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December 23-30, 2009 Vol. 1, No. 34
Goy to theWorld A Jewish Santa wonders: What else are you gonna do? p13
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december 23-30, 2009
SANTACRUZ.COM
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A/<B/1@CH 1=; december 23-30, 2009 1=<B3<BA
Contents. P OSTS
p4
L O C A L LY
p7
CURRENTS
p9
COVER STORY A&E
p13
p23
S TA G E , A R T & EVENTS
p24
B E AT S C A P E CLUB GRID FILM
p30 p32
p37
EPICURE
p47
ASTR OLOGY
p52
CLASSIFIEDS
p53
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e c e m b e r 23-30, 2 3 - 3 0 , 2009 2 0 0 9 A/<B/1@CH 1=; A/<B/1@CH 1=; >=ABA ddecember " j >=ABA
Posts. P osts. Messages M essages &
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EDITOR E D I TO R B@/17 6C97:: B@/ 17 6C97:: 6 (traci@santacruzweekly.com) (traci@santtacruzw a eeekly.com) STAFF STAFF WRITERS WRITERS @716/@2 D=< 0CA/19 @716/@2 D=< 0C CA/19 (richard@santacruzweekly.com) (richarrd@santtaacruzweeekly.com m)) 1C@B7A 1/@B73@ 1C@B7A 1/@ / B73@ (curtis@santacruzweekly.com) (curtis@santtacruzw a eeekly.ccom) 83AA71/ :CAA3<6=> 83AA71/ :CAA3 3<6=> (jessica@santacruzweekly.com) (jessica@santtacruzw a eeekly.com) CONTRIBUTING CONTRIBUTING EDITOR E D I TO R 16@7AB7</ E/B3@A 16@7AB7</ E/B3@A CALENDAR CALENDAR EDITOR E D I TO R >/C: E/5<3@ >/C: E/5<3@ (calendar@santacruzweekly.com) (calendar@santtacruzw a eeekly.com) POETRY POETRY EDITOR E D I TO R @=03@B AE/@2 @=03@B AE/@2 PROOFREADER P RO O F R E A D E R 83/<<3 A16CAB3@ 83/<<3 A16CAB3@ EDITORIAL EDITORIAL INTERN INTERN @C:/ /: </A@/E7 @C:/ /: </A@/ A /E7 0@7/< 6/@93@ 0@7/< 6/ /@93@ CONTRIBUTORS CO N T R I B U TO R S @=0 0@3HA<G @=0 0@3HA<G ;/C@33< 2/D72A=< ;/C@33< 2/D72A=< >/C: ; 2/D7A ;716/3: A 5/<B >/C: ; 2/D7A ;716/3: A 5/<B /<2@3E 57:03@B 83<< 7@3:/<2 /<2@3E 57:03@B 83<< 7@3:/<2 AB3>63< 93AA:3@ A1=BB AB3>63< 93AA:3@ A1=BB ;/11:3::/<2 <CBH:3 ;/11:3::/<2 <CBH:3 AB3D3 >/:=>=:7 >3B3 A63/ AB3D3 >/:=>=:7 >3B3 A63/ 1/@:73 AB/BA9G 1/@:73 AB/BA9G >/C: E/5<3@ ;=::G H/>> >/C: E/5<3@ ;=::G H/>>
/@B / /@ B >@=2C1 1B7=< >@=2C1B7=< DESIGN D ESIGN DIRECTOR D I R E C TO R 9/@/ 0@=E< 9 /@/ 0@= 0 E< PRODUCTION PRODUCTION DIRECTOR D I R E C TO R 6/@@G /::7A=< : 6/@@G /::7A=< GRAPHIC DESIGNER DESIGNER GRAPHIC B /07 H/@@7< <<//: B/07 H/@@7<<//: E D I TO R I A L P RO D U C T I O N EDITORIAL PRODUCTION A3/< 53=@53 3 A3/< 53=@53 A DD ESIGNERS AD DESIGNERS 83<<G =/B3G G 83<<G =/B3G 27/<</ D/<3G193 27/<</ D/ /<3G193
27A>:/G /2D3@B7A7<5 27A>:/ /G /2D3@B77A7<5 A ACCOUNT CCOUNT EXECUTIVES EXECUTIVES /:713 1=:0G / :713 1=:0G (alice@santacruz.com) (alic e@santtaacruz.com) 8=13:G< ;/1<37: 8=13: :G< G ;/ /1<37: (jocelyn@santacruz.com) (jo celyn@santtac a ruz.com) 77:/</ @/C16 >/193@ :/</ @/C16 >/193@ (ilana@santacruz.com) (ilana@sant tac a ruz.com) 16C19 @G23@ 16 C19 @G23@ (chuck@santacruz.com) (chuck@sant tac a ruz.com) CIRCULATION CIRCULATION MANAGER M A N AG E R <37: A;GB6 <37: A; A GB6
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Send let letters teerrs ttoo Santa Santa Cruz Weekly, Weekly e y, let letters@santacruz.com teerrs@san s nttaacruz.com or ttoo A Attn: ttn: LLetters, ettteeerrs, 115 Co ett et C Cooper ooper e St., Sant San Santaa Cruz, uz 95060. 060. Inclu Include udee cit city ittyy and phone clarity inaccuracies known us. phone number number or email address. address. Submissions Subm missions mayy be be edited editteed for for or length, length cl le leng laritt y or or factual factual ac a inac a curacies racies know nown ttoo us s.
4C< E7B6 >=E3@ 4C< E7B6 >=E3@ B ==:A B==:A RATHER R ATHER T THAN HAN commiserate commiserate aabout bout the the difficulty opening d iff iculty of of o pening cclamshell lamshell packaging packaging or or ttrying rying to to engage engage llegislators egislators tto o ssolve olve another another off llife’s problems Shock,� Cover o ife’s llittle ittle p roblems ((“Shell “Shell S hock,� C over Story, Dec. not S tor y, D ec. 116), 6), why why n ot use use tthe he occasion o ccasion way? tto o adapt adapt and and enjoy enjoy llife ife in in a ccreative reative w ay? If If packages tthese hese difficult-to-open diff icult-to - open p ackages aare re a cchallenge hallenge tto o common common household household tools to ols and and not ccommon ommon dexterity, dexterity, why why n ot purchase purchase a heavy duty orr m maybe ggood ood sset et of of h eavy d uty scissors, scissors, o aybe rotary a ro tary Dremel Dremel tool tool equipped equipp ed with with a saw saw blade? one’s manual byy b lade? Then Then hone hone o ne’s m anual abilities abilities b performing without p erforming tthe he opening opening operation op eration w ithout damage oneself orr tthe The d amage tto oo neself o he iitems tems iinside. nside. T he more m ore of of a ttest est this this may may be, be, tthe he more more iitt becomes b ecomes a rewarding rewarding learning learning experience. experience.
NUTZLE
Personally, I ffind Personally, ind u using sing a p propane ro opane ttorch orch with pinpoint burn w ith p inp oint aaccuracy ccuracy tto ob urn tthrough hrough packaging Bee tthe he p ackaging eextremely xtremely ggratifying. ratifying. B do outdoors—the may ssure ure tto od o tthis his o utdo ors—the ffumes umes m ay bee n noxious—and bee ffire which b oxious—and b ire ssafe, afee, w hich aadds dds degree off d difficulty more aanother nother d egree o iff iculty aand nd ssome ome m ore cchallenging hallenging enjoyment. enjoyment. T.. A T Alan lan K Kraus, raus, Cazadero Cazadero
=FG1=<B7< =FG1=<B7< / :B3@</B7D3A /:B3@</B7D3A / :@3/2G 3F7AB /:@3/2G 3F7AB REGARDING the REGARDING the news news article article “Opium “Opium War� byy Curtis Dec. W ar� b Cur tis Cartier Cartier (Currents, (Currents, D ec. 116), 6), myy tthanks bringing m hanks tto o Curtis Curtis for for b ringing tthis his problem member off tthe Santa p roblem tto o llight. ight. As As a m emb er o he S anta
Cruz C Cruz County ounty A Alcohol lcohol aand nd D Drug rug A Abuse buse Commission, many C ommission, I’ve I’ve become b ecome aware aware of of m any drug-related d rug-related iissues. ssues. OxyContin, OxyContin, aalong long with other prescribed drugs, not only w ith o ther p rescribed d rugs, aare re n ot o nly potentially but often p otentially aaddictive ddictive b ut o f ten aabused bused ((as as described d escrib ed iin n Curtis’ Curtis’ aarticle). r ticle). There Theree are are pharmaceutical pharmaceutical companies companies working with w orking w ith lless ess aabusive busive ttechnologies, echnologies, oxycodone release ee.g., .g., o xyc y odone iin n a ssustained ustained re lease ggelelRemoxy, Pain Therapeutics ccap—like ap —like R emoxy, a P ain T herap eutics byy Durect Corp. aalternative lternative iin n a ggel-cap el- cap b Durect C orp. I hope use off h ope tthe he FDA FDA will will soon soon approve approve tthe he u se o off o oxycodone lless ess abusive abusive versions versions o xyco done and and other other dangerous drugs. don’t know why FDA d angero ous d rugs. I d on’t k now w hy tthe he F DA hasn’t myy tthanks h asn’t aapproved pproved Remoxy. Remoxy. Again, Ag a i n , m hanks Cruz Weekly forr tthis tto o Curtis Curtis and and to to SSanta anta C ruz W eekly fo his aarticle. rticle. Al R Al Richards, ichardds, Saanta C ruz Santa Cruz
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THE BULLHORN EEE A/<B/1@CH40 1=; E EE A/<B/1@CH40 1=; A A/<B/1@CHE339:G /<B B/1@CHE339: :G
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THANKS fo THANKS forr m making aking us us aaware ware o off the the d iscount prescription prescription ccard ard aavailable vailable tto o tthose hose discount o rced to to give give u p our our h ealth iinsurance nsurance off u uss fo forced up health ((Breakdown, Breakdown, D ec. 116). 6). I fo ne, I aam m Dec. forr o one, ssickened ickened b hat h as b ecome o o - called byy w what has become off sso-called h ealth ccare are re form, aand nd aagree gree w ith Howard Howard health reform, with D ean tthat hat the the p lan in in iits ts ccurrent urrent state state h as Dean plan has b een ““gutted,� gutted,� and and tthat hat it it iiss time time to to throw throw been tthe he entire entire tthing hing o ut and and sstart tart o ver. E ven out over. Even tthough hough tthe he public public cconsistently onsistently polls polls tthat hat it it w ants tthe he p ublic option, option, our our eelected lected o f f icials wants public officials re fuse tto o llisten isten tto o tthe he will will of of tthe he people p eople refuse aand nd ccave ave iin n to to the the iinsurance nsurance and and d rug drug ccompanies ompanies tthat hat pump pump ttheir heir endless endless ccoffers offfers iinto nto ccampaign ampaign ttreasuries. reasuries. Let Let yo ur eelected lected your re presentatives, iincluding ncluding our our p resident, representatives, president, k now yo u ssupport upp or t h ealth ccare are programs programs for for know you health eeveryone. ver yone.
I ACCEPT ACCEPT the the b back-handed ack-handed compliment compliment of of T im B ustos ((“Predetermined “Predetermined C onclusions,� Tim Bustos Conclusions,� P osts, Dec. Dec. 16), 16), who who is is o n sstaff taff at at Ecology Ecology Posts, on A ction, in in re gard to to my my o p - ed piece piece (“The (“ The Action, regard op-ed T rouble W ith a Bike Bike B oulevard r ,� B ullhorn, Trouble With Boulevard,� Bullhorn, D ec. 9 ). I have have v done done my my re s e a rc h b ading Dec. 9). research byy re reading tthe he eentire ntire JJune une 117, 7, 2 0 08, Bicycle Bicyccle S olutions 2008, Solutions C oncept P lan, aattending ttending public public meetings meetings Concept Plan, aand nd u sing m wn o bservations. I aam m using myy o own observations. b aff led led tthat hat h as d isapp ointed tthat hat I baff hee w was disappointed d ared tto oh ave m wn cconclusions. onclusions. M dared have myy o own Myy p araphrasing o he re por t sseems eems tto ob paraphrasing off tthe report bee aanother nother offense. offfense. As sspace pace iiss p recious h ere, I w ill, As precious here, will, aadmittedly, dmittedly, quote quote from fro r m the the re p ort in in an an report ““out out o context� manner manner to to clarify. clarify. “[The] “[The] off context� D esign ((my my eemphasis) mphasis) o iveerter-based Design off a d diverter-based p lan . . . iiss b eyond tthe he sscope cop e o he K ing plan beyond off tthe King S treet b ikeway sstudy tudy . . . [[and] and] w ould Street bikeway would rrequire re quire a ccomprehensive omprehensive aanalysis. nalysis. . . . F or tthis his re ason, tthis his re p or t d o es n ot For reason, report does not rrecommend re commend aany ny llocations o cations fo iver ters.� forr d diverters.� ((Page Page 14, 14, Paragraph Paragraph 1). 1). “For “For three three reasons, reasons, a successful successful outcome outcome is is not not assured assured for for a d iverter sscheme.� cheme.� ((Page Page 114, 4, P aragraph 2 ). diverter Paragraph 2). ““.. . . Mission/Bay Mission /Bay and and Mission/Laurel Mission /Laurel signals signals . . . aalready lready eexperiences xp eriences iintersection ntersection Level Level of of S ervice ((vehicle vehicle tthroughput) hroughput) cconstraints.� onstraints.� Service ((Page Page 114, 4, P aragraph 2 ). ““Second, Second, tthe he ccity’s ity’s Paragraph 2). W est S ide iiss o ne o he o nly aareas r as aavailable re vailable West Side one off tthe only fforr d fo evelopment, w hose aadditional dditional ttraffic raf f ic development, whose . . . [[would would b e] ffurther ur ther iimpacting mpacting ssignal ignal be] o p erations.� ((Page Page 114, 4, P aragraph 2 ). ““This This operations.� Paragraph 2). ssituation ituation d ifffers ffrom rrom tw o ffrequently-cited rrequently- cited differs two ‘‘bicycle bicycle b oulevard ccities’—Palo ities’—Palo Alto Alto and and boulevard B erkeley, b oth o hich h ave eextensive xtensive Berkeley, both off w which have sstreet treet ggrids rids iin n tthe he vvicinity icinity o heir b ike off ttheir bike b oulevard sstreets� treets� ((Page Page 114, 4, P aragraph 33). ). boulevard Paragraph Oh, dear—who dear—who to to b elieve, w hat tto o Oh, believe, what d o? U se yo ur b rain. Y ou d on’t h ave tto ob do? Use your brain. You don’t have bee a rrocket ro cket sscientist cientist o ven h ave a d egree. G et orr eeven have degree. Get a ccopy opy o he B icycle S olutions Concept Concept off tthe Bicycle Solutions P lan ffrom rrom tthe he S anta Cruz Cruz d epar tments o Plan Santa departments off T ransp ortation or or P ublic Works, Works, as as a start. start. Transportation Public R ead aall ll o it. D o yo ur o wn re search. Try Tr y Read off it. Do your own research. tto o aavoid void self-interests self-interests or or politically politically correct correct b ehav or Draw Draw yo ur o wn cconclusions. onc us ons O r behavior. your own Or, yyou yo u ccan an b azy aand nd ccomplacent omp acent aand nd let et sselfe bee lazy aappointed pp o nted p und ts d o yo ur tthinking h nk ng for or yo u pundits do your you.
Judy J udy SSlattum, lattum, Capitola Capitola
@7>>7<5 =44 972A @ 7>>7<5 =44 972A IIN N TH THE HE MIDST MIDST o off cclimate limate ccrisis, risis, eeconomic conomic m eltdown, h ealth care care rreform eform aand nd various various meltdown, health w ars, a very very important important iissue ssue iiss b ubbling wars, bubbling ffuriously uriously aatt o ur sstate tate u niversities. Fees Fees for for tthe he our universities. U C ssystem ystem are are being being increased increased 32 32 p ercent, UC percent, aand nd for for the the S tate system system b 1,000 p er year, year, State byy $ $1,000 per aand nd student student enrollment enrollment will will d rop b 0,000. drop byy 4 40,000. S tudents aare re protesting, protesting, ttaking aking o ver b uildings Students over buildings aand nd being being aarrested rrested to to eexpress xpress ttheir heir outrage. outrage. These systems systems were were established established to to These m ake h igher eeducation ducation aaffordable ffordable for for all all make higher C alifornians. Iff tthe he U.S. U.S. expects expects tto o ccompete ompete iin n Californians. a gglobal lobal marketplace, marketplace, we we n eed educated educated and and need ttrained rained p eople. people. The powers powers that that be be may may believe believe they they can can The sstaff taff ccompanies ompanies w ith employees employees ffrom rom aabroad broad with aand/or nd/or o utsource the the jjobs. obs. W here are are tthe he outsource Where p atriots n ow? American American kids kids need need work work aand nd patriots now? eeducation ducation is is key. key. An oil oil severance severance tax, tax, which which every every other other oil oil An p roducing sstate tate has, has, could could ffund und o ur h igher producing our higher eeducation ducation ssystem ystem aamong mong o ther tthings. hings I u rge other urge o ur legislators eg s ators and and tthe he governor governor tto od o ttheir he r our do obs aand nd q u t colluding co ud ng with w th a rrip-off po o ur jobs quit of o our sstate tate and and o ur kids. k ds our Moss Henr Henry, ry San oosa Santaa R Rosa
Mike M ke SSpeviak, pev ak Saan a C ruz Santa Cruz
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ECENTLY there ECENTLY there h has as b been een a llarge arge m movement ovement ttoward oward iinstalling nstalling ssynthetic ynthetic tturf. urf. This Th his n ew ggeneration eneration o Astro Turf, Turf, o ften ccalled alled new off Astro often eeco co tturf, urf, iiss b eing ttouted outed aass tthe he n ewest iin n ggreen reen llandscaping. andscaping. To To being newest be sure, sure, there there is is an an impressive impressive list list of of ecological ecological concerns concerns that that this this turf turf be addresses, including including the the elimination elimination of of the the need need to to mow, mow, water, water, install install addresses, irrigation, control control weeds, weeds, fertilize fertilize or or haul haul away away ggrass rass cclippings. lippings. Itt w on’t irrigation, won’t get muddy muddy and and it’s it’s wheelchair wheelchair accessible. accessible. So So what’s what’s not not tto o like? like? get Remember the the part part in in the the movie movie The The Stepford Stepford Wives Wives w here o ne o Remember where one off the Stepford Stepford wives wives gets gets stabbed stabbed and and it it messes messes with with her her wiring wiring aand nd the she sstarts tarts rrepeating, epeating, ““II thought thought we we w ere ffriends, riends, I thought thought we we were were she were friends�? T hat’s w hat I iimagine magine ssynthetic ynthetic tturf urf iiss ssaying aying w hen I sstab tab iitt friends�? That’s what when with m ccusations o eing a p seudo ggreen reen p roduct. Like Like my my ffriend riend with myy aaccusations off b being pseudo product. Owen Dell Dell would would say, say, it’s it’s kind kind of of llike ike organic organic heroin: heroin: organic organic o not, iitt Owen orr not, is still still fundamentally fundamentally a bad bad idea. idea. is I’ll start start with with the the deceptively deceptively simple simple argument argument that that my my primary primary I’ll distrust o ynthetic tturf urf iiss b ased o n tthe he ffact act tthat hat iitt iiss n ot aalive. live. Itt does does distrust off ssynthetic based on not not b reathe aand nd ttherefore herefore iitt o ffers n oo xygen aass a b yproduct. On On a not breathe offers no oxygen byproduct. hot day, day, plastic plastic turf turf smells smells like, like, well, well, plastic, plastic, not not an an enjoyable enjoyable smell. smell. hot ertainly iiss n ot aaromatherapy. romatherapy. Again, Again, because because the the stuff stuff is is not not lliving iving Itt ccertainly not and b reathing, tthe he ccooling ooling eeffect ffect iiss aabsent bsent aand nd tthus hus tthe he p henomenon and breathing, phenomenon known aass tthe he h eat iisland sland eeffect ffect iiss iincreased. ncreased. The The “heat “heat iisland� sland� rrefers efers known heat to urban urban air air and and surface surface temperatures temperatures that that are are higher higher than than those those of of to nearby rural rural areas. areas. nearby Synthetic turf turf often often includes includes crumbled crumbled automobile automobile tires tires to to mimic mimic Synthetic the llook ook aand nd ffeel eel o oil. C ool—a n ew w ay tto o rrecycle ecycle ttires? ires? Th he the off ssoil. Cool—a new way The problem is is that that this this soil soil is is dead dead and, and, in in addition, addition, d uring rain rain it it lleaches eaches problem during chemicals ssuch uch aass ccadmium. admium. This Th his leachate leachate is is cconsidered onsidered ttoxic oxic rrunoff. unoff. chemicals Where d oes iitt ggo? o? S traight iinto nto o ur rrivers ivers aand nd o ceans. Our Our kids kids are are Where does Straight our oceans. now eexpected xpected tto op lay o n a llow-level ow-level ttoxic oxic ssurface. urface. During During strenuous strenuous now play on activities, tthey hey b reathe iin n tthese hese ttoxic oxic o ff-gasses. Because Because plastic plastic is is activities, breathe off-gasses. not an an inert inert substance, substance, it it both both leaches leaches and and off-gasses off-gasses pieces pieces of of itself. itself. not Plastics are are known known to to contain contain xenoestrogens xenoestrogens (“zeno (“zeno estrogens�) estrogens�) tthat hat Plastics are endocrine endocrine disruptors. disruptors. Exposure Exposure to to xxenoestrogens, enoestrogens, found found in in both both are pesticides and and plastics, plastics, has has been been linked linked to to breast breast and and ovarian ovarian ccancers ancers pesticides in women women and and to to decreased decreased testosterone testosterone levels levels and and p rostate ccancer ancer in in in prostate men. Exposure Exposure to to even even small small amounts amounts of of environmental environmental eendocrine ndocrine men. disruptors concern concern scientists scientists b ecause hormones hormones such such as as estrogen estrogen disruptors because act in in the the body body at at very very llow ow levels levels measured measured in in parts parts per per billion. billion. This Th his act endocrine disruptor, disruptor, xenoestrogen, xenoestrogen, can can wreak wreak havoc havoc with w th the the puberty puberty endocrine cycle in in the the human human body. body. With With synthetic synthet c turf, tur there there iss direct d rect and and close c ose cycle contact w ith tthe he llungs ungs aand nd sskin kin o he ggrowing row ng b od es o h dren T hs contact with off tthe bodies of cchildren. This would not not seem seem to to me me to to be be a great great combination. comb nat on When When will w w now would wee k know if there there is is a detrimental detrimental effect effect on on human human health hea th from rom synthetic synthet c turf tur ? if Unfortunately, the the jury jury is is out out and and won’t won t report report back back for or years years to to come. come Unfortunately, Just call call our our kids kids guinea guinea kids. kids. Just Our children children trust trust that that we we are are providing prov d ng them them with w th a safe sa e place p ace to to Our play. Our Our challenge challenge is is to to live live up up to to that that trust trust amid am d all a of o the the m arket ng play. marketing hoopla aabout bout ssynthetic ynthetic tturf. urf. Itt is is easy easy to to be be fooled oo ed by by tthe he aalluring ur ng hoopla language of of this this supposed supposed “green� “green� product. product language San a Cruz Cruz native na ve Ken Ken Foster Fos er iss a certified cer ed permaculture permacu ure designer des gner and and owner owner Santa o Terra Terra Nova Nova Ecological Eco og ca Landscaping Landscap ng (www.terranovalandscaping.com). (www erranova andscap ng com) of
)G GOT OT A POINT P O I N T TO TO MAKE? M A K E ? SEND S E N D YOUR YO U R BULLHORN B U L L H O R N IDEAS I D E A S TO TO ( THUKILL@SANTACRUZWEEKLY.COM T H U K I L L @ SA N TA C RU Z W E E K LY CO M
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december 23-30, 2009
SANTACRUZ.COM
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RETA R ETA ggives ives JJosh osh a d disapproving isapproving gglance lance aand nd ssticks ticks h er n ose iin n tthe he aair. ir. JJosh osh iignores gnores h er her nose her aand nd sstomps tomps d own tthe he sstreet. treet. ““They’ve They’ve b een down been together a long long time, time,� says says Randy Randy Clayton. Clayton. The The couple couple together can’t get get very very far far from from one one another, another, of of course, course, as as they they can’t are hitched hitched together together to to a large large white white carriage carriage rolling rolling are down the the cracked cracked pavement pavement on on Cedar Cedar Street Street in in down downtown Santa Santa Cruz. Cruz. Greta Greta is is a black black English English shire shire downtown draft horse, horse, Josh Josh a 20-year-old 20-year-old chestnut chestnut Belgian. Belgian. Both Both draft weigh gh more more than tha h n 2,000 2,000 pounds. pounds d . In In the the carriage carriage is i a weigh family of of six, six, the the kids kids yelling, yelling, “Hi “Hi everybody!� everybody!� family “Friday nights nights we we get get more more couples, couples,� says says Clayton, Clayton, “Friday driver and and owner owner of of Santa Santa Cruz Cruz Carriage Carriage Company. Company. driver “There’s not not a lot lot to to do do at at night. night. That’s Th hat’s why why the the “There’s Downtown Association Association wants wants us us down down here. here.� It’s Itt’s Downtown about 5pm 5pm and and the the shops shops are are all all lit lit up up and and the the about sidewalks are are crowded. crowded. People People turn turn to to stare stare as as the the sidewalks huge draft draft horses horses clip-clop clip-clop down down the the street. street. huge
Clayton, a whiskery whiskery man man in in a top top hat, hat, imbues imbues the the Clayton, sscene cene w ith a ccharming harming w intriness, eeven ven tthough hough iit’s t’s a with wintriness, b almy 6 0d egrees. A ccar ar p asses h im o n tthe he lleft eft b lasting balmy 60 degrees. passes him on blasting ““Back Back Th hat A ss U p� aass tthe he p assengers ggawk awk o ut tthe he That Ass Up� passengers out w indows. windows. “Itt’s not not like like Central Central Park Park or or Disneyland, Disneyland,� says says “It’s C layton, w ho llearned earned h ow tto ow ork h orses iin na Clayton, who how work horses ccommune ommune iin nO regon iin n tthe he llate ate 11970s. 970s. ““We’re We’re n ice aand nd Oregon nice m ellow, w e’re n ot iin nah urry. W on’t ggive ive tthem hem a b ig mellow, we’re not hurry. Wee d don’t big yyank. ank.� Unlike the the stringy stringy creatures creatures outside outside Central Central Park, Park, Unlike Jo osh aand nd G reta o nly p ull a d owntown ccarriage arriage Josh Greta only pull downtown a ccouple ouple o eekends a yyear. ear. Th hey’re aalso lso rreal eal off w weekends They’re w orkhorses w ho d o llogging ogging aand nd p lowing, aand nd sserve erve workhorses who do plowing, aass lliving iving eexhibits xhibits aatt W ilder R anch. ““These These h orses aare re a Wilder Ranch. horses p art o he ccommunity, ommunity,� ssays ays C layton. ““People People h ave aan n part off tthe Clayton. have o pportunity tto o ssee ee tthese hese h orses’ lliving iving ssituation. ituation.� opportunity horses’ That’s not not to to say say that that Clayton Clayton hasn’t hasn’t had had some some That’s
heckling. “We “We get get animal animal rights rights people people shouting, shouting, ‘Free ‘Free heckling. the horse!’� horse!’� he he says. says. As As if if on on cue, cue, someone someone shouts, shouts, the “Humbug!� “Humbug!� At the the crosswalk crosswalk on on the the corner corner of of Pacific Pacif ic and and At Cathcart, Clayton Clayton tightens tightens his his hands hands on on the the reins reins Cathcart, as an an oblivious oblivious pedestrian pedestrian speed-walks speed-walks in in front front of of as the enormous enormous animals’ animals’ hooves. hooves. “You “You really really gotta gotta the pay attention, attention,� he he says. says. And And he he knows knows all all the the horses’ horses’ pay triggers—Greta doesn’t doesn’t like like Harley-Davidsons. Harley-Davidsons. triggers—Greta Another horse, horse, Ricky, Ricky, is is spooked spooked by by air air brakes. brakes. Another As Clayton Clayton guides guides the the horses horses up up to to the the Hat Hat As Company, where where a little little line line of of moms, moms, dads dads and and kids kids Company, are waiting waiting their their turn, turn, his his wife, wife, Chris, Chris, is is ready ready with with a are bucket of of water. water. The The horses horses dip dip their their noses noses and and spill spill bucket water on on the the street street as as they they drink, drink, and and then then it’s it’s one one water more time time around around the the block. block. more —Jessica — Jessica LLussenhop ussenhop
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december 23-30, 2009
SANTACRUZ.COM
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BRAHIM Ny BRAHIM Nyampong ampong iiss a 3322ye ar- old eentrepreneur ntrepreneur w ho year-old who llives ives iin n Ac cra, tthe he ccapital apital ccity ity o Accra, off G hana o nA frica’s w est ccoast, oast, Ghana on Africa’s west w here tthe he aaverage ve v rage aannual nnual p er ccapita apita where per iincome ncome iiss $ 6 0 0. A b out tw o ye ars aago, go, $600. About two years n ationally re nowned b icycle d esigner nationally renowned bicycle designer aand nd S anta C ruz C ounty n ative C raig Santa Cruz County native Craig C alfee ta ught h im h ow tto ob uild Calfee taught him how build b icycle fframes rames ffrom rrom llocally o cally ggrown rrown bicycle b amb oo. T oday, Ny ampong eearns arns bamboo. Today, Nyampong aabout b out $ 150 fo very fframe rame h uilds, $150 forr eevery hee b builds, sshipping hipping tthe he ccompleted ompleted fframes—some rames—some am ilky ccaramel aramel ccolor, olor, o thers a d eep milky others deep m o cha—to C alfee’s La L S elva B each mocha—to Calfee’s Selva Beach m anufacturing sshop, hop, w here tthe he w ir y manufacturing where wiry b ike d esigner aand nd h is tteam eam sslap lap w heels bike designer his wheels aand nd h ardware o n tthem, hem, b urn tthe he n ame hardware on burn name ““Bamboosero� Bamboosero� iinto nto tthe he w ood, tthen hen wood,
sell tthem sell hem tto od distributors, istributors, w where here they they eeventually ventually fetch fetch about ab out $ 950 aapiece. piece. T he $950 The o p eration makes makes Ny ampong and and h is operation Nyampong his tw o eemployees mployees w ealthy b Ghanaian two wealthy byy Ghanaian sstandards. tandards. It It also also supports supp orts Calfee’s Calfee’s basic basic m antra that that w hen it it ccomes omes tto oh elping mantra when helping p eople iin n developing developing ccountries, ountries, “Trade “Trade people iiss b etter tthan han aid.� aid.� better “I’d been b een going going to to Africa Africa for for years years “I’d ssince ince tthe he eearly arly ’’80s, 80s, aand nd w hat people p eople what re ally want want aand nd need need over over there there iiss jjobs, obs, really iit’s t’s n ot h andouts,� ssays ays Calfee Calfee as as he he not handouts,� aadjusts djusts tthe he ffront ro r nt fork fork on on w hat will will b what bee a special sp ecial “art “art bike� bike� made made from frrom bamboo bamb o o aand nd ssteer teer horns. horns. ““So So b asically I went went basically aand nd ttrained rained Ibrahim Ibrahim to to m ake the the bikes. bikes. make No wh e’s got got a llittle ittle shop shop aand nd a couple couple Now he’s eemployees mployees and and an an apprentice, apprentice, and and he he d oes really really w ell. The The iidea dea tthen hen would would does well.
b hat h an ttrain rain o ther p eople tto od o bee tthat hee ccan other people do tthis, his, aand nd h op efully iitt w ill ccatch atch o n.� hopefully will on.� Most Most people p eople know know Calfee Calfee Design Design bicycles not forr ttheir bamboo b icycles n ot fo heir b amboo lline ine but forr ttheir ultra-high-end b ut fo heir u ltra-high- end ccarbon arb on bikes, which forr m more ffiber ib er b ikes, w hich ccan an ggo o fo ore $8,000 byy tthan han $ 8,000 aand nd aare re rridden idden b folks Tour dee F France fo lks llike ike tthree-time hree-time T our d rance winner Greg LeMond. Bamboo w inner G reg Le Mond. B amb oo iiss plant on tthe he ffastest-growing astest-gro r wing p lant o n eearth, ar th, Calfee aand, nd, C alfee ssays, ays, iiss llike ike tthe he ccarbon arb on off tthe natural world—strong, ffiber ib er o he n atural w orld—strong, durable. Unlike llight ight aand nd d urable. U nlike ssynthetic ynthetic however, aand nd eexpensive xp ensive ccarbon arbon ffiber, ib er, h owever, bamboo b amboo iiss ccheap, heap, eeasy asy tto o ggrow row aand nd needs no welding orr eexpensive n eeds n ow elding ttorches orches o xp ensive machines bike m achines tto o tturn urn iinto nto a b ike fframe. rame. For For Nyampong, Nyampong, Bamboosero Bamboosero represents opportunity few re presents aan no pp ortunity tthat hat fe w Africans one hee tthinks will A fricans gget et aand nd o ne h hinks w ill only better on. o nly gget et b etter aass ttime ime ggoes o es o n. “Everybody “Ever yb ody likes likes the the bikes bikes in in Accra,� Accra,� writes Nyampong w rites Ny ampong iin n aan n eemail mail tto o Cruz Weekly. SSanta anta C ruz W eekly. ““They They aall ll tthink hink tthat hat Bamboosero bee b big B amb o osero iiss ggoing oing tto ob ig iin n tthe he near Accra bee n ear ffuture uture aand nd Ac ccra iiss ggoing oing tto ob biggest distributor forr b bamboo tthe he b iggest d istributor fo amb o o bikes whole world.� b ikes iin n tthe he w hole w orld.�
Dog C Dog Chewed hewed aand nd B ambooed Bambooed Calfee’s C alfee’s Bamboosero Bambo osero project project in in G hana iiss o nly 2 years years old, old, but but the the idea idea Ghana only build bicycle tto ob uild a b icycle from frrom bamboo bamboo came came help aabout bout nearly nearly 15 15 years years ago ago with with the the h elp off a sscrap piece off w wood o crap p iece o o o d aand nd a ccertain er tain Labrador mix named Luna. La brador m ix n amed Lu na. dog play ““My My d og Luna Luna loved loved to to p lay this this with where would ggame ame w ith a sstick tick w here sshe he w ould on you would ttug ug o n tthe he sstick tick aand nd yo uw ould back you her ttug ug b ack aand nd yo u ccould ould sswing wing h er off with aaround round o ff tthe he gground round w ith tthis his sstick tick her Calfee. iin nh er tteeth,� eeth,� ssays ays C alfee. ““Well, Well, sshe he had found piece off b bamboo h ad fo und tthis his p iece o amb o o aand nd wanted play with me, w anted tto op lay tthe he ggame ame w ith m e, aand nd kept break.’ Ik ept tthinking, hinking, ‘‘This This iiss ggonna onna b reak.’ But never broke, with 60B ut iitt n ever b roke, eeven ven w ith tthis his 6 0pound dog being p ound d og b eing f llung ung aaround, round, aand nd I you make tthought, hought, ‘‘Man, Man, yo u ccould ould m ake a ggood ood bike out off tthis b ike o ut o his sstuff.’� tuff.’� The T he bikes bikes themselves themselves range range ffrom rrom rough-cut African tthe he sslightly lightly ro ugh- cut A frican lline, ine, which made with w hich aare re m ade w ith iinexpensive nexpensive Chinese hardware prized forr ttheir C hinese h ardware aand nd p rized fo heir higher models, aaffordability, fffordability, tto o tthe he h igher eend nd m odels,
which use use smoked smoked bamboo bamboo from frrom which Taiwan and and receive receive some some of of the the same same Taiwan hard r ware and and exacting exacting specifications specif ications hardware as Calfee’s Calfee’s professional professional carbon carb on fiber f ib er as variety. All All come come in in mountain, mountain, road, r ad, ro variety. cargo and and tandem tandem designs, designs, and and Calfee Calfee cargo eveen has has a special sp ecial “school “scho ol bus bus bike� bike� even that a sturdy sturdy driver driver can can use use to to schlep schlep that up to to six six kids kids to to school scho ol with—one with— one up solution to to what what Calfee Calfee says says is is a huge huge solution pro oblem of of poor p oor school school attendance attendance in in problem Africa. Africa.
‘ What ‘What W people want rreally e yw eall ant and d over there n need o ver ther re jobs,, it’ it’ss no nott iss jobs h handouts’ One O ne particular particular bicycle bicycle Calfee Calfee hopes will on big way h op es w ill ccatch atch o n iin nab ig w ay iiss bike. Stretched tthe he ccargo argo b ike. S tretched llong ong aand nd with rear w ith aan n eextended xtended re ar iintegrated ntegrated bamboo reinforced rear rrack ack aand nd a b ambo o re inforced re ear wheel, off h hauling up w heel, iit’s t’s ccapable apable o auling u p tto o 420 pounds on back 4 20 p ounds o n iits ts b ack eend, nd, a ffact act partially demonstrated byy C Calfee’s p ar tially d emonstrated b alfee’s using pounds’ worth off w whiteu sing 1165 65 p ounds’ w or th o hite knuckled reporter on k nuckled re p orter cclinging linging o n tthe he rear. The Bamboosero mountain bike re ar. T he B amb oosero m ountain b ike was proved w as aalso lso ggiven iven a ttest est rrun un aand nd p ro oved maneuverable llight, ight, m aneuverable aand nd eexceptionally xceptionally ssmooth. mo oth. off December, has 28 A o As Decemb er, Calfee Calfee h as sold sold 2 8 Bamboosero bikes back B amb oosero b ikes aand nd ssent ent ssix ix b ack tto o Ghana, where byy llocals G hana, w here tthey’re hey’re rridden idden b ocals Calfee, bicycle aand nd ttourists. ourists. C alfee, iin n ttrue rue b i c yc l e form, best way ssalesman alesman fo rm, ssays ays tthat hat tthe he b est w ay more people building tto o gget et m ore p eople b uilding aand nd rriding iding bamboo bikes Africa buy b amb o o b ikes iin nA frica iiss tto ob uy a Bamboosero bike America. B amb oosero b ike iin nA merica. wee w want ““Whatever Whatever happens, happ ens, w ant them them build bikes here tto ob uild b ikes aand nd ssend end tthem hem h ere while wee b build up w hile w uild u p tthe he ccredibility redibility forr tthe Calfee. fo he cconcept,� oncept,� ssays ays C alfee. ““It’s It’s aall ll real business aabout bout ggiving iving tthem hem a re al b usiness opportunity—something o pp ortunity—something tthey hey ccan an gget et behind take pride b ehind aand nd ta ke p ride iin.� n.� For F oorr mor more re pictur pictures res e of the Bamb Bamboosero ooserro bi bike ike visi it www.santacruz.com/news. www.santtaacruz.com/news. visit
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december 23-30, 2009
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december 23-30, 2009
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december 23-30, 2009
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A/<B/1@CH 1=; december 23-30, 2009 1=D3@ AB=@G
Succeeding at Santa Can a skinny, middle-aged Jewish man achieve fulfillment as a Rent-A-Claus?
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BUXOM aspiring female Santa Claus in a quilted down jacket swaggers out of room C1 in the Civic Center where I’m next in line for my “Rent-A-Santa� interview.
“Ho ho ho,� she says over her shoulder, giving me an unnerving sidelong glance, a sort of knowing sneer tinged with Christmas spirit. She’s warring with me for the job of Santa Claus. “Ho ho ho yourself,� I answer, wondering what I, at age 6, would have made of a big-breasted female Santa. “Are you Santa Claus?� I might have asked. “I’m Ms. Santa Claus. Mr. Santa Claus is home making dinner.� My own children will be away this Christmas visiting relatives. I want to be Santa because I know how much I’ll be missing them. I want to be Santa so I can give love and gifts to other children. If I can’t personally give these things to my own children, I can at least try to give them to other people’s children. The truth is, I’m the loneliest man in town and I want to be Santa Claus so I can distract myself, so I won’t feel so much pain. I haven’t practiced my “ho-ho-hos,� but plan to wing it. “Ho ho ho� from the diaphragm, “Ho ho ho� from the heart. I wanna be Santa.
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december 23-30, 2009
SANTACRUZ.COM
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A/<B/1@CH 1=; december 23-30, 2009 1=D3@ AB=@G
1 =D 3 @ A B = @ G j A C 1 1 3 3 2 7 < 5 /B A / < B/ My qualifications? I’m Jewish. I’m a teacher, Fulbright scholar, Guggenheim fellow and the author of 14 books. I have a beard. But mostly, for 53 years I have wanted to participate not as an envious Christmas outsider but as a wholehearted insider. What better way than to become the plump, whitebearded, old man himself ? My shortcomings? I’m tall and skinny. I am a neurotic ectomorph. I have a lean, hungry look about me, sad hazel eyes and a slightly hooked nose. But I do have a white beard of my own—though tinged with wiry black hairs. I like children. That is, most children. Not all. The little boy down the street who applied red enamel paint to my friend’s Boston terrier puppy will be lucky to get a lump of coal this Christmas.
They’re wondering if I’m a child molester or a drug addict. They obviously don’t want a Santa Claus who’s going to arrive at some party too ripped to climb out of the sleigh. Reindeer Games The door to room C-1 at the Civic Center opens and the Santa Claus personnel officer invites me inside. We shake hands. She introduces me to her assistant. The two interviewers sit at one end of a mahogany conference table and I sit at the other. “What wonderful weather we’re having,� volunteers the female interviewer. “Not at all like Christmas. This is going to be my first Christmas in five years without snow,� I stammer,
violating my promise to myself not to ramble. “Robert, to start off, would you give us a sample of your ‘Ho ho ho?’� I take a deep breath and summon up all the jolliness I can muster. “Ho ho ho!� I roar. They nod approvingly and make notes on their lined yellow pads. I’m feeling more at ease. “What are the names of Santa’s reindeer?� “Comet. Dancer. Prancer. Blitzen. Rudolph. . . . Hmmm.� An un-Santalike expletive follows. I get only four out of eight correct. I’m failing. What the hell am I doing here? I don’t even know the names of eight stinking reindeer. Again, they make notes on their lined yellow pads. This reminds me of visits to my therapist. I begin to sweat. I want the job and they know I want the job and I’m not going to get it and they know they’re not going to give it to me. The humiliation of it all. I passed my orals for an MA degree, I taught at Cornell University, but I can’t get hired as Santa Claus. “There’s Dasher, Dancer, Prancer, Comet, Vixen, Cupid, Donner, Blitzen,� the woman says. “Rudolph doesn’t really count. He’s a latecomer.� Next question. “What would you say if you had a kid sitting in your lap and he pulled off your beard?� asks the assistant Santa Claus personnel officer. “Well, I’d try to control myself. I’d say something like, ‘See, I have a real beard, but it’s white and black because I’m young. And I wear an all white beard over my own beard so I’ll look older than I really am. People expect Santa Claus to have an all-white beard. But now you know the truth. I’m younger than people think.’� What a ridiculous answer. To my surprise, the two nod approvingly. Again, they make notes on their pads. “Why do you want to be Santa Claus?� the assistant asks. They’re wondering if I’m a child molester or a drug addict. They obviously don’t want a Santa Claus who’s going to arrive at some holiday office party too ripped to climb out of the sleigh. But I’m just a straight, conventional citizen. A writer. A professor. Solid and stuffy. I tell them about my children and how much I miss them. “What will you say if children ask how come they didn’t get what they wanted last Christmas?� ¨ '
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1 =D 3 @ A B = @ G j A C 1 1 3 3 2 7 < 5 /B A / < B/ “I’d say that Santa Claus loves them and that he gives children what he thinks they need most. That he has many children to give things to— children in all parts of the world—and that some years he runs out of presents before he’s finished. But that he tries to make up for it the next year.� “OK, but remember Santa Claus never makes promises,� says the male Santa Claus recruiter, hiding behind his hand. “Also you may be asked to appear in some unusual ways.� Like a Rent-A-Santa-Stripper who must drag along a bag of toys while somehow jumping naked out of a cake? To my relief, he explains: “Last year our Santa Claus was met at the end of a deserted mountain road with a horsedrawn wagon filled with hay. You want to be prepared for anything.� “And Santa Claus does not use drugs and he does not accept drinks,� the female personnel officer warns. “No liquor. No drugs.� “What if Santa is invited to stay for dinner?� I ask, hoping at some point along the way the old guy will be asked to sit down with some generous family to feast in style. “Santa Claus does not accept dinner invitations.� Right. I should have known. He doesn’t accept anything. But how in God’s name is Santa going to fatten himself up if you won’t feed him? Feeling depressed, I cross my arms and look down at my skinny legs. The interview ends with them asking me to make up a story. My imagination fails me. I can think of nothing to say. I’ve written a novel, poems, short stories, magazine articles and I sit at the mahogany conference table with nothing to say. I bomb. I need a drink. “OK, well, thank you, Robert. Don’t call us. We’ll call you Thursday or Friday of next week.� Both Thursday and Friday pass with no call from Santa’s personnel officers. So this would-be St. Nick sweats it out over the weekend. On Monday he can stand it no longer. Can he subject himself to further mortification? He must know whether or not he’s made it. He does what they asked him not to do. “Robert Sward?� says the voice at the other end of the line, “you’re Santa Claus!�
A Pretty Good Goy Hired as a Rent-A-Santa Claus, I immediately begin wondering if there hasn’t been some mistake. Me? Santa Claus? Surely there must be 100 aspiring
Santa’s out there better qualified than I. Oversize professional actors with droll little mouths and noses like cherries. Accomplished, 300-pound right jolly old elves. Reindeer ranchers whose round bellies shook when they laughed like bowlfuls of jelly.
What would my parents think? A nice Jewish boy, bar mitzvahed, educated, the works—what’s he doing, our son, in a red suit trimmed with rabbit fur promising Barbie and Ken and GI Joe to gentiles? The truth is, I’m scared. Having gotten the job, I don’t know if I’m up to it. Think of the responsibility. Sinterklaas, Saint Nicholas, Father Christmas— Santa Claus is a supernatural being who brings happiness and knows the names, addresses and dreams of every child on earth. Who knows the good ones from the bad and who loves both equally. Who has unconditional love for everyone, even noisy, runny-nosed, sneezy children who whine and cry and pull his beard. Yes, this Santa Claus worries about being too thin and believes there is nothing more obscene than the sight of some undernourished Father ¨
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1 =D 3 @ A B = @ G j A C 1 1 3 3 2 7 < 5 /B A / < B/ Christmas moving about with obvious pillows inside his oversize red polyester suit. Better no Santa at all than an unconvincing, self-conscious, tacky Santa with skinny legs. My girlfriend—delighted, by the way, to be dating Santa Claus—tells me that, if everything goes well, I will not merely put on the cheap suit and fake white beard and “play� Santa, but I will become Santa, just as good method actors and actresses become the parts they play. She promises to help me with the logistics of costume and makeup. Maybe there’s something kind of sexy about Santa after all. Still, I ask myself, what would my parents think? A nice Jewish boy, bar mitzvahed, educated, the works—what’s he doing, our son, the crazy teacher, age 53, in a red suit trimmed with rabbit fur promising Barbie and Ken and GI Joe to gentiles? Flying through the air like a peddler in a magic sleigh, a bundle of toys he had flung on his back, and he’s giving them away, Gertrude. He’s giving them away. And worse, what if, even after boning up on their names, I confuse or forget some of my reindeer? Cutie, Blitzen, Bagel and Vixen. Donder, Dasher, Schwartzkopf and Prancer. It’s like some New York law firm. I buy a copy of Clement C. Moore’s The Night Before Christmas, a facsimile of the original 1848 edition, and write down reindeer names in my Day Timer appointment book for reference and study. I go to the downtown library and read everything I can on Christmas. I begin to notice that when I talk to myself, I address myself as Santa. I try not to let it bother me. Santa’s friend tells him he’ll make a great Santa. They say that Santa’s “Ho ho ho� is just bravado. That that’s not the real Santa Claus. That Santa is a private, loving, soft-spoken actually fairly sexy guy, who doesn’t go to parties very much—only at New Year’s—and that, when he does, doesn’t stay very long because he’s always working on his next novel. With that encouragement, Santa goes to the Rent-A office to pick up his new suit and beard and his instructions. He also has to sign a contract. Of course there is a set of rules, some already made clear, to learn: 1. No alcohol, drugs, no smoking. Santa Claus does not smoke cigarettes because his uniform is flammable and he wants to set a good example for children and not go up in flames or die an agonizing death from cancer. 2. Santa Claus does not accept cookies
or cake to put into his big red velour bag “for the reindeer.� 3. Santa is not a surrealist. He tells stories about sharing. He tells stories that have an appropriate moral message. Santa, in short, follows tradition. More Charles Dickens than Richard Brautigan. 4. Santa arrives at his gigs on time and already in uniform. He does not need to first go to the bathroom to “change� where he may be seen by children.
Nick of Time Santa spends a sleepless night and, at dawn, takes a shower and trims his beard. Two hours before he is due at the community center, Santa does some yoga exercises: the Sun Salutation, the pose of the holly wreath. Then he meditates. Next, Santa lays out his clothes and begins to dress. He imagines himself a toreador preparing for what Hemingway calls “the moment of truth.� Santa puts on his blue fleece-lined sweat pants and shirt, to which his girlfriend pins four pillows—front, back, both sides. Then he pulls on his red velour pants and socks. He borrows a pair of Girlfriend Claus’ red socks (one size fits all) to pull on over his own. He pulls on his high rubber boots with the white fur. She sews jingle bells onto his boots. When he is at last ready, Girlfriend Claus begins to weep. She has helped create Santa, a fantasy from her childhood, and has done so in the privacy of her own home. Here he is, as real as any Santa she has known. Only this is her own Santa, seated on her sofa. He is as moved as Girlfriend Claus. He feels himself to be transformed. “I am the happiest man in the world,� Santa says, seated in GFC’s car on his way to the local community center. Suddenly he hears children screaming and yelling, “Santa! Look, there’s Santa Claus.� A mother stops in the middle of the street, risking her own life and the life of her child to gasp, “It’s Santa! Mickey, there’s Santa!� Traffic-Stopping Santa waves and waves and shouts over and over, “Merry Christmas! Merry Christmas to all, and to all a good night.� Impulsively, he improvises. “Happy Chanukah, too!�
Winner of a Guggenheim Fellowship, Robert Sward is the author of ‘God Is in the Cracks.’ He wrote this autobiographical piece in 1987, shortly after his arrival in Santa Cruz. He hasn’t worn red and white together since.
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ROM R OM T THE HE first f irst b bars ars of of tthe he Christmas C hristmas medley medley that that opens o pens SScrooge, crooogge, tthe he aaudience udience understands one u nderstands tthat hat iit’s t’s iin n ffor or o ne plum pudding off a ttheatrical p lum p udding o heatrical eexperience. xperience. The members, bonnets Th he cchorus horus m embers, sswathed wathed iin nb onnets out off a D Dickens aand nd ffrock rock ccoats oats sstraight traight o ut o ickens business sstorybook, torybook, sset et aabout bout tthe he ccheerful heerful b usiness off ccaroling, picturesque o aroling, cconverging onverging iin np icturesque on off tthe plush ggroups roups o n tthe he ggenerous enerous sstage tage o he p lush new Crocker Theater. Leslie Bricusse’s n ew C rocker Th heater. L eslie B ricusse’s sscore core hews melodies, h ews cclosely losely tto o tthe he ttraditional raditional m elodies, here, director Andrew Ceglio, aatt lleast east h ere, aand nd d irector A ndrew C eglio, master off tthe witty note, his am aster o he w itty ggrace race n ote, ttrains rains h is wholesomeness ccomic omic iimpulses mpulses ttoward oward w holesomeness iin n opening pantomimes. This tthe he o pening p antomimes. T his aadaptation daptation off A C Christmas Carol, wee aare o hristmas C arol, w re ggiven iven tto o understand, will not bee ssly orr iironic but u nderstand, w ill n ot b ly o ronic b ut warm-hearted nostalgic. w arm-hearted aand nd n ostalgic. But not boring, B ut n ot b oring, ffor or into into this this bayberrybayberryJoseph Ribeiro ccandle-scented andle-scented sscene cene ssteps teps Jo oseph R ibeiro Ebenezer Scrooge. Ribeiro aass E benezer S crooge. I llast ast ssaw aw R ibeiro over-the-top drag iin n ggorgeous, orgeous, o ver-the-top d rag aass tthe he Shakespeare Santa eevil vil sstepmother tepmother iin nS hakespeare S anta Cruz’s winter production off C Cinderella; C ruz’s w inter p roduction o inderella; hee w was making off with h as m aking o ff w ith tthe he eentire ntire sshow, how, Here hee p puts on but aass I rrecall. ecall. H ere h uts a llid id o n iit, t, b ut his bitchy, Scrooge with h is b itchy, ffussy ussy S crooge gglows lows w ith off aan wicked tthe he aalluring lluring llight ight o n iinner nner w icked queen, Ribeiro help but q ueen, aand nd R ibeiro ccan’t an’t h elp b ut llet et kitty out off tthe bag when natural tthe he k itty o ut o he b ag w hen a n atural onstage off tthe aally lly aappears ppears o nstage iin n tthe he fform orm o he Ghost off C Christmas Present, played G host o hristmas P resent, p layed platform fflamboyantly lamboyantly iin np latform ssoles oles aand nd lluxe uxe byy B Benjamin Holck. ffur-trimmed ur-trimmed rrobe obe b enjamin H olck. These up when Th hese ttwo wo llight ight u p tthe he sstage tage w hen tthey’re hey’re opening night ttogether, ogether, aand nd tthe he o pening n ight aaudience udience lloved oved iit. t. The off Ja Jacob T he ccrowd rowd aalso lso lloved oved tthe he gghost host o acob Marley, played with physicality M arley, p layed w ith eexpert xpert p hysicality byy M Michael Stark. His on b ichael S tark. H is aappearance ppearance o n tthe he scene is really frightening—chained scene is really frightening—chained aand nd
>=E3@ =4 >3@AC/A7=< Scrooge > =E3@ =4 >3@AC/A7=< Scroo ge ((Joseph J Joseph R Ribeiro) ib eiro) ggets ets aan n eearful ar ful ffrom rom tthe he G Ghost host ooff C Christmas hrist mas P Present resent ((Benjamin Benjamin H Holck). olck).
ggroaning, roaning, h hee emerges emerges ffrom rom tthe he d depths epths off ffog aamid mid aan n exhalation exhalation o og and and sickly sickly light, light, Dickens’ world was only a reminder reminder tthat hat D ickens’ w orld w as o nly half h alf chipper chipper ccarolers; arolers; tthe he rrest est iinvolved nvolved Trap a lot lot of of disease disease aand nd damnation. damnation. T rap doors d oors are are used used to to ggood ood eeffect ffect tthroughout hroughout tthe he play, play, notably notably in in tthe he Nutcracker-like Nutcrackerr--like toy toy scene, scene, which which ffeatured eatured the the great great choreography choreography we’ve we’ve come come to to eexpect xpect ffrom rom Trevor Little byy Trevor L ittle aand nd iincredible ncredible aathleticism thleticism b the might the harlequin harlequin dancer dancer ((although although iitt m ight be Chinese be time time to to retire retire tthe he C hinese ttoy oy sshtick, htick, which While we’re which was was a little little ttoo oo rretro). etro). W hile w e’re on off d dance, piece off on the the subject subject o ance, a ttidy idy p iece o good good physical physical comedy comedy ccame ame ccourtesy ourtesy of DiCello Mrs. of Robin Robin D iCello aass aan n iinebriated nebriated M rs. Fezziwig. Fezziwig. Skip Skip Epperson’s Epperson’s set, set, as as usual, usual, is is a spare, spare, elegant proof elegant aaffair, ffair, and and further further p roof tthat hat tthis his talented designer more deserves talented d esigner m ore tthan han d eserves tthe he distinction Rydell distinction of of a R ydell ffellowship ellowship (models (models of display of his his sets sets are are currently currently on on d isplay aatt tthe he Museum Art History downtown). Museum of of A rt aand nd H istory d owntown).
Th his one one relies relies on on simple simple furnishings—a furnishings—a This bed and and closet, closet, a window window and and door—that door—that bed descend from from the the theater’s theater’s ceiling ceiling on on descend complex riggings riggings (one (one of of this this new new complex theater’s Cadillac Cadillac features) features) to to demarcate demarcate theater’s home and and office. office. A great great illuminated illuminated home clock glows glows in in the the background background clock throughout the the play, play, reminding reminding us us that that throughout Scrooge’s time time to to redeem redeem himself himself is is Scrooge’s running short. short. running Musically strong strong overall, overall, Scrooge Scrooge Musically enjoyed some some standouts. standouts. Ariel Ariel Buck Buck enjoyed as Mrs. Mrs. Cratchit Cratchit and and the the Ghost Ghost of of as Christmas Past Past was was pitch-perfect, pitch-perfect, a rock rock Christmas of of reliability; reliability; this this strong strong singer singer just just gets gets better better all all the the time. time. The The petite Th petite Morgen Morgen Cree Cree turned turned in in a fine fine and and very very popular popular performance performance as as Tiny Tiiny Tim. Tiim. Her Her clear, clear, sweet sweet soprano soprano was was unexpectedly unexpectedly strong strong and and even even possessed possessed a moderate moderate vibrato, vibrato, almost almost unheard unheard of of in in an an 8-year-old. 8-year-old. The Th he ensemble ensemble chorus chorus did did best best in in the the spirited spirited numbers, numbers, like like the the rousing rousing “Thank “Thank You You
Very V ery M Much� uch� and and ““The The Minister’s Minister’s C Cat. at.� L ess successful successful w as tthe he aadagio dagio a cappella cappella Less was n umber tthat hat o pened tthe he ssecond econd act, act, number opened w hich ssuffered uffered ffrom rom cclashing lashing iintonation. ntonation. which U nfortunately, some some technical technical glitches glitches Unfortunately, w ith tthe he h eadsets also also b edeviled tthe he sshow, how, with headsets bedeviled aass tthe he sstrength trength o he ssignals ignals w axed aand nd off tthe waxed w aned depending depending o n the the actors’ actors’ p ositions waned on positions o nstage, detracting detracting from from an an otherwise otherwise onstage, ccharming harming aand nd entertaining entertaining production. production. O therwise, Scrooge Scrooge delivers delivers an an uplifting uplifting Otherwise, message, some some familiar familiar tunes tunes and and a few few message, belly laughs—exactly laughs—exactly what what you you want want in in a belly holiday musical. musical. holiday
SSCROOGE CROOGE rruns uns tthrough hrough Jan. Jan. 3 at at Cabrillo Crocker tthe he C abrillo C rockeer Theater, Theater, 6500 6500 Dr., Aptos. Tickets $17– SSoquel o quel D r., A ptos. T ickeets aare re $ 17– $34, with $15 $ 34, w ith $ 15 back back row row seats seats and and $10 $10 rrush ush sseats, eats, aavailable vailable at at 831.479.6154 831.479.6154 www.cabrillostage.com. oorr w ww.cabrillostage.com.
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Email it to calendar@santacruzweekly.com, fax it to 831.457.5828, or drop it by our office. Events must be received by Wednesday at noon one week prior to publication. Placement cannot be guaranteed.
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A/<B/1@CH 1=; december 23-30, 2009 AB/53 /@B 3D3<BA
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B=G B@/7<A The Santa Cruz Museum of Art and History goes full steam into the heart of the holiday season with its annual interactive exhibit of toy trains. This year the Chicago-California streamliner The Super Chief is the special guest; the free raffle prize, donated by the Over the Hill Gang, is a spanking new Lionel Santa Fe passenger set. Through Jan. 3. Museum of Art and History, 705 Front St., Santa Cruz. 831.429.1964. BOYS =TT >]c\Ra AS\aWPZg Hjeedgi \gdje egdk^YZh ZYjXVi^dc! ZcXdjgV\ZbZci VcY [jc id adhZ lZ^\]i hZch^Wan VcY `ZZe ^i d[[# Bdc! +"-eb# EaZVhjgZ Ed^ci 8dbbjc^in 8]jgX]! ,+& '+i] 6kZ! HVciV 8gjo! -(&#)'+#-'%,# BO`]b( /eOYS\W\U b] 7\\S` >]eS` ?dn YZ[^cZh i]Z kVhi bdkZbZci d[ a^[Z! ZiZgcVa VcY ^c[^c^iZ! Vh ^i XgZViZh VcY ZmegZhhZh ^c ZVX] d[ djg a^kZh# Djg ldg` ^h id ViijcZ id V [jaaZg gZXZei^dc VcY [jaaZg ZmegZhh^dc d[ i]^h YZZe! `cdl^c\ VlVgZcZhh# I]j! ,eb# K^`^c\ =Vaa! ')% Eanbdji] Hi! HVciV 8gjo! -(&#+--#&,.'# B]USbVS` W\ bVS >O`Y EVgZci^c\ hjeedgi VcY ^c[d Vadc\ l^i] V\Z"Veegdeg^ViZ VXi^k^i^Zh [dg X]^aYgZc je id V\Z *# LZY! &%/(%Vb"cddc# ;gZZ# GZYlddY 8]g^hi^Vc 8ZciZg! +-+. =ln .! ;Zaidc! -(&#'*'#&&(,# B]cQVSR Pg /R]^bW]\ 5`]c^ 6Ydei^kZ [Vb^a^Zh! VYjai VYdeiZZh! [Vb^a^Zh lV^i^c\ id VYdei VcY W^gi] eVgZcih bZZi bdci]an id XdccZXi ^c V hV[Z! Xdc[^YZci^Va hZii^c\0 X]^aY XVgZ VkV^aVWaZ l^i] V
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A1@==53 The musical adaptation of A Christmas Carol continues its holiday run at the new Cabrillo Crocker Theater. Saturdays–Sundays and Tuesdays–Wednesdays at 7:30pm (except Jan. 3), with 2pm matinees on Dec. 23, 26, 27 and Jan. 3. Tickets $17–$34, with $15 back row seats and $10 rush seats. Cabrillo College, 6500 Soquel Dr., Aptos. Tickets available at 831.479.6154 or www.cabrillostage.com. ZmeZg^ZcXZ cZXZhhVgn! eVgicZgh cdi gZfj^gZY! [^ghi XaVhh Xdbea^bZciVgn# IjZ! ,eb VcY LZY! -eb# Edgij\jZhZ =Vaa! '&+ :kZg\gZZc Hi! HVciV 8gjo# AO\bO 1`ch AObc`ROg ;O`YSb AdXVa VcY ^ciZgcVi^dcVa XgV[i WVoVVg! XZgi^[^ZY [VgbZgh bVg`Zi! a^kZ bjh^X! [ddY VcY
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NOW OPEN LATE For Scheduled Appointments Monday -- Thursday until 8pm
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@G23:: D7AC/: /@BA 43::=EA The Santa Cruz Museum of Art and History presents the work of the 2008 and 2009 Rydell Visual Arts Fellowship recipients: set designer Skip Epperson, photographer Terri Garland, papermaker and book designer Felicia Rice (pictured) and encaustic artist Daniella Woolf. Through March 12. Museum of Art and History, 705 Front St., Santa Cruz. 831.429.1964. AdjYZc CZahdc 8dbbjc^in 8ZciZg! (%& 8ZciZg Hi! HVciV 8gjo! -(&#((*#)*+,# B`WG]UO 0OaWQ O\R 7\bS`[SRWObS 1ZOaaSa Ig^Nd\V! V bZi]dY XdbW^c^c\ hZfjZcXZh d[ edhijgZh! WgZVi]^c\ VcY bZY^iVi^dc! d[[Zgh dc\d^c\ XaVhhZh# 7Vh^Xh/ Bdc cddc l^i] @^b 7ZZX]Zg! 980 LZY */(%eb l^i] <VWg^Za 7Zc_Vb^c! VcY HVi &%/(%Vb l^i] ?Vb^Z 6cYgZh"AVghZc# >ciZgbZY^ViZ/ Hjc &%/(%Vb l^i] @Zaan HXdii! Bdc */(%eb l^i] @^b 7ZZX]Zg! 98! VcY I]j ./(%Vb l^i] BVgn Bdci\dbZgn# 9gde"^ch lZaXdbZ VcY i]Z [^ghi XaVhh ^h [gZZ# &' eZg XaVhh# Ig^Nd\V 8ZciZg! ,%- LVh]^c\idc Hi! HVciV 8gjo! -(&#)+)#-&%%# C\WdS`aOZ G]UO L^i] BZaVc^Z K^oojh^# Bdc! LZY VcY ;g^! .Vb# &%# LZhi H^YZ HijY^d! *%.= Hl^[i Hi! HVciV 8gjo# DW^OaaO\O ;SRWbObW]\ =TTS`W\Ua I]Z XZciZg egdk^YZh hZkZgVa ineZh d[ ^chigjXi^dc ^c
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Jazz Presenters since 1975
WED. JANUARY 6 • 7 & 9 PM
TERRY BOZZIO, ALLAN HOLDSWORTH, TONY LEVIN, PAT MASTELOTTO $28/Adv $31/Dr, No Jazztix/Comps THURS. JANUARY 7 • 7 PM
RON KAPLAN SINGS NEW YORK Concert only: $12/Adv $15/Door Jazz & Dinner: $24.60/Adv TUES. JANUARY 12 • 7 & 9 PM
ROBBEN FORD, MICHAEL LANDAU, JIMMY HASLIP, GARY NOVAK $23/Adv $26/Dr, No Jazztix/Comps THURS. JANUARY 14 • 7 PM
ROBIN MCKELLE $18/Adv $21/Door
1/18 1/25
MOSE ALLISON TRIO DJANGO REINHARDT FESTIVAL “Django at 100�
ADV TIX: Logos Books & Records and kuumbwajazz.org CafĂŠ Kuumbwa serves dinner. along with beer and wine. All ages welcome.Tickets subject to service charge & 5% admission tax.
Independently Produced Events SATURDAY, JANUARY 2 • 8 PM
PLANET CRUZ COMEDY HOUR WITH RICHARD STOCKTON $20/Adv $25/Door Tickets at Streetlight Records & Gateways Books & PlanetCruz.org KUUMBWA JAZZ CENTER 320-2 CEDAR ST • SANTA CRUZ WWW.KUUMBWAJAZZ.ORG
427-2227
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Itt’s a h It’s hard-working ard-working m musician usician w who ho sshows hows u p iin nab ar 11,700 ,700 m iles ffrom rom up bar miles h ome o n tthe he d ay aafter fter C hristmas home on day Christmas tto o ggive ive tthe he llocals ocals a rreason eason tto o ccrack rack a b eer aand nd k ick u p ttheir heir h eels. IIt’s t’s aan n beer kick up heels. E lvis tthing hing tto od o —at lleast east aan n eearly arly Elvis do—at E lvis tthing hing tto od o —which m akes iitt Elvis do—which makes p articularly ffitting itting ffor or A ustin-based particularly Austin-based R ockin’ L loyd T ripp, w ho ttrades rades Rockin’ Lloyd Tripp, who iin np ared-down, h opped-up eearly arly pared-down, hopped-up A merican rrockabilly ockabilly o he ssort ort American off tthe p erformed b resley, B ill H aley performed byy P Presley, Bill Haley aand nd tthe he C omets aand nd aall ll tthe he o ther Comets other ggreats reats o he eera. ra. T onight’s sshow how iiss a off tthe Tonight’s gguaranteed uaranteed ggas, as, eextended xtended d rive ttime ime drive n otwithstanding. A ny d oubts, jjust ust notwithstanding. Any doubts, ccheck heck tthe he p ompadour. JJailbreak ailbreak o pens. pompadour. opens. Th he B lank C lub, 4 4S lmaden A ve., The Blank Club, 44 S.. A Almaden Ave., S an JJose; ose; $ 10; 9 pm. ((TH) TH) San $10; 9pm.
Specialists S pecialists iin n sspare, pare, ssyncopated yncopated jjazz azz ccompositions, ompositions, tthe he L oeuf B rothers’ Lee B Boeuf Brothers’ aarrangements rrangements o we aass m uch tto o tthe he ccututowe much aand-paste nd-paste ssensibility ensibility o ip -hop aand nd off h hip-hop p ost-rock aass tto om odern jjazz. azz. T he d uo post-rock modern The duo sshifts hifts ttime ime ssignatures ignatures aand nd aapproaches pproaches w ith eease, ase, sseamlessly eamlessly ssegueing egueing ffrom rom with llush ush aarrangements rrangements iinto nto p recise precise b ursts o hythmic eexperimentation. xperimentation. bursts off rrhythmic T he S anta C ruz–reared b rothers L The Santa Cruz–reared brothers Lee B oeuf—Remy o n ssaxophone, axophone, P ascal o n Boeuf—Remy on Pascal on p iano—represent aan n eemerging merging sstrain train o piano—represent off N ew Y ork jjazz azz tthat hat iiss eequally qually ffluent luent iin n New York p roggressive jjazz, azz, contemporary contemporary cclassical, lassical, progressive eelectronic lectronic m usic aand nd aalternative lternative rrock, ock, music m aking m usic tthat hat iiss vvery ery m uch o ts making music much off iits ttime. ime. D on Q uixote’s; $ 10; 77pm. pm. ((Paul Paul Don Quixote’s; $10; M avis) M.. D Davis)
Here’s a B Here’s Beatles eatles ttribute ribute b band and jjust ust tthe he w ay yyou ou w ant iit—focused t—focused o n way want on tthe he m usic o he F ab F our, n ot tthe he music off tthe Fab Four, not o utf its aand nd h aircuts. T he A lameda outfits haircuts. The Alameda ffive-piece ive-piece ((Paul’s Paul’s k eyboard aand nd b ass keyboard bass d uties aare re d ivvied u pb etween ttwo wo duties divvied up between m embers) rrenders enders sspot-on pot-on ccovers overs o members) off ttunes unes sspanning panning eevery very B eatles eera ra ffrom rom Beatles ““Please Please P lease M e� tto oA bbeey R ooad, w ith Please Me� Abbey Road, with aan n eemphasis mphasis o n tthe he llatter-day atter- day m usic on music tthat hat ggets ets tthe he B ay A rea’s B eatle ffans ans Bay Area’s Beatle ffoaming oaming aatt tthe he m outh. B etween D rew mouth. Between Drew H arrison’s L ennon vvocals, ocals, M ichael Harrison’s Lennon Michael B arrett’s M cCartney iimpersonation mpersonation Barrett’s McCartney aand nd ssterling terling m usicianship b est o musicianship byy rrest off tthe he b and, iit’s t’s a p arty iin n tthe he m aking. band, party making. T onight’s ffete ete aatt D on Q uixote’s Tonight’s Don Quixote’s iincludes ncludes ffree ree cchampagne hampagne aatt m idnight midnight aand nd m ore tthan han eenough nough ggood ood ccheer heer tto o more ggo o aaround. round. D on Q uixote’s; $ 15; 8 pm. Don Quixote’s; $15; 8pm. ((Traci Traci H ukill) Hukill)
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B@=;0=<3 B@=;0=<3 A6=@BG A 6 = @ B G Att the A the aage ge of of 2 22, 2, T Troy roy “Trombone “Trrombone S horty� A ndrews is is a former former childhood childhood Shorty� Andrews p rodigy w ho ccounts ounts ffellow ellow New New prodigy who O rleanians W ynton Marsalis Marsalis and and A llen Orleanians Wynton Allen T oussaint aass fans. fans. D oing double-duty double-duty Toussaint Doing o n ttrumpet rumpet and and ttrombone, rombone, Andrews Andrews on m ay n ot be be a child child aanymore, nymore, but but the the may not tterm erm ““prodigy� prodigy� sstill till ffits. its. He He has has taken taken tthe he stage stage w ith rrock ock lluminaries uminaries ssuch uch as as with U 2, Green Green Day Day aand nd Lenny Lenny Kravitz Krravitz and and U2, p layed venues venues ranging ranging from from iintimate ntimate played jjazz azz clubs clubs like like Moe’s Moe’s A lley to to massive massive Alley m usic ffestivals estivals like like Outside Outside Lands. Lands. music T onight, with with his his own own Orleans Orleans A venue Tonight, Avenue b and, he he specializes specializes in in p iping hot hot band, piping sservings ervings of of ffunk unk aand nd jazz. jazz. Moe’s Moe’s A lley; Alley; $ 18 aadvance/$20 dvance/$20 d oor; 8pm. 8pm. ((PMD) PMD) $18 door;
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E67B3 /:0C; E67B3 /:0C; 3<A3;0:3 3 <A3;0:3 Interpreting tthe Interpreting he Beatles Beatles h has as aalways lways b een a unique unique eexperience xperience ffor or aanyone nyone been w ho ttakes akes the the ttime ime tto o rreally eally llisten. isten. who S ome treat treat ttheir heir music music like like a textbook textbook Some cchapter hapter on on pop pop ssongwriting, ongwriting, others others ssee ee iitt as as p olitical poetry poetry d isguised as as rrock ock political disguised & rroll oll aand nd still still others others ssee ee a sspiritual piritual
B63 8/19/ B63 8/19/ JA JAN AN. 2 AT AN AT CA TA ALYST Y T JAN. CATALYST
m essage o nity. T hese llocal ocal F ab message off u unity. These Fab F our ffanatics anatics ttreat reat tthe he m usic o he Four music off tthe B eatles llike ike a m odern p ianist ttreats reats a Beatles modern pianist b ook o rÊdÊric C hopin cconcertos. oncertos. book off F FrÊdÊric Chopin C hampioning tthe he L iverpool q uartet’s Championing Liverpool quartet’s 11968 968 d ouble aalbum, lbum, T he W hite double The White A lbum eensemble nsemble p erforms a ffirst-class irst-class Album performs ttribute ribute tto o tthe he llegendary egendary rrecord ecord w ith a with musical m usical aand nd vvisual isual ffeast east ffor or tthe he ssenses. enses. Rio Theatre; $26.25; 8pm. R io Th heatre; $ 26.25; 8 pm. ((Curtis Curtis Cartier) C artier)
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For 35 For 35 years years F Felton elton native native Steve Steve Kling picking Kl ling has has been been p icking his his banjo banjo in in ccoffeehouses offfeehouses aand nd other other intimate intimate down vvenues enues up up and and d own Northern Northern California. It’s only C alifornia. It t’s o nly recently, recently, however, however, tthat hat he’s he’s resorted resorted to to child child llabor abor and and bluegrass sstarted tartted a ffull-on ull-on b luegrass band. band. To To be b ffair, air, his his four four ““kids� kids� on on guitar, guitar, standup standup bass mandolin, b ass and and m andolin, are are all all full-grown full-grown aadults, dults, so so he he may may escape escape prosecution. prosecution. Plus, knows P lus, eeveryone veryyone k nows tthat hat most most early early bluegrass were b luegrass band band members members w ere rrelated elated other way, whether tto o eeach ach o ther iin n some some w ay, w hether knew tthey hey k new iitt or or not. not. Whatever Whatever your your on tthoughts houghts o n llabor abor laws laws or or Appalachian Appalachian bottom ffamily amily ttrees, rees, the the bo ttom lline ine iiss that that Shoreline musicians S horeline is is a ggifted ifted set set of of m usicians Felton’s tthat hat furthers furthers F elton’s rreputation eputation as as big on bluegrass. llittle ittle ttown own that’s that’s b ig o nb luegrass. Don Don Quixote’s; $10; Q uixote’s; $ 10; 77:30pm. :30pm. ((CC) CC)
B63 5@=55A B 63 5@=55A Since its Since its inception, inception, the the h hard-hitting ard-hitting ggarage arage rrock ock trio trio known known as as tthe he Groggs Groggs h as ggiven iven new new hope hope p to to the the S anta C ruz has Santa Cruz m usic scene. scene. L ead singer singer aand nd gguitarist uitarist music Lead K eith T hompson’s sslightly lightly ssurfish urff ish llicks icks Keith Thompson’s b lend beautifully beautifully with with punch-packing punch-packing blend po wer chords chords and and ggrungy, rungyy, ssoulful oulful power ssinging. inging. All All the the while, while, h truts o nstage hee sstruts onstage w ith m ore swagger swagger than than a rrooster ooster iin n tthe he with more h en house, house, backed backed up up by by tthe he bountiful bountiful hen b ass rifts rifts of of R yan A llbaugh. Justin Ju ustin W ard bass Ryan Allbaugh. Ward rrounds ounds out out the the ggroup, roup, h ammering aaway way hammering o n tthe he skins skins and and keeping keeping the the be at ffor or on beat tthe he infectiously infectiously catchy catchy yet yet d ingy ttunes. unes. dingy O verall, the the Groggs Groggs are are a b and tto o be Overall, band rreckoned eckoned with, with, and and tthey hey p ut o n a sshow how put on n ot to to be missed. missed. C repe P lace; $5; $5; 9pm. 9pm. not Crepe Place; ((Brian Brian Harker) Harker)
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Here at Here at Beatscape Beatscape w wee are are n not ot m much uch iin n the the h abit of of p eering b eyond tthe he habit peering beyond cconfines onf ines o ur town town ffor or sstuff tuff tto od o; off o our do; w hy bother, bother, when when w ave tthe he b est why wee h have best llittle ittle m usic scene scene on on the the C entral music Central C oast? But But tonight’s tonight’s sshow how iin nS an Coast? San F rancisco of of protopunk protopunk outfit outf it X—yes, X—yes, Francisco tthe he X ith Jo ohn D oe, E xene C ervenka, X,, w with John Doe, Exene Cervenka, D onebreak aand nd B illy Z oom— DJJ B Bonebreak Billy Zoom— d emands o ur aattention ttention aand nd o ur demands our our rrecommendation. ecommendation. T he llast ast ttime ime tthey hey The p layed tthe he C atalyst, a yyear ear o wo aago, go, played Catalyst, orr ttwo tthe he eentire ntire rroom oom w as ssoaked oaked w ith ssweat. weat. was with W iked tthat hat aand nd tthink hink yyou ou w ill ttoo. oo. Wee lliked will IIt’s t’s so so Christmasy. Christmasy. The Th he Heavenly Heavenly States States gget et tthings hings ggoing. oing. S lim’s, 3333 33 111th 1th S t., S an Slim’s, St., San F rancisco; $ 31; 9 pm. ((TH) TH) Francisco; $31; 9pm.
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december 23-30, 2009
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Film. Fi ilm lm.
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T IIS S the the aalmost-greats lmost-greats tthat hat ggive ive yyou ou tthe he gray gray hairs, hairs, and and Up Up in in the the Air, with A ir, w ith iits ts occasionally occasionally aamoral moral llook ook aatt a predator’s predator’s llife, ife, ssometimes ometimes deserves Mostly, d eserves iits ts advance advance word. word. M ostly, iitt iiss a m ovie aabout bout G eorge C looney iin nm otion. movie George Clooney motion. Jason Reitman’s Upp iin Air Ja ason R eitman’s U n tthe he A ir shows shows Ryan Ryan Bingham packing his B ingham ((Clooney) Clooney) p acking ffor or h is up jjourneys, ourneys, zzipping ipping u p a lleather eather ccarrying arrying ccase ase his were holster. ffor or h is tties ies aass iiff iitt w ere a ggunman’s unman’s h olster. You You can’t can’t underestimate underestimate the the appeal appeal off w watching man moving o atching a m an iin n ccharge, harge, m oving tthrough hrough tthe he ccrowds rowds iin n a ggood-looking ood-looking ssuit. uit. don’t Jon Hamm, Clooney IIff yyou ou d on’t ccount ount Jo on H amm, C looney movie who iiss tthe he llast ast m ovie aactor ctor aalive live w ho llooks ooks macho off ffussy m acho iin n a jjacket acket aand nd ttie, ie, iinstead nstead o ussy orr m metrosexual. This Bond o etrosexual. Th his iiss B ond sstuff, tuff, aafter fter porn aall—the ll—the tturbulence-free urbulence-free jjet et p orn tthat’s hat’s been Sean Connery b een aattractive ttractive eever ver ssince ince S ean C onnery Dr.r. N No. But Upp iin ccrossed rossed a cconcourse oncourse iin nD o. B ut U n tthe he Air means dig bit deeper, A ir m eans tto od ig iin nab it d eeper, aand nd tthat’s hat’s where w here tthe he ffilm ilm sstarts tarts tto o gget et iinfuriating. nfuriating. Ryan on weeks R yan iiss o n tthe he rroad oad 5511 w eeks a yyear. ear. Hee w works hires H orks ffor or a ccompany ompany tthat hat h ires hatchet men dispatch h atchet m en tto od ispatch eemployees mployees aand nd hand with h and tthem hem a gglossy lossy ffolder older w ith ttheir heir eexit xit benefits. One day, hee rreports his boss b enefits. O ne d ay, h eports tto oh is b oss Bateman) Omaha discovers ((Jason Jason B ateman) iin nO maha aand nd d iscovers has decided tthat hat tthe he ccompany ompany h as d ecided tto o ssave ave money byy d doing online. m oney b oing tthe he ffirings irings o nline. This Th his ttechnological echnological aapproach pproach iiss tthe he brainchild off a p pert new named b rainchild o ert n ew eemployee mployee n amed Natalie Kendrick). Ryan N atalie ((Anna Anna K endrick). R yan aargues rgues business needs personal tthat hat tthe he b usiness n eeds a p ersonal ttouch; ouch; paired up, tthe he ttwo wo aare re p aired u p, iin n tthe he ffamiliar amiliar old-cop, dynamic. Having o ld-cop, yyoung-cop oung-cop d ynamic. H aving tthis his
4:756BG BG>3A 4 :756BG BG>3A F Frequent requent f llyers yers G George eorgge C Clooney lo one y aand nd V Vera era F Farmiga armiga rrendezvous endezvous iin n ‘‘Up Up iin n tthe he A Air.’ ir.’
inexperienced girl inexperienced girl along along interrupts interrupts R Ryan’s yan’s rregularly egularly sscheduled cheduled no-strings no-strings flings f lings with with business a fellow fellow constant constant b usiness traveler, traveler, Alex Alex ((Vera Vera Farmiga). Farmiga). It’s It’s dismaying dismaying to to watch watch a talent talent like like Reiter R eiter who who sseemed eemed llike ike an an ace ace satirist satirist Crowe–level tturning urning into into a Cameron Cameron C rowe–level moralizer. Wisconsin m oralizer. A banal banal W isconsin wedding wedding bee this ssequence—meant equence—meant to to b this movie’s movie’s heart—shows h eart—shows us us how how Clooney’s Clooney’s character character him ccrumbles, rumbles, tthe he winter winter llight ight hitting hitting h im bright hard b right and and h ard as as he he sits sits in in one one of of the the ttiny iny chairs chairs iin n a children’s children’s Sunday Sunday sschool chool This cclassroom. lassroom. Th his is is the the perfect perfect spot spot for for the the we’re Ryan llesson esson w e’re ggoing oing tto o get. get. R yan counsels counsels his his brother-in-law-to-be McBride); b rother-in-law-to-be (Danny (Danny M cBride); tthe he hear rrunaway unaway ggroom room needs needs to to h ear about about the the pleasures p leasures of of home home and and family. family. Notoriously, No otoriously, in in real real life life Clooney Clooney has bloody h as been been doing doing b loody fine fine without without a wife kids—though w ife and and k ids—though eevery very ttelevision elevision believes orr she iinterviewer nterviewer alive alive b elieves that that he he o she has how h as a right right to to aask sk Clooney Clooney h ow this this can can possibly p ossibly be. be. Consider Consider Up Up in in the the Air Air as as the the actor’s actor’s mea mea culpa culpa for for being being single; single; that that confession confession will will probably probably win win this this magnetic magnetic
performer a B performer Best est A Actor ctor O Oscar scar ((for for this, this, cconsidered onsidered along along with with ssimilarly imilarly cclassic lassic yyet et iidiosyncratic diosyncratic work work in in Men Men Who Who Stare Stare at at Goats Fantastic Mr.r. F Fox). But how do G oats aand nd F antastic M ox). B ut h ow d o part yyou ou ttolerate olerate it it when when Ryan Ryan ggets ets tto o tthe he p art off tthe how one’s happiest o he ssermon ermon aabout bout h ow o ne’s h appiest moments Isn’t m oments are are never never ssolitary? olitary? Is sn’t eeven ven watching pleasure? w atching movies movies often often a ssolitary olitary p leasure? Farmiga Farmiga is is mainly mainly used used for for her her air air off aanxiety, holiday o nxiety, and and this this is is a h oliday ffor or her. her. She has with S he h as grown grown ssucculent ucculent w ith tthe he yyears; ears; dreamy But sshe’s he’s d reamy aand nd accommodating. accommodating. B ut Reitman bee R eitman insists insists tthat hat there there iiss a price price tto ob paid p aid ffor or zzipless ipless fucking, fucking, whether whether iit’s t’s tthe he humiliation llousy-comedy ousy-comedy h umiliation of of Ryan Ryan falling falling with on iinto nto the the water water w ith his his cclothes lothes o n or or tthe he hee rrealizes eemotional motional rreckoning eckoning when when h ealizes how h ow much much he he ffeels eels ffor or Alex. Alex. Reitman Reitman really really falls falls for for Ryan’s Ryan’s line line that that being masse bee a p positive b eing llaid aid off off en en m asse ccan an b ositive director tthing, hing, jjust ust aass tthe he d irector aargued rgued tthat hat tteen een pregnancy p regnancy ccan an be be a stabilizing stabilizing force force for for a ggiddy iddy ggirl irl in in Juno. Juno. In In the the firing firing montages, montages, Reitman with R eitman blends blends amateurs amateurs w ith eestablished stablished Zach aactors. ctors. Z ach Galifianakis Galifianakis plays, plays, as as always, always, a helpless helpless slob; slob; J.K. J..K.. Simmons’ Simmons’ Bob Bob iiss a
shrewd employee shrewd employee fobbed fobbed o off ff b byy R Ryan’s yan’s how lline ine aabout bout h ow good good a ccareer areer cchange hange ccan an be, how Bob with b e, h ow iitt ccan an help help B ob gget et iin n ttouch ouch w ith hee llong yyouthful outhful aspirations aspirations h ong aago go fforgot. orgot. Actual Actual unemployed unemployed Midwesterners Midwesterners are are part off the Brought p art o the firing firing lline, ine, sso o tto o sspeak. peak. B rought wrap up iin n vvia ia a ccasting asting ccall, all, tthey hey w rap u p tthe he byy ccelebrating help ffilm ilm b elebrating tthe he h elp ttheir heir ffamilies amilies dumped ggave ave them them aafter fter tthey hey ggot ot d umped ffrom rom workplace. Off ccourse putting tthe he w orkplace. O ourse tthey’re hey’re p utting a ggood ood fface ace on on tthe he eexperience—they’re xperience—they’re off a movie Who wants iin n ffront ront o movie ccamera. amera. W ho w ants hire tto oh ire an an embittered embittered eex-employee? x-employee? Reitman’s populism ought R eitman’s iinane nane ffaux aux p opulism o ught tto o but win cchill hill tthe he sspine, pine, b ut iinstead nstead iit’s t’s ggoing oing tto ow in kinds off aawards. aall ll k inds o wards. UP THE AIR min.), U P IIN NT HE A IR ((R; R; 1109 09 m in.), Jason Reitman, written ddirected irected bbyy J ason R eitman, w ritten Reitman Turner, bbyy R eitman aand nd SSheldon heldon T urner, based novel Walter Kim, ba sed oon n tthe he n ovel bbyy W alter K im, pphotographed hotog ographed bbyy EEric ric SSteelberg teelbberg aand nd George Clooney Vera sstarring tarring G eorge C loooney aand nd V era Farmiga, Friday F armiga, oopens pe p ns F riday ccountywide. ount ywide.
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A/<B/1@CH 1=; december 23-30, 2009 47:;
47:;
The Girl Who Would Be Queen Deliberate and soulful, ‘The Young Victoria’ resists stereotypes 0G 16@7AB7</ E/B3@A
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N A YEAR weighed down by corporate greed, celebrity sluts and politics shallower than a drainage ditch, a beautifully told love story sort of helps wash off some of the accumulated cultural slime. The Young Victoria, starring a luminous Emily Blunt (The Devil Wears Prada) as Queen Victoria and a dashing Rupert Friend as her much-adored Albert, is not only vibrant with behind-the-scenes revelation, it is a deeply affecting account of true love that lasted a lifetime. Forget about all of those frothy, costume-driven BBC productions. The Young Victoria (co-produced by Sarah Ferguson, Duchess of York) unzips the ornate veneer and gives us plenty of backstory shock to match the saga of royal soulmates. Julian Fellowes’ script smartly serves up a slice of life just before and just after Victoria came to the throne in 1837 at the age of 18. An act of Parliament has decreed that Victoria’s mother, the duchess of Kent (Miranda Richardson), should serve as regent if the current monarch William IV (Jim Broadbent) dies before Victoria comes of age. But the young woman who gave her name to an age is having none of it. Her mother’s conniving secretary Sir John Conroy (Mark Strong) battles to have Victoria sign that regency document while the Prime Minister Lord Melbourne (Paul Bettany) struggles to gain her trust. Everybody wants a piece of the inexperienced teenager who will soon command a vast empire. Yet much of this film’s backbone comes from its refusal to paint the likely suspects—cabinet ministers, impoverished royals, snubbed suitors—as psychological stereotypes. The backstory emerges as the camera
@723 =4 B637@ :7D3A Rupert Friend and Emily Blunt are young royals in love in ‘The Young Victoria.’
glides up polished stairways and into satin-draped private chambers, exposing fascinating, little-known details of Victoria’s repressive upbringing. Raised under virtual house arrest, she isn’t allowed to walk down a staircase unattended. Destined for a life of duty, Vickie blossoms when she first sees Albert. It is love at first sight—we know it and they know it. But the filmmakers let the inevitable take its slow, sweet time. Thanks to dialogue drawn from actual diaries and letters, the film believably captures the tenderness of their longdistance courtship. For sheer visual allure and texture, The Young Victoria can match any Merchant Ivory production you’d care to name. Yet it avoids reduction to cheap bodiceripping, thanks partly to brisk editing. Even quiet moments, as the lovers stroll the palace gardens, for example, don’t bog down. The crosscutting between the roiling political innuendo and the couple’s deepening love keeps the tension at just the right pitch. That said, go ahead and wallow in the glorious opulence of it all. Only a communist could fail to love such extravagance. Emily Blunt manages to display the young monarch’s uncertainty and fear as well as her willful independence. And thanks to the sheer physical radiance of Rupert Friend,
we know exactly why she fell for her German cousin. A ringer for the real Albert, Friend is—in a word—gorgeous. With his romantic locks, ruffled shirts and riding boots, he is every inch the prince charming. Their first waltz captures not only the ornament of the period—the ribbons, roses and Viennese waltzes—it also conveys that breathless perfection of a first embrace. But the visuals are matched by an irresistible cast, from malevolent Strong as the bitter power-seeker to a splendid Harriet Walker as the young queen’s aunt and wise confidante. This film is delicious enough to chew, from the stupendous costuming to the authentic great house interiors and seamless acting. Oh, and there’s Bettany’s wickedly sexy Lord Melbourne in the bargain. The Young Victoria is a thoroughly engaging romantic history about the longest-reigning English monarch, before she became the stout symbol of empire. Bring Kleenex.
THE YOUNG VICTORIA (PG; 100 min.), directed by Jean-Marc Vallee, written by Julian Fellowes and starring Emily Blunt, Rupert Friend, Paul Bettany and Miranda Richardson, opens Friday at the Nickelodeon in Santa Cruz.
40 |
december 23-30, 2009
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A/<B/1@CH 1=; december 23-30, 2009 47:;
47:;
Holmes for the Holidays 0/@@G E3B163@
Robert Downey Jr. dominates new releases with expert performance as ‘Sherlock Holmes’ 0G @716/@2 D=< 0CA/19
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HERE ARE moments during Sherlock Holmes when you wish you could hit director Guy Ritchie with his own storyboard; there are bone-crushing fights that you feel like applauding just to celebrate the fact that they’re over at last. Yet all in all, Sherlock Holmes is ripping fun. Robert Downey Jr.’s performance seems to be based a little on Nicol Williamson’s nervous-breakdown sufferer in The Seven-Per-Cent Solution, but there’s less of Olivier in Downey’s performance than there was in Williamson’s, less raising of the voice to let it ring off the proscenium arch. Downey’s schizoid man arouses a note of pity for his own solitude and, at the same time, admiration of his infernal speed. There’s a note of a scandalous Bohemian in Holmes when he’s cleaned up, something of the Pre-Raphaelite decadent in him. He is certainly gratifying to look at. When on his game, Downey’s Holmes is a dandy in high Victorian regalia, ascots and the kind of slanted hats worn in Oscar Wilde’s circle. But we also see another side of Holmes—a hermit crab in a dank flat, huddled under a silk dressing gown so raveled it looks as shaggy as a bear skin. (The detective’s recreations are finessed nicely. Watson’s comment on the matter is, like all good drug humor, an inside joke: “You know that what you’re drinking is meant for eye surgery?�) Mark Strong’s staring and broad-faced Lord Blackwood—a Victorian Aleister Crowley—is apprehended by Holmes in mid–black mass and ushered in to a well-deserved hanging. “You and I are
>@=0:3; A=:D3@A Watson (left, Jude Law) and Holmes (Robert Downey Jr.) puzzle over their latest mystery.
bound together,� Blackwood promises Holmes before he takes the last drop. Naturally, Inspector Lestrade (a beautifully cast Eddie Marsan, looking more like a bull terrier than ever) decides that the case is closed. But it seems the grave cannot hold Blackwood: we cut to a family tomb that looks as if it had been blown apart from the inside. In the meantime, Holmes is approached by two different clients: the ever-troublesome Irene Adler (Rachel McAdams, decorative but dull) and the head of a Masons-like group, who are troubled by the specter of Blackwood. Ritchie’s now-traditional fastforward and fast-rewind techniques are used cleverly to revisit crime scenes. The stopping points include horror laboratories, a steam-powered abattoir, deadly copper bathtubs and spontaneous immolation. The look has more to do with David Fincher than Basil Rathbone. And yet the muddy streets and bad teeth aren’t an unviable idea: Ritchie’s Cockneyfying of the adventure gives it some fresh texture. The movie keeps coming back to a serene partnership— when Holmes says, “The game’s afoot,� Jude Law’s formidable Watson picks up the rest of the Henry V quote. People seeking a degree from the Internet School of Pop Psychology can suggest that Sherlock Holmes implies that
Holmes is closeted. I remember what a far smaller scandal that suggestion was when Billy Wilder implied the same thing in 1970’s The Private Life of Sherlock Holmes. Either way, it should be clear— to go back to Shakespeare—that man delights Holmes not, nor woman either. Sherlock Holmes’ CGI animation is sometimes impressive; one Thames-front scene seems to go back into the frame for miles. Too bad the backdrop in the final fight scene is far more indifferent. Ritchie struggles with the usual problem of trying to illustrate the kind of public panic that would occur if the Antichrist were to rise and stalk London. Compare the aimless hubbub to the thrifty effectiveness of Fritz Lang establishing the same sense of civic emergency in M and Ministry of Fear. Sherlock Holmes rattles our cages with superstitious craziness, then turns into a celebration of pure reason, unique in a season of movies meant to leave your brain in a molten puddle of crypto-religious awe.
SHERLOCK HOLMES (PG-13; 128 min.), directed by Guy Ritchie, written by Michael Robert Johnson et al., photographed by Philippe Rousselot and starring Robert Downey Jr., Jude Law and Rachel McAdams, opens Friday countywide.
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december 23-30, 2009
SANTACRUZ.COM
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A/<B/1@CH 1=; december 23-30, 2009 47:;
47:;
Lying Eyes 3;7:7= >3@32/ /<2 >/=:/ /@27HH=<7
AlmodĂłvar uses Cruz to channel cinema sirens in noirish ‘Broken Embraces’ 0G @716/@2 D=< 0CA/19
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SLEEK, twisty mystery, illuminated by the stunning PenĂŠlope Cruz, the new Pedro AlmodĂłvar is also a sprawler. The James M. Cain–style plot of Broken Embraces involves a blind film director from Madrid, most active in the 1990s (the balding but virile LluĂs Homar). After losing his sight, the filmmaker took the ballsy new name “Harry Caineâ€? and became a writer. Caine is doted on by Judit (Blanca Portillo), a mannish female assistant with whom he has some kind of past. News of the death of a corrupt tycoon sends Caine back to confront unfinished business—to retrieve the moment 16 years previously where he lost both love and sight. Broken Embraces’ well-engineered reveries over classic film are heightened by AlmodĂłvar’s seriocomic additions. The dead tycoon in question, a cuckolded millionaire named Ernesto Martel ( JosĂŠ Luis GĂłmez) is apparently modeled on Everett Sloane’s character in The Lady From Shanghai. This dangerous man collects pop art, and so his dining room is full of giant Warholesque canvases of rif les and guns. In a joke The Simpsons should steal for Mr. Burns, he keeps a framed portrait of one of his pet Dobermans on the window behind his desk. Martel was also the producer of the last film Caine made, and the wealthy man unwillingly shared the love of Caine’s life. Lena, known as Magdalena, was an actress, secretary and part-time prostitute who took as her working-girl name Severine (a nod to Belle de Jour). She, of course, is played by Cruz. No one but AlmodĂłvar knows how to make Cruz really fascinating. She
2@3AA32 B= 97:: PenĂŠlope Cruz is AlmodĂłvar’s object of cinematic desire in ‘Broken Embraces.’ Emilio Pereda & Paola Ardizzoni
acts out a regular scene we used to see in ’60s movies, an auditioning actress trying on wigs. We see this woman’s modes of glamour. Here are the curves of Sophia Loren, the frailty of Audrey Hepburn; in a turned-headed reveal, like that famous moment in Gilda, Cruz blazes the too-incandescent smile of Rita Hayworth. Capped with a tousled platinum wig, Cruz evinces something of Lana Turner in her mankiller parts. The spirits summoned up here aren’t travestied; they’re worshipped. Do we feel for Lena? The film is all a bit too stylized for that. She’s such an imago it’s hard to think of her as a character, despite the moments of love, anger and regret that Cruz acts out. In the press notes, Almodóvar comments about the last shot before Broken Embraces’ coda. In it, a viewer reaches into the blurred, scrambled pixels of a video screen, trying to touch the untouchable past. Having just hit age 60, the Spanish director
seems to have gone valedictorian. Something comes along like Avatar or Transformers 2, and the world trumpets it as a new stage of cinema. If cinema means—in your estimation—something 90 minutes long with three-point lighting, starring a couple of actors hugging and kissing and with a gold-wreathed lion roaring at the beginning, all that inescapable hype about the new is depressing. Imagine how depressed you’d be if you were one dedicated classicist of a film director—then Almodóvar’s act of raving cinephilia makes all the more sense.
BROKEN EMBRACES (R; 127 min.), directed and written by Pedro AlmodĂłvar, photographed by Rodrigo Prieto and starring PenĂŠlope Cruz, opens Friday at the Del Mar in Santa Cruz.
"" j 47:; december 23-30, 2009 A/<B/1@CH 1=;
SHOWTIMES FOR FRIDAY DEC 25 – THURSDAY DEC 314 STARTS FRI 12/25!
Golden Globe Nominee
Best Foreign Language Film! “Gorgeous and seductive‌ Cruz is dazzling!â€? –Empire
PenĂŠlope Cruz IN A PEDRO ALMODĂ“VAR FILM
BROKEN EMBRACES
(R; 135 min.) See review, page 43. (Opens Fri at Del Mar.)
(4:00), 6:45, 9:20
7B¸A 1=;>:71/B32 (R;
“A triumph! Mortensen is astounding.� –Rolling Stone
Viggo Mortensen Charlize Theron Robert Duvall Guy Pearce BASED ON CORMAC MCCARTHY’S PULITZER PRIZE-WINNING NOVEL
Daily: (12:00),
(R)
(2:15), (4:30), 7:00, 9:30
Globe Nominations 3 Golden Best Picture & Best Actress!
including
“Breathtaking, with an exhilarating sense of hope!� –Washington Post (R) Daily: (2:45),
(5:00), 7:15, 9:40
(PG)
118 min.) Meryl Streep stars as a divorcee who becomes the mistress of her remarried husband, Alec Baldwin. Baldwin reportedly used a butt double for his nude scene. Everything was going fine until the butt demanded its own trailer and some speaking lines. (Opens Fri at 41st Ave, Cinema 9, Scotts Valley and Green Valley.) (SP) <7<3 (PG-13; 117 min.)
Once Daily: (12:30)
www.thenick.com
Underneath the jazz hands, this Rob Marshall musical about a film director (Daniel Day-
STARTS FRI 12/25! Golden Globe Nominee Best Actress - Emily Blunt! “An enchanting film about a young woman brave enough Emily Blunt Rupert Friend Paul Bettany to seize her moment!� Miranda Richardson Jim Broadbent Mark Strong –Entertainment Weekly
FROM THE WRITER OF
(PG-13)
(2:00), (4:20), 6:40, 8:50 “One of the best movies about the theater I’ve ever seen.� –Roger Ebert
Zac Efron Christian McKay Claire Danes A RICHARD LINKLATER FILM Daily: (12:20), (2:40), 7:00
A
Jason Schwartzman
Bill Murray
WES ANDERSON FILM
Daily:
(2:30), (4:30), 6:30, 8:30
Daily:
(11:40am), (1:50), 6:50
@3D73EA
/D/B/@ (PG-13; 162 min.) A victory for people who insist that science fiction has to be dumb. In the future, Earthling mercenaries are shipped to the planet Pandora, where 9-footA63@:=19 6=:;3A tall, blue-skinned noble (PG-13; 128 min.) See savages called Na’vi live in review, page 41. (Opens a phosphorescent forest Fri at 41st Ave, Cinema full of saurian beasts. Jake 9, Scotts Valley and (Sam Worthington) is GreenValley.) the paraplegic brother of a dead soldier hooked C> 7< B63 /7@ (R; 109 up to a Na’vi shell; the min.) See review, page program is under the 37. (Opens Wed at Green direction of a chainValley and Riverfront, and smoking biologist Fri at Aptos and Scotts (Sigourney Weaver). Valley.) While it is a maxim of B63 G=C<5 D71B=@7/ screenwriting that the (PG; 100 min.) See plot ought to be the review, page 39. (Opens longest distance between Fri at the Nick.) two points, James
SHOWTIMES
(PG)
(PG)
(R)
9:00
(R)
(PG-13)
McManus brothers return from a quiet life in Ireland after learning
AVS`Z]QY 6]Z[Sa – (Opens Fri) 1:30; 4:30; 6:30; 7:30; 9:45; 10:25; plus Sat-Thu 10:30am. 7b¸a 1][^ZWQObSR – (Opens Fri) 1:15; 4; 7:15; 10:05; plus Sat-Thu 10:35am. /dObO` – Wed-Thu 11:45; 12:10; 3:20; 3:50; 7; 7:25; 10:30; 10:55; Fri-Wed 11:40;
" AB /D3<C3 17<3;/A
/ZdW\ O\R bVS 1VW^[c\Ya( BVS A_cSOY_cSZ – Fri-Wed 11:50; 2:15; 4:45; 7:10; 9:30; 7\dWQbca – Daily 12:35; 3:40; 6:45; 9:40. >`W\QSaa O\R bVS 4`]U – Wed-Thu 11:30; 2; 4:35; 7:10; 9:30; Fri-Wed 11:30; 1:50; 4:05. 4O\bOabWQ ;` 4]f – Wed-Thu 11:55; 2:10; 4:20; 6:30; 9. BeWZWUVb( <Se ;]]\ – Wed-Thu 1:20; 4:15; 7:15; 10:10. BVS 0ZW\R AWRS – Wed-Thu 1; 4; 6:50; 9:45; Fri-Wed 12:05; 2:55. 0`]bVS`a – Wed-Thu 4:40; 7:40; 10:20.
0`]YS\ 3[P`OQSa – (Opens Fri) 1:15; 4; 6:45; 9:20. BVS @]OR – Wed-Thu 2; 4:30; 7; 9:20; no 9:20 show on Dec 24; Fri-Wed noon; 2:15; BVS ;S\ EV] AbO`S Ob 5]Oba – Wed 4:45; 8:45; Thu 4:45. 3dS`gP]Rg¸a 4W\S – Wed-Thu 2:30; 6:45. >`SQW]ca – Wed-Thu 2:45; 5; 7:15; 9:30; no 9:30 show on Dec 24; Fri-Wed 2:45; 5; 7:15;
Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com
“Brilliant! A Capraesque classic in the making!� –The N.Y. Times
George Clooney Vera Farmiga Anna Kendrick Jason Bateman J.K. Simmons ‘JUNO’
(R)
Daily: (11:30am), (1:50), (4:10), 6:30, 8:50
Golden Globe Nominations including
Best Director Clint Eastwood! “Extraordinary & inspirational with magnificent performances –Variety by Morgan Freeman and Matt Damon!� A CLINT EASTWOOD FILM
BVS G]c\U DWQb]`WO – (Opens Fri) 11:50am; 2; 4:20; 6:40; 8:50. ;S O\R =`a]\ ESZZSa – Wed-Thu 2:10; 4:40; 7; 9:20; Fri-Wed 12:20; 2:40; 7. BVS >`WdObS :WdSa ]T >W^^O :SS – Wed 5; 7:10; 9:10; Thu 5; 7:10. AYW\ – Wed-Thu 4:20; 6:30. /\ 3RcQObW]\ – Wed-Thu 2:20; 6:45; Fri-Wed 12:10. / AS`W]ca ;O\ – Wed-Thu 4:30; 8:50. >W`ObS @ORW] – Wed 2; 8:40; Thu 2; Fri-Wed 4:10; 9. 6c`b :]QYS` – Wed-Thu 2:30. 4O\bOabWQ ;` 4]f – Fri-Wed 2:30; 4:30; 6:30; 8:30. BVS ;S\ EV] AbO`S Ob 5]Oba – Fri-Wed 5; 9:20. EVS`S bVS EWZR BVW\Ua /`S – Fri-Wed 11:40am; 1:50; 6:50.
@7D3@4@=<B AB/27C; BE7< Daily: (12:45), (3:30), 6:15, 9:00
(PG-13)
COMING SOON! ‘Youth in Revolt’ 1/8 Del Mar ‘The Imaginarium of Doctor Parnasus’ 1/8 Del Mar ‘Crazy Heart’ 1/8 Nickelodeon
Children under 5 admitted only on Mondays & Weekend Matinees
2WR G]c 6SO` /P]cb bVS ;]`UO\a- – Wed-Thu Noon; 2:30; 5; 7:35; 10:05; Fri-
AVS`Z]QY 6]Z[Sa – (Opens Fri) 11:15; 2; 4:45; 7:30; 10:15. 7b¸a 1][^ZWQObSR – (Opens Fri) 11; 1:30; 4:15; 7; 9:45. /dObO` – Daily 11:45; 3:15; 6:45; 10. BVS 0]]\R]QY AOW\ba 77( /ZZ AOW\ba 2Og – Wed-Thu 8:45. 4O\bOabWQ ;` 4]f – Wed-Thu 11:55; 2:15; 4:30; 6:30. BVS 0ZW\R AWRS –Wed-Thu 11; 1:40; 4:20; 7; 9:45.
<7193:=23=< including
12:45; 3:20; 4:15; 7; 8; 10:20. Wed 12:10; 2:30; 5; 7:45; 10:10.
/ 1V`Wab[Oa 1O`]Z – Fri-Wed 12:30.
Globe Nominations 6 Golden Best Picture & Best Actor George Clooney!
1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com
1475 41st Ave., Capitola 831.479.3504 www.culvertheatres.com
9:40.
( ) = Bargain Shows Before 5:30pm
3
B63 0==<2=19 A/7<BA 77( /:: A/7<BA 2/G (R; 118 min.) The
C^ W\ bVS /W` – (Opens Fri) 11:30; 1:50; 4:10; 6:30; 8:50. 7\dWQbca – Daily 12:45; 3:30; 6:15; 9; no 9pm show on Dec 24. / 1V`Wab[Oa 1O`]Z – Wed-Thu 1:40; 3:50; 6; 8; no 8pm show on Dec 24.
4:30; 7; 9:30.
FROM THE DIRECTOR OF
nonfiction bestseller, writer-director John Lee Hancock eliminated the most controversial aspects of Oher’s case: the Tuohys’ motivation for adopting him. Would they have taken him in if he wasn’t athletically gifted and a potential football star at left tackle? Hancock refuses to see or acknowledge any ambiguity, instead leaving moviegoers with a simple, simplistic answer: They did what they did first out of compassion and later out of unqualified love. (MV)
A/<B/ 1@CH 17<3;/ '
1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com
Daily: (5:00), 9:20
Once Daily: (12:10)
B63 0:7<2 A723 (PG13; 126 min.) The film focuses on Michael Oher
(Quinton Aaron), who overcame homelessness as a teenager to received a football scholarship to the University of Mississippi and later played in the NFL. Oher succeeded with the help of a wealthy Christian couple, Ole Miss grads Leigh Anne (Sandra Bullock) and Sean Tuohy (Tim McGraw), who took Oher in and made him a part of their family. Most of the attention is on Oher’s experiences as the only African American student at a private Christian school, his homelessness after being abandoned by a caretaker and his relationship with the Tuohy family. In adapting Michael Lewis’
/>B=A 17<3;/A
23: ;/@
George Clooney Jeff Bridges
Daily: (4:10),
Cameron’s terrible script for this putative end-ofthe-decade experience really overworks the principle. The politics play it both ways; letting us swoon over the military hardware and still lament for the plundered forests. After an hour, the drugs wear off, and the appeal of synthespianism starts to drag; motion capture isn’t exactly motion release (compare the synthetic Weaver to the real thing), and the cobbled-together story of eco-rebellion isn’t be eclipsed by the visuals. If you’re going to see it anyway, see it in 3-D. (RvB)
Showtimes are for Wednesday, Dec. 23, through Wednesday, Dec. 30, unless otherwise indicated. Programs and showtimes are subject to change without notice.
122 Rancho Del Mar Center, Aptos 831.688.6541 www.culvertheatres.com
Daily: (11:50am),
Meryl Streep
Lewis) coping with his stupid life is yet one more grousing tale of a white man’s midlife crisis. This kind of story has slipped into complete irrelevance, and will remain there until I have one. (Opens Fri at Riverfront.) (SP)
‘GOSFORD PARK’
(PG)
George Clooney
<3E 1/>A 0@=93< 3;0@/13A
(R) Daily: (1:15),
Film Capsules
Movie reviews by Michael S. Gant, Traci Hukill, Steve Palopoli, Mel Valentin and Richard von Busack
155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com <W\S – (Opens Fri) 12:45; 4; 7; 9:55. C^ W\ bVS /W` – Wed-Thu 11:45am, 1:00, 2:15, 3:45, 4:45, 6:30, 7:15, 9:15, 9:45; Fri-
Wed 11:45; 2:15; 4:45; 7:15; 9:45.
A1=BBA D/::3G $ 17<3;/A
226 Mt. Hermon Rd, Scotts Valley 831.438.3261 www.culvertheatres.com 7b¸a 1][^ZWQObSR – (Opens Fri) 11; 1:40; 4:20; 7; 9:40. C^ W\ bVS /W` – (Opens Fri) 11:15; 1:45; 4:30; 7:15; 9:55. AVS`Z]QY 6]Z[Sa – (Opens Fri) 11:10; 2; 4:45; 7:30; 10:10. /dObO` – Daily 11:30; 3; 6:30; 9:45. /ZdW\ O\R bVS 1VW^[c\Ya( BVS A_cSOY_cSZ – Daily 11; 1; 3:10; 5:15; 7:20; 9:30. BVS >`W\QSaa O\R bVS 4`]U – Daily 11:45; 2; 4:15; 6:45; 9. 4O\bOabWQ ;` 4]f – Wed-Thu 11:15; 1:15; 3:15; 5:15. 0`]bVS`a – Wed-Thu 7:15; 9:45. 3dS`gP]Rg¸a 4W\S – Wed-Thu 6:45; 9:15. BVS 0ZW\R AWRS – Wed-Thu 11; 1:40; 4:20; 7; 9:40. >ZO\Sb # – Wed-Thu 11:55; 2:15; 4:30. BVS 0]]\R]QY AOW\ba( /ZZ AOW\ba 2Og – Wed-Thu 7:30; 9:55. / 1V`Wab[Oa 1O`]Z -– Wed-Thu 11:45; 2:20; 4:45.
5@33< D/::3G 17<3;/ &
1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com C^ W\ bVS /W` – (Opens Wed) 11:05; 1:30; 4:30; 7; 9:25; no 9:25 show on Dec 24. 7b¸a 1][^ZWQObSR – (Opens Fri) 11; 1:30; 4:30; 7; 9:30. AVS`Z]QY 6]Z[Ss – (Opens Fri) 12:30; 3:30; 6:30; 9:30. /dObO` – Daily 12:20; 3:25; 6:40; 9:40; no 9:40 show on Dec 24. 2WR G]c 6SO` /P]cb bVS ;]`UO\a- – Daily 11:15; 1:35; 4:45; 7:10; 9:30; /ZdW\ O\R bVS 1VW^[c\Ya( BVS A_cSOY_cSZ – Daily 11:15; 1:15; 3:15; 5:15; 7:15; 9:15;
no 9:15 show Dec 24. 7\dWQbca – Daily 11; 9:20; no 9:20 show on Dec 24. >`W\QSaa O\R bVS 4`]U – Daily 11; 1:05; 3:05; 5:10; 7:15; 9:15; no 9:20 show on Dec 24. >ZO\Sb # – Wed-Thu 1:15; 5:15. BVS 0ZW\R AWRS – Daily 1:35; 4:45; 7:10.
j "#
A/<B/1@CH 1=; december 23-30, 2009 47:;
0@=B63@A (R; 110
min.) Jim Sheridan’s dud remake of a 2004 Danish original. Tommy (Jake Gyllenhaal) is just out of the joint after three years for bank robbery; his brother, Sam (Tobey Maguire), is a captain in the Marines, about to head back for another stint. Grace (Natalie Portman), Sam’s wife, and the mother of his two children, settles down to wait for his return. But Sam’s helicopter is shot down by the Taliban, and he’s taken prisoner and brutalized. In stress mode, wielding a gun and screaming to the heavens, Maguire showboats with all smokestacks belching. (RvB) / 16@7AB;/A 1/@=:
(PG; 96 min.) Robert Zemeckis, the guy who brought us 2004’s The Polar Express, vies with CVS for earliest seasonal statement with this prepreseason release of the animated classic. Scrooge is voiced by Jim Carrey; also features the voices of Gary Oldman, Colin Firth and Robin Wright Penn. (TH) /< 32C1/B7=<
(PG-13; 103 min.) Lone Scherfig’s British comingof-age film has its good points. Twickenhamraised Jenny (Carey Mulligan) is studying for Oxford when she gets picked up by David (Peter Sarsgaard), a slightly older rotter; his slightly cruel eyes and flat smile forecast trouble to come. Until then, Jenny gets to see London highlife and nightclubs, and voyages to Paris. Smelling class, and wanting to make their hard-working daughter happy, Jenny’s parents (Cara Seymour, Alfred Molina) relax the leash. Mulligan is charming, the meet-cute is deft and Olivia Williams bears all the movie’s spine as a deliberately drabbed-down English teacher. Nick Hornby’s screenplay, from Lynn Barber’s memoir, might have meant he had input on the film’s excellent pre–Swinging London soundtrack. Singer Beth Rowley steals the show as the breathy canary at one nightspot. (RvB)
3D3@G0=2G¸A 47<3
(PG-13; 95 min.) Minor but honorable remake of the Giuseppi Tornatore movie. Robert De Niro expertly downplays the lead role of an upstate New York widower named Frank, trying to investigate what became of his family (Kate Beckinsale, Sam Rockwell and Drew Barrymore) British director Kirk Jones (Waking Ned Devine) is a little myopic when it comes to class in America, but one cuts holiday movies slack. (RvB) 4/<B/AB71 ;@ 4=F (PG; 87 min.) In
switching gears entirely from live action to stop-action animation, director Wes Anderson has created his most consistently enjoyable film. Based on a Roald Dahl children’s book, Fantastic Mr. Fox is a fairy tale, but it’s a realistic, slightly bleak one. Fox (voiced by George Clooney) is living a straight life with his wife (Meryl Streep). A midlife crisis rouses the beast; he decides to turn hunter once again. Retaliation comes fast and hard: the Fox is robbed of his tail by a shotgun blast. In the war that follows, Fox and his family—and, soon, all the creatures in the woods—become refugees. (RvB) B63 6C@B :=193@
(R; 131 min.) The soldiers of Bravo Company are stationed in Baghdad for the 2004 fighting. Central to the film is the mystery of Staff Sgt. James (Jeremy Renner) who comes in to replace a slaughtered demolition expert. James’ risk-taking amazes and angers his subordinate, Sgt. Sanborn (Anthony Mackie). The suspenseful, grimly funny script is by co-producer Mark Boal. Renner is outstanding as the inhumanly brave demolition expert. Director Kathryn Bigelow does what Howard Hawks would do: she finds the cooperation between men of great competence in a killing trade, rather than pumping up rivalry. Bigelow breaks through the sense of anonymity that characterizes most Iraq war movies, where helmeted men move
alike and talk the same terse slang. However, The Hurt Locker takes an essentially knightly view of the war, of men suiting up and closing their visors. Thus this is the first Iraq film an American audience can feel good about. Boal’s script does discover the hollow inside the brave James: the missing part that made him never stop to realize why he did his job. (RvB) 7<D71BCA (PG-13; 143 min.) Based on John Carlin’s book Playing the Enemy, Clint Eastwood’s film tells of South African president Nelson Mandela (Morgan Freeman) exhorting the South African Springboks to greatness in the Rugby world cup as a publicrelations move to heal the racial divisions. Team captain Francois Pienaar is not much of a role, but Matt Damon makes it a model of recessive, intelligent interpretation. (RvB) ;3 /<2 =@A=< E3::3A (PG-13; 122
min.) Zac Efron’s Richard is a high school student who literally wanders into a small part in Orson Welles’ late-’30s production of Julius Caesar at the Mercury Theater. Dealing with the moods of the already notorious Welles, Richard is drawn by two women: one is Welles’ assistant Sonja (Claire Danes); the other is a yearning wouldbe writer (Zoe Kazan) who longs to get into The New Yorker. Shooting at a restored old theater in Douglas, on the Isle of Man, director Richard Linklater re-creates Welles’ New York staging of Julius Caesar in fascist blackshirt costumes. The stage scenes are the most compelling. Welles played Brutus, and in Welles fashion he bent the heavily edited text around the noble assassin. Linklater sensibly concentrates on the graphic fist of this Caesar. Christian McKay’s version of Welles is routinely delightful and unpredictable. Efron isn’t nearly as compelling, and Kazan, button-cute as she is, doesn’t hold up her end of Richard’s triangle, particularly when we see her muttering “Truth is beauty, beauty
truth� to an actual Grecian urn. Linklater’s unforced handling of the cast is a plus—as Welles’ expression has it, Linklater doesn’t push the river. (RvB) B63 ;3< E6= AB/@3 /B 5=/BA (R; 100
min.) George Clooney war comedy about Army experiments with psychic powers in Iraq. >7@/B3 @/27= (R; 135 min.) Director/writer Richard Curtis’ Pirate Radio wastes a roster of first-rate actors, including Philip Seymour Hoffman, Bill Nighy, Nick Frost and January Jones. Curtis also rubbishes a fascinating story, the history of how ship-to-shore radio shortcircuited the BBC’s ban on rock music during the 1960s. (RvB) >:/<3B # (PG; 91
min.) (PG) An animated kids’ film. When an earth astronaut (voiced by Dwayne Johnson) arrives on an alien planet, he causes a panic among the cozy suburban inhabitants. >@317=CA 0/A32 =< B63 <=D3: >CA6 0G A/>>67@3 (R; 110 min.)
Much lauded, but it’s a bulldozer. It’s 1987, during some of Harlem’s most suffering years. A girl of immense girth, 16-yearold Claireece (Gabourey “Gabby� Sidibe) makes her way through life. She has intelligence, but she can’t focus, and we learn why in flashback; she was serially raped by her mother’s boyfriend. Her scathing, angry mother, Mary (Mo’Nique), blames Precious for this and her resulting pregnancy), urging her to stop this foolishness about school and go on welfare. Mo’Nique is great, but Precious has a judgmental streak that won’t quit. And that’s been essential to a success worthy of its sensationalism. (RvB) B63 >@7<13AA /<2 B63 4@=5 (G; 97 min.)
In New Orleans of the 1920s, a hard-working African-American girl, Tiana (Noni Rose), falls for the myth that a princess’s kiss can turn a frog back to a prince, but the curse turns out to work both ways, and soon the couple—now both frogs—are running for their lives from a voodoo conjurer (voiced
3;7:7= >3@32/ >/=:/ /@27HH=<7
their favorite priest has been waxed.
by Keith David, reprising the malevolent silkiness of his Cat in Coraline). The attempt to make a multiculti story is suitably enchanting. The full-length cartoon is a tribute to a centurylong history of cellular animation. Here, in the villainous Shadow Man (whom I adored) is a tribute to Cab Calloway’s ghostly gambler in Betty Boop; the blindness of Mr. Magoo is seen in a benign swamp witch; there are paintbrush traces of both Michigan J. Frog and Pepe Le Pew in the fleeing amphibians, and a spot of Tex Avery’s Red in the physique and crinolines of Tiana’s friend and foil Lotte. I’m rapt by the lambency, smoothness and stained-glass colors of this supposedly dead medium, restored to life. (RvB) B63 @=/2 (R; 119 min.) Two figures, halfstarved on a perilous road to the sea, are the survivors of some thorough but indefinite holocaust. All civilization has broken down utterly; long-pig consumption is on the rise. The film offers a serious vision of a world without warmth, humor or sex, and only a lightweight, one thinks, would flee from it. The Road’s postapocalyptic center is a moral struggle: even as his strength wanes, Vigo Mortensen’s Man tries pass on the spirit of “the good guys� to his son. The son is called, as in Tarzan movies, “Boy� (Kodi SmitMcPhee). The film has its moments. Mortensen’s real-to-the-pith suffering is unimpeachable, and a sightless Robert Duvall’s tales of apocalypse have some genuine weight to them. (RvB) / A3@7=CA ;/<
(R; 113 min.) All the themes in the Coen brothers’ previous films blend harmoniously in this terrific tale of comedic woe and horror. Minneapolis, 1967: a meek professor Larry Gopnik (stage actor Michael Stuhlbarg, looking like a dispirited Harold Lloyd) teaches physics at a small college. Gopnik is tantalized with the possibility of tenure, betrayed by his wife with their neighbor
6=:27<5 >/BB3@<!!QfoÂ?mpqf!Dsv{Ă–t!Mfob!tvggfst!gspn!esfbnt!efgfssfe! jo!Qfesp!Bmnpe˜wbsĂ–t!Ă•Csplfo!Fncsbdft-Ă–!pqfojoh!po!Disjtunbt!Ebz/ Sy Ableman, a clammy, polyester-clad swine (Fred Melamed, brilliant). Gopnik’s son Danny (Aaron Wolff) has a cowlike indifference to his father’s plight. And Larry must take charge of his unemployable brother Arthur (Richard Kind), an obese holy fool. The postmodern moments give A Serious Man a vaudeville kick. (RvB) A97< (PG-13; 116 min.) The absurd but inexorable logic of apartheid is laid out with considerable emotional impact in Skin. Based on a true story, the film follows the difficult life of Sandra Laing, born in the mid-1950s with skin color and features that would make her black in the eyes of the law, except that her parents are both white. As a genetic researcher later admits in front of an embarrassed courtroom, most Afrikaner settlers have African blood. The law makes clumsy attempts to cope with the situation—Sandra is at first termed white because of her parentage, then “coloredâ€? by her appearance, then white again. The whiplash affects her whole life, tearing at the fabric of
her family, poisoning her relationships and thrusting her into poverty. This is a grim chronicle leavened by some fine acting. Young Sandra is played by the very appealing, wide-eyed young first-timer Ella Ramangwane. Sophie Okonedo (last seen in The Secret Life of Bees) takes over as the grown-up Sandra, valiantly trying to find a way to cope with personal and societal upheaval. Alice Krige is touching as Sandra’s mother, but the real surprise is Sam Neill, who gives a subtle, woundup performance as her father. Abraham Laing’s love for his daughter is deep and strong; in the early scenes, he sticks up for her with admirable courage. But eventually, tragically, he too is driven to near madness by the artificially enforced divisions that ruled South Africa for so many decades. At times, director Anthony Fabian is guilty of laying on the blows of apartheid with too heavy a hand, but the film earns its tearful, haltingly hopeful conclusion. (MSG) C> 7< B63 /7@ (R; 109
min.) As the predatory Ryan Bingham, George
Clooney delivers a startlingly good performance. Sadly, the film is compromised by director Jason Reitman, who shows signs of morphing into Cameron Crowe. Bingham is a hired terminator—a man brought in to fire people; he tolerates this job with benefits of an executive life with plenty of travel. Enter a young, seemingly equally callous rival (Anna Kendrick). Having this inexperienced girl along interrupts Ryan’s regularly scheduled nostrings flings with a fellow constant business traveler, Alex (Vera Farmiga). The acrid first half is the best part—Clooney makes us admire Ryan’s gamesmanship. The film wants us to equate two different kinds of toxicities—to draw a line between the corporate bloodletting that juices up stock portfolios and the wrongness of the present-tense sex life that Ryan and Alex enjoy. Too bad that Farmiga and Clooney are such a scintillating pair that you don’t want to see them pay the piper. And as a critique of corporate culture, Up in the Air is about as bold as Connecticut salsa. (RvB)
46 |
december 23-30, 2009
SANTACRUZ.COM
As stocking stuffers go, this one is very rare. (Or, if you prefer, well done.)
The Hindquarter’s pre-paid Hospitality Card Stop by for yours today. Get one for yourself and others as gifts. Load them for as much as you want. They’re as good as cash and can be reloaded over and over. Whoever you give one to will have a cow!
426-7770 “where the elite meat” 303 Soquel Avenue between Ocean and Pacific
Wine shop Tasting
Pacific Ave.
Museum of Art and History
Abbot Square
Cooper Street
Annie Glass
Gifts Accessories
Front Street
Downtown Santa Cruz on Abbott Square off Cooper Street (Near Annie Glass).
831-426-VINO (8466) www.vinocruz.com
Lunch & Dinner www.thehindquarter.com
I
In Santa Cruz
I
Reservations Advised
Epicure. Ep picure. e
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ORNIINGS at Black ORNINGS Chinaa Bak ery are are ffilled illed Bakery with the t insistent hissing of the espr esso machine espresso perfumed by by thee aromas aromas of fresh fresh and perfumed pastry. Fabled for fo or its incomparable i omparable dark inc pastry. chocolate cake cake and addictive ad ddictive cranberry cranberry chocolate scones, Black China morphed m scones, into a caffe a while back and d began began serving serving cafe were pretty, pret e ty, organic organic and, lunches that were yes, vegetarian. vegetarian. yes, Now the boho boho space spaace on Soquel Soquel Drive Drive Now taken another plunge. plu unge. Hoping to has taken appeal to sophisticated sophisticateed vegans vegans and appeal vegetarians, the cafe caffe is i now open open for fo or vegetarians, Thu ursdaay through through dining until 9pm Thursday Saturdaay. Saturday. Tiny white lights sparkle sp parkle across across the Tiny front windows of thee spare spare cafe caffe filled f illed front artwork k. A panel fountain fount o ain with original artwork. accents one corner, corner, while w bamboo accents bamboo soffte ten the industrial “pillars� help to soften surfaces. An adjoining adjoinin ng dessert dessert buffet bufffeet surfaces. makes irresistible irresistible visual visu ual appeals. appeals. In the makes room with the brilliant b back room Chinese red wall wall is the cozy cozy little liittle coffee cofffeee and red breakfast area—the area—the culinary c culinar y nerve nerve breakfast center of this ambitious ambitio ous new new expansion. expansion. xpansion center We chose two two interesting interesting wines to We evening specials: s ecials: a Spanish sp go with the evening from o Valcantara Valc a antara ($6) old vine garnacha from sturdy Via Viia Vega Veg ega Zinfandel ($8). and a sturdy evening menu offers several daily offeers several The evening specials, in addition to t the entire entire lunch specials, pllates, savory savory bread bread menu of sandwich plates,
6=:G B@7<7BG Black 6 =:G B@7<7BG Black China China B Bakery’s aker yy’’s co contribution nt ribution ttoo tthe he ddivine: ivine: ccarrot, arrot, cchocolate, ho colate, ccappuccino appuccino
pudding and salads pudding salads.. W Wee immediate immediately ely spotted pear Gorgonzola sp otteed the p ear and Gor gonzola salad saalad ($8.50), arrived split ed helpfully spl ($8.50 0), which arriv it pretty plates,, thanks to ou our into ttwo wo pr etty plates ur helpful server. Tossed organic helpfu ful ser ver. T o ossed with or ganic greens weree thinly slic sliced pears gr een ns wer ed p ears thatt been poached had b een p oached in rosemary rosemary and d balsamic To weree adde added balsam mic ssyrup. yrup. T o these wer ed walnuts, ccandied andiied w alnuts, bits of goat cheesee salad and gor ggorgonzola. gonzola. The ssweet/tart weet/tart sala ad was and arriv arrived slices w as delicious d ed with slic e of es toasted francese butter. toaste ed franc ese and faux but ter. Next, Next, x the entrees. entrees. A square square of delicious butternut deliciious but ternut squash lasagna layered topped ccame ame la ayered with cheeses and topp ped creamy with a dollop of cr eam my ricotta ricotta and d bright cherryy tomato tomatoes ($10.50). brigh es ($10.50 ht red red cherr ). 6-inch-square moree crust crustyy The 6-inch6 square was was mor than texture, bite t a creamy c ea cr eam my in te xtur tu e, yet yet each eac bit te
offfeered clear hits off herbs and cheese offered Very and the ssweetness weetness of o the squash. squash V er e y straightforward presentation, straight fo orward in pr p esentation, it went nicely nic ely with the wine. win ne. A wittily wittily named entree entree of Bean Burgundy bee a lar large Burgundy turned out o to b ge bowl three beans stewed ed b owl of thr ee b ean ns ste wed in rred herbs wine and lots of he erbs ($10.50). The Provençal pungent notes of Pr P ovençal herbs filled f illed each bite and, frank frankly, klyy, became became tedious after while.. Somee div diverting af fter t a while erting garnish accompaniment have or side ac companim ment might ha ave been b een welcome. welcome. If the th he management is making ccommitted ommitted to maki ing Black China an destination, eevening vening destination n, more more attention attention lavor possibilities, to multiplying the f la avor p ossibilities, perhaps lineup p erhaps with a line eup of small plates, plates, base.. will help establish establish a fan base But there there is never never e any any quibbling with
Blaack China Bak Black Bakery ery desser desserts. ts. Onl Only ly a fool fool wo ould turn down the chance chance for for or ecstasy ecstasy would in the t form form o chocolaate of the house chocolate pcake topped topped with German chocolate hocolate cup ch cupcake fr o osting Similarlyy, another anotheer frosting ($2.50). Similarly, b eaautiful cr eation of carrot carrot cake cake with a beautiful creation cr e y faux-butter eam faux-butter topping lived lived d up to creamy thee house legend. We We wish them m luck wit th the dinner hour, hour, which now w is with ado orned by by live live music on Fridays. Fridaayyss. adorned
0:/19 167</ 0/93@G 0:/19 167</ 0/93@G /<2 1/43 / <2 1/43
11121 121 Soquel Soquel Ave., Ave., Santa Santa Cruz Cruz 831.460.1600 8 31.460.1600 LLunch unch Tuesday–Saturday; Tuesday –Saturday; dinner dinner 55–9pm –9pm Thursday–Saturday Thursday –Saturday
48 |
december 23-30, 2009
SANTACRUZ.COM
handcrafted d f d ffrom h hardwoods priced from $62 - $495 Many sizes and styles to choose from
Jewelry, Potter, Art Glass, Windchimes, Candles & More
FREE 2 hour parking • FREE gift wrap 207 Capitola Ave • 475-3788 & 126 San Jose Ave • 475-4466 Two Locations in Capitola Village • Open daily • www.craftgallery.net
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A/<B/1@CH 1=; december 23-30, 2009 3>71C@3
3>71C@3
A>/@9:31=C@A3 ’Tis the season for explosive f lavors.
Cheap Thrills Tasty bubbles for a song 0G 8/;3A 9<756B
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AST-MINUTE cheapo champers shoppers, we know you’re out there. We’ve been there, too: lurching down the liquor store aisle at 11pm, cruising the bottom shelf for any old bubbly and calling it champagne. All you require is that it goes “pop� (after being shaken up in direct contradiction to the idiot warning on the label that is only supplied with sparkling wine of this caliber). Half of it will douse a person in front of you whom you don’t even know, and the whole point anyway is to smooch someone in your immediate vicinity—maybe even that wet, sticky person in front of you. Or perhaps you just want an economical glass of celebration after an energetic evening of Scrabble while watching the ball drop on TV—oh, yes, we’ve been there too. But when spending $7 or less, why not get, you know, the good stuff—or at least as good as you can get? Who knows what sparks may fly after midnight; it wouldn’t be the first time that a great love, however fleeting, was found at the bottom of a bottle of Cook’s. So I gathered seven experts in the field
of social drinking to assess a selection of usual suspects from the bottom shelf. Wines were blind-tasted and scored and a ringer was thrown in as a sort of control. Prices are approximate, and the results were surprising. 1. 1`WabOZW\] 0`cb 1OdO ($6.49) One of two samples produced mĂŠthode champenoise, the Cristalino prompted one wag to question whether I’d sneaked a good French champagne into the mix—ha ha. Noted for musky cologne or yeasty aroma, it had good bubbles, a dry, citrusy palate, and was praised for its “drinkability,â€? also an attribute of a nationally distributed beer. 2. 1]]Y¸a 0`cb 1OZWT]`\WO 1VO[^OU\S ($6.59) Cook’s has come a long way. While the most-often noted flavor was berrylike, this off-dry sparkler, with aromas of dusted bowl, honey and tropical fruit, was called a crowd-pleaser and one taster guessed it to be Prosecco. But hey: Didn’t this used to cost $2.99? 3. ;]~b 1VO\R]\ 7[^S`WOZ ($34.99) Yup, the ringer. A midpriced (or entry-level, depending on your perspective) authentic French champagne, and the successor to
MoĂŤt & Chandon’s popular but abruptly discontinued White Star, this placed third. After Cook’s. The popular take on it was that it was “like the last one [Cristalino], but fartier,â€? with opinions improving a few minutes out. Honeysuckle aromas and papaya-pineapple flavors took this import a little too far on the sweet side for most, although its creamy, nutty finish was judged . . . “champagnelike.â€? 4. /\R`{ 0`cb 1OZWT]`\WO 1VO[^OU\S ($3.29) Clean, peachy and sweet with a hint of kiwi, the AndrĂŠ was nowhere nearly as roundly dismissed as it might have been had it been announced as such. 5. 0O`ST]]b 0cPPZg 0`cb 1cd{S ($6.99) Coming in close after the AndrĂŠ, the Barefoot was nice and dry, with aggressive effervescence and a palate of dry apple cider—Strongbow, anyone? Some thought the finish a bit hot. 6. 8 @]U{b 0`cb 1OZWT]`\WO 1VO[^OU\S ($2.99) No surprise here. Not horrible: flavors of apple fritter and Fresca, but cloying, and the bubbles spent themselves fast. You, um, might want to skip this one. Happy New Year! 0
# j 27<3@¸A 5C723 december 23-30, 2009 A/<B/1@CH 1=;
Diner’s Guide
Our selective list of area restaurants includes those that have been favorably reviewed in print by Santa Cruz Weekly food critics and others that have been sampled but not reviewed in print. All visits by our writers are made anonymously, and all expenses are paid by Metro Santa Cruz. AG;0=:A ;/23 A7;>:3( + C\RS` + # + $ + O\R c^
Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages
/>B=A $$ Aptos
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$$ Aptos
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$$$ Aptos $$$ Aptos
$$ Aptos
207 Searidge Rd, 831.685.0610
8017 Soquel Dr, 831.688.1233 :/ 03::/ D7B/ 07AB@=
257 Center Ave, 831.685.8111 A3D3@7<=¸A 5@7::
7500 Old Dominion Ct, 831.688.8987
Indian. Authentic Indian dishes and specialties served in a comfortable dining room. Lunch buffet daily 11:30am-2:30pm; dinner daily 5pm to close. www.ambrosiaib.com American and specialty dishes from the British and Emerald Isles. Full bar. Children welcome. Happy hour Mon-Fri 2-6pm. Open daily 11am to 2am. Italian. Ambience reminiscent of a small trattoria in the streets of Italy, serving handmade lasagna, pasta dishes, gnocchi and fresh fish. Wed-Sun, Lunch 11am-2pm, Dinner 5-9pm. Continental California cuisine. Breakfast all week 6:30-11am, lunch all week 11am-2pm; dinner Fri-Sat 5-10pm, Sun-Thu 5-9pm. www.seacliffinn.com.
H/;33< ;327B3@@/<3/< Middle Eastern/Mediterranean. Fresh, fast, flavorful. Gourmet
7528 Soquel Dr, 831.688.4465
meat and vegetarian kebabs, gyros, falafel, healthy salads and Mediterranean flatbread pizzas. Beer and wine. Dine in or take out. Tue-Sun 11am-8pm.
1/>7B=:/ $ Capitola
Capitola
Want to know what’s really special?
1/43 D7=:3BB3
104 Stockton Ave, 831.479.8888
All day breakfast. Burgers, gyros, sandwiches and 45 flavors of Marianne’s and Polar Bear ice cream. Open 8am daily.
>/@/27A3 ACA67 Japanese. This pretty and welcoming sushi bar serves 200 Monterey Ave, 831.464.3328 superfresh fish in unusual but well-executed sushi combinations. Wed-Mon 11:30am-9pm.
California Continental. Swordfish and other seafood specials. Dinner Mon-Thu 5:30-9:30pm; Fri 5-10pm; Sat 4-10:30pm; Sun 4-9pm.
A6/2=E0@==9
Capitola
1750 Wharf Rd, 831.475.1511
AB=19B=< 0@7253 5@7::3 Mediterranean tapas. Innovative menu, full-service bar,
Capitola
231 Esplanade, 831.464.1933
international wine list and outdoor dining with terrific views in the heart of Capitola Village. Open daily.
$$$ Capitola
H3:2/¸A
203 Esplanade, 831.475.4900
California cuisine. Nightly specials include baby back ribs, prime rib, lobster and mahi mahi. Daily 7am-2am.
A/<B/ 1@CH $$ Santa Cruz
$$ Santa Cruz
“where the elite meat�
COME to the HINDQUARTER SUNDAY through THURSDAY NIGHTS SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY
I I I I I
Virginia Applewood Smoked Pork Chops $13.99 All you can eat! Texas BBQ Beef Back Ribs $15.99 1/2 Rack Chicago Baby Back Ribs plus 1/4 Smoked Free-Range Chicken $14.99 Alderwood Smoked Prime Rib $16.99 Our Famous Hickory Smoked Chicago Baby Back Ribs Half Rack $13.99 Full Rack $19.99
426-7770
3 0 3 S o q u e l Av e n u e (between Ocean and Pacific) www.thehindquarter.com
I
Santa Cruz
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1116 Pacific Ave, 831. 426.7588
1:=C2A
110 Church St, 831.429.2000
$$ Santa Cruz
B63 1@3>3 >:/13
1@=E¸A <3AB
Santa Cruz
2218 East Cliff Dr, 831.476.4560
$ Santa Cruz
460 Seventh Ave, 831.477.2908
1134 Soquel Ave, 831.429.6994
4/<2/<5= ;3F71/<
$$ Santa Cruz
67<2?C/@B3@
$$ Santa Cruz
6=44;/<¸A
303 Soquel Ave, 831.426.7770
1102 Pacific Ave, 837.420.0135
6C:/¸A 7A:/<2 5@7::
Santa Cruz
221 Cathcart St, 831.426.4852
Mexican/Seafood/American. Traditional Mexican favorites. Best fajitas, chicken mole, coconut prawns, blackened prime rib! Fresh seafood. Over 50 premium tequilas, daily happy hour w/ half-price appetizers. Sun-Thu 11am-10pm, Fri-Sat 11am-11pm. American, California-style. With a great bar scene, casually glamorous setting and attentive waitstaff. Full bar. Mon-Sat 11:30am-10pm, Sun 1-10pm. Crepes and more. Featuring the spinach crepe and Tunisian donut. Full bar. Mon-Thu 11am-midnight, Fri 11am-1am, Sat 10am-1am, Sun 10am-midnight. Seafood. Fresh seafood, shellfish, Midwestern aged beef, pasta specialties, abundant salad bar. Kids menu and nightly entertainment. Harbor and Bay views. Lunch and dinner daily. Mexican. Serving breakfast all day. Popular for our street tacos and handmade Salvadorian pupusas. Vegetarian options made w/ local fresh vegetables & organic tofu. Daily 9: 30am-9:30pm. Americana. Ribs, steaks and burgers are definitely the stars. Full bar. Lunch Mon-Sat 11:30am-2:30pm; dinner Sun-Thu 5:30-9:30pm, Fri-Sat 5:30-10pm. California/full-service bakery. Breakfast, lunch, dinner. “Best Eggs Benedict in Town.� Happy Hour Mon-Fri 5-6pm. Halfprice appetizers; wines by the glass. Daily 8am-9pm. ’60s Vegas meets ’50s Waikiki. Amazing dining experience in kitchy yet swanky tropical setting. Fresh fish, great steaks, vegetarian. Full-service tiki bar. Happy-hour tiki drinks. Aloha Fri, Sat lunch 11:30am-5pm. Dinner nightly 5pm-close.
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A/<B/1@CH 1=; december 23-30, 2009 27<3@¸A 5C723
$$ Santa Cruz $$ Santa Cruz
7 :=D3 ACA67
516 Front St, 831.421.0706 8=6<<G¸A 6/@0=@A723
493 Lake Ave, 831.479.3430
$$$ :/ >=AB/ Santa Cruz 538 Seabright Ave, 831.457.2782 $$ Santa Cruz
=:7B/A
$$ Santa Cruz
>/17471 B6/7
Seafood/California. Fresh catch made your way! Plus many other wonderful menu items. Great view. Full bar. Happy hour Mon-Fri. Brunch Sat-Sun 10am-2pm. Open daily. Italian. La Posta serves Italian food made in the old style— simple and delicious. Wed-Thu 5-9pm, Fri-Sat 5-9:30pm and Sun 5-8pm.
Fine Mexican cuisine. Opening daily at noon. 49-B Municipal Wharf, 831.458.9393 1319 Pacific Ave, 831.420.1700
@7AB=@/<B3 7B/:7/<=
Santa Cruz
555 Soquel Ave, 831.458.2321
$$ Santa Cruz
@=A73 ;11/<<¸A
1220 Pacific Ave, 831.426.9930
$$ Santa Cruz
105 Walnut Ave, 831.423.2020
$$ Santa Cruz
2415 Mission St, 831.423.9010
$$ Santa Cruz
Japanese Fusion. Sushi bar, sake bar, vegetarian, seafood, steak in fun atmosphere; kids play area; karaoke every night. Open seven days 5-10pm; Mon-Fri 11:30am-2:30pm.
A=74
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710 Front St, 831.427.4444
Thai. Individually prepared with the freshest ingredients, plus ambrosia bubble teas, shakes. Mon-Thu 11:30am-9:30pm, Fri 11:30am-10pm, Sat noon-10pm, Sun noon-9:30pm. Italian-American. Mouthwatering, generous portions, friendly service and the best patio in town. Full bar. Lunch Mon-Fri 11:30am, dinner nightly at 5pm. Irish pub and restaurant. Informal pub fare with reliable execution. Lunch and dinner all day, open Mon-Fri 11:30ammidnight, Sat-Sun 11:30am-1:30am. Wine bar with menu. Flawless plates of great character and flavor; sexy menu listings and wines to match. Lunch Wed-Sat noon2pm; dinner Mon-Thu 5-10pm, Fri-Sat 5-11pm, Sun 4-10pm; retail shop Mon 5pm-close, Tue-Sat noon-close, Sun 4pm-close. Pizza. Specializing in authentic Sicilian and square pizza. Homemade pasta, fresh sandwiches, soups, salads and more. Hot slices always ready. Sun-Thu 10am-9:30pm, Fri-Sat 10am-11pm. Pizza. Pizza, fresh salads, sandwiches, wings, desserts, beers on tap. Patio dining, sports on HDTV and free WiFi. Large groups and catering. Open and delivering Fri-Sat 11am-2am, Mon-Thu 11am-1am, Sun 11am-midnight.
A/< :=@3<H= D/::3G $$ Felton
@32E==2 >7HH3@7/
6205 Hwy 9, 831.335.1500
Organic Pizza. Everything organic: pizza, lasagna, soup, salad, beer and local wine. Always organic, local produce. Party room seats 32. Weeknights 4-9pm (closed Tue), Fri 4-10pm, Sat 1-10pm, Sun 1-9pm. See menu at www.redwoodpizza.com.
A1=BBA D/::3G $ 63/D3<:G 1/43 American. Serving breakfast and lunch daily. Large parties Scotts Valley 1210 Mt. Hermon Rd, 831.335.7311 welcome. Mon-Fri 6:30am-2:15pm, Sat-Sun 7am-2:45pm. $ 87/ B3::/¸A Scotts Valley 5600 #D Scotts Valley Dr, 831.438.5005
Cambodian. Fresh kebabs, seafood dishes, soups and noodle bowls with a unique Southeast Asian flair. Beer and wine available. Patio dining. Sun-Thu 11am-9pm, Fri-Sat 11am-10pm.
A=?C3: $$ Soquel
3: 167>=B:3 B/?C3@7/
4724 Soquel Dr, 831.477.1048
Mexican. Open for breakfast. We use no lard in our menu and make your food fresh daily. We are famous for our authentic ingredients such as traditional mole from Oaxaca. Lots of vegetarian options. Mon-Fri 9am-9pm, weekends 8am-9pm.
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# j /AB@=:=5G december 23-30, 2009 A/<B/1@CH 1=;
Astrology Free Will
1126 Soquel Ave. Santa Cruz, near the Crepe Place and Rio Theatre At your service everyday from 10-9 since 1978
Free Public Parking at Cayuga & Soquel O (831)429-9600
Be the Hero of Your Own Sacred Quest Wed, Jan. 6 at 7 pm
Catherine Athans,Ph.D. Make Your Dreams Come True Now — How to Manifest Your Wishes, Dreams and Desires. (Angels Island Press)
Thu, Jan. 7 at 7 pm
Lama Lakshey Zangpo Finding Peace in Troubled Times – The Benefits of Meditation
Calendars for Every Path
Monday, Jan. 11 at 7 pm
Astro Night Leigh Wunce NC Medical Intuitive
Cosmology 2010 ... Countdown to 2012
Saturday Jan. 16 Noon - 5 pm
NEW!
Tales of Transcendence Monthly evenings of inspired stories by storytellers and musicians, hosted by
Gateways Psychic Faire
Richard Stockton of The Planet Cruz Comedy Hour
Gain insight to your life's challenges. Experience our gifted Psychics, Astrologers and Healers.
Laugh, soar, and then take the next step toward your dreams.
By Rob Brezsny
For the week of December 23 /@73A (March 21–April 19): What influences do you really, really need to say goodbye to? The next six months will provide you with ample motivation and opportunity to finally bid those farewells. What long-term cycle really, really needs to be drawn to a close, no more hemming and hawing, all loose ends tied up and all mixed signals clarified? Again, the time between now and the middle of June will bring you the necessary inspiration to make it happen. But it’ll take deep thought and sustained work and an expanded sense of humor, so get started soon.
B/C@CA (April 20–May 20): According to astronomer Mark Whittle, the Big Bang began in silence. Soon it crescendoed into a majestic major third chord 50 octaves below middle A. Then it transformed, over the course of a million years, into a wistful minor third chord. In my vision of the first two-thirds of 2010, the music of your life will have a similar pattern: It begins with silence. Next, it progresses into a lush major feel, with spirited and complex contrapuntal themes. Then in June, it evolves into a dreamy, contemplative phase. By late September, however—unlike the Big Bang—you will move into a third act, in which the music of your life returns to the lively mood it had at the start, only now with the gravitas that the reflective phase has instilled. 53;7<7 (May 21–June 20): I have good astrological reasons to suspect that a year from now, your empire will be bigger. The resources you have at your disposal will be more substantial, the influence you wield will be more meaningful, and the responsibilities you oversee will be more demanding. You can’t, however, just sit back passively and expect fate to make it all happen for you. You will have to work your assets off: get better organized, clarify your game plan, and commit to taking better care of yourself. None of that is mandatory, of course. Being a lazy wanderer with no mission statement is definitely an option. If you do go in that direction, though, don’t complain to me next December about how you feel like you’re made of cookie dough.
1/<13@ (June 21–July 22): You will need to learn a lot in 2010, Cancerian. You’ll be in a phase of your long-term cycle when it will be wise to enhance your problem-solving skills and increase the knowledge you have at your disposal. So let me ask you: What can you do to gently shock yourself into prying open your mind? What is it that you don’t know but need to know? By the way, the coming year will also be a good time for you to offer yourself up as a teacher. In fact, sharing your knowledge and problem-solving skills will make you more receptive to what you need to learn. :3= (July 23–Aug. 22): Do you know any world travelers, shamanic healers or visionary entrepreneurs? If not, there’s a good chance you’ll meet some in 2010, possibly even forge alliances with them. Crafty activists, brilliant artists, and deep thinkers may come your way, as well. Another possibility is that cohorts and comrades you’ve been linked to for some time will embark on mind-expanding quests that blow your mind as well as theirs. One way or another, Leo, the coming year will bring you more than the usual benefits and challenges that come from being in relationships.
D7@5= (Aug. 23–Sept. 22): I was in my first rock band in North Carolina in the 1970s. We did a mix of cover tunes by David Bowie, Lou Reed and Patti Smith, plus original hippie-punk songs and my poetry rants. Controversy arose virtually every time we performed, especially in places like the North Carolina State Fair in Raleigh (where we competed with the cacophony of mooing cows) and frat parties (where we endured the shouted insults of drunken jocks). It wasn’t until I moved to California that I synced up with an audience that appreciated my idiosyncratic musical sensibilities. According to my reading of the omens, Virgo, 2010 could bring you a comparable transition: finding listeners or hooking up with collaborators who are a better fit for your unique qualities. :70@/ (Sept. 23–Oct. 22): I’m always befuddled by astrologers who preach the gospel of doom and gloom when they talk about the influence of Saturn. My experience is that the ringed planet provides the greatest gift imaginable: motivation to become the person you were born to be. It steers you away from pursuing goals that aren’t in alignment with your
soul’s code. It pressures you to give up vain fantasies that even if fulfilled wouldn’t make you happy. That’s why I’m happy to report to you the following good news: As Saturn travels through your sign for much of the time between now and October 2012, I expect that you will be prompted and prodded to cut away the irrelevancies that distract you from claiming your birthright.
A1=@>7= (Oct. 23–Nov. 21): Comedian Chris Rock has a joke that plays on the stereotypes about your sign: “Most Scorpios die while they’re making love!� (Only he uses the f-word instead of “making love.�) I understand the source of his satire. There are more than a few grains of truth in the notion that Scorpios revel in the enigmas of eros and death. On the other hand, I wouldn’t reduce your mystique to such a simple formula. I’d prefer to say something like this: You’re sexy when you’re letting go of your staunch self-control. Or: You’re an expert at transcending humdrum modes of awareness by stimulating intense pleasure. Or: If fully harnessed, your orgasmic power could kill off any destructive compulsions you might be harboring. And by the way, 2010 will be one of the best years ever for you to cash in on these capacities. A/57BB/@7CA (Nov. 22–Dec. 21): According to my analysis of your astrological omens, 2010 isn’t a year to get your head in the clouds, but rather to grow deeper roots. Your job, as I see it, isn’t so much to explore the heights, but the depths. I think you should focus on getting to the bottom of things, not the top. Your instrument of choice should be a microscope, not a telescope. Your specialty won’t be playing spectacular guitar solos but rather groovalicious bass lines. 1/>@71=@< (Dec. 22–Jan. 19): I’m happy to announce that 2010 could be the year when you become a more expert communicator. It’s not that you do a bad job now; it’s just that there is always room for improvement, and this will be an excellent time to attend to that. Life will be bringing you an abundance of experiences that will help you learn to listen better, cultivate more tact, read people’s body language like a pro, and consistently speak about the elusive truth with language that’s both kind and effective.
/?C/@7CA (Jan. 20–Feb. 18): I’ve known some practical, sensible, well-grounded Aquarians in my life. They’re outnumbered, though, by the dominant subtype of your tribe: the imaginative, idiosyncratic irmprovisers with lightning reflexes and high-flying notions. But even if you belong to the latter group, in 2010 you’ll be gaining the capacities of the former. In fact, I think this will be the year you get more things done than you ever have before. Attention to detail will be your specialty. You’re likely to excel in mastering the part of genius that’s comprised of 98 percent perspiration.
>7A13A (Feb. 19–March 20): The pop star Pink is a successful singer. Not only does she have a great voice; she has also sold 32 million records and won two Grammys. Recently she added what I think is an extraneous element to her live performances: a trapeze act. At the MTV Video Music Awards last September, she delivered her song “Sober� while swinging through the air and hanging upside down 60 feet off the ground. I was perplexed as I watched her, thinking to myself, “Doesn’t she have confidence that her song and her singing can stand alone?� In 2010, Pisces, I urge you not to follow her lead. There’s no need for you to go way overboard as you try too hard to give too much. Just sing your songs. 6][Se]`Y( 7T g]c¸R ZWYS b] S\X]g [g P]]Ya [caWQ O\R dWRS]a eWbV]cb a^S\RW\U O\g []\Sg U] VS`S( Vbb^( PWb Zg %1X&`G
Go to @3/:/AB@=:=5G 1=; to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. The audio horoscopes are also available by phone &%% &%! "&&& or 1.900.950.7700
S a n t a c r u z .co m december 23-30, 2009 C L ASS I F I E DS
CLASSIFIED INDEX ¡ ™ £ ¢ ∞ §
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53 54 53 53 54 53
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53 53 53 53
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HEALTH CONSCIOUS COMPANY
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Extra Income! Assembling CD cases from Home! No Experience Necessary! Call Great growing company look- our Live Operators Now! 1ing for staff with the ability to 800-405-7619 EXT 2450 grow w/ it. Looking for paper- www.easywork-greatpay.com Jobs work and documenting (AAN CAN) Superstars! -Document Purchasing Coordinator Control Clerk -HR Administrative in Watsonville Obtain Quotes, Administrator/Assistant Sales Support - Professional Assistant Place Orders Negotiate Tax Firm for Tax Season Division BA/AA a Plus! Full Pricing Degree Required 3-5 Scotts Valley, Santa Cruz, years of experience Full-Time time long term Watsonville $10-$12 per hour KELLY SERVICES, Long-Term Phones, MS Word/Excel 425-0653 KELLY SERVICES, 425-0653 January-April e-mail: e-mail: KELLY SERVICES, 425-0653 1471@kellyservices.com 1471@kellyservices.com e-mail: 1471@kellyservices.com *Never A Fee* *Never A Fee* *Never A Fee*
g Employment
Beekeeping
Classes & Instruction Early Spring Vegetable Gardening Take advantage of our mild California Bay Area climate to get your vegetable gardening up and productive for the season. Available class dates: January 24, 2010 (Sunday) 10am-3pm February 13, 2010 (Saturday) 10am-3pm Tuition: $55 Materials Fee: $20. fh.bond@gmail.com
Do you know that you can keep bees in a small family hive in your backyard? Contact Cynthia at loveapplefarm@gmail.com or call 831.588.3801. ADVANCE REGISTRATION IS REQUIRED. Available class dates: January 16, 2010 (Saturday) 10am-1pm June 12, 2010 (Saturday) 10am-1pm. Tuition: $49
High School Diploma! Fast, affordable and accredited. Free brochure. Call Now!. 1-888-532-6546 ext. 97 www.continentalacademy.com. (AAN CAN)
g Mind, Body, Spirit
Counseling & Therapy
Income-Sensitive Sliding Scale is a social responsibility. Psychotherapy for those who want or need it. Addiction, relationships, anxiety, depression. Chevalisa Bruzzone, MFT Trainee at the Process Therapy Institute. 831.247-6711, 408.358.9892 x410.
Self Help Penis Enlargement FDA Medical Vacuum Pumps. Gain 1-3 inches permanently. Testosterone, Viagra, Cialis. Free brochures. 619/294-7777 www.drjoelkaplan.com (discounts available) (AAN CAN)
General Notices Gain National Exposure Reach over 5 million young, active, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202/289-8484. (AAN CAN)
g For Sale
Electronics
Get Dish-Free Installation
gg Family Services Adoptions
Pregnant? Considering Adoption? Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)
$19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Call now for details: 1-800-943-0685. (AAN CAN) Home Furnishings
April Ash Designer Outlet Furniture, accessories, mattresses and consignments. 2800 South Rodeo Gulch Rd., Soquel. Friday, Saturday, and Sunday 10am-5pm.
gg Miscellaneous
Miscellaneous
Egg Donors Needed Earn $6,000 - $10,000. http://www.nationwideeggdo nation.com/donors.htm. Or email Tiffany at Tiffany@ Nationwideeggdonation.com. (208)895-8667
Get Dish-Free Installation
$19.99 per month. HBO & Showtime Free. Over 50 HD Channels Free. Lowest Prices no equipment to buy! Call now for details: 877-887-6144. (AAN CAN)
gg Computer Services
Music
Miscellaneous
Bands
Low Cost Computer Repair
Lil Wayne, E-40, Snoop Dog, San Quinn
My rates are very low: $45 Hour and I will quote you an estimate before beginning to work. MENTION THIS AD AND GET $10 DOLLARS OFF TODAY! Call Us Today! Ray 408-300-1311 408-510-9282
Thug World Records explosive label features lil Wayne Snoop dog E-40 G-unit and more. Free Downloads, MP3s, RingTones, videos. www.thugworldrecords.com 408-561-1255
g Instruction
g Professional Services Legal Services
Chapter 7 Bankruptcy $1250 + Costs Robert M. Haight, Attorney 831/438-6610
Guitar and Songwriting Lessons Give the gift of music. Guitar and songwriting lessons with a pro. Patient, focused guidance. Demystify the fret board. Sliding scale. Steven 831-278-1500
g Services
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C L ASS I F I E DS
december 23-30, 2009 S a n t a c r u z .co m
Homes g g Home Services Contractors
Notice To Readers
g Real Estate Sales Homes
BOULDER CREEK-THE WAY THE WEST WAS WON-
In the good old days you opened up shop right on your property, work in the back, live in the front. This commerVisit us anytime at townand- cial/residential property has countrysantacruz.com for a a good sized home, shop, list homes that are currently garage and 2 fenced yards. for sale throughout Santa Priced at $405,000. Team Cruz and Santa Clara counties. Thomas with Town and Country Real Estate Miscellaneous (831) 335-3200 townandcountrysantacruz.com
FREE!!!- Online home searches!
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Sign up for our FREE service that alerts you to all of the brand new homes as they become available! townandcountrysantacruz.com
g Real Estate Rentals Homes
Willow Glen Existing home could be remodeled or build your dream Estate. Pool plus separate pool/guest house with indoor spa. Huge basement! $1300. 619-788-0543
Miscellaneous
EVERYTHING OLD IS NEW AGAIN! There’s a new broker in town that offers OLD FASHIONED CUSTOMER SERVICE! Josh Thomas Broker/Owner with Town and Country Real Estate (831) 335-3200 townandcountrysantacruz.com
g Realtors
MET YOU AT THE OPEN HOUSEWe talked about real estate and you asked for a list of homes. Wow, so many more great homes are on the market since we met! Call me and we’ll go look at some homes together! Town and Country Real Estate (831) 335-3200 townandcountrysantacruz.com
gg Real Estate Sales
Real Estate Sales
Realtors
Land
SH CA
Services
All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, family status (the presence of children), or national origin, or the intention to make any such preference, limitation, or discrimination. State and locate laws forbid discrimination in the sale, rental, or advertising of real estate. We will not knowingly accept any advertising for real estate which is in violation of the law.
R FO
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Notice
NT OU SC DI
California law requires that contractors taking jobs that total $500 or more (labor or materials) be licensed by the Contractors State License Board. State law also requires that contractors include their license number on all advertising. You can check the status of your licensed contractor at www.cslb.ca.gov or 1-800321-CSLB (2752). Unlicensed contractors taking jobs that total less than $500 must state in their advertisements that they are not licensed by the Contractors State License Board.
Shared Housing
Sweet & Central Only $139,000 · Central spot in El Rio Mobile Home Park · One Bedroom + office nook · Cathedral ceilings for spacious feel · Owner financing possible · Beautiful spacious kitchen · Co-op park, you own share · Minutes to downtown Santa Cruz Judy Ziegler GRI, CRS, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com
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Wheels
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Santa Cruz Weekly 831.457.9000 Guitar and Songwriting Lessons Give the gift of music. Guitar and songwriting lessons with a pro. Patient, focused guidance. Demystify the fret board. Sliding scale. Steven 831-278-1500
Medical Marijuana and Family Practice M.D. ANXIETY, CANCER, CHRONIC PAIN. 24/7 verification by phone & internet. Issue ID cards. 408.262.3412 or 408.307-2123 www.sfbaythc.com. 615 S. Main St. #6, Milpitas. Discount for Medicare/Veterans. $25 off w/ this ad
WAMM Opens Membership!
Wanna Be In Movies?
Apply for membership to WAMM for Low cost Organic Medicine! Longest running MMJ Org. in Nation. Serving Santa Cruz for 17 years! WAMM.org, 831-425-0580. peace
Film & TV acting classes starting now! Free DVD & consultation with working actor Ralph Peduto. Call (831) 475-UACT (8228). www.actingoncamera.com Be a pro, work with one. Training pros since ‘86.
Medicann - Med. Marijuana Evaluations
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