' j ' A/cc! &,* LZhi 8a^[[ gjo 9gZVb >cc! &,* LZhi 8a^[[ 9 g^kZ! HVciV 8gjo! -(&#)'*#*)''# 9g^kZ! HVciV 8gjo! -(&#)'*#*)''# A/BC@2/G A /B C @ 2/G ! <3E ;CA71 ?C7@9A < 3E ;CA71 ?C7@9A Ab bizarre izarre m modern odern m music usic rrepertoire epertoire ffeaturing eaturing a performance performance o off F Frank rank Z Zappaâ€™s appaâ€™s â€œThe â€œThe Black Black P ageâ€? alongside allongside work work b Phillip Glass Glass and an nd cameos cam meos by by Ludi Ludi Hinrichs Hinrichs on on the the d idgeridoo and and Pageâ€? byy Phillip didgeridoo L ucian no C hessa ((pictured) pictured) o n tthe he V ietnam mese one-string one-string lute. lute. Saturday, Saturday, Oct. Oct. 23, 23, 7:30pm. 7:30pm. Luciano Chessa on Vietnamese G eneral admission admission tickets tickets $23/seniors $23/seniors $17/students $17/students $12; $12; UCSC UCSC music music students students $3. $3. UCSC UCSC General M usic R ecital H all, H aeeller att Meyer Meyer Drive, Drive, Santa Santa Cruz. Cruz. 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B63 A>/13A 03BE33< B63 A>/13A 03BE33< TWO T WO N NEW EW m murals uralls h have ave m materialized aterialized iin nS Santa anta C Cruz ruz tto o sswell well tthe he rranks an nks o he o ff iciallly blessed blessed p ublic iimagery maggery tthat hat b ejewels tthe he off tthe officially public bejewels sstreetscape. treetscap pe. The The rreal eal ssparkler parkler iiss aalmost lmost h idden o n tthe he ffar ar w all o hidden on wall off tthe he p arking llot ot aatt 11111 111 S oquel A ve. T his h alf-block-long u ntitled parking Soquel Ave. This half-block-long untitled w ork is is a rriot iot o 3,224 iindividually ndividually d esigned gglass lasss m osaic ssquares. quares. work off 3,224 designed mosaic IIntegrating ntegrating tthis his d isparate ccollection ollection o magery iiss a sstrong trong o verall disparate off iimagery overall d esign u sing a llimited imited b ut vvivid ivid p allette o lacck, w hite, rred ed an aand nd design using but palette off b black, white, b lue ggrout rout to to ccreate reate dynamic dynamic iinterplay nterplay o ubist sshapes. hap pes. blue off ccubist T he individual individual ssquares, quares, ccreated reated b tudents iin n llocal ocall sschools, chools, The byy sstudents p rovide a gglittering littering ccatalog atalogg of of youthful youthful p reoccupations. R ad adiating provide preoccupations. Radiating ssuns, uns, ccats, ats, hearts, hearts, ccrosses rosses aand nd fflowers lowers ttwinkle winkle iin n ccolored olored gglass lass aass iiff FabergĂŠ FabergĂŠ h ad p roduced an n eedition dition o otebook d oodles. B ut had produced off n notebook doodles. But m an ny o he u nsigned w orks aare re iindividualistic ndividualistic aand nd iimpressive. mpressive. many off tthe unsigned works T here is is n od oubt tthat hat tthese hese 33,000-plus ,000-plus cchildren hildren w ill eeventually ventuallly There no doubt will b ring their their own own children children to to see see the the magical magical square square they they made made bring iin n sschool. chool. ;/@D7< >:C;;3@ ; /@D7< >:C;;3@ p painted ainted tthe he n new ew m mural urall o on n tthe he w walls allls o off JJazz azz Alley, on on Birch Birch Lane Lane just just off off Pacific Pacif ic Avenue. Avenue. His His loosely loosely brushed brushed Alley, portraits of of five f ive jazz jazz idols idols are are painted paiinted in in sepia sepia tones tones united united by by portraits carmine red red graphic graphic elements. elements. These These artists artists have have performed performed att carmine Kuumbwa, the the beloved beloved music music venue venue that that nests, nests, well-hidden, well-hidden, Kuumbwa, half-block down down the the alley. alley. As As much much as as I love love Kuumbwa, Kuumbwa, a half-block this mural mural seems seems more more like like a billboard billboarrd for for the the club club than than an an this enhancement of o public pub c spaceâ€”a spaceâ€”a feat eat accomplished acccomp shed successfully success u y enhancement by other other longstanding ongstand ng murals, mura s like ke those those on on Center Center Street Street and and in n by P aza Lane Lan ne by by 8 8/;3A /A160/163@ /;3A /A160/163@, w which h ch aactivate ct vate tthe he sspace pacce Plaza aand nd h ave rreal ea local oca rrelevance. e evance have S ow hat d oes itt m atterâ€”art iss aart, rt rright? ght? W e in nL os A nge es So, what does matterâ€”art Well, Los Angeles, w h ch h as for or d ecades b een cconsidered ons dered tthe he â€œâ€œmural mura ccapital ap ta o which has decades been of N orth A mer caâ€? aand nd w h ch h ass p enty o oncrete w a spacce for or North Americaâ€? which has plenty of cconcrete wallspace ggreat reat an nd less-than-great ess than n great aart, rt tthis h s iss h as b ecome a vvery ery k notty and has become knotty n cety H undreds o reathtak k ng w orks h ave b een left e t tto o nicety. Hundreds of b breathtaking works have been d eter orate S omeâ€” ke tthe he 11974 974 9 93/@B 0G / 5@//@B 0G / 5@/