This edition includes articles on tabloids and film noir; the cinematic stylings of J.M. Coetzee's novel and opera, Slow Man; and a close analysis of the opening sequence in M. Night Shyamalan's Signs. Interviewer Paul Risker sits down with filmmakers Jorg Tittel and Alex Helfrecht to discuss their dystopian film, The White King. Rounding out the issue is a review of the International Film Festival Rotterdam, written by correspondent Rohan Berry Crickmar.
