PICTURE THIS PHOTOGRAPHY FOR THE HOME
MEET CUTE TOP VENUES FOR YOUR NEXT EVENT
IN COD WE TRUST BRISTOL’S LATEST FISH PLA(I)CE
BEST IN CLASS WHAT HAVE BRISTOL’S SCHOOLS DONE TO MAKE THEM FEEL PROUD?
DREAM ON WHAT IF SHAKESPEARE’S BEST-KNOWN COMEDY WAS A THRILLER?
THE BIG BRISTOL LIFE AWARDS PREVIEW 2026!
MOTHER SUPERIOR BE THE FAVOURITE CHILD THIS MONTH
PERSONAL PROPERTY LUXE LIVING ON ST MARTIN’S
If anyone reading this happens to have been born after April 2004 – in which case you’re undoubtedly checking it on a smartwatch, or a hologram, or whatever you cool kids use for media these days – here’s a fun fact: this magazine is older than you are.
Here’s another fact. When we launched, we weren’t called Bristol Life at all. Aspirational little tinkers than we were, we called ourselves Clifton Life to evoke the boujiest neighbourhood in the city. Thankfully we got over ourselves in the end and embraced a more citywide attitude.
And a third fact (which kind of excuses the second one) is that we weren’t a lifestyle magazine back then, but a property one, meaning we always had a picture of a house on the front cover. Again, thankfully, this has changed – I very much doubt if I’d still be here if it hadn’t – and now every issue of Bristol Life is as crammed with culture, food and drink, shopping, interiors etc as our page numbers allow. But we’ve retained the property showcase that was the cornerstone of those first issues, and every now again we’re so wowed by a home that we go old-school and stick it on the front.
This is the case with our cover star this issue, a semi-detached house in Knowle with a decor that would look just at home in one of our interiors features (there’s one of those coming your way in a few weeks’ time, as it happens). Whether you decide to put in an offer or merely steal its style is up to you; our work here is done.
We won’t be making a song and dance about our 22nd anniversary issue next month; 22 isn’t a massive thing. But we will be quietly assessing how far we’ve come since that first issue.
Producing a magazine for Bristol continues to be the best fun imaginable; big thanks to all the citizens of Bristol, who make it so.
DERI ROBINS Bristol Life editor @BristolLifeMag
380 / March 2026
Our Showcase this issue; see page 102
8 THE ARTS It’s another anniversary year for BOV
12 WHAT’S ON Five pages of cultural delights
22 THEATRE It’s the Dream, but not as you know it
28 BRISTOL HEROES A question of sport
35 BOOKS Let’s get this conversation started
38 RESTAURANT Fishies on dishies
45 CAFÉ SOCIETY Life on the Terrace
47 WINE Why the fixation on the same old grapes?
50 ED’S CHOICE Be the favourite child this Mother’s Day
54 INTERIORS What your walls need is some great photography
MEETINGS & EVENTS
58 HIRE GROUND Best places for your next shindig
72 SCHOOL REPORT What have our schools done to make them feel proud?
83 BRISTOL LIFE AWARDS It’s the big 2026 preview!
102 SHOWCASE A cover-worthy semi in Knowle
7
114 BRISTOL LIVES Joanna Hepworth
Editor Deri Robins deri.robins@mediaclash.co.uk Senior art editor Andrew Richmond Cover design Trevor Gilham Contributors Colin Moody, Stan Cullimore, Storysmith Books, Charlie Taylor Commercial director Pat White pat.white@mediaclash.co.uk Commercial manager Neil Snow neil.snow@mediaclash.co.uk Business development manager Charlotte Mace-Pettitt charlotte.mace-pettitt@mediaclash.co.uk Business development manager Jessica Ashley jessica.ashley@mediaclash.co.uk Production/operations manager Kirstie Howe kirstie.howe@mediaclash.co.uk Chief executive Jane Ingham jane.ingham@mediaclash.co.uk Chief executive Greg Ingham greg.ingham@mediaclash. co.uk Bristol Life MediaClash, Media House, 1 Widcombe Parade, Bath, BA2 4JT. tel: 01225 475800; www.mediaclash.co.uk. @The MediaClash © All rights reserved. May not be reproduced without written permission of MediaClash.
We’re a West Country-based publisher, creative agency and event organiser Magazines Our portfolio of regional magazines celebrates the best of local living: Bath and Bristol. Agency From the design and build of websites to digital marketing and creating company magazines, we can help. Events We create, market, promote and operate a wide variety of events both for MediaClash and our clients Contact: info@mediaclash.co.uk
It’ll be balloon season before you know it, and our friends at the Fiesta are inviting charities across the region to become the official partner for this year’s event between 7-9 August.
The Fiesta normally offers a two-year charity partnership, but in this case the term is being extended to three in order to include the Fiesta’s 50th anniversary celebrations in 2028. Charities must be based in Bristol or have strong roots in the city, with their work directly helping to shape, support and improve local lives; if that sounds like you, go for it. Further details: www.bristolballoonfiesta.co.uk
Site wars
Or does it? It’s certainly looking likely that new apartment blocks will be built on Bristol Zoo Gardens’s old Clifton site – planning permission has been approved, a buyer is in place – but it wouldn’t be Bristol if more idealistic campaigners were prepared to go down without a fight.
At a recent public meeting, Tom Jones (no, not that one), and Peter Lord (yes, that one) unveiled an alternative vision for the site. Bristol Zoo Gardens 200 proposes a reimagined zoo homing smaller, endangered animals, with a science centre, restored botanical gardens, learning spaces, a café and undercover picnic area. Funding would come mainly from selling the Clifton Pavilion for luxury flats.
Bristol Zoological Society CE Justin Morris, however, continues to back the apartment block deal; the money raised is essential, he says, to fund the new Zoo Project up at Blackhorse Hill.
The campaigners believe that historically, “Bristol has form to do the right thing just before it does the wrong thing. Our vision for a reimagined Bristol Zoo Gardens is fully costed and has been developed by industry experts.” And Aardman’s Peter Lord didn’t
There’s still time to catch the final days of this year’s Bristol Light Festival. We ran a feature on most of the installations in our last issue, so now let’s complete the set.
Redcliffe Caves is hosting Parker Heyl’s hypnotic Jacob’s Wall, inspired by the folk toy Jacob’s Ladder. Hundreds of wooden tiles flip between mirrored and timber surfaces, scattering light into everchanging cascades.
The Electrical Age is a largescale audio-visual installation by Illuminos; it’s projected onto the Generator Building, which offers a canvas for the story of Bristol’s journey from early power grids to renewable futures.
Swing Song is back too, this year at Portland Square, inviting us to co-create our own illuminated symphony while connecting with our inner child. Nearby, Circomedia offers indoor flying trapeze experiences and sends circus performers out into the square. For more: www.bristollightfestival.org.
hold back, stating that the redevelopment of Bristol Zoo Gardens represents a betrayal of the city’s shared heritage.
“This priceless, irreplaceable asset is destined to be converted into packets of private wealth with privatised, depleted gardens, parts of which we may be allowed
to enter until the new owners get tired of the silence”, he said. “Nothing, apparently, must be allowed to stand in the way of luxury housing.”
And so it rumbles on, until the apartment blocks are, inevitably, built. @savebristolzoogardens on instagram
Hgearing up to celebrate its 260th this year
It’s marking the anniversary with a programme which continues to champion the theatremakers of the future and feature stories from the South West. Coming up in October is its flagship 2026 production: the world première stage adaptation of Lanny, Max Porter’s acclaimed folk-horror novel, which will be adapted by West Country playwright
Olivier-nominated Cinderella: A Fairytale.
The season also includes a strong programme of visiting work, from Bryony Kimmings’ Bog Witch to the return of improvisation hit Murder, She Didn’t Write, Lost Dog’s Juliet & Romeo, Richard Marsh’s Top Gunchained, and Sh!t Theatre’s Evita Too
Over in the Weston Studio new and emerging artists will also be hosted, including work from Bristol School of Acting and Bristol
inequality in the sector. The theatre also confirms continued investment in talent development through its Early Career Writers programme, the restructured Made In Bristol 260 scheme for local 18–25 year olds, and a forthcoming intake of associate artists, reinforcing its long-term commitment to a more equitable and inclusive theatre industry.
More at www.bristololdvic.org.uk
PHOTO BY BETTY BHANDARI
27 February27 March 2026
Still a few days left to catch these weirdos at Bristol Light Festival
Until 19 April
COSMOS: THE ART OF OBSERVING SPACE
A major art and science exhibition celebrating our enduring fascination with space, bringing together contemporary and historic artists. At RWA, rwa.org.uk
Until 26 April
WILDLIFE PHOTOGRAPHER OF THE YEAR
The NHM’s prestigious exhibition of nature photos at Bristol Museum; the ideal winter treat. bristolmuseums.org.uk
Until 3 May
OLUKEMI LIJADU: FEEDBACK
The largest solo exhibition to date by the Nigerian-British artist, filmmaker and DJ; Spike Island, spikeisland.org.uk
PHILLIP LAI
A major solo exhibition of work by the KLite artist, bringing together a body of sculptural commissions that continue his exploration of the material world; Spike Island, spikeisland.org.uk
Until 24 May
THE LAST RESORT
To honour Martin Parr, following
his death on 6 December, the MPF gallery reopens with an exhibition of Martin’s iconic seaside shots of New Brighton; martinparrfoundation.org
28 February-24 May
MOUNIRA AL SOLH: A LAND AS BIG AS HER SKIN
A major new solo exhibition from Mounira, including her acclaimed Venice Biennale pavilion installation
A Dance with her Myth which takes visitors on a journey from Middle Eastern mythology to contemporary times. Arnolfini, arnolfini.org.uk
Until 28 February
THE LAST PICTURE
Sam is an emotional support dog. Sam is here to look after you. Sam will keep everyone safe. This is a play about empathy: its power, its limits, and what it asks of us. It’s about our shared past, our present, and the choices we face today. At BOV, bristololdvic.org.uk
Until 28 March
MACBETH
TFT’s artistic director Heidi Vaughan brings her signature collaboration, humanity and emotional depth to the Scottish
play. Full of darkness and madness though Macbeth is, Heidi’s direction seeks out the spark of resilience, leaving audiences provoked, moved, and unexpectedly uplifted. tobaccofactorytheatres.com
28 February
GOD IS A WOMAN: THE MUSICAL
Imagine if the Bible had been translated by women. BAFTA Breakthrough comedian Luisa Omielan makes a pitch for a musical – think a female Book of Mormon, before it got funded. This time, it’s all about Mary Magdalene. Let’s rewrite Herstory; Redgrave; redgravetheatre.com
3-4 March
TALES FOR AN UNRULY AUDIENCE
Myth, mirth, and magic as the Lord of Unreason, aka George Attwill, brings bardic storytelling, a carnivalesque vibe and audience participation to Wardrobe, thewardrobetheatre.com
3-7 March
A GRAIN OF SAND
A one-woman show taking an intimate look at war through the eyes of a child, blending Palestinian folklore with real-life testimonies
from children in contemporary Gaza. At BOV; bristololdvic.org.uk
4-21 March
A MIDSUMMER NIGHT’S DREAM
The one with the fairies, the rude mechanicals and the donkey, but not as you probably think you know it; at BOV, bristololdvic.org.uk
7 March
LIFE BEFORE YOU
Developed in Bristol by writer Eva Hudson and director Roisin McCay-Hines, inspired by their shared experiences of navigating womanhood, class and identity, with the specific context of having Northern Irish mothers who moved to England to raise their children. TFT, tobaccofactorytheatres.com
10 March
OUR LITTLE HOUR
A moving new(ish) musical dramatelling the inspirational story of how Walter Tull, the grandson of a Barbadian slave, orphaned at eight years old, became the first black footballer to play at the highest level of the domestic game in the UK before achieving another historic breakthrough as the first man of his heritage to be commissioned as
an officer in the British Army. It’s at Redgrave; redgravetheatre.com
10-14 March
ALL THE HAPPY THINGS
Sienna is trying to deal with her grief by clinging on tightly to what she knows – in short, she’s seeing her dead sister everywhere she goes. An award-nominated dark comedy about the power of sisterhood and grief, told through a global majority lens, at BOV, bristololdvic.org.uk
15 March-10 May
THE GREATEST SHOWMAN
Another first for the Hippodrome. In Bristol this is “the UK première”; for London it’s a “West-End tryout”, either way, we believe it’s sold out. atgtickets.com
16 March
MACBETH
Flabbergast’s magical, lucid interpretation of Shakespeare’s blood-soaked tragedy employs puppetry, clowning, physical theatre and live music, in a stripped back set, drawing out the parallels with modern society. At Redgrave; redgravetheatre.com
17-21 March
DORIS (THE GIRL NEXT DOOR)
Doris Day could do anything except pick a husband. Kate McNab stars and sings as the Hollywood legend at Alma Tavern Theatre; almatavernandtheatre.co.uk
MEET FRED
Darkly comic show about a 2fttall cloth puppet trying to live an ordinary life, get a job, find love, be part of society. But how do you hold on to independence when the system pulls the strings? Inclusive theatre company Hijinx’s performers with and without learning disabilities and/or autism draw on their lived experiences, bringing depth and authenticity to Fred’s struggle. At BOV, bristololdvic.org.uk
24-28 March
THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED)
The Reduced Shakespeare Company brings a revised and updated romp through all 37 of Will’s play, with a few sonnets thrown in too; BOV; bristololdvic.org.uk
25-27 March
THE CITY FOR INCURABLE WOMEN
The outrageous (and true) tale of
medical misogyny about patients demonstrating ‘hysteria’ onstage in 19th-century Paris; at Wardrobe, thewardrobetheatre.com
Ongoing
CLOSER EACH DAY
The world’s longest-running improvised comedy soap continues at Wardrobe; thewardrobetheatre.com
BRISTOL IMPROV THEATRE
For the full programme, see improvtheatre.co.uk
THE GAFFE
Stand-up LOLs from some of the sharpest, funniest comedians on the circuit, at Bristol’s hottest new comedy club: thegaffecomedyclub.com
Until 28 February
MIKE WOZNIAK: THE BENCH
New stand-up tour in which a story about a bench will be prominent. Previous experience of or strong opinions about benches not required. Let Mike worry about that. At BOV; bristololdvic.org.uk
27 February
MO GILLIGAN:
THE MO YOU KNOW
Mo brings his observational comedy and takes on everyday life to Bristol Beacon. No quirky little summary was provided with the press release, otherwise you know damn well we’d have nicked it. bristolbeacon.org
ALISON SPITTLE: BIG
A man once told Alison to sit down. Now she’s doing a whole stand up show about it. At 1532; 1532bristol.co.uk
JOE KENT-WALTERS IS FRANKIE MONROE: DEAD!!!
The nation’s favourite demonic entertainer, owner of a working man’s club in Rotherham (that’s also a portal to hell) dazzles you from beyond the grave. At The Wardrobe; thewardrobetheatre.com
28 February
VITTORIO ANGELONE YOU CAN’T SAY NOTHING ANY MORE
Should comedians use their platforms to recognise and tackle important issues? Expect thoughtprovoking ideas from Vittorio, as opposed to straight-up gags, at Beacon; bristolbeacon.org
above: Elrow in the house: Delusionville at Prospect below: Make like a fairy and get the Puck over to BOV for the Dream
JORDAN GRAY: IS THAT A C*CK IN YOUR POCKET OR ARE YOU JUST HERE TO KILL ME?
The Transaction star hits the road with a guitar on her back, a bounty on her ballbag, and some very poorly written death threats in her DMs. At 1532; 1532bristol.co.uk
1 March
JIMEOIN: PANDEMONIUM
A night of wit, sharp timing and LOLworthy fun from the Irishman from Australia, back doing what he does best. bristolbeacon.org
FUNNY BONES
The return of the stand-up night at Bristol Old Vic in support of Bristol & Weston Hospitals charity; Stu Goldsmith, Dani Johns, Harriet Dyer, Matt Richardson and Toussaint Douglass all feature. bristolbeacon.org
5 March
SAM NICORESTI: BABY DOOMER
The delusional queer icon riffs about love, insanity, the standing stones of Cornwall, cats and the hunt for the perfect skirt suit, at Wardrobe; thewardrobetheatre.com
6 March
JANINE HAROUNI: THIS IS WHAT YOU WAITED FOR
The native New Yorker returns with a sharp new show about marriage, parenting, and all the other wonderful milestones that slowly degrade your sleep and sanity. At 1532; 1532bristol.co.uk
IAN STONE IS LOOKING FOR THE WOW
“There has to be more to life than the humdrum and the routine before the inevitable slide into disease, decay, and death. Why can’t we
sneak in a hint of awesome, a tad of amazing, and maybe a smidge of wonderful?” More along these lines from Ian at the Hen & Chicken: henandchicken.com
RANDY FELTFACE: GIMMICK
Randy has spent his career denying the accusation that he is nothing more than a gimmick. Now it’s time to own it. He’s amassed a huge and devoted following across the globe. He’s also a total gimmick. At Bristol Beacon; bristolbeacon.org.
7 March
ALASDAIR BECKETT-KING: KING OF CRUMBS
ABK is the crumbliest comedian in the game. He’s either a genius or a very silly man, according to Rolling Stone. At 1532; 1532bristol.co.uk
GRACE MULVEY: DID YOU HEAR WE’RE ALL GOING TO DIE?
The self-dubbed Irish ‘death queen’ is here to teach you how not to be weird about loss. Grace doesn’t fear death, just back fat, fascism and low-rise jeans. Alma Tavern; almatavernandtheatre.co.uk
DALISO CHAPONDA: TOPICAL STORM
Is the reporting of news polarising us as a society rather than educating us? Would we be better off going right back to the first ever news bulletin – the original caveman drawing on a wall – and starting from scratch? Daliso has thoughts, at Wardrobe, thewardrobetheatre.com
8 March
SAM LAKE: YOU’RE JOKING!? NOT ANOTHER ONE!
Feeling like life and his career has become repetitive, Sam is asking himself, “Are we really doing this again?”. Has he lost sight of his goals after years of entertaining countless idiotic men in comedy clubs? Sam addresses the stereotypes of effeminate gay men that both hinder and help him in his efforts to be a funny little scamp; at Wardrobe, thewardrobetheatre.com
WONDERHAUS
The brightest and bravest gems of live performance, comedy, clowning, circus, music and miscellany, freshly mined from the depths of the collective subconscious, comes back for another stint at Wardrobe; thewardrobetheatre.com
9 March
KYLA COBBLER: GONE ROGUE
Kyla covers everything from the chaos of Barcelona dating life to navigating a friend crush and the power plays of a BBQ; at Redgrave; redgravetheatre.com
12 March
ANDREW DOHERTY: SAD GAY AIDS PLAY
The twisted homosexual mind that brought you Gay Witch Sex Cult relaunches itself with a groundbreaking piece of tragic theatre: the depressed love child of A Little Life and Angels In America, cooked up in an effort to be taken more seriously by The Pulitzer committee and earn a one-way ticket to success. Alma Tavern; almatavernandtheatre.co.uk
13 March
ROB AUTON: CAN
At one point in his life CAN was the world’s number one motivational speaker... and then something happened. 1532: 1532bristol.co.uk
JOZ NORRIS: YOU WAIT. TIME PASSES
Joz has completed his life’s work and he’s ready to unveil it to the world for the first time, no matter the consequences. But what exactly is it? What has it cost him? And what will he do next? Alma Tavern; almatavernandtheatre.co.uk
14 March
ALFIE MOORE: ACOPALYPSE NOW
The Four Horsemen of Rising Crime, Global Warming, AI and Culture Wars are galloping towards us: are we on the road to hell, and can we avoid the potholes? Alfie has the antidote, at Redgrave; redgravetheatre.com
15 March
JESSICA FOSTEKEW: ICONIC BREATH
A monster’s guide to tolerance and temperance. Jess can feel herself becoming an emotional wildebeest right when her world (and the whole world, thanks) demands cool, collected ultra-detached saintlike kindness and understanding. Witness her effort to become a brand new, mythical, mystical ‘coper.’ . Or not. At BOV; bristololdvic.org.uk
KATIE NORRIS: GO WEST, OLD MAID
Cursed with the voice, face and arse
of an angel, Katie embarks on a personal odyssey into the untamed realms of her imagination following a sold-out run at Edinburgh. Wardrobe, thewardrobetheatre.com
18 March
EMMA DORAN: EMMACULATE
Hear one of Ireland’s favourite stand-ups lay bare the many trials and tribulations of her blended family in a night of sharp observations, on-stage antics and conspiratorial gossipmongering, at Wardrobe, thewardrobetheatre.com
19 March
SU MI: THISMOTHERPHUCKER
TMP is a public nuisance. A dysfunctional anti-clown whose only mission is to destroy ego. Join them for a wild exploration down the trippiest rabbit hole you could never imagine, at Wardrobe; thewardrobetheatre.com
JARLATH REGAN: GAS MAN
Much-loved Irish comedian and Mammy translator Jarlath is back with a new show filled with spot-on observation and ridiculous stories; catch him at The Redgrave; redgravetheatre.com
20 March
PHIL ELLIS: BATH MAT
Taskmaster star Phil is going on his first full national stand-up tour. bringing all the LOLs, profound silliness, carefully crafted gags and constant surprises to The Wardrobe; thewardrobetheatre.com
22 March
ROSS NOBLE: CRANIUM
The surreal, improvised, stream-ofconsciousness comic is back on stage to tour a tornado of tangents. What the show will be about is anybody’s guess, but that’s at least half the fun; at Beacon, bristolbeacon.org
ANIA MAGLIANO: PEACH FUZZ
A new show full of jokes, confessions, and occasionally unhinged observations, from the quirks of Ania’s body to the legend that is Eve and her newly discovered boundaries. BOV; bristololdvic.org.uk
26 March
BENNETT ARRON: I REGRET THIS ALREADY
You know what it’s like when everything’s going well? Bennett doesn’t. One of his jokes was listed among the Top Ten at the Fringe, and he’s BAFTA shortlisted, yet
life still laughs at him. Queue early to enjoy disappointment, at Alma Tavern; almatavernandtheatre.co.uk
27 March
HOLLY SPILLAR: TALL CHILD
Armed with nothing but a loop pedal and her ever-growing rage, Holly is looking for the catharsis only art (made by low-income people, working two bad jobs on minimum wage) can provide, at Alma Tavern; almatavernandtheatre.co.uk
For more events see: Bristol Beacon (bristolbeacon.org); St George’s Bristol (stgeorgesbristol.co.uk); Trinity (trinitybristol.org.uk); The Louisiana (thelouisiana.net); Thekla (theklabristol.co.uk): O2 Academy (academymusicgroup.com); Bristol Folk House (bristolfolkhouse.co.uk); Electric Bristol (electricbristol.com); The Hen & Chicken (henandchicken.com); Prospect Building (theprospectbuilding.com) and Gallimaufrey (thegallimaufry.co.uk)
5 March
SLEAFORD MODS
With their raw, urgent blend of punk, electronic beats, and socially charged lyrics, the Nottingham duo are famed for their confrontational and brutally honest performances; head to Beacon to see if the years have mellowed them. bristolbeacon.org
SCOUTING FOR GIRLS
The pop-rock trio bring their upbeat, piano-driven catchy indiepop to O2; academymusicgroup.com
7 March
FRANZ FERDINAND
From their early days throwing underground gigs in condemned Glasgow buildings to headlining the world’s biggest festivals, FF were one of the most electrifying live acts of their generation; come to Beacon to see how their indie-disco anthems are holding up. bristolbeacon.org
8 March
SEEDLING SESSIONS
For International Women’s Day, Trinity spotlights the powerhouse women shaping the local scene with a night of live music, from bold genre-blending innovators to vocalists whose harmonies hit straight to the soul. trinitybristol.org.uk
12 March
BEANS ON TOAST
Engaging, unpredictable troubadour Mr Toast is at The Fleece, doubtless
The Bristol actor, rapper, poet and DJ appears in The Complete Works of William Shakespeare (Abridged) at BOV this month.
“This West End classic is a rollercoaster ride through all 37 of the Bard’s plays told by three frantic but extremely talented actors”, they say. “Kiran is most looking forward to playing Ophelia.”
He’s also a huge Doctor Who fan and can name every episode from 2005 to the present day, with a quote from each.
A film I could watch over and over again:
Matilda. Since I was a child it has been a comfort film and the magic of it never gets old.
Best TV show ever…
Doctor Who: with 15 lead actors and 63 years of content, there ain’t anything this show can’t do and its main focus of being kind is a magical part of a limitless show.
My favourite binge-watch: Supernatural - I binge-watched nine seasons of this show back in 2014 and every now and again I’ll watch a few at a time. A very fun show about two brothers who defeat anything in their way.
The book that changed my life: When I was a kid my mum bought me the Percy Jackson series and I remember living so much of my childhood through his demigod
adventures – and learning about Greek mythology along the way!
My desert island disc: Because the Internet by Childish Gambino. One of my favourite albums of all time, with a mix of melody, rap, happy, sad, love and hate.
A character you’d love to play: The Doctor. I’d love to fly around in the TARDIS saving civilisations from all sorts of monsters.
My dance floor/karaoke banger: Dance floor: Trap Queen by Fetty Wap, the ultimate high energy song. Karaoke: Pass the Dutchie by Musical Youth,a big vibe.
Podcast pick: Yogpod-yogscast. The first podcast I ever heard. Two grown men talking about random nonsense with no real plan- the lack of organisation brings so much authenticity.
Best app: Chess – I go through phases of playing. It’s good for the brain
Guilty pleasure: High School Musical - a phenomenal trilogy with a soundtrack that will never die
The Complete Works of William Shakespeare (Abridged) is at Bristol Old Vic 24-28 March www.bristololdvic.org.uk
treating us to a tune or two from his recent album Kill them with Kindness; thefleece.co.uk
12 & 24 March
BRISTOL BEACON 2026 ORCHESTRAL SEASON
Bristol Beacon continues its a diverse array of performances by orchestras from the UK and beyond. This month expect Bournemouth Symphony Orchestra on the 12th and The Hallé on the 25th; bristolbeacon.org
13 March
ECHO & THE BUNNYMEN
The post-punk pioneers bring their atmospheric sound and Ian McCulloch’s unmistakeable vocals, to Bristol. The tour’s called More Songs to Learn and Sing, so if you fancy that, get to Beacon; bristolbeacon.org
17 March
LILY ALLEN
Lily goes scorched earth on her marriage to David; don’t hold your breath for a reunion. She’s playing the whole of break-up album West End Girl at Beacon in a night of storytelling, self-reflection, and classic Lily attitude; this sold out with Glastonbury-ticket speed, so it’s returns only; bristolbeacon.org
RONI SIZE & LTJ BUKEM
Two titans come together. Bristol’s Roni cemented his legacy with the groundbreaking album New Forms, propelling drum ’n’ bass onto the global stage, while LTJ, the innovator behind Logical Progression, brings his jazz-fused, atmospheric sound that shaped the genre. At Prospect Building: theprospectbuilding.com
THE FEELING
It’s the 20th anniversary of Twelve Stops and Home tour, and it’s visiting O2; academymusicgroup.com
21 March
BRISTOL BACH CHOIR
Performing Bach’s Mass in B Minor, on Baroque instruments at St George’s; stgeorgesbristol.co.uk
DELUSIONVILLE
Elrow takes over The Prospect Building for a riot of colour, confetti and high-energy house and techno., theprospectbuilding.com
24 March
10CC AND ANOTHER BLOODY GREATEST
Art, science and space in one tasty package at Cosmos, RWA
HITS TOUR
One of the UK’s most inventive bands returns with its cheekily titled new tour; come and hear all the tunes at Beacon; bristolbeacon.org
27 March
FAIRPORT CONVENTION
They practically invented British folkrock, they’ve won loads of awards, and they’re on their way to Bristol Beacon; bristolbeacon.org
MISTY IN ROOTS
The reggae legends celebrate 50 years in the biz we call show with a gig in Lantern Hall and the reissue of their classic debut Live at the Counter Eurovision, one of the greatest live reggae albums ever recorded. At Beacon; bristolbeacon.org
Ongoing
BRISTOL FILM FESTIVAL
The usual eclectic selection of classic and popular movies, often at sitespecific venues. bristolfilmfestival.com
Until 28 February
BRISTOL LIGHT FESTIVAL
Back in all its luminous splendour; check our previous issue (it’s online, folks) for the full feature; bristollightfestival.org
Until 12 April
THE EVERYWORLD SEASON
A season celebrating the visionary work of father/daughter duo, Andrew and Eden Kötting, stretching from Undershed to the cinema. watershed.co.uk n
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Thought A Midsummer Night’s Dream was a summery rom-com? Now picture it as a wintry, pitch-black thriller . . .
Words by Ursula Cole
“The transformation of a man into a donkeydirectlyspeaks to the horror genre”
Vengeful fairies. Mind-altering herbs. Dangerous desires: A Midsummer Night’s Dream is Shakespeare’s maddest, baddest romance. After all, this the play that warned us that: “The course of true love never did run smooth”.
When Holly Race-Roughan of Headlong Theatre was invited by Shakespeare’s Globe to create a fresh production of the play, she and her team delved into the story and its characters to uncover new, unexplored layers. After a successful run at Sam Wanamaker Playhouse, the show, which is co-produced by Headlong and the Globe along with Bristol Old Vic and Leeds Playhouse, is now touring the UK; it arrives in Bristol this month.
The initial inspiration, says Holly, came from the novel idea of performing a midsummer story in the dead of winter.
“I think there’s something about staging A Midsummer Night’s Dream in winter that poses a very simple question to its creative team: what does it mean to shine a light on the darkness in the play? It’s such a rich text, it can be read in so many different ways, and an opportunity to explore its murkier aspects felt really exciting.”
In the unlikely event that you’re unfamiliar with the tale, it’s made up of several subplots revolving around the marriage of Theseus, Duke of Athens, to Hippolyta, Queen of the Amazons. There are four young courtiers, all mostly in love with the wrong person; six amateur working-class actors aka the ‘rude mechanicals’, rehearsing a play to perform at the wedding; and the king and queen of fairyland who have turned the seasons topsy-turvy as they squabble over a changeling child.
Within this framework the play touches on issues around power, love, sexual attraction, nature and freedom to choose.
“Our production aims to explore the shadow side of those in power and how power can cast its own shadow over societies”, says Holly. “So the court world of Athens in our production is quite clearly patriarchal, and physical violence is very present. We were thinking a little bit about the rise of neo-fascism across Europe today, and how the mortal world in the play is in conversation with fascistic rule.”
Chief among the rude mechanicals is the weaver Bottom, who is changed into an ass by the mischievous fairy Puck.
“The transformation of a man into a donkey speaks directly to the horror genre”, says Holly. “We tried to take what it might feel like to suddenly see your body metamorphose into that of an animal really seriously.
“I think the north star of what we are trying to do with the show is to create a kind of pitch-black thriller for audiences to come and experience in the winter. But it’s inventive and playful as a show, as well as having the thriller aspects to it.
“Part of the fun is that even though we’ve gone dark in places, it’s still raucous and funny, and that is the gift of A Midsummer Night’s Dream: it just works. One of the things we’ve really enjoyed is how much the audiences have a version in their head that they also bring into the room – and then they go with us in another direction.”
Oxford-based Headlong have built up a strong reputation for shaking up classic dramas, giving
above: Michael Marcus as Theseus, Hedydd Dylan as Hippolyta and Tiwa Lade as Hermia; below: Danny Kirrane gives us his Bottom; opposite: Tara Tijani as Helena, Lou Jackson as Demetrius and Michael Marcus as Oberon
“So we set ourselves that task: how do we meet an audience who’s familiar with this text, but also those people who don’t, and bring them all on the journey of feeling like they don’t know what’s around the corner? To give them a thriller experience, rather than a warm fluffy time at a comedy?”
Part of this process has involved not only reducing the length of the original script but also bringing in quotes from Shakespeare’s other work which the team felt helped illuminate ideas in the Dream
“There’s a speech from Romeo and Juliet in there, there’s a bit from Hamlet, a tiny bit from King John and a bit from the sonnets. It’s all Shakespeare, but some of it is in conversation with his other plays,” says Holly. “Arguably all of Shakespeare’s plays are in conversation with each other, and we’ve just brought that conversation more directly onto the stage. It’s really important to me that the text is clear and audiences can follow it, and that it feels close to contemporary conversations in the way it’s performed.
“Shakespeare is one of the very few playwrights who does psychology as well as story, as well as pure theatre. That’s endlessly engaging for an audience. The depth of his work is extraordinary because he writes mainly in poetry, and I think poetry is very threedimensional on stage. Someone means what they are saying, but there’s also layer and layer and layer to each line. So there’s a kind of iceberg underneath his writing that speaks to us spiritually on some level. Also, thematically, he’s dealing with the epic, the political and the domestic all at one time in each play.
“So much of Shakespeare you can read one way or another; that’s why he was such a clever writer. Shakespeare’s plays are so robust and well-structured that they really can take bold and even naughty interpretations. Artists help us to engage, comprehend, digest and feel what we are going through at this moment. Every writer was a new writer at the time of writing, and when we are turning to these classics we are blowing the dust off them.” n
A Midsummer Night’s Dream plays Bristol Old Vic 4-21 March 2026
www.bristololdvic.org.uk
“Shakespeare’s plays are so robust and well-structured that they can take bold and even interpretations”naughty
Sure, it’s all fun and games at Milano Cortina at the moment – but just like love in a certain romcom we think that if you look for it, we have a sneaky feeling that sport, actually, is all around Words and pics by Colin Moody
3 2
The Winter Olympics opening ceremony, and all that talk about peace through sport, has got me thinking of all the players of the game in our own city.
But the game can be whatever we want it to be. Not just football – and I’ve just come back from Milan, and when you see little boys and girls kicking the ball around the back alleys and it’s like a dance, you know we’ve got a long way to go to be any good at that game – no, I’m talking about games of our own design. Like the cardboard boat race every year at Harbour Festival.
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So let’s begin. At the water’s edge, when another Olympic champion of the future finds that feeling when the blade of their paddle first touches the, umm, crystal clear waters of the Bristol Harbour.
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Tug of war? Nope. It’s the ground crew at Fiesta making sure several thousand litres of warm air doesn’t just fly off willy-nilly. We are a city that pulls. If there was to be an Olympic Committee approval on tug-of-war, may I suggest we field a Bristol team?
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I’ve watched the horse riding at the Olympics, and that fancy footwork in the dressage always impresses. Sometimes the horses seem to startle or throw a rider by pulling up short before a jump. May I suggest we use the services of the local mounted police? They never falter from their task, and are unfazed, it seems, by recent gatherings on both sides of a chaos möbius strip of a summer.
4Sport. The drive to win is paramount. And if you can’t get a dogsitter, you will have to improvise.
This is the rather new sport of chasing after drum and bass on a bicycle. I’m calling it bass riding. Usually around the West Street area, and culminating in a ceremony at the amphitheatre where vintage bass heads emerge like royalty though the sea of BMX.
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“This is the rather new sport of chasing after drum and bass on a bicycle. I’m calling it bass riding”
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While cultural leaders deal with our mixed and downright shady relationship with ships sailing around the world, and while communities that were underrepresented in such matters get a louder voice and more seats at the cultural table*, I’ve got some more sporting heroes for you. (* Regarding Bristol’s shameful relationship with the slave trade, we still don’t have a single dedicated cultural space on the subject despite the widespread work to move on this. Liverpool has one; we don’t.)
Back to the cardboard boat races, one setting off here beside a behemoth of the past. Rules of this sport? Glue, cardboard and plenty of grit is all you need, along with a fair modicum of courage for entering the aforementioned crystal-clear waters of the harbour. It’s been a highlight to shoot it for several years. Fair play to the organisers for an extensive programme looking at some of the front points in our lives in all the talks and cultural events packed in to this hot summer’s treat.
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Back to the Winter Olympics now. I’ve posted this one here before, but let us return once again and remark on the skill of sledging down from the tower at Brandon Hill on nothing but that cruddy baking tray your landlord left in the rented flat, or some packaging materials. In Oslo they leave communal sledges in the park. When the jet stream shuts down and we get arctic winters we may also need those. More of a painting, this one, than a photo. Always said Caravaggio would be a street photographer if he were alive today.
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7Back on the bikes again. We certainly are a city that cycles. When they bring in the doubles mountain bike cross-country racing event, we’ll own it.
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Even Upfest gets in on the sporting action when art and sport combine.
There is literally nothing we can’t cross-blend in this city. Don’t think that the London lot really get it. They think you can just buy into this, but you kind of need to find your vibe with it all first. That cultural, rich, working-class gravy that is still pouring into our dayto-day, something quite removed in many of the London boroughs I visited for work recently.
Anyhow, here’s to the rich waves of sporting prowess seen on the streets, in the sky and on the water somewhere near you. Kill the Netflix sessions and grab your doggie pouch backpack, those oversized Prime boxes and a glue gun, get out there and be… the… best.
Colin Moody: content creation, online images Twitter @moodycolin; Instagram @colinmoodyphotography www.colinmoodyphotography.wordpress.com
“We are a city that cycles. When they bring in the doubles mountain bike cross-country racing event, we’ll own it”
Social business: 50 Bristol companies + deepdive: HELENA HILLS of fast-growth TrueStart Coffee Wednesday 1 April, 12pm at The Granary
Just before Christmas, we held our annual book club get-together. We find ourselves in the rather enviable position of having a total of seven book clubs running from the shop, and when we all convene for a Christmas drink, things can, as you might imagine, get a bit gossipy.
Which book club has innovated a decimalised scoring system? Which one reads the most challenging material? Which one drinks the most wine? And so on. But without fail we end up discussing which books have provoked the best conversations – not necessarily which books everyone loved the most, but the ones which locate certain points of aesthetic or ideological friction and cause our book clubs to thrash
out where they stand (politely, respectfully). With all that in mind, at a time of year when book club enthusiasm is traditionally high, we thought we should treat you to some all-timers from the archive for a change. None of it especially recent, but all of it unequivocally perfect for your next meeting.
Pew by Catherine Lacey
We have road-tested Pew on almost all of our resident book clubs. There are several reasons for this. Firstly, it’s an all-time Storysmith favourite. Secondly, there’s just no way you can walk away from this book without forming an opinion on it. Thirdly, and no-less importantly, it’s the perfect book club length.
Pew is all ambiguity: a town somewhere in the southern
United States, a main character of indeterminate gender, race, and origin, no memory of how they arrived and also no inclination to speak. But when a local family insists on taking them in, we observe through Pew’s eyes how the town reacts to unknowability and otherness. Also has a bonkers ending which will cause discussion.
Mrs Caliban by Rachel Ingalls
Again, this one has been roadtested on a number of our book clubs, and the results are always fascinating. And if you don’t have an opinion on a book whose main character falls in love with a fugitive man-sized frog called Larry, well, maybe book club isn’t for you.
Rachel Ingalls’ masterpiece is another short banger, cramming in so much rich and intriguing detail to its concise length that you will find conversation points on almost every page. In Dorothy, the superbly sad and frustrated housewife at the centre of this odd fable, Ingalls has created something of a quiet feminist icon – her desire for freedom and adventure, and the manner in which they arrive (like we said, a fugitive man-sized frog called Larry) are deliciously unexpected.
“There’s just no way you can walk away from this book without forming an opinion on it”
favourite video shop and screening room, 20th Century Flicks, to watch a movie adaptation of that month’s book. We’ve had some interesting experiences, to say the least. From awkward tittering at the surprise ‘bathing’ scene in A Room with a View to Scarlett Johansson’s seduction methods in Under The Skin, discussing the artistic conflict between source material and cinematic adaptation is always fascinating (and a good excuse to get the book club into the pub – we usually go for The Christmas Steps). But Percival Everett’s Erasure, filmed as the Oscarwinning movie American Fiction, gave us perhaps the most conversational fodder: a ridiculously charming movie, deliciously spiky source material, with plenty of interpretable gaps between the two.
If your book club is in need of some inspiration then we hope this has been helpful – or if you’re not currently hip to the delights of meeting up to chat books with strangers, then always know that your local bookshop will have done the necessary filtering work for you, and will be more than happy to suggest the most consistent conversation-starters. Argumentstarters, however – maybe that’s for another column.
Erasure by Percival Everett Once a year, each of our book clubs takes a trip to Bristol’s
Visit Storysmith at 36 North Street, Bedminster; www.storysmithbooks.com
HOSPITAL is home to a highly skilled team of clinicians and healthcare professionals, dedicated to the diagnosis and treatment of bone and joint conditions
As recent recipients of the National Joint Registry (NJR) Gold Level Award for excellence in data quality, we combine specialist expertise with advanced technology and modern facilities, so you can feel confident, supported, and at ease throughout your care.
Equine massage and manipulation therapist Bridget Wills previously had an ACL reconstruction at another hospital using hamstring tendons, but her
knee never fully settled. With her pain and instability in her joint, Bridget still struggled at work and could no longer enjoy netball or play easily with her children.
Bridget visited Spire Bristol Hospital for the first time. Consultant orthopaedic surgeon
Mr James Murray reflects on his first meeting with Bridget,
“When I examined Bridget, it was obvious that the knee was both unstable and the ACL graft was not working. Bridget also had pain on the inner aspect of her knee, due to the lack of a meniscus.”
“ THE POST-SURGERY WAS LONG BUT VERY POSITIVE. MR MURRAY GAVE ME THE REASSURANCE THAT I COULD GET BETTER AND BACK TO SPORT ”
Bridget underwent MRI, CT and X-ray scans at Spire to check whether a onestage ACL revision was possible. Fortunately, it was.
“We agreed the best thing to do was perform a meniscal transplant (a form of ‘spare part surgery’) and a revision ACL reconstruction with a patella tendon graft”, says Mr Murray.
Bridget chose to self-pay for her surgery at Spire Bristol Hospital. Mr Murray carried out the procedure on her left knee in January 2025. Following her recovery, Bridget later asked for her right ACL reconstruction to be redone, as this knee was also unstable. This second procedure, performed in July 2025, was more straightforward.
“The post-surgery was long but very positive”, says Bridget. “Mr Murray gave me the reassurance that I could get better and back to sport”
Bridget is now back in the saddle and is living life free of pain. “I feel like I have been given my life back,” she says. “I didn’t realise how restricted I had been in my job and with the family. My two girls will be four and seven years old in June. They are the main reason I had the surgery.”
Start your own recovery journey today: scan the QR code to book an appointment today.
Spire Bristol Hospital
The Glen, Redland Hill, Redland, Bristol BS6 6UT Phone: 0117 980 4000; www.spirehealthcare.com
Chandos Road is already heaving with Michelin-recognised restaurants. So what can these Cornish newcomers add to the mix?
Words by Deri Robins
If you’re looking for One Fish Street, you’ll find it at Seventeen Chandos Road. The name’s not as perverse as it sounds: the restaurant recently relocated to Bristol from St Ives, and it brought its old address along for the ride. It could hardly have moved here at a better time. Thanks to those pesky Sunday Times kids and their pesky annual guide to the UK’s coolest postcodes, the whole of the country now knows what Bristol already knew: ie, Redland is the place to be. Thought you could afford to buy a house here? Well, you might have been able to last month, but you can’t now. Try Hartcliffe instead. The Times hasn’t discovered BS13 yet.
And while Chandos Road may not be a fish street per se, it is of course a massive foodie hotspot, with neighbours Wilson’s, Dongnae and Little Hollows lavishly garlanded by Michelin with stars of varying sparkliness.
One Fish Street – look guys, can we just call you One Fish for short? – has moved into the old Clifton Flowers site. It’s tiny, with only around 16 covers, plus a pair of high counter stools which presumably would have been chef’s table seats if the kitchen had been upstairs. The website says you can “talk to chefs as they prepare your food”, which indeed you can, as long as you pop downstairs and chat to them while you’re waiting for the loo.
Back up in the dining room there’s a cool-cafe kind of aesthetic going on. Sibling owners Bradley and Brandon Monk have heroically resisted the temptation to stuff the place with coastal knickknacks; there are some tasteful black and white sketches on the walls, but these remain otherwise unadorned.
Next up, a thing in a tin! British restaurant-goers can sometimes be a bit sniffy about fish that needs to be accessed with a can opener, but those on the continent know better. One Fish Street sends its trout and mackerel over to Portugal, where skilled canners draw on centuries of heritage, culture and experience to preserve them in oils. Our menu offers a few varieties; a trout in onion relish turns up in its round tin, tucked up nice and ninepence. It’s served with pickles, toasted sourdough and Netherland Farm butter, also in its little wrapper, making for a cute and simple plating.
Next, the oysters. I’m not sure where One Fish sources their plump and succulent beasts – Maldon, Whitstable, Carlingford, Falmouth, some other shallow coastal waters with an equally Shipping Forecast name? – but I do know they are marvellously silky and briny, the culinary equivalent to a bracing February dip at Clevedon Marine Lake.
One Fish Street, 17 Chandos Road www.onefishstreet.co.uk
Oysters always feel so celebratory and performative, as you lift them from their icy bed, choose which bits and bobs to add and finally slip them straight from their shell down into your gullet, chewing once or twice to release their salty-sweet flavour. We had two uncooked with a squeeze of lemon, along with a salt-and-vinegar tempura pair, the batter light and greaseless, with a dab of sweet seaweed jam.
Opening: Fri & Sat midday-2.30pm; Tues-Sat 5.30pm-last bookings 9pm; Prices: Snacks, oysters, fish in tins £4-18; mains £26; puds £8
Veggie? Youll leave hungry Service Friendly and knowledgeable Atmosphere Calm, relaxed
The website also points out that out that there are ‘no stuffy white tablecloths’. Now, I’m all for the practicality of a wipe-clean surface, but I’m not sure I’ve ever visited Spiny Lobster, for example, and thought, “You know what? I wish someone would whip off this tablecloth because it’s really killing the vibe”.
The welcome is as warm as the decor is cool, the staff friendly, charming and enthusiastic, materialising when we need them but otherwise leaving us alone. Are we finally seeing the end of “Is everything OK guys” service style? We can only pray.
Menus arrive on pretty, papyrus-like paper. A decently priced set lunch at £29 offers starters, oysters, mains and a cheese course, but we cherrypick from the à la carte. An impeccable pair of ‘snacks’ helps to nail chef Bradley’s refined cooking colours to the mast, while revealing an eclectic approach in the kitchen. “We just cook what we like to eat”, he says.
A wonderful mushroom parfait is rich and bosky in a delicate pastry shell on a bed of pickled walnut chutney, while a cuttlefish ragu arancini brings ocean-fresh, yet not overwhelmingly fishy, flavours to the plate.
One Fish takes a tapas-style “you will share every dish, and you will receive it when chef is good and ready to send it out” approach. The choice of mains, or ‘bigger plates’, as they call them, is short – there’s scallops and skate today, but we settle on the hake; a pearly-white fillet whose delicate flavour is allowed to shine without any heavy sauces messing with the mojo. It’s ideal: simple, soft and flaky, qualities you might not seek in a life partner but delightful in a fish.
Don’t expect mushy peas, but a blob of smoked yoghurt. In place of chips, carbs are repped by an elevated crispy potato terrine; it’s a rare restaurant these days which doesn’t betray at least some Asian influences, and a kimchi mayo is duly provided for the dipping .
You’d kind of hope that a Cornish restaurant might be able to cook fish, and sure enough we’re served a flawless meal from start to finish. That includes the dessert: a frozen yoghurt with a surprisingly dense, almost chewy flavour topped by rhubarb sorbet and white chocolate. It’s still only February, I know, but it’s my pud of the year so far.
Although One Fish Street has a lot of competition on Chandos Road, it helps that they’re unalike anything else on the street. Spiny Lobster on nearby Whiteladies Road, on the other hand, with its more traditional menu and slightly higher prices, might conceivably split the Bristol seafood-fancier’s vote. Quality-wise, both are brilliant; ultimately, I suppose, it all comes down to how strong your feelings are about white tablecloths.
Whether it’s a midweek treat or a special night out, Bristol is full of brilliant places to eat.
Let the following restaurants tell you what they have in store for you...
BOCABAR, HAWKINS LANE, FINZELS REACH BS1 6JQ
TEL: 0117 3741898; @BOCABARBRISTOL
Found in the old city centre by the floating harbour, Bocabar makes a perfect lunch and dinner spot, with all the comforts of its plush interiors and a large part-covered terrace for sunnier times. Their legendary 13-inch Boca Pizzas never fail to disappoint, offering 20 unique toppings. Other menu items include small plates, Boca fish stew, burgers, salads and weekly specials, while the well-balanced wine list, wide choice of local draughts and standout cocktails make this a must-visit dining, social and drinking hotspot.
225 GLOUCESTER RD, BISHOPSTON, BRISTOL BS7 8NR
TEL: 0117 431 1833; BOMBATAPAS.COM
Tucked away on Gloucester Road, Bomba Tapas captures what people love about eating out in Bristol: relaxed hospitality, standout food, and an atmosphere that’s both buzzy and welcoming. The menu is rooted in classic Spanish tapas with a modern, Bristolian edge, from crisp croquetas and seasonal dishes to beautifully cooked meats and confident flavour combinations.
What sets Bomba apart is its balance. It’s refined enough for a date night, yet unpretentious enough for a mid-week visit with friends. Sharing plates, thoughtful drinks, and carefully considered details make it a local favourite for quality, creativity, and warmth.
1 WILLIAM ST, TOTTERDOWN, BRISTOL BS3 4TU
TEL: 07481 002477
WWW.THESUNDIALKITCHEN.CO.UK
Looking to support a unique, delicious, independent restaurant in Bristol? At The Sundial Kitchen, we often get overlooked for articles, awards and reviews, because we serve breakfast, brunch and lunch, but not dinner, and therefore people think we’re ‘just a café’.
But at Sundial, our small team make everything in house and by hand, from our handmade sourdough bread, all-butter puff pastry, fresh pasta and cakes, as well as ferments, soft drinks and cocktails. All of course accompanied by delicious locally sourced coffee with organic milk, craft beers, wines - and there’s deli products too.
We champion vibrant vegetarian cooking, with our brunch dishes ranging from less well-known offerings such as sauerkraut and ricotta pancakes and ‘papas a lo pobre’, to firm brunch favourites such as Turkish eggs and French toast.
Set over two floors, the café is always buzzing on weekends, when booking is recommended, and we are also open on Monday, Thursday and Friday, when you can expect a calmer vibe, and space for a coffee, lunch or a cake whilst working on your laptop, or meeting with friends.
Looking for a venue? We’re available for private hire in the evenings and mid-week, with catering, bar, and staff included. We also cater for weddings, parties, and corporate events –both in-house and at your chosen location.
The Sundial Kitchen - not ‘just a cafe’!
A4018, CRIBBS CAUSEWAY, BRISTOL, BS10 7TL
TEL: 0117 374 7740; MOLLIES.COM
Just off the A4 and minutes from Bristol city centre, Mollie’s Bristol brings bold design, effortless comfort and seriously good food together under one red neon roof. Recently accredited as a four-star hotel by VisitEngland, Mollie’s blends American-inspired nostalgia with modern, design-led stays. Expect Hypnos mattresses and premium bedding, Dyson hair dryers and GHD straighteners, powerful rain showers, superfast Wi-Fi and seamless digital checkin via the Mollie’s app. It’s everything you need – and nothing you don’t.
Not staying the night? Come hungry. Our American-inspired diner is home to Mollie’s award-winning burger – a double smash patty, perfectly melted cheese, house pickles and our signature sauce, served in a soft brioche bun. It’s already earned national acclaim – and a loyal local following.
Add signature cocktails, rapid EV charging, free parking and that unmistakable laid-back atmosphere, and you’ve got more than a meal or a stay. You’ve got a reason to visit. It’s a Mollie’s thing.
3-4 THE PARADE, BS11 9TS 0117 989 8224; WWW.RUBYJEANS.CO.UK
Ruby Jeans The Parade is an independent, family-run caférestaurant in Shirehampton, serving comforting, feel-good food from brunch through to evening dining. Start your day with stacked breakfasts, quality coffee and relaxed lunches, then join us later for our authentic Indian evening menu, featuring traditional dishes, rich curries and carefully balanced spices cooked with care and passion. We cater for vegetarian, vegan and gluten-free diets, and pride ourselves on a welcoming, family-friendly atmosphere where everyone feels at home. Whether you’re popping in for brunch or settling in for dinner, Ruby Jeans offers honest food, warm hospitality and a true community feel in North-West Bristol.
THE GROVE,BRISTOL, BS1 4RB TEL: 0117 925 1212; HHBRISTOL.COM
Harbour House carries a quiet sense of history and place. Housed within a former boatyard built by Isambard Kingdom Brunel and later known as the site of Banksy’s first exhibition the space is shaped by water, light, and the steady rhythm of harbour life.
Seafood sits at the heart of the kitchen. Fish landed at dawn arrives on the plate by noon, simply prepared to honour freshness and flavour, while seasonal British produce guides the rest of the menu. A generous and carefully chosen selection of British wines runs throughout paired to complement the day’s catch and the changing seasons.
Outside, the restaurant opens onto the longest waterfront terrace on the floating harbour. When the sun shines, there are few places better to sit, watch the water drift by, and soak in the atmosphere. From relaxed lunches to unhurried evenings, the welcome remains warm and easy, a place for shared plates, good wine and time well spent by the water.
32 WELSHBACK, BS1 4SB 0117 468 0032; GRANARYBRISTOL.COM
As evening settles over the harbourside, The Granary moves into a warm, easy rhythm inside one of the area’s most recognisable historic buildings known to many as the place where Del Boy famously fell through the bar. The mood shifts naturally from day into night, becoming a space to gather, share food, and unwind.
The kitchen focuses on seasonal ingredients sourced from within a 30-mile radius, shaped by gentle Persian influence and cooked over open fire. Smoke, warmth, and depth come through in hot, fluffy flatbreads, vibrant dips, and generous sharing dishes from grilled prawns finished in Turkish brown butter to plates that change with the seasons.
Evenings here feel relaxed but full of life just as suited to a simple dinner as to a celebration with friends. Guests can begin or end their night downstairs at The Granary Club, where intimate drinks, weekly live music and regular tastings add another layer to the experience. Whether it’s a quiet supper or a full evening out, The Granary is a place to settle in and stay awhile.
Lipsmacking deliciousness and not a mobile in sight: Stan succumbs to the charms of Terrace at 43
It’s a mixed-up, muddled-up, shook-up world these days, isn’t it? Sometimes full of old-fashioned charm, at others, all so modern, switched on and full of mobile magic it makes your head spin. A place where that pretty little phone in your pocket is not just your best friend, it’s also your butler, baker and candlestick maker. (I made that last bit up. Phones can’t bake bread or make candlesticks. At least, not yet, though I’m pretty sure an AI company somewhere is working on it.)
Either way, what I was trying to highlight was that I only went along to this issue’s coffee shop of choice, Terrace at 43, because of my phone. Saw something on
“It’s not easy to miss, but quite easy to overlook, if you take my meaning”
one of the socials about a new menu and fancied finding out for myself if it was as good as it looked. And it really was, as were the staff; a lovely bunch of smiling souls, from start to finish.
I expect you know where this café place is – it’s been there long enough to make that sort of name for itself –but in case you don’t, let me help you. It’s on Whiteladies Road, just up from the old BBC building, almost opposite the big Army reserves place.
“It’s not easy to miss, but quite easy to overlook, if you take my meaning. Not quite sure why. Might be because you have to go up a couple of steps to get in to it; despite this, it’s the sort of place that gets very busy at times.
Since we were meeting up with an old friend for Sunday brunch, I got out the phone, went online and booked a table, which turned out to be a good move. When we arrived at 11am, all the tables inside were full, apart from our reserved one (phew.) There were plenty of tables outside, but since it was a bit wet and chilly, we were glad to be inside, warm and cosy.
The menu was as tastetastic as you could possibly wish for. All three of us went for something off the ‘house buns’, list and they were all excellent choices. Brioche buns crammed with a variety of eggy, maplecured bacony goodness. They also did a selection of homemade hash brown sticks, laden with similar sort of goodies. There was even a fine line of filled-up flatbreads on offer. In truth, everything that came out of the kitchen looked lipsmackingly wholesome and good.
Which brings me neatly back to the modern world conundrum mentioned earlier. I rediscovered the place thanks to my phone, I checked out the menu and booked a table on my phone. But when we got there, the place was an old-fashioned oasis of screenfree contentment. No laptops or devices in sight. About the only time anyone got out their phone was when I got mine out to take a picture. Maybe it’s the future? n
Former The Housemartins guitarist Stan is now a journalist and travel writer; @stancullimore on instagram Google up Stan’s daily substack blog: Diary of an Urban Granddad
Fetească Regală. Madeleine Angevine. Mavrud. Dimyat. Not France’s backline for this summer’s World Cup, but wine grapes you’d have to dig pretty deep into the supermarket shelves to find.
Next time you’re in the wine aisle, take 30 seconds to scan what’s on offer. I’d bet the eyelevel shelves are stacked with Pinot Grigio, Merlot, Malbec, Chardonnay and the two Sauvignons: Cabernet and Blanc. Your local gastropub list will likely tell a similar story, perhaps with an Albariño, Viognier, Syrah or Grenache alongside another familiar face: a Tempranillo from Rioja.
Which begs the question: why, when there are more than 10,000 wine grape varieties in the world, do our choices feel so limited?
It’s largely our fault. Wine isn’t cheap, and buying a bottle of something we’ve never tasted before is a bit of a gamble. So we reduce the risk by choosing a grape, or region (or both) we recognise.
We’re looking for a white, we see Sauvignon Blanc on the label, remember enjoying one before, and into the trolley it goes. It delivers exactly what we expect – fresh, zingy, aromatic – and everyone’s happy. Next time we’re
shopping, or ordering at the bar, it pops up again and it feels like a safe bet. Why risk disappointment when you can crack open something familiar?
This logic explains the remarkable rise of New Zealand ‘Savvy B’ over the past 30 years. Putting the grape name front and centre on the label was marketing genius, and countries such as Australia and Chile were quick to follow suit. Contrast this with a classical French label, where the grape is rarely mentioned at all. We’re expected to know that Sancerre means Sauvignon Blanc, Chablis is Chardonnay, and red Burgundy is Pinot Noir.
expertise. The world got hooked.
But occasionally, another grape breaks through. Malbec originated around Cahors in south west France and arrived in Argentina in the mid-19th century,. In France, the thin-skinned grape was prone to frost and rot. On the sunny eastern slopes of the Andes, however, it thrived, producing rich wines with velvety textures and bold fruit flavours.
In the 1990s, Argentine producers shifted their focus from quantity to quality. In the early 2000s, the devaluation of the peso made Argentine Malbec a highquality, affordable option for UK drinkers, which coincided neatly with the rise of the gastropub.
“It’s often joked that ‘Pinot Grigio is Italian for water’”
Chefs needed a reliable house red to pair with steak. Enter Malbec: great value, associated with grilled meat, and blessed with a short, easy-to-pronounce name (compare that with the first two words of this article).
challenging flavours, wrapped up in a name that evokes Italy’s winemaking heritage and visions of sipping something cold by the Mediterranean.
There’s nothing wrong with sticking to these grapes. They’re classics for a reason, and they’re safe bets. So here’s my suggestion. Next time you’re in the supermarket, buy something you know. But next time you’re in a bar or restaurant that clearly loves its wine, tell them a grape you enjoy then ask them to pour you a taste of something similar but different. You might just discover your new favourite.
Sauvignon Blanc ’24, Te Whare Ra: ‘Te Whare Ra’ translates from Maori as ‘The House In The Sun’. Unmistakably a New Zealand ‘Savvy B’: fresh, soft and aromatic with notes of lemon, lime, grapefruit and gooseberry.
In ‘old-world’ wine, the appellation – the specific place the wine comes from – takes centre stage. In the ‘new world’, winemakers prioritise the grape.
Sauvignon Blanc, Chardonnay and Pinot Noir are three of the six so-called ‘noble grapes’, alongside Merlot, Cabernet Sauvignon and Riesling. Five of these have their traditional home in France, which has been exporting wine since at least the 1600s. As other countries drank French wine, they began importing the vines themselves, along with French winemaking
Then there’s Pinot Grigio. As tastes moved away from the rich, oaky styles of Australian and Californian Chardonnay – a whole other article involving Bridget Jones, Britpop and Footballers’ Wives – Italian producers spotted an opportunity. Pinot Grigio is easy to farm, produces high yields and keeps prices low, resulting in shelves full of £4 bottles.
High yields often mean bland wines, and it was once joked that “Pinot Grigio is Italian for water”. But that neutrality has arguably fuelled its success: a light, refreshing wine with no
Pinot Gris ’23, Zavec Brothers: As with many Slovenian wines, the Zavec Brothers have let the juice macerate on its skins, extracting more flavour and structure, creating a textural wine that sings with apricot, peach, orange peel, and hints of green tea and mint. Far from your bog standard Northern Italian Pinot Grigio
Cabernet Sauvignon ’24, Cecchin: The best value organic Cab Savs we’ve found – deep and easy, packed with blackcurrant, cassis and plum, with tobacco leaf and leather notes.
Visit KASK Wine at 51 North Street and KASK² at 243 Cheltenham Road 07522 198081; www.kaskwine.co.uk
CHINA BOWL, £25
This large You Look Nice Today bowl offers a nice daily compliment to The Mum: given that you probably ruined her figure and aged her prematurely it’s the least you can do. The Bristol croc makes a random, though pleasing, appearance
From Stokes Croft China 35 Jamaica Street www.prscshop.co.uk
Petrol-station daffs really don’t cut it for Mother’s Day. Maybe up your game a bit this year?
BLOOMINGVILLE JUG, £55
To cheer up The Mum if she’s pining for summer skies and Mediterranean jaunts From Fox + Feather, 43 Gloucester Road www.foxandfeather.co.uk
STINE GOYA
CROSSBODY BAG, £130
Unlike supermarket blooms, the petunias on this bag will last longer than two days From Grace & Mabel, 32 The Mall www.graceandmabel.co.uk
MOOMIN MUG, £15
Moominmamma will love this cute mug with its Tove Jansson illustration. Made from enamel, so ideal for picnics, outdoor jaunts etc
From Fig 1, Unit 9, Gaol Ferry Steps www.fig1.co.uk
To own a Diana Porter Sibyl is to be part of a secret club; if you wear it out in Bristol at least one fellow owner will make a sign of recognition. Available as a single pendant, as here, or made into earrings or necklaces
From Diana Porter, 33 Park Street www.dianaporter.co.uk
and made in France, as you can probably tell from the font on the package
From Mon Pote, 177 North Street; www.monpote.co.uk
CRYSTAL HAZE JELLY HEART NECKLACE, £35 (FROM £70)
Mums are suckers for heartshaped gifts from kids. They’re soppy that way
From Harvey Nichols 27 Philadelphia Street www.harveynichols.com
£22
Handmade from 100% waste by women artisans in Eswatini. At 6cm long they’re ideal for The Mum who likes to make a statement
From Prior Shop, 136 Church Road, Redfield; www.priorshop.uk
BRISTOL BLANKET (SUMMER), £295
Inspired by Bristol’s colourful houses, textile artist Angie Parker makes bright lambswool blankets in partnership with Bristol Weaving Mill. There’s a winter version too, in cooler colours
From Angie Parker www.angieparkertextiles.com
DACTO CARDIGAN, £185
In 60% angora, with a relaxed cropped shape, for The Mum who likes to be cosy yet cool
From Maze Clothing 26-28 The Mall www.mazeclothing.co.uk
Made by Bristol’s own Village Pottery and available in a variety of colour glazes to complement The Mum's kitchen decor
From Prior Shop 136 Church Road, Redfield www.priorshop.uk
TIN CANDLES, £7-£13
Designed and handmade in Bristol, delicately scented and made from 100% soy wax. The metal tin spreads the heat evenly, so you never get that annoying tunnelling in the middle. From Tin Candle; www.tincandle.uk
Inspiring art’s the finishing touch that makes a home, or the starting point from which an entire scheme springs. And photography can be the perfect solution, says Bristol’s Barry Cawston
By Kirsty Lake
Finding the perfect piece of art for your space can be a true ‘eureka’ moment: suddenly, everything comes into focus, starts feeling entirely right.
Art has been livening up our homes since at least the Neanderthals, Spain’s version jazzing up their Maltravieso cave some 64,000 years ago with hand stencils – but though paintings and prints remain classics, sometimes we want something a little harder, sharper, more real.
Enter photography, which pairs with other art, of course – in the same way pretty florals and hard-edged concrete work brilliantly in a Brutalist building – but on its own gives an almost documentary-style immediacy, no matter how abstract it might be.
Bristol-based photographer Barry Cawston RWA is someone I’ve worked with before, and suspect will keep going back to: you only need to glance at his work to see why.
“I’ve always been interested in photography,” Barry says, “but only realised its wider artistic potential when I went to an exhibition of photographs by Zygmunt Bauman, a Polish-British sociology lecturer at the University of Leeds, where I studied.
“His lectures were rammed with students from every department, and when I saw his exhibition I realised he was saying the same things in an image as he was in the classroom. I was inspired to a new understanding of the potential of the medium, staying in Leeds to do a photographic course, and a pathway was set.”
Barry likes to say that he ‘finds’ each piece, rather than designs it. “My work’s often been likened to painting, especially for its sense of colour, but there’s an added element, too: the idea of a ‘magical moment’ in the real world that first captured my eye, then hopefully does the same to anyone seeing the resulting
The big thing about Barry’s work is how painterly it is, while still being clearly photographic. Though his focus veers from architecture to portraits, landscapes to social documentary, some things remain: bold yet complementary colours; strong patterns and elements of repetition; a potent mix of the contemporary with the classical. Barry’s work comes in increasingly ambitious and extensive series, and has earned growing attention: not least his Are We There Yet? project based on a day trip to Banksy’s Dismaland. He’s won numerous awards, including the President’s Award at the RWA Open Photography Exhibition, and enjoyed numerous high profile exhibitions, including one at the Capital Culture Gallery during Art Miami in 2023.
photograph. Some pictures I call a ‘given’: I just happened to be in the right place at the right time.
“The Tibetan Cowboy is a good example of this. When I took it, I knew it was special, and I’ve since entered it into four competitions, and it won them all. It will probably be the best picture I’ll ever take; there’s something surreal about it and, as it was taken on a large format camera, a print at four or five feet across looks amazing. For many years, in fact, I only shot large format, and would rarely take more than four or five pictures a day, so each image had to be special, summing up an idea or an emotional response in an almost meditative way.”
photographs works for a person or space.
“There was one picture I took of the outside of an artists’ studio in Brooklyn, New York,” he says. “The artists had poured their spare paint down the brick wall and it felt like finding a rainbow on the street. I printed it at 250cm wide, mounted it behind acrylic, and it was hung on the red brick garden wall of a conservatory in a large house in Richmond, London. It featured in the World of Interiors.”
“Photography can add a modern edge to a space”
Photography’s far from new, it’s been around since the early 1800s, but is still considered a very contemporary medium, and in most homes, especially with sympathetic framing, can add a modern edge to a space.
Certain patterns start to develop, perhaps subconsciously: many images feature just two main complementary colours, for instance, which makes it easy for prospective owners to see how it might work in a specific space. Indeed, sometimes an interior designer might bring Barry in early; he gets to see what the space to be filled looks like, then will go through his archive and suggest pieces that might fit.
Some images work anywhere, and sell quickly and easily, but Barry’s often happiest when one of his more esoteric or oddball
Of course, impressing World of Interiors, or anyone else, should hardly be your first motive when picking a piece of art; you should love it, and be confident you can live with it.
“I’m not just a creator,” Barry says, “but a customer too, so I’ve bought plenty of pieces of art myself, and I’m always amazed by how they don’t just change the feeling of a room, but of the whole house. Right now, in Bristol, I’m especially loving the work of Hammer Chen, a brilliant printmaker, and Dorcas Casey and Peggy Atherton, both wonderful sculptors.”
For more: www.barrycawston.com www.thedrugstoregallery.com www.hammerchen.com www.dorcascasey.com
Kirsty Lake is creative director at The Curator’s House; 01225 696996; thecuratorshouse.co.uk
Lorraine doesn’t just manage admin; she anticipates needs, solves problems before they arise, and helps leaders focus on what matters.
“My clients gain someone genuinely invested in their success, not just someone checking inboxes”, she says. She and her team streamline operations, keeping businesses running smoothly, giving leaders time back, less stress, and the confidence to focus on growth. Supporting business owners, CEOs, and founders who need reliable, discreet, proactive executive support. Her proactive, strategic approach transforms everyday support into a powerful tool for business success, rooted in Bristol’s business community and trusted by leaders who value partnership over transactions.
FREQUENTLY ASKED QUESTIONS:
How can an Executive Virtual Assistant help my business?
We anticipate needs and solve problems with professionalism and complete confidentiality. By managing the admin and operational burden, we free you to focus on what drives the business forward.
Who do you work with?
Business owners, CEOs, and founders who need reliable, discreet, proactive PA support. Our clients value trust, consistency, and the ability to delegate with confidence.
With over 20 years of experience supporting high-performing executives across Bristol and beyond, LORRAINE OWOLABI is more than an executive virtual assistant; she’s a trusted strategic partner for business owners, CEOs, and founders
What’s your typical contract? From three months upwards, tailored to the needs of your business.
What brings the greatest value?
Understanding how you work. We streamline processes and resolve issues before they land on your desk.
What’s the biggest misconception about working with an executive virtual assistant? That remote support is risky. Lorraine proves otherwise with confidentiality agreements, insurance, and consistently exceptional support that rivals any in-house team.
WHAT CLIENTS SAY:
“Lorraine anticipates what I need before I know I need it. It’s like having a second brain that never forgets.”
“This isn’t just admin support. The talent and knowledge Lorraine’s team possess is exceptional.”
“Best decision I ever made. I’ve tried other VA/EVA companies; Lorraine outshines them all. For the first time in years, I feel in control of my day.”
How do you stand out locally?
Through long-term client relationships and genuine partnerships. Most new business comes from referrals, because quality, trust, and proactive support speak volumes.
Ready to reclaim your time and focus on what you do best? Speak with Lorraine to explore tailored executive support.
Website: www.lorrainefreelancepa.com Phone: 07507 691226
Need somewhere to meet, greet, and if your guests are really lucky, eat? There’s a wide choice of tasty options in the city, says NICKY BARBER
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rom state-of-the-art boardrooms to something with a little more history, quirk and magic, Bristol is full of eminently hireable spaces for your next meeting or event.
Note: most of the venues have AV technology and tasty tech, along with expert teams to help your event go smoothly. To save us repeating this over and over (and over), just check when booking
Up at Hayes Way in Patchway, adjacent to the historic Filton Airfield where every British Concorde made its maiden flight, Aerospace has a range of spaces for 10 to 1000 guests. There’s a theatre space with tiered seating, and a hall in which you can enjoy lunch under the wings of the supersonic passenger jet. What makes you special?
“Guests can step on board Alpha Foxtrot, the last Concorde to take to the skies. They can also hear a fascinating story of ingenious design, engineering innovation and remarkable social history, from the first flights through to the modern day.”
www.aerospacebristol.org
Fresh from its major refurbishment, Bristol’s biggest concert venue blends contemporary and classic architecture with world-class technology, exceptional accessibility, and a bold cultural spirit, whether you’re hosting a private party for 100 in the Cellars space, a large-scale conference for over 1,000 in Beacon Hall or a dinner for 150 in Lantern Hall. What makes you special?
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“Our history, and the work we do as a charity. Our building opened as a concert venue in 1867 and has welcomed some iconic performers through the years, from The Beatles and the Rolling Stones to Tina Turner. We also run a creative learning programme that reaches over 30,000 young people a year, support local artists with our resident artist programme and run award-winning music lessons.
“When you book your event with us, the money goes straight back into our charity. We are also on track to be the first net-zero concert hall by 2030.”
www.bristolbeacon.org
The neo-Georgian building on College Green offers elegant rooms for conferences, meetings, receptions, weddings and private celebrations. The venue supports events for up to 400 guests; the Queen Elizabeth II Hall can fit large gatherings, while smaller rooms cater for meetings or social events.
What makes you special?
“The combination of heritage and elegance. The curved exterior and grand marble interiors create a memorable arrival, while the rooms retain period detail alongside adaptable layouts. Many rooms have views of Bristol Cathedral, adding a sense of grandeur and connection to the city centre.”
www.bristol.gov.uk/city-hall
Based in the historic Generator Building in Finzels Reach, the co-working and office space can cope with everything from networking events to evening soirées and team meetings, while the in-house catering team provide top-notch food and drink.
What makes you special?
“Working with engaged, dedicated communities is our strength, and something we take great pride in.” www.work-clockwise.com
Aligning with Bristol’s forward-thinking vibe and community spirit, this Harbourside venue provides flexible spaces for meetings, seminars, workshops and conferences. The Avon Lecture Theatre seats up to 70, while smaller rooms offer boardroom layouts for collaborative sessions.
What makes you special?
“Our focus on sustainability, creativity, accessibility and well-designed spaces. Natural light and clear layouts support focused discussion and collaboration, while accessible facilities ensure all guests can participate comfortably. The lecture theatre and boardroom-style suites provide structured, professional settings while the harbourside offers a distinctive and purposeful location for professional and community events.” www.createbristol.org
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Within the impressively grand Edwardian Baroque museum on Queen’s Road are Winterstoke and Wills Halls, offering flexible setting for conferences, gala dinners and receptions. The venue is licensed for weddings and civil ceremonies too, offering a prestigious setting in the heart of Bristol.
What makes you special?
“Our architectural grandeur and historic charm. Soaring glass vaulted ceilings fill the halls with natural light while a sweeping staircase and arched balconies create a striking arrival for guests. Surrounded by art, natural history collections and architectural detail, events take place in an atmosphere rich in culture and history.” www.bristolmuseums.org.uk
A contemporary city venue near to Temple Meads, ideal for productive, seamless events. The hotel offers a range of flexible meeting rooms suited to everything from board meetings and training sessions to large conferences, exhibitions, gala dinners, and networking receptions
What makes you special?
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The combination of scale and personal service. Planners benefit from Hilton’s trusted global standards alongside a warm, local team that understands the needs of modern businesses. Add stylish breakout areas, on-site catering tailored to your agenda, and comfortable accommodation for delegates, and you have a meeting space that balances professionalism with a welcoming, human touch.
www.hilton.com
Based in Bedminster, MAZI offers an inclusive and versatile event space with a difference: all profits feed the day-today operations of The MAZI Project, which uses the power of food to reduce isolation and build confidence for Bristol’s
Fancy adding a touch of drama to proceedings? At the heart of Old City. BOV has a passion for hosting and entertaining that goes back centuries, making it the ideal venue for impactful events that get people buzzing. Whether hosting a conference in the elegant Grade-I Coopers’ Hall, a board meeting in the intimate Foyle Room, an awards ceremony in the Georgian theatre itself or a gala dinner on the stage, the flexible mix of spaces and experienced team are poised to realise your event vision. What makes you special?
“From the Georgian sandstone exterior and modern public spaces to the intimate splendour of the centuriesold auditorium, BOV creates a special, vibrant atmosphere that helps make every event go with a swing.” www.bristololdvic.org.uk
“BOV has a passion for thatentertaining goes back centuries”
The flexible workspace at Eagle House offers highspec meeting rooms, training areas and a large-scale auditorium. Meeting rooms can support everything from one-to-one meetings and team workshops to board meetings and training sessions. For larger gatherings, the dedicated event space can host conferences, company events, panels and product launches for up to 150, with breakout space and dedicated catering areas.
What makes you special?
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concerts, private soireés, weddings and gigs, large scale art exhibitions, shoots and filming.
What makes you special?
“It’s a place where people have gathered for centuries, and the energy from the building transcends to the guests. Our blend of old, scarred walls and the contemporary Infinite art installation, together with the rolling art exhibitions in The Crypt, set the scene for a stylish soirée that’s classic yet open to your interpretation.”
www.themountwithout.co.uk
“Our event and meeting spaces are designed around real business needs; they’re professional, design-led and easy to use, without feeling corporate or impersonal.
“We also understand the importance of atmosphere, natural light, thoughtful design and welcoming communal areas. For us, it’s not just about hiring a room, it’s about helping businesses create meaningful moments.”
www.mapspace.uk
marginalised young people. They offer competitive rates for various spaces, and cater for meetings, away-days and events supporting the local community – anything you need.
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You can use the fully equipped commercial kitchen and event space for a grand corporate dinner, celebration meal, social engagement, menu trials, games night or community supper club, or the catering workshop for cookery classes, baking demonstrations and craft sessions, or just hire meeting room for strategy days.
MAZI also offers catering options for internal and external events, each providing valuable work experience to their young members.
What makes you special?
“Our members – we simply try to nourish their health and confidence, which in turn empowers them to make positive strides forwards in their lives. Mazi means ‘together’ in Greek, and together with your businesses and the local community we believe we can make every young person feel love through food.” www.themaziproject.com
One of the most striking venues in the city, this deconstructed 900-year-old church serves many purposes, among them being hire spaces for private and public events, from art exhibitions to
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Housed in a transformed 1950s transit shed, the historic harbourside venue is ideal for conferences, receptions, exhibitions and private celebrations. Event spaces are flexible and can accommodate up to 500, while smaller studios provide intimate settings for meetings or breakout sessions. Licensed for weddings and civil ceremonies, M Shed also provides a distinctive backdrop for couples celebrating their day.
What makes you special?
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“The combination of industrial heritage and the vibrant waterfront setting. Panoramic harbourside views create a striking backdrop, while the rooftop terrace offers an exceptional vantage point over the city, placing guests directly alongside Bristol’s working harbour.”
www.bristolmuseums.org.uk
The office and coworking space on Berkeley Square offers a collection of modern, light-filled rooms suitable for corporate gatherings
This venue needs no introduction from us. Set at the heart of the harbour, designed by Isambard Kingdom Brunel, the ss Great Britain and its dockyard offer a one-off backdrop for corporate events, private celebrations and large-scale receptions.
Rich heritage combines with modern event infrastructure, providing flexible spaces with dockside views for elegant events on the ship itself, while trusted suppliers and caterers seal the deal.
What makes you special?
“There’s nowhere else quite like it.
Hosting an event at the ss Great Britain isn’t just about the space; it’s about giving guests unforgettable experience which is rooted in innovation, adventure and Bristol’s pioneering spirit.
“People don’t just attend an event here; they step aboard history. The combination of global significance, immersive surroundings and waterside atmosphere makes every occasion here feel genuinely once-ina-lifetime.”
www.ssgreatbritain.org
of all sizes, from team meetings to presentations and corporate events for up to 110 guests. From workshops and networking events to product and podcast launches, each event can be tailored to suit the occasion, with access to nearby parking, breakout rooms, an on-site kitchen and a trusted network of suppliers and caterers.
What makes you special?
“At Origin it’s not just about providing a venue, but creating an environment where people feel welcomed, supported and inspired to come together.
Flexible booking options, including evenings and weekends, allow events to fit around modern working patterns, while the space itself adapts to suit everything from focused meetings to larger corporate gatherings. Our impressive roof terrace overlooking the city offers a standout setting for post-meeting drinks.”
www.originworkspace.co.uk
Also on Berkeley Square, this award-winning workspace combines elegant Georgian architecture with modern interiors. There’s a range of meeting rooms and conference suites, while freshly prepared food can be delivered straight from the Square Kitchen. The members’ club is perfect for networking drinks and private parties.
What makes you special?
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Already have a space? Maeflower can transform it with their bespoke design service, along with prop and decor hire from a catalogue of vintage pieces.
“Collaboration is at the heart of everything I do, so clients feel supported and inspired from the first idea to the final moment”, says Siobhan.
Centred around cinema and creative technology, Watershed is part of the cultural heart of the city, bringing artists and audiences together to fire up imagination and build hope about the future.
Set in an accessible Grade II* building on Bristol’s harbourside, it offers three cinemas, a suite of flexible conference spaces and café/bar, presenting imaginative and inspirational choices to meet every conference, meeting and event requirement. It’s also a registered charity and social enterprise, and all profits from venue hire go to support Watershed.
What makes you special?
“For online events you can choose from our two largest cinema screens or largest conferencing space; the in-house technical team can livestream or record your event in addition to mixing in talks and questions from anywhere else in the world. Hybrid events offer the best of both worlds; delegates can participate live at Watershed while a virtual audience can tune in online at the same time.
“Our long-term commitment to sustainability is at the heart of our events, and we gained gold with the Greengage ECOsmart Certificate.”
www.watershed.co.uk
“We are the only workspace in the city with a private members’ club, giving you access to a network of over 1600 like-minded individuals. Our 65-plus years in the hospitality industry mean you are in the best hands for your event and guaranteed a five-star experience.” www.squareworksbristol.com
“A background in theatre and storytelling guides my work, developing rich concepts that are carried through in immersive detail. I manage everything from budgets and scheduling to sourcing, fabrication and styling, always with a focus on sustainability and timeless design. www.maeflower.co.uk
An inspiring environment for board and business meetings without the boredom! Its rural location is a world away from the distractions of a city location, offering a breath of fresh air for your team. The Stable Suite is fully self-contained, featuring a main boardroom, three gallery rooms, a cinema room, 23 bedrooms, spa and gym; three dining options, one Michelin, complete the offering.
What makes you special?
“Whatley Manor is a grown-up getaway in the heart of the Cotswolds. Set in 12 acres of gardens within a historic manor house, a long tree-lined driveway leads you into our luxurious hideaway.” n www.whatleymanor.com
This fascinating venue contains all the elements needed to make your event a success
One of the most important elements that turns a memorable event into an unforgettable experience is the venue itself – a setting that simply can’t be replicated elsewhere. This makes Aerospace Bristol one of the very few places where you can gather, dine and celebrate directly under this iconic engineering marvel.
Aerospace Bristol, located just 5 minutes from the M5 (Junction 16 and Junction 17) and adjacent to the historic Filton Airfield offers a truly unique venue for corporate events, with a range of versatile spaces from 10 – 1000 guests. Home to Alpha Foxtrot, the last Concorde to take to the skies gives you the opportunity to entertain your guests under the wings of the supersonic passenger jet.
The John James Theatre, with tiered seating, is the perfect venue for up to 140 delegates with built in Audio Visual facilities making it ideal for presentations, screenings, product launches. For larger numbers, extend the event into The Studio for up to 220 delegates and create the layout that works for your event. In addition there are three meeting rooms on the ground floor, providing a flexible space for 10 – 70 delegates.
Aerospace Bristol offers a day delegate rate which includes all the essentials required to make your event a success. If you are looking for a bespoke event or a breakfast meeting, we have a dedicated sales team to work with you.
Whether it’s a Christmas party or private celebration, at Aerospace Bristol, nothing beats the experience of dining and dancing under the last Concorde to take to the skies.
The new Flightline Kitchen and Bar, suitable for up to 150 guests is an open venue suitable for any celebration from drinks receptions to parties located in the original World War Hangar.
Dinners at Aerospace Bristol are like no other. Begin your reception with drinks and canapés on the balcony overlooking the last ever Concorde to fly, before you take your seats for a first class dining experience under the wings of this iconic jet.
Not only can guests dine under Concorde, they can also enjoy exclusive access on-board, ensuring that your special event will be a unique experience to be remembered and enjoyed by all.
At Aerospace Bristol, events take place in a truly supersonic setting and the catering experience needs to match that standard. In-house catering by Fosters Events allows menus, service style and timings to be designed
specifically around the space, whether it’s a conference, client reception or dinner beneath Concorde. Because the catering team understands the venue inside out, service runs with precision: drinks receptions start on time, courses are delivered punctually, and transitions between sessions feel effortless.
Fosters take pride in delivering only the very best, using only the finest local and seasonal ingredients.
As a charity, every event at Aerospace Bristol, helps the Bristol Aero Collection Trust to advance learning and skills in science and technology and inspire the next generation of engineers. n
If you are looking for a fascinating and impactful venue for your next event then get in touch with the sales team on: events@aerospacebristol.org or call 07899 914003. For more information take a look on the website: www.aerospacebristol.org/events
Hey, Bristol schools and colleges – what have you done today to make you feel proud?
Words by Natalie Winner
You can find all the basic information you need about Bristol’s schools and colleges on their websites – their ethos and philosophy, all the things that make them really tand out. Comparable exam results are pretty easy to Google up, too.
But what are the schools and colleges themselves most proud of right now?
What have they done today – OK, over the past year – to make them feel proud? And what are they most excited about in 2026?
Independent school for girls aged 3-18 years Westbury Road, www.badmintonschool.co.uk
What made you feel proud in 2025?
“The breadth, ambition and individuality shown by our leavers as they progressed to an exceptional range of universities and courses. Their destinations reflected not only academic success, but a confidence to pursue pathways that genuinely inspired them, across academic, creative and specialist fields.
“Throughout this journey, our girls exemplified the Badminton values of aspiration and curiosity, setting high expectations for themselves and engaging wholeheartedly with new ideas and opportunities. They demonstrated courage in making bold, independent choices, and courtesy in the way they supported one another and represented the school with warmth, integrity and grace. Their achievements were a powerful testament to their hard work and the strength of the Badminton education.”
What are you most excited about for 2026?
opposite page: The only way is up at Badminton above: Clifton College, justly proud of their Peter Pan below: Go, Redmaids girls!
“To continue celebrating the remarkable impact of single-sex education at Badminton and watching our girls thrive in an environment that encourages them to be ambitious, inquisitive and confident, to take intellectual risks and to lead with kindness. It is a joy and a privilege to remain part of a community where aspiration, curiosity, courage and courtesy are lived every day, and where girls are empowered to flourish and succeed.”
Independent co-ed for children aged 4-18 University Road www.bristolgrammarschool.co.uk
What made you feel proud in 2025?
“As a vibrant and busy school, our events calendar reflects the huge variety on offer, and the unique opportunities for our pupils, and 2025 was a wonderful example of this. Our first Bristol Grammar School Cultural Celebration Evening welcomed guests from across the school to share their traditions and heritage, family recipes and performances, to celebrate the 44 different cultures that make up our diverse community.”
What are you excited about in 2026?
“Our one-off events join an extensive calendar that creates moments to celebrate every pupil, carefully curated to help children learn, grow, belong, and thrive. Creating these opportunities is one of our greatest achievements, whether that’s performing in a whole school dance production, joining one of 150 clubs running every week for interests like GreenPower Racing or bee-keeping, playing a range of sports, or enjoying a school trip, there is something here gives every pupil the chance to thrive as themself.”
Independent co-ed school in Clifton for children aged 3-18; College Road, www.cliftoncollege.com
What made you feel proud in 2025?
“The Upper School production of Peter Pan by Stiles and Drewe was a standout moment of 2025 and a true celebration of the performing arts at Clifton College. The
sold-out production was our most technically ambitious to date, featuring flying, fight choreography and reimagined musical numbers. Over 50 students performed on stage, supported by a live band and a highly skilled student technical team, working alongside professional designers. This industry-standard collaboration gave pupils invaluable insight into professional theatremaking, and was enjoyed by parents, the public and visiting schools through our outreach programme.”
What are you most excited about for 2026?
“We are excited to welcome Dr Chris Stevens as executive head from September 2026, alongside several other senior appointments in the group. We are also excited to build on the momentum in performing arts with a new head of drama, celebrating 60 years of The Redgrave Theatre and the launch of the new Redgrave Youth Theatre, offering young people an exciting opportunity to train alongside working theatre professionals in a vibrant, fully operational venue at the heart of Clifton.”
Independent school for girls aged 7-18 Westbury Road, www.redmaidshigh.co.uk
What made you feel proud in 2025?
“We are proud to have been ranked third best in Bristol in The Times Parent Power national rankings, and to be recognised for the fourth year in a row as the city’s top independent school for academic excellence following another year of excellent GCSE and A Level results.
“Our school community celebrates individuality and excellence in all its forms – whether in the classroom, on stage, on the sports pitch and wherever our students challenge themselves to be their best. This ethos begins right from Year 3 in our Junior School, where we encourage girls to give everything a go, and discover what they are passionate about. We are proud to create an environment where girls can be themselves, free from any gender stereotypes.”
What are you most excited about in 2026?
“Following a comprehensive refresh of our Sixth Form curriculum for 2025, we now offer a broad and flexible programme, with 31 A Level subjects and 15 elective courses, designed to meet the evolving demands of higher education and future careers. These additional learning opportunities encourage intellectual curiosity and independence, while helping students build the critical thinking, organisation and communication skills that prepare them confidently for Sixth Form and beyond.
“In the Junior School, we are excited to take Year Five on their annual French trip to the Opal Coast, allowing pupils to immerse themselves in the language and culture. We are looking forward to our ski trip at the end of March – a fun-packed week, building independence and resilience, that is open to years Four to Six.
“September 2026 brings in a new junior head with Anthea Newton, our current deputy head, taking over from Lisa Brown’s long-standing headship. Mrs Newton has led the school’s thriving robotics curriculum for many years and is looking forward to taking forward to reflect technology and innovation.”
Independent co-ed nursery and prep school for 2-13 year olds; Tockington www.tockingtonmanorschool.com
What made you feel proud in 2025?
“2025 was full of achievements for the school and its pupils. The U11 Boys won the 8x25m Free Relay for Small Schools at the IAPS Swimming Finals in London. In June, the Year 7 and 8 pupils put TMS on the national stage again, winning the Mixed Y7/8 category at the National Touch Rugby Schools Championship in Oxford in only their first season competing.
“It was a good year for awards, with the school shortlisted as one of the Top Independent Prep Schools of the Year out of over 100 entries and the on-site nursery ranked as one of the Top 20 Nurseries in the South West.
“The school also donated a healthy sum to its charity of the year, literacy project Teach Us Too, and became a Green School of Britain following a number of sustainable initiatives – including being part of a Guinness World Record.”
What are you most excited about in 2026?
“It’s lining up to be another excellent year as the school prepares to welcome its new head, Graeme Thompson, in September. He will build on the excellent sporting achievements and high academic standards the school prides itself on, and continue the supportive, family-focused ethos that allows every pupil to live up to the school’s motto to ‘make the most of every moment’.
Obviously, education doesn’t necessarily end at 18. Here’s the news from some local colleges:
Independent college offering routes into creative industries via diplomas, degrees and courses
www.boomsatsuma.com
“2025 was a strong year for Boomsatsuma. The Digital Heritage Studio really came into its own, with students and alumni working on ambitious, real-world projects that blended creativity, technology and research
in a way that felt genuinely future-facing.
“Another big highlight was launching the Create Agency pilot, our alternative education provision, alongside supported internships. Seeing students that thrive outside of mainstream education gain meaningful experience with creative work and real clients – and grow in confidence as professionals – was something to be genuinely proud of.”
What plans for 2026 are you most excited about?
“Looking ahead, we’re excited to build on supported internships through new projects with partners including the NHS, North Somerset Council and WECA. These collaborations open up real opportunities for students to apply their skills in impactful, public-facing contexts.
“We’re also looking forward to launching Art and Design Level 3 Extended Diploma, expanding our creative offer and giving students even more choice and agency in how they learn. And, of course, seeing the outstanding work that comes out of our degree programme – always such a treat!”
College and degree-level acting courses
Silver Street
www.bristolschoolofacting.com
“2025 was a fulfilling year as our first three-year BA acting course reached its final year in September, and we were back producing at Tobacco Factory Theatres and Bristol Old Vic. We also celebrated Miranda Cromwell as our new co-artistic director at the same time as she became an artistic associate of the National Theatre.
“On our 16-18 diploma courses we welcomed students to our new full time musical theatre diploma, and our acting diploma students achieved a record 91% distinction and distinction.
“2026 looks to be our busiest year yet with a developing partnership with Bristol Old Vic with plans for more BSA productions to be staged there and exciting artistic collaborations. We’re also partnering with Bristolbased Actors Workshop to bring their hugely successful Foundation course to BSA starting in September.”
“Community isn’t just a nice-to-have – it’s how businesses genuinely grow”
University of Bath, Claverton Down www.bath.ac.uk
What made 2025 special?
“2025 reinforced what we do best at ExCELL – bringing people together. We welcomed our seventh Help to Grow: Management cohort, supporting ambitious leaders to transform their businesses through peer learning and expert guidance. Our second Leadership Dialogues @ Bath event sparked vital conversations about the future of leadership, whilst our Business@Breakfast sessions reached record attendance, proving the appetite for genuine connection in business.
“The School’s Small Business Charter reaccreditation recognises our commitment to the SME community – not just talking about business, but being part of it.”
Looking ahead to 2026
“We’re building something sustainable. Help to Grow continues, while we strengthen our alumni community and support lifelong learning needs. B@B events continue with insightful workshops, and our sustainability talk series addresses the challenges that matter most.
Leadership Dialogues 2026 on 1 July promises to challenge conventional thinking, bringing diverse voices together to explore how leadership must evolve.”
The reality for SMEs
“Time remains the biggest challenge. Business leaders juggle immediate demands while trying to invest in growth. Knowing when to step back and invest in yourself or your people isn’t easy, but it’s often what separates thriving businesses from those merely surviving.
“That’s precisely why our doors are open. Whether you need direct support from the University or simply want to meet like-minded people facing similar challenges, there’s real value in working through them together.
“Community isn’t just a nice-to-have – it’s how businesses genuinely grow.” n
LEADERSHIP DIALOGUES will return to Bath for its third consecutive year on Wednesday 1st July 2026
Rooted in the principle of using Leadership as a Force for Good, the event brings together delegates from diverse backgrounds to explore how each of us leads in our own way. Through the five pillars of intentional leadership, attendees will discover practical approaches to driving positive change in everyday situationscreating impact through personal accountability that benefits communities, organisations and society as a whole.
An inspiring line-up of speakers has already been confirmed, including Charles Mindenhall, Co-Founder and CEO of Blenheim Chalcott; Minnie Moll, Chief Executive of the Design Council; Neil Pearse, Managing Partner of McKinsey’s Leadership Practice; Deborah Hale MBE, Founder of Start a Fire and former Head of International Marketing for London; Dr Krish Kandiah OBE, social entrepreneur and broadcaster; Joanne Dewar, fintech social entrepreneur; Victoria Humphries,
“ THROUGH THE FIVE PILLARS OF INTENTIONAL LEADERSHIP, ATTENDEES WILL DISCOVER PRACTICAL APPROACHES TO DRIVING POSITIVE CHANGE IN EVERYDAY SITUATIONS”
adventurer and CEO of the Royal Photographic Society; and host Professor Steve Wyatt. The event provides a dynamic platform for meaningful connection and thoughtprovoking discussion, featuring keynote addresses, expert talks and interactive workshop sessions. Leadership Dialogues 2026 offers a valuable opportunity to connect with like-minded individuals and be inspired by a shared vision of purposedriven, values-led leadership. Designed for 300+ delegates, the day combines powerful, story-led presentations from experienced leaders with afternoon breakout workshops. These smaller sessions enable participants to collaborate with peers and, guided by expert facilitators, explore practical ways to create greater impact within their own sectors.
Mark your calendar for Wednesday 1st July 2026 in Bath! Individual delegate passes are now available, and there are opportunities to get involved through group bookings, hospitality packages or sponsorship. To learn more and book delegate passes, including optional lunch packages, visit www.leadershipdialogues.co.uk.
Wednesday 1st July 2026
Venue: The Bath Forum, Bath, U.K. www.leadershipdialogues.co.uk
Arrive in style with our chauffeur-driven vehicles. Our fleet features prestigious models such as the Mercedes S Class, BMW I7, and Mercedes V Class, accommodating up to six passengers, and providing direct access to your event. We offer flexible pick-up arrangements and will be prepared for your return at the conclusion of your evening, eliminating the need for taxis or walks to car parks and allowing you to fully enjoy your celebration.
CELEBRATING TEN YEARS OF THE BEST OF BRISTOL
It’s only Mr Bristol himelf, actor and broadcaster JOE SIMS!
Joe’s probably best known for playing Nige Carter in ITV’s Broadchurch and Vincent Tabak in BAFTA winning The Lost Honour of Christopher Jefferies. He also leads the cast in BBC’s Reunion, and plays Mikey in Matt Harlock’s Blockhead
In addition to his work in TV, theatre and films, Joe has over 100 radio credits to his name, including a run on the British radio drama The Archers He’s won and been nominated for numerous awards.
You can currently hear him hosting the BBC Bristol weekday morning show between 6-10am – “a proper Bristol breakfast”– bringing us news, interviews and local stories in his signature enthusiastic style.
He’ll be staying up way past his bedtime when he comes to present this year’s Bristol Life Awards, then...
It’s the 10th year of the Bristol Life
The Bristol Life Awards 10th anniversary is almost upon us. Over the past decade, the Awards have become a cherished celebration, shining a spotlight on the brilliance, innovation and dedication of those who make Bristol such a remarkable place to live, work, socialise and visit. This evening is not only a celebration of the past but also a look ahead to the future, one that promises continued growth, creativity and success for our city.
We’ve gone above and beyond for this very special landmark year. We’ve got local legend Joe Sims to make you laugh, Porsche cars for you to lust over, Wallace & Gromit sculptures from The Grand Appeal for you to gently pat, and even a Thatchers drinks truck.
But as ever the evening is mainly about the finalists. Nominations from over 500 businesses were examined, analysed and discussed before the outright winners were chosen. A new set of blamelessly impartial judges were tasked with making the final selection out of a recordbreaking number of entries from 22 sectors; on the following pages you can find out more about the judges, along with this year’s finalists.
We’ll also be raising a glass to Origin Workspace, whose journey with the Awards has been a full odyssey, from entrants to partners, and now on board as our headline sponsor.
“We’re very proud to have Origin Workspace as our headliner for the Bristol Life Awards: a company whose brand values both reflect but also enhance the awards”, said MediaClash’s managing director, Stephanie Dodd.
“There’s great alignment with Origin’s values, positioning and success – community and commercial, businesses and consumers.”
The talented Flint & Rankine Ironwork create the frankly beautiful Awards, while The Spirit of Bristol provide treats for the winners.
And after the ceremony is over? For the official Awards afterparty, simply take the short trip downstairs to the Sports Bar.
Follow us on social media if you don’t have tickets. Everybody else? We’ll see you at Ashton Gate on12 March.
For more: www.bristollifeawards.co.uk
When: The Bristol Life Awards 2026 take place on Thursday 26 March
Where: Ashton Gate Stadium Categories: There are 22 Award categories ready to be won
Tickets: Last ones available on our website now; it’s our largest Awards yet and selling out fast with huge demand
Every year, there’s a fresh panel of impeccably impartial and independent judges for the Bristol Life Awards. It’s a diverse and knowledgeable group from a wide variety of sectors and sizes of business. They, and they alone, decide who the winners will be
BEN ALLEN, managing director, Gardiner Haskins Ben began his career in international product management, including roles in consumer electronics (Panasonic), telecommunications (Orange/EE) and broadcasting (News Corp). His career moved briefly into the education sector including a period as vice principal of an agricultural college, before returning to the family retail business of Gardiner Haskins.
LATOYAH MCALLISTERJONES, founding partner & lead facilitator, Citizens for Culture
LaToyah spent six years as Executive Director of St Pauls Carnival CIC, including the acclaimed return of Carnival to the streets. Under her leadership, St Pauls Carnival was the recipient of Best Event at the Bristol Life Awards in 2023. She is also Deputy Chair of Bristol Old Vic, supporting one of the UK’s most historic cultural institutions.
BEN SMITHSON, managing director, Aqua Restaurant Group
Aqua Restaurant Group is a long standing independent hospitality brand at the heart of Bristol’s dining scene. With nearly three decades of experience leading vibrant, community-focused restaurants, he is passionate about creating memorable guest experiences and championing local food culture. Ben recently spearheaded the regeneration of Aqua Welsh Back.
LISA TUCKER, client executive, Marsh Commercial
Lisa has over 25 years experience in the insurance sector and focuses on insurance, risk management, and employee needs while fostering strong client relationships. And also has experience as a holistic therapist. She founded and co-runs a successful business networking group @4 Networking – connecting businesses, suppliers and charities in the local community.
CAROLINE HAMILTON, commercial manager, Origin Workspace Origin Workspace is a premium co-working space in Bristol. With a strong background in hospitality, Caroline brings a people-first approach to leading sales and customer service teams, while driving commercial growth. She is passionate about building thriving communities and supporting entrepreneurs as they grow their businesses.
NICHOLAS BOWMANSCARGILL, managing director, Fears Watches Nicholas is the fourth managing director of his family’s historic British watch company, Fears, restarted in 2016 after 39 years of dormancy. Alongside the dedicated team at Fears, he oversees the creation of elegantly understated British-made watches. Nicholas has been a longtime watch enthusiast since receiving his first watch at the age of six.
ADAM FLINT, general manager, DoubleTree by Hilton Bristol City Centre Adam started his career as a graduate manager with Marriott International before moving to Hilton International, holding cluster GM roles in London and outer regions and resulting in his current position at the DoubleTree by Hilton Bristol City Centre. In 2025 he was named as the new chair of the Bristol Hoteliers Association (BHA).
HELEDD WYN, solicitor & partner, Rothley Law With extensive experience in future planning, private wealth and Court of Protection matters, Heledd specialises in private client services and long-term care. She provides expert guidance on wills, powers of attorney, long-term care, and asset protection for both individuals and business owners. Heledd has significant experience with NHS Continuing Healthcare funding.
NICK ROGERS, chairman and founder, Exacta Technologies Group Nick is a self-made technology entrepreneur with over two decades of experience building highperformance hardware businesses. He founded Exacta Technologies in 2001, growing it into a leading UK provider of precisionengineered bespoke server solutions. In 2015, work with a major global bank led him to launch Blackcore® Technologies.
Here are a few snapshots from the last ten years of the Bristol Life Awards. Our thanks to all the photographers involved over the past decade
HERE’S A LOOK BACK AT LAST YEAR’S EVENT
ARTS & CREATIVE
Sponsored by SLX
• Closer Each Day Company
• The Gaffe Comedy Club
• Gromit Unleashed 3
• Nine Tree Studios
• Phoenix Allstar Cheerleaders
• Royal West of England Academy
• Tobacco Factory Theatres
• Wake The Tiger
• The Wardrobe Theatre
BAR & PUB
Charlton Farm
• Empire Fighting Chance
• The Grand Appeal
• Great Western Air Ambulance Charity
• Life Cycle UK
• Paul’s Place
• St Peter’s Hospice
• Young Bristol
CIVIC & COMMUNITY
• Belmont Estate
• Bristol Business Improvement District
• Bristol Clamshell Course
• Bristol Community FM
Sponsored by Thatchers
• Alma Tavern & Theatre
• Barbara’s Bier Haus Bristol
• The Eastfield Pub
• Flight Club Bristol
• The Granary Club
• The Greenbank Pub
• Independence Sports Bar at Ashton Gate Stadium
• The Jolly Sailor
• KASK²
• Westbury Park Pub & Kitchen
BUSINESS SERVICES
• BLOCK Bristol
• Buxton Butchers
• CAB IT Services
• Catering Services International
• Bristol Pride
• EDP Training
• HUM4NS
• Learning Partnership West
• W.E. Irish
EDUCATION
• Belmont Estate
• Classroom Exit Coach
• Future Stars Coaching
• Little Adventures Nursery St Philips
• Puddle Ducks Bristol and Bath
• Thought Bubbles Education
EMPLOYER
Sponsored by Bristol BID
• AMD Solicitors
• Barcan+Kirby Solicitors
• Women’s Rugby World Cup 2025 at Ashton Gate
HAIR & BEAUTY
• Beauty Angels Hair and Makeup
• Dudes n Dolls Beauty
• Hill Clinics
• KinDRed Clinic
• Nuala Morey
• Pretty
• Sid + John
HEALTH & WELLBEING
Sponsored by The Wave
• Alma Physiotherapy
• Chelvey Menopause/ The Chelvey Medical Group
• Fears Watch Company
• Gardiner Haskins
• Plaster
• Rise Technical Recruitment
• Royal West of England Academy
• Tobacco Factory Theatres
LEISURE & TOURISM
• Adventure Bristol
• Ashton Gate Stadium
• The Bristol Grand Hotel by Sundays
• Clifton Hotels
• Feast On Festival
• Gromit Unleashed 3
• Missiato
• Pearce Planning
• Trammell Crow Company
• Urbane Eco
• Watts Group
• Woodstock Homes
• YTL Developments
RESTAURANT
Sponsored by Alliance Wales & West
• The Bristol Loaf
• COR Restaurant
• Fish Tales
• The Granary
• Harbour House
• Lucknam Park Hotel & Spa
• New Moon on the Quay
• Commercial Cleaning Somerset
• DeskLodge
• Kerr Office Group
• ORCA
• Orega Bristol
• Square Works
• Triangle Networks
• TVNET
CHARITY
Sponsored by Ashton Gate Stadium
• 1625 Independent People
• Abbeyfield Bristol & Keynsham
• Ablaze
• Bristol Animal Rescue Centre
• Bristol Rovers Community Trust
• Children’s Hospice South West –
• Calvium
• COR Restaurant
• Element Recruitment
• H2R Selection
• Juice Recruitment
• Parmenion
• Purcell Architecture
EVENT
Sponsored by Bristol Life
• Bristol Harbour Festival
• Bristol Northern Soul Club
• Bristol Pride
• Circus City 2025: Bodies of Care
• Feast On Festival
• Gromit Unleashed 3
• Legal Tech in the South West
• Tobacco Factory Theatres
• Comfort Health
• First Aid Education
• Grace & Green
• KinDRed Clinic
• Nailsea Physio
• Ripples Wellbeing
• Talk Club
• Yoganand Studio
HOMES & INTERIORS
• Design Seven
• Gardiner Haskins
• Little Green Rooms
• Marta Rossato Interiors
• Nola Interiors
• SJP Interior Design
• Staged Homes Co
• Stylemongers of Bristol
• Woodhouse and Law
• Holiday Inn Bristol Airport
• Lucknam Park Hotel & Spa
• Wake The Tiger
• West Country Water Park
NEW BUSINESS
Sponsored by Floresco
• Barbara’s Bier Haus Bristol
• Design Seven
• Femme Fatale Studios
• The Gaffe Comedy Club
• Majic Protein
• MAP Space
• Ocean Insurance Brokers
• RAGU Restaurant
• The Spirit of Bristol
• Tapps Wine Bar
• Tapps Wine Bar
RETAILER
• Fears Watch Company
• Gardiner Haskins
• Grace & Green
• Love Louie
• Sparks Bristol
• The Window Hub
SMALL BUSINESS
• Big Nath’s BBQ
• Bright Evolve
• Bright Sprout
• Edgie Eats
• Global Bay Design
• Mint HS
• Mode Consult
• The Pancake Man
• PANDEK Group
• Wild West Cider and Wine
LEGAL & FINANCIAL
• AMD Solicitors
• Barcan+Kirby Solicitors
• ELM Legal Services
• Hartsfield
• Integrity365 Independent Financial Advisers
• Ovation Finance
• Parmenion
• Penny Technology
• Perennial Wealth
• Roskilly and Co Solicitors
• Rothley Law
• ViFi
LEGENDS
• Burston Cook
• Clifton Hotels
• Exacta Technologies Group
• The Women’s Wellbeing Club
PEOPLE SERVICES
• Be The Change HR
• Clearview Recruitment
• Element Recruitment
• enlightenHR
• Logixs Search
• Peaple Talent
• Rise Technical Recruitment
• Your Care South West
PROPERTY
Sponsored by Bristol
Property Awards
• Avent Interiors
• Balloon Letting Co.
• Burston Cook
• GIA Surveyors
• Henlie Group
• JAS Building Services
SUSTAINABILITY
• Barefoot Architects
• Belmont Estate
• Ecosurety
• ORCA
• Sustainable Construction Services
• Urbane Eco
• Wake The Tiger
TECHNOLOGY
Sponsored by EntreConf
• CAB IT Services
• Calvium
• Celsius Innovations
• DATA3
• Exacta Technologies Group
• Parmenion
• Shiptheory
• Signable
By Anna Farthing, Interim Head of Place, BRISTOL BID
Broadmead has always divided opinion. For some, it’s the place you met your friends on a Saturday, queued for gig tickets or did your first solo Christmas shop. For others, it’s become shorthand for everything that feels uncertain about the modern high street.
But this spring, something different is happening and you’re invited to be part of it.
Instead of waiting for cranes, hoardings and (hugely exciting) long-term regeneration plans to reshape the skyline, Bristol is starting at street level. With a simple idea: if you love a place, you look after it.
As interim Head of Place at Bristol Business Improvement District (BID), I see every day how much potential there is here - and how much people care about this part of our city. Here at Bristol BID, which brings together Broadmead, the City Centre, Redcliffe & Temple and newly extended areas including Cabot Circus and Spike Island, we’re inviting the whole city to take part in Love Bristol, Love Broadmead.
We’d love anyone who works, studies, shops or lives in the centre to help give Broadmead a visible lift. Not in five years’ time. Not after another round of consultation. Now.
Because while major redevelopment plans are in motion, the everyday experience of a place still matters. The scuffed bench. The tired planter. The bit of litter that becomes five bits of litter. Small things quietly shape how we feel when we walk through a space.
And Bristol has never been a city that shrugs and walks on by.
From Monday 23 – Sunday 29 March, the Big Broadmead Spring Clean will transform the old Debenhams building – now brilliantly reborn as Shredenhams skate park - into a buzzing volunteer hub. Expect music bouncing off the concrete, skateboards clattering in the background, buckets sudsy, sleeves rolled up and gloves on.
Our team has carefully mapped the area to identify quick, visible improvements we can make together - safely, sustainably and with real impact. With coordination from Bristol BID and support from Bristol Waste and Bristol City Council, volunteers will refresh the overlooked and restore pride of place before the lighter evenings arrive.
This isn’t about what “people” will do. It’s about what will you do? Could you spare an hour on your lunch break? Bring your team from work? Rally your neighbours? Join with your teens for a hands-on way to show them how communities care for the places they use?
When a space feels cared for, people linger longer. Families stop for coffee. Shoppers rediscover independents. Students stick around after lectures. And that momentum benefits everyone - businesses, residents and visitors alike.
The spring programme doesn’t end with bin bags and brooms. In April, Sparks and John Wesley’s New Room will host an Easter family festival focused on Care and
Repair – hands-on workshops, practical skills and creative ways to rethink how we use and value the things around us. It’s playful, purposeful and very Bristol: independent, collaborative and just a little unconventional.
Broadmead’s story isn’t finished; it’s evolving. New homes, new uses and new ideas are on the horizon. But the way a place feels can change almost overnight when the people who use it decide it matters.
So this is your invitation. Show up. Bring someone with you! Sign up now at www.bristolbid.co.uk.
Sometimes, the most powerful way to change a city is to take ownership of a small part of itand show it some love.
Love Bristol. Love Broadmead. n
There are many reasons that could prompt the sale of a business or company. These could be retirement, a change in market conditions, a health or family reason or because there is strong financial opportunity to capitalise on what has been built to date.
Formerly known as Entrepreneurs Relief (now Business Asset Disposal Relief), business owners could apply for a reduced rate of capital gains tax at the point of selling a business. Subject to meeting certain conditions, the rate was fixed at 10% up until the 2024 Autumn Budget. The rate increased to 14% from 6 April 2025 and is set to rise again to 18% from 6 April 2026. The rate applies to the first £1m of lifetime gains.
We have seen lots of clients moving forward with their sale plans to beat the 6 April deadline but whatever the driver for sale, preparing for sale is crucial to maximising the value received for your business.
The sale process requires input from lawyers, accountants and most importantly the sellers themselves (it is time consuming!). Most sophisticated buyers will make an offer based on the net asset value or an EBITDA multiple on the understanding that completion accounts will be prepared to understand the final financial position of the business (between the date of offer and the date of completion). An astute seller should therefore have a good idea of what the cash, debt, and working capital will look like at the time of completion, so they can plan what a final sale price might actually be. As the gap between offer and
completion is a moving part, completion accounts can adjust the sale price upwards or downwards. In most cases, a cash surplus = price up and a debt deficit = price down. Between an offer being accepted and completion taking place, the legal process follows a generally accepted structure of entering into heads of terms and a confidentiality agreement, completing the buyer’s legal, commercial and financial due diligence process, drafting, negotiating and finalising the asset purchase or share purchase agreement, preparing all corporate governance and ancillary documents and gearing for completion. This process will usually take months to conclude and the heads of terms should plan for a realistic timetable.
In our experience, when acting on the sale side, deals can fall through because they take too long, there is a significant change in market or political conditions or the sellers have not prepared adequately and the buyer either reduces their offer or loses faith in the deal altogether.
As best practice, business owners should be able to put their hand on anything a buyer may reasonably request in due diligence. To give a few examples, sellers should be able to provide correctly completed and up to date company registers, evidence of all corporate and regulatory compliance, all material contracts (for clients, suppliers and services), all employment and pensions information and evidence that any intellectual property rights used in the business are protected or have due authority for the current use.
When advising our corporate clients we always explore their short and long term goals and discuss when or what a good sale opportunity looks like. In our view it is always a healthy stance to have a sale strategy in mind, even at the point of starting the business. From there, business owners should build a ‘deal team’ to help them work towards sale and then act for them in the arena when a buyer is found.
You never know when the market could be at its peak or how quickly appetite for acquisition could dissipate. A bit like investments, it takes a genius to time the market!
To discuss how we can help with an acquisition or sale, please contact the AMD corporate team on 0117 9733 989 or by email to commercial@amdsolicitors.com n
100 Henleaze Road, Henleaze, BS9 4JZ
15 The Mall, Clifton, BS8 4DS
139 Whiteladies Road, Clifton, BS8 2PL
2 Station Road, Shirehampton, BS11 9TT
www.amdsolicitors.com
Holiday Inn Bristol Airport has officially reopened following a complete & extensive refurbishment, offering a contemporary hotel experience just minutes from Bristol Airport and North Somerset.
Our 4-star hotel boasts 80 guest rooms, including 24 Premium rooms, 4 accessible rooms with roll-in showers and 18 connecting rooms.
Free High speed WIFI
Airport Shuttle*
Business Media Lounge 24/7
Up-to-date meetings & events facilities
On site Car & Coach parking with EV Car charge points*
Fridge in select room types. Upon request for other rooms.
Roskilly & Co is a boutique Bristol-based private client law firm focused on empowering clients through clear, empathetic, specialist legal advice.
Our experienced team combines deep local roots with national reach, supporting clients across a wide range of private client matters from our Bristol office.
We work collaboratively and draw on a trusted network of professionals to provide thoughtful, joined-up support tailored to each client’s needs.
Lasting Powers of Attorney
Probate and Estate administration
Will and inheritance disputes Cohabitation Agreements
Unmarried couple (co-ownership) disputes Family law
Emily Roskilly Partner, Founder, Roskilly & Co
Words by Ursula Cole
If you’ve been keeping a close eye on the Bristol property scene you’ll know that Knowle has been on the list for a good while now, being sought-after for its Victorian and Edwardian terraces, green spaces such as Redcatch Park, and its closeness to the city centre.
Even without the up-and-comingness of the postcode, however, this home on St Martin’s Road would be a tasty proposition. A classic five-bedroomed Victorian semi with handsome mullioned windows, it’s not merely been renovated throughout – hundreds of Bristol properties can make a similar claim –but has been done with the élan and careful detail more commonly associated with boutique hotels.
Period features ripped out by previous, less careful owners have been added back in. All the fireplaces have been renovated, with original pieces sourced, we hear, from as far away as York, and if you thought that was attention to detail, note that the groundfloor guest bathroom now features an antique cistern sourced from the Lake District and a tap from a French chateau.
Cast-iron radiators have been fitted, the stained-glass windows triple-glazed, the original floorboards restored. The new Harvey Jones kitchen is bespoke, the bathrooms have been remodelled with Witt and Berg showers and a copper bath, and a conservatory extension added to the back of the house.
Let’s take the tour. From the inner hallway you turn right into the living room: a charmer, with its deep bay window, ornate fireplace and classic panelling. Turn left and you’ll find yourself in the kitchen, where a wall has
been knocked through to create an open-plan cooking and dining space. There’s not just one, but two, ovens here, a restored Victorian range and a Lacanche cooking range. There are hidden luxuries which mean just as much; underfloor heating runs through the room as well as the living room and downstairs study.
The kitchen flows into an 18ft conservatory, which leads in turn to the garden and a 30ft utility room
Head upstairs, admiring the skylight that’s been added to the stairwell to create natural light all the way down, and you’ll find three bedrooms; the master overlooks the garden, and a smaller one opens to a balcony at the front of the house.
Here, too, is the kind of bathroom which leads homebuyers to turn to the agent and ask “Where do I sign?”
It’s dramatic, atmospheric and gorgeous, the black tiled walls and fireplace, and the paler marble flooring, setting off the free-standing copper bath, and the large stained glass window behind it, to perfection. If the Bristol Life Awards handed out a gong for ‘most covetable bathroom featured in our Property Showcase pages’ this one would be a shoo-in.
The two top-floor bedrooms have all the charm that rooms beneath the eaves always bring, with a dormer and Velux windows added to max the light; from the front there are wonderful views across the city over to Dundry.
At the back of the house, the garden is unusually large for the area. A patio creates the perfect entertaining space, while the lawn beyond leads to two sheds at the back. At the front, an off-street parking space has an electric charging point.
Here’s what the current owners have to say.
“Our home is a calm, elegant haven where the city noise melts away the moment you step inside. It’s peaceful, warm, and full of light, the kind of place that makes you exhale and slow down.
Where? Knowle
Guide price: £1.25m
Bedrooms: 5
Receptions: 3
Bath/shower rooms: 2
Outside: Large garden, two sheds; off-street parking
“Mornings are best spent with coffee in the conservatory, watching the birds and clouds drift by, or tucked into the living room’s cosy bay window. The kitchen is the heart of it all, always buzzing with life, while the conservatory is where we gather for long meals. In winter, the open fireplace fills the house with comfort; in summer, the terrace becomes a sun trap for tea or BBQs.”
What else?
Conservatory; long utility
Call my agent: Boardwalk 0117 989 8222; boardwalkpropertyco.com
Clearly, when it comes to this exceptional house on St Martin’s Road, there’s Knowle place like home.
The creative director of A Productions talks about past successes, childhood inspiration, creating a permanent new character for Sesame Street and (we’ll have to take her word for this) her ace Muppet-impersonation skills
In her role as creative director. Joanna is responsible for shaping the company’s creative vision and ensuring each show has its own unique and authentic voice.
How long have you been at A Productions?
I have been full time for eight years, initially joining as an animation director. Before that, I was a freelance animator working for a number of studios around Bristol and the UK.
What does A Productions do?
We are a creative-led, full-service animation studio, producing award-winning children’s content for film, TV and streaming. We don’t only make animation for children, but it’s
the core of what we do, and we’ve been doing it for 40 years.
How has animation for kids changed over that time?
One of the biggest changes is how we make it. Traditional 2D cel animation – in which each frame was drawn by hand – was the staple back then; now everything is digital, we can produce things much faster. How we consume it has changed, too. When we started there were no streaming services; these days there’s so much choice, meaning that making your show stand out more important than ever.
What animated shows or films did you love as a kid?
I’m an 1980s/’90s kid, so I grew up with The Animals of Farthing
“I think I do a good Kermit the Frog impression, but luckily this is just in print so I don’t have to prove it”
Wood, Sharky and George, Rugrats and The Wild Thornberrys as some of my favourites.
Did you always want to work in animation?
In my late teens I had a love of drawing and film, but I didn’t know then that I specifically wanted to be an animator. I just thought, “I want to make stuff like that, but I don’t know how”, and it grew from there.
Tell us about some of the favourite productions you’ve worked on
Our Sesame Street work, namely the animated special, Sesame Street the Nutcracker starring Elmo and Tango, and Sesame Street’s Nature Explorers series. I grew up with Sesame Street, so I definitely had a few ‘pinch me’ moments throughout those productions. The characters are iconic and we even helped create a new one: Tango, Elmo’s dog, who is now a permanent resident on the street.
And what current/future ones are you most excited about?
Super-exciting right now is the work we are doing on My Friend Maisy. It’s a magical preschool show based on the bestselling children’s books by Lucy Cousins.
What makes Bristol such an ideal home for animation?
It’s such a creative city, full of artistic, talented, brilliant people.
Are there any stories or characters you’d still love to bring to life?
I’m such a nostalgic person that I’m always excited by the prospect of bringing books I loved as a kid to life. There’s still an appetite for that, which is great, but I also love real experiences, so perhaps there’s a Bristol story we should to tell.
What brought you to Bristol? I moved here for university back in 2004 and never left!
And what keeps you here?
Animation! I was living in Devon and knew I wanted to study animation. I chose Bristol because of the course at UWE, the location; we also have family connections here, so it was ideal.
What part of the city do you live in, and what do you love about it?
I live in Redfield and have done for the last nine-plus years. I never thought I’d love it as much as I do, but it really is my home. St George Park is arguably the best park in Bristol, and Church Road has everything you need.
Share a few favourite places loved by locals
The Bristol Loaf – I always brag that while ours is not the biggest Loaf, it was the first, and therefore, the best. The Red Church – great pizza and atmosphere. The George and Dragon – lots of pubs have opened since moving here but this is probably my favourite. The Small City Bookshop – I got back into reading recently and am obsessed with this shop.
Do you have any secret talents?
I think I do a good Kermit the Frog impression, but luckily this feature is in print only so I don’t have to prove it.
What are your most regrettable habits?
Eating at my desk. I love a snack but I’m probably responsible for the infamous 2022 studio ‘ant takeover’.
For more www.aproductions.co.uk
