, decentralized economy is also far kinder to the environment. “In the global economy, it’s as though our arms have become so long we can’t see what our hands are doing,” says Norberg Hodge, who helps narrate the film. “But when the economy is operating on a more human scale, it becomes easier for us to see the impact of our choices.” Words matter. And so does where you spend your money. By spending your food dollars locally you can put your money where your mouth is. (Go to www.theeconomicsof happiness.org for details.) —Stett Holbrook

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SVDINING 30 Good dim sum, too. Full bar. 11am-2:30pm and 5-9:30pm Mon-Thu and 10am-3pm and 5-9:30pm Fri-Sat. 10123 N. Wolfe Rd (in Cupertino Square). 408.996.1680.

FLORENTINE RESTAURANT Italian. $. Bold flavors, fresh ingredients and lavish portions. Casual to dressy. Beer, wine. 10257 S. De Anza Blvd. (plus six other locations, some with full bars). 11:30am-9pm Mon-Thu, 11:30am-10pm Fri-Sat and 49pm Sun. 408.253.6532.

FONTANA’S California/Italian. $$$. A steady performer, Fontana’s rarely disappoints pasta lovers. Beer, wine. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 5-10pm Sat and 4:30-9pm Sun. 20840 Steven Creek Blvd. 408.725.0188.

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CALIFORNIA CAFE New American. $$$. An innovative approach to Pacific Rim staples makes for some lovely surprises. The ace service matches the smart setting. Full bar. 11:30am-10pm MonFri, 10:30am-10:30pm Sat, 10:30am-9:30pm Sun. 50 University Ave. 408.354.8118. CIN-CIN Eclectic wine bar. $$$. The heart of Cin Cin’s menu is an eclectic mix of small plates, tapas-size dishes that partner well with a great wine list. 4-10pm Mon-Sat. 368 Village Way. 408.354.8006.

CRIMSON Rustic bistro. $$$. Large portions of upscale rustic fare sate the diner at this newstyle Old World bistro, but don’t forget to save room for Fondue for Two. 11:30am-2pm Mon-Fri, 5pm-close Mon-Sun. 15466 Los Gatos Blvd. 408.358.0175.

is a globally inspired izakaya (small plates) restaurant. Most of the food is straightup Japanese fare, but there are a few American, French and Korean twists. Highly recommended. 19980 Homestead Rd. 408.725.0542.

DIO DEKA Greek. $$$. Dio Deka is doing its part to elevate Greek food in Silicon Valley. There’s much to recommend at this handsome restaurant. Most starters are large so they’re best shared. 5:30-10pm Mon-Thu, 5-10pm Fri-Sat, 5-9pm Sun. 210 E. Main St. 408.354.7700.

LOON WAH Chinese. $. The

FLEUR DE COCOA French

kitchen produces good wokcentric dishes, but its main draw is fresh, hand-pulled noodles. Casual. Beer, wine. 11am-9:30pm Mon-Thu and 11am-10pm Fri-Sun. 1146 De Anza Blvd. 408.257.8877.

bakery. $$. Almond croissant. Almond croissant. Almond croissant. Los Gatos’ Fleur de Cocoa is rightly known for its chocolate confections and pastries, but I can’t stop thinking about the little pastry shop’s spectacular almond croissants. There’s plenty of other good stuff and not all of it sweet, like the croque monsieur and the quiche. 7:30am-6pm Tue-Sat and 8am4pm Sun. 39 N. Santa Cruz Ave. 408.354.3574.

GOCHI Japanese. $$$. Gochi

TODAI Japanese. $$. Billed as a Japanese seafood buffet, Todai doesn’t limit itself to Japanese dishes. Pan-Asian and just plain odd specialties rotate. 11:30am2:30pm and 5:30-9pm Mon-Fri and 11:30am-3pm and 5:309:30pm Sat-Sun. Cupertino Square mall (near Sears), 10123 N. Wolfe Rd #2001. 408.996.3444.

Los Gatos ¿book online at losgatos.com

ALDO’S Italian. $$$. A warm and engaging atmosphere sets the scene for full-bodied flavors and healthy ingredients. 11:30am-2:30pm Mon-Fri, 59pm Thu, 5-10pm Fri-Sat. 14109 Winchester Blvd. 408.374.1808.

FORBES MILL STEAKHOUSE Steakhouse. $$$$. When Metro first checked in with Forbes Mill in 2003, it was called “a big, burly brasserie equipped with style as well as substance.” It’s holding up well and still does things in a big way. Dinner 5-9pm Sun-Thu, 5-10pm FriSat. 206 N. Santa Cruz Ave. 408.395.6434.

GREEN PAPAYA Vietnamese. $$. California cuisine meets Southeast Asia by way of Paris, with inventive updates of clay pot and five-spice authentica.

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11am- 3pm, 5-9:30pm Tue-Sun.. Beer, wine. 137 N. Santa Cruz Ave. 408.395.9115.

I GATTI New Italian. $$$. I Gatti fits like a glove along peaceful Main Street. The chef understands the basics but isn’t afraid to create refreshing twists on traditional recipes. 11:30am-2pm. 5-9:30pm MonSat, 5-9pm Sun 25 E. Main St. 408.399.5180.

KAMAKURA SUSHI AND SAKE HOUSE Sushi bar classics. $$. In a smart setting, Kamakura showcases a procession of impeccable sushi and sashimi platters. 10:30am-2pm, 5:3010pm daily. 135 N. Santa Cruz Ave. 408.395.6650.

LOS GATOS BREWING CO. Brewpub. $$$. Most brewpubs seem to be cooking from the same menu, but executive chef Jim Stump has created a diverse menu of upscale comfort food that goes well beyond burgers and grilledchicken sandwiches. The handsome wood-accented interior and open kitchen with its wood-fired pizza oven and rotisserie grill add to the restaurant’s appeal. Breakfast 10am-2pm Sat-Sun, lunch 11:30am-3pm and dinner 5pm to 9pm daily. 130 N. Santa Cruz Ave. 408.395.9929.

MAIN STREET BURGERS Burgers. $. Main Street Burgers offers fast food convenience, affordable prices and food made with ingredients that are higher quality and more healthful than what you’d find at the golden arches. 11am8:30pm Mon-Thu, 9am-9pm Fri-Sat, 9am-8:30pm Sun. 20 S. Santa Cruz Ave. 408.354.1881.

MANRESA High concept. $$$$. Drawing from produce grown at his own farm, superstar chef David Kinch is blazing a trail of high caliber cuisine that’s as daring as it is delicious. Expensive but worth it. 320 Village Lane. 408.354.4330.

NICK’S ON MAIN American. $$$. Nick’s on Main is a relaxed but elegant bistro full of neighborly charm and is a showcase for owner Nick Difu’s decadent and deeply satisfying style of cooking. 11:30am-3pm and 5-9:30pm Tue-Sat. 35 E. Main St. 408.399.6457.

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SVDINING 32 PASTARIA & MARKET Italian. $$. Pastaria offers reasonably priced comfort food in an unpretentious but lively atmosphere. 5-9:30pm Mon-Thu, 5-10pm Fri-Sat and 5-10pm Sun. 49 E. Main St. 408.399.3477.

RESTAURANT JAMES RANDALL Californian. $$$. Chef and co-owner Ross Hanson takes his cues from the seasons and favors a simple, ingredient-driven approach that places it squarely in the California school of cooking. He favors big, robust flavors and large serving sizes to create a kind of California comfort food. Dinner 5:30-11pm Tue-Sat. 303 N. Santa Cruz Ave. 408.395.4441.

STEAMER’S New American. $$$. Styling itself as a grill house, Steamer’s includes rotisserie meats and fragrant grilled chops in addition to fresh fish. Quality control and service are excellent. Full bar. 11:30am2:30pm, 5-9:30pm daily. 31 University Ave. 408.395.2722.

TAPESTRY Contemporary haute. $$$. Right on the main street, this cottagelike spot blends traditional French cooking with contemporary fusion: filet mignon with Mongolian-style brown sauce; crayfish chow mein. Elegant and friendly. 11:30am-2pm, 5:30-9pm Sun-Thu, 5-10pm Fri-Sat. 11 College Ave. 408.395.2808.

THREE DEGREES Eclectic, California. $$$. Set inside the beautifully remodeled Toll House hotel, Three Degrees delivers a mixed bag of big and small plates from an eclectic menu. Some dishes, like the New York steak, are great, but others fall flat. Service is friendly but still a little green. Full bar. Breakfast 6:30-11am Mon-Fri, 3-10pm daily. 140 S. Santa Cruz Blvd. 408.884.1054. VALERIANO’S ITALIAN RESTAURANT AND BAR Contemporary Italian. $$$. While the kitchen exudes earthy aromas, the dining room’s soft terra-cotta walls glow with a sense of Mediterranean mission. Handson management makes each patron feel pampered. Full bar. 5pm-close daily. 160 W. Main St. 408.354.8108.

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VIVA LOS GATOS NEIGHBORHOOD EATERY

Sat, 11:30am-10pm Sun. 790 Castro St. 650.961.6666.

California. $$$. This popular Los Gatos restaurant mixes it up with Italian-leaning Mediterranean food, fresh fish, grilled steaks and several Asian-inspired dishes as well. 11am-9:30pm Mon-Fri 8am10:30pm Sat, 8am-9:30pm Sat. 15970 Los Gatos Blvd. 408.356.4902.

BODRUM CAFE Turkish. $$. The menu at Bodrum Cafe is extensive and covers a lot of ground, but it’s the lamb dishes that stand out. A good place to start is with the lahmacun (Turkey’s take on pizza) and the kebabs. 10am-10pm daily. 383 Castro St. 650.396.7010.

WILLOW STREET WOODFIRED PIZZA Pizza. $$. Silicon Valley’s three Willow Street pizza locations prepare the definitive upwardly mobile California pizza. Crispy, thin crusts breathe with accents of almond from the Italian wood-fired oven. Check out the new Neapolitan-style pizzas—delicate, light and satisfying. Hearty pastas, salads and sandwiches, too. 11:30am-10pm Sun-Thu; 11:30am-9:30pm Fri-Sat. 20 S. Santa Cruz Ave. 408.354.5566. For other locations see www. willowstreet.com.

WINE CELLAR New California $$. Tucked under Borders Books, this cozy dining spot offers an education in Old World charm and New World cuisine, from smoked salmon pizza to grilled ahi tuna to desserts as fresh as spring break. 11:30am9pm Mon-Thu, 11:30am-10pm Fri-Sat, 10:30am-9pm Sun. 50 University Ave. 408.354.4808.

Mountain View ¿book online at mountainview.net

AMBER INDIA Northern Indian, tandoori. $$. Meals unfold like a bolt of rare silk, served with care and efficiency in a rich, luminous interior. Dishes are complex and varied. 11:30am2:30pm Mon-Sun, 5-9:45pm Mon-Sun. 2290 El Camino Real. 650.968.7511. AMICI’S EAST COAST PIZZERIA Pizza/Italian. $$. When it’s done right, East Coast pizza can be a glorious thing. Dough is rolled ultrathin and served noticeably charred on the sides and bottom, the ideal combination for a “foldable” slice on the go. It’s done right here. 11am-10pm Mon-Thu, 11am-11pm Fri, 11:30am-11pm

CASCAL Spanish Tapas. $$$. The tapas menu yields big tastes in small portions at this pan-Latin charmer. Calamari, roasted quail and minted lamb meatballs are among the delicacies. Full bar. 11:30am10pm Mon-Sun. 400 Castro St. 650.940.9500.

CHAAT PARADISE Vegetarian Indian. $. Golden spices predominate at this popular spot for inexpensive, fun-to-eat traditional Indian fare. Casual shopping-center surroundings. 11:30-10pm Mon-Sun. 165 E. Camino Real. 650.965.1111. CHINA CAFE Mandarin, Szechuan. $$. A little surprise in the Blossom Valley Center promises uptown ambience, spotless surroundings and wellpresented classical Chinese cuisine. 1760 Miramonte Ave. 650.968.2298.

DON GIOVANNI Italian. $$$. This pumpkin-hued eatery faces the bustling downtown with a handsome demeanor of mahogany and candlelight. Full bar. 11am-2pm, 5-9pm Mon-Fri, 11am-9pm Sat-Sun. 235 Castro St. 650.961.9749.

LE PETIT BISTRO Classic French. $$. There’s a lot to like about this pinch of a place with its simple, practiced French cuisine and quiet dining. Casual. Beer, wine. 5:30-9:30pm TueSat. 1405 W. El Camino Real. 650.964.3321.

MARU ICHI Japanese noodles. $. Maru Ichi is a true noodle shop. While there are a few appetizers on the menu, the slurpable house-made noodles—ramen, soba and udon—are what you want. Go for the house specialty kuro ramen or the soy sauce ramen. Beer and wine. Cash only. 11:302:15pm, 5-9:45pm, 11:30am9:45pm, 11:30am-9pm Sun. 368 Castro St. 650.564.9931.

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SVDINING 34 NAMI NAMI Japanese. $$$. Nami Nami specializes in kappo-style Japanese food, food prepared in the artful, labor-intensive, seasonally driven style associated with the city of Kyoto. For diners willing to open their minds and mouths, it offers one of the most exciting restaurant experiences in the Bay Area. 11:30am-2pm Tue-Sun, 7-10pm Tue-Thu and 6-11pm Fri-Sat. 240 Castro St. 650.964.6990.

More dining coverage

VASO AZZURRO Ristorante Italian. $$$. Entrees are attractively presented, and the waiters will make you feel as though you were the most important guests in the place. Dessert lives up to the rest of the meal. Beer, wine. 11:30am2:30pm Mon-Fri, 5-9:30pm Mon-Thu, 5-10pm Fri-Sat, 5-9:30pm. 108 Castro St. 650.940.1717. XANH RESTAURANT

is a busy, good-looking space that has a happy buzz about it. The first thing you notice as you walk in is all the fresh pastries on the counter. There’s a little bit of everything including a number of Middle Eastern specialties. 7am-10pm daily. 135 Castro St. 650.625.9888.

Modern Vietnamese. $$. Xanh (pronounced “zahn”) epitomizes the new breed of upscale, contemporary Vietnamese restaurant. The appealing menu ranges from the traditional to the unconventional and includes rolls, salads, noodles, small plates and full-size entrees. 11:30am-2pm and dinner 4:30pm-close Mon-Fri. 110 Castro St. 650.964.1888

PHO TO CHAU Vietnamese

YAKKO Japanese, sushi bar.

NETO CAFFE AND BAKERY CAFE $$. Neto Caffe and Bakery

noodle house. $. The pho here is an honest noodle soup. First-timers might want to stick with the basic pho chin, topped with slices of beef brisket. 11am-10pm daily. 853 Villa St. 650.961.8069.

$$. A pairing of swift service with an exotic range of sushi and udon makes this a favorite among sushi lovers. Casual. Beer, wine. 11:30am-2pm MonSun. 5:30-9:30pm Sun-Thu, 5:30-10:30pm Fri-Sat. 975 W. Dana St. 650.960.0626.

ROSE INTERNATIONAL MARKET Persian. $. Part

ZUCCA Mediterranean. $$. Time

Middle Eastern grocery store, part Persian food take-out counter and part kebab grill, Rose International Market is a gold mine of good food. The white plastic tables out front are packed with customers eating the market’s signature mesquite-grilled kebabs. 8am9pm Mon-Sat, 9am-8pm Sun. 1060 Castro St. 650.960.1900.

THE SPICE ISLANDS CAFE Singaporean, Malaysian, Indonesian. $$. This restaurant will send your taste buds to the tropics. Talented chefs put out dishes full of spice and passion, like jumbo chile prawns, papaya salad and Malaysian spareribs. The menu is expansive. Prices are reasonable. 210 Hope St. 650.960.1888.

SUSHI TOMI Japanese. $$. Sushi Tomi serves Japanese food with an elegant simplicity. Sushi and sashimi are ocean fresh. For a real treat, ask for an omakase dinner and let the chef put together a tasting menu for you. 11:30am-2pm 5:30-9:30pm. 635 W. Dana St. 650.968.3227.

slows and the paella glows at this Turkish/Spanish charmer: lamb kofte, spicy shrimp, steak, baklava. 11:30am-2:30pm Mon-Fri, 5-10pm Mon-Sun 186 Castro St. 650.864.9940.

Palo Alto ¿book online at paloalto.net

BELLA LUNA RISTORANTE ITALIANO Italian. $$$. Sunny Tuscan hues saturate the interior, and the dishes of this downtown Palo Alto restaurant create a delicious illusion of dining in Italy on food prepared by Italian chefs. Beer and wine served. 11am-3pm, 5-10pm Mon-Sun, 5-11pm Fri-Sat. 233 University Ave. 650.322.1846.

BISTRO ELAN California French. $$$. The only problem with the menu is that it’s all tempting. Using seasonal produce, the chef allows flavors to speak for themselves. Wine, beer. 11:30am-1:30pm TueFri. 5:30-9:30 Tue-Sat. 448 California Ave. 650.327.0284.

SANJOSE.COM

BISTRO MAXINE Cafe. $$. Bistro Maxine is a bright, friendly little spot, a coffee shop and creperie rolled into one. If you’re lucky, you’ll snag one of the five indoor or two outdoor tables while perusing the long but straightforward menu. 8am-2pm 6-10pm Tue-Fri, 9am-4pm Sun. 548 Ramona St. 650.323.1815. BUCA DI BEPPO Nondesigner Italian-American. $$. Like a Sicilian Christmas carnival in the ’50s, this party spot blends clutter, joy, high spirits and, oh yes, huge portions. 11am-10pm Sun-Thu, 11am-11pm Fri-Sat. 643 Emerson St. 650.329.0665. CAFE BRIOCHE Southern French. $$. Mediterranean magic: exceptional cuisine on oversize plates is whisked to tables as soon as it’s created. Breakfast 9-11pm, Lunch 11am3pm, Dinner 5:30-9:30 Mon-Fri, Brunch 9am-3pm Dinner 5:3010pm Sat-Sun. 445 California Ave. 650.326.8640.

CAFE RIACE Trattoria. $$. An absolute joy. Every dish is made with honest expertise—no tricky trendiness here. The homey offerings are based on wholesome Italian staples. Beer, wine. 11:30am-2:30pm Mon-Fri, 5-10pm Mon-Sun. 200 Sheridan Ave. 650.328.0407. CALAFIA CAFE AND MARKET A GO-GO Eclectic. $$. Calafia Cafe and Market A Go-Go combines elements of the fast-food world and the labor-intensive slow cooking of more-high-end restaurants. Chef and owner Charlie Ayers (who was Google’s first chef) calls his concept “slow food fast”—good-to-eat and good-for-you food that he hopes will appeal to Silicon Valley’s frenetic, too-busy-toeat pace of life. Look for good burgers, pizza, salads, and fresh fish. 11am-9pm weekdays; 9am9pm Sat-Sun. 858 El Camino Real. 650.322.9200.

COUPA CAFE Venezuelan. $$. Venezuela is best known for its oil production and resilient populist president; Coupa shines attention on the country’s premium coffee and chocolate. The beautiful storefront also serves excellent arepas, white corn griddle cakes stuffed with various fillings. 7am-11pm daily. 538 Ramona St. 650.322.6872.


EMPIRE GRILL & TAP ROOM

EVVIA Contemporary Aegean. $$$. Forward flavors and plenty of laughter—that’s Dionysian dining. Evvia feels like a little taverna on Paros, only with an unmistakable Bay Area sophistication. Full bar. 420 Emerson St. 650.326.0983. FUKI SUSHI Japanese. $$$. For over two decades this superb Japanese restaurant has served sushi to Nobel laureates and other grateful foodies. Open daily. 4119 El Camino Real. 11:30am-10pm Tue-Sun. 650.494.9383. www.fukisushi.

GREEN ELEPHANT GOURMET $$. Burmese. Burmese food draws influences from its three largest neighbors: China, India and Thailand. Standouts here include the coconut chicken soup, tangy tea leaf salad and refreshing glass noodle salad. Lunch 11am-2:30pm, dinner 4:30-9pm daily. 3950 Middlefield Rd (Charleston Shopping Center). 650.494.7391.

GYROS GYROS Mediterranean. $. The lunch crowd turns out in force to grapple with the oversize, and messy, lamb and beef gyros, chicken gyros and other treats. That’s especially true on sunny afternoons, when the sidewalk tables fill with folks downing the juicy sandwiches. 11am-11pm daily. 498 University Ave. 650.327.0107.

JUNNOON Contemporary Indian. $$$. This attractive Palo Alto restaurant serves eclectic modern Indian food, the kind you might get at an upscale restaurant in Bangalore or Mumbai. You could easily make a meal from the great selection of appetizers. 11:30am-2:30pm and 5:30-10pm Mon-Fri, 5:3010:30pm Sat. 150 University Ave. 650.329.9644. KAN ZEMAN Middle Eastern/ Mediterranean. $$. A lively blend of Lebanese, Greek and Turkish cuisine fuels this festive social spot. A sampler plate offers garlicky hummus, earthy falafel, dolmas drenched in lemon, a minty tabouli

salad and splendid marinated tomatoes. 11am-9pm MonThu 11am-close Fri-Sat. 274 University Ave. 650.328.5245.

LA BODEGUITA DEL MEDIO Cuban/California. $$$. Themed after a vintage Havana haunt of Ernest Hemingway’s, this zesty restaurant serves lively Cuban influenced cuisine along with liquid staples like rum and mojitos in a handsome, casual atmosphere. Full bar. 11:30am2pm, Mon-Thu 5:30-9:30pm, 5-10pm Fri-Sat. 463 S.California Ave. 650.326.7762.

LAVANDA MEDITERRANEAN Grill $$$. This urban grill at the top of University Avenue offers eclectic small tasting plates, along with heartier fare such as roasted sea bass with chanterelle mushrooms and guinea fowl with sautéed chard. 11:30am-2:30pm Mon-Sun, 510pm Mon-Thu, 5-11pm Fri-Sat, 5-9pm Sun. 185 University (at Emerson). 650.321.3514.

MANTRA French, American and Indian. $$$. Mantra serves inventive French and American food that speaks with an Indian accent. It isn’t fusion, but a more subtle blend of surprisingly compatible flavors and techniques. Lunch 11:30am-2:30pm Tue-Fri, dinner 5-10pm Sun-Thu and 5:30-10:30pm Fri-Sat. 632-636 Emerson St. 650.322.3500.

MAYFIELD BAKERY AND CAFÉ American. $$$. With its simple but handsome décor, open kitchen fronted by a long counter and tidy stacks of split almond logs tucked against the wall for the great smelling wood-burning oven, Mayfield Bakery and Café presents updated versions of seasonally driven Mediterranean and American classics—big, bold, rustic flavors and simple preparations that aim to let locally grown ingredients speak for themselves without any undue manipulation or pretence. You know the stuff: Niman Ranch burgers, spitroasted meats, frisée salads with crumbled bacon and a poached egg on top, pizzas, grilled fish, crusty, fresh bread and hearty, satisfying desserts. 8am-4pm and 5-9pm MonFri; 9am-4pm and 5-9pm Sat-Sun. 855 El Camino Real. 650.853.9200.

OSTERIA Italian. $$. Authentic Italian cooking done by skilled chefs from Italy. Be sure to make a reservation, or you’ll

be lucky to put a single foot through the door. Beer, wine. 11:30am-2pm Mon-Fri, 5-10pm Mon-Sat. 247 Hamilton St. 650.328.5700.

PAMPAS Brazilian steakhouse. $$$. Pampas is a meat lover’s haven. The $44 rodizio service gets you unlimited spit-roasted meat. The sprawling side bar offers one of the most extensive selections of vegetarian options you’ll find in a nonvegetarian restaurant. Lunch 11:30am2:30pm Mon-Fri, dinner 5:309:30pm Mon-Thu, 5-10:30pm Fri-Sat and 5-9pm Sun. 529 Alma St. 650.327.1323. QUATTRO RESTAURANT AND BAR Italian. $$$$. Quattro Restaurant and Bar brings high-style, impeccably sourced Italian cuisine to the South Bay, an area that has about as many great Italian restaurants as it does snow days. Breakfast 6:30-11am Mon-Sun, lunch 11:30am-2:30pm Mon-Sat and dinner 5:30-10pm MonSun. 2050 University Ave. 650.470.2889.

LEY New California. $$$. Reservations are a must at this smart bistro, whose menu includes inventive potato, meat and seafood dishes that tilt toward New American cookery. Beer, wine. 11:30am-2pm Tue-Fri, 5:30-9:30pm Tue-Sat, Brunch 10am-2pm Sat-Sun. 806 Emerson St. 650.326.2530.

SHOKOLAAT. Modern European. $$. Shokolaat’s open kitchen and pastry display counter are as gleaming and clean as a laboratory, a fitting setting for the restaurant’s technically precise, modern European cooking. Counter open 8am-9pm (to-go only 49pm), lunch 11:30am-2pm TueSun and dinner 5:30-10:30pm Tue-Sun. 516 University Ave. 650.289.0719.

SPALTI RISTORANTE Italian. $$. Along with a handsome interior, Spalti offers good wine and sparkling flavors. Casual. Beer, wine. 11am-2pm MonFri, 5-9:30pm Mon-Sun. 417 California Ave. 650.327.9390. STRAITS CAFE Singapore exotica. $$. Blending culinary motifs from India, China and Thailand, the food of Singapore is anything but timid. The menu at Straits is lavish and diverse. Full bar. 11:30-2pm Mon-Fri, 5:30-9:30pm Sun-Thu, 5-10pm Fri-Sat. 3295 El Camino Real. 650.494.7168.

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California grill. $$. Waiters with charm to spare, an energetic clientele and a menu packed with grilled, roasted and smoked intensity make Empire Grill much more than simply a smart place to sip a cosmopolitan. Full bar. Tue-Sun 11:30am-10pm. 651 Emerson St. 650.321.3030.


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metroactive

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NME

The Blank Club, San Jose Wed – 8pm; $10-$12

Caravan Lounge, San Jose Thu – 10pm; free

More than 25 years after they started on their journey, New York’s Toasters are heading to San Jose’s perennially ska-drunk precincts. Though they’ve got a list of ex-members longer than the Kingston phone book, these celebrated skankster-survivalists have kept afloat during the rise and fall of neo-ska through a little bit of licensing and a lot of anthems about score settling: “You’re Gonna Pay,” “One More Bullet” and “Don’t Let the Bastards Grind You Down.” These Toasters have the kind of crunch and bounce any third-wave ska band could use. Monkey and the Inciters open. (SP)

NME’s Mike and Peter Skilj aren’t afraid to take on anyone and everyone, including each other. The San Jose punk band has been around since the mid-’90s, with members coming and going, but the heart of the group has always been the Skilj twins. NME has made a name for itself as brash, intelligent, uncompromising and a lot of fun to see live. But with songs like “Bin Laden Airlines” and “Bombs Not Food,” Peters know most people will jump to conclusions. “Lyrically and musically, we never had a seriously tone to the music until now,” Peter says. “‘Bin Laden Airlines’ is a

mixture of both. Like another song, ‘Bombs Not Food.’ If you actually listen to the lyrics, we’re not making fun of Food Not Bombs.” Adds Mike, “I know not everyone is going to love us. There’s no doubt about that. We don’t care about that crap anyway.” (BD)

*fri

SOUTH BAY GUITAR SOCIETY Le Petit Trianon Theater Fri – 6:30pm; $25 The lineup for the SBGS’ 25thanniversary concert is both bizarrely eclectic and perfectly fitting. Headlining is Bruce Davis, the “Citizen Songwriter” folkster who grew up around Pete Seeger

and the Guthries but found his muse in Ramblin’ Jack Elliott. His tribute is as funny and sincere as it is terribly true: “Ramblin’ Jack, Ramblin’ Jack/ A fella here wants his money back/ He don’t know that ramblin’s your act.” Davis is also the executive director of Arts Council Silicon Valley. Backing him up is Jerry Snyder, the SBGS president who taught what may have been the first-ever highschool guitar class, back in 1968 in San Jose. He’s written countless instructional books for guitar; he gets guitarists coming up to him all the time to tell him how he changed their lives. Also on the bill is Brian Holmes, whose program “The Amazing Physics of Guitar” gives some lurid psychosexual appeal to harmonics, although that title would be 10 times as awesome with an exclamation point after it. (SP)

SOUND OF MUSIC SING-ALONG The Retro Dome, San Jose Fri – 7pm, Sat – 1:30 and 7pm, Sun – 1:30pm; $10-$15 Long ago, the bouncing ball across the bottom of movie screens led audiences on merry group-singing sessions. That kind of infectious interactivity was tapped into by the Rocky Horror phenomenon, and has recently spread to a variety of popular revival films. One of the best candidates for full-throated audience participation is The Sound of Music. Everyone knows the songs, Julie Andrews’ performance is indelible and Robert Wise’s widehorizon approach makes it a visual treat as well. The SoM sing-alongs got started in England and have become quite popular. The Retro Dome, a converted movie palace, is the perfect venue. (MSG)


* concerts

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ANTON SCHWARTZ

JEFF DUNHAM

JOE BAGALE

Feb 2 at 77:30pm, HP Pavilion, San Jose

MINGUS DYNASTY Feb 2 at 8pm, Dinkelspiel Auditorium, Stanford

OZZY OSBOURNE, SLASH FFeb 3 at 7:30pm, HP Pavilion

SUPERSTRINGS ORCHESTRA SUP Feb 4 at 7:30pm, Covenant Presbyterian Church, Palo Alto Pr

GREG ANDERSON Feb 5 at 7:30pm, Steinway Society the Bay Area, Le Petit Trianon, of th San Jose

PINK FLOYD TRIBUTE Feb 5 aat 8pm, Montgomery Theater, San Jose

ACROBATS OF CHINA Feb 11 at 7:30pm, Flint Center, Fe Cupertino

LAVAY SMITH Feb 12 at 8pm, Sunnyvale Theatre

THE BARBER OF SEVILLE Opera San Jose, Feb. 12–27, California Theatre, San Jose

BRENTANO STRING QUARTER BRE

SOUTH FIRST FRIDAY Downtown San Jose Fri – 7-11pm; free The monthly downtown art walk and reception night returns after its brief January hibernation. New for 2011 is a performance (8pm) by Joe Bagale, a pop-music experimentalist with avant-jazz influences; his show is presented by San Jose Jazz at Eulipia. The new Pho69 restaurant joins the foray with a show of abstract paintings by Jane Peterman, sweetened by Lion Dancers for Vietnamese New Year. Other treats include music by Suzanne Vallie at Anno Domini; artists’ talks at MACLA; bands at SLG Art Boutiki; opera singers at Caffe Trieste; and a multimedia night of hip-hop, funk and live painting at South First Billiards. (MSG)

*sat

BACK POCKET MEMORY Homestead Lanes, Cupertino Sat – 8pm; $5 Out of the depths of Burbank comes Back Pocket Memory. It’s understandable why they have such a rabid fan base in their native hometown; well-crafted, tuneful rock with a slice of groove makes for some great music. Taking nods from Alkaline Trio, Saves the Day and later Silverchair, BPM is taking its act out on the road to prove that it is here to stay. Also on the bill is For the Broken, A Four Star Affair, Stoic Nia and Max Thompson. (BD)

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MAIDS OF HONOR Blank Club, San Jose Sat – 9pm; $5 After years of private parties in a Santa Cruz studio, Maids of Honor eventually whittled down to four dudes: former Smash Mouth guitarist Greg Camp, Survivor celebrity Lex van den Berghe, exSkycycle bassist Kelly Castro and John Barrett. The Maids write songs combining pop sensibilities and underground skate rock, commercial song structures and offbeat grooves. Booze anthems sit alongside syrupy love songs. In other words, it’s rock music. For example, tunes on the band’s self-titled CD like “Wonderin’ Why” and “The Clown” are catchy sing-along gems while another track, “Black & Blue,” is a driving, spinning, racing vehicle about the Santa Cruz Derby Girls. Kilola and Talky Tina open. (GS)

*tue

REBECCA SOLNIT King Main Library, San Jose Tue – 7pm; free

Author Rebecca Solnit is heir to the tradition of the literary flaneur (French for “stroller”). She is also continuing an early style of English journalism: Richard Steele’s description of walking London and reporting what might be overheard or seen. Her career includes studies of art history, punk rock and ecology. Solnit’s new book, Infinite City: A San Francisco Atlas (UC Press), comprises 22 charts depicting the locations of murders, evictions, butterflies and other hidden meridians of the city. She reads for an SJSU Center for Literary Arts event (and also appears Feb. 10 at 1pm for a Q&A at the library). (RvB)

FFeb 13 at 2:30pm, Dinkelspiel, Stanford

CALIFORNIA POPS Feb 13 at 3pm, Calvary Church, Fe Los Gatos

SPENCER DAY Feb 13 at 7pm, Montalvo Arts Center

SUPER LOVE JAM Feb 14 at 7:30pm, HP Pavilion

LINKIN PARK Feb 22 at 7:30pm, HP Pavilion, San Jose

SECOND CITY Feb 23 at 7:30pm, Montalvo Arts Center

TRIO VOCE Mar 4 at 8pm, Campbell Recital Hall, Stanford

JOHN HOLLENBECK Mar 6 at 2:30pm, Dinkelspiel, Stanford

CIRQUE DU SOLEIL Mar 24–27, HP Pavilion, San Jose

HARLEM GOSPEL CHOIR Mar 31 at 7:30pm, Montalvo Arts Center

M E TR O S I L I C O N VA L L E Y | F E B R UA R Y 2- 8 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Jan 26 at 7:30pm, City C Lights Theatre, San Jose


M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2-9 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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distan distance: nce: each each ssubject’s ubject’s h head ead aand nd chest chest o ccupies m ost o the rectangle. rectangle. A few few occupies most off the ffaces aces sspill pill over over the the edges, edges, shot shot achingly achingly cl lose. close. W ith its its new new show, show, “Robert “Robert With M Mapplethorp e: P ortraits”” (traveling (traaveling e g Mapplethorpe: Portraits” fr rom the P alm Springs Ar Museum m), from Palm Artt Museum), th he San JJose ose Museum of Art Art deploys deplo oys y the tto op erfection iits ts well-designed well-designed gallery gallery perfection sspace pace in in presenting presenting this this sequence sequence of of im mages in a syncopation syyncopation that draws draaw ws images th he vie wer into one work and then the viewer aalong long from from portrait portrait to to portrait portrait in in an n eever-deepening veer-deepening appr eciation. appreciation. D espite the the consistency consistency of of size, size, tone tone Despite aand nd ccomposition, omposition, eeach acch iiss a ssingular ingularr bi iograph hy. In tot alitty, “Portraits” “Portraits” biography. totality, ill luminates a time and a place—and place—and d illuminates th he man b ehind the ccamera. amera. the behind A glance, these images seem m Att first glance, tto o ffall all within within the the glamour-portrait glam mour-portrait

tradition trad dition that that helped helped create create the the star star system system of of Hollywood’s Hollywood’s “golden “golden age” agge” in in photographs photograp phs by by George George Hurrell, Hurrell, Laszlo Lasszlo Willinger Willinger and an nd Clarence Clarence Bull. Bull. Their Their subjects were were not humans, humans, however, howeveer, but but dramatically dramatically lit, lit, fastidiously faasstidiously retouched retouched icons icons eternally eternally ready read dy for for their close-ups. close-ups. Mapplethorpe, to flatter Mapplethorpe, too, too, aimed a flatttter those who sat for however, fo or his camera; camera; a howeever, his hi subjects bje t were wer e e not ot products prroducts d t of the star star factory factory but instead insttead were were determinedly determinedly individualistic individualistic denizens denizens of of the the hectic hectic and an nd hard-edged harrd-edged world world of of celebrity celebrity and and notoriety notoriety that that was was New New York, York, the the epicenter epicenter of of the the art art world world iin n the 1970s and 1980s. 1980s. Actors Actors and and artists, artists, socialites socialites and and sex sex workers, workers, bankers bankers and and bikers: bikers: the the objects objects of of Mapplethorpe’s Mapplethorpe’s portraits portraits were were so so used to being being photographed photograp phed that the camera camera seemed seemed simply simply an an extension extension of of their their ego. ego. Perhaps Perhaps in in the the course course of of the the sitting, sitting, something something in in each each of of them them moved mo oved e toward tow waard and merged merrged with the camera—the caamera—the dumb witness wittness to this performance perfo ormance of themselves themseelvvees to the world. The The eyes eyes that that look look out out to to the the viewer viewer are are looking looking at at a mirror, mirror, not not posing posing but but

caught caught at an a in-breath in-breath of recognition. recognition. After all,, the th he man behind behind the lens was waas not a stranger strangger but one of them. An An Irish Irish Catholic Catholic boy boy from from Queens Queens propelled propelled by by an n innate innate and and relentless relentless quest quest tto o create create something something distinctly distinctly his his own, own, Mapplethorpe Mapplethorpe became became the the most most extreme himself extreme version version of of h imself and and lived lived hard hard on on that that shiny shiny sharp sharp edge edge within within a world that thaat exalted exalted edginess and extremity. extremity. He He died died from from complications complications of AIDS in n 1989 1989 at age 42. His work had had already already been been celebrated celebrated for for more more than a decade. decade a . On On book book covers, covers, center center spreads spreads and and billboards, billboards, many man ny of of his his portraits portraits merged merged with with the the history history of of his his subjects—aa luminous Susan Sarandon with her daughter daaughter looking looking out with loving loving trust; trust; a relaxed relaxed David David Hockney Hockney sinking into intto his own composition; composition; Annie Annie Leibovitz Leibovitz uncomfortable uncomfortable on on tthe he other side of o a camera; camera; Andy Warhol, his his white white hands han nds and and trademark trad demark white white fringe both himself.f. both h shielding parts parts of himself These These images imagges were were familiar fam amiliarr beyond beyond the the art art world, world, part part of of the the published published texture texture off the decade. decade a . Within Within tthe he more more discreet discreet milieu milieu of of galleries galleries aand nd museums, museums, Mapplethorpe Map pplethorpe was was celebrated celebrated also also for for his his dramatic dramatic images flowers images of of fl owers and and nudes—bodies nudes—bodies off work eexhibited xh hibited worldwide and which huge which sold sold for for h uge prices. prices. Shortly Shortly after after his his death, death, however, however, Mapplethorpe Mapplethorpe became bec e ame notorious no otorious when the Corcoran Corcoran Gallery Ga y of Art Galler A t in Washington, Ar Washinggtton,, D.C., D.C., refused its scheduled National refused to hang h Endowment Endowment of of the the Arts–funded Arts–funded “Robert “Robert Mapplethorpe: Mapplethorpe: The The Perfect Perfect Moment” Moment” due due to to the the homoerotic homoerotic and and sado-masochistic sado-masochistic content content of the work. The The incident incident ignited ignited an an international international scandal scandal about about o publically publically funded artwork, off tthe artwork, tthreatened hreatened tthe he eexistence xistence o he NEA NEA and and provoked provoked countless countless public public and and private private discussions discussions of of censorship censorship and and the the line line between between pornography pornography and and art. art. This This is is not not the the Mapplethorpe Mapplethorpe revealed revealled in in “Portraits. “Portraits.” Rather, Rather, ass Gordon Gordon Baldwin Baldwin states, states, this this is is the the body body of work that legacy. that is his most lasting legacy y.

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EVENTS AT MONTALVO ARTS CENTER

Quilt Shows Exhibits run Feb. 8–May 1; San Jose Museum of Quilts and Textiles; $8 admission San Jose’s unique temple of textile arts starts a very busy schedule for 2011 with four new exhibits. Leo Chiachio and Daniel Giannone contribute a series of embroidered portraits (pictured) called “Eden Re-Imagined.” The collective known as A Bee shows oversize allegorical textiles in “Earthly Paradise.” The angst and anticipation of adolescence as seen in boys’ doodles are transferred to embroideries by Wendy Osher in “Boy Code.” Finally, “Modern Maya” focuses on contemporary indigenous clothes and weavers from the collection of Paul and Kathleen Vitale.

Spencer Day and Special Fair & Unbalanced Valentine Celebration Dinner the best of Second City Sun, Feb 13, 7pm Starting at $30

Wed, Feb 23, 7:30pm Starting at $36

Hailed by the New York Times as “A Comedy Empire,” Chicago’s Second City has garnered an impressive reputation as the premier training ground for the comedy world’s best and brightest. With a stellar alumni list that includes Bill Murray, John & Jim Belushi, Mike Myers, Tina Fey, Joan Rivers, Chris Farley, Rick In celebration of Valentine’s Day, Montalvo Moranis, John Candy, Bonnie Hunt and many more, this touring company is always is offering an elegant candlelit 3-course daring, original and hilarious. The gourmet dinner prepared by Le Papillon troupe will perform social and political and served in the historic Villa at 5pm! satire in scripted scenes, music and $120 per person for dinner and concert. improvisation. Not-to-be-missed! Call Le Papillion (408) 296-3730 for the menu and to make your reservations today! Vocalist-songwriter-pianist, Day is an artistic vagabond. He borrows from numerous sources including jazz, musical theater, cabaret, soul, folk, traditional and contemporary pop. His big single TILL YOU COME TO ME hit number one on the Smooth Adult Contemporary radio chart!

Photo Shows Feb. 2–May 1; Cantor Arts Center, Stanford University; free Two new shows at the Cantor Arts Center are devoted to the art of photography. “In a New York Minute” features both black-and-white and color images by Helen Levitt (1913–2009), demonstrating her ability to capture the immediacy and energy of city life. In “Paths Through the Global City,” viewers can see a wide-ranging selection of Leo Rubinfien’s photos from Tokyo, Peking, Surabaya, Calcutta (pictured), Casablanca and, again, New York.

Carriage House Theatre Box Office, 408.961.5858, M-F, 10am-4pm ticketmaster.com or montalvoarts.org Free on-site parking!

The Dresser Runs through Feb. 20; San Jose Repertory Theatre; $35–$74 Sometimes, the greatest dramas in an actor’s life take place backstage—such is the premise of Robert Harwood’s play The Dresser. The story, set in World War II–era Britain, relates the complex dynamic between an overbearing Shakespearean star named “Sir” (played by Ken Ruta) and his longtime dresser, Norman, who try to keep the show going in the hardest of times. The show opens Wednesday (Feb. 2).

Sylvia Through Feb. 19; Bus Barn Theater, Los Altos; $24–$30 It not news when dog bites man; it’s headline material when man bites dog; it’s a perennial stage favorite when man falls in love with a dog. A.R. Gurney’s comedy Sylvia finds a lot of laughs in the strangest triangle when a husband brings home a stray (played fetchingly by Katie O’Bryon) much to the dismay of his wife.

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15400 Montalvo Road Saratoga, CA 95070

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metroactive ARTS 41

*stage Theater

COMPLETE FEMALE STAGE BEAUTY City Lights puts on the South Bay premiere of Jeffrey Hatcher’s drama about a 17th-century English actor who specialized in female roles. Thu-Sat, 8pm, Sun, 2pm. Runs thru Feb 20. $15$28. City Lights, San Jose.

THE DRESSER A look behind the curtain in a drama by Robert Harwood about a famed Shakespearean actor and his dresser, presented by San Jose Repertory Theatre. Opens Wed (Feb 2), 8pm. Regular shows Tue, 7:30pm, Wed, 8pm (plus 11am Feb 9), Thu-Fri, 8pm, Sat, 3 and 8pm, Sun, 2pm. Runs thru Feb 20. $35-$74. The Rep, San Jose.

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM A Sondheim musical romp presented by South Bay Musical Theatre. Thu (Feb 17), 8pm, Fri-Sat, 8pm, Sun, 2:30pm. Runs thru Feb 19. $23-$33. Saratoga Civic Theatre.

OUROBOROS Renegade Theatre Experiment tells the interlocking stories of two American couples on a nightmarish journey of fate and coincidence in Italy; the play’s ending diverges depending on the night of the performance. Thu-Sat, 8pm, Sunday, 7pm. Runs thru Feb 5. $12-$28.50. Historic Hoover Theater, San Jose.

PRIVATE EYES A comedy with dramatic overtones by Steven Dietz about love, desire and betrayal. A Dragon production. Thu-Sat, 8pm, Sun, 2pm. Runs thru Feb 13. $16-$25. Dragon Theatre, Palo Alto.

SEE HOW THEY RUN British playwright Philip

King’s comedy with mystery overtones. A Tabard Theatre production. Fri, 8pm, Sat, 3 and 8pm, Sun, 2pm. Runs thru Feb 20. $15$24. Theatre on San Pedro Square.

SHADOWLANDS A Palo Alto Players production of a drama about author C.S. Lewis. Thu-Sat, 8pm, Sun, 2:30pm. Runs thru Feb 6. $21-$30. Lucie Stern Theater, Palo Alto.

SYLVIA A comic romance by A.R. Gurney about a man, a woman and a dog. Wed (Feb 9 and 16), 7:30pm, Thu-Sat, 8pm, Sun (Feb 6 and 13) 3pm. Runs thru Feb 19. $24$32. Bus Barn Theater, Los Altos.

THE 39 STEPS A stage adaptation by TheatreWorks of the famous British spy caper. Tue-Wed, 7:30pm, Thu-Fri, 8pm, Sat, 2 and 8pm (8pm only Feb 12), Sun 2 and 7pm (2pm only Feb 13 and 20). Runs thru Feb 20. $27-$42. Mountain View Center for the Performing Arts.

Comedy CLUB FOX Mon, 8pm: Comedy Monday hosted by Dan St. Paul. $10. Redwood City.

COMEDYSPORTZ An interactive improvised comedy show. Fri, 9 and 11pm and Sat, 7 and 9pm. $12/$15. ComedySportz, San Jose.

HP PAVILION Wed, 7:30pm: Jeff Dunham. $46.50. San Jose.

ROOSTER T. FEATHERS Wed, 8pm: New Talent Showcase. $10. Thu, 8pm, Fri 9pm, Sat, 8 and 10:30pm: Moshe Kasher with Michael Slack and Yayne Abeba. $12$17. Sunnyvale.

SAN JOSE IMPROV Wed-Thu, 8pm, Fri-, 7 and 9pm: Sebastian Maniscalco. $15-$17. San Jose.

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*art

Museums OPENING

Mar 11. “The Saints of Mission Santa Clara: Discovering the Meaning Behind the Art.” Thru Mar 11. Santa Clara University.

EUPHRAT MUSEUM “Learn to Play Too.” The group show about games and recreation is expanded in a second part. Thru Feb 24. Tue-Thu, 11am-3pm. De Anza College, Cupertino.

HISTORY PARK SAN JOSE

“In a New York Minute: Photographs by Helen Levitt.” Feb 2-May 1. “Paths Through the Global City: Photographs by Leo Rubinfien. Feb 2-May 1. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

“Celebrating Local Artists: The Fifth Anniversary of the McKay Gallery.” A look at the McKay’s collection, including paintings and sketches by ADM Cooper. Thru Mar. In the Pasetta House. Tue-Sun, 11am-5pm. San Jose.

SAN JOSE MUSEUM OF QUILTS AND TEXTILES

JAPANESE AMERICAN MUSEUM

“Earthly Paradise: Memory, Myth, Metaphor.” Large quilted tapestries by A Bee collection. “Eden ReImagined.”: Embroidery art by Leo Chiachio and Daniel Giannone. “Boy Code.” Embroideries by Wendy Osher. “Modern Maya.” Mayan clothing and photographers of the weavers. Feb 8-May 1. Valentine’s activities scheduled for this week’s South First Friday evening. Reception Feb 13, 2-4pm. Tue-Sun, 10am-5pm. San Jose.

“Camp Days: 1942-1945.” Works about the internment camps by Chizuko Judy Sugita de Queiroz. Thru Apr 30. Also exhibits about the history of Japantown and the lives and contributions of Japanese immigrants in the valley. Thu-Sun, noon-4pm. San Jose.

CANTOR ARTS CENTER

LOS ALTOS HISTORY MUSEUM

CONTINUING

“Touching Lives.” An exhibit about the lives and contributions of Josephine and Frank Dubeneck, who first lived in Hidden Villa. Thru Jun 27. Los Altos.

ART MUSEUM OF LOS GATOS

LOS GATOS HISTORY MUSEUM

“Configurations: Bodies in Motion.” Figurative works by Michael Azgour, Nancy Bowman and Christofer Charles. Thru Mar 18. Reception Sun, noon-1pm. Los Gatos.

CANTOR ARTS CENTER “Vodoun/Vodounon: Portraits of Initiates.” Portraits of Vodoun followers and their shrines in Benin by JeanDominque Burton. Thru Mar 20. “Go Figure!” Figurative paintings and sculptures by contemporary artists. Ongoing. “Chiaroscuro Woodcuts From 16th-Century Italy.” Thru Feb 27. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

DE SAISSET MUSEUM “The Veil: Visible and Invisible.” A traveling group show of works focusing on the various societal uses of the veil through history. Thru

“Bear in Mind: The Story of the California Grizzly.” Thru Feb 27. Wed-Sun, noon-4pm. Los Gatos.

SAN JOSE MUSEUM OF ART “Robert Mapplethorpe: Portraits.” Photographs of New York celebrities and artists of the 1970s and ’80s. Thru Jun 5. “The Modern Photographer: Observation and Intention.” Thru Jul 3. “Retro-Tech.” Thru Feb 6. “Vital Signs: New Media From the Permanent Collection.” Thru Feb 6. “Degrees of Separation: Contemporary Photography From the Permanent Collection.” Thru Mar 14. Tue-Sun, 11am-5pm, closed Mon. San Jose.

von Hagens. Mon-Wed, 10am-5pm, Thu-Sun, 10am8pm. San Jose.

with demonstrations and refreshments, 7-11pm. San Jose.

TRITON MUSEUM OF ART

KALEID GALLERY

“Heidi Brueckner.” Thru Feb 20. “2010 Statewide Watercolor Competition/ Exhibition.” Thru Feb 27. “Sweet Obsession.” Works by Lynn Powers. Thru Feb 27. Tue-Wed and Fri-Sun, 11am5pm. Thu, 11am-9pm. Santa Clara.

Surgery Art presents “Dark Matter,” a group show about dark things. Feb 4-29. San Jose.

Galleries

MACLA

OPENING ANNO DOMINI “Aural Dreaming.” Sculptures by Derek Weisbert. Feb 4-Mar 19. Reception Fri for South First Friday events, with music by Suzanne Vallie, 7-11pm.

LOUIS MEAGER GALLERY Recent paintings by Maxine Solomon. Feb 2-Mar 16. Soren Smith Center for Fine and Performing Arts, Ohlone College, Fremont. As part of South First Friday, the gallery presents a talk by Jaime Hernandez, comic-book artist, and Rio Yañez. Fri, 7pm. San Jose.

METRO LOBBY “Pulp Female.” A show by Jen Anderson and Ian Healy, presented by First St. Photo Collective. Thru Feb. San Jose.

ART ARK

PHO69

“Small and High Quality.” A group show of small-scale art. Feb 4-18.

“Just in Time.” Abstract paintings by Jane Peterman. Feb 4-Mar 21. San Jose.

CAFFE TRIESTE

SLG ART BOUTIKI

“Around the World in 30,000 Photographs.” Images by Frances Freyberg. Feb 4-26. For South First Friday: opera night. San Jose.

“The Vesha Valentine Story.” Illustrations from new book by Des Taylor. Thru Feb. Live music for this week’s South First Friday event. San Jose.

DOWNTOWN YOGA SHALA

SOUTH FIRST BILLIARDS

“Yoga Self Portraits.” Works by Nadia Nasiri. Thru Feb. For South First Friday: live music raffle and refreshments. San Jose.

“The Prophecy.” Music, art and good energy with Audiopharmacy, plus live painting by Nice Onem and others for South First Fri, all evening. San Jose.

FREMONT ART ASSOCIATION

WORKS/SAN JOSE

“The Aviation Artist.” Paintings of planes by Rodney Girard. Feb 4-27. Reception Sun, 1:30-4pm. Wed-Sun, 11am-5pm. Fremont.

“Better Luck Next Time.” A group show about getting lucky.Feb 4-26. San Jose.

GALLERY HOUSE

The gallery moves to a new location (1171 Lincoln Ave in Willow Glen) with a show of jazz portraits. San Jose.

“Shades of Red.” A Valentine’s art show. Feb 8-Mar 26. Reception Feb 11. Tue, 11am-4pm, Wed-Sat, 11am-8pm, Sun 11am-3pm. Enter through Printer’s Ink, Palo Alto.

GOOD KARMA VEGAN CAFE “Art Alive.” A show of photographs of bodypainting artists by Trina Merry and others. Feb 4-26. San Jose.

TECH MUSEUM OF INNOVATION

HIGHER FIRE CLAYSPACE

“Body Worlds Vital.” A detailed anatomical look at bodies in health and disease, based on the work of Gunther

Soda-fired porcelain works by Joy Imai. Thru Mar 3. Reception as part of South First Friday

CONTINUING BRUNI GALLERY

COMMUNITY SCHOOL OF MUSIC AND ART Paintings and mixed-media by Brian Caraway. Thru Mar. Mon-Fri, 9am-7pm, Sat, 9am3pm. Mohr Gallery, Finn Center, Mountain View.

DE NOVO Valentine’s jewelry show. Thru Feb 26. Mon-Sat, 10am-6pm. Palo Alto.

DIRIDON STATION “The Way to San Jose.” An

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STAGE

Out With Logic THE SPECTACLE of British people (stereotypically more uptight and repressed than Americans) landing in humorous situations is one reason that British comedy is often funnier than ours, at least from an American point of view. This observation definitely applies to the new Tabard Theatre production of Philip King’s See How They Run, in which a respectable English vicarage becomes a madhouse of hilarity. This classic 1940s farce comes complete with many of the genre’s hallmarks: slapstick humor, mistaken identity and a large cast of characters constantly running in and out of doors. It’s difficult to decide which of these characters is the most entertaining. The town busybody, Miss Skillon (Jean Marie Perchalski), arrives at the vicarage to complain about the way the pulpit has been decorated before she is knocked J\\ ?fn unconscious, liquored up with a bottle of cooking sherry and shoved into a cupboard K_\p Ile (this is much funnier than it sounds). The vicar himself (Ron Packard) is a fuddy-duddy Tabard Theatre who, ironically, spends most of the play Through Feb. 20 dashing around in his underwear while his sexy Theatre on San Pedro wife, Penelope (Kayla Berghoff), has her own Square, San Jose misadventures, beginning with the arrival of her $10–$24 old friend Clive (Josiah Frampton), who disguises himself as a vicar. Added to the mix are Penelope’s uncle, the Bishop of Lax (John Baldwin), another vicar (Ed Pansullo) and an escaped Russian spy (Jason Minsky) disguised as (what else?) a vicar. The churchmen show amusing bewilderment at the awkward situations that occur, despite the efforts of Penelope and her flirtatious Cockney maid Ida (Lorie Goulart) to make everything appear normal. This is lightweight entertainment that throws logic out the window, but there’s nothing wrong with that. The exciting cast, combined with Jerry Lloyd’s nimble direction, keeps the play satisfying throughout. Mention should also be made of Gerald Carter’s set design. Not all plays call for elaborate sets, but in this case, with so much of the humor derived from the setting, it’s good to see what looks very much like an English vicarage. When See How They Run premiered at London’s West End in 1945, war still raged across Europe and three bombs exploded near the theater. Despite these disturbances, nobody left until the end—the play was too funny. While it may not command quite the same appreciation from today’s audiences, King’s farce is still good for a laugh, or rather, several dozen laughs.—Sean Conwell

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metroactive ARTS 42 overview of transportation history in the valley, sponsored by Rotary Club of San Jose and History San Jose. Ongoing. San Jose.

GALLERY HOUSE “Small Works.” Thru Feb 5. Tue, 11am-4pm, Wed-Sat, 11am-8pm, Sun 11am-3pm. Enter through Printer’s Ink, Palo Alto.

GALLERY SARATOGA “Street Scenes.” Oil paintings by Karina Svalya. Thru Feb 6. Tue-Sun, 11am-5pm. Big Basin Way, Saratoga.

KAVLI INSTITUTE FOR PARTICLE ASTROPHYSICS A display of 19 works, including the “Galactic Mysteries” series, by Leah Lubin. SLAC National Accelerator Lab, Stanford.

MACLA “Novelas, Love and Other Adventures.” A group show about graphic novels and comic books with a Latino slant, featuring Jaime Hernandez, Rio Yañez and Mayra Ramirez. Thru Mar 26. Wed-Thu, noon-7pm, Fri-Sat, noon-5pm. San Jose.

MONTALVO ARTS CENTER “From Within, So Without” by Ali Maschke-Messing. Thru Jun 1. “Sculpture on the Grounds: David Middlebrook.” Thru Jun 1. “Cease and Desist.” A site-specific work by Carrie Ungerman and costumes from recycled materials by San Jose artist Charlotte Kruk. Thru Apr 17. Saratoga.

PALO ALTO ART CENTER Patrick Dougherty’s large environmental site-specific project. “The Nature of Entanglements.” Photographs of Dougherty’s installations in various locations. Thru Mar 31. “Architecture of Memory.” Sculpture by Mildred Howard. Thru Mar 31. Palo Alto.

PHANTOM GALLERIES Works in storefronts by Yumiko and Reiko Miyagawa. Along South First Street, San Jose.

SAN JOSE INSTITUTE OF CONTEMPORARY ART “Old Technology.” A retrospective of painting,

sculpture and installations by SJSU artist Tony May. Thru Feb 26. Tue-Fri, 10am-5pm, Sat, noon-5pm. San Jose.

STANFORD ART SPACES Paintings by Angelica Di Chiara, photos by Gil Mares, paintings by Alan Sonneman and photographs by Vaibhav Tripathy. Thru Mar 17. Reception Feb 11, 5-7pm. Mon-Fri, 8:30am-5pm. Paul G. Allen Center for Inegrated Systems, Stanford.

*books PATTI LEE-HOFFMANN

The author talks about her new business book, “In Great Company.” Thu, 7pm. Free. Kepler’s, Menlo Park.

MICHELLE RICHMOND A Silicon Valley Reads event focusing on Richmond’s novel “The Year of Fog.” Tue, 7pm. Free. Los Altos Public Library.

MARTIN ROSSMAN The doctor and author of “The Worry Solution” talks about how to reduce stress in our lives. Thu, 6pm. Free. Stanford University Bookstore.

REBECCA SOLNIT The author and historian appears for two events sponsored by the Center for Literary Arts at SJSU. Booksigning and reading Tue, 7pm, King Main Library, San Jose. Wed (Feb 10), 1pm, conversation with Malcolm Margolin. King Main Library, Sn Jose. Both are free.

KELLI STANLEY A booksigning for mystery author and her latest, “The Curse-Maker.” Sun, 2pm. Free. Kepler’s Menlo Park.

*kids

FERDINAND THE BULL Presented by Palo Alto Children’s Theatre. Thu, 4:30pm. Fri, 7pm, Sat-Sun, 2 and 7pm. Runs thru Feb 13. $8/$12. At Lucie Stern Community Center, Palo Alto.

I DON’T WANT TO GO TO BED A children’s show from

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METROACTIVE.COM California Theatre Center. Sat, 11am. Thru Feb 19. $11/$12. Sunnyvale Community Center.

*events BE YOUR OWN BOSS EXPO

Information about starting a business and working at home with consultants and coaches. Sat, 10:30am-5pm. $10. Santa Clara Convention Center.

CHARGING THE EV EVOLUTION A session with the German American Business Assoc. with a panel discussing various issues about the development of electric cars. Thu, 6-9pm. $20 and up. SAP Labs, Palo Alto. (See www.gaba-network.org for details.)

DEALING WITH DIFFICULT COLLEAGUES A talk by Marc Herson and Jonathan Littman for the Commonwealth Club. Thu, 7pm. $8/$20. Silicon Valley Bank, Santa Clara.

A HACKERSPACE FOR BIOTECH Eri Gentry of BioCurious talks about the DIY bio movement and collaborative projects by local experimentalists. Tue, 11:45am, Hangen Szechuan Restaurant, Mountain View. (Lunch is $12, call 650.969.7215 for info.)

RON HERMAN LECTURE The chair of the photography department at Foothill College will talk about “Race, Gender and Sexual Identity in Contemporary Photography.” Wed, noon. Free. San Jose Museum of Art.

LUNAR NEW YEAR A free community day of art-making sessions, demonstrations and performance by ethnic dance groups and the California Youth Chinese Symphony. Sat, 11am-5pm. Free. San Jose Museum of Art.

JOHN ROBBINS The famed food thinker and author talks for the Commonwealth Club. Wed, 7pm. $10/$15. Sobrato Center for Nonprofits, San Jose.


Graphic Lives

The chronicles of Esperanza “Hopey” Glass and Maggie Chascarillo (friends, lovers, antagonists) sit at the center of the Hernandez brothers’ extensive vision of Latino life. During the decades, this saga has never dwindled into weak multicultural clichés in which strong families tough out second-class status in the United States. There’s anger here, bitterness at the kind of “guys [who] would kill their best friends over a girl or drugs.” But as Jaime Hernandez told interviewer Chris Knowles, “I found ways of being angry and portraying beauty at the same time, you know?” Take the most recent work by Jaime Hernandez, Home School (1998): adventures in baby-sitting during a dull summer in 1966, enlivened by stolen cigarettes and loitering sessions at the dugout at the local ballpark. Jaime Hernandez emulates children’s comics for Efm\cXj# Cfm\ design. As in Charles Schulz’s Peanuts, we see shades of meaning and perspective—a mute watchful 8e[ Fk_\i child and the silence that tells all. The surprise is the 8[m\ekli\j most distilled work: a two-page punch in the face titled Cream City from Love and Rockets Vol. 2, No. Through March 26 13, in 2005. It’s a first-person story about a late-night MACLA, 510 S. First St., visit from a drugged lady: two different angles of San Jose heartbreak described in a handful of panels. Love and Rockets was always one of the densest comics ever done; the nested narratives challenged graphic novelists afterward to take up ever more braided story lines. The storytelling is intricate and subtle; the personal nicknames can be as confusing as the patronymics in a Russian novel. The inking is extremely strong, so there’s not much visible pentimento in these pages. There might be one blotted-out word balloon slathered with whiteout; in short, what you saw on the page on Love and Rockets was what was there in the original art. The difference is, here it is before you. Harmoniously sharing this show is Rio Yañez and Mayra Ramirez’s Las Adventures of the Ramirez Sisters. Ramirez was also raised in Oxnard, as it turns out; making her local gallery debut, she’s the model and collaborator in these 3-D prints complete with nearby glasses to perceive them. Mayra poses as both fictional Ramirez sisters: one an intellectual college girl with laptop and Chomsky paperback, the other a high-haired loca getting her arm tattooed. Favianna Rodriguez gives the show a burst of color in her serigraphs. The pieces are seven abstract figures showing Rodriguez’s roots in poster and graffiti art. Her work is a blend of pre-Columbian arts reaching from the Pacific Northwest First Nation to Peru. It ought to be a mixed metaphor but somehow it isn’t, thanks to the exuberance and sense of play on display.—Richard von Busack

M E T R O S I L I C O N VA L L E Y | F E B R UA R Y 2- 8 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

FOR ITS latest show, MACLA presents a treasure from the world of graphic novels. It’s as significant as that traveling typewriter roll of Jack Kerouac’s. The gallery displays 70 pages of original art by Jaime Hernandez from Love and Rockets comics, his long-running collaboration with his brothers, Gilberto and Mario. Central to the show is art for the 1987 story “The Death of Speedy Ortiz”: 39 pages about how a young girl’s freedom to flirt sweeps her neighborhood into IF:B<K J:@<E:< 8 gXe\c trouble, leading inadvertently to a ]ifd ÉCfm\ Xe[ IfZb\kjÊ Yp violent death. As word gets out of her k_\ ?\ieXe[\q Yifk_\ij% activities, skirmishes break out between two barrios. One is a version of Oxnard, where the Hernandezes grew up. The other is a fictional cowtown near Gonzales in south Monterey County.

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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moderators are a e going to be ar be big-name moderators announced shortly, shortlyy,” Hussey Hu ussey says. saayys. “You “Y Yo ou announced become either either a Facebook Facebo ook friend friend or or a become Tw witttter follower, fo ollower, and you you o see some of Twitter the video content. content. Audiences Audiiences actually influence the the producers producers to to pick pick who who influence they think think are arre the the better better actors acctors for for they the roles. roles.” As As always, allways, various various days days the of the the festival festival emphasize emphassize aspects aspects of of of filmmaking. This This year, year, the the Day Day of of the the filmmaking. Writer focuses fo ocuses on on science science fiction, fiction, with with Writer Ru unner scripter scripter David David Peoples Peoples Blade Runner returning. A day daay on 3-D D brings Step Sttep e Up returning. D director di ector dir t Jon Jon Chu Ch to to the th festival. feestival. ti l 3-D Cinequest is is temporarily temporarily installing installling Cinequest Barco DP2K-32B DP2K-32B projector—the projector—the a Barco brightest digital digitall projector projector available—to availab ble—to brightest featur e ess to San Jose Jose bring some 3-D features Rep e . Notes Notes Hussey, Husseey, “Once, “Once, digital digital film Rep. wass 20 20 percent percent of of Cinequest; Cinequest; now, now, it’s it’s was 80 percent. percent. Of Of course, course, the th he technology technology 80 doesn’t make make the the person person creative, creative, even even doesn’t films. Butt today todaay the low in low-budget films. budget gives gives no no excuse excuse for for a film film not not budget being well made. made.” being Among the the dozens dozens of of offerings off ffeerings at at Among yeear’s festival feestival worth worth h considering: considering: this year’s by Latina Latina indie indie director director Sonia Sonia America by Fritz is is a tale talle of of an an abused abused woman woman n Fritz freedom; it co-stars co-st s ars Edward Edward seeking freedom; James Olmos. Olmos. Iceland’s Icelan nd’s entry entry into into James the Oscars Oscars is is the the Alzheimer’s-themed Alzheimer’s-themed the

Mam mma Gógó. Góóggó. Martha Marrtha Plimpton Plimpton drama Mamma a d Peter Peeter e Stormare St Stormar o a e star st s aar in Small T oown and Town Murrdder Songs, Songgss, Ed Ed Gass-Donnelly’s Gasss-Donnelly’s Murder mystery set set in in a religious religious farm faarrm town town mystery Ontario. The documentary documentary D ying in Ontario. Dying to Do Letterman Lettterm e man concerns concerns former fo ormer San to Franciscan Steve S ve Marzen,, a comedian Ste comedian Franciscan whose terminal terminal illness illness spurred spurred him him whose ate N ight W ith David David to seek a gigg on LLate Night With Lettterman e bef efo ore it was was too too late. late. Letterman before Without i Woomen is a comedy comedy Village Without Women about what what Cinequest Cinequest associate associate about director Mike Mike Rabehl Rabehl describes describes ass a director story of of “country “country bumpkins bumpkins from from a story village of of Serbian Serbian bachelors bacchelors trying trying village thesse women in Albania, a to find these country that that they’re they’re not not on on good good country Jenna Fischer, Fischer, Chris terms with..” Jenna John Turturro’s Turturro’s cousin cousin O’Donnell and John Aida Turturro Turturro star star in in the the comedy comedy Aida Little Help. Helpp. Uma Uma Thurman’s Thurman’s new new A Little comedyy, Thee C eeremonyy, w as shepher ded comedy, Ceremony, was shepherded roducer Jason Jason Reitman Reitman by executive producer Thaank You Yoou for Y for o Smoking). Smokingg)). ) (who directed Thank To om Shadyac (Bruce (Bruce After directorr Tom hurt in a traffic accident, accident, Almighty) was hurt earch for for the the spiritual spirituall side side he decided to search men ntary I Am iinterviews nterviews of life; his documentary Noaam Chomsky Chomsk kyy to everyone from Noam search of answers. ansswers w . Desmond Tutu in search man n’s Desert D Flow weerr is ab out Sherryy Horman’s Flower about the tragedy traggedy of of female female circumcision, circumcision, with with the Keebedee starring starrin ng as Waris Dirie, Dirie, U.N. U..N. Liya Kebede spokeswoman, former former Bond Bond girl girl and and spokeswoman, Cheevvalier off the Legion Legion of Honor. Honorr. Chevalier closin ng-night show is Soul Sur rfeer The closing-night Surfer with AnnaSophia AnnaSophia Robb Robb as as surf surf legend legend with Bethany Hamilton, Hamilton, with with members members of of Bethany the Santa San nta Cruz Cruz surfing surfing community community the expected in n attendance. attendance. expected Sodankkyla y a Forever, For o ever, a perfect perfect film film Sodankyla fo or a film festival, feestival, is a documentary documentary for celebrating one one of of the the world’s world’s most most celebrating remote gatherings gatherings of of cinéastes, cinéastes, the the remote Sun Festival Festival in Finland. Finland. Midnight Sun e , San Jose else Jose has better better If nothing else, weather. weather. Wrrappin ng with Jesus, Jesus, Rabehl Rabehl Wrapping recommend ds a film that apparently apparently recommends should not not be be knocked knocked until until it’s it’s tried: tried: should Littttle Baby Babby Jesus Jesus e of Flandr, Flandr, the stor Little storyy Three Wise Wiise men filmed by by a of the Three cast of actors actorrs with Down’s Down’s syndrome. syndrome. cast More shortly shortly t in the weeks ahead. More

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Check out THE EAGLE website and let us know which of the film’s actors recently received a star on the walk of fame? Email your answer to FocusRSVP@43kix.com, subject line EAGLE METRO, along with your name and mailing address.

Join us on Superbowl Sunday at

BRITANNIA ARMS (173 W. Santa Clara Street, San Jose)

for a chance to win prizes from THE EAGLE. www.britanniaarms.com Deadline for entries is Monday, February 7, 2011. Passes are limited and available while supplies last. Winners picked by random drawing of all correct entries received by deadline and notified by regular mail. This film is rated PG-13. Run-of-engagement passes received through this promotion do not guarantee admission to the theatre. Seating is on a first come first served basis. Theatre is open to paying customers. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. Focus Features, Metro Newspapers, Britannia Arms, Terry Hines & Associates and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary. Participating sponsors their employees & family members and their agencies are not eligible. NO PHONE CALLS!

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Daniel Guerra

47


M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2-8, 2 0 1 1 | M E TR O S I L I C O N VA L L E Y

Š 2010 MIROVISION Inc.

48

REVIEW

metroactive FILM

New

2

ACADEMY AWARD NOMINATIONS

THE HOUSEMAID

BEST ACTOR â&#x20AC;˘ Javier Bardem BEST FOREIGN LANGUAGE FILM

THE ROOMMATE

ÂŽ

â&#x20AC;&#x153;A

MODERN MASTERPIECE .â&#x20AC;? -Matt Holzman, NPR

â&#x20AC;&#x153; BRAVO

BARDEM!

-Peter Travers, ROLLING STONE

UNQUESTIONABLY ONE OF THE YEARâ&#x20AC;&#x2122;S BEST.â&#x20AC;? K?< :C<8E<I A\fe ;f$p\fe jZilYj lg `e Ă&#x2030;K_\ ?flj\dX`[%Ă&#x160;

â&#x20AC;&#x153;JAVIER

BARDEM IS AMAZING.â&#x20AC;?

Family Plot FEEL LIKE a little class warfare? Pervy, sarcastic, frequently mean for the fun of it, the Korean import The Housemaid by Im-Sang soo is satisfyingly dirty. Itâ&#x20AC;&#x2122;s remade from a 1960 black-andwhite Kim Ki-Young film, which was apparently closer to Samuel Fuller than this versionâ&#x20AC;&#x2122;s glossy Hitchcock stylings. The Housemaid in question is a dim, pretty little kitty named Eun-yi (Jeon Do-yeon) who goes to work at the mansion of a wealthy family. The lady of the house, vastly pregnant, is cosseting the unborn twins in her belly, soaking in Matisse and classical music. Her spouse, the handsome Hoon (Lee Jung-jae), is as insolent as a lord and loves to relax by pounding on the piano. The couple is tended by an elder female servant called Byung-sik (Youn Yuh-jung, who makes lots of Ian McKellen faces); she solaces her own repeatedly bruised pride with loads of ciggies and drink. It doesnâ&#x20AC;&#x2122;t take long for Hoon to help himself to the new maid. She doesnâ&#x20AC;&#x2122;t put up any resistance, despite warnings from Byung-sik. Thanks to the older maidâ&#x20AC;&#x2122;s double-agent role in the household, word about the infidelity reaches both the pregnant wife and her

-Betsy Sharkey, LOS ANGELES TIMES

-Mary Pols, TIME

ruthless parvenu mother. The Housemaid is drunk with elegant compositions, with owlâ&#x20AC;&#x2122;s-eye views of the marble f loors of this mansion. This house is a guilty party, like the mansions in The Fallen Idol and Notorious. The centerpiece is a blazing K_\ fireplace big enough to ?flj\dX`[ roast a dozen sinners. Unrated; 106 min. The movie looks rich. Opens Friday, American movies try Camera 3, to democratize wealth, San Jose but the costumes here are coldly luxurious and off-putting; the possessions look expensive and vaguely ill-gotten. The walls positively sag from all the fine art hung on them, mostly by Gary Indiana and Kim Jae-gwan. This spotless mausoleum ref lects the unmitigated pride of a true bastard and his climbing bitch of a wife. The Housemaid has the f lamboyance of a film noir melodrama, with a strong, modern erotic strain. And to those of us on the currently losing side of the class war, itâ&#x20AC;&#x2122;s nice to see that the sour-faced Thelma Ritterish Byung-sik is as close to a moral center as this film gets.â&#x20AC;&#x201D;Richard von Busack

WINNER BEST ACTOR JAVIER BARDEM CANNES FILM FESTIVAL

(Unrated; 106 min.) See review at left.

(PG-13; 93 min.) Trouble in the dorms with Leighton Meester and Minka Kelly. (Opens Fri.)

SANCTUM (R; 109 min.) Trouble in 3-D in an underwater cave. (Opens Fri.)

Revivals DINNER AT EIGHT/YOU CANâ&#x20AC;&#x2122;T TAKE IT WITH YOU (1933/1938) Various characters tie on the feedbag at a Manhattan dinner party. The production is loaded with talent: script by Frances Marion and Herman Mankiewicz; cinematography by William Daniels; and a cast that included the heavier horses in MGMâ&#x20AC;&#x2122;s stable: Marie Dressler, Wallace Beery and the Barrymore brothers. John plays an alcoholic actor at the end of his tetherâ&#x20AC;&#x201D;must have been a real stretch for him. Yet what everyone remembers most is Dresslerâ&#x20AC;&#x2122;s expert verbal slapdown of the movieâ&#x20AC;&#x2122;s real star, Jean Harlow. BILLED WITH You Canâ&#x20AC;&#x2122;t Take It With You, Frank Capraâ&#x20AC;&#x2122;s story of a family of happy eccentrics led by a wise grandpa (Lionel Barrymore); they meet opposition from a wealthy snob (Edward Arnold). In some respects this example of Capra-corn is something the director should have taken with him, but the young ingenues (James Stewart and Jean Arthur) and an even younger Ann Miller illuminate the ďŹ lm with charm. (Plays Feb 5-7 in Palo Alto at the Stanford Theatre.) (RvB)

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THE LEOPARD MAN/ THE GHOST SHIP (Both 1943) A press agent named Jerry (Dennis Oâ&#x20AC;&#x2122;Keefe) and his

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â&#x20AC;&#x153;TERRIFICALLY ENTERTAINING!â&#x20AC;? â&#x20AC;&#x201C; Shawn Levy, THE OREGONIAN

www.ipman2movie-us.com

NOW PLAYING


49

send an email with your name and mailing address to

SJPromos @metronews.com RATED R FOR CRUDE AND SEXUAL CONTENT, LANGUAGE AND DRUG USE. PHOTO ID WILL BE NECESSARY FOR ADMITTANCE TO THE THEATRE. A PARENT OR ADULT GUARDIAN MUST ACCOMPANY CHILDREN UNDER THE AGE OF 17! PASSES RECEIVED THROUGH THIS PROMOTION DO NOT GUARANTEE ADMISSION. SEATING IS ON A FIRST COME, FIRST SERVED BASIS, EXCEPT MEMBERS OF THE REVIEWING PRESS, THEATRE IS OVERBOOKED TO ENSURE A FULL HOUSE. No one will be admitted without a ticket. Seating is on a first come, first served basis. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. Fox Searchlight Pictures,Terry Hines & Associates, SJ Metro and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. Participating sponsors their employees & family members and their agencies are not eligible. NO PHONE CALLS! TICKETS RECEIVED THROUGH THIS PROMOTION ARE NOT FOR RESALE.

IN THEATERS FEBRUARY 11TH!

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To win a pass to see


M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2-8, 2 0 1 1 | M E TR O S I L I C O N VA L L E Y

50

metroactive FILM girlfriend, the skidding star Kiki (Jean Brooks), come to a New Mexico town. To give Kikiâ&#x20AC;&#x2122;s nightclub act a push, they rent a black panther as a prop. It escapes. Producer Val Lewtonâ&#x20AC;&#x2122;s excellent thriller about suspicion and the lethal power of arrogance stages its violence off-camera: particularly in the famous behind-the-door scene they still talk about at ďŹ lm school. BILLED WITH The Ghost Ship. Beautifully made, albeit overwritten. Capt. Will Stone, played by the warm, broad-faced Richard Dix, is a skipper who has as his motto: â&#x20AC;&#x153;Who does not heed the rudder shall meet the rock.â&#x20AC;? The motto is useless: only one shipâ&#x20AC;&#x2122;s

48

ofďŹ cer (Russell Wade) can stop the wreck coming. The strangely named and strangely faced Skelton Knaggs has his best screen role as a Finnish mute. (Plays Feb 3-4 in Palo Alto at the Stanford Theatre.) (RvB)

NILES FILM MUSEUM Regularly scheduled programs of silent and independent ďŹ lms. Feb 5: Alice Terry and Ramon Novarro (as Rupert of Hentzau) in Rex Ingramâ&#x20AC;&#x2122;s version of The Prisoner of Zenda (1922). Also: Koko the Klown in The Automobile Ride and Perils of Pauline Episode 9, The Floating CofďŹ n (1914), in which the accident-

PRESENTS A PRODUCTION A FILM BY

AND AND

prone Pearl Whiteâ&#x20AC;&#x2122;s pleasure boat is mistaken for a Navy target ship. And Harold Lloyd in The Non-Stop Kid (1918). Frederick Hodges at the piano. (Plays Feb 5 at 7:30 in Fremont at the Edison Theater.) (RvB)

THE SOUND OF MUSIC (1965) The sing-along version. In the dark where no one can see you sing â&#x20AC;&#x2122;nâ&#x20AC;&#x2122; sob, warble â&#x20AC;&#x153;A Problem Like Maria,â&#x20AC;? â&#x20AC;&#x153;Climb Evâ&#x20AC;&#x2122;ry Mountainâ&#x20AC;? and â&#x20AC;&#x153;The Lonely Goatherdâ&#x20AC;? (a title from a more innocent era). (Plays Feb 4-6 in San Jose at the Retro Dome.) (RvB)

For a chance to win two admit-one passes to see at a special advance screening in San Jose Thursday, February 10, send your name and mailing address to SJPromos@metronews.com

with subject line: JUST GO WITH IT. Passes are limited and will be distributed on a first-come, first-served basis, while supplies last. This film is rated PG-13. Theatre is overbooked to ensure a full house. Passes received through this promotion do not guarantee admission and must be surrendered upon demand. Seating is on a first come, first served basis. EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. No one will be admitted without a ticket or after the screening begins. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider. Columbia, SJ Metro, and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary. Participating sponsors their employees and family members and their agencies are not eligible. NO PHONE CALLS!

IN THEATERS FRIDAY, FEBRUARY 11 www.JustGoWithIt-Movie.com

(PG-13; 129 min.) As suffused with harmony as a great work of Asian art, alive with the wit and compassion that have made Mike Leigh a master director of comedies. Itâ&#x20AC;&#x2122;s a study in dichotomy: an aging, hard-working couple (Ruth Sheen, Jim Broadbent) in the suburbs of London contrasted with the life of their high-maintenance friend Mary (Lesley Manville). If Another Year is a four-paneled study instead of a wide canvas like Secrets and Lies, the ďŹ gures are deep and well conceived, perhaps idealized but not sweetened. Manvilleâ&#x20AC;&#x2122;s acting, absolutely wounding to watch, shows what itâ&#x20AC;&#x2122;s like to be an exile from the world. Thereâ&#x20AC;&#x2122;s genuine horror in her desperation. Itâ&#x20AC;&#x2122;s like watching a woman freeze to death in front of us. (RvB)

Williams) is a nurse married to Dean (Ryan Gosling), a housepainter; the two are seen on their ďŹ rst dates and years later at what may be the end of their marriage. Director Derek Cianfranceâ&#x20AC;&#x2122;s intimate and frighteningly close study of the bad side of love has problems: confusing time frames and some bits of info that seem to have been left in the directorâ&#x20AC;&#x2122;s head during the harrowingly long pre-production. What we start to see, thanks to Williamsâ&#x20AC;&#x2122; acting, is something bigger than this coupleâ&#x20AC;&#x2122;s feud. Itâ&#x20AC;&#x2122;s more like the war of the body and the soul. Thereâ&#x20AC;&#x2122;s too much challenge to the average insipid romcom for this ďŹ lm to be ignored. More than anything, Blue Valentine makes it clear what a terrible thing â&#x20AC;&#x153;romantic destinyâ&#x20AC;? would be if it really existed. As for Williams: she simply gives the single best female performance of the year. (RvB)

BARNEYâ&#x20AC;&#x2122;S VERSION

FROM PRADA TO NADA

Reviews ANOTHER YEAR

(R; 132 min.) Director Richard J. Lewisâ&#x20AC;&#x2122; version of Mordecai Richlerâ&#x20AC;&#x2122;s 1997 novel skews melodramatic and inappropriately touching. Setting the novel aside, though, Lewisâ&#x20AC;&#x2122; comedy is an unusually intelligent and sarcastic ďŹ lm. Paul Giamatti is the Barney in question, a harried but wealthy Montreal TV producer. Barneyâ&#x20AC;&#x2122;s three marriagesâ&#x20AC;&#x201D;to Rachelle Lefevre, Minnie Driver and Rosamund Pikeâ&#x20AC;&#x201D;were catastrophes of different varieties. As this artist of the perfect squelch, Giamatti is bracingly cast, and one canâ&#x20AC;&#x2122;t imagine anyone else in the part. (RvB)

BIUTIFUL (R; 147 min.) In Barcelonaâ&#x20AC;&#x2122;s Santa Coloma district, Uxbal (Javier Bardem) has learned that he has stage-four prostate cancer. His estranged wife, Marambra (Maricel Ă lvarez), is a promiscuous bipolar case who is too close to Uxbalâ&#x20AC;&#x2122;s brother, Tito (Eduard FernĂĄndez). His two children are growing up neglected. Seeing the end in sight, Uxbal works night and day. The beauty of anything but rot is either missing or bruised in director Alfonso GonzĂĄlez Iùårrituâ&#x20AC;&#x2122;s ďŹ lm. There is no fun for the poor in a neighborhood IĂąarritu rhapsodizes about (â&#x20AC;&#x153;It has the DNA of a perfect U.N.â&#x20AC;?), neither in color itself nor in sex. At a strip club, with mutant dancers decorated with extra nipples on their asses, Biutiful goes beyond its belabored world-isa-ghetto point right into straight disgustorama. (RvB)

BLUE VALENTINE (R; 120 min.) Cindy (Michelle

(PG-13; 107 min.) A comedy about two suddenly impoverished sisters who go to live with their aunt in Los Angeles; based on Austenâ&#x20AC;&#x2122;s Sense and Sensibility and starring Camilla Belle and Alexa Vega.

THE ILLUSIONIST (PG; 80 min.) It is a pretty thing, but can you call The Illusionist Jacques Tati? Sylvain Chomet directs this animated feature based on an unproduced script by the auteur of M. Hulotâ&#x20AC;&#x2122;s Holiday and others. Compared with Chometâ&#x20AC;&#x2122;s The Triplets of Belleville this new ďŹ lm seems underpowered and faint. Itâ&#x20AC;&#x2122;s hard to make an entire movie out of wistfulness. Tatischeff (Tatiâ&#x20AC;&#x2122;s real name) is an aging stage magician who holes up in a theatrical hotel with other small-timers. But Tatischeff has company: a young girl who believes that his conjuring tricks are authentic magic. The cityscapes glow enchantingly; the tinted melancholy seascapes show that if 2-D animation is really on its way out, Hayao Miyazaki wonâ&#x20AC;&#x2122;t be its only pallbearer. (RvB)

INSIDE JOB (PG-13; 108 min.) A whirlwind tour through the economic rubble of 30 years of deregulation of banks and ďŹ nancial institutions. Charles Fergusonâ&#x20AC;&#x2122;s enraging documentary discovers that the famous revolving door turns 360 degrees; grossly overpaid gamblers from Goldman Sachs and elsewhere are returned to government ofďŹ ces they left for Wall Street. Some of these spoilsmen go to formerly honorable Ivy League institutions, there to legitimize the


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IP MAN 2 (R; 108 min.) Idealistic, rousing and ďŹ&#x201A;uidly shot martial arts ďŹ lm recalls the golden age of Hong Kong action; as in the old days, you hardly need to have seen the ďŹ rst IP Man to get a grip on the plot. A humble yet formidable master (the likable Donnie Yen) teaches Wing Chun martial arts in corrupt post-war Hong Kong. Heâ&#x20AC;&#x2122;s pinioned in-between the police (represented by perennial fat-guy weasel Kent Cheng) and a rival master (Sammo Hung, who directed the action sequences). Complications ensue when the evil foreign-devil British imperialist overlords bring in a vicious Western-style boxer (Darren Shahlavi) called Mr. Twister: is this, indeed, S. Y. Marshakâ&#x20AC;&#x2122;s old Soviet joke that went to the Peopleâ&#x20AC;&#x2122;s Republic after the Communists fell? Who knows, but Twisterâ&#x20AC;&#x2122;s unbearable insults to China in general and Chinese martial arts must be met in the ring in an astounding match between kung fu and boxing. Recommended. (RvB)

THE KINGâ&#x20AC;&#x2122;S SPEECH (R; 118 min.) Colin Firth gives a deeply affecting portrayal of a shamewracked man born and bred to be a spokesman, yet who is handicapped with a crippling stammer. In the 1930s, Firth is the Duke of York, a family man with a wife named Elizabeth (Helena Bonham Carter). The stammering duke, known to his family as â&#x20AC;&#x153;Bertie,â&#x20AC;? is the ofďŹ cial spare to the heir, next in line to the Prince of Wales (a superlatively cast Guy Pearce embodies this Edwardâ&#x20AC;&#x2122;s upper-class shadiness and monstrous entitlement). The prince is the love slave of a twice-married American named Simpson; his affair and his indifference to world troubles are pushing events to a constitutional crisis. The man tapped to solve it is Lionel Logue (Geoffrey Rush), an Australian speech therapist tasked

with helping the duke ďŹ nd his voice on the eve of Englandâ&#x20AC;&#x2122;s entry into World War II. Most of the ďŹ lm is an inspired actorâ&#x20AC;&#x2122;s duel about the conďŹ&#x201A;ict between pride and need. Rushâ&#x20AC;&#x2122;s wit and nimbleness counterpoint this story of majesty, which is almost exactly as tragic as it is comic. (RvB)

THE MECHANIC (R; 92 min.) Jason Statham is on the loose again.

NO STRINGS ATTACHED (R; 110 min.) Street credless but not so bad romcom is a strong comeback for Ivan Reitman, despite how he stalls it out with delays and uncomfortable slang (crunk jokes? Really?). Can we believe that Natalie Portman is a beautiful L.A. physician who works like a maniac and wants a sex life with no demands? Why not. Can Ashton Kutcher play Adam, a likable but not brilliant aspiring TV scriptwriter who lucks into meeting the demands of the above-mentioned Emma? Naturally. Can both of these status-crossed lovers be linked by issues about their respective fathers, which would give them a lack of trust? Simplicity itself; Alvinâ&#x20AC;&#x2122;s own dad here is a former â&#x20AC;&#x2122;80s sitcom star played ably and wickedly by Kevin Kline. Reitman cast half the under-30 standup comedians in L.A. to show up in bit parts. Greta Gerwig steals every scene sheâ&#x20AC;&#x2122;s in. But Portman is as uneasy with crude comedy as Kutcher is with the sophisticated side of wit. Thereâ&#x20AC;&#x2122;s a smarter, meaner indie comedy in this ďŹ lm, and Reitman beats it down and stalls it; it arrives at its point and then sticks around for a half-hour looking for something to do. (RvB)

THE RITE (PG-13; 112 min.) Based, lightly one suspects, on Father Gary Thomas of San Joseâ&#x20AC;&#x2122;s own career, as recorded in Matt Baglioâ&#x20AC;&#x2122;s nonďŹ ction book. In Rome, a skeptical Midwestern priest (Colin Oâ&#x20AC;&#x2122;Donoghue) apprentices with Father Lucas, a cracked male cat-lady of an exorcist (Anthony Hopkins). Director Mikhal Halfstrom doesnâ&#x20AC;&#x2122;t so much direct as he sics Hopkins at the part. Hopkins gives approximately 1,400 percent of his talent in the possession scenes (this is a man after all who played both Van Helsing and the worldâ&#x20AC;&#x2122;s most evil human); heâ&#x20AC;&#x2122;s perhaps even more delicious when heâ&#x20AC;&#x2122;s not horsing the devil and just emitting abstract Pinterian sighs at the slipperiness of Satan. The movie doesnâ&#x20AC;&#x2122;t parse: Satan wants us to not believe he exists, ergo he causes people to talk like death-metal musicians and crow

M E TR O S I L I C O N VA L L E Y | F E B R UA R Y 2-8, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

kind of ďŹ scal policies that made them superrich. Few have regrets, but some have anger at being asked impertinent questions about ethics by a lowly submillionaire with a camera. The ďŹ lm records a nonpartisan disgrace. One of the prime disappointments of the Obama administration is the way he found work for the familiar rogues from the Meltdown of â&#x20AC;&#x2122;08. Ferguson asks great questions. Donâ&#x20AC;&#x2122;t expect a lot of great answers about how a gloriďŹ ed Ponzi scheme left most of America either overworked or unemployed, heavily in debt and a few millimeters away from homelessness. (RvB)

that heâ&#x20AC;&#x2122;s going to eat the maggots off of dead ďŹ&#x201A;esh. Make up your mind, Beelzebub! The best effects are the simplest: a moment of nasty shock as Lucas strikes a child or when he sits half-dressed in the rain: indeed, Hopkins adds Lear to this. Nothing like a Welshman if you want to beat the devil, as per Exorcist II: The Heretic. See at a bargain matinee and marvel at the richness of this ageless, virile yet feline actor, and damnâ&#x20AC;&#x2122;d be him who cries hold, enough. (RvB)

SEASON OF THE WITCH (PG-13, 95 min.) Nicolas Cage plays a knight named Behmen who with his best pal (living Picasso minotaur Ron Perelman) spent the early 1300s putting his sword through Saracens, before cutting and running from the Crusades. In a citadel town, a dying cardinal (Christopher Lee) asks the knights to haul an imprisoned witch (Claire Foy) to an abbey a weekâ&#x20AC;&#x2122;s ride away. She seems like such a nice girl, though, and thereâ&#x20AC;&#x2122;s an element of doubt: what if sheâ&#x20AC;&#x2122;s actually an innocent victim of superstition? This question (soon solved, unfortunately) isnâ&#x20AC;&#x2122;t the point; a few extraneous characters whose fate is quite foreseeable follow the two leads on a trip from the Wormwood Forest to the Abbey of the Zombies. Cage, looking quite well fed, takes the knightly high road; the script is littered with lines like â&#x20AC;&#x153;Honor is not to be discarded or forgotten.â&#x20AC;? This ďŹ lm, however . . . (RvB)

For showtimes, advance tix and more, go to

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SCREEN GEMS PRESENTS A VERTIGO ENTERTAINMENT PRODUCTION â&#x20AC;&#x153;THE ROOMMATEâ&#x20AC;? ALY MICHALKA AND BILLY ZANE SUPERVISIONMUSICBY MICHAEL FRIEDMAN MUSICBY JOHN FRIZZELL DANNEEL HARRIS FRANCES FISHER PRODUCED EXECUTIVE WRITTEN BY DOUG DAVISON AND ROY LEE PRODUCERS BEAU MARKS SONNY MALLHI BY SONNY MALLHI DIRECTED BY CHRISTIAN E. CHRISTIANSEN

STARTS FRIDAY, FEBRUARY 4

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metroactive MUSIC

Punkocalypse

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in n San Jose Jose in 1987—left 1987—left to pursuee his hi is suc successful cessful snow-r snow-removal emoval business busin ness Truckee. Though was iin nT ruckee. T hough iitt w as a huge huge loss lo oss ffor or the band, Sly didn’t o didn’t feel feeel it was w as aan n aappropriate ppropriate time time to to make make an n announcement, an nnouncement,, since since his bassist Matt M tt Mat was R Riddle w as in the hospital hospital with a severe pancreatitis. se evere ccase ase off pancr eatitis ii. “For second there, “F or a sec ond ther e, I was was like, like, what’s ‘‘Wait, Wait, w hat’s going going on? on? Am Am I going going entiree band right here?” to o lose the entir here??” says Sly. sa ayys Sly y. No N o Use Use for for a Name, Name, however, however, has has been more off b een tthrough hrough m ore tthan han its its share share o shake-ups—Sly wasn’t exactly sh hake-ups—Sly himself w asn’t exac ctly original tthe he o riginal vocalist, vocalist, though though he he joined joined the fronted th he band in his teens and fr onted their third show. th heir thir d show w. ““II cconsider onsider myself myself an an original originall member. m memb er. I mean, I missed two two shows. sho ows. But later,, I’m still doing it, B ut 24 yyears ears later i ” hee sa says. h ayys. This was T his w as long long before before their their breakthrough b reakthrough aalbum lbum on on Fat Fat Wreck Wreck Chords, 1995’s Con Carne, made C Chor ds, 19 95’s LLeche eche C oon C aarne, m ade No Use No U se for for a Name Nam me one one of of the the ’90s ’90s

popular bands, most p opular punk ba ands, so the when cchange hange went went unnoticed; unnoticed; not not sso ow hen gguitarist uitarist Chris Chris Shiflett Shiflett left left the the group group 1999 in 19 99 to join Foo Foo Fighters. Figghters. And in truth,, Sly’s Sly’s first fi solo album, Program, wass a m much-needed 12 Song Pr ogram, wa uch-needed around outlet ffor or o him. He had d ffooled ooled ar ound with some solo outings outinggs before, beffor o e, with llike ike tthe he ssplit plit acoustic accoustic album album w ith Lagwagon’s L agwaggon’s Joey Joey Cape Cap pe in in 2004. 2004. But But w ith the the band ban nd far far too too inactive inacctive ffor or with h is lliking, iking, he he toured toured solo, solo, wrote wrote the the his entir ecord in a month and entiree solo rrecord rreleased eleased it early last yyear. e . ear ““Everybody Everybody w ass kind kind of of doing doing ttheir heir was o wn thing. thing. I was wass just just like, like, ‘Eh, ‘Eh, w ell, aall ll own well, right, i h it iit’s ’s time i fo or me to t do d my my own for tthing, hing,” he he says. says. “Some “Some people people w an nt want tto op low snow, snow, some some people people want wan nt tto o plow b al bands. bands. I want want to do solo bee in met metal stuff ff.” stuff. 12 Song Pr rogram m ust h ave lleft eft a llot ot Program must have o oU se ffans ans dazed dazzed and and confused an confused off N No Use aatt first. first. Mostly Mostly acoustic acoustic and an nd firmly firmly iin n tthe he ssinger/songwriter inger/songwriter vein, vein, it it sounds sounds nothing like like the doub le-time rhythms rh hyythms double-time and slick la ayers of punk pun nk guitar guitar layers p erfected e b over the yyears. ears. perfected byy the band over And yyet, et, ther e’s somet thing decidedly there’s something p unk rrock ock about about it. it. Repeat Repeatt listens listens punk rreveal eveal tthat hat S ly’s llyrical yrical aand nd thematic thematic Sly’s cconcerns oncerns ar en’t much different diff ffeerent aren’t ffrom rom tthose hose h e’s w ritten ffor or No No U se he’s written Use ((especially especiallly the the w riting he he matured mattured writing into on 20 05’s K eeep Th hem C oonfused 2005’s Keep Them Confused

and 20 08’s F eeel Go od R eecord of the 2008’s Feel Good Record Ye ar). His His successful successful ggrafting rafting o unk Year). off p punk fform o orm with h ccampfire ampfire sound pr ompted prompted o ne ffan aan n tto o aask sk o nline: ““Why Why d o one online: do p unkers p lay ffolk/country olk/country b etter tthan han punkers play better ccowboys?” owboys?”” “I think k that folk folk o music and punk music ha ave a lot in ccommon, ommon,” sa ayys Sly y. have says Sly. ““The The llyrics yrics h ave al lways b een aabout bout have always been ssaying aying w hat yyou ou w ant tto o ssay, ay, aand nd iit’s t’s what want alw ayys b eeen ab out the under dog.” always been about underdog. H as iinfluenced nfluenced b ome o he Hee w was byy ssome off tthe lat ter- daay punks p who ’ve pick ed up latter-day who’ve picked ac oustic gu uitars, lik on Sno dgrass acoustic guitars, likee JJon Snodgrass o rag tthe he R iver, C huck R aaggan off D Drag River, Chuck Ragan fr om Hot Water W Avvail’s from Music and Avail’s T im B arry, b ut tthe he b iggest iinfluence nfluence Tim Barry, but biggest on Sly’ lo writing dates all the Sly’ss so solo w ay b acck tto oh is eearliest arliest m usicall way back his musical eexperience. xperience. “The fir st record record I rremember emember first hearing is R ubber Soul emembers, Rubber Soul,,” he rremembers, ““and and tthat’s hat’s ggot ot aall ll tthose hose ffolkier olkier ssongs ongs o n iit, t, w hen tthe he B eatles w ere rreally eally on when Beatles were hea avvily infl fluenced b ayys heavily influenced byy Dylan. I alw always ttried ried tto o iincorporate ncorporatte tthat hat iinto nto p unk punk rrock ock music, musicc, and I think I did,, but I sort of wanted wan nted to do it ‘f fo or rreal. eal.’” sort ‘for IItt w orked o ut sso ow ell tthat hat S ly worked out well Sly aalready lready h as a ssecond econd aalbum’s lbum’s w orth o has worth off ssolo olo m ateriall w ritten, w hich h lans material written, which hee p plans tto o rroad-test oad-test aatt h is V ooDoo L ounge his VooDoo Lounge show on T uesdaay, and rrelease elease b une. Tuesday, byy JJune. Things ha h ave turned ar ound ffor o or his have around band, to band, o. Bassist Riddle is rrecovering; ecovering; too. rreplacement eplacement gguitarist uitarrist C hris R est Chris Rest (f fo ormerly of Lagwagon) Lagwaagon) is hanging in (formerly ther e, and the ay ha ave ffound ound their o there, theyy ma may have ne w drum mmer in ex-Mad ex-Mad C addie Boz new drummer Caddie R ivera. S uddenly, S ly iiss al lso p syched Rivera. Suddenly, Sly also psyched to write a ne wN oU se ffor or o a Name new No Use rrecord. ecord. “I’m eexcited, xccited,” he says saayys of the ne w new llineup. ineup. ““This This iiss jjust ust d iff ffeerent. I ffeel eel different. llike ike iitt ccan an eevolve volve a llittle ittle b it, w hich iiss bit, which ttough ough ffor or a b and tthat’s hat’s b een aaround round band been this long long..” B ut h oesn’t w ant tto o ccross ross tthe he But hee d doesn’t want sstreams tream ms w ith tthe he b an nd aand nd h is ssolo olo with band his work. ““No No U se ffor or a N am me, al ll o gree Use Name, all off u uss aagree o np unk rrock, ock,” h ays. ““But But n ot al ll o on punk hee ssays. not all off us agr ee on n ffolk o olk music ave to do agree music.. I ha have that b y f.” yself byy m myself.

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53 M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Wednesday, Feb. 2 Â&#x2039; In the Atrium Â&#x2039; AGES 16+ Numbskullshows.com presents

FORGETTERS

featuring members of Jawbreaker, Jets To Brazil, Against Me!, Bitchin also Street Eaters $10/ $10 â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m.

Thursday, Feb. 3 Â&#x2039; In the Atrium Â&#x2039; AGES 16+

Numbskullshows.com presents LUCERO $15 Adv./ $16 at the Dr. â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m.

Friday, February 4 Â&#x2039; In the Atrium Â&#x2039; AGES 21+

FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi NO COVER â&#x20AC;˘ 9 p.m./ 9 p.m. :H[\YKH` -LIY\HY` Â&#x2039; AGES 16+

Dead Kennedys

EAST BAY RAY, KLAUS FLOURIDE, DH PELIGRO, SKIP McSKIPTER

plus Disciples also Olâ&#x20AC;&#x2122; Cheeky Bastards $17 Adv./$20 Drs. â&#x20AC;˘ Drs. 8 p.m. / Show 9 p.m. Saturday, February 5 Â&#x2039; In the Atrium Â&#x2039; AGES 21+

DIVA 7 3P[[SL <W also Tammi Brown, Gedina, Gina Rene & Alysha $13/ $18 â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m. :\U -LI Â&#x2039; AGES 16+ Â&#x2039; Numbskullshows.com presents

Rob ZombiĂŠ plus Eyes Set To Kill $35 Adv./$35 Drs. â&#x20AC;˘ Drs. 7:30 p.m. / Show 8:30 p.m. Sunday, February 6 Â&#x2039; In the Atrium Â&#x2039; AGES 21+

DEVILâ&#x20AC;&#x2122;S BRIGADE also Roger Miret & the Disasters $8/ $12 â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m.

;\L -LI Â&#x2039; AGES 16+ Â&#x2039; Ineffable Music Group presents

BADFISH a Tribute to Sublime

plus Scotty Donâ&#x20AC;&#x2122;t $15 Adv./$19 Drs. â&#x20AC;˘ 7 p.m./ 8 p.m. Feb 10 Trombone Shorty & Orleans Ave. Los Amigos Invisibles (Ages 21+) Feb 10 Matt McHughes Atrium (Ages 16+) Feb 12 Ky-Mani Marley (Ages 16+) Feb 12 Smoov-E Atrium (Ages 16+) Feb 19 Y & T (Ages 21+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com


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Jeff Dunham Wednesday, Feb. 2, 7:30pm; HP Pavilion, San Jose; $43.50 Fans of Jeff Dunham, the superstar ventriloquist (and when was the last time those two words were seen together?), sometimes point out that one excerpt of his act is the fourth mostwatched nonmusic video on YouTube. More than 125 million views, they say, can’t be wrong. C’mon, people, “Charlie Bit My Finger” has 275 million! Would you pay to see it re-created onstage? I’d also like to know how many people who started Dunham’s “Achmed the Dead Terrorist” clip actually made it all the way through 11 minutes of his act. (SP)

Mingus Dynasty Wednesday, Feb. 2, 8pm; Dinkelspiel Auditorium, Palo Alto; $38–$42 It was once widely believed that Charles Mingus’ music was so off-the-charts experimental it couldn’t even be played without him there in person to guide it. After his death, that wasn’t so practical anymore, but nobody seemed to be stepping forward to prove the notion wrong. Finally, Mingus’ widow put together this combo. Their success established the jazz legend’s rep as a great and eminently playable composer. (SP)

Sad Boy Sinister Saturday, Feb. 5, 9pm; Johnny V’s, San Jose; $5 Morgan Hill’s Sad Boy Sinister have been around these parts since the early ’90s and practice the punk they preach, whether it be drinking, swearing, fighting, hating cops or inciting riots. They play fast, they play loud and they don’t care what you think of them. (BD)

Rock/Pop R ockk/Pop

BRITA BRITANNIA T NNIAA A ARMS RMS CUPERTINO

ANGELICA’S BISTRO

Fri, 9pm: Phil ‘n’ the Blanks. Sat, 9pm: Stone Temple Pilots tribute band. Cupertino.

Fri, 9pm: Shotgun Wedding Quintet. $7/$10. Redwood City.

AVALON Fri: Ultimate Old School Party. Tue, 7:30pm: Atomic Tom, the Relay Company, the Parade. $9.23. Santa Clara.

THE BLANK CLUB Wed, 8pm: The Toasters, Monkey, the Inciters. $10/$12. Sat, 9pm: Maids of Honor, Kilola, Talky Tina. $10. San Jose.

BLINKY’S CAN’T SAY Sat, 9:30pm-1:30am: Dave Crimmen. Rock and blues. Free. Santa Clara.

CAPERS Fri-Sat, 8:30pm: Live music. Campbell.

BOSWELL’S

CARAVAN

Thu: Bitchin’ Camaros. Sun: John Rip Off. Mon: Drive! Campbell.

Thu: NME. Fri: Behold the Desecration. Sat: Slack Jawed Sons of Bitches. San Jose.

BRITANNIA ARMS ALMADEN

CLUB FOX

Thu, 10pm: After Party. Fri, 10pm: 10 Til 2. Sat, 10pm: Sugadady. San Jose.

Tue, 8pm: Rachel Lillian and the After Dark Orchestra. $10. Sat, 8pm: The Cheeseballs. $18/$20. Redwood City.


HP PAVILION Thu, 7:30pm: Ozzy Osbourne, Slash. $35.50-$79.50. San Jose. Thu: Falling Rocks. Rolling Stones tribute. Fri: NVS, FTB, the Great American Novelists. No cover. Sat: Sad Boy Sinister. Sun: Much Love. San Jose.

CAFFE TRIESTE Fri, 8pm: Mission City Opera performers as part of South First Friday. No cover. San Jose.

HEDLEY CLUB Wed, 7:30pm: Hedley Club Jazz Jam. Thu: 8pm: Russo Alberts Trio. Fri, 8:30pm: Christian Tambur. Sat, 8:30pm: The Fast Lane Band. Hotel de Anza, San Jose.

J.J.’S BLUES CAFE

MONTGOMERY THEATER

CASCAL

Sat, 8pm: Pink Floyd Laser Extravaganza with House of Floyd. $36-$46. San Jose.

Sat, 9pm: James Robinson flamenco guitar. Mountain View.

9 LIVES

Thu, 7pm: Ledward Kaapana. $18-$20. Redwood City.

Wed, 9pm: One Night Stand. Thu, 9pm: Dennis Dove. Fri, 7pm: Blues Hammer, Dog House Riley. $10. Sat, 7pm: Marvin Banks, RTR. $10. Sun, 9pm: Gene Washington and the Special Purpose Band. Mon, 9pm: Dennis Dove. Tue, 7pm: Liar’s Club, Blue J. San Jose.

LILLY MAC’S

LE PETIT TRIANON

Wed, 7:30pm: Jill Cohn, Aprylle Gilbert. $8/$10. Sat, 8pm: Cylinder, Cadent. $8/$10. Gilroy.

NUMBER ONE BROADWAY Wed, 9pm: JC Smith Jam Band. Free. Thu, 9:30pm: Generation Wrecks. Free. Fri, 9:30pm: Cocktail Monkeys. $10. Sat, 9:30pm: Sixstring. $10. Los Gatos.

THE QUARTER NOTE

CLUB FOX

Sun, 6pm: Traditional Irish music. Sunnyvale.

MOROCCO’S RESTAURANT Wed, 6pm: Vic Moraga. Fri, 6pm: World music and belly dancer Adriana. Sat, 6pm: Jerry J. Soul. Sun, 6pm: Moroccan music and belly dancing. Mon: French Music Night. San Jose.

Fri, 8:30pm: Vicious Groove. Sat, 8:30pm: Wayne’s Way Band. $5. Sunnyvale.

PARRANDA NIGHTCLUB

RED ROCK COFFEE CO.

RISTORANTE FRATELLO

Sat, 8pm: Dogcatcher. Free. Mountain View.

Fri, 7pm: Claudio. Italian classic guitar and vocals. San Jose.

SOUTH FIRST BILLIARDS

SENZALA

Fri: Art and live music for South First Friday. San Jose.

Fri: Bossa nova at noon, and Capoeira show at 7:30pm. Sunnyvale.

Thu-Sat: Live music. Sunnyvale.

STATION 55 Fri-Sat, 9pm-1am: Live music. Gilroy.

WILLOW DEN Fri, 6:30-9:30pm: Friday Night Live with Still Kickin’. Willow Glen.

X BAR Sat, 9pm: Back Pocket Memory, A Four Star Affair, For the Broken, Stoic Nai, Max Thompson. All ages. $5. Homestead Lanes, Cupertino.

World

STEPHENS GREEN Tue, 7:30pm. Irish music. Mountain View.

Jazz/Blues ANGELICA’S BISTRO Thu, 7pm: Blues jam. Redwood City.

BRITANNIA ARMS CUPERTINO Sun, 5:30pm: Jazz Jam. Cupertino.

CLUB FOX

Wed: Salsa night. San Jose.

Wed, 7-11pm: Blues jam. $5. Fri, 7pm: Kaye Bohler. $12/$14. Redwood City.

ALBERTO’S

D’VINE JAZZ AND WINE

Wed: Bachata. Thu: Salsa with Pantea. Fri: Salsa. Sat: Rock en español. Sun-Mon: Argentine Tango. Tue: Salsa with Pantea. Mountain View.

Fri, 8pm: John Garcia Blues Band. Sat, 8pm: Nancy Wright. Sun, 1:30pm: Mark Richard Trio. Morgan Hill.

ARYA GLOBAL CUISINE

Wed, 8:30pm: The Girlz Band. Thu, 8:30pm: Contemporary or Latin jazz. San Jose.

AGENDA LOUNGE

Fri-Sat, 8pm: Live music and belly dancing. Cupertino.

AZÚCAR LATIN BISTRO MOJITO BAR & LOUNGE Wed: Rock. Thu: Latin fusion.

FAIRMONT HOTEL

Thu, 8pm: Robert Silverman’s Beethoven Benefit Concerts. $15-$100. Fri, 6:30pm: Bruce Davis. South Bay Guitar Society 25th anniversary gala evening. $25. Sat, 7:30pm: Greg Anderson. Classical piano. $30$45. San Jose.

LOFT BAR AND BISTRO Thu, 7-10pm: Live jazz. San Jose.

MURPHY’S LAW Mon: Pro blues jam. Sunnyvale.

A PERFECT FINISH Fri, 9pm: Terry and Terry. Sat, 9pm: Original Jones, OMB. San Jose.

POOR HOUSE BISTRO Wed, 6-9pm: Ron Thompson and friends. Thu, 6-9pm: Lara Price & Yesterdays Band. Fri, 69pm: Sid Morris Blues Band. Sat, 6-9pm: PHB Guitar Get Down. San Jose.

SENZALA Wed, 7:30pm: Los GatosSaratoga Big Band. $10. Sunnyvale.

TESSORA’S Fri-Sat, 8pm: Live music. Campbell.

THREE FLAMES RESTAURANT Sun, 6-9pm: Groove Foundation. Tue, 6pm: Modesto Briseno Septet. Willow Glen.

UNWINED Thu & Sat, 7pm: Live jazz. San Jose.

WINE AFFAIRS Wed, Thu & Sat: Live jazz. San Jose.

WOODHAM’S LOUNGE Fri and Sun: Pro Jam with rock and blues local musicians. Santa Clara.

GRAND DELL SALOON Thu, 8pm: Blues jam with Aki. Sat, 8pm: Len Cat. Campbell.

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JOHNNY V’S

Fri, 9pm: Bachata and rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban and Latin fusions. Tue: Salsa. San Jose.


M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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metroactive MUSIC 55

C&W/Folk BOSWELL’S Sun: Mike Leatherman. Campbell.

Karaoke 7 BAMBOO Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

THE SADDLE RACK Wed, 9pm: California Cowboys. Thu-Fri, 9pm & Sat, 10:15pm: Diablo Road. Fremont.

CREEKSIDE LOUNGE Wed and Mon-Tue: Stephanie. Thu and Sat: Randy. Fri: Jerry Sauceda. San Jose.

DAN BROWN’S Thu and Tue, 9pm-1am: Brian James. Palo Alto.

DASILVA’S BRONCOS

MISSION CITY COFFEE ROASTING Sat, 8pm: Saddle Cats. Santa Clara.

More listings:

METROACTIVE.COM

Wed: Guitar Hero Tournament plus karaoke. Thu, 9pm-1am: Karaoke. Santa Clara.

ALEX’S 49ER INN Nightly except Sun, 9pm-2am: Karaoke. San Jose.

THE BEARS Fri, 9pm: Joe. San Jose.

DIVE BAR Wed and Tue, 9:30pm: Karaoke. San Jose.

EFFIE’S RESTAURANT

Sat, 9pm: August. Santa Clara.

Wed-Sat and Tue, 9pm-2am, and last Sun of every month, 27pm: B&S Karaoke. Campbell.

BLINKY’S CAN’T SAY

EL RANCHO SPORTS BAR

Fri, 9pm-1am: Danielle. Santa Clara.

Thu, 8pm: Karaoke. San Jose.

Open Mic

BLUE BONNET BAR

Tue, 9pm: Partyoke. Beer pong and karaoke. San Jose.

ANGELICA’S BISTRO

BLUE MAX

FIREHOUSE GRILL & BREWERY

Wed, 6:30pm: Open Mic. Tue, 711pm: Pro Jazz Jam. Redwood City.

Fri-Sat, 9pm-1:30am: Karaoke. Sunnyvale.

Sun, 7pm-close: Uncle Dougie Show. Palo Alto.

BLUE PHEASANT

FLAMES COFFEE SHOP

BAREFOOT COFFEE ROASTERS

Tue, 7pm: Steve Tiger. Cupertino.

Wed-Sat and Tue, 9pm: Uncle Dougie Show. No cover. San Jose.

SAM’S BBQ Wed, 6pm: Sidesaddle & Co. Tue, 6pm: Carolina Special. San Jose.

THREE FLAMES RESTAURANT Thu, 9pm: Live country music with Cowboy Larry. Willow Glen.

BENNIGAN’S GRILL

Wed-Thu and Mon, 8pm: Karaoke. No cover. Sunnyvale.

Wed, 7pm: Musical open mic. Sign up by 5pm. Santa Clara.

GALAXY Thu, 9pm-2am: August. Milpitas.

BRITANNIA ARMS CUPERTINO

BOGART’S LOUNGE

Wed, 9:30pm: Open Mic Night. Cupertino.

Wed, Fri and Sun, 8pm-2am: KJ Dennis. Sunnyvale.

CAFFE TRIESTE

BOSWELL’S

Tue, 7pm: Open mic. Free. San Jose.

Tue: DJ Davey K. Campbell.

JOHNNY V’S

Thu and Mon: Karaoke. San Jose.

Mon: Rebels Camp open jam night. San Jose.

BRITANNIA ARMS ALMADEN

MISSION CITY ROASTING CO. Thu, 7pm: South Bay Folks Open Mic. Santa Clara.

MOUNTAIN CHARLEY’S

GILROY BOWL Thu-Sat, 9:30pm: Karaoke. Gilroy.

BRANHAM LOUNGE

Wed and Sun, 10pm: DJ Hank. San Jose.

THE GOOSETOWN LOUNGE

BRITANNIAARMSCUPERTINO

Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.

Sun-Tue, 10pm: Karaoke. Cupertino.

GOOSE LOONEY’S

Wed, 8-11pm: Live music, comedy and poetry. Los Gatos.

BRITANNIA ARMS DOWNTOWN SAN JOSE

POOR HOUSE BISTRO

Wed, 9pm: Karaoke. San Jose.

Tue, 6pm: Open Mic Night. San Jose.

BRITISH BANKERS CLUB

RED ROCK COFFEE CO.

FAHRENHEIT ULTRA LOUNGE

Mon, 9:30pm: Karaoke. Menlo Park.

Wed, 9pm: Thomas. Thu-Sun, 9pm: August. Milpitas.

HOMESTEAD LANES Fri, 9:30pm: Vinnie. Mon, 9pm: Vinnie. Tue, 9pm: August. Cupertino.

HUDDLE

Mon, 7pm: Cavin and King’s Open Mic. Mountain View.

BRIX Tue: Karaoke. San Jose.

Wed-Thu and Sun, 9pm: Wild Nights Karaoke. Fremont.

THREE FLAMES RESTAURANT

C&J’S SPORTS BAR

KATIE BLOOM’S

Thu, 10pm: Melissa and Heather. Santa Clara.

Sun, 9:30pm-1:30am: Karaoke. Campbell.

Wed, 8pm: Open mic night with Anita. Willow Glen.

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57 M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Wednesday, Feb. 2 Â&#x2039; In the Atrium Â&#x2039; AGES 16+ Numbskullshows.com presents

FORGETTERS

featuring members of Jawbreaker, Jets To Brazil, Against Me!, Bitchin also Street Eaters $10/ $10 â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m.

Thursday, Feb. 3 Â&#x2039; In the Atrium Â&#x2039; AGES 16+

Numbskullshows.com presents LUCERO $15 Adv./ $16 at the Dr. â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m.

Friday, February 4 Â&#x2039; In the Atrium Â&#x2039; AGES 21+

FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi NO COVER â&#x20AC;˘ 9 p.m./ 9 p.m. :H[\YKH` -LIY\HY` Â&#x2039; AGES 16+

Dead Kennedys

EAST BAY RAY, KLAUS FLOURIDE, DH PELIGRO, SKIP McSKIPTER

plus Disciples also Olâ&#x20AC;&#x2122; Cheeky Bastards $17 Adv./$20 Drs. â&#x20AC;˘ Drs. 8 p.m. / Show 9 p.m. Saturday, February 5 Â&#x2039; In the Atrium Â&#x2039; AGES 21+

DIVA 7 3P[[SL <W also Tammi Brown, Gedina, Gina Rene & Alysha $13/ $18 â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m. :\U -LI Â&#x2039; AGES 16+ Â&#x2039; Numbskullshows.com presents

Rob ZombiĂŠ plus Eyes Set To Kill $35 Adv./$35 Drs. â&#x20AC;˘ Drs. 7:30 p.m. / Show 8:30 p.m. Sunday, February 6 Â&#x2039; In the Atrium Â&#x2039; AGES 21+

DEVILâ&#x20AC;&#x2122;S BRIGADE also Roger Miret & the Disasters $8/ $12 â&#x20AC;˘ Drs. 8:30 p.m./ Show 9 p.m.

;\L -LI Â&#x2039; AGES 16+ Â&#x2039; Ineffable Music Group presents

BADFISH a Tribute to Sublime

plus Scotty Donâ&#x20AC;&#x2122;t $15 Adv./$19 Drs. â&#x20AC;˘ 7 p.m./ 8 p.m. Feb 10 Trombone Shorty & Orleans Ave. Los Amigos Invisibles (Ages 21+) Feb 10 Matt McHughes Atrium (Ages 16+) Feb 12 Ky-Mani Marley (Ages 16+) Feb 12 Smoov-E Atrium (Ages 16+) Feb 19 Y & T (Ages 21+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com


M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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metroactive MUSIC 56 KC BAR AND RESTAURANT Wed, 8pm: DJ Desmond. San Jose.

KHARTOUM Thu, 9pm: DJ Davey K. No cover. Campbell.

KING OF CLUBS Thu and Sun-Mon, 8:30pm: Bruce of KOR Karaoke. No cover. Mountain View.

LILLY MAC’S Thu: Live DJ and karaoke. Sunnyvale.

MARIANI’S Thu, 8pm: Chris. Santa Clara.

NETO’S MARKET & GRILL Fri, 6:30-10:30pm: Bands with live karaoke. Santa Clara.

NORMANDY HOUSE LOUNGE

SHERWOOD INN Wed and Sat-Sun, 8:30pm: Chris. Thu-Fri, 8:30pm: Thomas. San Jose.

More listings:

METROACTIVE.COM Day. Mon: DJ. Tue: $2 Tuesdays. San Jose.

SHOOTERS BAR & GRILL Thu, 9:30pm-1:30am: Karaoke. Sunnyvale.

SOUTH FIRST BILLIARDS Sun: Karaoke. San Jose.

STATION 55 Thu, 8pm-midnight: Karaoke. Sun, 5-9pm: Family karaoke. Gilroy.

BRITANNIA ARMS ALMADEN Wed and Sun, 10pm: DJ Hank. Mon, 9pm: Beer Pong. San Jose.

BRITANNIAARMSCUPERTINO Thu, 10pm: DJ Tosh. Cupertino.

THREE FLAMES RESTAURANT Mon, 8pm-midnight: DJ Curtis. Willow Glen.

WILLOW DEN Wed, 9:30pm: DJ JR. Thu, 9:30pm: DJ Uncle Hank. San Jose

BRITANNIA ARMS DOWNTOWN Thu: DJ David Q. Fri, 10pm: DJ Benofficial. Sat, 10pm: DJ Aspect. San Jose.

BRITISH BANKERS CLUB

Fri-Sat, 9:30pm: Karaoke. Santa Clara.

Wed: Raygay. Thu: Latin. Fri: ’70s and ’80s. Sat: House. Sun & Tue: Lounge. Menlo Park.

NUMBER ONE BROADWAY

BRIX

Thu: Singles party with DJ. Los Gatos.

Thu: Therapy. Mon: Power Hour. San Jose.

OASIS Wed and Fri-Sat, 8:30pm: Doug. Sunnyvale.

OFFICE BAR Fri-Sat, 9pm-2am, and Sun, 7pm: Karaoke. Mountain View.

PEACOCK LOUNGE Thu, 9pm: Brian. Sun, 9pm: DJ and karaoke. Tue, 9pm: Ryan. Sunnyvale.

PIONEER SALOON Tue, 8:30pm: Acoustic karaoke with Sam Marshall. Woodside.

POINCIANA LOUNGE Wed, 9:30pm: Wildside Entertainment. No cover. Santa Clara.

WOODHAM’S LOUNGE Wed-Thu, Sat-Sun, Tue: 9:30pm: Vinnie. Santa Clara.

C&J’S SPORTS BAR

AGENDA

CLUB ILLUSIONS

Wed, 8pm: Salsa Wednesdays. Thu: DJs. San Jose.

Fri, 10pm-2am: Club Fuz. 18+. Sat, 7:30-11:30pm: Anabel H.’s Ladies Night Out 2. Ages 14-18 only. Palo Alto.

AZÚCAR LATIN BISTRO MOJITO BAR & LOUNGE Wed: Rock music. Thu: Latin fusion. Fri, 9pm: Bachata and rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban and Latin fusions. Tue: Salsa. San Jose.

B4 TWELVE Sat, 9:30pm: DJs and dancing. Palo Alto.

Tue, 9pm: Sherrie and Sue. No cover. Sunnyvale.

THE BLANK CLUB

REDI ROOM

Fri, 9pm: DJs Greta Clue and Quin. No cover. San Jose.

Thu, 9pm: Joseph. San Jose. Tue, 8:30-11:30pm: Karaoke. No cover. Santana Row.

RUDY’S PUB Wed, 10pm-1:30am: Purple. Palo Alto.

SAN JOSE BAR & GRILL Tue, 10pm-close: Kamikaze Karaoke. San Jose.

Sun: DJ Coco. San Jose.

Dance Clubs

QUARTER NOTE

ROSIE MCCANN’S

CAFFE TRIESTE

BLOWFISH SUSHI Wed-Thu and Sat: DJs and dancing. Santana Row.

BLUE PHEASANT Wed-Sun, Tue, 7pm: DJ and dancing. Cupertino.

BRANHAM LOUNGE Wed: Humpday Wednesdays. Thu: DJ. Fri: Ladies Night. Sat: DJ Jazzy and DJ Chaos. Hip-hop and Top 40. Sun: Happy Hour All

Wed and Sat, 10pm: DJ in the Mix. Santa Clara.

DASILVA’S BRONCOS Fri-Sat, 6pm: DJ or live band. No cover. Santa Clara.

DIVE BAR Thu, 9:30pm: DJ Otrebor. San Jose.

EL RANCHO SPORTS BAR Fri-Sat, 8pm: Old School Dance Party. San Jose.

FAHRENHEIT ULTRA LOUNGE Wed, 9pm: Wine Wednesday. Thu, 9pm: The Heit Thursdays. Fri-Sat, 9pm: DJs and dancing. Mon, 9pm: Industry. Tue: Partyoke. Beer pong and karaoke. San Jose.

FIBBAR MAGEES Wed: SIN. Sat: Club FM. Sunnyvale.

GALAXY Mon: Ladies’ Night. No cover. Milpitas.


59

CONCERT

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Ozzy Osbourne IS THERE ANYONE who believes Ozzy Osbourne actually writes the “Ask Dr. Ozzy” column in Rolling Stone? The constant attempts to cram in one too many jokes about “slipping her the insert-yourmeat-of-choice-here” reek of ghostwriters who think they know what makes Ozzy funny. Oh, by the way, for anyone who’s been in a coma since the mid-’80s, Ozzy’s funny now. Yeah, the guy who bit the heads off a dove and a bat, was accused of driving teenagers to suicide in two equally stupid lawsuits and was once widely known Fqqp FjYflie\ as the “Prince of Darkness.” Whatever, none of the Osbournes nonsense SLASH opens can take away from the albums he made Thursday, 8pm with Black Sabbath before he was kicked out HP Pavilion, San Jose for drinking too much (in Black Sabbath? $35.50–$79.50 Really?) His solo albums in the ’80s were fun, but mostly he’s been riding his celebrity and Ozzfest success since he “retired” in 1993. Now he does stuff like tape Super Bowl ads with Justin Bieber. Which makes him a good match for opener Slash, who’s been coasting since Guns N’ Roses. Both defined heavy metal in their own way, although you certainly wouldn’t know it from their subpar song together last year, “Crucify the Dead.” —Steve Palopoli

GOOSE LOONEY’S

KHARTOUM

MOUNTAIN CHARLEY’S

Thu: Ladies’ Night. Fri-Sat: Old School. Milpitas.

Wed: DJ Davey K. Campbell.

THE GRAND DELL SALOON

KING OF CLUBS

Wed, 7pm: House Party. Thu, 7pm: Throwback Thursdays. Los Gatos.

Tue, 9pm: Live DJ. Campbell

Fri, 9:30pm: Club Brinca. Tue, 9pm: Nox. Mountain View.

PARRANDA NIGHTCLUB

JOHNNY V’S

LILLY MAC’S

Wed: The Cypher. Tue: Punk night with local DJs. San Jose.

Thu: Live DJ and karaoke. Fri: DJ party. Sunnyvale.

KATIE BLOOM’S

LOFT BAR AND BISTRO

Thu-Sat, 9:30pm-1:30am: DJs and dancing. Campbell.

Fri-Sat, 10pm-1:30am: Live DJ. San Jose.

Thu, 8pm: DJ Akustik. No cover. Fri, 8pm: DJ Mayo. Sat, 8pm: DJ Mayo and DJ Akustik. Sun, 7pm: Latin Beat. Sun, 9pm: Sonidero Night. With local DJs spinning salsa, cumbia and more. Sunnyvale.

60

M E T R O S I L I C O N VA L L E Y | F E B R UA R Y 2- 8 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

9C8:B :FD<;P D\kXc c\^\e[ Fqqp _Xj ^fe\ ]ifd


CONCERT

M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

60

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Pan-Asian Music Festival IT MIGHT be tempting for some music fans to act like they know more about Mongolia than the barbecue, even when they don’t. But Jindong Cai, the founder and director of Stanford’s Pan-Asian Music Festival, has no such pretensions. He freely admits he had no idea what JkXe]fi[ GXe$ to expect upon traveling there. “When I 8j`Xe Dlj`Z visited Mongolia last year, I was amazed by the vibrancy of its arts and cultural =\jk`mXc development,” he says. But what makes Cai special, and what has made the festival Feb. 4–13 he founded in 2004 one of the area’s Dinkelspiel Auditorium below-the-radar keepers, is his ability to See www.panasianmusic bring that enthusiasm home, and use it to festival.stanford.edu for schedule. build an ambitious week-long program that offers a survey of art and culture “From the Steppes” of Central Asia, as this year’s festival is called, and beyond. The festival runs Feb. 2–13, and the first live performance is on Friday, from Mongolian ethno-jazz group Boerte, who’ll be joined by throat singer Nanjid Sengedorj and horse-head fiddle player Urtaa Gantulga. The inspiration for the week’s other programs wind through borders, winding up with a performance of love songs by Iranian artist Mohsen Namjoo. —Steve Palopoli

59 PEACOCK LOUNGE Fri, 8pm: DJ dancing featuring R&B, Top 40. Sat, 9pm: DJ dancing featuring chill, R&B, Top 40. Sun & Tue, 9pm: DJ and dancing. Sunnyvale.

SABOR TAPAS BAR

Sat: Video Killed the DJ with VJ Vinyl. Sun: Sinful Sundays. Mon: Manic Mondaze. San Jose.

STEPHENS GREEN Fri, 10pm: DJ Cesar. Sat, 10pm: Peruvian party night. Mountain View.

Thu-Sat: DJs and dancing. Sun: Reggae. San Jose.

THREE FLAMES RESTAURANT

SAN JOSE BAR & GRILL

Fri-Sat, 9pm: DJ Sir Dancealot. Willow Glen.

Thu: Thursday Night Live. Fri-

TEMPLE BAR & LOUNGE Wed: The Pick Up. San Jose.

WILLOW DEN Fri, 9:30pm: DJ Truth. Sat, 10pm: Video mixing with DJ Noble. Willow Glen.

ZEN LOUNGE Fri: Fabulous Fridays. Sat: Celebrity Saturdays with DJ D-Roc. Mountain View.


SVCLUBS CLUBS metroactive metr oactivve SV

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FREE WILL ASTROLOGY ARIESS ((March ARIE March 221–April 1–April 119): 9): N Now ow aand nd tthen, hen, m members embers of other astr astrological complain ological signs compl ain that I seem to ffavor avor you Aries above them. If that that’s ’s true, true, I’m certainly not aware know,, I lovee all the signs equally equally.. aware of it. As As ffar ar as I know I will Due will ssay ay tthis, his, hhowever: owever: D ue ttoo tthe he iidiosyncrasies diosyncrasies ooff my own own ppersonal ersonal hhoroscope, oroscope, I hhave ave bbeen een w orking my working for years to get mor xpressing qualities for moree skilled at ex expressing that your your ttribe ribe ttends ends ttoo eexcel xcel aat: t: bbeing eing ddirect, irect, aacting cting that fearless, you cultivating fearless, knowing exactly what yo ou want, cul tivating a willingness ttoo cchange hange aand nd lleading eading bbyy eexample. xample. A hese willingness Allll tthese assets aare re eespecially specially nneeded eeded bbyy tthe he ppeople eople iin n yyour our llife ife assets right now now.. TAURUS T AURUS ((April April 220–May 0–May 220): 0): II’ve ’ve ffound ound tthat hat eeven ven

when people ar aree successful in de dealing ealing with a longterm, term, iintractable ntractable pproblem, roblem, tthey hey rrarely arely zzap ap iitt oout ut ooff existence in one epic swoop. Gen Generally nerally they chip away at at it, it, ddismantling ismantling iitt llittle ittle bbyy llittle; ittle; tthey hey ggradually radually bbreak reak its hold hold w ith iincremental ncremental bbursts ursts ooff uunspectacular nspectacular its with heroism. from astrological heroism. Judging fr om the astr ological omens, though, I’d say say tthat hat yyou ou TTauruses auruses aare re rripe ipe ffor or a llarge arge ssurge urge ooff I’d dismantling. A n oobstacle bstacle yyou’ve ou’ve bbeen een hhammering ammering aaway way dismantling. An at for for m onths oorr eeven ven yyears ears m ay bbee pprimed rimed ttoo ccrumble rumble at months may dramatically. dramatically.

GEMINI ((May May 221–June 1–June 220): 0): M Myy bbrother rother TTom om aand nd I S Cruz. I played used to be on a softball team in Santa third bbase ase aand nd hhee w as tthe he ppitcher. itcher. FFor or oone ne ggame ame hhee third was showed uupp w ith a nnew ew gglove love tthat hat sstill till hhad ad tthe he pprice rice showed with dangling I asked him if he wa as going to snip it off tag dangling. was off.. “Nope,” hhee ssaid. aid. ““It’ll It’ll subtly subtly distract distract the the batters batters and and give give “Nope,” me an advantage.” That day he pitched p one of his best games ever ever.. His pitches seemed to have extr extraa mojo that ere they even awar kept the hitters off balance. W Were awaree they were don’t were being messed with? I don act, my ’t think so. In ffact, theory is that because Tom’s Tom o ’s trickk was so innocuous, no one on the opposing team rregistered eggistered the ffact act that it was aff affecting concentration. ecting their concentr ation. I suggest you try a similar str strategy, ategyy, Gemini CANCER ((June June 221–July 1–July 222): 2): A ffamous amous aatheist theist nnamed amed

incorporated performance Edwin KKagin agin has incorpor ated pe erformance art into his believers. hairdryer, crusade against rreligious eligious believe ers. Wielding a hair dryer, who want hhee ““de-baptizes” de-baptizes” eex-church-goers x-church-goers w ho w ant ttoo rreverse everse effects children. the eff ects of the baptism they experienced e as childr en. The str eam of hot air that KKagin agin blows against their stream meant water fforeheads oreheads iiss m eant ttoo eexorcise xorcise tthe he hholy oly w ater ddaubed aubed ther om a similar theree way back when. Could you benefit fr from rritual, itual, CCancerian? ancerian? IIff yyou ou hhave ave aany ny iinclinations nclinations ttoo ffree ree yourself fr om early imprints, rreligious eliggious or other wise, from otherwise, you’r avorable phase to do so. you’ree in a ffavorable

LEO LE O (July 23–Aug. 22): In an oldd SStar tar TTrek reek episode, a

w oman vvisits isits tthe he sstarship’s tarship’s m edical ffacility acility sseeking eeking woman medical chemicals she needs to start a hy ydroponic garden. garden. hydroponic TThe he cchief hief ddoctor, octor, w ho hhas as a hhigh igh ssense ense ooff sself-worth elf-worth who and a gruff bedside manner scow wls at her. her. Why is manner,r, scowls she bothering him with such a tr rivial rrequest? equest? “Now I trivial kknow now hhow ow H ippocrates ffelt,” elt,” he he ccomplains, omplains, ““when when tthe he Hippocrates KKing ing nneeded eeded hhim im ttoo ttrim rim a hhangnail.” angnail.” ((Ancient Ancient G reek Greek physician Hippocr ates is rreferred eferredd to as the “Father Hippocrates ooff M edicine” bbecause ecause ooff hhis is sseminal eminal iinfluence nfluence oon n tthe he Medicine” healingg ppr ofessions.)) I suspect p th hat sometime soon,, professions.) that LLeo, eo, yyou ou w ill bbee iin n a pposition osition ssimilar imilar ttoo tthe he sship’s hip’s will doctor ry out the doctor.. Unlike him, however however,r, you should car carry aassignment ssignment w ith cconsummate onsummate ggrace. race. IIt’ll t’ll ppay ay ooff ff ffor or yyou ou with iin n tthe he llong ong rrun—probably un—probably iin nw ays yyou ou ccan’t an’t iimagine magine ways right now now..

VIRGO VIR GO ((Aug. Aug. 223–Sept. 3–Sept. 222): 2): In In LLeonard eonard CCohen’s ohen’s ssong ong

““Anthem,” Anthem,” A he sings “Ther rack in everything/ “Theree is a cr crack That ’s how the light gets in.” From From what I can tell, That’s V irgo, tthe he w eek aahead head w ill bbee oone ne ooff tthe he bbest est ttimes imes Virgo, week will aallll yyear ear ffor or w elcoming tthe he llight ight tthat hat ccomes omes tthrough hrough welcoming tthe he ccracks. racks. IIn n ffact, act, I uurge rge yyou ou ttoo cconsider onsider w idening tthe he widening ccracks racks a llittle—maybe ittle—maybe eeven ven ssplitting plitting oopen pen a ffew ew new new cr acks—so that the wildly healin ng light can pour down cracks—so healing on you in pr ofusion. profusion.

LIBRA ((Sept. Sept. 223–Oct. 3–Oct. 222): 2): Whe When n was the last time

you cr eated a masterpiece, Libr a?? I’m not necessarily created Libra? work might ttalking alking aabout bout a w ork ooff aart; rt; iitt m ight hhave ave bbeen een aan n exquisite dinner you pr epared ffor orr people you love . . . prepared or a tempor ary alliance you fforged orgeed that allowed you to temporary aaccomplish ccomplish tthe he iimpossible mpossible . . . or or a sscary-fun cary-fun aadventure dventure yyou ou rrisked isked tthat hat tturned urned yyou ou iinto nto a rriper iper hhuman uman bbeing eing with a mor ng. Whether your last moree authoritative standin standing. tour de fforce orce happened seven we eeks ago or seven weeks months ago, my sense is that you u’re due ffor or another you’re aree cons conspiring one. The cosmic rhythms ar spiring to make you act like an artful genius.

9p pR ROB OB BRE BREZSNY Z SNY n\\b f] =\YilXip ) n\\b f] =\YilXip )

SCORPIO SC ORPIO ((Oct. Oct. 223–Nov. 3–Nov. 221): 1): W Why hy iiss eeverything verything ssoo eerily worried? eerily qquiescent uiescent rright ight nnow? ow? SShould hould yyou ou bbee w orried? Has momentum Has tthe he m omentum bbeen een ssucked ucked oout ut ooff yyour our llife? ife? Have way? Personally, Have yyou ou llost ost yyour our w ay? P ersonally, I tthink hink yyou’re ou’re doing better thann you rrealize. ealize. The dormancy is a temporary temporary iillusion. llusion. TToo hhelp elp ggive ive yyou ou tthe he pperspective erspective you need, I off offer er you y this haikulike poem by Imma von Bodmershof, translated Petra great annslated by P eat Bodmershof, tr etra Engelbert: “The gr river is silent / on only nly sometimes it sounds quietly / deep under the ice.” SSAGITTARIUS AGITTARIU US (Nov (Nov.. 22–Dec. 21): I saw ex–P ex–Poet oet

Laureate Laur eate Robert Hass rread ead and discuss his ppoem Hee ssaid while many fluids ““Etymology.” Etymology.” H aid tthat hat w hile m any ooff tthe he fl uids body aree named with English wor words, of the human bod dy ar ds, moisture woman who aatt lleast east oone ne iisn’t: sn’t: tthe he m oisture ooff a w oman w ho iiss Anglo-Saxons word ssexually exually aaroused. roused. TThe he A nglo-Saxons ddid id hhave ave a w ord which ffor or iit, t, hhee nnoted: oted: ssilm, ilm, w hich aalso lso rreferred eferred ttoo tthe he llook ook water.. “P “Poor of moonlight on the t water oor language,” Hass bemoaning ignores concluded, bemo aning a vocabulary that ignor es important such an importan nt part of human experience. YYour our o Sagittarius, correct problems assignment, Sagi ttarius, is to cor rect ffor or any pr oblems ccaused aused bbyy ppoor oor llanguage anguage iin n yyour our oown wn ssphere. phere. IIff yyou’ve ou’ve been lazy about articulating a your meaning or needs, activate then please activ vate your deeper intelligence. If there’s there’s your lifee that that’s suffering from a situation in you ur lif ’s suff ering fr om a sloppy words, use of wor ds, rreframe efrrame its contours with crisper speech. words YYou ou ccould ould eeven ven ccoin oin ssome ome nnew ew w ords oorr bborrow orrow ggood ood from ones fr om fforeign oreignn tongues.

CAPRICORN CAPRIC ORN ((Dec. Dec. 222–Jan. 2–Jan. 119): 9): SStandup tandup ccomedian omedian Arj Barker says that th hat when he writes each of his jokes, he’s thatt all he needs to do is make it funny he’s thinking tha enough enough to to get get at at least least three three people people in in the the audience audience to laugh at it. More More than three three is gravy, gravyy, and he hopes he does get more. more. e But if he can just get those three, three, he believes, he will will always get a lot of work in his chosen chosen profession. profession. In In accordance accordance with with the the astrological astrological rhythms, Capricorn, Capricorrn, I urge urge you to adopt a similar approach. approach. To To be be successful successful in in the the coming coming days, days, you you don’t approval percent. don’t need an ap proval rrating ating of 80 per cent. AQUARIUS A QUARIUS (J(Jan. Jan. 20–Feb. 18): The rrenegade enegade

sspiritual piritual ssect ect kknown nown aass tthe he CChurch hurch ooff tthe he SSubgenius ubgenius treasure values one tr easuure above all others: not salvation, And nnot ot eenlightenment, nlightenment, nnot ot hholiness, oliness, bbut ut rrather ather SSlack. lack. A nd what is Slack? It is a state of being in which everything flows mind fl ows ssmoothly—a moothly—a fframe rame ooff m ind ssoo uunfettered nfettered aand nd aatt eease ase tthat hat tthe he eentire ntire uuniverse niverse jjust ust nnaturally aturally with When ccooperates ooperates w ith yyou. ou. W hen yyou’ve ou’ve ggot ot aabundant bundant rreserves eserves ooff SSlack, lack, yyou ou ddon’t on’t sstrain train aand nd sstruggle truggle ttoo make m ake ddesired esired eevents vents uunfold, nfold, aand nd yyou ou ddon’t on’t ccrave rave tthings hings yyou ou ddon’t on’t rreally eally nneed. eed. YYou’re ou’re ssurrendered urrendered ttoo tthe he ggreater reater iintelligence ntelligence tthat hat gguides uides yyour our llife, ife, and and it it provides provides you you what’s with a knack ffor or attr aattracting acting only what ’s truly satisfying. Happy Week, Aquarius! will H appy SSlack lack W eek, A quarius! I ssuspect uspect yyou ou w ill hhave ave goodd stuff stuff,, which means your fr freedom loads of that goo eedom to be your authenticc self will be at a peak.

PISCESS ((Feb. PISCE Feb. 119–March 9–March 220): 0): ““Everybody Everybody ggets ets ssoo

much m uch iinformation nformation aallll dday ay llong ong tthat hat tthey hey llose ose ttheir heir writer Gertrude many ccommon ommon ssense,” ense,” ssaid aid w riter G ertrude SStein tein m any ddecades ecades aago. go. IIsn’t sn’t tthat hat aabout bout a tthousand housand ttimes imes rigorous concentration truer in 2011? It ttakes akes rigor ous concentr ation not with But ttoo bbee iinundated nundated w ith ddata. ata. B ut tthat’s hat’s exactly exactly your your Pisces. It’s assignment, Pisce es. It ’s absolutely crucial for for you to common be a beacon of co ommon sense in the coming days. meet with will TToo m eet yyour our ddates ates w ith ddestiny, estiny, yyou ou w ill hhave ave ttoo bbee earthy, uncluttered, well-grounded earthy y, unclutter e well-gr ed, ounded and in close touch with your body’s intuition. If that rrequires equires you to cut bback ack ddramatically ramatically oon n tthe he vvolume olume ooff iinformation nformation yyou ou take in, so be it.

Happiness, tha that at elusive beast, sometimes tracked through needs to be tr acked thr ough the bushes before capture. bef ore captur e Send a description of your e. game plan ffor or hunting down happiness in Write Truthrooster@gmail.com. 2010. W rite to T ruthr r ooster@gmail.com. Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700


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Openwave Systems, Inc.

Netflix, Inc.

has a Sr. Software Engineer (Req # NF5064) job opportuInc. has a Consulting nity available in Los Gatos, Architect (job code # CA. Design and develop test OPWV1269) job opportunity available in Redwood City, CA strategies to test enterprise and other locations through- level servers. Develop and Jobs implement automated and out the U.S. Assist Senior manual test cases, test plans, Managers and Service SFDC Consultants and test specifications. BS in Directors in business develare w/ foll. skills reqd: Apex opment, designing and devel- CS or related + 5 yrs related prgmg, Visual force, Data oping solutions, scoping pro- exp. Requirement include: loader, SFDC configuration, jects, and writing Statements Java programming; HTTP, Sites, SSO, Java or ASP or SOAP, XML, Java, Tomcat, of Work (SOW). BS in .NET Technologies etc. Computer Science or related Apache. MS/BS or equiv. &/or rel. Submit resume to + 5 yrs related exp. work exp is reqd. Trav. & Requirement include: System Netflix, reloc may be reqd . Send Attn: HR Staff Operations, administration and shell resume, ref., & sal. req. to 100 Winchester Circle, scripting skills; mobile and Dynamic Access Systems, Inc. messaging implementation. Los Gatos, CA 95032. Must 2078 Walsh Ave, Ste #B, reference job title and Req # Mail resumes to Santa Clara, CA 95050 in order to be considered. Openwave Systems, Inc., Attn: Linda Lee, Paid In Advance! Netflix, Inc. 2100 Seaport Blvd., Make $1,000 a Week mailing Redwood City, CA 94063. has a Sr. Software Engineer brochures from home! (Req # NF5065) job opportuMust reference job title and Guaranteed Income! FREE nity available in Los Gatos, job code to be considered. Supplies! No experience CA. Design and develop the EOE. required. Start Immediately! Netflix logging system that www.homemailerprogram.net

g Employment

gcXZ\ Xe X[ all 408.298.8000 Mon-Fri, Mon-Fri, 8:30am-5:30pm í CCall classifieds@metronews.com o Please include í Email classifieds@metronews.com your V ISA, MC, Discver oor AmEx number and VISA, expir ation date ffor or paym ment expiration payment í Fax your ad to 408.271.3520 works in the cloud and integrates with various components of the Netflix system. BS in CS or related + 5 yrs related exp. Requirement include: OO design and implementation using Java, Python or similar language; Oracle or equivalent database system. Submit resume to Netflix, Attn: HR Staff Operations, 100 Winchester Circle, Los Gatos, CA 95032. Must reference job title and Req # in order to be considered.

Manufacturing Test Engineer: Design validation test plans and hardware to test equipment used in the manufacture of electric automobiles. Tesla Motors, Attn: Natalie Cripe. 3500 Deer Creek Road, Palo Alto, CA 94304.

Hand Held Products Inc. d/b/a Honeywell Scanning & Mobility seeks Research/ Scientist Engineer IV at our Cupertino, CA facility. Responsible for developing industrial portable barcode reading equipment with integrated various wireless technologies including Bluetooth, 802.11a/b/g/n/s, GSM/GPRS, GPS, RFID and RF antenna. Research and develop wireless mesh standard with other 802.11s working group committees. PhD (or foreign equivalent) in Wireless & Communication System, Electrical Engineering, or in a related field + 8 yrs exp in the job offered or in a related occupation. Employer will accept post-baccalaureate experience. Exp. must involve; design, simulation, and analysis of WWAN/WLAN including 3G UMTS/GSM/GPRS/WiFi; familiarity with wireless security protocols (802.11i/WPA/WPA2) and MAC layer communications; familiarity with wireless signal processing, transmission and performance optimization, experience with wireless modeling and simulation; research independently; ability to publish research papers. Reference job code LA/HQ & mail resume to Linda VanAntwerp, HR Manager, Honeywell Scanning and Mobility, 90 Coles Road, Blackwood, NJ 08012. Applicants must be authorized to work in the US permanently.

Senior Software Kernal Engineer needed by Vormetric, Inc. in San Jose, CA. Email resume to hr1@vormetric.com, attn: HR.

Security/Bouncers Needed wanted 5 nights a week 9pm2am. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737

Mechanical Engineer: Superior Quartz, Inc. in Santa Clara, CA. Design machinery. Bachelor & exp req. fax resume 408-844-9658 or email nermin@silicaeng.com

Metroo Classified, 550 South Soutth First Street, Street, í Mail to Metr San Jose, CA 95113

8:30am-5:30pm -5:30pm í Visit our offices Mon-Fri, 8:30amcopy, y, payment, payment spa space ce reservation reservation or í Deadlines: For copy cancellation: Display ads: Thursday 3pm, Line ads: Friday 3pm

Karaoke DJ wanted 9pm-1:30am. Must have equipment. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737

HIRING REALTORS NOW 80% commission No desk fees No boring office meetings Work from home with complete broker support Must have current real estate license and dues paid Call Broker Rich Rodino Cal Estates Realty 408-260-2740

$$$HELP WANTED$$$ Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easywork-greatpay.com

Hewlett-Packard Company is accepting resumes for Technical and Quality Program Manager (Ref. #CUPJAT1) in Cupertino, CA. Lead all aspects of the product design development of PCs as well as lead the validation of the PC systems that integrate the mechanical and electrical components. Mail resume to Hewlett-Packard Company, 5400 Legacy Drive, MS H1-6E-28, Plano, TX 75024. Resume must include Ref. # CUPJAT1, full name, email address & mailing address. No phone calls please. Must be legally authorized to work in the U.S. without sponsorship. EOE.

Exciting Silicon Valley start-up looking for commission based sales team. Please contact jobs@contractorsthriftstore.c om. Reply Now!

MOVIE EXTRAS earn up to $150/day to stand in backgrounds of major film. Experience not required. CALL NOW! 1-888-664-0062 (AAN CAN)

Computer System Analyst: Acellent Technologies, Inc. in Sunnyvale, CA. Plan, design, and develop new computer systems. Master deg req. mail resume to 835 Stewart Drive, Sunnyvale, CA 94085 or email Irene_li@acellent.com

Computer Specialist Appro Int’l seeks a Sr. HPC Solutions Architect in Milpitas, CA. Send resume to 446 S. Abbott Ave., Milpitas, CA 95035

Cisco Systems, Inc. is accepting resumes for the following positions in San Jose/Milpitas/Santa Clara, CA: Service Lead (Ref#: SJ93): Define and execute the overall services strategy, including selling Core, Advanced and High End Consulting Services (HEC) for the assigned account or territory. Program Manager (Marketing) (Ref#: SJ100): Manage and develop large process improvement programs from concept to delivery. Please mail resumes with reference number to Cisco Systems, Inc., Attn: J51W, 170 W. Tasman Drive, Mail Stop: SJC 5/1/4, San Jose, CA 95134. No phone calls please. Must be legally authorized to work in the U.S. without sponsorship. EOE. www.cisco.com

Cisco Systems, Inc. is accepting resumes for the following positions in San Jose/Milpitas/Santa Clara, CA: Network Consulting Engineer (Ref#: SJ9): Responsible for the support and delivery of Advanced Services to company’s major accounts. Manager, Software Development (Ref# SJ23): Lead a team in the design and development of company’s hardware or software products.

Please mail resumes with reference number to Cisco Systems, Inc., Analyze, design, program, Attn: J51W, test & implement business 170 W. Tasman Drive, apps software. Employer paid Mail Stop: SJC 5/1/4, travel rqd. San Jose, CA 95134. Resumes to No phone calls please. Must Kutir Corp., be legally authorized to work 37600 Central Court, #280, in the U.S. without sponsorNewark, CA 94560 ship. EOE. www.cisco.com

Computer: Systems Analyst -

ENGINEER: BlueArc needs Sr. Software Engineer– GUI Application, to design & implement Javabased web app for servers & storage. MS/equiv+3 yrs exp. or BS/equiv+5 yrs exp. or equiv. reqd. Worksite: 50 Rio Robles, San Jose, CA 95134. Resumes to: www.bluearc.com . Ref.: Job Code 90.

ENGINEER, HARDWARE Bach degree or equiv in Applied Electronics, Electr Engg, or closely related field,+ 2 yrs exp in firmware or hardware devel & debugging, incl schematic design & layout, interfacing thru USB, SPI, I2C, embedded systems, hardware devel, system level debugging. Please send resume, incl. job code to: Roving Networks, 809 University Avenue, Suite C, Los Gatos, CA 95032.

Electronic Sales Engineer APPRO Technology Inc. in Sunnyvale, CA. Develop engring spec. Master req. mail resume to 1180 Miraloma Way, #E, Sunnyvale, CA 94085 or email stsai48944@aol.com

Electro-Mechanical Engineer: design layout of vehicle electrical components. Apply to Tesla Motors, Attn: Natalie Cripe, 3500 Deer Creek Rd, Palo Alto, CA 94304.

Director, Sr., Product Development and Marketing to plan & develop transdermal drugs, hydrogel patch technologies & facilitate patent applications and compliance. Send resume to Teikoku Pharma USA Attn: Okada, 1718 Ringwood Ave., San Jose, CA 95131-1711

M E T R OAC T I V E . C O M | SA N J O S E . C O M | F E B R UA R Y 2- 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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Dir. of Manufacturing: Aptina LLC

9p CECIL ADAMS

CECIL@METRONEWS.COM

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A shallow individual might venture that it’s a tower named after a guy called Eiffel. And in fact the prime mover behind the Eiffel Tower was the French structural engineer Gustave Eiffel, who also designed the interior framework for the Statue of Liberty. Nonetheless, Sweety, I join you in believing that such an answer leaves important aspects of the subject unexplored. Popular reference works are no help. For example, if we turn to Wikipedia, we learn “the tower was built as the entrance arch to the 1889 World’s Fair,” or, as the French in their parochial way preferred to express it, l’Exposition universelle de 1889. The Eiffel Tower stands at one end of the Champs de Mars, a large green space in central Paris commonly used for such public spectacles. Cross the Seine, perambulate respectfully beneath the tower, and there you are. But come on. The Eiffel Tower is 1,063 feet tall (including antennas mounted on top; see below). The structure consists of 18,038 pieces of iron, painstakingly fabricated and assembled over a two-year period. It cost nearly 8 million francs, worth something like $40 million U.S. today. Granted, for a world’s fair you want something nice. No one is going to travel from the provinces of France to see an entrance arch that might have been bought on sale at Menard’s. Still, grand is one thing, extravagant is another. The reigning tallest structure in the world at the time, the Washington Monument, was a mere 555 feet in height, and as of 1890 the tallest conventional building, meaning one you could work or live in, was the New York World Building, at a puny 309 feet. A more economical people than the French, therefore, might have said: if we were to erect a tower of 600 feet rather than 1,000-plus, we’d accomplish our primary objectives—having an entrance arch, securing our place in the record books and dazzling the rustics—while nonetheless leaving ourselves a sizable sum that we might prudently invest in treasury bonds. But they didn’t. Eiffel’s pitch for the project was specifically that he could build a 300-meter tower, and the expo planners bought it. Fact is, the Eiffel Tower arguably holds the record for

ratio of grandiosity to usefulness of any structure in the world. This is a matter worth pondering. People have been building tall structures since the days of Babylon— mostly for the glory, of course, but usually with some ostensible higher purpose in mind. Temples and cathedrals celebrate the divine; the pyramids are tombs. The tallest building in the world at the moment, the 160story Burj Khalifa in Dubai in the United Arab Emirates, is 2,717 feet tall. One suspects this is somewhat larger than was demanded by the local real estate market, but the fact remains that the Burj Khalifa is a building, containing habitable space. Not so the Eiffel Tower. It was vanity architecture in close to pure form. That’s not to say it was a sinkhole financially. The tower has an observation deck, restaurants, a meeting space, a souvenir shop, and so on, all of which charge appropriately lofty rates. The tower earned back most of its construction cost during the 1889 exhibition; add in a subsidy from the city of Paris, and the project finished comfortably in the black. But business dropped off after the fair closed. The original plan was to demolish the tower after 20 years; it survived primarily because enterprising parties found practical uses for it. Rare is the visitor, gazing at the tower’s famous silhouette, who hasn’t thought: this would be the perfect spot to park my dirigible. In reality, however, tall structures make notoriously bad airship anchorages, due to buffeting winds. The tower did serve as an airship pylon on at least one occasion, when aviation pioneer Alberto Santos-Dumont rounded it during a prize-winning flight in 1901. The salvation of the Eiffel Tower proved to be in communications. An antenna for wireless telegraphy was added in 1906; later commercial radio and TV antennas were installed. These paid the upkeep until tourism took off after World War II. Today the Eiffel Tower is said to draw more visitors than any other fee-charging attraction on earth, admirably serving the role for which it was built. Which is what, you ask? Don’t be dull. It’s an advertisement for France.

Design and run auto manufacturing plant. Job site: Fremont, CA. Apply to: Tesla Motors, Attn: Natalie Cripe, 3500 Deer Creek Rd, Palo Alto, CA 94304

Design and Release Engineer: Design and develop HVAC systems for electric cars. Apply to: attn.: Natalie Cripe, Tesla Motors, 3500 Deer Creek Rd., Palo Alto, CA 94304.

Bartender / Cocktail Servers Full Time or 6 AM Part Time shift available. Alex’s 49er Inn, San Carlos & Bascom. Apply mornings only.

Arm, Inc. has a Design Engineer (Staff) position available in San Jose, CA. Define methodologies for EDA (Electronic Design Automation) view development and EDA view verification. BS in Electrical Engineering or related field + 6 yrs. related exp. Requirement include: Advanced Timing, Noise, Power library views, such as CCS/ECSM EDA views for embedded memories; programming in C, Python, Perl, Make and scheme. Mail resumes to Arm, Inc., Attn: Sr. Recruiter, 150 Rose Orchard Way, San Jose, CA 95134. Must reference job title and job code (SDE1) to be considered.

has employment opportunity in San Jose, CA for Design & Characterization Engineer (SJ02ARA): Responsible for CMOS senor test chip design, including pixel array design, column S&H circuit design, column decoder, row decoder, row driver and level shifter design, low noise amplifier, full chip integration, analog and mix signal , simulation and characterization. Send your resume (must reference job title and job code) to Aptina LLC, Attn: Gloria Sanchez, 3080 North First Street, San Jose, CA 95134.

Accounting Manager at Santa Clara, CA: responsible for company’s accounting and finance, including preparing financial statements, tax returns and various taxes. Resume to info@valqua-america.com. Valqua America, Inc.

Computers Sr. Software Development Manager (San Jose, CA) Build & direct team of s/ware dvlpmt engrs & provide tech leadership. Direct s/ware dvlpmt projects & dvlp solutions involving comp hardware & s/ware. Reqd: Bach’s in Comp Sci, IT or related & 5 yrs of related exp. or Master’s in same fields & 1 yr exp. Resume to: Mr. Khoa D. Bui - CFO, Smart Plus Solutions, LLC, 96 N. 3rd St., Ste. 150, San Jose, CA 95112.

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Whirlpool Washer Electric Dryer stack unit, white, like new. $425. Whirlpool Refrigerator, 2 door, top freezer, stainless steel $400. 510/843-0356

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Thug World Records explosive label with major features lil Wayne G-Unit E-40 Snoop Dog and more free Downloads mp3s Ringtones videos Representing San Jose. wwwthugworldrecords.com. 408/561-5458

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Voice Lessons Expand range, flexibility, confidence. Instruction also available for songwriting and guitar. Reasonable rates. Instructor: award-winning vocalist/songwriter, Deborah Levoy. www.deborahlevoy.com 408/275-0802.

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FICTITIOUS BUSINESS NAME STATEMENT #547091 The following person(s) is (are) doing business as: New Eras Painting, 10793 Miguelito Road, San Jose, CA, 95127, Ernesto Hernandez. This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Ernesto F. Hernandez This statement was filed with the County Clerk of Santa Clara County on 1/25/2011. (pub Metro 2/2, 2/9, 2/16, 2/23/2011)

FICTITIOUS BUSINESS NAME STATEMENT FICTITIOUS BUSINESS #546817 Legal & Public Notices

California (www.sucorte.ca.gov), o oniendose en contacto con la corte o el colegio de abogados locales. AVIOS: Por ley, la corte tiene derecho a reclaimar las cuotas y los costos exentos por imponer un gravamen sobe cualquier recuperacion de $10,000 o mas de valor recibida mediante un acuerdo o una concesion de arbitraje en un caso de derecho civil. Tiene que pagar el gravamen de la corte anted de que la corte pueda desechar el caso. The name and address of the court is: (El nombre y direccion de la corte es): SUPERIOR COURT OF CALIFORNIA - SANTA CALRA COUNTY 191 N. FIRST STREET, ROOM 102 SAN JOSE 95113 DOWNTOWN SUPERIOR COURT Case Number:(Numero del Caso): 110CV185382 The name, address and telephone number of plaintiff’s attorney, or plaintiff without an attorney is: (El nombre, la direccion y el numero de telefono del abogado del demandante, o del demandante que no tiene abogado, es) Anita P. Tassviri (SBN: 226002) KIMBALL, TIREY & ST. JOHN LLP 1202 Kettner Boulevard, 3rd Floor San Diego, CA 92101 619-231-1422, 619-234-7692 Date: October 20, 2010 /David H. Yamasaki/County Clerk (Actuario) /Priscilla Kennerley/, Deputy (Yvonne Halford) (Pub 1/19, 1/26, 2/02, 2/09/2011

FICTITIOUS BUSINESS NAME STATEMENT #546195 The following person(s) is (are) doing business as: Happy Yak Toy Company, 1673 E. San Fernando St., San Jose, Ca, 95116, Christopher Downer. This business is conducted by a individual. Registrant had not yet begun transacting business under the fictitious business name or names listed herein on. /s/Christopher Downer This statement was filed with the County Clerk of Santa Clara County on 1/03/2011. (pub Metro 1/12, 1/19, 1/26, 2/02/2011)

FICTITIOUS BUSINESS NAME STATEMENT #546194 The following person(s) is (are) doing business as: AAA Valero Test Only, 36 Washington Street, Santa Clara, CA, 95050, Manjit Singh, 854 Cape York Pl., San Jose, CA, 95133. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 1/3/2011. /s/Manjit Singh This statement was filed with the County Clerk of Santa Clara County on 1/03/2011. (pub Metro 1/12, 1/19, 1/26, 2/2/2011)

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Boulder Creek 290 acres ! Run your dirt bikes or quads or take a hike and have a lot of fun on the 11 parcels ranging in size from 18- 40 acres. Santa Clara county. Sun, Views, Spring, Creek. Off grid. Excellent Owner financing. $1,150,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

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The following person(s) is (are) doing business as: 1. Vietnamese American Cultural Center, 2. Trung Tam Vanhoa Viet My, 2290 Tully Rd., San Jose, CA, 95122, Viet American Voters of Northern California, 1704 Four Oaks Rd., San Jose, CA, 95131. This business is conducted by a Corporation. The state of Corporation: California. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/John Ngo President #3018136 This statement was filed with the County Clerk of Santa Clara County on 11/25/2008. (pub Metro 2/2, 2/9, 2/16, 2/23/2011

form. If you do not file your response on time, you may lose the case by default, and your wages, money, and property may be taken without further warning from the court. There are other legal requirements. You may want to call an attorney right away. If you do not know an attorney, you may want to call an attorney referral service. If you cannot afford an attorney, you may be eligible for free legal services from a nonprofit legal services program. You can locate these nonprofit groups at California Legal Services Web site (www.lawhelpcalifornia.org), the California Courts FICTITIOUS BUSINESS Online Self-Help Center (www.courtinfo.ca.gov/selfhe NAME STATEMENT lp), or by #546987 contacting your local court or The following person(s) is county bar association. (are) doing business as: 1. NOTE: The court has a statuLAO Security Integrators, tory lien for waived fees and 5961 Vista Loop, San Jose, costs on any CA, 95124, 2. LSI, Vien settlement or arbitration Souvannavong . award of $10,000 or more in This business is conducted a civil case. The by a individual. court’s lien must be paid Registrant has not yet begun before the court will dismiss transacting business under the case. the fictitious business name AVISO! Lo han demandado. Si or names listed herein on. no responde dentro de 30 /s/Vien Souvannavong dias, la corte This statement was filed with puede decider en su contra the County Clerk of Santa sin escuchar su version. Lea Clara County on 1/21/2011. la informacion a (pub Metro 2/2, 2/9, 2/16, continuacion. 2/23/2011) Tiene 30 DIAS DE CALENDARIO despues de que le SUMMONS (CITACION entreguen esta citacion y papeles legales para presenJUDICIAL) ter una respuesta por esqrito NOTICE TO DEFENen esta corte y DANT: hacer que se entregue una copia al demandante. Una (Aviso a Acusado)] o una llamada BECKY PHAM, an indi- carta telefonica no lo protegen. Su vidual respuesta por escrito tiene que estar en and DOES 1 to 100 formato legal correcto si inclusive, desea que procesen su caso YOU ARE BEING SUED en la corte. Es possible que haya un formuBY PLANTIFF: que usted pueda usar (LO ESTA DEMANDAN- lario para su respuesta. DO EL DEMANDANTE): Puede encontrar estos formuBILLET FAMILY, LLC a larios de la corte y mas information en el California Limited Centro de Ayuda de las Liability Company dba Cortes de California (www.sucourt.ca.gov), en la BRANHAM OAKS biblioteca de leyes de su conPLAZA daro o en la corte que le Case No. 110CV185382 queda mas cerca. Notice! You have been sued Si no pueda pagar la cuota The court may decide against de presentation, pida al secyou without your retario de la being heard unless you corte que le un formulario de respond within 30 days. Read exencion de pago de cuotas. the information Si no presenta below. su respuesta a tiempo, puede You have 30 CALENDAR DAYS perder el caso por after this summons and legal incumplimiento y la papers are served corte le podra guitar su suelon you to file a written do, dinero y bienes sin mas response at this court and advertencia. have a copy served Hay otros requisitos legales . on the plaintiff. Es recommendable que llame A letter or phone call will not a un abogado protect you. Your written inmediatamente. Si no response must conoce a un abogado, puede be in proper legal form if you llamar a un servicio de want the court to hear your remission a abogados. Si no case. puede pagar a un abogado, There may be a court form es possible que that you can use for your cumpla con los requisitos response. You can para obtener servicios find these court forms and legales gratuitos de un more information at the programa de services legales California Courts sin fines de lucro. Puede Online Self-Help Center encontrat estos (www.courtinfo.ca.gov/selfhe grupos sin fines de lucro en lp), your county law el sitio web de California library, or the courthouse Legal Services, nearest you. (www.lawhelpcalifornia.org) If you cannot pay the filing en el Centro de Ayuda de las fee, ask the court clerk for a Cortes de fee waiver The following person(s) is (are) doing business as: Twinlode Rack Manufacturer, 1101 S. Winchester Blvd., #J220, San Jose, CA, 95128, Twin Pick Rack Systems Inc. This business is conducted by a Corporation. The state of Corporation: California. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. Refile of previous file #387009 after 40 days of expiration date. /s/John Terry President #2066825 This statement was filed with the County Clerk of Santa Clara County on 1/19/2011. (pub Metro 2/2, 2/9, 2/16, 2/23/2011)

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NAME STATEMENT #547090


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Weâ&#x20AC;&#x2122;re looking for contributors who know Silicon Valley. While everyone everywhere knows this is the capital of the digital world, we want writers who understand the real valleyâ&#x20AC;&#x201D;a unique place with a culture of its own. Weâ&#x20AC;&#x2122;re looking for writers with the reporting skills to find stories that help define this place and the writing chops to bring those stories to life. We have openings for freelance writers of varying levels of experience to contribute to Metro and SanJose.com in the following areas: Â&#x161; Cki_Y WdZ d_]^jb_\[ Â&#x161; J^[Wj[h WdZ j^[ Whji Â&#x161; KhXWd b_l_d]" Z[i_]d WdZ ijob[ Â&#x161; Feb_j_Yi" Xki_d[ii WdZ j[Y^debe]o If you are interested, please send a letter, resume and clips/writing iWcfb[i >JCB b_dai" F:<i or Word docs) to Eric Johnson: eric@boulevards.com

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