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THIS MODERN WORLD

I SAW YOU

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ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

Mega Mom Pfl nfib `e fli f]Ă&#x201C; Z\% <m\ip p\Xi# pfl Xeefp k_\ i\jk f] lj n`k_ gc\Xj kf Ylp fm\igi`Z\[ ^`qdfj Xe[ dleZ_`\j Ă&#x2021;]ifd pfli b`[j# ]fi k_\`i jZ_ffc&YXe[&k\Xd ]le[iX`j\i#Ă&#x2C6; Xjb`e^ kf _\cg pfli b`[j Ă&#x2021;n`eĂ&#x2C6; k_\ jXc\j Zfek\jk% ?\Xm\e ]fiY`[ k_\ b`[j k_\dj\cm\j j_flc[ c\Xie X c\jjfe `e \Zfefd`Zj# g\ij\m\iXeZ\ Xe[ _Xi[ nfib Xe[ _Xnb k_\ aleb k_\dj\cm\j N_Xk Xi\ pfl k\XZ_`e^ k_\d6 Kf Z_\Xk6 K_Xk jfd\fe\ n`cc XcnXpj ^`m\ k_\d X c\^ lg6 =fi kfgg\ij# pfl nflc[eĂ&#x160;k \m\e g`kZ_ `e , kf Ylp X ^f`e^$ XnXp gi\j\ek ]fi fe\ f] pfli Y`^^\jk Zljkfd\ij%

COMMENTS Letters@metronews.com Metro welcomes letters. Like any great work of art, they should be originalsâ&#x20AC;&#x201D;not copies of material sent elsewhere. Please include your name, city of residence and daytime telephone number. (Phone number will not be published.) Letters may be edited for length and clarity or to correct factual inaccuracies known to us. = SanJoseInside

= via email

Pot vs. Drugs I ďŹ nd this story to be very disturbing (â&#x20AC;&#x153;Is Drug War Over?,â&#x20AC;? SVNews, Jan. 5). There is a sad level of ignorance and fear around this issue, especially for a smart progressive community like San Jose. First, H&S Code 11362.775 grants patients and caregivers immunity

from charges of sales and distribution when they associate to cultivate. The Attorney General has told patients that these associations need to be nonproďŹ t collectives or cooperatives that pay sales tax, get business licenses, and restrict purchases to members only. [Dean] Ackemann and the DAâ&#x20AC;&#x2122;s office are ignoring these directives and making up the law as they see ďŹ t because they do not like the fact that so many people beneďŹ t from the medical use of cannabis. By their nature, medical cannabis collectives reduce crime because they take consumers out of the black market. They put drug dealers out of business. Patients may legally purchase from the black market. Many choose not to do so because they would prefer safe and legal access to quality medicine. That is why we ďŹ ght for safe

access in San Jose and the rest of the South Bay. LAUREN VAZQUEZ | SAN JOSE

The Voters Decided Since October 2009, when the Obama administration reversed the Bush policy, I have advocated for a limited number [of collectives], all regulated and taxed. All of these elements were in my original memo and subsequent memos. Itâ&#x20AC;&#x2122;s important to note that not only did Council District 6 vote in favor of Measure U at higher rate than the city-wide result, District 6 also voted in favor of State Proposition 19, which was legalization of recreational use. PIERLUIGI OLIVERIO | SAN JOSE

Donâ&#x20AC;&#x2122;t Stress I personally use cannabis for several conditions including stress. I ďŹ nd it a great alterative to Celexa, Zoloft, Prozac, Effexor, Paxil, Elavil, Luvox, Minipress, Selfemra or Vanatrip, all of which have many more side effects then cannabis. Please open your mind, and seek the real truth. DAVE HODGES | SAN JOSE

CORRECTION In last weekâ&#x20AC;&#x2122;s issue (Jan. 5), a section of the Tom Hayden article â&#x20AC;&#x153;Jerry Brownâ&#x20AC;&#x2122;s Karmaâ&#x20AC;? was inadvertently omitted due to a printing error. The article in its entirety can be read online at www.metroactive. com/features/jerry-brown.html and in our PDF edition at MetroPDF.com.


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THEFLY FLY THE

Dark Days Daays Downtown D owntown Will the last one onne out shut off the lights— and sound? Four Four downtown nightclubs— Wet, W et, P Pearl, earl, Toons Toons and and Motif—have Motif—have ““closed closed ffor or remodeling,” remodeling,” taken taken a break break or or ggone one ddark ark for for good good in in recent recent days. days. The The closures closur es follow follow w a series of enforcement enforcement actions, and more moore could be on the way. way. Attorney City A ttorney RICK RICK DOYLE DO OY YLE threatened threatened last week week to to last permanently permanently shut shut down down Club Club Wet Wet following following a violent violent New New E8D< ;IFGG<I E 8D< ;IFGG<I G Year ’s Eve Year’s G\Xic XbX Jkl[`f / G \Xic XbX Jkl[ [`f / incident; owner M IKE HAMOD HA AMOD responded responded that that MIKE the city has been been unfairly unfairly targeting targeting his club—and downtown dow wntown in general. general. Motif, Motiff, a SoF FA district nightclub niightclub across across the street street SoFA fr om W et, had already already announced a 30from Wet, day closur e, citing citting among other things closure, the city’s aggressive aggressive e enforcement actions. actions enforcement A RMANDO MARTINEZ, MAR RTINEZ, manager manager of of Toons Toons ARMANDO aatt SSecond econd and and Santa Santa Clar a, has thrown throw wn in the Clara, Don’t ttowel, owel, cciting iting “unforeseen “unforeseen forget cir cumstances and circumstances to tip! various other factors.” factors.” a H romises to to reopen reopen Hee ppromises FLY@ at a new location. location. All METRONEWS. in all, the new year COM iiss nnot ot llooking ooking very very bright downtow wn. Pearl Pearl downtown. Ni ht l b formerly Nightclub, form merly l Studio Studio t di 8 andd prior i to that Vivid, has haas an ABC Notice of SSuspension uspension posted posted on on its its door. door. Pearl Pearl w ill ggoo ffull ull circle circle and and re-emerge re-emerge under under will its original name, nam me, Studio Studio 8, its website ppromises. romises. And And Bayonne, Bayonne, SoFA’s SoFA’s inventive inventive New Southern restaurant, restaurant, sits empty after afte chef/owner GLENN GLLENN “GATOR” “GA ATOR” THOMPSON THOMPSON split town to deal deeal with a reported reported family family eemergency, mergency, leaving leaving his his friends friends and and ccreditors reditors scratching scratching their their heads. heads. Miami Miami Beach Club reopened reoopened a couple weeks weeks back after its entertainment e license was ttemporarily emporarily suspended; suspended; SJPD SJPD claimed claimed the club failed failed to report report a shooting. Meanwhile, on Saturday Saturday night, a triple hhomicide omicide at at the the Mexicali Mexicali Club Club out out on on

SVNEWS

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JkXk\ J\e% Af\ J`d`k`Xe [f\jeÊk cfm\ JkXk\ J\e% Af\ \ J`d`k`Xe [f\je eÊk cfm\ p 9ifneÊjj Yl p l[^\k gcXeÆYlk l[^\k gcXe Ylk _\ jXpj A\iip 9ifneÊj Yl[^\k gcXeÆYlk _\ jXpj `kÊj n_Xk :Xc`]fie`X e\\[j i`^_k efn ÊÊjj n_Xk :Xc`]f fie`X e\\[j i`^_ _k efn 9p JOSH SH KOEHN KOE H N

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@KK@E> 8K _`j [\jb @@KK@E> 8K _`j [\jb ``e X jgXZ`flj f]ÓZ\ `e X jgXZ`flj f]ÓZ\ fm\icffb`e^ f fm\icffb`e^ k_\ \Xjjk jk fm\icffb`e^ k_\ \Xjk ZZfii`[fi f] k_\ :Xg`kfc# Zfii`[fi f] k_\ :Xg``kfc# d`k`Xe _Xj k_\ g\ej`m m\ Af\ J`d`k`Xe _Xj k_\ g\ej`m\ ] Xe XZZflekXek cffb f] Xe XZZflekXek XZZ_`e^ kXo j\Xjfe% XggifXZ_`e^ kXo j\Xjfe% For nearly eeaarrly 2 20 0m minutes, inutes, the the state state senator, w who ho rrepresents epresents p parts arts o off Santa Clara, laara, r Sant Santaa Cruz and San Mateo counties, ounties, has diligently stuck ou to his talking lki king points. points. He He has has expressed expressed tempered ed d optimism i i ab about bout a pr proposed opossed d eleased ffour our h ours eearlier arlier budget, rreleased hours by Gov. Jerry Jeerrry Brown, Brown, which which w would ould aggressively vely confront confront California’s California’s $25.4 $25.4 billion deficit. deefi ficit. But But now, now, Simitian’s Simitian n’s smile smile has faded, d, aand d nd h hee ttakes ak kes o off ff h his is gglasses lassses to to squeeze th tthe he bridge of his nose. nose. Having ngg already alread dy u used sed the the word word

“painful” a dozen timess regarding regarding the p roposed b udget, S imitian n admits ad dmits tthe he proposed budget, Simitian h arrd ttruth ruth is is that that life life is is going going to to get get hard worse ffor o or man many ny C Californians alifforn o nians b before effo ore it gets better. betttter. That is doubly dou ubly true, true, he says, sa ays y , if Brown Brown is unable to win vvoter o oter appr ovval ffor or o some ne w ttax ax rrevenue. evenue. approval new ““II think think tthe he success success of of the the governor’s governor’s approach approach will rise or fa fall all on his abilit ability ty to communicate communicate just what w the impact of the cuts will be be in the th he absence absence of tthat hat revenue, revenue,” Simitian Simitian ssays. ays. ““II tthink hink tthe he challenges challenges that that kind kind of of California Callifornia would pr esent ar ally b eyo ond present aree litera literally beyond ccomprehension omprehension for fo or most mo ost folks. fo olks.” Brown has proposed B rown h as p roposed ccutting utting $12.5 billion $ 12.5 b illion in in spending—much spending—much of of w hich w ould affect aff ffeect sstudents, tudents, state state which would work ers and programs programss aiding the workers sstate’s tate’s disadvantaged disadvantaged citizens. citizens. In In addition, he proposes proposes raising r $ 12 billion billion through through a five-year five-year $12 eextension xtension o ax h ikes aapproved pproved ttwo wo off ttax hikes yyears ears ago by by the L egislaature. Legislature.

Without W ithout voter voter approval ap pproval iin n JJune une ffor or eextending o xtendiing the ttaxes axes another half fhalfd ecad de, S imitian ssays, ays, C alifornia w ill decade, Simitian California will b mputating a llimb imb ffrom rom a b udget bee aamputating budget tthat hat h has as al already lready b been een llimping imping aalong long ffor or some time. o tiime. In annou uncing his budget plan announcing Monda ay, Br B own said the ttaxes axes ar Monday, Brown aree the only w way ay to aavoid void a do doomsday omsdaay sscenario cenarrio ffor or K K-12 -12 eeducation ducation aass w well ell other off aass o ther vvital itall sservices ervices aafter fter yyears ears o “gimmicks, unrealistic “gimmicks s, tricks and unr ealistic eexpectations. xpectattions. “It’s “It’s b etter tthat hat w ake better wee ttake our medici medicine ine now and get back on balanc ed ffooting, ooting,” the go vernor said. balanced governor B ut k ick-the- can nb udgeting h as But kick-the-can budgeting has been norm Sacramento b een tthe he n orm iin nS acram mento ffor or d ecad des, an nd B rown’s b elief tthat hat a decades, and Brown’s belief deal ccan an b bee rreached eached with R Republicans eepublicans rregarding egarrding ttaxes axes m might ight b bee w wishful ishful tthinking. hinking. ““The The ggovernor overnor iiss ggoing oing push-back on Simitian tto o gget et p ush-back o n tthat, hat,” S imitian wise move aadmits. dmits. ““But But I tthink hink iit’s t’s a w ise m ove ffor or a couple couple o reasons. F irst, iit’s t’s off reasons. First, h onest. I tthink hink p art o the ffrustration rustration honest. part off the people p eople have haave had—underst had—understandably andably appropriately myy vview—is aand nd ap ppropriately iin nm iew—is tthe he ‘good-enough-for-now’ budgets.. ‘go od-enou ugh-ffo or-now’ budgets ““Let’s Let’s bee honest honest with with ourselves ourselves about ab out the fact f that it’s it’s going to take take period us a p eriod of years, yeears, not a year yeear or ttwo, wo, five to set things thinggs right. I think fiv ve years yeears is


bonded would Harry bo nded w ould be aaffected, ff ffeected, H arry Mavrogenes, director Ma avr v oggenes, eexecutive xecutive dir ector of the Redevelopment Agency, San JJose ose R edeveelopment A gencyy, ccalled alled “shell game”” that would the idea a “s shell game hinder San ability h inder S an n JJose’s ose’s ab bility tto o aattract ttract businesses—as well b usinesses—as w ell aass cconstruct onstruct a new baseball stadium. “Financing ne w baseba all st adium. “F inancing is bee vvery any RDA going to b er e y tough ffor or o an ny RD A faced penalty fac ed with this t death p enaltty in JJuly, ulyy,” Mavrogenes Ma avr v ogenes said. Asked about A sked ab b ut tthe bo he rredevelopment edevelopment Simitian pauses out iissue, ssue, S imitian p auses tto o llet et o ut a dark wee ccan d ark cchuckle huckle aand nd ssays: ays: ““II tthink hink w aan n bee a liv lively eexpect xpect it to b veely cconversation. on nversation.”

Old Oakland Road put the lie to the notion that the downtown entertainment district has a monopoly on bad behavior. There’s no word as to whether that club will be allowed to stay in business.

Pizza My Face So far 2011 isn’t making much sense. Birds are falling from the sky, fish are bobbing lifeless on the surfaces of rivers and bays in Arkansas and Maryland, and Facebook—with $2 billion in annual revenue—is being valued at $50 billion. To put that in context: Yahoo!, which produced more than three times as much revenue in 2010 ($6.5 billion), is valued at half that. Where does this put Facebook on the corporate value ladder? Alongside Boeing, which has 160,000 employees and produced around $60 billion in revenue in 2008. For more context, Fly consulted excapite.com, a cool British techbiz site, where a blogger using the moniker MOBCON reports that “Pizza Hut was expecting to make $2 billion in online sales.” That makes Pizza Hut’s global online pizza delivery business about the same size as Facebook’s entire revenue engine. To paraphrase that already overly paraphrased quote from The Social Network: “A $50 billion valuation isn’t cool. You want to know what’s cool? Pizza!”

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opriatee judgment ccall probably an appr probably appropriate all on his part. part.” p S imitian n ssays ays iits ts about ab bout time time Simitian C alifornia restores restores ssome ome balance ballan nce California b ettween w spending and rrevenue. eveenue. between spending “Sometimes the righ ht things right happen wrong happ en for for o the wr ong reasons. reasons.” Brown hee p plans with B rown says says h lan ns tto o meet meet w ith Republicans business leaders and R eep publicans in the Legislature L egislature to gain consensus consensus about about But orr n not tthe he ttax ax eextensions. xtensions. B ut whether whether o ot he’s do h e’s aable ble tto od o tthat, hat, he he said, said, he’s he’s fairly fairly numbers cconfident onfident that the deficit deficiit numb ers will when sspeak peak k for for tthemselves hemselves w hen vvoters oters ggo o tto o polls. lay the p olls. “I’m just goingg to la ay out the decide ffacts, acts, aand nd whatever whatever tthey hey d ecide is is ggoing oing Brown says. to be be the rresult, esult,” Br own n sa ayys. Republicans R epublicans iin n the the Senate Senate and and sstate tate Assembly A ssembly have have already alread dy voiced voiced ttheir heir displeasuree with the tax displeasur taxx eextensions, xtensions, vvowing owing to do eeverything verythin ng within their power p ower to kill them. California ““Voters Voters iin nC alifornia rejected rejected tax tax ballot ago iincreases ncreases aatt tthe he b alllot two two years yearrs ag go November; and again last N ovemb ber; there there is no rreason eason to insult their intelligence, in ntelligence,” ssays ays Assembly Assembly budget budget vice-chairman vice- chairman want JJim im Nielsen Nielsen ((R-Redding). R-Redding). “They “They w ant belt to see California Califfornia o tighten n its fiscal fiscal b elt and get spending oncee spending underr ccontrol, ontrol, onc and ffor o or all.” Simitian S imitian has has heard heard that that aargument rgument before. have b effor o e. “This is a debate I ha ave with myy Republican who ssome ome of of m Republican n colleagues colleaggues w ho business llike ike tto o ssay, ay, ‘Well, ‘Well, llook, ook, eevery very b usiness and family needs to learn live n to liv ve Actually, within their means. means.’ A cctu uallyy, I don’t don’t Every tthink hink that’s that’s aan n accurate accurate analogy. anallogy. E an very business and b usiness an nd family fam amily II’ve ’ve eever ver talked talked tto o acknowledges that the theyy ha have ave to cut back, b acck, but but we we also also have have tto o aask sk ourselves: ourselves: What is it we just can’t can n’’t do d without?” without?” One O ne aanswer, nswer, tthe he senator senator ssays, ays, iiss education. educ ation. Although the th he K–12 K–12 ssystem, ystem, which nearly half off the w hich aaccounts ccounts ffor or n early h alf o the sstate’s tate’s expenditures, expenditures, would would be be left left mostly Brown’s m ostly untouched untouched under under B rown’s proposal, California pr oposal, the UC, UC, CSU and C aliffornia o ccommunity ommunity ccollege ollege ssystems ysttems would facee $1.4 billion in cuts. fac cuts. Any Any more more cuts in education education funding would w rresult esult in California harming present C alifornia further further h arming its its p resent and its future, future, Simitian n says. saays y. “““It “It is a false economy econom my to disinvest disin nvest e in Simitian eeducation, ducation,” S imitian ssays. ays. “There “There iisn’t sn’t a orr a nation has sstate tate o nation in in tthe he world world that that h as grown disinvesting in gr own its economy econom my by by di sin nvesting e public education. education.” The debate over T he d ebate o ver Brown’s Brown’s plan plan will San other w ill intensify intensify iin nS an Jose Jose and and o ther metropolitan areas because of Br Brown’s metr opolitan ar eas b ecause a own n’s proposal p roposall to to cut cut $1.7 $1.7 billion billion from from rredevelopment edeveelopment agencies. Brown agenciess. While Brown programs currently said no pr ograms that ar aaree curr ently


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sv 411.com for o all sorts of reasons. or reasons. But a company co ompany like Facebook, Faceboo ok, with its unprecedented u nprecedented grasp grasp of our social data, da ata, should be accountable accou untable to the public. pu ublic. If it isn’t, we’ll migrate migrate our graphs” ““social s social graphs” to a company company that is. Iff Zuckerberg doesn’t want bee Zuckerberg d oesn’t w ant to to b a public CEO and deal with w the realities of that, as thiss Reuters piece e ealities well, hee sshould find CEO aargues, rgues, w ell, h hould fi nd a C EO w is willing to do thee job. — who —JOHN J O HN BATTELLE, B ATT E LL E , B BATTELLEMEDIA.COM ATT E LL E M E D I A . CO M

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FFacebook’s aacebook’ e ’s Private-orPrivate-orrPublic P ublic Debate Debate WHA WHAT AT EVERYONE EVER RYONE seems to miss in Facebook’s Faacebook’s private-orpublic debate debaate is the core core reason reason it makes makes sense for for Facebook Facebooo to be public: public: Accountability Accountability to its customers. customers. The rest rest of this thhis debate is simply simply financial folks folks arguing arguinng among themselves. themselvess. Facebook is is the greatest ggreatest repository repository p y of o data about people’s ppeople p ’ss intentions, relationships relationships and utterances utterancces that ever has beenn created. cr eated. Period. Period. e And a company that owns that much private privaate data shouldd be accountable to the public. puublic. The public should shoulld be able to review review its practices, practices, its financials, finaancials, and question its intentions intentions in a manner backed by our collective and legally codi ified will. That ’s the point of o a public company— — codified That’s accountability, accountabi lityy, transparency transparency and thorough thorough reporting. reporting. If Facebookk wants to stay private andd not be part of the social mores mores e which we’ve we’ve buil builtt that govern g major corporations corporattio (flawed though thoough they may be), well, I think t that would be a major str strategic attegic blunder blunder,, one that wou would uld ul ultimately timately doom tthe he company.. It company It’s t’s fine for for all sorts of companies companies to stay private private, e,

FFacebook aacebook Apocalypse A Apoc alypse Rumor Terrifies Internet T errifies e Intternet Time Time i was, Weekly Weekly World Worrld News News reported on UFO sightings e eported sighttings and all of human-animal m manner human-animal hybrids. But supermarket B ut the new superma rket tabloid hotness ho otness is a fake fake rumor rumor about Facebook. Did Fa acebook. D id you know kno ow Facebook is shutting March sh hutting down on M arrch 15? Here’s H ere’s what the Weekly Weekkly World World News N ews had to say about abou ut Facebook’s impending doom: m mpending

PALO P A ALO AL ALT—Mark T—Mark Zuckerber Zuckerberg Z rg announced that Facebook Faacebook will be shut down in M aarch. c M anaging March. Managing the site has become becom me too stressful. stressful. “Facebook has gotten gottten out of control,” control,” said Zuckerberg Zucke kerberrg in a press conf erence outside o his press conference Palo Alto Paalo A lto office, “and “and the stress stress c has of managing this company ruined my life. liffee. I need neeed to put an ness.” end to all the madn madness.” Zuckerberg Zuckerberrg went on o to explain March that starting M arch h 15, users will no longer be able to t access their Facebook accounts. accountss. March the ““After After M aarrcch 15th th he whole website shuts down n ” said A n, vrraat down,” Avrat Humarthi, president H umarthi, vice pr esiident of T eechnical A fffaairs at Facebook. “So if Technical Affairs pictures you ever want to see seee your pictur rees again, I rrecommend ecommend d you take them You off the Internet. Y ou ou won’t be able once to get them back on nce Facebook business.” goes out of busines ss.”

This being the Internet, people This aactually ctually believe believe this. this. ““Is Is ffacebook acebook shutting down” do own” was the 14th-hottest Google Here’s G oogle ssearch earch yyesterday. esterday. H ere’s a rrepresentative epresentative Facebook status update: Alas, Facebook A las, Faceb book is not shutting down Mark Zuckerberg due to M arrk Zuckerber g wanting to washing one sspend pend more more ttime ime w ashing tthe he o ne But the potency of hoodie he owns. o this rumor suggests it tapped into Internet’s the Interne et’s deep-seated Facebook death wish; wish h; a yearning ffor or some distant past hours on p ast where where aallll tthe he h ours wasted wasted o n on FFacebook acebook were were sspent pent o n ssomething omething productive pr oductive instead, like drinking. Update: Facebook Faacebook has rresponded esponded to “Wee didn’t the rumor with a tweet: “W memo get the me emo about shutting down, down Wee so we’ll keep keeep working away. awayy. W aren’t ar en’t going goin ng anywhere; anywhere; we’re we’re just started.” getting sta arted.” — —ADRIAN AD RI AN C CHEN, HEN, VALLEYWAG.GAWKER.COM. VALL EY WAG.G AWKER.CO M .

rachelhelen raacheelhelen Facebook tweets? Why don’t don’t they t just update their status? 38thsignal 38thssignal God, they’r they’ree stupid. Everyone knows knnows FaceBook will end on 12/21/12. afraidofauntieem afrraid a doffaauntieem My My little heart is just breaking, breaaking, thinking of all the little piggies andd cows in FarmVille who will have no one one to tend them! ohhh, the carnage!!!! carnage!!!! DevonshireDuchess Devon nshireDuchess Ah, the Ides of March—how March— —how clever. cleverr.

Th heGa GarySinise I hope Facebook TheGarySinise shuts downn before before I have to accept my mom’s mom’ss frien friend nd rrequest. equest equest. rev02 rev022 U Ugh, ggh, this rreminds eminds me of anthrax” that damn “tide samples with anthrax” ’s been going around around all week. hoax that that’s Stop gettingg your goddamn news from from Stop cellphone texts. t

Grouppon Raises, GGroupon R i es, Rais Lik Like, e, a Billion Dollars D ollars Groupon has Groupon h closed what remained remained of that huge huge $950 million financing


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round on round which we first reported reported e in late December December.. Theyy closed on roughly DST, roughly half of it then,, from from DST T, Fidelity and Morgan Morgan Stanley. Stanley t y. We We then learned that Kleiner Perkins Klein ner P erkins was also in the round. round. Now we have the rest rest of the details. details True Trrue to their never be totally serious attitude, [Monday’s] press press rrelease elease was titled ““Groupon Groupon Raises, Raaises, Like, a Billion Dollars.” A whole slew of new and and existing investors participating investors are are p articipating in in the the round, Groupon round, which values Gr o oupon at a whopping whopping $4.75 $4.75 billion. billion. Investors Investors in this round round include Andreessen Andreessen Horowitz, Greylock Horowitz, Battery Ventures, Ventu ures, Gr eylock Partners, Partners, artners Kleiner Perkins Perkin ns Caufield Caufield & Byers, Mail.ru Group, Group, Maverick Maverick Capital, Capital, Silver Lake Partners Partners and an nd Technology Technology e Crossover previously Crossover Ventures. Ventures. As As we pr eviously reported, LLC reported, Allen & Company Comp pany LL C acted as financial adviser adviser.. There aree no additionss to the boar board There ar d of directors directors in this round. rou und. And multiple multiple sources sources have confirmed to us that Fidelity is in n ffact act a new investor in this round, round, it just isn’t listed in the press press release. releease. ease My favorite favorite line in the full press press release, release, other than thee title, is “Groupon “Groupon has been called called . . . “America’s “America’s best website” websitte” by one of Groupon’s Groupon’s television commercials.” co ommercials.” —MICHAEL ARRINGTON, ARRINGTON, O T ECHCRUNCH.COM TECHCRUNCH.COM

Frank D’Agostino D’’A Agostino o You Yoou know Frank what’s cooler than a billion billiion dollars? A what’s Nevermind. bil—oh. Nevermind.

Ed Hadley Do they seriously quote their own TV TV ad in their press press e release? release? Weak. Weeak. Arrrrington n TThe hhe liter literal al Michael Arrington web strikes again.

Guest TThe hhe value off this company is dropping dropping like a rock. rock. It It was wa valued just a month ago by Google at $6 billion. Now, Now w, it ’s valued at $4.75 billion. billionn. How about it’s th t th dr that—they ddropped oppedd in i value val by bby, y, like, lik A B ILLION D OLLARS in a month! m BILLION DOLLARS Simon How does Groupon G oupon plan to Gr use all the money it just raised? raised? tak 1. Buy more more PR. PR. 2. Value Vaalue higher. higherr. 3. Get more more money. moneyy. 4. Goo back to 1.

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Tron: T ron: LLegacy egacy & the FFutility uutilitty of TechnoTechnoe Progressivism P rogrressivism Near the en end nd of “Tron: “T Tron: Legacy,” Legacyy,” , the character CLU char acter CL C U (short ffor or Codified Likeness Utility), Utility), on the ver verge ge of rreleasing eleasing l i his hi army off rrepurposed h epurposed d computer pr p programs ograms into the brick-and-mortar brick-and-m mortar world to destroy destroy humanity, humanity y, confr cconfronts onts K Kevin evin Flynn, his creator-turned-nemesis, creator-turned-nemesis, with a plaintive “I did everything you asked.” Flynn Flyn nn wistfully answers, “I know.” know .” It’s It ’s a rrather ather poignant scene that punctuatess the film’s unique take technology humanity. on technolo ogy and humanity y. Traditionally T raditionallly in the movies, when technologyy turns evil, it does so with a will of its own. “The Matrix” Matrix” “Terminator” and “T Termi e nator ” films are are just two Legacy,” examples. “Tron: “Tron: Legacy “T y,” , however, however, suree enough, upends thee idea. CLU, CLU, sur hiss human cr creator, turns on hi eatorr, but not carry out of rebellion, rebeellion, but to car ry out his human-engineered programming. human-eng gineered pr ogramming. You Flynn programmed CLU Y ou see, Fly ynn pr ogrammed CL U create the In to cr eate th he ““perfect perfect system.” p y Flynn the film, Fly ynn explains that, as a man, younger ma an, he thought he could technology-based design a te echnology-based solution war,r, illness, poverty that would end war and hungerr and, in a nutshell, make better.. But when the humanity better b environment Grid—the computer envir onment nurtured—actually Flynn nurtu ured—actually does

something spontaneously spontaneously, y, spawning a new lif orm, so-c called lifee fform, so-called isomorphic pr programs ograms (called is isos os ffor or short), CL U destr oys them. Whi le this CLU destroys While act of cybernetic genocide hor horrifies r rifies Flynn, from from CLU’s CLU’s perspective, it was nothing but a logical response. response.. aree presented Flynn and his son Sam ar pressented guys: as archetypical archetypical sci sci-fi fi good guy ys: the aging, wise techno-hippie and the angry-but-gifted slacker. slacker. The first fi appeared ffew ew minutes of the film appear red to be setting up the familiar familiar meme meme of rrogue ogue hacker against the big g corporation. Yet bad corpor ation. Y et by the time tim me it’s the movie gets going, it ’s the hippie’s and slacker’s slacker ’s progressive progresssive assumptions that are are tested. Kevin K evin Flynn’s rejection rejection of the progressive pr ogressive ideal is central central to accepts the film’s rresolution. esolution. He accept ts error rresponsibility esponsibility for for his er ror and sole pays the price. Sam and the so le rremaining emaining iso, Quorra, Quorra, escape back b to the physical world with the understanding that they can’t build ““systems” systems ” to change humanity, humanityy, but need to do it as individuals. Such a message resonates resonates now, now w, at a time when politically and culturally, culturrallyy, progressivism pr ogressivism is rresurgent. esurgent. gent The idea that an institution—particularlyy a democratic democratic government—can n simultaneously philoso simul taneously realize realize a philosopheropherking’s vision of human progress progresss and protect pr otect freedom freedom and individual liberty needs a sound critique. — —STEVEN STEVEN TITCH TIT CH , TECHLIBERATION.COM T ECHLIBERATION.COM

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Civil Service Seervice Rules Rulees

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SSECTION ECTION 11103. 103. C Civil ivil SService ervice Rules; Rules; Manner of A Adoption. doption. Civil Service Service R Rules ules ffor oorr the Classified SService ervice sshall hall be aadopted, dopted, aand nd m may ay ffrom rom ttime ime ttoo ttime ime be rrepealed epe p aled oorr aamended, mended, bbyy ordinance or dinance of the C Council. oouncill. Up Upon on adoption, Civil Service Service R ules shall have have the force foorce Rules and eff effect ffeect of law law. w. T he C ouncil m ay aadopt, dopt, rrepeal eppeal oorr The Council may aamend mend aany ny C Civil ivil SService ervice R Rule ule ffor or tthe he C lassified SService, ervice, pprovided rovided iitt Classified first fi rst rreceives eceives ffrom rom tthe he C Civil ivil SService ervice C ommission a rreport epport oorr rrecommendation ecommendation Commission with w ith rrespect espe p ct ttoo tthe he pproposed roppoosed n new ew Rule Rule . . . [[I]f I]f tthe he C ivil SService ervice C ommission Civil Commission rrefuses efuses oorr ffails ails ttoo ssubmit ubmit ttoo tthe he C Council ouncil a rreport eport or rrecommendation ecommendation on any proposed pr oposed ne new wR Rule ule . . . within w ninet ninety ty ((90) 90) ddays ays ffrom rom aand nd aafter fteer tthe ft he ddate ate the C Council oouncil rrequests equests suchh a rreport eport or rrecommendation, ecommendation, tthe he C ouncil m ay aadopt dopt Council may ssuch uch n new ew R Rule ule . . . w without ithout fi first rst rreceiving eceiving a rreport epo p rt oorr rrecommendation ecommendation tthereon hereon from fr room the Civil Ser Service vice Co Commission. C o ommission. T he yyears ears aahead head ffor or llocal ocal The ggovernment overnment w will ill be be ttough, ough, ass p roperty ttax ax rrevenues evenues w ill ccontinue ontinue property will to b bee low and the truee ccosts osts of p ensions are are rrevealed. evealed. If la ayoffs ar pensions layoffs aree iinevitable, nevitable, tthen hen llet’s et’s eexamine xamine tthe he curr ent ssystem ysstem of la ayoffs o b y. current layoffs byy seniorit seniority. T he ccurrent urrent m ethod m eans w lose The method means wee lose

some of thee most productive productivve people people aand nd create create a llarge arge aage ge ggap ap iif/when f/when w wee aare re iin n tthe he p position osition to to hire hire down down the the rroad. oad. IInstead, nstead, perhaps perhaps w wee should should look look tto o ssee ee if if tthere here iiss aan n alternative alternative tthat hat might m ight iinvolve nvolve eemployee mployee performance performance as well as seniority—maybe seenioritty—ma — ayb y e only lay laay off o ff employees employees w who ho aare re eevaluated valuated aass ““needing needing improvement” improvement” before before laying laying off o ff productive productive employees employees with with less less sseniority. eniority. Or Or if if two two employees employees have have nearly n early eequal qual sseniority, eniority, leave leave some some allow waance ffor o or merit t—such s education, allowance merit—such as education, training, training g, eevaluations vvaluations and certifications— certificcaations— to b i the final determination. bee used in Also, A lso, w wee sshould hould eexplore xplore al allowing llowing those that are are closer to rretirement etirement the abilit abilityy to choose ch hoose on their own ac accord cord tto o rretire etire early early in in a way way that that would would sstill till provide provide the the savings savings to to b balance alan nce tthe he budget. budget. Employees Employees with with m ore more sseniority eniority aare re paid paid m more ore than than those those w ith less less seniority, seniority, sso o a change chan nge m ay with may aallow llow ffewer ewer llayoffs ayoff ffss of of ccity ity employees employees that pr ovid de ser vices to rresidents. esidents. provide services I believe believe the Civil Service Service C ommissio on, chair ed b Commission, chaired byy Bill Brill, business b usiness rrepresentative epresentative ffor or IIBEW BEW u nion L ocal al 425, 425, should should review review aand nd union Local giv recommendation to the givee their recommendation Cit ty C ouncil in 9 0 days daayys p err the City Citty City Council 90 per Char ter. —Pierluigi — Oliv erio Charter. Oliverio

An Anon non BV`Zh hZchZ# HZc^dg^in aVnd[[h bZVch i]ZgZ ^h cd ^cXZci^kZ id BV`Zh hZchZ# HZc^dg^in aVnd[[h bZVch i]ZgZ ^h cd ^cXZci^kZ id eZg[dgb! VcY Vahd gZfj^gZh bdgZ aVnd[[h id VX]^ZkZ i]Z hVbZ WjY\Zi hVk^c\h# b! VcY Vahd gZfj^gZh bdgZ aVnd[[h id VX]^ZkZ i]Z hVbZ WjY\Zi hVk^c\h# >beaZbZciVi^dc l^aa WZ Vcdi]Zg bViiZg# b bZciVi^dc l^aa WZ Vcdi]Zg bViiZg# Of Officer fficer Z Hd ndj egdedhZ id VaiZg i]Z gjaZh id bZZi ndjg YZh^gZh! ^chiZVY d[ n egdedhZ id VaiZg i]Z gjaZh id bZZii ndjg YZh^gZh! ^chiZZV Hd ndj \Zii^c\ ndjg ]VcY dji d[ bn lVaaZi4 Ldl \ ndjg ]VcY dji d[ bn lVaaZi4 Ldl SierraSpartan ieerrraaSparta S tan Egd_ZXi^c\ bjX]! VgZ lZ! D[ÒXZg O4 L]n Yd > hjheZXi i]Vi E _ i^ bjX]! ] VgZ lZ! D[ÒXZg D[Ò O44 4 L]n L] Yd Y > > hjheZXi i ii] Egd_ZXi^c\ Z ndjg ÆeZg[ddgbVcXZÇ ldjaY XdbZ je aVX`^c\ l]ZZc hiVX`ZY je V\V^chh Za ndj [ZZa ndjg ÆeZg[dgbVcXZÇ ldjaY XdbZ je aVX`^c\ l]Zc hiVX`ZY je V\V^chi d[ ndjg eZZgh l^i] [ZlZg nZVgh dc i]Z [dgXZ4 hdbZ d[ ndjg eZZgh l^i] [ZlZg nZVgh dc i]Z [dgXZ4 BS S Monitor I]ZgZ ^h dcZ egZkV^a^c\ gZVhdc [dg i]^h cZ[Vg^djh eadi VcY i]ViÉh I ^h dcZ egZkV^a^c\ gZVhdc [dg i]^hh cZ[Vg^djh eadi VcYY I]ZgZ id jcYZgb^cZ i]Z hZchZ d[ hZXjg^in VcY hda^YVg^in d[ i]Z kVg^djh ZbeadnZZ jc^dch# Z Zgb^cZ i]Z hZZchZ d[ hZXjg^in VcY hda^YVg^in d[ i]Z kVg^djh k ZbeadnZZ jjc Oliverio District Pierluigi Oliv erio rrepresents eprreesents Dist rict 6 on the San Jose Joose City C t y Council. Cit Council. o


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mind body & spirit

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14

SILICON SILICON ALLEYS ALLEYS

Twisted Genius

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?8M ?8M< 8CN8PJ Y\\e X ]Xe M< 8CN8PJ Y\\e X ]Xe f] `ii\ \^lcXi g\fgc\# jf f] `ii\^lcXi g\fgc\# jf n_\e X e\n Y`f^iXg_p n_\e X e\n Y`f^iXg_p f] Jp[ [ 9Xii\kk \d\i^\[ f] Jp[ 9Xii\kk \d\i^\[ cXk\ cXjk p\ \Xi k`kc\[ 8 M\ \ip cXk\ cXjk p\Xi k`kc\[ 8 M\ip @ii\^lcXi ?\X[# @ Z_fj\ kf @ii\^lcXi ?\X[# @ Z_fj\ kf Zfejld\ k_\ k +''$gX^\ nfib Zfejld\ k_\ +''$gX^\ nfib fm\i Xe \e ek`i\ n\\b\e[% fm\i Xe \ek`i\ n\\b\e[% Author A uthor Rob Rob o Chapman succeeds succeeds at deconstructing d econstructing many man ny oft-exaggerated oft ft--exagggerated mythologies m ythologies and and much much assumed asssumed Pink Floydâ&#x20AC;&#x2122;s wisdom surrounding surrounding o Flo oydâ&#x20AC;&#x2122;s original leader. leadeer. He talked talk keed to exexggirlfriends irlfriends and and former former grammar grammar sschoolmates, choolmates, as as well well as as acquaintances accquaintan nces

ffrom rom ar art rt sschool chool w who ho h hadnâ&#x20AC;&#x2122;t ad dnâ&#x20AC;&#x2122;t p previously reviously d iscussed ttheir heir experiences experiences with with discussed Ba arrettt in public. public. Barrett F or the rregular egular rreaders eaders out ther e, For there, B arrett was ar was Pink Pink Floydâ&#x20AC;&#x2122;s Floydâ&#x20AC;&#x2122;s original original Barrett ffrontman, rontman n, ssongwriter ongwriter an nd tthe he ttwisted wisted and ge enius b ehind the bandâ&#x20AC;&#x2122; um, genius behind bandâ&#x20AC;&#x2122;ss ďŹ rst albu album, Th Piper The Piper at the Gat tes e of Dawn Gates Dawn.. H Hee w as an an u ndisputed pioneer pioneer of of the the was undisputed â&#x20AC;&#x2122;â&#x20AC;&#x2122;60s 60s E nglish psychedelic psychedelic scene scene and an nd English th he driving fforce o orce b ehind Flo oydâ&#x20AC;&#x2122;s ea arly the behind Floydâ&#x20AC;&#x2122;s early im mprovisational soundscapes. soundscapes. improvisational T he sshorthand horthand vversion ersion o his story story The off his is that he b ecame an acidhead,, his became m ental ffaculties aacculties deteriorated deteriorated and an nd he he mental ccould ould n o llonger onger ccontribute, ontribute, so so the the no b and ssqueezed an queezed h im o ut after after one one band him out al lbum. W iith the bandâ&#x20AC;&#x2122; ance, album. With bandâ&#x20AC;&#x2122;ss assist assistance, hee then rrecorded ecorded mor moree of his own m material, , ccompleted ompleted ttwo wo solo album ms albums

and then retired retired into obscurity o obscurit y for fo or decades decades until his death h in 2006. 2006. SigniďŹ cant SigniďŹ cant portions portions off Pink Floydâ&#x20AC;&#x2122;s Flo oydâ&#x20AC;&#x2122;s catalogâ&#x20AC;&#x201D;including catalogâ&#x20AC;&#x201D;including Dark Dark Side Side of of the the Moon, Moon, Wish Wiish You You o Were Weere Here H e and The Her Wallâ&#x20AC;&#x201D;were Waallâ&#x20AC;&#x201D;were admittedly admitttedly t y about about Syd. Syd. Chapman Chap pman digs digs even even deeper deeper and and comes to a refreshingly refreshinglyy sympathetic sympathetic comes conclusion. Barrett, Barrrett, he he deduces, deduces, wasnâ&#x20AC;&#x2122;t wasnâ&#x20AC;&#x2122;t conclusion. really inďŹ&#x201A;uenced inďŹ&#x201A;uenced by by rock rock music that really lyrical inďŹ&#x201A;uences inďŹ&#x201A;uences much at all. His lyrical came almost entirely entirely from from English came childrenâ&#x20AC;&#x2122;s literature literature by by authors au uthors like like childrenâ&#x20AC;&#x2122;s Edw waard Lear, Lear, Kenneth Kenneth Grahame, Grahame, Edward Hilaire Belloc Belloc and Lewis Lewis w Carroll. Carroll. Hilaire Turns out each of those thosse authors Turns suff ffeered the loss of a parent paarent at an suffered early age, agge, ass did did Syd. Syd. In In a drop-dead drop-dead d early gorgeous passage, passage, hereâ&#x20AC;&#x2122;s hereâ&#x20AC;&#x2122;s the the author: author: gorgeous â&#x20AC;&#x153;Certain themes recur recur throughout throughout â&#x20AC;&#x153;Certain their work work directly directly ass a result result of of these these their losses. Disembodied Disembodied early traumatic losses. identity, a dreamlike dreamlike sense sense of of the the self self identity, limbo without place place of purpose, purpose, in limbo rootlessness, restlessness, restlessnesss, rejection, rejection, rootlessness, detacchment, escapism, escap pism, retreat retreat into into detachment, imaginary worlds, worlds, the the past past recounted recounted imaginary in reverie, reverie, the the lost lost grandeur grandeur of of in

a antiquity, antiquity, faded or classicism and unreachab ble Arcadia, Arcadia,, protracted protracted unreachable childhood and the potency potency of mythâ&#x20AC;&#x201D; myythâ&#x20AC;&#x201D; childhood crop up p time and time again and in all crop man ny guises, guisees, as they they do through through Syd Syd many Barrettâ&#x20AC;&#x2122;s songs. so ongs.â&#x20AC;? Barrettâ&#x20AC;&#x2122;s Barrett went went to to Camberwell Cam mberwell Barrett College of Arts Arts in south London London and College was primarily primarrily a painter inďŹ&#x201A;uenced inďŹ&#x201A;uenced was by collage collage methods, m metho ds, as well as the by text-cutup techniques techniques of of sound sound poets poets text-cutup like Bob Cobbing. Cobbing o . At At that time, time, Syd Syd like crisscrossed with with AMM, AMM, the the British British crisscrossed electroacoustic freefreepioneers off electroacoustic improvisattion. In that group, group, Keith Keith improvisation. Rowe pioneered pioneered the the use use of of prepared preparred Rowe electric guitar, guitar, manipulating manipulating the the electric h unorthodox unorthodox techniquesâ&#x20AC;&#x201D; strings with approacch Syd Syyd identiďŹ ed with. an approach Barrett had had d an an almost allmost pathological pathological Barrett aversion to o discipline of any any sort, sort, aversion and his his disaffection disaff ffeection with with the the pop pop and star routine routin ne had much to do with an star unguided, directionless directionless life life that that didnâ&#x20AC;&#x2122;t didnâ&#x20AC;&#x2122;t unguided, gel with with the the responsibilities responsibilities of of TV TV gel a earances app e , interviews interviews and tours. tours. appearances, Drugs played played a major major role role in in his his Drugs mental condition, condition, of of course, course, but but mental C picture of someone Chapman paints a picture who essentially essentially just just couldnâ&#x20AC;&#x2122;t couldnâ&#x20AC;&#x2122;t deal deall with with who the suffering suff ffeering caused cau used by by the the pressures pressures the of fame. fam ame. As As a result, result, he he retreated retreated into into of anonymity and an nd obscurity, obscurity, where where anonymity he felt felt more more comfortable. comfortable. It It is is sad sad d he story. Towards Towar ards the the end end of of his his life, life, Syd Syd story. returned to o painting, painting, his original returned love. After completing completing each painting, painting, love. he would would photograph photograp ph the the ďŹ nished ďŹ nished he product and an nd then burn the canvas. can nvas v . product By forces forces of of habit hab bit and an nd nature, nature, I By relate everything eveerything to my my own tend to relate landscape, and and San San n Joseâ&#x20AC;&#x2122;s Joseâ&#x20AC;&#x2122;s equivalent equivallent landscape, Syyd Barrett Barrrett would undoubtedly be be of Syd Spencce of Moby Mob by Grape. Grape. Skip was was Skip Spence likewise an an underappreciated underap ppreciated musical musicall likewise genius, inďŹ&#x201A;uencing inďŹ&#x201A; ďŹ&#x201A;uencing many man ny who went genius, on to to become become much much huger huger than than he he on ever did. did. Like Like Syd, Syd, Skip Skip also allso became becam me ever disenfranch hised with rock rock stardom stardom disenfranchised and fell fell victim victim to to drugs. drugs. As As early early as as and 1970, Skip Skip was wass envisioning envisioning his his own own 1970, rock opera, opera, to to be be performed performed in in a rock geodesic venue. venue e . I hope hope that someday somedaay geodesic we can can see see a sympathetic sympathetic portrait portrait of of we welll. him as well.

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Game Change GC8P9FPJ F= K?< N<JK<IE NFIC; =ifd c\]k# 8c\o E\lj\ f] >X`a`e >Xd\j# <[dle[ DZD`cc\e f] K\Xd D\Xk Xe[ EfX_ NXi[i`g$ =il`e f] L:J:Êj ^Xd`e^ gif^iXd Xi\ j_Xg`e^ X e\n ^Xd`e^ Zlckli\%


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Chip Scheuer

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DF;<IE kfg$k`\i m`[\f ^Xd\ kXb\j p\Xij kf dXb\# i\gi\j\ekj k_\ nfib f] _le[i\[j Xe[ Zfjkj k\ej f] d`cc`fej f] [fccXij kf [\m\cfgÆXe[ k_XkÊj Y\]fi\ Xep dfe\p ^f\j `ekf dXib\k`e^ `k% @] k_\ ^Xd\ ]]X`cj# k_Xk Zflc[ m\ip n\cc d\Xe k_\ \e[ ]fi k_\ jkl[`f X`cj# k_Xk Zflc[ m\ip n\cc d\Xe k_\ \e[ ]fi k_\ jkl[`f k_Xk k_Xk gif[lZ\[ `k% K_`j \em`ifed\ek `j Y\kk\i jl`k\[ kf gif[l lZ\[ `k% K_`j \em`ifed\ \ek `j Y\kk\i jl`k\[ kf ``eZi\d\ekXc `eefmXk`fe k_Xe n`c[ \og\i`d\ekXk`fe% K_\i\ eZi\d\ekXc `eefmXk`fe k_Xe n`c[ \og\i`d\ekXk`fe% e K_\i\ \ ``j jk\X[p ^ifnk_ `e jfg_`jk`ZXk`fe% 9lk iXi\cp `j jfd\k_`e^ j jk\X[p ^ifnk_ `e jfg_`jk`ZXk`fe% 9lk iXi\cp `j jfd\k_`e^ ^\el`e\cp e\n Xe[ i`jbp gif[lZ\[% ^\el`e\cp p e\n Xe[ i`jbp gif[lZ\[% K_\ K_\ ^ff[ e\nj `j k_Xk k_\i\ Xi\ fk_\i df[\cj ]fi ^Xd\ ^ff[ e\nj `j k_Xk k_\i\ Xi\ fk_\i df[\cj ]fi ^Xd\ \ [\m\cfgd [\m\cfgd\ek flk k_\i\# Xe[ k_i\\ ^i\Xk \oXdgc\j i\j`[\ d\ek flk k_\i\# Xe[ k_i\\ ^i\Xk \oXdgc\j i\j`[\ Xk k_\ \[^\j f] J`c`Zfe MXcc\p# n`k_`e k_\ Z`kp c`d`kj f] Xk k_\ \[ [^\j f] J`c`Zfe MXcc\p p# # n`k_`e n k_\ Z`kp c`d`kj f] f JXekX : :ilq% K\Xd D\Xk Xe[ >X`a`e > >Xd\j Xi\ `e[`\ JXekX :ilq% K\Xd D\Xk Xe[ >X`a`e >Xd\j Xi\ `e[`\ ^Xd\ ^Xd\ [\m\cfg\ij% 9fk_ Xi\ gifm`e^ k_Xk gcXp\ij Xi\eÊk [ [\m\cfg\ij % 9fk_ Xi\ giifm`e^ k_Xk gcXp\ij Xi\ \eÊk aljk aljk aljk cffb`e^ ]fi ^Xd\j n`k_ dfi\ i\Xc`jk`ZXccp i\e[\i\[ cff fb`e^ ]fi fb`e^ ]fi ^Xd\j ^Xd\j n`k_ dfi\ d i\Xc`jk`ZXccp i\e[ [\i\[ [\i\[ \em`ifed\ekj% K_\p Xi\ cffb`e^ ]fi fi`^`eXc mf`Z\j# \em`if ed\ekj% K_\p Xi\ cffb`e^ ]fi fi`^`eXc mf`Z\j#

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GAME BO BOYS YS 177 stylistic flair and better stylistic betteer and diff different ffeerent challenges.. And it do challenges doesn’t e ’t ttake esn ake the large lar ge teams that a ma mainline ainline ccompany ompany likee Electr Electronic Arts employs lik onic Ar ts em mploys to build likee that. In fac fact, games lik ct,, in terms of innovation, inno vation, the indie scene scene puts the industryy to shame.. rrest est of the industr o shame

L:ÅJXekX L :ÅJXekX X :ilq _Xj : ilq _Xj ccXleZ_\[ k_\ XleZ_\[ k_\ cXi^\jk ^X cXi^\jk ^Xd\j$ ^Xd\j$ ii\j\XiZ_ \j\XiZ_ _ gif^iXd `e g if^i ^iXd `e E fik_ 8d\i`ZX## Efik_ 8d\i`ZX# n`k_ *,' `_ le[\i$ [ n`k_ *,' le[\i$ ^ iX[lXk\j ^iX[lXk\j X e[ lgn g Xi[ Xe[ lgnXi[ f] )' ^iX[ ] [lXk\ f] )' ^iX[lXk\ jjkl[\ekj% kl[\ekj% The T he ggame-design ame-design program program at at UC–Santa UC –Santa Cruz came came about about in part part because b ecause the the school’s school’s ccomputer omputer sscience cience department d epartment was was looking looking for for ways ways tto o boost enrollment b oost enr ollment afterr the dotcom dotcom iimplosion, mplosion, and and in in part parrt because because tthe he had sschool chool aalready lread dy h ad d plenty plenty of of sstudents tudents who were because wanted w ho w ere there there b ecause tthey hey w anted makee video games. to mak games. about these practical Hearing ab out thes se practic al origins,, one might eexpect origins xp pect a mildly interesting inter esting and usefull course course of Instead, UC–Santa study to rresult. esult. Instea ad, UC –Santa Cruz has launched the the largest largest games-research program games-r esear ch pr ogram in North North America, undergraduates Americ a, with 350 un ndergraduates upward graduate students.. and upw ard of 20 gra aduate students aree Dozens of small gamee projects projects ar going on all the time; professors proffeessors aree fforced innovate ar orced to inno o vatee just to teach their subject; studentss and staff staff enthusiastically ideas,, enthusiastic ally eexchange xchaange ideas dreaming big,, cr creating social dr eaming big eatingg a so cial ccontext ontext so bursting with w creative creative energy makes ener gy that it emphatically emphattically mak es the ccase universities ase that univ ersitties ccould ould current ccompletely ompletely shake shake up the t curr ent game-development status quo.. game - development st atus quo

Meat M eat B Boy’s oy’s M Makers akers Two T wo p people eople isn’t isn’t a lot lot when when it it video games. ccomes omes to making m games. The ttechnology echnology doesn’t doesn’t eexist xist ffor or a team team of of ttwo wo tto o create create the the next next Halo Halo or or Call Calll of of Duty. But how D uty. B ut h ow aabout bout tthe he next next Super Super It turns out that Mario Brothers? Brothers? o that’s doable—if that ’s doab ble— if the ttalent alent and ttaste aste hard are there. ffor or har o d work w are ther e. Edmund McMillen Tommy E dmund M cMillen aand nd T ommy Refenes have and R efenes h ave tthe he ttalent, allent, an nd tthey’ve hey’ve hard aree on full done the har h d work. Both ar display Super Boy. displa ay in Sup er Meat Bo y. Meat Boy, M eat B oy, like like Mario, Marrio, is is trying trying to to kidnapped love. Unlike rrescue escue his kidnapp ed lo ve. U nlike Mario, Boy’s M ario, Meat Meat B oy’s llove ove iiss a ggirl irl made made out been o ut of of Band-Aids, Band-Aids, aand nd sshe’s he’s b een kidnapped byy a ssuit-and-tie-wearing k idnap pped b uit-an nd-tie-wearing artt is adorable ffetus eetus in a jar jjar.. The ar adorable be), and ((well, well, aass ad dorab ble aass iitt ccould ould b e), an nd tthere here iiss a ggenuine enuine ssweetness weetness tto o tthe he out sstory, tory, which which does does a lot lot to to balance ballan nce o ut saws, fire, all the sa aw ws, fir e, death and hell. This T his vvisual isual sstyle tyle iiss a ggood ood reflection reflection of how thee game plays. plaayys. It is brutally, brutallyy, difficult. vviciously iciously d ifficult. ((Running Running tthrough hrough while a ssalt alt ffactory actory w hile dodging dodging guided guided about hard sounds.) missiles is ab out as har d as it sounds .) But much design has B ut sso om uch tthoughtful houghtful d esign h as ggone one iinto nto managing managging tthe he frustration frustration up llevel evel tthat hat iitt aactually ctuallly eends nds u p ffeeling eeling oddly welcoming. o ddly welc coming. McMillen lived Santaa McMille en has liv veed in Sant Cruz his Hee ggot C ruz h is eentire ntire llife. ife. H ot his his start starrt drawing, writing and publishing his d rawing, w riting an nd p ublishing h is own on flash o wn ccomics. omics. He He moved moved o n tto ofl assh web,, via sites lik likee games ffor o or the web Newgrounds.com, but off N ewgrounds.com, b ut tthe he sspirit pirit o informs his work. indie ccomics omiics still inf forms o his his dark IItt sshows hows in in h is art arrt style style and and h is d ark off h humor how both ssense ense o umor aand nd h ow b oth aare re used to communicate emotions.. communicate rreal eal emotions And off course his pride A nd o course iitt shows shows iin nh is p ride aatt being independent creator. b eing an in ndependent cr eator. When W hen tthe he ttime ime ccame ame to to supersize supersize his most popular popular flash game into fitt ffor ssomething omething fi or the the PC PC and an nd Xbox Xbox Live hee tturned Tommy L ive Arcade, Arcad de, h urned tto oT ommy Refenes, based R efenes, a ttalented allented eengineer ngineer b assed iin n North The on N orth Carolina. Carolina. T he two two worked worked o n aspects separate as spects of the game from from opposite opp osite sides siides of the country country before beffor oe together Santaa finallyy ccoming om mingg to ggether in Sant get Cruz to ge et everything everything finished. apartment, I visited McMillen in his apar tment, serves office. which also o ser ves as his offic e. McMillen off tthe M cMillen eexplained xplained ssome ome o he ways potential w ays y he mitigated m potential player plaayer frustration n with his challenging game. game.

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CChip hip Scheuer Scheuer

GAME BO BOYS YS 18

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â&#x20AC;&#x153;â&#x20AC;&#x153;We We k keep eep tthe he levels levels really, really, rreally eally ssmall. mall. You You ccan an aalmost lmost always always ssee ee BandAid Girl at the end en nd of the le vel, Band-Aid level, w hile youâ&#x20AC;&#x2122;re youâ&#x20AC;&#x2122;re tthere, here,â&#x20AC;? he he ssaid. aid. â&#x20AC;&#x153;You â&#x20AC;&#x153;You while n ever ffeel eel ssuper uper d iscouragged, b ecause never discouraged, because yyou ou k now ssheâ&#x20AC;&#x2122;s heâ&#x20AC;&#x2122;s rright ight there. there.â&#x20AC;? This This w as know was n ot tthe he llast ast ttime ime iin n our our m eeting not meeting tthat hat McMillen McMillen would, would, in in discussing discussing ssome ome practical practical d esign as aaspect spect of of S uper design Super M eat Boy, Boy, wind wind up up referring referring to to the the Meat emotional ccore ore of the game. game. I ask ed him if he tho ought there there asked thought w ould h ave b een a p lace ffor or him him in in would have been place making video games iff there there wasnâ&#x20AC;&#x2122;t waasnâ&#x20AC;&#x2122;t an indie sc ene. scene. No one eever ver â&#x20AC;&#x153;Oh, no no,,â&#x20AC;? he said. â&#x20AC;&#x153;N â&#x20AC;&#x153;No llistened istened tto om e. T hereâ&#x20AC;&#x2122;s n ow ay in in h ell me. Thereâ&#x20AC;&#x2122;s no way hell tthat hat Super Super M eat B oy could could eever ver be be Meat Boy p itched tto o a ccompany ompany aand nd get get p icked pitched picked u p. IIâ&#x20AC;&#x2122;d â&#x20AC;&#x2122;d ssay ay ffor or al lmost eevery very ssingle ingle one one up. almost o my games, gam mes, tthereâ&#x20AC;&#x2122;s hereâ&#x20AC;&#x2122;s no no way way aanybody nybody off my would ttake ake that risk.â&#x20AC;? Super Meat Bo tak kes a huge risk Super Boyy takes b rusting tthe he p layer to to k eep trying trying byy ttrusting player keep aafter fter ccountless ountless ffailures. aaiilures. IItt challenges challlenges pla ayeers to tr ieve things players tryy and achi achieve

that that look look impossible, impossible, to to take take their their own own big big risks. risks. The The pure pure joy joy of of taking taking on big big things, things, and an nd keeping keeping att it it on until success success is is achieved, achieved, is is not not to to be be until underestim mated. underestimated. Is Super Super Meat Meat Boy Boy a success? success? Is Judging from from o its reviews, reviews, the answer answer Judging is yes. yes. Metacritic, Metacritic, a website website that thatt is collects major major reviews reviews and and calculates callculates collects an average, averagge, summarizes summarizes the the critical critical an response to to game gam me with with a score score of of response 90 out of 100. 1 0. And if that werenâ&#x20AC;&#x2122;t 10 werenâ&#x20AC;&#x2122;t 90 peopleâ&#x20AC;&#x2122;s attention, attention, enough to get peopleâ&#x20AC;&#x2122;s PETA recently recently debuted debuted a parody parody of of PETA game, called called Super Super Tofu To ofu Boy, Bo oy, the game, which drew drew coverage coverage from from sites sites which like Yahoo Yaahoo and AOL AOL and brought brought a like hitts to Team Teeam Meatâ&#x20AC;&#x2122;s Meatâ&#x20AC;&#x2122;s website, website, million hits according to t McMillen. according Before I left left the the Team Team Meat Meat Before headquarrters/living room, room, I played played the the headquarters/living gam me for for a little little while while with with helpful helpful game advice from from the the man man n who who designed designed advice every level: level: e : â&#x20AC;&#x153;Donâ&#x20AC;&#x2122;t â&#x20AC;&#x153;Donâ&#x20AC;&#x2122;t hesitate, hesitate, you yo ou had every

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23 M E T R O S I L I C O N VA L L E Y | J A N UA R Y 1 2-1 8, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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GAME BO BOYS YS 21

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it! T it! The he m moment oment yyou ou hesitate hesitate iiss tthe he moment yyouâ&#x20AC;&#x2122;ll ou o â&#x20AC;&#x2122;ll fall . . . right into the ssaws. aws. IItâ&#x20AC;&#x2122;s tâ&#x20AC;&#x2122;s all all ab about bout conďŹ dence conďŹ dence and an nd what doing, ccommitting ommitting tto ow hat yyouâ&#x20AC;&#x2122;re ouâ&#x20AC;&#x2122;re d oing, aand nd have then you you ha ave it.â&#x20AC;?

The GGaijin aijin GGuys u s uy Gaijin Games has an actual acttual office, office, aw workplace orkplace that that doesnâ&#x20AC;&#x2122;t doesnâ&#x20AC;&#x2122;t d double ouble as as anybodyâ&#x20AC;&#x2122;s an nybodyâ&#x20AC;&#x2122;s h home. ome. IItt w was aass founded founded by by Alex A lex N Neuse, euse, a self-described self-described iindustry ndustry vveteran eteran nw who ho aalso lso serves serves ass the the ccompanyâ&#x20AC;&#x2122;s ompanyâ&#x20AC;&#x2122;s C CEO. EO. This This yyear, ear, Gaijin Gaijin ggames ames iincreased ncreased its its w workforce orkforce b byy a thirdâ&#x20AC;&#x201D;making grand thir dâ&#x20AC;&#x201D;making for for o a gra and total total of ffour. our. o Gaijin operates G aijin o perates on on a more more Meat ttraditional raditionall sstructure tructure tthan han Team Team M eat and has more an nd h ass m ore ttraditional raditionall ambitions am mbitions growth. Team ffor or o gr owth. And unlike unlike T eeam Meat, Gaijin has eeveryone veryyone ffrom rom G aijin h ass been been a partt of mor moree traditiona traditional par al studios. studios. The made T he ccompany ompan ny iiss m ad de up up eentirely ntirely employees of fformer o ormer emplo oyees off Santa Santa Cruz

Games hich made its mark with the Games,, wh which Nintendo DS D vversion eersion of the eighth game in thee T omb o Raider Series Tomb Series.. This is no not ot to sa say ay Gaijin is just a rregular egularr ggame ame ccompany, ompan ny, b because ecau use llooking ooking aatt w what hat iitt p produces, roduces, iitt cclearly learrly is not. Gaij Gaijinâ&#x20AC;&#x2122;s inâ&#x20AC;&#x2122;s games ar aree eextremely xtremely cclever, lever, vvisually isually sstunning tunning an and nd m most ost o off aall, ll, d deeply eeply o odd. dd. G Gaijin aijin d didnâ&#x20AC;&#x2122;t idnâ&#x20AC;&#x2122;t sstrike trike out on its own o to mak makee the same kind of gam games mes eeveryone veryone else mak makes. kees. A Att tthe he ccompanyâ&#x20AC;&#x2122;s ompan nyâ&#x20AC;&#x2122;s ttiny iny o one-room ne-room headquar headquarters teers in the Sash Mill, N Neuse euse eexplained xplained h how ow tthey hey ccame am me u up pw with ith tthe he iidea dea ffor or ttheir heir ďŹ ďŹ rst rst ggame, ame, B BIT.TRIP IT.TRIP B Beat: eat: â&#x20AC;&#x153;â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re Weâ&#x20AC;&#x2122;re jjust ust tthree hree gguys, uys, sso ow wee n need eed tto od do o ssomething omething tthatâ&#x20AC;&#x2122;s hatâ&#x20AC;&#x2122;s ssimple imple aass p possible. ossible. W Wee all decided that making P Pong ong woul would ld b bee within our means means..â&#x20AC;? W Well, ell, e nott eexactly xactly P Pong. ong. Their eextremely xtremely cle cclever ver idea w was as to mate P Pong ong w with ith G Guitar uitar H Hero. ero. IInstead nstead o off

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GAME GA ME BO BOYS YS 233 two b two bars ars bouncing bouncing a square squarre aatt each each other, o ther, iitt w was ass one one b bar ar sstruggling truggling tto o keep k eep up with a barrag barrage ge of squares, squares, musical note eeach ach rrepresenting epresenting a m usical n ote tthat hat would w ould only only ssound ound iiff it it was wass hit. hit. It It is is a game,, bu but vvery ery difficult game ut it comes comes with an automatic reward: reward: music. music. stunning The visually stunnin ng aspect aspect is old-school the oldschool arcade-inspired arcade-iinspired color color palette, lovely over palet ttte, featuring featuring e lovelly neon o ver a black bl k backdrop, b kdr back d op, and d the th strange t imageryy floating in the imager the background, background, iincluding ncluding DNA DNA aand nd a brain brain rendered rendered in a 3-D take take on 8-bit style. s yle. st

D\Xk 9fpÊjj D\Xk 9fpÊj cfm\ `j X ^`ic cfm\ `j X ^`ic d X[\ flk f]] dX[\ flk f] 9Xe[$8`[j# Xe[ 9Xe[$8`[j# Xe[ j_\Êj Y\\e j_\Êj Y\\e b`[eXgg\[ Yp b `[eXg gg\ g\[ Yp p X jl`k$Xe e[$k`\$ X jl`k$Xe[$k`\$ n\Xi`e^ ] ^ ]\klj n\Xi`e^ ]\klj `e X aXi% ``e X aXi a i% And odd what A nd tthe he o dd aaspect spect iiss w hat that meaning can can be be read read into i iimagery magery and and into into wordless wordless cut-scenes: cut-scenes: This is a game with a hero, h o, a black her monolith with and m onolith w ith arms arms and and legs an legs an nd a white w hite sslot lot rrepresenting epresenting eeyes, yes, aand nd tthe he off tthe place aaction ction o he ggame am me ttakes akes p lace inside inside hero’s the her o’s mind. BIT.TRIP was the first BIT T..TRIP Beat w as just j downloadable in a series of download dable games Wii monolith ffor or tthe he W ii sstarring tarring tthat hat m onolith known k nown ass Commander Comman nder Video. Video. Each Each was game w as more more ambitious ambittious than the old-school llast, ast, eeach acch rrecalled ecallled o ld-school gaming gaming fforms orms o but was was imbued d with music, music, and each had an ongoing ongo oing storyline storyline detailing hero’s spiritual journey, det ailing the her o’s spi iritual journe y, words music,, told without wor ds through th hrough music visuals and game-play. game-plaay. Theree is a sense sense,, pla playing Ther aying y a BIT.TRIP B IT.TRIP ggame, am me, that that a lot lot is is being being ccommunicated ommunicatted but but in in an an alien allien llanguage—the anguage—the language language of of the the world world was that w aas born born with the he creation creation th of the first video gamee and that grew detail gr ew in det ail in our ar aarcades cades and in Atari 2600 stopped the A tari 26 00 and never neever stopp ed Often hard what eevolving. volving. O ften iitt iiss h ard tto ar o say say w hat

has actuall actually ly happ happened ened in the stor story, y, but noneth nonetheless heless it is emotionally rresonant esonant in nw ways ayys that ar aree m mysterious. ysterious y . Gaijin has h rreleased eleased an iPhone BEAT vversion ersion of BEA AT and numbers numbers ffour o our five off tthe aand nd fi ve o he BIT.TRIP BIT.TRIP series, series, iits ts best b est gamess to date. date. In BIT.TRIP BIT T..TRIP Runner, Commander Video R unner, C ommander V ideo iiss sset et on unstoppable o n aan nu nstoppable rrun un tthrough hrough a beautifully detailed world where b eautifully d etaiiled w orld w here eevery very obstacle obstacle creates creates music music and and Hee journeys eevery very level level iiss a ssong. ong. H journeys darkness off space ffrom rom the the d arkness o space into into the the sunshine idealized su unshine of ccountryside, ountryside, and tthen hen iinto nto ssunset unset an nd ccivilization ivilization aand nd ugliness the uglines ss of the cconstructed onstructed world. BIT.TRIP In BIT T..T TRIP Fate, Fate, our hero hero is sstrung trung aalong long aan n eever-changing ver-chan nging lline ine byy Gaijin Games as ““the identified b the Hee n negotiates vvibe. ibe.” H egotiates iits ts curves curves tto o protect heart p rotect his his h eart from from tthe he projectiles projectiles enemies, robots, off enemies i s, shooting sho h oting i down d rob bots, while blood-red-and-black w hile iin n tthe he b lood-red-an nd-blacck background b ackground tterrifying errifying vvisions isions lloom: oom: officee buildings offic build dings under cconstruction, onstruction, vast fields of cubicles cubicles,, images of increasing incr onffo ormitty under the easing cconformity progress. guise of pr rogress. Theree ar are Ther re no cubicles at Gaijin Games’ office, When G ames’ ttiny iny o ffice, by by tthe he way. way. W hen theyy use cur curtains. privacy is needed, n the tains.

The 8 Th 800-Pound 00 Poundd 00-P Animated Anima ated Gorilla Team T eeam Meatt and Gaijin ar aree showcases showcases ffor or iinnovation nnovation aand nd ffree ree tthinking hinking on o n a small, smalll, guerrilla-style guerrilla-style basis. bassis. No No bureaucracies bur eaucraccies stifle brainstorms. brainstorms. I w was aas aamazed mazzed to to discover discover tthat hat tthe he ssame ame kind kind of fr free-wheeling ee-wheeeling experimental exxperimental spirit ccan an b bee found found at at the the other other end end of of the the ccomplexity omple l xit ity sp spectrum. ectrum. A Att the h U University n niv iveersit ity of C California aliffo orn nia Sant Santaa Cruz, a ne new w iinitiative nitiative iiss u ushering shering iin n a rrevolution evolution iin n the way way gam games ames are are created. created. I met with wiith Jim Jim Whitehead, ffounder ounder an o and nd dir director ector of the UCSC Center C enter ffor or o Games and Playable Plaayyable Media, M edia, aand nd aassociate ssociate p professor rofessor N Noah oah Wardrip-Fruin. W ardrip-Fruin. W Whitehead’s hitehead’s aareas reas of rresearch esearch h have haave included ssystems ystems well tto o lland and aaircraft ircraft as as w ell as as iinteractive nteractive storytelling. Wardrip-Fruin stor ytelling lli g. War d i -Fruin drip F i tells ll me about ab out his inter iinterest est in ttabletop abletop games other play, well aand nd o ther ssystems ystems ffor or p lay, aass w ell ass admiration Woolf. his admira ation ffor or Virginia o Vir i ginia W oolff. These T hese aare re ttwo wo of of the the faculty faculty members memb ers ttasked asked with the difficult

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and vvery ery inter interesting esting jo job ob of teaching students to create create ffor or o a medium that iiss sstill till in in iits ts infancy. infancy. Wardrip-Fruin Warrdrip-Fruin film ccompared ompared ttheir heir jjob ob tto o tteaching eaching fi lm off ssilent-film iin n tthe he eera ra o ilent-film pioneer pioneer Eisenstein. Whitehead E isenstein. W hitehead told told me me that thatt impediments one of the biggest imp pediments is little how lit tle fformalized ormalized knowledge o k field. But one tthere here iiss iin n tthe he fi eld. B ut o ne tthing hing tthe he program p rogram founders founders did did have have iin n their their beginning 2006 ffavor fa avor fr ffrom om the th b eginn i ning i in i 20 06 was w ass the the number number of of sstudents tudents who who wanted part w an nted to to be be a p art of of it: it: currently currently enrolled. nearly 400 400 students are arre enr olled.

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Myy vvisit M isit iincluded ncluded encounters encounters undergraduates with four four o under graduates in what hippest is unquestionably the hipp est university have been u niversity rroom oom I h ave eever ver b een floors, high iinside. nside. Polished Polished cconcrete oncrete fl oors, h igh fixtures cceilings eilings and cool cool light fixtur es set stage the st age ffor or o rrows ows of ccomputers omputers with llarge arge monitors monitors and and a big big flat-screen flat-screen TV with modernist T Vw ith a llong ong red red m odernist ccouch ouch front in fr ont of it. ““For For tthe he rrecord, ecord, this this couch: couch: not not bad bad d to sleep on,” reported reported Dexter Dexxter Lohnes, De Lohnes, senior,, as we w walked a senior alk keed into the rroom. oom. about After ttalking alking to them briefly b ab out what w hat brought brought tthem hem to to UC–Santa UC–San nta Cruz, the cconversation on nveersation n quickly turned to what brought brought them m to game design They iin n ggeneral. enerall. T hey talked tallked aabout bout tthe b he

unique p power ow wer of games games,, how the theyy ccan an m ake you you ffeel eel actual acctual guilt, guilt, how how tthey hey make ccan an n eexpress xpress eemotions motions aand nd iideas deass iin n ways no other medium and how w ays n oo ther m edium ccan an an nd h ow theyy can teeach through the can teach through the act of play. plaay. thing “One th hing that makes makes games sso o ggreat, reat,” said said Alex Alex Mathew, Mathew, “is “is ability player-driven tthe he ab bility to to have have a p layer-driven narrative, where not n arrative, w here n ot eeveryone veryone ssees ees the same thing, t thing , so you you o have haave different diff ffeerent are unique sstories tories tthat hat ar re vvery ery u nique to to you you player. They aass a p layer. T hey ffeel eel like like something something belongs that b ngs to you you because because you you elon helped create them.” help ed cr e eate aree these students aiming So whatt ar do tto od o with with all alll their their enthusiasm enthusiasm and an nd once Do iintelligence ntelligence o nce tthey hey ggraduate? rad duate? D o hope tthey hey h ope to to work work on on the the biggest biggest best aand nd b est ggames am mes ffrom rom tthe he traditional traditional orr d do want make sstudios, tudios, o o they they w ant tto om ake games moree freedom smaller gam mes with mor freedom ffor or experimentation o experim mentation and personal personal eexpression, xpression, ass tthe he llocal ocal independents independents aree doing? ar Team ““You’re You’re ttalking allking about about T eam Meat Meat Gaijin?” asked and Gaijin n?” ask ked e JJon on Gill. “I think they’re much the y’re mu uch bigger inspirations to shoot like, sho ot ffor or than, o t lik ke, the Call Call of Dutys Dutys things.. That That’s and things ’s much less eexciting xciting smaller than the sm maller teams of three, three, 10, 20 people pe ople who who gget et really really inspired inspired about ab bout money, aan n iidea, dea, gget et ssome ome sseed eed m oney, ttry ry to to make work fails,, it fails, mak ke it wo ork and if it fails fails, and theyy can the can go o on to the next next thing. thing.” goals “My goa als have haave kind of shifted sincee I got here, sinc here,” April Grow Grow said, knew when first wanted ““because because I k new w hen I fi rst w anted make tto om ake games gam ames I wanted wan nted tto o work work for for big because ab ig company, compan ny, Blizzard, Blizzarrd, b ecause ass llong ong aass I can can an remember remember I’ve I’ve played played Blizzard games. myself Bliz zard ga ames. But now I see m yyself wanting industryy and w anting to o infiltrate industr push new p ush tthose hose n ew vvisions isions fforward orward ffrom rom makee a game that the inside and mak breaks rreally eally br eaaks boundaries. boundaries.” Alex A lex said, said, ““I’m I’m thinking thinking about about grad grad off tthese sschool chool right right now, now, because becau use all all o hese schools looking grad scho o are ols are lo oking into the projects. eexciting xciting new new p rojects. I don’t don’t want want to go into this industry industry that feels feeels a llittle ittle jjaded aded aand nd iiss ttrying rying tto o make mak ke safe saf fe gamess and not rreally eally pushing anything, have an nyything hi , while whil we ha h ave all ll these h rreally eallly eexciting xciting grad grad d sschools chools that thatt are arre all weird, different pushing al ll these weir d, diff ffeerent ways play off cclosing w ays tto op lay ggames. ames. IInstead nstead do losing off what has o ff doors doors and and ssaying aying w hat a ggame ame h as be, tto ob e, we’re we’re looking looking aatt what what a game gam me be, want ccould ould b e, and a Iw ant to eexplore xplore that some more. more.”


27 Next on m Next myy agenda was was as a series of meetings m eetings with with graduate grad duate students students an and nd a sshowcase howcase of of their their projects. projects. I saw saw a tool tool tto o aassist ssist p players layers in in designing designing their their own own llevels. evels. I ssaw aw an n experiment experiment iin n motion motion ccapture ap pture ffrom rom a graduate graduate student student w with ith a back background kgr g ound in theaterr and danc dance. e. I sa saw aw a game designed to o gather data d ata about ab bout what what images images people people find find aaesthetically esthetically pleasing—data pleasing—data that that w will ill bee u b used sed tto od design esign a sort sort of of aautomated utomated cinematographer cinemato grapher for fo or other oth her games. games. A ssociology ociology m major ajor d demonstrated emonstrated what he ccalled alled a so social-puzzle cial-p puzzle drama, in which the setting setting is a high scho school, ol, jjust ust before before prom, prom, and and the the p puzzles uzzles iinclude nclude how how to to get get the the goth goth ggirl irl who who is dating the shallow go goth oth b boy oy to st start art dating the ccomputer omputer nerd neerd instead. A ccouple ouple of of other other ggrads rads told told m mee aabout bout SpyFeet, SpyFeet, a game game that that on on its its surface sur facce is merely merely an alternate alterrnate reality realitty rrole-playing ole-plaaying y game for for o thee iPhone designed d esigned tto o gget et young young girls girls tto o eexercise xercise byy exploring b exploring and and llearning earning aabout bout ttheir heir llocal ocal ecosystems. ecosystems. Simple Simple enough, enough, right? right? OK, maybe maayb y e not, but on a deep deeper er le level, eveel, iit’s t’s also also a good good eexcuse xcuse tto o ttry ry o out ut a bunch of neat ideas—such ideas— —ssuch as being being able tto o automatically automatically turn turn any any information information iinto nto d dialogue ialogue w written ritten in in the the voice voice o off aany ny ccharacter haracter iin n tthe he ggame. ame. And And having having tools tools that allow players plaayeers to design desiign and run adventures adv ventur e es for for o their friends. frien nds. The T he ggame ame iiss aalso lso m meant eant tto ob bee ab able ble tto o ggather ather llocal ocal w weather eather iinformation nformation ffrom rom Google Google sso o iitt w won’t on’t ttell ell iits ts yyoung oung players pla ayers to go w walk alk ar around ou und outside when it it’s ’s ccold old and rain raining. ning. All A ll tthese hese iideas deas aare re h helped elped aalong long b byy ttraditional rad ditionall ggrad-school rad-school values. values. Unlike Unlike in the world of blo blockbuster ckbu uster video ggames, ames, tthe he imperative imperattive iiss n not ot to to repeat repeat success suc cess but to ttackle ackle in interesting nteresting problems pr oblems and st stake ake ou out ut ne new w territor territory. y. UC–Santa UC –Santa Cruz’ Cruz’ss is p potentially ottentially the most m ost important important aalternate lternate m model odel o off ggame ame development. development. U UC–Santa C–San nta C Cruz ruz iiss n not ot the the o only nly sschool chool o out ut tthere here with with a game-design game-design program, program m, but it is the llargest argest o on n tthe he ccontinent, ontinent, aand nd iitt sseems eems tto o ttake ake b both oth tthe he sscience cience aand nd ar art rt o off the medium vvery ery serio seriously. ouslyy. The T he iideas deas ggenerated enerated an and nd tthe he vvalues allues iinstilled nstilled h here ere w will ill m make ake ttheir heir w way ay iinto nto n not ot jjust ust aacademic cad demic p projects rojects b but ut also indie and blo blockbuster ckbuster games games.. This could could b bee eexactly xactly what w the world of gaming needs needs..

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Felipe Buitr B Buitrago ago

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First Street Pho

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?< JFLK? =@IJK ?< JFLK? =@IJK Jki\\k Xi\X nXj feZ\ Jki\ \\k Xi\X nXj feZ\ [fnekfne JXe Afj\Êj [fn nekfne JXe Afj\Êj c`m\c`\jk e\`^_Yfi_ff[# c`m\ \c`\jk e\`^_Yfi_ff[# ]lcc f] e`^_kZclYj# i\jkXliXekj ]l lcc f] e`^_ _kZclYj# i\jkXliXekj Xe[ YXij% K_\ Jf=8 Xi\X jk`cc Xe e[ YXij% K_\ K Jf=8 Xi\X jk`cc _Xj X glcj\# Ylk `k [f\jeÊk Y\Xk _Xj X glcj\ \# Ylk `k [f\jeÊk Y\Xk Xj jkife^cp Xj `k lj\[ kf )' Xj jkkife^cp p Xj `k lj\[ kf )' p\Xij X^f% p\Xij X^f% I ha have ave b been een n enc encouraged, ouraged, however, however, b eew busin nesses that ha ave moved moved byy a ffew businesses have in rrecently. e ently ec e y. Th The he latest is Pho 6 69, 9, a Vietnamese estaurant ffamily-owned family ilyy- owned dV iietnamese rrestaurant

that th hat opened opened last month. The rrestaurant estaurant ser ves a menu serves off Vietnamese Vietnamese i st andards (pho standards (pho,, vvermicelli, e ermic elli,, ric owls, banh mi) ricee b bowls, bu ut updates updates them with modern modern but to ouches ffor or a clientele that ma o ay or o touches may m ma ay not b traditio onal may bee familiar with traditional V Vi ietnamese ffood. ood. P alo Alto ’s Vietnamese Palo Alto’s T aamarine has done the same thin ng on Tamarine thing a more more upscale upscale le vel and at a high her level higher pr rice p oint. Pho h 6 i d decidedly id dl more m e mor 9 is price point. 69 ccasual a asual but still has an appealing appealing ccontemporary o ontemp orary vibe vibe ab out it. about The rrestaurant estaurant uses one of the m most aawkward wk w kward slo gans I ha ave eever verr slogans have he eard: “Something hot coming coming heard: to o your your mouth.” mouth.” Mind yyou, ou,, the rrestaurant’s e aurant’s name is Pho 69. est 69. Is th hat that

improper deliberate, impr oper ssyntax yntax or a delib d erate, attempt but ill-advised, at ttempt t t at a double entendre? just leave entendr e? I think I’ll ju ust lea ave it there. ther e. iffy slogan, 69 In spite of the iff ffyy slo ogan, Pho 6 9 brings a bigcity imagee to downtown big-city San JJose ose that ffeels eeels lik e, well, like, some where other than n San JJose. ose. The somewhere rrestaurant estaurant spac avernous e with spacee is ccavernous soaring cceilings eilings and a glass g stor efront storefront that giv es it a sleek and d mo dern ffeel. eel. e gives modern The plac n- chic aesthetic placee has an urban urban-chic that still ffeels eeels w arm an nd in nvviting. warm and inviting. L ocal ar on b h on the Local artt will so soon bee hanging w alls. Ther e’s a big ccommunal om mmunal ttable able walls. There’s ffor o or lar ge par ties. The b est seats in large parties. best the house ma ay b sstools ols on the may bee the sto small bar o verlooking the kitchen overlooking wher h e yyou ou ccan an w h the th ccooks ooks k ladle l dl atch where watch out br oth ffor o or the no odle d soups fr om broth noodle from hulking ccauldrons. auldrons. A nd iiff tthe he ffood ood iiss ggood, ood, w ho ccares ares And who ab bout tthe he rrestaurant’s estauran nt’s m arketing about marketing materials? F or the mostt par t,, the ffood ood For part, is go od at Pho 6 9,, maki ing it a welc ome good 69, making welcome addition to a str etch of South F irst stretch First

Str eet with ffew ew rrestaurant estaurant options Street options.. All thee n ood dlee d dishes s es I tried ed wer ee noodle were quite go od.. The st andout w as the good. standout was “pho 6 9” ($ $9.55), a classic b owl of 69” ($9.55), bowl b eef pho made m with a deep aramelbeef deep,, ccaramelccolored olored br o with a rich and oth broth wonder fully ar omatic fla avor. wonderfully aromatic flavor. The chick ken pho ($8.45) do esn’t chicken doesn’t ha ave the sam me depth of the fla avor as have same flavor the b eef ph ho, but with a squir beef pho, squirtt of lime juic e, fr esh herbs and a lit tle Sriracha juice, fresh little hot sauc ecame a thor oughly saucee itt b became thoroughly enjo yable b owl of no odles. My only enjoyable bowl noodles. ccomplaint omplaint w as that the piec es of was pieces chick en br e wer east y. The chicken breast weree a bit string stringy. menu adv ertises that the chick en is advertises chicken “fr ee range ,” but the term do esn’t “free range,” doesn’t mean vvery ery much. The st andard is standard quite low w. low. N ext to the t b eef pho avorite Next beef pho,, m myy fa favorite w as “mom ’s vvegetarian egetarian pho .95). was “mom’s pho”” ($7 ($7.95). V eegetable br b oths ar Vegetable broths aree notoriously thin and w a y, but this one w ater as watery, was full of fla avor o dec octed fr om shiit ake flavor decocted from shiitake mushr oom ms, onions and ginger mushrooms, ginger.. The dish ccame ame lloaded oaded with mushr ooms, mushrooms, slic ed ccarrots, arrotts, tofu,, b ok cho sliced bok choyy and ric ricee no odle. It ’s a go od b owl of no odles noodle. It’s good bowl noodles h h r yyou’re ou’re a vvegetarian ou egetarian or not. whether m thee list of st arters, I enjo yed From starters, enjoyed me chick cchicken en salad ($6.95), the sesame lly a Chinese chick en salad essentially chicken ed made with a light touch and slic sliced d crisp dding cabbagee and crispyy wontons wontons.. A Adding eeff to t the spring rroll oll ($5.95) ($5 95) grilled b beef h id e but I ffound ea, ound o the meat is a fresh idea, rather toug gh h. tough. The spicyy basil b chick keen o ver jasmine chicken over rrice ice (($7.55) $7.55) w as a w inner, w ith ttender ender was winner, with b its o hicken tthat hat ac ctually d elivered bits off cchicken actually delivered the adv ertissed spiciness od,, to o, advertised spiciness.. Go Good, too, w ass tthe he b arbecue p ork vvermicelli ermicelli b owl was barbecue pork bowl (($7.95): $7.95): sstrips trips o avory p ork sserved erved off ssavory pork with ttwo wo w lit ttle t crab egg rrolls, olls, salad, little rroasted oasted p ean anuts aand nd a ssweetish weetish n uoc peanuts nuoc cham dippin ng sauc e. dipping sauce. Pho 6 9 do d esn’t ser ve desser 69 doesn’t serve dessertt but do es off ffeer wine w eer, V iietnamese does offer wine,, b beer, Vietnamese ccoffee, off ffeee, Thaii tea and, m avorite, myy fa favorite, ccoconut oconut w a with slipp ater ery basil water slippery seeds ($3.55 5). ($3.55). Ser vice iss quick, and the friendly Service st aff aims to o please 9 is a go od staff please.. Pho 6 69 good addition to a neighb orhood hungr neighborhood hungryy ffor or go o od qu uality rrestaurants. estaurants. good quality

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Campbell ¿book online at campbell.net

CAPERS Well-heeled sports bar and restaurant. $$$. Capers is a sophisticated restaurant that uses sports as its theme. Well-devised menu full of inventive recipes and delicious finger foods. 11am-10:30pm Mon-Thu, 11am-midnight Fri-Sat and 9:30am-10:30pm Sun. 1710 W. Campbell Ave. 408.374.5777.

LA PIZZERIA Italian. $$. La Pizzeria specializes in simple pizzas that stand on the strength of a few highquality ingredients, expertly prepared. Open for lunch and dinner daily. 11am-10pm Sun-Tue, 11am-11pm Wed, 11am-midnight Thu-Sat. 373 E. Campbell Ave. 408.370.0826.

MICHI Japanese. $$. Sushi standards are transformed into palate-awakening presentations; culinary boundaries are stretched. 11am-10pm daily. 2220 S. Winchester Blvd. 408.378.8000 or 378.0838.

NEGEEN Persian. $$. Mira ghasemi, grilled and puréed eggplant in a tomato sauce with scrambled eggs, and kashk-e-bademjan, puréed eggplant topped with mint and a creamy yogurt sauce, are great, as are the kebabs. Don’t miss the excellent Persian ice cream. 11:30am-10pm Mon-Thu, 11:30am-midnight Fri-Sat and 11:30am-9pm Sun. 801 W. Hamilton Ave. 408.866.6400. OLIO Mediterranean. $$$. Olio serves simple but expertly prepared Mediterranean food that dips into the underexplored cuisines of North Africa. Small but smart wine list. Dinner 5-

9pm Sun-Thu and 5-10pm Fri-Sat. 384 E. Campbell Ave. 408.378.0335.

SANJOSE.COM

¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

PSYCHO DONUTS Donuts. $. Psycho Donuts has taken rings of fried dough into new territory with flavors like apricot, the Cookie Monster (topped with Oreos) and Do-Nilla (sprinkled with bits of vanilla wafers) and the intimidating Psycho Donut, a maelstrom of marshmallow, pretzel and chile powder. 6am-5pm Mon-Thu, 6am11pm Fri, 7am-11pm Sat, 7am5pm Sun. 2006 S. Winchester Blvd #C. 408.378.4540.

RUSSIAN CAFÉ AND DELI Russian. $$. This is a small Russian grocery store with a good little restaurant tucked in the corner. Borscht soup, pelmeni and solyankya sbornaya, a thick soup studded with chunks of mild pork sausage, black olives, pickles and barley all satisfy. 11am-8pm daily. 1712 S. Winchester Blvd. 408.379.6680.

SUSHI ZONE Japanese. $$. Fun sushi meets fun surroundings in this zone. 11:30am-2:30pm and 5-9:30pm Sun-Thu and 11:30am-2:30pm and 5-10pm Fri-Sat. 75 S. San Tomas Aquino Rd #1. 408.866.1323.

TIGELLERIA. Italian. $$. Tigelleria’s menu centers on fine cheeses and Italian salumi paired with tigelle, free-flowing, piping hot flatbreads the size of mini pitas. The bread forms the addictive heart of the meal. Lunch 11:30am-2pm and dinner 5-10pm daily. 76 E. Campbell Ave. 408.884.3808.

TWIST CAFE AND BISTRO French and American. $$$. Twist describes itself as “American food with a French twist,” but the menu

includes Middle Eastern Eastern, Asian and Italian influences, too. Cafe 9am-3pm Tue-Sat, 9am-2:30pm Sun; Bistro 59pm Wed-Thu and 5-10pm Fri-Sat. 247 E. Campbell Ave. 408.374.8982.

Los Gatos ¿book online at losgatos.com

ALDO’S Italian. $$$. A warm and engaging atmosphere sets the scene for fullbodied flavors and healthy ingredients. 11:30am-2:30pm Mon-Fri, 5-9pm Thu, 5-10pm Fri-Sat. 14109 Winchester Blvd. 408.374.1808. CALIFORNIA CAFE New American. $$$. An innovative approach to Pacific Rim staples makes for some lovely surprises. The ace service matches the smart setting. Full bar. 11:30am-10pm MonFri, 10:30am-10:30pm Sat, 10:30am-9:30pm Sun. 50 University Ave. 408.354.8118.

CIN-CIN Eclectic wine bar. $$$. The heart of Cin Cin’s menu is an eclectic mix of small plates, tapas-size dishes that partner well with a great wine list. 4-10pm Mon-Sat. 368 Village Way. 408.354.8006.

CRIMSON Rustic bistro. $$$. Large portions of upscale rustic fare sate the diner at this new-style Old World bistro, but don’t forget to save room for Fondue for Two. 11:30am-2pm Mon-Fri, 5pmclose Mon-Sun. 15466 Los Gatos Blvd. 408.358.0175.

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In Praise of Almond Croissants

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I

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You may not share my enthusiasm for almond croissants, but I bet that’s because you haven’t had a good one. Properly made, the croissant is a study in balance. The exterior, particularly the pointed ends, is crisp and shatters upon contact. Inside, the pastry is pillowy, moist and above all buttery. The marzipan (almond paste) should be well incorporated into the croissant so that it combines with the flaky bread to form a slightly sweet, nutty whole. Better still is when there’s a thin mantle of marzipan spread on top that caramelizes in the oven. A sprinkling of sliced almonds crowns the whole thing. What is so great about a good almond croissant is that it has a restrained sweetness that goes perfectly with a cup of coffee or tea. Donuts just don’t stand a change when matched with a real croissant. I sample almond croissants far and wide. (One rule of thumb: don’t buy a plastic wrapped croissant. It will invariably disappoint.) The best I’ve ever had is at the BIG SUR BAKERY. I make a stop there for a croissant as soon as I pull into town and pick one up on my way out. They are K_\ 9\cc Kfn\i astoundingly delicious. 9`jkif Xe[ Closer to home, Los Gatos’ FLEUR DE COCOA GXk`jj\i`\ makes an incredible almond croissant. Unlike most versions, which use marzipan, pastry chef 20490 Saratoga–Los and owner PASCAL JANVIER makes his with a light Gatos Road, Saratoga almond cream filling. They are sweet but not 408.741.1104 overly so. With an abundance of butter, they are supernaturally crisp and rich. The Bell Tower, which opened late last year in downtown Saratoga, makes a classic almond croissant to rival those at Fleur de Cocoa and the Big Sur Bakery. And it’s a bargain at $2.25. Pastry chef JAVIER ANDRADE, 33, learned to create pastries from a French chef when he was 18 at the WHALE CITY BAKERY in Davenport (north of Santa Cruz). From there he worked at Santa Cruz’s famed BUTTERY, where he continued his education in croissant making. He has adapted what he learned about croissants into his own style. He hand-rolls the croissants each morning and uses organic flour and marzipan that he makes from scratch. Each one looks a bit different. I like the ones where the marzipan pools in the middle between the two points. The top is beautifully caramelized and shingled with toasted almonds and a dusting of powdered sugar. They are outstanding. And they sell out quickly so call ahead and have them put a few aside for you.—Stett Holbrook

30 DIO DEKA Greek. $$$. Dio Deka is doing its part to elevate Greek food in Silicon Valley. There’s much to recommend at this handsome restaurant. Most starters are large so they’re best shared.

5:30-10pm Mon-Thu, 5-10pm Fri-Sat, 5-9pm Sun. 210 E. Main St. 408.354.7700.

FLEUR DE COCOA French bakery. $$. Almond croissant. Almond croissant. Almond croissant. Los Gatos’ Fleur de Cocoa is rightly known

for its chocolate confections and pastries, but I can’t stop thinking about the little pastry shop’s spectacular almond croissants. There’s plenty of other good stuff and not all of it sweet, like the croque

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SVDINING monsieur and the quiche. 7:30am-6pm Tue-Sat and 8am-4pm Sun. 39 N. Santa Cruz Ave. 408.354.3574.

FORBES MILL STEAKHOUSE Steakhouse. $$$$. When Metro first checked in with Forbes Mill in 2003, it was called “a big, burly brasserie equipped with style as well as substance.” It’s holding up well and still does things in a big way. Dinner 5-9pm Sun-Thu, 5-10pm Fri-Sat. 206 N. Santa Cruz Ave. 408.395.6434.

GREEN PAPAYA Vietnamese. $$. California cuisine meets Southeast Asia by way of Paris, with inventive updates of clay pot and five-spice authentica. 11am- 3pm, 5-9:30pm TueSun.. Beer, wine. 137 N. Santa Cruz Ave. 408.395.9115.

I GATTI New Italian. $$$. I Gatti fits like a glove along peaceful Main Street. The chef understands the basics but isn’t afraid to create refreshing twists on traditional recipes. 11:30am-2pm. 5-9:30pm MonSat, 5-9pm Sun 25 E. Main St. 408.399.5180. KAMAKURA SUSHI AND SAKE HOUSE Sushi bar classics. $$. In a smart setting, Kamakura showcases a procession of impeccable sushi and sashimi platters. 10:30am2pm, 5:30-10pm daily. 135 N. Santa Cruz Ave. 408.395.6650.

LOS GATOS BREWING CO. Brewpub. $$$. Most brewpubs seem to be cooking from the same menu, but executive chef Jim Stump has created a diverse menu of upscale comfort food that goes well beyond burgers and grilledchicken sandwiches. The handsome wood-accented interior and open kitchen with its wood-fired pizza oven and rotisserie grill add to the restaurant’s appeal. Breakfast 10am-2pm Sat-Sun, lunch 11:30am-3pm and dinner 5pm to 9pm daily. 130 N. Santa Cruz Ave. 408.395.9929.

MANRESA High concept. $$$$. Drawing from produce grown at his own farm, superstar chef David Kinch is blazing a trail of high caliber cuisine that’s as daring as it is delicious. Expensive but worth it. 320 Village Lane.

SANJOSE.COM

408.354.4330.

408.395.2808.

NICK’S ON MAIN American.

THREE DEGREES Eclectic,

$$$. Nick’s on Main is a relaxed but elegant bistro full of neighborly charm and is a showcase for owner Nick Difu’s decadent and deeply satisfying style of cooking. 11:30am-3pm and 5-9:30pm Tue-Sat. 35 E. Main St. 408.399.6457.

California. $$$. Set inside the beautifully remodeled Toll House hotel, Three Degrees delivers a mixed bag of big and small plates from an eclectic menu. Some dishes, like the New York steak, are great, but others fall flat. Service is friendly but still a little green. Full bar. Breakfast 6:30-11am Mon-Fri, 3-10pm daily. 140 S. Santa Cruz Blvd. 408.884.1054.

PASTARIA & MARKET Italian. $$. Pastaria offers reasonably priced comfort food in an unpretentious but lively atmosphere. 5-9:30pm Mon-Thu, 5-10pm Fri-Sat and 5-10pm Sun. 49 E. Main St. 408.399.3477.

RESTAURANT JAMES RANDALL Californian. $$$. Chef and co-owner Ross Hanson takes his cues from the seasons and favors a simple, ingredient-driven approach that places it squarely in the California school of cooking. He favors big, robust flavors and large serving sizes to create a kind of California comfort food. Dinner 5:30-11pm TueSat. 303 N. Santa Cruz Ave. 408.395.4441.

STEAMER’S New American. $$$. Styling itself as a grill house, Steamer’s includes rotisserie meats and fragrant grilled chops in addition to fresh fish. Quality control and service are excellent. Full bar. 11:30am-2:30pm, 5-9:30pm daily. 31 University Ave. 408.395.2722.

TANDOORI OVEN Indian. $. Tandoori Oven has quickly found its niche in Los Gatos among the burrito joints, sushi spots and upscale restaurants with its made-to-order curry dishes and spicy north Indian fare at good prices. 11:30am9:30pm daily. 133 N. Santa Cruz Ave., Los Gatos, 408.395.1784; 1875 S. Bascom Ave., Campbell, 408.559.3885; and 109 S. First St., San Jose, 408.292.7222.

TAPESTRY Contemporary haute. $$$. Right on the main street, this cottagelike spot blends traditional French cooking with contemporary fusion: filet mignon with Mongolian-style brown sauce; crayfish chow mein. Elegant and friendly. 11:30am-2pm, 5:30-9pm Sun-Thu, 5-10pm Fri-Sat. 11 College Ave.

VALERIANO’S ITALIAN RESTAURANT AND BAR Contemporary Italian. $$$. While the kitchen exudes earthy aromas, the dining room’s soft terra-cotta walls glow with a sense of Mediterranean mission. Hands-on management makes each patron feel pampered. Full bar. 5pm-close daily. 160 W. Main St. 408.354.8108.

VIVA LOS GATOS NEIGHBORHOOD EATERY California. $$$. This popular Los Gatos restaurant mixes it up with Italian-leaning Mediterranean food, fresh fish, grilled steaks and several Asian-inspired dishes as well. 11am-9:30pm Mon-Fri 8am10:30pm Sat, 8am-9:30pm Sat. 15970 Los Gatos Blvd. 408.356.4902.

WILLOW STREET WOODFIRED PIZZA Pizza. $$. Silicon Valley’s three Willow Street pizza locations prepare the definitive upwardly mobile California pizza. Crispy, thin crusts breathe with accents of almond from the Italian wood-fired oven. Check out the new Neapolitan-style pizzas—delicate, light and satisfying. Hearty pastas, salads and sandwiches, too. 11:30am-10pm Sun-Thu; 11:30am-9:30pm Fri-Sat. 20 S. Santa Cruz Ave. 408.354.5566. For other locations see www. willowstreet.com.

WINE CELLAR New California $$. Tucked under Borders Books, this cozy dining spot offers an education in Old World charm and New World cuisine, from smoked salmon pizza to grilled ahi tuna to desserts as fresh as spring break. 11:30am-9pm MonThu, 11:30am-10pm Fri-Sat, 10:30am-9pm Sun. 50 University Ave. 408.354.4808.

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metroactive

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FIGHT THE QUIET

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*wed *thu FIGHT THE QUIET Blank Club, San Jose Wed â&#x20AC;&#x201C; 9pm; free Fight the Quiet is a melodic indierock band from Flagstaff, Ariz. They play catchy, radio-friendly riffs, but the standout is the lead singerâ&#x20AC;&#x2122;s grainy alto/borderline-soprano voice. Iâ&#x20AC;&#x2122;d love to hear him yodel â&#x20AC;&#x153;Way Out There,â&#x20AC;? but heâ&#x20AC;&#x2122;ll probably lean more toward material from last yearâ&#x20AC;&#x2122;s Fight the Quiet record, Let Me In. (BD)

FIVE FINGERS OF DEATH Caravan Lounge, San Jose Thu â&#x20AC;&#x201C; 10pm; free With a breakneck speed-punk sound and a sense of humor to go along with it, San Joseâ&#x20AC;&#x2122;s Five Fingers of Death had its beginnings two years ago, when bassist-vocalist Jason Styles met the bandâ&#x20AC;&#x2122;s drummer, Kaka Meng, at a professional wrestling school. Soon after that, the bandâ&#x20AC;&#x2122;s second guitarist, who goes by the moniker â&#x20AC;&#x153;ET,â&#x20AC;? caught Five Fingersâ&#x20AC;&#x2122; show at the Blue Bonnet in Sunnyvale. Promises Styles: â&#x20AC;&#x153;If you donâ&#x20AC;&#x2122;t like our music, youâ&#x20AC;&#x2122;ll be entertained by our antics. If you still donâ&#x20AC;&#x2122;t like it, itâ&#x20AC;&#x2122;ll be over soon.â&#x20AC;? (BD)

ANTI-SOCIAL Johnny Vâ&#x20AC;&#x2122;s, San jose Thu â&#x20AC;&#x201C; 9pm; $5 In a world where rebellion is for sale, anarchy is a T-shirt design and even a toddler can have a Mohawk, San Joseâ&#x20AC;&#x2122;s Anti-Social is one of the last honest punk bands. Theyâ&#x20AC;&#x2122;ve stayed true to both their ethics and their sound. With a mixture of early-â&#x20AC;&#x2122;80s Brit and â&#x20AC;&#x2122;90s melodic punk, these boys call it like they see it, whether it be hypocritical religious leaders who are all about the dough, or toughguy morons who try to start ďŹ ghts at shows. The Sprains and Santa Cruzâ&#x20AC;&#x2122;s SA90 open. (BD)

*fri

CURREN$Y VooDoo Lounge, San Jose Fri â&#x20AC;&#x201C; 9pm; $20 How can you not love a rapper who puts a dollar sign into his name? New Orleansâ&#x20AC;&#x2122; Curren$y has been gaining considerable attention over the last several years putting out mixtapes. He even made the cover of XXL magazine in 2009, then used the buzz to promote the release of his debut album, appropriately titled This Ainâ&#x20AC;&#x2122;t No Mixtape. Last year, he made the jump to major label Def Jam Records and has been doing well for himself, mixing laidback, nonchalant rhymes with his signature mellow grooves. (AC)

GRIMACE AND THE FAKERS Caravan Lounge, San Jose Fri â&#x20AC;&#x201C; 10pm; free Adding slide guitar to a song is like adding cowbell; it just sounds cooler. Grimace and the Fakers play the blues with a modern rock feel, even covering a song by the great Mississippi Fred McDowell. But when they bust out the slide, watch out. Think of it as a Delta blues band revamped for the 21st century. Lead singer/guitarist Grimace draws much of his inďŹ&#x201A;uence from McDowell and Howlinâ&#x20AC;&#x2122; Wolf; he has that same gritty voice, like a rusty nail in wood. Grimce and the Fakers also showcase bassist Jamie Rodriguez, formally of San Joseâ&#x20AC;&#x2122;s punk band Ribzy. (BD)


* concerts

37

Jan 12 at 8pm, Dinkelspiel Auditorium, Stanford

M E TR O S I L I C O N VA L L E Y | J A N UA R Y 1 2-1 8 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

EMANUEL AX

THE GUITAR STORY Jan 15 aat 2pm, Rose Garden Library, San Jose

MAKAHA SONS

MARK PITTA Jan 15 at 9 Lives, Gilroy

SYMPHONY SILICON VALLEY SYM Jan 15 at a 8pm and Jan 16 at 2:30pm, California Theatre, San Jose

MUSIC@MENLO WINTER SERIES MUSIC@ JJan 16 at 4pm, Center for the Performing Perform Arts at Menlo-Atherton

GOLDEN ROAD Grate Dead songs in concert to Grateful benefit The Stage, Jan 17 at 7:30pm, California Theatre, San Jose

JOHN MCCUTCHEON Jan 17 at 7:30pm, St. James Episcopal, Fremont PHILHARMONIA BAROQUE P JJan 18 at 8pm, Center for the Performing Arts, Atherton

JOSHUA REDMAN SOLO Jan 19 at 7:30pm, Carriage House, Montalvo Arts Center

LANG LANG Jan 23 at a 7:30pm, California Theatre, San Jose

AL JARREAU

*sat

BOAR HUNTER Blank Club, San Jose Sat – 9pm; $8 Boar Hunter is a veritable who’s who of underground South Bay music. The list of bands that Boar Hunter’s current members have been a part of is long, including the Shitkickers, Krupted Peasant Farmerz, Apeface, Uzi Suicide, the Flames and Saros, just to name a few. They’ve taken punk and metal and merged them together, with guitarist Rob Fraser and bassist Branch trading off vocal duty. Not necessarily crossover, a la D.R.I., but always heavy and switching between midtempo metal and fast punk beats. (BD)

SYMPHONY SV California Theatre, San Jose Sat – 8pm, Sun – 2:30pm; $39-$75 For its first concert of the new year, Symphony Silicon Valley welcomes guest conductor Paul Polivnick (a frequent visitor to the area, having conducted the orchestra on several occasions) and pianist Adam Golka for a program titled “Idylls & Dances.” Golka, already a prominent player at age 23, will negotiate Liszt’s Totentanz Concerto, a tempestuous meditation on the so-called “dance of death” from the Middle Ages. Also on the bill is Wagner’s Siegfried Idyll and Rachmaninoff’s Symphonic Dances. (MSG)

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*sun

MAKAHA SONS Montalvo Arts Center, Saratoga Sun – 7:30; $30-$35

Hawaiian pronunciation can be baffling. And the Mahaka Sons have done nothing to improve the situation over the course of more than 20 albums with titles like Na Mele Henoheno Na Makahiki, helu ‘elua. There are Midwesterners who picked up that record in 1999 and are still reading the front cover today. But do the Mahaka Sons care? They get booked in Carnegie Hall and then go home to paradise in O’ahu. And why? Because they’re Hawaiian legends who have helped to preserve some of the islands’ most cherished musical traditions. (SP)

PIANO/PIANISTS Center for the Performing Arts, Menlo-Atherton Sun – 4pm; $20-$50 As part of its Winter Series of classical concerts, Music@ Menlo presents a trio of topranking pianists in a variety of combinations performing pieces scored for two pianos. Alessio Bax, Anne-Marie McDermott and Wu Han (one of the moving forces behind the big summer Music@ Menlo Festival) will show their skills on selections by Debussy, Ravel and Rachmaninoff (Suites no. 1 and 2).

Jan 29 at 8pm, Campbell Heritage Theatre

BERRY SAKHAROF Jan 29 at 8pm, Memorial Auditorium, Stanford

WILD CHILD Jan 29 at 8pm, Fox Theatre, Redwood City

LUIS MIGUEL Jan 30 at 8pm, HP Pavilion, San Jose

DAT PHAN, COMIC Feb 1 at 7pm, San Jose Improv

JEFF DUNHAM Feb 2 at 7:30pm, HP Pavilion, San Jose

MINGUS DYNASTY Feb 2 at 8pm, Dinkelspiel Auditorium, Stanford

OZZY OSBOURNE SLASH Feb 3 at 7:30pm, HP Pavilion

SOUTH BAY GUITAR SOCIETY Anniversary gala, Feb 4 at 6:30pm, Le Petit Trianon, San Jose

ACROBATS OF CHINA Feb 11 at 7:30pm, Flint Center, Cupertino.


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Golden Road to Unlimited Devotion Monday, 7:30pm; California Theatre, San Jose; $50 and up The music of the Grateful Dead remains very alive and lively. San Jose Stage Company throws a benefit party for itself featuring the original cast and band from its 1988 production of Cumberland Blues. The revue draws on classic songs from the Dead albums Workingman’s Dead and American Beauty. The cast includes original members Kevin Blackton, Don Hiatt and pedal steel player Bobby Black.

The Zahsman Murders Thursday–Saturday, 8pm, Sunday, 2pm, Jan. 14–29; WORKS/San Jose; $15/$25 Serial killers don’t confine their sprees to the silver screen; now, they haunt theaters, thanks to Arclight Repertory Theatre’s new production. This new thriller by Jim Colgan features a cast of six—one of whom just might be the guilty party. The play unfolds in the small WORKS gallery space, helping to immerse the audience in the hunt for the murderer.

No Good Deed Jan. 13–30; Pear Avenue Theatre, Mountain View; $15–$30 Not all gumshoes are world-weary, hard-bitten men; some are world-weary, hard-bitten women. Such is the case with Frankie Payne, a female detective working the mean streets of Boston in No Good Deed. The Paul Braverman play, presented by Pear Avenue Theatre, focuses on Payne’s investigation into an Irish gang war in the early 1960s.

*stage Theater

ANGELS IN AMERICA: MILLENNIUM APPROACHES In collaboration with the mentoring program First Stages, Bus Barn Stage Company presents Tony Kushner’s story of AIDS in America. Thu-Sat, 8pm. Runs thru Jan 15. $15. Bus Barn Theater, Los Altos.

GOLDEN ROAD TO UNLIMITED DEVOTION A benefit concert for San Jose Stage Company features the original cast member of “Cumberland Blues” in a new tribute to the songs of the Grateful Dead. Mon, 7:30pm. $50-$100. California Theatre, San Jose.

GREASE The current touring version of the popular music hits town, presented by Broadway San Jose. Runs Jan 18-23. Tue-Thu, 7:30pm, Fri, 8pm, Sat, 2 and 8pm, Sun, 1 and 6pm. $20 and up. San Jose Center for the Performing Arts.

NO GOOD DEED Frankie Payne, female private detective, looks for redemption in the middle of an Irish gang clash in Boston. Presented by Pear Avenue Theatre Company. Pay-whatyou-can preview Thu, 8pm. Opens Fri, 8pm. Regular shows Thu-Sat, 8pm, Sun, 2pm. $25/$30. Runs thru Jan 30. Pear Ave, Mountain View.

OUROBOROS

Ouroboros Jan. 15–Feb. 5; Historic Hoover Theater, San Jose; $12-$28.50 True to its name, Renegade Theatre Experiment presents a dramatic Möbius strip called Ouroboros. Tom Jacobson’s play trails two American couples on tour in Italy—one advancing in time, the other moving backward. Their intricate paths cross in strange ways leading to either comedy or tragedy, depending on which night one attends the shifting tale.

Renegade Theatre Experiment tells the interlocking stories of two American couples on a nightmarish journey of fate and coincidence in Italy; the play’s ending diverges depending on the night of the performance. Preview Fri, 8pm. Opens Sat, 8pm. Regular shows: Thu-Sat, 8pm, Sunday, 7pm. Runs thru Feb 5. $12-$28.50. Historic Hoover Theater, San Jose.

THE ZAHSMAN MURDERS Local author Jim Colgan’s mystery is mounted by Arclight Rep. Thu-Sat, 8pm, Sun, 2pm. Thru Jan 29. $15/$25. WORKS/San Jose.

Comedy CLUBFOX Mon, 8pm: Comedy Monday hosted by Dan St. Paul. $10. Redwood City.

COMEDYSPORTZ An interactive improvised comedy show. Fri, 9 and 11pm and Sat, 7 and 9pm. $12/$15. ComedySportz, San Jose.

9 LIVES Sat: Mark Pitta. $12/$15. Gilroy.

ROOSTERT.FEATHERS Wed, 8pm: New Talent Showcase. $10. Thu, 8pm, Fri, 9pm, Sat, 8 and 10:30pm, Sun, 8pm: Andre Norelli, Alex Koll and Chris Garcia. $12$16. Sunnyvale.

and sketches by ADM Cooper. Thru Mar. In the Pasetta House. “Explore San Jose Parks: Open to the Public Since 1850.”Thru Jan 23. At Pacific Hotel Gallery. TueSun, 11am-5pm. San Jose.

JAPANESE AMERICAN MUSEUM “Camp Days: 1942-1945.” Works about the internment camps by Chizuko Judy Sugita de Queiroz. Thru Apr 30. Also exhibits about the history of Japantown and the lives and contributions of Japanese immigrants in the valley. Thu-Sun, noon-4pm. San Jose.

LOS GATOS HISTORY MUSEUM “Bear in Mind: The Story of the California Grizzly.”Thru Feb 27. Wed-Sun, noon-4pm. Los Gatos.

SANJOSEIMPROV

SAN JOSE MUSEUM OF ART

Wed, 8pm: Big Al’s Big Ass Comedy Show. $12. Thu, 8pm, Fri, 8 and 10pm, Sat, 7 and 9pm, Sun, 7pm: Jeremy Hotz. $20. San Jose.

“Scaffolding + Sky.” A new installation by Denicia Gantner in skybridge. Ongoing. “The Modern Photographer: Observation and Intention.” A show of works from the first half of the 20th century drawn from the museum’s permanent collection. Thru Jul 3. “Retro-Tech.”Thru Feb 6. “Vital Signs: New Media From the Permanent Collection.”Thru Feb 6. “Degrees of Separation: Contemporary Photography From the Permanent Collection.” Thru Mar 14. Tue-Sun, 11am-5pm, closed Mon. San Jose.

*art

Museums OPENING DESAISSETMUSEUM “The Veil: Visible and Invisible.” A traveling group show of works focusing on the various societal uses of the veil through history. Jan 15-Mar 11. Santa Clara University.

CONTINUING CANTORARTSCENTER “Vodoun/Vodounon: Portraits of Initiates.” Portraits of Vodoun followers and their shrines in Benin by Jean-Dominque Burton. Thru Mar 20. “Go Figure!” Figurative paintings and sculptures by contemporary artists. Ongoing. “Chiaroscuro Woodcuts From 16th-Century Italy.”Thru Feb 27. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

EUPHRAT MUSEUM “Learn to Play Too.”The group show about games and recreation is expanded in a second part. Thru Feb 24. TueThu, 11am-3pm. De Anza College, Cupertino.

HISTORY PARK SAN JOSE “Celebrating Local Artists: The Fifth Anniversary of the McKay Gallery.” A look at the McKay’s collection, including paintings

SAN JOSE MUSEUM OF QUILTS AND TEXTILES “Cream of the Cloth: Quilts From the Marbaum Collection.” A rich sampling of contemporary quilts and fiber art. “Yvonne Porcella: Bold Strokes.” A 25-year survey. Both shows run thru Jan 30. TueSun, 10am-5pm. San Jose.

TECH MUSEUM OF INNOVATION “Body Worlds Vital.” A detailed anatomical look at bodies in health and disease, based on the work of Gunther von Hagens. Mon-Wed, 10am-5pm, Thu-Sun, 10am-8pm. San Jose.

TRITON MUSEUM OF ART “Heidi Brueckner.”Thru Feb 20. “2010 Statewide Watercolor Competition/Exhibition.”Thru Feb 27. “Sweet Obsession.” Works by Lynn Powers. Thru Feb 27. TueWed and Fri-Sun, 11am-5pm. Thu, 11am-9pm. Santa Clara.

Galleries CAFFE TRIESTE “Robot Girl.” Works by Christine Benjamin. Thru Jan 28. San Jose.

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39

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HIS MUSICAL is the gold standard against which all others are measured. Adapted from GB Shawâ&#x20AC;&#x2122;s PYGMALION, with book, lyrics and music by Lerner and Loewe, MY FAIR LADY is outstanding entertainment. The Rain In Spain, I Could Have Danced All Night, On The Street Where You Live, Get Me To The Church On Time and Wouldnâ&#x20AC;&#x2122;t It Be Loverly are just a few of the timeless melodies that make this the â&#x20AC;&#x153;perfect musical.â&#x20AC;? Henry Higgins wonâ&#x20AC;&#x2122;t be the only one who falls in love with Eliza Doolittle, the Cockney ďŹ&#x201A;ower girl.

?RN C A L I F O R N I A T H E AT R E 345 S. First St. SJ 95113

WWW SYMPHONYSILICONVALLEY ORG

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Supported in part by a Cultural Affairs grant from the City of San Jose.


metroactive ARTS

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Joan Marcus

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38 DIRIDON STATION “The Way to San Jose.” An overview of transportation history in the valley, sponsored by Rotary Club of San Jose and History San Jose. Ongoing. San Jose.

DOWNTOWN YOGA SHALA Works in clay by Paul Rubio. Thru Jan 28. San Jose.

GALLERY HOUSE

“Sculpture on the Grounds: David Middlebrook.”Thru Jun 1. “The Oldest Living Things in the World.” Photographs by Rachel Sussman. Thru Jan 16. Saratoga.

WILLIAM DRAPER

PALO ALTO ART CENTER

ABBAS MILANI

“The Nature of Entanglement.” Patrick Dougherty will work on a large environmental site-specific project. There will also be an exhibit of photos of Dougherty’s other works. Thru Jan 28. Palo Alto.

A signing event with the author of a new biography of the Shah of Iran. Tue, 7pm. Free. Books Inc., Mountain View.

“Small Works.”Thru Feb 5. Tue, 11am-4pm, Wed-Sat, 11am-8pm, Sun 11am-3pm. Enter through Printer’s Ink, Palo Alto.

PHANTOM GALLERIES

GALLERY SARATOGA

SAN JOSE INSTITUTE OF CONTEMPORARY ART

“Street Scenes.” Oil paintings by Karina Svalya. Reception Jan 28, 6-8pm. Show runs thru Feb 6. Tue-Sun, 11am-5pm. Big Basin Way, Saratoga.

GOOD KARMA VEGAN CAFE “SJSU Color 112: Exploring the Hyperreal.” An exhibit by photography students. Thru Jan 28. San Jose.

KAVLI INSTITUTE FOR PARTICLE ASTROPHYSICS A display of 19 works, including the “Galactic Mysteries” series, by Leah Lubin. SLAC National Accelerator Lab, Stanford.

METROLOBBY “Edge of Nowhere.” A show by First St. Photo Collective. Thru Jan 28. San Jose.

MONTALVO ARTS CENTER “From Within, So Without” by Ali Maschke-Messing. Thru Jun 1.

Works in storefronts by Sean Sczepanik and Steven Sczepanik. Along South First Street, San Jose.

“Old Technology.” A retrospective of painting, sculpture and installations by SJSU artist Tony May. Thru Feb 26. Tue-Fri, 10am5pm, Sat, noon-5pm. San Jose.

STANFORD ART SPACES Textile work by Alice Beasley, paintings by James Su and John Sundstrom. Thru Jan 20. Weekdays, 8:30am-5pm. Stanford.

Draper talks about his work on the book “The Startup Game.” Wed, 7pm. Free. Kepler’s, Menlo Park.

PITCHAPALOOZA Aspiring writes can discuss their ideas in brief with some literary agents. Sun, 2pm. Free. Kepler’s, Menlo Park.

*kids

ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY A family show from California Theatre Center based on Judith Viorst’s book. Sat, 11am. $11/$12. Sunnyvale Theater. Snow White Presented by Palo Alto Children’s Theatre as part of Saturday Playhouse. Sat, 1am and noon. $5/$10. Palo ALto Children’s Theatre.

*books *events IZZELDIN ABRUELAISH

A literary get-together with the author of “I Shall Not Hate: A Gaza Doctor’s Sacrifice on the Road to Peace and Human Dignity.” Fri, 7pm. Free. Books Inc., Mountain View.

DOWNTOWN ICE

An ice-skating rink downtown. Thru Jan 17. Downtown San Jose on Market at San Fernando.


EVENTS AT AT MONTALVO MONTALV O ARTS S CENTER

Classroom Cinema

41

The Makaha Sons

GEOFF ALEXANDER’S book Academic Films for the Classroom: A History is an extraordinarily well-researched and necessary history of educational film between World War II and the Gulf War. It’s an era the author calls “not old enough to be antique, but just old enough to be moldy.” While the public is more beguiled by the campiness of vintage social studies films (Kino just released two fresh volumes of them on DVD), Alexander is more interested in the work of genuine artists whose work endures, as well as the fascinating hacks whose attitudes shed light on the way we were. Encyclopedia Britannica—an American-owned company since 1929—was one of the biggest companies that got into the educational film business. It was a business bolstered by the 1950s boom in 16 mm projectors, the success of the World War II Army training film and the increases in spending for education over the decades. Founded by David Smart, the dapper hypochondriac who started Esquire magazine, Coronet was the cheapjack Monogram Studios of educational film. And the National Film Board of Canada sponsored trend-setting work in animation and documentary. Alexander also provides pocketsize histories of the other different entities that put out educational films. Some were small ’70s companies engulfed by multinationals; others were minicorporations caught in their own cultural struggles.

The Makaha The Makaha Sons Sons are are considered considered to to b be eo one ne of of H awaii’s premier premier Hawaiian Hawaiian musical musical g roups. Hawaii’s groups. Their arrangements and T heir incomparable incomparable vocal vocal a rrangements a nd delightful stage stage presence presence filled filled with comical comical antics hav ew on the hear rts of thousands of have won hearts ffans ans w orldwide. worldwide.

sol s o saxophone saxophone Joshua Redman: solo Wed, W ed Jan 19 ed, 19, 7:30 pm St Starting arting at $36 The B The Berkeley-born erkeley-born ssaxophonist axophonist a and nd ccomposer omposer iiss one off ttoday’s most acclaimed and o ne o oday’s m ost a cclaimed a nd ccharismatic harismatic artists. jjazz azz artis ts. R Redman edman “ “ranks ranks w with ith tthe he ttop op ssaxophonists axophonists in the w orld (Bos Boston ton Her Herald ald) and has been hailed hailed world supremely affable affable and flowing flowing improvisor, improvisorr, at as “a supremely times a borderline borderline brilliant brilliant one, one, working working in in a glow glow times clarity.” (NY Times). of clarity.”

Spencer Spenc er Day Sun, F Feb eb 13, 7:30 pm St Starting arting at $27 Vocalist-songwriter-pianist, D Vocalist-songwriter-pianist, Day ay iiss a an na artistic rtistic His artistic borrows vvagabond. agabond. H is a rtistic ssensibility ensibility b orrows ffrom rom numerous musical n umerous ssources ources iincluding ncluding jjazz, azz, m usical ttheater, heater, ccabaret, abaret, ssoul, oul, ffolk, olk, ttraditional raditional and and contemporary contemporary pop. His ended with his hit TILL YOU p op. H is yyear ear e nded w ith h is h it ssingle, ingle, T ILL Y OU COME TO ME, att n number one on Smooth Adult C OME T OM E, a umber o ne o n tthe he S mooth A dult Contemporary C ontemporary rradio adio cchart! hart! Carriage House Theatre Theatre Bo x Office, Office, 408.961.5858, 408.961.5858, M-F, 10am-4pm Box ticketmaster.com tick etmasterr..com or montalvoarts.org mo ontalvoarts.org Free parking! F ree on-site on-site p arking!

1 5 4 0 0 Montalvo 15400 M o n t a lvo R Road oad Saratoga, CA Sar at oga, C A 95070

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The director/producers make the best stories, =`cdj ]fi k_\ though. There’s Budge Crawley, who once :cXjjiffd1 hauled his infant son into a burning building to spice up an industrial film on fire safety. 8 ?`jkfip There’s also the daredevil Bert Van Bork, who was nearly immolated filming Kilauea volcano. By Geoff Alexander; An entire chapter is dedicated to John Barnes McFarland; 236 pages; $55 paperback (1920–2000). “An auteur,” Alexander calls him. The polymath Barnes’ learned films on Shaw, Shakespeare and Dickens were good enough, but Barnes’ adaptation of the postapocalyptic tale The Portable Phonograph (1977) is my choice for the single best film ever unearthed by Alexander. The author is remembered in the South Bay for his free Cine 16 salons in the 1990s; the book’s appendix, listing URLs for three dozen of these films, brings back the fun and enlightenment of those nights. Alexander’s Academic Film Archive of North America retrieves the memories as well as the source materials, and the book is an eloquent argument for the further preservation needing to be done.—Richard von Busack

MITZVAH DAY

MLK DAY CELEBRATION

A community tikkun olam as part of a national day of service to mark Dr. Martin Luther King Jr. Day, sponsored by Oshman Family JCC. Mon, 7:30am-4pm. Koret Campus for Jewish Life, Palo Alto (see www.paloaltojcc.org for details).

With refreshments, music and speakers. Fri, noon-2pm. King Main Library, San Jose.

THREADING THE DREAM A celebration in art, fashion and music for Martin Luther King Jr. Day. Sun, 6pm. Avalon, Santa Clara.

TRAVEL AND ADVENTURE SHOW A hall full of demos, dealers and experts on all phases of getting out of town. Sat-Sun, 11am-4pm. $9/$15. Santa Clara Convention Center.

WinFreeStuff METROGIVEAWAYS.COM

M E TR O S I L I C O N VA L L E Y | J A N UA RY 1 2-1 8 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Sun, Jan 16, 7:30 pm St Starting S arting at $27


M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

Merrick M errick Morton Morton

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metroactive FILM

Anomie Mine

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FD< )( p\Xij X^f# F D< )( p\Xij X^f# D< JfÓX :fggfcX [\Ylk\[ JfÓ X :fggfcX [\Ylk\[ n`k_ _\i jZi`gk ]fi k_\ n n`k_ _ _\i jZi`gk ]fi k_\ Ócd E\n Pfib Jkfi`\j% Ócd d E\n Pfib f Jkfi`\j% @k ZfeZ\ie\[ Qf\# X ()$p\Xi$ @ ZfeZ\ie\ @k e\[ Qf\# X ()$p\Xi$ fc[ ^`ic n_f c`m\[ `e k_\ f [ ^`ic fc[ ^ n_ _f c`m\[ `e k_\ J_\iip$E\k_\icXe[2 j_\ nXj J_\iip$E E\k_\icXe[2 \ j_\ nXj X DXe_XkkXe gi`eZ\jj# c`b\ X DXe_XkkX DXe_XkkX _ Xe gi`eZ\jj# # c`b\ <cf`j\# clccXY`\[ kf jc\\g Yp <cf <cf`j\# c XY`\[ clccX X kf jc\\g Yp _\i ]Xk_\iÊj Ôlk\% _\ ]Xk_\iÊ _\i ]Xk j Ôlk\% Nothing h Nothing has as cchanged han nged in in the the d decades ecad des sinc ce. Despite D pi much lavish laavish v praise since. praise,, thee ne n w Coppola Copp polaa film, Some where, iiss new Somewhere, essentially ssen lly a p princess’s movie. movie. princess’s T Ther e’s no rreason e eason wh hy the There’s why

daaughter of the man who made daughter The Godfather pretend Th h Go he G dffaather h should h ld pr etend d that h t she’s ordinary. three sh he’s or dinary. But after only thr e ee previous films,, the pr revious ffeature-length eeature-length films director herself. Note di irector is rrepeating epeating herself f. N ote how scene Murray’s ho ow the sc ene of Bill Murra ay’ ys bemused stripper b e emused gaze at a stripp er in LLost ostt in Translation T r ranslation is doubled up with ttwo wo o dancers Somewhere. notorious da ancers in Some where. The notorio ous Shannon play dancers; Sh hannon sisters pla ay the danc ers; I suspect theyy danc dancee b better su uspect the etter in rreal eal lif llife fe than Coppola th han C oppola lets them. before The ttwin win blondes ttwirl wirl b effo ore the t sated Dorff sa ated eeyes yes of Stephen Dor ff ’’ss JJohnny ohn nny Marco, Pitt–level M Mar co, a Brad Pit tt–level cceleb eleb L.A.’s ccooling ooling his heels at L.A. ’s Chateau u he’s M Marmont. Stubbled,, ttattooed, attooed,, he ’s a male m vversion ersion of the other piningg semibored Coppola’s films: se emibored ccelebs elebs in C oppolaa’s film ms: the Virgin th he Lisbon Lisbon sisters in The Vir rggin

(1999); sleepyy p people Suicides (19 99); the ttwo w sleep wo eople best movie, Translation in her b est mo vie, LLost ostt in T ranslation r (2003); (20 03); and the shop-till-you-drop shop -ttill-you- drop (2006). queen in Marie Antoinette Anttooinette (20 06). Marco Mar co is enduring the t junket junket European opening of the Eur opean op en ning of his latest film, Deadly Agenda. Agen g nda. Michelle incisive Monaghan has an inci isive ccameo ameo as lousyy his cco-star, o -star, who, who, it seems, seem ms, had a lous off-camera. time with him off ff-- cam mera. JJohnny ohnny mutters answers mut ters his ans wers ass a scrum of European Eur opean critics ask him h questions aree w way above pay grade— that ar ay ab ove hiss pa ay grade — Marco?” such as “Who is JJohnny ohnn ny Mar co?” It’s It ’s a rough rough life. liffe. Women Wom omen waylay wayylaay him, flash him or wait wait topless toplesss in his bed. bed. Makeup M akeup artists arrtists show show him him what what he’ll he’ll look lo ok like like when he’s he’s old d and wrinkled, and an nd it’s it’s like like the the latex latex mask massk of of Dorian Dorian n Gray. Gra ay. Marco Marco is i so exhausted exhau h usted d that h he h ffalls aallls asleep asleep face face first first in in a pickup’s pickup’s ccrotch. rotch. Mysterious Mysterious texts texts arrive arrive on on his his private number, number, demanding deman nding to know why wh hy he’s he’s such a pig. pig. Likee a grumpus in a Shirley Lik Shirley Temple Marco T eemple movie, movie, Mar co has all that he It’s ccan an desire. desire. It ’s killing him, h , and only

little a lit tle girl can can help him find his way way That’s to happiness. happine pp ess. That ’s his daughter, daughter g , Cleo (Elle Fanning), who has been been ffoisted oisted on him by o by his ex-wife; ex-wiffee; he is supposed supp osed to t mind her for fo or a ffew ew days daays y before she’s b effor o e she ’s due at summer camp. camp. Eleven-year-old Cleo doesn’t E leven-year- old C leo d oesn’t resent resent her promiscuousness. She’s h er ffather’s ather’s p romiscuousness. S he’s a trooper, tr ooper, too, to oo, ready ready to accompany accompany him Milan The tto oM ilan ffor or aan n aaward warrd ceremony. ceremony. T he Hotel rreal eall star star of of tthe he ssequence equence iiss tthe he H otel Principee Di Savoia, Princip D Sa avo oia,, with its private inhouse pool. Nothing more h ouse sswimming wimming p ool. N othing m ore airport-hotelof Milan iss seen; it’s it’s airp ort-hotelairport airp ort and d back to the Chateau. sadness The sadn ness of a life liffe spent spent in transit,, sleeping sleeeping with whomever whomever and driving a sports sp ports ccar ar fast,, is essential to the ttriste riste undertones undertones of a Bond picture, but pictur e, bu ut of course course that sadness is partt of only par o the buffet. buff ffeet. And no one ttakes akes 007 007 movies m vies as seriously as this mo wafer-thin portrait w affer e -thin p ortrait of anomie has been b een ttaken. aken n. Dorff humanity; D orff does doe o s project project some some h uman nity; hee h has Marco h ass a cclue lue who who JJohnny ohnny M arco is. Unfortunately, s. U nfortunately, this this makes mak kes for for sentiment spoils en ntiment that t spoils Coppola’s Coppolaa’s picture picture off alienation—this, o alienation—this, and an nd the the utter utter perfection p errfeection and utter utttter lack of moods moods in the prematurely daughter.. hee pr ematturely mature mature daughter being looked Whyy is Some Wh SSomewhere wherre b eing lo oked at piffle? at as as anything anything but but p iffle? IItt must must be be Coppola’s Coppola’s eye: eye: the the way way tthe he ggiant iant figures billboards figu ures on Sunset Strip billb oards leer Chateau’s windows leer iinto nto tthe he C hateau’s w indows ((an an effect in the 1998 liveeff ffeect also seen s 1998 liv ein-Hollywood Hurlyburly), in-Hollywo ood feature feeature Hurlyburly ), the Ed Ruscha–like the wide wide E dR uscha–like sstorefront torefront dwarfing Marco’s Ferrari, dwarfing M arrco’s F errarri, aand nd tthose hose long, blank, neutral L.A. long, b lan nk, n eutrall L .A. sstreets treets aand nd freeways. freeways. If there there were w e more wer more fforce o orce and less upbeatness upbeattness in what Coppola Coppola is saying, wouldn’t saayying, one o wouldn ’t feel feeel like like scowling scowling at a this visual wealth like like a commissar. Ass in Marie Ant Antoinette, commissarr. A tooinette, Coppola Coppola faces faaces the problem problem of trying trying to have herr ccake haave he ake and critiquing it too. too. When n you’re you’re a filmmaker, filmmaker, and you have you love love the th he sweet sweet life liffe and ha ave a great great eeye, ye, ther tthere’s e’s a natural ccareer areer for fo or you: you: television televiision ccommercials. ommercials. Who couldn’t couldn’t sell seell a suite at the Chateau Marmont with these images?

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metroactive FILM

(PG-13; 118 min.) A comedy about adultery among friends stars Vince Vaughn, Kevin James and Jennifer Connelly. (Opens Fri.)

THE GREEN HORNET (PG-13; 108 min.) Not to be confused with the Green Lantern. This pair of masked crime ďŹ ghters originated on radio before moving into other popculture manifestations. Stars Seth Rogen and Jay Chou. (Opens Fri.)

LIVING FOR 32 (2010) The horriďŹ c events in Tucson make this Oscar short-listed documentary all the more imperative: itâ&#x20AC;&#x2122;s Kevin Breslinâ&#x20AC;&#x2122;s documentary on former Virginia Tech student Colin Goddard, who was shot four times by Seung-Hui Cho, 2007â&#x20AC;&#x2122;s model of a Glock-armed maniac. Goddard will be on hand, as will Paul Helmke, president of the Brady Campaign. (Plays Jan 13 in Palo Alto at 7pm, at Stanford Universityâ&#x20AC;&#x2122;s Roble Theater, 374 Santa Teresa; call 650.723.2300 for reservations.) (RvB)

NILES FILM MUSEUM Regularly scheduled programs of silent ďŹ lms. Jan 15: Chaplin in Police (1916), Charley Chase in Long Fliv the King (1926); Buster Keaton stars in an account of the wreck of the SS DamďŹ no in The Boat (1921) and Jean Harlow bewilders Laurel and Hardy in Double Whoopee (1929). Frederic Hodges at the piano. (Plays Jan 15 at the Edison Theater.) (RvB)

OF HUMAN BONDAGE/ FOG OVER FRISCO (Both 1934) Starring Bette Davis in her ďŹ rst big performance. She plays Mildred, the mean little whore who kicks around a striving, clubfooted medical student (Leslie Howard) in this pre-Code adaptation of W. Somerset Maughamâ&#x20AC;&#x2122;s magnum opus. Davis does Cockney, which is slightly risible, but sheâ&#x20AC;&#x2122;s sensationally anti-heroic and lascivious. And the crueler part of oneâ&#x20AC;&#x2122;s heart agrees with her that the young student

RABBIT HOLE (PG-13; 91 min.) See review on page 46. (Opens Fri at CinĂŠArts Santana Row and Century Cinema 16 Mountain View.)

SEASON OF THE WITCH (PG-13; 113 min.) See review on page 44.

needs to wise up. BILLED WITH Fog Over Frisco Davis as a San Francisco socialite tarred by the press. (Plays Jan 15-17 in Palo Alto at the Stanford Theatre.) (RvB)

ROCKY (1976) A no-account Philadelphia boxer who gets a shot at a better time. The ďŹ lm made a star out of writer/producer Sylvester Stallone, who was enough like Brandoâ&#x20AC;&#x201D; although not as wilyâ&#x20AC;&#x201D;that his performance seemed more like a heartfelt homage than a rip-off. Despite the dreadful sequels, itâ&#x20AC;&#x2122;s hard to remember the original without some affection. Talia Shire, who played Michael Corleoneâ&#x20AC;&#x2122;s battered sister in The Godfather, is touching as a pet-shop girl who gives Rocky the strength to ďŹ ght. The Bill Conti score, a disco anthem with trumpet fanfares, has been inevitable at sporting events ever since. (Plays Jan 14-16 in San Jose at the Retro Dome.) (RvB)

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ÂŽ

GOLDEN GLOBE AWARD

ŠHFPA

Best Actress - NICOLE KIDMAN DRAMA

THE DILEMMA

a carrier pigeon leading police to the crooks. (Plays Jan 13-14 in Palo Alto at the Stanford Theatre.) (RvB)

M E TR O S I L I C O N VA L L E Y | J A N UA R Y 1 2-1 8, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

New

! ! ! ! ! subtle, fierce, brutally funny, tender when you least expect it.â&#x20AC;?

SOMEWHERE (R; 97 min.) See review on page 42. (Opens Fri at CinĂŠArts Santana Row and Century Cinema 16 Mountain View.)

Revivals FASHIONS OF 1934/BUREAU OF MISSING PERSONS (1934/1933) The Stanford Theatre starts up its 2011 calendar with a mixed selection of Val Lewton, musicals, swashbucklers and preCode tidbits. One of the latter: Fashions of 1934 stars William Powell as a courtier who pirates other peopleâ&#x20AC;&#x2122;s designs. Dyed blonde, Bette Davis is his secretary and model. Busby Berkeley is the real star, creating some little seen production numbers, including a Venusâ&#x20AC;&#x2122; galley of babes setting sail against an Art Deco sunrise, and â&#x20AC;&#x153;The Hall of Human Harps.â&#x20AC;? BILLED WITH Bureau of Missing Persons A quick adventure with Davis as a woman suspected of murder; the magic really happens in a bit about

EXECUTIVE PRODUCERS

COLUMBIA PICTURES PRESENTS AN ORIGINAL FILM PRODUCTION A FILM BY MICHEL GONDRY â&#x20AC;&#x153;THE GREEN HORNETâ&#x20AC;? EDWARD JAMES OLMOS DAVID HARBOUR AND TOM WILKINSON MUSICBY JAMES NEWTON HOWARD

SETHBASEDROGEN EVAN GOLDBERG MICHAEL GRILLO ORI MARMUR GEORGE W. TRENDLE, JR. UPON â&#x20AC;&#x153;THE GREEN HORNETâ&#x20AC;? WRITTEN RADIO SERIES CREATED BY GEORGE W. TRENDLE BY SETH ROGEN & EVAN GOLDBERG PRODUCED DIRECTED BY NEAL H. MORITZ BY MICHEL GONDRY

LOCAL LISTINGS FOR STARTS FRIDAY, JANUARY 14 CHECK THEATERS AND SHOWTIMES

! CINĂ&#x2030;ARTS@CINEMAS CINĂ&#x2030;ARTS AT SANTANA ROW 16 ! Mountain View (800) FANDANGO 910# San Jose (800) FANDANGO 983# CINEMARK

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8, 2 0 1 1 | M E TR O S I L I C O N VA L L E Y

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metroactive FILM

REVIEW

Reviews BLACK SWAN

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Cage Match THE TRAILERS alone for Season of the Witch made you want to ask for your money back, but longtime fans owed it to Nicolas Cage to see if he could redeem the film. Sadly, no. Cage plays a knight named Behmen whose best pal (Ron Perlman) is the burly Felson; the names sound like a pair of Boston University frat-rats. Behmen and Felson spent the early 1300s putting their swords through Saracens, battles captioned with historic-looking dates and all looking exactly alike. “Ever have the feeling that God has too many enemies?” asks Felson. Disgusted by hard-PG violence, Behmen and Felson cut and run from the Crusades but end up in a town hit by a deathly plague that leaves everyone looking like motor-oildrenched Elephant Men. The town’s dying cardinal (Christopher Lee, unrecognizable save for his voice) asks the knights to haul an imprisoned witch (Claire Foy) responsible for the plague to an abbey a week’s ride away. There, the monks know the sacred witch-binding spells necessary to send her back to hell. She seems like such a nice girl, though, and there’s an element of doubt:

what if she’s actually an innocent victim of superstition? This question (soon solved, unfortunately) eclipses the other problem: isn’t it easier to move a book and a couple of monks than a dangerous witch in a huge iron medieval paddy wagon? A few extraneous characters whose fate is quite J\Xjfe f] k_\ foreseeable accompany N`kZ_ the knights; one, a PG-13; 95 min. swindler, played by Plays valleywide Stephen Graham, has a New Jersey accent. Thus a fateful trip from the Wormwood Forest to the Abbey of the Zombies. Director Dominic Sena is a living repository of 1990s film techniques: he has an almost medieval faith that the editing will smooth everything out, as will the wow-factory of digital effects: Wolves! Yes, but with a f lick of the pixels, they’re supernatural wolves! Cage, looking quite well fed, takes the knightly high road; the script is littered with lines like “Honor is not to be discarded or forgotten.” The high point is Perelman’s, however: this actor, a living Picasso Minotaur, gives the devil a North London–style head butt. —Richard von Busack

(R; 107 min.) Natalie Portman plays Nina, a dancer in New York with an overbearing stage mom, Erica (Barbara Hershey). The director of the ballet company, Thomas (Vincent Cassel), is exasperated by Nina’s virginal approach to the dance. With the challenge comes worse news. First, the arrival of a new young dancer, Lily (Mila Kunis). Second, the jettisoning of the former diva, Beth (Winona Ryder). Trapped among rival, director and smothering mother, Nina starts to crack. Mirrors go bad, and she hears voices. Self-mutilation has been a part of director Darren Aronofsky’s work ever since Pi. Aronofsky prepares us for the torture from the beginning, when Nina cracks her toes in the morning, and they sound off like gunshots. In the rehearsal scenes, the camera spins around with the dancers, and we hear the scuffing of feet and the harsh panting of the dancers. It’s all hard, anguish-ridden work. When the music commences, Black Swan finally feels like a great movie, simply because the Tchaikovsky would make us believe anything. (RvB)

BLUE VALENTINE (R; 120 min.) Cindy (Michelle Williams) is a nurse married to Dean (Ryan Gosling), a housepainter; the two are seen on their first dates and years later at what may be the end of their marriage. Director Derek Cianfrance’s intimate and frighteningly close study of the bad side of love has problems: confusing time frames and some bits of info that seem to have been left in the director’s head during the harrowingly long pre-production. What we start to see, thanks to Williams’ acting, is something bigger than this couple’s feud. It’s more like the war of the body and the soul. There’s too much challenge to the average insipid romcom for this film to be ignored. More than anything, Blue Valentine makes it clear what a terrible thing “romantic destiny” would be if it really existed. As for Williams: she simply gives the single best female performance of the year. (RvB)

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER (PG-13; 115 min.) Shaped like the end of a trilogy (despite a proposed sequel), the new Narnia heads to its appointed port, loaded to the gunwales with a cargo of moral lessons. The elder Pevensies, Peter

43

and Susan, are in America. Left behind are two younger children, Lucy (Georgie Henley) and Edmund (Skandar Keynes), who are billeted with their hateful cousin Eustace (Will Poulter). Inundated by an enchanted painting, Lucy, Edmund and Eustace end up bobbing in the sea right next to the Narnian navy vessel containing Prince Caspian (Ben Barnes). Eventually, seven golden swords have to be rescued and placed on the altar of Aslan. The shipmates encounter one-legged giants, a green mist that envelops sacrificial humans and a dragon’s treasure hoard, which curses those who steal it. There are times when the Narnia movies are as good as CGI gets. The animators challenge themselves to pose their legions of creatures under high-noon lighting, instead of disguising the flaws with half-shadows or twilight. (RvB)

COUNTRY STRONG (PG-13; 112 min.) A drama with Gwyneth Paltrow, Tim McGraw and Garrett Hedlund about two star performers, one on the way up and one on the way down.

FAIR GAME (PG-13; 108 min.) Doug Liman’s account of the felonious Valerie Plame business is a model of exciting, intelligent espionage lore. It’s shot with braced but fluid camerawork. Naomi Watts’ performance as Plame is one of the year’s best. In the short period between the Sept. 11 attacks and the Iraq invasion, members of the CIA ask the independent consultant Joseph Wilson (Sean Penn) to go to Niger to confirm confidential reports of uranium being sent to Saddam Hussein. Wilson quickly discovers there was no such shipment. In a Nixonian attempt to silence a whistleblower, high Bush administration figures leak the name of Wilson’s wife, Victoria Plame, to columnist Robert Novak, a move that destroys her career and puts her operations in jeopardy. It’s hard for a film to be all things to all people. Fair Game’s script is less surefooted with the domestic drama than it is with the paranoid/political tale-telling. (RvB)

GULLIVER’S TRAVELS (PG; 93 min.) Whether one is a fan of his or not, most would agree that Jack Black is about as big as he ought to get. The computer effects to make Black vast in the desperately edited Gulliver’s Travels seem like wretched excess. Shipwrecked on the island of Lilliput, Black’s Gulliver meets a race of bite-sized foreigners who imprison him. Subplots include


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(R; 118 min.) Colin Firth gives a deeply affecting portrayal of a shame-wracked man born and bred to be a spokesman, yet who is handicapped with a crippling stammer. In the 1930s, Firth is the Duke of York, a family man with a wife named Elizabeth (Helena Bonham Carter). The stammering duke, known to his family as â&#x20AC;&#x153;Bertie,â&#x20AC;? is the ofďŹ cial spare to the heir, next in line to the Prince of Wales (a superlatively cast Guy Pearce embodies this Edwardâ&#x20AC;&#x2122;s upperclass shadiness and monstrous entitlement). The prince is the love slave of a twice-married American named Simpson; his affair and his indifference to world troubles are pushing events to a constitutional crisis. The man tapped to solve it is Lionel Logue (Geoffrey Rush), an Australian speech therapist tasked

I LOVE YOU, PHILLIP MORRIS (R; 112 min.) Jim Carrey in the story of Steven Russell, a cop turned con-man whose downfall (or whose stairway to heaven) was his love affair with a fellow prisoner, Phillip Morris (Ewan McGregor). Even when the movie takes swipes at Texas justice and evangelicals, director/writers Glenn Ficarra and John Requa pussyfoot around the truth: their subject is a kind of sociopath. Despite Stevenâ&#x20AC;&#x2122;s narration (untrustworthy, naturally) the ďŹ lm never gets bigger than a sum of its sometimes amusing incidents. Call it a het-up, sweet, essentially unsophisticated date movie. Carrey shticks like crazy; McGregor is blond and lamblike; the love scenes have no heat, no musk, no offhanded

LITTLE FOCKERS (PG-13, 98 min.) The cast members of the previous two sitcom movies gather like the clouds heralding a rainy weekend. Dustin Hoffman and Barbra Streisand turn up as the libidinous parents of the gelded Greg (Ben Stiller). Further humiliation

46

GOLDEN GLOBE NOMINEE ÂŽ

BEST ORIGINAL SONG â&#x20AC;&#x153;You donâ&#x20AC;&#x2122;t have to be a country fan

TO LOVE THIS MOVIE.â&#x20AC;? Judi Diamond â&#x20AC;&#x201C; WIL-FM/St. Louis

#####

SOUNDTRACK INCLUDES NEW RECORDINGS BY

GOLDEN GLOBE AWARD NOMINATIONS ÂŽ

TRACE ADKINS RONNIE DUNN TIM McGRAW & GWYNETH PALTROW CAST ALBUM COMING SOON

HFPAÂŽ

HOW DO YOU KNOW (PG-13; 116 min.) Two men contend for the affections of Lisa (Reese Witherspoon), an exâ&#x20AC;&#x201C;softball player. Matty (Owen Wilson) is a genial, promiscuous pitcher for the Washington Nationals. George (Paul Rudd) is too nice and too intimidated to pounce on Lisa. Sedation sets in. How Do You Know is ďŹ lmed by director James L. Brooks with little interest for the cityscapes of Washington, D.C. Itâ&#x20AC;&#x2122;s staffed by easily recognized sitcom types who stay typed throughout the ďŹ lm. Brooks is trying to force these actors into the mold of some of his older stars, but Witherspoon is too seething to be Mary Tyler Moore, and Rudd doesnâ&#x20AC;&#x2122;t have the shrewdness of

with helping the duke ďŹ nd his voice on the eve of Englandâ&#x20AC;&#x2122;s entry into World War II. Most of the ďŹ lm is an inspired actorâ&#x20AC;&#x2122;s duel about the conďŹ&#x201A;ict between pride and need. Rushâ&#x20AC;&#x2122;s wit and nimbleness counterpoint this story of majesty, which is almost exactly as tragic as it is comic. (RvB)

DRAMA

(PG-13; 146 min.) A second Battle of Britain has broken out between the mortals and the wizards; the Hogwarts alumni (Rupert Grint, Emma Watson and Daniel Radcliffe) ďŹ&#x201A;ee through a blitzed-out land. Unfortunately, the single most ďŹ&#x201A;abbergasting part comes early on: an armada on broomsticks breaking through the cloud ceiling, straight into a dogďŹ ght of death-eaters. In the middle, the trio hides in the countryside amid blasted heaths and burned-out trailers, and things start to resemble Twilight before the ďŹ lm gets on its feet again. The startling Balinese-style puppet animation of the titleâ&#x20AC;&#x2122;s fable is a highlight of the series. Grint, the clumsy/suave best pal Ron Weasley, seems to be growing into another Malcolm McDowell. Our beautiful Snape (Alan Rickman) towers over his evil cohort. Helena Bonham Carter is almost as nasty as Margaret Hamilton. (RvB)

THE KINGâ&#x20AC;&#x2122;S SPEECH

DRAMA

HARRY POTTER AND THE DEATHLY HALLOWS

tenderness. Obviously, the directors were scared straight. And the two leads dive into the trysts like swimmers leaping into a chilly water, shouting to mask the discomfort. (RvB)

Albert Brooks. Using the same kind of rhythms, gags and teaching moments of â&#x20AC;&#x2122;70s network-TV comedy, director Brooks is trying to address recession misery. Lisa and George are without jobs and may not get hired again. Unfortunately, as in his last ďŹ lm, Spanglish, Brooks has no handle on the way the lower class lives today. (RvB)

CRITICSâ&#x20AC;&#x2122; CHOICE AWARD NOMINATIONS

BEST ACTORâ&#x20AC;˘ RYAN GOSLING BEST ACTRESS â&#x20AC;˘ MICHELLE WILLIAMS

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a bromance between Black and a Lilliputian (Jason Segel) with a crush of his own on the kingdomâ&#x20AC;&#x2122;s princess (Emily Blunt), as well as conďŹ&#x201A;ict with a jealous (and unfunny) general, played by Chris Oâ&#x20AC;&#x2122;Dowd). Parts of the script are reasonably faithful to the book; nearly straight from Swift is a passage on the here-unnamed island of Brobdingnag. Itâ&#x20AC;&#x2122;s the ďŹ lmâ&#x20AC;&#x2122;s comedic highlight maybe because Black is temporarily cut down to size. By the time the directors haul out a giant robot, itâ&#x20AC;&#x2122;s clear that the most interesting part of this tale went missing. Swiftâ&#x20AC;&#x2122;s satire on the stupidity of wars of religion is here just a vague anti-war message. The heavy product placement is shoved in by people blind to the implications of what happens when a cargobearing colossus arrives on a small island. (RvB)


M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8, 2 0 1 1 | M E TR O S I L I C O N VA L L E Y

JoJo Whilden

46

REVIEW

metroactive FILM comes from the reappearance of Gregâ&#x20AC;&#x2122;s wifeâ&#x20AC;&#x2122;s old boyfriend Kevin (Owen Wilson), while Robert De Niro grumps it up as the WASP fatherin-law. Some relief is provided by Laura Dern as the head of some phenomenally expensive private kindergarten. Dern, as diehard fans of Inland Empire know, is a tremendous puller of faces. Some of the ones she makes here include: Kabuki Actor Upon First Viewing Great Grandson, Mentally Disabled Queen at Her Coronation, Evangelical Pastorâ&#x20AC;&#x2122;s Wife Presented With Nobel Prize for Most Ladylike Woman. Upon Dernâ&#x20AC;&#x2122;s twitchy shoulders rides the fate of a movie that might have been saved, if that was even possible. She tried. (RvB)

MADE IN DAGENHAM

G8@E=LC D<DFI@<J 8 ^i`\m`e^ dfk_\i E`Zfc\ B`[dXe Ă&#x201C;e[j `k _Xi[ kf dfm\ fe n`k_ _\i c`]\ `e Ă&#x2030;IXYY`k ?fc\%Ă&#x160;

Stop Loss THE TITLE of Rabbit Hole is banal, but John Cameron Mitchellâ&#x20AC;&#x2122;s Douglas Sirkâ&#x20AC;&#x201C;like approach emulates studio-era work. Mitchell seems to have kicked the story uptown; written about Queens, it now takes place in waterfront property in Yonkers. Eight people are credited as buyers to dress the sets, and itâ&#x20AC;&#x2122;s clear the main character has climbed out of the working class. As always, Nicole Kidman risks being box-office poison through displaying unmanaged anger. Eight months after the death of her young son, her Becca is standing at a crossroads. Her choice is to start healing or to never get over it and shut everyone out of her personal realm of grief. Rabbit Holeâ&#x20AC;&#x2122;s roots in David LindsayAbaireâ&#x20AC;&#x2122;s play are all visible. Becca is a diva part, a woman who gets to be like a Jacobâ&#x20AC;&#x2122;s ladder in a mad scientistâ&#x20AC;&#x2122;s lair, arcing up static and sparks. Maybe itâ&#x20AC;&#x2122;s just that Iâ&#x20AC;&#x2122;m a man, but I was more taken with the story of her husband, Howie (Aaron Eckhart), with his edge of foxy subversiveness even in duty, as well as his ability to get into the meat of his feelings. He does the right things, religiously showing up for grief therapy every week. The filmâ&#x20AC;&#x2122;s spots of humor are the clichĂŠs one hears at such

groups. Thereâ&#x20AC;&#x2122;s a benefit for Howie at the sessions, too: a pretty, playful, hemp-smoking fellow mourner (Sandra Oh). The camera focuses on pieces of graphic art by Dash Shaw. These turn out to be excerpts from the artwork of another figure in the tragedy: IXYY`k ?fc\ Jason (Miles Teller), PG-13; 91 min. the young man who Opens Friday was driving the day Beccaâ&#x20AC;&#x2122;s child died. Becca befriends him; itâ&#x20AC;&#x2122;s easier for her than bonding with her sister (Tammy Blanchard), who drinks and brawls, or her Queens dingbat mother (Dianne Wiest), who, true to the stagey origins, has the wisest speech, all about grief being heavy and humble as a brick. Mitchell (Hedwig and the Angry Inch) is an interesting director, and one wishes he would work more often. Rabbit Holeâ&#x20AC;&#x2122;s aim is not to jerk tears but to envelop a viewer in a tragedy, and it succeeds. The dramatic crescendo is broken up into cubist angles and slowmotion horror, abstracting a motherâ&#x20AC;&#x2122;s unthinkable loss, faceting it like a jewel.â&#x20AC;&#x201D;Richard von Busack

(R; 113 min.) Sometimes boneless but basically rousing and evocative story of the spring 1968 strike that helped inaugurate the movement for equal pay for women; Sally Hawkins (Happy Go Lucky) soulfully underplays the role of the ringleader of a small group of seamstresses working at the massive Ford plant at Dagenham in England; their greivance leads to the stoppage of the entire factory, and brings in intervention from the prime minister. Bob Hoskins is unexpectedly gentle as a bespectacled union leader. If you like passing on the received idea that Daniel Mays is the next Michael Caine, observe how uncommonly well he handles scenes youâ&#x20AC;&#x2122;ll groan

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to see (the neglected husband of the female crusader, burning dinner and going without ironed shirts). (RvB)

RED HILL (PG-13; 98 min.) Those obsessed with True Grit, and who are seeking out another Western real fast, could do worse. Director Patrick Hughes makes his inďŹ&#x201A;uences clear in this story of a modern Australian townâ&#x20AC;&#x2122;s night of terror. A new constable (Ryan Kwanten, who plays Jason in True Blood) has his ďŹ rst day on the job just as thereâ&#x20AC;&#x2122;s a prison break. Jimmy (Tommy Lewis, never to be forgotten for The Chant of Jimmie Blacksmith) is coming back to settle some old scores. Australian TV star Steve Bisley plays the head man who seems to be in control but who has secrets of his own. Credibly tough performancesâ&#x20AC;&#x201D;if the script and the soundtrack parrot other movies, the Australian high country landscape speaks for itself. (RvB)

THE SOCIAL NETWORK (PG-13; 2 hrs.) Fiendishly clever and funny movie about the creation of an Internet monster. As Facebook founder Mark Zuckerberg, Jesse Eisenberg gives a master class on recessive acting: heâ&#x20AC;&#x2122;s beady eyed and covert, with the occasional pit-viper-like sway of a truculent, lowered forehead. Itâ&#x20AC;&#x2122;s the kind of remorseless superiority that can only look comically childish and wounded onscreen. The ďŹ lm shuttles between the present-day


47

THE TOURIST (PG-13) A thriller with Angelina Jolie and Johnny Depp, directed by the euphoniously named Florian Henckel von Donnersmarck.

(PG; 92 min.) Directors Nathan Greno and Byron Howard stress the most resonant interpretation of the tale: Rapunzel as a myth for all parts of the world where girls arenâ&#x20AC;&#x2122;t allowed to run free. The imprisoning witch Gothel is a curvy villainess feeding on the youth and hopes of the girl whom she imprisons. Remodeled as a Disney princess (voiced by Mandy Moore), this Rapunzel is freed by a rakish young thief. Third-act developments take the plot into a different resolution than the Brothers Grimm charted, adding to the surprise of the cartoon. You can see the inďŹ&#x201A;uences and salute them as they pass: the antique charm of 3D Viewmaster

2010 V ENICE

(PG-13; 110 min.) Mattie Ross (Hailee Steinfeld), a self-assured 14-yearold, arrives in Fort Smith, Ark., in the early 1880s to track down Tom Cheney (Josh Brolin), the hired hand who murdered her father. The sheriff lists some U.S. marshals who could track him. Mattie chooses Reuben â&#x20AC;&#x153;Roosterâ&#x20AC;? Cogburn (Jeff Bridges): ruthless and dead to fear, if often dead to the world. While waiting for his decision, Mattie encounters LaBoeuf (Matt Damon), a fancy, buckskin-covered ranger. The three, reluctantly matched, draw closer to the killer but feud along the way. Bridges lulls us with his take on the part, doing things that John Wayne wasnâ&#x20AC;&#x2122;t capable of as an actor, expressing the desperate underside of a bluff, a rowdier level of buffoonery and a quitterâ&#x20AC;&#x2122;s despair. The Coen brothers have the bravery to deliver the downbeat coda to this story left out in 1969. It increases the stature of this ďŹ lm, its depth, beauty and sadness. (RvB)

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fairy-tale slides, Romanian villages, Utahâ&#x20AC;&#x2122;s Canyonlands, the ďŹ&#x201A;oating lanterns of the Japanese Obon festival; the block-headed yobs at the Snuggly Ducky tavern look as if they modeled for Britainâ&#x20AC;&#x2122;s Spitting Image. As for actual hero Maximus the horse, there hasnâ&#x20AC;&#x2122;t been such a hilarious steed since Chuck Jones died. (RvB)

deposition of the now arrogantly rich Zuckerberg, as heâ&#x20AC;&#x2122;s sued by a quartet of burned partners (among them his former best friend Eduardo, played by Andrew GarďŹ eld). In ďŹ&#x201A;ashback, we see his own historyâ&#x20AC;&#x201D;a Jewish student at WASP-ridden Harvard, a social reject whose grudge-hacking was his entry into fame. Later, Zuckerberg meets the founder of Napster, Sean Parkerâ&#x20AC;&#x201D; played by Justin Timberlake, excellent as a happy wastrel. Fincher regular cinematographer Jeff Cronenweth keeps us oriented by making the walnut-lined tombs of Harvard so different from the lambency of the sun in Palo Alto. Aaron Sorkinâ&#x20AC;&#x2122;s wild, witty script hands out punishment that goes beyond the ďŹ nancial penalties: this is a comedy in the Balzac sense, a balancing act; the mockery and the disgust for greed matches the essential lightness of the situation. Itâ&#x20AC;&#x2122;s only Facebook, after all. (RvB)


M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

48

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musicâ&#x20AC;&#x201D;incorporate m usicâ&#x20AC;&#x201D;incorporate the the sound sound of of their their iinďŹ&#x201A;uences. nďŹ&#x201A;uences. From From tthe he ccanon anon hits hits to to the the obscure o bscure ggems, ems, ssoulâ&#x20AC;&#x2122;s oulâ&#x20AC;&#x2122;s ggreatest reatest ssongs ongs aare re being byy a ne new generation. b e rrediscovered eing ediscoveered b w generat tion. The who play T he ttwo wo ggirl irl ggroups roups w ho p lay tthe he Blank Club Friday, Hot Toddies B lan nk C lub F riday, tthe he H ot T oddies o and Bang,, ar aree a an nd San JJoseâ&#x20AC;&#x2122;s oseâ&#x20AC;&#x2122;s own the Bang part current pa art of the curr ent rrevival, evival, vival, and also o altar w worship at the alt ar of classic soul. Here off ttheir picks H ere are are ssome ome o heir p icks ffor or soulâ&#x20AC;&#x2122;s greatest songs,, along with the their so oulâ&#x20AC;&#x2122;s gr eatest songs eir ccommentsâ&#x20AC;&#x201D;with ommentsâ&#x20AC;&#x201D;with tthe he ccaveat aveat tthat hat tthey hey out was aall ll pointed pointed o ut iitt w ass iinhumane nhuman ne tto o make m ake them them cchoose hoose â&#x20AC;&#x153;the â&#x20AC;&#x153;the bestâ&#x20AC;? bestâ&#x20AC;? from from tthe he stacks theyy lo love. Read more st tacks of songs the ove. R eead mor re of their metroactive.com: th heir picks at metr oactivve.com:

Hot H ot Toddies: Tooddies: T

Heidiâ&#x20AC;&#x2122;s Heidiâ&#x20AC;&#x2122;s amazing amazzing vinyl vinyl discoveries, discoveries, this this record will will make mak ke you you wonder wonder why why you you record havenâ&#x20AC;&#x2122;t listened listened to to Irma Irma Thomas Thomas your your havenâ&#x20AC;&#x2122;t liffe.â&#x20AC;? whole life. â&#x20AC;&#x2DC;RESCUE MEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;F â&#x20AC;&#x2DC;RESCUE MEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;FONTELLA ONTELLA A BASS: BASS: â&#x20AC;&#x153;One of E rinâ&#x20AC;&#x2122;s ffavorite avorite ssongs ongs aass a llittle ittle ggirl. irl. A lso Erinâ&#x20AC;&#x2122;s Also ffun un tto od ance tto o ccuz uz iitâ&#x20AC;&#x2122;s tâ&#x20AC;&#x2122;s ggot ot a rrockinâ&#x20AC;&#x2122; ockinâ&#x20AC;&#x2122; b asss dance bass line line..â&#x20AC;?

Angeline King Angeline King, g, The T he Bang: â&#x20AC;&#x2DC;NOTHING BUT A HEARTACHEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;THE â&#x20AC;&#x2DC;NOTHING HEARTACHEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;THE FLIRTATIONS: FLI RTATION T S: â&#x20AC;&#x153;It grabs me m from from the ďŹ rst note. note. That That big, big, epic epic opening opening that that ďŹ rst only ampliďŹ es ampliďŹ es with with the the ladiesâ&#x20AC;&#x2122; lad diesâ&#x20AC;&#x2122; powerful powerful only vo oices and no-holds-barred no-holds-barrred lyrics of voices heartbreak.â&#x20AC;? heartbreak. â&#x20AC;&#x2DC;NEEDLE IIN â&#x20AC;&#x2DC;NEEDLE NAH HAYSTACKâ&#x20AC;&#x2122;â&#x20AC;&#x201D;THE AYSTACKâ&#x20AC;&#x2122;â&#x20AC;&#x201D;THE VELVELETTES: V ELVELETTES: â&#x20AC;&#x153;â&#x20AC;&#x153;Absolutely Absolutely m myy ffavorite avorite ggirl irl ggroup roup ssong. ong. IItt h as eeverything verything yyou ou has ccould ould eever ver as sk ffor: or: m elting vvoices oices aand nd ask melting ad riving b eat tthat hat m akes yyou ou driving beat makes instinctiv vely e w ant a to cu ut a rug on a instinctively want cut danc or. Shee -doop!! Shee -doop! op!â&#x20AC;? dancee ďŹ&#x201A;o ďŹ&#x201A;oor. Shee-doop! Shee-doop!â&#x20AC;?

â&#x20AC;&#x2DC;THESE ARMS OF â&#x20AC;&#x2DC;THESE OF MINEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;OTIS MINEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;OTIS REDDING: REDDINGG: â&#x20AC;&#x153;This â&#x20AC;&#x153;T This song has special special memories for for or Jessica Dirty Thatâ&#x20AC;&#x2122;s Jessic e a watching waatching Dirt ty Dancing. Dancingg.. T hatâ&#x20AC;&#x2122;s all alll weâ&#x20AC;&#x2122;ll weâ&#x20AC;&#x2122;ll say saay about about that.â&#x20AC;?

â&#x20AC;&#x2DC;ROCK SSTEADYâ&#x20AC;&#x2122;â&#x20AC;&#x201D;ARETHA â&#x20AC;&#x2DC;ROCK TEADYâ&#x20AC;&#x2122;â&#x20AC;&#x201D;ARETHA A FRANKLIN: FRANKLIN: â&#x20AC;&#x153;This is one of my my fa avo orrites fr om Ar etha. favorites from Aretha. IIts ts sso o ffunky unky tthat hat iitt m akes m anna gget et makes mee w wanna down in a Soul T rrain linee danc e.â&#x20AC;? Train dance.

â&#x20AC;&#x2DC;BRING â&#x20AC;&#x2DC;B BRING IIT T ON ON HOME HOME TO TO MEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;S MEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;SAM AM COOKE: COOKE: E â&#x20AC;&#x153;â&#x20AC;&#x153;A A classic cllassic we just canâ&#x20AC;&#x2122;t can nâ&#x20AC;&#x2122;t â&#x20AC;&#x2122; get enough of.â&#x20AC;? off.â&#x20AC;?

â&#x20AC;&#x2DC;LET ME DOWN â&#x20AC;&#x2DC;LET DOWN EASYâ&#x20AC;&#x2122;â&#x20AC;&#x201D;BETTYE EASYâ&#x20AC;&#x2122;â&#x20AC;&#x201D;BEETTYE LAVETTE: LAVETTE: â&#x20AC;&#x153;â&#x20AC;&#x153;One One o off tthe he ggreatest reatest ffemale emale ssoul/R&B oul/R&B ar tists out ther e. She ne eveer got the artists there. never

â&#x20AC;&#x2DC;â&#x20AC;&#x2DC;ITâ&#x20AC;&#x2122;S ITâ&#x20AC;&#x2122; T S RAININGâ&#x20AC;&#x2122;â&#x20AC;&#x201D;IRMA RAININGâ&#x20AC;&#x2122;â&#x20AC;&#x201D;IRMA THOMAS: THOMAS: â&#x20AC;&#x153;â&#x20AC;&#x153;One Onee of

â&#x20AC;&#x2DC;LONELLY FOR â&#x20AC;&#x2DC;LONELY FOR YOU YOU BABYâ&#x20AC;&#x2122;â&#x20AC;&#x201D;SAM BABYâ&#x20AC;&#x2122;â&#x20AC;&#x201D;SAM DEES: DEES: â&#x20AC;&#x153;â&#x20AC;&#x153;Slightly Slightly d down-tempo own-tempo b but ut m managing anaging tto ob bee p propulsive, ropulsive, tthis his d deep eep ssoul oul rrecord ecord ffeatures eatures ssome ome o off tthe he m most ost aachingly chingly powerful p owerful vvocals ocals a eever ver cut to w wax. aax. axâ&#x20AC;?â&#x20AC;? â&#x20AC;&#x2DC;NOBODY BUT â&#x20AC;&#x2DC;NOBODY BU UT YOUâ&#x20AC;&#x2122; YOUâ&#x20AC;&#x2122; â&#x20AC;&#x201D;THE â&#x20AC;&#x201D;THE WOODEN WOODEN N ICKELS: â&#x20AC;&#x153;â&#x20AC;&#x153;Almost A Almost punk rrock ock in its highNICKELS: sspeed peed vvelocity, elocity, tthis his rrecord ecord ffeatures eatures ssoul oul llegend egend B Brenda renda H Holloway olloway o on n vvocals ocals aand nd p practically ractically p peels eels tthe he p paint aint o off ff tthe he rroom oom itâ&#x20AC;&#x2122;s played when it â&#x20AC;&#x2122;s pla p ayed e at high vvolume. olume o .â&#x20AC;? â&#x20AC;&#x2DC;PART â&#x20AC;&#x2DC;P ART OF OF MEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;JOHNNY MEEâ&#x20AC;&#x2122;â&#x20AC;&#x201D;JOHNNY ADAMS: ADAMS: N No o list list of of favorite soul soul records records is is complete complete without without favorite New Orleans at least onee ballad; this New slow dancer dancer has has the the most most amazing amazing lyrics lyrics slow theeir personal personal reďŹ&#x201A;ection reďŹ&#x201A;ection of love, lo ove, that,, in their reduce me me to to a puddle puddle every every time time I hear hear reduce it. Johnnyâ&#x20AC;&#x2122;s Johnnyâ&#x20AC;&#x2122;s vocals vocals are are straight straight from from the the it. church, oozing oozing emotion emotion and and feeling feeling church, that is is the the hallmark hallmark of of soul soul vocalizing; vocalizing; that he delivers delivers the the sermon, sermon, then then breaks breaks into into he an otherworldly otherworldly falsetto falsetto where where words words an arenâ&#x20AC;&#x2122;t even even necessary. necessary. In In the the same same class class as as arenâ&#x20AC;&#x2122;t B keâ&#x20AC;&#x2122;s immortal Burk immortal â&#x20AC;&#x2DC;Cry â&#x20AC;&#x2DC;Cry to Me. Me.â&#x20AC;&#x2122;â&#x20AC;? Solomon Burkeâ&#x20AC;&#x2122;s

K?< ?FK KF;;@<J N`k_ K?< 98E> =i`[Xp# 0gd 9cXeb :clY# JXe Afj\ ('


49 M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 ;O\YZKH` 1HU\HY` Â&#x2039; In the Atrium Â&#x2039; AGES 16+

TRIBAL SEEDS

plus Thrive also Fortunate Youth (K] +YZ Â&#x2039; +YZ ! W T :OV^ W T

-YPKH` 1HU\HY` Â&#x2039; AGES 18+ Vital SC welcomes â&#x20AC;&#x153;Teacherâ&#x20AC;&#x2122;s Petâ&#x20AC;? ELIOT LIPP plus Ana Sia 0+ 9LX (K] +YZ Â&#x2039; +YZ W T :OV^ W T -YPKH` 1HU\HY` Â&#x2039; In the Atrium Â&#x2039; AGES 21+ FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi 56 *6=,9 Â&#x2039; W T W T :H[\YKH` 1HU\HY` Â&#x2039; AGES 16+

THE JACKA/ HUSALAH of MOB FIGAZ (K] +YZ Â&#x2039; +YZ W T :OV^ W T :H[\YKH` 1HU\HY` Â&#x2039; In the Atrium Â&#x2039; AGES 21+

THE ORIGINAL SNAIL

(K] +YZ Â&#x2039; +YZ ! W T :OV^ W T

:\UKH` 1HU\HY` Â&#x2039; In the Atrium Â&#x2039; AGES 21+

THE INCITERS

plus Complaints also The Shes (K] +YZ Â&#x2039; +YZ ! W T :OV^ W T

4VUKH` 1HU Â&#x2039; AGES 18+ Collective Effort presents

JFK OF MSTRKRFT

plus Mikey Lion also Easy Love Records 0+ 9LX (K] Â&#x2039; +YZ W T :OV^ W T ;\LZKH` 1HU\HY` Â&#x2039; In the Atrium Â&#x2039; AGES 21+

RASTA CRUZ REGGAE TUESDAYZ

with DJs Don-ette G & Lion-S + weekly guests DJs Models/Dancers 56 *6=,9 Â&#x2039; :OV^ W T

1HU Mac Miller Atrium (Ages 16+) 1HU Vital SC: Datsik (Ages 18+) 1HU The Holdup/ Ribsyâ&#x20AC;&#x2122;s Nickel (Ages 16+) 1HU Sista Monica Atrium (Ages 21+) 1HU Boz Scaggs (Ages 21+) 1HU Railroad Earth (Ages 16+) -LI Dead Kennedys (Ages 16+) -LI Rob Zombie (Ages 16+) -LI BadďŹ sh a Tribute to Sublime (Ages 16+) -LI Trombone Shorty & Orleans Ave. Los Amigos Invisibles (Ages 21+) <USLZZ V[OLY^PZL UV[LK HSS ZOV^Z HYL KHUJL ZOV^Z ^P[O SPTP[LK ZLH[PUN Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com


50

More listings:

metroactive MUSIC

METROACTIVE.COM

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

FEATURED LISTINGS

Shinobu Saturday, 8pm, Homestead Lanes, Cupertino; $8 Did they break up, or didn’t they? If they didn’t, then appearing to break up a couple of years ago was their best career move ever. The band at the center of the South Bay’s “Phat ‘n’ Phunky Phamily” of post-punk rock groups is back with a vengeance, releasing a slew of B-sides and songs from the vault. But they also have two new songs on their new 7-inch with the Albert Square, and both bands will perform at this release party for the split. (SP)

Hope for AM Saturday, 6pm, the Refuge, Cupertino; $10 Former Pinup Productions’ Battle of the Bands winner Hope for AM spent last year tooling around the country with the Warped Tour, holing up to write new material and getting their alternapop asses in the studio. Still waiting for word about their album; meanwhile, they’ll share this bill with Kylle Reece, Four O Clock Heroes, Point of View, Quiet Game Starting Now, Stories in Braille and MDK. (SP)

Cypress String Quartet Sunday, 3pm, Montalvo Arts Center, Saratoga; $30

SUNDAY JANUARY 23 HERITAGE THEATRE

1 WEST CAMPBELL AVE · CAMPBELL, CA 6:30PM DOORS · ALL AGES TICKETS AT HERITAGE THEATRE BOX OFFICE ONLINE AT WWW.CI.CAMPBELL.CA.US/HERITAGETHEATRE CHARGE BY PHONE 408-866-2700

Following in the tradition of classically trained musical adventurers the Kronos Quartet, the Cypress String Quartet have been changing the definition of “classical music” for 15 years, commissioning more than 30 new works. They’ll perform one of those, Impressions by fascinating composer Jennifer Higson, which pays tribute to the great Impressionists of both orchestras and oils. The program also includes one of those Impressionists, Debussy. (SP)

Rock/Pop R k/P ANGELICA’S BISTRO Fri, 8pm: The St. Valentinez. $7/$10. Sat, 8:30pm: Garrick Davis, Fabulous FunkyBand and Tribal Suns. $20/$25. Mon, 7:30pm: Marty Atkinson. Redwood City.

AVALON Sun, 6pm: Threading the Dream, MLK Day celebration with Johnny Fresh, Chief Skyhawk and other. Santa Clara.

THE BLANK CLUB SQUAREPEGCONCERTS.COM

Wed, 9pm: Fight the Quiet.

Free. Fri, F F i 9pm: 9 The Th Hot H t Toddies, the Bang and the Like Me’s. $10. Sat, 9pm: Boar Hunter, Razorhoof, Joe Q. Citizen. $8. San Jose.

Camaros. Sun: C S John J h Rip Ri Off. Off Mon: Drive! Campbell.

BRITANNIA ARMS ALMADEN Thu, 10pm: After Party. Fri, 10pm: The Peelers. Sat, 10pm: Blood Sugar Sex Machine. San Jose.

CAPERS Fri-Sat, 8:30pm: Live music. Campbell.

BLINKY’S CAN’T SAY Sat, 9:30pm-1:30am: Rippin’, Free. Santa Clara.

CARAVAN

BOSWELL’S

Thu, 10pm: Five Fingers of Death. Fri, 10pm: Grimace and the Fakers. San Jose.

Thu: Bitchin’ Camaros. Fri: After Party. Sat: Bitchin’

CLUB FOX Fri, 9pm: Pop Fiction.


$13/$15. Sat, 8pm: Steve Krause. $8/$10. Redwood City.

HOMESTEAD LANES, X BAR

JOHNNY V’S

LOFT BAR AND BISTRO

Fri, 6pm: World music and belly dancer Adriana. Sat, 6pm: Hot Kugel. Sun, 6pm: Moroccan music and belly dancing. Mon: French Music Night. San Jose.

Thu, 7-10pm: Live jazz. San Jose.

PARRANDA NIGHTCLUB

A PERFECT FINISH

MURPHY’S LAW Mon: Pro blues jam. Sunnyvale.

Thu-Sat: Live music. Sunnyvale.

Fri, 9pm: Quasimodal. Sat, 9pm: Blue House. San Jose.

LILLY MAC’S

RISTORANTE FRATELLO

POOR HOUSE BISTRO

Fri, 9:30pm: Saints and Sinners. Sat, 9pm: Xpress. Sunnyvale.

Fri, 7pm: Claudio. Italian classic guitar and vocals. San Jose.

Thu, 9pm: Anti-Social. $5. San Jose.

MURPHY’S LAW Fri: Bone Drivers. Sat: South City Blues. Sunnyvale.

9 LIVES Sat, 7:30pm: Comedy with Mark Pitta. $12/$15. Gilroy.

NUMBER ONE BROADWAY Thu: Stan Erhart Band. Free. Fri, 9:30pm: Pacific Standard Time. $10. Sat, 9:30pm: Sage. $10. Los Gatos.

SJSU EVENT CENTER Sat, 7:30pm: Thirty Seconds to Mars. $29.50. San Jose.

VOODOO LOUNGE Fri, 9pm: Curren$y. $20. San Jose.

SENZALA Fri: Bossa nova at noon, and Capoeira show at 7:30pm. Sat, 7:30pm: Sambosseros. Sunnyvale.

STEPHENS GREEN Tue, 7:30pm. Irish music. Mountain View.

Jazz/Blues ANGELICA’S BISTRO Thu, 7pm: Blues jam. Tue, 4:30pm: Jazz Jam with Stephanie Newsom. $7. Redwood City.

Wed, 6-9pm: Ron Thompson and friends. Thu, 6-9pm: Lara Price and Yesterdays Band. Fri, 6-9pm: Gary Smith Blues Band. Sat, 6-9pm: Pat Wilder and Serious Business. Sun, noon-3pm: Jazz and blues piano brunch with Johnny Fabulous. San Jose.

QUARTER NOTE Sat, 8:30pm: Zakiya Hooker. $220. Sunnyvale.

RED ROCK COFFEE CO. Wed, 7:30pm: Professor Gall. Sun, 2-4pm: Hot Club of Palo Alto. Mountain View.

THREE FLAMES RESTAURANT Tue, 6pm: Modesto Briseno Septet. Willow Glen.

WILLOW DEN

BRITANNIA ARMS CUPERTINO

Fri, 6:30-9:30pm: Friday Night Live with Eric Bolvin Trio. Willow Glen.

Sun, 5:30pm: Jazz Jam. Cupertino.

Thu & Sat, 7pm: Live jazz. San Jose.

CLUB FOX

WOODHAM’S LOUNGE

Sun, 3-7pm: Golden Gate Blues Society with Tip of the Top, Alabama Mike and Bluestate. $15. Redwood City.

Fri and Sun: Pro Jam with rock and blues local musicians. Santa Clara.

World AGENDA LOUNGE Wed: Salsa night. San Jose.

ALBERTO’S Wed: Bachata. Thu: Salsa with Pantea. Fri: Salsa. Sat: Sabados Latinoamericanos. Sun-Mon: Argentine Tango. Tue: Salsa with Pantea. Mountain View.

ARYA GLOBAL CUISINE Fri-Sat, 8pm: Live music and belly dancing. Cupertino.

AZÚCAR LATIN BISTRO MOJITO BAR & LOUNGE Wed: Rock. Thu: Latin fusion. Fri, 9pm: Bachata and rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban and Latin fusions. Tue: Salsa. San Jose.

CASCAL Sat, 9pm: James Robinson flamenco guitar. Mountain View.

LILLY MAC’S Sun, 6pm: Traditional Irish music. Tue: Irish dancing. Sunnyvale.

D’VINE JAZZ AND WINE Fri, 8pm: Kaye Bohler Band. Sat, 8pm: Ramona Enez. Morgan Hill.

FAIRMONT HOTEL Wed, 8:30pm: The Girlz Band. Thu, 8:30pm: Contemporary or Latin Jazz. San Jose.

GRAND DELL SALOON Thu, 8pm: Blues jam with Aki. Sat, 8pm: John Garcia. Campbell.

51

UNWINED

C&W/Folk BOSWELL’S Sun: Mike Leatherman. Campbell.

MISSION CITY COFFEE ROASTING Sat, 7pm: Noche Bohemia. Santa Clara.

NETO’S GRILL Wed: Kurt and Johnny. Fri: Dos Guys. Santa Clara.

RED ROCK COFFEE CO. HEDLEY CLUB Thu: 8pm: Russo Alberts Trio. Fri, 8:30pm: Ed Johnson and Novo Tempo Quartet. Sat, 8:30pm: Planet Loop. Hotel de Anza, San Jose.

Fri, 8pm: Amy Obenski. Mountain View.

THE SADDLE RACK Wed-Fri, 9pm, Sat, 10:15pm: Samantha Madison and Wild Card. Fremont.

J.J.’S BLUES CAFE Wed: Gomer Hendrix Experiment. Thu: The Dan Goghs. Sat: Sammy Varela. $10. Sun: Larry Valdez. Mon: Wayne’s Way Band. Tue: Dennis and Stuard. San Jose.

SAM’S BBQ Wed, 6pm: Dark Hollow. Tue, 6pm: Cabin Fever. San Jose.

52

M E TR O S I L I C O N VA L L E Y | J A N UA R Y 1 2-1 8 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Sat, 8pm: Albert Square, Shinobu, Corpus Callosum, Summer Vacation, French Exit. $8. Cupertino.

MOROCCO’S RESTAURANT


M E T R OAC T I V E . C O M | SA N J O S E . C O M | J A N UA R Y 1 2-1 8 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

52

metroactive MUSIC 51 THREE FLAMES RESTAURANT

More listings:

METROACTIVE.COM

BLUE BONNET BAR

EL RANCHO SPORTS BAR

Wed-Thu and Mon, 8pm: Karaoke. No cover. Sunnyvale.

Thu, 8pm: Karaoke. San Jose.

Thu, 9pm: Live country music with Cowboy Larry. Willow Glen.

BLUE MAX

FAHRENHEIT ULTRA LOUNGE

Fri-Sat, 9pm-1:30am: Karaoke. Sunnyvale.

Tue, 9pm: Partyoke. Beer pong and karaoke. San Jose.

Open Mic

BLUE PHEASANT

FIREHOUSE GRILL

Tue, 7pm: Steve Tiger. Cupertino.

Sun, 7pm-close: Uncle Dougie Show. Palo Alto.

ANGELICA’S BISTRO

FLAMES COFFEE SHOP

Wed, 6:30pm: Open Mic. Tue, 7-11pm: Pro Jazz Jam. Redwood City.

Wed-Sat and Tue, 9pm: Uncle Dougie Show. No cover. San Jose.

BAREFOOT COFFEE ROASTERS

BOGART’S LOUNGE

Wed, 7pm: Musical open mic. Sign up by 5pm. Santa Clara.

Wed, Fri and Sun, 8pm-2am: Karaoke. Sunnyvale.

BRITANNIA ARMS CUPERTINO

BOSWELL’S

Wed, 9:30pm: Open Mic Night. Cupertino.

BRANHAM LOUNGE

MISSION CITY ROASTING CO. Thu, 7pm: South Bay Folks Open Mic. Santa Clara.

MOUNTAIN CHARLEY’S

Thu and Mon: Karaoke. San Jose.

BRITANNIA ARMS ALMADEN Wed and Sun, 10pm: DJ Hank. San Jose.

BRITANNIA ARMS CUPERTINO

POOR HOUSE BISTRO

Sun-Tue, 10pm: Karaoke. Cupertino.

RED ROCK COFFEE CO.

Thu, 9pm-2am: August. Milpitas.

Tue: DJ Davey K. Campbell.

Wed, 8-11pm: Live music, comedy and poetry. Los Gatos. Tue, 6pm: Open Mic Night. San Jose.

GALAXY

BRITANNIA ARMS DOWNTOWN SAN JOSE

THE GOOSETOWN LOUNGE Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.

GOOSE LOONEY’S Wed, 9pm: Thomas. Thu-Sun, 9pm: August. Milpitas.

HOMESTEAD LANES

BRITISH BANKERS CLUB

Fri, 9:30pm: Vinnie. Mon, 9pm: Vinnie. Tue, 9pm: August. Cupertino.

Mon, 9:30pm: Karaoke. Menlo Park.

HUDDLE

Wed, 8pm: Open Mic. Willow Glen.

BRIX

Wed-Thu and Sun, 9pm: Wild Nights Karaoke. Fremont.

Karaoke

C&J’S SPORTS BAR

7 BAMBOO

CREEKSIDE LOUNGE

Mon, 7pm: Cavin and King’s Open Mic. Mountain View.

THREE FLAMES RESTAURANT

Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

Wed, 9pm: Karaoke. San Jose.

Tue: Karaoke. San Jose.

KATIE BLOOM’S Thu, 10pm: Melissa and Heather. Santa Clara.

Sun, 9:30pm-1:30am: Karaoke. Campbell.

KC BAR AND RESTAURANT Wed and Mon-Tue: Stephanie. Thu and Sat: Randy. Fri: Jerry Sauceda. San Jose.

Wed, 8pm: DJ Desmond. San Jose.

KHARTOUM

DAN BROWN’S

Thu, 9pm: DJ Davey K. No cover. Campbell.

Thu and Tue, 9pm-1am: Brian James. Palo Alto.

KING OF CLUBS

ALEX’S 49ER INN

DASILVA’S BRONCOS

Nightly except Sun, 9pm-2am: Karaoke. San Jose.

Wed: Guitar Hero Tournament plus karaoke. Thu, 9pm-1am: Karaoke. Santa Clara.

Thu and Sun-Mon, 8:30pm: Bruce of KOR Karaoke. No cover. Mountain View.

THE BEARS

LILLY MAC’S Call for info. Sunnyvale.

Fri, 9pm: Joe. San Jose.

DIVE BAR Wed and Tue, 9:30pm: Karaoke. San Jose.

MARIANI’S

BENNIGAN’S GRILL

EFFIE’S RESTAURANT

NETO’S MARKET & GRILL

Wed-Sat and Tue, 9pm2am, and last Sun of every month, 2-7pm: B&S Karaoke. Campbell.

Fri, 6:30-10:30pm: Bands with live karaoke. Santa Clara.

Sat, 9pm: August. Santa Clara.

BLINKY’S CAN’T SAY Fri, 9pm-1am: Danielle. Santa Clara.

Thu, 8pm: Chris. Santa Clara.


53

CONCERT

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30 Seconds to Mars JARED LETO is a movie star in a band, who doesn’t want to be in a moviestar band. Supposedly, any attempts to even use his name to promote a 30 Seconds to Mars show are strictly verboten. That’s admirable, I guess, and actually it makes practical April 8, 7:30pm sense—who wants to be associated with a subgenre that brought us Keanu Reeves’ Dogstar and Russell San Jose State Crowe’s 30 Odd Foot of Grunts? Sure, you’ll sell a few Event Center more tickets on the front end, but you’re doomed to be a freak show, never more than a couple degrees of $29.50 separation away from the Steven Seagal Band. But 30 Seconds to Mars at least sounds better than probably any movie-star-project out there. Vocalist-guitarist Leto and his drummer brother Shannon formed the band in 1998, and after a hokey, trying-waytoo-hard debut record they’ve evolved into better than average emo pop. Here’s a tip for Leto, though: if you’re trying to shake the dreaded movie-star rock band tag, perhaps it’s best to not promote your most popular song with a movie in which you star with your rock band. Especially when the video in question, for “The Kill,” is like something junior-high kids would think of after a couple hours in Mom and Dad’s liquor cabinet (“You know how The Shining is really cool? What if we redid it, except when we find the ghosts, the ghosts are us? Whoa!”). It’s a bit ironic that Leto’s attempt at movie-faking doesn’t come close to the best “reimaginings” in recent videos, including Miles Fisher’s hilarious take on American Psycho, a movie that costarred JL himself. —Steve Palopoli (At deadline, it was announced that the show has been moved from Jan. 15 to April 8 at 7:30pm at the SJSU Event Center. Tickets from the Jan. 15 show will be honored—refunds are also available.)

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Wed: Humpday Wednesdays. Thu: DJ. Fri: Ladies Night. Sat: DJ Jazzy and DJ Chaos. Hip-hop and Top 40. Sun: Happy Hour All Day. Mon: DJ. Tue: $2 Tuesdays. San Jose.

Tue, 9pm: Live DJ. Campbell

55

QUARTERNOTE Tue, 9pm: Sherrie and Sue. No cover. Sunnyvale.

REDIROOM

Thu-Sat, 9:30pm-1:30am: DJs and dancing. Campbell.

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Wed and Sun, 10pm: DJ Hank. Mon, 9pm: Beer Pong. San Jose.

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Tue, 10pm-close: Kamikaze Karaoke. San Jose.

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Wed, 7pm: House Party. Thu, 7pm: Throwback Thursdays. Los Gatos.

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Thu: DJ David Q. Fri, 10pm: DJ Benofficial. Sat, 10pm: DJ David Q. San Jose.

Thu, 9:30pm-1:30am: Karaoke. Sunnyvale.

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THREEFLAMESRESTAURANT Sun, 8pm-midnight: DJ Curtis. Willow Glen.

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BRITISHBANKERSCLUB Tee: Lounge. Wed: Raygay. Thu: Latin. Fri: ’70s and ’80s. Sat: House. Sun: Lounge. Menlo Park.

BRIX Thu: Therapy. Mon: Power Hour. San Jose.

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PEACOCKLOUNGE Fri, 8pm: DJ Dancing featuring R&B, Top 40. Sat, 9pm: DJ Dancing featuring Chill, R&B, Top 40. Sun and Tue, 9pm: DJ and dancing. Sunnyvale.

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Fri, 7:30pm: DJ Quam. Palo Alto.

Thu: Thursday Night Live. Fri-Sat: Video Killed the DJ with VJ Vinyl. Sun: Sinful Sundays. Mon: Manic Mondaze. San Jose.

Fri-Sat, 6pm: DJ or live band. No cover. Santa Clara.

DIVEBAR Thu, 9:30pm: DJ Otrebor. San Jose.

ELRANCHOSPORTSBAR Fri-Sat, 8pm: Old School Dance Party. San Jose.

Wed, 8pm: Salsa Wednesdays. Thu: DJs. San Jose.

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Wed: Rock music. Thu: Latin fusion. Fri, 9pm: Bachata and rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban and Latin fusions. Tue: Salsa. San Jose.

Thu, 8pm: DJ Akustik. No cover. Fri, 8pm: DJ Mayo. Sat, 8pm: DJ Mayo and DJ Akustik. Sun, 7pm: Latin Beat. Sun, 9pm: Sonidero Night. With local DJs spinning salsa, cumbia and more. Sunnyvale.

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Thu, 9pm: Joseph. San Jose.

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METROACTIVE.COM

Wed, 9pm: Wine Wednesday. Thu, 9pm: Thursdays at Fahrenheit. Sat, 9pm: Elite. Mon, 9pm: DJ. Tue: Partyoke. Beer pong and karaoke. San Jose.

FIBBARMAGEES Wed: SIN. Fri: Tommy and RJ. Sat: Club FM. Sunnyvale.

Sun: Reggae. San Jose.

STEPHENSGREEN Fri: DJ Cesar. Mountain View.

TEMPLEBAR&LOUNGE Wed: The Pick Up. San Jose.

THREEFLAMESRESTAURANT Fri-Sat, 9pm: DJ Sir Dancealot. Willow Glen.

VOODOOLOUNGE Thu, 10pm: Third Thursdays dance night. $10. San Jose.

ZENLOUNGE Fri: Fabulous Fridays. Sat: Celebrity Saturdays with DJ DRoc. Mountain View.


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True to form—as a woman—you even apologized for causing “any confusion.” By doing what, existing in his eyeline? It’s not like you plopped into his lap in an I Heart Grandpa T-shirt and asked for an, um, oral history (starting in his boyhood years, back when families subscribed to the Dead Sea Scrolls instead of the newspaper). Don’t be “civil” to this creepus. Don’t be anything to him—unless he persists in approaching you or contacting you, in which case, you should be the person who says “Don’t contact me, don’t speak to me, don’t come anywhere near me.” In the future, resolve that your safety and comfort level will take precedence over not wanting to hurt or disappoint people or seem rude or unsympathetic. There’s a time to respect your elders and a time to recognize one of them for the dirty old masher he is. Yeah, sure, there’s all the “Do not go gentle into that good night” stuff he’s been reading, but I’m pretty sure the rest of that isn’t “Get her alone after lit crit group and blurt out, ‘Say, young lady, wanna see if I’m wrinkled all over?’”

8 nfdXe @ d\k jfd\n_Xk i\Z\ekcp X[d`kk\[ j_\ nXj Ç_\X[ fm\i _\\cjÈ ]fi d\% 9\ZXlj\ @ c`b\ kf ^\k kf befn X g\ijfe Y\]fi\ Zfek\dgcXk`e^ Xepk_`e^ ifdXek`Z# @ jX`[ n\ j_flc[ Y\ ]i`\e[j Óijk# kXb\ `k jcfn# Xe[ j\\ n_\i\ `k ^f\j% J_\ X^i\\[# Ylk \e[j Zfem\ijXk`fej Yp ZXcc`e^ d\ Çjn\\k g\XÈ fi Çjn\\k_\Xik#È dXb`e^ d\ jljg\Zk j_\ `jeÊk FB n`k_ kXb`e^ `k jcfn% ÆNfii`\[ It’s sometimes what people don’t include in their requests for advice that’s the essential detail. It took me three emails to pull it out of you—the answer to my question, “Are you attracted to her?” Your reply: “I like her as a person but nothing more.” Well, she’s a girl, not an acorn you store up in case it’s a long winter. If you aren’t into somebody who’s into you, that’s what she needs to know—

not that you want to “take it slow” (because with a little time, she could grow a new head and body and become exactly your type?). As for how this woman ends conversations, you won’t have to fret about what “sweetpea” really means once you help her get a sense of what you really meant by “taking it slow”: True love waits. But nowhere near as long as “couldn’t be less attracted to you.”

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FREE WILL ASTROLOGY ARIESS (Mar ARIE (March ch 21–April 19): Wh What hat empir empiree ar aree you building, Aries? What master pla n ar plan aree you in the midst of carrying carrying out? As As you gaze out upon your rrealm, ealm, aare re yyou ou ccontent ontent w ith tthe he w ay iit’s t’s eevolving? volving? JJudging udging with way ffrom rom tthe he ccurrent urrent aastrological strological oomens, mens, II’d ’d ssay ay iit’s t’s aan n questions excellent time to ponder questio ns like those. And if you’ree missing some pieces your inventory rreveals eveals that you’r picture’s suggest of the big pictur e’s puzzle, I sugg gest you set out on a quest to locate them. TAURUS T AURUS ((April April 220–May 0–May 220): 0): IIn n a ffamous amous ppsychology sychology watched eexperiment, xperiment, ttest est ssubjects ubjects w atched a vvideo ideo ooff ssix ix ppeople eople ppassing assing bbasketballs asketballs ttoo eeach ach oother. ther. TTheir heir aassignment ssignment was to count how many passes wer w own and weree thr thrown wearing white while ccaught aught bbyy tthe he tthree hree ppeople eople w earing w hite sshirts, hirts, w hile iignoring gnoring ppasses asses bbetween etween tthe he tthree hree w earing bblack lack wearing theree was a trick embe embedded exercise. shirts. But ther edded in the exer cise. Midway wearing M idway tthrough hrough tthe he vvideo, ideo, a pperson erson w earing a ggorilla orilla ssuit uit aambled mbled iinto nto tthe he sscene, cene, tthumped humped hhis is cchest hest aand nd Half qquickly uickly ddeparted. eparted. H alf ooff tthe he ttest est ssubjects ubjects ddid id nnot ot were nnotice otice tthis his iintrusion. ntrusion. TThey hey w ere ttoo oo ffocused ocused oon n tthe he ttask ask of counting the passes made by the players in white. ((Watch Watch iitt hhere: ere: ttinyurl.com/TrickGorilla.) inyurl.com/TrickGorilla.) IIn n tthe he ccoming oming week, TTaurus, aurus, a I expect that you will w experience at least unexpected. one similar trick. LLook ook ffor or the une expected. GEMINI (May 21–June 20): Astrologer Astrologer Hunter Reynolds Reynolds ssays ays tthat hat when when yyou ou are are aatt yyour our bbest, est, yyou ou Geminis Geminis sspecialize pecialize iin n ““enlightened enlightened iimpatience.” mpatience.” YYou ou don’t trapped expressing polite deference don’tt get tr apped expr essing pol ite def erence in situations that drain energy. don’t tolerate drain your ener gyy. YYou ou o don ’t toler ate boring boring eexperiences xperiences jjust ust bbecause ecause tthey’re hey’re supposed supposed to to be be good ffor or you. YYou’d ou’d rather rather “err “err onn the side of learningthrough-too-much-movement” through-too-much-movement” than t get bogged down But while down iin n ““principled principled ssluggishness.” luggishness.” B ut w hile tthat’s hat’s how when how yyou ou aare re w hen yyou’re ou’re aatt yyour our ppeak, eak, yyou ou ccan an aalso lso bbee susceptible susceptible ttoo tthe he ddark ark sside ide ooff tthis his ttalent. alent. SSometimes ometimes you you aabort bort a ppotential otential bbreakthrough reakthrough bbyy pprematurely rematurely fleeing a useful but difficul difficultt scene. scenne. I suspect you may be pr prone one to that kind of behaviorr right now. now. My advice: Be skeptical of your escape reflex. reflexx. CANCER (June 21–July 22): In her poem “Heathen,” Lesley Wheeler describes a young young boy who puts his ear up up against against his his mother’s mother ’s ear ear “so “so that that the the god god in in your your head can talk / to the god in min mine.” weekss ne.” The coming week would would bbee aan n eexcellent xcellent ttime ime ffor or yyou ou ttoo ttry ry ssomething omething similar with people you car caree ffor. It’s or. It ’s a ripe moment to to rraise aise tthe he sstakes takes iin n yyour our iintimate ntimate llife ife . . . ttoo gget et closer than you’ve dar dared ed to get bef bbefore ore . . . to rretire etire the familiar familiar sstories tories yyou ou aand nd yyour our aallies llies aare re iin n tthe he hhabit abit ooff exchanging exchanging ssoo tthat hat yyou ou ccan an ttune une iin n ttoo tthe he ddeeper eeper hhum um of each other other’s ’s wilder truths. LEO LE O (July 23–Aug. 22): There’s There’s a guy on the

ian—w whose mission is to Internet—calls himself TTian—whose correct Westerners Westerners w ho m isunderstand and and misuse misuse correct who misunderstand characters. Many of the people who write Chinese characters. for advice are are Americans who w have come to to him for charactters they got tattooed suspect that the Chinese characters don’t rreally eally mean what w they wer on their flesh don’t weree led to believe (bit.ly/WrongTat). (bit.ly/WrongTat). For For example, example, Tian Tian informed informed believe p c acter supposedly char pp y one person that a tattoo whose character says “to “to learn learn as as much much as as possible” possible” aactually ctually m eans says means “empty, hollow,, bar bare, offer “emptyy, hollow e, deserted.” I off er this up as a cautionary make cautionary ttale, ale, LLeo. eo. IIn n tthe he ccoming oming ddays, ays, m ake ssure ure you’re misapprehension what you’re nnot ot uunder nder a m isapprehension aabout bout w hat yyou’re ou’re taking on and taking in. Choose only o the very best imprints—and what imprints—and vverify erify tthat hat tthey hey aare re w hat yyou ou tthink hink they are. are.

VIRGO VIR GO ((Aug. Aug. 223–Sept. 3–Sept. 222): 2): I rregard egard 22011 011 aass aan n

cultivate excellent time ffor or you to cul tivatee your unique talents, undiscovered. some of which may still be latentt or undiscover ed. With that in mind, consider thesee thoughts. Ernest H emingway ssaid aid a pperson erson hhad ad ttoo hhave ave ““the the gguts uts ooff a Hemingway bburglar” urglar ” ttoo ddevelop evelop hhis is oorr hher er ttalent. alent. N eurologist aand nd Neurologist aauthor uthor D lice W laherty bbelieves elieves tthat hat tthe he ddrive rive Dr.r. A Alice W.. FFlaherty more ttoo uuse se oone’s ne’s ttalent alent iiss eeven ven m ore iimportant mportant tthan han tthe he And here’s amount of rraw aw talent one has. has An nd her e’ss novelist Erica What JJong: ong: ““Everyone Everyone hhas as ttalent. alent. W hat iiss rrare are iiss tthe he ccourage ourage ‘talent’’ to the darkk place where to ffollow ollow that ‘talent where it leads.” P.S. venturee into those dark P .S. . If you do ventur d places, you’ll suns’’ wor worth eventually uncover ten suns rth of illumination.

LIBRA ((Sept. Sept. 223–Oct. 3–Oct. 222): 2): B Back ack iin n 11962, 962, aan nA American merican

company was company nnamed amed CCorning orning ccreated reated a pproduct roduct tthat hat w as ssoo revolutionary, figuree out how to exploit it revolutionaryy, no one could figur in ways. was in ppractical ractical w ays. IItt w as ““Gorilla Gorilla gglass,” lass,” a gglass lass tthat’s hat’s so so strong it’s strong it ’s almost impossible to break b eak or even scratch. br scratch. Only rrecently commercial ecently has it ffound ound a comm mercial application,

9p p ROB ROB BREZSNY BREZ SNY n\\b f] AXelXip () n\\b f] AXelXip ()

first in cell phone phones es and other mobile devices and next in in a nnew ew ggeneration eneration ooff uultra-thin ltra-thin TV TV screens. screens. I foresee foresee a compar comparable development future, able dev velopment in your immediate futur e, Libra: Libra: ssome ome aahead-of-its-time head-of-its-time bbreakthrough reakthrough yyou ou made while finally made a w hile aago go tthat hat ccan an fi nally bbee uused sed ttoo iimprove mprove your lif life. e.

SCORPIO SC ORPIO ((Oct. Oct. 223–Nov. 3–Nov. 221): 1): W When hen I aarrived rrived aatt m myy aacupuncturist’s cupuncturist’s waiting waiting rroom, oom, tthere here w ere jjust ust ttwo wo were magazines on thee table next to my chair: The celebrity rrag ag P People eeople SStyle tyle W Weekly eeekly and the spiritually oriented Shambala Sun. TThe he fi first rst ooffered ffered aarticles rticles oon n ““hot hot nnew ew hoes under $99” and ““easy easy ways to get handbags and sh shoes gorgeous hhair, air, sskin, kin, aand nd nnails.” ails.” TThe he ssecond econd pprovided rovided gorgeous guide to mindf ful living,” with advice about how to a ““guide mindful ed, ffocused ocuused and rrelaxed. elaxed. I thought that was get center centered, imilar to the choice you will fface ace in the metaphorically si similar coming w eek, SScorpio. corpio. IIt’s t’s up up to to you: you: Which Which way way do do you you coming week, want to go? SSAGITTARIUS AGITTARIU US ((Nov. Nov. 222–Dec. 2–Dec. 221): 1): I ccan an aalmost lmost rantee that in 2011 you will have no categorically gua guarantee encounters with fire fire demons, wart-ridden vampires, vampires, two-headed ddogs, ogs, m oaning gghosts, hosts, w ayward two-headed moaning wayward werewolves oorr eextraterrestrial xtraterrestrial rrobots. obots. N ope. YYou ou ccan an werewolves Nope. pretty much go aahead head and make plans based on pretty the aassumption ssumption tthat hat yyou ou w on’t hhave ave ttoo aaccount ccount ffor or the won’t intrusions llike ike tthat. hat. B ut I ccan an aalso lso aassure ssure yyou ou tthat hat tthe he intrusions But azy enco ounters with unhinged monsters does lack of cr crazy encounters fe will suff er fr om blahs or bor edom. not mean your lif life suffer from boredom. ary: I think this could be one of your most On the contr contrary: interesting yyears ears iin n a ddecade. ecade. TToo pprepare repare yyourself, ourself, m ake interesting make sure yyou ou ddon’t on’t uunconsciously nconsciously eequate quate aadventure dventure w ith sure with chaos; iimagine magine w hat iitt w ould bbee llike ike ttoo eexperience xperience chaos; what would gue that uplift you. mystery and intri intrigue CAPRICORN CAPRIC ORN ((Dec. Dec. 222–Jan. 2–Jan. 119): 9): ““Forgiveness Forgiveness means giving up all hope ffor or a better past,” said ccomedian omedian LLily ily TTomlin. omlin. I rrecommend ecommend tthat hat yyou ou m ake tthis his make a keynote during the next six months. A ccording to my According uunderstanding nderstanding ooff tthe he aastrological strological oomens, mens, yyou ou w ill hhave ave will the best opportu nity you’ve had in a long time to put opportunity some of your uns settling memories to sleep ffor or good. unsettling This is your big ch hance to gr aduate fr om old anxieties chance graduate from tthat hat ccan an nnever ever bbee rresolved. esolved. YYou’re ou’re fi nally rready eady ttoo finally declar ependence fr om messy bur dens and declaree your inde independence from burdens maddeningg riddle es that have haunted yyou. riddles AQUARIUS A QUARIUS (J(Jan. Jan. 20–Feb. 18): If you want to be healed, whether malady healed, w hether ffrom rom a pphysical hysical m alady oorr a ppsychic sychic e’s on ne pr erequisite you have to meet: YYou ou o wound, ther there’s one prerequisite have willing have ttoo bbee w illing ttoo llearn earn a llesson esson tthat hat yyour our ssuffering uffering has invited you too study study.. I would go so ffar ar as to say m how skilled a healer that no one, no matter healer,r, can help cure cure you until you u have taken that first step. So what teaching would teaching iiss iitt tthat hat yyou ou w ould nneed eed ttoo eexplore xplore iin n oorder rder transform your your distress distress into wisdom? to transform PISCESS (Feb. 119–March PISCE 9–March 20): Ar Aree you rready eady to get

the were the ffun un ssurprise urprise yyou ou w ere ppromised romised iin n yyour our ddreams? reams? Are Are yyou ou ffully ully pprepared repared ttoo ccollect ollect tthe he eelegant legant pprize rize you were were you w ere gguaranteed uaranteed bbefore efore yyou ou w ere bborn? orn? I ddon’t on’t think think yyou ou aare—mostly re—mostly bbecause ecause yyou’re ou’re nnot ot tthoroughly horoughly ou deser ve these wonders. Fr om what convinced that yo you deserve From I ccan more an ttell, ell, yyour our sself-doubts elf-doubts aare re sstill till m ore ssubstantial ubstantial than your self-wo self-worth. orth. And as long as that holds true, you w ill ccontinue ontinue ttoo hhold old yyour our jjust ust rrewards ewards aatt bbay. ay. SSoo you will let’s make it yourr project project in the next three three weeks weeks to let’s ls of self-worth. It doesn ’t mean you’ll elevate your leve levels doesn’t ely shed your self-doubts, so don ’t have to complete completely don’t worry about tryin ng to pull off that impossible pr oject. worry trying project. All you need to doo is adjust your self-worth to selfatio so it ’ss at least 51 percent percent to 49 percent. percent. doubt rratio it’s

Homework: All All of us are are trying to wake up fr om our sl eepy delusions about the from sleepy naturee of lif life. natur e. What will be your most wake-up potent wake-u up technique in 2011? Go to Freewillastrology.com Fr eewillastrolo ogyy..com and click “Email Rob.” Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700


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Legal & Public Notices 70 Improvement 71 Home Improvement Real Estate 71

HP Enterprise Services, LLC

is accepting resumes for Services Information Developer in Mountain View, CA. (Ref. #ESMVSID11). Conceptualize, design, Jobs develop, unit-test, configure, and implement portions of Senior Systems new or enhanced (upgrades Analysts or conversions) business and in San Jose, CA area. Analyze technical software solutions customer reqts & propose through application of approhardware/software combo priate standard software based on reqts; analyze/ development life cycle monitor system perform methodologies and processbased on test records & rec es. Mail resume to hardware/network infrastruc- HP Enterprise Services, LLC, ture changes; work w/ C++, 5400 Legacy Dr, MS H1-6E-28 SQL Server, Web Techs, Linux, Plano, TX 75024. FreeBSD, Debian & Script Resume must include Ref. Languages. Send res. to #ESMVSID11, full name, Iron Systems, email address & mailing 540 Dado St., address. No phone calls San Jose, CA 95131. please. Must be legally authorized to work in the Security/Bouncers U.S. without sponsorship. EOE. Needed wanted 5 nights a week 9pmHewlett-Packard 2am. Apply mornings only. Alex’s 49er Lounge Company 2214 Business Circle, is accepting resumes for San Jose. 408/279-9737 Financial Specialist in Cupertino, CA. (Ref. Paid In Advance! #CUPFS11). Provide direct Make $1,000 a Week mailing finance support for the brochures from home! WorldWide (WW) Enterprise Guaranteed Income! FREE Servers, Storage and Supplies! No experience Networking focused on required. Start Immediately! Balance Sheet management, www.homemailerprogram.net general business metrics, and benchmarking analysis in development of a timeless Karaoke DJ inventory model. Mail wanted 7 days a week 9pmresume to 1:30am. Must have equipHewlett-Packard Company, ment. Apply mornings only. 5400 Legacy Drive, Alex’s 49er Lounge MS H1-6E-28, 2214 Business Circle, Plano, TX 75024. San Jose. 408/279-9737 Resume must include Ref. #CUPFS11, full name, email HIRING REALTORS address & mailing address. NOW No phone calls please. Must 80% commission No desk be legally authorized to work fees No boring office meetin the U.S. without sponsorings Work from home with ship. EOE. complete broker support Must have current real estate $$$HELP license and dues paid Call WANTED$$$ Broker Rich Rodino Cal Estates Realty 408-260-2740 Extra Income! Assembling CD cases from Home! No Experience Necessary! Call our Live Operators Now! 1-800-405-7619 EXT 2450 www.easywork-greatpay.com

Employment

Cost Estimators: Conduct project cost analysis. Super Micro Computer, Inc. in San Jose, CA. Bachelor required. Resume fax 408-503-8008 or apply www.supermicro.com EOE

Bartender / Cocktail Servers Full Time or 6 AM Part Time shift available. Alex’s 49er Inn, San Carlos & Bascom. Apply mornings only.

Aptina LLC has employment opportunity in San Jose, CA for Camera Characterization Engineer (SJ01SDA): Responsible for evaluation of Image Quality of module cameras as well as DSC/DSLR and mobile phone cameras for company’s leading edge CMOS imaging sensor technology. Send your resume (must reference job title and job code) to Aptina LLC, Attn: Gloria Sanchez, 3080 North First Street, San Jose, CA 95134.

$18.70 Per Hour DOE Immediate Opening Processing refunds on your computer. No experience needed. FT/part-time. Start Mon. 1-800-564-4483 (AAN CAN)

gcXZ\ Xe X[ all 408.298.8000 Mon-Fri, Mon-Fri, 8:30am-5:30pm í CCall classifieds@metronews.com o Please include í Email classifieds@metronews.com your V ISA, MC, Discver oor AmEx number and VISA, expir ation date ffor or paym ment expiration payment í Fax your ad to 408.271.3520

San Jose, CA 95113

8:30am-5:30pm -5:30pm í Visit our offices Mon-Fri, 8:30amcopy, y, payment, payment spa space ce reservation reservation or í Deadlines: For copy cancellation: Display ads: Thursday 3pm, Line ads: Friday 3pm

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Bartenders Needed Fun jobs. Great money. Earn $25-40/hr. Call for certification and placement information. $199 tuition with this ad. 888.901.TIPS or visit www.abcbartending.com

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Pass It On Let them know you saw it in the Metro Classifieds!

Metroo Classified, 550 South Soutth First Street, Street, í Mail to Metr

Music

Bands

Rehearsal/Recording

ThugWorldRecords.com Stout Recording Thug World Records exploStudio.com sive label with major features lil Wayne G-Unit E-40 Snoop Dog and more free Downloads mp3s Ringtones videos Representing San Jose. wwwthugworldrecords.com. 408/561-5458

Recording, Mixing, Mastering 24 Track Analog, 24 Bit Digital Randy Burk, Producer/ Session Drummer $35.00 an hour. Oakland 510-567-8572

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Voice Lessons Expand range, flexibility, confidence. Instruction also available for songwriting and guitar. Reasonable rates. Instructor: award-winning vocalist/songwriter, Deborah Levoy. www.deborahlevoy.com 408/275-0802.

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USING ONE OF THESE?

Peninsula Orchid Society Annual Show and Sale

Do You Have Asthma? Enrolling people with asthma, ages 18-65, for the next few months into a 10 week research study using an investigational oral medication. Qualified participants will receive study related medical exams and study medication at no cost, and may receive compensation up to $1,060.00.

Allergy & Asthma Associates of Santa Clara Valley Research Center 4050 Moorpark Avenue, Suite 6 San Jose, CA 95117 408.553.0709 ext. 237

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FICTITIOUS BUSINESS Publication of Notice NAME STATEMENT of Real Estate #544489 Acquisition

The following person(s) is (are) doing business as: Silverline Services, 14938 Financial Services Camden Ave., Suite 22, San Jose, CA, 95124, Jose Romero. CASH NOW! This business is conducted Get cash for your structured by a Individual. settlement or annuity payments. High payouts. Call J.G. Registrant began transacting Wentworth. (866) 447-0925. business under the fictitious business name or names listRated A+ by the Better ed herein on 11/01/10. Business Bureau. /s/Jose Romero This statement was filed with (AAN CAN) the County Clerk of Santa Clara County on 11/25/2008. (pub Metro 12/15, 12/22, 12/29, 1/5/2011)

g Legal Notices

The Santa Clara County Library Joint Powers Authority will consider the purchase of the following real property at its January 27, 2011 meeting at 1:30 p.m., or as soon thereafter as the matter can be heard: (1) Approximately 65,340 square feet of property at 1370 Dell Avenue in Campbell from HK Associates, a California L.P. for a price not to exceed $4,500,000; and (2) Approximately 50,965 square feet of property at 1344 Dell Avenue in Campbell from the West Valley Memory Post 99 American Legion, a non-profit corporation for a price not to exceed $1,025,000.

FICTITIOUS BUSINESS NAME STATEMENT #546194 Legal & Public Notices FICTITIOUS BUSINESS The following person(s) is NAME STATEMENT (are) doing business as: AAA FICTITIOUS BUSINESS Valero Test Only, 36 #545886 NAME STATEMENT Washington Street, Santa The following person(s) is (are) doing business as: Clara, CA, 95050, Manjit #546195 The following person(s) is (are) doing business as: Happy Yak Toy Company, 1673 E. San Fernando St., San Jose, Ca, 95116, Christopher Downer. This business is conducted by a individual. Registrant had not yet begun transacting business under the fictitious business name or names listed herein on. /s/Christopher Downer This statement was filed with the County Clerk of Santa Clara County on 1/03/2011. (pub Metro 1/12, 1/19, 1/26, 2/02/2011)

Singh, 854 Cape York Pl., San Jose, CA, 95133. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 1/3/2011. /s/Manjit Singh This statement was filed with the County Clerk of Santa Clara County on 1/03/2011. (pub Metro 1/12, 1/19, 1/26, 2/2/2011)

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Astounding Massage Management, 370 Elan Village Lane, #122, San Jose, CA, 95134, Marguerite Moreland, Cynthia Barragan, 1360 Foxdale Loop #611, San Jose, CA, 95122. This business is conducted by Copartners. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Marguerite Moreland This statement was filed with the County Clerk of Santa Clara County on 12/21/2010. (pub Metro 1/05, 1/12, 1/19, 1/26/2010)

FICTITIOUS BUSINESS NAME STATEMENT #545671 The following person(s) is (are) doing business as: El Modern Laundromat, 820 E. El Camino Rd, #D, Mountain View, CA, 94040, Bai Nguyen, 3551 Peak Dr., San Jose, CA, 95127, Huong Ho. This business is conducted by a Husband an Wife. Registrant began transacting business under the fictitious business name or names listed herein on April 2007. /s/Huong Ho This statement was filed with the County Clerk of Santa Clara County on 12/14/2010. (pub Metro 12/22, 12/29/2010, 1/5, 1/12/2011)

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Wonderful word, spruiker (rhymes with “spook’er”)—slang in Australia and New Zealand for a tout or pitchman. In fairness, the idea that you sweat a liter or some other large amount per night isn’t limited to Down Under, but rather is common among mattress floggers all over the world—I found one huckster claiming you sweat two to five gallons a night. (This same goof repeated the notion that a mattress is packed full of dust mites, which we’ve previously debunked.) One doesn’t want to get carried away, but let’s look at this in a positive light. Is there any scenario under which the claim about a liter of sweat could possibly be true? 1. Normal sleep. No luck here. Sweating while at rest is minimal below 85 degrees. You do lose a certain amount of moisture in your breath and by evaporation through your skin; the latter process, which doesn’t involve the sweat glands, is called insensible perspiration. Total water loss by both routes for an average healthy young male averages about 25 milliliters per hour, or 200 milliliters per eight hours of sleep, and much of that is simply exhaled, not absorbed by the mattress. 2. Energetic bed use. Sweat production kicks in once you start exercising. I found a chart from the Australian Institute of Sport giving typical sweat rates for activities ranging from cricket (0.5 liters per hour) to rugby (as much as 2.6 liters per hour). You may say strenuous exertion is incompatible with sleep. Piffle—I’ve seen the Chicago Bears’ offensive line play an entire game while unconscious. More broadly, I know of a nocturnal activity or

two that typically kicks up your perspiration output. But a liter’s worth? Every night? Ain’t seeing it. We’ll have to give this one up too. 3. Sleeping in a warm room. Once the temperature rises above 85, you start sweating even if you’re at rest. Tests conducted in the Sonoran Desert found that subjects sitting naked in the shade in 95-degree heat produced 220 milliliters of sweat per hour. Assuming comparable conditions were to prevail at night, you’d lose close to two liters over an eight-hour stretch. But then you wouldn’t even be thinking about a new mattress—you’d be shopping for an air conditioner. 4. Night sweats, also known as sleep hyperhidrosis. This one seems more likely. Night sweats are fairly common and can be triggered by lots of things, among them menopause; taking antidepressants or other meds; panic attacks; obesity; low blood sugar episodes in diabetics; eating spicy food; cancer, including Hodgkins and non-Hodgkins lymphoma; and other diseases such as tuberculosis and HIV. Or sometimes by nothing at all—they just happen. I couldn’t find any solid numbers on how much moisture is produced, but in extreme cases the sufferer’s bedclothes are often described as being drenched in sweat, and I’m prepared to believe you could lose a liter. So let’s give the spruikers the benefit of the doubt and say it’s possible for you to sweat a liter a night under certain circumstances. We’ll relegate to the fine print the clarification that those circumstances may include your being panicked, obese or seriously ill.

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Very funny, Victor. However, I disagree that you never see a horse statue with

all four feet off the ground. Next time you‘re on a merry-go-round, look down.

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Mom ttaught M aught me how to se w,” sa ays y sew,” says O Oluwole with a smile smile.. Oluwole was old when O luwole w as 112 2 yyears earrs o ld w hen she started dresses. sh he st arted making Barbie dr esses. Byy tthe hit high B he ttime ime sshe he h it h igh sschool, chool, sshe he was designing making dresses w as d esigning aand nd m ak king d resses ffor or herself, detail-rich, ivory h erselff, including a det ail-rich,, iv vo ory dress prom. llace ace d ac ress ffor or tthe he ssenior enior p rom. ““It It ttook ook have just fforever, o ever, and I wish I would ha or ave ju ust bought says, b ought it,” she sa ays y , eexplaining xplaining thatt the mid-thigh-to-floor beading m id-thigh-to-floor be ad ding ttook ook tthree hree finish. m months ffor or her mom and her to fin o nish. harrowing T Though a bit harr owing in rretrospect, etrospect, Oluwole’s tthe he eexperience xperience sstoked toked O luwole’s passion and her p assion ffor or ffashion aasshion an nd sshe he sset et h er sights industry. si ights on a ccareer areer in the industr y. school After high scho ol San JJose–based ose–baseed Oluwole designing O luwole sspent pent 2 11/2 /2 yyears earrs d esigning

dresses and je dresses jewelry welry for for or b boutiques outiques Francisco, and in San Francisc o, Los Los Angeles A Maryland, M arylan nd, while while working working on on a business b usiness degree degree at at Santa San nta Clara Clara University. After U niversity. A fter graduation, graduation, sshe he aattempted ttempted to to get get a job job in in fashion, fashion, but but her h er business business background background didn’t didn’t open open any an ny doors doors for fo or her in the th he industry. industry. didn’t ““II d idn’t have have a fashion faasshion degree degree so so didn’t Id idn’t get get a lot lot of of responses responses to to rrésumés ésumés I sent out,” she sh he confesses. conffeesses. But Oluwole did have haave a good good idea and a workable workable business busineess model. model. For F or her ccapstone apstone project, projeect,, she had developed d eveloped aan n executive executive ssummary, ummary, a business b usiness plan plan and and a financial finan ncial plan plan for for a clothing boutique boutique in n Santa Santa Clara. Though off T hough she she had had no no intention intention o

actuallly ccreating actually reating tthe he b boutique, outique, tthe he her lless-than-enthusiastic ess-than n- enthusiasstic rresponse esponse tto oh er rrésumé ésumé iinspired nspired a ssecond econd gglance lan nce aatt the idea. “I found found o d myself myself thinking, thinking, “This bee doable doable.. L Let’s ccould ould b d et’s just see if it works,” works ,” shee recalls. recalls. Oluwole’s Oluwole e’s vision of a hip boutique boutique filled a niche, in Santa Santa Clara C niche, and Ib in 2007 2007 Ibiss, biss, initially called called I.B.I. I.B.I. Couture, C outure, was was created. created. Oluwole started out st arted ou ut slowly to get a feel feel e ffor or the rretail o etail side of fashion,, but as word word spread sp pread about about the new new shop—complete local shop — com mplete with lo cal and internationally internatio nally designed apparel, apparel, shoes, jewelry, sho es, handbags, ndbags, je welry, accessories accessories han baubles—Ibiss and baubl es—Ibiss took took off. off ff. 2010,, Oluwole, In 2010 Oluwole, who is now 25, 25, opened ened a second op s ond Ibiss in Willow sec Wiillow Glen. Though ugh the clientele and the Thou merchandise aree diff different from om the mer chand dise ar ffeerent fr student-driven student - drriven Santa Santa Clara shop, shop, keeps overall Oluwole k eeps the o verall ffeel eeel of the shops compatible. com mpatible. “I’m finding that there’s ther e’s no one formula formula o ffor o or it,”” she says, sa ays y , “but I try try to maintain maintain the same styles—like ffeel eeel and ttypes y es of st yp yles—like ruffles nicee silk blouse.” on a dress dress or a nic blouse.” describes being Oluwole olee describ es herself as b eing “obsessed d with w Paris,” Paris,” and she tends toward the European hee Eur opean side of fashion. She carries dresses ess dr d esses with a “French “French flair”—stripes, triip pes, bows bows and blushcolored ch chiffon—and Italian hiff ffo ff on—and on and It alian stretch stretch dresses that haatt are are “just a bit edgy.” edgy.” She keepss th the pricee p point he pric oint low to moderate, mo derate, has h a quick merchandise merchandise turnaround turnar oun nd d (which keeps keeps the store store fresh fr esh and the t rregulars egulars coming coming back), prides herself hersself on balancing quality quality price, believes, above and pric e, and b elieves, ab ove all, that fashion fashio on should not be be fussy. fussy. “I don’t don’t like like clothing that wears person,” the p erson n,”” she eexplains. xplains. “I like like thatt ar aree a bit forward, things tha fo orward, d, but not too likee fashion can to o intimidating, intimiidating, lik can be.” be.” makes Oluwolee also mak es a point point of putting put ttting fashion fasshion to work ffor or o good good having at least one fundraiser ccauses, auses, ha aving v per season. p er season n. “Fashion is something that’s that ’s visual, visuaal,, but I don’t don’t like like when it’s it’s too shallow,” to o shallow w,” she says. saayys. “I really really love love clothing,, and clothing a I think it’s it’s good good to use it ffor o or good.” good. d”

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