The more you think about it, the more you realise what a huge presence translated literature has in many of our lives. From fairy tales (Hans Christian Andersen, Brothers Grimm, I’m looking at you guys) and Disney stories (Pinocchio and Aladdin, take a bow) to religious texts – if that’s your thing – and perspective-changing novels, stories from around the world are demystified for people thanks to incredible translators carefully re-telling delicate nuances and expressing themes in ways that transcend cultures; they unlock the doors that grant us access to the masters behind the words.
This month, our city is hosting The International Booker Prize 2026: Shortlist Readings for the first time ever (at Bristol Beacon on 15 May. No, there aren’t any tickets left. Yes, that’s very unfair isn’t it). It’s a big deal: some of the world’s most talented authors and translators will be reading from and discussing their books. To mark the occasion in our own little way, we chatted to Evelyn Heis-Borrell, who’s a local literary translator, indie bookseller and host of It’s Lit podcast. Find out why this queen of translated literature thinks Bristol is a dream city for book lovers, from page 8. While prestigious lists like the Booker Prize are obviously important, we also wanted to spin the spotlight around onto some incredible authors who didn’t make this year’s list – but whose works are just as dazzling. Turn to page 48, where the fine folks at Gloucester Road Books have curated a book shelf of tantalising translated literature for your ‘to be read’ pile.
The spoken word has just as much potential to bridge cultural divides as printed prose, which is exactly what’s happening at men’s mental health charity Talk Club. India Farnham speaks to co-founder Gavin Thorpe, Lee Gillett of Bristol City Robins Foundation and Adam Tutton from Bristol Rovers Community Trust, about how they’re putting aside a decades-long football rivalry for change in men’s mental health support at a very special event.
While we’re on the topic of heated competition, Rivals is back on our screens this month, with season two premiering 15 May on Disney+. Seeing as it was filmed in and around Bristol, and because we can’t resist a bit of 80s-inspired kitsch (the classy kind, obviously), we’ve selected some homewares (page 71) that embrace its retro gentlemen’s club-meets-country manor aesthetic with arms wide open, and, most likely, a daiquiri cocktail in hand.
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Aidan Turner as Declan O'Hara in Rivals season 2 (Image property of Disney+)
The City is t
Credit: Louis Veillon
MyBristol
Meet Evelyn Heis-Borrell, independent bookseller, literary translator, and It’s Lit in Translation podcast host
I first moved to Bristol in 2020 when I came here to study English at the University. It was love at first sight. I am fortunate enough to have resided here ever since, and I have no plans on leaving this magical city.
I always describe Bristol as a city with multiple personalities; every nook and cranny has something unique to offer. From flea markets in St Nicholas and Latin American food stalls in St Paul’s, to weekly hot air balloon sightings and raves on DJ buses in Stokes Croft; there is honestly something for everyone here.
Bristol is truly a dream city for book lovers. As it stands, we have 11 independent bookshops with a few more popping up every year! Our community has been able to nurture bookshops across different parts of Bristol, showing that there is a huge appetite for literature here.
I always like to read multiple books at once. On the go at the moment, I’ve got Medea Sang Me a Corrido by Dahlia de la Cerda (translated by Julia Sanches and Heather Cleary), a collection of short stories about the violence inflicted upon women in Mexico, and Taiwan Travelogue by Yáng Shuāng-zǐ (translated by Lin King), which is set in 1930s Taiwan under Japanese occupation, recounting the relationship between a writer and her interpreter.
On my weekends off, you will almost always find me either reading in an independent coffee shop, or losing myself in a film at Watershed (and leaving a review on the notice board). As soon as the sun starts shining, however, there’s nowhere else I’d rather be than curling up on Royal Fort Gardens with a packed lunch and a good book.
Anyone who has been within a six-mile radius of me will have heard me talk about Hatter House Cafe, which was established in 2018, after its owners came all the way from Damascus, Syria. Taking its name after the previous store that sat in that exact spot in Bristol, a hatmaking and repair shop, Hatters goes above and beyond to care for its customers. Also, its roast is singlehandedly the best coffee available in Bristol (I will die on this hill).
If I could change anything about the city, I would absolutely love it if cafés, bookshops and general shops stayed open until later, like they do in Spain. It allows those who don’t get off work until 5pm to be able to take it all in.
In January, I launched a literary podcast called It’s Lit in Translation, where I have the pleasure of chatting with translators from across the globe about the books that they bring into English. My podcast aims to bridge the gap in publishing and literary circles by shedding light on the work translators do. I’ve also been able to partner with this year’s International Booker Prize for its 10th Prize anniversary, interviewing the six shortlisted translators ahead of this year’s ceremony in May.
For book reviews and many snaps of coffees, you can find Evelyn on Instagram under @amuchneededbreak. For those who enjoy longerform content, you can find her chatting away on YouTube under @amuchneededbreak.
5 things to do
Spot live street art
UPFEST returns from 15-31 May, with a huge 300-strong line-up of international street artists bringing more than 120 large-scale murals to the city, alongside workshops, live painting and community-led projects. Local and global artists confirmed include Inkie, Audrey Kawasaki and Artez (whose work is pictured here).
Get all the info you need online at upfest.co.uk
Sense Spring in the air
Spring has arrived at Westonbirt, The National Arboretum. Nature is quietly revealing its best kept secrets as new life and beautiful colours emerge in the arboretum throughout the season. Take a closer look as you explore new and exciting spring trails. Learn more about nature’s hidden ways as you admire flowers bloom, green leaves unfurling on the trees, and pause to witness a kaleidoscope of colourful flowers as you turn every corner. Visit Westonbirt this spring – where nature comes to life. forestryengland.uk/westonbirt
See The Dark Side of the Moon
Join We The Curious on 15 May (7pm and 8.15pm shows) for a truly immersive cosmic celebration of one of the greatest albums of all time, now showing at the Planetarium. Set to the newly remastered audio by James Guthrie and Joel Plante of das boot recording, the sound is richer, deeper, and more powerful than ever. The breath-taking 360° visuals, produced by the awardwinning team at NSC Creative in collaboration with Pink Floyd’s iconic creative director Aubrey Powell, bring the music to life in spectacular style. Each song has a different theme; some futuristically looking forward and some a retro acknowledgment to Pink Floyd’s visual history, all relating to a time and space experience, embracing technology that only a Planetarium can offer. wethecurious.org
Watch Kiss of the Spiderwoman
Obsession or salvation? One kiss from the Spider Woman can change it all. In a brutal prison, Molina – condemned for his sexuality, and Valentin – a political prisoner, are forced into an unlikely friendship in the cell they share. To escape their harsh reality, Molina conjures dazzling fantasies of glamorous movies, spinning tales of the seductive and dangerous Spider Woman. As their conditions worsen and the line between truth and fiction blurs, the two men find a deeper connection – one that could cost them everything. Curve, Bristol Old Vic and Mayflower Southampton’s revival of 1993 Broadway hit Kiss of the Spiderwoman is at Bristol Old Vic until 16 May. bristololdvic.org.uk
March for a good cause
St Peter’s Hospice is marching to a Bristol Bears rugby game at Ashton Gate Stadium on 9 May, with the sponsored walk supporting the organisation’s work. People are invited to walk for their love of rugby, their local hospice or in memory of someone special. Whatever your reason, slip on some walking boots and choose between a 5km (accessible) or 10km route through Bristol, before taking a seat in the stadium and soaking up the amazing match-day atmosphere watching Bristol Bears v Saracens. Last year, the sponsored walk helped to raise more than £40,000. Sign up via the website, with ticket costs covering the cost of the event. stpetershospice.org
Is Bristol the centre of the universe?
Bristol legends, comedian and former The Bristol Magazine cover star Jayde Adams (Strictly Come Dancing) and Great British Menu chef Josh Eggleton (also of The Pony Chew Valley, Salt & Malt, The Kensington Arms and more) have teamed up to reveal a new YouTube show: Centre of the Universe, in which they put Bristol under the microscope, convinced it might be the centre of everything.
Filmed entirely on location, Centre of the Universe leaves the studio behind and places each episode in a setting that sparks the conversation from the very first moment.
Aboard the SS Great Britain, on stage at Bristol Old Vic, in the directors’ box at Ashton Gate Stadium or across the sweeping landscape of Chew Magna, each location is a jumping off point for the two best mates as they get into the nitty gritty of what makes Bristol so fab.
Episode 1, ‘All Roads Lead to Bristol’, is out now. You can watch it on YouTube, or listen wherever you get your podcasts. centreoftheuniversepod.com
Heart surgeon releases memoir
Professor Gianni Angelini has released A Knife to the Heart, a candid memoir set against the backdrop of the Bristol Baby Scandal, offering an honest and personal insight into a surgeon’s life.
Gianni was appointed to the British Heart Foundation Chair of Cardiac Surgery at the University of Bristol in 1992, and his pioneering work has advanced cardiac surgery worldwide. From humble beginnings in Tuscany, his childhood dream of becoming an airline pilot was dashed by a congenital eye defect, which redirected him towards a career in medicine. Guided by his family’s modest background, this decision took him across continents and through some of the most challenging and rewarding experiences in modern healthcare.
His steadfast leadership during the Bristol Babies Scandal reflected his deep commitment to patients and clinical excellence; this memoir is a compelling collection of true stories, revealing the emotional and psychological realities of life as a surgeon, exploring both mistakes and triumphs, offering rare insight into the human side of surgery.
bookguild.co.uk
Henbury Golf Club wins national award
Golf’s governing body, England Golf, has awarded Henbury Golf Club its top women’s honour – the Women In Golf Charter Club Award – last month at its annual Awards night at The Manchester Deansgate.
Out of more than 500 English golf clubs to sign the Charter, which is driving major progress across the UK towards a more female-friendly sport, Henbury claimed the top spot at the 2026 England Golf Awards after a year of cultural and structural change that has resulted in a significant equality shift between its Men’s and Women’s sections.
Previously, just as at many golf clubs across the UK, Saturdays at Henbury GC were a symbol of exclusion, with men-only competitions making the golf course effectively inaccessible to women until late in the day. But work by a team led by the club’s former Women’s Captain Jill Thorpe brought a new level of equality to weekend golf at the club in 2025, following Henbury’s signature of the WIG Charter the previous year.
The number of the club’s Saturday competitions open to all is now four times greater than before, and according to the club, this has introduced a more vibrant, relaxed atmosphere at weekends. Female representation in leadership roles within the golf club has also more than tripled in the last year. henleygolfclub.co.uk (Photo by Matthew Fitzsimons)
Leon Bosch to direct Bristol Ensemble
Virtuoso double bassist/ conductor Leon Bosch will direct Bristol Ensemble on 20 May (7.30pm) at St George’s Bristol in a powerful programme for strings featuring Red Ink, a striking concerto written for him by Shane Woodborne in memory of the Soweto Uprising, together with music by Britten, Barber and Elgar. Tickets from St George’s Bristol box office at stgeorgesbristol.co.uk and 0117 929 4929.
Two hundred Blue city taxis now carry emergency bandage kits
Bristol’s blue taxies are the latest cabs in the UK to now carry military-grade emergency bandage kits that can help prevent serious blood loss following accidents, major incidents and knife crime.
The emergency bandage kits have been donated by the charity RAPAID and distributed to 200 taxi cabs in the city with the collaboration of Bristol blue licensed taxi association and the support from Babcock International Group, which has operations based in the city. Participating taxis display a green RAPAID window sticker indicating they can be flagged down by the public and the bandages, designed to be quick and simple to use can be handed out and used until help arrives.
The kits carried on the taxis contain four military bandages that can apply 30lb of pressure onto a wound, four pairs of surgical gloves and a clear colour instruction card. rapaid.org
Bristol garden featured in David Attenborough documentary
A Bristol resident whose city garden appears in a new David Attenborough documentary has described seeing the close-up wildlife encounters from her patch on screen as “remarkable”.
Louise Vergette’s outdoor space features in the second episode of Secret Garden, which first aired last month, as part of a five-part BBC series exploring wildlife-friendly gardens across the UK.
Although she didn’t meet Attenborough, who narrates the series, in real life, Louise told the BBC hearing him mention her felt “surreal”. Filmed over several months, the episode reveals her garden as a thriving urban habitat supporting birds, foxes and amphibians. According to the BBC, producers from Plimsoll Productions, who made the show, discovered the garden during lockdown via a short film by her partner. The project highlights how small green spaces, and features like hedgehog highways and ponds, can aid biodiversity.
New wellness book for women aged 40+ launched by local author
A new wellness initiative blending movement, nutrition and habitbuilding is set to launch in Bristol this spring, as local author Grace Ekall releases Habits That Heal You, a book that complements her range of signature, healthy hot sauces, together forming the ‘Heal from Within’ bundle.
Aimed primarily at women over 40 experiencing chronic inflammation, the concept introduces Ekall’s G.R.A.C.E. Protocol, a fivestep framework rooted in functional medicine and her Cameroonian heritage. The method encourages users to transform overlooked moments in their day into ‘Self-Care Windows’, incorporating brief practices such as rhythmic movement, mindset exercises and digestive support.
Central to the approach is the idea that healing can be integrated into daily routines without requiring extra time. The accompanying sauces, described as nutrient-dense and digestionsupporting, align with her protocol’s ‘cleanse’ pillar.
With burnout and chronic inflammation increasingly in focus postpandemic, Ekall’s multi-sensory approach – combining dance, flavour and habit – aims to offer an accessible path to improved wellbeing. habitsthathealstudio.com
Mohammad Islam, from the Bristol Blue Licensed Taxi Association
Credit: BBC / Plimsoll Productions
New movie filmed in Bristol celebrates cinematic release
Based on a true story, Surviving Earth – a new movie filmed on location in Bristol that has been enjoying a recent cinematic release – follows Vlad, a talented harmonica player and refugee who arrived in the UK in the 1990s after fleeing the conflict in Yugoslavia. Vlad, now living in Bristol and working as a counsellor, has brought his roots and love for Balkan music to the city by forming a band with his friends from work. The band strives for success, but as they do, Vlad is revisited by the traumas of his past life. His carefully rebuilt world starts to fracture, with the hardest hit being his only daughter Maria, the most important person in his life.
“The decision to film in Bristol was never in contention,” the film’s director Thea Gajić told The Bristol Magazine. “Our story is set here, my dad lived here and it's the city that holds the spirit of our film within its streets, culture and landmarks. We scouted lots of different locations, particularly Bristol's extensive music venue scene. For our live music scenes, we landed on Zion Community Cafe, The Jam Jar and Thekla – the latter two which my dad and his band actually played on stage at.
“I also really enjoyed transforming the old, unused offices at The Corn Exchange into our work-place set. Having access to film inside such an iconic location, full of true history and character was a real treat for us all. Bristol was ultimately another character in this film, its vibrancy informed our camaraderie and its community adorned the film in ways another city couldn't. I feel proud to have added to the memory bank of my father by choosing to shoot this film in Bristol and having met so many brilliant people along the way.”
Follow @survivingearthfilm on Instagram for more info and updates on where to watch it.
Never Fully Dressed. Morocco Charms Cardigan. £129, johnlewis.com.
John Lewis x LABRUM. ,Cotton.Patchwork. Denim Overshirt, £159 and Wide Leg. Patchwork Jeans, £129. johnlewis.com.
Compania Fantastica. Long Dress with Palm & Mermaid Print, £95, foxandfeather.co.uk.
Reiss, Hydros Tom Daley Tile Crochet Shirt. £118, reiss.com.
Shell Top, £89, and Trousers, £99. mintvelvet.com.
This is your Early Bird Ticket to a festival‐ready wardrobe, perfect no matter if you’re sampling culinary delights from artisan makers or blissfully watching your favourite band headlining the main stage....
M&S Regular Fit Cotton Blend. Short Sleeve Shirt. £40, marksandspencer.com.
Oliver Bonas Tori. Tulip Beaded Bracelet. £22.50, oliverbonas.com.
White Stuff Chapman Casual. Short, £49, whitestuff.com.
Nali Shop Heart Ridged Bag. with Shoulder Strap, £70. foxandfeather.co.uk.
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May Madness
If you wish to buy Diamond or Gold items – we will Part Exchange your 9ct Gold items at £50 per gram (current market value £39.50 per gram - at time of going to press)
Get the party started
Start planning a summer to remember with our pick of some of the West Country’s finest festivals and events. Want to get your hands on the hottest tickets in (and out of) town? Simply scan the QR codes provided...
SHINDIG FESTIVAL: 21– 24 MAY
GOOD TIMES LIVE: 20–25 MAY CHIPPING SODBURY
Good Times Live returns to Chipping Sodbury, Bristol this May bank holiday with a vibrant, multi-genre lineup. Headliners include The Human League, Jessie J (pictured), Tom Odell, Madness and Emeli Sandé, supported by an exciting roster of special guests each night. Comedy fans can look forward to the Good Times Comedy Gala, led by Russell Howard. There’s good times for all ages too, as BBC’s Andy Day headlines a dinosaur-themed Family Fiesta packed with five hours of family fun. Packed with music, laughter and entertainment, Good Times Live promises a lively and memorable start to the summer season.
Tickets are available now from GoodTimesLive.co.uk
The family-friendly event returns to the arboretum of Charlton Park Estate, Wiltshire. Bringing a packed programme of entertainment for all ages, Shindig Festival offers relaxation and revelry in equal measures. Recommended by Emily Eavis, Glastonbury organiser, the festival has been dubbed “a pint-sized version of Glastonbury”. It’s now back for its 12TH year with an eclectic line up and one of the friendliest festival crowds in the UK. This year’s acts include Bob Vylan, Mungo’s HiFi, Colleen ‘Cosmo’ Murphy, Fat Dog, War, Stanton Warriors, Dub Pistols, Snapped Ankles and many more. As well as crafty and holistic areas, there’s a dedicated kids Playground and muliple music stages.
Tickets can be bought from shindigfestival.co.uk
THE BIG BANQUET 22–25 MAY
Roll up for a weekend of feasting, fun, and a full-on festival atmosphere inside the historic walls of Caldicot Castle as Street Food Circus' Big Banquet returns for the late May Bank Holiday. A travelling caravan of celebrated street food chefs will serve dishes from across the world, enjoyed together around long communal tables. Built for all ages, the event includes a free kids’ circus school, Chris Bullzini – The Silly King circus show, bubble discos, and a spectacular evening fire show. Book tickets via the website below or QR code (kids go free).
streetfoodcircus.co.uk
Image: Dan Cadell
EASTVILLE PARK: 12–14 JUNE
THE IBIZA ORCHESTRA EXPERIENCE
Following a sell-out UK tour in 2025, the Ibiza Orchestra Experience returns on 12th June with its biggest show yet, taking over a huge outdoor stage for an immersive, festival-style spectacle packed with stilt walkers, fire breathers, laser shows, pyrotechnics and a vibrant festival market alongside the live orchestral performance; this year’s confirmed line-up brings pure nostalgic energy with iconic dance acts including Phats & Small, Artful Dodger, Baby D, Ultrabeat, Ian Van Dahl, and N-Trance, all coming together for a euphoric night of Ibiza anthems reimagined with a full live orchestra –bigger, louder, and more electrifying than ever. ibizaorchestraexperience.co.uk/bristol
SAUSAGE AND CIDER FESTIVAL
The Sausage and Cider Festival heads to Eastville Park on 13 June, bringing a huge outdoor stage and a full day of entertainment for all ages. Festivalgoers can enjoy 30+ cider flavours alongside craft beer, spirits, cocktails and soft drinks, plus 20+ sausage varieties including maple and chilli, vegetarian and cheese options. Alongside a buzzing festival market and sausage eating competitions, the line-up features Barrioke, Pat Sharp, and a host of tribute acts celebrating The Killers, ABBA, Queen, Oasis, Fleetwood Mac and Red Hot Chili Peppers, with a headliner still to be announced. sausageandciderfest.co.uk/bristol
SUMMER IN NASHVILLE
Rounding off the weekend on 14th June, Summer in Nashville brings the sights, sounds and spirit of country music back to the city for a full-on Nashville experience. The lineup features The Luke Combs Tribute, alongside tributes to Morgan Wallen and Shania Twain, plus live performances from The Folly Brothers, Rhiannon Page and Howdy: a Country and Western Extravaganza. Alongside the music, enjoy line dancing, American BBQ and street food, rodeo bull rides, axe throwing, country fancy dress and a range of interactive entertainment throughout the day. summerinnashville.com/bristol
BATH FRINGE: 22 MAY–7 JUNE
Bath Fringe 2026 returns to the city this year, delivering 130 events across more than 30 venues over 17 days (and a few stragglers). Around a third are free to attend, spanning music, comedy, theatre, cabaret, poetry, storytelling, dance, film, walks, talks and more. Genres range from rock and jazz to experimental and world sounds. Programmed by local people, venues and performers (alongside some international visitors) the programme truly reflects grassroots energy. A parallel 17-day visual arts festival will be running alongside the Fringe, with venues still being finalised. Also being welcomed to this year’s Fringe is a new group – dubbed Fresh Fringe Family Festival – which is presenting a varied and good value selection of entertainment for families, kids and teens, with events mainly on during the half-term week.
bathfringe.co.uk
Top to bottom: Ibiza Orchestra, Sausage & Cider, and Summer in Nashville
Top Secret (30 May)
WELLS
COMEDY FESTIVAL:
22– 24 MAY
Somerset’s ‘weekend-long comedy jamboree’ (Guardian) celebrates its 10-year anniversary festival over the May bank holiday. The biggest names in UK comedy – stars such as James Acaster, Bridget Christie, Nish Kumar, Ed Gamble, Tim Key, Sara Pascoe, Lou Sanders, Flo & Joan, Paul Foot and Mark Thomas – are descending on England’s smallest city to celebrate.
A special 10th anniversary gala show with profits split between charities Vision Action and Wells Foodstore and a live Off Menu podcast show are some of the birthday additions this year. Also announced are cream of the Edinburgh Comedy Award winners crop Adam Riches and Sam Nicoresti, Live at the Apollo stars Ian Smith and Jessica Fostekew and returning festival favourites Stuart Laws, Frankie Thompson, Katie Norris and Amy Annette among so many more.
All the Cedars Hall gala shows will be BSL-interpreted and the Little Theatre festival bar is open throughout the weekend serving local beer and cider, tasty coffee, pastries and pizza. wellscomfest.com
GARDEN THEATRE FESTIVAL 2–
26 JULY
The Garden Theatre Festival is returning to the Holburne Museum in Bath with extended covered seating so you can relax in comfort, no matter the weather. Immerse yourself in the worlds of Jane Austen, Oscar Wilde and the Brothers Grimm as the in-house repertory company presents three productions: Sense & Sensibility, The Importance of Being Earnest and Big, Bad Wolf. Enjoy witty storytelling, laugh-outloud comedy, and plenty of live music. Sip a refreshing drink under a warm sunset, all while enjoying the relaxed atmosphere at Bath’s very own open-air theatre festival.
gardentheatrefest.co.uk
BRISTOL OLD VIC THEATRE SCHOOL SUMMER FESTIVAL 21 MAY– 13 JUNE
Bristol Old Vic Theatre School presents its Summer Festival 2026, afour-week showcase of contemporary theatre performed at Bristol Old Vic’s Weston Studio.
The annual festival, which is now in its 20th year, is a cross-course collaboration. This year promises a bold and diverse programme, introducing audiences to some new and exciting British & Irish plays. The four-week festival packs in eight productions presented as double bills, giving audiences the chance to experience two plays in one evening. Curated by the Artistic Director of the School, Emma Callander, the Festival will showcase the creative excellence of all students involved.
See the festival from 21 May to 13 June. Details of the shows and performances can be found on the School’s website.
oldvic.ac.uk
Nish Kumar (credit: Paul Gilbey)
THE DIG FOR VICTORY SHOW NORTH SOMERSET SHOWGROUND
13–14 JUNE
Step into the spirit of the 1940s at The Dig For Victory Show, returning to North Somerset Showground on 13–14 June 2026. This lively, family-friendly festival brings wartime Britain to life with thrilling arena displays, roaring military vehicles and immersive living history. Children can dive into hands-on activities, enjoy a vintage funfair and follow interactive trails, while parents soak up the atmosphere of swing music, vintage fashion and bustling market stalls. With more than 200 historic vehicles, dramatic arena events and a vibrant community spirit, it’s a weekend packed with remembrance, history and unforgettable family fun. digforvictoryshow.com
YEO VALLEY ORGANIC GARDEN FESTIVAL
17– 19 SEPTEMBER
It sold out last year. So they're doing it again! The Yeo Valley Organic Garden Festival returns to the Yeo Valley Organic Garden near Blagdon, just outside Bristol.
Three days of nature-first, organic gardening with talks, panels, demos, good conversation and absolutely no lecturing! Just practical gardening tips and ideas in a relaxed, welcoming atmosphere.
This year’s line-up includes garden designers and podcasters James AlexanderSinclair and Joe Swift, and BBC Gardeners’ World presenters Arit Anderson and Frances Tophill, with many more names still to be announced.
Alongside the talks, there’s time to explore the Organic Garden, browse the plant nurseries, enjoy delicious food and conversation with friends, before heading home with a bootful of plants, a headful of ideas and something new to try in your own garden or green space.
Tickets are limited. Book yours soon at yvogardenfestival.co.uk
Credit: Ania Shrimpton
FESTIVAL OF NATURE: 6 –14 JUNE
This free nine-day celebration of the natural world is back, and bigger than ever with more than 160 events happening across, Bristol, Bath and online. From the hidden life of trees to the wonders of nature at night, try out new ways to experience nature, learn new skills and take action.
For Bristol, the big moment is always ‘Wild Weekend’, when stalls, live music, workshops, parades and thousands of people take over Millennium Square. This time, there’s lots for younger children, with guest appearances from CBeebies’ presenters Andy Day with his famed dinosaur raps and Aaron Roach Bridgeman from I Can Grow It answering children’s big gardening questions. Weekday highlights in the city include woodland trails, insect identification, night time nature discoveries and a Queer eco-poetry workshop. amme, visit festivalofnature.org.uk
What’s On...?
Our guide to the best things to see and do this month
Bristol Walk Fest
n Throughout May
Various locations
Throughout National Walking Month, Bristol Walk Fest hosts a wealth of walkingrelated events and activities. The festival showcases a wide variety of walking related events and activities, personal challenges and self-guided walking routes. So, whether you like historical tours, nature walks, exploring street art, walking sports, or you just want to get fit and enjoy some fresh air, you’ll find something to enjoy. The (mostly free) walks and activities are for all ages, all backgrounds and all levels of fitness. bristolwalkfest.com
DIASPORA!
n 1-10 May
Various locations
The landmark, not-for-profit festival celebrating cultural diversity, community and creativity across our city is back, with a 10day, region-spanning programme showcasing
year’s events include live music, dance, theatre, spoken work, outdoor celebrations, community-led gatherings, screenings, exhibitions, workshop, performances, and talks all exploring identity, creativity and cultural heritage. People are invited to discover artists they don’t know, celebrate our city’s rich, multicultural heritage, connect across cultures, experience a deeper sense of belonging and shared humanity, and much more. The full programme is online. diverseartistsnetwork.com
Chess Club
n 5 May, 6pm-10pm
Grain Barge, BS8 4RU
Join the team on board Grain Barge for a casual chess club, welcoming everyone of all abilities. No sign up required or loyalty expected, and some boards are provided, but please bring your own if you have one. Grab a drink, relax and indulge in the world’s greatest abstract-strategy game. Attendees
have ranged from complete beginners to 2000 rated players – so you are guaranteed a warm welcome and chance to learn something new. grainbarge.com
Bristol Know Show n 14 May, 7.30pm
The Wardrobe Theatre, BS2 0DF
Looking for a lively, nerdy night out? Bristol Know Show sees a lovely line-up of geeks share their passions – from dinosaurs, to DNA, to the ABCs of sign language... all through the lens of comedy. Brought to you by Sci X SW: a Bristol-based science/comedy/entertainment collective that runs events in Bristol and beyond where audiences can laugh and learn, and performers can share their specialist interests in creative ways. thewardrobetheatre.com
Rock The 80s n 15 May, 7.30pm
Tobacco Factory Theatres, BS3 1TF ➔
Ayahuasca Dances of DIASPORA!
Rock the 80s has been entertaining festival and large event audiences with its six-strong musician line-up since 2010, and in recent years, performing a widelyacclaimed show in many significant locations such as Stonehenge, Castle Roc, Newcastle United St. James’ Park and F1 GP Silverstone. The show features many of the greatest rock and pop songs from the era: expect hits from Van Halen, Elton John, Cutting Crew, Toto, Huey Lewis, ELO, Prince, Bon Jovi, The Police, Journey and many more. tobaccofactorytheatres.com
Exultate Singers: A World of Light n 16 May, 5pm
St James Priory, BS1 3NX
Seventy minutes of exquisite choral music on the theme of light performed in the beautiful setting of St James Priory, a 12th century church in the centre of Bristol, including works by Byrd, Palestrina, Tavener, Tallis, Lucy Walker, Kate Rusby and Oliver Tarney. Tickets £10 to £15 from exultatesingers.org
The Fantasy Orchestra:
This Woman’s Work
n 17 May, 7.30pm
St George’s Bristol, BS1 5RR
Join Bristol’s own polyphonic, kaleidoscopic, and ever-so-slightly-chaotic, The Fantasy
Orchestra as it celebrates the songwriting genius of iconic female singer-songwriters. The night will include hits and deep cuts from the incomparable Kate Bush catalogue alongside songs by other trailblazers such as Joni Mitchell, Björk, PJ Harvey and more, all expanded in unique arrangements for a +50strong orchestra and choir. As regular fans of The Fantasy Orchestra will attest, each performance of theirs is truly unique, and as they turn their hand to Bush’s music for the first time, this is surely an evening not to be missed! stgeorgesbristol.co.uk
Peking Opera Blues
n 18 May, 8pm
Cube Microplex Cinema, BS2 8JD
Fans of genre cinema rejoice! A high point from the greatest period of Hong Kong's popular cinema, Peking Opera Blues is a joyous spectacle of colour and movement with a political edge. The destinies of three women (and some men, but they aren't as important)
collide in a Peking Opera theatre, political intrigue mixing with the personal in Tsui Hark's rambunctious melting pot of a movie. cubecinema.com
TASTE
n 20 May, 7.30pm
The Jam Jar, BS2 9EB
Kakilang, a leading producer of East and Southeast Asian (ESEA) arts, brings its acclaimed performance night TASTE to Bristol for the first time. Showcasing unapologetic Queer ESEA artists and blending theatre, comedy, music, spoken word and more. The evening is hosted by the iconic Miss Dynasty, with DJ FFINN taking over after the show to keep the party going.
Featured artists include Pretty Girl Ping (TIM LYTC and D), Yiran Liu, aka Hazed Date and Wan Long Kok 万龙国. Tickets available on headfirstbristol.co.uk
Roland Gift
n 23 May, 7.30pm
Bristol Beacon, BS1 5AR
Four decades since they first lit up the charts, Roland Gift brings the unmistakable voice of Fine Young Cannibals back to the stage. Expect the hits that defined an era (She Drives Me Crazy, Good Thing, Johnny Come Home) alongside the soulful energy that made them global icons. Fresh from a viral resurgence and a Chanel campaign that’s introduced their sound to a whole new generation, this anniversary tour is both a celebration and a homecoming. Roland’s vocals remain as distinctive as ever – warm, sharp and instantly recognisable – carrying songs that still feel timeless.
The evening also includes a tribute to Frank Sinatra by Pete Sinclair. bristolbeacon.org
Peking Opera Blues
Roland Gift
Family Diary
The best things to see and do with the little ones this month
Barn, BS36 1SE
MiniBeats: Krazy Keyboards
n 10 May, 10.30am & 12.30pm
St George’s Bristol, BS1 5RR
Join presenter Laura Tanner and pianist Paul Israel for a fun and interactive introduction to grand pianos, stage pianos and harpsichords –collectively known as keyboards – and to some of the wonderful music written and adapted for these marvellous instruments. The 10.30am concert is most suited to under-5s, with the later show more suitable for 4- to -8-year-olds. Join the team in the Glass Studio afterwards for crafting fun. stgeorgesbristol.co.uk
Bee Safari
n 14 May, 10am-12.30pm Yeo Valley Organic Garden, BS40 7SQ
Jean Vernon (aka Jeanie Bee) is an award-winning writer and author of The Secret Lives of Garden Bees. On her bee safari, she will introduce you to some of the garden's fabulous bumblebees and solitary bees. Jean will help you understand how to garden to support all bees and other essential pollinators. This bee safari will introduce you to the huge diversity of garden bees, show you the sorts of flowers that really make a difference, and reveal some fascinating things you may not know. For parents/carers, this experience includes arrival coffee, a talk, tour and garden entry. yeovalley.co.uk
Community Farmer Day: Squash sowing and courgette planting
n 16 May, 10am-3pm
The Community Farm, BS40 8SZ Dig in to an unforgettable day on The Farm and direct-sow the squash out in the fields and get the courgette plants into the Market Garden. Get muddy, connect with nature, and experience the magic of growing food together. Whether you come with friends, bring the whole family, or arrive solo and leave with new connections, you’ll spend the day discovering the joy of community farming: growing organic veg, nurturing habitats, and seeing first hand how your actions help wildlife and community flourish. thecommunityfarm.co.uk
Winterbourne Medieval Barn is collaborating with Winterbourne Parish Council and St. Michael’s Church for the Spring Open Day. Winterbourne Parish Council will be running activities at Monk’s Pool nature reserve during the morning and then both St Michael’s and The Barn’s sites will be open (free of charge) for visitors to pop in. Booking a ticket in advance is useful for organisers to manage numbers and catering. Friendly volunteers will be on hand to show you around our site accompanied by live music from medieval wandering minstrels, Bygonz. Guest speakers from local nature groups joining to talk about how we can all help support local wildlife and providing some free activities for younger visitors to get involved in. winterbournebarn.org.uk
Drawing Disco
n 28 May, 10am-12pm
Royal West of England Academy, Bs8 1PX
Join Let's Make Art in a Studio 54 inspired, fluoro disco celebration. Families will be guided in making capes and masks to dance in. Using electric colours and UV paint Alice and Karen will show children how to bring rhythm, energy and flow to their designs. A curated playlist, inspirational imagery and suggested dance moves will be provided. Expect to smile a lot and bring your best dancing feet. For children aged 7-11. rwa.org.uk
Braniac Live!
n 28-29 May
Bristol Old Vic, Bs1 4ED
More mischievous than ever before, Brainiac Live! crash lands on stage and will take you on a breathless ride through the wild world of the weird and wonderful. Watch from the safety of your seat as the Brainiacs delve fearlessly into the mysteries of science and do all those things that you’re too scared to do at home. With a great range of explosive experiments join the Brainiacs in this all-action live show that’s set to blow your minds! redgravetheatre.com
Sir Charlie Stinky Socks and The Really Big Adventure
n 31 May, 2pm
Redgrave Theatre, Bs8 3LE
Sir Charlie is bold, brave and brilliantly clever. He loves daring quests filled with wily witches, terrible beasties and fire-breathing dragons. And yes, he has a cat called Envelope. But who is this pint-sized hero and where did his story come from? Based on the best-selling picture book by Kristina Stephenson, the show features live music, glorious puppets, interactive storytelling, magical props and more laughs than you can waft away with a stinky sock. redgravetheatre.com
Braniac Live! (Photo by Mark Douet
Doing it for the
ISamantha Coleman talks to James Murden, co‐founder of Good Times Live – the outdoor music and comedy event in Chipping Sodbury – about the importance of community spirit and creating something that will last for future generations
f James Murden looks familiar, that’s probably because he is. In Chipping Sodbury in particular, his presence is hard to miss. As cofounder of Good Times Live – the outdoor music and comedy event held at the Ridings playing fields over the May Bank Holiday
– he’s helped bring a steady stream of big names to perform in the town, from Billy Ocean and Craig David to Sophie Ellis-Bextor, McFly, Jools Holland and Katherine Ryan.
But that’s just one string to his bow. He also runs the Sodbury Sweet
Emporium on the High Street, hosts comedy nights, tribute acts and live entertainment at the Town Hall, and presents Christmas light switchons and community celebrations across the area. And if all that still doesn’t ring a bell? Try QVC shopping channel – he’s been a familiar face presenting tech for more than 17 years.
“People come up to me and say, ‘Oh, you’re the guy from… everything!’” he laughs, slightly apologetically. “But it’s true.” It is – and it’s exactly what makes him so vital to the fabric of this
Drone show at Good Times Live
community. In an age where high streets are struggling and local events can feel like an afterthought, James is doing the opposite: creating spaces for connection, culture and shared experiences.
“I live for the chaos,” he says, smiling. Indeed his days are rarely quiet, what with running multiple businesses, organising events and raising two children. His kids, unsurprisingly, are big fans of the sweet shop. “It’s their favourite thing,” he says. “We have to restrict visits to every fortnight, but they love helping out and coming to the wholesalers with me to choose the sweets.”
There’s a deeper motivation behind the shop, though. “There’s something very nostalgic about it,” he reflects. “I remember the old sweet shop on the High Street, and it brings back so many happy memories. I wanted to bring something back that all generations could enjoy. It’s a small shop, but there’s loads of character behind it.”
That desire to preserve something meaningful runs through everything James does.
“I love where I live”
Born and raised in Yate and Chipping Sodbury, he has long been part of the area’s entertainment scene, where, from an early age, he has been involved with the Sodbury Players, and continues to act and direct with them today. “I love where I live,” he says simply. “And I love what I do. It’s great to engage with people from all walks of life.”
After studying media at Bristol City College, he went on to build a varied career, from presenting on Vibe FM (now Kiss) to working on quiz shows with Endemol at Paintworks, alongside a range of presenting and promotional roles. That instinct to connect with an audience hasn’t faded and at Good Times Live, amid the demands of running a large-scale event, he can often be found introducing acts himself.
“I like to feel the energy from the crowd,” he says. “That’s my favourite part – talking to people and hearing their response.”
Good Times Live first took place in 2022 at Yate Town Football Club, co-founded by James and his brother-in-law Tom, who works in lighting, production and stage design.
“It was something we’d always talked about doing for the community,” he says. “We made a list of all the things we didn’t like about going to gigs and live events – and we made sure we wouldn’t have those things at ours.”
Let the Good Times roll
Drawing on his experience hosting smaller local events, James scaled that idea into something far more ambitious: an outdoor festival-style event built around affordability, accessibility and atmosphere. “We wanted to embody what ‘Good Times’ means in every aspect,” he says. “At its core, it’s easy and fun.”
And it shows. There’s space to dance or picnic, queues are minimal –even at the bar – parking is straightforward, prices are reasonable, and the atmosphere is relaxed, family–friendly and close to the action.
The response to the first year was immediate and enthusiastic. “Everyone got behind it,” says James. “And it brought people to the town from all over.”
Since then, the event has grown and this year boasts headline acts that would look at home on the biggest UK stages: Madness, Jessie J, Tom Odell and Russell Howard among them. Demand has surged – Madness sold out quickly – and the audience is no longer just local.
“We’ve got people travelling from all corners of the globe,” James says. “One of the reasons is that Tom Odell’s appearance here is one of only two shows he’s doing this year, which is really exciting.”
And yet, despite the scale, there’s still a sense of disbelief to overcome.
“One of the biggest challenges we face is people not believing that it’s the real deal here on our doorstep!” he admits.
That perception is shifting, though, thanks to verifications on platforms like Spotify, where fans can see Good Times listed alongside major tour dates for each artist. Industry attention is growing too. “Agents are starting to approach me with acts now,” he says. “And that’s the dream.”
James and his team have gone all in on promoting this year’s event. You might have spotted adverts on buses, heard radio campaigns or seen a steady stream of social media content.
“We want as many people as possible to come along and enjoy the atmosphere,” he says. “And it’s the most affordable place to see these artists. It’s about accessibility and community, and there’s something for everyone,” James emphasises.
James Murden at QVC
Good Times Live stage
And these shared moments extend beyond the audience. The event has become a significant boost for the local economy, drawing visitors who fill hotels, book restaurants and explore the area. James is particularly proud of how many local businesses are involved too. From food vendors such as the Vintage Birdcage Cakery and The One Pizza Van to drinks suppliers including 6 O’Clock Gin, Good Times actively champions nearby enterprises. And volunteers play a huge role too. “We’ve got around 250 local people who add their bit to Good Times,” says James. “WI groups, the Lions Club, the Rotary Club – it’s very much a community event. We’ve also launched a talent competition to find local performers to appear on stage as support acts, which is a great opportunity for rising stars.”
Party planner
Of course, pulling off an event of this scale is no small feat. “Planning takes around 14 months,” James explains. “Booking acts, sorting logistics, marketing – it’s all done by me and a small team of helpers.” Sustainability is also a growing focus. “We’re thinking green wherever we can,” he says. “Everything is recycled on site.”
Behind the scenes, there’s also a deeply personal motivation driving the event. Part of the inspiration for Good Times Live was to raise funds for Bristol Children’s Hospital, which helped care for James’s daughter during her battle with epilepsy. “It’s such a great charity,” he says. “It’s touched most of our lives in some way. If we can help, even a little, that means a lot.”
That spirit of giving back runs through every part of the weekend. It’s not just about entertainment – it’s about creating something meaningful for the whole community, including younger audiences, who can enjoy the family fun day. Expect an appearance from children’s TV favourite –Bristol’s very own Andy Day – as well as interactive dinosaur fun, activities, inflatables and rides.
“It’s going to be huge,” says James. “There’s something really special about seeing families enjoy it together and that makes it all worthwhile.”
So, what happens when it’s all over? “I might take a few days’ holiday to breathe and pause,” he jokes. But the grin that follows suggests otherwise. “I’ve already got some names in the hat for next year!” he admits. n
Good Times Live 2026 line–up
Wednesday 20 May
The Human League, DJ Martin Kemp and special guest Marc Almond
Thursday 21 May
Jessie J, plus special guests Lemar and Harleymoon Kemp
Friday 22 May
Tom Odell, plus special guests Matt Maltese and Hugo Hamlet
Saturday 23 May
Madness, plus special guests Ordinary Boys and The Beatles Dub Club
Sunday 24 May
Morning: Family Fiesta with Andy Day, plus Dinomania, K-Pop Demon Hunterz, rides and inflatables
Afternoon: Emili Sandé, plus special guests Elles Bailey and Sandi Thom
Monday 25 May
Comedy Gala with Russell Howard, plus Leigh Franics, Mark Watson, Laura Newman, Matt Richardson and hosted by Harriet Kemsley
More information and tickets at: GoodTimesLive.co.uk
Jessie J
Madness
Russell Howard
Tom Odell
“I’m big, you’re small”
Richard Hurst as Miss Trunchbull and Mollie Hutton as Matilda
(photo by Manuel Harlan)
As Matilda once said: “Never do anything by halves if you want to get away with it. Be outrageous.” And boy, has the Royal Shakespeare Company’s team behind Matilda The Musical listened to this sage advice. Celebrating an incredible 15 years on stage since opening at the Courtyard Theatre in Stratford-upon-Avon, and following performances in 100 cities across 17 countries worldwide, Matilda now returns for a truly outrageous UK tour, stopping off at Bristol Hippodrome from 2-27 June. Today, we’re focusing on one of the most terrifying children’s book villains in the land: Miss Trunchbull, who’s played by Richard Hurst (Dear Evan Hansen, The Bodyguard, The Lion King, Eastenders and much more). He speaks to us about his remarkable transformation into the larger-thanlife headteacher who’s every kids’ worst nightmare.
Your Miss Trunchbull has been described as “terrifying yet hilarious” with incredible physicality. If and when you read reviews like that, do you allow yourself a little proud grin, or does Trunchbull demand you stay suitably fearsome at all times?
I read all my reviews, good and bad, but I only believe the good ones… Of course, it’s lovely to hear nice things about your performance. However, for me, it’s important to keep digging deep on a lengthy tour. I have a job to keep her fresh, truthful and real so I really don’t ever sit back. A part such as this you can’t. When playing a character that is so well known there is a responsibility to get it right and to do it justice. I just hope I do her and the writing that. This part offers so much for an actor. It’s an incredibly, physically demanding part, which is something that I happen to really enjoy. It was one of the most fulfilling parts of bringing ‘Scar’ to life [in the UK and international tour of The Lion King], finding his physicality. Trunchbull was no different. She is a character that exhibits the aggression of a beast. I like to think of her as a bit of a ‘Bull’, highly charged and ready to attack at any time. She is extremely unbalanced and I wanted to show this in her physicality. To make her quite off centre.
The transformation into Trunchbull looks intense. What’s your routine like getting into costume each show, and at what point do you start to feel like her rather than yourself?
I don’t get a lot of time for myself before my first scene. Between warm up, safety checks, various visits from wigs and costume. Then there is Adam Stafford (who plays Mr Wormwood) bursting into my dressing room and just making me laugh, it’s a busy time.
I usually use the scene before to really think about what’s to come and that’s enough for me. I’m very lucky that the costume, wig and makeup do all the hard work. It’s such a fantastic image once you see her in all her glory. A truly imposing, monstrous figure.
There’s such a fine line between menace and comedy in this role. What’s your favourite aspect of playing a character who can make audiences gasp one second and laugh the next?
Villains get to say exactly what the rest of us want to say. They have a deep pit of pain and hatred, which they draw upon. That means actors can have all sorts of fun spitting out the most delicious dialogue. I think that’s what I love most about playing’ Trunchbull’. The dialogue is just delicious for an actor! The most important thing for me to remember is that no matter how derogatory and vile she is towards the children or Miss Honey, no matter how hilariously absurd the insult is, I don’t find what I’m saying or doing ‘funny’. She is outrageous and an exaggerated character, but at her
The cast clearly has a huge amount of energy and chemistry on stage. What’s it like working so closely with both the adult cast and the incredibly talented young performers night after night?
Oh, this tour is just a joy. You really have to bring your ‘A’ game because the talent on stage is just phenomenal. Our young performers are really the heart of the show and deliver every single show, they really do. I’m very proud to be part of this special company. Very proud.
What’s life on the road really like for you, and have there been any particularly memorable or unexpected moments along the way?
It’s tough being away from family and friends but we’re so lucky to have this brilliant show to take around the country. I’ve done a few rather long tours now and I’ve got to know the theatres and staff very well. It’s lovely to return. Before Matilda I was touring with Dear Evan Hansen and the amount of young people I see at stage door who watched it numerous times is wonderful. Meeting young people at stage door who love theatre and visit all of these touring productions every single week is quite special. To be a very small part of that is hugely satisfying.
Trunchbull is such a larger-than-life character, so do you have any preshow rituals or techniques to get into that mindset (and posture!) before stepping on stage?
The vocal and physical warm ups are the most important for me. I try and make sure I keep my cardio up at the gym as much as I can on a weekly basis. We’re very lucky that the Royal Shakespeare Company sends a voice coach on tour with us, which is invaluable. Vocal health is really important and sustaining the vocal stamina this show requires is a huge part of the job. The physicality of Trunchbull can take its toll on the body. The posture and the scale of the costume eight-or-nine shows a week is demanding. We’re very lucky to have a physio on hand but it is up to you to take it seriously and look after yourself.
Playing the baddie often looks like the most fun job in the show. Is that true from your perspective, and what’s the most enjoyable part of being gloriously villainous?
Dahl certainly created villains that left a lasting impression and Trunchbull definitely does that. She dresses to accentuate her physical condition, to intimidate those around her. The sheer size difference between her and the children is great to play. As one would expect, those who have had the harshest of lives and harbour the most pain and resentment, are often the ones who want to inflict that pain onto others. This is what I find fascinating with Trunchbull, deep down she is as scared and as vulnerable as the children in her school. That’s enormously fun to play.
Without giving too much away, is there a particular moment or scene in the show that you personally look forward to every night, when you think, “this is why I love doing this”?
Let’s just say ‘Phys Ed’ is a particular favourite!
Have you spent much time in Bristol? If so, what do you love about it, and what are you most looking forward to while performing there?
Well, it’s my home town really! My parents, my brother and sister in law all live there. I will certainly have lots of people into see me in Bristol, that’s for sure.
Matilda The Musical is at Bristol Hippodrome from 2-27 June, tickets are available to book at atgtickets.com/bristol
The wheel deal
A former police vehicle has been transformed into a state‐of‐the‐art mobile music studio by Noods Levels, bringing life‐changing creative opportunities directly to doorsteps in some of Bristol’s most underserved areas. Izzy Cross, Noods’ co‐director, talks to Rosanna Spence about the powerful potential of TREAD...
Our city’s connection to vans runs deep. Whether it’s people choosing to (or needing to) follow alternative living lifestyles on the road, street food slingers pulling up and serving some of the best kerbside bites or the likes of a brand-new purpose-built mobile music studio housed in a converted vehicle – it’s safe to say elements of Bristol’s culture truly pulses when it’s on four wheels. With a world-class reputation for producing music stars to boot – a local project promising to put music on the road and deliver life-changing creative opportunities to underserved communities in the region already sounds like a hit.
There’s probably no organisation better placed to make good on such a promise than the team at Noods Levels, the not-for-profit, community interest sister company (CIC) of Bristol’s iconic Noods Radio.
“The radio began in 2016 with Leon and Jack, the founders, travelling around people’s living rooms and starting this community of misfits and dancers through radio,” explains Izzy Cross, Noods’ co-director, who joined them in 2018. “We built the radio station together and created the CIC during Covid as a response to making sure the community wasn’t lost.
“Around 2022, Noods Levels was doing projects around photography and graphic design, and we felt we could recreate the story of the radio, but use it to reach people in underserved areas and eventually get outside Bristol. We decided to package 10 years of broadcasting experience, sound and technical ability alongside our experience of delivering social impact projects.”
This package – it turns out – was realised in the shape of a former Greater Manchester Police vehicle that’s been transformed into TREAD: a state-of-the-art mobile music studio (affectionately named Ivy by the team) designed to bring professional creative opportunities directly to Bristol’s doorsteps.
Izzy Cross
All roads lead to…
TREAD has now officially launched alongside an ambitious 12-month programme of fully funded workshops through its TREAD Bristol initiative. Bolstered by the support from Youth Music, the National Lottery Awards for All, the John James Foundation and the Quartet Foundation, the initiative will deliver 280 fully funded workshops, providing free music education to more than 840 young people aged 12–25.
“It’s all about getting it heard,” says Izzy. “Bristol has deep musical roots, and what we’ve created combines commercial value with strong social impact.”
TREAD is working on projects where Izzy and the team are identifying potential within organisations and using their industry networks to bring in brands and partners.
“If we can act as a bridge between investment and opportunity, that’s the goal.”
Izzy hopes to help showcase existing talent and initiatives, which will encourage people to believe they can succeed, regardless of where they’re from: “Outside the city centre, it can be harder to get noticed, so if we can build momentum in other areas, that would be significant.”
The entire van is fully equipped with industry standard studio grear, including professional microphones, monitors and the latest production software.
“We want it to feel like stepping into somewhere like Red Bull Music Studios; as if you’re paying £500 an hour to be there,” notes Izzy. “The van can function as a podcast studio, DJ setup or performance stage.
“We want people to feel they’re entering a studio they might otherwise have to travel miles to access. One of our core values has always been having fun. If we can go into communities, create that sense of excitement, and offer something new, that’s powerful.”
The team’s long-term hope for TREAD’s impact is about helping young people engage more with their local youth clubs, with Izzy wanting to collaborate with youth clubs, schools, and education partners to elevate what they’re already doing. The idea is that continued engagement could give access to the van for free.
“We also operate a Robin Hood model,” she adds. “At weekends, we take on commercial work, like festival pop-up radio, which helps fund community activity. Ideally, we could support a young person through training and then get them paid work at a festival, or run a music programme and have participants perform the following week.”
Music to our ears
It feels poignant that TREAD’s home is inside a renovated police van, now engaging with communities that are chronically impacted by the cost of living, and limited access to opportunities. TREAD’s transformation has become almost culturally poetic, reclaiming a space where people experiencing the very barriers to creative expression the initiative hopes to tackle may have been held. Being on wheels is giving TREAD momentum in more ways than one.
“Equipment, acoustics, and travel are expensive, and social mobility is declining because people can’t afford to travel,” Izzy explains. “What we’re offering is to bring opportunity directly into communities; going back to the original idea of travelling to people’s spaces [in the same spirit as Noods Radio], but with industry-standard quality.
“People shouldn’t feel disadvantaged because they lack access. Statistically, the more rural or deprived an area, the fewer opportunities and resources available.”
The response to TREAD’s work already has been “incredible”. Izzy recalls how for years she was initially pitching the idea using a simple drawing of the van because she couldn’t afford one.
That drawing became reality, and now she’s using real images of the van in action to spread the word. “We’ve had immense support from partners, but the key is sustainability – delivering what we promise and supporting organisations in their work. I recently visited a group supporting young people affected by knife crime; if we can provide a fully funded resource to support that kind of work, that’s exactly what we want to do. Many of these organisations go unseen because they focus on groundwork. If we can help highlight them, that’s important.”
TREAD has hit the road at full speed, with Izzy citing a recent example of its success in action thanks to a workshop at Hartcliffe City Farm, working on field recordings with two groups of school children (one with additional needs an another that specialises in after school meal provision service)
“The kids just fell in love with sound,” she says. “Apparently, before they’d go crazy at the animals, but this time, they were deep listening because they had to record them. It was our first workshop after months of planning, and we’ve been invited back, which makes it all worthwhile.
“We also recently visited The Pickle Factory, where young MCs used the van as a stage. Seeing them perform and gain confidence is exactly why we’re doing this.”
TREAD’s overall mission, according to Izzy, is “to bridge industry and community”.
Funding requirements mean that the initiative will be piloted in Bristol for the first six months, with the aim to then expand across the South West and the West of England, and eventually work nationally.
It’s vital that Izzy and the team build trust with organisations. “There has been a long-standing decline in outreach services, so if we go into communities, it is very important that we stay,” she notes. “We want to build strong roots that don’t disappear after an eight-week cycle.”
The next big thing
Though in its relative infancy, how does Izzy see TREAD evolving over the next year?
“The dream is that the van is fully operational, with workshops on every day and activity spread across the West of England, with some national reach,” she muses. “I’d also love a second vehicle; Ivy has limitations. Ideally, we would develop a fully accessible vehicle for wheelchair users. We’re working with WECIL [a user-led organisation supporting Disabled people to live the life they choose], who gave valuable feedback on accessibility, and in future we’d design something inclusive from the start, because accessibility isn’t just about location or cost, it’s about whether people can physically use the space.”
Another goal Izzy mentions is a hope to build a board of industry experts; as a CIC entering its sixth year, Noods Levels is still developing, and having experienced guidance would “help shape the future”.
If you feel TREAD could be of use to a cause or project close to your heart, Izzy wants to hear from you. “We want people to feel this is for them,” she explains. “There’s a function on the website where you can send ideas, and we welcome that. It’s not age-specific, either – we’re planning projects with care homes and would love to work with primary school children in future, so if you think TREAD could be useful, just get in touch.” n noodslevels.com
The Noods team
Joanne Prince pictured at Rainmaker Gallery, in front of works by artist Jason Wesaw (Credit: The Bristol Magazine)
Rainmaker’s reign
Joanne Prince founded Rainmaker Gallery 35 years ago with a clear intention to challenge stereotypes around Indigenous Native American art and to showcase the extraordinary talent of contemporary Indigenous creatives. In her own words, she reflects on how her vision has evolved as she celebrates this milestone, why Bristol has proven to be perfect fertile ground from which to grow the gallery’s reputation, and the lasting impact she hopes Rainmaker will have on amplifying the Native artists’ work she cares so deeply about…
Thirty-five years of holding space for Indigenous artists is a milestone that we are truly proud to be celebrating! I set out to create a dedicated space that was led not by audience expectations but by Native artists themselves. Over the years, we have been fortunate to work with more than 100 talented artists from many diverse Native Nations.
“ It is essential for the health of our planet that Indigenous people are seen as vital participants in our shared present and future world ”
Contemporary art plays a crucial role in creating visibility for Native peoples by countering the widespread tendency to think of tribal cultures in purely historic terms. It is essential for the health of our planet that Indigenous people are seen as vital participants in our shared present and future world. My hope now is that Rainmaker Gallery can encourage a shift in the conversation from the past to the future – a hope shared with artist Jason Wesaw (whose solo exhibition RETURNING is on show at the gallery this month); he creates art that is intentionally minimal, abstract and contemporary but also grounded in nature.
Shaped by our city
Bristol is an artistically vibrant city filled with people who actively participate in its creative culture. This collective responsibility to support the cultural resources that we all enjoy has been key to the survival of Rainmaker Gallery. Visitors, customers and artists generously donated to cover the cost of relocating the gallery four years ago to its current home on Whiteladies Road. We simply would not be celebrating this 35-year milestone if it weren’t for the people of Bristol!
Bristol is also a proudly green city. This chimes well with Indigenous environmental values. As a local gallery with an international focus, we now emphasise Indigenous artists based in the UK and Europe. This shift brings light to often overlooked but important Indigenous stories while reducing the carbon footprint associated with travel and shipping.
The city has been home to a surprising number of Native Americans who value the recognition and representation they find here and are actively involved with our events. So much so that the space we rent is now in Indigenous ownership, ensuring the long-term future of Rainmaker Gallery
Witnessing change together
The wonderful relationships I have made with artists from so many Native nations are the real reward for the work I do. Together we nurture real cultural exchange through artist residencies, talks and events. I learn from every individual and this has enabled me to give context to the art when speaking with gallery visitors.
Over the years, I have observed shifting narratives, trends and attitudes emerge across the Native art world and towards contemporary Indigenous art, which has been wonderful to witness, and has led me to curate group shows reflecting unfolding stories from the heart of Indian country.
Ten years ago, Native art was commonly relegated to natural history museums and excluded from art museums and national art collections. Today, every institution wants to be seen to be showcasing contemporary Indigenous art in a major way. Many of the artists we have worked with have now established international success, including Cara Romero, Cannupa Hanska Luger and Jordan Ann Craig.
As the only dedicated Native art gallery in Europe for more than 30 years, without a doubt Rainmaker Gallery has long been anticipating this shift!
The power of art
Every new exhibition is a highlight and our Spring show this year is particularly special to me. It exemplifies our aims of building long-term mutually enriching relationships with exceptional artists, giving a platform to Indigenous voices through the transformative power of art.
For instance, I first met artist Jason Wesaw (pictured below, photo taken by Holly Trevan) in Santa Fe seven years ago. We included his drawings in a group show PATTERN in 2019. Three years later, he came to launch our new gallery space with a superb two-person show KEEPERS OF THE FIRE
This Spring, he returned for a two-week residency during which he created work in-situ for his current solo exhibition RETURNING [turn to page 44 for more information]. Jason’s artwork is meaningful, joyful and accomplished. He is a beautiful speaker and gave an enthralling talk to a packed gallery.
Jason has fallen in love with Bristol and is already planning to come back. That’s what success looks like to me right now! n
Bristol 1904 Arts Society, 115th Annual Exhibition, 2–4 May, 8–10 May and 15–17 May
Art lovers are invited to the 115th Annual Exhibition of the Bristol 1904 Arts Society. Continuing a proud tradition established in 1904, this much-anticipated event showcases the talent of the society’s artist members. Visitors can enjoy more than 100 works, including paintings, sculptures and specially selected photographs. The paintings span a rich variety of subjects, from landscapes and seascapes to portraits and still life, embracing both representational and abstract styles. A collection of ceramics and natural wood pieces will also be on display, alongside photographs chosen for their emotive and thought-provoking qualities. Held in the main hall within the grounds of the historic Red Lodge Museum on Park Row, the exhibition offers a beautiful setting for this celebration of creativity. All works are for sale. Entry is free.
bristol1904arts.org | The Red Lodge Museum, Park Row, BS1 5LJ
Image: Typical example of work on show
Jason Wesaw: RETURNING, Rainmaker Gallery, until 31 May
Marking 35 years of championing Native art in the UK, Rainmaker Gallery welcomes back Jason Wesaw (Pokagon Potawatomi) for a much anticipated solo exhibition. In RETURNING, Wesaw unveils a new body of exquisite oil pastel drawings on incised paper –works that trace the intimate and enduring relationship between people and land. Through subtly textured surface and carefully chosen colour, the artist reflects on reconnection, resilience, and the generative power of return.“The undercurrent of my work is about our connection to the land and how, by returning to her, we learn the power of relationships – finding ways to heal, strengthen, and understand the mysteries of life,”– Jason Wesaw.
Out of Many: The Diverse Artists Network Exhibition, Arnolfini, 1-10 May
From poetry, painting, and photography, to textile, illustration and moving image, this exhibition celebrates the vibrant world of the Diverse Artist Network. This group exhibition features 18 artists from the Diverse Artist Network, whose work touches upon ideas of belonging and place, cultural memory and ancestral threads, and resistance and voice. Together, their works celebrate diaspora, not as displacement or purely about movement, but as a rich constellation of connections, stories carried and shared, and the many ways people build meaning and belonging wherever they are.
Image: Meshomes mtek (Grandfather Tree), oil pastel and gold leaf on incised paper by Jason Wesaw
BS9 Arts Trail, various locations, 6-7 June
The BS9 Arts Trail returns from 6-7 June (10am–5pm), featuring 86 artists across 14 venues in Henleaze, Stoke Bishop and Westbury-onTrym. Supported by VWV Solicitors, the trail offers a chance to meet artists and buy work directly. Visitors can explore painting, sculpture, ceramics, jewellery and more in venues not usually open to the public, with prices from £3 to £3,000+. Collect stamps from six venues to enter a prize draw for original artworks.The trail is easily accessible, with cafés, toilets, bus routes and free parking available.
Visit bs9arts.co.uk or pick up a free map locally.
Image: Winter Light, the Orangery, Dyrham Park by Chris Dye
Ocean Photographer of the Year at SS Great Britain, until 28 June
Take a deep dive into an exhibition of the world’s best ocean photography showcasing the breathtaking beauty, diversity and vulnerability of our marine ecosystems.
SS Great Britain is one of the first venues in Europe to play host to this internationally renowned exhibition, which showcases the beauty of our mighty oceans and its inhabitants in the ship's Dry Dock, whilst acting as an urgent call to arms to protect marine life and conserve our blue planet. Comprising more than 100 photographs, the Ocean Photographer of the Year 2025 collection features winning and finalist entries from all corners of the globe, including grand title winner Yury Ivanov who is based in Indonesia. His striking photograph of two amphipods (pictured below) –commonly referred to as “ladybugs of the sea”, and measuring just 3mm in length – resting on a coral captured the attention of the panel due to the vivid colour and symmetry on display, and in recognition of the patience and skill required to capture such an image.
ssgreatbritain.org | Great Western Dockyard, Gas Ferry Road, BS1 6TY
Dance Out at Royal West of England Academy, from 9 May until 9 August
Dance Out marks the first time the RWA has ever featured dance at the core of a major exhibition and accompanying live programme.
Curated by David Remfry RA and art historian James Russell, Dance Out brings together paintings, drawings and film across decades of dance culture – from 20th-century London and New York to Bristol’s contemporary nightlife. The exhibition will be soundtracked by DJs, including Myles-Jay Linton, responding to the artworks on display. For a series of late-night events, the gallery will host some of Bristol’s most exciting dance talent including Bristol Swing Riot and more. At the heart of the exhibition is Night Moves, an immersive installation by award-winning artist Melanie Manchot. Bristol dancers devised their own routines and performed them in spaces across the night-time city from Bedminster to Birdcage Walk, with the resulting film becoming part of the RWA’s permanent collection. rwa.org.uk | Queen’s Road, BS8 1PX Image: A still from Night Moves by Melanie Manchot
Book shelf
This month, our friends at Gloucester Road Books shine a light on some fantastic translated fiction that’s not on The International Booker Prize 2026 list...
Gloucester Road Books is a fascinating place to explore, and the team places a significant focus on titles published by small independent presses, noting:
“There are lots of really brilliant small publishers putting out incredibly exciting books, and we want to help get these out into the world.”
Visit the website for more details on book launches, talks and other events at the shop: gloucesterroadbooks.com @gloucester_rd_books | 184 Gloucester Road, Bishopston, BS7 8NU | Open Monday and Tuesday, 9.30am-5pm; and Wednesday to Saturday, 9.30am-6pm
Money to Burn by Asta Olivia Nordenhof
This subtly-devastating novel follows the lives of its characters who are loosely connected to the tragedy of the Scandinavian Star, a passenger ferry set on fire in 1990 in an alleged case of insurance fraud. The disaster, which caused the deaths of hundreds, is interwoven with depictions of capitalism as a more insidious force on people’s lives. The writing is remarkably striking, fleshing out the lives of its characters and rendering them palpably alive across the novel’s brief 149 pages.
Tarantula
by Eduardo Halfon
We recently hosted an event with Guatemalan author Eduardo Halfon for the launch of his latest novel, Tarantula. The novel is based on Halfon’s time spent at a concentration camp re-enactment as a 12-year-old in 1980s Guatemala. It is an uncompromising examination of the Holocaust’s farreaching, devastating legacy as decades later that same 12-year-old, now a successful writer, encounters the camp’s counsellor. This meeting allows him to discover the deeper truth behind an experience that indelibly scarred his life. Halfon deftly explores themes of memory, trauma, and estrangement alongside human connection. This is a brilliant and completely absorbing read.
The Old Fire by Elisa Shua Dusapin
Dusapin has an incredible ability to capture complex family dynamics with sparingly few words. The amount of pathos packed into this books’ sparse pages is haunting. This novel is a viscerally felt portrait of two sisters as they struggle to connect with one another. It is about the limitations of language – all the things we cannot say. And ultimately, this a novel about grief; the obvious grief that unites two out-of-touch sisters after their father’s death, coming together in his old house to deal with the estate; but also the less obvious grief of realising that those we should feel closest to are, in fact, complete strangers.
The Villain’s Dance by Fiston Mwanza Mujila Mujila is a Congolese author, living in Australia, who’s coming to Bristol on May 20th to do an event with us at Gloucester Road Books (tickets are on Headfirst now!). A prize-winning writer renowned for his dexterous storytelling, Fiston's work is characterised by an electrifying mix of, amongst other things: political turbulence, individual and collective perseverance, daring narrative manoeuvres, flashes of humour and a love of music, particularly jazz. The Villain’s Dance takes place in the late 90s just as Mobutu's 30-year reign is tottering. A seemingly disparate collection of characters enters into increasingly tense scenarios and events seem set to boil over. But as things are drawing to a head, we enter into the Mambo de la Fête, where they still dance the Villain's Dance from dusk till dawn.
This unique and surreal novel is aptly described as part feminist revenge novel and part hallucinatory road trip. We follow Fila as she finds out that her estranged mother, Magdalena, has passed away. Fila has not seen her in years, not since Magdalena advertised her brothel in the local newspaper – bringing shame to all the family. But when she finds out Magdalena is dead, Fila sets off on a journey to retrace her whirlwind of a life. This novel is mischievous in all the right ways and is filled with perfectly imperfect characters who you cannot wait to learn more about. A thoroughly enjoyable read.
Favorita by Michelle Steinbeck
Expert opinion
From Chris Yeo, of Clevedon Salerooms and a regular expert on BBC’s Antiques Roadshow
Bull in a china shop
Augustus the Strong, Elector of Saxony and King of Poland, was not a man inclined toward moderation. Strong by name and evidently not the sort of person you would challenge to an arm wrestle, his party trick was breaking horseshoes with his bare hands. He also claimed to be Europe’s leading exponent of fox-tossing. In this longforgotten sport (now banned, for obvious reasons), contestants using a system of wires and slings, took turns catapulting foxes and other live animals into the air, the winners being those who managed to toss their hapless creature the highest. Apparently, Augustus could fling a fox using just one finger and he also had a way with badgers too. The animal kingdom must have held a fascination for him as he was also responsible for one of the great landmarks in art history when he commissioned nearly six hundred porcelain animals – many of them life-size – to
animals - elephants, goats, lions, vultures - all standing in rows as if assembled for military inspection and rendered with such exquisite detail that one could easily expect them to twitch an ear or flutter a wing when no one is looking. Animals from the Japanese Palace rarely appear on the market and when they do people get excited, as witnessed by the £1 million hammer price paid for a fox in 2002. Of course, nature’s rich bounty has inspired artists since the dawn of time and there are countless examples of ceramic creatures to choose from for those of us with more modest budgets. A favourite of mine is the bull first made by the Wedgwood factory in the 1940s. Known as the Zodiac Bull on account of the depiction of star signs which decorate it, it’s a piece of gloriously sleek mid-century styling and can be yours for around £300. ■ clevedonsalerooms.com; @chrisyeo_antiques Instagram)
Salt... in your white wine?
Words
by Elodie
Hind
of
DBM
Wines, a wine merchant based in the heart of Clifton Village
7 Princess Victoria Street, BS8 4BX | dbmwines.co.uk
Just as you add salt to food to bring out the best in flavour, a subtle saline edge and hint of minerality can lift a wine’s freshness and add depth beyond simple citrus-driven crispness. This natural trait comes from coastal vineyards or mineral-rich soils, and you’ll find it in whites such as salty-skinned Albariño, zesty Chenin Blanc and little known Godello, where bright acidity, texture and gentle mineral lift create layered, energetic wines.
Bright, refreshing and full of character – these wines are ideal for the lighter evenings ahead...
Original Chenin Blanc, Raats Family Wines, Stellenbosch 2023 – £16.95
From a family estate renowned for Chenin Blanc, this unoaked style focuses on purity and freshness. Careful parcel selection and precise winemaking allows the fruit to shine, with bright, crisp apple and citrus notes complemented by subtle stone fruit. Lively acidity and a clean, mineral finish deliver a refreshing yet complex expression of variety and terroir.
Great with roast chicken or fresh salads; the crisp apple and citrus notes pair well with bright, clean, summery dishes.
Albariño, Pazo Señorans, Rías Baixas, Galicia 2024 – £26.95
Pazo Señorans is widely regarded as one of Rías Baixas’ benchmark Albariño producers, celebrated for expressive, Atlantic-influenced wines. Their vineyards, just 10 km from the coast, benefit from breezy, mineral-rich soils, giving bright freshness and subtle texture. Fermented to highlight purity, the wine offers zesty, stone fruit–driven flavours with a clean finish.
A perfect example of both variety and terroir.
Pair with grilled seafood or oysters; think coastal Sauvignon Blanc with less green notes, more body and stone fruit.
Godello, Bodegas Gancedo, Vinos de Altura, Bierzo 2024 – £16.99
Bodegas Gancedo is a modern, organically certified estate in Bierzo, where sustainability and careful vineyard selection are central to their ethos. This Godello is crafted in a way that preserves both freshness and flavour, resulting in a wine with notes of yellow orchard fruits, lime and blossom. A gentle savoury character on the finish adds complexity to this vibrant and balanced wine. Love Chablis? This high altitude Godello delivers that same steely precision and mineral freshness, at a more approachable price.
Bristol bites
Fancy up to 50% off the bill? Download this new app that’s landed in the city
EatClub – the dining app backed by celebrity chef Marco Pierre White (pictured, right, with Pan Koutlakis, the app’s CEO and co-founder) that gives users access to exclusive prices at some of the city’s favourite restaurants and bars – is now available to download and use across the city.
The app helps restaurants make the most of quieter moments by offering smart, real-time pricing during off-peak hours. For diners, that means the chance to enjoy great food and drinks at exclusive prices with up to 50% off. The platform curates a mix of local favourites, hidden gems and much-loved brands, helping diners discover new spots while revisiting the restaurants they already love. Participating eateries currently include Cappadocia Restaurant Bristol, Bambalan, Starlings, Restore Cafe (College Green and Harbourside), Little Bagel Co., Mickey Zoggs, Back Garden Pizzeria, Woodes, and Muino.
EatClub handles payment in-app with a connected bank card, meaning people can select an offer before they arrive and pay with the card to have the exclusive price automatically applied. The app is now live across participating venues in Bristol and is free to download and use.
eatclub.co.uk
Jamaican feast to raise funds for city’s homeless
Help Bristol’s Homeless (the organisation providing practical solutions to homelessness in the city) is curating a Jamaican feast to raise funds for its local cause. Held on 12 June (7.30pm) in Bedminster, the £30-a-head ticket grants you access to the bold tastes of Jamaica, choosing between starters of flame-roasted jerk chicken wings or a nourishing Caribbean vegetable soup; mains options include a slow-simmered island vegetable curry served with fluffy rice, or pork breast filled with callaloo served with rice and peas or ground vegetables; indulge in a rich, traditional Jamaican rum cake or a deep, fudgy vegan chocolate brownie for dessert; plus choose from fresh Caribbean fruit punch, coconut water or soft drinks. Register for your ticket at helpbristolshomeless.org
Pinkmans bakery now open at Wapping Wharf
Pinkmans has opened in Cargo 2 at Wapping Wharf (the unit formerly occupied by East Bristol Bakery), marking its fifth city location since the business launched in 2015.
Pinkmans is serving coffee from speciality roasters Yallah Coffee, pastries, breakfast and cakes, alongside fresh, daily-made focaccia sandwiches and salads that are ideal to grab and enjoy by the harbourside, back at the office, or at home. The team is also offering a wide range of vegan and vegetarian options. Long-fermented sourdough and the now-famous ‘sourdoughnuts’ are also on the menu.
“We’re incredibly excited to be opening at Wapping Wharf and becoming part of such a well-loved Bristol food destination,” says Pinkman’s director Zack Sheppard. “As a Bristol-born brand, it means a lot to continue growing within the city and join a community that shares our passion for quality, creativity and proper food and ingredients. We can’t wait to welcome both familiar and new faces to enjoy the food we’re known and loved for.”
Pinkman’s Wapping Wharf site’s opening hours are 8am until 5pm, Monday to Friday and 9am until 5pm on Saturday and Sunday.
pinkmans.co.uk
Bristol at work
LOCAL BUSINESS AND COMMUNITY ORGANISATION UPDATES
Buckles Law achieves B Corp Certification
Buckles Law has been awarded B Corp Certification by B Lab, the global non-profit behind the movement and joins less than 1% of UK law firms to hold the accreditation.
Candidate organisations must score highly on B Lab’s rigorous B Impact Assessment, an examination of governance, employee welfare, environmental practices and community impact.
Buckles recorded its strongest scores in Governance, Workers and Environment, with the firm’s Governance score particularly striking, earning exceptional marks for mission and engagement, ethics and transparency.
Duncan Jackson, CEO of Buckles Law, said: “There is no shortage of ways for a law firm to measure itself, whether its directory rankings, awards or peer recognition, all of which have value. But B Corp certification is something completely different.
“It is an independent, evidence-based assessment of how the entire business operates, not just the quality of its legal work. That makes it, in many respects, the most satisfying external validation we have received.
“To score so highly in Governance, specifically in ethics and transparency, means a great deal to us as a law firm. Our clients place enormous trust in us and hold us to the highest standards of professional conduct. And to have that independently verified through a process that examines every aspect of how we operate is genuinely gratifying. It confirms that our values are not just something we say, but something we can demonstrate.”
buckles-law.co.uk
Local founder creates booking app for small biz and charities
Portishead-based GoBurley’s founder George Burley is launching FormVillage, an online form and booking platform designed to give charities, community groups and small businesses a simpler, more affordable alternative to expensive ticketing platforms. FormVillage was built to solve a problem that GoBurley saw firsthand – that charities and local communities were caught between basic free tools or platforms which can be costly and complex. The platform provides access to a proper booking system with capacity management, waitlists, attendee management, multisession events and more, without complexity or big cost.
goburley.com formvillage.com
Cadbury Garden Centre marks seed milestone
Cadbury Garden Centre is one of the first in the country to stock Seed Revolution’s wildflower seeds and Hugh FearnleyWhittingstall’s River Cottage Organic Vegetable Seeds.
Seed Revolution secured the listing with a number of Blue Diamond Garden Centres across the country, including Cadbury Garden Centre in Smallway, Congresbury. A dozen different varieties of wildflower seeds from Seed Revolution are now available to buy, including Cornflower, Field Poppy, Forget Me Nots, Ox Eye Daisy, Red Clover, Sainfoin and Chicory as well as a selection of seed mix packs. All the seeds are British and grown in the UK.
The listing also includes a selection from the range of organic vegetable seeds which Seed Revolution has exclusively developed in partnership with Hugh Fearnley-Whittingstall’s River Cottage. Both Seed Revolution Wildflower Seeds and River Cottage Organic Vegetable Seeds can be found in store now in dedicated display units. seedrevolution.co.uk | bluediamond.gg
Savills hosts business students
Savills Bristol recently teamed up with Pathways to Property – a Henley Business School initiative to widen access to real estate – to host a group of Year 12 students for an exciting taster day in Bristol.
The students, who had all expressed interest in a real estate career, came from 10 schools across Bristol and beyond for the opportunity to learn from and engage with Savills experts. Savills’ new office on Welsh Back provided the group with a base for the day and the chance to hear from members of its multi-disciplinary team, to learn about the wide variety of roles available in real estate. Recent graduates and apprentices were also on hand to give advice about routes into the sector. The students were given a tour of The Galleries shopping centre – the largest city centre site with outline planning for redevelopment –and challenged to work in groups to put together their own project proposals for its future. savills.com
Duncan Jackson, Buckles Law CEO
The Watersmeet Hotel in Woolacombe, proudly voted Best Waterside Hotel for the UK & Ireland, enjoys an exceptional position right on the water’s edge. This 4-star coastal hotel offers Luxury Balcony and Terrace Rooms and Suites with private outdoor seating and sun loungers, a 2-AA-Rosette restaurant with dramatic clifftop sea views, and indoor and outdoor pools with spa facilities.
2 Night Celebration Break
• Sea View Room for 2 Nights
• Dinner each Night & Devon Breakfast
• Bottle of champagne on arrival
• Devon Cream Tea for 2 Inclusive from £720
3 Night Mid-Week Break
Offer inclusions:
• Sea View Room for 3 Nights
• Dinner each Night & Devon Breakfast
Inclusive from £900
4 non-financial benefits of advice
1. Less stresss
People without a retirement plan are four times more likely to feel stressed about their long-term finances than those with a plan.
The right support is also key, and investors who receive financial advice are around half as likely to experience high levels of financial stress compared to those managing their investments alone.
2. More free time
The time you’re no longer spending researching investments, monitoring markets, or making financial decisions can be spent on more meaningful activities, such as seeing your family, pursuing hobbies, or simply relaxing.
3. Improved decision-making
Uncertainty can make significant financial decisions feel overwhelming and often leads to inaction. Professional advice can help ease this, and 30% of people who receive it feel more certain about the future overall than they did two years ago.
4. Greater peace of mind
Having a clear plan in place and someone to guide you through decisions can lead to greater peace of mind.
Indeed, 86% of advised clients report greater peace of mind compared to when they were managing their finances alone.
To find out more about how a financial planner could support you, get in touch.
Education matters
NEWS FROM THE CITY’S LEARNERS AND LEADERS
Badminton School shines light on all-girls education from ages 3+
Badminton School is spotlighting the growing evidence around the significant advantages of an all-girls' early years education, emphasising how starting at age three can shape girls’ confidence, curiosity, and ambition throughout their education.
Research led by Erin Pahlke (2014) revealed that girls in singlesex settings show higher levels of confidence and a greater willingness to take intellectual risks – advantages that are particularly impactful when established early. Studies suggest that girls aged 3-5 may show less overt risk-taking in mixed settings, where boys often dominate both physically and verbally, dominating the space which unintentionally limits girls' participation. In an all-girls’ environment, these pressures are removed, allowing girls to take more initiative, show greater confidence, and participate more actively. This aligns with further findings with evidence supporting reports of higher engagement and confidence among girls in single-sex learning environments, as well as a more positive attitude towards learning.
“We are often asked by prospective parents what the benefits of an all-girls’ education are and, while we live the advantages on a daily basis with our own pupils, we wanted to investigate further why they do so well from such a young age,” says Mrs Heidi Welch, Head of Prep at Badminton. “The appointment of Vince MacLeod as Head of Early Years at Badminton School Prep last September, with his academic background and interest in research, combined with his teaching experience, has enabled us to do this.”
With the aforementioned research showing that gendered behaviours begin to emerge as early as preschool, Badminton argues that an all-girls’ setting in the Early Years helps level the playing field before social pressures take hold. “From the moment they join us at age three, our girls are learning in a space built entirely around them,” adds MacLeod. “Every girl is encouraged to speak up, explore boldly, and take the lead.” badmintonschool.co.uk
Tockington Manor to host ultramarathon
Bristol’s newest endurance challenge is coming to the village of Tockington this May. Tockington Manor School will open its 28-acre grounds to organisers PWR Endure to host an extraordinary Backyard Ultra. The event challenges runners to complete a 4.167-mile loop on the hour, every hour. Those who endure for the full 30 hours will cover a staggering 125 miles.
The event begins on Saturday 23 May, with any runners still standing by Loop 31 facing a ‘shotgun finish’ to win the £500 prize and claim first place. All race-related traffic and infrastructure will be contained within the historic Tockington Manor School grounds, with the course winding through the school’s private fields and woodland. On the day prior to the main event, the pupils, inspired by their school’s track record of distance running success, will complete their own loops for charity to earn a commemorative medal featuring the school’s iconic Manor House. tockingtonmanorschool.com | pwrendure.com
Region to receive more school-based nurseries this year
Three new or expanded school-based nurseries are set to open in September in our region, providing a lifeline for thousands of parents juggling children and work. The new childcare settings, which are being funded by national government, are Four Acres Academy in Withywood, Bailey's Court Primary School in Bradley Stoke and Locking Primary School in Weston-super-Mare. They are part of a second wave of schools across the country who have successfully applied for a share of the government’s £45 million fund to build or expand nurseries on school sites, to provide thousands more childcare places. Combined with the 30 hours of funded childcare, the settings will help more parents back into work.
“I know the juggle that so many parents and carers face, especially when childcare so often does not work,” says Helen Godwin, Mayor of the West of England (pictured left, with Councillor Catherine Gibbons).“Three more schools opening a nursery setting, or expanding their current offer, will have a big impact for families in those areas, in addition to the seven new or expanded nurseries which were announced last summer.”
From the Lord Mayor’s Parlour...
Exclusive insight from The Right Honourable Lord Mayor of Bristol, Councillor Henry Michallat
Over the past couple of weeks, I have had the privilege of undertaking a number of engagements that truly highlight the spirit and global connections of our great city of Bristol.
One of the most rewarding occasions was presenting the Lord Mayor’s Medal to more than 20 recipients, including both residents and organisations who make Bristol the wonderful place it is. It was genuinely heartwarming to see individuals recognised for their dedication and the invaluable contributions they make to their local communities. These unsung heroes embody the very best of Bristol, and it was an honour to celebrate their achievements.
I also had the pleasure of attending the annual Lord Mayor of Bristol’s Children Appeal Gala Dinner, a staple of the mayoral calendar. This important event brings together key partners, supporters and organisations who work tirelessly to improve the lives of some of Bristol’s most disadvantaged children. Each year, the charity aims to raise at least £100,000, and I am delighted to share that a record amount was achieved on the night. My sincere thanks go to everyone involved for their generosity and commitment to such a vital cause.
In addition, I was honoured to be part of a civic delegation to our sister city, Guangzhou in China, during a particularly special year as we celebrate 25 years of twinning between our two cities. Alongside colleagues from the University of Bristol, we visited the Hong Kong University of Science and Technology (Guangzhou Campus) and witnessed the signing of a new Young Ambassadors Programme between the two universities – an initiative that will further strengthen our educational and cultural ties.
During the visit, I also met with Mayor Sun Zhiyang to reaffirm the importance of our twinning relationship, something we are both deeply passionate about. I was pleased to present him with a gift of Bristol Blue Glass as a symbol of our enduring connection. Visits to historic sites such as the Thirteen Hongs Museum offered valuable insight into Guangzhou’s rich heritage.
It was clear throughout the trip how much this partnership means to both cities, and I am confident that the next 25 years will be just as successful. n
If you would like to invite the Lord Mayor to an event, tour or talk, please email lordmayor@bristol.gov.uk
Surf’s up!
The coast of North Devon is an easy hop from Bristol for a long weekend, with cobweb‐clearing crashing waves to help clear your mind, and stunning scenery that’ll leave you feeling serene
Are you desperately seeking a dose of gentle escapism, somewhere you can feel the wild strength of the Atlantic nearby and the crisp air in your lungs – leaving Bristol’s intense city buzz behind (but not too far out of reach)?
North Devon is only around two to two-and-a-half hours by car, or roughly two hours and 45 minutes by train to Barnstaple, followed by a short bus or taxi hop to the coast. It’s far enough down the M5 to feel like a proper getaway, and thankfully still close enough for a manageable long weekend with minimal travel.
Start with Croyde (pictured), a postcard-pretty village known for its surf culture. Its crescent bay draws wave-chasers year-round, while thatched cottages and friendly pubs keep things feeling homely and welcoming. Just along the coast, Woolacombe offers a more expansive vista: more than two miles of golden sand backed by rolling dunes, widely considered among Britain’s finest beaches, but rarely feeling congested
enough to disturb your peace.
From here, drift south along the coast to Saunton Sands for long, meditative walks, or north to Ilfracombe, where a working harbour, art galleries and Damien Hirst’s striking Verity sculpture will scratch a culture hunter’s itch. Venture further east and you’ll find Lynton and Lynmouth, which sit on the North Devon UNESCO Biosphere Coast, perched above the sea, connected by a charming cliff railway and framed by the wild beauty of Exmoor.
If you want to avoid the crowds in this part of the world, book a lastminute trip for late Spring, or book ahead for early autumn – but of course if you love to get among the action, high season in the summer holidays will guarantee an abundance of energy and interesting events.
Either way, booking ahead is essential, and we’ve picked two beautiful boltholes to escape to… n
The surf draws a crowd at Croyde
VALE COTTAGE
Just two hours from Bristol, Vale Cottage is a Grade II-listed thatched cottage, 10 minutes’ walk to the picture-postcard village of Croyde. Built in 1470, Vale Cottage has been comprehensively but authentically renovated, perfectly combining 15th Century charm with 21st Century comfort and amenity. Sleeps 10 across 5 bedrooms and 4 bathrooms, 2 ensuite. Private garden and courtyard, plenty of parking and fast Wi-Fi. Croyde is best known as one of the UK’s top surfing beaches, also offering walking on the SW Coast Path, cycling the Tarka Trail and golf at Saunton or Royal North Devon. Plenty of fabulous pubs and restaurants within walking distance, our favourites being New Coast Kitchen, the tasting menu at Roku and a superb Sunday lunch at the King’s Arms.
valecottagecroyde.com | 07920 861704
THE WATERSMEET HOTEL
The Watersmeet Hotel in Woolacombe, North Devon has won in the Best Waterside Hotel category in the UK and Ireland Condé Nast and Johansen’s awards for excellence. The luxury four-star boutique hotel has one of the finest coastal locations in the whole of the West Country, with stunning sea views across the waters of Woolacombe Bay. The hotel overlooks Combesgate Beach and North Devon's rugged coastline with its own private steps down to the sandy beach. With an array of facilities such as an award winning two-AA rosette restaurant, informal bistro restaurant, indoor and outdoor pool with spa facilities, it is the perfect choice for couples, families or groups alike. watersmeethotel.co.uk | 01271 870333
Talk this way
In Bristol alone, at least 25 men lose their lives to suicide every year. It’s a shocking number: 25 men is two football teams plus three officials worth of people. India Farnham chats to Gavin Thorpe, co‐founder of men’s mental health charity Talk Club, Lee Gillett of Bristol City Robins Foundation and Adam Tutton from Bristol Rovers Community Trust, about how to use that stat –and a decades‐long football rivalry – as a force for change in men’s mental health support. It’s all kicking off...
How are you? Out of 10? Notice how you feel after reading that second question. Suddenly, it’s not possible to shrug off the inquiry with a non-committal ‘I’m fine, thanks.’ Suddenly, your feelings, however big or overwhelming, are put into simple, measurable terms; 10 is on top of the world, and one is rock bottom. Which is why, as Talk Club cofounder Gavin Thorpe tells me, every single one of Talk Club’s ‘Talk and Listen’ groups begin with those exact questions. “We’ll all check in with our numbers, and explain why we’ve chosen them, before passing on the talking ball. We don’t speak over each other, and we don’t try and advise, we just listen.”
Talk Club was launched by a team of six cofounders (including Gavin and his co-CEO Ben Akers) in Southville, at the back of Bristol Beer Factory, in April 2019. Both Gavin and Ben had experienced losing a male loved one to suicide, and wanted to create a community of men who could help each other develop their emotional regulation, their ‘mental fitness’. Gavin describes always having wanted to help others, and finding it rewarding; “That was my role model. My dad was a giver, and I’m a giver. Ben [the other Talk
Club CEO] is the same,” he notes. What began online quickly developed into in-person ‘Talk and Listen’ groups of 8-10 men each popping up all over Bristol in accessible, private spaces, each one beginning with a signature check-in.
Today, Talk Club has been endorsed by some big names (head to the website for a snap of Liam Gallagher, among others, donning his ‘How are you? Out of 10? T-shirt); and groups exist not only all over the UK, but all over the world, with Talk Club having a presence in the States, Singapore and Australia too.
What unites every talking group, though, from Sydney to Bristol (where the charity is still proudly based in an attractive open-plan office overlooking Queen’s Square) is its structure, Gavin tells me: “After round one, our check-ins, we do the gratitude round. So we ask the group, what are you grateful for? What are the positives in your life?
I used to always start round one like ‘the kids are doing my head in’,” Gavin admits, smiling. “And then in round two I’d be like, ‘I love my kids, they’re so wonderful, and they bring me so much love!’ “Round three is the mental fitness round. So, we discuss which of the big three (diet, sleep and exercise) need to be a focus for us that week.
Image: Talk Club Cup 2025, credit Rogan/Bristol City (and below, Gavin Thorpe, Co-CEO and co-founder of Talk Club, credit Paul Driver)
“And lastly, we do our check-out, asking ourselves again how we are, out of 10. Very rarely will a man’s number go down; generally, we find each session increases a man’s mental fitness by more than 15%.”
How does it feel, I ask Gavin, to walk away from a talking group? “You know, lots of men have told me they get a really warm feeling at the end of a session, and I always tell them that’s oxytocin, the love hormone. When you listen to someone intently, you will feel love. So I’ll always tell the group, what you’re feeling is compassion for your fellow man.”
A numbers game
Whilst support is available for men who are at their rock bottom through Talk Club, the charity encourages men to attend their clubs even when they’re not feeling super low, in order to maintain their mental health. For this reason, Gavin sees Talk Club as being proudly counter-cultural:
“We live in a ‘broken and fix it’ culture,” he explains to me. “The problem with that is that men think ‘well I’m not really sad, so I don’t need to go to Talk Club,’ when in actuality, that’s really the point we’re trying to reach people at – before their numbers start dropping. We’re about keeping numbers up day to day.”
It’s refreshing to hear someone talk men’s wellness in this way.
For Gavin, a practicing therapist, and, as I discover, a talented musician in another life, self-expression is something that comes naturally. But not every man will feel comfortable as he does opening up about their feelings straight away, and that, he tells me, is A-okay.
“We realised pretty early on that sitting down to chat doesn’t work for everyone. So that’s when we set up ‘Talk and Run’, where we do a checkin and then run in pairs, and if the men want to open up, they can.
“Now, we’ve got over 20 different clubs in Bristol, including ‘Talk and Football’, ‘Talk and Trim’, even ‘Talk and Skate’. Any which way we can get to men, we try and do that.”
Kicking it
Enter The Talk Club Cup: an epic annual derby, now entering its second year, designed by the Talk Club team to reach men through the beautiful game. How did the idea for the match come about, I ask Gavin?
“When I discovered that stat about 25 men dying from suicide in Bristol per year, I was really struck by conceptualising that number as two football teams worth of men, plus three officials. And it was my son, actually, who said he’d love to see a City vs. Rovers game. So I thought, why don’t I put those two things together, and raise some awareness?”
Teaming up with Bristol Rovers Community Trust and Bristol City Robins Foundation’s weekly mental health sessions, Robins Talk, Talk
Club gathered an epic line-up of ex-players and celebs (including Scott Murray, Lee Brown, Jayde Adams, and Joe Sims) to play in the match at The Memorial Stadium, with all the funds raised going towards supporting the work of the three charities. But this wasn’t the only way the Talk Club Cup made a difference, Gavin tells me earnestly.
“I did a brief speech at halftime, and I let people know we had some Talk Club representatives outside. And you know what, we had loads of men coming up to us, looking for more info. We saw men sneak off from their mates, or pretend to go to the toilet, to come and speak to us about how they were doing. It was amazing.”
And it must have been a special moment for him, to look out at halftime and see all those people supporting men’s mental health?
“Absolutely. I’ll never forget looking out at the stands and seeing the red and white shirts stood together with the blue and white shirts. With City and Rovers, there’s a real rivalry there, so that was a really wonderful image. It felt like the whole city was united.”
Rematch
This year’s Talk Club Cup, which will take place on 22 May, was announced on Blue Monday, with the charities aiming to turn this day into Red and Blue Monday instead. This return match will take place at Ashton Gate, and will continue to support the clubs’ own mental health initiatives alongside Talk Club.
I ask Adam Tutton, CEO of Bristol Rovers Community Trust, what’s being done at the club to break down the stigma in talking about mental health. “Our mission is to create safe spaces,” Adam shares. “Whether that’s through groups supporting older members of society who may be experiencing isolation, our 5K Your Way programme, or our Rebound with Rovers group, every initiative is designed to strengthen our connection to one another.”
At Bristol City Robins Foundation, the official registered charity of Bristol City Football Club, Lee Gillett, Health and Wellbeing Officer, runs his own Robins Talk club, where after checking in (it seems Talk Club’s mental health lingo is catching on), participants enjoy an hour of friendly six-a-side football before heading to the clubhouse for a proper chat.
Lee wants to challenge the misconception that men lack the ability to care for their own wellbeing. “In reality, many men already use positive coping strategies to maintain and improve their mental health.
“However, this is often overlooked, and the real issue lies in the lack of appropriate support.”
Despite me posing some careful questions about the legendary City/Rovers rivalry to Lee and Adam, neither chose to indulge me on this occasion. It seems men’s mental health really is a uniting cause.
“Whilst the rivalry is deeply rooted, off the pitch, and particularly within the community, we [Bristol City and Bristol Rovers] share a common purpose,” Lee explains. “Both clubs are committed to making a meaningful difference in our local communities.”
“The fact that we can harness the energy of the rivalry to connect with people and potentially save even one life is something that we see as our duty,” Adam agrees. (If anyone’s wondering, though, Rovers won last year’s match.)
To the future
Speaking to me just a few weeks before this year’s Talk Club Cup is set to take place, Gavin is excited, and confident for the future of this proudly Bristolian mental fitness movement, with new talking groups and new initiatives (including a handy check-in app) being set up every single day. “We want to continue doing the Talk Club Cup every year. Maybe in the future we can do a nationwide match!”
What does Gavin hope Talk Club will be remembered for, I wonder?
“For us, it’s got to be the check-ins. It’s such an easy win, to just cut through the noise and find out how your pal is doing. Around the office now, we don’t even say ‘how are you?’ anymore, we just go ‘what’s your number?’ We want everyone checking in!” So, to check-out, I ask you –what’s your number? n
Find your closest talking group at talkclub.org, or book tickets for this year’s Talk Club Cup at Ashton Gate on 22 May at bristolsport.co.uk bcfc.co.uk/robins-foundation | bristolroverscommunity.org.uk
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In the thick of it: Ben Akers, co-CEO and co-founder of Talk Club at Talk Cup Cup 2025, credit Rogan/Bristol City
Red and blue shirts: young fans celebrate at Talk Club Cup 2025, credit Rogan/Bristol City
Hormone therapy
One of the UK’s leading hormone experts is heading to the Redgrave Theatre on 4 June as part of a new tour debunking decades of misinformation around women’s hormones and their health. We catch up with Dr Louise Newson –physician, podcast host and the founder of the free award‐winning Balance hormone health app – to learn more about her important messages
Dr Louise Newson is a physician, the founder of the free award-winning Balance hormone health app (which has more than 1.5 million downloads to date) and host of the award-winning Dr Louise Newson podcast. She’s also embarking on a mission to educate as many people as possible around the science and history of hormones. Her new show Breaking the Cycle: The Power of Hormones, which stops off on its UKwide tour on 4 June at the Redgrave Theatre, sees Dr Louise challenging everything you’ve ever been told about female hormones, especially with respect to their effects on mental health, and questions years of medical misogyny. Audiences can expect lightbulb moments, shocking stories of power and greed, myth busting facts and real-life stories – plus a chance to ask Dr Louise questions – with people leaving feeling empowered angry, shocked, energised and ready to demand better.
Hi, Dr Louise. You’ve been called the doctor who helped spark the menopause revolution. What first made you realise something needed to change?
When I set up my clinic and heard stories of women who were being actively refused to be prescribed hormone treatments by their GPs. I had never known that women were denied this evidence based treatment due to unfounded fears about a safe and effective treatment. Then when I started my social media I heard (and continued to hear) harrowing stories from women who were suffering from not being prescribed hormones.
Your new show is about challenging what we think we know about hormones... What are some of the biggest misconceptions you come across?
I think the biggest misconceptions are that the conversation is all about menopause, when actually, it should be about our hormones at any age.I don’t like the word menopause – when people talk about menopause and HRT, it’s a misconception that everyone’s the same, and of course that’s not true.
Instead, what we really need to be talking about (and the focus of the show) is hormones: what they are, what they do, and what happens when they go off balance
Another misconception is that this conversation is something only older women should think about but I don't think we should wait until we’re over 40. I think everyone of all ages (and that includes men!) needs to be aware of hormonal changes and their impact on health, especially mental health.
A lot of my work is not just menopause and perimenopause, it’s PMS, Premenstrual Dysphoric Disorder [PMDD], postnatal depression and even in teenagers too. Understanding the hormonal changes that happen during the menstrual cycle shows that many symptoms are similar, regardless of the label, because they’re caused by fluctuating hormones. That’s what my tour is about; making sure everyone has knowledge about hormones at every age, really.
Hormones affect so much of how we feel day-to-day, so why do you think their impact, especially on mental health, has been so misunderstood?
Many women (and even medical doctors!) have misunderstandings about the difference between natural hormones and the synthetic hormones that are in older types of hormone treatments and contraceptives. It is essential that people know the difference as many of the risks you read about are because of synthetic hormones, not body identical ones. The majority of women with fluctuating or low hormone levels are not prescribed hormones because of this, which results in them both having symptoms and also health risks.
Many women are being misdiagnosed with other mental health conditions due to a lack of understanding, when hormones are the real story, and too many doctors are reaching for everything except hormone treatments! If every woman had a solid working knowledge of her own hormones, she’d be better equipped to recognise changes in herself, advocate for the right help and treatment, and actually get it. That’s my biggest goal!
How has medical misogyny shaped the way women's health has been treated over the years?
From the conversations I have, millions of women have been expected to accept dismissal, confusion and unnecessary suffering as normal when it comes to their health.
I was part of the recent Apple TV and Amazon docuseries BALANCE, which was made by two female Jain monks
Pictured: Dr Louise Newson
and this brought into sharp focus just how much misinformation still reigns in women’s hormone health and also the needless suffering. We created the #NotMe hashtag, which challenges the misinformation, outdated thinking and misogyny (both conscious and unconscious) that dictate women’s hormone health.
Every day, I hear stories from women who are not listened to and not believed by doctors. They are being turned away and not prescribed the hormone treatments they both want and need or their symptoms are dismissed altogether.
Through real faces and real stories, #NotMe aims to break down barriers through informed choice, empowerment through knowledge, and equal access to care.
A lot of people feel confused when it comes to natural versus synthetic hormones, so how do you explain the difference in simple terms?
This is such an important difference between these two and there’s not enough education around them. It’s a big part of the show that audiences in Bristol will learn about.
Body-identical hormones have exactly the same molecular structure as the hormones your body produces naturally. They mirror what your body does, and crucially, they don’t carry the same risks associated with synthetic hormones. The problem is that many women, because many GPs simply don’t tell them, don’t realise there’s even a choice to be made. Knowledge is everything here.
Frustratingly, the women I speak to often don’t know about the advantages of body identical hormones in contraception and merely just accept the negative impacts that synthetic hormones can have upon their symptoms and their future health. For example, we know that when taking the most body identical form of contraception, Zoely, the risks and side effects are much lower than other synthetic formulations. For instance, a review of five studies involving more than 560,000 women found a significant 33% reduction in venous thromboembolism (clot) risk among users of estradiol-based Combined Oral Contraceptive Pills [COCPs] compared to synthetic ethinylestradiol-based COCPs.
facts that make you go home and see everything differently. I want women to leave feeling informed, empowered and, frankly, a little bit furious in the best possible way.
We’re hearing more about conditions like endometriosis and PMDD now... are things improving, or is there still a long way to go?
No I think things are getting worse. I hear so much from women who are prescribed synthetic hormones and also hormone blockers like Zoladex, which often worsen symptoms and are just giving women a chemical menopause.
You have a real talent for making complex science feel accessible. How important is that to you when you're sharing information?
It is so important. I have so much scientific knowledge and also a wealth of clinical experience. I feel it is my duty and mission to share as much information as possible so that women can make choices that are right for them about their hormone health.
For those coming to see you in Bristol, what can they expect from the show, and what kind of experience are you hoping to create?
I don’t want to give too much away, but I promise there will be moments that make you reflect not just on your own health, but on your partner’s, your colleagues’, your mum’s. There will be some genuinely surprising facts about medications that are routinely prescribed to women far more commonly than HRT. And a very clear explanation of why not all hormone treatments are the same – which is something far too many women (and their doctors) simply don’t know.
You’ve described this as more than just a talk, but a movement. What do you hope people take away with them when they leave?
Through your app and podcast, you’ve connected with millions of people, how has hearing their stories changed the way you approach your work?
Listening to all the stories has given me a determination to ensure women and clinicians understand hormones.The listeners of my podcast and after my first tour, the stories I heard from women in the audience lit a fire in me. This new show is going to be bolder, with more science, more medical history, more real stories and more of those eye-opening
I want people to have the confidence to acknowledge the power of hormones and when dealing with health issues I want ‘Could it be your hormones?’ to be a serious consideration and possible solution. Because too many women are being misdiagnosed with other conditions when hormones are the real story, and too many doctors are reaching for everything except hormone treatment.
If every woman had a solid working knowledge of her own hormones, she’d be better equipped to recognise changes in herself, advocate for the right help, and actually get it. That’s the dream. n
MBST: Bilateral hip arthritis:: When I met Elaine she was really struggling with her walking and high levels of pain relating to hip arthritis. 100 yards was her limit. She was told she would soon need double hip replacement surgery. She was keen to postpone any surgery for as long as was reasonably possible as she was otherwise in great health. After a clinical evaluation and much discussion, she elected to undergo MBST Therapy because she’d heard good things about the results: I recently saw her for a maintenance appointment and Elaine made a point of reminding me of her original state and how happy she was to be able to walk freely again. She’s pain free the majority of the time and her world has very much opened up to normal levels.
MBST is designed by MEDTECH in Germany as a regenerative technology. In vitro studies and real world research supports the efficacy of this remarkable technology. It is pain free, non invasive and has no risks or side effects, yet its results are tangible and from my 10 years experience it reliably delivers improved outcomes that last. Obviously more complex and severe cases differ in prognosis but even in these cases we can address factors that limit and slow healing in order to get the best results.
NEW ADDITION: EXTRACORPOREAL MAGNETOTRANSDUCTION THERAPY (EMTT)
The application of EMTT directly to a painful joint or injury leads to changes in the behaviour of the cell membrane: This is proven to initiate the removal of pro inflammatory substances, muscle relaxation and improved circulation leading to high levels of pain relief and significantly better function.
MBST UK is the official regenerative Partner for Bath Rugby. Not only is this leading to dramatic increases in the speed of player rehabilitation and return to play, but it’s allowing us to gather data and explore the full ability of this technology
Rory Murray, Head of Medical Services at Bath Rugby comments:
‘I’ve really enjoyed incorporating MBST into our Medical Provision at Bath Rugby over the past 9 Months. It has proven particularly beneficial in managing acute fractures, rib cartilage injuries, lower limb tendon issues and abdominal degenerative joint conditions. It’s reassuring to know that we’re operating at the forefront of medical technology’
Avon Mills
MBest in the west?
Andrew Swift sets off to explore what’s now officially – according to a major national newspaper –‘the best place to live in the south west’. Does Malmesbury live up to its hype?
almesbury, in Wiltshire, has been in the news of late –first after The Times declared it the best place to live in the south west, and then when it launched a bid to be UK Town of Culture 2028. For anyone who knows Malmesbury, none of this will seem that surprising. Vibrant, relaxed and friendly, its narrow streets are lined with independent shops, traditional businesses, down-to-earth pubs and tempting cafes. But there is a lot more to it than that. High on a promontory and almost encircled by two arms of the River Avon, Malmesbury seems like a last outpost of the middle ages.
When King Alfred established a fortified borough here around 880, Malmesbury’s abbey was already over two centuries old, and it would grow to become one of the greatest churches in the land, with a spire taller than Salisbury Cathedral. The spire collapsed in the late 15th century, and soon afterwards the abbey was dissolved by Henry VIII. The town walls went a century later, torn down by decree of parliament after the Civil War. The nave of the abbey survives, however, as one of the most evocative parish churches in the country, and the course of the walls can still be traced today.
Malmesbury’s hilltop setting has also ensured that the scale of the medieval town is still apparent, and, as you explore its winding lanes and narrow alleys, the sense of historical continuity is inescapable. It is also means that you can take in its highlights and get a good idea of its layout in a leisurely walk of two or three hours, leaving plenty of time to explore its cafes, shops and pubs.
The easiest place to start is in Station Road long-stay car park (SN16 9JT; ST932875). Few car parks are so attractively situated, with a riverside picnic area and the abbey high on a hill above. As for the station, that closed in 1951, and all that survives of it is a converted engine shed. Head to the far end of the car park and turn right to follow a sign for the town centre.
After passing the former Abbey Mill on your right, follow the lane as it curves right uphill (and continue along it rather than following signs up the steps).
At the road, cross to where a sign in the pavement marks the site of the town’s West Gate. Turn right to head to the Triangle, once known as Sheepfair, with the 17th-century Three Cups in the far corner. Carry straight on along Bristol Street for a little way before turning left down Burnivale. The spire-topped tower that comes into view ahead is all that remains of St Paul’s, Malmesbury’s original parish church, which fell into disuse in the 16th century.
After 250m, when the lane ends, turn right along a footpath leading past a mill leat before crossing a clapper bridge. From here, you have perhaps the finest view of the town, high on a hill, with the abbey rising above its rooftops.
Turn right to follow a path across water meadows. Cross a stile at the end and turn right to recross the river. Follow the lane as it curves right and, at the top, turn right along Bristol Street. After 125m, just before the turning into West Street, look across to see the cottage at No 23. Although it looks much the same as its neighbours, it incorporates the nave of a Saxon chapel. Turn left along West Street, lined with former weavers’ cottages, and after 100m you emerge in Horsefair. Follow the road as it curves to carry on along Foundry Road. The foundry – 100m along on the right – was founded in 1870 and is still in business today, with much of the original machinery in situ. From here, retrace your steps a little way and turn left (opposite Piglet Cottage) down a lane.
At the bottom, cross and turn right. After 125m, just past a row of tall redbrick buildings, turn left down steps to follow a path which leads alongside the river. At the end, cross the lane and head up a flight of steps inset with a timeline of Malmesbury’s history. At the top, bear right to
gardens. Avon Mills, the range of six-storey buildings across the river, were built in the 1790s by a clothier from Bradford on Avon. Follow a path as it curves right through the gardens. After 300m, just before a play area, you will see King’s House, one of Malmesbury’s grandest buildings, across the river. After passing the play area, follow a lane uphill and at the top turn right along a road known as King’s Wall. At the end – by the site of the South Gate – turn left up High Street. Take the first right along Ingram Street and then left along Silver Street, which leads into Cross Hayes, once the site of the cattle market. At the far end is the Town Hall, home to the town’s museum, which is well worth a visit.
follow a path along the north side of the abbey to emerge by the Old Bell Hotel, built around a 13th-century abbey guesthouse.
Cross and turn left along Gloucester Street. After passing the spire of St Paul’s – now the belfry for the abbey – you emerge by the market cross, built around 1490 ‘for poore market folks to stande dry when rayne cummith’. Carry straight on along Oxford Street. Tower House, at the end, is medieval, but the tower was only added, as an observatory, in 1834. Turn left and follow the road as it curves down Holloway, looking out for a sign in the pavement marking the site of the East Gate. At the bottom of the hill, follow the road across a causeway, and, just before the bridge, turn right down steps to follow a path alongside the river.
Follow the path through a meadow, and, after crossing a stile, keep to the left-hand side of the next field before crossing a bridge over a sluice. Turn right along a lane, and, as you cross the river, look to your right to see Tower House silhouetted against the sky.
A little further on, after passing a flight of steps leading up Back Hill, the street widens to reveal an eclectic range of ancient buildings. Through an archway on the left is the medieval courthouse, once part of St John’s Hospital. If you look to the left when you reach the main road, you will see a 12th-century arch of the hospital incorporated into 17th-century almshouses. Cross the main road and go through a gate into the memorial
On the left-hand side of Cross Hayes is the entrance to the yard of George, once a grand coaching inn, but now a veterinary hospital. An alleyway to the right of it leads to the High Street, where a right turn leads back to the market cross. The gateway beyond it, leading to the abbey, dates from the 18th century, but the building next door, now the Rajah restaurant, was a 14th-century abbey guesthouse.
Look out, as you head towards the abbey, for a gravestone on the right, recording the fate of Hannah Twynnoy, killed by a tiger from a travelling menagerie in 1703. And then, as you enter the porch, there is some of the most sublime Norman carving in the country. There is much, too, to see inside this extraordinary building – not least the tomb of King Athelstan, grandson of King Alfred. And from here it is but a short walk downhill back to the car park. n
Length of Walk: Three miles. Part of the walk lies through water meadows, and there are several stiles, as well as steps. It is also reasonably dog friendly.
Discover more of Andrew Swift’s books and writings online from akemanpress.com | All photos courtesy of Andrew Swift
Malmesbury Abbey
Hannan Twynnoy’s Grave
Tower House
Malmesbury from the clapper bridge
Jamie and Tom with Newt.
Divine intervention
Interiors shouldn’t feel polite. They should feel alive!’ say the founders of South West‐based wallpaper brand Divine Savages. Katherine Raderecht steps into the theatrical, colour‐filled world of design duo
Jamie Watkins and Tom Kennedy to find out more
From a south London flat to a maximalist showroom in Bath, Jamie Watkins and Tom Kennedy have built a design brand rooted in storytelling, humour and playful pattern. As Divine Savages approaches its tenth year, the couple reflect on creativity, collaboration and why bold interiors are about far more than wallpaper.
On Margaret’s Buildings, tucked between the honeyed buildings of the Royal Crescent and the elegant symmetry of The Circus, the windows of Divine Savages are anything but restrained. Inside the showroom, cranes wander through tropical palms, velvet lampshades bloom in jewel tones, and patterned wallpaper climbs the walls with unapologetic theatricality. The space feels less like a shop and more like stepping into the world of Divine Savages.
For founders Jamie Watkins and Tom Kennedy, that sense of drama is entirely intentional. “Playful pattern with a story – it’s what we do best,” Tom says, gesturing around the room. “We want to celebrate both the divine and the savage in us all.” Their motto neatly captures a philosophy that has propelled Divine Savages from a personal decorating experiment into one of Britain’s most distinctive design studios.
Nearly a decade after launching the brand, the couple’s designs now appear in homes, bars and hotels around the world, and have even lined the walls of a historic London institution. Yet the origins of Divine Savages are surprisingly domestic: a modest Victorian flat in south London and two people who simply wanted more character on their walls.
A creative partnership
Before Divine Savages existed, Tom and Jamie were building entirely different careers. Tom’s world revolved around fashion graphics. After studying illustration and graphic design at the University of Westminster, he worked with brands including Firetrap, Dr Martens and Fred Perry, designing prints for clothing.
“Designing for fashion taught me to think about scale and narrative,” he says. “Pattern on clothing becomes part of someone’s identity. With wallpaper, it’s different – you live with it rather than wear it. It shapes the atmosphere of an entire space.”
Jamie’s route was very different. Having studied film and television at the University of Surrey in Roehampton, he built a career in broadcasting at National Geographic and Discovery Networks. There he learned something that would later prove invaluable: the power of storytelling.
“In factual television you’re constantly thinking about how to make real stories emotionally engaging,” he explains. “You have to understand the audience and present ideas in a way that feels authentic and memorable. That approach is very much how we think about the brand.”
The couple met in a London bar in 2006. The attraction was immediate: Tom’s infectious energy balanced by Jamie’s calm, quietly mischievous charm. What neither realised at the time was that their professional backgrounds – graphic design and branding on one side, marketing and strategy on the other – would eventually combine to form a remarkably balanced creative partnership.
The flat that started it all
The idea for Divine Savages emerged when the couple bought their first property together in south London.The flat, part of a Victorian terrace, had plenty of character but needed redecorating. As they began planning the interiors, Tom and Jamie found themselves frustrated by what the wallpaper market offered.
Traditional wallpaper offered heritage and craft but little humour. Contemporary prints often lacked character. “We were finding plenty of humour and plenty of heritage,” Tom explains, “but nothing that did both.” So, he began designing his own. Inspired by the glamour of the Great Gatsby era and the couple’s shared love of cocktails, he created a geometric pattern featuring martini glasses. What began as a personal project gradually grew into something more.
“ Pattern on clothing becomes part of someone’s identity. With wallpaper, it shapes the atmosphere of an entire space ”
Tom Kennedy
Friends and family began asking where they could buy it. That design – later named Deco Martini – became the first Divine Savages wallpaper.
The brand officially launched in 2017 with a small collection of wallpaper and fabric designs. The look that emerged – flamboyant, eccentric and slightly mischievous – has remained the DNA of Divine Savages ever since.
Building the brand required a leap of faith. Tom left freelance work to focus fully on design, while Jamie continued working in television, juggling two careers at once. Days were spent at the office; nights packing orders, answering emails and managing logistics.
It was an intense period. Wallpaper production requires significant upfront investment, and orders in the early stages were unpredictable. Gradually, however, the signs of success appeared.
“We realised it wasn’t just redecorating when we got our first order from someone we didn’t know,” Tom says. Interior designers began contacting them and repeat customers soon followed.
By the time Jamie eventually left television to join the company fulltime, the brand had found its footing.
Today their roles remain clearly defined. Tom leads the creative direction, designing new patterns and overseeing photography, while Jamie manages the day-to-day operations – a role he jokingly describes as “Director of Everything Else ”.
Love and work
Running a business as a married couple might sound complicated, but for Jamie and Tom it has proved remarkably harmonious. “We share a very clear creative vision,” Jamie says. “Life is essentially one long brainstorm.” Inspiration often emerges in everyday moments - browsing flea markets, walking their miniature schnauzer Newt through the countryside, or spotting a detail in a vintage magazine.
They rarely disagree about design direction, but when they do, they sometimes turn to trusted friends in the creative industry for advice.
Relocating to Bath has also helped bring balance. In London the business operated from their small flat, with wallpaper boxes stacked everywhere and makeshift workspaces squeezed into corners. Now their Margaret’s Buildings showroom doubles as a studio, providing a dedicated workspace away from home.
Divine Savages’ distinctive aesthetic blends history, humour and storytelling. Many of their designs feel almost like characters in a theatrical cast. Take Zsa Zsa, inspired by 1920s Hollywood glamour –“our party girl”, Tom says, “sophisticated but a little bit wild”. Or Crane Fonda, a grey crowned crane wandering elegantly through palm trees.
Naming the designs is part of the fun, and customers sometimes help. The patterns themselves draw inspiration from everywhere: vintage illustrations, ceramics, nature, fashion and film.
Their latest design, Ophelia’s Tide, explores underwater imagery, combining botanical flourishes with shells and oceanic motifs.
Humour remains essential. As Tom puts it, the last thing they want their work to feel is pretentious.
From museums to Ibiza
As the brand grew, so did the scale of its projects. One of the most significant moments came in 2019 when Divine Savages created the first wallpaper collection in the history of the Natural History Museum.
“We emailed them assuming we’d never hear back,” Jamie recalls. Instead, the project gave the designers access to the museum’s extraordinary archive of scientific illustrations and specimens. The collaboration proved so successful that a second collection followed in 2022. Other projects have taken their designs to unexpected places. At the legendary Pikes Ibiza –
famous as the location of Wham’s Club Tropicana video – Divine Savages wallpapers now feature throughout the hotel’s interiors. More recently, a partnership with British tile company Ca’ Pietra has translated their patterns into ceramic tiles, opening up new possibilities for kitchens and bathrooms.
In 2023, the couple made another significant decision: leaving London and relocating both their home and business to Bath. “We left London mainly for lifestyle reasons,” Jamie explains. “Space, balance –and somewhere our dog Newt could enjoy proper walks.” The move also carried personal meaning. Jamie grew up in Bath, and returning with the business felt like a full-circle moment.
Their showroom on Margaret’s Buildings now serves as both retail space and creative hub. Antique furniture upholstered in bold velvets sits alongside sweeping fabric curtains and bespoke wallpaper displays crafted by local carpenter Jaiden Savery.
One local resident even brought them a large 1970s disco ball she thought they might appreciate. She was right it now sits proudly among the showroom’s eclectic objects. “We wanted it to feel like a maximalist’s dream,” Tom says.Beyond retail, the couple have embraced Bath’s creative community, hosting informal networking evenings for local designers, architects and photographers.
A house of their own
Alongside the showroom project, Tom and Jamie are also renovating a Georgian villa in Bath.
Like their first London flat, the house appealed because of its character and potential. Working with architect Katy Morrison and local craftspeople, they are restoring it sympathetically while gradually introducing the Divine Savages aesthetic. Their boldest decision so far? Rejecting open-plan living. “Instead we created a bigger dining room and kept the kitchen separate,” Tom says. “It makes hosting dinners and drinks much more sociable.”
Living with their own wallpapers has also revealed new details. In their bedroom, Wild Wild Woods grasscloth mirrors the trees outside, creating a warm, cocooning atmosphere.
As Divine Savages approaches its tenth anniversary, Jamie and Tom remain thoughtful about growth. “Growth doesn’t mean saying yes to everything,” Jamie says. “It’s about choosing collaborations and projects that truly align with our values.”
Their ambition is simple but bold: to create designs that endurepatterns people recognise instantly and live with for decades, quietly weaving themselves into the stories of the homes they inhabit.
More than anything, they hope their work encourages people to be braver in their interiors.
Because ultimately Divine Savages has never really been about wallpaper. It is about creativity, imagination and the confidence to express personality through design.
And in Bath – a city where elegance and eccentricity have long lived side by side – their joyful sense of theatre feels entirely at home. n divinesavages.com
A riot of colour: The Divine Savages showroom
Four Divine Savages designs to know
Bold, playful and full of personality, Divine Savages wallpapers are designed to be the “main character” in a room. Here are four designs that capture the spirit of the brand.
Deco Martini
An elegant Art Deco–inspired pattern of martini glasses arranged in geometric symmetry. In rich green tones, this playful design brings a touch of vintage glamour and mischief to a room.
Safari Soiree
A lush jungle scene alive with leopards, palms and exotic birds. In Heron Blue, the design feels both dramatic and sophisticated - a modern take on classic safari style.
The Brambles ‘Mulberry’ Trailing thorny branches and delicate leaves weave across the surface in this romantic botanical design. The deep Mulberry colourway adds richness and warmth.
Wild Wild Woods
Inspired by woodland landscapes, this design layers intricate trees and foliage to create a calm, atmospheric pattern that feels both immersive and quietly dramatic.
“We wanted wallpaper with heritage — but with a raised eyebrow.”
Jamie Watkins
Wild Wild Woods
The Brambles ‘Mulberry’
Detail of Safari Soiree in Heron Blue
Deco Martini
‘Don’t be generic’: an example of a Host360-managed property prioritising good design
Just like home
Sure, hotels are great. Wonderful, in fact. But sometimes you just want your getaway to feel like a home from home. With the city’s short‐term let market thriving, we’ve teamed up with Host360 to share some top tips on making the most of your spare space, and help people visiting and staying in Bristol get the best night’s sleep possible
It’s been nearly 20 years since Airbnb was founded, and most of us now don’t think twice about booking accommodation that resembles a home, rather than a hotel, when we’re heading on a trip.
From granny annexes, garden cabins, spare rooms and tree houses to grand apartments and cosy cottages, the short-term let market’s exponential growth has transformed the way we explore.
And, of course, seeing as plenty of people want to travel to Bristol for work and play, you might be considering turning your own spaces into somewhere fantastic for people to stay – and want to know the industry secrets about designing the right interiors for guests’ varying needs. We can satisfy your curiosity and guide you on this journey with the help of those in the know at Host360, a group which manages a huge
variety of properties in the city, representing both ends of Bristol’s diverse Airbnb market, from compact studio-style properties, to entire homes for 12+ people.
“Bristol’s Airbnb and short-term let market is thriving, with many visitors opting for the peace and privacy of an entire home for their stay, over a hotel or guesthouse,” explains Frances Murphy, Host360’s Design and Purchasing Lead.
“Demand in the city is high, and property owners have the opportunity to make a large return on their empty properties, all while allowing more people to explore the wonderful city of Bristol.”
Frances shares her top tips on designing the perfect place to work, play and stay…
1. Tune into your emotions
“The perfect Airbnb or short term let interior needs to create an immediate emotional response. The feeling you want to elicit is the desire to step straight into the images, and for guests to instantly imagine themselves staying there. The space needs to go beyond just looking beautiful, it needs to feel welcoming, aspirational and easy to connect with at first glance.”
2. Don’t be generic
I think many hosts assume short term rentals need to be completely neutral, in order to appeal to the masses. But a space that that is devoid of personality rarely stands out. We want to be drawn in, and this requires a room that has personality and something to say! At the same time, it’s a balancing act, as too much personality can be equally offputting. Cluttered areas, excessive trinkets, or overly personal styling can be a real turn off for guests. Ultimately, it’s best to aim for a sense of balance, a thoughtfully designed space that also lets the character of the property shine through.
3. Know your guests
Once you understand the type of guests who will be staying, try to figure out what unifies them. Their wants, needs, and how the design can best cater to both. Thoughtful design allows for a flexibility for different types of stays. For example, a business traveller may need somewhere comfortable to work, while a couple staying for the weekend may need the same space to feel inviting and romantic. The right dining table with considered lighting, for example, will be able to function just as well as a desk as it does a cosy dining spot.”
4. Identify eyesores
While ripping out and starting afresh may be what we think about when re-designing a space, a lot can be achieved with a more restrained, budget-friendlier, thoughtful approach to decorating. Start by identifying any eyesores, tired walls, scuffed paintwork, anything that stands out and makes the space feel neglected. Never underestimate the transformative power of a fresh lick of paint in a well-considered palette. Guests want a space to feel cared for, clean, and inviting, decorating is an excellent way to do this.
It’s important to understand who’s likely to be staying(credit: Host360)
Room with a view at a Host360 property
5. Upgrade key furniture
It’s best to focus on larger pieces, especially the bed. The bed is usually the hero image after the cover photo, so it’s important to pay special attention to it. Think hotel clean and luxurious: crisp linens, quality pillows, a textured throw, and carefully chosen decorative cushions. Essentially a bed that is elevated beyond your everyday and feels inviting. If buying new or vintage furniture is not possible, consider how to best update existing pieces, be that reupholstering or varnishing.
6. It’s the details that count
Dressing the space with layered lighting, artwork, plants and accessories can have a huge impact and breathe much needed life into a space. Lighting is particularly important, not only does it create mood and atmosphere, but it will also have a significant impact on how the space photographs. Warm, inviting, layered lighting always works best in my opinion. Small, thoughtful details like high quality toiletries, such as a luxurious bath product, can also communicate a sense of care and hospitality, that go beyond the basic and elevate the stay. It’s often these finishing touches that make a stay memorable..
7. Set the scene
I cannot express how crucial photography is! It is the guests’ first introduction to the property, and will determine whether the listing is immediately passed over or whether they choose to engage with it. It may seem obvious, but lifestyle shots are incredibly important. Style the space in a way that helps guests immediately imagine themselves in the space. Set the dining table beautifully with plates, glassware and fresh flowers. Soft furnishings are also important, fluff the cushions, drape a throw thoughtfully over the sofa and create a sense of warmth and comfort.
8. Don’t rely on trends
Unless you want to be redesigning your property frequently, which most of us are trying to avoid, it’s best to steer clear of overly trend-led choices. With every design decision, ask yourself: will this last, and will this look dated in a few years’ time? For the large, more expensive pieces, such as sofas and beds, I would lean towards something more classic and timeless in style, these also feel more sophisticated. These are pieces which need to stand the test of time; a funky shaped headboard will likely date far too quickly. That being said, it’s with the smaller, decorative items are where you can indulge in current trends and be more playful. But above all else, I beg of you, please avoid the ‘griege’ design trend of the 2010s at all costs! We have thankfully mostly moved on from the grey, plain and personality-free aesthetic that had sadly prevailed in recent years. Plus, light fabrics show wear and tear. Today, spaces that are the most successful tend to have a warmer, characterful aesthetic which favours the uniqueness of each home.
Changing rooms
Ready to take on the challenge of creating your own short-term let? Frances explains that interior design is all about translating an idea of the future of a space into a liveable, tangible reality.
“The process usually starts abstract and gets more focused and detail orientated as you go,” Frances says. “At the beginning, let your imagination run wild, delve into Pinterest and other inspiration material and see where it takes you. Snap pictures of pleasing colour combinations when out walking in nature, pay particular attention to interior spaces you love, the richer your material the better the outcome. This will help you figure out what you love and also will help you to define the feel and style of the space. Also pay special attention to the property, if it’s not your home, spend time in it, get to know it, so your dreams of the space meet with the reality of what is possible. For example, is it a period property that would really benefit from a sympathetic, character led renovation or a new build that needs a different design approach? Is the overall goal a light, airy feel, or something more cosy and homely?”
Next on your list, according to Frances, you need to ground your ideas in practicality. “It is helpful to create even a very basic floorplan, there are numerous free online tools that can help you do this,” she continues. “It’s important to dream big and get excited by all the possibilities, it is also equally important to make sure that everything fits, is possible within the space and the room has a good flow. This is where imagination meets function. Then start to drill down into the specifics, selecting colours, pieces of furniture, and soft furnishings. The more you do at this planning stage, the smoother the execution becomes.”
One common mistake Frances points out is people overlooking contrast: “Creating an overall colour scheme and unifying the space is important, but without contrast it ends up feeling flat and predictable. To remedy this, inject a space with contrasting elements, different textures, plain and patterned fabrics, light and dark colours.A space that has been effectively designed, is one that feels instinctively right, a feeling you can’t quite put your finger on, but immediately the space feels at once considered yet effortless. This balance really comes from working through each stage thoughtfully, from the big dreams to the detailed execution, always with the guest experience in mind.” n For more info and to view properties, visit hostthreesixty.co.uk
Setting up lifestyle photo shots are key
(credit: Host360)
Choose a timeless look
(credit: Host360)
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Everyone’s favourite steamy ‘80s drama is back, as season two of Rivals returns to our screens this month. We couldn’t resist feeling inspired by the show’s country estate‐meets‐gentlemen’s club aesthetic, with a little bit of ‘80s kitsch thrown in for good measure. Here’s how to bring a little bit of Jilly Cooper’s flamboyant world to life in your own home...
£49.50. marksandspencer.com.
THE WHITE COMPANY. Two Scalloped Quilted Placemats £25, thewhitecompany.com.
BRIDGEWATER Blue Hen Deep Round Steel Tray, £12. johnlewis.com
Go wild!
To mow, or not to mow? Garden expert Elly West ponders the changing attitudes to lawn care and shares tips on how to achieve your perfect meadow at home...
In the years I’ve been in the horticultural industry, I’ve noticed a strong shift away from formal lawns and neat borders towards a much more naturalistic approach. Low-maintenance is high on many clients’ wish lists when I’m designing their gardens, and a weed-free lawn that needs hours of maintenance and chemical treatments to keep it in shape is rarely seen as a desirable use of space, especially where that space is limited.
This month is No Mow May, launched by the conservation charity Plantlife in 2018 to encourage people to give their lawns a break from mowing and leave wildflowers to bloom. Around 97% of our meadows have been lost over the last century, along with the vital habitats and food for wildlife they provide. By leaving lawns for longer between cuts, or going a step further and nurturing a meadow space in your garden, you’ll be helping insects and birds, encouraging biodiversity, and enjoying all the colour and seasonal interest that wildflowers can bring.
Meadow flowers can bring so much to a space in terms of movement, colour, the sound of grasshoppers and the sight of bees and butterflies going about their pollinating work. I’ll often include areas of meadow in a garden, perhaps a deep strip at the edge of a lawn to create a buffer zone (great for wayward footballs!) or a larger designated space with some apple trees and flowering cherries. With paths mown through and somewhere to sit, this can easily become a favourite spot in the garden to relax and be surrounded by nature.
There are several different ways to create a meadow. Perhaps the most straightforward is to just let your existing lawn grow and see what happens. This will let any wild plants already in your lawn grow and flower, adding colour, interest and attracting wildlife. This is the No Mow May approach, which you can keep going for a month or two, or right through the summer, mowing again in early autumn.
However, if you want a more managed approach, then first find a suitable spot, preferably in a sunny location. Meadow plants thrive in soil
with low nutrients, so no fertiliser is necessary, and you’ll need to remove any existing grass and weeds back to bare soil. A reliable, quick method is then to buy meadow turf, which contains juvenile perennial meadow plants and is supplied in rolls like normal turf. You can also choose a specific turf suited to your space – perhaps one that has more shadetolerant plants, for example.
A cheaper choice than using turf is to sow seeds in spring or autumn, and/or buy small plug plants. Meadow seed mixes are readily available, and can be raked lightly into the soil, but need to be kept watered. If they are left to dry out on a hot day before they’ve become established, your efforts could go to waste.
Yellow rattle is often sown to help meadows establish, especially where unwanted grass is persistent. This semi-parasitic plant slows down the rate of grass growth by feeding on the roots, allowing space and opportunity for your wildflower species to thrive.
Meadow plants to encourage include yarrow, clover, cowslips, quaking grass, red campion, buttercups, bird’s-foot trefoil, dandelions, daisies, oxeye daisies, poppies, field scabious, meadow cranesbill, musk mallow, meadow orchids and knapweed. You can also add bulbs in autumn, for example, fritillaries, camassias and wild tulips, such as Tulipa sylvestris.
An area of meadow is easy to look after and requires much less maintenance than a regular lawn. Simply leave it alone and don’t mow between early April and September. Give it a ‘hay cut’ in late-summer or autumn after it’s finished, clearing away the cuttings so they don’t add nutrients to the soil. You may need to cut it one or two more times before the end of the year to help keep grasses at bay and remove surplus growth, and maybe once again in spring if it’s getting too tall too quickly.
If you’re not sure about growing areas of wildflowers in this way, but don’t want to look after a lawn, there are other easy-care ways of filling a space that don’t have to mean paving it over. Many of my clients, especially those with smaller gardens and perhaps children that have left
home, are giving up their grass and finding alternatives. Gravel gardens can be a good halfway ground, giving a softer and more naturalistic look than other forms of hard landscaping, interspersed with plenty of plants and ornamental grasses. Gravel also helps to keep moisture in the soil, and is free draining, so good for a sunny, open site that may be prone to drought.
Another option, closer to the green aesthetics of a swathe of green grass, is to choose low-growing matforming plants such as herbs and sedums to create a lawn-like turf in smaller areas. Chamomile is the classic choice, but a tricky plant to grow, needing plenty of sun and a light, sandy soil. Sedums, Corsican mint, creeping thyme, mind-your-own business and clover are easier options. Combine with stepping stones so you won’t have to walk on your plants.
For more information about No Mo May (or next month’s Let it Bloom June), visit plantlife.org.uk. There is the option to sign up to take part, which allows Plantlife to keep track of the natural spaces across the UK, and you’ll also receive a guide and tips to help you get started. n
Elly West is a professional garden designer, working in and around the Bristol area | ellyswellies.co.uk
Plant of the month: Snake’s-head fritillary
The delicate flowers of snake’s head fritillaries (Fritillaria meleagris) are a great addition to any meadow or lawn, with their beautifully patterned checkerboard petals that encourage a closer look.
The pink and purple flowers are held on narrow stems around 30cm high, above greyish-green leaves, and usually appear from March through May. They are grown from bulbs, planted in autumn, or you can often find potted plants in flower in the garden centre. Once planted, they should come back year after year, spreading by seed and underground to form naturalistic groupings. There are also white forms available.
Snake’s head fritillaries are particularly suited to areas that stay naturally damp, with some light shade.
Plant bulbs around 12cm deep in informal groups or drifts. They combine well with other wildflowers and are also well suited to rockeries and container displays.
PROPERTY NEWS
anonymity whilst also securing the best price, as even off-market (for the right house at the right price) competition can be fierce.
Consider the agent and their stock
Aside from traditional pricing questions such as any comparable evidence to support a property’s sale price and other houses sold and unsold around it, I will often look at the agent selling it and question what else they might have.
An agent less familiar with a type and value of house may have “won” the instruction through over valuation. Equally however it could be that they were merely handling the seller’s onward purchase and could perhaps have priced it quite keenly as a strategy to sell quickly, or through market naivety. Again, time, and experience can help here.
Off-market in the current climate
The Evolution of the ‘Off-Market’ Property
s we completed this month on the sale of one gorgeous Clifton townhouse and agreed the sale of a beautiful period maisonette, both off-market, it made me think of the rapidly increasing emerging trend of sellers approaching the market “privately” via their estate agent; also known as discreetly marketed, ‘off-market’, not on the portals, or as the Americans say ‘pocket listings’.
What are the reasons for off-market
The traditional reason was always one of privacy: the famous person yearning for anonymity, the family sadly separating, or perhaps now the seller less able to afford the mortgage and not wanting the neighbours to gossip.
Today however, the trend has escalated with many more homes starting their sales journey off-market. We are seeing selling agents, and their clients, use the off-market approach for a variety of different reasons; some to be wary of.
The most common (and to me most frustrating) is to “test” the market at the highest price possible, before going live for less if it doesn’t work. Spotting the houses that are “testing” the market against those that are sensibly priced takes time and experience.
Others are little gems that owners know will sell well. These sellers will often approach an agent familiar with their type of house, and who has a proven track record of selling it, to sell this gem quietly, without fuss, for the right price to the right buyer. This buys the seller the much-needed
Much of today’s off-market reasons however are down to market uncertainty. Sellers see some houses similar to theirs on the open market for longer, often reduced and don’t want the same stigma attached to their own. They want to avoid the ‘digital footprint’ that a Rightmove listing brings.
Others have done work and are rightly expecting a sensible return. They do have a digital footprint (from when they bought it) and don’t want it to cloud a buyer’s judgment on what it might be worth now post renovation. An agent with the off-market approach can sometimes better navigate this increase in value with a buyer face to face (or over the phone), rather than leaving the same buyer to potentially make incorrect assumptions based on their trawling of the online portals.
Making it onto the agents’ off-market list
As a buyer, to get on this this list you must be proceedable. Many agents won’t show off-market houses to those not able to buy. Even if you are on this list, I’d always recommend you hustle your local selling agents to make sure that they know that you are in a position to jump for the right property. By having these conversations and showing that you are a ‘hot buyer’, that little black book may open with a few more gems made available to you.
When presented with an off-market opportunity, always do your due diligence around value. Be mindful that it is a house that hasn’t tested the market: often once a house is marketed, it finds its natural price by sellers perhaps having the accept that their home may have heavy levels of interest in terms of viewing figures, but no offers. That said, if it’s a true gem and one you are keen others don’t see, you may have to accept the likelihood of perhaps paying slightly above what the market may have dictated in terms of value.
Whatever stage you are at in the search for your perfect home, I’d love to chat.
Lili Oliver Oliver
Roth
Property Consultants
T: 0117 9877 828 | E: home@oliverroth.co.uk
Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk
Wellsway, Bath TO LET - £26,000
1,991sq ft (185 sq m)
An excellent opportunity to take on a lease assignment of a large, bright high street office with high volumes of vehicle passing traffic.
St Mary’s Way, BS35 TO LET – £14,500 PAX
1,832 sq ft (170.19 sq m)
An exciting opportunity for a first floor office at The St Mary’s Centre in Thornbury amongst various national and independent occupiers. Ample customer and staff parking on site.
Park Street, BS1
2,107 sq ft (195.74 sq m)
A prime retail unit with a bright frontage, offering sales space to the front with rear changing room facilities. The basement offers ample storage space and a single W.C. New flexible lease available.
Portwall Lane, BS1 TO LET – POA
Floors from 2,105 – 5,753 sq ft (195.55 – 534.45 sq m)
A Grade A office building which has been sympathetically refurbished to the highest standard, with strong ESG credentials and offering boutique floor plates. Floor plates that can be fully fitted if required.
Cheltenham Road, BS6 FOR SALE / TO LET
438 sq ft (40.68 sq m)
A modern, ground floor office suite with fully glazed frontage located in the heart of Stokes Croft. The office is predominantly positioned on Cheltenham Road, surrounded by cafes, bars and restaurants.
*AVAILABLE WITH NEW PLANNING*
Fantastic visibility with 1,000’s of vehicles passing every day on the main A38 close to Bristol Airport. Suits showroom / retail / workshop / stores / offices
New consents for:
• EVCP charging facility • Conversion to 7 flats
Barrs Court Road, BS30 FOR SALE – £795,000 exc
8,554 sq ft (794.67 sq m)
A freehold site of circa 0.55 acres, comprising an office building, two industrial buildings and further storage buildings. To suit owner occupier, developer, or investor.
QC30, BS1 FOR SALE
1,005 sq ft (93.30 sq m)
A modern, predominantly open plan office suite with dual aspect windows in the heart of Bristol City Centre. A 10 min walk to Bristol Temple Meads Station, the property is suitable for a variety of uses within Use Class E.
Denmark Street, BS1
TO LET – From £10,000 PAX 283 -1,167 sq ft (26.29 -108.41 sq m)
Two units, available over ground floor. Ideal for professional use, beauty, hair, retail etc. New lease terms available.
A FINE GEORGIAN OFFICE BUILDING WITH 4 CAR PARKING SPACES •
38 QUEEN SQUARE, BRISTOL, BS1 4QS
• Approximate net internal area of 3,343 sq ft (311 sq m)
• 4 car parking spaces located on Queen Square
Further information can be obtained via the sole agent Burston Cook
Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk
Wellsway, Bath TO LET - £26,000
1,991sq ft (185 sq m)
An excellent opportunity to take on a lease assignment of a large, bright high street office with high volumes of vehicle passing traffic.
St Mary’s Way, BS35 TO LET – £14,500 PAX
1,832 sq ft (170.19 sq m)
An exciting opportunity for a first floor office at The St Mary’s Centre in Thornbury amongst various national and independent occupiers. Ample customer and staff parking on site.
Park Street, BS1
2,107 sq ft (195.74 sq m)
A prime retail unit with a bright frontage, offering sales space to the front with rear changing room facilities. The basement offers ample storage space and a single W.C. New flexible lease available.
Portwall Lane, BS1 TO LET – POA
Floors from 2,105 – 5,753 sq ft (195.55 – 534.45 sq m)
A Grade A office building which has been sympathetically refurbished to the highest standard, with strong ESG credentials and offering boutique floor plates. Floor plates that can be fully fitted if required.
Cheltenham Road, BS6 FOR SALE / TO LET
438 sq ft (40.68 sq m)
A modern, ground floor office suite with fully glazed frontage located in the heart of Stokes Croft. The office is predominantly positioned on Cheltenham Road, surrounded by cafes, bars and restaurants.
*AVAILABLE WITH NEW PLANNING*
Fantastic visibility with 1,000’s of vehicles passing every day on the main A38 close to Bristol Airport. Suits showroom / retail / workshop / stores / offices
New consents for:
• EVCP charging facility • Conversion to 7 flats
Barrs Court Road, BS30 FOR SALE – £795,000 exc
8,554 sq ft (794.67 sq m)
A freehold site of circa 0.55 acres, comprising an office building, two industrial buildings and further storage buildings. To suit owner occupier, developer, or investor.
QC30, BS1 FOR SALE
1,005 sq ft (93.30 sq m)
A modern, predominantly open plan office suite with dual aspect windows in the heart of Bristol City Centre. A 10 min walk to Bristol Temple Meads Station, the property is suitable for a variety of uses within Use Class E.
Denmark Street, BS1
TO LET – From £10,000 PAX 283 -1,167 sq ft (26.29 -108.41 sq m)
Two units, available over ground floor. Ideal for professional use, beauty, hair, retail etc. New lease terms available.
Set within a handsome period building on one of Bristol’s most desirable roads, this beautifully presented hall floor flat has both striking period features and breath taking southerly views over the city.
Renovated to an exceptional standard, the property offers a rare opportunity to enjoy elegant proportions and timeless character alongside high-spec, contemporary living.
The apartment boasts impressive ceiling heights, and a wealth of original features, all complemented by thoughtful upgrades throughout. A particular highlight is the spacious living area, where French doors open onto a private balcony with uninterrupted southerly views over the city skyline. The bespoke handmade kitchen is crafted from solid wood, fitted with quality appliances throughout, and designed with both function and style in mind. The contemporary bathroom includes underfloor heating and stylish tiling, adding a luxurious touch to daily routines.
The solid oak flooring in the living room and utility area adds warmth and quality underfoot. The bedroom is fully carpeted with insulated boarding and underlay, creating a peaceful and cosy retreat.
Located on Upper Belgrave Road, the flat enjoys immediate access to the green spaces of The Downs and is within walking distance of both Clifton Village and Whiteladies Road.
Price £3,000,000 A sumptuous and stylish circa 9000 sq. ft family house in a circa 1.65 acre plot; with an abundance of family living accommodation, superb leisure suite and immaculate gardens and grounds. A stunning modern circa 9000 sq. ft detached family home | Sweeping gated driveway with extensive parking for numerous cars | Seven bedrooms (several with air conditioning) with 6 bath / shower rooms (5 en-suite) | Full depth drawing room with fitted bar and feature fireplace; family sitting room and a separate children’s play room | Superb “Poggenpohl” family kitchen and dining room | Separate utility / prep kitchen and two further ground floor cloakrooms | Heated indoor swimming pool with hot tub, changing facilities, shower and a sauna | Yoga / Peleton room; snooker room; gym and a home cinema | Beautiful landscaped front garden and grounds with a summer house and dining terrace with an enclosed family garden to the rear; ideal football pitch, pitching range and BMX track | Detached garage and storeroom In all circa 9138 sq.ft (849.02 sq.m)
Beyond the listing: Selling the story, not just the property
By Peter Greatorex
From time to time, a property captures wider attention and finds its way into the national press. We have seen that happen with homes we have represented, where the right story, combined with the right presentation, has resulted in coverage that reaches far beyond the local market.
However, those moments are not about luck. They are the result of a considered approach to how a property is positioned, presented and ultimately communicated.
Property is also one of those subjects that naturally draws interest. Whether someone is actively looking to move, browsing aspirationally or simply taking inspiration from design and layout, there is always an appetite for it. As a result, content relating to property tends to perform well, attracting strong engagement and wide readership. That is one of the reasons we see real value in PR when it is used in the right way.
In slower market conditions, our approach is not to pull back on marketing, but to do more. It is about investing additional time and thought into how a property is presented, considering the story behind it and how that can be communicated more effectively to stand out from the competition. That often means looking beyond the usual routes to market, using PR, video and social media to ensure a property stands out and reaches a wider audience. In many cases, it is this more proactive and considered approach that helps create momentum and ultimately delivers the right result for our clients.
Homes offer more than just bricks and mortar. They come with a history, a story of how they have been lived in, and often a sense of what they could become. Whether that is through architectural changes, interior design or a different way of using space, people are naturally drawn to how homes evolve over time. That wider interest creates an opportunity to present properties in a way that resonates beyond a standard listing. The way buyers engage with property has also changed significantly. The first viewing almost always happens online, and in many cases, decisions
are being shaped before someone has even stepped through the door. That means the way a home is presented, both visually and in terms of its narrative, has never been more important.
For us, this starts with understanding what makes a property stand out. Every home has a story, whether that is architectural, historical or simply the way it has been lived in. The key is identifying that and presenting it in a way that resonates with the right audience.
Professional photography, video and carefully considered wording all play a part in that process. But increasingly, PR has become an important extension of it. Working with our PR consultant, Helen Evison, we look at opportunities to place properties, and sometimes the stories behind them, in front of a wider audience through national and lifestyle media. This offers an opportunity to reach buyers who may not be actively searching in Bath but would consider it if the right property is presented to them in the right way. In a competitive market, that broader reach can make a meaningful difference.
Social media also plays a role here. It allows properties to be seen by audiences beyond the traditional portals, often creating interest from buyers who were not specifically looking but are drawn in by strong visuals or a compelling story. Video, in particular, has become a powerful tool in helping buyers understand the feel of a home and its surroundings before visiting in person.
What ties all of this together is consistency. Presentation, digital marketing and PR are not separate elements, but part of our approach. When they are aligned, they help create momentum, build interest and, ultimately, improve outcomes for clients.
It is also worth noting that not every property needs national exposure. The role of an agent is to recognise when it adds value and when a more targeted approach is more appropriate. The strategy should always be tailored to the property itself, the seller’s objectives and the audience it is most likely to attract.
In a market where buyers are more informed and more selective, standing out is about more than price or location. It is about how a property is presented and how effectively it is brought to market.
For us, PR is simply one of the tools that helps ensure our clients’ homes are seen in the best possible light and by the right people.
An impressive Victorian country residence dating from approx. 1860. This property, which has a rich history has been carefully and sympathetically renovated, retaining its original architectural features while providing spacious and comfortable accommodation, ideally suited to family living and entertaining.
• Approx 7.6 acres of gardens, orchard, woodland and paddock
• Kitchen/breakfast room with Aga and multiple reception rooms
• Six bedrooms, including principal suite two en-suite and family bathroom
• Convenient for Bath, Bristol and Wells
• EPC rating E, Council tax Band G
Wellington Terrace, Clevedon
Price: £1,750,000
A striking Grade II listed late Georgian detached home set in an elevated position above Clevedon’s seafront, enjoying sweeping views across the Bristol Channel. Beautifully renovated and extended, the property effortlessly combines elegant period character with high-quality contemporary finishes, creating a substantial coastal home of both charm and practicality.
• Six bedrooms, five bathrooms
• Versatile three-storey layout suited to family life and entertaining
• Extensive refurbishment including roof, electrics, heating and glass extension
• Landscaped gardens with heated pool, decking and outdoor kitchen
• EPC rating D, Council tax G
CARO HANNAWIN head of lettings
Caro leads our Bristol lettings operation with experience, precision, and a calm head under pressure. She oversees every aspect of the lettings process, ensuring landlords and tenants alike receive exceptional service. Thorough, knowledgable, and always composed, Caro’s expertise and steady leadership make her an invaluable and respected part of the Zest team.
BETH PERRY director
Beth co-owns Zest and oversees all operations, keeping the business running smoothly while managing staff, marketing initiatives, and working across both Sales and Lettings. Super organised and tech-savvy, she loves implementing systems that improve workflow efficiency in an industry that’s often process-heavy. With her focus, innovation, and leadership, Beth ensures the team has everything they need to deliver exceptional service to clients and landlords alike.
NICOLA BRYANT property lettings consultant
Nicola carries out property viewings, manages tenant onboarding, and supports tenants with any maintenance issues throughout their tenancy. Full of energy and enthusiasm, she builds great relationships with both tenants and clients, always striving to match people with their perfect home. Her dedication and professionalism ensure every tenancy runs smoothly and successfully.
NICK TODD (MNAEA, MARLA) head of
business performance
Nick brings a comprehensive background in estate agency, with extensive experience across Bristol and the surrounding areas. Having worked closely within the local market for many years, he combines strong commercial insight with a deep understanding of what drives performance at branch level.
LISA HEATH (NAEA) head of sales
Calm, considered, and deeply experienced, Lisa leads our sales team with expertise and grace. Having worked in Bath property for over 20 years, there’s hardly a street in the city where she hasn’t sold a home. Lisa takes the time to truly understand each property and its unique attributes, ensuring every sale is consistently handled with care, insight, and total professionalism.
ANNA COCKRAM lettings manager
Anna manages our Clifton Village lettings and works closely with Caro to oversea all residential and student properties across Bristol. With years of experience in the local market, she knows Bristol’s properties inside and out. Considered, kind, and highly intuitive, Anna excels at matching tenants with the perfect hoem and ensuring every letting runs smoothly from start to finish.
VENETTA
SAGE
lettings & tenancy assistant
Venetta supports the lettings and tenancy team with efficiency and a positive attitude. She completes all property inspections, creating comprehensive reports for our landlords, and assists with tenant onboarding and day-to-day tenancy tasks to ensure everything runs smoothly. Venetta plays a key role in keeping our lettings operations seamless and stress-free.
KATE PRISTO (MARLA) head of project management
Kate is calm, decisive and solutions-driven, bringing a wealth of experience to every project. She manages all property refurbishments from start to finish - taking the stress off landlords entirely. She’s passionate about raising housing standards and also maintains fantastic relationships with a network of trusted contractors, ensuring each project runs smoothly, on time, and to the highest standard.
