The Bristol Magazine July 2026

SHELLING OUT

Join the minds behind 1 York Place, Bokman, Dongnae, Lapin, littlefrench and Wilsons at the table to talk rising restaurant costs, VAT, Michelin stars and the ingredients they simply can’t live without AND SO MUCH MORE IN THE CITY’S INTELLIGENT GUIDE TO LIVING I N BRISTOL

The latest food and drink news

Simon Horsford steals some precious moments with a selection of our city’s finest chefs to pick their brains on everything from VAT rates to cupboard essentials

Our friends at Gloucester Road Books share their must-reads for the month ahead

Denim never goes

India

Beautiful

54 THE ROAD TO SUCCESS

Andrew Swift celebrates 100 years of the Portway, and looks back at its interesting origins

60 BERRY TERRITORY

Summer months mean bountiful berries, which is why we picked some perfect homewares to mark the season

66 UNEARTHING SECRETS

Gardening expert Elly West addresses the importance of soil health, and shares ways you can improve it for better growing results

On the cover

Publisher Steve Miklos

Email: steve@thebristolmagazine.co.uk

from the

Financial Director Jane Miklos

Email: jane@thebristolmagazine.co.uk

EDITOR

Never underestimate the power of a decent meal out. Restaurants and pubs are so much more than simply somewhere to satisfy those hunger pangs. Not only do they provide crucial social lifelines to many people across the city, they’re also the spaces where life happens: birthdays, anniversaries, engagements, goodbyes, hellos and so much more. Magic moments happen around tables, whether you’re finding a moment of peace alone (because sometimes the best company is a comforting plate of uninterrupted food), or sharing morsels with those you love the most. Having been a restaurant industry journalist for many years in a previous life, I’ve got a huge soft spot for these places and the unrelentingly dedicated people who commit to running an eatery – often at the expense of many other things in daily life we take for granted.

That’s why I’m extremely pleased to welcome some of the city’s finest chefs to our pages for this issue, from restaurants including Wilsons and Dongnae, which both recently made the Top 50 list in the National Restaurant Awards. Our contributor Simon Horsford managed to snatch some precious moments to talk to them about a huge range of topics: favourite ingredients, social media-savvy recipes, Michelin stars, kitchen TV dramas, their own top dining spots, rising business costs and VAT rates.

These insights into the minds behind some of the city’s most-loved restaurants couldn’t come at a more crucial time for the industry: July marks the opening up of an important petition to the general public as part of the national VAT’s The Problem campaign, spearheaded by chef Tom Kerridge – and no doubt supported by countless restaurateurs across Bristol. It’s urging the government to cut hospitality VAT to 10% so it’s in line with Europe (it’s currently double that). Even if you don’t know much about complex business rates, anyone reading this will no doubt have seen or heard of yet another closure of a cherished pub, bar or restaurant in your neighbourhood.

If you happen to feel inspired to help the sector get to one million signatures, then you can add your name via vatstheproblem.co.uk. Either way, it’s always a good idea to book a meal somewhere local to help support these hardworking souls; we’re lucky enough to live a stone’s throw away some of the UK’s most-lauded menus, after all.

Rosanna Spence

Editor Rosanna Spence

Tel: 0117 974 2800

Email: rosanna@thebristolmagazine.co.uk

Editorial & Digital Assistant India Farnham

Email: india@thebristolmagazine.co.uk

Production Manager Jeff Osborne

Email: production@thebristolmagazine.co.uk

Advertising Sales Liz Grey Email: liz@thebristolmagazine.co.uk

For advertising enquiries, please contact us on 0117 974 2800 Email: sales@thebristolmagazine.co.uk

The Bristol Magazine is published by MC Publishing Ltd. An independent publisher.

Every month, The Bristol Magazine is hand delivered to more than 15,000 homes in selected areas. We also deliver direct to companies and businesses across the city. Additionally, there are many places where we have floor-stands and units for free pick-up: The Bristol Magazine 0117 974 2800

5 things to do

Feel Brassed Off

Set in the fictional Yorkshire mining town of Grimley in the mid-1990s, Brassed Off tells the story of a colliery brass band struggling to survive amid the threat of pit closure. The town’s miners face redundancy, and with it the collapse of their livelihoods, families, and community. Presented by Kelvin Players in partnership with Filton Concert Brass from 1-4 and 8-11 July. Deeply rooted in the cultural and political moment of the 1990s, this is a story of resilience, community, hope, and the rousing power of music. kelvinplayers.co.uk

Head to Harbourside

Taking place from Friday 17 to Sunday 19 July, this year’s Bristol Harbour Festival expands its footprint along the harbourside, with the family programme making a return to Queen Square, becoming a central hub for family activity, emerging talent and community-led performance. Alongside the Queen Square programme, the Harbour View main stage showcase on Saturday 18 July celebrates 13-years of Bristol-based company This Is Now Agency, featuring agency artists K.O.G, Too Many T’s, VC Pines, Funke and the Two Tone Baby, and homegrown Bristol talent Ngaio, Laura Dia and Red, hosted by Angel Mel. bristolharbourfestival.co.uk (Image credit: Bristol Harbour Festival)

Celebrate the Old Vic

Dance to Kate Bush

The global Kate Bush phenomenon is coming to Bristol, inviting dancers of all ages and genders to wear crimson dresses (or swimsuits!), learn some or all of the iconic 1978 Wuthering Heights choreography, and celebrate the legendary Kate Bush at this free to participate, fundraising event. Release your inner Kate and join in the flashmob dance that’s enjoyed around the world. There are two locations this year, with dances taking place on 26 July at Clevedon Marine Lake and College Green in the city.

To find out more details and keep up with the latest news about the dances, follow the account @bristolwutheringheightsday on Instagram

This year, Bristol Old Vic has thrown open its doors (and pulled back the curtain) to invite the city to celebrate an extraordinary milestone: 260 years of theatre, creativity and community. The ongoing programme of festivities continues throughout this month, with events including dog life drawing, Vierz Collective, Bristol Community Big Band performances, Gully, free lindy hop dance classes, a Sofar Sounds Stage Takeover, free solo jazz dance classes and much more.Find out more at bristololdvic.org.uk (Image by Philip Vile)

See the Summer Show in Portishead

Portishead Show, held 25-26 July (BS20 7RA), is a country fair and a traditional flower and produce show running since 1863. With more than 300 competition classes to enter, there really is a class for all ages, from pre-school to senior citizens. Family-friendly entertainment will include The Quack Pack – runner ducks herded by sheepdogs, Gamegoer Gun Dogs and Ferrets, Kevin’s Community Circus, Ben Long Falconry, Pete Milson’s Punch and Judy and Magic Show, music from Grace Martinson and lots more. Refreshments support the British farming community and local companies alike, with baked goods and ham from local butchers Butchers Block, bread from Herberts in Bristol, Copper Coffee, Woodfired events Pizza and a Horseless Box Bar. Tickets can be booked via portisheadsummershow.com

The City is t

MyBristol

Meet Stacey Olika: Forbes’ 30 Under 30 Europe 2026 star,

storyteller, curator, content creator and presenter

Bristol is home. I grew up here after moving from Switzerland as a child, and so much of who I am has been shaped by the city’s creativity, diversity and community spirit. It’s the city I first found opportunities, hosted events and built a community of creatives. It gave me the cando spirit and I had people that backed my plans from very early on, which was incredible.

Bristol has always felt willing to try something new. It has an independent spirit that encourages you to experiment and collaborate. I love the balance between noisy and quiet, you can be in the centre where it’s bustling and drive 15 mins out and it feels calm. I need that as a creative.

Growing up, I didn’t always see people who looked like me represented in the stories I consumed. As I got older and graduated from university, I realised storytelling has the power to shape how we see ourselves and others. So, I used my creativity and my graphic design work to question society, questioning ourselves and the way we think –I realised that there was so much power in speaking out loud about things. That understanding motivated me to build a career focused on creating opportunities, amplifying voices and helping ensure more people feel seen. It started off across design, the art industry, then into the creative industry and now into broadcasting.

There are so many grassroots organisations doing brilliant work that often operate behind the scenes. I will always advocate for Rising Arts Agency, who gave me my first big break. There are also some amazing events being led by creatives such as Reload Sound and The Aux Social. I’d love to see even more investment and collaboration between local business and brands. There’s power in community coming together and creating something that meets the needs of the people in that area.

Launching the Creative Equity Drama IP Fund at Channel 4 was a defining moment for me. It’s a project designed to help ethnically diverse-led production companies access and develop intellectual property, addressing a challenge that can have a long-term impact on who gets to create and own stories. Seeing an idea move from concept to reality was incredibly rewarding.

The Uncomfortable Truths project I did at Bristol Museum & Art Gallery was also a really proud moment for me. I had people who saw my potential and invested in me, even when I wasn’t so sure of myself and my capabilities, to be honest. We created a huge project that lives in the museum forever and I don’t think a lot of people can say that.

I’m excited about continuing to grow something I recently shared online: Becoming Her. It’s a platform focused on personal growth, community and honest conversations for women navigating the peaks and troughs of their life while building their careers. I’m also passionate about creating more opportunities for underrepresented creatives in television, so am always keen to speak to more talent who work in TV.

You can find Stacey on LinkedIn by searching ‘Stacey Olika’, follow her on Instagram at @stxce.olika, and keep an eye out for updates on Becoming Her (@becomingherclub_)

Vacant bowls club given new lease of life

A much-loved corner of St George’s Park has been brought back into community use with the opening of the new St George Bowls & Social Club.

The venue, which was once home to the Bristol Omnibus Bowls Club (founded in 1936 for employees of the Bristol Tramways), closed due to rising operating costs, but has been revived by a group of local residents who have formed a Community Interest Company and transformed the site into a welcoming hub for sport, socialising and wellbeing. Following an extensive refurbishment, the restored clubhouse now offers lawn bowls, a café, community events and venue hire, with further plans including wellness facilities (i.e. a sauna) and activity spaces for local groups. Organisers hope the club will become a multi-generational gathering place, encouraging people of all ages to connect through recreation and shared experiences. stgeorgebowlsandsocialclub.org

Twenty new murals painted for this year’s Weston Wallz

Weston-super-Mare will once again become an open-air gallery this summer as Weston Wallz returns from 17-26 July, bringing 20 new murals and a programme of community-led street art projects to the town.

Produced by Upfest, Weston Wallz will transform walls across the town centre and seafront, with artists creating large-scale artworks that celebrate creativity, community and local identity. Now firmly established as one of the UK's most exciting street art festivals, Weston Wallz continues to use public art to tell stories, create conversations and leave a lasting outdoor gallery in the seaside town of more than 70 large scale artworks.

This year's event will include two community murals and two special Scale Up commissions, supporting emerging local artists to work at a significantly larger scale and develop their practice. upfest.co.uk/festivals

Cinema Rediscovered’s lineup celebrates 10 years

Bookings are now open for the 10th birthday edition of Cinema Rediscovered (the festival celebrating newly-restored films, forgotten gems and classic revivals) taking place in and around the city from 22-26 July. There will be more than 50 film screenings and 17 premieres, plus special guests, talks, walks, craft and improv workshops, projection box tours, a BFI National Archive exhibition, murder mystery game and much more. For the full programme and to book your spot at events, visit the website: watershed.co.uk/cinema-rediscovered-2026

Local figures celebrated in King’s Birthday Honours

Bristol figures and community champions are among those recognised in this year’s King’s Birthday Honours, with accolades spanning sport, inclusion, entrepreneurship and the creative industries.

Leading the local celebrations are Aardman co-founders Sir Peter Lord and Sir David Sproxton, who have both received knighthoods for services to the creative industries and charity. The pair launched the world-renowned Bristol animation studio more than 50 years ago, helping to create beloved characters including Wallace & Gromit and Shaun the Sheep while establishing the city as a global centre for creative talent. Also recognised is Mel Bound, founder of This Woman Runs (pictured above), who has been awarded an OBE for services to women’s community sport. Through her fast-growing network of running groups, Bound has encouraged thousands of women across the UK to become more active, confident and connected through exercise. Meanwhile, Steve Evans, founder of Bristol charity All Aboard (pictured left), receives an MBE for services to the community. Evans established the organisation to support disabled and disadvantaged people through inclusive sailing and outdoor activities, creating opportunities for participation, confidence-building and social connection.

Brunel’s SS Great Britain rebrands to Bristol Dockyards

The historic attraction formerly known as Brunel’s SS Great Britain has officially rebranded as Bristol Dockyards ahead of the reopening of its stateof-the-art new museum later this month (18 July)

The reopening of the museum is the first phase of development envisioned by the SS Great Britain Trust and its commitment to transform the historic site into a broader cultural and learning campus encompassing the Great Western and Albion dockyards. Future phases of the project will focus on vital conservation work, reestablishing the Albion dock as a working dockyard for maritime skills training opportunities and broadening programming. This will culminate in celebrations for the 60th anniversary of the ship’s return to Bristol from the Falkland Islands in 2030. bristoldockyards.org

Local artist exhibits at Royal Academy after 22 years of rejections

Bristol artist Vincent Michael Brown has been selected to exhibit in the Royal Academy Summer Exhibition for the first time, bringing to an end an incredible 22-year journey of submissions to the world's most prestigious open-entry art exhibition.

The Royal Academy Summer Exhibition, which has been held annually in London since 1769, attracts around 32,000 entries from 18,000 artists around the world. Selection is highly competitive, making acceptance a significant milestone in an artist's career.

"I've been submitting work to the Royal Academy Summer Exhibition since 2004,” says Vincent. “To finally receive that acceptance feels surreal. As artists, we're often told that persistence matters, but there are moments when you begin to wonder whether your work will ever connect with the right people at the right time. This acceptance is a reminder that perseverance can pay off."

Vistors to the exhibition, which is at the Royal Academy of Arts, Burlington House, London, until 23 August, can view Vincent’s accepted work Gossip Girls among the other remarkable works of art chosen this year across painting, sculpture, printmaking, photography, architecture and other disciplines. vincentbrown.co.uk

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If you wish to buy Diamond or Gold items – we will Part Exchange your 9ct Gold items at £50 per gram (current market value £39.50 per gram - at time of going to press)

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Let’s be Frank

Jason Donovan has brought one of his most iconic roles back to life this summer: everyone’s favourite charismatic ‘Sweet Transvestite’ Dr Frank‐N‐Furter from riotous musical The Rocky Horror Show, which is stopping at Bristol Hippodrome in July

Words by Richard Barber

Jason Donovan has returned to one of his most famous roles: playing Frank-N-Furter in Richard O’Brien’s anarchic musical, The Rocky Horror Show. So, the question has to be: why? “In a nutshell,” he says, “I’m a fan. I love the show; I love the music; I love the character. I was touring my own show about five years ago and included Sweet Transvestite from Rocky as a key moment in my musical career. It went down a storm.”

He subsequently emailed producer Howard Panter saying that he’d read there was to be a 50th anniversary production of Rocky Horror and he’d love to be involved. And so it came to pass: first in Sydney, in Melbourne, in the West End, a UK tour in 2025 and now via a 2026 UK tour where Jason is performing in Edinburgh, Liverpool, Eastbourne and Bristol.

B movie bedlam

The Rocky Horror Show is a musical with music, lyrics and book by Richard O’Brien. A humorous tribute to various B movies associated with the science fiction and horror genres from the 1930s to the early 1960s, the musical tells the story of a newly engaged, clean-cut couple getting caught in a storm and coming to the home of a mad transvestite scientist, Dr Frank-NFurter, unveiling his new creation, Rocky, a Frankenstein-style monster in the form of an artificially-made, fullygrown, physically perfect muscle man complete with blond hair and a tan.

The show was produced and directed by Jim Sharman. The original London production premièred at the Royal Court Theatre (Upstairs) on 19 June 1973. It later moved to several other locations in London and closed on 13 September 1980. The show ran for a total of 2,960 performances. On the 50th anniversary of the musical in 2023, it is said the production had been performed in 20 different languages and seen by 30 million people globally.

The Rocky road

Shortly afterwards, Angela found out she was pregnant. It was ultimatum time.

“If the relationship had any chance of working, she told me, and if I was going to have any involvement in the life of our child, I would have to give up the self-indulgent hedonistic lifestyle of the 90s and take greater control of my life. And I did.

It’s something that happened gradually rather than immediately. “You either seize your opportunities or you don’t”.

But, in the end, he says, you’ve got to want to change. “Elton John said it and it’s true: nobody can do it for you.”

It was a major turning point in his life and the beginning of a relationship – the couple finally married in 2008 – that has stood him in good stead from that day to this. The couple have three children: Jemma is 25 and an actress; 24-year-old Zac is a TV producer in Australia and Molly, 14, is still at school.

He’s the same performer, but how does Jason feel about tackling the role more than 25 years later? “I don’t feel uncomfortable playing Frank at 57 – and, of course, I have personal reasons for being grateful to the show.”

The stage manager on that late 90s touring production was a young woman called Angela Malloch. “I’d be backstage waiting to go on,” recalls Jason, “and I’d get chatting to Ange.” The blossoming friendship turned into romance, but the relationship hit the buffers.

Becoming a Superstar

In the meantime, their father has graduated from small-screen fame as Scott in the longrunning Australian soap, Neighbours, to charttopping pop stardom and now, among much else, as a stalwart of musical and straight theatre in a diverse number of productions. He played Joseph in the original production of Andrew Lloyd Webber and Tim Rice’s Joseph and his Amazing Technicolor Dreamcoat (returning as Pharaoh in the 2019 revival and subsequently on tour).

He was in Chitty Chitty Bang as eccentric inventor Caractacus Potts, has portrayed drag artist Mitzi in the Desert more than once, he also played music mogul Sam Phillips in Million Dollar Quartet, the demon barber of Fleet Street himself in Sweeney Todd and Lionel Logue in The King’s Speech

But it is Dr Frank-N-Furter who occupies a special place in his heart. “One of the reasons I love Rocky is because it’s a short show.” And nor is he joking. “It says everything it needs to say and nothing more. There’s no unnecessary padding. It means nobody gets bored and you leave them wanting more.”

Fine but, hand on heart, what’s it like climbing into those fishnet stockings and high heels seven times a week? “In many ways, very easy, I put on the costume and there’s Frank all over again. I’m in touch with my feminine side but I come from a masculine sensibility. The character embraces both sides of me: a strength and a vulnerability as well as danger and denial.”

“Look, I come to the role as an actor. I always dreamed of fronting a rock band and this is about as close as I’ve got. When I put on those high heels, I become that rock ‘n’ roll star. It makes me feel powerful, tall, in charge.

“And audiences love it. As I look out from the stage, I see a beautiful landscape of people wearing outrageous costumes. It’s not hard to see why: in many ways, Rocky is panto for adults. The costumes are just as much a part of the show as the characters and the music.”

Essential self-care

All right, but what about the wear and tear on his back? He laughs. “I spend a lot more time in physio these days, something I’ve put in as an appendix in my contract! I’m in my mid-50s. I’m aware of having to look after myself.”

With regular exercise? “Yes, but not obsessively so. Mental health and physical fitness go hand-in-hand for me. This life is a long journey, you hope. My dad gave me the tool of a good work ethic linked to physical activity.

“I don’t go to the gym: I’m not interested in lifting weights. But I swim. I ride my bike. I stretch. I steam. I do those things more or less on a daily basis. In fact, they’ve become a borderline addiction. And, of course, doing the show is a work-out in itself: I put a lot of energy into my performance.”

He’s also sensible about his eating regime. “Within reason but then I’m lucky. I seem to burn a lot of fat naturally. Trouble is, you get to my age and you’re in sniper’s alley: increasingly, you’re dodging a lot of bullets. There’s a bit of arthritis here, deteriorating eyesight there. If I take off my glasses, I can’t see whether the bottle contains shampoo or conditioner!” he laughs.

“Although my vocals were never my strongest point back in the day, since Joseph, I have worked really hard and through 30 years of strengthening my vocal cords – they’re a muscle like anything else – I’ve become a better singer. Rocky now plays to my strengths, less musical theatre, more edgy, a little bit rock ‘n’ roll. More me really!”

Reaching contentment

Touring is demanding, but Jason takes it in stride: “On tour, I wake up a little later; there are no domestic chores to tackle – no trimming the ivy or doing the washing. And I’m a seasoned professional when it comes to locating any M&S or Waitrose.

“I do try and get home at weekends, though, and not agree to more than three or four weeks away at a stretch. But if I want to play Frank – and I do – I’ve got to travel. It comes with the territory.

What else have you been doing? “I’ve got my Doin’ Fine Encore tour –which was performed across the UK earlier this year, from February to March. It’s a greatest hits show, a celebration of 35 years of work.”

But for now, his focus is bringing Frank-N-Furter back to life, both for his own satisfaction and that of his inexhaustible audience. “I’ve reached a point of great contentment,” says Jason.

“As long as I have my family and my health, as long as I have a good work/life balance, I’m happy. I like to think I work to live, not the other way around.” n

The Rocky Horror Show is playing at Bristol Hippodrome 13-18 July. Tickets are available online from atgtickets.com/bristol

What’s On?

The best things to see and do this month

Bristol Cabot Choir: Summer Concert n 4 July, 7.30pm Clifton Cathedral, BS8 3BX Summer is a season that invites us to slow down, to listen, and to be lifted. As light lingers into the evening and the city softens into warmth, Bristol Cabot Choir welcomes you to an evening of beauty and joy at a summer concert in the soaring space of Clifton Cathedral. The choir will be conducted by Ben England BEM, with John Talbot at the organ and piano. Arrangements will include Ralph Vaughan Williams’ The Lark Ascending and A Season to Sing by Joanna Forbes L’Estrange. bristolcabotchoir.org

Sing for Bristol Pride n 8 July, 7.30pm

St George’s Bristol, BS1 5RR Back again for another year, join two of Bristol’s fabulous LGBTQ+ choirs, Bristol Gay Men’s Chorus and Sing Out Bristol, with special guests PRP Contemporary Voices for an unforgettable evening of music. These exceptional choirs will take to the stage for a night of song, celebrating the community. With a massive ensemble of more than 100 performers, this event promises to showcase our passion for music, showcasing the joy of community singing. All proceeds from this special concert will go towards Bristol Pride,

helping to keep Pride events free, accessible, and inclusive for all. stgeorgesbristol.co.uk

Shark Town

n 1o July, 7pm Megascreen, BS1 5TT

The UK Premiere of Shark Town, a new documentary film by Richard Peirce (author, broadcaster and past Shark Trust Chair), will be hosted by the Shark Trust as part of ‘Shark Month’. Attendees will also get the chance to chat to Richard at a special live Q&A after the film. Shark Town is a real-life Jaws flipover. In this fast-paced film, Richard takes shark enthusiasts on a voyage of discovery to the South African coastal town of Gansbaai, which once styled itself ‘The Great White Shark Capital of the world’. sharktrust.org/shark-town-premiere

SISTALAND

n 1o-12 July

Chew Valley Lake, Somerset

SISTALAND is a three-day lakeside festival for women, trans women and non-binary creatives navigating the film and creative industries. Not just networking, panels, or another industry event, SISTALAND is a space for honest conversations, real connection, creative expansion, and finding people who

understand what it feels like to build a creative life when the industry was never designed for you in the first place. After an emotional soldout pilot festival in 2025, the team is returning bigger, bolder and outdoors.Expect lakeside talks, workshops, screenings, music, slow mornings, campfires, creative breakthroughs, career-shifting conversations, and the kind of community people spend years searching for. sistalandfestival.uk

Bristol Ukelele Festival n 11 July, 12.30pm until 12am

Hen & Chicken, BS3 1JF

Get ready for a full day of music, fun and feelgood festival vibes. Across two large performance spaces, you’ll find an exciting mix of beginner and advanced workshops, live bands, jam sessions, and plenty of opportunities to play along. Whether you’re picking up a uke for the very first time or you’re a seasoned strummer, there’ll be something to inspire every player. The venue will also be serving food throughout the day and evening, with a great menu available so you can relax and refuel.

bristolukulelefestival.com

Big Ride for Palestine n 18 July

Central Bristol ➜

The Big Ride was initiated by activists in who wanted to combine their love of cycling with support for the Palestinian people. This summer, a series of regional cycles includes one in Bristol: a family-friendly ride of approx 30 miles for cyclists of all abilities, set around Bristol with a mix of city centre, suburbs and cycle paths. Some short hills and excellent views. Possible to join for the first or second half only or the whole ride. Book your place online to help raise funds and take part. thebigride4palestine.com

Festival of Archaeology n 18 July, 9am until 5pm Westonbirt, The National Arboretum, GL8 8QS

This year, Westonbirt Arboretum is proud to be a launch venue for the Council for British Archaeology’s Festival of Archaeology, a national programme celebrating the 2026 theme of Archaeology and Nature. From landscapes shaped by human activity to the plants, animals, and environments that shape archaeological sites, this year’s theme invites fresh ways of seeing the places around us. For one special day only, the gates will be open to everyone with free entry to the arboretum. The full programme of walks, walks and activities is available online, with pre-booking strongly advised to guarantee entry. forestryengland.uk/westonbirt

Rum & Reggae Festival n 18 July, 2pm until 10pm

The Prospect Building, BS2 0SE

Rum & Reggae Fest is rolling out an incredible lineup of live acts guaranteed to bring the heat, including the legendary David Rodigan, The Skints and the General Levy. Expect heavyweight sounds from Don Letts and Reggae Roast ft. Mr Williamz, who will shake the dancefloor with dub-heavy basslines and carnival spirit. Feel the soul of Bob Marley with Tanni Browne & The One Love Orchestra, and experience the local flavour of Bristol Hi Fi, representing the city’s deep reggae roots. Holding it all together is the host for the day, the one and only Solo Banton, bringing charisma, big vibes and endless energy from start to finish. theprospectbuilding.com

Miss Saigon

n 21 July until 1 August

Bristol Hippodrome, BS1 4UZ

Michael Harrison in association with Cameron Mackintosh presents the spectacular new production of Miss Saigon as Boublil and Schönberg’s legendary musical is reborn. In the last days of the Vietnam War, 17 year-old Kim is forced to work in a Saigon bar run by a notorious character known as The Engineer. There she meets and falls in love with an American GI named Chris but they are torn apart by the fall of Saigon. For three years, Kim goes on an epic journey of survival to find her way back to Chris, who has no idea he's fathered a son.The soaring score features hit songs including; The Heat is On, The Movie in My Mind, Last Night of the World and The American Dream atgtickets.com/bristol

The Bank Shift Show

n 26 July, 6pm

Tobacco Factory Theatres, BS3 1TF

Nurse Even’s The Bank Shift Show is a lighthearted and relatable take on the real lives of Overseas Filipino Workers, especially those in healthcare. Blending comedy and storytelling, Nurse Even brings to life the funny, exhausting, and heartfelt realities of working on the frontlines. From chaotic shifts and cultural misunderstandings to homesickness and resilience, he turns everyday struggles into laugh-out-loud moments. tobaccofactorytheatres.com

Laughing Matters

n 30 July, 8.30pm

Bristol Beacon, BS1 5AR

Some of the UK’s best-loved comedians are getting together at Bristol Beacon for one unforgettable night in aid of SWEDA, a local charity supporting people affected by eating disorders. Laughing Matters features a brilliant multi award-winning lineup including Bridget Christie, Elis James, Mark Thomas, Priya Hall, Athena Kugblenu, Rose Matafeo and Daniel Kitson. From sharp political insight to gloriously offbeat absurdity, this is a rare chance to see some of the most distinctive voices in British comedy sharing one stage, all for a vital cause. Expect big laughs, bold ideas and a feelgood night that truly makes a difference. bristolbeacon.org

Sea Shanty and Folk Music Festival

n 31 July until 2 August

Weston-super-Mare Italian Gardens, Town Centre and Sea Front

Ahaaaargh! There will be pirate crews invading Weston-Super-Mare for a free music festival for all the family. Why not dress as your favourite pirate and join in the fun?! Food and drink will be available to purchase in the Italian Gardens and at the venues. This year there will also be home-made clothes and trinkets for sale. Participating venues include Brunello Lounge, The Old Colonia, Fork ‘n’ Ale, Raddy’s, The Stables Games Room, The Brit Bar, The Vaults and many more. wsmshantyfest.com

SCHOOL’S OUT!

Looking for things to do during the holidays? From raptor encounters to paddleboarding in the harbour, witches in caves and a Pokémon trail here are some ideas for a summer of family fun...

AVON VALLEY ADVENTURE PARK

Pixash Lane, Bath Road, Keynsham, BS31 1TP avonvalley.co.uk

Visit once and return for FREE! Summertopia at Avon Valley will be a splash, open 11 July to 31 August. Enjoy a full day of tropical fun, from the beach zone, giant slip ‘n’ slide, massive paddling pools, sand and water play, tractor rides, West Country games, silent disco, raptor encounter, mini jeeps, bouncing pillows, indoor softplay, climbing tower, diggers, animal cuddles and more! Every day finishes up with a foam party and you’ll see the summer out with a massive family waterfight. Fun for all the family that’s open late on Friday nights with live music to relax into the weekend. Value-packed camping and glamping is also available, so fun days out don’t have to end.

DYRHAM PARK

South Glos, SN14 8HY | nationaltrust.org.uk/dyrham-park

Step into a summer of play at Dyrham Park

The school holidays are packed full of adventures this summer at Dyrham Park from Pokémon to painting. Take to the stage, have a go at a beatbox, get messy in the mud kitchen, go on a barefoot trail or lose yourself in a maze. With nature explorers, art adventurers and thrillseeker Thursdays, there’s something for everyone. In addition, get active outdoors on our Pokémon Trading Card Game Mega Evolution Trail. Team up as a family to search the parkland for each Mega Evolution Pokémon, discover their powers and complete your own challenges. From 22 July until 2 September 10am to 5pm, last entry 4pm.

SUP BRISTOL

SUP Bristol, Underfall Yard, BS1 6XG | supbristol.com

Say goodbye to boring activities this summer! Swap the usual family day out for an adventure with SUP Bristol. Explore the city from a unique perspective as you paddle along Bristol’s historic harbour. Friendly, qualified instructors are on-hand to support throughout the session. All equipment is provided, and there are excellent on-site facilities. New for this summer, SUP Bristol now offers both stand-up paddleboarding and sit-on-top kayaking. Private sessions are suitable for ages 8+. Public sessions are suitable for ages 12+.

Credit: Lisa Whiting Photography

WE THE CURIOUS

One Millennium Square, BS1 5DB | wethecurious.org

Summer of Imagination

Let imaginations run free this summer with a day out full of fun and discovery at Bristol’s science experience. As well as two floors of interactive exhibits to explore together, families can enjoy a special programme of creative activities including daily challenges at the new Investigation Station, delicious experiments in the Summer Kitchen, and a flight through Saturn’s icy rings in the Planetarium.

Summer of Imagination activities run every day from 23 July to 1 September. Throughout the summer, admission tickets are cheaper as part of the Government’s VAT reduction, and there’s a further 20% off if you make your Summer of Imagination booking by 22 July.

WOOKEY HOLE

The Mill, Wookey Hole, Wells, BA5 1BA | wookey.co.uk

Wookey Hole launches magical summer line-up with brand-new cave experience and up to 20% off tickets

Looking for a great-value family day out this summer? Wookey Hole has unveiled a magical line-up of adventures beneath the Mendip Hills, including its hugely popular new immersive cave projections. Wookey Hole is a surprising, whole-day experience, where families can explore the legendary caves, home to the famous Witch of Wookey Hole, before discovering a packed programme of attractions above ground. From a 4D cinema, adventure golf and soft play to a nostalgic vintage penny arcade, there’s plenty to keep children entertained throughout the day – all within one price. A must-see addition is the brand-new underground projection experience, launched this May as part of a £250,000 investment. Using cutting-edge projection mapping, the caves themselves become the stage, bringing stories of the Witch, ancient geology and daring explorers vividly to life. Visitors are already praising the magical new dimension it adds to the cave tour. To make visits even easier, visitors can enjoy up to 20% off tickets this summer (until 31 August).

ROMAN BATHS

Abbey Churchyard, Bath BA1 1LZ | romanbaths.co.uk

Whatever the British summer weather has in store, the Roman Baths offers a fascinating day out for families in the heart of the city. Step back nearly 2,000 years and explore one of the bestpreserved Roman sites in the world, where steaming thermal waters, ancient ruins and remarkable artefacts bring history vividly to life. Discover the Sacred Spring, stroll around the iconic Great Bath and uncover stories of Roman life through interactive displays and family-friendly exhibits. And at the end of the visit, why not sample the famous spa water, just as generations of visitors have done before? Throughout the summer, families can enjoy a programme of activities designed to help children engage with Bath’s Roman past, making it both entertaining and educational.

BRISTOL DOCKYARDS

Great Western Dockyard, Gas Ferry Road, BS1 6TY bristoldockyards.org

Ships & Giggles

Pack up your playmates and set sail for fun! This summer at Bristol Dockyards – home of SS Great Britain – the stories of one of the world's most extraordinary ships are brought to life through games, challenges and a whole lot of laughs.

From the dockside to the dining room, take part in interactive challenges inspired by the SS Great Britain’s global voyages. Here’s a taste of what’s in store from 18 July...

Jar Fishing: Child passengers would dangle jars into the sea to catch fish – without even being able to see what they'd caught! Now it's your turn. Jump Rope: Swing into action with our giant jump rope – a favourite from the streets of New York City. How long can you keep going? Good Shout: Head down to the engine room and listen out for your orders – called out through the speaking trumpets just like the real crew. How many commands can you get right?

Who Made All the Pies? Race to make three fruit pies in the ship’s galley before anyone else! Flip cards to build your desserts, based on a real menu from 1861.

July marks the launch of a new museum, part of the expanded SS Great Britain Experience: discover interactive exhibitions, digital

recreations, historic artefacts and new community-led research that uncovers voices and stories from the SS Great Britain’s 41 years of service.

Then walk aboard the ship itself. Together they tell the full story of Brunel’s ship, which transformed travel, migration and culture forever.

Kids Go Free! All summer long One child free for every paying adult – from now until 2 September. Come back as many times as you like at no extra cost.

Boogie wonderland!

The best dancers in the world live in Bristol. No, that’s not an exaggeration; last month, Angels Dance Academy, who are based in Bishopsworth, won the world championship in the Open Hip‐Hop category. From international successes like Angels’, to grassroots movement projects, Bristol’s community dance scene is better than ever. To celebrate, India Farnham chats to a brilliant selection of the teachers, choreographers, and organisers who keep our city moving and grooving everyday...

Community dance projects have existed in Bristol for decades, inspiring generations of dancers across the city. Allow me to give you the briefest of rundowns: in the 1950s, as we know, the St Pauls neighbourfood provided affordable housing for immigrant communities from Ireland, Asia and the Caribbean.

The first St Pauls Carnival (then called St Pauls Festival) took place in 1968, organised by the area’s residents to bring together European, African-Caribbean and Asian communities to celebrate music, community, identity and dancing. Throughout the 1980s, St Pauls Carnival was growing, placing greater emphasis on the African-Caribbean community and attracting thousands of visitors from across the city.

Meanwhile, over in Hotwells in 1981, The Bristol Community Dance Centre found a home in the former Jacobs Wells Baths. For the following three decades, the Grade II-listed Victorian building operated as a hub for dance in the city, offering weekly dance classes and studio hires for workshops.

The council shut down The Bristol Community Dance Centre in 2016, citing the building’s poor condition, but efforts are currently being made by Trinity Community Arts, along with IMPERMANENCE (Bristol’s critically acclaimed contemporary dance and theatre company, currently based at the Mount Without), to renovate the derelict space. (You can visit the website fundsurfer.com/crowdfund/saving-jacobs-wells-baths to support this renovation).

Luckily, thanks to the imagination and determination of this community,

Jacobs Wells Baths and the legacy of The Bristol Community Dance Centre will not be lost, but celebrations of dance in the city often find themselves in need of greater support.

St Pauls Carnival, which grew to be one of the largest AfricanCaribbean street festivals in the UK outside of Notting Hill Carnival, has been scaled back this year due to rising costs. Instead of the full-scale parade, which would have taken place this month, St Pauls Carnival CIC Board has organised a smaller programme of community events, workshops and family activities (head to stpaulscarnival.net/donate to support their efforts).

The board remains positive that this will not be end of carnival, and is aiming for a 2027 return; we look forward to that.

Even in the official carnival’s absence, people in the city are embracing its spirit: take the folks at PILOXERCISE dance school in Lawrence Hill, for example, who have taken part in the parade in recent years, and continue to run regular Carnival Fitness dance classes to keep locals inspired and on the move (head to the school’s Instagram @piloxercise).

Dance has had integral role in developing Bristol’s cultural identity. It should come as no surprise, then, that the dancers in our midst today are still as passionate as ever. As you read on, you’ll meet some of the people we talked to who are championing the art form across the city, and discover the projects keeping Bristol moving. If something sparks your interest, why not join in? You’ll be stepping (or waltzing) into a rich and vibrant legacy of Bristol dancers who have been moving, creating and bringing communities together for generations...

The Team at Angels Dance Academy

Angels, congratulations on the Academy’s recent wins at the Dance Worlds! Can you tell us what Angels Dance Academy is all about?

“Angels Dance Academy is a dance and cheerleading club based in South Bristol. We provide competitive dance and cheerleading classes for all ages and abilities, creating opportunities for everyone from beginners to elite athletes. We compete within the All Star Dance and Cheer industry, and are proud to be the most decorated Hip Hop Academy in the UK.”

What does it mean to you all to represent Bristol (and win!) at the World Championships?

“It is honestly one of the most amazing feelings imaginable. We are incredibly proud to fly the flag for Bristol and showcase the talent that exists within our city. Winning at this level demonstrates that dancers from Bristol can compete with, and succeed against, the very best in the world. It is a testament to the hard work, dedication and passion of our athletes and coaching team.”

Outside of technical ability, what other skills does practicing dance nurture?

“Practicing dance also helps people to develop qualities that benefit them throughout their day to day lives, including confidence, resilience, teamwork, commitment, discipline, communication skills and a strong work ethic. We believe greater recognition, investment and support for dance programmes can help remove barriers to participation and allow even more people to experience these benefits.”

@angelsdanceacademy | angelsdanceacademy.org

RISE Youth Dance

Helen Wilson | Director

Hi Helen! Tell us about what RISE does.

“RISE Youth dance is a company that gives dance opportunities to children and young people. We run our own extra-curricular classes but work closely with schools and education providers too. We take part in lots of different projects with our young people including our annual show REACH and international projects with Bristol Twinned cities. We have also been part of St Pauls Carnival parade multiple times, winning the best dance award twice!”

How else does RISE support the dance community?

“Alongside working with children and young people, we also try to work with the wider dance community, creating opportunities for young graduate dancers and professionals in the city too. We have been holding Dance Networking meetings for artists in association with IMPERMANENCE, and our RISE leaders often speak at talks and confrences in and outside of Bristol.”

@riseyouthdance | riseyouthdance.com

AE Dance and Fitness Angie Edwards | Director

Angie, hi! Can you tell us what AE Dance + Fitness does?

“AE Dance + Fitness exists to make good people feel great so they can do amazing things! We run inclusive dance classes for adults across Bristol: everything from tap to commercial Latin and from ballet to burlesque. We also love to put on rowdy shows, dancing at big Bristol events and celebrating community as often as we can.”

In an age when so much of life happens online, what makes gathering together to dance such a powerful experience?

“I remember in lockdown, I read about collective effervescence: the intense energy, joy, and sense of unity a group feels when they come together to simultaneously participate in the same shared activity. That feeling is magic. And it's why, for a non-woo woo/non-medical person, I genuinely think dancing is a medicine people didn't know they needed.”

Looking ahead, what would you like to see happen to ensure dance remains accessible, inclusive and celebrated across Bristol for years to come?

“I’d like to see us showcasing these beautiful Bristol boogie bodies as much as possible. If there's a Bristol event going on - from the biggies like Bristol Harbour Festival to the smaller local street parties - get Bristol dancers involved! And if you're a punter attending these events, seek out the dancers. That collective effervescence thing isn't just for the dancers on the stage. It's catching. Go absorb that joy!”

@ae.dance.fitness | aedancefitness.com

The Bristol Movement Collective River Mace & Paula Jankowska | Teachers,

Hi, both! What does The Bristol Movement Collective do?

“We gather monthly with the simple intention to build a community of movers in Bristol. We guide a mixed movement practice which can include improvisational tasks and partner games along with specific skill-building strength and mobility exercises. The aim is to help you practice not just isolated skills but the ability to weave your movement together, so it becomes play and expression.”

What makes moving outside in Bristol so special?

“We are craving real human connection more than ever. It doesn’t get much better than moving outside, breathing in fresh air and connecting with like-minded people that inspire you. It’s the ingredients for a happy life! We have so many green spaces in Bristol and it would be great to see more dance, mixed movement and play happening in them.”

The Bristol Movement Collective’s next free meet up will be on Saturday 18 July at Clifton Downs, RSVP via Headfirst. @paulajankowska @river.moves

Bristol Shuffle and Shapes Community Laura Bousfield | Teacher & Community Leader

Laura, hello! You run brilliant shuffle dance classes in Bristol. Can you explain what shuffle dance is, for those who don’t know?

“The roots of this dance style come from the underground rave scene in the 1980s, combining rhythm, musicality and self-expression through footwork and movement. In our classes, we draw inspiration from both Melbourne Shuffle (Australian origin) and Cutting Shapes (UK origin). Each style has unique foundational steps but ultimately shuffle and cutting shapes is all about connecting with music, expressing yourself and having fun!”

What do you think surprises people most when they walk into a shuffle dance class for the first time?

“I think people are often pleasantly surprised by how diverse, welcoming and supportive the community is. We have people of all different ages, backgrounds and experience levels dancing alongside each other, united by a shared love of music, movement and self-expression. And, of course, most people are surprised by just how much of a workout it is!”

Why is it important that grassroots dance communities continue to be supported in Bristol?

“When people feel safe to try something new, make mistakes and connect with others, dance becomes about much more than movement – it becomes a source of confidence, friendship and belonging.”

@laurabee_uk

ARTand exhibitions

Clifton Arts’ 120th Celebrations

Clifton Arts, established in 1906 by members of the Royal West of England Academy (RWA), was a vibrant community for painters, musicians, and actors, welcoming people with strong artistic skills and ambitious goals. The first President, Jacques Blanche, a student of Manet, introduced Impressionism to Bristol. One hundred and twenty years later, Clifton Arts’ 250 members continue the tradition of annual exhibitions, and are marking this milestone with three free events.

The Club’s Heritage featuring ‘art then’ 3 July to 3 August at the RWA

Collaborating with the RWA’s outreach programme a talented group of neuro-diverse students from the city are curating an exhibition drawing on artworks by former Clifton Arts members from the RWA’s extensive archive.

Contemporary Members showcasing ‘art now!’

8-18 July at Victoria Methodist Church – adjacent to the RWA

Members are presenting some of their very best work giving the public the opportunity to compare and contrast the club’s artistic legacy at the RWA with its present-day creativity.

The 2026 Clifton Arts Fair

8-18 July at Victoria Methodist Church

The annual Clifton Arts Fair features 250 works for sale by 80 artists with opportunities for people to engage in art-making, watch art demonstrations, listen to musical interludes, while discovering the newly-written history of the club.

cliftonarts.org

Image: Deception, Gossip and Lust, oil on canvas, 40x30cm, by Jacasta Solomons

GATHERING, Rainmaker Gallery, until 15 August

Throughout the summer Rainmaker Gallery celebrates its 35-year history with a retrospective show featuring works by Indigenous artists who have participated in past exhibitions over the decades.

GATHERING is a salon-style presentation of paintings, drawings, fine art prints and photography. Together these works reflect the richness, diversity and individuality of contemporary Native art whilst highlighting the many voices and artistic contributions that have shaped the gallery’s identity.

Artists include DC Allen, Jordan Ann Craig, Yatika Starr Fields, Terran Last Gunn, Addison Karl, Monty Little, Chris Pappan, Zoe Urness, Jason Wesaw and many more.

rainmakerart.co.uk | 140 Whiteladies Road, Clifton, BS8 2RS

Image: Tent Metaphor 2 oil on canvas by Yatika Starr Fields

Polly Braden: Against the Tide, Arnolfini, until 27 September

Documentary photographer Polly Braden explores the effects of coastal poverty in collaboration with young people from some of the most deprived and often forgotten places across England and Wales. Telling the stories of a group of diverse 16-25-year-olds, Braden places them at the heart of her project, narrated by journalist Lisa Bachelor as part of The Guardian’s wider Seascape series. Navigating the faded coastal towns of Whitehaven, Tendring, Blackpool, and Weston Super Mare, Against the Tide shares stories of fragile seasonal employment, ageing populations, and what often comes across as love-hate relationships with the towns they call home.

arnolfini.org.uk

16 Narrow Quay, BS1 4QA

Image: Cohen, 19, from Grimsby in his Easter bunny costume, Against the Tide, 2026, Photograph by Polly Braden

Discover Contemporary Art with KELLART

Original art has the power to transform a space – adding character, depth and conversation to your home or workplace. KELLART curates exceptional contemporary works from emerging artists, helping collectors discover pieces they can enjoy today while building lasting value for tomorrow.

Book a private appointment in the Bristol viewing room to discuss your space, style and budget, and explore a tailored selection of artworks.

Prefer to browse online? Shop anytime at KELLART.com with free UK delivery or collection available.

kellart.com | info@kellart.com

Joseph King House, 3a Boyce’s Avenue, Clifton BS8 4AA

Image: Sol and Tabitha from the KELLART team

Memory, Space & Time. Clifton Contemporary Art Paintings by Bo Hilton, 4-31 July

Clifton Contemporary Art is excited to welcome painter Bo Hilton to the gallery. Weaving connections between memory, space and time, Bo harnesses the processes of painting to create a cohesive whole; a complete picture that communicates through colour harmony and the balance of forms. Ambiguous, emotive and charged with spectral but vivid remembered images, these works are fired by the conceptual and poetic possibilities of painting. The gallery will also be showing a range of Elaine Jones’ latest evocative tree studies, and new works by Carl Melegari, Janette Kerr and Sally Stafford.

cliftoncontemporaryart.co.uk

25 Portland Street, Clifton, BS8 4JB

Image: Haven (2026) by Elaine Jones

Dance Out at Royal West of England Academy, until 9 August

Take a deep dive into an exhibition of the world’s best ocean Dance Out marks the first time the RWA has ever featured dance at the core of a major exhibition and accompanying live programme.

Curated by David Remfry RA and art historian James Russell, Dance Out brings together paintings, drawings and film across decades of dance culture – from 20th-century London and New York to Bristol’s contemporary nightlife. The exhibition will be soundtracked by DJs, including Myles-Jay Linton, responding to the artworks on display. For a series of late-night events, the gallery will host some of Bristol’s most exciting dance talent including Bristol Swing Riot and more.

At the heart of the exhibition is Night Moves, an immersive installation by award-winning artist Melanie Manchot (pictured above). Bristol dancers devised their own routines and performed them in spaces across the night-time city from Bedminster to Birdcage Walk, with the resulting film becoming part of the RWA’s permanent collection. rwa.org.uk | Queen’s Road, BS8 1PX

C Expert opinion

Our regular columnist Chris Yeo is away but Ellis Molinghen reports on another successful sale at Clevedon Salerooms.

Summer Sale Success

levedon Salerooms held its Summer Fine Art on Thursday 11 June. Within a stellar offering, it was amongst paintings that many of the day’s top prices were to be found. Francois Etienne Muslin’s colossal battle painting titled A Naval Engagement saw the highest price in this section, easily achieving its mid-estimate price at £3,800. It was a good day for maritime paintings; Fishing Boats, Honfleur, an oil on board by Charles Ernest Cundall, RA (18901971), being a case in point. Recognised by Mark Huddlestone on a routine house visit, the piece instantly drew attention in our catalogue.

As Cundall is best known for his large panoramic canvases, the opportunity to acquire a more modestly sized example of his work clearly appealed to his collectors. In the event, the piece sailed through its estimate to reach £3,400 on the rostrum (pictured).

Staying with the nautical theme, elsewhere in the sale, a star-studded script of Titanic (1997), signed by director James Cameron and star names Leonardo DiCaprio and Kate Winslet, made waves in the saleroom upon its consignment and went on to sell for £620. Valuer and auctioneer Henry Michallat reflected on the excitement generated by the piece, which heralded from a single-vendor collection of autographs, saying: “This was a really perfect, affordable piece for a fan.”

Time is indeed money; our highest overall hammer price of the auction was achieved by a Jaeger-LeCoultre Reverso 18ct gold bracelet watch at an incredible £9,000.

Silver came in second with a late Victorian silver gallery tray, weighing a hefty 6450g, selling for £8,000.

A single-owner collection of coins saw great returns, with three lots including an Elizabeth II sovereign gold proof five-coin set achieving £5,000 or more, demonstrating that the market for wellcurated collections remains robust.

With Summer now well and truly upon us, Clevedon Salerooms continues to be a hive of activity with Valuation days at the Salerooms, as well as in and around Bristol. The Autumn Quarterly Fine Art sale will be on Thursday 10 September, for which entries are now invited. ■ clevedonsalerooms.com | Instagram: @chrisyeo_antiques

Can you taste the English weather?

Elodie Hind of DBM Wines, a wine merchant in the heart of Clifton Village, on thinking outside the Provence box 7 Princess Victoria Street, BS8 4BX | dbmwines.co.uk

English sparkling wine tastes unmistakably British – and strangely enough, that’s largely because of the weather. The same cool, cloudy summers that interrupt picnics and seaside plans help grapes retain the bright acidity and delicate fruit character that great sparkling wine depends on. While hotter climates produce richer, fruit-forward styles, England produces wines that are defined by freshness and finesse, a character that has earned them a growing global reputation. They also pair perfectly with British food. Crisp acidity and fine bubbles lift rich fried dishes like fish and chips, while balancing the salty freshness of oysters or smoked salmon. The off-dry styles are a natural match for afternoon tea, especially with fruit tarts or scones...

Rathfinny Blanc de Blancs, Sussex, 2019 – £44.95: Fresh and citrus-driven with lemon, apricot and orchard fruit. Fine bubbles and a creamy texture lead into a crisp, sea-breeze-like finish. Pair with grilled fish or oysters.

Aldwick Somerset Cuvée, Somerset, 2021 – £35.95: Soft and rounded with pear, apple and a hint of honey. Gentle bubbles and a creamy feel make this an easy, generous style. Pair with roast chicken or creamy pasta.

Nyetimber Cuvée Chérie, demi-sec, Sussex, NV – £39.95: Gently sweet with rich baked apple, honey and a touch of toffee. Bright acidity keeps it fresh and balanced. Pair with classic Victoria sponge or crème brûlée.

Bristol bites

Wapping Wharf marks 10-year anniversary

Wapping Wharf is celebrating its 10th anniversary in style, with a free public party taking place from 5pm into the evening on Friday 3 July. The family-friendly, free-to-attend event will be an evening of food, drink, music and entertainment to mark the milestone. Acts will include live music from Batala Bristol and The Ambling Band, a silent disco, face painting and walkabout entertainers. The cluster of around 50 independent businesses have helped bring the neighbourhood to life, becoming a major draw for people in the city as well helping to put it firmly on the tourist map. Some of the first businesses to open at Wapping Wharf are still going strong and many have gone from strength to strength, opening new sites locally and nationally.

Earlier this year, Umberslade received its long-awaited planning consent for the final phases of development, to complete the neighbourhood at Wapping Wharf. The plans include new muchimproved homes for the CARGO shipping container businesses, enabling them to build their future in permanent bases and realise their potential. Alongside, there will be new landscaped public spaces, places for more business and 245 homes in a range of sizes and tenures, including family homes.

However, there is much work to be done before further development can go ahead, with new building regulations and rises in construction and material costs to be factored in, meaning the businesses at CARGO will stay in their temporary homes until at least 2028.

wappingwharf.co.uk

Bristol Beer Factory’s flagship pale ale Independence (4.6%) has been crowned CAMRA’s Champion Beer of Britain 2026, the highest honour in UK brewing. The announcement was made at the Cambridge Beer Festival, where Independence fought off competition from across the country to take the top title following a rigorous blind tasting process judged by industry experts and CAMRA members. bristolbeerfactory.co.uk

Lucknam Park welcomes new General Manager

Lucknam Park, Emblems Collection, has announced the appointment of David Griffin as General Manager. David brings over two decades of senior leadership experience across some of the UK’s most prestigious hotels and historic country estates. Known for his strategic clarity, commercial acumen and people-centered leadership style, he has built a reputation for strengthening operational performance, elevating guest experience and leading large, multi-disciplinary teams to award-winning standards. David joins Lucknam Park as the estate prepares for an exciting new chapter, including a major refurnishment of the spa and wellness experiences.

lucknampark.co.uk

Wine tasting at Feast On

This month, DBM Wines is leaving Clifton Village and heading to the Downs, appearing at Feast On from 23-26 July, joining Bristol’s best independent restaurants and street food producers for what promises to be a serious celebration of good eating and drinking.

Independent local wine merchant Raj Soni will be leading two curated tastings across the weekend: Old World versus New World. An introduction to tasting wine, and a structured, enjoyable way to get more from what's in your glass.

Great food deserves the right wine, and that’s exactly why DBM Wines will be there.

For more information, visit dbmwines.co.uk and bristol.feaston.co.uk

Yes, Chef!

That Bristol has a vibrant independent restaurant scene is a given and with culinary gems dotted all over the city, it’s one that demands to be noticed. But what does it take to run a restaurant in these challenging times? What are the talents required to be a top chef, is every restaurateur after a Michelin star, and are the kitchens really like those depicted on screen in the likes of The Bear and Boiling Point? Simon Horsford talks to the chefs and owners behind some of the city’s most acclaimed restaurants to find out...

At the Chefs’ Table

Jan Ostle

Chef and Co-Owner of Wilsons on Chandos Road

wilsonsbristol.co.uk

Kyu Jeong Jeon and Duncan Robertson

Chefs and Owners of Dongnae on Chandos Road and Bokman in Stokes Croft (currently closed following a kitchen fire)

dongnae.co.uk bokman.co.uk

Freddie Bird

Chef and Co-Owner of littlefrench in Westbury Park and 1 York Place in Clifton

littlefrench.co.uk 1yorkplace.co.uk

Jack Briggs-Horan and Dan O’Regan

Executive Chef and Joint Owner, and Founder and Owner (respectively) of Lapin in Wapping Wharf and BANK in Totterdown

lapinbristol.co.uk bankbristol.com

What attributes separate a good chef from a truly great one?

Jan Ostle: The most important thing is the love of what you do. The wonderful thing about this job is the absolute meritocracy of it – how good you are on that day is how you are judged, so you almost get to write the script every time you come in. You need to be a team player and you need to be good with people.

Kyu Jeong Jeon: Focus is the main thing for me and [knowing] what you want to make and [ensuring] good quality. It’s important to make people happy and have a good time. My father was quite a foodie and my mum was an amazing cook. Korean people are obsessed with food – if you go to south or east Asia, food is far more important than here [in the UK], or even in Spain or Italy.

Freddy Bird: Firstly, ingredients. I was brought up pretty much on a smallholding and my dad had an amazing vegetable garden. We had our own chickens and eggs and I grew up passionate about food. [For me, it’s about] being ingredients-led and doing as little as possible to the food, so minimal intervention and not being scared of only putting two or three items on a plate and not fussing about with them.

Jack Briggs-Horan: I became a chef because I liked eating. I curate menus on what I want to eat. It’s the shared interest in food [with the guests] that matters. Influences come in waves but [my] attitudes towards food definitely came from the guys at Joe Beef in Montreal – that was like quite formative growing up – and reading the St John books [based on the eponymous London restaurants].

If you could create one dish designed to go on social media, what would it be and why?

JO: Carbonara. I love it, done properly. Fry the bacon off, or the pancetta. Loads of black pepper, I like a bit of minced garlic, let it colour in the bacon fat… then boil your pasta and finish with a couple of egg yolks. No cheese. That’s how I feed myself quickly.

KJJ: My kids love tofu. So, something we used to do at Bokman was dubu jorim, which was very popular. We’d pan fry the tofu, then make a sauce on the side with sesame oil, sugar, chilli powder, garlic and mushroom stock, then pour it on the tofu and simmer so it absorbs the flavours.

FB: One of the things people love here is our aligot, cheesy mash. Super simple, potato purée, butter with bags of raw garlic and then grated Comté, Beaufort and Tomme Fraïche. It’s essentially a cheese and potato fondue.

JB-H: [If I was doing it from] BANK, it would be a barbecue thing, so a big, grilled ribeye with barbecued broccoli and asparagus and chopped herb dressing like a chimichurri, or maybe a harissa sauce; at Lapin, it would be something simple-ish like coq au vin or lapin à la moutard, almost definitely with mash.

What are your go-to ingredients?

JO: Mexican apple marigold, which is a herb I grow [in their market garden] and I love. You can use it with shellfish, poultry and puddings and it’s unlike anything I’ve had. [Also] celeriac, and roe deer, from around Bristol.

KJJ: Doenjang, which is fermented soya bean paste, a condiment that’s the mother of all Korean cooking. Seaweed [in Korea], is as important as vegetables; we have at least 12 types here from Korea. We have connected with a seaweed farm in Wales so we’re looking at native seaweed. It’s an ingredient that is so under-used, full of vitamins and Koreans say it cleanses the blood.

FB: Butter, always French. You’ll always find a block of salted in my fridge. On the flip side, I've done a lot of Middle Eastern cooking with lots of herbs. So if you open my fridge drawer, I’ve always got a packet of dill, tarragon, basil, parsley and coriander. You can always elevate something with one distinct flavour. Also turbot: it’s super versatile and can take bold flavours.

JB-H: Good butter, salted and unsalted. Potatoes, Maris Piper or King Edward, which go very nicely with the butter, and then chicken (French, corn fed). Those three are a meal in itself. Every country in the world has a great chicken dish.

With government hikes in business rates, national insurance and the rising cost of food, how difficult really is it to run a restaurant today?

JO: It’s been a rising trajectory for some time, the Conservatives have as much blood on their hands as Labour. I think the simple fact is restaurants are not a priority, they will only become so when they reach a critical mass of closures. I can be angry about that or I can just accept it. I understand our public finances are in a state, but I think bringing VAT in line with the rest of Europe [usually 10%] would be a good starting point. I think the best thing for hospitality would be to speak back with one voice. But this a 24/7 job. We are somewhat insulated [at Wilsons] because we have a farm and that’s been like our saving grace. Duncan Robertson: If we are full, we make a profit, but if we have a quiet time, then we take a loss. We pay ourselves very little, we work a lot of hours, but we love doing it. I’d never advise my children to go into this. It was hard enough under the previous government and Labour has made it harder. I feel they are anti-entrepreneurship/business ownership, they don’t make a distinction between corporations and small businesses, which is ridiculous.

FB: It’s tough at the moment – we have to assume as regards VAT that we are not going to be looked after [by the government] because hospitality is too much of a cash cow. The sad truth is we run tighter teams. We haven’t let anyone go, but we often don’t replace, so I’ve gone from a team of 90 down to 50 since last year [over the four businesses; there’s also a bakery and an events company] and I take fewer trainees on because all of a sudden, it’s more expensive to employ [them]. So I have a leaner, more experienced team and I’m more hands-on myself.

Dan O’Regan: It’s tough. The costs change so rapidly you hardly have time to get to grips with it before something else hits you. You have to be really eyes on and have to be in tune with your finances. We have a rotating menu depending what’s in season, so we are quite lucky. A couple of years ago [for instance,] cauliflower maybe doubled in price in the space of days. There’ve been closures here [in Wapping Wharf] and those were experienced operators. It’s just relentless.”

Is gaining and retaining a Michelin star all it’s made out to be?

JO: Before we got the star [one Michelin star in 2025], we’d been open for eight years and we grew organically. We are not making any fundamental changes to how we are. Do we play it safe? Yeah, sometimes we do and then we think this is not who we are and it changes. Each year [getting a star] became less important, and then we got it and I was over the moon, and the star really saved the business, but what I was doing was true to me.

DR: Maybe when you get your first star, you become a little safer than you used to be and you can breathe easy. [Duncan and Kyu were awarded one in 2010 for Restaurant L’Envie in Brive-la-Gaillarde, south-west France]. At the same time [trying] to get one can be an obsession and that can be a damaging. For me the issue is Michelin has a certain style that for me personally isn’t the best style of food. It’s a type of marketing… but the general public can put too much store in it. There are boxes you have to tick. [Here], we are doing modern Korean food and really no-one in the UK, let alone Bristol, is doing the kind of food we are doing.

FB: Never had any interest. I came into this to entertain and to look after customers. This was never about accolades for me. I can imagine chasing that or holding that is horrendous, but it becomes a box-ticking exercise. I set out to make delicious French regional country cooking and to have a fabulous wine list. My passion to serve my customers and see them return is stressful enough. I can’t imagine having another layer on top, but all credit to those that do.

DO: With the sites we’ve got we know that’s not in our grasp; it’s not what we are doing. We’ve candidly said we’d like to be at [Michelin Bib] Gourmand level because we’d like the recognition of a job well done and it’s good for the team and morale. A busy restaurant is more important than a nice red plaque outside.

Which local restaurants can’t you keep away from?

JO: I always go to Dragon’s Delicacy, near IKEA. It’s a Chinese supermarket with a restaurant at the top; they have dim sum and I go there and have a bowl of rice with pork ribs and chicken feet and then some dumplings. It’s completely different from anything I do and it’s excellent.

KJJ/DR: Marmo [in the Old City] is an

amazing restaurant, which we love. Also Sam’s Master Grill, a Persian restaurant [on Cheltenham Road].

FB: One of my most regular haunts for simple easy snacks is Condesa [on Whiteladies Road] to have margaritas and light Mexican food. Next month, it may be somewhere else!

JB-H: I used to go to The Mayflower [in Broadmead], a lot and I like Other [Bedminster] – I would do everything there on my menu!

DO: I had a really nice meal at Wangs in Montpelier and I’d like to go back.

How accurate are TV shows like The Bear and Boiling Point when it comes to kitchen life?

DR: Seen both and The Bear is definitely what I imagine an American kitchen could be like. Previously, when I worked years ago in Michelin restaurants in London and Paris, it was like that and probably a hell of lot worse. I’m not sure if it’s still like that.

FB: I started watching Boiling Point and certainly felt the anxiety.

DO: The TV drama Boiling Point, oh man, I had to leave six months between episodes.

Three of these businesses are run by couples; do you think that has helped create a recipe for success at all?

JO: (Laughs) Sometimes it’s easy, sometimes it’s tough like most relationships. Mary [Wilson, Jan’s partner and the co-owner] is the lynchpin, she is the brains, I am the muscle. Mary is wines, service, operational stuff. She holds it together in calm way. if you don’t work together, it can be like ships in the night

KJJ: Since we’ve had kids I feel always guilty. I can’t be there and here. There’s more of an understanding [of restaurant life] if you work together.

DR: I don’t think I’ve had a head chef who wasn’t divorced; even if their wives had worked in hospitality before, they weren’t working together. A lot of chefs can be obsessive characters. [Kyu usually does the lunch shift and Duncan the evening].

FB: Nessa [Freddie’s wife and co-owner] works with our marketing guys and is always involved in the business, keeping me on track. Depending on the stresses [the highs and lows], as you are in it all the time, it can become too much, so we try not to talk about it at ome – the kids ask us not to. n

Book shelf

Our friends at Gloucester Road Books choose the pages that should be top of your ‘to read’ list...

Gloucester Road Books is a fascinating place to explore, and the team places a significant focus on titles published by small independent presses, noting:

“There are lots of really brilliant small publishers putting out incredibly exciting books, and we want to help get these out into the world.”

Visit the website for more details on book launches, talks and other events at the shop: gloucesterroadbooks.com @gloucester_rd_books | 184 Gloucester Road, Bishopston, BS7 8NU | Open Monday and Tuesday, 9.30am-5pm; and Wednesday to Saturday, 9.30am-6pm

White Elephant by Jeyamohan

Necessary Fiction by Eloghosa

Osunde

Necessary Fiction is a novel about love and family and the deep, human, desire to pursue it at all costs. Set in Lagos, we are introduced to a wide variety of characters embedded in the creative scenes of their city. Each of them is reckoning in their own way with intense emotions of desire and fear as they build their queer community and chosen family. The prose is stunning and full of audacious hope about the power of connection in a cruel and bitter world.

Crossing the Wine-Dark Sea: Journeys through Ancient Literature by Emily Wilson

Emily Wilson’s new book is a brilliant exploration of the power and importance of ancient literature. Through expert research and witty narrative, she demonstrates the potency that these ancient stories have and how their impact lingers on today through current events and popular figures. Drawing on a wide array of themes, from political speeches to the celebrity of Cardi B, Crossing the wine-dark sea is a hugely entertaining and accessible re-examination of the classics. Perfect for long-term enthusiasts as well as those simply interested in storytelling.

Translated from Tamil by Priyamvada Ram, Jeyamohan’s writing is hailed as vital reading to understand contemporary India. Set in the south of India in 1878, the population is in the grips of a brutal famine and tensions between labourers and their overseer, Tudor Ice Company, are high. When two of the laborers are found murdered, a police officer (Aiden) and activist (Kathavarayan) set out on a journey for justice. Once they reach their destination, a new journey begins as Aiden comes face to face with his own role in the perpetuation of the empire. This reimagining of the first labour uprising in Indian history is a piece of vital storytelling about a vital time in history.

The First House by Avni Doshi Avni Doshi, well known for her Booker Prize-shortlisted novel Burnt Sugar, has a new novel out in July that is sure to be just as gripping as her first. The First House follows a woman in the aftermath of the very sudden end to her seemingly perfect marriage. As she begins to unravel in the claustrophobia of a suburban town, she retreats to her memories to try and understand what it is that she missed along the way. It is an intense and deeply hypnotic read about the struggles of rebuilding a shattered life.

The Girls Who Grew Big by Leila Mottley

From the author of the Bookernominated, international bestseller Nightcrawling comes a new novel centred around the lives of three women – Adela, Emory and Simone. Adela is sent to her grandma’s house to have her baby in secret. What is meant to be a forgotten blip in her life becomes much more when she meets Emory and Simone- both fearless mothers. This is a story that delivers a new perspective on mother-daughter relationships, told in beautiful prose.

Bristol at work

LOCAL BUSINESS AND COMMUNITY ORGANISATION UPDATES

Local business to build state-of-the-art centre for disability charity

Bristol construction firm Oakland Construction is working with disability charity Gympanzees to build a state-of-the-art, fully accessible exercise, play and social centre for disabled children and young people.

Works have begun on site in South Gloucestershire, adjacent to the M48 Severn Bridge, to convert the former Severn View services building into a first-of-its-kind facility. The project will initially convert the ground floor of the building (approx. 2350sqm) transforming the space into circa 10 rooms for play including a gym, light and dark sensory rooms, an active sensory space and trampoline room, a café, music room and soft play.

The project is due to complete in late 2026. oaklandconstruction.co.uk | gympanzees.org

Twin cities Guangzhou and Bristol mark 25 years

A group from Guangzhou’s municipal government travelled to Bristol recently to meet members of the city’s business, political and academic community as part of celebrations to mark 25 years since the cities were twinned.

The visit – organised by Bristol & West of England China Bureau - took in visits to the Clifton Suspension Bridge, Ashton Court, Wong’s Restaurant and the Guangzhou Garden at the University of Bristol’s Botanic Garden.

chinabureau.co.uk

Executive Director steps away from role at Tobacco Factory Theatres

After 25 years of dedicated service to Tobacco Factory Theatres (TFT), David Dewhurst has made the decision to step away from his role as Executive Director and begin a new chapter.

David has played a significant part in the life of TFT, especially in operations and finance; helping to guide the organisation through periods of both significant success and challenge, and contributing to its growth and development with loyalty, resilience, and a deep commitment to the work. His long-standing knowledge of the organisation, care for its people, and commitment to its purpose have helped shape much of what TFT is today, and form an important part of its legacy.

tobaccofactorytheatres.com

Funding available for firms putting tech first

Small and medium-sized manufacturers across the South West region can now access a share of £800,000 in funding and specialist support to help reduce costs, improve productivity and accelerate digital adoption.

The Made Smarter programme is designed to help production-based businesses that manufacture physical items to identify and implement technologies that deliver measurable operational improvements: from automation and robotics to AI, industrial Internet of Things and connected data systems. Among other programme benefits, manufacturers can access match-funded grants of up to £20,000 for digital and production technologies.

Register your interest via the online application page on madesmarter.uk

Education matters

NEWS FROM THE CITY’S LEARNERS AND LEADERS

Bristol-based startup launches new one-to-one tutoring for parents and students

Bristol-based edtech pioneer Inkling has launched its revolutionary AI tutoring platform directly to local parents and students, offering every child in the city a free introductory tutoring session to celebrate. Founded by teacher George Greenbury and tech entrepreneur Tom Waszkowycz, the platform was born out of Greenbury’s 15 years in the classroom where he witnessed the school recruitment crisis and the difficulties caused by teachers stretched to capacity.

People unite to celebrate refugee community

To coincide with Bristol Refugee Festival, Fairfield High School hosted its own mini festival to celebrate the local refugee community, with a particular focus on the students and families who are part of the school community.

The event reflected Fairfield’s dedication to providing an opportunity for families, staff, and students to come together in a welcoming and celebratory environment. Guests enjoyed an exhibition of student artwork, shared cultural food, plus had the opportunity to exchange experiences and stories.

The student-led exhibition showcased messages of hope, belonging and inclusion, highlighting the diverse backgrounds and perspectives that enrich the school community.

Mariluz Garrido-Ruiz, organiser of the event and maths teacher at Fairfield High School, comments: "This was a fantastic opportunity to celebrate the cultures, experiences and contributions that make our school community so special. It was wonderful to see students share their artwork and messages, and for families to come together and celebrate.” fairfield.excalibur.org.uk

King's Baton brings Commonwealth Spirit to Haberdashers'

Developed and rigorously tested in a quasi-experimental study at Bristol’s own Clifton College – where students using the tool achieved a full-grade increase overall on their GCSE mocks –Inkling uses an ‘orchestra’ of specialised AI agents to deliver proactive, Socratic one-to-one tutoring. For schools, Inkling provides a strictly curriculum-aligned, zero-admin solution that extends teacher capacity without adding to workloads; for parents, it delivers hyper-personalised, adaptive tutoring at home that dynamically shifts its pacing and teaching methods to match the exact needs of students.

Parents and students can claim their free session today by visiting myinkling.ai/bristol

School marks 20 years’ excellence

Redland Green School is celebrating its 20th anniversary with a programme of special events, performances, exhibitions and community activities. A centrepiece of the celebrations is a striking new mural, unveiled in the school's main thoroughfare known as The Street. Celebrations will conclude this month with a 20th Anniversary Concert and a special Anniversary School Dinner in July. redlandgreen.excalibur.org.uk

Haberdashers’ Monmouth School took part in the King’s Baton Relay, showcasing a wide range of sports and celebrating the school’s partnership with Team Wales as the Baton journeyed through Wales to Glasgow.

The Baton’s visit formed part of the Welsh leg of the Relay, which ran from 19–24 June and travelled through communities across the country ahead of this summer’s Games in Glasgow. As part of the visit, pupils were involved in showcasing a range of sports on camera, reflecting both the breadth of disciplines featured at the school (which is a Team Wales partner) and the Commonwealth Games, including athletics, swimming, netball, boxing, weightlifting, rugby, cricket and golf.

“The arrival of the King’s Baton at Monmouth was a powerful reminder that sport is about far more than competition,” said the school’s Head Mr Melvyn Roffe MBE. “...It was a privilege for our students to play a small part in a moment that connects schools and communities not just across Wales, but across the Commonwealth.” habsmonmouth.org

Live long and prosper

How ‘well’ do you really feel today? For anyone feeling tired, sluggish, overweight or generally under the weather – poor metabolic health could be the culprit. In the first instalment of a special series, the experts at Epoch Metabolic are here to help you understand more about this powerful, yet often hidden, key to good health and longevity. It is never too early, or too late, to start paying attention…

Metabolic health is how well your body turns food into energy and manages fuel. It’s like an engine running smoothly: when your metabolic health is good, your body easily processes sugar and fats without crashes, keeping your energy stable, your weight manageable and your disease risk low. When we have poor metabolic health the inflammation in our body increases and that’s what causes disease. If we can keep our blood sugar balanced, we can keep inflammation down and have energy and vitality to live long healthy lives. Metabolic health affects us all – we can all take steps to keep it working well.

ABCs of metalbolic health

Metabolism is simply how the body turns what we eat into the energy that powers everything we do, from climbing the stairs to concentrating in a meeting. Metabolic health is how well that system is working. When it runs smoothly, our energy is steady all day, our sleep restores us, our mind is clear and functions efficiently.

has little to do with weight alone. You can be an ordinary size and still be metabolically unwell, with fat quietly stored around the middle section and a low, smouldering inflammation simmering beneath the surface.

Metabolic health shapes energy, mood, sleep, focus, physical performance and, over decades, the likelihood of the conditions we most fear: heart disease, strokes, type 2 diabetes, Alzheimer’s, dementia, cancers and a large number of other non-communicable diseases (the ones you can’t catch!).

hMetabolic ’sAmandaOvereynder and DrRobinFackrell

When it falters, the effects show up long before any disease has a name: the flat ‘low energy’, mid-afternoons, the broken nights’ sleep (often at 3am), the increasing waistline and stubborn weight gain, the annoying brain fog which hints at poor memory – generally the sense of running on a lower setting than you used to.

The massive global explosion of GLP1 medications like Ozempic, Wegovy and Mounjaro has also brought metabolic health into mainstream pop culture and financial news. But, crucially, metabolic health

Poor metabolic health is now widely recognised as the root cause behind chronic disease. There has been a realisation that metabolic health controls brain health; for decades, conditions like Alzheimer’s, dementia and Parkinson’s were treated as unavoidable genetic quirks of ageing, but recent research in neuroscience has proved a direct link to metabolic health. People are realising that protecting brain health through lifestyle medicine is an effective way to prevent disease.

Creatures of habit

So, why are we hearing about it now? Modern life has quietly changed the conditions our bodies evolved for. We eat later and more often, snacking on higher fat and sugary snacks – and much of our food intake is made up of ultra-processed foods. We move less and sit more. We sleep less well, lit by screens long after dark, and we carry a background hum of stress our grandparents would not recognise. None of these is catastrophic alone. Together, over years, they nudge the system off balance, and the body absorbs the strain in silence.

It’s estimated that 90% of the UK population are metabolically unwell – most are entirely unaware!

That silence is the heart of the matter. Someone can look well, pass a basic health check and feel broadly fine while underlying processes have been drifting for a decade. Standard tests are designed to catch disease once it has arrived, not to read the trajectory that leads there.

Help is at hand

It’s not all bad news though: we can all do something to improve our metabolic health through easy lifestyle habits. And that’s where experts at Epoch Metabolic – a Bath-based clinical practice founded by consultant physician Dr Robin Fackrell and specialist dietitian Amanda Overeynder (who between them share more than 25 years’ experience of NHS medicine and a career in clinical nutrition and behaviour change education) – can support and guide you.

They believe that metabolic health may be the most important thing about your body that no one has yet explained to you. On an individual level, it can transform your health outcomes and prevent unnecessary diseases. Everyone deserves to live an active and healthy life into their 70s, 80s and beyond.

Keep reading future issues of The Bristol Magazine to discover Epoch Metabolic’s five easy morning habits, ‘quick wins’ and plenty more pearls of wisdom that can help support your metabolic health... n

Whether you’re looking for help for yourself, or a family member, or as part of your workplace health and wellbeing support, Epoch Metabolic is here to help. The team is running a series of free Metabolic Health webinars (starting 23 July, 7pm), with details to book on the website.

If you’re looking for more in-depth information, look out for one of their themed Metabolic Know How evening events (You Can Fix Yourself! takes place 30 July at Castle Farm in Bath; keep an eye on the website for Bristol events in the pipeline) and the Introduction to Your Future Health (15 September at Lucknam Park).

Details of their transformative 12-week educational intervention programmes and four-night residential prog ramme at Lucknam Park are also available on the Epoch Metabolic website. Amanda and Robin are happy to answer your enquiries if you have any questions about their programmes. You can email them at enquiries@epochmetabolic.com.

epochmetabolic.com (or scan the QR code)

Rustle up this recipe!

This brunch recipe is a great choice as it provides plenty of protein from the sardines, eggs and feta – which is important as it provides the building blocks for muscle growth (important to support metabolic health), and protein helps to keep blood glucose stable and reduce hunger.

The sardines are a fantastic source of Omega 3 fatty acids – which are essential as they reduce blood triglycerides, lower inflammation and improve insulin sensitivity, key factors in improving our metabolic health.

Eggs are not just a great protein source, they provide us with choline, an important mineral which supports memory, mood and muscle control, while the vegetables provide important fibre, to stabilise blood glucose levels, support our digestion and gut transit and feed our gut microbiome – a vital part of the jigsaw puzzle for healthy lives.

Courgette and carrot fritters with crispy sardines and fried egg

Ingredients (serves 2)

For the fritters

1 medium courgette and 1 carrot, grated, excess fluid squeezed out 1 egg, beaten

1 tablespoon of gram/chickpea flour (or regular plain flour)

50g crumbled feta cheese

Handful of chopped fresh herbs (we used basil and parsley, but mint and chives would work really well too)

1 shake of chilli flakes (optional) pinch of salt and pepper

Olive oil

(For the crispy sardines and fried egg)

2 eggs

1 tin of sardines in olive oil

1 clove of garlic, crushed (optional)

Salt and pepper

To serve:

Seasonal salad, shelled broad beans (lightly cooked and shelled) or Tenderstem broccoli

Method

1. Mix the grated vegetables and egg in a large bowl

2. Add the flour, crumbled feta, salt and pepper and chilli flakes (if using) and stir to create a soft batter

3. In a frying pan, heat a desert spoon of olive oil on a medium heat

4. Dollop tablespoons (4 fritters) of batter into the pan, allow to set (about 3 or 4 minutes) then flip with a fish slice or spatula and cook for a further 3 or 4 minutes on the other side. Once golden brown and cooked through, place to one side whilst preparing the sardines and fried egg.

5. Drain the olive oil from the sardines into a frying pan and heat gently with one clove of crushed garlic (if using)

6. Add the sardines, sprinkle with a little flaked salt, and fry on each side until crispy (3 or 4 minutes) - remove from the pan and add the egg to fry, until cooked to your liking

7. Plate up, with fritters, fried egg and crispy sardines and vegetable accompaniment of your choice, drizzled with a little olive oil and squeeze of lemon and garnish with a few chopped herbs. Enjoy!

The Portway at 100

Andrew Swift celebrates the centenary of a local legend that was the most ambitious and costly road to be built in Britain all those years ago

This year sees the centenary of two famous roads – Route 66 in America and the Portway in Bristol. While numerous celebrations are planned stateside, however, nothing much seems to be happening closer to home.

This is hardly surprising: Route 66 is 2448 miles long; the Portway clocks in at just over five. And, while so many great singers have paid tribute to Route 66, not even Adge Cutler got round to writing a song about the Portway.

But, while the Portway’s fame – such as it is – is strictly local, it seems a pity to let its centenary pass unmarked. When it was officially opened on 2 July 1926, it was not just the city’s first major road project; it was the most ambitious and most costly road yet built in Britain, and an engineering wonder.

But this was no vanity project. The city had no choice but to build it. When Avonmouth docks opened in 1877, the provision of rail links was imperative to their success. Little thought was given, however, to building new road links. The narrow, switchback route over the Downs was considered adequate for the limited number of horse-drawn carts and wagons travelling to and from Avonmouth.

From horse to

engine power

As the 20th century dawned, however, the more far-sighted began to realise that new-fangled motor vehicles would eventually challenge the monopoly of the railways. The first calls for what was described as a ‘low level road’ to Avonmouth came as early as 1900, and by 1904 the council had started surveying possible routes.

By 1910, the project was starting to take shape, but, while all agreed that a low level road was needed, the problem was that there was only one viable route – along the Avon Gorge. This not only posed major engineering challenges; it would be hideously expensive. Initial estimates for the cost of building it ranged from £60,000 to £200,000 – figures that many baulked at.

There was little sense of urgency at this stage, however, as lorries – most of them either chain driven or steam powered – were still pretty rudimentary. And, even though facilities were being built so that Avonmouth could compete with Southampton and Liverpool for ocean liner traffic, the expectation was that intending passengers would travel by rail rather than road. So, when war broke out in 1914, firm plans had still to be made, and the project was put on hold.

The First World War saw the army pour huge resources into lorry development and production. When the war ended, the bulk of the army’s massive fleet of lorries were sold to ex-servicemen, many of whom set up road haulage businesses, competing with the railways for business. That low level road, debated for so long, was now essential if the docks at Avonmouth were to continue to prosper.

The go-ahead for its construction was given in July 1919. It was to be built on a grand scale – 20m wide, extending to 30m in places – with sweeping curves and gentle gradients. There was much discussion as to what it should be called. Among the more grandiose suggestions were the Western Gateway, Atlantic Highway and Great Portway Road. In the end, it was called simply the Portway, an inspired choice which has stood the test of time.

The southern section of the Portway was built along the trackbed of the Bristol Port Railway, which ran from a junction with the Clifton Down line at Sneyd Park to a terminus under the suspension bridge. This line was still operational, but closed in 1922 when work began to convert it to a road. This was a delicate operation, as in places the single-track line ran either through tunnels or on a narrow ledge between the river and the sheer cliffs of the gorge. Widening it to accommodate the road involved blasting 25,000 tons of rock, slewing Bridge Valley Road 10m inland and building 1100m of retaining wall, a large chunk of which collapsed into the river as work was nearing completion.

A deep cutting, 730m long, was also needed further north at Horseshoe Bend, along with a six-arch viaduct over the River Trym and a steel girder bridge over the railway near Sea Mills. Because access was difficult, many of the materials to build the road were brought by rail to the goods yard at Shirehampton, from where a contractor’s siding and narrow-gauge tramways carried them to where they were needed.

The Portway took five years to build, and, according to the Western Daily Press, ‘provided employment for a daily average of 800 men who would otherwise have been drawing the dole’.

Initial estimates as to its cost proved ludicrously over-optimistic. The final bill came to £800,000 – equivalent to £43.5m today – with the government contributing £200,000.

Lights, action

The official opening, on 2 July 1926, was accompanied with civic ceremony and cheering crowds. In the weeks that followed, Bristolians swarmed to marvel at this portent of things to come.

At night, it was illuminated by street lights (pictured below), which so distracted the captains of ships navigating the river that they called for them to be turned off. Drivers were also asked to turn off their headlights and rely on sidelights. Photographs from this time show the Portway as a wide uncluttered road with only the occasional bus or car driving along it. It was a popular place for walking and cycling. Benches lined the river bank and eight tennis courts were built in an old quarry alongside the road. At the northern end, houses were built alongside the road.

It slowly grew busier, but traffic levels soared in 1971 when the M5 was extended south to Avonmouth, with traffic from the Midlands to the

South West diverted onto the Portway. The opening of the Avonmouth Bridge in 1974 solved that problem, but the Portway continued to grow ever busier.

It also proved ever more expensive to maintain. Falling rocks were an abiding problem, and in 1980 it was decided to install a reinforced canopy over the road near the suspension bridge to protect vehicles from them.

As well as routine maintenance issues, there were occasional crises. In 2001, a burst water main near Bridge Valley Road caused a section of the Portway to collapse, and the road was closed for several months.

For some years, it has been closed so that half marathons, bike rides and similar events can be held. Recent closures on summer Sundays, most notably in 2015, have allowed Bristolians to stroll along and enjoy this superbly scenic road unhindered by traffic.

Currently, work is being carried out to encourage more walkers and cyclists to use the Portway. Pavements are being widened, trees planted, green spaces established and speed limits lowered. New bus lanes are also being created and junctions redesigned to improve accessibility. Needless to say, the work has proved controversial, but time will tell what impact the changes will have.

A century on – because it has become such a busy road – we have perhaps come to take the Portway for granted. But it is not just a vital piece of the city’s transport infrastructure; it is an astonishing feat of engineering and one of the most visually dramatic roads in Britain.

Sadly, for the moment at least, there can be no return to those halcyon days when walkers and cyclists had it more or less to themselves, but this perhaps is missing the point.

The Portway was built to serve the docks at Avonmouth and it has served them supremely well. What is astonishing, though, is that a road built through such inhospitable terrain to meet the needs of the 1920s should cope so well with the demands of the 2020s. And that surely is worth celebrating. n

Discover more of Andrew Swift’s books and writings online from akemanpress.com | All photos provided courtesy of Andrew Swift

From surgery to circus acts

At Spire Bristol Hospital, we pride ourselves in offering a team of expert clinicians and state of the art facilities to diagnose and treat patients. Awarded Gold by the National Joint Registry (NJR), we are dedicated to providing a personalised package of care for each patient, to get you back to better.

Circus performer Jennie Legat is an Aerialist, a professional who does stunts with aerial silks and hula hoop tricks for a living. Unfortunately, in 2022, Jennie suffered a traumatic accident while performing, resulting in a fractured wrist, pelvis and femur.

Jennie reflects, “I had early onset osteoarthritis in both hips. The accident caused the symptoms of this to worsen dramatically. I was suffering from chronic pain, I couldn’t walk properly, I was taking morphine regularly and trying to adapt to keep surviving and working. I was so scared that my life was over in my early 40’s.”

Jennie waited for a year and a half with the NHS before being referred to Mr William Poole, Consultant Orthopaedic and Trauma Surgeon at Spire Bristol Hospital. “When I saw Mr Poole, it was then relatively quick. Every single person in the team supported me, listened, did their upmost to reassure and calm me when I was completely terrified.”

Mr Poole explains the treatment offered, “We agreed on performing two total hip replacements with dual mobility bearings (a small ball, within a bigger ball) to try and improve her range of movement and yet maintain her hip stability where possible to aid her specific goal in returning to performing in the circus.”

Following x-rays and planning, Jennie had a right hip total replacement on 25th March 2025. On 9th September 2025, she had a left hip total replacement, which included removal of previous metalwork and a leg length alteration. “I cannot express my gratitude enough for how well I was looked after.”

Jennie has just returned to performing with the circus, a huge step in her recovery. Jennie is taking fewer painkillers and has regained the confidence she lost. She even hopes to be able to perform the splits again. “In the air, I feel free. Mr Poole gave me new hips and a joy for life again.”

Redland Hill, Durdham Down,

Visit Spire Bristol Hospital

Scan the QR code to book an appointment, or search: ‘Spire Bristol Hospital’

Thank youberry much

The sweet season is here, with bountiful harvests of strawberries and other moreish morsels on menus and supermarket shelves alike. Why not invite the tones of summer fruits into your home with these delectable must‐have buys...?

Strawberry Red Ceramic Ring Dish, £6.50 oliverbonas.com.

Berry Red Geo.Pleated Lamp Shade, From £18 next.co.uk

William Morris At Home.

Designers Guild Pure Cotton Savoie Bedding Set. From £70, marksandspencer.com.

Velvet Strawberry Thief Cushion. £36, marksandspencer.com

Libra Interiors Red Berry. Glaze Vase Large, £50. next.co.uk

Cath Kidston Pink Birds. and Berries Doormat From £16, next.co.uk.

Morris & Co. Strawberry Thief. Lined Pencil Pleat Curtains. From £140, johnlewis.com.

Little Botanize.Strawberry. Blush Wallpaper, £159. divinesavages.com

Glass Cocktail Jug, £39.50 oliverbonas.com.

St Eval Gift Pack of 6 Coloured Dinner Candles in Red, £11. fig1.co.uk.

Hubsch Chipper Table Lamp. in Burgundy and Sand. £77.25, fig1.co.uk.

Masters at work

The experts at Markson Construction have been restoring Bristol’s homes with care and craftmanship. Discover more about this family‐run business – from company values to project management excellence – managing the present and constructing the future…

At Markson Construction, Bristol’s period homes are restored and renovated with care, precision, and respect for their character. From Georgian terraces in Clifton to Victorian houses in Redland and beyond, each property is enhanced through a considered blend of skilled craftsmanship and modern expertise.

Whether updating a family home or undertaking a full heritage restoration, every project is delivered with quality, clear communication, and a dependable, personal approach.

A carefully curated range of core services ensures each stage is managed seamlessly, with attention to detail throughout. Property deserves attention, integrity and expertise. At Markson, every detail is handled with accuracy and thoughfulness, so property owners, landlords and investors can enjoy peace of mind and lasting value.

Based in Clifton, Markson is a family-owned Bristol business built on honest relationships, high-quality service, and long-term thinking. The team has grown steadily by putting its clients first and delivering property services with professionalism, transparency and genuine care.

Today, the Markson Group brings together specialist teams working across three core areas – construction, development, and property management – all united by the same commitment to quality, reliability and attentive service. From day-to-day property management to carefully delivered construction and development projects, Markson Construction helps guide investments with experience and local insight.

People power

Markson Construction might specialise in property, but its people are just as important. Meet one crucial member of the team: Giles, Head of Construction. Giles is a relative newcomer to Bristol, moving to the city nine years ago after graduating from university in Nottingham. Since moving to Bristol, he has lived in multiple areas, from Filton to Hanham, and finally calling Clifton home. Giles brings with him a wealth of material and engineering expertise, which are vital for the variety of projects Markson Construction undertakes. One such project took place in Clifton in January this year, with client Fern McCoy’s experience reflecting the diligent commitment to customer service and communication Markson prides itself on.

“The Markson Group worked on what was essentially three projects at the same time for me – an internal room, a garden transformation, and painting and decorating – so they really got to show the range of what they can do,” she explains. “They did a brilliant job across all of it. The team were attentive and communicative, keeping me in the loop throughout, which made the whole process feel very straightforward and well managed. When additional bits came up along the way, they raised them early and got everything sorted without cutting corners. They’re very customer-first, genuinely personable, and a pleasure to deal with. I’d happily recommend them and wouldn’t hesitate to use them again.”

Markson Construction: the essential guide

With the ability to take on diverse projects, here’s a comprehensive list of the wide range of professional services available from Markson Construction; even if you have an idea that doesn’t fit neatly into these categories, get in touch with the friendly team to discuss your options…

Principal Contractor

Projects are managed with exacting craftmanship from start to finish. From period home restorations to high-quality new builds, every stage is coordinated seamlessly to deliver results that reflect your vision. Working closely with homeowners, architects and project teams, Markson thoughtfully builds, manages, and completes each project to the highest standard.

Design & Build

Your home is brought to life through a seamless, fully managed design-andbuild service. From new builds to transformations, every stage is carefully coordinated to ensure the final result reflects how you want your home to look, feel, and function. Combining design expertise with trusted construction partners across Bristol, every detail – from planning and approvals to finishing touches – is delivered to the highest standard, creating a home that is thoughtfully built and made to last.

Interior Design

Interiors are crafted to reflect your lifestyle, blending beauty and function. Working with Bristol’s leading designers and using bespoke joinery, every detail is thoughtfully designed and expertly executed to create truly exceptional spaces.

Commercial

Commercial spaces are transformed with meticulous attention to detail, from office fitouts to conversions. Every stage – from planning to final finishes – is managed seamlessly to deliver functional, efficient and high-quality results.

Landscaping Services

Outdoor spaces are transformed with care and expert craftsmanship. From garden design and planting to precise hard landscaping and water features, every detail is tailored to your style and enhances the way you enjoy your garden.

Basement & Sub-Basement Excavations

Basements are expertly excavated and built to maximise space while maintaining the character of your property. From structural works to advanced waterproofing, every project is delivered safely, efficiently and to the highest standard. n

What lies beneath

This is where plants get the nutrients and water that they need to grow. This month, she explores why time spent improving the soil is important (although perhaps not as much fun as going to the garden centre and picking out new plants), and how it can really make a difference to how those new plants grow...

In and around Bristol, many of us are gardening on heavy clay soil, notoriously tricky to manage, drying like a rock and cracking in summer, and turning into a claggy mess in winter. We owe this legacy to the Triassic and Jurassic periods, and the ancient mudstones laid down more than 200 million years ago. As these mudstones have eroded over time, they’ve naturally formed our heavy clay soil. Added to this, much of Bristol was shaped by the ancient flow of the River Avon and its tributaries, depositing additional deep, poorly draining alluvial clay along the valley floors and floodplains.

So, if your soil looks like the surface of Mars in summer, but sticks to your wellies and is about as diggable as magma in winter, then it may well benefit from some care and attention.

Unlike sandy soil, which has large, loose particles that drain quickly, clay soil is made up of fine mineral particles that pack tightly together. This means it holds water and nutrients for a lot longer, which is a plus for many plants. The goal, therefore, is not to replace the clay soil but to improve its structure.

The best way to do this is with organic matter. Compost, leaf mould and well-rotted manure dug into the soil, or even just spread about and left on top as a mulch, will gradually break up the clay particles and improve its drainage while retaining the fertility.

More organic matter attracts more worms – our best friends when it comes to improving and aerating the soil, and they will drag the new organic matter down into the ground.

At the RHS Malvern Spring Festival earlier in the year, designer Martyn Wilson’s show garden titled ‘Clay: The Super Soil’ positively celebrated gardening on clay. Trees, shrubs and perennials were chosen for their suitability for clay soils, and the garden included an orchard area underplanted with wildflowers, raised beds, clay pots, a timber structure covered in clay roof tiles and clay-brick pathways.

At the show, he told me: “I’m trying to get people rethinking their soil. Clay isn’t easy, but we need to work with it, not against it. We need to treat the soil with more care and go back to basics.”

The main message was repetition. Dumping a bag of compost on a border and expecting the structure to change overnight is not going to cut it. “It’s important to add mulch after a garden is created, but then to carry on with this year after year,” he explained.

Martyn also showcased the ‘cut-and-drop’ method, whereby cuttings, including soft grass or woodier waste clippings such as cornus stems, are simply left on the soil to break down. This no-dig approach acts as a free and easy, nutrient-rich mulch that suppresses weeds, retains moisture and feeds the soil as it decomposes.

The best times to mulch a border are spring and autumn. Mulching in spring locks in moisture and suppresses weeds for the summer, but be careful not to bury emerging leaves of perennials. Mulching in autumn (perhaps with the ‘cut-and-drop’ method) helps to insulate the soil, protecting plant roots from hard frosts, and gives the organic matter time to break down before the next growing season.

Another way to help your soil is to avoid walking on it when wet, which compacts it even further. Likewise digging wet clay soil, apart from being very difficult, can force the air out, turning it into hard lumps and make the waterlogging worse.

Instead of fighting your conditions, design around them. Going upwards and building raised beds will give your plants a head-start and you can bring in a nice freedraining loam topsoil, that you can then look after by mulching every year.

Make sure you have pathways to get around the garden, or stepping stones through a border, to avoid having to walk on your soil and compact it further.

Try to choose plants that will thrive in your conditions. These tend to have strong root systems capable of pushing through the clay soil and going deep. Trees and shrubs, once established, are generally happy on clay soil, particularly fruit trees that thrive on its fertility. Hydrangeas, roses, cornus, mahonia, viburnums, sarcococca, choisya and philadelphus are among the shrubs that are suited to clay.

Perennials that do well include heleniums, hardy geraniums, rudbeckia, Japanese anemones, nepeta, astrantia, asters, verbena and foxgloves. n

Elly West is a professional garden designer, working in and around the Bristol area | ellyswellies.co.uk

Plant of the month: Heleniums

Flowering from mid-summer through to autumn, heleniums keep the show going once other flowers start to fade, with their cheerful daisy blooms in shades of yellow, orange and red, loved by bees and other pollinating insects. They like lots of water and fertile soil, so do well on clay soil. Grow them in a sunny spot for the most prolific flowers, and water regularly to prevent plants from drying out. Heleniums also make good cut flowers. Deadhead regularly to keep new blooms coming and you’ll have vibrant colour up until the first frosts.

Plants die back over winter but appear again the following spring. There are lots of cultivars to choose from but ‘Moerheim Beauty’(pictured) is one of my favourites.

Rich coppery-orange flowers are held on sturdy stems that can reach over 1m once they are established, but if you want stockier plants with more flowers, cut the whole plant down to around 30cm in May or early June.

‘The Bishop’ is another popular variety, with golden-yellow flowers with a brown centre.

Grow them in groups alongside ornamental grasses for added texture, and other late-summer warm-toned flowers such as red-hot pokers and rudbeckia.

An exquisitely renovated two-bedroom flat on the prestigious St. John’s Road. Nestled within a grand Victorian villa, this residence perfectly balances its historic Bristolian soul with highend, contemporary design.

The sophisticated living space blends historic character with modern edge. Flooded with natural light, it has soaring ceilings adorned with original crown moulding and an ornate ceiling rose. Period wainscoting and a classic cast-iron fireplace are beautifully contrasted by modern blue-grey tones and industrial-chic matte black radiators.

The kitchen offers a bright, inviting environment for social gatherings. Soft sage green cabinetry pairs beautifully with the organic texture of solid wood worktops, while top quality integrated appliances cater to every culinary need.

Both bedrooms are excellent doubles and provide ample space to be able to work from home.

A rare find that offers an uncompromising quality of living in a coveted location.

Positioned just moments from the buzz of Whiteladies Road, you’ll have Bristol’s finest independent delis, artisan coffee shops, and celebrated restaurants. For a more relaxed afternoon, the boutique shops and historic charm of Clifton Village are just a short stroll away.

Ocean, 187-189 Whiteladies Rd. BS8 2RY

Tel: 0117 946 6007

Clifton, Bristol

• Two very comfortable double bedrooms with built in storage

• Large windows and lofty proportions create a bright, sun-drenched atmosphere

• A meticulous fusion of character, charm, and high-end contemporary finishes

• No onward chain

£525,000

PROPERTY NEWS

There are reports of the number of property transactions in Bristol falling by roughly 11% over the last 12-month period to May. Fewer sales traditionally indicate a market where buyers are becoming more selective, and sellers need to work harder to secure offers.

Evidence by TwentyEA confirms this is a nationwide trend (bar Scotland which saw no Stamp Duty reform last year) with sales volumes down across England and Wales by an average of 8.1%. Coupled with supply remaining steady it suggests buyers are out there, but being very selective.

Whilst I’ve recently heard increasing murmurs from selling agents describing conditions as ‘buyer-friendly’, there has certainly been a shift away from the highly competitive seller’s market of 2020-2022 into a much more balanced market. In recent weeks I have negotiated a number of purchases on behalf of clients, and my sense is that whilst not a strong buyer’s market, it is a market where there is improved choice for buyers and one that favours the sensible buyer.

Bristol is a city that still has strong long-term demand, and hence on a macro level the market here feels more balanced. On a more localised level, there are however still strong opportunities for buyers across some markets, namely:

Is it Buyer’s Market?

ith a combination of higher supply, weaker demand, more price reductions and sellers having to compete harder for buyers, there is a basis to suggest that we are leaning towards a buyer’s market. But is it a buyer’s market everywhere?

Looking broadly at the stats, it is clear to see why so many buyers are feeling that they may have the upper hand: Rightmove recently reported that 34% of homes on the market had their asking price reduced, with an average price drop of 7%.

In June, data shows newly listed sellers reducing asking prices by 0.6% month-on-month; said to be the largest June drop recorded by Rightmove in 14 years.

Whilst there is clear evidence to suggest it’s a buyer’s market in London and other higher-priced areas, what does it look like in Bristol?

• Leasehold properties.

• Properties that have been listed for 8 to 12 weeks often offer the best opportunity to explore a price reduction.

• Homes requiring refurbishment.

• Higher priced family homes, for example there is currently a large amount of choice at the £2m + mark.

• Further negotiation post survey findings (for genuine causes of concern) or mortgage issues can give buyers more leverage than historically was the case.

That said, I’ve had considerable amounts of recent experience where wellpresented houses in desirable areas such as Clifton, Redland and Bishopston, are still showing resilience and strong demand, especially when sellers are being realistic on price from the outset. I recently Completed on the purchase of a beautiful family home in Clifton (in the mid-£3m’s) which would have most likely sold three times over.

In summary, buyers have more negotiating power than sellers, but Bristol remains one of the UK's stronger regional housing markets rather than a market experiencing a significant downturn.

Whatever stage you are at in the search for your perfect home, I’d love to chat.

Lili Oliver Oliver Roth

Property

Consultants

T: 0117 9877 828 | E: home@oliverroth.co.uk

TO LET — QUEEN SQUARE, BS1

Looking for a beautifully refurbished office that combines historic charm with modern amenities?

49 & 50 Queen Square, Bristol

49 & 50 Queen Square offer self contained Georgian office buildings located in the heart of the city’s finest business district with allocated car parking spaces directly on Queen Square.

With top-tier features like advanced air conditioning, Cat 6 wiring, secure bike storage, and luxury breakout areas, it’s designed for businesses that value comfort and functionality.

49 Queen Square — 2,283 sq ft + 2 car parking spaces

50 Queen Square — 1,909 sq ft + 3 car parking spaces

50 Queen Square – now available on a floor by floor basis with floors from 350 sq ft – 530 sq ft

Energy Performance Certificate Rating of B

New leases available on flexible and competitive terms.

Short walk to Bristol Temple Meads Railway Station.

Further information can be obtained via the sole agent Burston Cook 0117 9349977

Keep up-to-date with our latest news, deals, testimonials and market comment at our website: www.burstoncook.co.uk

High Street, Thornbury TO LET - £50,000 PAX 2,589 sq ft

A very well positioned retail unit located in St Mary’s shopping centre. The property benefits from Use Class E, therefore it is suitable for a wide range of uses.

Wellsway, Bath TO LET - £26,000 1,991sq ft (185 sq m)

An excellent opportunity to take on a lease assignment of a large, bright high street office with high volumes of vehicle passing traffic.

20 High Street, Thornbury TO LET/FOR SALE

1,614 sq ft (149.94 sq m)

A three storey Grade II listed mid terrace property on the High Street in Thornbury. Offering 1614 sq ft of accommodation (149.94 sq m), the ground floor is let to BREAK until September 2026, first and second floor sold with vacant possession

The Sanctuary, BS20 FOR SALE – price reduction £300,000 / £16 PSF PAX

1,804 sq ft (167.59 sq m)

A purpose built business park with open countryside on its doorstep. The available office provides modern, open plan space over a single floor and is available to purchase, or to rent.

Dean Street Works, BS2 TO LET - POA

561 – 1,264 sq ft (52.1 – 117.4 sq m)

A ground floor commercial premises centrally located and available to let in the city centre. Due to be refurbished. Use Class E.

Station Road, Shirehampton FOR SALE - £190,000

831 sq ft (77.2 sq m)

High-quality, ground floor property with fully glazed frontage in a prominent position on Station Road. Benefiting from Class E planning use and would therefore suit a range of uses to include office, retail, and medical.

Mariner House, Prince St TO LET – From £20 psf + 1,200 – 2,400sq ft (111-223sq m) PLUG AND PLAY

Located just five minutes from Wapping Wharf and Bristol’s vibrant Cargo district, one floor is finished to Cat A standard, providing a high quality blank canvas, while the other is fully fitted on a plug-and-play basis for immediate occupation.

Public Convenience, High Street, Westbury on Trym FOR SALE – POA

Rare and unique opportunity! Development opportunity with planning granted for a two storey commercial unit. Excellent location in the centre of Westbury on Trym.

Denmark Street, BS1 TO LET – From £10,000 PAX 283 -1,167 sq ft (26.29 -108.41 sq m)

Two units, available over ground floor. Ideal for professional use, beauty, hair, retail etc. New lease terms available.

Aztec West, BS32 TO LET – £22.00 psf PAX

2,430 sq ft (226 sq m)

A high quality, open plan office strategically located just off Junction 16 of the M5. The suite offers modern accommodation with LED lighting, air conditioning, passenger lift, and shower.

AI and Property: Where Should We Draw the Line?

By Peter Greatorex

Artificial intelligence is becoming increasingly difficult to avoid. Whether it is in our phones, our search engines or our workplaces, AI is finding its way into almost every aspect of daily life. Property is no exception.

Recently, there has been growing discussion around so-called “housefishing”. This is the practice of using AI to significantly enhance property photographs, sometimes to the point where the finished images bear little resemblance to reality. Like many new technologies, AI can be an incredibly useful tool when used responsibly. The challenge is knowing where to draw the line.

As an estate agent, I struggle to see the long-term benefit of heavily manipulating a property's appearance. While it might generate additional clicks online, it ultimately does both the buyer and seller a disservice. If a buyer arrives for a viewing and discovers the reality is very different from what they have been shown, disappointment is almost inevitable.

More importantly, it can create doubt. Buyers may begin to question not only the property itself but also the motives of the seller and the agent. Trust is one of the most important parts of any property transaction, and once that trust is lost it can be difficult to regain.

There are already examples of AI being used to create unrealistically green lawns, remove neighbouring buildings, alter views from windows or even completely redesign interiors. While most people would accept minor enhancements such as adjusting lighting or improving image quality, there is a significant difference between presenting a property well and presenting something that does not actually exist.

That is not to say AI is a negative development for the industry. Far from it.

Used correctly, AI is helping agents become more efficient and ultimately allowing us to spend more time doing the things that matter most. Administrative tasks that previously took hours can now be completed much more quickly. Property descriptions can be drafted more efficiently, marketing materials can be prepared faster and data can be analysed within minutes rather than hours.

For me personally, the biggest benefit is not necessarily what AI does, but what it frees me up to do. Every hour saved behind a desk is another hour I can spend speaking to clients, carrying out viewings, negotiating sales and offering advice. Those are the parts of the job where human experience, judgement and local knowledge still matter enormously.

Property remains an emotional purchase. People are not simply buying bricks and mortar. They are buying a future lifestyle, a location, a community and often a long-held aspiration. No amount of technology can replace the conversations that help buyers decide whether a house truly feels like home.

I suspect AI will continue to become a bigger part of our industry over the coming years. The agents who use it effectively will almost certainly provide a better service. The key, however, is remembering that technology should enhance trust, not undermine it.

Used responsibly, AI can help us market homes more effectively, communicate more efficiently and spend more time with our clients. Used carelessly, it risks creating unrealistic expectations and damaging confidence in the process.

As with most things in property, the answer lies somewhere in the middle. Embrace the technology, but never lose sight of the human element.

Saville Court, Saville Place, Clifton, Bristol, BS8 4EJ 0117 374 0106 | info@petergreatorex.co.uk www.petergreatorex.co.uk

Stoughton Cross, Wedmore

OIEO £1,100,000

• A characterful Grade II Listed farmhouse dating from the 15th Century with rich history

• Converted two bedroomed cider barn & timber studio

• 5 reception rooms, 4 bedrooms 2 bathrooms & cloakroom in main house

• Attractive gardens with lawn, double garage and ample parking

• Council tax band G, EPC F

CARO HANNAWIN head of lettings

Caro leads our Bristol lettings operation with experience, precision, and a calm head under pressure. She oversees every aspect of the lettings process, ensuring landlords and tenants alike receive exceptional service. Thorough, knowledgable, and always composed, Caro’s expertise and steady leadership make her an invaluable and respected part of the Zest team.

BETH PERRY director

Beth co-owns Zest and oversees all operations, keeping the business running smoothly while managing staff, marketing initiatives, and working across both Sales and Lettings. Super organised and tech-savvy, she loves implementing systems that improve workflow efficiency in an industry that’s often process-heavy. With her focus, innovation, and leadership, Beth ensures the team has everything they need to deliver exceptional service to clients and landlords alike.

NICOLA BRYANT property lettings consultant

Nicola carries out property viewings, manages tenant onboarding, and supports tenants with any maintenance issues throughout their tenancy. Full of energy and enthusiasm, she builds great relationships with both tenants and clients, always striving to match people with their perfect home. Her dedication and professionalism ensure every tenancy runs smoothly and successfully.

GLENN

PERRY managing director

Glenn founded Zest back in 2008. His mission was to make the selling and letting experience simultaneously more successful and less stressful. In order to do this, he hired a team who were authentic and approachable, and who would offer a transparent and honest service. Nowadays, you’ll find Glenn working closely with investors and he specialises in property search and acquisition across Bristol.

LISA HEATH (NAEA) head of sales

Calm, considered, and deeply experienced, Lisa leads our sales team with expertise and grace. Having worked in Bath property for over 20 years, there’s hardly a street in the city where she hasn’t sold a home. Lisa takes the time to truly understand each property and its unique attributes, ensuring every sale is consistently handled with care, insight, and total professionalism.

ANNA COCKRAM lettings manager

Anna manages our Clifton Village lettings and works closely with Caro to oversea all residential and student properties across Bristol. With years of experience in the local market, she knows Bristol’s properties inside and out. Considered, kind, and highly intuitive, Anna excels at matching tenants with the perfect hoem and ensuring every letting runs smoothly from start to finish.

VENETTA SAGE lettings & tenancy assistant

Venetta supports the lettings and tenancy team with efficiency and a positive attitude. She completes all property inspections, creating comprehensive reports for our landlords, and assists with tenant onboarding and day-to-day tenancy tasks to ensure everything runs smoothly. Venetta plays a key role in keeping our lettings operations seamless and stress-free.

KATE PRISTO (MARLA) head of project management

Kate is calm, decisive and solutions-driven, bringing a wealth of experience to every project. She manages all property refurbishments from start to finish - taking the stress off landlords entirely. She’s passionate about raising housing standards and also maintains fantastic relationships with a network of trusted contractors, ensuring each project runs smoothly, on time, and to the highest standard.